(1711,75,0,286,'<h1>Audio Ease Speakerphone 2 Plug-in (Upgrade for Owners of Speakerphone 1)</h1>\n<i>***This pricing is for registered owners of the original Speakerphone that wish to upgrade to Speakerphone 2.***</i><br /><br />\nThe Audio Ease Speakerphone audio plug-in gives you authentic speakers of any size together with their natural environments.\n<br /><br />\nAll the walkie-talkies, distant transistor radios, upstairs TV sets, bullhorns, cell phones and guitar cabinets you will ever need. Speakerphone (Mac , Windows, iLok or challenge response) will add dial tones, operator, static, and you can select from a wealth of ambiences on either the caller or receiver\'s end.\n<br /><br />\n400 speaker impulse responses, 23 microphones, 106 \'Covers\' (from blankets to car trunks), 53 Altiverb rooms and outdoor spaces, 5 gigabyte of ambiences and sound FX, and 12 DSP modules from Leslie to GSM compression, conveniently presented to you in well over 500 presets.\n<br /><br />\n<h3>Audio Ease Speakerphone 2 Features</h3>\n<h4>PRESETS</h4>\nSelect one of the many hundreds of presets from the preset browser that appears when you click in the preset bar.\n<br /><br />\n<h4>SNAPSHOTS    </h4>\nA preset can also be stored in one of 10 numbered slots below the preset bar. Do this by clicking ‘store’, followed by a click on the desired slot. Recall a preset by clicking on the slot. ‘automation preset index’ is an automatable parameter. You can therefore invoke switches using your workstation’s parameter automation. In Pro Tools this also works in case ‘automation preset index’ is the only parameter that is automation enabled. The contents of all automation preset slots are in turn saved in a single (Pro Tools) Preset, as well as in the Session file.\n<br /><br />\n<h4>AUTOLEVEL    </h4>\nThis is an automatic leveler to ensure that the input is just loud enough for the presets to sound good.\n<br /><br />\n<h4>DRY / WET    </h4>\nThe Wet Dry control gradually moves between processed and unprocessed (Bypassed) sound in a very elaborate way. A movement from WET to DRY will gradually open up filters, including the speaker IR, and diminish the effects of modules like Distortion and Codec each in a unique way. The overall result of a movement from WET to DRY is a seamless ‘opening’ up of the sound from the complete preset to unprocessed sound. If, for instance, you have your mix sounding from a jukebox in the back of a bar, you can slowly ‘open up’ the sound to full stereo buy dragging the WET/DRY slider. Or click the right most KICK text to make the slider move from wet to dry, automatically, at a speed determined by the KICK slider.\n<br /><br />\n<h4>MUTE ON STOP </h4>\n‘Mute on stop’ means playback of samples from the sample bay will be paused when your sequencer is not playing.\n<h4>SPEAKER      </h4>\nAt the heart of the speaker simulator lies a library of recordings of different speakers, often referred to as Impulse Responses, or IR’s.\nWhen you click a speaker category icon, like the phone or the radio, a browser window appears that lets you select a speaker in that category.\nThe impulse responses by themselves capture many characteristics, both in frequency and time, of the sampled speaker. The speaker module lets you select a speaker impulse response, and it shows its corresponding photograph. Double clicking that photograph brings up additional info on the selected Impulse Response If you want to check out which speakers we have for you then select ‘speakers‘ below.\n<br /><br />\n<h4>DISTORTION   </h4>\nEmulate a speaker\'s or amplifier\'s over modulation. In the distortion module audio is first passed through the Pre EQ. If you engage it by clicking its on/off button you can control both a parametric EQ and a low pass filter with resonance in the same graph. Bandwidth, or Q, for the Parametric EQ can be adjusted with the small rotary control. Next, the signal hits the PRE gain, which typically amplifies so the waveform will become more or less distorted in the next module: the Distortion Type. The actual distortion model is selected in the ‘TYPE’ popup. Some are amp models, others are wave shapers, all of them are further controlled using the CURVE graph at the bottom of the distortion module. POST-gain controls the distortion\'s output volume. You can also click the connection-button in between PRE and POST to have post gain automatically decrease when pre gain increases and vise versa. Finally you can Mix the distorted signal with the undistorted input signal using the MIX control.\n<br /><br />\n<h4>MIC          </h4>\nSimilar to the speaker selector, but here a microphone impulse response can be selected. The available microphone time and frequency characteristics of the microphones depicted, and therefore make it sound as if the selected microphone was used in the result. Use it to make an announcer speak through a typical announcer microphone, or to pick up a guitar cabinet using a classic microphone for the purpose, for instance a Royer.\n<br /><br />\n<h4>ROOM         </h4>\nConvolution reverb, powered by Altiverb, for room, outdoor space, hall, resonant enclosure, and reverb gear simulation. Room creates reverb based on recordings of actual spaces ranging from a railway station hall to the cockpit of a MIG fighter plane. Samples of spring and plate reverbs and even real outdoor streets are available as well.\n<br /><br />\n<h4>COVER        </h4>\nA variety of objects can cover a sound source. Blankets, suitcases, boxes, glass cups, car trunks, walls are just few. The pitch of these resonating little acoustics can ben adjusted.\n<br /><br />\n<h4>EQ           </h4>\nFive types of frequency filters. \nLow and High shelving filters, High pass filter and low pass filter and two bands of parametric equalization with adjustable q-factor.\n<br /><br />\n<h4>CRUSH        </h4>\nWord length reduction and sampling rate reduction. \nDrag the cross hair down to reduce word length (reduce from 32 bit input to 2 bit output). Move to the left to reduce sampling rate. To maximize aliasing effects the most crude of sample rate conversion algorithms lies beneath the Crush module.\n<br /><br />\n<h4>GATE         </h4>\nClassic gate, you can set it to duck or entirely mute the input. This can be used to create connections that drop out, to clean up guitar input, etc.\n<br /><br />\n<h4>COMPRESSOR   </h4>\nEmulate the pumping of video cameras, enhance the guitar input signal and there are presets for the extreme types of compression that are present in walkie-talkies and megaphones.\n<br /><br />\n<h4>GRAMOPHONE   </h4>\nGramophone effects simulator. Influence a pitch curve due to \'Wow\' (effect of an off-center hole) and Curve (a bumpy record). Also Add ticks and crackles that knock holes in the input audio.\n<br /><br />\n<h4>LESLIE       </h4>\nThis module emulates a Leslie speaker, typically associated with Hammond organs.\nA Leslie speaker, on the inside, rotates a horn speaker for the mid to high frequencies, and it rotates a horizontal baffle below a downward facing low frequency woofer. The result is rich rotating sound utilizing the Doppler effect (pitch shifting that can be heard while a sound source moves to or from the listener)\n<br /><br />\n<h4>MOD          </h4>\nThe modulation (mod) module offers five types of classic modulation effects, available in the top left popup. \nThese are: Tremolo, Chorus, Phaser, Flanger or Vibrato. \n<br />\nDEPTH controls the amount of the modulation effect. <br />\nSPEED controls how fast the modulation oscillates. Speed can either be set in FREE mode or in SYNC mode. SYNC ties speed to the host sequencer\'s tempo and displays it with a note value.<br /><br />\n<h4>TELECOM      </h4>\n(Cellular) phone connection protocol simulation. Apart from emulating cell phones the codec can be tweaked to make whispering presets, robots and vocal synthesizer effects.\n<br /><br />\n<h4>DELAY        </h4>\nMono or stereo feedback delay with a high pass or low pass filter in the feedback loop. The delay can be synced to host tempo, in which case the delay time rotary knobs are exchanged by notes. Clicking on a note then brings up a note-value selector box. The Cross feed parameter determines how much of the left channel signal gets fed into the right channel delay path.\n<br /><br />\n<h4>RADIO TUNING </h4>\nSimulates the various effects of a radio receiver dial. \nVertical movement of the cross-hairs changes the frequency of inter-modulation side tones, and when the cross hair is moved out of the horizontal center, the reception of the signal worsens (distortion and noise is added).\n<br /><br />\n<h4>MULTI LFO    </h4>\nFour Low Frequency Oscillators (LFO) and two envelope followers (env) for automated parameter control. Simply click and drag a cable to a parameter that you want to control with the LFO. The speed can be synced to the host\'s tempo and there is a wealth of different waveforms to choose from.\n<br /><br />\n<h4>SAMPLEBAY    </h4>\nYou can build complete environments for the speakers right here, via mouse clicks or MIDI.\nSeveral gigabytes of samples and music are installed with Speakerphone, free for use in your production. 5 tables of twelve samples are accessible at a time for playback via mouse clicks or MIDI. \nThe samples range from extras like knobs and closing car doors to ambiences and music, and they are used throughout the presets that come with Speakerphone. \nYou can drag samples from the sample bay to your tracks and vise versa. And you can add your own library as well.\n<br /><br />'),(1712,75,1,286,'<h1>Audio Ease Speakerphone 2 Plug-in (Upgrade for Owners of Speakerphone 1)</h1>\n<i>***This pricing is for registered owners of the original Speakerphone that wish to upgrade to Speakerphone 2.***</i><br /><br />\nThe Audio Ease Speakerphone audio plug-in gives you authentic speakers of any size together with their natural environments.\n<br /><br />\nAll the walkie-talkies, distant transistor radios, upstairs TV sets, bullhorns, cell phones and guitar cabinets you will ever need. Speakerphone (Mac , Windows, iLok or challenge response) will add dial tones, operator, static, and you can select from a wealth of ambiences on either the caller or receiver\'s end.\n<br /><br />\n400 speaker impulse responses, 23 microphones, 106 \'Covers\' (from blankets to car trunks), 53 Altiverb rooms and outdoor spaces, 5 gigabyte of ambiences and sound FX, and 12 DSP modules from Leslie to GSM compression, conveniently presented to you in well over 500 presets.\n<br /><br />\n<h3>Audio Ease Speakerphone 2 Features</h3>\n<h4>PRESETS</h4>\nSelect one of the many hundreds of presets from the preset browser that appears when you click in the preset bar.\n<br /><br />\n<h4>SNAPSHOTS    </h4>\nA preset can also be stored in one of 10 numbered slots below the preset bar. Do this by clicking ‘store’, followed by a click on the desired slot. Recall a preset by clicking on the slot. ‘automation preset index’ is an automatable parameter. You can therefore invoke switches using your workstation’s parameter automation. In Pro Tools this also works in case ‘automation preset index’ is the only parameter that is automation enabled. The contents of all automation preset slots are in turn saved in a single (Pro Tools) Preset, as well as in the Session file.\n<br /><br />\n<h4>AUTOLEVEL    </h4>\nThis is an automatic leveler to ensure that the input is just loud enough for the presets to sound good.\n<br /><br />\n<h4>DRY / WET    </h4>\nThe Wet Dry control gradually moves between processed and unprocessed (Bypassed) sound in a very elaborate way. A movement from WET to DRY will gradually open up filters, including the speaker IR, and diminish the effects of modules like Distortion and Codec each in a unique way. The overall result of a movement from WET to DRY is a seamless ‘opening’ up of the sound from the complete preset to unprocessed sound. If, for instance, you have your mix sounding from a jukebox in the back of a bar, you can slowly ‘open up’ the sound to full stereo buy dragging the WET/DRY slider. Or click the right most KICK text to make the slider move from wet to dry, automatically, at a speed determined by the KICK slider.\n<br /><br />\n<h4>MUTE ON STOP </h4>\n‘Mute on stop’ means playback of samples from the sample bay will be paused when your sequencer is not playing.\n<h4>SPEAKER      </h4>\nAt the heart of the speaker simulator lies a library of recordings of different speakers, often referred to as Impulse Responses, or IR’s.\nWhen you click a speaker category icon, like the phone or the radio, a browser window appears that lets you select a speaker in that category.\nThe impulse responses by themselves capture many characteristics, both in frequency and time, of the sampled speaker. The speaker module lets you select a speaker impulse response, and it shows its corresponding photograph. Double clicking that photograph brings up additional info on the selected Impulse Response If you want to check out which speakers we have for you then select ‘speakers‘ below.\n<br /><br />\n<h4>DISTORTION   </h4>\nEmulate a speaker\'s or amplifier\'s over modulation. In the distortion module audio is first passed through the Pre EQ. If you engage it by clicking its on/off button you can control both a parametric EQ and a low pass filter with resonance in the same graph. Bandwidth, or Q, for the Parametric EQ can be adjusted with the small rotary control. Next, the signal hits the PRE gain, which typically amplifies so the waveform will become more or less distorted in the next module: the Distortion Type. The actual distortion model is selected in the ‘TYPE’ popup. Some are amp models, others are wave shapers, all of them are further controlled using the CURVE graph at the bottom of the distortion module. POST-gain controls the distortion\'s output volume. You can also click the connection-button in between PRE and POST to have post gain automatically decrease when pre gain increases and vise versa. Finally you can Mix the distorted signal with the undistorted input signal using the MIX control.\n<br /><br />\n<h4>MIC          </h4>\nSimilar to the speaker selector, but here a microphone impulse response can be selected. The available microphone time and frequency characteristics of the microphones depicted, and therefore make it sound as if the selected microphone was used in the result. Use it to make an announcer speak through a typical announcer microphone, or to pick up a guitar cabinet using a classic microphone for the purpose, for instance a Royer.\n<br /><br />\n<h4>ROOM         </h4>\nConvolution reverb, powered by Altiverb, for room, outdoor space, hall, resonant enclosure, and reverb gear simulation. Room creates reverb based on recordings of actual spaces ranging from a railway station hall to the cockpit of a MIG fighter plane. Samples of spring and plate reverbs and even real outdoor streets are available as well.\n<br /><br />\n<h4>COVER        </h4>\nA variety of objects can cover a sound source. Blankets, suitcases, boxes, glass cups, car trunks, walls are just few. The pitch of these resonating little acoustics can ben adjusted.\n<br /><br />\n<h4>EQ           </h4>\nFive types of frequency filters. \nLow and High shelving filters, High pass filter and low pass filter and two bands of parametric equalization with adjustable q-factor.\n<br /><br />\n<h4>CRUSH        </h4>\nWord length reduction and sampling rate reduction. \nDrag the cross hair down to reduce word length (reduce from 32 bit input to 2 bit output). Move to the left to reduce sampling rate. To maximize aliasing effects the most crude of sample rate conversion algorithms lies beneath the Crush module.\n<br /><br />\n<h4>GATE         </h4>\nClassic gate, you can set it to duck or entirely mute the input. This can be used to create connections that drop out, to clean up guitar input, etc.\n<br /><br />\n<h4>COMPRESSOR   </h4>\nEmulate the pumping of video cameras, enhance the guitar input signal and there are presets for the extreme types of compression that are present in walkie-talkies and megaphones.\n<br /><br />\n<h4>GRAMOPHONE   </h4>\nGramophone effects simulator. Influence a pitch curve due to \'Wow\' (effect of an off-center hole) and Curve (a bumpy record). Also Add ticks and crackles that knock holes in the input audio.\n<br /><br />\n<h4>LESLIE       </h4>\nThis module emulates a Leslie speaker, typically associated with Hammond organs.\nA Leslie speaker, on the inside, rotates a horn speaker for the mid to high frequencies, and it rotates a horizontal baffle below a downward facing low frequency woofer. The result is rich rotating sound utilizing the Doppler effect (pitch shifting that can be heard while a sound source moves to or from the listener)\n<br /><br />\n<h4>MOD          </h4>\nThe modulation (mod) module offers five types of classic modulation effects, available in the top left popup. \nThese are: Tremolo, Chorus, Phaser, Flanger or Vibrato. \n<br />\nDEPTH controls the amount of the modulation effect. <br />\nSPEED controls how fast the modulation oscillates. Speed can either be set in FREE mode or in SYNC mode. SYNC ties speed to the host sequencer\'s tempo and displays it with a note value.<br /><br />\n<h4>TELECOM      </h4>\n(Cellular) phone connection protocol simulation. Apart from emulating cell phones the codec can be tweaked to make whispering presets, robots and vocal synthesizer effects.\n<br /><br />\n<h4>DELAY        </h4>\nMono or stereo feedback delay with a high pass or low pass filter in the feedback loop. The delay can be synced to host tempo, in which case the delay time rotary knobs are exchanged by notes. Clicking on a note then brings up a note-value selector box. The Cross feed parameter determines how much of the left channel signal gets fed into the right channel delay path.\n<br /><br />\n<h4>RADIO TUNING </h4>\nSimulates the various effects of a radio receiver dial. \nVertical movement of the cross-hairs changes the frequency of inter-modulation side tones, and when the cross hair is moved out of the horizontal center, the reception of the signal worsens (distortion and noise is added).\n<br /><br />\n<h4>MULTI LFO    </h4>\nFour Low Frequency Oscillators (LFO) and two envelope followers (env) for automated parameter control. Simply click and drag a cable to a parameter that you want to control with the LFO. The speed can be synced to the host\'s tempo and there is a wealth of different waveforms to choose from.\n<br /><br />\n<h4>SAMPLEBAY    </h4>\nYou can build complete environments for the speakers right here, via mouse clicks or MIDI.\nSeveral gigabytes of samples and music are installed with Speakerphone, free for use in your production. 5 tables of twelve samples are accessible at a time for playback via mouse clicks or MIDI. \nThe samples range from extras like knobs and closing car doors to ambiences and music, and they are used throughout the presets that come with Speakerphone. \nYou can drag samples from the sample bay to your tracks and vise versa. And you can add your own library as well.\n<br /><br />'),(1713,85,0,286,'Audio Ease Speakerphone 2 Plug-in Upgrade'),(1714,85,1,286,'Audio Ease Speakerphone 2 Plug-in Upgrade'),(1715,76,0,286,''),(1716,76,1,286,''),(1717,75,0,287,'<h1>Aurora Audio GTQ2 Class A Stereo Microphone Preamp with 3-Band EQ</h1>\n<span style=\"font-size:16px; font-style:italic;\">The original Mic Pre / EQ that set the Standard for Aurora\'s Class-A discrete circuit designs.</span><br /><br />\n\nThe Aurora GTQ2 is a Stereo Microphone Preamp with a 3-Band EQ and Class-A discrete balanced transformer Input and Output.<br /><br />GTQ3 features adjustable input impedance coupled with 80dB of available gain that makes the GTQ2 ideal for cleanly amplifying everything: low power ribbon mics, classic dynamic mics, and high output condensers. You don’t always have to stay clean though. Turn up the gain on the GTQ2 and hear the classic harmonics and overtones that made the Class A British sound so sought after.<br /><br />\n\nThe GTQ2 EQ is made to be engineer and musician friendly. This 3 band small wonder is an incredibly powerful tone shaping tool. Geoff saw the opportunity to simplify the EQ section by focusing on the most musical frequencies so you can spend your time recording and not twiddling knobs. The Hi end shelving at 12K provides air and sheen while never getting thin or shrill. The Low end shelving at 80hz gives you enough power to fill out an anemic sound or cut to get rid of any offending rumble. The Midrange control at 400Hz, 1.6K, and 3.2K can help you get rid of mud and get tracks to cut though your dense mix.<br /><br />\n\nWhen is a DI not just a DI? When it’s the GTQ2 DI! The 10 Megohm DI input allows for a full frequency experience. You will hear Bass and Keyboards with a whole new sense of clarity and fullness. For those recording instruments “in the box” like electric guitars, amp and room simulations will sound more real than ever since the GTQ2 provides an unparalleled source material for the modeling program to react to.<br /><br />\n\nThe GTQ2 is truly an all-purpose mic pre. Ideal for any instrument, vocal, or sound effect, the GTQ2 is being used around the world by professionals in Music, Film, and TV.<br /><br />\n\nSince it’s introduction to the pro audio world over 10 years ago by Geoff Tanner, the GTQ2 has become a modern classic. With one foot firmly planted in the historic British preamp sound that makes up some of the worlds favorite recordings of all time, the GTQ2 is also equally capable of capturing the best modern tones of today.  It is the foundation of the entire Aurora Audio line and sets the standard for all of the Class A discrete designs for the company.<br /><br />\n\nGeoff Tanner’s design incorporates balanced transformer input and output. The transformers are made to Geoff’s exacting specifications by the old Marinair crew in the United Kingdom. This results in the warm yet extremely punchy sound that only great iron can provide.<br /><br />\n\n<h3>Aurora GTQ2 Specifications</h3>\n<ul>\n<li>Input impedance = 1,200 ohms or 300 ohms balanced and floating                                                 </li>\n<li>Balanced and floating Output will drive any impedance from 600 ohms upwards                                    </li>\n<li>D.I. Input impedance = 10Megohms                                                                               </li>\n<li>Frequency response &lt;20Hz to	&gt;50KHz + 1dB                                                                </li>\n<li>Distortion &lt;0.075% @ 1KHz                                                                                   </li>\n<li>EIN &lt;-125dB @ 80dB gain                                                                                     </li>\n<li>Transformer balanced inputs and outputs                                                                        </li>\n<li>All Class A discrete transistor circuitry Stepped adjustable in 5dB steps from –10dB to +80dB                  </li>\n<li>Rear jacks provide an unbalanced output at the same level as balanced. Selectable input impedance on rear panel</li>\n<li>Three band EQ: + 15dB adjustment 80Hz (Bass), 12KHz (Treble) mid frequencies of 400Hz, 1,600Hz and 3,200Hz     </li>\n<li>80Hz 18dB/octave High Pass Filter                                                                              </li>\n<li>Internal power supply                                                                                          </li>\n</ul><br />\n\n\n<h3></h3>'),(1718,75,1,287,'<h1>Aurora Audio GTQ2 Class A Stereo Microphone Preamp with 3-Band EQ</h1>\n<span style=\"font-size:16px; font-style:italic;\">The original Mic Pre / EQ that set the Standard for Aurora\'s Class-A discrete circuit designs.</span><br /><br />\n\nThe Aurora GTQ2 is a Stereo Microphone Preamp with a 3-Band EQ and Class-A discrete balanced transformer Input and Output.<br /><br />GTQ3 features adjustable input impedance coupled with 80dB of available gain that makes the GTQ2 ideal for cleanly amplifying everything: low power ribbon mics, classic dynamic mics, and high output condensers. You don’t always have to stay clean though. Turn up the gain on the GTQ2 and hear the classic harmonics and overtones that made the Class A British sound so sought after.<br /><br />\n\nThe GTQ2 EQ is made to be engineer and musician friendly. This 3 band small wonder is an incredibly powerful tone shaping tool. Geoff saw the opportunity to simplify the EQ section by focusing on the most musical frequencies so you can spend your time recording and not twiddling knobs. The Hi end shelving at 12K provides air and sheen while never getting thin or shrill. The Low end shelving at 80hz gives you enough power to fill out an anemic sound or cut to get rid of any offending rumble. The Midrange control at 400Hz, 1.6K, and 3.2K can help you get rid of mud and get tracks to cut though your dense mix.<br /><br />\n\nWhen is a DI not just a DI? When it’s the GTQ2 DI! The 10 Megohm DI input allows for a full frequency experience. You will hear Bass and Keyboards with a whole new sense of clarity and fullness. For those recording instruments “in the box” like electric guitars, amp and room simulations will sound more real than ever since the GTQ2 provides an unparalleled source material for the modeling program to react to.<br /><br />\n\nThe GTQ2 is truly an all-purpose mic pre. Ideal for any instrument, vocal, or sound effect, the GTQ2 is being used around the world by professionals in Music, Film, and TV.<br /><br />\n\nSince it’s introduction to the pro audio world over 10 years ago by Geoff Tanner, the GTQ2 has become a modern classic. With one foot firmly planted in the historic British preamp sound that makes up some of the worlds favorite recordings of all time, the GTQ2 is also equally capable of capturing the best modern tones of today.  It is the foundation of the entire Aurora Audio line and sets the standard for all of the Class A discrete designs for the company.<br /><br />\n\nGeoff Tanner’s design incorporates balanced transformer input and output. The transformers are made to Geoff’s exacting specifications by the old Marinair crew in the United Kingdom. This results in the warm yet extremely punchy sound that only great iron can provide.<br /><br />\n\n<h3>Aurora GTQ2 Specifications</h3>\n<ul>\n<li>Input impedance = 1,200 ohms or 300 ohms balanced and floating                                                 </li>\n<li>Balanced and floating Output will drive any impedance from 600 ohms upwards                                    </li>\n<li>D.I. Input impedance = 10Megohms                                                                               </li>\n<li>Frequency response &lt;20Hz to	&gt;50KHz + 1dB                                                                </li>\n<li>Distortion &lt;0.075% @ 1KHz                                                                                   </li>\n<li>EIN &lt;-125dB @ 80dB gain                                                                                     </li>\n<li>Transformer balanced inputs and outputs                                                                        </li>\n<li>All Class A discrete transistor circuitry Stepped adjustable in 5dB steps from –10dB to +80dB                  </li>\n<li>Rear jacks provide an unbalanced output at the same level as balanced. Selectable input impedance on rear panel</li>\n<li>Three band EQ: + 15dB adjustment 80Hz (Bass), 12KHz (Treble) mid frequencies of 400Hz, 1,600Hz and 3,200Hz     </li>\n<li>80Hz 18dB/octave High Pass Filter                                                                              </li>\n<li>Internal power supply                                                                                          </li>\n</ul><br />\n\n\n<h3></h3>'),(1719,85,0,287,''),(1720,85,1,287,''),(1721,76,0,287,''),(1722,76,1,287,''),(1723,75,0,288,'<h1>Avalon AD2022 Dual Mono Microphone Preamplifier & DI</h1><div><i>2u 19 inch wide, 100% discrete Pure Class A, +70dB step gain 4dB & fine trim, <span style=\"background-color: initial;\">transformer balanced-selectable impedance, DI input, vari-high pass filter.</span></i></div><span style=\"background-color: initial;\"><br /></span>The Avalon AD2022 is a fully discrete, symmetrical Pure Class A microphone preamplifier. The dual mono AD2022 includes the original sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus several additional features, including selectable microphone source loading for optimized cable/mic matching, improved high-voltage Class A regulated power supplies, two high Z instrument inputs, variable-passive high pass filter, quality/silver wiring and doubled plated circuit boards for superior low level signal transfer. \n<br /><br />\n<h3>Avalon AD2022 Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Symmetrical Pure Class A design, two channels</span></li>\n	<li>Microphone and hi-Z instrument inputs</li>\n	<li>Gain switched 4dB steps plus +/- 3dB fine output trim </li>\n	<li>Selectable microphone input impedance matching </li>\n	<li>Low noise -126dB EIN</li>\n	<li>Ultra high quality, low-ratio, balanced input transformer</li>\n	<li>Balanced, high-current Class A output to +36dB</li>\n	<li>Large illuminated analog VU meters and twin peak LED\'s</li>\n	<li>Regulated phantom power supply +48v </li>\n	<li>Input polarity phase reverse </li>\n	<li>High headroom +36dB input before overload</li>\n	<li>Input -20dB pad for high level signals</li>\n	<li>Sealed silver relays for all signal routing</li>\n	<li>External AC 150w toroidal power chassis</li>\n	<li>Fully discrete Class A regulated audio power supplies</li>\n	<li>Deep, musical sound-stage, transparent amplification</li>\n</ul>\n<br />\n<h3>MICROPHONE INPUT</h3>\nThe AD2022 incorporates the most advanced high-performance microphone transformer available. Split low-ratio primary windings are carefully combined within a custom mu-metal core for extended smooth frequency response and very low distortion.  Sealer silver relays are used for minimal signal invasion.  The input signal selector, high pass filter, polarity-phase reverse, +48v power and the 20dB input attenuator all utilize local sealed relay operation. A variable passive high pass filter provides a minimum phase shift design while eliminating low frequency rumble, wind noise and mechanical vibration at sub sonic frequencies. \n<br /><br />\n<h3>SYMMETRICAL PURE CLASS A DESIGN</h3>\nTwo 100% discrete, high-voltage, symmetrical Pure Class A signal amplifiers are utilized per channel. The first operates in a cascaded-cascode FET configuration while the second stage amplifier is fully bipolar. The twin amplifiers share the total available gain requirement. This shared architecture increases the high level headroom capability, improves transient response and doubles the internal bandwidth of the ultra-high performance pure Class A signal amplifiers. \n<br /><br />\n<h3>OUTPUT and METERING</h3>\nHigh-current DC coupled, Class A discrete amplifiers are utilized for the output drive interface with +36dB capability into all known loads.  Two large, high-quality analog VU meters indicate accurate signal readings while bi-color LED\'s offers peak indication at 0dB and +20dB.\n<br /><br />'),(1724,75,1,288,'<h1>Avalon AD2022 Dual Mono Microphone Preamplifier & DI</h1><div><i>2u 19 inch wide, 100% discrete Pure Class A, +70dB step gain 4dB & fine trim, <span style=\"background-color: initial;\">transformer balanced-selectable impedance, DI input, vari-high pass filter.</span></i></div><span style=\"background-color: initial;\"><br /></span>The Avalon AD2022 is a fully discrete, symmetrical Pure Class A microphone preamplifier. The dual mono AD2022 includes the original sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus several additional features, including selectable microphone source loading for optimized cable/mic matching, improved high-voltage Class A regulated power supplies, two high Z instrument inputs, variable-passive high pass filter, quality/silver wiring and doubled plated circuit boards for superior low level signal transfer. \n<br /><br />\n<h3>Avalon AD2022 Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Symmetrical Pure Class A design, two channels</span></li>\n	<li>Microphone and hi-Z instrument inputs</li>\n	<li>Gain switched 4dB steps plus +/- 3dB fine output trim </li>\n	<li>Selectable microphone input impedance matching </li>\n	<li>Low noise -126dB EIN</li>\n	<li>Ultra high quality, low-ratio, balanced input transformer</li>\n	<li>Balanced, high-current Class A output to +36dB</li>\n	<li>Large illuminated analog VU meters and twin peak LED\'s</li>\n	<li>Regulated phantom power supply +48v </li>\n	<li>Input polarity phase reverse </li>\n	<li>High headroom +36dB input before overload</li>\n	<li>Input -20dB pad for high level signals</li>\n	<li>Sealed silver relays for all signal routing</li>\n	<li>External AC 150w toroidal power chassis</li>\n	<li>Fully discrete Class A regulated audio power supplies</li>\n	<li>Deep, musical sound-stage, transparent amplification</li>\n</ul>\n<br />\n<h3>MICROPHONE INPUT</h3>\nThe AD2022 incorporates the most advanced high-performance microphone transformer available. Split low-ratio primary windings are carefully combined within a custom mu-metal core for extended smooth frequency response and very low distortion.  Sealer silver relays are used for minimal signal invasion.  The input signal selector, high pass filter, polarity-phase reverse, +48v power and the 20dB input attenuator all utilize local sealed relay operation. A variable passive high pass filter provides a minimum phase shift design while eliminating low frequency rumble, wind noise and mechanical vibration at sub sonic frequencies. \n<br /><br />\n<h3>SYMMETRICAL PURE CLASS A DESIGN</h3>\nTwo 100% discrete, high-voltage, symmetrical Pure Class A signal amplifiers are utilized per channel. The first operates in a cascaded-cascode FET configuration while the second stage amplifier is fully bipolar. The twin amplifiers share the total available gain requirement. This shared architecture increases the high level headroom capability, improves transient response and doubles the internal bandwidth of the ultra-high performance pure Class A signal amplifiers. \n<br /><br />\n<h3>OUTPUT and METERING</h3>\nHigh-current DC coupled, Class A discrete amplifiers are utilized for the output drive interface with +36dB capability into all known loads.  Two large, high-quality analog VU meters indicate accurate signal readings while bi-color LED\'s offers peak indication at 0dB and +20dB.\n<br /><br />'),(1725,85,0,288,'Avalon AD2022 Dual Mono Microphone Preamplifier & DI'),(1726,85,1,288,'Avalon AD2022 Dual Mono Microphone Preamplifier & DI'),(1727,76,0,288,''),(1728,76,1,288,''),(1729,75,0,289,'<h1>Avalon AD2077 Dual Mono Mastering Equalizer</h1>\n<span style=\"font-size:16px; font-style:italic;\">3u 19 inch wide, 100% discrete Pure Class A, Dual Mono Mastering “4 band active-passive EQ” with low noise, +30dB headroom, “Ultimate Tone Control”, all functions switched, balanced in-out, and true bypass.</span><br /><br />\nThe Avalon AD2077 mastering equalizer is an ultraistic design optimizing absolute signal integrity. Design features include 100% discrete pure class A signal amplifiers, state-of-the-art passive and active filter topologies and a DC coupled minimalist signal path. These unique designs offer the professional mastering engineer alternate tone selections in both filter domains while delivering the highest resolution and wide dynamic range with very low noise. Custom gold rotary switches give accuracy in 0.5dB, 1dB and 2dB steps. 104 switched frequencies per channel with X I0 range selectors provide frequency selections from 12Hz to 25kHz at 1/4 octave intervals. The Avalon AD2077 mastering equalizer is the most musically transparent analog EQ available today!\n<br /><br />\n<h3>Avalon AD2077 Features</h3>\n<ul>\n	<li>Pure Class A, 100% discrete design</li>\n	<li>Smooth musical detail and sonic excellence</li>\n	<li>Minimum audio signal path</li>\n	<li>Dual mono, fully switched controls</li>\n	<li>Transparent active and passive filter design</li>\n	<li>Very low noise -94dB</li>\n	<li>High headroom +30dB </li>\n	<li>Fully balanced inputs and outputs</li>\n	<li>DC coupled, no transformers in audio path</li>\n	<li>104 switched frequencies per channel</li>\n	<li>Mid bands use X10 frequency for extended range</li>\n	<li>Wide bandwidth -3dB 1Hz to 450kHz</li>\n	<li>Low distortion less than 0.5% THD and IMD</li>\n	<li>Switched range control 0.5dB, 1dB and 2dB steps</li>\n	<li>All signal routing with sealed silver relays </li>\n	<li>100% discrete power supplies for audio path</li>\n	<li>External 150W toroidal power supply</li>\n</ul>\n<br />\n<h3>SONIC EXCELLENCE</h3>\nThe Avalon AD2077 Pure Class A mastering equalizer is the most advanced, low noise, fully switched parametric equalizer available today. Designed for absolute signal integrity and musical performance, the AD2077 combines the best active and passive filter topologies for sonic excellence unequaled by lesser designs.  The AD2077 is the perfect solution for two buss music-program equalization and ultra-high performance analog mastering applications. Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years. \n<br /><br />\n<h3>PASSIVE-ACTIVE FILTER DESIGN</h3>\nAvalon equalizers feature the unique combination of both active and passive EQ filters. This special combination enables the AD2077 to deliver high speed transient detail at the operational extremes of real-world equalization demands.  The passive high and low bands offer alternate musical tone range to the full function active parametric mid bands. Passive equalizers have long been a favorite with music lovers around the world . . . full bodied, powerful (up to +/-20dB, 40dB  range !) and sweet frequency selections are the benefits of the passive high-low EQ bands. The full bandwidth twin mid bands provide switched frequency selection (X10 frequency multipliers for very wide range), switched Q (width) and amplitude control. \n<br /><br />\n<h3>MINIMUM SIGNAL PATH DESIGN</h3>\nAvalon\'s true symmetry design offers high-voltage, large headroom, extended bandwidth and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious mastering engineer unlimited sonic character and a natural harmonic detail that enhances the program material and becomes one with the music itself.\n<br /><br />'),(1730,75,1,289,'<h1>Avalon AD2077 Dual Mono Mastering Equalizer</h1>\n<span style=\"font-size:16px; font-style:italic;\">3u 19 inch wide, 100% discrete Pure Class A, Dual Mono Mastering “4 band active-passive EQ” with low noise, +30dB headroom, “Ultimate Tone Control”, all functions switched, balanced in-out, and true bypass.</span><br /><br />\nThe Avalon AD2077 mastering equalizer is an ultraistic design optimizing absolute signal integrity. Design features include 100% discrete pure class A signal amplifiers, state-of-the-art passive and active filter topologies and a DC coupled minimalist signal path. These unique designs offer the professional mastering engineer alternate tone selections in both filter domains while delivering the highest resolution and wide dynamic range with very low noise. Custom gold rotary switches give accuracy in 0.5dB, 1dB and 2dB steps. 104 switched frequencies per channel with X I0 range selectors provide frequency selections from 12Hz to 25kHz at 1/4 octave intervals. The Avalon AD2077 mastering equalizer is the most musically transparent analog EQ available today!\n<br /><br />\n<h3>Avalon AD2077 Features</h3>\n<ul>\n	<li>Pure Class A, 100% discrete design</li>\n	<li>Smooth musical detail and sonic excellence</li>\n	<li>Minimum audio signal path</li>\n	<li>Dual mono, fully switched controls</li>\n	<li>Transparent active and passive filter design</li>\n	<li>Very low noise -94dB</li>\n	<li>High headroom +30dB </li>\n	<li>Fully balanced inputs and outputs</li>\n	<li>DC coupled, no transformers in audio path</li>\n	<li>104 switched frequencies per channel</li>\n	<li>Mid bands use X10 frequency for extended range</li>\n	<li>Wide bandwidth -3dB 1Hz to 450kHz</li>\n	<li>Low distortion less than 0.5% THD and IMD</li>\n	<li>Switched range control 0.5dB, 1dB and 2dB steps</li>\n	<li>All signal routing with sealed silver relays </li>\n	<li>100% discrete power supplies for audio path</li>\n	<li>External 150W toroidal power supply</li>\n</ul>\n<br />\n<h3>SONIC EXCELLENCE</h3>\nThe Avalon AD2077 Pure Class A mastering equalizer is the most advanced, low noise, fully switched parametric equalizer available today. Designed for absolute signal integrity and musical performance, the AD2077 combines the best active and passive filter topologies for sonic excellence unequaled by lesser designs.  The AD2077 is the perfect solution for two buss music-program equalization and ultra-high performance analog mastering applications. Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years. \n<br /><br />\n<h3>PASSIVE-ACTIVE FILTER DESIGN</h3>\nAvalon equalizers feature the unique combination of both active and passive EQ filters. This special combination enables the AD2077 to deliver high speed transient detail at the operational extremes of real-world equalization demands.  The passive high and low bands offer alternate musical tone range to the full function active parametric mid bands. Passive equalizers have long been a favorite with music lovers around the world . . . full bodied, powerful (up to +/-20dB, 40dB  range !) and sweet frequency selections are the benefits of the passive high-low EQ bands. The full bandwidth twin mid bands provide switched frequency selection (X10 frequency multipliers for very wide range), switched Q (width) and amplitude control. \n<br /><br />\n<h3>MINIMUM SIGNAL PATH DESIGN</h3>\nAvalon\'s true symmetry design offers high-voltage, large headroom, extended bandwidth and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious mastering engineer unlimited sonic character and a natural harmonic detail that enhances the program material and becomes one with the music itself.\n<br /><br />'),(1731,85,0,289,'Avalon AD2077 Dual Mono Mastering Equalizer'),(1732,85,1,289,'Avalon AD2077 Dual Mono Mastering Equalizer'),(1733,76,0,289,''),(1734,76,1,289,''),(1735,75,0,290,'<h1>Avalon M5 Mono Microphone Preamplifier & DI</h1>\n<span style=\"font-size:16px; font-style:italic;\">2u half-wide, 100% discrete Pure Class A, high quality transformer input, +60dB gain, vari-high pass filter, VU and LED metering, 48V, phase reverse & input pad.</span><br /><br />\n\nThe Avalon M5 Pure Class A microphone preamplifier is the most musical, low noise full function preamplifier available today. Designed to optimize absolute signal integrity and musical performance, the M5 combines an advanced transformer input stage with twin high performance Class A cascode FET and bipolar discrete amplifiers for sonic excellence unequaled by lesser designs. The M5 is ideal for vocal and acoustic instruments,  active DI input for the direct recording of bass, guitars and keyboards. \n<br /><br />\nFeatures include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years.\n<br /><br />\n<h3>Avalon M5 Features</h3>\n<ul>\n	<li>Pure Class A, 100% discrete design</li>\n	<li>Smooth musical detail and sonic excellence</li>\n	<li>Minimum audio signal path</li>\n	<li>High performance input transformer</li>\n	<li>Microphone and Hi-Z  inputs to +36dB</li>\n	<li>Very low noise -95dB</li>\n	<li>High headroom +30dB</li>\n	<li>Gain switched in 2dB steps to +64dB</li>\n	<li>DC coupled Pure Class A output</li>\n	<li>Large illuminated professional VU meter</li>\n	<li>Twin LED peak signal indicators</li>\n	<li>Regulated +48v phantom power supply</li>\n	<li>Low distortion less than 0.5% THD and IMD</li>\n	<li>Variable passive high pass (bass cut) filter</li>\n	<li>All signal routing with sealed silver relays</li>\n</ul>\n<br />\n<h3>DESIGNED FOR ULTIMATE MUSIC RECORDING</h3>\nAvalon preamplifiers have been in use since 1986.  They have found their way into the world\'s most famous lead vocalists recording sessions and studios and been featured on thousands of the best selling (and sounding) albums and live performances.\n<br /><br />\n<h3>MINIMUM SIGNAL PATH DESIGN </h3>\nAvalon\'s advanced true symmetry design offers high-voltage, large headroom, extended bandwidth and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious music professional unlimited sonic character and a natural harmonic detail that enhances the program material and becomes one with the music itself.\n<br /><br />\n<h3>VOCALISTS DREAM MACHINE</h3>\nThe M5 microphone preamplifier is the first choice when you are looking to capture a full bodied, dynamic, musical performance from the intimate depths within the artist.  The M5 will make your recordings musical masterpieces!\n<br /><br />'),(1736,75,1,290,'<h1>Avalon M5 Mono Microphone Preamplifier & DI</h1>\n<span style=\"font-size:16px; font-style:italic;\">2u half-wide, 100% discrete Pure Class A, high quality transformer input, +60dB gain, vari-high pass filter, VU and LED metering, 48V, phase reverse & input pad.</span><br /><br />\n\nThe Avalon M5 Pure Class A microphone preamplifier is the most musical, low noise full function preamplifier available today. Designed to optimize absolute signal integrity and musical performance, the M5 combines an advanced transformer input stage with twin high performance Class A cascode FET and bipolar discrete amplifiers for sonic excellence unequaled by lesser designs. The M5 is ideal for vocal and acoustic instruments,  active DI input for the direct recording of bass, guitars and keyboards. \n<br /><br />\nFeatures include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years.\n<br /><br />\n<h3>Avalon M5 Features</h3>\n<ul>\n	<li>Pure Class A, 100% discrete design</li>\n	<li>Smooth musical detail and sonic excellence</li>\n	<li>Minimum audio signal path</li>\n	<li>High performance input transformer</li>\n	<li>Microphone and Hi-Z  inputs to +36dB</li>\n	<li>Very low noise -95dB</li>\n	<li>High headroom +30dB</li>\n	<li>Gain switched in 2dB steps to +64dB</li>\n	<li>DC coupled Pure Class A output</li>\n	<li>Large illuminated professional VU meter</li>\n	<li>Twin LED peak signal indicators</li>\n	<li>Regulated +48v phantom power supply</li>\n	<li>Low distortion less than 0.5% THD and IMD</li>\n	<li>Variable passive high pass (bass cut) filter</li>\n	<li>All signal routing with sealed silver relays</li>\n</ul>\n<br />\n<h3>DESIGNED FOR ULTIMATE MUSIC RECORDING</h3>\nAvalon preamplifiers have been in use since 1986.  They have found their way into the world\'s most famous lead vocalists recording sessions and studios and been featured on thousands of the best selling (and sounding) albums and live performances.\n<br /><br />\n<h3>MINIMUM SIGNAL PATH DESIGN </h3>\nAvalon\'s advanced true symmetry design offers high-voltage, large headroom, extended bandwidth and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious music professional unlimited sonic character and a natural harmonic detail that enhances the program material and becomes one with the music itself.\n<br /><br />\n<h3>VOCALISTS DREAM MACHINE</h3>\nThe M5 microphone preamplifier is the first choice when you are looking to capture a full bodied, dynamic, musical performance from the intimate depths within the artist.  The M5 will make your recordings musical masterpieces!\n<br /><br />'),(1737,85,0,290,'Avalon M5 Mono Microphone Preamplifier & DI'),(1738,85,1,290,'Avalon M5 Mono Microphone Preamplifier & DI'),(1739,76,0,290,''),(1740,76,1,290,''),(1741,75,0,291,'<h1>Avalon U5 Mono Instrument DI-Preamplifier with 6 Tone-Bank EQ</h1>\n<i>2u half-wide, 100% discrete Class A, low noise, variable gain to +30dB, passive </i><i style=\"background-color: initial;\">Tone-Bank with 6 voices, HF cut filter, 3.3meg ohm input, LED meter, phones out.</i>\n<br /><br />\nThe Avalon U5 high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand.<br /><br />\n<h3>Avalon U5 Features</h3>\n<ul>\n	<li>Pure Class A, 100% discrete design</li>\n	<li>Smooth musical detail and sonic excellence</li>\n	<li>Variable gain preamp to +30dB.</li>\n	<li>Dual microphone and line outputs</li>\n	<li>Hi-Z   3,000,000 ohm input impedance</li>\n	<li>Very low noise -100dB</li>\n	<li>High headroom +30dB</li>\n	<li>Six tone bank selections.</li>\n	<li>DC coupled Class A output for superior bass</li>\n	<li>High cut switch eliminates noise</li>\n	<li>LED active signal indicator</li>\n	<li>Headphone monitor output jack</li>\n	<li>Low distortion less than 0.5% THD and IMD</li>\n	<li>High level 400 watt speaker input</li>\n	<li>Active to thru selector - ground isolation switch</li>\n	<li>100% discrete power supplies for audio path</li>\n	<li>Internal toroidal power supply for low noise</li>\n	<li>Long lasting, stainless steel hardware</li>\n</ul>\n<br />\n<h3>SONIC EXCELLENCE</h3>\nThe Avalon U5 Pure Class A instrument DI & preamplifier is the most powerful direct box available today.  Designed to optimize absolute signal integrity and musical performance, the U5 includes many features and sonic excellence unequaled by lesser designs. The U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers and low output pickups. \n<br /><br />\nFeatures include state-of-the-art, high input impedance input stage for zero load effect on sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years. <br /><br />\n<h3>DESIGNED FOR DEEP & CONTROLLED BASS</h3>\nAvalon U5 DI-preamps have been in use around the world since 1995. They have found their way into the world\'s leading musicians rigs and recording sessions and been featured on thousands of the best selling (and sounding) albums and live performances.\n<br /><br />\n<h3>MINIMUM SIGNAL PATH DESIGN </h3>\nThe U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch eliminates unwanted acoustic pickup and high frequency noise, while a  headphone monitor amp has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing. The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth loop or AC buzz problems with complete safety.\n<br /><br />'),(1742,75,1,291,'<h1>Avalon U5 Mono Instrument DI-Preamplifier with 6 Tone-Bank EQ</h1>\n<i>2u half-wide, 100% discrete Class A, low noise, variable gain to +30dB, passive </i><i style=\"background-color: initial;\">Tone-Bank with 6 voices, HF cut filter, 3.3meg ohm input, LED meter, phones out.</i>\n<br /><br />\nThe Avalon U5 high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand.<br /><br />\n<h3>Avalon U5 Features</h3>\n<ul>\n	<li>Pure Class A, 100% discrete design</li>\n	<li>Smooth musical detail and sonic excellence</li>\n	<li>Variable gain preamp to +30dB.</li>\n	<li>Dual microphone and line outputs</li>\n	<li>Hi-Z   3,000,000 ohm input impedance</li>\n	<li>Very low noise -100dB</li>\n	<li>High headroom +30dB</li>\n	<li>Six tone bank selections.</li>\n	<li>DC coupled Class A output for superior bass</li>\n	<li>High cut switch eliminates noise</li>\n	<li>LED active signal indicator</li>\n	<li>Headphone monitor output jack</li>\n	<li>Low distortion less than 0.5% THD and IMD</li>\n	<li>High level 400 watt speaker input</li>\n	<li>Active to thru selector - ground isolation switch</li>\n	<li>100% discrete power supplies for audio path</li>\n	<li>Internal toroidal power supply for low noise</li>\n	<li>Long lasting, stainless steel hardware</li>\n</ul>\n<br />\n<h3>SONIC EXCELLENCE</h3>\nThe Avalon U5 Pure Class A instrument DI & preamplifier is the most powerful direct box available today.  Designed to optimize absolute signal integrity and musical performance, the U5 includes many features and sonic excellence unequaled by lesser designs. The U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers and low output pickups. \n<br /><br />\nFeatures include state-of-the-art, high input impedance input stage for zero load effect on sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years. <br /><br />\n<h3>DESIGNED FOR DEEP & CONTROLLED BASS</h3>\nAvalon U5 DI-preamps have been in use around the world since 1995. They have found their way into the world\'s leading musicians rigs and recording sessions and been featured on thousands of the best selling (and sounding) albums and live performances.\n<br /><br />\n<h3>MINIMUM SIGNAL PATH DESIGN </h3>\nThe U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch eliminates unwanted acoustic pickup and high frequency noise, while a  headphone monitor amp has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing. The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth loop or AC buzz problems with complete safety.\n<br /><br />'),(1743,85,0,291,'Avalon U5 Mono Instrument DI-Preamplifier'),(1744,85,1,291,'Avalon U5 Mono Instrument DI-Preamplifier'),(1745,76,0,291,''),(1746,76,1,291,''),(1747,75,0,292,'<h1>Avalon V5 Mono Mic-Line PRE-RE-AMP & DI with 10 Tone-Bank EQ</h1>\n<div><i>2u half-wide, 100% discrete Class A, low noise, variable gain to +30dB, passive </i><i style=\"background-color: initial;\">Tone-Bank with 6 voices, HF cut filter, 3.3meg ohm input, LED meter, phones out.</i></div><br />The Avalon V5 DI-RE-MIC Preamplifer is an ultra-high performance professional preamplifier, DI and RE-amper. Created for maximum versatility, the V5\'s sonic signature - \"Deep and Controlled Bass, Musical Mid-range and enhanced Vocal Projection\" combine with a unique set of user features including, 100% discrete Pure Class A amplification, Avalon\'s unique \"passive\" TONE-BANK™, professional VU meter with dual peak LED\'s, multiple outputs including an instrument level transformer isolated Re-amp. Designed to optimize absolute signal integrity and musical performance, the V5 is ideal for ribbon, dynamic and condenser microphones, bass guitar, acoustic instruments, electric guitars, keyboards, synthesizers, and very low output passive pickups <br /><br />\nThe state-of-the-art DI input stage provides a very-high impedance, \"zero-load\" effect on sensitive pickups and keyboards, while maintaining massive input headroom to +36dB before overload.\n\n<br /><br />\n<h3>Avalon V5 Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pure Class A, 100% discrete design</span></li><li>Forward musical detail and sonic excellence</li><li>Minimum audio signal path</li><li>High quality transformer input & isolated output</li><li>Microphone and Hi-Z  inputs to +36dB</li><li>Very low noise -100dB</li><li>High headroom +30dB</li><li>Switched 2dB, high-gain preamplifer to +66dB</li><li>DC coupled Pure Class A output</li><li>Large illuminated professional VU meter</li><li>Twin LED peak signal indicators</li><li>Regulated +48v phantom power supply</li><li>Low distortion less than 0.5% THD and IMD</li><li>Variable passive high pass (bass cut) filter</li><li>All signal routing with sealed silver relays</li>\n</ul>\n<br />\n<h3>MINIMUM SIGNAL PATH DESIGN</h3>\nThe V5 includes a very high quality input transformer (same as the Avalon VT-737sp) with dual microphone input impedance loading for perfect mic/cable matching, high-cut switch for eliminating unwanted acoustic pickup and high frequency noise, headphone monitor amp and DC coupled, 100% Class A output amplifiers for defined bass control. A buffered \"thru\" output for zero-instrument-load tuners or power amp inputs, internal toroid power transformer with discrete high-voltage power supplies for low noise and sealed silver relays for transparent signal routing.\n<br /><br />'),(1748,75,1,292,'<h1>Avalon V5 Mono Mic-Line PRE-RE-AMP & DI with 10 Tone-Bank EQ</h1>\n<div><i>2u half-wide, 100% discrete Class A, low noise, variable gain to +30dB, passive </i><i style=\"background-color: initial;\">Tone-Bank with 6 voices, HF cut filter, 3.3meg ohm input, LED meter, phones out.</i></div><br />The Avalon V5 DI-RE-MIC Preamplifer is an ultra-high performance professional preamplifier, DI and RE-amper. Created for maximum versatility, the V5\'s sonic signature - \"Deep and Controlled Bass, Musical Mid-range and enhanced Vocal Projection\" combine with a unique set of user features including, 100% discrete Pure Class A amplification, Avalon\'s unique \"passive\" TONE-BANK™, professional VU meter with dual peak LED\'s, multiple outputs including an instrument level transformer isolated Re-amp. Designed to optimize absolute signal integrity and musical performance, the V5 is ideal for ribbon, dynamic and condenser microphones, bass guitar, acoustic instruments, electric guitars, keyboards, synthesizers, and very low output passive pickups <br /><br />\nThe state-of-the-art DI input stage provides a very-high impedance, \"zero-load\" effect on sensitive pickups and keyboards, while maintaining massive input headroom to +36dB before overload.\n\n<br /><br />\n<h3>Avalon V5 Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pure Class A, 100% discrete design</span></li><li>Forward musical detail and sonic excellence</li><li>Minimum audio signal path</li><li>High quality transformer input & isolated output</li><li>Microphone and Hi-Z  inputs to +36dB</li><li>Very low noise -100dB</li><li>High headroom +30dB</li><li>Switched 2dB, high-gain preamplifer to +66dB</li><li>DC coupled Pure Class A output</li><li>Large illuminated professional VU meter</li><li>Twin LED peak signal indicators</li><li>Regulated +48v phantom power supply</li><li>Low distortion less than 0.5% THD and IMD</li><li>Variable passive high pass (bass cut) filter</li><li>All signal routing with sealed silver relays</li>\n</ul>\n<br />\n<h3>MINIMUM SIGNAL PATH DESIGN</h3>\nThe V5 includes a very high quality input transformer (same as the Avalon VT-737sp) with dual microphone input impedance loading for perfect mic/cable matching, high-cut switch for eliminating unwanted acoustic pickup and high frequency noise, headphone monitor amp and DC coupled, 100% Class A output amplifiers for defined bass control. A buffered \"thru\" output for zero-instrument-load tuners or power amp inputs, internal toroid power transformer with discrete high-voltage power supplies for low noise and sealed silver relays for transparent signal routing.\n<br /><br />'),(1749,85,0,292,'Avalon V5 Mono DI-RE-Microphone Preamplifier'),(1750,85,1,292,'Avalon V5 Mono DI-RE-Microphone Preamplifier'),(1751,76,0,292,''),(1752,76,1,292,''),(1753,75,0,293,'<h1>Avalon V55 Dual Mono Mic-Line PRE-RE-AMP & DI with 10 Tone-Bank EQ</h1>\n<div><div><i>2u 19 inch wide, high-voltage, 100% discrete Class A, dual input impedance for </i><i style=\"background-color: initial;\">MIC, ultra-high performance input transformer, 10,000,000 ohm \"zero-load\" DI </i><i style=\"background-color: initial;\">instrument input, switched 2dB gain, passive Tone-Bank Selection, wide range </i><i style=\"background-color: initial;\">VU meter -30 to +18dB with dual peak LED, transformer isolated REAMP output </i><i style=\"background-color: initial;\">for no-buzz-noise operation and phase reverse on ALL outputs.</i></div></div><br />The Avalon V55 Dual Mono DI-RE-MIC Preamplifer is an ultra-high performance professional preamplifier, DI and RE-amper that includes the best of the Avalon U5 DI functions with two studio quality preamplifiers and \"a new sonic addition\". Two alternate solid-state topologies are cascaded to provide a rich, low midrange harmonic content not offered in other Avalon preamplifiers. This feature empowers the V55 with a new scale of sonic character.<br /><br />\n<h3>Avalon V55 Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pure Class A, 100% discrete design</span></li><li>Forward musical detail and sonic excellence</li><li>Minimum audio signal path</li><li>High quality transformer input & isolated output</li><li>Microphone and Hi-Z  inputs to +36dB</li><li>Very low noise -100dB</li><li>High headroom +30dB</li><li>Switched 2dB, high-gain preamplifer to +66dB</li><li>DC coupled Pure Class A output</li><li>Large illuminated professional VU meter</li><li>Twin LED peak signal indicators</li><li>Regulated +48v phantom power supply</li><li>Low distortion less than 0.5% THD and IMD</li><li>Variable passive high pass (bass cut) filter</li><li>All signal routing with sealed silver relays</li>\n</ul>\n<br /><h3>SONIC EXCELLENCE</h3><div>The Avalon V55 DI-RE-MIC Preamplifer is an ultra-high performance professional dual channel preamplifier, DI and RE-amper. Created for maximum versatility, the V55\'s sonic signature - \"Deep and Controlled Bass, Musical Mid-range and enhanced Vocal Projection\" combine with a unique set of user features including, 100% discrete Pure Class A amplification, Avalon\'s unique \"passive\" TONE-BANK™, professional VU meter with dual peak LED\'s, multiple outputs including an instrument level transformer isolated Re-amp. Designed to optimize absolute signal integrity and musical performance, the V55 is ideal for ribbon, dynamic and condenser microphones, bass guitar, acoustic instruments, electric guitars, keyboards, synthesizers, and very low output passive pickups. </div><div><br /></div><div>The state-of-the-art DI input stage provides a very-high inpedance, \"zero-load\" effect on sensitive pickups and keyboards, while maintaining massive input headroom to +36dB before overload.</div><div><br /></div><h3>MINIMUM SIGNAL PATH DESIGN</h3><div>The V55 includes a very high quality input transformer (same as the Avalon VT-737sp) with dual microphone input impedance loading for perfect mic/cable matching, high-cut switch for eliminating unwanted acoustic pickup and high frequency noise, headphone monitor amp and DC coupled, 100% Class A output amplifiers for defined bass control. A buffered \"thru\" output for zero-instrument-load tuners or power amp inputs, internal toroid power transformer with discrete high-voltage power supplies for low noise and sealed silver relays for transparent signal routing.</div><br />'),(1754,75,1,293,'<h1>Avalon V55 Dual Mono Mic-Line PRE-RE-AMP & DI with 10 Tone-Bank EQ</h1>\n<div><div><i>2u 19 inch wide, high-voltage, 100% discrete Class A, dual input impedance for </i><i style=\"background-color: initial;\">MIC, ultra-high performance input transformer, 10,000,000 ohm \"zero-load\" DI </i><i style=\"background-color: initial;\">instrument input, switched 2dB gain, passive Tone-Bank Selection, wide range </i><i style=\"background-color: initial;\">VU meter -30 to +18dB with dual peak LED, transformer isolated REAMP output </i><i style=\"background-color: initial;\">for no-buzz-noise operation and phase reverse on ALL outputs.</i></div></div><br />The Avalon V55 Dual Mono DI-RE-MIC Preamplifer is an ultra-high performance professional preamplifier, DI and RE-amper that includes the best of the Avalon U5 DI functions with two studio quality preamplifiers and \"a new sonic addition\". Two alternate solid-state topologies are cascaded to provide a rich, low midrange harmonic content not offered in other Avalon preamplifiers. This feature empowers the V55 with a new scale of sonic character.<br /><br />\n<h3>Avalon V55 Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pure Class A, 100% discrete design</span></li><li>Forward musical detail and sonic excellence</li><li>Minimum audio signal path</li><li>High quality transformer input & isolated output</li><li>Microphone and Hi-Z  inputs to +36dB</li><li>Very low noise -100dB</li><li>High headroom +30dB</li><li>Switched 2dB, high-gain preamplifer to +66dB</li><li>DC coupled Pure Class A output</li><li>Large illuminated professional VU meter</li><li>Twin LED peak signal indicators</li><li>Regulated +48v phantom power supply</li><li>Low distortion less than 0.5% THD and IMD</li><li>Variable passive high pass (bass cut) filter</li><li>All signal routing with sealed silver relays</li>\n</ul>\n<br /><h3>SONIC EXCELLENCE</h3><div>The Avalon V55 DI-RE-MIC Preamplifer is an ultra-high performance professional dual channel preamplifier, DI and RE-amper. Created for maximum versatility, the V55\'s sonic signature - \"Deep and Controlled Bass, Musical Mid-range and enhanced Vocal Projection\" combine with a unique set of user features including, 100% discrete Pure Class A amplification, Avalon\'s unique \"passive\" TONE-BANK™, professional VU meter with dual peak LED\'s, multiple outputs including an instrument level transformer isolated Re-amp. Designed to optimize absolute signal integrity and musical performance, the V55 is ideal for ribbon, dynamic and condenser microphones, bass guitar, acoustic instruments, electric guitars, keyboards, synthesizers, and very low output passive pickups. </div><div><br /></div><div>The state-of-the-art DI input stage provides a very-high inpedance, \"zero-load\" effect on sensitive pickups and keyboards, while maintaining massive input headroom to +36dB before overload.</div><div><br /></div><h3>MINIMUM SIGNAL PATH DESIGN</h3><div>The V55 includes a very high quality input transformer (same as the Avalon VT-737sp) with dual microphone input impedance loading for perfect mic/cable matching, high-cut switch for eliminating unwanted acoustic pickup and high frequency noise, headphone monitor amp and DC coupled, 100% Class A output amplifiers for defined bass control. A buffered \"thru\" output for zero-instrument-load tuners or power amp inputs, internal toroid power transformer with discrete high-voltage power supplies for low noise and sealed silver relays for transparent signal routing.</div><br />'),(1755,85,0,293,'Avalon V55 Dual Mono Mic-Line PRE-RE-AMP & DI'),(1756,85,1,293,'Avalon V55 Dual Mono Mic-Line PRE-RE-AMP & DI'),(1757,76,0,293,''),(1758,76,1,293,''),(1759,75,0,294,'<h1>Avalon VT-737SP Tube Mono Channel Strip - Preamplifier-Compressor-EQ</h1>\n<span style=\"font-size:16px; font-style:italic;\">2u 19” Mic-DI-Line preamp, 4 vacuum tubes plus discrete Class A signal path, quality transformer input, opto-compressor, discrete 4 band active/passive EQ.</span><br /><br />\nThe Avalon VT-737SP mono channel strip features a combination of TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU metering in a 2U space.<br /><br />\n<h3>PREAMPLIFIER </h3>\nThe VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs.\n<br /><br />\n<h3>OPTO-COMPRESSOR </h3>\nThe opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path.\n<br /><br />\n<h3>SWEEP-EQUALIZER AND OUTPUT LEVEL </h3>\nThe VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for \"tone enhancement\". The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier.\n<br /><br />\n<h3>AVALON VT-737SP FEATURES</h3>\nVacuum tube triode signal path, transformer balanced microphone input, high-voltage circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power supply with toroidal transformer, soft-start tube life extender, stereo link for compressors, all discrete Class A equalizer with musical passive filter design, sealed silver relays for signal routing, large control knobs with professional conductive plastic potentiometers, VU meter for output level monitoring and compressor gain reduction.'),(1760,75,1,294,'<h1>Avalon VT-737SP Tube Mono Channel Strip - Preamplifier-Compressor-EQ</h1>\n<span style=\"font-size:16px; font-style:italic;\">2u 19” Mic-DI-Line preamp, 4 vacuum tubes plus discrete Class A signal path, quality transformer input, opto-compressor, discrete 4 band active/passive EQ.</span><br /><br />\nThe Avalon VT-737SP mono channel strip features a combination of TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU metering in a 2U space.<br /><br />\n<h3>PREAMPLIFIER </h3>\nThe VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs.\n<br /><br />\n<h3>OPTO-COMPRESSOR </h3>\nThe opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path.\n<br /><br />\n<h3>SWEEP-EQUALIZER AND OUTPUT LEVEL </h3>\nThe VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for \"tone enhancement\". The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier.\n<br /><br />\n<h3>AVALON VT-737SP FEATURES</h3>\nVacuum tube triode signal path, transformer balanced microphone input, high-voltage circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power supply with toroidal transformer, soft-start tube life extender, stereo link for compressors, all discrete Class A equalizer with musical passive filter design, sealed silver relays for signal routing, large control knobs with professional conductive plastic potentiometers, VU meter for output level monitoring and compressor gain reduction.'),(1761,85,0,294,'Avalon VT-737SP Tube Mono Channel Strip'),(1762,85,1,294,'Avalon VT-737SP Tube Mono Channel Strip'),(1763,76,0,294,''),(1764,76,1,294,'');
INSERT INTO `catalog_product_entity_text` VALUES (1765,75,0,295,'<h2><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-size: 14px; font-weight: normal; \"><h2 style=\"color: rgb(0, 0, 0); font-size: 30px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 38px !important; background-position: initial initial; background-repeat: initial initial; \">Avastor XR4 Rackmount RAID Harddrive System (4 x6TB)</h2></span></h2>\n<span class=\"Apple-style-span\" style=\"font-style: italic; font-size: 16px; \">Is it time to move your storage solution off your already too cluttered desktop?</span><font class=\"Apple-style-span\" size=\"3\"><i><br /></i></font><br />The Avastor XR4 Rack RAID series is designed for the most demanding storage applications. The XR4 trayless and tool-free design allows fast and easy installation of all four hard drives. At its heart is a user configurable hardware RAID engine that supports multi RAID functions to maximize speed and protection of your data. The USB 3.0, eSATA, FireWire 400 and 800 interfaces provide you with unsurpassed data transfer performance. The XR4 is your best choice for a high capacity, high speed data transfer, rack mountable storage solution.<br /><br />\n\n<h3><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-size: 14px; font-weight: normal; \"><h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">Avastor XR4 Quick Specs</h3></span></h3>\n<ul>\n<li>Capacity Range: 4TB - 24TB</li><li>Internal 100/240V Switchable Power Supply</li><li>Trayless Design for HDD Bays</li><li>3 Year Industry Leading Warranty</li>\n</ul>'),(1766,75,1,295,'<h2><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-size: 14px; font-weight: normal; \"><h2 style=\"color: rgb(0, 0, 0); font-size: 30px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 38px !important; background-position: initial initial; background-repeat: initial initial; \">Avastor XR4 Rackmount RAID Harddrive System (4 x6TB)</h2></span></h2>\n<span class=\"Apple-style-span\" style=\"font-style: italic; font-size: 16px; \">Is it time to move your storage solution off your already too cluttered desktop?</span><font class=\"Apple-style-span\" size=\"3\"><i><br /></i></font><br />The Avastor XR4 Rack RAID series is designed for the most demanding storage applications. The XR4 trayless and tool-free design allows fast and easy installation of all four hard drives. At its heart is a user configurable hardware RAID engine that supports multi RAID functions to maximize speed and protection of your data. The USB 3.0, eSATA, FireWire 400 and 800 interfaces provide you with unsurpassed data transfer performance. The XR4 is your best choice for a high capacity, high speed data transfer, rack mountable storage solution.<br /><br />\n\n<h3><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-size: 14px; font-weight: normal; \"><h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">Avastor XR4 Quick Specs</h3></span></h3>\n<ul>\n<li>Capacity Range: 4TB - 24TB</li><li>Internal 100/240V Switchable Power Supply</li><li>Trayless Design for HDD Bays</li><li>3 Year Industry Leading Warranty</li>\n</ul>'),(1767,85,0,295,'Avastor XR4 Rackmount RAID Harddrive System (4 x6TB)'),(1768,85,1,295,'Avastor XR4 Rackmount RAID Harddrive System (4 x6TB)'),(1769,76,0,295,''),(1770,76,1,295,''),(1771,75,0,296,'<h2>Used Digidesign Avid 192 Analog I/O Audio Interface</h2>This interface came from our client\'s meticulous, working studio and is in near-perfect condition!  \nThe Digidesign / Avid 192 I/O, the flagship of the Pro Tools|HD interface family, is the best-sounding audio interface ever offered from Digidesign, rivaling similar products costing more than twice its price. In addition to support for up to 16 channels of analog and digital input and output, 192 I/O features a wide range of analog and digital I/O options to choose from, including 8 channels of high-definition, pristine-quality analog I/O, 8 channels of AES/EBU, 8 channels of TDIF, 16 channels of ADAT, and 2 additional channels of AES/EBU or S/PDIF digital I/O.\n<br /><br />\n192 expansion cards <br />\nAlong with its outstanding sonic specs, 192 I/O includes an additional I/O option bay, allowing you to add more inputs or outputs, and making it one of the most unique and flexible audio interfaces on the market. To expand the analog I/O capacity of 192 I/O, you can add either a 192 AD card, providing 8 more channels of high-definition analog input, or the 192 DA card, which gives you 8 additional channels of analog output. 192 I/O can also be outfitted with the 192 Digital card, which adds 8 channels of AES/EBU, TDIF, and ADAT I/O connection.<br /><br />Passes a thorough test from our own Avid Certified Technician.<br /><br />\nPlus, you\'re protected with RSPE\'s 6 month Platinum Warranty!<br /><br />\n<h3>RSPE Platinum Support</h3>\nWhen you purchase from RSPE Audio and Video , you can make your purchase with CONFIDENCE. RSPE Audio has been in business for over 22 years and we have built our reputation on consistent and personalized customer service and expert advise. <br /><br />RSPE Platinum Warranty for Pre-Owned Equipment covers return ground freight to you PLUS parts and labor (or product replacement) for 6 MONTHS(this item)<br /><br />This warranty covers normal use only. Damage from mis-use or loss is not covered under the Platinum coverage.<br />'),(1772,75,1,296,'<h2>Used Digidesign Avid 192 Analog I/O Audio Interface</h2>This interface came from our client\'s meticulous, working studio and is in near-perfect condition!  \nThe Digidesign / Avid 192 I/O, the flagship of the Pro Tools|HD interface family, is the best-sounding audio interface ever offered from Digidesign, rivaling similar products costing more than twice its price. In addition to support for up to 16 channels of analog and digital input and output, 192 I/O features a wide range of analog and digital I/O options to choose from, including 8 channels of high-definition, pristine-quality analog I/O, 8 channels of AES/EBU, 8 channels of TDIF, 16 channels of ADAT, and 2 additional channels of AES/EBU or S/PDIF digital I/O.\n<br /><br />\n192 expansion cards <br />\nAlong with its outstanding sonic specs, 192 I/O includes an additional I/O option bay, allowing you to add more inputs or outputs, and making it one of the most unique and flexible audio interfaces on the market. To expand the analog I/O capacity of 192 I/O, you can add either a 192 AD card, providing 8 more channels of high-definition analog input, or the 192 DA card, which gives you 8 additional channels of analog output. 192 I/O can also be outfitted with the 192 Digital card, which adds 8 channels of AES/EBU, TDIF, and ADAT I/O connection.<br /><br />Passes a thorough test from our own Avid Certified Technician.<br /><br />\nPlus, you\'re protected with RSPE\'s 6 month Platinum Warranty!<br /><br />\n<h3>RSPE Platinum Support</h3>\nWhen you purchase from RSPE Audio and Video , you can make your purchase with CONFIDENCE. RSPE Audio has been in business for over 22 years and we have built our reputation on consistent and personalized customer service and expert advise. <br /><br />RSPE Platinum Warranty for Pre-Owned Equipment covers return ground freight to you PLUS parts and labor (or product replacement) for 6 MONTHS(this item)<br /><br />This warranty covers normal use only. Damage from mis-use or loss is not covered under the Platinum coverage.<br />'),(1773,85,0,296,'Used Avid 192 Analog I/O Audio Interface'),(1774,85,1,296,'Used Avid 192 Analog I/O Audio Interface'),(1775,76,0,296,''),(1776,76,1,296,''),(1777,75,0,297,'Sleek and stylish, the 24-channel C|24 control surface provides direct hands-on control of Pro Tools and Pro Tools|HD mixing, recording, and editing; a complete array of high-quality analog inputs; and a 5.1 analog monitor section to use with your Pro Tools I/O. It tightly integrates with the latest advancements in Pro Tools software to provide an incredibly powerful and richly featured console option.'),(1778,75,1,297,'Sleek and stylish, the 24-channel C|24 control surface provides direct hands-on control of Pro Tools and Pro Tools|HD mixing, recording, and editing; a complete array of high-quality analog inputs; and a 5.1 analog monitor section to use with your Pro Tools I/O. It tightly integrates with the latest advancements in Pro Tools software to provide an incredibly powerful and richly featured console option.'),(1779,85,0,297,'Avid C|24 Mixing Console'),(1780,85,1,297,'Avid C|24 Mixing Console'),(1781,76,0,297,''),(1782,76,1,297,''),(1783,75,0,298,'<h2><i>Used Avid Digidesign HD1 Core PCIe with iLok 2 & Pro Tools HD 9 Included</i></h2>\n<i>This item came from our client\'s meticulous, working studio and is in perfect working condition! </i><br /><br />\n\nDeveloped for professionals, Pro Tools|HD 1 is Avid’s entry-level core system, delivering rock-solid performance, low latency, guaranteed track counts, and exclusive TDM plug-in processing. The system combines a single core DSP card with the processing power of your Windows- or Mac-based computer* for powerful productivity.<br /><br />\n\n	Pro Tools|HD 1 also comes with industry-standard Pro Tools HD software and a comprehensive bundle of professional sound processing plug-ins, virtual instruments, and compatible applications, allowing you to compose, record, edit, sequence, and mix music projects or sound for picture.<br /><br />\n\n<h3>Bundle Includes:</h3>\n<ul>\n	<li>HD Core Card (PCIe)</li>\n	<li>iLok 2 - Brand New</li>\n	<li>Pro Tools HD 9 License</li>\n</ul>\nPCI-e (PCIe) Core Card passes the Digi test twice before it leaves.  It works perfectly with an Apple MacPro Intel or approved PC with PCIe card slots.\n<br /><br />\nBuyer will receive a brand new ilok and a Pro Tools HD 9 license will be transferred to your iLok account.<br /><br />\n<h3>RSPE Platinum Support</h3>\nWhen you purchase from RSPE Audio and Video , you can make your purchase with CONFIDENCE. RSPE Audio has been in business for over 22 years and we have built our reputation on consistent and personalized customer service and expert advise. \n<br /><br />\nRSPE Platinum Warranty for Pre-Owned Equipment covers return ground freight to you PLUS parts and labor (or product replacement) for 6 MONTHS(this item)<br /><br />\nThis warranty covers normal use only. Damage from mis-use or loss is not covered under the Platinum coverage.<br /><br />'),(1784,75,1,298,'<h2><i>Used Avid Digidesign HD1 Core PCIe with iLok 2 & Pro Tools HD 9 Included</i></h2>\n<i>This item came from our client\'s meticulous, working studio and is in perfect working condition! </i><br /><br />\n\nDeveloped for professionals, Pro Tools|HD 1 is Avid’s entry-level core system, delivering rock-solid performance, low latency, guaranteed track counts, and exclusive TDM plug-in processing. The system combines a single core DSP card with the processing power of your Windows- or Mac-based computer* for powerful productivity.<br /><br />\n\n	Pro Tools|HD 1 also comes with industry-standard Pro Tools HD software and a comprehensive bundle of professional sound processing plug-ins, virtual instruments, and compatible applications, allowing you to compose, record, edit, sequence, and mix music projects or sound for picture.<br /><br />\n\n<h3>Bundle Includes:</h3>\n<ul>\n	<li>HD Core Card (PCIe)</li>\n	<li>iLok 2 - Brand New</li>\n	<li>Pro Tools HD 9 License</li>\n</ul>\nPCI-e (PCIe) Core Card passes the Digi test twice before it leaves.  It works perfectly with an Apple MacPro Intel or approved PC with PCIe card slots.\n<br /><br />\nBuyer will receive a brand new ilok and a Pro Tools HD 9 license will be transferred to your iLok account.<br /><br />\n<h3>RSPE Platinum Support</h3>\nWhen you purchase from RSPE Audio and Video , you can make your purchase with CONFIDENCE. RSPE Audio has been in business for over 22 years and we have built our reputation on consistent and personalized customer service and expert advise. \n<br /><br />\nRSPE Platinum Warranty for Pre-Owned Equipment covers return ground freight to you PLUS parts and labor (or product replacement) for 6 MONTHS(this item)<br /><br />\nThis warranty covers normal use only. Damage from mis-use or loss is not covered under the Platinum coverage.<br /><br />'),(1785,85,0,298,'Avid Digidesign HD1 Core PCIe with iLok 2 & Pro Tools HD 9 Included'),(1786,85,1,298,'Avid Digidesign HD1 Core PCIe with iLok 2 & Pro Tools HD 9 Included'),(1787,76,0,298,''),(1788,76,1,298,''),(1789,75,0,299,'<h1>Used Avid Digidesign HD1 Core PCIe Card</h1>\n<i>This item came from our client\'s meticulous, working studio and is in perfect working condition! </i><br/><br/>\nDeveloped for professionals, Pro Tools|HD 1 is Avid’s entry-level core system, delivering rock-solid performance, low latency, guaranteed track counts, and exclusive TDM plug-in processing. The system combines a single core DSP card with the processing power of your Windows- or Mac-based computer* for powerful productivity.<br/>\n<ul>\n	<br/>\n</ul>\nPCI-e (PCIe) Core Card passes the Digi test twice before it leaves.  It works perfectly with an Apple MacPro Intel or approved PC with PCIe card slots.\n<br/><br/><br/>\n<h3>RSPE Platinum Support</h3>\nWhen you purchase from RSPE Audio and Video , you can make your purchase with CONFIDENCE. RSPE Audio has been in business for over 22 years and we have built our reputation on consistent and personalized customer service and expert advise. \n<br/><br/>\nRSPE Platinum Warranty for Pre-Owned Equipment covers return ground freight to you PLUS parts and labor (or product replacement) for 6 MONTHS(this item)<br/><br/>\nThis warranty covers normal use only. Damage from mis-use or loss is not covered under the Platinum coverage.<br/><br/>'),(1790,75,1,299,'<h1>Used Avid Digidesign HD1 Core PCIe Card</h1>\n<i>This item came from our client\'s meticulous, working studio and is in perfect working condition! </i><br/><br/>\nDeveloped for professionals, Pro Tools|HD 1 is Avid’s entry-level core system, delivering rock-solid performance, low latency, guaranteed track counts, and exclusive TDM plug-in processing. The system combines a single core DSP card with the processing power of your Windows- or Mac-based computer* for powerful productivity.<br/>\n<ul>\n	<br/>\n</ul>\nPCI-e (PCIe) Core Card passes the Digi test twice before it leaves.  It works perfectly with an Apple MacPro Intel or approved PC with PCIe card slots.\n<br/><br/><br/>\n<h3>RSPE Platinum Support</h3>\nWhen you purchase from RSPE Audio and Video , you can make your purchase with CONFIDENCE. RSPE Audio has been in business for over 22 years and we have built our reputation on consistent and personalized customer service and expert advise. \n<br/><br/>\nRSPE Platinum Warranty for Pre-Owned Equipment covers return ground freight to you PLUS parts and labor (or product replacement) for 6 MONTHS(this item)<br/><br/>\nThis warranty covers normal use only. Damage from mis-use or loss is not covered under the Platinum coverage.<br/><br/>'),(1791,85,0,299,'Avid Digidesign HD1 Core PCIe Card'),(1792,85,1,299,'Avid Digidesign HD1 Core PCIe Card'),(1793,76,0,299,''),(1794,76,1,299,''),(1795,75,0,300,'Speed up recording and mixing by taking powerful, hands-on control over projects of any size. With the compact yet expandable D-Command ES console, you get the exclusive deep Pro Tools control and extended functionality of an ICON control surface packaged in a smaller footprint that fits nicely in small to midsize studios.'),(1796,75,1,300,'Speed up recording and mixing by taking powerful, hands-on control over projects of any size. With the compact yet expandable D-Command ES console, you get the exclusive deep Pro Tools control and extended functionality of an ICON control surface packaged in a smaller footprint that fits nicely in small to midsize studios.'),(1797,85,0,300,'Avid ICON D-Command ES Mixing Console'),(1798,85,1,300,'Avid ICON D-Command ES Mixing Console'),(1799,76,0,300,''),(1800,76,1,300,''),(1801,75,0,301,'<h2>Used Avid ICON D-Command ES 24 Channel Mixing Console</h2><br />Get the deep Pro Tools control and extended functionality of an ICON control surface packaged in a smaller footprint that fits nicely in small to midsize studios. Lightly used and in EXCELLENT CONDITION!<br /><br /><i><b>The item pictured has sold, but we constantly have new models coming in. Call or Chat for Availability!</b></i><br /><br />Speed up recording and mixing by taking powerful, hands-on control over projects of any size. With the compact yet expandable D-Command console, you get the exclusive deep Pro Tools control and extended functionality of an ICON control surface packaged in a smaller footprint that fits nicely in small to midsize studios.<br /><div><br /></div><h3>D-Command Features</h3><ul><li>Sleek ergonomic console, with dark color scheme added to the original award-winning design</li><li>Eight touch-sensitive, motorized faders in base configuration; expandable to 40 faders/ channels with optional 16-channel D-Command Fader Modules</li><li>Exclusive ICON-only access to Pro Tools HD recording, editing, routing, mixing, plug-ins, automation, recall, and other functions</li><li>Two touch-sensitive, multipurpose rotary encoders per channel strip, each with an LED ring, 6-character alphanumeric LCD, and tricolor automation indication LED</li><li>15 illuminated pushbuttons and one channel name display per channel strip</li><li>Dedicated center section houses EQ and Dynamics controls for optimal monitoring while mixing</li><li>Two 32-segment bargraph meters per channel; eight 32-segment bar graph meters in the master section</li><li>Includes XMON analog monitoring (up to 5.1 surround) and communications system</li><li>Patent-pending Ethernet protocol provides high-speed connection between the console and Pro Tools mix engine</li></ul><div><br /></div><h3>Powered By Pro Tools|HD</h3><div>ICON was designed for perfect integration with Pro Tools|HD, the world’s most popular digital audio workstation. Consisting of computer-based DSP cards, modular audio interfaces, and Pro Tools software, Pro Tools|HD turns your computer into a professional, high-resolution audio production system, delivering amazing sound quality (up to 192 kHz) and unmatched processing power. Add ICON, and you gain exclusive Pro Tools control and functionality not found with any other console, allowing you to maximize your productivity — and creativity — to the fullest.</div><div><br /></div><h3>Flexible Options</h3><div>Whether you need more faders/channels to support larger sessions, want to mix in surround with full tactile control, or something else, you can customize your ICON console with options to suit your workflow and session needs. Find what’s available for your console</div>'),(1802,75,1,301,'<h2>Used Avid ICON D-Command ES 24 Channel Mixing Console</h2><br />Get the deep Pro Tools control and extended functionality of an ICON control surface packaged in a smaller footprint that fits nicely in small to midsize studios. Lightly used and in EXCELLENT CONDITION!<br /><br /><i><b>The item pictured has sold, but we constantly have new models coming in. Call or Chat for Availability!</b></i><br /><br />Speed up recording and mixing by taking powerful, hands-on control over projects of any size. With the compact yet expandable D-Command console, you get the exclusive deep Pro Tools control and extended functionality of an ICON control surface packaged in a smaller footprint that fits nicely in small to midsize studios.<br /><div><br /></div><h3>D-Command Features</h3><ul><li>Sleek ergonomic console, with dark color scheme added to the original award-winning design</li><li>Eight touch-sensitive, motorized faders in base configuration; expandable to 40 faders/ channels with optional 16-channel D-Command Fader Modules</li><li>Exclusive ICON-only access to Pro Tools HD recording, editing, routing, mixing, plug-ins, automation, recall, and other functions</li><li>Two touch-sensitive, multipurpose rotary encoders per channel strip, each with an LED ring, 6-character alphanumeric LCD, and tricolor automation indication LED</li><li>15 illuminated pushbuttons and one channel name display per channel strip</li><li>Dedicated center section houses EQ and Dynamics controls for optimal monitoring while mixing</li><li>Two 32-segment bargraph meters per channel; eight 32-segment bar graph meters in the master section</li><li>Includes XMON analog monitoring (up to 5.1 surround) and communications system</li><li>Patent-pending Ethernet protocol provides high-speed connection between the console and Pro Tools mix engine</li></ul><div><br /></div><h3>Powered By Pro Tools|HD</h3><div>ICON was designed for perfect integration with Pro Tools|HD, the world’s most popular digital audio workstation. Consisting of computer-based DSP cards, modular audio interfaces, and Pro Tools software, Pro Tools|HD turns your computer into a professional, high-resolution audio production system, delivering amazing sound quality (up to 192 kHz) and unmatched processing power. Add ICON, and you gain exclusive Pro Tools control and functionality not found with any other console, allowing you to maximize your productivity — and creativity — to the fullest.</div><div><br /></div><h3>Flexible Options</h3><div>Whether you need more faders/channels to support larger sessions, want to mix in surround with full tactile control, or something else, you can customize your ICON console with options to suit your workflow and session needs. Find what’s available for your console</div>'),(1803,85,0,301,'Used Avid ICON D-Command ES 24 Channel Mixing Console'),(1804,85,1,301,'Used Avid ICON D-Command ES 24 Channel Mixing Console'),(1805,76,0,301,''),(1806,76,1,301,''),(1807,75,0,302,'<h2>\n	Used Avid ICON D-Command ES 8 Channel Mixing Console</h2><div><div>Speed up recording and mixing by taking powerful, hands-on control over projects of any size. With the compact yet expandable D-Command ES console, you get the exclusive deep Pro Tools control and extended functionality of an ICON control surface packaged in a smaller footprint that fits nicely in small to midsize studios.<span class=\"Apple-tab-span\" style=\"white-space: pre; background-color: initial;\">		</span></div><div><br /></div></div><h3>D-Command ES Features</h3><ul><li><span style=\"background-color: initial;\">Sleek ergonomic console, with dark color scheme added to the original award-winning design</span></li><li>Eight touch-sensitive, motorized faders in base configuration; expandable to 40 faders/ channels with optional 16-channel D-Command ES Fader Modules</li><li>Exclusive ICON-only access to Pro Tools HD recording, editing, routing, mixing, plug-ins, automation, recall, and other functions</li><li>Two touch-sensitive, multipurpose rotary encoders per channel strip, each with an LED ring, 6-character alphanumeric LCD, and tricolor automation indication LED</li><li>15 illuminated pushbuttons and one channel name display per channel strip</li><li>Dedicated center section houses EQ and Dynamics controls for optimal monitoring while mixing</li><li>Two 32-segment bargraph meters per channel; eight 32-segment bargraph meters in the master section</li><li>Includes XMON analog monitoring (up to 5.1 surround) and communications system</li><li>Patent-pending Ethernet protocol provides high-speed connection between the console and Pro Tools mix engine</li></ul><div><br /></div><h3>Powered By Pro Tools|HD</h3><div>ICON was designed for perfect integration with Pro Tools|HD, the world’s most popular digital audio workstation. Consisting of computer-based DSP cards, modular audio interfaces, and Pro Tools software, Pro Tools|HD turns your computer into a professional, high-resolution audio production system, delivering amazing sound quality (up to 192 kHz) and unmatched processing power. Add ICON, and you gain exclusive Pro Tools control and functionality not found with any other console, allowing you to maximize your productivity — and creativity — to the fullest.</div><div><br /></div><h3>Flexible Options</h3><div>Whether you need more faders/channels to support larger sessions, want to mix in surround with full tactile control, or something else, you can customize your ICON console with options to suit your workflow and session needs. Find what’s available for your console</div>'),(1808,75,1,302,'<h2>\n	Used Avid ICON D-Command ES 8 Channel Mixing Console</h2><div><div>Speed up recording and mixing by taking powerful, hands-on control over projects of any size. With the compact yet expandable D-Command ES console, you get the exclusive deep Pro Tools control and extended functionality of an ICON control surface packaged in a smaller footprint that fits nicely in small to midsize studios.<span class=\"Apple-tab-span\" style=\"white-space: pre; background-color: initial;\">		</span></div><div><br /></div></div><h3>D-Command ES Features</h3><ul><li><span style=\"background-color: initial;\">Sleek ergonomic console, with dark color scheme added to the original award-winning design</span></li><li>Eight touch-sensitive, motorized faders in base configuration; expandable to 40 faders/ channels with optional 16-channel D-Command ES Fader Modules</li><li>Exclusive ICON-only access to Pro Tools HD recording, editing, routing, mixing, plug-ins, automation, recall, and other functions</li><li>Two touch-sensitive, multipurpose rotary encoders per channel strip, each with an LED ring, 6-character alphanumeric LCD, and tricolor automation indication LED</li><li>15 illuminated pushbuttons and one channel name display per channel strip</li><li>Dedicated center section houses EQ and Dynamics controls for optimal monitoring while mixing</li><li>Two 32-segment bargraph meters per channel; eight 32-segment bargraph meters in the master section</li><li>Includes XMON analog monitoring (up to 5.1 surround) and communications system</li><li>Patent-pending Ethernet protocol provides high-speed connection between the console and Pro Tools mix engine</li></ul><div><br /></div><h3>Powered By Pro Tools|HD</h3><div>ICON was designed for perfect integration with Pro Tools|HD, the world’s most popular digital audio workstation. Consisting of computer-based DSP cards, modular audio interfaces, and Pro Tools software, Pro Tools|HD turns your computer into a professional, high-resolution audio production system, delivering amazing sound quality (up to 192 kHz) and unmatched processing power. Add ICON, and you gain exclusive Pro Tools control and functionality not found with any other console, allowing you to maximize your productivity — and creativity — to the fullest.</div><div><br /></div><h3>Flexible Options</h3><div>Whether you need more faders/channels to support larger sessions, want to mix in surround with full tactile control, or something else, you can customize your ICON console with options to suit your workflow and session needs. Find what’s available for your console</div>'),(1809,85,0,302,'Used Avid ICON D-Command ES 8 Channel Mixing Console'),(1810,85,1,302,'Used Avid ICON D-Command ES 8 Channel Mixing Console'),(1811,76,0,302,''),(1812,76,1,302,''),(1813,75,0,303,'<h2>\n	Used Avid ICON D-Control 32 Channel Mixing Console w/ Panners</h2><i><b>The item pictured </b></i><i><b>has just sold, another is on it\'s way to RSPE</b></i><i><b>. Call or Chat for Availability!<br /></b></i><span><br /><br /></span>Mixing even the largest, most complex sessions can be a highly efficient affair. Powered by Pro Tools, ICON D-Control puts the highest level of hands-on control and extended Pro Tools functionality at your fingertips, enabling you to record, edit, route, mix, automate, recall, and perform other Pro Tools tasks right from the console surface.<br /><br /><div>Designed for larger rooms, the highly expandable D-Control console provides unparalleled integration with Pro Tools|HD, delivering the ultimate in hands-on Pro Tools control, unmatched power, and rock-solid reliability. </div><div>Grab the touch-sensitive controls to edit and mix with tactile precision. Get unmatched visual feedback on your mix through individual sends and dynamics metering across the surface. Gain complete control over all processing functions and routing per channel. Even fine-tune mixes without leaving the “sweet spot” through centrally located EQ, Dynamics, and Focus Channel Strip sections. And with additional Fader Modules, you can expand the console up to 80 faders as your projects grow.</div><div><br /></div><h3>Learn more about ICON</h3><ul><li>Exclusive ICON-only access to recording, editing, routing, mixing, plug-ins, automation, recall, and other Pro Tools functions</li><li>Slim, sleek, large-format ergonomic console, with new dark color scheme</li><li>Updated text and graphics offer improved legibility in low light</li><li>Improved switch color layout provides easier visual navigation</li><li>16 physical faders/channel strips in base configuration (one Main Unit and one Fader Module)</li><li>Expandable up to 80 physical faders/channel strips with optional 16-channel Fader Modules</li><li>High-quality, touch-sensitive motorized faders</li><li>Centrally located Focus Channel Strip with fader allows placement of any channel in the mixing “sweet spot”</li><li>Six touch-sensitive, multi-purpose rotary encoders per channel strip, each with a multicolor LED ring, 6-character alphanumeric multicolor LCD display, and tricolor automation indication LED</li><li>27 illuminated pushbuttons and one channel name display per channel strip</li><li>Two multicolor 32-segment bargraph meters per channel</li><li>Eight multicolor 32-segment master section bargraph meters</li><li>Dedicated center section panels for EQ and Dynamics control for optimal monitoring while mixing</li><li>Built-in Pro Tools keyboard provides direct access to editing functions</li><li>Comprehensive monitoring and communications control section</li><li>XMON™ analog monitoring (up to 7.1 surround) and communications system (included)</li><li>Advanced Surround Panner option with integrated touch screen and touch-sensitive joysticks</li><li>Patent-pending, high-speed Ethernet protocol to connect console to mix engine</li><li>VESA standard TFT mounting arm for flat-panel display (display not included)</li></ul><div><br /></div><h3>Powered By Pro Tools|HD</h3><div>ICON was designed for perfect integration with Pro Tools|HD, the world’s most popular digital audio workstation. Consisting of computer-based DSP cards, modular audio interfaces, and Pro Tools software, Pro Tools|HD turns your computer into a professional, high-resolution audio production system, delivering amazing sound quality (up to 192 kHz) and unmatched processing power. Add ICON, and you gain exclusive Pro Tools control and functionality not found with any other console, allowing you to maximize your productivity — and creativity — to the fullest.</div><div><br /></div><h3>Flexible Options</h3><div>Whether you need more faders/channels to support larger sessions, want to mix in surround with full tactile control, or something else, you can customize your ICON console with options to suit your workflow and session needs. Find what’s available for your console</div>'),(1814,75,1,303,'<h2>\n	Used Avid ICON D-Control 32 Channel Mixing Console w/ Panners</h2><i><b>The item pictured </b></i><i><b>has just sold, another is on it\'s way to RSPE</b></i><i><b>. Call or Chat for Availability!<br /></b></i><span><br /><br /></span>Mixing even the largest, most complex sessions can be a highly efficient affair. Powered by Pro Tools, ICON D-Control puts the highest level of hands-on control and extended Pro Tools functionality at your fingertips, enabling you to record, edit, route, mix, automate, recall, and perform other Pro Tools tasks right from the console surface.<br /><br /><div>Designed for larger rooms, the highly expandable D-Control console provides unparalleled integration with Pro Tools|HD, delivering the ultimate in hands-on Pro Tools control, unmatched power, and rock-solid reliability. </div><div>Grab the touch-sensitive controls to edit and mix with tactile precision. Get unmatched visual feedback on your mix through individual sends and dynamics metering across the surface. Gain complete control over all processing functions and routing per channel. Even fine-tune mixes without leaving the “sweet spot” through centrally located EQ, Dynamics, and Focus Channel Strip sections. And with additional Fader Modules, you can expand the console up to 80 faders as your projects grow.</div><div><br /></div><h3>Learn more about ICON</h3><ul><li>Exclusive ICON-only access to recording, editing, routing, mixing, plug-ins, automation, recall, and other Pro Tools functions</li><li>Slim, sleek, large-format ergonomic console, with new dark color scheme</li><li>Updated text and graphics offer improved legibility in low light</li><li>Improved switch color layout provides easier visual navigation</li><li>16 physical faders/channel strips in base configuration (one Main Unit and one Fader Module)</li><li>Expandable up to 80 physical faders/channel strips with optional 16-channel Fader Modules</li><li>High-quality, touch-sensitive motorized faders</li><li>Centrally located Focus Channel Strip with fader allows placement of any channel in the mixing “sweet spot”</li><li>Six touch-sensitive, multi-purpose rotary encoders per channel strip, each with a multicolor LED ring, 6-character alphanumeric multicolor LCD display, and tricolor automation indication LED</li><li>27 illuminated pushbuttons and one channel name display per channel strip</li><li>Two multicolor 32-segment bargraph meters per channel</li><li>Eight multicolor 32-segment master section bargraph meters</li><li>Dedicated center section panels for EQ and Dynamics control for optimal monitoring while mixing</li><li>Built-in Pro Tools keyboard provides direct access to editing functions</li><li>Comprehensive monitoring and communications control section</li><li>XMON™ analog monitoring (up to 7.1 surround) and communications system (included)</li><li>Advanced Surround Panner option with integrated touch screen and touch-sensitive joysticks</li><li>Patent-pending, high-speed Ethernet protocol to connect console to mix engine</li><li>VESA standard TFT mounting arm for flat-panel display (display not included)</li></ul><div><br /></div><h3>Powered By Pro Tools|HD</h3><div>ICON was designed for perfect integration with Pro Tools|HD, the world’s most popular digital audio workstation. Consisting of computer-based DSP cards, modular audio interfaces, and Pro Tools software, Pro Tools|HD turns your computer into a professional, high-resolution audio production system, delivering amazing sound quality (up to 192 kHz) and unmatched processing power. Add ICON, and you gain exclusive Pro Tools control and functionality not found with any other console, allowing you to maximize your productivity — and creativity — to the fullest.</div><div><br /></div><h3>Flexible Options</h3><div>Whether you need more faders/channels to support larger sessions, want to mix in surround with full tactile control, or something else, you can customize your ICON console with options to suit your workflow and session needs. Find what’s available for your console</div>'),(1815,85,0,303,'Used Avid ICON D-Control 32 Channel Mixing Console'),(1816,85,1,303,'Used Avid ICON D-Control 32 Channel Mixing Console'),(1817,76,0,303,''),(1818,76,1,303,''),(1819,75,0,304,'<h2>Avid ICON D-Control ES Mixing Console</h2>Mixing even the largest, most complex sessions can be a highly efficient affair. Powered by Pro Tools, ICON D-Control ES puts the highest level of hands-on control and extended Pro Tools functionality at your fingertips, enabling you to record, edit, route, mix, automate, recall, and perform other Pro Tools tasks right from the console surface.<br /><br /><div>Designed for larger rooms, the highly expandable D-Control ES console provides unparalleled integration with Pro Tools|HD, delivering the ultimate in hands-on Pro Tools control, unmatched power, and rock-solid reliability. </div><div>Grab the touch-sensitive controls to edit and mix with tactile precision. Get unmatched visual feedback on your mix through individual sends and dynamics metering across the surface. Gain complete control over all processing functions and routing per channel. Even fine-tune mixes without leaving the “sweet spot” through centrally located EQ, Dynamics, and Focus Channel Strip sections. And with additional Fader Modules, you can expand the console up to 80 faders as your projects grow.</div><div><br /></div><h3>Learn more about ICON</h3><ul><li>Exclusive ICON-only access to recording, editing, routing, mixing, plug-ins, automation, recall, and other Pro Tools functions</li><li>Slim, sleek, large-format ergonomic console, with new dark color scheme</li><li>Updated text and graphics offer improved legibility in low light</li><li>Improved switch color layout provides easier visual navigation</li><li>16 physical faders/channel strips in base configuration (one Main Unit and one Fader Module)</li><li>Expandable up to 80 physical faders/channel strips with optional 16-channel Fader Modules</li><li>High-quality, touch-sensitive motorized faders</li><li>Centrally located Focus Channel Strip with fader allows placement of any channel in the mixing “sweet spot”</li><li>Six touch-sensitive, multi-purpose rotary encoders per channel strip, each with a multicolor LED ring, 6-character alphanumeric multicolor LCD display, and tricolor automation indication LED</li><li>27 illuminated pushbuttons and one channel name display per channel strip</li><li>Two multicolor 32-segment bargraph meters per channel</li><li>Eight multicolor 32-segment master section bargraph meters</li><li>Dedicated center section panels for EQ and Dynamics control for optimal monitoring while mixing</li><li>Built-in Pro Tools keyboard provides direct access to editing functions</li><li>Comprehensive monitoring and communications control section</li><li>XMON™ analog monitoring (up to 7.1 surround) and communications system (included)</li><li>Advanced Surround Panner option with integrated touch screen and touch-sensitive joysticks</li><li>Patent-pending, high-speed Ethernet protocol to connect console to mix engine</li><li>VESA standard TFT mounting arm for flat-panel display (display not included)</li></ul><div><br /></div><h3>Powered By Pro Tools|HD</h3><div>ICON was designed for perfect integration with Pro Tools|HD, the world’s most popular digital audio workstation. Consisting of computer-based DSP cards, modular audio interfaces, and Pro Tools software, Pro Tools|HD turns your computer into a professional, high-resolution audio production system, delivering amazing sound quality (up to 192 kHz) and unmatched processing power. Add ICON, and you gain exclusive Pro Tools control and functionality not found with any other console, allowing you to maximize your productivity — and creativity — to the fullest.</div><div><br /></div><h3>Flexible Options</h3><div>Whether you need more faders/channels to support larger sessions, want to mix in surround with full tactile control, or something else, you can customize your ICON console with options to suit your workflow and session needs. Find what’s available for your console</div>'),(1820,75,1,304,'<h2>Avid ICON D-Control ES Mixing Console</h2>Mixing even the largest, most complex sessions can be a highly efficient affair. Powered by Pro Tools, ICON D-Control ES puts the highest level of hands-on control and extended Pro Tools functionality at your fingertips, enabling you to record, edit, route, mix, automate, recall, and perform other Pro Tools tasks right from the console surface.<br /><br /><div>Designed for larger rooms, the highly expandable D-Control ES console provides unparalleled integration with Pro Tools|HD, delivering the ultimate in hands-on Pro Tools control, unmatched power, and rock-solid reliability. </div><div>Grab the touch-sensitive controls to edit and mix with tactile precision. Get unmatched visual feedback on your mix through individual sends and dynamics metering across the surface. Gain complete control over all processing functions and routing per channel. Even fine-tune mixes without leaving the “sweet spot” through centrally located EQ, Dynamics, and Focus Channel Strip sections. And with additional Fader Modules, you can expand the console up to 80 faders as your projects grow.</div><div><br /></div><h3>Learn more about ICON</h3><ul><li>Exclusive ICON-only access to recording, editing, routing, mixing, plug-ins, automation, recall, and other Pro Tools functions</li><li>Slim, sleek, large-format ergonomic console, with new dark color scheme</li><li>Updated text and graphics offer improved legibility in low light</li><li>Improved switch color layout provides easier visual navigation</li><li>16 physical faders/channel strips in base configuration (one Main Unit and one Fader Module)</li><li>Expandable up to 80 physical faders/channel strips with optional 16-channel Fader Modules</li><li>High-quality, touch-sensitive motorized faders</li><li>Centrally located Focus Channel Strip with fader allows placement of any channel in the mixing “sweet spot”</li><li>Six touch-sensitive, multi-purpose rotary encoders per channel strip, each with a multicolor LED ring, 6-character alphanumeric multicolor LCD display, and tricolor automation indication LED</li><li>27 illuminated pushbuttons and one channel name display per channel strip</li><li>Two multicolor 32-segment bargraph meters per channel</li><li>Eight multicolor 32-segment master section bargraph meters</li><li>Dedicated center section panels for EQ and Dynamics control for optimal monitoring while mixing</li><li>Built-in Pro Tools keyboard provides direct access to editing functions</li><li>Comprehensive monitoring and communications control section</li><li>XMON™ analog monitoring (up to 7.1 surround) and communications system (included)</li><li>Advanced Surround Panner option with integrated touch screen and touch-sensitive joysticks</li><li>Patent-pending, high-speed Ethernet protocol to connect console to mix engine</li><li>VESA standard TFT mounting arm for flat-panel display (display not included)</li></ul><div><br /></div><h3>Powered By Pro Tools|HD</h3><div>ICON was designed for perfect integration with Pro Tools|HD, the world’s most popular digital audio workstation. Consisting of computer-based DSP cards, modular audio interfaces, and Pro Tools software, Pro Tools|HD turns your computer into a professional, high-resolution audio production system, delivering amazing sound quality (up to 192 kHz) and unmatched processing power. Add ICON, and you gain exclusive Pro Tools control and functionality not found with any other console, allowing you to maximize your productivity — and creativity — to the fullest.</div><div><br /></div><h3>Flexible Options</h3><div>Whether you need more faders/channels to support larger sessions, want to mix in surround with full tactile control, or something else, you can customize your ICON console with options to suit your workflow and session needs. Find what’s available for your console</div>'),(1821,85,0,304,'Avid ICON D-Control ES Mixing Console'),(1822,85,1,304,'Avid ICON D-Control ES Mixing Console'),(1823,76,0,304,''),(1824,76,1,304,''),(1825,75,0,305,'DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O\'s can be chained together (this makes for a single, clean DigiLink connection between multiple I/O\'s and the CPU).  Purchased separately, longer DigiLink cables — 25\', 50\' and 100\'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.\n\n*DigiLink 100\' does not support sample rates above 96 kHz.'),(1826,75,1,305,'DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O\'s can be chained together (this makes for a single, clean DigiLink connection between multiple I/O\'s and the CPU).  Purchased separately, longer DigiLink cables — 25\', 50\' and 100\'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.\n\n*DigiLink 100\' does not support sample rates above 96 kHz.'),(1827,85,0,305,'Avid DigiLink Cable 1.5\''),(1828,85,1,305,'Avid DigiLink Cable 1.5\''),(1829,76,0,305,''),(1830,76,1,305,''),(1831,75,0,306,'DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O\'s can be chained together (this makes for a single, clean DigiLink connection between multiple I/O\'s and the CPU).  Purchased separately, longer DigiLink cables — 25\', 50\' and 100\'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.\n\n*DigiLink 100\' does not support sample rates above 96 kHz.'),(1832,75,1,306,'DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O\'s can be chained together (this makes for a single, clean DigiLink connection between multiple I/O\'s and the CPU).  Purchased separately, longer DigiLink cables — 25\', 50\' and 100\'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.\n\n*DigiLink 100\' does not support sample rates above 96 kHz.'),(1833,85,0,306,'Avid DigiLink Cable 100\''),(1834,85,1,306,'Avid DigiLink Cable 100\''),(1835,76,0,306,''),(1836,76,1,306,''),(1837,75,0,307,'DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O\'s can be chained together (this makes for a single, clean DigiLink connection between multiple I/O\'s and the CPU).  Purchased separately, longer DigiLink cables — 25\', 50\' and 100\'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.\n\n*DigiLink 100\' does not support sample rates above 96 kHz.'),(1838,75,1,307,'DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O\'s can be chained together (this makes for a single, clean DigiLink connection between multiple I/O\'s and the CPU).  Purchased separately, longer DigiLink cables — 25\', 50\' and 100\'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.\n\n*DigiLink 100\' does not support sample rates above 96 kHz.'),(1839,85,0,307,'Avid DigiLink Cable 12\''),(1840,85,1,307,'Avid DigiLink Cable 12\''),(1841,76,0,307,''),(1842,76,1,307,''),(1843,75,0,308,'DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O\'s can be chained together (this makes for a single, clean DigiLink connection between multiple I/O\'s and the CPU).  Purchased separately, longer DigiLink cables — 25\', 50\' and 100\'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.\n\n*DigiLink 100\' does not support sample rates above 96 kHz.'),(1844,75,1,308,'DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O\'s can be chained together (this makes for a single, clean DigiLink connection between multiple I/O\'s and the CPU).  Purchased separately, longer DigiLink cables — 25\', 50\' and 100\'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.\n\n*DigiLink 100\' does not support sample rates above 96 kHz.'),(1845,85,0,308,'Avid DigiLink Cable 25\''),(1846,85,1,308,'Avid DigiLink Cable 25\''),(1847,76,0,308,''),(1848,76,1,308,''),(1849,75,0,309,'DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O\'s can be chained together (this makes for a single, clean DigiLink connection between multiple I/O\'s and the CPU).  Purchased separately, longer DigiLink cables — 25\', 50\' and 100\'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.\n\n*DigiLink 100\' does not support sample rates above 96 kHz.'),(1850,75,1,309,'DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O\'s can be chained together (this makes for a single, clean DigiLink connection between multiple I/O\'s and the CPU).  Purchased separately, longer DigiLink cables — 25\', 50\' and 100\'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.\n\n*DigiLink 100\' does not support sample rates above 96 kHz.'),(1851,85,0,309,'Avid DigiLink Cable 50\''),(1852,85,1,309,'Avid DigiLink Cable 50\''),(1853,76,0,309,''),(1854,76,1,309,''),(1855,75,0,310,'<h2>\n	Used Avid / Euphonix System 5MC, 8 faders, MC Pro and factory frame/stand.\n</h2>\n<br /><span>The high-performance, Avid / Euphonix System 5MC, lightly used in our demonstration facility. Near-perfect condition.</span><span><div>RSPE Audio is able to offer a full 1 year factory warranty as an option for this console.</div><br /><br /></span><div>Get high-performance digital audio mixing in a standalone system specifically designed for the ultra-demanding worlds of audio post-production and professional music production. With System 5MC, you have power on demand to mix the biggest feature films or album projects in an advanced system that represents the pinnacle of digital audio console design, Pro Tools HD integration and industry-leading ergonomics. Mix faster and easier with layouts of surface configurations, flexible routing, advanced automation with snapshot recall, touch-sensitive LED color-coded rotary encoders and high-resolution TFTs, which provide rich visual feedback for metering, routing, and processing.</div><div><br /></div><div>In addition, you can add the EUCON Hybrid option to extend the control capabilities of the console beyond the dedicated DSP SuperCore, enabling you to bring audio tracks from multiple Digital Audio Workstations (DAWs) onto the console surface for mixing, through high-speed Ethernet control. You get the best of both worlds—a dedicated, powerful DSP processing/automation system and deep hands-on control over multiple EUCON-enabled DAWs.</div>'),(1856,75,1,310,'<h2>\n	Used Avid / Euphonix System 5MC, 8 faders, MC Pro and factory frame/stand.\n</h2>\n<br /><span>The high-performance, Avid / Euphonix System 5MC, lightly used in our demonstration facility. Near-perfect condition.</span><span><div>RSPE Audio is able to offer a full 1 year factory warranty as an option for this console.</div><br /><br /></span><div>Get high-performance digital audio mixing in a standalone system specifically designed for the ultra-demanding worlds of audio post-production and professional music production. With System 5MC, you have power on demand to mix the biggest feature films or album projects in an advanced system that represents the pinnacle of digital audio console design, Pro Tools HD integration and industry-leading ergonomics. Mix faster and easier with layouts of surface configurations, flexible routing, advanced automation with snapshot recall, touch-sensitive LED color-coded rotary encoders and high-resolution TFTs, which provide rich visual feedback for metering, routing, and processing.</div><div><br /></div><div>In addition, you can add the EUCON Hybrid option to extend the control capabilities of the console beyond the dedicated DSP SuperCore, enabling you to bring audio tracks from multiple Digital Audio Workstations (DAWs) onto the console surface for mixing, through high-speed Ethernet control. You get the best of both worlds—a dedicated, powerful DSP processing/automation system and deep hands-on control over multiple EUCON-enabled DAWs.</div>'),(1857,85,0,310,'Used Avid / Euphonix System 5 MC'),(1858,85,1,310,'Used Avid / Euphonix System 5 MC'),(1859,76,0,310,''),(1860,76,1,310,''),(1861,75,0,311,'<h2>\nUsed Avid / Euphonix System 5MC, 16 faders, MC Pro and factory frame/stand.\n</h2>\n<br /><span>The high-performance, Avid/Euphonix System 5MC, lightly used by one of our clients for post production work in his home studio since purchased new.<br /></span><span>\n<div>\n	RSPE Audio is able to offer a full 1 year factory warranty as an option for this console.\n	<br /><br />System 5MC uses the same fader and input strips as Avid\'s flagship System 5 and is exactly the same model as used in many top post production and music studios.<br />Original retail price on this model was $91,000.00 and is available now for a significantly lower price than when purchased used.<br /><br />For more detailed information about this model, visit RSPE\'s <a href=\"http://vxaqe.wymhp.servertrust.com/Articles.asp?ID=270#\" target=\"_blank\" class=\"colors_productprice\"><span style=\"font-weight: bold;\">microsite dedicated to System 5MC!</span></a>\n</div>\n<br /><br /></span>\n<div>\n	Get high-performance digital audio mixing in a standalone system specifically designed for the ultra-demanding worlds of audio post-production and professional music production. With System 5MC, you have power on demand to mix the biggest feature films or album projects in an advanced system that represents the pinnacle of digital audio console design, Pro Tools HD integration and industry-leading ergonomics. Mix faster and easier with layouts of surface configurations, flexible routing, advanced automation with snapshot recall, touch-sensitive LED color-coded rotary encoders and high-resolution TFTs, which provide rich visual feedback for metering, routing, and processing.\n</div>\n<div>\n	<br />\n</div>\n<div>\n	In addition, you can add the EUCON Hybrid option to extend the control capabilities of the console beyond the dedicated DSP SuperCore, enabling you to bring audio tracks from multiple Digital Audio Workstations (DAWs) onto the console surface for mixing, through high-speed Ethernet control. You get the best of both worlds—a dedicated, powerful DSP processing/automation system and deep hands-on control over multiple EUCON-enabled DAWs.\n</div>'),(1862,75,1,311,'<h2>\nUsed Avid / Euphonix System 5MC, 16 faders, MC Pro and factory frame/stand.\n</h2>\n<br /><span>The high-performance, Avid/Euphonix System 5MC, lightly used by one of our clients for post production work in his home studio since purchased new.<br /></span><span>\n<div>\n	RSPE Audio is able to offer a full 1 year factory warranty as an option for this console.\n	<br /><br />System 5MC uses the same fader and input strips as Avid\'s flagship System 5 and is exactly the same model as used in many top post production and music studios.<br />Original retail price on this model was $91,000.00 and is available now for a significantly lower price than when purchased used.<br /><br />For more detailed information about this model, visit RSPE\'s <a href=\"http://vxaqe.wymhp.servertrust.com/Articles.asp?ID=270#\" target=\"_blank\" class=\"colors_productprice\"><span style=\"font-weight: bold;\">microsite dedicated to System 5MC!</span></a>\n</div>\n<br /><br /></span>\n<div>\n	Get high-performance digital audio mixing in a standalone system specifically designed for the ultra-demanding worlds of audio post-production and professional music production. With System 5MC, you have power on demand to mix the biggest feature films or album projects in an advanced system that represents the pinnacle of digital audio console design, Pro Tools HD integration and industry-leading ergonomics. Mix faster and easier with layouts of surface configurations, flexible routing, advanced automation with snapshot recall, touch-sensitive LED color-coded rotary encoders and high-resolution TFTs, which provide rich visual feedback for metering, routing, and processing.\n</div>\n<div>\n	<br />\n</div>\n<div>\n	In addition, you can add the EUCON Hybrid option to extend the control capabilities of the console beyond the dedicated DSP SuperCore, enabling you to bring audio tracks from multiple Digital Audio Workstations (DAWs) onto the console surface for mixing, through high-speed Ethernet control. You get the best of both worlds—a dedicated, powerful DSP processing/automation system and deep hands-on control over multiple EUCON-enabled DAWs.\n</div>'),(1863,85,0,311,'Used Avid / Euphonix System 5 MC'),(1864,85,1,311,'Used Avid / Euphonix System 5 MC'),(1865,76,0,311,''),(1866,76,1,311,''),(1867,75,0,312,'This card came from our client\'s meticulous, working studio and is in perfect condition. PCI-e (PCIe) Core Card passes the Digi test twice before it leaves.  It works perfectly with an Apple MacPro Intel or approved PC with PCIe card slots.<div><br></div><div>Plus, you\'re protected with RSPE\'s 6 month Platinum Warranty (immediate, no hassle repair or replacement)!&nbsp;\n</div><div><br></div><div><span style=\"font-weight: bold; \">Platinum Warranty on Pre-Owned Purchases&nbsp;</span></div><div>Under the coverage of our Platinum Warranty, all pre-owned products are fully tested by our expert technicians. RSPE covers return ground freight PLUS parts and labor (or product replacement), for six months. Certain items are covered for three months, such as those with motorized parts or delicate construction. This warranty covers normal use only. Damage from misuse or loss is not covered under the Platinum Warranty.</div>'),(1868,75,1,312,'This card came from our client\'s meticulous, working studio and is in perfect condition. PCI-e (PCIe) Core Card passes the Digi test twice before it leaves.  It works perfectly with an Apple MacPro Intel or approved PC with PCIe card slots.<div><br></div><div>Plus, you\'re protected with RSPE\'s 6 month Platinum Warranty (immediate, no hassle repair or replacement)!&nbsp;\n</div><div><br></div><div><span style=\"font-weight: bold; \">Platinum Warranty on Pre-Owned Purchases&nbsp;</span></div><div>Under the coverage of our Platinum Warranty, all pre-owned products are fully tested by our expert technicians. RSPE covers return ground freight PLUS parts and labor (or product replacement), for six months. Certain items are covered for three months, such as those with motorized parts or delicate construction. This warranty covers normal use only. Damage from misuse or loss is not covered under the Platinum Warranty.</div>'),(1869,85,0,312,'Used Avid HD1 Core PCIe Card'),(1870,85,1,312,'Used Avid HD1 Core PCIe Card'),(1871,76,0,312,''),(1872,76,1,312,''),(1873,75,0,313,'<style>\nh4{margin-bottom:5px;}\n</style>\n<h2>Avid Pro Tools | S6 M10 8 Fader, 5 Knob Modular Control Surface (Used)</h2>\n<span style=\"font-size: 16px; font-style: italic;\">This used Avid S6 M10 8 Fader Control Surface is in near-perfect condition from a smoke-free studio. This small format, modular control surface packs tons of features into a compact package.</span><br /><br />\nAvid’s groundbreaking S6 M10 modular control surfaces bring scalability and functionality to a new plateau. Another first from Avid, the S6 is the product of a collaboration that combines the experience and expertise of Avid and Euphonix engineers, equally renowned for the creation of world-class audio systems and industry firsts. But more important than the pedigree of its designers, the features and functionality of Avid’s S6 M10 are driven by the needs and requests of audio professionals.<br /><br />\nFrom intelligent control via integrated touchscreen, to extensive visual feedback, including meters and waveform display of each channel, The Avid S6 is the world’s first control surface that lets you customize the surface to match your current and growing needs. <br /><br /><a href=\"http://rspeavids6configurator.com/\" target=\"_blank\" style=\"outline: 0px none;\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/config-banner.jpg\" alt=\"\" /></a> <br /><br />RSPE Audio Solutions’ exclusive <a href=\"http://rspeavids6configurator.com/\" target=\"_blank\" class=\"colors_productprice\" style=\"font-weight: bold;\">Avid S6 Configurator</a> lets you design a virtual Avid S6 M10 or Avid S6 M40 recording console/control surface, or select from stock Avid S6 M10 or S6 M40 DAW controllers.<br />   <br /><br />\n<h3>Avid S6 Unique Features:</h3>\n<ul>\n	<li>World’s first modular system that can be easily user-configured on-site                                                                                                                                                  </li>\n	<li>Highly cost-effective design lets you add modules and functionality as needs or budget determine                                                                                                                         </li>\n	<li>Comes in two versions: preconfigured mid-size M10; custom-configurable mid-size to large-format M40                                                                                                                      </li>\n	<li>Ergonomic design provides ability to reach more controls without leaving the sweet spot and feels like a physical extension of Pro Tools                                                                                 </li>\n	<li>Customer-driven features include thoughtful conveniences such as computer keypad and script trays that slide along the entire length of the M40 frame                                                                    </li>\n	<li>High-resolution OLED displays provide detailed channel information, such as 10-character track names, automation modes, record indicator, and more, with higher contrast in low ambient light conditions than LCD screens</li>\n</ul>\n<br />\n<h3>Avid S6 M10 and S6 M40</h3>\nLike its predecessors, the Avid D-Command and D-Control, The S6 comes in two flavors. Analogous to the D-Command, you have the smaller, more affordable M10, and the Avid S6 M40, which takes the place of D-Control and Euphonix System 5 MC.  \n<br /><br />\nWith Avid’s S6 modular control surfaces, you can select from various pre-configured S6 M10 systems, while the S6 M40 can be custom-configured to your specific requirements in not only fader count, but also number of knobs per channel, plus the addition of visual displays. And upgrading your S6 M40 doesn’t mean buying a new console; you can add various control modules any time you desire without the need for on-site technicians. It’s as close to plug-and-play, or shall we say, plug-and-mix as you can get. In fact, just like the portability of Avid’s Pro Tools software from studio to studio, you can actually bring S6 modules to another S6-equipped facility, plug them in, and mix or track the way you’re accustomed to. Only the Avid S6 M40 allows this kind of scalability and flexibility.<br /><br />\n<h3>Avid S6 M10 and S6 M40 key features:</h3>\n<ul>\n	<li>Customize the surface with only the modules you need for great cost efficiency                                        </li>\n	<li>Scale the system from mid- to large-format to match your workflow, with room to grow                                  </li>\n	<li>Mix faster and easier with intelligently designed controls, touchscreen, and intuitive layout                         </li>\n	<li>Access and manipulate multiple aspects of your mix through the master touchscreen                                     </li>\n	<li>See your mix in a whole new way with detailed visual feedback and professional metering                               </li>\n	<li>Get the deep, integrated Pro Tools® mixing control only Avid can provide                                              </li>\n	<li>Extend your control to Logic Pro, Nuendo, and other EUCONTM-enabled DAWs                                              </li>\n	<li>Experience highly responsive, precision control with high-speed EUCON connectivity                                    </li>\n	<li>Control up to eight audio workstations simultaneously (e.g. Pro Tools, Nuendo and Logic—even from across the facility </li>\n</ul>\n<br />\n<h2>Avid S6 features in depth</h2>\nA collaborative effort of Avid and Euphonix engineers, driven by input from audio professionals, S6 offers total scalability from being able to configure number of faders and rotary encoders per channel to the addition of meter/waveform displays. Plus, there are user-requested features you won’t find in any other control surfaces, such as sliding computer keypad tray and script tray that move along the entire length of the desk.\n<br /><br />\n<h4>Revolutionary modular design</h4>\nThe words “future proof” have been used in pro audio since N.E.D.’s Synclavier was introduced in 1981. So far, instead of the promised 10 years, future proofing has lasted six months to a year at the outside—that is, until the arrival of Avid’s S6 modular consoles. How does Avid do it? By creating an Ethernet-based power frame that allows you to add modules at any time as your needs or workflow changes. \n<br /><br />\nAnd here’s where it gets interesting; these scalable modules are not just fader packs. There are six modules that comprise the S6 including: Fader Module, Process Module, Knob Module, Display Module (M40 only), Master Touch Module, and Master Automation Module. <br /><br />\nOn the S6 M40, you can add stunning visual display modules, as well as more control knobs per channel bank (or less should you desire). For example, you can have 8-channel banks with five knobs to control panning and 4-band EQ right alongside fader banks with nine knobs to add dynamics control to EQ and panning. Or, you could have channel banks with one encoder knob if, for example, you wanted to create dedicated aux or submaster channels. And of course, down the road, you could convert those single-knob and five-knob channels into full 9-knob channels depending on the depth of the S6 frame you’ve selected. (More on frames later.)   <br /><br />\nThe horizontal and vertical scalability of the S6 offers you the greatest cost efficiency by letting you start out with only what you need and no more. You don’t invest in unnecessary bells and whistles or take designer’s potluck; hoping they thought of everything you need, or accept trade-offs if they didn’t. Avid didn’t design the S6 to try to be all things to all people—just all things to one person: you.<br /><br />\n<h4>Mix intuitively with superior ergonomics</h4>\nTo create the perfect blend of knobs, faders, switches, and touchscreen, Avid engaged in extensive ergonomic research and tapped the expertise of Euphonix engineers who’ve excelled in this area with their System 5 designs. \n<br /><br />\nThat said, in long mixing sessions, you need to quickly access controls and see and reach what you need to without “wheel chair races” across the length of your console. S6 addresses these issues by bringing faders and encoders closer to the center section of the console. And for D-Command users who couldn’t reach the top row of controls without climbing over the console, S6’s narrower depth will come as a welcome relief. Quite simply, with an S6 you reach more and move less. <br /><br />\nCarrying the idea of ergonomically intuitive access forward, the S6 acts and feels like a physical extension of your software, providing a truly intuitive and immersive experience. Turn around projects faster with high-precision editing and mixing control within easy reach. Quickly access and edit plug-ins, surround panning, and more with the multipoint touchscreen, and see every detail of your mix with unprecedented visual feedback. And along with the ability to stay in the sweet spot longer, the S6 frame comes with a comfortable elbow-supporting bolster and physical topology that doesn’t obstruct the sound field. <br /><br />\n<h2>The control surface engines—master modules</h2>\n<h3>S6 Master Touch Module (MTM)</h3>\nThis is the real brains of the outfit and is required for all S6 control surfaces. The S6 MTM is a tilting, multi-touch display with eight assignable encoders. It has dedicated navigation buttons, two full-color soft key sections, and monitor section. There are two versions of the MTM: the S6 M10, which can control 10 modules, and its smarter brother S6 M40, which can control 41 modules. (Well, it’s not really smarter, just more powerful.) \n<br /><br />\nThe MTM features a 12.1\", multi-touch screen that lets you view up to 72 tracks at once in the tracks matrix view, all with colors and meters. And with the swipe of a finger you can scroll vertically through the track matrix to access the rest of your session. You can record-arm, mute, or solo tracks easily via touch. There’s also an “attention” mode that takes you to an exploded view of a selected track. At the top of the exploded track view is a high-resolution meter bridge that you can horizontally scroll through via finger swipe, bringing any bank of eight channels right to you for processing directly via the screen. Touching a meter “attentions the track. Or you can similarly scroll an 8-channel-wide matrix at the bottom of the screen (similar to the track matrix view with just a single row). <br /><br /> \nWith the ability to view, access, and edit various aspects of your mix, including tracks, panning, processing, and metering, without “mouse Olympics” or “sub-menu races,” the S6 Master Touch Module gives you absolute power (yes, you can be the swordmaster of your audio universe). \n<br /><br />\nSpeaking of universal domination, there’s a Universal Color Bar above the bottom-screen track matrix that allows you to navigate much larger sections to find the track you want and edit its parameters.  <br /><br />\n<h3>S6 Master Automation Module</h3>\nWhile this module is optional (c’mon, you know you want one), the Master Automation Module provides two more soft key sections, bringing the number of soft key sections to four—another way S6 keeps you in the moment rather than searching through menus. It sports a jog/multi-function wheel, focus channel fader with OLED display, transport section, and numeric keypad. It also has a dedicated OLED time code display in the upper right hand corner. \n<br /><br />\nWhen combined with the Master Touch Module, you have a very powerful master section that is only one foot wide, providing lots of accessible control via touch screen and combined 60 function buttons of the Master Touch and Automation modules.<br /><br />\n<h2>Avid S6—channel modules</h2>\nAs long as we’re talking modules, lets discuss the remaining four. The channel modules provide the control and feedback elements you need—from faders and knobs, to processing and metering. All channel modules feature reliable, high-speed Ethernet connectivity for easy set-up. With the exception of the TFT Display Module, they all have high-resolution OLED displays, which provide a deeper black background and brighter display than any type of LCD screen. OLED displays are perfect for environments with low ambient light, such as bat caves, man caves, and studio control rooms. Here are the modules you can choose: \n<br /><br />\n<h3>S6 Fader Module</h3>\nThe Fader Modules have a bank of eight 100mm motorized faders featuring HQ brushless motors for smooth operation during subtle fader moves. These are the same faders as those used on System 5. To keep you apprised of current status, the OLED displays show full track names and current automation mode. \n<br /><br />\n<strong>S6 Fader Module at a glance:</strong>\n<ul>\n	<li>8 HQ brushless motorized faders                                     </li>\n	<li>8 OLED displays for full track names and automation mode            </li>\n	<li>Dual tri-color LED meters per channel (with gain reduction metering)</li>\n	<li>Mute, solo, and other switches with color LEDs                      </li>\n	<li>Control levels for eight simultaneous tracks                        </li>\n</ul>\nAlongside the faders are 32-segment meter displays that also show gain reduction, plus there’s an automation delta display (automation changes).\nThere are 11 switches per channel, including mute, solo, and others, with color LEDs for easy identification. Beneath the faders, there is a row of full-color modifier keys and additional function keys that match the selected track color in Pro Tools.\n<br /><br />\n<h3>S6 Process Module</h3>\nThe Process Module hosts assignable switches for knob-module processing and bus assignments, plus eight freely assignable, multi-color LED top-lit knobs. There are 22 function-select switches per channel with color LEDs for easy identification. This module lets you select process modes (EQ, dynamics, etc.) for the knob modules, allowing control of up to nine simultaneous encoder values. The Process Module also contains eight OLED displays for labels and other visual feedback.\n<br /><br />\n<strong>S6 Process Module at a glance:</strong>\n<ul>\n	<li>8 multicolor LED top-lit knobs (one per channel)                                            </li>\n	<li>22 function-select switches per channel with color LEDs                                     </li>\n	<li>8 OLED displays for labels and visual feedback                                              </li>\n	<li>Provides mode selectors for Knob Modules to control up to nine simultaneous encoder values  </li>\n</ul>\n<h3>S6 Knob Module</h3>\nAs mentioned above, the Knob Module comprises 32 multi-color LED top-lit encoders (4 per channel) and works in conjunction with the Process Module. With control of 32 simultaneous encoder values, these knobs control EQ, dymanics, and other assignable parameters.  \n<br /><br />\n<strong>S6 Knob Module at a glance:</strong>\n<ul>\n	<li>32 multicolor LED top-lit knobs (four per channel)                                                                                    </li>\n	<li>32 OLED displays for labels and visual feedback                                                                                       </li>\n	<li>11 function-select switches per channel with color LEDs                                                                               </li>\n	<li>Works in conjunction with the Process Module                                                                                          </li>\n	<li>Control up to 32 simultaneous encoder values; stack two Knob Modules (S6 M40-based surfaces only) to get up to nine knobs per channel </li>\n</ul>\nThe Knob Module also features 32 easy-to-read OLED displays that clearly show encoder function, position, and values. There are also 11 additional function-select buttons per channel. Two knob modules can be stacked for up to nine knobs per channel (M40 only). \n<br /><br />\n<h3>Frames, Ethernet, and power supply</h3>\nWhat holds it all together is the S6 power frame, which comprises a number of 1-foot wide chassis that attach together to hold the S6 control surface modules. Each chassis has its own power supply and wiring harness to provide Ethernet and power to each module fitted in the chassis. The chassis comes in two depths: a 4-module version including display module, and 5-module version included the display module (M40 only).  \n<br /><br />\nThe Ethernet switches (differently sized depending on number of modules) are also housed internally in the frame. Once you’ve selected the number of chassis you want (from 2 to 9), bolster, back-, and side-panels are added to the frame, which can then sit on a desktop. For frames that are five, six, seven, or nine chassis wide, a leg assembly option is available for a freestanding console. <br /><br />\n<h3>Included with the Avid S6</h3>\nS6 surface (a pre-configuration or your own design) \n<br />\nS6 frame and other accessories (as specified per your pre-configuration or customization) <br />\nXMON S6 monitoring system <br />\nAll necessary cabling <br />\nOne year of Avid Advantage ExpertPlus support* with Hardware Coverage (includes 24/7 access, priority phone support, advance hardware exchange (next-day), complimentary S6 software upgrades, and more—to keep you up and running) <br /><br />\n* After one year, you can renew your support plan for continued operational efficiency—and peace of mind. <br /><br />\n<h3>Intelligent studio control</h3>\nPair the S6 with Pro Tools and you gain the Avid advantage of faster workflows, extended visual feedback, and unique features to accelerate your efficiency every step of the way. And with S6 you can extend your control to Logic Pro, Nuendo, and other EUCONTM-enabled DAWs, enabling you to mix projects on multiple workstations simultaneously and switch out sessions in seconds—all from a single control surface.\n<br /><br />\n<strong>Experience the deep DAW control that only Avid S6 can deliver. Call or chat with an RSPE representative for more in-depth information, or assistance configuring an Avid S6 control surface for your studio.</strong><br />'),(1874,75,1,313,'<style>\nh4{margin-bottom:5px;}\n</style>\n<h2>Avid Pro Tools | S6 M10 8 Fader, 5 Knob Modular Control Surface (Used)</h2>\n<span style=\"font-size: 16px; font-style: italic;\">This used Avid S6 M10 8 Fader Control Surface is in near-perfect condition from a smoke-free studio. This small format, modular control surface packs tons of features into a compact package.</span><br /><br />\nAvid’s groundbreaking S6 M10 modular control surfaces bring scalability and functionality to a new plateau. Another first from Avid, the S6 is the product of a collaboration that combines the experience and expertise of Avid and Euphonix engineers, equally renowned for the creation of world-class audio systems and industry firsts. But more important than the pedigree of its designers, the features and functionality of Avid’s S6 M10 are driven by the needs and requests of audio professionals.<br /><br />\nFrom intelligent control via integrated touchscreen, to extensive visual feedback, including meters and waveform display of each channel, The Avid S6 is the world’s first control surface that lets you customize the surface to match your current and growing needs. <br /><br /><a href=\"http://rspeavids6configurator.com/\" target=\"_blank\" style=\"outline: 0px none;\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/config-banner.jpg\" alt=\"\" /></a> <br /><br />RSPE Audio Solutions’ exclusive <a href=\"http://rspeavids6configurator.com/\" target=\"_blank\" class=\"colors_productprice\" style=\"font-weight: bold;\">Avid S6 Configurator</a> lets you design a virtual Avid S6 M10 or Avid S6 M40 recording console/control surface, or select from stock Avid S6 M10 or S6 M40 DAW controllers.<br />   <br /><br />\n<h3>Avid S6 Unique Features:</h3>\n<ul>\n	<li>World’s first modular system that can be easily user-configured on-site                                                                                                                                                  </li>\n	<li>Highly cost-effective design lets you add modules and functionality as needs or budget determine                                                                                                                         </li>\n	<li>Comes in two versions: preconfigured mid-size M10; custom-configurable mid-size to large-format M40                                                                                                                      </li>\n	<li>Ergonomic design provides ability to reach more controls without leaving the sweet spot and feels like a physical extension of Pro Tools                                                                                 </li>\n	<li>Customer-driven features include thoughtful conveniences such as computer keypad and script trays that slide along the entire length of the M40 frame                                                                    </li>\n	<li>High-resolution OLED displays provide detailed channel information, such as 10-character track names, automation modes, record indicator, and more, with higher contrast in low ambient light conditions than LCD screens</li>\n</ul>\n<br />\n<h3>Avid S6 M10 and S6 M40</h3>\nLike its predecessors, the Avid D-Command and D-Control, The S6 comes in two flavors. Analogous to the D-Command, you have the smaller, more affordable M10, and the Avid S6 M40, which takes the place of D-Control and Euphonix System 5 MC.  \n<br /><br />\nWith Avid’s S6 modular control surfaces, you can select from various pre-configured S6 M10 systems, while the S6 M40 can be custom-configured to your specific requirements in not only fader count, but also number of knobs per channel, plus the addition of visual displays. And upgrading your S6 M40 doesn’t mean buying a new console; you can add various control modules any time you desire without the need for on-site technicians. It’s as close to plug-and-play, or shall we say, plug-and-mix as you can get. In fact, just like the portability of Avid’s Pro Tools software from studio to studio, you can actually bring S6 modules to another S6-equipped facility, plug them in, and mix or track the way you’re accustomed to. Only the Avid S6 M40 allows this kind of scalability and flexibility.<br /><br />\n<h3>Avid S6 M10 and S6 M40 key features:</h3>\n<ul>\n	<li>Customize the surface with only the modules you need for great cost efficiency                                        </li>\n	<li>Scale the system from mid- to large-format to match your workflow, with room to grow                                  </li>\n	<li>Mix faster and easier with intelligently designed controls, touchscreen, and intuitive layout                         </li>\n	<li>Access and manipulate multiple aspects of your mix through the master touchscreen                                     </li>\n	<li>See your mix in a whole new way with detailed visual feedback and professional metering                               </li>\n	<li>Get the deep, integrated Pro Tools® mixing control only Avid can provide                                              </li>\n	<li>Extend your control to Logic Pro, Nuendo, and other EUCONTM-enabled DAWs                                              </li>\n	<li>Experience highly responsive, precision control with high-speed EUCON connectivity                                    </li>\n	<li>Control up to eight audio workstations simultaneously (e.g. Pro Tools, Nuendo and Logic—even from across the facility </li>\n</ul>\n<br />\n<h2>Avid S6 features in depth</h2>\nA collaborative effort of Avid and Euphonix engineers, driven by input from audio professionals, S6 offers total scalability from being able to configure number of faders and rotary encoders per channel to the addition of meter/waveform displays. Plus, there are user-requested features you won’t find in any other control surfaces, such as sliding computer keypad tray and script tray that move along the entire length of the desk.\n<br /><br />\n<h4>Revolutionary modular design</h4>\nThe words “future proof” have been used in pro audio since N.E.D.’s Synclavier was introduced in 1981. So far, instead of the promised 10 years, future proofing has lasted six months to a year at the outside—that is, until the arrival of Avid’s S6 modular consoles. How does Avid do it? By creating an Ethernet-based power frame that allows you to add modules at any time as your needs or workflow changes. \n<br /><br />\nAnd here’s where it gets interesting; these scalable modules are not just fader packs. There are six modules that comprise the S6 including: Fader Module, Process Module, Knob Module, Display Module (M40 only), Master Touch Module, and Master Automation Module. <br /><br />\nOn the S6 M40, you can add stunning visual display modules, as well as more control knobs per channel bank (or less should you desire). For example, you can have 8-channel banks with five knobs to control panning and 4-band EQ right alongside fader banks with nine knobs to add dynamics control to EQ and panning. Or, you could have channel banks with one encoder knob if, for example, you wanted to create dedicated aux or submaster channels. And of course, down the road, you could convert those single-knob and five-knob channels into full 9-knob channels depending on the depth of the S6 frame you’ve selected. (More on frames later.)   <br /><br />\nThe horizontal and vertical scalability of the S6 offers you the greatest cost efficiency by letting you start out with only what you need and no more. You don’t invest in unnecessary bells and whistles or take designer’s potluck; hoping they thought of everything you need, or accept trade-offs if they didn’t. Avid didn’t design the S6 to try to be all things to all people—just all things to one person: you.<br /><br />\n<h4>Mix intuitively with superior ergonomics</h4>\nTo create the perfect blend of knobs, faders, switches, and touchscreen, Avid engaged in extensive ergonomic research and tapped the expertise of Euphonix engineers who’ve excelled in this area with their System 5 designs. \n<br /><br />\nThat said, in long mixing sessions, you need to quickly access controls and see and reach what you need to without “wheel chair races” across the length of your console. S6 addresses these issues by bringing faders and encoders closer to the center section of the console. And for D-Command users who couldn’t reach the top row of controls without climbing over the console, S6’s narrower depth will come as a welcome relief. Quite simply, with an S6 you reach more and move less. <br /><br />\nCarrying the idea of ergonomically intuitive access forward, the S6 acts and feels like a physical extension of your software, providing a truly intuitive and immersive experience. Turn around projects faster with high-precision editing and mixing control within easy reach. Quickly access and edit plug-ins, surround panning, and more with the multipoint touchscreen, and see every detail of your mix with unprecedented visual feedback. And along with the ability to stay in the sweet spot longer, the S6 frame comes with a comfortable elbow-supporting bolster and physical topology that doesn’t obstruct the sound field. <br /><br />\n<h2>The control surface engines—master modules</h2>\n<h3>S6 Master Touch Module (MTM)</h3>\nThis is the real brains of the outfit and is required for all S6 control surfaces. The S6 MTM is a tilting, multi-touch display with eight assignable encoders. It has dedicated navigation buttons, two full-color soft key sections, and monitor section. There are two versions of the MTM: the S6 M10, which can control 10 modules, and its smarter brother S6 M40, which can control 41 modules. (Well, it’s not really smarter, just more powerful.) \n<br /><br />\nThe MTM features a 12.1\", multi-touch screen that lets you view up to 72 tracks at once in the tracks matrix view, all with colors and meters. And with the swipe of a finger you can scroll vertically through the track matrix to access the rest of your session. You can record-arm, mute, or solo tracks easily via touch. There’s also an “attention” mode that takes you to an exploded view of a selected track. At the top of the exploded track view is a high-resolution meter bridge that you can horizontally scroll through via finger swipe, bringing any bank of eight channels right to you for processing directly via the screen. Touching a meter “attentions the track. Or you can similarly scroll an 8-channel-wide matrix at the bottom of the screen (similar to the track matrix view with just a single row). <br /><br /> \nWith the ability to view, access, and edit various aspects of your mix, including tracks, panning, processing, and metering, without “mouse Olympics” or “sub-menu races,” the S6 Master Touch Module gives you absolute power (yes, you can be the swordmaster of your audio universe). \n<br /><br />\nSpeaking of universal domination, there’s a Universal Color Bar above the bottom-screen track matrix that allows you to navigate much larger sections to find the track you want and edit its parameters.  <br /><br />\n<h3>S6 Master Automation Module</h3>\nWhile this module is optional (c’mon, you know you want one), the Master Automation Module provides two more soft key sections, bringing the number of soft key sections to four—another way S6 keeps you in the moment rather than searching through menus. It sports a jog/multi-function wheel, focus channel fader with OLED display, transport section, and numeric keypad. It also has a dedicated OLED time code display in the upper right hand corner. \n<br /><br />\nWhen combined with the Master Touch Module, you have a very powerful master section that is only one foot wide, providing lots of accessible control via touch screen and combined 60 function buttons of the Master Touch and Automation modules.<br /><br />\n<h2>Avid S6—channel modules</h2>\nAs long as we’re talking modules, lets discuss the remaining four. The channel modules provide the control and feedback elements you need—from faders and knobs, to processing and metering. All channel modules feature reliable, high-speed Ethernet connectivity for easy set-up. With the exception of the TFT Display Module, they all have high-resolution OLED displays, which provide a deeper black background and brighter display than any type of LCD screen. OLED displays are perfect for environments with low ambient light, such as bat caves, man caves, and studio control rooms. Here are the modules you can choose: \n<br /><br />\n<h3>S6 Fader Module</h3>\nThe Fader Modules have a bank of eight 100mm motorized faders featuring HQ brushless motors for smooth operation during subtle fader moves. These are the same faders as those used on System 5. To keep you apprised of current status, the OLED displays show full track names and current automation mode. \n<br /><br />\n<strong>S6 Fader Module at a glance:</strong>\n<ul>\n	<li>8 HQ brushless motorized faders                                     </li>\n	<li>8 OLED displays for full track names and automation mode            </li>\n	<li>Dual tri-color LED meters per channel (with gain reduction metering)</li>\n	<li>Mute, solo, and other switches with color LEDs                      </li>\n	<li>Control levels for eight simultaneous tracks                        </li>\n</ul>\nAlongside the faders are 32-segment meter displays that also show gain reduction, plus there’s an automation delta display (automation changes).\nThere are 11 switches per channel, including mute, solo, and others, with color LEDs for easy identification. Beneath the faders, there is a row of full-color modifier keys and additional function keys that match the selected track color in Pro Tools.\n<br /><br />\n<h3>S6 Process Module</h3>\nThe Process Module hosts assignable switches for knob-module processing and bus assignments, plus eight freely assignable, multi-color LED top-lit knobs. There are 22 function-select switches per channel with color LEDs for easy identification. This module lets you select process modes (EQ, dynamics, etc.) for the knob modules, allowing control of up to nine simultaneous encoder values. The Process Module also contains eight OLED displays for labels and other visual feedback.\n<br /><br />\n<strong>S6 Process Module at a glance:</strong>\n<ul>\n	<li>8 multicolor LED top-lit knobs (one per channel)                                            </li>\n	<li>22 function-select switches per channel with color LEDs                                     </li>\n	<li>8 OLED displays for labels and visual feedback                                              </li>\n	<li>Provides mode selectors for Knob Modules to control up to nine simultaneous encoder values  </li>\n</ul>\n<h3>S6 Knob Module</h3>\nAs mentioned above, the Knob Module comprises 32 multi-color LED top-lit encoders (4 per channel) and works in conjunction with the Process Module. With control of 32 simultaneous encoder values, these knobs control EQ, dymanics, and other assignable parameters.  \n<br /><br />\n<strong>S6 Knob Module at a glance:</strong>\n<ul>\n	<li>32 multicolor LED top-lit knobs (four per channel)                                                                                    </li>\n	<li>32 OLED displays for labels and visual feedback                                                                                       </li>\n	<li>11 function-select switches per channel with color LEDs                                                                               </li>\n	<li>Works in conjunction with the Process Module                                                                                          </li>\n	<li>Control up to 32 simultaneous encoder values; stack two Knob Modules (S6 M40-based surfaces only) to get up to nine knobs per channel </li>\n</ul>\nThe Knob Module also features 32 easy-to-read OLED displays that clearly show encoder function, position, and values. There are also 11 additional function-select buttons per channel. Two knob modules can be stacked for up to nine knobs per channel (M40 only). \n<br /><br />\n<h3>Frames, Ethernet, and power supply</h3>\nWhat holds it all together is the S6 power frame, which comprises a number of 1-foot wide chassis that attach together to hold the S6 control surface modules. Each chassis has its own power supply and wiring harness to provide Ethernet and power to each module fitted in the chassis. The chassis comes in two depths: a 4-module version including display module, and 5-module version included the display module (M40 only).  \n<br /><br />\nThe Ethernet switches (differently sized depending on number of modules) are also housed internally in the frame. Once you’ve selected the number of chassis you want (from 2 to 9), bolster, back-, and side-panels are added to the frame, which can then sit on a desktop. For frames that are five, six, seven, or nine chassis wide, a leg assembly option is available for a freestanding console. <br /><br />\n<h3>Included with the Avid S6</h3>\nS6 surface (a pre-configuration or your own design) \n<br />\nS6 frame and other accessories (as specified per your pre-configuration or customization) <br />\nXMON S6 monitoring system <br />\nAll necessary cabling <br />\nOne year of Avid Advantage ExpertPlus support* with Hardware Coverage (includes 24/7 access, priority phone support, advance hardware exchange (next-day), complimentary S6 software upgrades, and more—to keep you up and running) <br /><br />\n* After one year, you can renew your support plan for continued operational efficiency—and peace of mind. <br /><br />\n<h3>Intelligent studio control</h3>\nPair the S6 with Pro Tools and you gain the Avid advantage of faster workflows, extended visual feedback, and unique features to accelerate your efficiency every step of the way. And with S6 you can extend your control to Logic Pro, Nuendo, and other EUCONTM-enabled DAWs, enabling you to mix projects on multiple workstations simultaneously and switch out sessions in seconds—all from a single control surface.\n<br /><br />\n<strong>Experience the deep DAW control that only Avid S6 can deliver. Call or chat with an RSPE representative for more in-depth information, or assistance configuring an Avid S6 control surface for your studio.</strong><br />'),(1875,85,0,313,''),(1876,85,1,313,''),(1877,76,0,313,''),(1878,76,1,313,''),(1879,75,0,314,'<h2>Avid NEXIS | E2 20TB Enterprise Storage Engine</h2>\n<i>Avid NEXIS E2 gets you 20TB of NEXIS Shared storage, Avid NEXIS | FS Foundation Software, and 1 Year Avid ExpertPlus & Hardware Support</i><br /><br />\nThe Avid NEXIS | E2 is a shared storage platform designed for small- to mid-size post-production, broadcast, live event, house of worship, government, corporate, and media education environments, this enterprise-class, team-level storage engine offers great scalability, performance, and collaboration.<br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br /><br />\n<h3>NEXIS | E2 Features</h3>\n<ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important;\">\n	<li>Supports 1-40 connected clients.</li><li>Up to 400 MBps performance</li><li>20TB capacity (Can Be expanded up to 1.44 PB by combining with other E-Class Engines)</li><li>NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li><li>Includes one year\'s Avid ExpertPlus and hardware support.</li>\n</ul>\n<br />\n<h3>Flexible Software-Defined Storage Platform</h3>\nAvid NEXIS easily integrates into both Avid and third-party application workflows, as well as solutions across MediaCentral, to accelerate media production. Get on-demand access to a shared pool of centralized storage that can be quickly provisioned and repurposed. Tailor and tune each workspace’s capacity, performance, and drive protection to the project and client. And conveniently manage the system through a web interface.<br /><br />\n\n<h3>Unrivaled Performance and Speed</h3>\nNeed more power to handle high-res finishing? With new 9.6 TB and 19.2 TB SSD Media Packs available for Avid NEXIS | E2 engines, you get the access speed, increased throughput, and reliability you need to accelerate 4K mastering workflows. Edit bandwidth-intensive media in real time with up to 8x greater read performance over hard disk drives. Plus, because there are no moving parts, it adds great robustness to your workflow too.<br /><br />\n\n<h3>Incredible Scalability and Protection</h3>\nPowered by the common Avid NEXIS | FS file system, Avid NEXIS easily scales to accommodate the smallest teams to the largest media enterprises, offering up to 4.8 PB of total storage and more than 20 GB/s of bandwidth in a single system. Its scale-out architecture enables you to mix and match engines in a single system, upgrade capacity and bandwidth as needed, and add redundancy when high availability is required. All while providing the bulletproof security and fail-safe disk protection you need.<br /><br />\n\n<h3>Make Changes with no Downtime</h3>\nMedia production is unpredictable. With Avid NEXIS, you can make changes dynamically, without disruption or downtime. Give critical projects and high-priority teams maximum performance while throttling back on less important workflows. Enable remote and collaborative workflows with Media Composer | Cloud Remote and MediaCentral. And easily expand your workflow to new platform applications and services.<br /><br />\n\n<h2>Accelerate your workflow and secure your assets with Avid NEXIS | E2 Enterprise Shared Storage. Call or chat online with an RSPE representative to learn more.</h2>'),(1880,75,1,314,'<h2>Avid NEXIS | E2 20TB Enterprise Storage Engine</h2>\n<i>Avid NEXIS E2 gets you 20TB of NEXIS Shared storage, Avid NEXIS | FS Foundation Software, and 1 Year Avid ExpertPlus & Hardware Support</i><br /><br />\nThe Avid NEXIS | E2 is a shared storage platform designed for small- to mid-size post-production, broadcast, live event, house of worship, government, corporate, and media education environments, this enterprise-class, team-level storage engine offers great scalability, performance, and collaboration.<br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br /><br />\n<h3>NEXIS | E2 Features</h3>\n<ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important;\">\n	<li>Supports 1-40 connected clients.</li><li>Up to 400 MBps performance</li><li>20TB capacity (Can Be expanded up to 1.44 PB by combining with other E-Class Engines)</li><li>NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li><li>Includes one year\'s Avid ExpertPlus and hardware support.</li>\n</ul>\n<br />\n<h3>Flexible Software-Defined Storage Platform</h3>\nAvid NEXIS easily integrates into both Avid and third-party application workflows, as well as solutions across MediaCentral, to accelerate media production. Get on-demand access to a shared pool of centralized storage that can be quickly provisioned and repurposed. Tailor and tune each workspace’s capacity, performance, and drive protection to the project and client. And conveniently manage the system through a web interface.<br /><br />\n\n<h3>Unrivaled Performance and Speed</h3>\nNeed more power to handle high-res finishing? With new 9.6 TB and 19.2 TB SSD Media Packs available for Avid NEXIS | E2 engines, you get the access speed, increased throughput, and reliability you need to accelerate 4K mastering workflows. Edit bandwidth-intensive media in real time with up to 8x greater read performance over hard disk drives. Plus, because there are no moving parts, it adds great robustness to your workflow too.<br /><br />\n\n<h3>Incredible Scalability and Protection</h3>\nPowered by the common Avid NEXIS | FS file system, Avid NEXIS easily scales to accommodate the smallest teams to the largest media enterprises, offering up to 4.8 PB of total storage and more than 20 GB/s of bandwidth in a single system. Its scale-out architecture enables you to mix and match engines in a single system, upgrade capacity and bandwidth as needed, and add redundancy when high availability is required. All while providing the bulletproof security and fail-safe disk protection you need.<br /><br />\n\n<h3>Make Changes with no Downtime</h3>\nMedia production is unpredictable. With Avid NEXIS, you can make changes dynamically, without disruption or downtime. Give critical projects and high-priority teams maximum performance while throttling back on less important workflows. Enable remote and collaborative workflows with Media Composer | Cloud Remote and MediaCentral. And easily expand your workflow to new platform applications and services.<br /><br />\n\n<h2>Accelerate your workflow and secure your assets with Avid NEXIS | E2 Enterprise Shared Storage. Call or chat online with an RSPE representative to learn more.</h2>'),(1881,85,0,314,''),(1882,85,1,314,''),(1883,76,0,314,''),(1884,76,1,314,''),(1885,75,0,315,'<h2>Avid NEXIS | E2 60TB Enterprise Storage Engine</h2>\n<i>Avid NEXIS E2 gets you 60TB of NEXIS Shared storage, Avid NEXIS | FS Foundation Software, and 1 Year Avid ExpertPlus & Hardware Support</i><br /><br />\nThe Avid NEXIS | E2 is a shared storage platform designed for small- to mid-size post-production, broadcast, live event, house of worship, government, corporate, and media education environments, this enterprise-class, team-level storage engine offers great scalability, performance, and collaboration.<br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br /><br />\n<h3>NEXIS | E2 Features</h3>\n<ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important;\">\n	<li>Supports 1-40 connected clients.</li><li>Up to 400 MBps performance</li><li>60TB capacity (Can Be expanded up to 1.44 PB by combining with other E-Class Engines)</li><li>NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li><li>Includes one year\'s Avid ExpertPlus and hardware support.</li>\n</ul>\n<br />\n<h3>Flexible Software-Defined Storage Platform</h3>\nAvid NEXIS easily integrates into both Avid and third-party application workflows, as well as solutions across MediaCentral, to accelerate media production. Get on-demand access to a shared pool of centralized storage that can be quickly provisioned and repurposed. Tailor and tune each workspace’s capacity, performance, and drive protection to the project and client. And conveniently manage the system through a web interface.<br /><br />\n\n<h3>Unrivaled Performance and Speed</h3>\nNeed more power to handle high-res finishing? With new 9.6 TB and 19.2 TB SSD Media Packs available for Avid NEXIS | E2 engines, you get the access speed, increased throughput, and reliability you need to accelerate 4K mastering workflows. Edit bandwidth-intensive media in real time with up to 8x greater read performance over hard disk drives. Plus, because there are no moving parts, it adds great robustness to your workflow too.<br /><br />\n\n<h3>Incredible Scalability and Protection</h3>\nPowered by the common Avid NEXIS | FS file system, Avid NEXIS easily scales to accommodate the smallest teams to the largest media enterprises, offering up to 4.8 PB of total storage and more than 20 GB/s of bandwidth in a single system. Its scale-out architecture enables you to mix and match engines in a single system, upgrade capacity and bandwidth as needed, and add redundancy when high availability is required. All while providing the bulletproof security and fail-safe disk protection you need.<br /><br />\n\n<h3>Make Changes with no Downtime</h3>\nMedia production is unpredictable. With Avid NEXIS, you can make changes dynamically, without disruption or downtime. Give critical projects and high-priority teams maximum performance while throttling back on less important workflows. Enable remote and collaborative workflows with Media Composer | Cloud Remote and MediaCentral. And easily expand your workflow to new platform applications and services.<br /><br />\n\n<h2>Accelerate your workflow and secure your assets with Avid NEXIS | E2 Enterprise Shared Storage. Call or chat online with an RSPE representative to learn more.</h2>'),(1886,75,1,315,'<h2>Avid NEXIS | E2 60TB Enterprise Storage Engine</h2>\n<i>Avid NEXIS E2 gets you 60TB of NEXIS Shared storage, Avid NEXIS | FS Foundation Software, and 1 Year Avid ExpertPlus & Hardware Support</i><br /><br />\nThe Avid NEXIS | E2 is a shared storage platform designed for small- to mid-size post-production, broadcast, live event, house of worship, government, corporate, and media education environments, this enterprise-class, team-level storage engine offers great scalability, performance, and collaboration.<br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br /><br />\n<h3>NEXIS | E2 Features</h3>\n<ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important;\">\n	<li>Supports 1-40 connected clients.</li><li>Up to 400 MBps performance</li><li>60TB capacity (Can Be expanded up to 1.44 PB by combining with other E-Class Engines)</li><li>NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li><li>Includes one year\'s Avid ExpertPlus and hardware support.</li>\n</ul>\n<br />\n<h3>Flexible Software-Defined Storage Platform</h3>\nAvid NEXIS easily integrates into both Avid and third-party application workflows, as well as solutions across MediaCentral, to accelerate media production. Get on-demand access to a shared pool of centralized storage that can be quickly provisioned and repurposed. Tailor and tune each workspace’s capacity, performance, and drive protection to the project and client. And conveniently manage the system through a web interface.<br /><br />\n\n<h3>Unrivaled Performance and Speed</h3>\nNeed more power to handle high-res finishing? With new 9.6 TB and 19.2 TB SSD Media Packs available for Avid NEXIS | E2 engines, you get the access speed, increased throughput, and reliability you need to accelerate 4K mastering workflows. Edit bandwidth-intensive media in real time with up to 8x greater read performance over hard disk drives. Plus, because there are no moving parts, it adds great robustness to your workflow too.<br /><br />\n\n<h3>Incredible Scalability and Protection</h3>\nPowered by the common Avid NEXIS | FS file system, Avid NEXIS easily scales to accommodate the smallest teams to the largest media enterprises, offering up to 4.8 PB of total storage and more than 20 GB/s of bandwidth in a single system. Its scale-out architecture enables you to mix and match engines in a single system, upgrade capacity and bandwidth as needed, and add redundancy when high availability is required. All while providing the bulletproof security and fail-safe disk protection you need.<br /><br />\n\n<h3>Make Changes with no Downtime</h3>\nMedia production is unpredictable. With Avid NEXIS, you can make changes dynamically, without disruption or downtime. Give critical projects and high-priority teams maximum performance while throttling back on less important workflows. Enable remote and collaborative workflows with Media Composer | Cloud Remote and MediaCentral. And easily expand your workflow to new platform applications and services.<br /><br />\n\n<h2>Accelerate your workflow and secure your assets with Avid NEXIS | E2 Enterprise Shared Storage. Call or chat online with an RSPE representative to learn more.</h2>'),(1887,85,0,315,'Avid NEXIS Ultimate Team Bundle'),(1888,85,1,315,'Avid NEXIS Ultimate Team Bundle'),(1889,76,0,315,''),(1890,76,1,315,''),(1891,75,0,316,'<h2>Avid NEXIS | E4 120TB Enterprise Storage Engine</h2>\n<i>Avid NEXIS E4 gets you 120TB of NEXIS Shared storage, Avid NEXIS | FS Foundation Software, and 1 Year Avid ExpertPlus & Hardware Support</i><br /><br />\nThe Avid NEXIS | E4 is a shared storage platform designed for mid- to large-size post-production, broadcast, government, corporate, and media education environments, this enterprise-class, facility-level storage engine offers high scalability, performance, and collaboration. <br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br /><br />\n<h3>NEXIS | E4 Features</h3>\n<ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important;\">\n	<li>Supports 1-40 connected clients.</li><li>Up to 800 MBps performance.</li><li>120TB capacity (2x 60TB media packs) (Can Be expanded up to 1.44 PB by combining with other E-Class Engines)</li><li>NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li><li>Includes one year\'s Avid ExpertPlus and hardware support.</li>\n</ul>\n<br />\n<h3>Flexible Software-Defined Storage Platform</h3>\nAvid NEXIS easily integrates into both Avid and third-party application workflows, as well as solutions across MediaCentral, to accelerate media production. Get on-demand access to a shared pool of centralized storage that can be quickly provisioned and repurposed. Tailor and tune each workspace’s capacity, performance, and drive protection to the project and client. And conveniently manage the system through a web interface.<br /><br />\n\n<h3>Unrivaled Performance and Speed</h3>\nNeed more power to handle high-res finishing? With new 9.6 TB and 19.2 TB SSD Media Packs available for Avid NEXIS | E-Class engines, you get the access speed, increased throughput, and reliability you need to accelerate 4K mastering workflows. Edit bandwidth-intensive media in real time with up to 8x greater read performance over hard disk drives. Plus, because there are no moving parts, it adds great robustness to your workflow too.<br /><br />\n\n<h3>Incredible Scalability and Protection</h3>\nPowered by the common Avid NEXIS | FS file system, Avid NEXIS easily scales to accommodate the smallest teams to the largest media enterprises, offering up to 4.8 PB of total storage and more than 20 GB/s of bandwidth in a single system. Its scale-out architecture enables you to mix and match engines in a single system, upgrade capacity and bandwidth as needed, and add redundancy when high availability is required. All while providing the bulletproof security and fail-safe disk protection you need.<br /><br />\n\n<h3>Make Changes with no Downtime</h3>\nMedia production is unpredictable. With Avid NEXIS, you can make changes dynamically, without disruption or downtime. Give critical projects and high-priority teams maximum performance while throttling back on less important workflows. Enable remote and collaborative workflows with Media Composer | Cloud Remote and MediaCentral. And easily expand your workflow to new platform applications and services.<br /><br />\n\n<h2>Accelerate your workflow and secure your assets with Avid NEXIS | E4 Enterprise Shared Storage. Call or chat online with an RSPE representative to learn more.</h2>'),(1892,75,1,316,'<h2>Avid NEXIS | E4 120TB Enterprise Storage Engine</h2>\n<i>Avid NEXIS E4 gets you 120TB of NEXIS Shared storage, Avid NEXIS | FS Foundation Software, and 1 Year Avid ExpertPlus & Hardware Support</i><br /><br />\nThe Avid NEXIS | E4 is a shared storage platform designed for mid- to large-size post-production, broadcast, government, corporate, and media education environments, this enterprise-class, facility-level storage engine offers high scalability, performance, and collaboration. <br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br /><br />\n<h3>NEXIS | E4 Features</h3>\n<ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important;\">\n	<li>Supports 1-40 connected clients.</li><li>Up to 800 MBps performance.</li><li>120TB capacity (2x 60TB media packs) (Can Be expanded up to 1.44 PB by combining with other E-Class Engines)</li><li>NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li><li>Includes one year\'s Avid ExpertPlus and hardware support.</li>\n</ul>\n<br />\n<h3>Flexible Software-Defined Storage Platform</h3>\nAvid NEXIS easily integrates into both Avid and third-party application workflows, as well as solutions across MediaCentral, to accelerate media production. Get on-demand access to a shared pool of centralized storage that can be quickly provisioned and repurposed. Tailor and tune each workspace’s capacity, performance, and drive protection to the project and client. And conveniently manage the system through a web interface.<br /><br />\n\n<h3>Unrivaled Performance and Speed</h3>\nNeed more power to handle high-res finishing? With new 9.6 TB and 19.2 TB SSD Media Packs available for Avid NEXIS | E-Class engines, you get the access speed, increased throughput, and reliability you need to accelerate 4K mastering workflows. Edit bandwidth-intensive media in real time with up to 8x greater read performance over hard disk drives. Plus, because there are no moving parts, it adds great robustness to your workflow too.<br /><br />\n\n<h3>Incredible Scalability and Protection</h3>\nPowered by the common Avid NEXIS | FS file system, Avid NEXIS easily scales to accommodate the smallest teams to the largest media enterprises, offering up to 4.8 PB of total storage and more than 20 GB/s of bandwidth in a single system. Its scale-out architecture enables you to mix and match engines in a single system, upgrade capacity and bandwidth as needed, and add redundancy when high availability is required. All while providing the bulletproof security and fail-safe disk protection you need.<br /><br />\n\n<h3>Make Changes with no Downtime</h3>\nMedia production is unpredictable. With Avid NEXIS, you can make changes dynamically, without disruption or downtime. Give critical projects and high-priority teams maximum performance while throttling back on less important workflows. Enable remote and collaborative workflows with Media Composer | Cloud Remote and MediaCentral. And easily expand your workflow to new platform applications and services.<br /><br />\n\n<h2>Accelerate your workflow and secure your assets with Avid NEXIS | E4 Enterprise Shared Storage. Call or chat online with an RSPE representative to learn more.</h2>'),(1893,85,0,316,''),(1894,85,1,316,''),(1895,76,0,316,''),(1896,76,1,316,''),(1897,75,0,317,'<h2>Avid NEXIS | E4 40TB Enterprise Storage Engine</h2>\n<i>Avid NEXIS E4 gets you 40TB of NEXIS Shared storage, Avid NEXIS | FS Foundation Software, and 1 Year Avid ExpertPlus & Hardware Support</i><br /><br />\nThe Avid NEXIS | E4 is a shared storage platform designed for mid- to large-size post-production, broadcast, government, corporate, and media education environments, this enterprise-class, facility-level storage engine offers high scalability, performance, and collaboration. <br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br /><br />\n<h3>NEXIS | E4 Features</h3>\n<ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important;\">\n	<li>Supports 1-40 connected clients.</li><li>Up to 800 MBps performance.</li><li>40TB capacity (2x 20TB media packs) (Can Be expanded up to 1.44 PB by combining with other E-Class Engines)</li><li>NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li><li>Includes one year\'s Avid ExpertPlus and hardware support.</li>\n</ul>\n<br />\n<h3>Flexible Software-Defined Storage Platform</h3>\nAvid NEXIS easily integrates into both Avid and third-party application workflows, as well as solutions across MediaCentral, to accelerate media production. Get on-demand access to a shared pool of centralized storage that can be quickly provisioned and repurposed. Tailor and tune each workspace’s capacity, performance, and drive protection to the project and client. And conveniently manage the system through a web interface.<br /><br />\n\n<h3>Unrivaled Performance and Speed</h3>\nNeed more power to handle high-res finishing? With new 9.6 TB and 19.2 TB SSD Media Packs available for Avid NEXIS | E-Class engines, you get the access speed, increased throughput, and reliability you need to accelerate 4K mastering workflows. Edit bandwidth-intensive media in real time with up to 8x greater read performance over hard disk drives. Plus, because there are no moving parts, it adds great robustness to your workflow too.<br /><br />\n\n<h3>Incredible Scalability and Protection</h3>\nPowered by the common Avid NEXIS | FS file system, Avid NEXIS easily scales to accommodate the smallest teams to the largest media enterprises, offering up to 4.8 PB of total storage and more than 20 GB/s of bandwidth in a single system. Its scale-out architecture enables you to mix and match engines in a single system, upgrade capacity and bandwidth as needed, and add redundancy when high availability is required. All while providing the bulletproof security and fail-safe disk protection you need.<br /><br />\n\n<h3>Make Changes with no Downtime</h3>\nMedia production is unpredictable. With Avid NEXIS, you can make changes dynamically, without disruption or downtime. Give critical projects and high-priority teams maximum performance while throttling back on less important workflows. Enable remote and collaborative workflows with Media Composer | Cloud Remote and MediaCentral. And easily expand your workflow to new platform applications and services.<br /><br />\n\n<h2>Accelerate your workflow and secure your assets with Avid NEXIS | E4 Enterprise Shared Storage. Call or chat online with an RSPE representative to learn more.</h2>'),(1898,75,1,317,'<h2>Avid NEXIS | E4 40TB Enterprise Storage Engine</h2>\n<i>Avid NEXIS E4 gets you 40TB of NEXIS Shared storage, Avid NEXIS | FS Foundation Software, and 1 Year Avid ExpertPlus & Hardware Support</i><br /><br />\nThe Avid NEXIS | E4 is a shared storage platform designed for mid- to large-size post-production, broadcast, government, corporate, and media education environments, this enterprise-class, facility-level storage engine offers high scalability, performance, and collaboration. <br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br /><br />\n<h3>NEXIS | E4 Features</h3>\n<ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important;\">\n	<li>Supports 1-40 connected clients.</li><li>Up to 800 MBps performance.</li><li>40TB capacity (2x 20TB media packs) (Can Be expanded up to 1.44 PB by combining with other E-Class Engines)</li><li>NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li><li>Includes one year\'s Avid ExpertPlus and hardware support.</li>\n</ul>\n<br />\n<h3>Flexible Software-Defined Storage Platform</h3>\nAvid NEXIS easily integrates into both Avid and third-party application workflows, as well as solutions across MediaCentral, to accelerate media production. Get on-demand access to a shared pool of centralized storage that can be quickly provisioned and repurposed. Tailor and tune each workspace’s capacity, performance, and drive protection to the project and client. And conveniently manage the system through a web interface.<br /><br />\n\n<h3>Unrivaled Performance and Speed</h3>\nNeed more power to handle high-res finishing? With new 9.6 TB and 19.2 TB SSD Media Packs available for Avid NEXIS | E-Class engines, you get the access speed, increased throughput, and reliability you need to accelerate 4K mastering workflows. Edit bandwidth-intensive media in real time with up to 8x greater read performance over hard disk drives. Plus, because there are no moving parts, it adds great robustness to your workflow too.<br /><br />\n\n<h3>Incredible Scalability and Protection</h3>\nPowered by the common Avid NEXIS | FS file system, Avid NEXIS easily scales to accommodate the smallest teams to the largest media enterprises, offering up to 4.8 PB of total storage and more than 20 GB/s of bandwidth in a single system. Its scale-out architecture enables you to mix and match engines in a single system, upgrade capacity and bandwidth as needed, and add redundancy when high availability is required. All while providing the bulletproof security and fail-safe disk protection you need.<br /><br />\n\n<h3>Make Changes with no Downtime</h3>\nMedia production is unpredictable. With Avid NEXIS, you can make changes dynamically, without disruption or downtime. Give critical projects and high-priority teams maximum performance while throttling back on less important workflows. Enable remote and collaborative workflows with Media Composer | Cloud Remote and MediaCentral. And easily expand your workflow to new platform applications and services.<br /><br />\n\n<h2>Accelerate your workflow and secure your assets with Avid NEXIS | E4 Enterprise Shared Storage. Call or chat online with an RSPE representative to learn more.</h2>'),(1899,85,0,317,''),(1900,85,1,317,''),(1901,76,0,317,''),(1902,76,1,317,''),(1903,75,0,318,'<h2>Avid NEXIS | Pro 40TB Storage Engine</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Avid NEXIS | PRO 40TB Engine. 10 media HDDs, 2 SSD System Drives, Controller with 10 GbE interface, includes QSFP to SFP+ converter (no SFP+ optics), Dual PSU, rack kit,  axle Starter 2-user license.</span><br /><br />\nAvid NEXIS | Pro is a shared storage platform designed for independent professionals, small post-production, house\nof worship, government, corporate, and media education environments. NEXIS | Pro features the industry-proven performance and reliability of Avid virtualizable storage in a more affordable, entry-level professional shared storage system. \n<br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business.\n<br /><br />\n<h3>NEXIS | Pro Features</h3>\n<ul>\n	<li>Supports 1–24 connected clients.</li>\n	<li>Up to 600 MBps performance.</li>\n	<li>40TB capacity (Scalable up to 160 TB by combining one to four PRO engines together (cannot be mixed with E-class engines))</li>\n	<li>Support sold separately.</li>\n</ul>\n<br /><br />\n<a href=\"https://nexisconfigurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which Avid NEXIS Shared Storage should I buy?</a> Use our exclusive Avid Nexis Storage configurator to find our which storage system is right for you.<br /><br />\n<div style=\"text-align:center;\">\n	<a href=\"https://nexisconfigurator.com/\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/avid-nexis-storage-banner.jpg\" alt=\"Avid Nexis Storage Configurator\" /></a>\n</div>\n<br /> <br /> <hr /><br />\n<h3>Bring value to your business</h3>\nHow safe is your media? Are you constantly unplugging and re-plugging in drives to share assets across multiple workstations? What can you do to maximize your efficiency and get more of the work you want? By adding affordable NEXIS | PRO shared storage you can break down media barriers and accelerate your workflow. Get the reliable storage and collaboration you need to deliver your best work—on time and on budget.\n<br /><br />\n<h3>Work with what you want</h3>\nNo need to ditch your favorite editing and asset management tools to accelerate your workflow. NEXIS | PRO enables real-time editorial collaboration using what you have, whether you edit in Adobe Premiere Pro CC, Apple Final Cut Pro X, Grass Valley EDIUS, or Media Composer. And it’s easy to integrate with third-party asset management systems too.\n<br /><br />\n<h3>Experience exceptional performance</h3>\nNEXIS | PRO empowers every contributor across your entire production, enabling projects to move in parallel and be completed faster. Through patented technology, NEXIS | PRO ensures client media due times. And it delivers incomparable, predictable performance and more media streams per Storage Engine in even the most editing-intensive environments.\n<br /><br />\n<h3>Collaborate in real time</h3>\nPut an end to the storage sharing and media-copying shuffle of using individual USB, FireWire, eSATA, and Thunderbolt drives. With NEXIS | PRO, up to 24 editors, assistants, loggers, and other contributors can access media at the same time. It’s the only online shared storage system that provides a scalable, highly protected, real-time collaborative editorial workflow at an attractive low price point.\n<br /><br />\n<h3>Boost your bandwidth</h3>\nWith support for real-time SD, HD, 2K, and 4K media performance, NEXIS | PRO is the ideal hub for the modern yet budget-minded media production workflow. And when you need more throughput power to support more demanding high-resolution projects and collaboration, simply add up to four Storage Engines to increase your bandwidth up to 1,200 MB/s.    \n<br /><br />\n<h2>Store and protect your media</h2>\n<h3>Scale your system</h3>\nWhy add more storage islands to your sea of media? With NEXIS | PRO, you\n can expand your raw storage capacity from 20 TB up to 80 TB, in 20 TB \nincrements, adding extra Storage Engines as needed. Connect up to four \nEngines together for maximum capacity and bandwidth. Your valuable \nassets will be protected, available, and within easy reach through a \ncentralized media hub.\n<br /><br />\n<h3>Get real reliable protection</h3>\nWith its patented data distribution technology, NEXIS | PRO protects your data like no other. Safeguard your media in the event that up to two drives go down simultaneously. Retain real-time performance with automatic drive rebuild. And because the file protection system is media-aware, it rebuilds only your actual stored assets instead of the entire capacity of the disk. You’ll get radically faster repair times—especially when drives aren’t at full capacity.\n<br /><br />\n<h3>Get expert help when you need it</h3>\nWhen your reputation and business are on the line, our Customer Care \nteam can bring you peace of mind. Get troubleshooting help, advice, and \nmore with access to professional Avid Advantage Support, available \nthrough an annual subscription or on a per-incident basis. Whether your \nsystem isn’t working as expected or you want extra assurance and support\n on call throughout the production of a major project, we’re here to \nhelp.\n<br /><br />\n<br /><br />'),(1904,75,1,318,'<h2>Avid NEXIS | Pro 40TB Storage Engine</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Avid NEXIS | PRO 40TB Engine. 10 media HDDs, 2 SSD System Drives, Controller with 10 GbE interface, includes QSFP to SFP+ converter (no SFP+ optics), Dual PSU, rack kit,  axle Starter 2-user license.</span><br /><br />\nAvid NEXIS | Pro is a shared storage platform designed for independent professionals, small post-production, house\nof worship, government, corporate, and media education environments. NEXIS | Pro features the industry-proven performance and reliability of Avid virtualizable storage in a more affordable, entry-level professional shared storage system. \n<br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business.\n<br /><br />\n<h3>NEXIS | Pro Features</h3>\n<ul>\n	<li>Supports 1–24 connected clients.</li>\n	<li>Up to 600 MBps performance.</li>\n	<li>40TB capacity (Scalable up to 160 TB by combining one to four PRO engines together (cannot be mixed with E-class engines))</li>\n	<li>Support sold separately.</li>\n</ul>\n<br /><br />\n<a href=\"https://nexisconfigurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which Avid NEXIS Shared Storage should I buy?</a> Use our exclusive Avid Nexis Storage configurator to find our which storage system is right for you.<br /><br />\n<div style=\"text-align:center;\">\n	<a href=\"https://nexisconfigurator.com/\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/avid-nexis-storage-banner.jpg\" alt=\"Avid Nexis Storage Configurator\" /></a>\n</div>\n<br /> <br /> <hr /><br />\n<h3>Bring value to your business</h3>\nHow safe is your media? Are you constantly unplugging and re-plugging in drives to share assets across multiple workstations? What can you do to maximize your efficiency and get more of the work you want? By adding affordable NEXIS | PRO shared storage you can break down media barriers and accelerate your workflow. Get the reliable storage and collaboration you need to deliver your best work—on time and on budget.\n<br /><br />\n<h3>Work with what you want</h3>\nNo need to ditch your favorite editing and asset management tools to accelerate your workflow. NEXIS | PRO enables real-time editorial collaboration using what you have, whether you edit in Adobe Premiere Pro CC, Apple Final Cut Pro X, Grass Valley EDIUS, or Media Composer. And it’s easy to integrate with third-party asset management systems too.\n<br /><br />\n<h3>Experience exceptional performance</h3>\nNEXIS | PRO empowers every contributor across your entire production, enabling projects to move in parallel and be completed faster. Through patented technology, NEXIS | PRO ensures client media due times. And it delivers incomparable, predictable performance and more media streams per Storage Engine in even the most editing-intensive environments.\n<br /><br />\n<h3>Collaborate in real time</h3>\nPut an end to the storage sharing and media-copying shuffle of using individual USB, FireWire, eSATA, and Thunderbolt drives. With NEXIS | PRO, up to 24 editors, assistants, loggers, and other contributors can access media at the same time. It’s the only online shared storage system that provides a scalable, highly protected, real-time collaborative editorial workflow at an attractive low price point.\n<br /><br />\n<h3>Boost your bandwidth</h3>\nWith support for real-time SD, HD, 2K, and 4K media performance, NEXIS | PRO is the ideal hub for the modern yet budget-minded media production workflow. And when you need more throughput power to support more demanding high-resolution projects and collaboration, simply add up to four Storage Engines to increase your bandwidth up to 1,200 MB/s.    \n<br /><br />\n<h2>Store and protect your media</h2>\n<h3>Scale your system</h3>\nWhy add more storage islands to your sea of media? With NEXIS | PRO, you\n can expand your raw storage capacity from 20 TB up to 80 TB, in 20 TB \nincrements, adding extra Storage Engines as needed. Connect up to four \nEngines together for maximum capacity and bandwidth. Your valuable \nassets will be protected, available, and within easy reach through a \ncentralized media hub.\n<br /><br />\n<h3>Get real reliable protection</h3>\nWith its patented data distribution technology, NEXIS | PRO protects your data like no other. Safeguard your media in the event that up to two drives go down simultaneously. Retain real-time performance with automatic drive rebuild. And because the file protection system is media-aware, it rebuilds only your actual stored assets instead of the entire capacity of the disk. You’ll get radically faster repair times—especially when drives aren’t at full capacity.\n<br /><br />\n<h3>Get expert help when you need it</h3>\nWhen your reputation and business are on the line, our Customer Care \nteam can bring you peace of mind. Get troubleshooting help, advice, and \nmore with access to professional Avid Advantage Support, available \nthrough an annual subscription or on a per-incident basis. Whether your \nsystem isn’t working as expected or you want extra assurance and support\n on call throughout the production of a major project, we’re here to \nhelp.\n<br /><br />\n<br /><br />'),(1905,85,0,318,'Avid NEXIS Pro Storage Engine'),(1906,85,1,318,'Avid NEXIS Pro Storage Engine'),(1907,76,0,318,''),(1908,76,1,318,''),(1909,75,0,319,'<h2>Avid NEXIS | Pro 40TB Storage Engine with Dell N2024 Switch and Direct Attach 10G Cable</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Avid NEXIS | PRO 40TB Engine with Dell N2024 Switch. 10 media HDDs, 2 SSD, Controller with 10 GbE interface, includes QSFP to SFP+ converter, Dual PSU, rack kit. Dell N2024. 3m Direct Attach 10G cable, axle Starter 2-user license.</span><br /><br />\nAvid NEXIS | Pro is a shared storage platform designed for independent professionals, small post-production, house\nof worship, government, corporate, and media education environments. Nexis | Pro features the industry-proven performance and reliability of Avid virtualizable storage in a more affordable, entry-level professional shared storage system. \n<br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business.\n<br /><br />\n<h3>NEXIS | Pro Features</h3>\n<ul>\n	<li>Supports 1–24 connected clients.</li>\n	<li>Up to 600 MBps performance.</li>\n	<li>40TB capacity (Scalable up to 160 TB by combining one to four PRO engines together (cannot be mixed with E-class engines))</li>\n	<li>Includes Dell N2024 GbE Ethernet Switch</li>\n	<li>Support sold separately.</li>\n</ul>\n<br /><br />\n<a href=\"https://nexisconfigurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which Avid NEXIS Shared Storage should I buy?</a> Use our exclusive Avid Nexis Storage configurator to find our which storage system is right for you.<br /><br />\n<div style=\"text-align:center;\">\n	<a href=\"https://nexisconfigurator.com/\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/avid-nexis-storage-banner.jpg\" alt=\"Avid Nexis Storage Configurator\" /></a>\n</div>\n<br /> <br /> <hr /><br />\n<h3>Bring value to your business</h3>\nHow safe is your media? Are you constantly unplugging and re-plugging in drives to share assets across multiple workstations? What can you do to maximize your efficiency and get more of the work you want? By adding affordable NEXIS | PRO shared storage you can break down media barriers and accelerate your workflow. Get the reliable storage and collaboration you need to deliver your best work—on time and on budget.\n<br /><br />\n<h3>Work with what you want</h3>\nNo need to ditch your favorite editing and asset management tools to accelerate your workflow. NEXIS | PRO enables real-time editorial collaboration using what you have, whether you edit in Adobe Premiere Pro CC, Apple Final Cut Pro X, Grass Valley EDIUS, or Media Composer. And it’s easy to integrate with third-party asset management systems too.\n<br /><br />\n<h3>Experience exceptional performance</h3>\nNEXIS | PRO empowers every contributor across your entire production, enabling projects to move in parallel and be completed faster. Through patented technology, NEXIS | PRO ensures client media due times. And it delivers incomparable, predictable performance and more media streams per Storage Engine in even the most editing-intensive environments.\n<br /><br />\n<h3>Collaborate in real time</h3>\nPut an end to the storage sharing and media-copying shuffle of using individual USB, FireWire, eSATA, and Thunderbolt drives. With NEXIS | PRO, up to 24 editors, assistants, loggers, and other contributors can access media at the same time. It’s the only online shared storage system that provides a scalable, highly protected, real-time collaborative editorial workflow at an attractive low price point.\n<br /><br />\n<h3>Boost your bandwidth</h3>\nWith support for real-time SD, HD, 2K, and 4K media performance, NEXIS | PRO is the ideal hub for the modern yet budget-minded media production workflow. And when you need more throughput power to support more demanding high-resolution projects and collaboration, simply add up to four Storage Engines to increase your bandwidth up to 1,200 MB/s.    \n<br /><br />\n<h2>Store and protect your media</h2>\n<h3>Scale your system</h3>\nWhy add more storage islands to your sea of media? With NEXIS | PRO, you\n can expand your raw storage capacity from 20 TB up to 80 TB, in 20 TB \nincrements, adding extra Storage Engines as needed. Connect up to four \nEngines together for maximum capacity and bandwidth. Your valuable \nassets will be protected, available, and within easy reach through a \ncentralized media hub.\n<br /><br />\n<h3>Get real reliable protection</h3>\nWith its patented data distribution technology, NEXIS | PRO protects your data like no other. Safeguard your media in the event that up to two drives go down simultaneously. Retain real-time performance with automatic drive rebuild. And because the file protection system is media-aware, it rebuilds only your actual stored assets instead of the entire capacity of the disk. You’ll get radically faster repair times—especially when drives aren’t at full capacity.\n<br /><br />\n<h3>Get expert help when you need it</h3>\nWhen your reputation and business are on the line, our Customer Care \nteam can bring you peace of mind. Get troubleshooting help, advice, and \nmore with access to professional Avid Advantage Support, available \nthrough an annual subscription or on a per-incident basis. Whether your \nsystem isn’t working as expected or you want extra assurance and support\n on call throughout the production of a major project, we’re here to \nhelp.\n<br /><br />'),(1910,75,1,319,'<h2>Avid NEXIS | Pro 40TB Storage Engine with Dell N2024 Switch and Direct Attach 10G Cable</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Avid NEXIS | PRO 40TB Engine with Dell N2024 Switch. 10 media HDDs, 2 SSD, Controller with 10 GbE interface, includes QSFP to SFP+ converter, Dual PSU, rack kit. Dell N2024. 3m Direct Attach 10G cable, axle Starter 2-user license.</span><br /><br />\nAvid NEXIS | Pro is a shared storage platform designed for independent professionals, small post-production, house\nof worship, government, corporate, and media education environments. Nexis | Pro features the industry-proven performance and reliability of Avid virtualizable storage in a more affordable, entry-level professional shared storage system. \n<br /><br />\nAvid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business.\n<br /><br />\n<h3>NEXIS | Pro Features</h3>\n<ul>\n	<li>Supports 1–24 connected clients.</li>\n	<li>Up to 600 MBps performance.</li>\n	<li>40TB capacity (Scalable up to 160 TB by combining one to four PRO engines together (cannot be mixed with E-class engines))</li>\n	<li>Includes Dell N2024 GbE Ethernet Switch</li>\n	<li>Support sold separately.</li>\n</ul>\n<br /><br />\n<a href=\"https://nexisconfigurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which Avid NEXIS Shared Storage should I buy?</a> Use our exclusive Avid Nexis Storage configurator to find our which storage system is right for you.<br /><br />\n<div style=\"text-align:center;\">\n	<a href=\"https://nexisconfigurator.com/\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/avid-nexis-storage-banner.jpg\" alt=\"Avid Nexis Storage Configurator\" /></a>\n</div>\n<br /> <br /> <hr /><br />\n<h3>Bring value to your business</h3>\nHow safe is your media? Are you constantly unplugging and re-plugging in drives to share assets across multiple workstations? What can you do to maximize your efficiency and get more of the work you want? By adding affordable NEXIS | PRO shared storage you can break down media barriers and accelerate your workflow. Get the reliable storage and collaboration you need to deliver your best work—on time and on budget.\n<br /><br />\n<h3>Work with what you want</h3>\nNo need to ditch your favorite editing and asset management tools to accelerate your workflow. NEXIS | PRO enables real-time editorial collaboration using what you have, whether you edit in Adobe Premiere Pro CC, Apple Final Cut Pro X, Grass Valley EDIUS, or Media Composer. And it’s easy to integrate with third-party asset management systems too.\n<br /><br />\n<h3>Experience exceptional performance</h3>\nNEXIS | PRO empowers every contributor across your entire production, enabling projects to move in parallel and be completed faster. Through patented technology, NEXIS | PRO ensures client media due times. And it delivers incomparable, predictable performance and more media streams per Storage Engine in even the most editing-intensive environments.\n<br /><br />\n<h3>Collaborate in real time</h3>\nPut an end to the storage sharing and media-copying shuffle of using individual USB, FireWire, eSATA, and Thunderbolt drives. With NEXIS | PRO, up to 24 editors, assistants, loggers, and other contributors can access media at the same time. It’s the only online shared storage system that provides a scalable, highly protected, real-time collaborative editorial workflow at an attractive low price point.\n<br /><br />\n<h3>Boost your bandwidth</h3>\nWith support for real-time SD, HD, 2K, and 4K media performance, NEXIS | PRO is the ideal hub for the modern yet budget-minded media production workflow. And when you need more throughput power to support more demanding high-resolution projects and collaboration, simply add up to four Storage Engines to increase your bandwidth up to 1,200 MB/s.    \n<br /><br />\n<h2>Store and protect your media</h2>\n<h3>Scale your system</h3>\nWhy add more storage islands to your sea of media? With NEXIS | PRO, you\n can expand your raw storage capacity from 20 TB up to 80 TB, in 20 TB \nincrements, adding extra Storage Engines as needed. Connect up to four \nEngines together for maximum capacity and bandwidth. Your valuable \nassets will be protected, available, and within easy reach through a \ncentralized media hub.\n<br /><br />\n<h3>Get real reliable protection</h3>\nWith its patented data distribution technology, NEXIS | PRO protects your data like no other. Safeguard your media in the event that up to two drives go down simultaneously. Retain real-time performance with automatic drive rebuild. And because the file protection system is media-aware, it rebuilds only your actual stored assets instead of the entire capacity of the disk. You’ll get radically faster repair times—especially when drives aren’t at full capacity.\n<br /><br />\n<h3>Get expert help when you need it</h3>\nWhen your reputation and business are on the line, our Customer Care \nteam can bring you peace of mind. Get troubleshooting help, advice, and \nmore with access to professional Avid Advantage Support, available \nthrough an annual subscription or on a per-incident basis. Whether your \nsystem isn’t working as expected or you want extra assurance and support\n on call throughout the production of a major project, we’re here to \nhelp.\n<br /><br />'),(1911,85,0,319,'Avid NEXIS | Pro Storage Engine with Dell N2024 Switch and Direct Attach 10G Cable'),(1912,85,1,319,'Avid NEXIS | Pro Storage Engine with Dell N2024 Switch and Direct Attach 10G Cable'),(1913,76,0,319,''),(1914,76,1,319,''),(1915,75,0,320,'<h2>Avid NEXIS | Pro Premium Team Bundle</h2>\n<span style=\"font-size: 16px; font-style: italic;\">A complete shared storage solution that features 20TB of NEXIS Shared storage, two axle Starter licenses, five Media Composer Licenses, Avid Artist | DNxIQ video interface, and one year of Pro Tools | HD</span><br /><br />\nThe Avid NEXIS | Pro Premium Team Bundle provides the high-performance media production tools you need to go from mere workgroup to a powerfully united team, delivering unmatched real-time collaborative capabilities, accelerated workflows, and the utmost reliability. Even better, you don’t need a big budget to play on par with the big studios—not only are these bundles affordably priced, they offer massive value—with limitless creative possibilities.<br /><br />Creating and delivering a high volume of content on schedule is a \nrequirement of any post-production team.  Squad goals. For \nsmaller post teams, this objective is now easier to achieve than ever.\n<br /><br />\n<h3>NEXIS | Pro Premium Team Bundle Includes</h3>\n<ul>\n	<li><b> Avid NEXIS | PRO</b><b> - </b>Connect up to 24 collaborators with this high-performance 20 TB shared storage system</li>\n	<li><b> 2 axle Starter licenses</b><b> - </b>View, tag, search for, share, and organize your media with this “radically simple” media asset manage</li>\n	<li><b>    5 Media Composer licenses</b><b> - </b>Accelerate storytelling with the professional’s choice for creative HD and high-res editorial</li>\n	<li><b>Avid Artist | DNxIQ</b><b> - </b>Capture, monitor, and output HD, Ultra-HD, and 4K media with this video I/O interface</li>\n	<li><b>  Pro Tools | HD 1 Year Subscription - </b>Record, mix, and edit professional-grade music and audio with the industry-standard DAW</li>\n	<li><b>Dell switch</b><b> - </b>Get maximum network throughput and flexibility to handle the most demanding media productions</li>\n</ul>\n<br />\n<h3>Avid NEXIS | Pro</h3>\nAvid NEXIS | Pro is a shared storage platform designed for independent professionals, small post-production, house of worship, government, corporate, and media education environments. NEXIS | Pro features the industry-proven performance and reliability of Avid virtualizable storage in a more affordable, entry-level professional shared storage system. \n<br /><br />Avid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br /><br />\n<h3>NEXIS | Pro Features</h3>\n<ul style=\"letter-spacing: normal;\">\n	<li>20 TB of storage capacity with a single Media Pack per engine (20 TB, offering up to 400 MB/s of bandwidth)</li>\n	<li>Avid NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li>\n	<li>Scalable from 20–80 TB by combining one to four PRO engines together (cannot be mixed with E-class engines)</li>\n	<li>Field-replaceable storage engine controller</li>\n	<li>Two hot-swappable SSDs for system configuration and metadata management</li>\n	<li>10 Gigabit Ethernet (10GbE)</li>\n	<li>Redundant power and cooling</li>\n	<li>2U rack-mountable chassis</li>\n</ul>\n<br />\n<h2>Being able to collaborate together and complete higher quality work faster, easier, and more confidently. Call or chat online with an RSPE representative to learn more.</h2>'),(1916,75,1,320,'<h2>Avid NEXIS | Pro Premium Team Bundle</h2>\n<span style=\"font-size: 16px; font-style: italic;\">A complete shared storage solution that features 20TB of NEXIS Shared storage, two axle Starter licenses, five Media Composer Licenses, Avid Artist | DNxIQ video interface, and one year of Pro Tools | HD</span><br /><br />\nThe Avid NEXIS | Pro Premium Team Bundle provides the high-performance media production tools you need to go from mere workgroup to a powerfully united team, delivering unmatched real-time collaborative capabilities, accelerated workflows, and the utmost reliability. Even better, you don’t need a big budget to play on par with the big studios—not only are these bundles affordably priced, they offer massive value—with limitless creative possibilities.<br /><br />Creating and delivering a high volume of content on schedule is a \nrequirement of any post-production team.  Squad goals. For \nsmaller post teams, this objective is now easier to achieve than ever.\n<br /><br />\n<h3>NEXIS | Pro Premium Team Bundle Includes</h3>\n<ul>\n	<li><b> Avid NEXIS | PRO</b><b> - </b>Connect up to 24 collaborators with this high-performance 20 TB shared storage system</li>\n	<li><b> 2 axle Starter licenses</b><b> - </b>View, tag, search for, share, and organize your media with this “radically simple” media asset manage</li>\n	<li><b>    5 Media Composer licenses</b><b> - </b>Accelerate storytelling with the professional’s choice for creative HD and high-res editorial</li>\n	<li><b>Avid Artist | DNxIQ</b><b> - </b>Capture, monitor, and output HD, Ultra-HD, and 4K media with this video I/O interface</li>\n	<li><b>  Pro Tools | HD 1 Year Subscription - </b>Record, mix, and edit professional-grade music and audio with the industry-standard DAW</li>\n	<li><b>Dell switch</b><b> - </b>Get maximum network throughput and flexibility to handle the most demanding media productions</li>\n</ul>\n<br />\n<h3>Avid NEXIS | Pro</h3>\nAvid NEXIS | Pro is a shared storage platform designed for independent professionals, small post-production, house of worship, government, corporate, and media education environments. NEXIS | Pro features the industry-proven performance and reliability of Avid virtualizable storage in a more affordable, entry-level professional shared storage system. \n<br /><br />Avid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br /><br />\n<h3>NEXIS | Pro Features</h3>\n<ul style=\"letter-spacing: normal;\">\n	<li>20 TB of storage capacity with a single Media Pack per engine (20 TB, offering up to 400 MB/s of bandwidth)</li>\n	<li>Avid NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li>\n	<li>Scalable from 20–80 TB by combining one to four PRO engines together (cannot be mixed with E-class engines)</li>\n	<li>Field-replaceable storage engine controller</li>\n	<li>Two hot-swappable SSDs for system configuration and metadata management</li>\n	<li>10 Gigabit Ethernet (10GbE)</li>\n	<li>Redundant power and cooling</li>\n	<li>2U rack-mountable chassis</li>\n</ul>\n<br />\n<h2>Being able to collaborate together and complete higher quality work faster, easier, and more confidently. Call or chat online with an RSPE representative to learn more.</h2>'),(1917,85,0,320,'Avid NEXIS Premium Team Bundle'),(1918,85,1,320,'Avid NEXIS Premium Team Bundle'),(1919,76,0,320,''),(1920,76,1,320,''),(1921,75,0,321,'<h2>Avid NEXIS | Pro Team Bundle</h2>\n<i>A complete shared storage solution that features 20TB of NEXIS Shared storage, two axle Starter licenses, and three Media Composer Licenses</i><br/><br/>The Avid NEXIS | Pro Team Bundle provides the high-performance media production tools you need to go from mere workgroup to a powerfully united team, delivering unmatched real-time collaborative capabilities, accelerated workflows, and the utmost reliability. Even better, you don’t need a big budget to play on par with the big studios—not only are these bundles affordably priced, they offer massive value—with limitless creative possibilities.<br/><br/>Creating and delivering a high volume of content on schedule is a requirement of any post-production team. Squad goals. For smaller post teams, this objective is now easier to achieve than ever. <br/><br/>\n<h3>NEXIS | Pro Team Bundle Includes</h3>\n\n<ul>\n	<li><b>Avid NEXIS | PRO - </b>Connect up to 24 collaborators with this high-performance 20 TB shared storage system</li>\n	<li><b>2 axle Starter licenses - </b>View, tag, search for, share, and organize your media with this “radically simple” media asset manage</li>\n	<li><b>3 Media Composer licenses - </b>Accelerate storytelling with the professional’s choice for creative HD and high-res editorial</li>\n</ul>\n\n<br/>\n<h3>Avid NEXIS | Pro</h3>\nAvid NEXIS | Pro is a shared storage platform designed for independent professionals, small post-production, house of worship, government, corporate, and media education environments. NEXIS | Pro features the industry-proven performance and reliability of Avid virtualizable storage in a more affordable, entry-level professional shared storage system. <br/><br/>Avid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br/><br/>\n<h3>NEXIS | Pro Features</h3>\n<ul style=\"letter-spacing: normal;\">\n	<li>20 TB of storage capacity with a single Media Pack per engine (20 TB, offering up to 400 MB/s of bandwidth)</li>\n	<li>Avid NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li>\n	<li>Scalable from 20–80 TB by combining one to four PRO engines together (cannot be mixed with E-class engines)</li>\n	<li>Field-replaceable storage engine controller</li>\n	<li>Two hot-swappable SSDs for system configuration and metadata management</li>\n	<li>10 Gigabit Ethernet (10GbE)</li>\n	<li>Redundant power and cooling</li>\n	<li>2U rack-mountable chassis</li>\n</ul>\n<br/>\n<h2>Being able to collaborate together and complete higher quality work faster, easier, and more confidently. Call or chat online with an RSPE representative to learn more.</h2>'),(1922,75,1,321,'<h2>Avid NEXIS | Pro Team Bundle</h2>\n<i>A complete shared storage solution that features 20TB of NEXIS Shared storage, two axle Starter licenses, and three Media Composer Licenses</i><br/><br/>The Avid NEXIS | Pro Team Bundle provides the high-performance media production tools you need to go from mere workgroup to a powerfully united team, delivering unmatched real-time collaborative capabilities, accelerated workflows, and the utmost reliability. Even better, you don’t need a big budget to play on par with the big studios—not only are these bundles affordably priced, they offer massive value—with limitless creative possibilities.<br/><br/>Creating and delivering a high volume of content on schedule is a requirement of any post-production team. Squad goals. For smaller post teams, this objective is now easier to achieve than ever. <br/><br/>\n<h3>NEXIS | Pro Team Bundle Includes</h3>\n\n<ul>\n	<li><b>Avid NEXIS | PRO - </b>Connect up to 24 collaborators with this high-performance 20 TB shared storage system</li>\n	<li><b>2 axle Starter licenses - </b>View, tag, search for, share, and organize your media with this “radically simple” media asset manage</li>\n	<li><b>3 Media Composer licenses - </b>Accelerate storytelling with the professional’s choice for creative HD and high-res editorial</li>\n</ul>\n\n<br/>\n<h3>Avid NEXIS | Pro</h3>\nAvid NEXIS | Pro is a shared storage platform designed for independent professionals, small post-production, house of worship, government, corporate, and media education environments. NEXIS | Pro features the industry-proven performance and reliability of Avid virtualizable storage in a more affordable, entry-level professional shared storage system. <br/><br/>Avid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br/><br/>\n<h3>NEXIS | Pro Features</h3>\n<ul style=\"letter-spacing: normal;\">\n	<li>20 TB of storage capacity with a single Media Pack per engine (20 TB, offering up to 400 MB/s of bandwidth)</li>\n	<li>Avid NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li>\n	<li>Scalable from 20–80 TB by combining one to four PRO engines together (cannot be mixed with E-class engines)</li>\n	<li>Field-replaceable storage engine controller</li>\n	<li>Two hot-swappable SSDs for system configuration and metadata management</li>\n	<li>10 Gigabit Ethernet (10GbE)</li>\n	<li>Redundant power and cooling</li>\n	<li>2U rack-mountable chassis</li>\n</ul>\n<br/>\n<h2>Being able to collaborate together and complete higher quality work faster, easier, and more confidently. Call or chat online with an RSPE representative to learn more.</h2>'),(1923,85,0,321,'Avid NEXIS Pro Team Bundle'),(1924,85,1,321,'Avid NEXIS Pro Team Bundle'),(1925,76,0,321,''),(1926,76,1,321,''),(1927,75,0,322,'<h2>Avid NEXIS | Pro Ultimate Team Bundle</h2>\n<i>A complete shared storage solution that features 20TB of NEXIS Shared storage, two axle Starter licenses, five Media Composer Licenses, Avid Artist | DNxIQ video interface, Pro Tools | HD Native, and a Pro Tools | HD Omni</i><br/><br/>The Avid NEXIS | Pro Ultimate Team Bundle provides the high-performance media production tools you need to go from mere workgroup to a powerfully united team, delivering unmatched real-time collaborative capabilities, accelerated workflows, and the utmost reliability. Even better, you don’t need a big budget to play on par with the big studios—not only are these bundles affordably priced, they offer massive value—with limitless creative possibilities.<br/><br/>Creating and delivering a high volume of content on schedule is a requirement of any post-production team. Squad goals. For smaller post teams, this objective is now easier to achieve than ever. <br/><br/>\n<h3>NEXIS | Pro Ultimate Team Bundle Includes</h3>\n\n<ul style=\"letter-spacing: normal; color: rgb(48, 56, 71);\">\n	<li><b>Avid NEXIS | PRO</b><b> - </b>Connect up to 24 collaborators with this high-performance 20 TB shared storage system</li>\n	<li><b>2 axle Starter licenses</b><b> - </b>View, tag, search for, share, and organize your media with this “radically simple” media asset manage</li>\n	<li><b>5 Media Composer licenses</b><b> - </b>Accelerate storytelling with the professional’s choice for creative HD and high-res editorial</li>\n	<li><b>Avid Artist | DNxIQ - </b>Capture, monitor, and output HD, Ultra-HD, and 4K media with this video I/O interface</li>\n	<li><b>Pro Tools | HD Native</b><b> - </b>Create and deliver larger, higher quality audio productions in stereo and surround with this host-based audio workstation</li>\n	<li><b>Pro Tools | HD OMNI</b><b> - </b>Capture, monitor, and output pristine-quality sound with this all-in-one audio I/O interface</li>\n	<li><b>Dell switch</b><b> - </b>Get maximum network throughput and flexibility to handle the most demanding media productions</li>\n</ul>\n\n<br/>\n<h3>Avid NEXIS | Pro</h3>\nAvid NEXIS | Pro is a shared storage platform designed for independent professionals, small post-production, house of worship, government, corporate, and media education environments. NEXIS | Pro features the industry-proven performance and reliability of Avid virtualizable storage in a more affordable, entry-level professional shared storage system. <br/><br/>Avid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br/><br/>\n<h3>NEXIS | Pro Features</h3>\n<ul style=\"letter-spacing: normal;\">\n	<li>20 TB of storage capacity with a single Media Pack per engine (20 TB, offering up to 400 MB/s of bandwidth)</li>\n	<li>Avid NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li>\n	<li>Scalable from 20–80 TB by combining one to four PRO engines together (cannot be mixed with E-class engines)</li>\n	<li>Field-replaceable storage engine controller</li>\n	<li>Two hot-swappable SSDs for system configuration and metadata management</li>\n	<li>10 Gigabit Ethernet (10GbE)</li>\n	<li>Redundant power and cooling</li>\n	<li>2U rack-mountable chassis</li>\n</ul>\n<br/><br/>\n<h2>Being able to collaborate together and complete higher quality work faster, easier, and more confidently. Call or chat online with an RSPE representative to learn more.</h2>'),(1928,75,1,322,'<h2>Avid NEXIS | Pro Ultimate Team Bundle</h2>\n<i>A complete shared storage solution that features 20TB of NEXIS Shared storage, two axle Starter licenses, five Media Composer Licenses, Avid Artist | DNxIQ video interface, Pro Tools | HD Native, and a Pro Tools | HD Omni</i><br/><br/>The Avid NEXIS | Pro Ultimate Team Bundle provides the high-performance media production tools you need to go from mere workgroup to a powerfully united team, delivering unmatched real-time collaborative capabilities, accelerated workflows, and the utmost reliability. Even better, you don’t need a big budget to play on par with the big studios—not only are these bundles affordably priced, they offer massive value—with limitless creative possibilities.<br/><br/>Creating and delivering a high volume of content on schedule is a requirement of any post-production team. Squad goals. For smaller post teams, this objective is now easier to achieve than ever. <br/><br/>\n<h3>NEXIS | Pro Ultimate Team Bundle Includes</h3>\n\n<ul style=\"letter-spacing: normal; color: rgb(48, 56, 71);\">\n	<li><b>Avid NEXIS | PRO</b><b> - </b>Connect up to 24 collaborators with this high-performance 20 TB shared storage system</li>\n	<li><b>2 axle Starter licenses</b><b> - </b>View, tag, search for, share, and organize your media with this “radically simple” media asset manage</li>\n	<li><b>5 Media Composer licenses</b><b> - </b>Accelerate storytelling with the professional’s choice for creative HD and high-res editorial</li>\n	<li><b>Avid Artist | DNxIQ - </b>Capture, monitor, and output HD, Ultra-HD, and 4K media with this video I/O interface</li>\n	<li><b>Pro Tools | HD Native</b><b> - </b>Create and deliver larger, higher quality audio productions in stereo and surround with this host-based audio workstation</li>\n	<li><b>Pro Tools | HD OMNI</b><b> - </b>Capture, monitor, and output pristine-quality sound with this all-in-one audio I/O interface</li>\n	<li><b>Dell switch</b><b> - </b>Get maximum network throughput and flexibility to handle the most demanding media productions</li>\n</ul>\n\n<br/>\n<h3>Avid NEXIS | Pro</h3>\nAvid NEXIS | Pro is a shared storage platform designed for independent professionals, small post-production, house of worship, government, corporate, and media education environments. NEXIS | Pro features the industry-proven performance and reliability of Avid virtualizable storage in a more affordable, entry-level professional shared storage system. <br/><br/>Avid Nexis is the world’s first and only software defined storage platform that enables true storage virtualization for any media application. Comprised of an intelligent file system and pre-integrated modular hardware, this powerful system delivers unmatched flexibility, scalability, control, and extensibility to Avid® MediaCentral™ Platform applications. Simply mix and match engines to form virtualizable pools of storage to streamline, expand, and accelerate workflows. It’s the only storage solution that can grow with you at every stage of your business. <br/><br/>\n<h3>NEXIS | Pro Features</h3>\n<ul style=\"letter-spacing: normal;\">\n	<li>20 TB of storage capacity with a single Media Pack per engine (20 TB, offering up to 400 MB/s of bandwidth)</li>\n	<li>Avid NEXIS | FS file system (enables you to access, scale, customize, reconfigure, manage, protect, and secure your system)</li>\n	<li>Scalable from 20–80 TB by combining one to four PRO engines together (cannot be mixed with E-class engines)</li>\n	<li>Field-replaceable storage engine controller</li>\n	<li>Two hot-swappable SSDs for system configuration and metadata management</li>\n	<li>10 Gigabit Ethernet (10GbE)</li>\n	<li>Redundant power and cooling</li>\n	<li>2U rack-mountable chassis</li>\n</ul>\n<br/><br/>\n<h2>Being able to collaborate together and complete higher quality work faster, easier, and more confidently. Call or chat online with an RSPE representative to learn more.</h2>'),(1929,85,0,322,'Avid NEXIS Ultimate Team Bundle'),(1930,85,1,322,'Avid NEXIS Ultimate Team Bundle'),(1931,76,0,322,''),(1932,76,1,322,''),(1933,75,0,323,'Get the performance, sound quality, and features that countless live sound professionals have come to rely on in a system architecture that’s built for the future. The modular Avid S3L System is comprised of a high-performance HDX-powered processing engine running AAX plug-ins, scalable remote I/O that can live on stage or in a rack, award-winning VENUE and Pro Tools® software, and a head-turning compact control surface that’s built for the road, but equally at home in the studio. Re-creating the sound of the studio in a live setting has never been easier—or more accessible.\n\n<strong>Built for the future</strong>\nThe S3L System offers a first-of-its-kind modular, open networked architecture, with a fault-tolerant Gigabit Ethernet network connecting all devices for maximum performance and flexibility. From such innovations as Ethernet AVB and HDX-powered, floating-point processing, to integrated AAX plug-ins and EUCON™ support, you gain a future-proof solution that works with the technologies of today and tomorrow. \n\n<strong>Take control—anywhere you roam</strong>\nWhether you’re at the gig, on the tour bus, or in a studio or hotel room, the S3L System’s full-featured power and compact size enable you to exercise your creativity practically everywhere you go. It’s the ideal cost-effective mixing/recording setup to take to any gig—in any size space—as it easily loads into a car, van, truck, bus, or plane.\n\n<strong>Create studio-quality mixes live</strong>\nProfessional-grade I/O. Transparent preamps. Premium signal paths. These are just some of the qualities that enable the S3L System to deliver exceptional sound. The system directly supports AAX plug-ins, giving you access to the same creative tools used in top recording studios today, effectively replacing bulky outboard gear and cumbersome external plug-in “servers.” Whether you want to re-create an artist’s signature studio sound live or get more creative with your own mixes, there are plenty of AAX plug-ins available to choose and explore, to get the sounds you want.\n\n<strong>Get unmatched Pro Tools integration now—and in the future</strong>\nSimply connect your laptop (with Pro Tools or other DAW installed) to the system’s Ethernet AVB network (using a single Cat5e cable) and you’re ready to record with up to 64 tracks of audio recording/playback. VENUE Link makes it easy to control your live mixing and recording/playback setups as one. What’s more, with EUCON functionality coming soon, you’ll be able to use the control surface to mix Pro Tools and other DAW sessions, making the system an extremely versatile solution for both stage and studio.* Pro Tools on Windows requires the presence of an ASIO-compatible soundcard.\n\n<strong>Scale up without being weighed down</strong>\nThe S3L System features a modular architecture, enabling you to easily scale it to meet your production needs. Go from 16 I/O channels with one Stage 16 box up to 64 channels with four. Rack your I/O in one location for easy supervision, or place each box as close as possible to the source, anywhere in the venue, for maximum flexibility—up to 328 feet (100 meters) away. And with Ethernet AVB connectivity, all you need are lightweight, inexpensive Cat5e cables, putting an end to expensive, bulky analog snakes.\n\n<strong>Bring the ease and efficiency of VENUE software to your event</strong>\nEasy-to-use VENUE software is at the heart of every Avid live sound system, so you can use existing VENUE show files with the S3L System, and vice-versa. The system features the latest version of VENUE software*, offering all of the same features and benefits countless engineers know and love, plus some new ones optimized for the S3L, including a new Media page, EQ and dynamics on outputs, drag-and-drop device features, and enhanced Virtual Soundcheck.\n\n<strong>Enhance shows with 2-track USB playback</strong>\nConnect a standard USB Flash drive to the E3 engine for fast and easy 2-track playback and recording. Use playlists to organize your files and then integrate them with VENUE snapshots and events for easy playback—ideal for triggering spot effects, cues, and music beds for theater performances, or for archiving stereo recordings of your board mix.'),(1934,75,1,323,'Get the performance, sound quality, and features that countless live sound professionals have come to rely on in a system architecture that’s built for the future. The modular Avid S3L System is comprised of a high-performance HDX-powered processing engine running AAX plug-ins, scalable remote I/O that can live on stage or in a rack, award-winning VENUE and Pro Tools® software, and a head-turning compact control surface that’s built for the road, but equally at home in the studio. Re-creating the sound of the studio in a live setting has never been easier—or more accessible.\n\n<strong>Built for the future</strong>\nThe S3L System offers a first-of-its-kind modular, open networked architecture, with a fault-tolerant Gigabit Ethernet network connecting all devices for maximum performance and flexibility. From such innovations as Ethernet AVB and HDX-powered, floating-point processing, to integrated AAX plug-ins and EUCON™ support, you gain a future-proof solution that works with the technologies of today and tomorrow. \n\n<strong>Take control—anywhere you roam</strong>\nWhether you’re at the gig, on the tour bus, or in a studio or hotel room, the S3L System’s full-featured power and compact size enable you to exercise your creativity practically everywhere you go. It’s the ideal cost-effective mixing/recording setup to take to any gig—in any size space—as it easily loads into a car, van, truck, bus, or plane.\n\n<strong>Create studio-quality mixes live</strong>\nProfessional-grade I/O. Transparent preamps. Premium signal paths. These are just some of the qualities that enable the S3L System to deliver exceptional sound. The system directly supports AAX plug-ins, giving you access to the same creative tools used in top recording studios today, effectively replacing bulky outboard gear and cumbersome external plug-in “servers.” Whether you want to re-create an artist’s signature studio sound live or get more creative with your own mixes, there are plenty of AAX plug-ins available to choose and explore, to get the sounds you want.\n\n<strong>Get unmatched Pro Tools integration now—and in the future</strong>\nSimply connect your laptop (with Pro Tools or other DAW installed) to the system’s Ethernet AVB network (using a single Cat5e cable) and you’re ready to record with up to 64 tracks of audio recording/playback. VENUE Link makes it easy to control your live mixing and recording/playback setups as one. What’s more, with EUCON functionality coming soon, you’ll be able to use the control surface to mix Pro Tools and other DAW sessions, making the system an extremely versatile solution for both stage and studio.* Pro Tools on Windows requires the presence of an ASIO-compatible soundcard.\n\n<strong>Scale up without being weighed down</strong>\nThe S3L System features a modular architecture, enabling you to easily scale it to meet your production needs. Go from 16 I/O channels with one Stage 16 box up to 64 channels with four. Rack your I/O in one location for easy supervision, or place each box as close as possible to the source, anywhere in the venue, for maximum flexibility—up to 328 feet (100 meters) away. And with Ethernet AVB connectivity, all you need are lightweight, inexpensive Cat5e cables, putting an end to expensive, bulky analog snakes.\n\n<strong>Bring the ease and efficiency of VENUE software to your event</strong>\nEasy-to-use VENUE software is at the heart of every Avid live sound system, so you can use existing VENUE show files with the S3L System, and vice-versa. The system features the latest version of VENUE software*, offering all of the same features and benefits countless engineers know and love, plus some new ones optimized for the S3L, including a new Media page, EQ and dynamics on outputs, drag-and-drop device features, and enhanced Virtual Soundcheck.\n\n<strong>Enhance shows with 2-track USB playback</strong>\nConnect a standard USB Flash drive to the E3 engine for fast and easy 2-track playback and recording. Use playlists to organize your files and then integrate them with VENUE snapshots and events for easy playback—ideal for triggering spot effects, cues, and music beds for theater performances, or for archiving stereo recordings of your board mix.'),(1935,85,0,323,'Avid S3L System 16'),(1936,85,1,323,'Avid S3L System 16'),(1937,76,0,323,''),(1938,76,1,323,''),(1939,75,0,324,'Get the performance, sound quality, and features that countless live sound professionals have come to rely on in a system architecture that’s built for the future. The modular Avid S3L System is comprised of a high-performance HDX-powered processing engine running AAX plug-ins, scalable remote I/O that can live on stage or in a rack, award-winning VENUE and Pro Tools® software, and a head-turning compact control surface that’s built for the road, but equally at home in the studio. Re-creating the sound of the studio in a live setting has never been easier—or more accessible.\n\n<strong>Built for the future</strong>\nThe S3L System offers a first-of-its-kind modular, open networked architecture, with a fault-tolerant Gigabit Ethernet network connecting all devices for maximum performance and flexibility. From such innovations as Ethernet AVB and HDX-powered, floating-point processing, to integrated AAX plug-ins and EUCON™ support, you gain a future-proof solution that works with the technologies of today and tomorrow. \n\n<strong>Take control—anywhere you roam</strong>\nWhether you’re at the gig, on the tour bus, or in a studio or hotel room, the S3L System’s full-featured power and compact size enable you to exercise your creativity practically everywhere you go. It’s the ideal cost-effective mixing/recording setup to take to any gig—in any size space—as it easily loads into a car, van, truck, bus, or plane.\n\n<strong>Create studio-quality mixes live</strong>\nProfessional-grade I/O. Transparent preamps. Premium signal paths. These are just some of the qualities that enable the S3L System to deliver exceptional sound. The system directly supports AAX plug-ins, giving you access to the same creative tools used in top recording studios today, effectively replacing bulky outboard gear and cumbersome external plug-in “servers.” Whether you want to re-create an artist’s signature studio sound live or get more creative with your own mixes, there are plenty of AAX plug-ins available to choose and explore, to get the sounds you want.\n\n<strong>Get unmatched Pro Tools integration now—and in the future</strong>\nSimply connect your laptop (with Pro Tools or other DAW installed) to the system’s Ethernet AVB network (using a single Cat5e cable) and you’re ready to record with up to 64 tracks of audio recording/playback. VENUE Link makes it easy to control your live mixing and recording/playback setups as one. What’s more, with EUCON functionality coming soon, you’ll be able to use the control surface to mix Pro Tools and other DAW sessions, making the system an extremely versatile solution for both stage and studio.* Pro Tools on Windows requires the presence of an ASIO-compatible soundcard.\n\n<strong>Scale up without being weighed down</strong>\nThe S3L System features a modular architecture, enabling you to easily scale it to meet your production needs. Go from 16 I/O channels with one Stage 16 box up to 64 channels with four. Rack your I/O in one location for easy supervision, or place each box as close as possible to the source, anywhere in the venue, for maximum flexibility—up to 328 feet (100 meters) away. And with Ethernet AVB connectivity, all you need are lightweight, inexpensive Cat5e cables, putting an end to expensive, bulky analog snakes.\n\n<strong>Bring the ease and efficiency of VENUE software to your event</strong>\nEasy-to-use VENUE software is at the heart of every Avid live sound system, so you can use existing VENUE show files with the S3L System, and vice-versa. The system features the latest version of VENUE software*, offering all of the same features and benefits countless engineers know and love, plus some new ones optimized for the S3L, including a new Media page, EQ and dynamics on outputs, drag-and-drop device features, and enhanced Virtual Soundcheck.\n\n<strong>Enhance shows with 2-track USB playback</strong>\nConnect a standard USB Flash drive to the E3 engine for fast and easy 2-track playback and recording. Use playlists to organize your files and then integrate them with VENUE snapshots and events for easy playback—ideal for triggering spot effects, cues, and music beds for theater performances, or for archiving stereo recordings of your board mix.'),(1940,75,1,324,'Get the performance, sound quality, and features that countless live sound professionals have come to rely on in a system architecture that’s built for the future. The modular Avid S3L System is comprised of a high-performance HDX-powered processing engine running AAX plug-ins, scalable remote I/O that can live on stage or in a rack, award-winning VENUE and Pro Tools® software, and a head-turning compact control surface that’s built for the road, but equally at home in the studio. Re-creating the sound of the studio in a live setting has never been easier—or more accessible.\n\n<strong>Built for the future</strong>\nThe S3L System offers a first-of-its-kind modular, open networked architecture, with a fault-tolerant Gigabit Ethernet network connecting all devices for maximum performance and flexibility. From such innovations as Ethernet AVB and HDX-powered, floating-point processing, to integrated AAX plug-ins and EUCON™ support, you gain a future-proof solution that works with the technologies of today and tomorrow. \n\n<strong>Take control—anywhere you roam</strong>\nWhether you’re at the gig, on the tour bus, or in a studio or hotel room, the S3L System’s full-featured power and compact size enable you to exercise your creativity practically everywhere you go. It’s the ideal cost-effective mixing/recording setup to take to any gig—in any size space—as it easily loads into a car, van, truck, bus, or plane.\n\n<strong>Create studio-quality mixes live</strong>\nProfessional-grade I/O. Transparent preamps. Premium signal paths. These are just some of the qualities that enable the S3L System to deliver exceptional sound. The system directly supports AAX plug-ins, giving you access to the same creative tools used in top recording studios today, effectively replacing bulky outboard gear and cumbersome external plug-in “servers.” Whether you want to re-create an artist’s signature studio sound live or get more creative with your own mixes, there are plenty of AAX plug-ins available to choose and explore, to get the sounds you want.\n\n<strong>Get unmatched Pro Tools integration now—and in the future</strong>\nSimply connect your laptop (with Pro Tools or other DAW installed) to the system’s Ethernet AVB network (using a single Cat5e cable) and you’re ready to record with up to 64 tracks of audio recording/playback. VENUE Link makes it easy to control your live mixing and recording/playback setups as one. What’s more, with EUCON functionality coming soon, you’ll be able to use the control surface to mix Pro Tools and other DAW sessions, making the system an extremely versatile solution for both stage and studio.* Pro Tools on Windows requires the presence of an ASIO-compatible soundcard.\n\n<strong>Scale up without being weighed down</strong>\nThe S3L System features a modular architecture, enabling you to easily scale it to meet your production needs. Go from 16 I/O channels with one Stage 16 box up to 64 channels with four. Rack your I/O in one location for easy supervision, or place each box as close as possible to the source, anywhere in the venue, for maximum flexibility—up to 328 feet (100 meters) away. And with Ethernet AVB connectivity, all you need are lightweight, inexpensive Cat5e cables, putting an end to expensive, bulky analog snakes.\n\n<strong>Bring the ease and efficiency of VENUE software to your event</strong>\nEasy-to-use VENUE software is at the heart of every Avid live sound system, so you can use existing VENUE show files with the S3L System, and vice-versa. The system features the latest version of VENUE software*, offering all of the same features and benefits countless engineers know and love, plus some new ones optimized for the S3L, including a new Media page, EQ and dynamics on outputs, drag-and-drop device features, and enhanced Virtual Soundcheck.\n\n<strong>Enhance shows with 2-track USB playback</strong>\nConnect a standard USB Flash drive to the E3 engine for fast and easy 2-track playback and recording. Use playlists to organize your files and then integrate them with VENUE snapshots and events for easy playback—ideal for triggering spot effects, cues, and music beds for theater performances, or for archiving stereo recordings of your board mix.'),(1941,85,0,324,'Avid S3L System 32'),(1942,85,1,324,'Avid S3L System 32'),(1943,76,0,324,''),(1944,76,1,324,''),(1945,75,0,325,'Get the performance, sound quality, and features that countless live sound professionals have come to rely on in a system architecture that’s built for the future. The modular Avid S3L System is comprised of a high-performance HDX-powered processing engine running AAX plug-ins, scalable remote I/O that can live on stage or in a rack, award-winning VENUE and Pro Tools® software, and a head-turning compact control surface that’s built for the road, but equally at home in the studio. Re-creating the sound of the studio in a live setting has never been easier—or more accessible.\n\n<strong>Built for the future</strong>\nThe S3L System offers a first-of-its-kind modular, open networked architecture, with a fault-tolerant Gigabit Ethernet network connecting all devices for maximum performance and flexibility. From such innovations as Ethernet AVB and HDX-powered, floating-point processing, to integrated AAX plug-ins and EUCON™ support, you gain a future-proof solution that works with the technologies of today and tomorrow. \n\n<strong>Take control—anywhere you roam</strong>\nWhether you’re at the gig, on the tour bus, or in a studio or hotel room, the S3L System’s full-featured power and compact size enable you to exercise your creativity practically everywhere you go. It’s the ideal cost-effective mixing/recording setup to take to any gig—in any size space—as it easily loads into a car, van, truck, bus, or plane.\n\n<strong>Create studio-quality mixes live</strong>\nProfessional-grade I/O. Transparent preamps. Premium signal paths. These are just some of the qualities that enable the S3L System to deliver exceptional sound. The system directly supports AAX plug-ins, giving you access to the same creative tools used in top recording studios today, effectively replacing bulky outboard gear and cumbersome external plug-in “servers.” Whether you want to re-create an artist’s signature studio sound live or get more creative with your own mixes, there are plenty of AAX plug-ins available to choose and explore, to get the sounds you want.\n\n<strong>Get unmatched Pro Tools integration now—and in the future</strong>\nSimply connect your laptop (with Pro Tools or other DAW installed) to the system’s Ethernet AVB network (using a single Cat5e cable) and you’re ready to record with up to 64 tracks of audio recording/playback. VENUE Link makes it easy to control your live mixing and recording/playback setups as one. What’s more, with EUCON functionality coming soon, you’ll be able to use the control surface to mix Pro Tools and other DAW sessions, making the system an extremely versatile solution for both stage and studio.* Pro Tools on Windows requires the presence of an ASIO-compatible soundcard.\n\n<strong>Scale up without being weighed down</strong>\nThe S3L System features a modular architecture, enabling you to easily scale it to meet your production needs. Go from 16 I/O channels with one Stage 16 box up to 64 channels with four. Rack your I/O in one location for easy supervision, or place each box as close as possible to the source, anywhere in the venue, for maximum flexibility—up to 328 feet (100 meters) away. And with Ethernet AVB connectivity, all you need are lightweight, inexpensive Cat5e cables, putting an end to expensive, bulky analog snakes.\n\n<strong>Bring the ease and efficiency of VENUE software to your event</strong>\nEasy-to-use VENUE software is at the heart of every Avid live sound system, so you can use existing VENUE show files with the S3L System, and vice-versa. The system features the latest version of VENUE software*, offering all of the same features and benefits countless engineers know and love, plus some new ones optimized for the S3L, including a new Media page, EQ and dynamics on outputs, drag-and-drop device features, and enhanced Virtual Soundcheck.\n\n<strong>Enhance shows with 2-track USB playback</strong>\nConnect a standard USB Flash drive to the E3 engine for fast and easy 2-track playback and recording. Use playlists to organize your files and then integrate them with VENUE snapshots and events for easy playback—ideal for triggering spot effects, cues, and music beds for theater performances, or for archiving stereo recordings of your board mix.'),(1946,75,1,325,'Get the performance, sound quality, and features that countless live sound professionals have come to rely on in a system architecture that’s built for the future. The modular Avid S3L System is comprised of a high-performance HDX-powered processing engine running AAX plug-ins, scalable remote I/O that can live on stage or in a rack, award-winning VENUE and Pro Tools® software, and a head-turning compact control surface that’s built for the road, but equally at home in the studio. Re-creating the sound of the studio in a live setting has never been easier—or more accessible.\n\n<strong>Built for the future</strong>\nThe S3L System offers a first-of-its-kind modular, open networked architecture, with a fault-tolerant Gigabit Ethernet network connecting all devices for maximum performance and flexibility. From such innovations as Ethernet AVB and HDX-powered, floating-point processing, to integrated AAX plug-ins and EUCON™ support, you gain a future-proof solution that works with the technologies of today and tomorrow. \n\n<strong>Take control—anywhere you roam</strong>\nWhether you’re at the gig, on the tour bus, or in a studio or hotel room, the S3L System’s full-featured power and compact size enable you to exercise your creativity practically everywhere you go. It’s the ideal cost-effective mixing/recording setup to take to any gig—in any size space—as it easily loads into a car, van, truck, bus, or plane.\n\n<strong>Create studio-quality mixes live</strong>\nProfessional-grade I/O. Transparent preamps. Premium signal paths. These are just some of the qualities that enable the S3L System to deliver exceptional sound. The system directly supports AAX plug-ins, giving you access to the same creative tools used in top recording studios today, effectively replacing bulky outboard gear and cumbersome external plug-in “servers.” Whether you want to re-create an artist’s signature studio sound live or get more creative with your own mixes, there are plenty of AAX plug-ins available to choose and explore, to get the sounds you want.\n\n<strong>Get unmatched Pro Tools integration now—and in the future</strong>\nSimply connect your laptop (with Pro Tools or other DAW installed) to the system’s Ethernet AVB network (using a single Cat5e cable) and you’re ready to record with up to 64 tracks of audio recording/playback. VENUE Link makes it easy to control your live mixing and recording/playback setups as one. What’s more, with EUCON functionality coming soon, you’ll be able to use the control surface to mix Pro Tools and other DAW sessions, making the system an extremely versatile solution for both stage and studio.* Pro Tools on Windows requires the presence of an ASIO-compatible soundcard.\n\n<strong>Scale up without being weighed down</strong>\nThe S3L System features a modular architecture, enabling you to easily scale it to meet your production needs. Go from 16 I/O channels with one Stage 16 box up to 64 channels with four. Rack your I/O in one location for easy supervision, or place each box as close as possible to the source, anywhere in the venue, for maximum flexibility—up to 328 feet (100 meters) away. And with Ethernet AVB connectivity, all you need are lightweight, inexpensive Cat5e cables, putting an end to expensive, bulky analog snakes.\n\n<strong>Bring the ease and efficiency of VENUE software to your event</strong>\nEasy-to-use VENUE software is at the heart of every Avid live sound system, so you can use existing VENUE show files with the S3L System, and vice-versa. The system features the latest version of VENUE software*, offering all of the same features and benefits countless engineers know and love, plus some new ones optimized for the S3L, including a new Media page, EQ and dynamics on outputs, drag-and-drop device features, and enhanced Virtual Soundcheck.\n\n<strong>Enhance shows with 2-track USB playback</strong>\nConnect a standard USB Flash drive to the E3 engine for fast and easy 2-track playback and recording. Use playlists to organize your files and then integrate them with VENUE snapshots and events for easy playback—ideal for triggering spot effects, cues, and music beds for theater performances, or for archiving stereo recordings of your board mix.'),(1947,85,0,325,'Avid S3L System 48'),(1948,85,1,325,'Avid S3L System 48'),(1949,76,0,325,''),(1950,76,1,325,''),(1951,75,0,326,'Get the performance, sound quality, and features that countless live sound professionals have come to rely on in a system architecture that’s built for the future. The modular Avid S3L System is comprised of a high-performance HDX-powered processing engine running AAX plug-ins, scalable remote I/O that can live on stage or in a rack, award-winning VENUE and Pro Tools® software, and a head-turning compact control surface that’s built for the road, but equally at home in the studio. Re-creating the sound of the studio in a live setting has never been easier—or more accessible.\n\n<strong>Built for the future</strong>\nThe S3L System offers a first-of-its-kind modular, open networked architecture, with a fault-tolerant Gigabit Ethernet network connecting all devices for maximum performance and flexibility. From such innovations as Ethernet AVB and HDX-powered, floating-point processing, to integrated AAX plug-ins and EUCON™ support, you gain a future-proof solution that works with the technologies of today and tomorrow. \n\n<strong>Take control—anywhere you roam</strong>\nWhether you’re at the gig, on the tour bus, or in a studio or hotel room, the S3L System’s full-featured power and compact size enable you to exercise your creativity practically everywhere you go. It’s the ideal cost-effective mixing/recording setup to take to any gig—in any size space—as it easily loads into a car, van, truck, bus, or plane.\n\n<strong>Create studio-quality mixes live</strong>\nProfessional-grade I/O. Transparent preamps. Premium signal paths. These are just some of the qualities that enable the S3L System to deliver exceptional sound. The system directly supports AAX plug-ins, giving you access to the same creative tools used in top recording studios today, effectively replacing bulky outboard gear and cumbersome external plug-in “servers.” Whether you want to re-create an artist’s signature studio sound live or get more creative with your own mixes, there are plenty of AAX plug-ins available to choose and explore, to get the sounds you want.\n\n<strong>Get unmatched Pro Tools integration now—and in the future</strong>\nSimply connect your laptop (with Pro Tools or other DAW installed) to the system’s Ethernet AVB network (using a single Cat5e cable) and you’re ready to record with up to 64 tracks of audio recording/playback. VENUE Link makes it easy to control your live mixing and recording/playback setups as one. What’s more, with EUCON functionality coming soon, you’ll be able to use the control surface to mix Pro Tools and other DAW sessions, making the system an extremely versatile solution for both stage and studio.* Pro Tools on Windows requires the presence of an ASIO-compatible soundcard.\n\n<strong>Scale up without being weighed down</strong>\nThe S3L System features a modular architecture, enabling you to easily scale it to meet your production needs. Go from 16 I/O channels with one Stage 16 box up to 64 channels with four. Rack your I/O in one location for easy supervision, or place each box as close as possible to the source, anywhere in the venue, for maximum flexibility—up to 328 feet (100 meters) away. And with Ethernet AVB connectivity, all you need are lightweight, inexpensive Cat5e cables, putting an end to expensive, bulky analog snakes.\n\n<strong>Bring the ease and efficiency of VENUE software to your event</strong>\nEasy-to-use VENUE software is at the heart of every Avid live sound system, so you can use existing VENUE show files with the S3L System, and vice-versa. The system features the latest version of VENUE software*, offering all of the same features and benefits countless engineers know and love, plus some new ones optimized for the S3L, including a new Media page, EQ and dynamics on outputs, drag-and-drop device features, and enhanced Virtual Soundcheck.\n\n<strong>Enhance shows with 2-track USB playback</strong>\nConnect a standard USB Flash drive to the E3 engine for fast and easy 2-track playback and recording. Use playlists to organize your files and then integrate them with VENUE snapshots and events for easy playback—ideal for triggering spot effects, cues, and music beds for theater performances, or for archiving stereo recordings of your board mix.'),(1952,75,1,326,'Get the performance, sound quality, and features that countless live sound professionals have come to rely on in a system architecture that’s built for the future. The modular Avid S3L System is comprised of a high-performance HDX-powered processing engine running AAX plug-ins, scalable remote I/O that can live on stage or in a rack, award-winning VENUE and Pro Tools® software, and a head-turning compact control surface that’s built for the road, but equally at home in the studio. Re-creating the sound of the studio in a live setting has never been easier—or more accessible.\n\n<strong>Built for the future</strong>\nThe S3L System offers a first-of-its-kind modular, open networked architecture, with a fault-tolerant Gigabit Ethernet network connecting all devices for maximum performance and flexibility. From such innovations as Ethernet AVB and HDX-powered, floating-point processing, to integrated AAX plug-ins and EUCON™ support, you gain a future-proof solution that works with the technologies of today and tomorrow. \n\n<strong>Take control—anywhere you roam</strong>\nWhether you’re at the gig, on the tour bus, or in a studio or hotel room, the S3L System’s full-featured power and compact size enable you to exercise your creativity practically everywhere you go. It’s the ideal cost-effective mixing/recording setup to take to any gig—in any size space—as it easily loads into a car, van, truck, bus, or plane.\n\n<strong>Create studio-quality mixes live</strong>\nProfessional-grade I/O. Transparent preamps. Premium signal paths. These are just some of the qualities that enable the S3L System to deliver exceptional sound. The system directly supports AAX plug-ins, giving you access to the same creative tools used in top recording studios today, effectively replacing bulky outboard gear and cumbersome external plug-in “servers.” Whether you want to re-create an artist’s signature studio sound live or get more creative with your own mixes, there are plenty of AAX plug-ins available to choose and explore, to get the sounds you want.\n\n<strong>Get unmatched Pro Tools integration now—and in the future</strong>\nSimply connect your laptop (with Pro Tools or other DAW installed) to the system’s Ethernet AVB network (using a single Cat5e cable) and you’re ready to record with up to 64 tracks of audio recording/playback. VENUE Link makes it easy to control your live mixing and recording/playback setups as one. What’s more, with EUCON functionality coming soon, you’ll be able to use the control surface to mix Pro Tools and other DAW sessions, making the system an extremely versatile solution for both stage and studio.* Pro Tools on Windows requires the presence of an ASIO-compatible soundcard.\n\n<strong>Scale up without being weighed down</strong>\nThe S3L System features a modular architecture, enabling you to easily scale it to meet your production needs. Go from 16 I/O channels with one Stage 16 box up to 64 channels with four. Rack your I/O in one location for easy supervision, or place each box as close as possible to the source, anywhere in the venue, for maximum flexibility—up to 328 feet (100 meters) away. And with Ethernet AVB connectivity, all you need are lightweight, inexpensive Cat5e cables, putting an end to expensive, bulky analog snakes.\n\n<strong>Bring the ease and efficiency of VENUE software to your event</strong>\nEasy-to-use VENUE software is at the heart of every Avid live sound system, so you can use existing VENUE show files with the S3L System, and vice-versa. The system features the latest version of VENUE software*, offering all of the same features and benefits countless engineers know and love, plus some new ones optimized for the S3L, including a new Media page, EQ and dynamics on outputs, drag-and-drop device features, and enhanced Virtual Soundcheck.\n\n<strong>Enhance shows with 2-track USB playback</strong>\nConnect a standard USB Flash drive to the E3 engine for fast and easy 2-track playback and recording. Use playlists to organize your files and then integrate them with VENUE snapshots and events for easy playback—ideal for triggering spot effects, cues, and music beds for theater performances, or for archiving stereo recordings of your board mix.'),(1953,85,0,326,'Avid S3L System 64'),(1954,85,1,326,'Avid S3L System 64'),(1955,76,0,326,''),(1956,76,1,326,''),(1957,75,0,327,'<h2>Avid Artist | DNxID Portable Video I/O Interface</h2>\n<i>The super-affordable, ultra-portable I/O for all your high res workflows including SD, HD, Ultra HD, and 4K media.</i><br /><br />\nAvid Artist | DNxID is a compact and super-portable, yet powerful video I/O interface designed to simplify and accelerate your entire HD, high-res, and Ultra HD workflow. Avid Artist | DNxID enables you to capture, monitor, and output media quickly—in the highest quality possible. Avid Artist | DNxID also includes Audio Punch-in for Media Composer via the front panel mic input.<br /><br />\n<h3>Artist | DNxID Key Features</h3>\n<ul>\n	<li> Capture and play back SD, HD, Ultra HD, 2K, and 4K media</li>\n	<li>Work with your every version of  Avid Media Composer, including Media Composer | First, Media Composer | Ultimate, Media Composer | NewsCutter Option, Media Composer | Symphony Option</li>\n	<li>Connect to the latest generation computers using Thunderbolt 3</li>\n	<li>Connect a wide range of video and audio gear through a host of connections, including:                             </li>\n	<ul>\n		<li><span style=\"background-color: initial; letter-spacing: 0px;\">SD—YCbCr Component</span></li>\n		<li>HD—YCbCr/RGB Component</li>\n		\n		<li>HDMI 2.0 I/O                                                                                                                       </li>\n		<li><span style=\"background-color: initial; letter-spacing: 0px;\">Eight channels of HDMI audio I/O</span></li>\n		<li>One front-panel XLR mic/line input with 48V phantom power and gain control</li>\n		<li>Two 1/4\" analog TRS pro-level (+4 dBu) inputs</li>\n		<li>Two 1/4\" analog TRS pro-level (+4 dBu) outputs</li>\n		<li>One stereo headphone jack with volume control</li>\n		\n	</ul>\n</ul>\n<br />\n<h3>Take your I/O to go</h3>\nWhether you’re an editor on the go, a post editor working on location, or simply budget-minded, you can now have professional-grade I/O with you wherever you and your laptop travel. The new Avid Artist | DNxID sports a small yet rugged backpack-friendly design, enabling you to capture, monitor, and output HD and high-res content in the field, in the studio, or in a hotel room.\n<br /><br />\n<h3>Accelerate your workflow</h3>\nGet the high-res media acceleration of big brother Avid Artist | DNxIQ, at a fraction of the price. Avid Artist | DNxID offers hardware baseband encoding to Avid DNxHR, making it easy to work with large 4K files without slowing down your workflow. Bundle the interface with Media Composer to maximize your editorial efficiency. You can also record voiceovers and live audio with easy punch-in recording to Media Composer, and monitor HDR content in all of its stunning glory.<br /><br />\n<h3>Connect to media sources</h3>\nDon’t have an SD card slot or extra USB port on your spiffy new laptop? No worries. Avid Artist | DNxID features an SDXC (Secure Digital Extended Capacity) card slot that enables you to access media stored on high-capacity SDXC UHS-II cards. It also provides a USB-C port to connect cameras, hard drives, and other media devices to bring fresh footage into your projects.\n<br /><br />'),(1958,75,1,327,'<h2>Avid Artist | DNxID Portable Video I/O Interface</h2>\n<i>The super-affordable, ultra-portable I/O for all your high res workflows including SD, HD, Ultra HD, and 4K media.</i><br /><br />\nAvid Artist | DNxID is a compact and super-portable, yet powerful video I/O interface designed to simplify and accelerate your entire HD, high-res, and Ultra HD workflow. Avid Artist | DNxID enables you to capture, monitor, and output media quickly—in the highest quality possible. Avid Artist | DNxID also includes Audio Punch-in for Media Composer via the front panel mic input.<br /><br />\n<h3>Artist | DNxID Key Features</h3>\n<ul>\n	<li> Capture and play back SD, HD, Ultra HD, 2K, and 4K media</li>\n	<li>Work with your every version of  Avid Media Composer, including Media Composer | First, Media Composer | Ultimate, Media Composer | NewsCutter Option, Media Composer | Symphony Option</li>\n	<li>Connect to the latest generation computers using Thunderbolt 3</li>\n	<li>Connect a wide range of video and audio gear through a host of connections, including:                             </li>\n	<ul>\n		<li><span style=\"background-color: initial; letter-spacing: 0px;\">SD—YCbCr Component</span></li>\n		<li>HD—YCbCr/RGB Component</li>\n		\n		<li>HDMI 2.0 I/O                                                                                                                       </li>\n		<li><span style=\"background-color: initial; letter-spacing: 0px;\">Eight channels of HDMI audio I/O</span></li>\n		<li>One front-panel XLR mic/line input with 48V phantom power and gain control</li>\n		<li>Two 1/4\" analog TRS pro-level (+4 dBu) inputs</li>\n		<li>Two 1/4\" analog TRS pro-level (+4 dBu) outputs</li>\n		<li>One stereo headphone jack with volume control</li>\n		\n	</ul>\n</ul>\n<br />\n<h3>Take your I/O to go</h3>\nWhether you’re an editor on the go, a post editor working on location, or simply budget-minded, you can now have professional-grade I/O with you wherever you and your laptop travel. The new Avid Artist | DNxID sports a small yet rugged backpack-friendly design, enabling you to capture, monitor, and output HD and high-res content in the field, in the studio, or in a hotel room.\n<br /><br />\n<h3>Accelerate your workflow</h3>\nGet the high-res media acceleration of big brother Avid Artist | DNxIQ, at a fraction of the price. Avid Artist | DNxID offers hardware baseband encoding to Avid DNxHR, making it easy to work with large 4K files without slowing down your workflow. Bundle the interface with Media Composer to maximize your editorial efficiency. You can also record voiceovers and live audio with easy punch-in recording to Media Composer, and monitor HDR content in all of its stunning glory.<br /><br />\n<h3>Connect to media sources</h3>\nDon’t have an SD card slot or extra USB port on your spiffy new laptop? No worries. Avid Artist | DNxID features an SDXC (Secure Digital Extended Capacity) card slot that enables you to access media stored on high-capacity SDXC UHS-II cards. It also provides a USB-C port to connect cameras, hard drives, and other media devices to bring fresh footage into your projects.\n<br /><br />'),(1959,85,0,327,'Avid Artist | DNxID Portable Video I/O Interface'),(1960,85,1,327,'Avid Artist | DNxID Portable Video I/O Interface'),(1961,76,0,327,''),(1962,76,1,327,''),(1963,75,0,328,'<h2>Avid Artist | DNxIP Portable Video I/O Interface</h2>\n<span style=\"font-size:16px; font-style:italic;\">Portable IP Video I/O Interface allows you to seamlessly capture and play back HD and 2K media over Gigabit IP.</span><br /><br />\nAvid Artist | DNxIP, developed in cooperation with AJA® Video Systems, offers a full set of professional video and audio connectivity with support for the latest HD and 2K devices and High Frame Rate workflows. Dual Gigabit ethernet ports allow you to Stream HD and 2K (DCI) video over IP and receive media from any camera, computer, or device on your network. You can send/stream content to any destination—anywhere there’s an Ethernet connection. Avid Artist | DNxIV is the ideal companion for lightning-fast video capture, playback and editorial. Avid Artist | DNxIP connects with a single Thunderbolt cable and provides a second Thunderbolt connector for flexibility, making it perfect for on set, or in the edit suite.<br /><br />\n<h3>Artist | DNxIV Key Features</h3>\n<ul>\n	<li>Dual 10 GigE connectivity via two SFP+ cages compatible with 10 GigE SFP transceiver modules from leading third-party providers</li><li>Laptop or desktop HD/SD capture and playback over IP across Thunderbolt 3</li><li>Two Thunderbolt 3 ports for daisy chaining of up to six Thunderbolt devices</li><li>Audio input for analog microphone to record single-channel 16-bit D/A analog audio, 48 kHz sample rate, balanced, using industry standard XLR</li><li>Backwards compatibility with existing Thunderbolt hosts</li><li>SMPTE 2022-6 and 2022-7 I/O</li><li>3G-SDI and HDMI 2.0 video monitoring</li><li>Audio I/O: 16-Channel embedded SDI; 8-Channel embedded HDMI; 4-Channel analog audio in and 4-Channel audio out via XLR  breakout</li><li>Small, rugged design suited for an array of production environments</li><li>Downstream keyer</li><li>Standard 12v 4-pin XLR for AC or battery power</li>\n</ul>\n<br />\n<h3>Connect your studio with a variety of connections</h3>\nAvid Artist | DNxIP makes it easy to connect to multiple devices across your newsroom or post facility using your existing Ethernet infrastructure. From IP video and audio I/O through SFP ports (SFPs sold separately), to HDMI 2 and analog audio I/O, you can connect your entire studio together—without the limitations of SDI.<br /><br />\n\n<h3>Stream video over IP</h3>\nAvid Artist | DNxIP offers HD and 2K (DCI) video streaming over IP, enabling you to receive media from any camera, computer, or device on your network and send/stream content to any destination—anywhere there’s an Ethernet connection. It works with many popular IP video standards, making it an easy fit into any newsroom or post environment. Plus, it saves time and money by minimizing complex and costly cabling.<br /><br />\n\n<h3>Expand your possibilities</h3>\nSmall in size, but vast in versatility, Avid Artist | DNxIP boosts your media production capabilities both inside the facility and offsite. Record voiceovers in the field with easy audio punch-in. Sync to an external reference or SMPTE 2059-2. And coming soon, you can even use the interface as an 8-channel audio surround sound monitoring solution.\n<br /><br />\n<h3>Accelerate your video editing and focus on your storytelling with Avid Artist | DNxIP. </h3>'),(1964,75,1,328,'<h2>Avid Artist | DNxIP Portable Video I/O Interface</h2>\n<span style=\"font-size:16px; font-style:italic;\">Portable IP Video I/O Interface allows you to seamlessly capture and play back HD and 2K media over Gigabit IP.</span><br /><br />\nAvid Artist | DNxIP, developed in cooperation with AJA® Video Systems, offers a full set of professional video and audio connectivity with support for the latest HD and 2K devices and High Frame Rate workflows. Dual Gigabit ethernet ports allow you to Stream HD and 2K (DCI) video over IP and receive media from any camera, computer, or device on your network. You can send/stream content to any destination—anywhere there’s an Ethernet connection. Avid Artist | DNxIV is the ideal companion for lightning-fast video capture, playback and editorial. Avid Artist | DNxIP connects with a single Thunderbolt cable and provides a second Thunderbolt connector for flexibility, making it perfect for on set, or in the edit suite.<br /><br />\n<h3>Artist | DNxIV Key Features</h3>\n<ul>\n	<li>Dual 10 GigE connectivity via two SFP+ cages compatible with 10 GigE SFP transceiver modules from leading third-party providers</li><li>Laptop or desktop HD/SD capture and playback over IP across Thunderbolt 3</li><li>Two Thunderbolt 3 ports for daisy chaining of up to six Thunderbolt devices</li><li>Audio input for analog microphone to record single-channel 16-bit D/A analog audio, 48 kHz sample rate, balanced, using industry standard XLR</li><li>Backwards compatibility with existing Thunderbolt hosts</li><li>SMPTE 2022-6 and 2022-7 I/O</li><li>3G-SDI and HDMI 2.0 video monitoring</li><li>Audio I/O: 16-Channel embedded SDI; 8-Channel embedded HDMI; 4-Channel analog audio in and 4-Channel audio out via XLR  breakout</li><li>Small, rugged design suited for an array of production environments</li><li>Downstream keyer</li><li>Standard 12v 4-pin XLR for AC or battery power</li>\n</ul>\n<br />\n<h3>Connect your studio with a variety of connections</h3>\nAvid Artist | DNxIP makes it easy to connect to multiple devices across your newsroom or post facility using your existing Ethernet infrastructure. From IP video and audio I/O through SFP ports (SFPs sold separately), to HDMI 2 and analog audio I/O, you can connect your entire studio together—without the limitations of SDI.<br /><br />\n\n<h3>Stream video over IP</h3>\nAvid Artist | DNxIP offers HD and 2K (DCI) video streaming over IP, enabling you to receive media from any camera, computer, or device on your network and send/stream content to any destination—anywhere there’s an Ethernet connection. It works with many popular IP video standards, making it an easy fit into any newsroom or post environment. Plus, it saves time and money by minimizing complex and costly cabling.<br /><br />\n\n<h3>Expand your possibilities</h3>\nSmall in size, but vast in versatility, Avid Artist | DNxIP boosts your media production capabilities both inside the facility and offsite. Record voiceovers in the field with easy audio punch-in. Sync to an external reference or SMPTE 2059-2. And coming soon, you can even use the interface as an 8-channel audio surround sound monitoring solution.\n<br /><br />\n<h3>Accelerate your video editing and focus on your storytelling with Avid Artist | DNxIP. </h3>'),(1965,85,0,328,'Avid Artist | DNxIP Video I/O Interface'),(1966,85,1,328,'Avid Artist | DNxIP Video I/O Interface'),(1967,76,0,328,''),(1968,76,1,328,''),(1969,75,0,329,'<h1>Avid Artist | DNxIQ Video I/O Interface</h1>\n<span style=\"font-size:16px; font-style:italic;\">Professional Video I/O Interface allows you to seamlessly capture and play back SD, HD, Ultra HD, 2K, and 4K media.</span><br /><br />\nAvid Artist | DNxIQ is a powerful, professional video I/O interface designed to simplify and accelerate your entire HD, high-res, and Ultra HD workflow. Available as standalone hardware or bundled with Media Composer® software, Avid Artist | DNxIQ enables you to capture, monitor, and output media quickly—in the highest quality possible. And because the interface, which includes hardware by Blackmagic Design, is designed to be open and flexible, you can use it with Avid and other creative tools too. Only Avid Artist | DNxIQ includes Audio Punch-in for Media Composer via the front panel mic input, and baseband hardware encoding of Avid DNxHR media.<br /><br />\n<h3>Artist | DNxIQ Key Features</h3>\n<ul>\n	<li> Capture and play back SD, HD, Ultra HD, 2K, and 4K media                                                                        </li>\n	<li>Edit faster and more efficiently with onboard media encoding and conversion                                                      </li>\n	<li>Work with your favorite creative tools, including Media Composer, DaVinci Resolve, Apple Final Cut Pro, and Adobe Premiere Pro   </li>\n	<li>Connect a wide range of video and audio gear through a host of connections, including:                             </li>\n	<ul>\n		<li>Four sets of 4 SDI connectors—4 in, 4 loop,4 out, 4 repeated out, each set supporting upto 12 Gb/s via single, dual, and quad link </li>\n		<li>Two optical I/O supporting 3 Gb/s and 6 Gb/s; 12 Gb/s coming soon (modules not included)                                           </li>\n		<li>HDMI 2.0 I/O                                                                                                                       </li>\n		<li>Analog video I/O—component and composite                                                                                           </li>\n		<li>Balanced analog audio—4 XLR inputs, 4 XLR outputs                                                                                  </li>\n		<li>AES/EBU—2 channels in, 2 channels out                                                                                              </li>\n		<li>Stereo RCA input for consumer audio devices                                                                                        </li>\n		<li>XLR mic input with 48V phantom power on front panel with level control                                                             </li>\n		<li>Stereo headphone output with level control</li>\n	</ul>\n	<li>Quickly cross-convert formats on baseband output SDI, HDMI, and analog connections with Universal Mastering  </li>\n	<li>Monitor media ingest and output conveniently using the front-panel HD LCD display                            </li>\n	<li>Select video, audio, and timecode inputs, or control decks, using front panel controls                       </li>\n	<li>Connect to the latest generation computers using Thunderbolt 3 or PCIe connections                           </li>\n	<li>Remotely control up to two external devices                                                                  </li>\n	<li>Get reliable operation—and peace of mind—with redundant power supplies                                              </li>\n</ul>\n<br />\n<h3>Capture and play back stunning high-resolution video</h3>\nCreate and deliver rich, detailed media in the highest quality imaginable, from first ingest to final output. Avid Artist | DNxIQ features advanced 12G-SDI, optical and HDMI 2.0 connections that enable you to work with HD, 2K, Ultra HD, and 4K material. It supports frame rates up to 60 fps, bit depth up to 12 bits, and 2D or stereoscopic 3D media. And because it comes jampacked with a wide array of analog and digital connections, it can be used with just about every camera, deck, display, and device you have or want.\n<br /><br />\n<h3>Create with your favorite video and audio tools</h3>\nWith support for an ever-growing list of Avid and third-party media tools, Avid Artist | DNxIQ is an easy and ideal fit for any production environment. Capture and edit footage with Media Composer, Apple Final Cut Pro, Adobe Premiere Pro, DaVinci Resolve, and other video editing software. Use Adobe After Effects, Adobe Photoshop, Fusion, and other software to get the looks you want. And couple it with Pro Tools and other popular DAWs to work on your audio.\n<br /><br />\n<h3>Accelerate creative editorial with Media Composer</h3>\nBundle Avid Artist | DNxIQ with Media Composer and you gain the advantages of having the most trusted and proven editorial tool in the industry at your fingertips. Edit Ultra HD, 2K, 4K, and other high-res media natively. Work in any resolution with Avid Resolution Independence. Experience real-time high-res editing with Avid DNxHR. Directly edit a wide range of file-based media without transcoding. And because you can automate timeconsuming tasks in the background, you’ll have more time to focus on telling your best story possible.\n<br /><br />\n<h3>Work faster and more easily</h3>\nMore than just an in and out device, Avid Artist | DNxIQ offers additional benefits to speed and ease your workflow. Edit massive 4K files more easily by using the built-in hardware encoder to capture to Avid DNxHR.* Quickly convert media and color spaces with onboard hardware processing. Connect a mic to the front panel for convenient audio punch-in workflows. Monitor media ingest and output on the built-in LCD screen. Select inputs with a press of a button. Get real-time format and frame-rate conversion on output and playback with Universal Mastering. And with Thunderbolt 3 technology, you get blazingly fast computer connection speeds, delivering the lowest possible latency and greatest time sync accuracy (supports PCIe too).\n<br /><br />\n<h3>Accelerate your video video workflow and focus on your storytelling with Avid Artist | DNxIQ. </h3>'),(1970,75,1,329,'<h1>Avid Artist | DNxIQ Video I/O Interface</h1>\n<span style=\"font-size:16px; font-style:italic;\">Professional Video I/O Interface allows you to seamlessly capture and play back SD, HD, Ultra HD, 2K, and 4K media.</span><br /><br />\nAvid Artist | DNxIQ is a powerful, professional video I/O interface designed to simplify and accelerate your entire HD, high-res, and Ultra HD workflow. Available as standalone hardware or bundled with Media Composer® software, Avid Artist | DNxIQ enables you to capture, monitor, and output media quickly—in the highest quality possible. And because the interface, which includes hardware by Blackmagic Design, is designed to be open and flexible, you can use it with Avid and other creative tools too. Only Avid Artist | DNxIQ includes Audio Punch-in for Media Composer via the front panel mic input, and baseband hardware encoding of Avid DNxHR media.<br /><br />\n<h3>Artist | DNxIQ Key Features</h3>\n<ul>\n	<li> Capture and play back SD, HD, Ultra HD, 2K, and 4K media                                                                        </li>\n	<li>Edit faster and more efficiently with onboard media encoding and conversion                                                      </li>\n	<li>Work with your favorite creative tools, including Media Composer, DaVinci Resolve, Apple Final Cut Pro, and Adobe Premiere Pro   </li>\n	<li>Connect a wide range of video and audio gear through a host of connections, including:                             </li>\n	<ul>\n		<li>Four sets of 4 SDI connectors—4 in, 4 loop,4 out, 4 repeated out, each set supporting upto 12 Gb/s via single, dual, and quad link </li>\n		<li>Two optical I/O supporting 3 Gb/s and 6 Gb/s; 12 Gb/s coming soon (modules not included)                                           </li>\n		<li>HDMI 2.0 I/O                                                                                                                       </li>\n		<li>Analog video I/O—component and composite                                                                                           </li>\n		<li>Balanced analog audio—4 XLR inputs, 4 XLR outputs                                                                                  </li>\n		<li>AES/EBU—2 channels in, 2 channels out                                                                                              </li>\n		<li>Stereo RCA input for consumer audio devices                                                                                        </li>\n		<li>XLR mic input with 48V phantom power on front panel with level control                                                             </li>\n		<li>Stereo headphone output with level control</li>\n	</ul>\n	<li>Quickly cross-convert formats on baseband output SDI, HDMI, and analog connections with Universal Mastering  </li>\n	<li>Monitor media ingest and output conveniently using the front-panel HD LCD display                            </li>\n	<li>Select video, audio, and timecode inputs, or control decks, using front panel controls                       </li>\n	<li>Connect to the latest generation computers using Thunderbolt 3 or PCIe connections                           </li>\n	<li>Remotely control up to two external devices                                                                  </li>\n	<li>Get reliable operation—and peace of mind—with redundant power supplies                                              </li>\n</ul>\n<br />\n<h3>Capture and play back stunning high-resolution video</h3>\nCreate and deliver rich, detailed media in the highest quality imaginable, from first ingest to final output. Avid Artist | DNxIQ features advanced 12G-SDI, optical and HDMI 2.0 connections that enable you to work with HD, 2K, Ultra HD, and 4K material. It supports frame rates up to 60 fps, bit depth up to 12 bits, and 2D or stereoscopic 3D media. And because it comes jampacked with a wide array of analog and digital connections, it can be used with just about every camera, deck, display, and device you have or want.\n<br /><br />\n<h3>Create with your favorite video and audio tools</h3>\nWith support for an ever-growing list of Avid and third-party media tools, Avid Artist | DNxIQ is an easy and ideal fit for any production environment. Capture and edit footage with Media Composer, Apple Final Cut Pro, Adobe Premiere Pro, DaVinci Resolve, and other video editing software. Use Adobe After Effects, Adobe Photoshop, Fusion, and other software to get the looks you want. And couple it with Pro Tools and other popular DAWs to work on your audio.\n<br /><br />\n<h3>Accelerate creative editorial with Media Composer</h3>\nBundle Avid Artist | DNxIQ with Media Composer and you gain the advantages of having the most trusted and proven editorial tool in the industry at your fingertips. Edit Ultra HD, 2K, 4K, and other high-res media natively. Work in any resolution with Avid Resolution Independence. Experience real-time high-res editing with Avid DNxHR. Directly edit a wide range of file-based media without transcoding. And because you can automate timeconsuming tasks in the background, you’ll have more time to focus on telling your best story possible.\n<br /><br />\n<h3>Work faster and more easily</h3>\nMore than just an in and out device, Avid Artist | DNxIQ offers additional benefits to speed and ease your workflow. Edit massive 4K files more easily by using the built-in hardware encoder to capture to Avid DNxHR.* Quickly convert media and color spaces with onboard hardware processing. Connect a mic to the front panel for convenient audio punch-in workflows. Monitor media ingest and output on the built-in LCD screen. Select inputs with a press of a button. Get real-time format and frame-rate conversion on output and playback with Universal Mastering. And with Thunderbolt 3 technology, you get blazingly fast computer connection speeds, delivering the lowest possible latency and greatest time sync accuracy (supports PCIe too).\n<br /><br />\n<h3>Accelerate your video video workflow and focus on your storytelling with Avid Artist | DNxIQ. </h3>'),(1971,85,0,329,'Avid Artist | DNxIQ Video I/O Interface'),(1972,85,1,329,'Avid Artist | DNxIQ Video I/O Interface'),(1973,76,0,329,''),(1974,76,1,329,''),(1975,75,0,330,'<h2>Avid Artist | DNxIQ Upgrade from Nitris DX or Mojo DX (Trade-In) </h2>\n\n<span style=\"font-size:16px; font-style:italic;\">Save big when you trade in your Nitris DX or Mojo DX and upgrade to the new Artist | DNxIQ </span><i>Professional Video I/O Interface.</i><br /><br />\n\nAvid Artist | DNxIQ is a powerful, professional video I/O interface designed to simplify and accelerate your entire HD, high-res, and Ultra HD workflow. Available as standalone hardware or bundled with Media Composer® software, Avid Artist | DNxIQ enables you to capture, monitor, and output media quickly—in the highest quality possible. And because the interface, which includes hardware by Blackmagic Design, is designed to be open and flexible, you can use it with Avid and other creative tools too. Only Avid Artist | DNxIQ includes Audio Punch-in for Media Composer via the front panel mic input, and baseband hardware encoding of Avid DNxHR media.<br /><br />\n\n<h3>Artist | DNxIQ Key Features</h3>\n<ul>                                                                                                                                 \n<li> Capture and play back SD, HD, Ultra HD, 2K, and 4K media                                                                        </li>\n<li>Edit faster and more efficiently with onboard media encoding and conversion                                                      </li>\n<li>Work with your favorite creative tools, including Media Composer, DaVinci Resolve, Apple Final Cut Pro, and Adobe Premiere Pro   </li>\n<li>Connect a wide range of video and audio gear through a host of connections, including:                             </li>\n<ul>\n<li>Four sets of 4 SDI connectors—4 in, 4 loop,4 out, 4 repeated out, each set supporting upto 12 Gb/s via single, dual, and quad link </li>\n<li>Two optical I/O supporting 3 Gb/s and 6 Gb/s; 12 Gb/s coming soon (modules not included)                                           </li>\n<li>HDMI 2.0 I/O                                                                                                                       </li>\n<li>Analog video I/O—component and composite                                                                                           </li>\n<li>Balanced analog audio—4 XLR inputs, 4 XLR outputs                                                                                  </li>\n<li>AES/EBU—2 channels in, 2 channels out                                                                                              </li>\n<li>Stereo RCA input for consumer audio devices                                                                                        </li>\n<li>XLR mic input with 48V phantom power on front panel with level control                                                             </li>\n<li>Stereo headphone output with level control</li></ul>\n<li>Quickly cross-convert formats on baseband output SDI, HDMI, and analog connections with Universal Mastering  </li>\n<li>Monitor media ingest and output conveniently using the front-panel HD LCD display                            </li>\n<li>Select video, audio, and timecode inputs, or control decks, using front panel controls                       </li>\n<li>Connect to the latest generation computers using Thunderbolt 3 or PCIe connections                           </li>\n<li>Remotely control up to two external devices                                                                  </li>\n<li>Get reliable operation—and peace of mind—with redundant power supplies                                              </li>                                                                  \n	</ul><br />\n	\n	\n<h3>Capture and play back stunning high-resolution video</h3>\nCreate and deliver rich, detailed media in the highest quality imaginable, from first ingest to final output. Avid Artist | DNxIQ features advanced 12G-SDI, optical and HDMI 2.0 connections that enable you to work with HD, 2K, Ultra HD, and 4K material. It supports frame rates up to 60 fps, bit depth up to 12 bits, and 2D or stereoscopic 3D media. And because it comes jampacked with a wide array of analog and digital connections, it can be used with just about every camera, deck, display, and device you have or want.<br /><br />\n\n<h3>Create with your favorite video and audio tools</h3>\nWith support for an ever-growing list of Avid and third-party media tools, Avid Artist | DNxIQ is an easy and ideal fit for any production environment. Capture and edit footage with Media Composer, Apple Final Cut Pro, Adobe Premiere Pro, DaVinci Resolve, and other video editing software. Use Adobe After Effects, Adobe Photoshop, Fusion, and other software to get the looks you want. And couple it with Pro Tools and other popular DAWs to work on your audio.<br /><br />\n\n<h3>Accelerate creative editorial with Media Composer</h3>\nBundle Avid Artist | DNxIQ with Media Composer and you gain the advantages of having the most trusted and proven editorial tool in the industry at your fingertips. Edit Ultra HD, 2K, 4K, and other high-res media natively. Work in any resolution with Avid Resolution Independence. Experience real-time high-res editing with Avid DNxHR. Directly edit a wide range of file-based media without transcoding. And because you can automate timeconsuming tasks in the background, you’ll have more time to focus on telling your best story possible.<br /><br />\n\n<h3>Work faster and more easily</h3>\nMore than just an in and out device, Avid Artist | DNxIQ offers additional benefits to speed and ease your workflow. Edit massive 4K files more easily by using the built-in hardware encoder to capture to Avid DNxHR.* Quickly convert media and color spaces with onboard hardware processing. Connect a mic to the front panel for convenient audio punch-in workflows. Monitor media ingest and output on the built-in LCD screen. Select inputs with a press of a button. Get real-time format and frame-rate conversion on output and playback with Universal Mastering. And with Thunderbolt 3 technology, you get blazingly fast computer connection speeds, delivering the lowest possible latency and greatest time sync accuracy (supports PCIe too).<br /><br />\n\n<h3>Accelerate your video video workflow and focus on your storytelling with Avid Artist | DNxIQ. </h3>'),(1976,75,1,330,'<h2>Avid Artist | DNxIQ Upgrade from Nitris DX or Mojo DX (Trade-In) </h2>\n\n<span style=\"font-size:16px; font-style:italic;\">Save big when you trade in your Nitris DX or Mojo DX and upgrade to the new Artist | DNxIQ </span><i>Professional Video I/O Interface.</i><br /><br />\n\nAvid Artist | DNxIQ is a powerful, professional video I/O interface designed to simplify and accelerate your entire HD, high-res, and Ultra HD workflow. Available as standalone hardware or bundled with Media Composer® software, Avid Artist | DNxIQ enables you to capture, monitor, and output media quickly—in the highest quality possible. And because the interface, which includes hardware by Blackmagic Design, is designed to be open and flexible, you can use it with Avid and other creative tools too. Only Avid Artist | DNxIQ includes Audio Punch-in for Media Composer via the front panel mic input, and baseband hardware encoding of Avid DNxHR media.<br /><br />\n\n<h3>Artist | DNxIQ Key Features</h3>\n<ul>                                                                                                                                 \n<li> Capture and play back SD, HD, Ultra HD, 2K, and 4K media                                                                        </li>\n<li>Edit faster and more efficiently with onboard media encoding and conversion                                                      </li>\n<li>Work with your favorite creative tools, including Media Composer, DaVinci Resolve, Apple Final Cut Pro, and Adobe Premiere Pro   </li>\n<li>Connect a wide range of video and audio gear through a host of connections, including:                             </li>\n<ul>\n<li>Four sets of 4 SDI connectors—4 in, 4 loop,4 out, 4 repeated out, each set supporting upto 12 Gb/s via single, dual, and quad link </li>\n<li>Two optical I/O supporting 3 Gb/s and 6 Gb/s; 12 Gb/s coming soon (modules not included)                                           </li>\n<li>HDMI 2.0 I/O                                                                                                                       </li>\n<li>Analog video I/O—component and composite                                                                                           </li>\n<li>Balanced analog audio—4 XLR inputs, 4 XLR outputs                                                                                  </li>\n<li>AES/EBU—2 channels in, 2 channels out                                                                                              </li>\n<li>Stereo RCA input for consumer audio devices                                                                                        </li>\n<li>XLR mic input with 48V phantom power on front panel with level control                                                             </li>\n<li>Stereo headphone output with level control</li></ul>\n<li>Quickly cross-convert formats on baseband output SDI, HDMI, and analog connections with Universal Mastering  </li>\n<li>Monitor media ingest and output conveniently using the front-panel HD LCD display                            </li>\n<li>Select video, audio, and timecode inputs, or control decks, using front panel controls                       </li>\n<li>Connect to the latest generation computers using Thunderbolt 3 or PCIe connections                           </li>\n<li>Remotely control up to two external devices                                                                  </li>\n<li>Get reliable operation—and peace of mind—with redundant power supplies                                              </li>                                                                  \n	</ul><br />\n	\n	\n<h3>Capture and play back stunning high-resolution video</h3>\nCreate and deliver rich, detailed media in the highest quality imaginable, from first ingest to final output. Avid Artist | DNxIQ features advanced 12G-SDI, optical and HDMI 2.0 connections that enable you to work with HD, 2K, Ultra HD, and 4K material. It supports frame rates up to 60 fps, bit depth up to 12 bits, and 2D or stereoscopic 3D media. And because it comes jampacked with a wide array of analog and digital connections, it can be used with just about every camera, deck, display, and device you have or want.<br /><br />\n\n<h3>Create with your favorite video and audio tools</h3>\nWith support for an ever-growing list of Avid and third-party media tools, Avid Artist | DNxIQ is an easy and ideal fit for any production environment. Capture and edit footage with Media Composer, Apple Final Cut Pro, Adobe Premiere Pro, DaVinci Resolve, and other video editing software. Use Adobe After Effects, Adobe Photoshop, Fusion, and other software to get the looks you want. And couple it with Pro Tools and other popular DAWs to work on your audio.<br /><br />\n\n<h3>Accelerate creative editorial with Media Composer</h3>\nBundle Avid Artist | DNxIQ with Media Composer and you gain the advantages of having the most trusted and proven editorial tool in the industry at your fingertips. Edit Ultra HD, 2K, 4K, and other high-res media natively. Work in any resolution with Avid Resolution Independence. Experience real-time high-res editing with Avid DNxHR. Directly edit a wide range of file-based media without transcoding. And because you can automate timeconsuming tasks in the background, you’ll have more time to focus on telling your best story possible.<br /><br />\n\n<h3>Work faster and more easily</h3>\nMore than just an in and out device, Avid Artist | DNxIQ offers additional benefits to speed and ease your workflow. Edit massive 4K files more easily by using the built-in hardware encoder to capture to Avid DNxHR.* Quickly convert media and color spaces with onboard hardware processing. Connect a mic to the front panel for convenient audio punch-in workflows. Monitor media ingest and output on the built-in LCD screen. Select inputs with a press of a button. Get real-time format and frame-rate conversion on output and playback with Universal Mastering. And with Thunderbolt 3 technology, you get blazingly fast computer connection speeds, delivering the lowest possible latency and greatest time sync accuracy (supports PCIe too).<br /><br />\n\n<h3>Accelerate your video video workflow and focus on your storytelling with Avid Artist | DNxIQ. </h3>'),(1977,85,0,330,'Avid Artist | DNxIQ Upgrade from Nitris DX or Mojo DX (Trade-In)'),(1978,85,1,330,'Avid Artist | DNxIQ Upgrade from Nitris DX or Mojo DX (Trade-In)'),(1979,76,0,330,''),(1980,76,1,330,''),(1981,75,0,331,'<h2>Avid Artist | DNxIV Portable Video I/O Interface</h2>\n\n<span style=\"font-size:16px; font-style:italic;\">Portable Thunderbolt 3 Video I/O Interface allows you to seamlessly capture and play back SD, HD, Ultra HD, 2K, and 4K media.</span><br /><br />\n\nAvid Artist | DNxIV, developed in cooperation with AJA® Video Systems, offers a full set of professional video and audio connectivity with support for the latest 4K and UltraHD devices and High Frame Rate workflows. The power of Thunderbolt 3 enables Avid Artist | DNxIV to handle a wide range of formats from SD to HD, UltraHD and full 4K over both SDI and HDMI and support 4K frame rates up to 60p, plus HDR 10 and HLG support over HDMI for HDR workflows. Avid Artist | DNxIV is the ideal companion for lightning-fast video capture, playback and editorial. Avid Artist | DNxIV connects with a single Thunderbolt cable and provides a second Thunderbolt connector for flexibility, making it perfect for on set, or in the edit suite.<br /><br />\n\n<h3>Artist | DNxIV Key Features</h3>\n<ul>                                                                                                                    \n<li> Two Thunderbolt 3 ports (supports pass-through daisy-chaining)                                               </li>\n<li>Four bidirectional SDI BNCs configurable for up to four inputs, or four outputs, or two inputs and 2 outputs. </li>\n<li>Single Link I/O for 4K/UltraHD, HD and SD across 12G-SDI, 6G-SDI, 3G-SDI, and1.5G-SDI                         </li>\n<li>Dual Link I/O for 1.5G-SDI and 3G-SDI (2 x BNC)                                                               </li>\n<li>Quad Link I/O for 1.5G-SDI, 3G-SDI (4 x BNC)                                                                  </li>\n<li>Supports Quadrant or Two Sample Interleave transport                                                          </li>\n<li>HDMI 2.0 Input and Output                                                                                     </li>\n<li>HDR (HDR10 or HLG via HDMI, 12 Bit RGB, BT2020)                                                               </li>\n<li>Dedicated realtime 4K/UltraHD to HD down-conversion output (SDI Monitor out BNC)                              </li>\n<li>Eight-channel Embedded HDMI audio                                                                             </li>\n<li>Eight-channel analog audio (Tascam/DB25 cable)                                                                </li>\n<li>Front panel Mic/Line/Phantom XLR audio input connector, with gain control                                     </li>\n<li>Front panel LED VU meters and Headphone output w/level control                                                </li>\n<li>Reference In/LTC In (selectable)                                                                              </li>\n<li>LTC Output                                                                                                    </li>\n<li>RS-422 control via 9-pin                                                                                      </li>\n<li>Rugged Chassis, Small Size                                                                                    </li>\n<li>12V DC, 4-pin XLR Power (AC adapter included)                                              </li>                                                                  \n	</ul><br />\n	\n<h3>High Quality Down Conversion</h3>\nThe Avid Artist | DNxIV built-in down-conversion 3G monitor spigot, uses large multi-point digital interpolators, anti-alias filtering and interpolation. Because these functions are in hardware, they are available full time, all the time-with no CPU load.<br /><br />\n\n\n<h3>Avid Artist | DNxIV Audio</h3>\nAvid Artist | DNxIV provides up to 16 channels of SDI embedded audio, and up to eight channels of embedded HDMI audio. Eight channels of analog audio I/O is supported via a DB25 industry standard Tascam style audio breakout cable. The eight analog audio channels are configured as Ch1- 4 input and Ch5-8 output.<br /><br />\n\n\n<h3>AJA Software and Utilities</h3>\nAvid Artist | DNxIV operates with AJA\'s Desktop software package, developed for powerful integrated video/audio capture, editing, and production with a variety of 3rd-party software. AJA software is distributed as a unified package which includes all the software, firmware, plugins, and utility programs for the Avid Artist | DNxIV, as well as AJA\'s Io, KONA, and T-TAP products.<br /><br />\n\n<h3>Accelerate your video editing and focus on your storytelling with Avid Artist | DNxIV. </h3>'),(1982,75,1,331,'<h2>Avid Artist | DNxIV Portable Video I/O Interface</h2>\n\n<span style=\"font-size:16px; font-style:italic;\">Portable Thunderbolt 3 Video I/O Interface allows you to seamlessly capture and play back SD, HD, Ultra HD, 2K, and 4K media.</span><br /><br />\n\nAvid Artist | DNxIV, developed in cooperation with AJA® Video Systems, offers a full set of professional video and audio connectivity with support for the latest 4K and UltraHD devices and High Frame Rate workflows. The power of Thunderbolt 3 enables Avid Artist | DNxIV to handle a wide range of formats from SD to HD, UltraHD and full 4K over both SDI and HDMI and support 4K frame rates up to 60p, plus HDR 10 and HLG support over HDMI for HDR workflows. Avid Artist | DNxIV is the ideal companion for lightning-fast video capture, playback and editorial. Avid Artist | DNxIV connects with a single Thunderbolt cable and provides a second Thunderbolt connector for flexibility, making it perfect for on set, or in the edit suite.<br /><br />\n\n<h3>Artist | DNxIV Key Features</h3>\n<ul>                                                                                                                    \n<li> Two Thunderbolt 3 ports (supports pass-through daisy-chaining)                                               </li>\n<li>Four bidirectional SDI BNCs configurable for up to four inputs, or four outputs, or two inputs and 2 outputs. </li>\n<li>Single Link I/O for 4K/UltraHD, HD and SD across 12G-SDI, 6G-SDI, 3G-SDI, and1.5G-SDI                         </li>\n<li>Dual Link I/O for 1.5G-SDI and 3G-SDI (2 x BNC)                                                               </li>\n<li>Quad Link I/O for 1.5G-SDI, 3G-SDI (4 x BNC)                                                                  </li>\n<li>Supports Quadrant or Two Sample Interleave transport                                                          </li>\n<li>HDMI 2.0 Input and Output                                                                                     </li>\n<li>HDR (HDR10 or HLG via HDMI, 12 Bit RGB, BT2020)                                                               </li>\n<li>Dedicated realtime 4K/UltraHD to HD down-conversion output (SDI Monitor out BNC)                              </li>\n<li>Eight-channel Embedded HDMI audio                                                                             </li>\n<li>Eight-channel analog audio (Tascam/DB25 cable)                                                                </li>\n<li>Front panel Mic/Line/Phantom XLR audio input connector, with gain control                                     </li>\n<li>Front panel LED VU meters and Headphone output w/level control                                                </li>\n<li>Reference In/LTC In (selectable)                                                                              </li>\n<li>LTC Output                                                                                                    </li>\n<li>RS-422 control via 9-pin                                                                                      </li>\n<li>Rugged Chassis, Small Size                                                                                    </li>\n<li>12V DC, 4-pin XLR Power (AC adapter included)                                              </li>                                                                  \n	</ul><br />\n	\n<h3>High Quality Down Conversion</h3>\nThe Avid Artist | DNxIV built-in down-conversion 3G monitor spigot, uses large multi-point digital interpolators, anti-alias filtering and interpolation. Because these functions are in hardware, they are available full time, all the time-with no CPU load.<br /><br />\n\n\n<h3>Avid Artist | DNxIV Audio</h3>\nAvid Artist | DNxIV provides up to 16 channels of SDI embedded audio, and up to eight channels of embedded HDMI audio. Eight channels of analog audio I/O is supported via a DB25 industry standard Tascam style audio breakout cable. The eight analog audio channels are configured as Ch1- 4 input and Ch5-8 output.<br /><br />\n\n\n<h3>AJA Software and Utilities</h3>\nAvid Artist | DNxIV operates with AJA\'s Desktop software package, developed for powerful integrated video/audio capture, editing, and production with a variety of 3rd-party software. AJA software is distributed as a unified package which includes all the software, firmware, plugins, and utility programs for the Avid Artist | DNxIV, as well as AJA\'s Io, KONA, and T-TAP products.<br /><br />\n\n<h3>Accelerate your video editing and focus on your storytelling with Avid Artist | DNxIV. </h3>'),(1983,85,0,331,'Avid Artist | DNxIV Video I/O Interface'),(1984,85,1,331,'Avid Artist | DNxIV Video I/O Interface'),(1985,76,0,331,''),(1986,76,1,331,''),(1987,75,0,332,'<h2>Avid Artist Mix Control Surface</h2>\nAvid Artist Mix is an 8-fader EUCON-enabled control surface that offers greater speed and control mixing audio in any audio or video application. Get fast access to a variety of software functions right from the surface to adjust audio levels, plug-in parameters, panning, automation modes, and much more—with excellent visual feedback—all in a compact footprint that fits perfectly between your keyboard and screen.\n<br /><br />\n<h3>Artist MC Mix Key Features</h3>\n<ul>\n	<li>8 touch-sensitive 100 mm long throw motorized faders</li>\n	<li>8 touch-sensitive rotary encoders</li>\n	<li>8 high-resolution OLED displays</li>\n	<li>Ethernet connectivity for high-speed, high-resolution control</li>\n	<li>Footswitch jack to punch in and out of recording</li>\n	<li>Supports EUCON, HUI and Mackie Control protocols</li>\n	<li>Controls multiple applications & workstations</li>\n	<li>Slim, compact design for easy studio integration and portability</li>\n</ul>\n<br />\n<h3>Grab hold of your mix</h3>\nThere\'s no need to edit one thing at a time with a keyboard and mouse, Artist Mix greatly accelerates your workflow so you can complete projects faster—without having to click around a software interface. Record-enable, solo, mute, and automate tracks from the surface. Adjust volume levels across multiple tracks simultaneously. Fine-tune compressors, gates, EQ, and more with a twist. You can even punch in and out of recordings by connecting a footswitch.\n<br /><br />\n<h3>Quickly navigate projects</h3>\nArtist Mix allow you to easily get to the tracks you need directly from the surface, no matter how large the session. Bank through fader strips eight at a time, or use the Nudge key to navigate through tracks one fader strip at a time. The surface also provides full transport controls. Not only do you get the usual suspects—play, stop, record, fast-forward, and rewind—but also RTZ (return to zero), plus previous and next keys to navigate markers.\n<br /><br />\n<h3>Adjust parameters with a twist</h3>\nControl everything from panning and gain to plug-ins, EQ settings, and more using the eight press-and-turn knobs. With their touch-sensitivity, you can write automation quickly and intuitively. They’re also velocity-sensitive, enabling you to quickly sweep from minimum to maximum parameter values in one turn. Or make very precise adjustments by turning the knob slowly. Press the knob tops to instantiate plug-ins, sends, and more.\n<br /><br />\n<h3>Mix with precision</h3>\nGet accurate and smooth mixing control through eight motorized, touch-sensitive, 100mm long throw faders. Just touch a fader to select the corresponding track for editing. You can also lock individual tracks to faders and store them as Layouts—up to 48 per project—for easy recall, making mixing large projects a breeze. You can save multiple Layouts to mix groups of tracks, such as drums or backing vocals, or just lock a fader to act as a master fader.\n<br /><br />\n<h3>Create a custom surface</h3>\nAll Artist Series controllers are modular, so you can combine them together into a single slimline surface to suit your workflow. Connect up to one Artist Control, four Artist Mixes, one Artist Transport, and one Artist Color in any order for a total of up to 36 faders. Or use them separately, as each controller has its own Ethernet connection.<br /><br />\n<h3>Extend your workflow with your iPad</h3>\nGot an iPad? Download our free Pro Tools | Control iOS app for iPad and use it alongside your Artist Mix to work even easier. Like Artist Mix, Pro Tools | Control is powered by EUCON technology, enabling you to take control of your favorite audio and video applications. And when used with Artist Mix, you gain new touchscreen workflows, Soft Keys control, additional visual feedback, a counter display, and customizable layouts.\n<br /><br />'),(1988,75,1,332,'<h2>Avid Artist Mix Control Surface</h2>\nAvid Artist Mix is an 8-fader EUCON-enabled control surface that offers greater speed and control mixing audio in any audio or video application. Get fast access to a variety of software functions right from the surface to adjust audio levels, plug-in parameters, panning, automation modes, and much more—with excellent visual feedback—all in a compact footprint that fits perfectly between your keyboard and screen.\n<br /><br />\n<h3>Artist MC Mix Key Features</h3>\n<ul>\n	<li>8 touch-sensitive 100 mm long throw motorized faders</li>\n	<li>8 touch-sensitive rotary encoders</li>\n	<li>8 high-resolution OLED displays</li>\n	<li>Ethernet connectivity for high-speed, high-resolution control</li>\n	<li>Footswitch jack to punch in and out of recording</li>\n	<li>Supports EUCON, HUI and Mackie Control protocols</li>\n	<li>Controls multiple applications & workstations</li>\n	<li>Slim, compact design for easy studio integration and portability</li>\n</ul>\n<br />\n<h3>Grab hold of your mix</h3>\nThere\'s no need to edit one thing at a time with a keyboard and mouse, Artist Mix greatly accelerates your workflow so you can complete projects faster—without having to click around a software interface. Record-enable, solo, mute, and automate tracks from the surface. Adjust volume levels across multiple tracks simultaneously. Fine-tune compressors, gates, EQ, and more with a twist. You can even punch in and out of recordings by connecting a footswitch.\n<br /><br />\n<h3>Quickly navigate projects</h3>\nArtist Mix allow you to easily get to the tracks you need directly from the surface, no matter how large the session. Bank through fader strips eight at a time, or use the Nudge key to navigate through tracks one fader strip at a time. The surface also provides full transport controls. Not only do you get the usual suspects—play, stop, record, fast-forward, and rewind—but also RTZ (return to zero), plus previous and next keys to navigate markers.\n<br /><br />\n<h3>Adjust parameters with a twist</h3>\nControl everything from panning and gain to plug-ins, EQ settings, and more using the eight press-and-turn knobs. With their touch-sensitivity, you can write automation quickly and intuitively. They’re also velocity-sensitive, enabling you to quickly sweep from minimum to maximum parameter values in one turn. Or make very precise adjustments by turning the knob slowly. Press the knob tops to instantiate plug-ins, sends, and more.\n<br /><br />\n<h3>Mix with precision</h3>\nGet accurate and smooth mixing control through eight motorized, touch-sensitive, 100mm long throw faders. Just touch a fader to select the corresponding track for editing. You can also lock individual tracks to faders and store them as Layouts—up to 48 per project—for easy recall, making mixing large projects a breeze. You can save multiple Layouts to mix groups of tracks, such as drums or backing vocals, or just lock a fader to act as a master fader.\n<br /><br />\n<h3>Create a custom surface</h3>\nAll Artist Series controllers are modular, so you can combine them together into a single slimline surface to suit your workflow. Connect up to one Artist Control, four Artist Mixes, one Artist Transport, and one Artist Color in any order for a total of up to 36 faders. Or use them separately, as each controller has its own Ethernet connection.<br /><br />\n<h3>Extend your workflow with your iPad</h3>\nGot an iPad? Download our free Pro Tools | Control iOS app for iPad and use it alongside your Artist Mix to work even easier. Like Artist Mix, Pro Tools | Control is powered by EUCON technology, enabling you to take control of your favorite audio and video applications. And when used with Artist Mix, you gain new touchscreen workflows, Soft Keys control, additional visual feedback, a counter display, and customizable layouts.\n<br /><br />'),(1989,85,0,332,'Avid Artist MC Mixing Console'),(1990,85,1,332,'Avid Artist MC Mixing Console'),(1991,76,0,332,''),(1992,76,1,332,''),(1993,75,0,333,'<h2>Avid Artist Mix & Pro Tools | Dock Bundle</h2>\n<i>The Avid Artist Mix & Pro Tools | Dock Bundles the touch screen editing and transport control of the Pro Tools | Dock with the tactile mixing abilities of the 8-fader Artist Mix to create an affordable, compact Pro Tools Control Surface.</i><br /><br />\n\nWith Artist Mix, you get eight high-quality faders, knobs, transport controls, and dedicated switches that provide precision control over your favorite EUCON-enabled audio and video applications.\n\nPlus, when you pair it with the Pro Tools | Dock you get intelligent, touch-screen, studio control in a portable, ergonomic, and affordable surface. \n\n<h3>Avid Artist Mix</h3>\nAvid Artist Mix is an 8-fader EUCON-enabled control surface that offers greater speed and control mixing audio in any audio or video application. Get fast access to a variety of software functions right from the surface to adjust audio levels, plug-in parameters, panning, automation modes, and much more—with excellent visual feedback—all in a compact footprint that fits perfectly between your keyboard and screen.\n<br /><br />\n<h3>Artist Mix Key Features</h3>\n<ul>\n	<li>8 touch-sensitive 100 mm long throw motorized faders</li>\n	<li>8 touch-sensitive rotary encoders</li>\n	<li>8 high-resolution OLED displays</li>\n	<li>Ethernet connectivity for high-speed, high-resolution control</li>\n	<li>Footswitch jack to punch in and out of recording</li>\n	<li>Supports EUCON, HUI and Mackie Control protocols</li>\n	<li>Controls multiple applications & workstations</li>\n	<li>Slim, compact design for easy studio integration and portability</li>\n</ul>\n<br />\n<h3>Avid Pro Tools | Dock</h3>\nThe Avid Pro Tools Dock is a compact, ergonomic, EUCON control surface for integrating Avid\'s free iPad app, Pro Tools | Control. The Pro Tools | Dock combines the advanced touchscreen workflows on the Pro Tools | S6 with the tactile functionality and transport controls of the Artist | Control to provide intelligent studio control in a portable, ergonomic, and affordable surface. Working together with the Free Pro Tools iPad app, Pro Tools Control, you get the quick touchscreen access and tactile precision control you need to navigate and control music and post projects faster using your favorite DAWs. And when paired with Pro Tools | S3 and Artist Mix, you gain new time-saving touch workflows and custom control.\n<br /><br />\n<h3>Pro Tools | Dock Key Features</h3>\n<ul>\n	<li>Hybrid control surface combines both hardware- and touchscreen-based controls</li>\n	<li>Seamless integration with free Pro Tools | Control iPad app</li>\n	<li>Full transport section with aluminum jog wheel</li>\n	<li>Dedicated EUCON monitor control button</li>\n	<li>16 soft keys</li>\n	<li>Dedicated automation controls</li>\n	<li>Programmable touch strips</li>\n	<li>8 soft knobs for control over EQ, dynamics, panning and more</li>\n	<li>Pair with a Pro Tools | S3 control surface (sold separately) for even more in-depth control</li>\n</ul>\n<br />'),(1994,75,1,333,'<h2>Avid Artist Mix & Pro Tools | Dock Bundle</h2>\n<i>The Avid Artist Mix & Pro Tools | Dock Bundles the touch screen editing and transport control of the Pro Tools | Dock with the tactile mixing abilities of the 8-fader Artist Mix to create an affordable, compact Pro Tools Control Surface.</i><br /><br />\n\nWith Artist Mix, you get eight high-quality faders, knobs, transport controls, and dedicated switches that provide precision control over your favorite EUCON-enabled audio and video applications.\n\nPlus, when you pair it with the Pro Tools | Dock you get intelligent, touch-screen, studio control in a portable, ergonomic, and affordable surface. \n\n<h3>Avid Artist Mix</h3>\nAvid Artist Mix is an 8-fader EUCON-enabled control surface that offers greater speed and control mixing audio in any audio or video application. Get fast access to a variety of software functions right from the surface to adjust audio levels, plug-in parameters, panning, automation modes, and much more—with excellent visual feedback—all in a compact footprint that fits perfectly between your keyboard and screen.\n<br /><br />\n<h3>Artist Mix Key Features</h3>\n<ul>\n	<li>8 touch-sensitive 100 mm long throw motorized faders</li>\n	<li>8 touch-sensitive rotary encoders</li>\n	<li>8 high-resolution OLED displays</li>\n	<li>Ethernet connectivity for high-speed, high-resolution control</li>\n	<li>Footswitch jack to punch in and out of recording</li>\n	<li>Supports EUCON, HUI and Mackie Control protocols</li>\n	<li>Controls multiple applications & workstations</li>\n	<li>Slim, compact design for easy studio integration and portability</li>\n</ul>\n<br />\n<h3>Avid Pro Tools | Dock</h3>\nThe Avid Pro Tools Dock is a compact, ergonomic, EUCON control surface for integrating Avid\'s free iPad app, Pro Tools | Control. The Pro Tools | Dock combines the advanced touchscreen workflows on the Pro Tools | S6 with the tactile functionality and transport controls of the Artist | Control to provide intelligent studio control in a portable, ergonomic, and affordable surface. Working together with the Free Pro Tools iPad app, Pro Tools Control, you get the quick touchscreen access and tactile precision control you need to navigate and control music and post projects faster using your favorite DAWs. And when paired with Pro Tools | S3 and Artist Mix, you gain new time-saving touch workflows and custom control.\n<br /><br />\n<h3>Pro Tools | Dock Key Features</h3>\n<ul>\n	<li>Hybrid control surface combines both hardware- and touchscreen-based controls</li>\n	<li>Seamless integration with free Pro Tools | Control iPad app</li>\n	<li>Full transport section with aluminum jog wheel</li>\n	<li>Dedicated EUCON monitor control button</li>\n	<li>16 soft keys</li>\n	<li>Dedicated automation controls</li>\n	<li>Programmable touch strips</li>\n	<li>8 soft knobs for control over EQ, dynamics, panning and more</li>\n	<li>Pair with a Pro Tools | S3 control surface (sold separately) for even more in-depth control</li>\n</ul>\n<br />'),(1995,85,0,333,'Avid Artist Mix & Pro Tools | Dock Bundle'),(1996,85,1,333,'Avid Artist Mix & Pro Tools | Dock Bundle'),(1997,76,0,333,''),(1998,76,1,333,''),(1999,75,0,334,'<style>\nh4{margin-bottom:5px;}\n</style>\n<h2>Avid Display Module for S4 / S6</h2>\n<i>Get extensive visual insight into your mix with a high-resolution TFT display that can show everything from channel names, meters, routing, groups, and DAW affiliation, to scrolling Pro Tools waveforms, master meters, and more.</i><br /><br />The Avid Display Module for S4 and S6 is a high resolution TFT that displays detailed information and feedback, including channel names, audio meters, routing, groups, DAW affiliation, scrolling Pro Tools waveforms, and more. The Display Module is an 8-channel high-resolution TFT display and integrated single board computer. You can even change the display layout to suit your visual preferences, or turn it into a Master Meter Module to keep all Master and Bus tracks visible at all times.<br /><br />The Avid Display Module is supported by S6 M40 (and M10 Plus) and S4 (up to four)<br /><br />\n<a href=\"http://rspeavids6configurator.com/\" target=\"_blank\" style=\"outline: 0px;\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/config-banner.jpg\" alt=\"\" /></a> <br /><br />RSPE Audio Solutions’ exclusive <a href=\"http://rspeavids6configurator.com/\" target=\"_blank\" class=\"colors_productprice\" style=\"font-weight: bold;\">Avid S6 Configurator</a> lets you design a virtual Avid S6 M10 or Avid S6 M40 recording console/control surface, or select from stock Avid S6 M10 or S6 M40 DAW controllers.<br /><br />'),(2000,75,1,334,'<style>\nh4{margin-bottom:5px;}\n</style>\n<h2>Avid Display Module for S4 / S6</h2>\n<i>Get extensive visual insight into your mix with a high-resolution TFT display that can show everything from channel names, meters, routing, groups, and DAW affiliation, to scrolling Pro Tools waveforms, master meters, and more.</i><br /><br />The Avid Display Module for S4 and S6 is a high resolution TFT that displays detailed information and feedback, including channel names, audio meters, routing, groups, DAW affiliation, scrolling Pro Tools waveforms, and more. The Display Module is an 8-channel high-resolution TFT display and integrated single board computer. You can even change the display layout to suit your visual preferences, or turn it into a Master Meter Module to keep all Master and Bus tracks visible at all times.<br /><br />The Avid Display Module is supported by S6 M40 (and M10 Plus) and S4 (up to four)<br /><br />\n<a href=\"http://rspeavids6configurator.com/\" target=\"_blank\" style=\"outline: 0px;\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/config-banner.jpg\" alt=\"\" /></a> <br /><br />RSPE Audio Solutions’ exclusive <a href=\"http://rspeavids6configurator.com/\" target=\"_blank\" class=\"colors_productprice\" style=\"font-weight: bold;\">Avid S6 Configurator</a> lets you design a virtual Avid S6 M10 or Avid S6 M40 recording console/control surface, or select from stock Avid S6 M10 or S6 M40 DAW controllers.<br /><br />'),(2001,85,0,334,'Avid Display Module for S4 / S6'),(2002,85,1,334,'Avid Display Module for S4 / S6'),(2003,76,0,334,''),(2004,76,1,334,''),(2005,75,0,335,'<h1>Avid Pro Tools | Dock Control Surface</h1>\n<font size=\"3\"><i>A compact, EUCON-enabled, control surface designed to integrate with Avid\'s free iPad app</i></font><br /><br />\nAvid Pro Tools | Dock is a compact, ergonomic, EUCON control surface for integrating Avid\'s free iPad app, Pro Tools | Control. The Dock is based on the advanced touchscreen workflows on the Master Touch Module of the award-winning Pro Tools | S6. Both systems demonstrate a philosophy that mixers need the best of physical faders, knobs, and switches in conjunction with touchscreen technology for things like fast navigation, metering, and on-screen plug-in control – a true hybrid approach. And, when the Dock is paired with Pro Tools | S3, you gain complimentary and enhanced functionality with the dedicated automation switches, transport controls, weighted aluminum jog wheel, color-coded Soft Key switches, and more. Mixing deadlines have met their match!<br /><br />\n<h3>Avid S3 Control Surface Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Hybrid control surface combines both hardware- and touchscreen-based controls</span></li>\n	<li>Seamless integration with free Pro Tools | Control iPad app</li>\n	<li>Full transport section with aluminum jog wheel</li>\n	<li>Dedicated EUCON monitor control button</li>\n	<li>16 soft keys</li>\n	<li>Dedicated automation controls</li>\n	<li>Programmable touch strips</li>\n	<li>8 soft knobs for control over EQ, dynamics, panning and more</li>\n	<li>Pair with a Pro Tools | S3 control surface (sold separately) for even more in-depth control</li>\n</ul>\n<br />\n<h3>Get extensive touchscreen control</h3>\nPro Tools | Dock easily connects with your own iPad and our free Pro Tools | Control iOS app, providing intelligent control of your audio and video projects. The app offers a host of touch controls and visual feedback to speed up your efficiency. Plus, you can navigate huge sessions with speed and ease using the Universe Scroller. And bring the channels you\'re looking for quickly to the surface through color-coded tiles in Tracks view.\n<br /><br />\n<h3>Enhance your existing workflow with EUCON</h3>\nWhy change the tools you love when choosing a control surface? Pro Tools | Dock respects the choices you make. That\'s because it features EUCON, a high-speed Ethernet-based technology that enables the hardware to communicate directly with EUCON-enabled applications. That means you can work on a Pro Tools project, then switch to Logic Pro X, Cubase, Media Composer, Premiere Pro, and other audio and video software - in sequence or in parallel - in seconds.\n<br /><br />\n<h3>Get deep Pro Tools integration</h3>\nWhen paired with Pro Tools, the Dock becomes an extension of your software. Access hundreds of key commands, shortcuts, and UI elements without clicking a mouse. Record, edit, mix, and automate tracks right from the surface. Adjust EQ, dynamics, plug-ins, and other parameters. Get dedicated access to advanced automation modes. And create custom Soft Keys to perform practically any Pro Tools function, or recall layouts to the surface, with a single button press.\n<br /><br />\n<h3>Bring enhanced touch workflows to Pro Tools | S3</h3>\nPair Pro Tools | Dock with a Pro Tools | S3 control surface and you\'ll gain even more timesaving workflows. View and access any track instantly through the touchscreen. Customize and recall layouts to jump right into a track set or workflow quickly. Trigger frequently performed functions and macros with dedicated Soft Keys as you continue mixing on S3. And view tons of additional visual feedback to enhance your mixing experience.\n<br /><br />\n<h3>Adjust parameters with a twist</h3>\nThe Dock provides eight push-top, touch-sensitive Soft Knobs that interact with whatever knobset you\'ve chosen in the Pro Tools | Control app. Select an EQ, plug-in, send, pan, or other item, and all parameters instantly map to the knobs for tweaking. And because you\'re making adjustments with physical controls, you don\'t have to focus on your computer screen and can instead really listen to how your adjustments impact your mix.\n<br /><br />\n<h3>Speed up tasks with Soft Keys</h3>\nYou can click-click-click your way through frequently performed editing and mixing tasks. Or you can assign the 16 Soft Keys to do the dirty work for you. Trigger menu commands and other software functions and recall layouts at the press of a button. Or adapt\' the Dock to your unique workflow by programming macros to perform more complex tasks.\n<br /><br />\n<h3>Navigate your project your way</h3>\nQuickly access any channel in Tracks or Universe view - no matter how huge the session. Get full transport controls, plus an alternate Shift layer to jump to a marker, mark points in or out, or toggle the pre/post roll on or off. Use the assignable weighted jog wheel and right-side switches to jog, shuttle, zoom, bank, switch workstations, and more. And scroll through projects or perform custom tasks with the two programmable Touchstrips.\n<br /><br />\n<h3>Get your hands on important channels</h3>\nYou can work with multiple tracks in Pro Tools | Control. But when you need to focus on a specific track - or want more tactile precision - a single \"attention\" channel awaits. Select any track from the touchscreen and the channel maps directly to the Dock\'s surface controls. Adjust levels with the touch-sensitive, motorized fader. Select, record-enable, solo, and mute the track. And keep an eye on your levels with the 10-segment meter.\n<br /><br />\n<h3>Automate tracks with ease</h3>\nWith 12 dedicated automation switches, you can toggle modes and write automation directly from the surface. Press the ALT key and you have access to additional Pro Tools | HD functions using the same keys, including Preview, Join, Punch Capture, and Write to Punch. You can even attach a footswitch to the Dock to control punch recording.\n<br /><br />'),(2006,75,1,335,'<h1>Avid Pro Tools | Dock Control Surface</h1>\n<font size=\"3\"><i>A compact, EUCON-enabled, control surface designed to integrate with Avid\'s free iPad app</i></font><br /><br />\nAvid Pro Tools | Dock is a compact, ergonomic, EUCON control surface for integrating Avid\'s free iPad app, Pro Tools | Control. The Dock is based on the advanced touchscreen workflows on the Master Touch Module of the award-winning Pro Tools | S6. Both systems demonstrate a philosophy that mixers need the best of physical faders, knobs, and switches in conjunction with touchscreen technology for things like fast navigation, metering, and on-screen plug-in control – a true hybrid approach. And, when the Dock is paired with Pro Tools | S3, you gain complimentary and enhanced functionality with the dedicated automation switches, transport controls, weighted aluminum jog wheel, color-coded Soft Key switches, and more. Mixing deadlines have met their match!<br /><br />\n<h3>Avid S3 Control Surface Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Hybrid control surface combines both hardware- and touchscreen-based controls</span></li>\n	<li>Seamless integration with free Pro Tools | Control iPad app</li>\n	<li>Full transport section with aluminum jog wheel</li>\n	<li>Dedicated EUCON monitor control button</li>\n	<li>16 soft keys</li>\n	<li>Dedicated automation controls</li>\n	<li>Programmable touch strips</li>\n	<li>8 soft knobs for control over EQ, dynamics, panning and more</li>\n	<li>Pair with a Pro Tools | S3 control surface (sold separately) for even more in-depth control</li>\n</ul>\n<br />\n<h3>Get extensive touchscreen control</h3>\nPro Tools | Dock easily connects with your own iPad and our free Pro Tools | Control iOS app, providing intelligent control of your audio and video projects. The app offers a host of touch controls and visual feedback to speed up your efficiency. Plus, you can navigate huge sessions with speed and ease using the Universe Scroller. And bring the channels you\'re looking for quickly to the surface through color-coded tiles in Tracks view.\n<br /><br />\n<h3>Enhance your existing workflow with EUCON</h3>\nWhy change the tools you love when choosing a control surface? Pro Tools | Dock respects the choices you make. That\'s because it features EUCON, a high-speed Ethernet-based technology that enables the hardware to communicate directly with EUCON-enabled applications. That means you can work on a Pro Tools project, then switch to Logic Pro X, Cubase, Media Composer, Premiere Pro, and other audio and video software - in sequence or in parallel - in seconds.\n<br /><br />\n<h3>Get deep Pro Tools integration</h3>\nWhen paired with Pro Tools, the Dock becomes an extension of your software. Access hundreds of key commands, shortcuts, and UI elements without clicking a mouse. Record, edit, mix, and automate tracks right from the surface. Adjust EQ, dynamics, plug-ins, and other parameters. Get dedicated access to advanced automation modes. And create custom Soft Keys to perform practically any Pro Tools function, or recall layouts to the surface, with a single button press.\n<br /><br />\n<h3>Bring enhanced touch workflows to Pro Tools | S3</h3>\nPair Pro Tools | Dock with a Pro Tools | S3 control surface and you\'ll gain even more timesaving workflows. View and access any track instantly through the touchscreen. Customize and recall layouts to jump right into a track set or workflow quickly. Trigger frequently performed functions and macros with dedicated Soft Keys as you continue mixing on S3. And view tons of additional visual feedback to enhance your mixing experience.\n<br /><br />\n<h3>Adjust parameters with a twist</h3>\nThe Dock provides eight push-top, touch-sensitive Soft Knobs that interact with whatever knobset you\'ve chosen in the Pro Tools | Control app. Select an EQ, plug-in, send, pan, or other item, and all parameters instantly map to the knobs for tweaking. And because you\'re making adjustments with physical controls, you don\'t have to focus on your computer screen and can instead really listen to how your adjustments impact your mix.\n<br /><br />\n<h3>Speed up tasks with Soft Keys</h3>\nYou can click-click-click your way through frequently performed editing and mixing tasks. Or you can assign the 16 Soft Keys to do the dirty work for you. Trigger menu commands and other software functions and recall layouts at the press of a button. Or adapt\' the Dock to your unique workflow by programming macros to perform more complex tasks.\n<br /><br />\n<h3>Navigate your project your way</h3>\nQuickly access any channel in Tracks or Universe view - no matter how huge the session. Get full transport controls, plus an alternate Shift layer to jump to a marker, mark points in or out, or toggle the pre/post roll on or off. Use the assignable weighted jog wheel and right-side switches to jog, shuttle, zoom, bank, switch workstations, and more. And scroll through projects or perform custom tasks with the two programmable Touchstrips.\n<br /><br />\n<h3>Get your hands on important channels</h3>\nYou can work with multiple tracks in Pro Tools | Control. But when you need to focus on a specific track - or want more tactile precision - a single \"attention\" channel awaits. Select any track from the touchscreen and the channel maps directly to the Dock\'s surface controls. Adjust levels with the touch-sensitive, motorized fader. Select, record-enable, solo, and mute the track. And keep an eye on your levels with the 10-segment meter.\n<br /><br />\n<h3>Automate tracks with ease</h3>\nWith 12 dedicated automation switches, you can toggle modes and write automation directly from the surface. Press the ALT key and you have access to additional Pro Tools | HD functions using the same keys, including Preview, Join, Punch Capture, and Write to Punch. You can even attach a footswitch to the Dock to control punch recording.\n<br /><br />'),(2007,85,0,335,'Avid Pro Tools | Dock Control Surface for iPad'),(2008,85,1,335,'Avid Pro Tools | Dock Control Surface for iPad'),(2009,76,0,335,''),(2010,76,1,335,''),(2011,75,0,336,'<h1>Avid Pro Tools | Dock Control Surface - B-Stock Deal</h1>\n<font size=\"3\"><i>Save money with a B-Stock Deal on the Avid Pro Tools | Dock Control Surface! B-Stock items are open box, in perfect wokring order, very good physical condition, and come with a with full factory warranty.<br /><br />\nFeel free to contact us for specific condition of this item. We’re happy to send some pictures, too.</i></font>\n<br />\n<br />\nAvid Pro Tools | Dock is a compact, ergonomic, EUCON control surface for integrating Avid\'s free iPad app, Pro Tools | Control. The Dock is based on the advanced touchscreen workflows on the Master Touch Module of the award-winning Pro Tools | S6. Both systems demonstrate a philosophy that mixers need the best of physical faders, knobs, and switches in conjunction with touchscreen technology for things like fast navigation, metering, and on-screen plug-in control – a true hybrid approach. And, when the Dock is paired with Pro Tools | S3, you gain complimentary and enhanced functionality with the dedicated automation switches, transport controls, weighted aluminum jog wheel, color-coded Soft Key switches, and more. Mixing deadlines have met their match!<br /><br />\n<h3>Avid S3 Control Surface Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Hybrid control surface combines both hardware- and touchscreen-based controls</span></li>\n	<li>Seamless integration with free Pro Tools | Control iPad app</li>\n	<li>Full transport section with aluminum jog wheel</li>\n	<li>Dedicated EUCON monitor control button</li>\n	<li>16 soft keys</li>\n	<li>Dedicated automation controls</li>\n	<li>Programmable touch strips</li>\n	<li>8 soft knobs for control over EQ, dynamics, panning and more</li>\n	<li>Pair with a Pro Tools | S3 control surface (sold separately) for even more in-depth control</li>\n</ul>\n<br />\n<h3>Get extensive touchscreen control</h3>\nPro Tools | Dock easily connects with your own iPad and our free Pro Tools | Control iOS app, providing intelligent control of your audio and video projects. The app offers a host of touch controls and visual feedback to speed up your efficiency. Plus, you can navigate huge sessions with speed and ease using the Universe Scroller. And bring the channels you\'re looking for quickly to the surface through color-coded tiles in Tracks view.\n<br /><br />\n<h3>Enhance your existing workflow with EUCON</h3>\nWhy change the tools you love when choosing a control surface? Pro Tools | Dock respects the choices you make. That\'s because it features EUCON, a high-speed Ethernet-based technology that enables the hardware to communicate directly with EUCON-enabled applications. That means you can work on a Pro Tools project, then switch to Logic Pro X, Cubase, Media Composer, Premiere Pro, and other audio and video software - in sequence or in parallel - in seconds.\n<br /><br />\n<h3>Get deep Pro Tools integration</h3>\nWhen paired with Pro Tools, the Dock becomes an extension of your software. Access hundreds of key commands, shortcuts, and UI elements without clicking a mouse. Record, edit, mix, and automate tracks right from the surface. Adjust EQ, dynamics, plug-ins, and other parameters. Get dedicated access to advanced automation modes. And create custom Soft Keys to perform practically any Pro Tools function, or recall layouts to the surface, with a single button press.\n<br /><br />\n<h3>Bring enhanced touch workflows to Pro Tools | S3</h3>\nPair Pro Tools | Dock with a Pro Tools | S3 control surface and you\'ll gain even more timesaving workflows. View and access any track instantly through the touchscreen. Customize and recall layouts to jump right into a track set or workflow quickly. Trigger frequently performed functions and macros with dedicated Soft Keys as you continue mixing on S3. And view tons of additional visual feedback to enhance your mixing experience.\n<br /><br />\n<h3>Adjust parameters with a twist</h3>\nThe Dock provides eight push-top, touch-sensitive Soft Knobs that interact with whatever knobset you\'ve chosen in the Pro Tools | Control app. Select an EQ, plug-in, send, pan, or other item, and all parameters instantly map to the knobs for tweaking. And because you\'re making adjustments with physical controls, you don\'t have to focus on your computer screen and can instead really listen to how your adjustments impact your mix.\n<br /><br />\n<h3>Speed up tasks with Soft Keys</h3>\nYou can click-click-click your way through frequently performed editing and mixing tasks. Or you can assign the 16 Soft Keys to do the dirty work for you. Trigger menu commands and other software functions and recall layouts at the press of a button. Or adapt\' the Dock to your unique workflow by programming macros to perform more complex tasks.\n<br /><br />\n<h3>Navigate your project your way</h3>\nQuickly access any channel in Tracks or Universe view - no matter how huge the session. Get full transport controls, plus an alternate Shift layer to jump to a marker, mark points in or out, or toggle the pre/post roll on or off. Use the assignable weighted jog wheel and right-side switches to jog, shuttle, zoom, bank, switch workstations, and more. And scroll through projects or perform custom tasks with the two programmable Touchstrips.\n<br /><br />\n<h3>Get your hands on important channels</h3>\nYou can work with multiple tracks in Pro Tools | Control. But when you need to focus on a specific track - or want more tactile precision - a single \"attention\" channel awaits. Select any track from the touchscreen and the channel maps directly to the Dock\'s surface controls. Adjust levels with the touch-sensitive, motorized fader. Select, record-enable, solo, and mute the track. And keep an eye on your levels with the 10-segment meter.\n<br /><br />\n<h3>Automate tracks with ease</h3>\nWith 12 dedicated automation switches, you can toggle modes and write automation directly from the surface. Press the ALT key and you have access to additional Pro Tools | HD functions using the same keys, including Preview, Join, Punch Capture, and Write to Punch. You can even attach a footswitch to the Dock to control punch recording.\n<br /><br />'),(2012,75,1,336,'<h1>Avid Pro Tools | Dock Control Surface - B-Stock Deal</h1>\n<font size=\"3\"><i>Save money with a B-Stock Deal on the Avid Pro Tools | Dock Control Surface! B-Stock items are open box, in perfect wokring order, very good physical condition, and come with a with full factory warranty.<br /><br />\nFeel free to contact us for specific condition of this item. We’re happy to send some pictures, too.</i></font>\n<br />\n<br />\nAvid Pro Tools | Dock is a compact, ergonomic, EUCON control surface for integrating Avid\'s free iPad app, Pro Tools | Control. The Dock is based on the advanced touchscreen workflows on the Master Touch Module of the award-winning Pro Tools | S6. Both systems demonstrate a philosophy that mixers need the best of physical faders, knobs, and switches in conjunction with touchscreen technology for things like fast navigation, metering, and on-screen plug-in control – a true hybrid approach. And, when the Dock is paired with Pro Tools | S3, you gain complimentary and enhanced functionality with the dedicated automation switches, transport controls, weighted aluminum jog wheel, color-coded Soft Key switches, and more. Mixing deadlines have met their match!<br /><br />\n<h3>Avid S3 Control Surface Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Hybrid control surface combines both hardware- and touchscreen-based controls</span></li>\n	<li>Seamless integration with free Pro Tools | Control iPad app</li>\n	<li>Full transport section with aluminum jog wheel</li>\n	<li>Dedicated EUCON monitor control button</li>\n	<li>16 soft keys</li>\n	<li>Dedicated automation controls</li>\n	<li>Programmable touch strips</li>\n	<li>8 soft knobs for control over EQ, dynamics, panning and more</li>\n	<li>Pair with a Pro Tools | S3 control surface (sold separately) for even more in-depth control</li>\n</ul>\n<br />\n<h3>Get extensive touchscreen control</h3>\nPro Tools | Dock easily connects with your own iPad and our free Pro Tools | Control iOS app, providing intelligent control of your audio and video projects. The app offers a host of touch controls and visual feedback to speed up your efficiency. Plus, you can navigate huge sessions with speed and ease using the Universe Scroller. And bring the channels you\'re looking for quickly to the surface through color-coded tiles in Tracks view.\n<br /><br />\n<h3>Enhance your existing workflow with EUCON</h3>\nWhy change the tools you love when choosing a control surface? Pro Tools | Dock respects the choices you make. That\'s because it features EUCON, a high-speed Ethernet-based technology that enables the hardware to communicate directly with EUCON-enabled applications. That means you can work on a Pro Tools project, then switch to Logic Pro X, Cubase, Media Composer, Premiere Pro, and other audio and video software - in sequence or in parallel - in seconds.\n<br /><br />\n<h3>Get deep Pro Tools integration</h3>\nWhen paired with Pro Tools, the Dock becomes an extension of your software. Access hundreds of key commands, shortcuts, and UI elements without clicking a mouse. Record, edit, mix, and automate tracks right from the surface. Adjust EQ, dynamics, plug-ins, and other parameters. Get dedicated access to advanced automation modes. And create custom Soft Keys to perform practically any Pro Tools function, or recall layouts to the surface, with a single button press.\n<br /><br />\n<h3>Bring enhanced touch workflows to Pro Tools | S3</h3>\nPair Pro Tools | Dock with a Pro Tools | S3 control surface and you\'ll gain even more timesaving workflows. View and access any track instantly through the touchscreen. Customize and recall layouts to jump right into a track set or workflow quickly. Trigger frequently performed functions and macros with dedicated Soft Keys as you continue mixing on S3. And view tons of additional visual feedback to enhance your mixing experience.\n<br /><br />\n<h3>Adjust parameters with a twist</h3>\nThe Dock provides eight push-top, touch-sensitive Soft Knobs that interact with whatever knobset you\'ve chosen in the Pro Tools | Control app. Select an EQ, plug-in, send, pan, or other item, and all parameters instantly map to the knobs for tweaking. And because you\'re making adjustments with physical controls, you don\'t have to focus on your computer screen and can instead really listen to how your adjustments impact your mix.\n<br /><br />\n<h3>Speed up tasks with Soft Keys</h3>\nYou can click-click-click your way through frequently performed editing and mixing tasks. Or you can assign the 16 Soft Keys to do the dirty work for you. Trigger menu commands and other software functions and recall layouts at the press of a button. Or adapt\' the Dock to your unique workflow by programming macros to perform more complex tasks.\n<br /><br />\n<h3>Navigate your project your way</h3>\nQuickly access any channel in Tracks or Universe view - no matter how huge the session. Get full transport controls, plus an alternate Shift layer to jump to a marker, mark points in or out, or toggle the pre/post roll on or off. Use the assignable weighted jog wheel and right-side switches to jog, shuttle, zoom, bank, switch workstations, and more. And scroll through projects or perform custom tasks with the two programmable Touchstrips.\n<br /><br />\n<h3>Get your hands on important channels</h3>\nYou can work with multiple tracks in Pro Tools | Control. But when you need to focus on a specific track - or want more tactile precision - a single \"attention\" channel awaits. Select any track from the touchscreen and the channel maps directly to the Dock\'s surface controls. Adjust levels with the touch-sensitive, motorized fader. Select, record-enable, solo, and mute the track. And keep an eye on your levels with the 10-segment meter.\n<br /><br />\n<h3>Automate tracks with ease</h3>\nWith 12 dedicated automation switches, you can toggle modes and write automation directly from the surface. Press the ALT key and you have access to additional Pro Tools | HD functions using the same keys, including Preview, Join, Punch Capture, and Write to Punch. You can even attach a footswitch to the Dock to control punch recording.\n<br /><br />'),(2013,85,0,336,'Avid Pro Tools | Dock Control Surface for iPad'),(2014,85,1,336,'Avid Pro Tools | Dock Control Surface for iPad'),(2015,76,0,336,''),(2016,76,1,336,''),(2017,75,0,337,'<h2>Avid / Euphonix System 5MC, Dual Operator 32 Faders, (2) MC Pros and Factory frame/stand - Used</h2>\n<span style=\"font-size:16px; font-style:italic;\">Avid / Euphonix System 5MC, in great condition, came from a Los Angeles post production facility. Well maintained and fully updated to the latest version of Eucon, allowing you to use the Studio Pro Monitor System that is included. It is also fully compatible with the new Avid MTRX Monitor Matrix (not included). Fully tested by our technicians.</span><br /><br />\nSystem 5MC uses the same fader and input strips as Avid\'s flagship System 5 and is exactly the same model as used in many top post production and music studios.\n<br /><br />\nOriginal retail price on this model was over $180,000.00.\n<br /><br />\nFor more detailed information about this model, visit <a href=\"http://www.rspeaudio.com/euphonix-system-5mc-a/270.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE\'s microsite dedicated to System 5MC! </a><br /><br />\nGet high-performance digital audio mixing in a standalone system specifically designed for the ultra-demanding worlds of audio post-production and professional music production. With System 5MC, you have power on demand to mix the biggest feature films or album projects in an advanced system that represents the pinnacle of digital audio console design, Pro Tools HD integration and industry-leading ergonomics. Mix faster and easier with layouts of surface configurations, flexible routing, advanced automation with snapshot recall, touch-sensitive LED color-coded rotary encoders and high-resolution TFTs, which provide rich visual feedback for metering, routing, and processing.\n<br /><br />\nIn addition, you can add the EUCON Hybrid option to extend the control capabilities of the console beyond the dedicated DSP SuperCore, enabling you to bring audio tracks from multiple Digital Audio Workstations (DAWs) onto the console surface for mixing, through high-speed Ethernet control. You get the best of both worlds—a dedicated, powerful DSP processing/automation system and deep hands-on control over multiple EUCON-enabled DAWs.\n<br /><br />\n<h3>System 5MC Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Expandable DSP SuperCore can accommodate over 450 audio channels, each fully resourced with EQ, dynamics, Aux sends, panning, and routing</span></li>\n	<li>Modular control surface with up to 112 channel strips, each with 8 touch-sensitive encoders and a motorized 100mm fader per channel</li>\n	<li>Accelerate your mixing with SnapShot Recall, customizable Layouts, and Total Automation</li>\n	<li>Get quick access to multiformat sources and groups with user-definable Spill zones</li>\n	<li>Customizable modular I/O to match your needs</li>\n	<li>View metering, routing, panning, and EQ/dynamics visual feedback on high-resolution TFT displays</li>\n	<li>Mix multichannel audio in up to 7.1 surround</li>\n	<li>Control multiple DAWs with the EUCON Hybrid option</li>\n</ul>\n<br />\n**Local pickup preferred, but Shipping is available on a case-by-case basis. Contact RSPE for a shipping quote.**\n<br /><br />'),(2018,75,1,337,'<h2>Avid / Euphonix System 5MC, Dual Operator 32 Faders, (2) MC Pros and Factory frame/stand - Used</h2>\n<span style=\"font-size:16px; font-style:italic;\">Avid / Euphonix System 5MC, in great condition, came from a Los Angeles post production facility. Well maintained and fully updated to the latest version of Eucon, allowing you to use the Studio Pro Monitor System that is included. It is also fully compatible with the new Avid MTRX Monitor Matrix (not included). Fully tested by our technicians.</span><br /><br />\nSystem 5MC uses the same fader and input strips as Avid\'s flagship System 5 and is exactly the same model as used in many top post production and music studios.\n<br /><br />\nOriginal retail price on this model was over $180,000.00.\n<br /><br />\nFor more detailed information about this model, visit <a href=\"http://www.rspeaudio.com/euphonix-system-5mc-a/270.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE\'s microsite dedicated to System 5MC! </a><br /><br />\nGet high-performance digital audio mixing in a standalone system specifically designed for the ultra-demanding worlds of audio post-production and professional music production. With System 5MC, you have power on demand to mix the biggest feature films or album projects in an advanced system that represents the pinnacle of digital audio console design, Pro Tools HD integration and industry-leading ergonomics. Mix faster and easier with layouts of surface configurations, flexible routing, advanced automation with snapshot recall, touch-sensitive LED color-coded rotary encoders and high-resolution TFTs, which provide rich visual feedback for metering, routing, and processing.\n<br /><br />\nIn addition, you can add the EUCON Hybrid option to extend the control capabilities of the console beyond the dedicated DSP SuperCore, enabling you to bring audio tracks from multiple Digital Audio Workstations (DAWs) onto the console surface for mixing, through high-speed Ethernet control. You get the best of both worlds—a dedicated, powerful DSP processing/automation system and deep hands-on control over multiple EUCON-enabled DAWs.\n<br /><br />\n<h3>System 5MC Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Expandable DSP SuperCore can accommodate over 450 audio channels, each fully resourced with EQ, dynamics, Aux sends, panning, and routing</span></li>\n	<li>Modular control surface with up to 112 channel strips, each with 8 touch-sensitive encoders and a motorized 100mm fader per channel</li>\n	<li>Accelerate your mixing with SnapShot Recall, customizable Layouts, and Total Automation</li>\n	<li>Get quick access to multiformat sources and groups with user-definable Spill zones</li>\n	<li>Customizable modular I/O to match your needs</li>\n	<li>View metering, routing, panning, and EQ/dynamics visual feedback on high-resolution TFT displays</li>\n	<li>Mix multichannel audio in up to 7.1 surround</li>\n	<li>Control multiple DAWs with the EUCON Hybrid option</li>\n</ul>\n<br />\n**Local pickup preferred, but Shipping is available on a case-by-case basis. Contact RSPE for a shipping quote.**\n<br /><br />'),(2019,85,0,337,''),(2020,85,1,337,''),(2021,76,0,337,''),(2022,76,1,337,''),(2023,75,0,338,'<h1>Avid Digidesign PCIe Accel Process Card [USED]</h1>\n<i>\nSave money with a used HD Accel PCIe card! Fully tested by our Avid certified technician, and includes our six month RSPE Platinum Warranty.<br /></i><br />\n<ul>\n	<li><span style=\"background-color: initial;\">Used Digidesign HD Accel Process Card for PCIe (PCIe found in late model G5s, and Intel Mac Pro).</span></li>\n	<li>Includes Flex Cable</li>\n	<li>Accel Card passes the Digi test twice before it leaves and is carefully inspected and in EXCELLENT condition.</li>\n</ul>\n<br />\n		Plus, you\'re protected with RSPE\'s 6 month Platinum Warranty (immediate, no hassle repair or replacement)!\n<br /><br />\n		<h4>Platinum Warranty on Pre-Owned Purchases </h4>\n		Under the coverage of our Platinum Warranty, all pre-owned products are fully tested by our expert technicians. RSPE covers return ground freight PLUS parts and labor (or product replacement), for six months. Certain items are covered for three months, such as those with motorized parts or delicate construction. This warranty covers normal use only. Damage from misuse or loss is not covered under the Platinum Warranty.\n<br /><br />'),(2024,75,1,338,'<h1>Avid Digidesign PCIe Accel Process Card [USED]</h1>\n<i>\nSave money with a used HD Accel PCIe card! Fully tested by our Avid certified technician, and includes our six month RSPE Platinum Warranty.<br /></i><br />\n<ul>\n	<li><span style=\"background-color: initial;\">Used Digidesign HD Accel Process Card for PCIe (PCIe found in late model G5s, and Intel Mac Pro).</span></li>\n	<li>Includes Flex Cable</li>\n	<li>Accel Card passes the Digi test twice before it leaves and is carefully inspected and in EXCELLENT condition.</li>\n</ul>\n<br />\n		Plus, you\'re protected with RSPE\'s 6 month Platinum Warranty (immediate, no hassle repair or replacement)!\n<br /><br />\n		<h4>Platinum Warranty on Pre-Owned Purchases </h4>\n		Under the coverage of our Platinum Warranty, all pre-owned products are fully tested by our expert technicians. RSPE covers return ground freight PLUS parts and labor (or product replacement), for six months. Certain items are covered for three months, such as those with motorized parts or delicate construction. This warranty covers normal use only. Damage from misuse or loss is not covered under the Platinum Warranty.\n<br /><br />'),(2025,85,0,338,'Used Avid PCIe Accel Process Card'),(2026,85,1,338,'Used Avid PCIe Accel Process Card'),(2027,76,0,338,''),(2028,76,1,338,''),(2029,75,0,339,'<h1>Avid Pro Tools | HD I/O 16x16 Analog Audio Interface - B-Stock Deal</h1>\n\n<font size=\"3\"><i>Save money with a B-Stock Deal on the Avid HD I/O 16x16 Analog Interface! B-Stock items are open box, in perfect working order, very good physical condition, and come with a with full factory warranty.<br /><br />\nFeel free to contact us for specific condition of this item. We’re happy to send some pictures, too.</i></font>\n<br />\n<br />\n\nThe Avid HD I/O 16x16 Analog Audio Interface takes Native systems to a whole new level. Completely redesigned on the inside, Avid’s Pro Tools|HD I/O 16x16 Analog features the highest quality components to give you best-in-class A/D/A conversion at sample rates up to 24-bit/192kHz, plus the lowest possible latency for trouble-free tracking. For easy studio integration, the HD I/O 16x16 features 16 channels of analog I/O on DB-25 connectors plus additional digital I/O including 8-channel ADAT with S/MUX II & IV support, 2-channel AES3 via XLR connectors, 2-channel RCA S/PDIF, word clock I/O, and Loop Sync I/O. Thanks to its modular design, you can expand and customize the Avid HD I/O 16x16 Analog interface to meet your studio’s current and future I/O needs. \n<br /><br />The ideal choice for music productions—get the maximum complement of analog inputs and outputs.\n<br /><br /><span style=\"font-style: italic;\">Note: can be customized by replacing a card, but not expanded.\n</span>\n<br /><br /><span style=\"font-weight: bold;\">Hear what you’ve been missing</span><br />A sonic improvement over its audio interface predecessors, HD I/O features premium A/D and D/A conversion, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\n<div>\n	<br />\n</div>\n<div>\n	<span style=\"font-weight: bold;\">Comprehensive connectivity</span><br />So you can choose the interface that best suits your connection needs, Avid HD I/O comes in three configurations: 16x16 analog,  <a href=\"http://www.rspeaudio.com/Avid_HD_I_O_8x8x8_Interface_p/avd-hd-io-888.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">8x8x8 analog/digital</a>, and <a href=\"http://www.rspeaudio.com/Avid_HD_I_O_16x16_Digital_Interface_p/avd-hd-io-1616d.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">16x16 digital</a>. All HD I/O interfaces come with two channels of AES3 digital I/O on XLR, eight channels of ADAT I/O with S/Mux II & IV support) 2-channel S/PDIF on RCA connectors, word clock I/O, Loop Sync I/O and a mini expansion port add other HD I/O systems.<br />\n	<br /><span style=\"font-weight: bold;\">Avid Pro Tools HD I/O 16x16 Analog configuration:\n	</span><br /><br /><span style=\"font-weight: bold;\">High-quality analog I/O:</span>\n	<div>\n		<br />\n	</div>\n	<blockquote style=\"margin: 0 0 0 40px; border: none; padding: 0px;\">\n		<div>\n			•	16 analog inputs on DB25 (bal/unbal)\n		</div>\n		<div>\n			•	16 analog outputs on DB25 (bal)\n		</div>\n	</blockquote>\n	<div>\n		<br /><span style=\"font-weight: bold;\">Additional digital I/O: </span>\n	</div>\n	<div>\n		<span style=\"font-weight: bold;\"><br /></span>\n	</div>\n	<blockquote style=\"margin: 0 0 0 40px; border: none; padding: 0px;\">\n		<div>\n			•	2 channels of AES/EBU I/O (supports 192 kHz singlewire)\n		</div>\n		<div>\n			•	2 channels of S/PDIF I/O\n		</div>\n		<div>\n			•	8 channels of ADAT I/O (supports S/MUX II and IV)\n		</div>\n	</blockquote>\n	<div>\n		<br /><span style=\"font-weight: bold;\">The ultimate in interface flexibility\n		</span><br />HD I/O option cards add more analog inputs, analog outputs, or digital I/O. As your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I/O by installing an option card. While HD I/O 16x16 Analog comes with the maximum four cards, you can customize your I/O by swapping out any card.\n		<br /><br />\n	</div>\n	<blockquote style=\"margin: 0 0 0 40px; border: none; padding: 0px;\">\n		<div>\n			•	HD I/O AD Option: Adds 8 high-fidelity analog inputs (using DB25)\n		</div>\n		<div>\n			•	HD I/O DA Option: Adds 8 high-fidelity analog outputs (using DB25)\n		</div>\n		<div>\n			•	HD I/O Digital Option: Adds 8 channels each of AES/EBU (supports 192 kHz single-wire and dualwire), TDIF, and ADAT I/O (supports S/MUX II and IV)\n		</div>\n	</blockquote>\n	<div>\n		<br /><span style=\"font-weight: bold;\">Work with Pro Tools and more</span>\n		<br />HD I/O and all other Pro Tools, HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You\'ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools| HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.<br /><br /><span style=\"font-weight: bold;\">System compatibility:</span>\n		<br />Avid-qualified Pro Tools|HD family system running Pro Tools HD 8.1 or higher software\n		<br />Avid-qualified Pro Tools|HD family system running a Core Audio or ASIO compliant application\n	</div>\n</div>'),(2030,75,1,339,'<h1>Avid Pro Tools | HD I/O 16x16 Analog Audio Interface - B-Stock Deal</h1>\n\n<font size=\"3\"><i>Save money with a B-Stock Deal on the Avid HD I/O 16x16 Analog Interface! B-Stock items are open box, in perfect working order, very good physical condition, and come with a with full factory warranty.<br /><br />\nFeel free to contact us for specific condition of this item. We’re happy to send some pictures, too.</i></font>\n<br />\n<br />\n\nThe Avid HD I/O 16x16 Analog Audio Interface takes Native systems to a whole new level. Completely redesigned on the inside, Avid’s Pro Tools|HD I/O 16x16 Analog features the highest quality components to give you best-in-class A/D/A conversion at sample rates up to 24-bit/192kHz, plus the lowest possible latency for trouble-free tracking. For easy studio integration, the HD I/O 16x16 features 16 channels of analog I/O on DB-25 connectors plus additional digital I/O including 8-channel ADAT with S/MUX II & IV support, 2-channel AES3 via XLR connectors, 2-channel RCA S/PDIF, word clock I/O, and Loop Sync I/O. Thanks to its modular design, you can expand and customize the Avid HD I/O 16x16 Analog interface to meet your studio’s current and future I/O needs. \n<br /><br />The ideal choice for music productions—get the maximum complement of analog inputs and outputs.\n<br /><br /><span style=\"font-style: italic;\">Note: can be customized by replacing a card, but not expanded.\n</span>\n<br /><br /><span style=\"font-weight: bold;\">Hear what you’ve been missing</span><br />A sonic improvement over its audio interface predecessors, HD I/O features premium A/D and D/A conversion, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\n<div>\n	<br />\n</div>\n<div>\n	<span style=\"font-weight: bold;\">Comprehensive connectivity</span><br />So you can choose the interface that best suits your connection needs, Avid HD I/O comes in three configurations: 16x16 analog,  <a href=\"http://www.rspeaudio.com/Avid_HD_I_O_8x8x8_Interface_p/avd-hd-io-888.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">8x8x8 analog/digital</a>, and <a href=\"http://www.rspeaudio.com/Avid_HD_I_O_16x16_Digital_Interface_p/avd-hd-io-1616d.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">16x16 digital</a>. All HD I/O interfaces come with two channels of AES3 digital I/O on XLR, eight channels of ADAT I/O with S/Mux II & IV support) 2-channel S/PDIF on RCA connectors, word clock I/O, Loop Sync I/O and a mini expansion port add other HD I/O systems.<br />\n	<br /><span style=\"font-weight: bold;\">Avid Pro Tools HD I/O 16x16 Analog configuration:\n	</span><br /><br /><span style=\"font-weight: bold;\">High-quality analog I/O:</span>\n	<div>\n		<br />\n	</div>\n	<blockquote style=\"margin: 0 0 0 40px; border: none; padding: 0px;\">\n		<div>\n			•	16 analog inputs on DB25 (bal/unbal)\n		</div>\n		<div>\n			•	16 analog outputs on DB25 (bal)\n		</div>\n	</blockquote>\n	<div>\n		<br /><span style=\"font-weight: bold;\">Additional digital I/O: </span>\n	</div>\n	<div>\n		<span style=\"font-weight: bold;\"><br /></span>\n	</div>\n	<blockquote style=\"margin: 0 0 0 40px; border: none; padding: 0px;\">\n		<div>\n			•	2 channels of AES/EBU I/O (supports 192 kHz singlewire)\n		</div>\n		<div>\n			•	2 channels of S/PDIF I/O\n		</div>\n		<div>\n			•	8 channels of ADAT I/O (supports S/MUX II and IV)\n		</div>\n	</blockquote>\n	<div>\n		<br /><span style=\"font-weight: bold;\">The ultimate in interface flexibility\n		</span><br />HD I/O option cards add more analog inputs, analog outputs, or digital I/O. As your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I/O by installing an option card. While HD I/O 16x16 Analog comes with the maximum four cards, you can customize your I/O by swapping out any card.\n		<br /><br />\n	</div>\n	<blockquote style=\"margin: 0 0 0 40px; border: none; padding: 0px;\">\n		<div>\n			•	HD I/O AD Option: Adds 8 high-fidelity analog inputs (using DB25)\n		</div>\n		<div>\n			•	HD I/O DA Option: Adds 8 high-fidelity analog outputs (using DB25)\n		</div>\n		<div>\n			•	HD I/O Digital Option: Adds 8 channels each of AES/EBU (supports 192 kHz single-wire and dualwire), TDIF, and ADAT I/O (supports S/MUX II and IV)\n		</div>\n	</blockquote>\n	<div>\n		<br /><span style=\"font-weight: bold;\">Work with Pro Tools and more</span>\n		<br />HD I/O and all other Pro Tools, HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You\'ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools| HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.<br /><br /><span style=\"font-weight: bold;\">System compatibility:</span>\n		<br />Avid-qualified Pro Tools|HD family system running Pro Tools HD 8.1 or higher software\n		<br />Avid-qualified Pro Tools|HD family system running a Core Audio or ASIO compliant application\n	</div>\n</div>'),(2031,85,0,339,'Avid Pro Tools HD I/O 16x16 Analog - B-Stock Deal'),(2032,85,1,339,'Avid Pro Tools HD I/O 16x16 Analog - B-Stock Deal'),(2033,76,0,339,''),(2034,76,1,339,''),(2035,75,0,340,'<h1>Avid Pro Tools | HD I/O 16x16 Analog Interface</h1>\n<i>\nHigh-quality components, super low latency, and flexible I/O, HD I/O 16x16 features 16 channels of analog I/O on DB-25 connectors plus additional digital I/O including 8-channel ADAT with S/MUX II & IV support, 2-channel AES3 via XLR connectors, 2-channel RCA S/PDIF, word clock I/O, and Loop Sync I/O.</i><br /><br />\nFeaturing the sleek, professional look of Avid\'s previous generation HD systems, the HD I/O 16x16 Analog takes Native systems to a whole new level. Completely redesigned on the inside, Avid’s Pro Tools|HD I/O 16x16 Analog features the highest quality components to give you best-in-class A/D/A conversion at sample rates up to 24-bit/192kHz, plus the lowest possible latency for trouble-free tracking. For easy studio integration, the HD I/O 16x16 features 16 channels of analog I/O on DB-25 connectors plus additional digital I/O including 8-channel ADAT with S/MUX II & IV support, 2-channel AES3 via XLR connectors, 2-channel RCA S/PDIF, word clock I/O, and Loop Sync I/O. Thanks to its modular design, you can expand and customize the Avid HD I/O 16x16 Analog interface to meet your studio’s current and future I/O needs. \n<br /><br />The ideal choice for music productions—get the maximum complement of analog inputs and outputs.\n<br /><br />Note: can be customized by replacing a card, but not expanded.\n<br /><i></i><br />\n<h3>Avid HD I/O Features:</h3>\n<ul style=\"\">\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pristine audio clarity and ultra low latency through state-of-the- art A/D and D/A conversion, premium analog circuitry, and meticulous attention to design</span></li>\n	<li>Adapt the interface for your needs—choose from three configurations:</li>\n	<li>Maximize your analog I/O with HD I/O 16x16 Analog</li>\n	<li>Versatile digital I/O on all interfaces, with built-in sample rate conversion</li>\n	<li>Expand or customize the I/O with analog or digital option cards</li>\n	<li>Completely integrates with Pro Tools|HD family system for full input, output, and routing control</li>\n	<li>Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter</li>\n	<li>Keep things in sync with dedicated Word Clock and Loop Sync I/O</li>\n	<li>Keep an eye on your levels easily through 32 4-segment metering LEDs</li>\n	<li>Robust 2U rack-mountable chassis</li>\n	<li><span style=\"background-color: initial;\">Connects to Pro Tools|HD family system through a DigiLink Mini connection (cable and adaptor included)</span> </li>\n</ul><br />\n<h3>Hear what you’ve been missing</h3>\nA sonic improvement over its audio interface predecessors, HD I/O features premium A/D and D/A conversion, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\n<br /><br />\n<h3>Comprehensive connectivity</h3>\nSo you can choose the interface that best suits your connection needs, Avid HD I/O comes in three configurations:  <a href=\"https://www.rspeaudio.com/Avid-Pro-Tools-HD-IO-16x16-Digital-p/avid-hd-io-16x16-digital.htm\"><b>16x16 Digital</b></a>, <a href=\"https://www.rspeaudio.com/Avid-HD-IO-8x8x8-p/avid-hd-io-8x8x8.htm\"><b>8x8x8 Analog/Digital</b></a>, and <a href=\"https://www.rspeaudio.com/Avid-HD-IO-16x16-Analog-p/avid-hd-io-16x16-analog.htm\"><b>16x16 Analog</b></a>. All HD I/O interfaces come with two channels of AES3 digital I/O on XLR, eight channels of ADAT I/O with S/Mux II & IV support) 2-channel S/PDIF on RCA connectors, word clock I/O, Loop Sync I/O and a mini expansion port add other HD I/O systems.\n<br /><br />\n<h3>Avid Pro Tools HD I/O 16x16 Analog configuration:</h3>\n<span style=\"font-weight: bold;\">High-quality analog I/O:</span>\n<ul>\n	<li>16 analog inputs on DB25 (bal/unbal)\n	</li>\n	<li>\n	16 analog outputs on DB25 (bal)</li>\n</ul>\n<br />\n<span style=\"font-weight: bold;\">Additional digital I/O: </span>\n<ul>\n	<li>2 channels of AES/EBU I/O (supports 192 kHz singlewire)\n	</li>\n	<li>2 channels of S/PDIF I/O\n	</li>\n	<li>8 channels of ADAT I/O (supports S/MUX II and IV)</li>\n</ul>\n<br />\n<h3>The ultimate in interface flexibility</h3>\nHD I/O option cards add more analog inputs, analog outputs, or digital I/O. As your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I/O by installing an option card. While HD I/O 16x16 Analog comes with the maximum four cards, you can customize your I/O by swapping out any card.\n<ul>\n	<li>HD I/O AD Option: Adds 8 high-fidelity analog inputs (using DB25)</li>\n	<li>HD I/O DA Option: Adds 8 high-fidelity analog outputs (using DB25)</li>\n	<li>HD I/O Digital Option: Adds 8 channels each of AES/EBU (supports 192 kHz single-wire and dualwire), TDIF, and ADAT I/O (supports S/MUX II and IV)</li>\n</ul>\n<br />\n<h3>Work with Pro Tools and more</h3>\nHD I/O and all other Pro Tools, HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You\'ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools| HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\n<br /><br />'),(2036,75,1,340,'<h1>Avid Pro Tools | HD I/O 16x16 Analog Interface</h1>\n<i>\nHigh-quality components, super low latency, and flexible I/O, HD I/O 16x16 features 16 channels of analog I/O on DB-25 connectors plus additional digital I/O including 8-channel ADAT with S/MUX II & IV support, 2-channel AES3 via XLR connectors, 2-channel RCA S/PDIF, word clock I/O, and Loop Sync I/O.</i><br /><br />\nFeaturing the sleek, professional look of Avid\'s previous generation HD systems, the HD I/O 16x16 Analog takes Native systems to a whole new level. Completely redesigned on the inside, Avid’s Pro Tools|HD I/O 16x16 Analog features the highest quality components to give you best-in-class A/D/A conversion at sample rates up to 24-bit/192kHz, plus the lowest possible latency for trouble-free tracking. For easy studio integration, the HD I/O 16x16 features 16 channels of analog I/O on DB-25 connectors plus additional digital I/O including 8-channel ADAT with S/MUX II & IV support, 2-channel AES3 via XLR connectors, 2-channel RCA S/PDIF, word clock I/O, and Loop Sync I/O. Thanks to its modular design, you can expand and customize the Avid HD I/O 16x16 Analog interface to meet your studio’s current and future I/O needs. \n<br /><br />The ideal choice for music productions—get the maximum complement of analog inputs and outputs.\n<br /><br />Note: can be customized by replacing a card, but not expanded.\n<br /><i></i><br />\n<h3>Avid HD I/O Features:</h3>\n<ul style=\"\">\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pristine audio clarity and ultra low latency through state-of-the- art A/D and D/A conversion, premium analog circuitry, and meticulous attention to design</span></li>\n	<li>Adapt the interface for your needs—choose from three configurations:</li>\n	<li>Maximize your analog I/O with HD I/O 16x16 Analog</li>\n	<li>Versatile digital I/O on all interfaces, with built-in sample rate conversion</li>\n	<li>Expand or customize the I/O with analog or digital option cards</li>\n	<li>Completely integrates with Pro Tools|HD family system for full input, output, and routing control</li>\n	<li>Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter</li>\n	<li>Keep things in sync with dedicated Word Clock and Loop Sync I/O</li>\n	<li>Keep an eye on your levels easily through 32 4-segment metering LEDs</li>\n	<li>Robust 2U rack-mountable chassis</li>\n	<li><span style=\"background-color: initial;\">Connects to Pro Tools|HD family system through a DigiLink Mini connection (cable and adaptor included)</span> </li>\n</ul><br />\n<h3>Hear what you’ve been missing</h3>\nA sonic improvement over its audio interface predecessors, HD I/O features premium A/D and D/A conversion, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\n<br /><br />\n<h3>Comprehensive connectivity</h3>\nSo you can choose the interface that best suits your connection needs, Avid HD I/O comes in three configurations:  <a href=\"https://www.rspeaudio.com/Avid-Pro-Tools-HD-IO-16x16-Digital-p/avid-hd-io-16x16-digital.htm\"><b>16x16 Digital</b></a>, <a href=\"https://www.rspeaudio.com/Avid-HD-IO-8x8x8-p/avid-hd-io-8x8x8.htm\"><b>8x8x8 Analog/Digital</b></a>, and <a href=\"https://www.rspeaudio.com/Avid-HD-IO-16x16-Analog-p/avid-hd-io-16x16-analog.htm\"><b>16x16 Analog</b></a>. All HD I/O interfaces come with two channels of AES3 digital I/O on XLR, eight channels of ADAT I/O with S/Mux II & IV support) 2-channel S/PDIF on RCA connectors, word clock I/O, Loop Sync I/O and a mini expansion port add other HD I/O systems.\n<br /><br />\n<h3>Avid Pro Tools HD I/O 16x16 Analog configuration:</h3>\n<span style=\"font-weight: bold;\">High-quality analog I/O:</span>\n<ul>\n	<li>16 analog inputs on DB25 (bal/unbal)\n	</li>\n	<li>\n	16 analog outputs on DB25 (bal)</li>\n</ul>\n<br />\n<span style=\"font-weight: bold;\">Additional digital I/O: </span>\n<ul>\n	<li>2 channels of AES/EBU I/O (supports 192 kHz singlewire)\n	</li>\n	<li>2 channels of S/PDIF I/O\n	</li>\n	<li>8 channels of ADAT I/O (supports S/MUX II and IV)</li>\n</ul>\n<br />\n<h3>The ultimate in interface flexibility</h3>\nHD I/O option cards add more analog inputs, analog outputs, or digital I/O. As your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I/O by installing an option card. While HD I/O 16x16 Analog comes with the maximum four cards, you can customize your I/O by swapping out any card.\n<ul>\n	<li>HD I/O AD Option: Adds 8 high-fidelity analog inputs (using DB25)</li>\n	<li>HD I/O DA Option: Adds 8 high-fidelity analog outputs (using DB25)</li>\n	<li>HD I/O Digital Option: Adds 8 channels each of AES/EBU (supports 192 kHz single-wire and dualwire), TDIF, and ADAT I/O (supports S/MUX II and IV)</li>\n</ul>\n<br />\n<h3>Work with Pro Tools and more</h3>\nHD I/O and all other Pro Tools, HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You\'ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools| HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\n<br /><br />'),(2037,85,0,340,'Avid Pro Tools | HD I/O 16x16 Analog Interface'),(2038,85,1,340,'Avid Pro Tools | HD I/O 16x16 Analog Interface'),(2039,76,0,340,''),(2040,76,1,340,''),(2041,75,0,341,'<h1>Avid Pro Tools | HD I/O 16x16 Digital Interface</h1>\n<i>\nHigh-quality components, super low latency, and flexible I/O for easy studio integration\n</i><br /><br />\nFeaturing the sleek, professional look of Avid\'s previous generation HD systems, the HD I/O 16x16 Digital takes Native systems to a whole new level. Completely redesigned on the inside, Avid’s Pro Tools|HD I/O 16x16 Digital features the highest quality components to give you best-in-class A/D/A conversion at sample rates up to 24-bit/192kHz, plus the lowest possible latency for trouble-free tracking. For easy studio integration, the HD I/O 16x16 Digital features 16 channels of AES3 I/O on DB-25 connectors (192 kHz single-wire and dual-wire); 16 channels of TDIF I/O, 16 channels of ADAT I/O with S/MUX II & IV support; plus additional digital I/O including 8-channel ADAT, 2-channel AES3 via XLR connectors, 2-channel RCA S/PDIF, word clock I/O, and Loop Sync I/O. Thanks to its modular design, you can expand and customize the Avid HD I/O 16x16 Digital interface to meet your studio’s current and future I/O needs.\n<br /><br />\nThe ultimate choice for post-production studios, and ideal if you need to interface with a digital mixer, dubber, or other digital infrastructure, and want the option to expand the I/O.\n<br /><br />\nNote: Two empty bays for I/O expansion.\n<br /><br />\n<h3>HD I/O 16x16 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Pristine audio clarity and ultra low latency through state-of-the- art A/D and D/A conversion and meticulous attention to design</span></li>\n	<li>Adapt the interface for your needs</li>\n	<li>Go all digital with HD I/O 16x16 Digital</li>\n	<li>Versatile digital I/O on all interfaces, with built-in sample rate conversion</li>\n	<li>Expand or customize the I/O with analog or digital option cards</li>\n	<li>Completely integrates with Pro Tools|HD family system for full input, output, and routing control</li>\n	<li>Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter</li>\n	<li>Keep things in sync with dedicated Word Clock and Loop Sync I/O</li>\n	<li>Keep an eye on your levels easily through 32 4-segment metering LEDs</li>\n	<li>Robust 2U rack-mountable chassis</li>\n	<li>Connects to Pro Tools|HD family system through a DigiLink Mini connection (cable and adaptor included)</li>\n</ul>\n<br />\n<h3>Hear what you’ve been missing</h3>\n<div>\n	A sonic improvement over its audio interface predecessors, HD I/O features premium A/D and D/A conversion, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\n	<br /><br />\n	<h3>Comprehensive connectivity</h3>\n	So you can choose the interface that best suits your connection needs, Avid HD I/O comes in three configurations: \n	<a href=\"https://www.rspeaudio.com/Avid-Pro-Tools-HD-IO-16x16-Digital-p/avid-hd-io-16x16-digital.htm\"><b>16x16 Digital</b></a>, \n	<a href=\"https://www.rspeaudio.com/Avid-HD-IO-8x8x8-p/avid-hd-io-8x8x8.htm\"><b>8x8x8 Analog/Digital</b></a>, and <a href=\"https://www.rspeaudio.com/Avid-HD-IO-16x16-Analog-p/avid-hd-io-16x16-analog.htm\"><b>16x16 Analog</b></a>. All HD I/O interfaces come with two channels of AES3 digital I/O on XLR, eight channels of ADAT I/O with S/Mux II & IV support) 2-channel S/PDIF on RCA connectors, word clock I/O, Loop Sync I/O and a mini expansion port add other HD I/O systems.  What\'s more, you can expand your analog or digital I/O by simply installing an HD I/O option card—that’s right, all that connectivity and still there’s room for more.\n	<br /><br />\n	<h3>Avid Pro Tools HD I/O 16x16 Digital configuration:</h3>\n	<b>\n	Versatile digital I/O:\n	</b>\n	<ul>\n		<li>16 channels of AES3 I/O (supports 192 kHz single-wire and dual-wire) </li>\n		<li>16 channels of TDIF I/O </li>\n		<li>16 channels of ADAT I/O (supports S/MUX II and IV) </li>\n	</ul>\n	<b>\n	Additional digital I/O:\n	</b>\n	<ul>\n		<li>2 channels of AES/EBU I/O (supports 192 kHz singlewire) </li>\n		<li>2 channels of S/PDIF I/O </li>\n		<li>8 channels of ADAT I/O (supports S/MUX II and IV) </li>\n		<li>Two empty bays for I/O expansion </li>\n	</ul>\n	<b>\n	The ultimate in interface flexibility</b><br />\n	HD I/O option cards add more analog inputs, analog outputs, or digital I/O. As your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I/O by installing an option card. While HD I/O 16x16 Analog comes with the maximum four cards, you can customize your I/O by swapping out any card.\n	<ul>\n		<li>HD I/O AD Option: Adds 8 high-fidelity analog inputs (using DB25)</li>\n		<li>HD I/O DA Option: Adds 8 high-fidelity analog outputs (using DB25) </li>\n		<li>HD I/O Digital Option: Adds 8 channels each of AES/EBU (supports 192 kHz single-wire and dualwire), TDIF, and ADAT I/O (supports S/MUX II and IV) </li>\n	</ul>\n	<br />\n	<h3>Work with Pro Tools and more</h3>\n	HD I/O and all other Pro Tools, HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You\'ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools| HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\n	<br /><br />\n</div>'),(2042,75,1,341,'<h1>Avid Pro Tools | HD I/O 16x16 Digital Interface</h1>\n<i>\nHigh-quality components, super low latency, and flexible I/O for easy studio integration\n</i><br /><br />\nFeaturing the sleek, professional look of Avid\'s previous generation HD systems, the HD I/O 16x16 Digital takes Native systems to a whole new level. Completely redesigned on the inside, Avid’s Pro Tools|HD I/O 16x16 Digital features the highest quality components to give you best-in-class A/D/A conversion at sample rates up to 24-bit/192kHz, plus the lowest possible latency for trouble-free tracking. For easy studio integration, the HD I/O 16x16 Digital features 16 channels of AES3 I/O on DB-25 connectors (192 kHz single-wire and dual-wire); 16 channels of TDIF I/O, 16 channels of ADAT I/O with S/MUX II & IV support; plus additional digital I/O including 8-channel ADAT, 2-channel AES3 via XLR connectors, 2-channel RCA S/PDIF, word clock I/O, and Loop Sync I/O. Thanks to its modular design, you can expand and customize the Avid HD I/O 16x16 Digital interface to meet your studio’s current and future I/O needs.\n<br /><br />\nThe ultimate choice for post-production studios, and ideal if you need to interface with a digital mixer, dubber, or other digital infrastructure, and want the option to expand the I/O.\n<br /><br />\nNote: Two empty bays for I/O expansion.\n<br /><br />\n<h3>HD I/O 16x16 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Pristine audio clarity and ultra low latency through state-of-the- art A/D and D/A conversion and meticulous attention to design</span></li>\n	<li>Adapt the interface for your needs</li>\n	<li>Go all digital with HD I/O 16x16 Digital</li>\n	<li>Versatile digital I/O on all interfaces, with built-in sample rate conversion</li>\n	<li>Expand or customize the I/O with analog or digital option cards</li>\n	<li>Completely integrates with Pro Tools|HD family system for full input, output, and routing control</li>\n	<li>Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter</li>\n	<li>Keep things in sync with dedicated Word Clock and Loop Sync I/O</li>\n	<li>Keep an eye on your levels easily through 32 4-segment metering LEDs</li>\n	<li>Robust 2U rack-mountable chassis</li>\n	<li>Connects to Pro Tools|HD family system through a DigiLink Mini connection (cable and adaptor included)</li>\n</ul>\n<br />\n<h3>Hear what you’ve been missing</h3>\n<div>\n	A sonic improvement over its audio interface predecessors, HD I/O features premium A/D and D/A conversion, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\n	<br /><br />\n	<h3>Comprehensive connectivity</h3>\n	So you can choose the interface that best suits your connection needs, Avid HD I/O comes in three configurations: \n	<a href=\"https://www.rspeaudio.com/Avid-Pro-Tools-HD-IO-16x16-Digital-p/avid-hd-io-16x16-digital.htm\"><b>16x16 Digital</b></a>, \n	<a href=\"https://www.rspeaudio.com/Avid-HD-IO-8x8x8-p/avid-hd-io-8x8x8.htm\"><b>8x8x8 Analog/Digital</b></a>, and <a href=\"https://www.rspeaudio.com/Avid-HD-IO-16x16-Analog-p/avid-hd-io-16x16-analog.htm\"><b>16x16 Analog</b></a>. All HD I/O interfaces come with two channels of AES3 digital I/O on XLR, eight channels of ADAT I/O with S/Mux II & IV support) 2-channel S/PDIF on RCA connectors, word clock I/O, Loop Sync I/O and a mini expansion port add other HD I/O systems.  What\'s more, you can expand your analog or digital I/O by simply installing an HD I/O option card—that’s right, all that connectivity and still there’s room for more.\n	<br /><br />\n	<h3>Avid Pro Tools HD I/O 16x16 Digital configuration:</h3>\n	<b>\n	Versatile digital I/O:\n	</b>\n	<ul>\n		<li>16 channels of AES3 I/O (supports 192 kHz single-wire and dual-wire) </li>\n		<li>16 channels of TDIF I/O </li>\n		<li>16 channels of ADAT I/O (supports S/MUX II and IV) </li>\n	</ul>\n	<b>\n	Additional digital I/O:\n	</b>\n	<ul>\n		<li>2 channels of AES/EBU I/O (supports 192 kHz singlewire) </li>\n		<li>2 channels of S/PDIF I/O </li>\n		<li>8 channels of ADAT I/O (supports S/MUX II and IV) </li>\n		<li>Two empty bays for I/O expansion </li>\n	</ul>\n	<b>\n	The ultimate in interface flexibility</b><br />\n	HD I/O option cards add more analog inputs, analog outputs, or digital I/O. As your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I/O by installing an option card. While HD I/O 16x16 Analog comes with the maximum four cards, you can customize your I/O by swapping out any card.\n	<ul>\n		<li>HD I/O AD Option: Adds 8 high-fidelity analog inputs (using DB25)</li>\n		<li>HD I/O DA Option: Adds 8 high-fidelity analog outputs (using DB25) </li>\n		<li>HD I/O Digital Option: Adds 8 channels each of AES/EBU (supports 192 kHz single-wire and dualwire), TDIF, and ADAT I/O (supports S/MUX II and IV) </li>\n	</ul>\n	<br />\n	<h3>Work with Pro Tools and more</h3>\n	HD I/O and all other Pro Tools, HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You\'ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools| HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\n	<br /><br />\n</div>'),(2043,85,0,341,'Avid Pro Tools | HD I/O 16x16 Digital Interface'),(2044,85,1,341,'Avid Pro Tools | HD I/O 16x16 Digital Interface'),(2045,76,0,341,''),(2046,76,1,341,''),(2047,75,0,342,'<h1>Avid Pro Tools | HD I/O 8x8x8 Audio Interface </h1>\n<i><span style=\"\"><span style=\"font-size: 18px;\">High-quality components, super low latency, and flexible I/O,  HD I/O 8x8x8 features 8 channels of analog I/O plus three digital I/O configurations; 8-channel ADAT with S/MUX II & IV support, 8-channel TDIF, and 8-channel AES3.</span></span></i>\n<br /><br />\nFeaturing the sleek, professional look of Avid\'s previous generation HD systems, the HD I/O 8x8x8 takes Native systems to a whole new level. Completely redesigned on the inside, Avid’s Pro Tools|HD I/O 8x8x8 features the highest quality components to give you best-in-class A/D/A conversion at sample rates up to 24-bit/192kHz, plus the lowest possible latency for trouble-free tracking. For easy studio integration, the HD I/O 8x8x8 features 8 channels of analog I/O on DB-25 connectors plus three digital I/O configurations; 8-channel ADAT with S/MUX II & IV support, 8-channel TDIF, and 8-channel AES3. Thanks to its modular design, you can expand and customize the Avid HD I/O 8x8x8 audio interface to meet your studio’s current and future I/O needs.\n<br /><br />\nWhen you need a balance of analog and digital I/O for your music or post-production projects, with the option to expand your I/O choose the Avid Pro Tools HD I/O 8x8x8.\n<br /><br /><h3>Avid HD I/O 8x8x8 Features:</h3><ul><li><span style=\"background-color: initial;\">Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion, premium analog circuitry, and meticulous attention to design</span></li><li>Adapt the interface for your needs—choose from three configurations:</li><li>Get a balance of analog and digital I/O with HD I/O 8x8x8</li><li>Maximize your analog I/O with HD I/O 16x16 Analog</li><li>Go all digital with HD I/O 16x16 Digital</li><li>Versatile digital I/O on all interfaces, with built-in sample rate conversion</li><li>Completely integrates with Pro Tools|HD for full input, output, and routing control</li></ul><br />\n<h3>Hear what you’ve been missing</h3>\n	A sonic improvement over its audio interface predecessors, HD I/O features premium A/D and D/A conversion, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\n<br /><br />\n<h3>Comprehensive connectivity</h3>\n	So you can choose the interface that best suits your connection needs, Avid HD I/O comes in three configurations:  <a href=\"https://www.rspeaudio.com/Avid-Pro-Tools-HD-IO-16x16-Digital-p/avid-hd-io-16x16-digital.htm\"><b>16x16 Digital</b></a>, <a href=\"https://www.rspeaudio.com/Avid-HD-IO-8x8x8-p/avid-hd-io-8x8x8.htm\"><b>8x8x8 Analog/Digital</b></a>, and <a href=\"https://www.rspeaudio.com/Avid-HD-IO-16x16-Analog-p/avid-hd-io-16x16-analog.htm\"><b>16x16 Analog</b></a>. All HD I/O interfaces come with two channels of AES3 digital I/O on XLR, eight channels of ADAT I/O with S/Mux II & IV support) 2-channel S/PDIF on RCA connectors, word clock I/O, Loop Sync I/O and a mini expansion port add other HD I/O systems.  What\'s more, you can expand your analog or digital I/O by simply installing an HD I/O option card into the 8x8x8 HD I/O’s empty bay—that’s right, all that connectivity and still there’s room for more.\n<br /><br />\n<h3>Avid Pro Tools HD I/O 8x8x8 configuration:</h3>\n<b>\nHigh-quality analog I/O:\n</b>\n<ul>\n	<li>8 analog inputs (using DB25)</li>\n	<li>\n	8 analog outputs (using DB25)</li>\n</ul>\n<br />\n<b>\nVersatile digital I/O:\n</b>\n<ul>\n	<li>8 channels of AES/EBU I/O (supports 192 kHz single-wire and dual-wire)</li>\n	<li>8 channels of TDIF I/O\n8 channels of ADAT I/O (supports S/MUX II and IV)\nAdditional digital I/O:\n2 channels of AES/EBU I/O (supports 192 kHz singlewire)\n2 channels of S/PDIF I/cO \n	</li>\n	<li>8 channels of ADAT I/O (supports S/MUX II and IV)\nOne empty bay for I/O expansion \n	</li>\n</ul><br />\n<h3>The ultimate in interface flexibility </h3>\n	HD I/O option cards add more analog inputs, analog outputs, or digital I/O. As your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I/O by installing an option card. You can install one option card in HD I/O 8x8x8 and up to two in HD I/O 16x16 Digital. While HD I/O 16x16 Analog comes with the maximum four cards, you can customize your I/O by swapping out any card. \n<br /><br />\n<ul>\n	<li>HD I/O AD Option: Adds 8 high-fidelity analog inputs (using DB25)</li>\n	<li>\n	HD I/O DA Option: Adds 8 high-fidelity analog outputs (using DB25)</li>\n	<li>\n	HD I/O Digital Option: Adds 8 channels each of AES/EBU (supports 192 kHz single-wire and dualwire), TDIF, and ADAT I/O (supports S/MUX II and IV)\n	</li>\n</ul>\n<br />\n<h3>Work with Pro Tools and more</h3>\nHD I/O and all other Pro Tools, HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You\'ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools| HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\n<br /><br />'),(2048,75,1,342,'<h1>Avid Pro Tools | HD I/O 8x8x8 Audio Interface </h1>\n<i><span style=\"\"><span style=\"font-size: 18px;\">High-quality components, super low latency, and flexible I/O,  HD I/O 8x8x8 features 8 channels of analog I/O plus three digital I/O configurations; 8-channel ADAT with S/MUX II & IV support, 8-channel TDIF, and 8-channel AES3.</span></span></i>\n<br /><br />\nFeaturing the sleek, professional look of Avid\'s previous generation HD systems, the HD I/O 8x8x8 takes Native systems to a whole new level. Completely redesigned on the inside, Avid’s Pro Tools|HD I/O 8x8x8 features the highest quality components to give you best-in-class A/D/A conversion at sample rates up to 24-bit/192kHz, plus the lowest possible latency for trouble-free tracking. For easy studio integration, the HD I/O 8x8x8 features 8 channels of analog I/O on DB-25 connectors plus three digital I/O configurations; 8-channel ADAT with S/MUX II & IV support, 8-channel TDIF, and 8-channel AES3. Thanks to its modular design, you can expand and customize the Avid HD I/O 8x8x8 audio interface to meet your studio’s current and future I/O needs.\n<br /><br />\nWhen you need a balance of analog and digital I/O for your music or post-production projects, with the option to expand your I/O choose the Avid Pro Tools HD I/O 8x8x8.\n<br /><br /><h3>Avid HD I/O 8x8x8 Features:</h3><ul><li><span style=\"background-color: initial;\">Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion, premium analog circuitry, and meticulous attention to design</span></li><li>Adapt the interface for your needs—choose from three configurations:</li><li>Get a balance of analog and digital I/O with HD I/O 8x8x8</li><li>Maximize your analog I/O with HD I/O 16x16 Analog</li><li>Go all digital with HD I/O 16x16 Digital</li><li>Versatile digital I/O on all interfaces, with built-in sample rate conversion</li><li>Completely integrates with Pro Tools|HD for full input, output, and routing control</li></ul><br />\n<h3>Hear what you’ve been missing</h3>\n	A sonic improvement over its audio interface predecessors, HD I/O features premium A/D and D/A conversion, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\n<br /><br />\n<h3>Comprehensive connectivity</h3>\n	So you can choose the interface that best suits your connection needs, Avid HD I/O comes in three configurations:  <a href=\"https://www.rspeaudio.com/Avid-Pro-Tools-HD-IO-16x16-Digital-p/avid-hd-io-16x16-digital.htm\"><b>16x16 Digital</b></a>, <a href=\"https://www.rspeaudio.com/Avid-HD-IO-8x8x8-p/avid-hd-io-8x8x8.htm\"><b>8x8x8 Analog/Digital</b></a>, and <a href=\"https://www.rspeaudio.com/Avid-HD-IO-16x16-Analog-p/avid-hd-io-16x16-analog.htm\"><b>16x16 Analog</b></a>. All HD I/O interfaces come with two channels of AES3 digital I/O on XLR, eight channels of ADAT I/O with S/Mux II & IV support) 2-channel S/PDIF on RCA connectors, word clock I/O, Loop Sync I/O and a mini expansion port add other HD I/O systems.  What\'s more, you can expand your analog or digital I/O by simply installing an HD I/O option card into the 8x8x8 HD I/O’s empty bay—that’s right, all that connectivity and still there’s room for more.\n<br /><br />\n<h3>Avid Pro Tools HD I/O 8x8x8 configuration:</h3>\n<b>\nHigh-quality analog I/O:\n</b>\n<ul>\n	<li>8 analog inputs (using DB25)</li>\n	<li>\n	8 analog outputs (using DB25)</li>\n</ul>\n<br />\n<b>\nVersatile digital I/O:\n</b>\n<ul>\n	<li>8 channels of AES/EBU I/O (supports 192 kHz single-wire and dual-wire)</li>\n	<li>8 channels of TDIF I/O\n8 channels of ADAT I/O (supports S/MUX II and IV)\nAdditional digital I/O:\n2 channels of AES/EBU I/O (supports 192 kHz singlewire)\n2 channels of S/PDIF I/cO \n	</li>\n	<li>8 channels of ADAT I/O (supports S/MUX II and IV)\nOne empty bay for I/O expansion \n	</li>\n</ul><br />\n<h3>The ultimate in interface flexibility </h3>\n	HD I/O option cards add more analog inputs, analog outputs, or digital I/O. As your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I/O by installing an option card. You can install one option card in HD I/O 8x8x8 and up to two in HD I/O 16x16 Digital. While HD I/O 16x16 Analog comes with the maximum four cards, you can customize your I/O by swapping out any card. \n<br /><br />\n<ul>\n	<li>HD I/O AD Option: Adds 8 high-fidelity analog inputs (using DB25)</li>\n	<li>\n	HD I/O DA Option: Adds 8 high-fidelity analog outputs (using DB25)</li>\n	<li>\n	HD I/O Digital Option: Adds 8 channels each of AES/EBU (supports 192 kHz single-wire and dualwire), TDIF, and ADAT I/O (supports S/MUX II and IV)\n	</li>\n</ul>\n<br />\n<h3>Work with Pro Tools and more</h3>\nHD I/O and all other Pro Tools, HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You\'ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools| HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\n<br /><br />'),(2049,85,0,342,'Avid Pro Tools | HD I/O 8x8x8 Interface'),(2050,85,1,342,'Avid Pro Tools | HD I/O 8x8x8 Interface'),(2051,76,0,342,''),(2052,76,1,342,''),(2053,75,0,343,'<h1>Avid Pro Tools | HD MADI Interface</h1>\n<i>HD MADI lets you send and receive up to 64 audio streams between your Pro Tools | HD system and other MADI devices </i><i>over two cables and </i><i>up to 1.24 miles away.</i><br /><br />\nHD MADI is a versatile, all-digital interface that provides 64 channels of I/O, making it easy to integrate Pro Tools|HD systems into post-production and broadcast environments. HD MADI provides flexible connectivity, built-in sample rate conversion for set-and-forget operation, plus the ability to send and receive audio between your Pro Tools setup and MADI devices up to 1.24 miles (2 km) away.<br /><br />\n<h3>Avid HD MADI key features:</h3>\n<ul>\n	<li>Transmit up to 64 audio streams between Pro Tools|HD and other MADI devices</li>\n	<li>Get reliable transmission—without signal degradation —with up to 24-bit/192kHz sample rate support</li>\n	<li>Built-in SRC (sample rate conversion) on all I/O channels lets you forget having to match sample rates with onboard sample rate conversion</li>\n	<li>Sync to an external clock through dedicated BNC Word Clock and XLR AES/EBU connections (when using SRC on output)</li>\n</ul><br />\n<h3>Open up your workflow</h3>\nMADI is an open protocol and there are a wide variety of MADI-compatible devices available, including digital mixing consoles, mobile recording setups, and routers. With the HD MADI interface, you can easily add MADI devices directly to your recording setup, as well as integrate Pro Tools|HD into broadcast and live sound environments. And because the interface supports both optical and coaxial connections, as well as 56- and 64-channel modes, you can connect to a wide variety of MADI devices from countless manufacturers—without additional format converters.\n<br /><br />\n<h3>Set-and-forget operation</h3>\nForget about having to make sure your sample rates or the master clock match. HD MADI provides built-in sample rate conversion (SRC) on all inputs and outputs, so you can simply plug in and go—no converting sessions or down-sampling external MADI devices. And, because your audio output occurs simultaneously on both the coaxial and optical outputs, you can easily send audio to redundant systems without needing a splitter.\n<br /><br />\n<h3>Work with Pro Tools and more</h3>\nHD MADI and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and complete control of your signal flow right from your Pro Tools software interface.\n<br /><br />\n<h3>Avid HD MADI features:</h3>\n<ul>\n	<li>Send and receive up to 64 audio streams between Pro Tools|HD and other MADI devices</li>\n	<li>Maintain maximum audio fidelity, with up to 24-bit, 192 kHz sample rate support</li>\n	<li>Gain connection and routing flexibility through optical and coaxial connections:</li>\n	<li>2 MADI inputs (optical and coaxial)</li>\n	<li>2 MADI outputs (simultaneous optical and coaxial)</li>\n	<li>Forget having to match sample rates, thanks to built-in SRC on all I/O channels</li>\n	<li>Completely integrates with Pro Tools|HD family systems for full input, output, and routing control</li>\n	<li>Sync to an external clock through dedicated BNC Word Clock and XLR AES/EBU connections when using SRC on output</li>\n	<li>Keep things in sync with versatile Clock support, including Internal, Loop Sync, Word Clock, AES/EBU, and MADI</li>\n	<li>Gain better device compatibility with 64-channel (non-Varispeed) and 56-channel (Varispeed) support (at 48 kHz)</li>\n	<li>Integrate Pro Tools|HD family systems with MADI-equipped VENUE live sound systems for recording and Virtual Soundcheck</li>\n	<li>Verify and troubleshoot signals through status indicators and global I/O signal LEDs</li>\n	<li>Compact 1U rack-mountable design overcomes space limitations</li>\n	<li>Connects to Pro Tools|HD through two DigiLink Mini connections (32 audio channels each; cables and adaptors included)</li>\n</ul>\n<br /><br />'),(2054,75,1,343,'<h1>Avid Pro Tools | HD MADI Interface</h1>\n<i>HD MADI lets you send and receive up to 64 audio streams between your Pro Tools | HD system and other MADI devices </i><i>over two cables and </i><i>up to 1.24 miles away.</i><br /><br />\nHD MADI is a versatile, all-digital interface that provides 64 channels of I/O, making it easy to integrate Pro Tools|HD systems into post-production and broadcast environments. HD MADI provides flexible connectivity, built-in sample rate conversion for set-and-forget operation, plus the ability to send and receive audio between your Pro Tools setup and MADI devices up to 1.24 miles (2 km) away.<br /><br />\n<h3>Avid HD MADI key features:</h3>\n<ul>\n	<li>Transmit up to 64 audio streams between Pro Tools|HD and other MADI devices</li>\n	<li>Get reliable transmission—without signal degradation —with up to 24-bit/192kHz sample rate support</li>\n	<li>Built-in SRC (sample rate conversion) on all I/O channels lets you forget having to match sample rates with onboard sample rate conversion</li>\n	<li>Sync to an external clock through dedicated BNC Word Clock and XLR AES/EBU connections (when using SRC on output)</li>\n</ul><br />\n<h3>Open up your workflow</h3>\nMADI is an open protocol and there are a wide variety of MADI-compatible devices available, including digital mixing consoles, mobile recording setups, and routers. With the HD MADI interface, you can easily add MADI devices directly to your recording setup, as well as integrate Pro Tools|HD into broadcast and live sound environments. And because the interface supports both optical and coaxial connections, as well as 56- and 64-channel modes, you can connect to a wide variety of MADI devices from countless manufacturers—without additional format converters.\n<br /><br />\n<h3>Set-and-forget operation</h3>\nForget about having to make sure your sample rates or the master clock match. HD MADI provides built-in sample rate conversion (SRC) on all inputs and outputs, so you can simply plug in and go—no converting sessions or down-sampling external MADI devices. And, because your audio output occurs simultaneously on both the coaxial and optical outputs, you can easily send audio to redundant systems without needing a splitter.\n<br /><br />\n<h3>Work with Pro Tools and more</h3>\nHD MADI and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and complete control of your signal flow right from your Pro Tools software interface.\n<br /><br />\n<h3>Avid HD MADI features:</h3>\n<ul>\n	<li>Send and receive up to 64 audio streams between Pro Tools|HD and other MADI devices</li>\n	<li>Maintain maximum audio fidelity, with up to 24-bit, 192 kHz sample rate support</li>\n	<li>Gain connection and routing flexibility through optical and coaxial connections:</li>\n	<li>2 MADI inputs (optical and coaxial)</li>\n	<li>2 MADI outputs (simultaneous optical and coaxial)</li>\n	<li>Forget having to match sample rates, thanks to built-in SRC on all I/O channels</li>\n	<li>Completely integrates with Pro Tools|HD family systems for full input, output, and routing control</li>\n	<li>Sync to an external clock through dedicated BNC Word Clock and XLR AES/EBU connections when using SRC on output</li>\n	<li>Keep things in sync with versatile Clock support, including Internal, Loop Sync, Word Clock, AES/EBU, and MADI</li>\n	<li>Gain better device compatibility with 64-channel (non-Varispeed) and 56-channel (Varispeed) support (at 48 kHz)</li>\n	<li>Integrate Pro Tools|HD family systems with MADI-equipped VENUE live sound systems for recording and Virtual Soundcheck</li>\n	<li>Verify and troubleshoot signals through status indicators and global I/O signal LEDs</li>\n	<li>Compact 1U rack-mountable design overcomes space limitations</li>\n	<li>Connects to Pro Tools|HD through two DigiLink Mini connections (32 audio channels each; cables and adaptors included)</li>\n</ul>\n<br /><br />'),(2055,85,0,343,'Avid Pro Tools | HD MADI Interface'),(2056,85,1,343,'Avid Pro Tools | HD MADI Interface'),(2057,76,0,343,''),(2058,76,1,343,''),(2059,75,0,344,'<h1>Avid Pro Tools | HD Native Thunderbolt</h1>\n<span style=\"font-size: 16px; font-style: italic;\">High-speed Thunderbolt interface virtually eliminates latency, increases I/O and track count </span><br /><br />Avid’s Pro Tools|HD Native Thunderbolt employs a lightning-fast Thunderbolt interface to eliminate annoying latency common on Native USB or FireWire systems—enabling musicians to focus solely on their performance rather than monitoring issues. Avid Pro Tools|HD Native Thunderbolt also provides higher track count and I/O (up to 256 tracks/64 channels), plus 64-bit floating-point processing for more headroom and greater mix resolution than other Native solutions.  \nWith Avid’s Tools|HD Native Thunderbolt audio interface, you get a native solution that rivals the audio quality of any professional audio system.\n<br /><br />\nWith its elegantly implemented connectivity, the Pro Tools|HD Native Thunderbolt interface gives producers, engineers, and mixers the incredible sound quality, low latency, and sheer power of award-winning Pro Tools|HD in a mobile solution. Instead of trying to transport a bulky tower with PCIe slots, Pro Tools|HD Native Thunderbolt lets you use your laptop (or iMac) to connect with Pro Tools HD Series interfaces (such as HD OMNI and HD I/O). In addition, you can conveniently monitor mixes using the interface’s built-in audiophile-grade headphone output, which is powerful enough to drive headphones with high impedance loads.<br /><br />\n<h3>Pro Tools|HD Native Thunderbolt features:</h3>\n<ul>\n	<li>Harness the power of your MacBook, Mac Mini, or iMac with a Thunderbolt interface   </li>\n	<li>Attain the highest performance and lowest latency of any native DAW                 </li>\n	<li>Achieve pristine audio clarity with Pro Tools HD Series interfaces                  </li>\n	<li>Get the advanced tools and workflows of Pro Tools HD software                    </li>\n	<li>Built in audiophile-grade headphone output with level control                       </li>\n	<li>Rear-panel Thunderbolt port and two DigiLink Mini connectors for system expansion   </li>\n	<li>Supports Core Audio and ASIO applications                                           </li>\n	<li>Serial port interfaces with SYNC HD                                                 </li>\n</ul>\n<br />'),(2060,75,1,344,'<h1>Avid Pro Tools | HD Native Thunderbolt</h1>\n<span style=\"font-size: 16px; font-style: italic;\">High-speed Thunderbolt interface virtually eliminates latency, increases I/O and track count </span><br /><br />Avid’s Pro Tools|HD Native Thunderbolt employs a lightning-fast Thunderbolt interface to eliminate annoying latency common on Native USB or FireWire systems—enabling musicians to focus solely on their performance rather than monitoring issues. Avid Pro Tools|HD Native Thunderbolt also provides higher track count and I/O (up to 256 tracks/64 channels), plus 64-bit floating-point processing for more headroom and greater mix resolution than other Native solutions.  \nWith Avid’s Tools|HD Native Thunderbolt audio interface, you get a native solution that rivals the audio quality of any professional audio system.\n<br /><br />\nWith its elegantly implemented connectivity, the Pro Tools|HD Native Thunderbolt interface gives producers, engineers, and mixers the incredible sound quality, low latency, and sheer power of award-winning Pro Tools|HD in a mobile solution. Instead of trying to transport a bulky tower with PCIe slots, Pro Tools|HD Native Thunderbolt lets you use your laptop (or iMac) to connect with Pro Tools HD Series interfaces (such as HD OMNI and HD I/O). In addition, you can conveniently monitor mixes using the interface’s built-in audiophile-grade headphone output, which is powerful enough to drive headphones with high impedance loads.<br /><br />\n<h3>Pro Tools|HD Native Thunderbolt features:</h3>\n<ul>\n	<li>Harness the power of your MacBook, Mac Mini, or iMac with a Thunderbolt interface   </li>\n	<li>Attain the highest performance and lowest latency of any native DAW                 </li>\n	<li>Achieve pristine audio clarity with Pro Tools HD Series interfaces                  </li>\n	<li>Get the advanced tools and workflows of Pro Tools HD software                    </li>\n	<li>Built in audiophile-grade headphone output with level control                       </li>\n	<li>Rear-panel Thunderbolt port and two DigiLink Mini connectors for system expansion   </li>\n	<li>Supports Core Audio and ASIO applications                                           </li>\n	<li>Serial port interfaces with SYNC HD                                                 </li>\n</ul>\n<br />'),(2061,85,0,344,'Avid Pro Tools HD Native Thunderbolt'),(2062,85,1,344,'Avid Pro Tools HD Native Thunderbolt'),(2063,76,0,344,''),(2064,76,1,344,''),(2065,75,0,345,'<h1>Avid Pro Tools | HD Native Thunderbolt (Includes Pro Tools Ultimate Software)</h1>\n<i>High-speed Thunderbolt interface allows you to record up to 384 tracks and virtually eliminates latency, now with Dolby Atmos Support (7.1.2). Includes Pro Tools | Ultimate Software Perpetual License and 12 months of Software Updates and Support Plan.</i><br /><br />Avid’s Pro Tools | HD Native Thunderbolt employs a lightning-fast Thunderbolt interface to eliminate annoying latency common on Native USB or FireWire systems—enabling musicians to focus solely on their performance rather than monitoring issues. Avid Pro Tools|HD Native Thunderbolt also provides higher track count and I/O (up to 384 tracks/64 channels), plus 64-bit floating-point processing for more headroom and greater mix resolution than other Native solutions.  \nWith Avid’s Tools|HD Native Thunderbolt audio interface, you get a native solution that rivals the audio quality of any professional audio system.\n<br /><br />\nWith its elegantly implemented connectivity, the Pro Tools|HD Native Thunderbolt interface gives producers, engineers, and mixers the incredible sound quality, low latency, and sheer power of award-winning Pro Tools|HD in a mobile solution. Instead of trying to transport a bulky tower with PCIe slots, Pro Tools|HD Native Thunderbolt lets you use your laptop (or iMac) to connect with Pro Tools HD Series interfaces (such as HD OMNI and HD I/O). In addition, you can conveniently monitor mixes using the interface’s built-in audiophile-grade headphone output, which is powerful enough to drive headphones with high impedance loads.<br /><br />\n<h3>Pro Tools | HD Native Thunderbolt features:</h3>\n<ul>\n	<li>Harness the power of your MacBook, Mac Mini, or iMac with a Thunderbolt interface   </li>\n	<li>Attain the highest performance and lowest latency of any native DAW                 </li>\n	<li>Achieve pristine audio clarity with Pro Tools HD Series interfaces                  </li>\n	<li>Get the advanced tools and workflows of Pro Tools HD software                    </li>\n	<li>Built in audiophile-grade headphone output with level control                       </li>\n	<li>Rear-panel Thunderbolt port and two DigiLink Mini connectors for system expansion   </li>\n	<li>Supports Core Audio and ASIO applications                                           </li>\n	<li>Serial port interfaces with SYNC HD                                                 </li>\n</ul>\n<br />\n<h3>Get high-speed connectivity</h3>\nPro Tools | HD Native comes with a high-speed Thunderbolt interface and Pro Tools | Ultimate software, enabling you to create and take on big music and audio productions with up to 384 voices/tracks (audio interfaces sold separately). And it offers easy connection to the latest Mac-based desktop and laptop computers for dedicated studio use or on-the-go creation.<br /><br />\n\n\n<h3>Sound incredible</h3>\nCapture and play back performances in the absolute highest audio fidelity, with complete sound transparency. Simply add your choice of one or more premium Pro Tools | HD series audio interfaces to your core system. Record analog and digital sources in pristine sound clarity with the fully customizable HD I/O. And track, mix, and monitor up to 7.1 surround with the all-in-one HD OMNI.<br /><br />\n\n<h3>Integrate everywhere</h3>\nLooking to upgrade an existing studio? Pro Tools | HD Native is an easy fit. Connect the system into any MADI-enabled broadcast, post-production, or live sound environment with the HD MADI option. And keep your HD Native system and all other digital devices connected to it in perfect sync with SYNC HD.<br /><br />\n\n<h3>Create without limits</h3>\nWith Pro Tools | Ultimate software included, you can create any type of music or soundtrack project imaginable. Record high-quality audio. Compose with virtual instruments, MIDI, and notation tools. Collaborate with anyone, anywhere. Edit with speed and precision. Work with HD video. Resolve your system to house reference with near-sample-accurate lock to serial timecode. Accelerate mixing with advanced automation. And deliver your best sounding mixes possible.<br /><br />'),(2066,75,1,345,'<h1>Avid Pro Tools | HD Native Thunderbolt (Includes Pro Tools Ultimate Software)</h1>\n<i>High-speed Thunderbolt interface allows you to record up to 384 tracks and virtually eliminates latency, now with Dolby Atmos Support (7.1.2). Includes Pro Tools | Ultimate Software Perpetual License and 12 months of Software Updates and Support Plan.</i><br /><br />Avid’s Pro Tools | HD Native Thunderbolt employs a lightning-fast Thunderbolt interface to eliminate annoying latency common on Native USB or FireWire systems—enabling musicians to focus solely on their performance rather than monitoring issues. Avid Pro Tools|HD Native Thunderbolt also provides higher track count and I/O (up to 384 tracks/64 channels), plus 64-bit floating-point processing for more headroom and greater mix resolution than other Native solutions.  \nWith Avid’s Tools|HD Native Thunderbolt audio interface, you get a native solution that rivals the audio quality of any professional audio system.\n<br /><br />\nWith its elegantly implemented connectivity, the Pro Tools|HD Native Thunderbolt interface gives producers, engineers, and mixers the incredible sound quality, low latency, and sheer power of award-winning Pro Tools|HD in a mobile solution. Instead of trying to transport a bulky tower with PCIe slots, Pro Tools|HD Native Thunderbolt lets you use your laptop (or iMac) to connect with Pro Tools HD Series interfaces (such as HD OMNI and HD I/O). In addition, you can conveniently monitor mixes using the interface’s built-in audiophile-grade headphone output, which is powerful enough to drive headphones with high impedance loads.<br /><br />\n<h3>Pro Tools | HD Native Thunderbolt features:</h3>\n<ul>\n	<li>Harness the power of your MacBook, Mac Mini, or iMac with a Thunderbolt interface   </li>\n	<li>Attain the highest performance and lowest latency of any native DAW                 </li>\n	<li>Achieve pristine audio clarity with Pro Tools HD Series interfaces                  </li>\n	<li>Get the advanced tools and workflows of Pro Tools HD software                    </li>\n	<li>Built in audiophile-grade headphone output with level control                       </li>\n	<li>Rear-panel Thunderbolt port and two DigiLink Mini connectors for system expansion   </li>\n	<li>Supports Core Audio and ASIO applications                                           </li>\n	<li>Serial port interfaces with SYNC HD                                                 </li>\n</ul>\n<br />\n<h3>Get high-speed connectivity</h3>\nPro Tools | HD Native comes with a high-speed Thunderbolt interface and Pro Tools | Ultimate software, enabling you to create and take on big music and audio productions with up to 384 voices/tracks (audio interfaces sold separately). And it offers easy connection to the latest Mac-based desktop and laptop computers for dedicated studio use or on-the-go creation.<br /><br />\n\n\n<h3>Sound incredible</h3>\nCapture and play back performances in the absolute highest audio fidelity, with complete sound transparency. Simply add your choice of one or more premium Pro Tools | HD series audio interfaces to your core system. Record analog and digital sources in pristine sound clarity with the fully customizable HD I/O. And track, mix, and monitor up to 7.1 surround with the all-in-one HD OMNI.<br /><br />\n\n<h3>Integrate everywhere</h3>\nLooking to upgrade an existing studio? Pro Tools | HD Native is an easy fit. Connect the system into any MADI-enabled broadcast, post-production, or live sound environment with the HD MADI option. And keep your HD Native system and all other digital devices connected to it in perfect sync with SYNC HD.<br /><br />\n\n<h3>Create without limits</h3>\nWith Pro Tools | Ultimate software included, you can create any type of music or soundtrack project imaginable. Record high-quality audio. Compose with virtual instruments, MIDI, and notation tools. Collaborate with anyone, anywhere. Edit with speed and precision. Work with HD video. Resolve your system to house reference with near-sample-accurate lock to serial timecode. Accelerate mixing with advanced automation. And deliver your best sounding mixes possible.<br /><br />'),(2067,85,0,345,'Avid Pro Tools | HD Native Thunderbolt (Includes Pro Tools Ultimate Software)'),(2068,85,1,345,'Avid Pro Tools | HD Native Thunderbolt (Includes Pro Tools Ultimate Software)'),(2069,76,0,345,''),(2070,76,1,345,''),(2071,75,0,346,'<h1>Avid Pro Tools | HD Omni Audio Interface/Preamp</h1>\n<span style=\"font-size: 16px; font-style: italic;\">All-in-one, professional-quality audio interface combining 2-channel preamp, flexible I/O, and up to 7.1 monitoring in a sleek 1U chassis</span><br /><br />\nThe Avid Pro Tools | HD OMNI audio interface lets you capture crystal clear, detailed, high-resolution audio via its two digitally controlled, high-quality preamps and state-of-the-art converters. Its ultra-low latency (1.7ms!) monitoring allows artists to focus solely on their performance—the real secret to great recordings. Thanks to its 4x8 analog, 8x8 ADAT, 2-channel AES3, stereo S/DIF, and word clock I/O you can connect a variety of analog and digital gear. Designed for future scalability, the HD Omni’s Loop Sync I/O lets you interface with any of Avid’s Pro Tools Tools|HD family systems. Plus, you can monitor your sessions in up to 7.1 surround (or stereo fold down). <br /><br />\nAvid’s HD Omni provides a compact, a cost-effective solution for home, project, or professional studio. <br /><br />\n<h3>Avid HD Omni key features:</h3>\n<ul>\n	<li>Premium sound and ultra-low latency through state- of-the-art A/D and D/A conversion with up to 24-bit/192kHz resolution</li>\n	<li>2 premium, mic/DI preamps and multi-channel capture via 4x8 analog audio streams, or 8x8 including digital</li>\n	<li>High-quality, low-noise analog I/O and versatile digital I/O with sample rate conversion</li>\n	<li>Monitoring flexibility, also functions as a standalone 14x26 channel mixer when computer is off. </li>\n	<li>Tight integration with Pro Tools|HD for full routing, mixing, and monitoring control</li>\n</ul>\n<br />\n<h3>Premium sound and ultra-low latency</h3>\nRaising the bar on performance, Avid’s HD OMNI audio interface features premium A/D and D/A converters, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency (1.7ms) in your sessions. You also get built-in sample rate conversion and a selectable soft clip feature for worry-free performance. Or, you can use Curv, a built-in soft-knee limiter that catches even the fastest transients. With Curv enabled you can track hotter signals and be assured that any unexpected peaks in your input won’t put you in the red.\n<br /><br />\n<h3>Track, mix, and monitor in one</h3>\nNo need to route signals through multiple interfaces—with Avid HD OMNI, you can do everything in one single-space rack, saving you money and space. As the hub of any music studio, you can use HD OMNI’s preamps to record high-quality instrument and vocal performances. Each preamp also features a convenient front-panel 1/4\"/XLR connector, +48V phantom power, phase reverse, -20dB pad, 1/4\"/ send and return per channel, plus a 12dB/octave hi-pass filter with roll-off starting at 85Hz. \n<br /><br />\nHD Omni also provides dedicated cue mixes for artists to monitor the performance through a discrete mix. For post-production, not only do you have overdub and Foley recording capabilities at your disposal, you can use HD OMNI to monitor mixes with up to 7.1 channels—and fold down mixes from 7.1 to almost any channel subset.<br /><br />\n\n<h3>High-quality, low-noise analog I/O and versatile digital I/O</h3>\nNot having the right or enough I/O is the hidden deal-breaker of audio hardware. To ensure connectivity for all of your gear, Avid Pro Tools HD OMNI provides numerous options for connectivity. Along with the to front-panel mic/line/DI inputs, there are two rear-panel XLR mic inputs, each with dual 1/4\"/ send and return and four 1/4\" line inputs. DB-25 connector is provided for eight channels of analog audio output. These balanced outputs operate at +10dBu (speaker level) or at +24dBu (line level). You can set the output level in Pro Tools. There are also two 1/4\" TRS outputs.  <br /><br />\nHD OMNI’s digital I/O includes a single stereo AES3 (XLR) input that supports sample rates up to 192kHz using AES Single Wire; one 8-channel DB–25 AES3 output; RCA jacks for stereo S/PDIF, which also supports up to 24-bit/192kHz sample rates; 2x8 ADAT I/O that supports S/MUX II and IV; plus word clock and Loop Sync I/O with BNC connectors. An Avid proprietary expansion port allows expansion with other Pro Tools|HD systems.<br /><br />\n<h3>Full monitoring flexibility</h3>\nWhether you want to listen in stereo or surround, monitor sound personally or set up a personal mix for someone else, or hear your work in headphones or on the big speakers, you can do it all with HD OMNI. Mix and monitor up to 7.1 surround (with fold down to stereo). Hear how your mix sounds on different speakers using the Main and ALT speaker selections. Set up an integrated cue mix for artists to monitor. Or isolate yourself with your own headphone mix. And if you don\'t feel like launching Pro Tools—or even turning on your computer—HD OMNI features a built-in, customizable, 14-input standalone monitor mixer, so you can continue to monitor external sources, such as keyboards, drum machines, and digital music players, independently from your recording setup.\n<br /><br />\n<h3>Work with Pro Tools and more</h3>\nHD OMNI and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, routing, and monitoring right from your Pro Tools software interface. You\'ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface and Pro Tools|HD hardware with other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\n<br /><br />\nGet the sound quality you’ve always wanted. With HD OMNI, you can connect your mics, instruments, line-level gear, and digital devices, capture every audio nuance they deliver in stunning clarity, and choose how you want to monitor your mix.<br /><br />\n<h3>Avid Pro Tools HD Omni full features:</h3>\n<ul>\n	<li>Pristine audio clarity and ultra-low latency through state-of- the-art A/D and D/A conversion</li>\n	<li>High-quality, low-noise analog I/O:</li>\n	<li>2 premium, digitally controlled mic/DI preamps</li>\n	<li>4 line inputs</li>\n	<li>8 line outputs, with true analog gain</li>\n	<li>Versatile digital I/O, with sample rate conversion on all inputs:</li>\n	<li>8 channels of ADAT I/O (supports S/MUX II and IV)</li>\n	<li>4 line inputs</li>\n	<li>8 line outputs, with true analog gain</li>\n	<li>Supports 4x8 analog audio streams, or 8x8 including digital</li>\n	<li>Route audio independently from Pro Tools with the 14-input persistent monitor mixer</li>\n	<li>Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control</li>\n	<li>Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter</li>\n	<li>Hear your mixes in however many channels you need, from stereo to 7.1 surround</li>\n	<li>Improve communication while tracking with dedicated cue path</li>\n	<li>Keep things in sync with dedicated Word Clock and Loop Sync I/O</li>\n	<li>Compact 1U rack-mountable chassis</li>\n	<li>Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included) (select PCIe or Apple Thunderbolt) </li>\n</ul>\n<br />'),(2072,75,1,346,'<h1>Avid Pro Tools | HD Omni Audio Interface/Preamp</h1>\n<span style=\"font-size: 16px; font-style: italic;\">All-in-one, professional-quality audio interface combining 2-channel preamp, flexible I/O, and up to 7.1 monitoring in a sleek 1U chassis</span><br /><br />\nThe Avid Pro Tools | HD OMNI audio interface lets you capture crystal clear, detailed, high-resolution audio via its two digitally controlled, high-quality preamps and state-of-the-art converters. Its ultra-low latency (1.7ms!) monitoring allows artists to focus solely on their performance—the real secret to great recordings. Thanks to its 4x8 analog, 8x8 ADAT, 2-channel AES3, stereo S/DIF, and word clock I/O you can connect a variety of analog and digital gear. Designed for future scalability, the HD Omni’s Loop Sync I/O lets you interface with any of Avid’s Pro Tools Tools|HD family systems. Plus, you can monitor your sessions in up to 7.1 surround (or stereo fold down). <br /><br />\nAvid’s HD Omni provides a compact, a cost-effective solution for home, project, or professional studio. <br /><br />\n<h3>Avid HD Omni key features:</h3>\n<ul>\n	<li>Premium sound and ultra-low latency through state- of-the-art A/D and D/A conversion with up to 24-bit/192kHz resolution</li>\n	<li>2 premium, mic/DI preamps and multi-channel capture via 4x8 analog audio streams, or 8x8 including digital</li>\n	<li>High-quality, low-noise analog I/O and versatile digital I/O with sample rate conversion</li>\n	<li>Monitoring flexibility, also functions as a standalone 14x26 channel mixer when computer is off. </li>\n	<li>Tight integration with Pro Tools|HD for full routing, mixing, and monitoring control</li>\n</ul>\n<br />\n<h3>Premium sound and ultra-low latency</h3>\nRaising the bar on performance, Avid’s HD OMNI audio interface features premium A/D and D/A converters, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency (1.7ms) in your sessions. You also get built-in sample rate conversion and a selectable soft clip feature for worry-free performance. Or, you can use Curv, a built-in soft-knee limiter that catches even the fastest transients. With Curv enabled you can track hotter signals and be assured that any unexpected peaks in your input won’t put you in the red.\n<br /><br />\n<h3>Track, mix, and monitor in one</h3>\nNo need to route signals through multiple interfaces—with Avid HD OMNI, you can do everything in one single-space rack, saving you money and space. As the hub of any music studio, you can use HD OMNI’s preamps to record high-quality instrument and vocal performances. Each preamp also features a convenient front-panel 1/4\"/XLR connector, +48V phantom power, phase reverse, -20dB pad, 1/4\"/ send and return per channel, plus a 12dB/octave hi-pass filter with roll-off starting at 85Hz. \n<br /><br />\nHD Omni also provides dedicated cue mixes for artists to monitor the performance through a discrete mix. For post-production, not only do you have overdub and Foley recording capabilities at your disposal, you can use HD OMNI to monitor mixes with up to 7.1 channels—and fold down mixes from 7.1 to almost any channel subset.<br /><br />\n\n<h3>High-quality, low-noise analog I/O and versatile digital I/O</h3>\nNot having the right or enough I/O is the hidden deal-breaker of audio hardware. To ensure connectivity for all of your gear, Avid Pro Tools HD OMNI provides numerous options for connectivity. Along with the to front-panel mic/line/DI inputs, there are two rear-panel XLR mic inputs, each with dual 1/4\"/ send and return and four 1/4\" line inputs. DB-25 connector is provided for eight channels of analog audio output. These balanced outputs operate at +10dBu (speaker level) or at +24dBu (line level). You can set the output level in Pro Tools. There are also two 1/4\" TRS outputs.  <br /><br />\nHD OMNI’s digital I/O includes a single stereo AES3 (XLR) input that supports sample rates up to 192kHz using AES Single Wire; one 8-channel DB–25 AES3 output; RCA jacks for stereo S/PDIF, which also supports up to 24-bit/192kHz sample rates; 2x8 ADAT I/O that supports S/MUX II and IV; plus word clock and Loop Sync I/O with BNC connectors. An Avid proprietary expansion port allows expansion with other Pro Tools|HD systems.<br /><br />\n<h3>Full monitoring flexibility</h3>\nWhether you want to listen in stereo or surround, monitor sound personally or set up a personal mix for someone else, or hear your work in headphones or on the big speakers, you can do it all with HD OMNI. Mix and monitor up to 7.1 surround (with fold down to stereo). Hear how your mix sounds on different speakers using the Main and ALT speaker selections. Set up an integrated cue mix for artists to monitor. Or isolate yourself with your own headphone mix. And if you don\'t feel like launching Pro Tools—or even turning on your computer—HD OMNI features a built-in, customizable, 14-input standalone monitor mixer, so you can continue to monitor external sources, such as keyboards, drum machines, and digital music players, independently from your recording setup.\n<br /><br />\n<h3>Work with Pro Tools and more</h3>\nHD OMNI and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, routing, and monitoring right from your Pro Tools software interface. You\'ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface and Pro Tools|HD hardware with other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\n<br /><br />\nGet the sound quality you’ve always wanted. With HD OMNI, you can connect your mics, instruments, line-level gear, and digital devices, capture every audio nuance they deliver in stunning clarity, and choose how you want to monitor your mix.<br /><br />\n<h3>Avid Pro Tools HD Omni full features:</h3>\n<ul>\n	<li>Pristine audio clarity and ultra-low latency through state-of- the-art A/D and D/A conversion</li>\n	<li>High-quality, low-noise analog I/O:</li>\n	<li>2 premium, digitally controlled mic/DI preamps</li>\n	<li>4 line inputs</li>\n	<li>8 line outputs, with true analog gain</li>\n	<li>Versatile digital I/O, with sample rate conversion on all inputs:</li>\n	<li>8 channels of ADAT I/O (supports S/MUX II and IV)</li>\n	<li>4 line inputs</li>\n	<li>8 line outputs, with true analog gain</li>\n	<li>Supports 4x8 analog audio streams, or 8x8 including digital</li>\n	<li>Route audio independently from Pro Tools with the 14-input persistent monitor mixer</li>\n	<li>Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control</li>\n	<li>Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter</li>\n	<li>Hear your mixes in however many channels you need, from stereo to 7.1 surround</li>\n	<li>Improve communication while tracking with dedicated cue path</li>\n	<li>Keep things in sync with dedicated Word Clock and Loop Sync I/O</li>\n	<li>Compact 1U rack-mountable chassis</li>\n	<li>Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included) (select PCIe or Apple Thunderbolt) </li>\n</ul>\n<br />'),(2073,85,0,346,'Avid Pro Tools | HD Omni Audio Interface / Preamp'),(2074,85,1,346,'Avid Pro Tools | HD Omni Audio Interface / Preamp'),(2075,76,0,346,''),(2076,76,1,346,''),(2077,75,0,347,'<h1>Avid Pro Tools | HDX Core Card</h1>\n<i>PCIe DSP card for Pro Tools HDX systems providing 256 voices, 64 channels of I/O per card via 2 DigiLink ports.</i><br /><br /> Pro Tools | HDX. Create bigger, better sounding mixes. Get up to 5x more power than previous generations. And tackle the most massive music and post-production projects with the confidence that comes with guaranteed performance. And now with new lower pricing and flexible options, getting the most powerful, versatile, and best-sounding system for your studio is easier than ever. <br /><br />Need to record a 100-piece orchestra or mix a soundtrack with thousands \nof clips. Pro Tools | HDX delivers the dedicated DSP and Pro Tools | HD \nsoftware essential for handling such demanding sessions. Work with up to\n 256 audio tracks with a single card system or up to 768 audio tracks \nwith three cards. Mix up to 192 ins and outs. Get the power to run \nvolumes more plug-ins. And take on projects of any size and scope with \ncomplete confidence.\n<br /><br />\n<h2>Pro Tools|HDX Card Hardware features:</h2>\n<h4>Get dedicated DSP</h4>\nComputers today are more powerful than ever. And many can be used natively to create big, great-sounding mixes. But they don’t have the power to track large-scale ensembles. Or handle mixes with large volumes of plug-ins. With HDX, you get dedicated DSP power to run Pro Tools and your plug-ins, plus host power too. Each card can also handle 256 voices—that’s 4x more than HD Accel. And more than what your computer can probably handle, freeing you from technical worries, so you can be more creative.	\n<br /><br />\n<h4>Go bigger</h4>\nGot an old TDM system? Get up to 5x more power per HDX card than Pro Tools | HD Accel so you can do more with less expense. Create huge sessions with up to 768 audio and 512 instrument tracks. Double your ins and outs with up to 64 channels of I/O per card—or up to 192 I/O channels with three cards. And handle large plug-in-heavy mixes easily with 4x more Automatic Delay Compensation.	\n<br /><br />\n<h4>Achieve pristine sound</h4>\nGet the highest fidelity and sound transparency when you choose Pro Tools | HD Series audio interfaces, sold separately. Capture audio in stunning clarity at up to 32-bit, 192 kHz resolution. Get more headroom—and less headaches—thanks to 64-bit floating-point processing. Have more room to push things further, without clipping or obsessive gain staging. And get significantly greater dynamic range to elevate your mixes. 	\n<br /><br />\n<h4>Scale up your power</h4>\nNeed more tracks and inputs? Take on the most demanding sessions by simply adding an extra HDX card or two to your computer and go from 256 audio tracks up to a massive 768 with three cards. You can also add more inputs and outputs to your setup as your needs or business grows—up to 192 channels.	\n<br /><br />\n<h4>Work the way you want</h4>\nPro Tools | HDX is completely modular, so you can create the perfect rig for what you do. Connect your choice of Avid and/or third-party analog and digital audio interfaces. Work on a Mac or PC. Mix on your full system or on the go with just a laptop. Accelerate mixing by adding a control surface. Integrate into broadcast, post-production, and live sound environments with MADI. And sync your entire studio together as one with included Satellite technology to get the best sound possible.\n<br /><br />\n<h2>Pro Tools|HDX Card Software features:</h2>\n<h4>Create with power</h4>\nWith Pro Tools | HD software included, you can create and mix the largest, most complex productions easily. Record up to 256 audio tracks simultaneously, with near-zero latency. Keep sessions running smoothly with 64-bit performance and dynamic host processing. Experience exceptionally responsive recording and playback performance. And get infinite processing and mix control with unlimited busses and advanced automation.\n<br /><br />\n<h4>Make music—virtually</h4>\nGet access to a wide range of virtual instruments, plus full MIDI and notation tools, to compose the parts you need. Lay down beats with the drum machine, drum samples, or loops. Add real-sounding bass, guitar, piano, and other accompaniments. And layer in a variety of other sounds to build out your song—from orchestral instruments to sound effects. Your creative possibilities are endless.\n<br /><br />\n<h4>Get advanced editing</h4>\nGet the sophisticated tools you need to edit audio and MIDI with precision. Punch in and out of recordings. Change or fix tempo, time, and pitch. Comp together tracks with multiple playlists to create flawless performances. And speed up editing tasks with scrub trim, time compression, and other advanced tools.\n<br /><br />\n<h4>Experience sheer speed</h4>\nExperience snappy performance on even the largest projects, thanks to Disk Cache, RAM-based recording/playback, and real-time fades. Instantly keep all channel routing in check with bus interrogation. Work faster with pro-level tools, including Clip Gain, Auto Fades, and Automatch automation. You can even share sessions and collaborate with other audio and video professionals to complete projects faster.\n<br /><br />\n<h4>Work with video</h4>\nCreating music and sound for movies and television doesn’t get any easier. That’s because you have control of both sound and picture. Play and edit HD video and Avid DNxHD sequences right in your Pro Tools | HD timeline. View and edit up to 64 video tracks to accommodate major projects. You can even share audio mixes with Media Composer editors—and vice-versa—enabling easy collaboration.\n<br /><br />\n<h4>Achieve incredible sound</h4>\nBuild up your sonic canvas with access to over 100 sound processors, virtual instruments, and utility plug-ins. Shape sounds with high-quality EQ and dynamics. Create beautiful ambient spaces with reverb. Get the tones of the world’s greatest guitar amps. Design unique sound effects. And fold down surround mixes to stereo with ease.\n<br /><br />\n<h4>Accelerate your mix</h4>\nDeliver your final mix on time—with complete confidence. Create everything from mono to 7.1 surround or expansive Dolby Atmos mixes. Mix on the world’s most powerful control surfaces for the ultimate experience. View and optimize your mix using K-system, VU, and other professional metering standards. And with advanced automation tools, you can tackle even the largest, most complex mixes quickly.\n<br /><br />\n<h4>Maximize your creativity</h4>\nLooking to get a particular sound? Or maybe you want to round out your studio with more creative options. No need to get out of your chair. Shop the Avid Marketplace, right from the comfort of Pro Tools—no shirt or shoes required. Find everything from effects and sound processors to software add-ons. Or explore the over 1,000 AAX plug-ins available from Avid and other top audio developers in the Avid plug-in finder.\n<br /><br />'),(2078,75,1,347,'<h1>Avid Pro Tools | HDX Core Card</h1>\n<i>PCIe DSP card for Pro Tools HDX systems providing 256 voices, 64 channels of I/O per card via 2 DigiLink ports.</i><br /><br /> Pro Tools | HDX. Create bigger, better sounding mixes. Get up to 5x more power than previous generations. And tackle the most massive music and post-production projects with the confidence that comes with guaranteed performance. And now with new lower pricing and flexible options, getting the most powerful, versatile, and best-sounding system for your studio is easier than ever. <br /><br />Need to record a 100-piece orchestra or mix a soundtrack with thousands \nof clips. Pro Tools | HDX delivers the dedicated DSP and Pro Tools | HD \nsoftware essential for handling such demanding sessions. Work with up to\n 256 audio tracks with a single card system or up to 768 audio tracks \nwith three cards. Mix up to 192 ins and outs. Get the power to run \nvolumes more plug-ins. And take on projects of any size and scope with \ncomplete confidence.\n<br /><br />\n<h2>Pro Tools|HDX Card Hardware features:</h2>\n<h4>Get dedicated DSP</h4>\nComputers today are more powerful than ever. And many can be used natively to create big, great-sounding mixes. But they don’t have the power to track large-scale ensembles. Or handle mixes with large volumes of plug-ins. With HDX, you get dedicated DSP power to run Pro Tools and your plug-ins, plus host power too. Each card can also handle 256 voices—that’s 4x more than HD Accel. And more than what your computer can probably handle, freeing you from technical worries, so you can be more creative.	\n<br /><br />\n<h4>Go bigger</h4>\nGot an old TDM system? Get up to 5x more power per HDX card than Pro Tools | HD Accel so you can do more with less expense. Create huge sessions with up to 768 audio and 512 instrument tracks. Double your ins and outs with up to 64 channels of I/O per card—or up to 192 I/O channels with three cards. And handle large plug-in-heavy mixes easily with 4x more Automatic Delay Compensation.	\n<br /><br />\n<h4>Achieve pristine sound</h4>\nGet the highest fidelity and sound transparency when you choose Pro Tools | HD Series audio interfaces, sold separately. Capture audio in stunning clarity at up to 32-bit, 192 kHz resolution. Get more headroom—and less headaches—thanks to 64-bit floating-point processing. Have more room to push things further, without clipping or obsessive gain staging. And get significantly greater dynamic range to elevate your mixes. 	\n<br /><br />\n<h4>Scale up your power</h4>\nNeed more tracks and inputs? Take on the most demanding sessions by simply adding an extra HDX card or two to your computer and go from 256 audio tracks up to a massive 768 with three cards. You can also add more inputs and outputs to your setup as your needs or business grows—up to 192 channels.	\n<br /><br />\n<h4>Work the way you want</h4>\nPro Tools | HDX is completely modular, so you can create the perfect rig for what you do. Connect your choice of Avid and/or third-party analog and digital audio interfaces. Work on a Mac or PC. Mix on your full system or on the go with just a laptop. Accelerate mixing by adding a control surface. Integrate into broadcast, post-production, and live sound environments with MADI. And sync your entire studio together as one with included Satellite technology to get the best sound possible.\n<br /><br />\n<h2>Pro Tools|HDX Card Software features:</h2>\n<h4>Create with power</h4>\nWith Pro Tools | HD software included, you can create and mix the largest, most complex productions easily. Record up to 256 audio tracks simultaneously, with near-zero latency. Keep sessions running smoothly with 64-bit performance and dynamic host processing. Experience exceptionally responsive recording and playback performance. And get infinite processing and mix control with unlimited busses and advanced automation.\n<br /><br />\n<h4>Make music—virtually</h4>\nGet access to a wide range of virtual instruments, plus full MIDI and notation tools, to compose the parts you need. Lay down beats with the drum machine, drum samples, or loops. Add real-sounding bass, guitar, piano, and other accompaniments. And layer in a variety of other sounds to build out your song—from orchestral instruments to sound effects. Your creative possibilities are endless.\n<br /><br />\n<h4>Get advanced editing</h4>\nGet the sophisticated tools you need to edit audio and MIDI with precision. Punch in and out of recordings. Change or fix tempo, time, and pitch. Comp together tracks with multiple playlists to create flawless performances. And speed up editing tasks with scrub trim, time compression, and other advanced tools.\n<br /><br />\n<h4>Experience sheer speed</h4>\nExperience snappy performance on even the largest projects, thanks to Disk Cache, RAM-based recording/playback, and real-time fades. Instantly keep all channel routing in check with bus interrogation. Work faster with pro-level tools, including Clip Gain, Auto Fades, and Automatch automation. You can even share sessions and collaborate with other audio and video professionals to complete projects faster.\n<br /><br />\n<h4>Work with video</h4>\nCreating music and sound for movies and television doesn’t get any easier. That’s because you have control of both sound and picture. Play and edit HD video and Avid DNxHD sequences right in your Pro Tools | HD timeline. View and edit up to 64 video tracks to accommodate major projects. You can even share audio mixes with Media Composer editors—and vice-versa—enabling easy collaboration.\n<br /><br />\n<h4>Achieve incredible sound</h4>\nBuild up your sonic canvas with access to over 100 sound processors, virtual instruments, and utility plug-ins. Shape sounds with high-quality EQ and dynamics. Create beautiful ambient spaces with reverb. Get the tones of the world’s greatest guitar amps. Design unique sound effects. And fold down surround mixes to stereo with ease.\n<br /><br />\n<h4>Accelerate your mix</h4>\nDeliver your final mix on time—with complete confidence. Create everything from mono to 7.1 surround or expansive Dolby Atmos mixes. Mix on the world’s most powerful control surfaces for the ultimate experience. View and optimize your mix using K-system, VU, and other professional metering standards. And with advanced automation tools, you can tackle even the largest, most complex mixes quickly.\n<br /><br />\n<h4>Maximize your creativity</h4>\nLooking to get a particular sound? Or maybe you want to round out your studio with more creative options. No need to get out of your chair. Shop the Avid Marketplace, right from the comfort of Pro Tools—no shirt or shoes required. Find everything from effects and sound processors to software add-ons. Or explore the over 1,000 AAX plug-ins available from Avid and other top audio developers in the Avid plug-in finder.\n<br /><br />'),(2079,85,0,347,'Avid Pro Tools HDX Core Card'),(2080,85,1,347,'Avid Pro Tools HDX Core Card'),(2081,76,0,347,''),(2082,76,1,347,''),(2083,75,0,348,'<h1>Avid Pro Tools | HDX Core Card with Pro Tools | Ultimate Perpetual License NEW</h1>\n<i>PCIe DSP card for Pro Tools HDX systems providing 256 voices, 64 channels of I/O per card via 2 DigiLink ports. Includes Pro Tools Ultimate Perpetual License and 12 months of software updates and support plan.</i><br /><br />Avid Pro Tools | HDX Core Card allows your Pro Tools HDX System to create bigger, better sounding mixes. Pro Tools | HDX delivers the dedicated DSP and Pro Tools | HD \nsoftware essential for handling such demanding sessions. Work with up to\n 256 audio tracks with a single card system or up to 768 audio tracks \nwith three cards. Mix up to 192 ins and outs. Get the power to run \nvolumes more plug-ins. And take on projects of any size and scope with \ncomplete confidence.\n<br /><br />\n<h3>Pro Tools|HDX Card Hardware features:</h3>\n<ul>\n</ul>\n<div class=\"two-column-inside padded-column-2 features-padding-fix\">\n	<h5>Get dedicated DSP</h5>\n		Computers today are more powerful than ever. And many can be used \nnatively to create big, great-sounding mixes. But they don’t have the \npower to track large-scale ensembles. Or handle mixes with large volumes\n of plug-ins. With HDX, you get dedicated DSP power to run Pro Tools and\n your plug-ins, plus host power too. Each card can also handle 256 \nvoices—that’s 4x more than HD Accel. And more than what your computer \ncan probably handle, freeing you from technical worries, so you can be \nmore creative.\n<br /><br />\n	<h5>Go bigger</h5>\n\n		Got an old TDM system? Get up to 5x more power per HDX card than Pro \nTools | HD Accel so you can do more with less expense. Create huge \nsessions with up to 768 audio and 512 instrument tracks. Double your ins\n and outs with up to 64 channels of I/O per card—or up to 192 I/O \nchannels with three cards. And handle large plug-in-heavy mixes easily \nwith 4x more Automatic Delay Compensation.\n<br /><br />\n	<h5>Achieve pristine sound</h5>\n\n		Get the highest fidelity and sound transparency when you choose Pro Tools | HD Series audio interfaces\n		<a href=\"http://www.avid.com/products/pro-tools-hdx/options\"></a>,\n sold separately. Capture audio in stunning clarity at up to 32-bit, 192\n kHz resolution. Get more headroom—and less headaches—thanks to 64-bit \nfloating-point processing. Have more room to push things further, \nwithout clipping or obsessive gain staging. And get significantly \ngreater dynamic range to elevate your mixes.\n		<br /><br />\n\n<h5>Scale up your power</h5>Need more tracks and inputs? Take on the most demanding sessions by simply adding an extra HDX card or two to your computer and go from 256 audio tracks up to a massive 768 with three cards. You can also add more inputs and outputs to your setup as your needs or business grows—up to 192 channels.<br /><b><br />Work the way you want<br /></b><br />Pro Tools | HDX is completely modular, so you can create the perfect rig for what you do. Connect your choice of Avid and/or third-party analog and digital audio interfaces. Work on a Mac or PC. Mix on your full system or on the go with just a laptop. Accelerate mixing by adding a control surface. Integrate into broadcast, post-production, and live sound environments with MADI. And sync your entire studio together as one with included Satellite technology to get the best sound possible.<br />\n<br /><br />\n		<h3>Pro Tools| Ultimate Software features:</h3>\n		<h5>Create with power</h5>\n		<p>\n			With Pro Tools | Ultimate software included, you can create and mix the \nlargest, most complex productions easily. Record up to 256 audio tracks \nsimultaneously, with near-zero latency. Keep sessions running smoothly \nwith 64-bit performance and dynamic host processing. Experience \nexceptionally responsive recording and playback performance. And get \ninfinite processing and mix control with unlimited busses and advanced \nautomation.\n		</p>\n		<h5>Make music—virtually</h5>\n		<p>\n			Get access to a wide range of virtual instruments, plus full MIDI and\n notation tools, to compose the parts you need. Lay down beats with the \ndrum machine, drum samples, or loops. Add real-sounding bass, guitar, \npiano, and other accompaniments. And layer in a variety of other sounds \nto build out your song—from orchestral instruments to sound effects. \nYour creative possibilities are endless.\n		</p>\n		<h5>Get advanced editing</h5>\n		<p>\n			Get the sophisticated tools you need to edit audio and MIDI with \nprecision. Punch in and out of recordings. Change or fix tempo, time, \nand pitch. Comp together tracks with multiple playlists to create \nflawless performances. And speed up editing tasks with scrub trim, time \ncompression, and other advanced tools.\n		</p>\n		<h5>Experience sheer speed</h5>\n		<p>\n			Experience snappy performance on even the largest projects, thanks to\n Disk Cache, RAM-based recording/playback, and real-time fades. \nInstantly keep all channel routing in check with bus interrogation. Work\n faster with pro-level tools, including Clip Gain, Auto Fades, and \nAutomatch automation. You can even share sessions and collaborate with \nother audio and video professionals to complete projects faster.\n		</p>\n	</div>\n	<div class=\"two-column-inside padded-column-2 features-padding-fix features-padding-fix\">\n		<h5>Work with video</h5>\n		<p>\n			Creating music and sound for movies and television doesn’t get any \neasier. That’s because you have control of both sound and picture. Play \nand edit HD video and Avid DNxHD sequences right in your Pro Tools | HD \ntimeline. View and edit up to 64 video tracks to accommodate major \nprojects. You can even share audio mixes with Media Composer editors—and\n vice-versa—enabling easy collaboration.\n		</p>\n		<h5>Achieve incredible sound</h5>\n		<p>\n			Build up your sonic canvas with access to over 100 sound processors, \nvirtual instruments, and utility plug-ins. Shape sounds with \nhigh-quality EQ and dynamics. Create beautiful ambient spaces with \nreverb. Get the tones of the world’s greatest guitar amps. Design unique\n sound effects. And fold down surround mixes to stereo with ease.\n		</p>\n		<h5>Accelerate your mix</h5>\n		<p>\n			Deliver your final mix on time—with complete confidence. Create \neverything from mono to 7.1 surround or expansive Dolby Atmos mixes. Mix\n on the world’s most powerful control surfaces for the ultimate \nexperience. View and optimize your mix using K-system, VU, and other \nprofessional metering standards. And with advanced automation tools, you\n can tackle even the largest, most complex mixes quickly.\n		</p>\n		<h5>Maximize your creativity</h5>\n		<p>\n			Looking to get a particular sound? Or maybe you want to round out \nyour studio with more creative options. No need to get out of your \nchair. Shop the Avid Marketplace, right from the comfort of Pro Tools—no\n shirt or shoes required. Find everything from effects and sound \nprocessors to software add-ons. Or explore the over 1,000 AAX plug-ins \navailable from Avid and other top audio developers in the Avid plug-in finder.\n		</p></div>'),(2084,75,1,348,'<h1>Avid Pro Tools | HDX Core Card with Pro Tools | Ultimate Perpetual License NEW</h1>\n<i>PCIe DSP card for Pro Tools HDX systems providing 256 voices, 64 channels of I/O per card via 2 DigiLink ports. Includes Pro Tools Ultimate Perpetual License and 12 months of software updates and support plan.</i><br /><br />Avid Pro Tools | HDX Core Card allows your Pro Tools HDX System to create bigger, better sounding mixes. Pro Tools | HDX delivers the dedicated DSP and Pro Tools | HD \nsoftware essential for handling such demanding sessions. Work with up to\n 256 audio tracks with a single card system or up to 768 audio tracks \nwith three cards. Mix up to 192 ins and outs. Get the power to run \nvolumes more plug-ins. And take on projects of any size and scope with \ncomplete confidence.\n<br /><br />\n<h3>Pro Tools|HDX Card Hardware features:</h3>\n<ul>\n</ul>\n<div class=\"two-column-inside padded-column-2 features-padding-fix\">\n	<h5>Get dedicated DSP</h5>\n		Computers today are more powerful than ever. And many can be used \nnatively to create big, great-sounding mixes. But they don’t have the \npower to track large-scale ensembles. Or handle mixes with large volumes\n of plug-ins. With HDX, you get dedicated DSP power to run Pro Tools and\n your plug-ins, plus host power too. Each card can also handle 256 \nvoices—that’s 4x more than HD Accel. And more than what your computer \ncan probably handle, freeing you from technical worries, so you can be \nmore creative.\n<br /><br />\n	<h5>Go bigger</h5>\n\n		Got an old TDM system? Get up to 5x more power per HDX card than Pro \nTools | HD Accel so you can do more with less expense. Create huge \nsessions with up to 768 audio and 512 instrument tracks. Double your ins\n and outs with up to 64 channels of I/O per card—or up to 192 I/O \nchannels with three cards. And handle large plug-in-heavy mixes easily \nwith 4x more Automatic Delay Compensation.\n<br /><br />\n	<h5>Achieve pristine sound</h5>\n\n		Get the highest fidelity and sound transparency when you choose Pro Tools | HD Series audio interfaces\n		<a href=\"http://www.avid.com/products/pro-tools-hdx/options\"></a>,\n sold separately. Capture audio in stunning clarity at up to 32-bit, 192\n kHz resolution. Get more headroom—and less headaches—thanks to 64-bit \nfloating-point processing. Have more room to push things further, \nwithout clipping or obsessive gain staging. And get significantly \ngreater dynamic range to elevate your mixes.\n		<br /><br />\n\n<h5>Scale up your power</h5>Need more tracks and inputs? Take on the most demanding sessions by simply adding an extra HDX card or two to your computer and go from 256 audio tracks up to a massive 768 with three cards. You can also add more inputs and outputs to your setup as your needs or business grows—up to 192 channels.<br /><b><br />Work the way you want<br /></b><br />Pro Tools | HDX is completely modular, so you can create the perfect rig for what you do. Connect your choice of Avid and/or third-party analog and digital audio interfaces. Work on a Mac or PC. Mix on your full system or on the go with just a laptop. Accelerate mixing by adding a control surface. Integrate into broadcast, post-production, and live sound environments with MADI. And sync your entire studio together as one with included Satellite technology to get the best sound possible.<br />\n<br /><br />\n		<h3>Pro Tools| Ultimate Software features:</h3>\n		<h5>Create with power</h5>\n		<p>\n			With Pro Tools | Ultimate software included, you can create and mix the \nlargest, most complex productions easily. Record up to 256 audio tracks \nsimultaneously, with near-zero latency. Keep sessions running smoothly \nwith 64-bit performance and dynamic host processing. Experience \nexceptionally responsive recording and playback performance. And get \ninfinite processing and mix control with unlimited busses and advanced \nautomation.\n		</p>\n		<h5>Make music—virtually</h5>\n		<p>\n			Get access to a wide range of virtual instruments, plus full MIDI and\n notation tools, to compose the parts you need. Lay down beats with the \ndrum machine, drum samples, or loops. Add real-sounding bass, guitar, \npiano, and other accompaniments. And layer in a variety of other sounds \nto build out your song—from orchestral instruments to sound effects. \nYour creative possibilities are endless.\n		</p>\n		<h5>Get advanced editing</h5>\n		<p>\n			Get the sophisticated tools you need to edit audio and MIDI with \nprecision. Punch in and out of recordings. Change or fix tempo, time, \nand pitch. Comp together tracks with multiple playlists to create \nflawless performances. And speed up editing tasks with scrub trim, time \ncompression, and other advanced tools.\n		</p>\n		<h5>Experience sheer speed</h5>\n		<p>\n			Experience snappy performance on even the largest projects, thanks to\n Disk Cache, RAM-based recording/playback, and real-time fades. \nInstantly keep all channel routing in check with bus interrogation. Work\n faster with pro-level tools, including Clip Gain, Auto Fades, and \nAutomatch automation. You can even share sessions and collaborate with \nother audio and video professionals to complete projects faster.\n		</p>\n	</div>\n	<div class=\"two-column-inside padded-column-2 features-padding-fix features-padding-fix\">\n		<h5>Work with video</h5>\n		<p>\n			Creating music and sound for movies and television doesn’t get any \neasier. That’s because you have control of both sound and picture. Play \nand edit HD video and Avid DNxHD sequences right in your Pro Tools | HD \ntimeline. View and edit up to 64 video tracks to accommodate major \nprojects. You can even share audio mixes with Media Composer editors—and\n vice-versa—enabling easy collaboration.\n		</p>\n		<h5>Achieve incredible sound</h5>\n		<p>\n			Build up your sonic canvas with access to over 100 sound processors, \nvirtual instruments, and utility plug-ins. Shape sounds with \nhigh-quality EQ and dynamics. Create beautiful ambient spaces with \nreverb. Get the tones of the world’s greatest guitar amps. Design unique\n sound effects. And fold down surround mixes to stereo with ease.\n		</p>\n		<h5>Accelerate your mix</h5>\n		<p>\n			Deliver your final mix on time—with complete confidence. Create \neverything from mono to 7.1 surround or expansive Dolby Atmos mixes. Mix\n on the world’s most powerful control surfaces for the ultimate \nexperience. View and optimize your mix using K-system, VU, and other \nprofessional metering standards. And with advanced automation tools, you\n can tackle even the largest, most complex mixes quickly.\n		</p>\n		<h5>Maximize your creativity</h5>\n		<p>\n			Looking to get a particular sound? Or maybe you want to round out \nyour studio with more creative options. No need to get out of your \nchair. Shop the Avid Marketplace, right from the comfort of Pro Tools—no\n shirt or shoes required. Find everything from effects and sound \nprocessors to software add-ons. Or explore the over 1,000 AAX plug-ins \navailable from Avid and other top audio developers in the Avid plug-in finder.\n		</p></div>'),(2085,85,0,348,'Avid Pro Tools | HDX Core Card (Includes Pro Tools Ultimate Software)'),(2086,85,1,348,'Avid Pro Tools | HDX Core Card (Includes Pro Tools Ultimate Software)'),(2087,76,0,348,''),(2088,76,1,348,''),(2089,75,0,349,'<h1>Avid Pro Tools HDX Thunderbolt 3 Desktop Chassis</h1>\n<i>High-performance, ultra-quiet portable desktop </i><i>Pro Tools HDX chassis for Thunderbolt 3-equipped Mac and Windows computers</i><i> allowing you to take advantage of the greater processing power of Pro Tools HDX.</i><br /><br /> Bring the power of Pro Tools | HDX to your studio desktop with this Pro Tools | HDX Thunderbolt 3 Desktop Chassis, built in partnership with Sonnet. The Avid HDX Thunderbolt 3 Desktop Chassis features two Thunderbolt 3 ports—one for computer connection and one for daisy-chaining up to five additional Thunderbolt/USB devices. The desktop chassis can house a single HDX PCIe card (not included), providing portability and easy connection to the latest high-performance computers. The Pro Tools HDX Thunderbolt 3 chassis is perfect for those who already own an HDX card in an old Mac Pro and have recently upgraded to a new computer. You can also purchase ready-to-go HDX system in one easy bundle, which includes your choice of desktop or rackmount chassis, one HDX card, Pro Tools | Ultimate software, and your choice of Pro Tools hardware I/O interface.<br /><br />With Pro Tools | HDX you can create bigger, better sounding mixes. Get up to 5x more power than previous generations. And tackle the most massive music and post-production projects with the confidence that comes with guaranteed performance. And now with new lower pricing and flexible options, getting the most powerful, versatile, and best-sounding system for your studio is easier than ever. <br /><br />\n<h3>Connect HDX through Thunderbolt 3</h3>\nIntegrate Pro Tools | HDX with Thunderbolt 3-equipped Mac and Windows-based computers—including laptops—with a high-performance, ultra-quiet chassis. Take advantage of the greater processing power today’s machines offer, enabling you to work with more AAX Native plugins on top of AAX DSP.\n<br /><br />\n<h3>Take HDX on the go</h3>\nThe rackmount chassis can securely house a Mac mini and HDX card, enabling you to configure a powerful yet portable self-contained system. Plus, it can be converted from rackmount system to desktop, and vice-versa, making it easy to move HDX from home studio to facility, and from live rig to hotel room.\n<br /><br />\n<h3>Robust and Rugged Design</h3>\nIn partnership with Sonnet, the chassis is robustly built with rugged aluminum and steel housing to protect your inside investments during transport and in any environment. It’s custom-designed for the size, power, and heat requirements of HDX, providing the guaranteed performance HDX reliably delivers.\n<br /><br />\n\n\n<h3>Available as Stand-Alone Chassis or Pro Tools HDX & Interface Bundles</h3>\nSave money and set-up time with a preconfigured Pro Tools | HDX Thunderbolt 3 System Bundle that’s ready to go. Each system includes your choice of desktop or rackmount chassis, one HDX card, Pro Tools | Ultimate software, and your choice of Pro Tools hardware I/O interface.<br /><br />'),(2090,75,1,349,'<h1>Avid Pro Tools HDX Thunderbolt 3 Desktop Chassis</h1>\n<i>High-performance, ultra-quiet portable desktop </i><i>Pro Tools HDX chassis for Thunderbolt 3-equipped Mac and Windows computers</i><i> allowing you to take advantage of the greater processing power of Pro Tools HDX.</i><br /><br /> Bring the power of Pro Tools | HDX to your studio desktop with this Pro Tools | HDX Thunderbolt 3 Desktop Chassis, built in partnership with Sonnet. The Avid HDX Thunderbolt 3 Desktop Chassis features two Thunderbolt 3 ports—one for computer connection and one for daisy-chaining up to five additional Thunderbolt/USB devices. The desktop chassis can house a single HDX PCIe card (not included), providing portability and easy connection to the latest high-performance computers. The Pro Tools HDX Thunderbolt 3 chassis is perfect for those who already own an HDX card in an old Mac Pro and have recently upgraded to a new computer. You can also purchase ready-to-go HDX system in one easy bundle, which includes your choice of desktop or rackmount chassis, one HDX card, Pro Tools | Ultimate software, and your choice of Pro Tools hardware I/O interface.<br /><br />With Pro Tools | HDX you can create bigger, better sounding mixes. Get up to 5x more power than previous generations. And tackle the most massive music and post-production projects with the confidence that comes with guaranteed performance. And now with new lower pricing and flexible options, getting the most powerful, versatile, and best-sounding system for your studio is easier than ever. <br /><br />\n<h3>Connect HDX through Thunderbolt 3</h3>\nIntegrate Pro Tools | HDX with Thunderbolt 3-equipped Mac and Windows-based computers—including laptops—with a high-performance, ultra-quiet chassis. Take advantage of the greater processing power today’s machines offer, enabling you to work with more AAX Native plugins on top of AAX DSP.\n<br /><br />\n<h3>Take HDX on the go</h3>\nThe rackmount chassis can securely house a Mac mini and HDX card, enabling you to configure a powerful yet portable self-contained system. Plus, it can be converted from rackmount system to desktop, and vice-versa, making it easy to move HDX from home studio to facility, and from live rig to hotel room.\n<br /><br />\n<h3>Robust and Rugged Design</h3>\nIn partnership with Sonnet, the chassis is robustly built with rugged aluminum and steel housing to protect your inside investments during transport and in any environment. It’s custom-designed for the size, power, and heat requirements of HDX, providing the guaranteed performance HDX reliably delivers.\n<br /><br />\n\n\n<h3>Available as Stand-Alone Chassis or Pro Tools HDX & Interface Bundles</h3>\nSave money and set-up time with a preconfigured Pro Tools | HDX Thunderbolt 3 System Bundle that’s ready to go. Each system includes your choice of desktop or rackmount chassis, one HDX card, Pro Tools | Ultimate software, and your choice of Pro Tools hardware I/O interface.<br /><br />'),(2091,85,0,349,'Avid Pro Tools HDX Thunderbolt 3 Desktop Chassis'),(2092,85,1,349,'Avid Pro Tools HDX Thunderbolt 3 Desktop Chassis'),(2093,76,0,349,''),(2094,76,1,349,''),(2095,75,0,350,'<h1>Avid Pro Tools HDX Thunderbolt 3 Desktop + MTRX Studio System</h1>\n<i>A complete HDX system in one bundle—HDX card, Thunderbolt 3 Desktop Chassis, Pro Tools | Ultimate software (and 12 months of software updates and support plan), and a MTRX Studio audio interface—offering flexible routing, 7.1.4 Dolby Atmos monitoring, and 64 channels of Dante in a single 1U interface.</i><br /><br />The Avid Pro Tools | HDX Thunderbolt 3 chassis with MTRX Studio is the ultimate studio centerpiece for either music or audio post–production environments. Get flexible routing and the ability to monitor 7.1.4 Dolby Atmos. Interface with the Dante network with 64 channels of audio over IP. Streamline your studio and connect all your gear to a single 1U MTRX Studio.  Choose this Pro Tools | HDX Thunderbolt 3 Desktop Chassis if you are using a MacBook Pro, iMac, or other Thunderbolt-equipped Windows PC. Or install a Mac Mini alongside HDX in the rackmount chassis and configure a completely self-contained HDX system. <br /><br /><h3>Avid MTRX Studio</h3><div>Avid Pro Tools MTRX Studio is a versatile I/O, monitoring, and routing solution that packs immense function in a compact form, consolidating multiple devices in your signal chain. From recording and monitoring, to routing audio across multiple rooms and devices, tuning speakers, creating monitor profiles, and folding down mixes, it’s the ideal centerpiece for professional music and audio post facilities of all sizes.<br /><br /><span style=\"background-color: initial;\">Pro Tools | MTRX™ Studio simplifies your signal flow, providing connections to all your gear. Route any input to any output. Customize monitor profiles with integrated speaker tuning. Outfit any room in your facility for Dolby Atmos mixing. And get ultra-low latency monitoring when tracking and mixing with Pro Tools® | HDX or HD Native.</span><span style=\"background-color: initial;\"></span></div><br /><h3>Pro Tools HDX Thunderbolt 3 Chassis</h3>Bring the power of Pro Tools | HDX to your studio desktop with this Pro Tools | HDX Thunderbolt 3 Desktop Chassis, built in partnership with Sonnet. The Avid HDX Thunderbolt 3 Desktop Chassis features two Thunderbolt 3 ports—one for computer connection and one for daisy-chaining up to five additional Thunderbolt/USB devices. The desktop chassis can house a single HDX PCIe card (not included), providing portability and easy connection to the latest high-performance computers. The Pro Tools HDX Thunderbolt 3 chassis is perfect for those who already own an HDX card in an old Mac Pro and have recently upgraded to a new computer. You can also purchase ready-to-go HDX system in one easy bundle, which includes your choice of desktop or rackmount chassis, one HDX card, Pro Tools | Ultimate software, and your choice of Pro Tools hardware I/O interface.<br /><br />With Pro Tools | HDX you can create bigger, better sounding mixes. Get up to 5x more power than previous generations. And tackle the most massive music and post-production projects with the confidence that comes with guaranteed performance. And now with new lower pricing and flexible options, getting the most powerful, versatile, and best-sounding system for your studio is easier than ever. <br /><br />\n<h3>Pro Tools HDX Core Card & Pro Tools Ultimate Software</h3>\nAvid Pro Tools | HDX Core Card allows your Pro Tools HDX System to create bigger, better sounding mixes. Pro Tools | HDX delivers the dedicated DSP and Pro Tools | HD software essential for handling such demanding sessions. Work with up to 256 audio tracks with a single card system or up to 768 audio tracks with three cards. Mix up to 192 ins and outs. Get the power to run volumes more plug-ins. And take on projects of any size and scope with complete confidence.<br /><br />'),(2096,75,1,350,'<h1>Avid Pro Tools HDX Thunderbolt 3 Desktop + MTRX Studio System</h1>\n<i>A complete HDX system in one bundle—HDX card, Thunderbolt 3 Desktop Chassis, Pro Tools | Ultimate software (and 12 months of software updates and support plan), and a MTRX Studio audio interface—offering flexible routing, 7.1.4 Dolby Atmos monitoring, and 64 channels of Dante in a single 1U interface.</i><br /><br />The Avid Pro Tools | HDX Thunderbolt 3 chassis with MTRX Studio is the ultimate studio centerpiece for either music or audio post–production environments. Get flexible routing and the ability to monitor 7.1.4 Dolby Atmos. Interface with the Dante network with 64 channels of audio over IP. Streamline your studio and connect all your gear to a single 1U MTRX Studio.  Choose this Pro Tools | HDX Thunderbolt 3 Desktop Chassis if you are using a MacBook Pro, iMac, or other Thunderbolt-equipped Windows PC. Or install a Mac Mini alongside HDX in the rackmount chassis and configure a completely self-contained HDX system. <br /><br /><h3>Avid MTRX Studio</h3><div>Avid Pro Tools MTRX Studio is a versatile I/O, monitoring, and routing solution that packs immense function in a compact form, consolidating multiple devices in your signal chain. From recording and monitoring, to routing audio across multiple rooms and devices, tuning speakers, creating monitor profiles, and folding down mixes, it’s the ideal centerpiece for professional music and audio post facilities of all sizes.<br /><br /><span style=\"background-color: initial;\">Pro Tools | MTRX™ Studio simplifies your signal flow, providing connections to all your gear. Route any input to any output. Customize monitor profiles with integrated speaker tuning. Outfit any room in your facility for Dolby Atmos mixing. And get ultra-low latency monitoring when tracking and mixing with Pro Tools® | HDX or HD Native.</span><span style=\"background-color: initial;\"></span></div><br /><h3>Pro Tools HDX Thunderbolt 3 Chassis</h3>Bring the power of Pro Tools | HDX to your studio desktop with this Pro Tools | HDX Thunderbolt 3 Desktop Chassis, built in partnership with Sonnet. The Avid HDX Thunderbolt 3 Desktop Chassis features two Thunderbolt 3 ports—one for computer connection and one for daisy-chaining up to five additional Thunderbolt/USB devices. The desktop chassis can house a single HDX PCIe card (not included), providing portability and easy connection to the latest high-performance computers. The Pro Tools HDX Thunderbolt 3 chassis is perfect for those who already own an HDX card in an old Mac Pro and have recently upgraded to a new computer. You can also purchase ready-to-go HDX system in one easy bundle, which includes your choice of desktop or rackmount chassis, one HDX card, Pro Tools | Ultimate software, and your choice of Pro Tools hardware I/O interface.<br /><br />With Pro Tools | HDX you can create bigger, better sounding mixes. Get up to 5x more power than previous generations. And tackle the most massive music and post-production projects with the confidence that comes with guaranteed performance. And now with new lower pricing and flexible options, getting the most powerful, versatile, and best-sounding system for your studio is easier than ever. <br /><br />\n<h3>Pro Tools HDX Core Card & Pro Tools Ultimate Software</h3>\nAvid Pro Tools | HDX Core Card allows your Pro Tools HDX System to create bigger, better sounding mixes. Pro Tools | HDX delivers the dedicated DSP and Pro Tools | HD software essential for handling such demanding sessions. Work with up to 256 audio tracks with a single card system or up to 768 audio tracks with three cards. Mix up to 192 ins and outs. Get the power to run volumes more plug-ins. And take on projects of any size and scope with complete confidence.<br /><br />'),(2097,85,0,350,'Avid Pro Tools HDX Thunderbolt 3 Desktop + MTRX Studio System'),(2098,85,1,350,'Avid Pro Tools HDX Thunderbolt 3 Desktop + MTRX Studio System'),(2099,76,0,350,''),(2100,76,1,350,''),(2101,75,0,351,'<h1>Avid Pro Tools HDX Thunderbolt 3 Rackmount + MTRX Studio System</h1>\n<i>A complete HDX system in one bundle—HDX card, Thunderbolt 3 Rackmount Chassis, Pro Tools | Ultimate software (and 12 months of software updates and support plan), and a MTRX Studio audio interface—offering flexible routing, 7.1.4 Dolby Atmos monitoring, and 64 channels of Dante in a single 1U interface.</i><br /><br />The Avid Pro Tools | HDX Thunderbolt 3 chassis with MTRX Studio is the ultimate studio centerpiece for either music or audio post–production environments. Get flexible routing and the ability to monitor 7.1.4 Dolby Atmos. Interface with the Dante network with 64 channels of audio over IP. Streamline your studio and connect all your gear to a single 1U MTRX Studio.  Choose this Pro Tools | HDX Thunderbolt 3 Rackmount Chassis and install a Mac Mini alongside HDX in the rackmount chassis to configure a completely self-contained HDX system. )Or, if you are using a MacBook Pro, iMac, or other Thunderbolt-equipped Windows PC choose the HDX Thunderbolt 3 Desktop Chassis. <br /><br /><h3>Avid MTRX Studio</h3><div>Avid Pro Tools MTRX Studio is a versatile I/O, monitoring, and routing solution that packs immense function in a compact form, consolidating multiple devices in your signal chain. From recording and monitoring, to routing audio across multiple rooms and devices, tuning speakers, creating monitor profiles, and folding down mixes, it’s the ideal centerpiece for professional music and audio post facilities of all sizes.<br /><br /><span style=\"background-color: initial;\">Pro Tools | MTRX™ Studio simplifies your signal flow, providing connections to all your gear. Route any input to any output. Customize monitor profiles with integrated speaker tuning. Outfit any room in your facility for Dolby Atmos mixing. And get ultra-low latency monitoring when tracking and mixing with Pro Tools® | HDX or HD Native.</span><span style=\"background-color: initial;\"></span></div><br /><h3>Pro Tools HDX Thunderbolt 3 Chassis</h3><div>Bring the power of Pro Tools | HDX to your studio with this Pro Tools | HDX Thunderbolt 3 Rackmount Chassis, built in partnership with Sonnet. The Avid HDX Thunderbolt 3 Desktop Chassis features two Thunderbolt 3 ports—one for computer connection and one for daisy-chaining up to five additional Thunderbolt/USB devices. The rackmount chassis can house a single HDX PCIe card (not included) and a Mac Mini, providing portability and easy connection to any studio. The Pro Tools HDX Thunderbolt 3 chassis is perfect for those who already own an HDX card in an old Mac Pro and have recently upgraded to a new computer. You can also purchase ready-to-go HDX system in one easy bundle, which includes your choice of desktop or rackmount chassis, one HDX card, Pro Tools | Ultimate software, and your choice of Pro Tools hardware I/O interface.<br /><br /><span style=\"background-color: initial;\">With Pro Tools | HDX you can create bigger, better sounding mixes. Get up to 5x more power than previous generations. And tackle the most massive music and post-production projects with the confidence that comes with guaranteed performance. And now with new lower pricing and flexible options, getting the most powerful, versatile, and best-sounding system for your studio is easier than ever.</span></div><br />\n<h3>Pro Tools HDX Core Card & Pro Tools Ultimate Software</h3>\nAvid Pro Tools | HDX Core Card allows your Pro Tools HDX System to create bigger, better sounding mixes. Pro Tools | HDX delivers the dedicated DSP and Pro Tools | HD software essential for handling such demanding sessions. Work with up to 256 audio tracks with a single card system or up to 768 audio tracks with three cards. Mix up to 192 ins and outs. Get the power to run volumes more plug-ins. And take on projects of any size and scope with complete confidence.<br /><br />'),(2102,75,1,351,'<h1>Avid Pro Tools HDX Thunderbolt 3 Rackmount + MTRX Studio System</h1>\n<i>A complete HDX system in one bundle—HDX card, Thunderbolt 3 Rackmount Chassis, Pro Tools | Ultimate software (and 12 months of software updates and support plan), and a MTRX Studio audio interface—offering flexible routing, 7.1.4 Dolby Atmos monitoring, and 64 channels of Dante in a single 1U interface.</i><br /><br />The Avid Pro Tools | HDX Thunderbolt 3 chassis with MTRX Studio is the ultimate studio centerpiece for either music or audio post–production environments. Get flexible routing and the ability to monitor 7.1.4 Dolby Atmos. Interface with the Dante network with 64 channels of audio over IP. Streamline your studio and connect all your gear to a single 1U MTRX Studio.  Choose this Pro Tools | HDX Thunderbolt 3 Rackmount Chassis and install a Mac Mini alongside HDX in the rackmount chassis to configure a completely self-contained HDX system. )Or, if you are using a MacBook Pro, iMac, or other Thunderbolt-equipped Windows PC choose the HDX Thunderbolt 3 Desktop Chassis. <br /><br /><h3>Avid MTRX Studio</h3><div>Avid Pro Tools MTRX Studio is a versatile I/O, monitoring, and routing solution that packs immense function in a compact form, consolidating multiple devices in your signal chain. From recording and monitoring, to routing audio across multiple rooms and devices, tuning speakers, creating monitor profiles, and folding down mixes, it’s the ideal centerpiece for professional music and audio post facilities of all sizes.<br /><br /><span style=\"background-color: initial;\">Pro Tools | MTRX™ Studio simplifies your signal flow, providing connections to all your gear. Route any input to any output. Customize monitor profiles with integrated speaker tuning. Outfit any room in your facility for Dolby Atmos mixing. And get ultra-low latency monitoring when tracking and mixing with Pro Tools® | HDX or HD Native.</span><span style=\"background-color: initial;\"></span></div><br /><h3>Pro Tools HDX Thunderbolt 3 Chassis</h3><div>Bring the power of Pro Tools | HDX to your studio with this Pro Tools | HDX Thunderbolt 3 Rackmount Chassis, built in partnership with Sonnet. The Avid HDX Thunderbolt 3 Desktop Chassis features two Thunderbolt 3 ports—one for computer connection and one for daisy-chaining up to five additional Thunderbolt/USB devices. The rackmount chassis can house a single HDX PCIe card (not included) and a Mac Mini, providing portability and easy connection to any studio. The Pro Tools HDX Thunderbolt 3 chassis is perfect for those who already own an HDX card in an old Mac Pro and have recently upgraded to a new computer. You can also purchase ready-to-go HDX system in one easy bundle, which includes your choice of desktop or rackmount chassis, one HDX card, Pro Tools | Ultimate software, and your choice of Pro Tools hardware I/O interface.<br /><br /><span style=\"background-color: initial;\">With Pro Tools | HDX you can create bigger, better sounding mixes. Get up to 5x more power than previous generations. And tackle the most massive music and post-production projects with the confidence that comes with guaranteed performance. And now with new lower pricing and flexible options, getting the most powerful, versatile, and best-sounding system for your studio is easier than ever.</span></div><br />\n<h3>Pro Tools HDX Core Card & Pro Tools Ultimate Software</h3>\nAvid Pro Tools | HDX Core Card allows your Pro Tools HDX System to create bigger, better sounding mixes. Pro Tools | HDX delivers the dedicated DSP and Pro Tools | HD software essential for handling such demanding sessions. Work with up to 256 audio tracks with a single card system or up to 768 audio tracks with three cards. Mix up to 192 ins and outs. Get the power to run volumes more plug-ins. And take on projects of any size and scope with complete confidence.<br /><br />'),(2103,85,0,351,'Avid Pro Tools HDX Thunderbolt 3 Rackmount + MTRX Studio System'),(2104,85,1,351,'Avid Pro Tools HDX Thunderbolt 3 Rackmount + MTRX Studio System'),(2105,76,0,351,''),(2106,76,1,351,''),(2107,75,0,352,'<h1>Avid Pro Tools HDX Thunderbolt 3 Desktop + HD OMNI Studio System</h1>\n<i>A complete HDX system in one bundle—HDX card, Thunderbolt 3 Desktop Chassis, Pro Tools | Ultimate software (and 12 months of software updates and support plan), and a HD OMNI audio interface—offering two premium mic preamps, 7.1 surround monitoring, and a 14-input persistent monitor mixer.</i><br /><br />The Avid Pro Tools | HDX Thunderbolt 3 chassis combined with HD OMNI delivers the essentials for music or post-production and is ideal for anyone that need top sound quality in a convenient 1U form factor. Track with two pristine mic preamps and mix and monitor from stereo to 7.1 surround. Route audio independently from Pro Tools or even without turning on your computer with the 14-input persistent monitor mixer. Choose this Pro Tools | HDX Thunderbolt 3 Desktop Chassis if you are using a MacBook Pro, iMac, or other Thunderbolt-equipped Windows PC. Or install a Mac Mini alongside HDX in the rackmount chassis and configure a completely self-contained HDX system. <br /><br /><h3>Avid HD OMNI</h3>Achieve pristine-quality sound and clarity—without the bulk or expense. Pro Tools | HD OMNI is an all-in-one preamp, I/O, and monitoring interface designed for Pro Tools | HD systems that enables you to capture every detail and nuance of a performance. Capture high-resolution audio through premium mic preamps. Connect gear to a wide array of analog and digital I/O. And monitor sessions in up to 7.1 surround—all from a compact interface that takes up just a single rack space. Plus, with its new lower price, getting great sound is even easier than ever.<br /><br /><h3>Pro Tools HDX Thunderbolt 3 Chassis</h3>Bring the power of Pro Tools | HDX to your studio desktop with this Pro Tools | HDX Thunderbolt 3 Desktop Chassis, built in partnership with Sonnet. The Avid HDX Thunderbolt 3 Desktop Chassis features two Thunderbolt 3 ports—one for computer connection and one for daisy-chaining up to five additional Thunderbolt/USB devices. The desktop chassis can house a single HDX PCIe card (not included), providing portability and easy connection to the latest high-performance computers. The Pro Tools HDX Thunderbolt 3 chassis is perfect for those who already own an HDX card in an old Mac Pro and have recently upgraded to a new computer. You can also purchase ready-to-go HDX system in one easy bundle, which includes your choice of desktop or rackmount chassis, one HDX card, Pro Tools | Ultimate software, and your choice of Pro Tools hardware I/O interface.<br /><br />With Pro Tools | HDX you can create bigger, better sounding mixes. Get up to 5x more power than previous generations. And tackle the most massive music and post-production projects with the confidence that comes with guaranteed performance. And now with new lower pricing and flexible options, getting the most powerful, versatile, and best-sounding system for your studio is easier than ever. <br /><br />\n<h3>Pro Tools HDX Core Card & Pro Tools Ultimate Software</h3>\nAvid Pro Tools | HDX Core Card allows your Pro Tools HDX System to create bigger, better sounding mixes. Pro Tools | HDX delivers the dedicated DSP and Pro Tools | HD software essential for handling such demanding sessions. Work with up to 256 audio tracks with a single card system or up to 768 audio tracks with three cards. Mix up to 192 ins and outs. Get the power to run volumes more plug-ins. And take on projects of any size and scope with complete confidence.<br /><br />'),