<h2>FabFilter Pro-L 2 Limiter Plug-in</h2>
FabFilter Pro-L 2 is a major update to the Pro-L limiter plug-in. With four brand-new limiting algorithms, a new true peak limiting mode, extensive standards-compliant loudness metering, surround support (up to Dolby Atmos 7.1.2) , and many other new features, Pro-L 2 improves on its predecessor in every way while staying true to the original vision of unparalleled simplicity and effectiveness.<br/><br/>

<h3>New limiting algorithms</h3>
	FabFilter Pro-L 2 introduces four new limiting algorithms. Modern is the new ‘best for all’ algorithm that produces even better results than the Transparent and Allround algorithms from version 1. Aggressive is great for maximum loudness — well suited for EDM or rock music. Bus has been designed specifically for drums and limiting of individual tracks, while Safe’s goal is not maximum loudness, but to avoid distortion at all times.<br/><br/>

<h3>True peak limiting and loudness metering</h3>
	The new true peak limiting feature in FabFilter Pro-L 2 makes it extremely easy to hit a maximum true peak target. Just set the output level to the desired value, enable True Peak Limiting, and that’s it! Combined with improved true peak metering and extensive loudness metering that’s compliant with the EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards, Pro-L 2 is the perfect fit for any loudness normalization job.<br/><br/>

<h3>Advanced processing</h3>
	Complete support for surround audio with flexible channel linking makes FabFilter Pro-L 2 much more versatile in multi-channel scenarios, while the sound quality is even higher than before with up to 32x linearphase oversampling. New features like a DC offset filter, external side chain triggering for stem mastering, and a Unity Gain option ensure that Pro-L 2 is the solution to any mastering challenge.<br/><br/>
	
<h3>Interface enhancements</h3>
	The unique real-time level display is now even more effective with new innovative display modes, including an Infinite mode that shows all audio for an entire session. Moments of significant gain reduction are highlighted with peak labels to give additional insight in the limiting process. Last but not least, the interface has been carefully redesigned to be aesthetically pleasing with a perfectly optimized workflow.<br/><br/>

<h3>Pro-L Features</h3>
<ul>
	<li>
	<li>Great transparent sound combined with maximum loudness</li>
	<li>Eight different limiting algorithms, all with their own character and purpose</li>
	<li>True peak limiting</li>
	<li>Unique real-time level display with peak gain reduction labels and new innovative display modes</li>
	<li>Up to 32x linear-phase oversampling</li>
	<li> Highly accurate output and gain reduction metering including true peak metering</li>
	<li>Extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards</li>
	<li>Surround support including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking</li>
	<li>Optional DC offset filter</li>
	<li>External side chain triggering for stem mastering</li>
	<li>Unity Gain option to easily listen to the effect of the current limiting at unity gain level</li>
	<li>Audition Limiting option to listen to the difference between the input and output signal</li>
	</li>
</ul>