(6565,75,0,1095,'<h1>Manley Stereo Variable Mu Limiter/Compressor Mastering Version</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The MANLEY VARIABLE MU LIMITER COMPRESSOR has been Manley\'s best selling product for many years!<br/></span><br/>The MANLEY VARIABLE MU® LIMITER COMPRESSOR  is an industry standard for professional mastering studios, the Mastering Version of the Stereo Variable MU Limiter/Compressor employs metal-film resistors loaded into beautiful Grayhill sealed gold-contact switches for absolute repeatability, accuracy, and reliability. 1/2 dB steps ensure precise and subtle adjustments. This is what defines mastering. High Pass Side Chain mod now comes standard.\nThe MANLEY VARIABLE MU® LIMITER COMPRESSOR has been Manley\'s best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu® is Manley\'s registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. How’s it work? \n<br/><br/>The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\nThe COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression.\nYou might notice that the Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! \n<br/><br/>There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that’s what our Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression. Like one reviewer put it: “It’s like pouring a bowl of sweet cream over the mix.” <br/><br/>\n<h3>Stereo Variable Mu® Limiter/Compressor Features</h3>\n<div style=\"display: block;\" id=\"content_tab3\" class=\"tab_content\">\n	<ul>\n		<li>MANLEY input & output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz</li>\n		<li>BALANCED INPUTS & OUTPUTS (600 Ohms)</li>\n		<li>Fully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), & 12AL5 per channel</li>\n		<li>Independently regulated B+ and Heater supplies</li>\n		<li>Hard-wire BYPASS switch</li>\n		<li>Stepped switch INPUT attenuator as of 10/2011. (older units use Silent dual-ganged potentiometer)</li>\n		<li>RECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.</li>\n		<li>Variable ATTACK: 25msec-70msec</li>\n		<li>Continuously variable THRESHOLD</li>\n		<li>LIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)</li>\n		<li>HP SC: High Pass Side Chain Filter -3dB @ 100Hz</li>\n		<li>Large ILLUMINATED Sifam METERS (older units before serial number \nMSLC61642 shipped before 12/2003 use: 26V 1.2W FESTOON LAMPS; Manley\'s \nPart Number: VAR016B) Order spare bulbs using our parts order form. \n(newest units after serial number MSLC61642 shipped after 12/2003 use \nwhite LED lighting)\n		</li>\nSTEREO LINK SWITCH\n		<li>Several units can be linked for Surround (custom order )</li>\n		<li>Maximum gain: 35dB</li>\n		<li>Max. output: +30dBu (26Vrms) 26dB Headroom</li>\n		<li>&lt;0.1% THD @ 1KHz Noise floor: -85dB typical</li>\n		<li>Power Consumption (120/240VAC): 80 watts</li>\n		<li>Unit is factory set for 100V, 120V or 220-240VAC operation for original destination country\'s mains voltage.</li>\n		<li>Operating Mains Voltage changeable with power transformer changeover switch and fuse value change.</li>\n		<li>Mains Fuse Value for 100~120VAC operation:replace with 1.25A as of 10/2011</li>\n		<li>Mains Fuse Value for 220~240VAC operation: replace with 0.6A (600mA) as of 10/2011</li>\n		<li>Mains Fuse Type: MDA or MDL SLO-BLO Time delay 1 1/4\" x 1/4\"</li>\n		<li>Mains Voltage Frequency: 50~60Hz</li>\n		<li>Dimensions: 19” x 3 1/2” x 10” (chassis occupies 2u) Power transformer protrudes 3.5\" out the back of the chassis.</li>\n		<li>Shipping Weight: 23 lbs.</li>\n	</ul>\n</div>\n<br/>'),(6566,75,1,1095,'<h1>Manley Stereo Variable Mu Limiter/Compressor Mastering Version</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The MANLEY VARIABLE MU LIMITER COMPRESSOR has been Manley\'s best selling product for many years!<br/></span><br/>The MANLEY VARIABLE MU® LIMITER COMPRESSOR  is an industry standard for professional mastering studios, the Mastering Version of the Stereo Variable MU Limiter/Compressor employs metal-film resistors loaded into beautiful Grayhill sealed gold-contact switches for absolute repeatability, accuracy, and reliability. 1/2 dB steps ensure precise and subtle adjustments. This is what defines mastering. High Pass Side Chain mod now comes standard.\nThe MANLEY VARIABLE MU® LIMITER COMPRESSOR has been Manley\'s best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu® is Manley\'s registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. How’s it work? \n<br/><br/>The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\nThe COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression.\nYou might notice that the Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! \n<br/><br/>There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that’s what our Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression. Like one reviewer put it: “It’s like pouring a bowl of sweet cream over the mix.” <br/><br/>\n<h3>Stereo Variable Mu® Limiter/Compressor Features</h3>\n<div style=\"display: block;\" id=\"content_tab3\" class=\"tab_content\">\n	<ul>\n		<li>MANLEY input & output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz</li>\n		<li>BALANCED INPUTS & OUTPUTS (600 Ohms)</li>\n		<li>Fully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), & 12AL5 per channel</li>\n		<li>Independently regulated B+ and Heater supplies</li>\n		<li>Hard-wire BYPASS switch</li>\n		<li>Stepped switch INPUT attenuator as of 10/2011. (older units use Silent dual-ganged potentiometer)</li>\n		<li>RECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.</li>\n		<li>Variable ATTACK: 25msec-70msec</li>\n		<li>Continuously variable THRESHOLD</li>\n		<li>LIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)</li>\n		<li>HP SC: High Pass Side Chain Filter -3dB @ 100Hz</li>\n		<li>Large ILLUMINATED Sifam METERS (older units before serial number \nMSLC61642 shipped before 12/2003 use: 26V 1.2W FESTOON LAMPS; Manley\'s \nPart Number: VAR016B) Order spare bulbs using our parts order form. \n(newest units after serial number MSLC61642 shipped after 12/2003 use \nwhite LED lighting)\n		</li>\nSTEREO LINK SWITCH\n		<li>Several units can be linked for Surround (custom order )</li>\n		<li>Maximum gain: 35dB</li>\n		<li>Max. output: +30dBu (26Vrms) 26dB Headroom</li>\n		<li>&lt;0.1% THD @ 1KHz Noise floor: -85dB typical</li>\n		<li>Power Consumption (120/240VAC): 80 watts</li>\n		<li>Unit is factory set for 100V, 120V or 220-240VAC operation for original destination country\'s mains voltage.</li>\n		<li>Operating Mains Voltage changeable with power transformer changeover switch and fuse value change.</li>\n		<li>Mains Fuse Value for 100~120VAC operation:replace with 1.25A as of 10/2011</li>\n		<li>Mains Fuse Value for 220~240VAC operation: replace with 0.6A (600mA) as of 10/2011</li>\n		<li>Mains Fuse Type: MDA or MDL SLO-BLO Time delay 1 1/4\" x 1/4\"</li>\n		<li>Mains Voltage Frequency: 50~60Hz</li>\n		<li>Dimensions: 19” x 3 1/2” x 10” (chassis occupies 2u) Power transformer protrudes 3.5\" out the back of the chassis.</li>\n		<li>Shipping Weight: 23 lbs.</li>\n	</ul>\n</div>\n<br/>'),(6567,85,0,1095,'Manley Stereo Variable Mu Limiter/Compressor Mastering Version'),(6568,85,1,1095,'Manley Stereo Variable Mu Limiter/Compressor Mastering Version'),(6569,76,0,1095,''),(6570,76,1,1095,''),(6571,75,0,1096,'<h1>Manley VOXBOX Reference Channel Strip</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The VOXBOX® combines the legendary Manley Mono Mic Preamp, the ELOP \nreborn as a lower ratio compressor, the MID EQ blown out as a full range\n PEAK-DIP-PEAK EQ, and a DeEsser with a second ELOP limiter at the end!\n<br /></span><br />The Manley VOXBOX Combo is primarily a voice processor which in itself is not a novel idea, but the time had come to pull out all the stops and make a truly professional high-end statement. One that covered the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics. Full of features, timeless style, robust build quality, and that world-famous \"Manley Sound\", we present to you the MANLEY VOXBOX®\n<br /><br />\n<h3>MICROPHONE PREAMPLIFIER SECTION:</h3>\nThe preamplifier is a clone of a highly regarded and popular mic pre: the Manley Mono Microphone Preamplifier! The mic input transformer is our own design wound in-house at the Manley Labs factory. High current 48V Phantom power is switchable from the front panel. A simple and effective passive BASS CUT switch kills rumble and reduces popping. The INPUT ATTENUATOR is a variable pad control situated before the first tube stage allowing the preamplifier to accommodate +4 line level signals via the balanced LINE INPUT and instruments via the front panel 1/4\" DIRECT INPUT. These inputs are selected in the middle position of the dual-function phase invert switch. We provide both transformer balanced XLR output as well as a transformerless \"audiophile\" 1/4\" phone jack output. The Gain switch is actually a clever variable feedback control that changes not only the gain but the slew rate and flavour of the circuit. With it you can choose how laid back and mellow or how up-front and aggressive you want it to get. See \"Notes on Variable Feedback\" for more info. Headroom is a strong point in this circuit, +31dBu capable. This is 5 to 10 dB better than almost all other pro gear. The music passes through only our super-clean pure Class A vacuum tube circuitry. There are obvious advantages to our purist approach and foremost is the un-electronic final sound that carries emotion into the digital realm.\n<br /><br />\n<h3>COMPRESSOR SECTION:</h3>\nThis cool compressor design takes our opto-isolator approach of the Manley ELOP® Limiter to the max. We adjusted the Ratio down to 3:1 to turn our ELOP into a compressor and added ATTACK and RELEASE controls for more versatility. What is clever is how the signal is compressed before it hits the tubes with no detrimental effect on distortion or frequency response. This way, it can prevent mic-pre clipping and eliminate whole stages of electronics. This cuts the typical path of mic to tape in half! We also pioneered new thinking in the sidechain by using up to four different time constants simultaneously and controlling them with familiar simple attack, release and threshold controls. We call the approach \"Parametric Compression\". We developed optimum settings or presets based our favorite Vactrols that we use in our own fast ELOP® Limiter, the quick LA-2A\'s T-4 module, the slower LA-3A and then created more complex special settings. This extended range and method of timing delivers fresh sounds from powerhouse punching drums to super-solid bass yet can also emulate the way good engineers delicately ride a fader while recording. It is transparent and liquid-smooth on vocals, easy to use and accurate. Also rare for an opto-based dynamic processor, this compressor works great on mixes. Of course, you\'ll be needing two VOXBOXes linked in stereo...\n<br /><br />\n<h3>EQ SECTION:</h3>\nLots of folks requested that we include the Pultec Mid Frequency Equalizer in the VOXBOX®, but they wanted MORE.... Now we\'ve extended it to 33 frequencies in 3 bands with 6 new frequencies from 20 Hz to 150 Hz, and 6 more in the highs from 6.4 KHz to 20 KHz. Ever notice that only EQs with real inductors have the bottom end magic or that only Class A circuitry can keep the top end sweet? This is for you. The EQ INPUT switch patches in the Line Input, Preamp Output, or the INSERT return. This switch serves double-duty acting as a bypass switch for the preamp and/or external processors or for processing two different tracks.\n<br /><br />\n<h3>DE-ESSER & LIMITER SECTION:</h3>\nDesigned by folks with admittedly large gaps between their two front teeth, (Hutch and EveAnna) the VOXBOX® combo also includes a de-esser & peak limiter based on our original ELOP® Limiter design but with an added passive LC network to handle the de-essing four carefully chosen notch frequencies from 3KHz to 12KHz. (That 3KHz setting really tames those annoying frequencies!) The fifth position gives you a limiter which totally mimics the famous LA-2A. This means you can both compress pre-EQ then limit here post-EQ. Another cool feature is the ability to insert this de-esser silently and smoothly as the music plays, using it as needed.\n<br /><br />\n<h3>THE METER:</h3>\nThe METER is a full size illuminated Sifam VU meter. A five-position switch shows three audio levels: the line input, the preamp output and the final output. It also shows compressor gain reduction and the de-esser/limiter action. Other clever innovations incorporated into the VOXBOX® combo include warm-up muting circuitry, extensive magnetic field containment, \'smart -grounding\', and silent switching. The sum-total is more than the separate parts: consider the reduced patching, the short path to tape and you having this much immediate control. As engineers, we choose what we use not based entirely on features and functions - there is a sound, a texture we reach for and the VOXBOX® combo puts the \'Manley Sound\' together with \'Your Sound\'.\n<br /><br />\n<h4>VOXBOX Combo Features</h4>\n<ul>\n	<li>MANLEY transformers w/nickel laminations in mu-metal cases</li>\n	<li>2 kOhm MIC INPUT Z w/High current 48V Phantom power built-in</li>\n	<li>Hi-Z (100K) Direct Instrument Input</li>\n	<li>LINE & INSERT INPUTS (balanced XLR & 1/4\")</li>\n	<li>PREAMP & EQ outputs LO-Z (50 Ohms)</li>\n	<li>Transformer balanced XLR outputs</li>\n	<li>Transformerless unbalanced 1/4\"outputs</li>\n	<li>STEREO LINK for Compressor & De-esser/Limiter</li>\n	<li>SIDE CHAIN MONITOR for De-Esser</li>\n	<li>Large ILLUMINATED Sifam METER with FIVE readout modes - (older units\n before serial number MVB**1359 shipped before 9/2003 use: 12V 1.2W \nFESTOON LAMPS; Manley\'s Part Number: VAR016C) Order spare bulbs using \nour parts order form. (newest units after serial number MVB**1359 \nshipped after 9/2003 use yellow LED lighting)\n	</li>\n	<li>THD + N (1KHz @ +20 dBu): 0.3%</li>\n	<li>Maximum output: +31dBu</li>\n</ul>\n<div style=\"display: block;\" id=\"content_tab3\" class=\"tab_content\">\n</div>'),(6572,75,1,1096,'<h1>Manley VOXBOX Reference Channel Strip</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The VOXBOX® combines the legendary Manley Mono Mic Preamp, the ELOP \nreborn as a lower ratio compressor, the MID EQ blown out as a full range\n PEAK-DIP-PEAK EQ, and a DeEsser with a second ELOP limiter at the end!\n<br /></span><br />The Manley VOXBOX Combo is primarily a voice processor which in itself is not a novel idea, but the time had come to pull out all the stops and make a truly professional high-end statement. One that covered the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics. Full of features, timeless style, robust build quality, and that world-famous \"Manley Sound\", we present to you the MANLEY VOXBOX®\n<br /><br />\n<h3>MICROPHONE PREAMPLIFIER SECTION:</h3>\nThe preamplifier is a clone of a highly regarded and popular mic pre: the Manley Mono Microphone Preamplifier! The mic input transformer is our own design wound in-house at the Manley Labs factory. High current 48V Phantom power is switchable from the front panel. A simple and effective passive BASS CUT switch kills rumble and reduces popping. The INPUT ATTENUATOR is a variable pad control situated before the first tube stage allowing the preamplifier to accommodate +4 line level signals via the balanced LINE INPUT and instruments via the front panel 1/4\" DIRECT INPUT. These inputs are selected in the middle position of the dual-function phase invert switch. We provide both transformer balanced XLR output as well as a transformerless \"audiophile\" 1/4\" phone jack output. The Gain switch is actually a clever variable feedback control that changes not only the gain but the slew rate and flavour of the circuit. With it you can choose how laid back and mellow or how up-front and aggressive you want it to get. See \"Notes on Variable Feedback\" for more info. Headroom is a strong point in this circuit, +31dBu capable. This is 5 to 10 dB better than almost all other pro gear. The music passes through only our super-clean pure Class A vacuum tube circuitry. There are obvious advantages to our purist approach and foremost is the un-electronic final sound that carries emotion into the digital realm.\n<br /><br />\n<h3>COMPRESSOR SECTION:</h3>\nThis cool compressor design takes our opto-isolator approach of the Manley ELOP® Limiter to the max. We adjusted the Ratio down to 3:1 to turn our ELOP into a compressor and added ATTACK and RELEASE controls for more versatility. What is clever is how the signal is compressed before it hits the tubes with no detrimental effect on distortion or frequency response. This way, it can prevent mic-pre clipping and eliminate whole stages of electronics. This cuts the typical path of mic to tape in half! We also pioneered new thinking in the sidechain by using up to four different time constants simultaneously and controlling them with familiar simple attack, release and threshold controls. We call the approach \"Parametric Compression\". We developed optimum settings or presets based our favorite Vactrols that we use in our own fast ELOP® Limiter, the quick LA-2A\'s T-4 module, the slower LA-3A and then created more complex special settings. This extended range and method of timing delivers fresh sounds from powerhouse punching drums to super-solid bass yet can also emulate the way good engineers delicately ride a fader while recording. It is transparent and liquid-smooth on vocals, easy to use and accurate. Also rare for an opto-based dynamic processor, this compressor works great on mixes. Of course, you\'ll be needing two VOXBOXes linked in stereo...\n<br /><br />\n<h3>EQ SECTION:</h3>\nLots of folks requested that we include the Pultec Mid Frequency Equalizer in the VOXBOX®, but they wanted MORE.... Now we\'ve extended it to 33 frequencies in 3 bands with 6 new frequencies from 20 Hz to 150 Hz, and 6 more in the highs from 6.4 KHz to 20 KHz. Ever notice that only EQs with real inductors have the bottom end magic or that only Class A circuitry can keep the top end sweet? This is for you. The EQ INPUT switch patches in the Line Input, Preamp Output, or the INSERT return. This switch serves double-duty acting as a bypass switch for the preamp and/or external processors or for processing two different tracks.\n<br /><br />\n<h3>DE-ESSER & LIMITER SECTION:</h3>\nDesigned by folks with admittedly large gaps between their two front teeth, (Hutch and EveAnna) the VOXBOX® combo also includes a de-esser & peak limiter based on our original ELOP® Limiter design but with an added passive LC network to handle the de-essing four carefully chosen notch frequencies from 3KHz to 12KHz. (That 3KHz setting really tames those annoying frequencies!) The fifth position gives you a limiter which totally mimics the famous LA-2A. This means you can both compress pre-EQ then limit here post-EQ. Another cool feature is the ability to insert this de-esser silently and smoothly as the music plays, using it as needed.\n<br /><br />\n<h3>THE METER:</h3>\nThe METER is a full size illuminated Sifam VU meter. A five-position switch shows three audio levels: the line input, the preamp output and the final output. It also shows compressor gain reduction and the de-esser/limiter action. Other clever innovations incorporated into the VOXBOX® combo include warm-up muting circuitry, extensive magnetic field containment, \'smart -grounding\', and silent switching. The sum-total is more than the separate parts: consider the reduced patching, the short path to tape and you having this much immediate control. As engineers, we choose what we use not based entirely on features and functions - there is a sound, a texture we reach for and the VOXBOX® combo puts the \'Manley Sound\' together with \'Your Sound\'.\n<br /><br />\n<h4>VOXBOX Combo Features</h4>\n<ul>\n	<li>MANLEY transformers w/nickel laminations in mu-metal cases</li>\n	<li>2 kOhm MIC INPUT Z w/High current 48V Phantom power built-in</li>\n	<li>Hi-Z (100K) Direct Instrument Input</li>\n	<li>LINE & INSERT INPUTS (balanced XLR & 1/4\")</li>\n	<li>PREAMP & EQ outputs LO-Z (50 Ohms)</li>\n	<li>Transformer balanced XLR outputs</li>\n	<li>Transformerless unbalanced 1/4\"outputs</li>\n	<li>STEREO LINK for Compressor & De-esser/Limiter</li>\n	<li>SIDE CHAIN MONITOR for De-Esser</li>\n	<li>Large ILLUMINATED Sifam METER with FIVE readout modes - (older units\n before serial number MVB**1359 shipped before 9/2003 use: 12V 1.2W \nFESTOON LAMPS; Manley\'s Part Number: VAR016C) Order spare bulbs using \nour parts order form. (newest units after serial number MVB**1359 \nshipped after 9/2003 use yellow LED lighting)\n	</li>\n	<li>THD + N (1KHz @ +20 dBu): 0.3%</li>\n	<li>Maximum output: +31dBu</li>\n</ul>\n<div style=\"display: block;\" id=\"content_tab3\" class=\"tab_content\">\n</div>'),(6573,85,0,1096,'Manley VOXBOX Reference Channel Strip'),(6574,85,1,1096,'Manley VOXBOX Reference Channel Strip'),(6575,76,0,1096,''),(6576,76,1,1096,''),(6577,75,0,1097,'<h2>Maselec MDS-2 High Frequency Limiter</h2>\n<i><span><span style=\"font-size: 18px;\">A two channel high frequency limiter primarily used as a de-esser</span></span></i><br /><br />\nThe Maselec MDS-2 is a dual mono, linkable, high frequency limiter. It is housed in a 1U 19\" rack mount alloy case. It is primarily intended for use as a de-esser, reducing unattractive high frequencies, with minimum coloration and loss of clarity.<br /><br />\n\nAutomatic time constants and optimization techniques for the gain reduction minimizes the number of controls. The advantage is not only simple operation but also increased performance for highly dynamic and inconsistent materials without the need for continuous readjustments.<br /><br />\nWith wide input range, up to +29dBu input and low noise, the MDS-2 can be used in many different applications.<br /><br />\n\nThe side chain can be switched to M-S, which can be used to \'zoom\' in on high frequencies in the centre of the stereo image. With this function switched in the threshold is 6dB lower for the centre image compared to extreme left and right. The M-S function does not affect the actual audio path. \n<br /><br />\n<h3>About Maselec</h3>\nAll MASELEC products are developed by Leif Mases. His experience as a producer, recording engineer and studio owner, working with Jeff Beck, Led Zeppelin, Black Sabbath, ABBA and others, is reflected in the operation and performance of his designs. Maselec features a comprehensive range of high-quality analogue processors that offer precision, transparency and in some cases, program-dependent effectiveness.\n<br /><br />\n<h3>The Masalec MPL-2 limiter can be used to de-ess your recording with limited loss of clarity. Call or chat with a RSPE representative today for more information.\n</h3>'),(6578,75,1,1097,'<h2>Maselec MDS-2 High Frequency Limiter</h2>\n<i><span><span style=\"font-size: 18px;\">A two channel high frequency limiter primarily used as a de-esser</span></span></i><br /><br />\nThe Maselec MDS-2 is a dual mono, linkable, high frequency limiter. It is housed in a 1U 19\" rack mount alloy case. It is primarily intended for use as a de-esser, reducing unattractive high frequencies, with minimum coloration and loss of clarity.<br /><br />\n\nAutomatic time constants and optimization techniques for the gain reduction minimizes the number of controls. The advantage is not only simple operation but also increased performance for highly dynamic and inconsistent materials without the need for continuous readjustments.<br /><br />\nWith wide input range, up to +29dBu input and low noise, the MDS-2 can be used in many different applications.<br /><br />\n\nThe side chain can be switched to M-S, which can be used to \'zoom\' in on high frequencies in the centre of the stereo image. With this function switched in the threshold is 6dB lower for the centre image compared to extreme left and right. The M-S function does not affect the actual audio path. \n<br /><br />\n<h3>About Maselec</h3>\nAll MASELEC products are developed by Leif Mases. His experience as a producer, recording engineer and studio owner, working with Jeff Beck, Led Zeppelin, Black Sabbath, ABBA and others, is reflected in the operation and performance of his designs. Maselec features a comprehensive range of high-quality analogue processors that offer precision, transparency and in some cases, program-dependent effectiveness.\n<br /><br />\n<h3>The Masalec MPL-2 limiter can be used to de-ess your recording with limited loss of clarity. Call or chat with a RSPE representative today for more information.\n</h3>'),(6579,85,0,1097,''),(6580,85,1,1097,''),(6581,76,0,1097,''),(6582,76,1,1097,''),(6583,75,0,1098,'<h1>Maselec MEA-2 Precision Stereo Equalizer</h1>\n<font size=\"3\"><i>A four-band precision analogue equalizer, designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.</i></font><br /><br />\nThe Maselec MEA-2 Precision Stereo Equalizer, four-band precision analogue equalizer with stepped Q/shelf, frequency and cut/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required. Top recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue equalizers have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with modern demands. The MEA-2 provides fully-stepped controls for precision and repeatability for ALL parameters. <br /><br />\nThe MEA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MEA-2 has stepped controls with a fine 0.5dB gain adjustment at low cut/boost settings. Maximum cut/boost per band is 8dB. The MEA-2 is an equalizer that can provide precise equalization with minimal side-effects - it is designed to provide a very transparent signal path where only the desired equalization effect is obtained without adding any particular sonic signature.<br /><br />\n\n<h3>MEA-2 Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Four separate shelf/bell switchable equalizer sections per channel</span></li>\n	<li><span style=\"background-color: initial;\">Unique equalization characteristics, optimized through extensive listening tests</span></li>\n	<li><span style=\"background-color: initial;\">Precision stepped controls for accuracy and repeatability</span></li>\n	<li><span style=\"background-color: initial;\">Overlapping frequency ranges with 84 settings per channel</span></li>\n	<li><span style=\"background-color: initial;\">Excellent channel-to-channel matching</span></li>\n	<li><span style=\"background-color: initial;\">Interactive cut/boost and bandwidth controls for more natural operation</span></li>\n	<li><span style=\"background-color: initial;\">Low noise and wide dynamic range</span></li>\n	<li><span style=\"background-color: initial;\">Electronically balanced inputs and outputs</span></li>\n	<li><span style=\"background-color: initial;\">Individual EQ sections are completely switched off when the gain controls are set to 0dB</span></li>\n	<li><span style=\"background-color: initial;\">Full bypass when the power is turned off</span></li>\n</ul>\n<br />\n\n\n<h3>Using the MEA-2</h3>\nThe MEA-2 is a very special Equalizer that has been designed to achieve a certain sound. It has a distinctive character, discernable both sonically and in the unique shape of its EQ curves. \n<br /><br />\nWith 4 bands per channel, shelving/peaking/Q selection on each and 84 interleaved frequency settings per channel, the MEA-2 provides great flexibility and precision.<br /><br /> \nEach channel can be by-passed individually, indicated by illuminated push buttons on the front panel. \n<br /><br />\nThe MEA-2 provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path. There\'s no easy way to describe it though, so contact us now to arrange a demo. Great sounding EQ is right behind the controls!\n<br /><br />\n<h3>About Maselec</h3>\nAll MASELEC products are developed by Leif Mases. His experience as a producer, recording engineer and studio owner,\n<br /> working with Jeff Beck, Led Zeppelin, Black Sabbath, ABBA and others, is reflected in the operation and performance of his designs. Maselec features a comprehensive range of high-quality analogue processors that offer precision, transparency and in some cases, program-dependent effectiveness.<br /><br />\n\n<h2>Upgrade your recording or mastering studio with the Maselec MAE-2 Stereo equalizer. Call or chat with a RSPE representative today for more information.</h2>'),(6584,75,1,1098,'<h1>Maselec MEA-2 Precision Stereo Equalizer</h1>\n<font size=\"3\"><i>A four-band precision analogue equalizer, designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.</i></font><br /><br />\nThe Maselec MEA-2 Precision Stereo Equalizer, four-band precision analogue equalizer with stepped Q/shelf, frequency and cut/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required. Top recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue equalizers have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with modern demands. The MEA-2 provides fully-stepped controls for precision and repeatability for ALL parameters. <br /><br />\nThe MEA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MEA-2 has stepped controls with a fine 0.5dB gain adjustment at low cut/boost settings. Maximum cut/boost per band is 8dB. The MEA-2 is an equalizer that can provide precise equalization with minimal side-effects - it is designed to provide a very transparent signal path where only the desired equalization effect is obtained without adding any particular sonic signature.<br /><br />\n\n<h3>MEA-2 Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Four separate shelf/bell switchable equalizer sections per channel</span></li>\n	<li><span style=\"background-color: initial;\">Unique equalization characteristics, optimized through extensive listening tests</span></li>\n	<li><span style=\"background-color: initial;\">Precision stepped controls for accuracy and repeatability</span></li>\n	<li><span style=\"background-color: initial;\">Overlapping frequency ranges with 84 settings per channel</span></li>\n	<li><span style=\"background-color: initial;\">Excellent channel-to-channel matching</span></li>\n	<li><span style=\"background-color: initial;\">Interactive cut/boost and bandwidth controls for more natural operation</span></li>\n	<li><span style=\"background-color: initial;\">Low noise and wide dynamic range</span></li>\n	<li><span style=\"background-color: initial;\">Electronically balanced inputs and outputs</span></li>\n	<li><span style=\"background-color: initial;\">Individual EQ sections are completely switched off when the gain controls are set to 0dB</span></li>\n	<li><span style=\"background-color: initial;\">Full bypass when the power is turned off</span></li>\n</ul>\n<br />\n\n\n<h3>Using the MEA-2</h3>\nThe MEA-2 is a very special Equalizer that has been designed to achieve a certain sound. It has a distinctive character, discernable both sonically and in the unique shape of its EQ curves. \n<br /><br />\nWith 4 bands per channel, shelving/peaking/Q selection on each and 84 interleaved frequency settings per channel, the MEA-2 provides great flexibility and precision.<br /><br /> \nEach channel can be by-passed individually, indicated by illuminated push buttons on the front panel. \n<br /><br />\nThe MEA-2 provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path. There\'s no easy way to describe it though, so contact us now to arrange a demo. Great sounding EQ is right behind the controls!\n<br /><br />\n<h3>About Maselec</h3>\nAll MASELEC products are developed by Leif Mases. His experience as a producer, recording engineer and studio owner,\n<br /> working with Jeff Beck, Led Zeppelin, Black Sabbath, ABBA and others, is reflected in the operation and performance of his designs. Maselec features a comprehensive range of high-quality analogue processors that offer precision, transparency and in some cases, program-dependent effectiveness.<br /><br />\n\n<h2>Upgrade your recording or mastering studio with the Maselec MAE-2 Stereo equalizer. Call or chat with a RSPE representative today for more information.</h2>'),(6585,85,0,1098,'Maselec MEA-2 precision stereo equalizer'),(6586,85,1,1098,'Maselec MEA-2 precision stereo equalizer'),(6587,76,0,1098,''),(6588,76,1,1098,''),(6589,75,0,1099,'<h2>Maselec MLA-4 Triband Compressor / Expander</h2>\n<i><span style=\"font-size: 18px;\">A Stereo, 3-band compressor and expander based on the Maselec MLA-3.</span></i><br /><br />\nThe  Maselec MLA-4 is a stereo triband compressor and expander, developed from the popular MLA-3 with added expander functions. The input signal is split into three frequency-bands. Each band is passed through a stereo compressor / expander, where gain and processing can be altered. \nThe three frequency-band compressors / expanders have separate controls so that different parts of the audio spectrum can be adjusted and tuned.  \n<br /><br />\nThe outputs of the compressors / expanders are then re-combined and fed to the outputs. There are four different \nfrequencies for each of the two crossovers that can be separately selected for the low-to-mid and the mid-to-high bands. \nWith separate gain controls for each frequency-band, the MLA-4 can also be used as an equalizer. You can always adjust the controls for the separate frequency bands to different settings. There is no technical reason why they should be the same for all frequencies. Separate Input and Output gain controls, make the MLA-4 easy to use for different operating levels.\n<br /><br />\n<h3>Maselec MLA-4 Key Features:</h3>\n<ul>\n	<li>3-band compressor and expander based on the MLA-3\n	</li>\n	<li>Ultra-powerful at restoring dynamics</li>\n	<li>Ratios ranging from 6:1 to 1:2</li>\n	<li>Attack and Release control for each band</li>\n	<li>Separate link circuits for separate compression and expansion of a frequency band</li>\n	<li>Sidechains links: L+M, L+H, L+MH, Off, Linked</li>\n	<li>Low Band Pass filter frequencies: 100Hz, 200Hz, 400Hz, 800Hz</li>\n	<li>High Band Pass filter frequencies: 1.5kHz, 3kHz, 6kHz, 12kHz</li>\n	<li>Stepped rotary switches</li>\n</ul>\n<br />\n<h3>About Maselec</h3>\nAll MASELEC products are developed by Leif Mases. His experience as a producer, recording engineer and studio owner, working with Jeff Beck, Led Zeppelin, Black Sabbath, ABBA and others, is reflected in the operation and performance of his designs. Maselec features a comprehensive range of high-quality analogue processors that offer precision, transparency and in some cases, program-dependent effectiveness.<br /><br />\n<h3>Upgrade your studio with the power of the Maselec MLA-4 Compressor and Expander. Call or chat with a RSPE representative today for more information.\n</h3>'),(6590,75,1,1099,'<h2>Maselec MLA-4 Triband Compressor / Expander</h2>\n<i><span style=\"font-size: 18px;\">A Stereo, 3-band compressor and expander based on the Maselec MLA-3.</span></i><br /><br />\nThe  Maselec MLA-4 is a stereo triband compressor and expander, developed from the popular MLA-3 with added expander functions. The input signal is split into three frequency-bands. Each band is passed through a stereo compressor / expander, where gain and processing can be altered. \nThe three frequency-band compressors / expanders have separate controls so that different parts of the audio spectrum can be adjusted and tuned.  \n<br /><br />\nThe outputs of the compressors / expanders are then re-combined and fed to the outputs. There are four different \nfrequencies for each of the two crossovers that can be separately selected for the low-to-mid and the mid-to-high bands. \nWith separate gain controls for each frequency-band, the MLA-4 can also be used as an equalizer. You can always adjust the controls for the separate frequency bands to different settings. There is no technical reason why they should be the same for all frequencies. Separate Input and Output gain controls, make the MLA-4 easy to use for different operating levels.\n<br /><br />\n<h3>Maselec MLA-4 Key Features:</h3>\n<ul>\n	<li>3-band compressor and expander based on the MLA-3\n	</li>\n	<li>Ultra-powerful at restoring dynamics</li>\n	<li>Ratios ranging from 6:1 to 1:2</li>\n	<li>Attack and Release control for each band</li>\n	<li>Separate link circuits for separate compression and expansion of a frequency band</li>\n	<li>Sidechains links: L+M, L+H, L+MH, Off, Linked</li>\n	<li>Low Band Pass filter frequencies: 100Hz, 200Hz, 400Hz, 800Hz</li>\n	<li>High Band Pass filter frequencies: 1.5kHz, 3kHz, 6kHz, 12kHz</li>\n	<li>Stepped rotary switches</li>\n</ul>\n<br />\n<h3>About Maselec</h3>\nAll MASELEC products are developed by Leif Mases. His experience as a producer, recording engineer and studio owner, working with Jeff Beck, Led Zeppelin, Black Sabbath, ABBA and others, is reflected in the operation and performance of his designs. Maselec features a comprehensive range of high-quality analogue processors that offer precision, transparency and in some cases, program-dependent effectiveness.<br /><br />\n<h3>Upgrade your studio with the power of the Maselec MLA-4 Compressor and Expander. Call or chat with a RSPE representative today for more information.\n</h3>'),(6591,85,0,1099,'Maselec MLA-4 Triband Compressor / Expander'),(6592,85,1,1099,'Maselec MLA-4 Triband Compressor / Expander'),(6593,76,0,1099,''),(6594,76,1,1099,''),(6595,75,0,1100,'<h2>Maselec MPL-2 Peak and High Frequency Limiter</h2>\n<i><span><span style=\"font-size: 18px;\">‘Smooth’ and give digital recordings a more ‘analogue’ character with the MPL-2 Single-Channel Peak and High-Frequency Limiter</span></span></i><br /><br />\n\n	The Maselec MPL-2 is a brick-wall and high frequency limiter that can be used to achieve high subjective levels and reduce unwanted high frequency levels (de-essing).<br /><br />\n	The Maselec MPL-2 is housed in a 1u 19\" rack mount alloy case. A minimum of controls is used due to automatic time constants and optimisation techniques for the gain reduction. The advantage is not only simple operation but also increased performance for highly dynamic and inconsistent materials without the need for continuous readjustments.\n<br /><br />\n	The input gain does not reduce the wide dynamic range of the limiter. It can be used at its maximum setting with no increased risk of distortion. This eliminates the need for excessive levels, which could cause clipping in equipment feeding the input of the limiter. A further benefit is that the maximum peak output level (set with the threshold) is independent of different gain settings.\n<br /><br />\n	High frequency limiting is primarily intended for use as a de-esser, reducing unattractive high frequencies. Part of the high frequency limiter circuit is also used to reduce distortion from the wideband limiter.\n<br /><br />\n	Users of the MPL-2 will notice the removal of spurious peaks, and an increase of subjective levels, without the coloration and increased distortion so often associated with soft clippers and other ultra fast limiters.\n<br /><br />\n<h3>About Maselec</h3>\nAll MASELEC products are developed by Leif Mases. His experience as a producer, recording engineer and studio owner, working with Jeff Beck, Led Zeppelin, Black Sabbath, ABBA and others, is reflected in the operation and performance of his designs. Maselec features a comprehensive range of high-quality analogue processors that offer precision, transparency and in some cases, program-dependent effectiveness.\n<br /><br />\n<h3>Give your digital recordings the smooth sound of analog with the Masalec MPL-2. Call or chat with a RSPE representative today for more information.\n</h3>'),(6596,75,1,1100,'<h2>Maselec MPL-2 Peak and High Frequency Limiter</h2>\n<i><span><span style=\"font-size: 18px;\">‘Smooth’ and give digital recordings a more ‘analogue’ character with the MPL-2 Single-Channel Peak and High-Frequency Limiter</span></span></i><br /><br />\n\n	The Maselec MPL-2 is a brick-wall and high frequency limiter that can be used to achieve high subjective levels and reduce unwanted high frequency levels (de-essing).<br /><br />\n	The Maselec MPL-2 is housed in a 1u 19\" rack mount alloy case. A minimum of controls is used due to automatic time constants and optimisation techniques for the gain reduction. The advantage is not only simple operation but also increased performance for highly dynamic and inconsistent materials without the need for continuous readjustments.\n<br /><br />\n	The input gain does not reduce the wide dynamic range of the limiter. It can be used at its maximum setting with no increased risk of distortion. This eliminates the need for excessive levels, which could cause clipping in equipment feeding the input of the limiter. A further benefit is that the maximum peak output level (set with the threshold) is independent of different gain settings.\n<br /><br />\n	High frequency limiting is primarily intended for use as a de-esser, reducing unattractive high frequencies. Part of the high frequency limiter circuit is also used to reduce distortion from the wideband limiter.\n<br /><br />\n	Users of the MPL-2 will notice the removal of spurious peaks, and an increase of subjective levels, without the coloration and increased distortion so often associated with soft clippers and other ultra fast limiters.\n<br /><br />\n<h3>About Maselec</h3>\nAll MASELEC products are developed by Leif Mases. His experience as a producer, recording engineer and studio owner, working with Jeff Beck, Led Zeppelin, Black Sabbath, ABBA and others, is reflected in the operation and performance of his designs. Maselec features a comprehensive range of high-quality analogue processors that offer precision, transparency and in some cases, program-dependent effectiveness.\n<br /><br />\n<h3>Give your digital recordings the smooth sound of analog with the Masalec MPL-2. Call or chat with a RSPE representative today for more information.\n</h3>'),(6597,85,0,1100,''),(6598,85,1,1100,''),(6599,76,0,1100,''),(6600,76,1,1100,''),(6601,75,0,1101,'<h2>Maselec MTC-1X Mastering Transfer Console</h2>\n<i><span style=\"font-size: 18px;\">Stereo Mastering Transfer Console</span></i><br /><br />\nThe Maselec MTC-1X is a fully featured analogue stereo transfer console offering superior sound quality and ergonomics, designed for mastering.\n<br /><br />\nThe Maselec MTC-1X is divided into four sections covering input, output, inserts and monitoring sections. The input section boasts two input sources, Phase reversal of the left and right channels, Low and High frequencies 12dB/octave cut off filters and +/-10dB of gain (5dB in 0.5dB steps and a fixed +5dB switch). Two cut buttons are included to cut the signal while plugging insert processors. The Low Cut filter uses a fairly sharp knee at lower frequencies to optimise performance while the High-cut filter uses “soft” knee.\n<br /><br />\n	<b>The Input Section:</b>\n<ul>\n	<li><span style=\"background-color: initial;\">Input source selection</span></li>\n	<li>Phase invert for left and right</li>\n	<li>Separate left and right gain controls (1/2dB steps)</li>\n	<li>5dB Additional gain selectable for low level sources</li>\n	<li>Low-cut and high-cut filters</li>\n	<li>Independent cut controls for left and right</li>\n</ul>\n<br />\n	<b>The Insert section has six insert points and offers additional powerful functions: </b>\n\n<ul>\n	<li><span style=\"background-color: initial;\">M-S with gain control for the ‘difference’ signal</span></li>\n	<li>Inserts 1 & 2 equipment swap (FLIP)</li>\n	<li>Insert 4 or Inserts 2-4 cross-fade or additive mix with the use of a rotary switch. This function could be used for ‘parallel’ compression or adding reverb</li>\n	<li>Inserts 4 & 5 equipment swap (FLIP)</li>\n	<li>Insert 6 can be moved to Post Output. This is the preferred position for a brick-wall limite<span style=\"background-color: initial;\">r.</span></li>\n</ul>\n<br />\n	<b>The Output Section:</b>\n<ul>\n	<li><span style=\"background-color: initial;\">Separate left and right gain controls (1/2dB steps)</span></li>\n	<li>Elliptical filter with 20 frequencies</li>\n	<li>Stereo width control; from mono to extra wide</li>\n	<li>Output cut control</li>\n</ul>\n<br />\n	<b>The Monitor Section:</b>\n<ul>\n	<li><span style=\"background-color: initial;\">4 External Monitor Sources</span></li>\n	<li>Monitor of the Input and Output sections</li>\n	<li>2 Speaker feeds0 to10dB, 1/2dB steps, offset trim for inputs S1 and S2</li>\n	<li>Monitor of the stereo-, left-, right-, mono-or difference- signal</li>\n	<li>Individual cut controls for left and right speakers</li>\n	<li>Progressive dim function</li>\n	<li>Meter output, with –6dB, -8dB and –10dB offsets</li>\n</ul>\n\n<br />\n<h3>About Maselec</h3>\nAll MASELEC products are developed by Leif Mases. His experience as a producer, recording engineer and studio owner, working with Jeff Beck, Led Zeppelin, Black Sabbath, ABBA and others, is reflected in the operation and performance of his designs. Maselec features a comprehensive range of high-quality analogue processors that offer precision, transparency and in some cases, program-dependent effectiveness.\n<br /><br />\n<h3>Upgrade your studio with the power of the Maselec MTC-1X. Call or chat with a RSPE representative today for more information.\n</h3>'),(6602,75,1,1101,'<h2>Maselec MTC-1X Mastering Transfer Console</h2>\n<i><span style=\"font-size: 18px;\">Stereo Mastering Transfer Console</span></i><br /><br />\nThe Maselec MTC-1X is a fully featured analogue stereo transfer console offering superior sound quality and ergonomics, designed for mastering.\n<br /><br />\nThe Maselec MTC-1X is divided into four sections covering input, output, inserts and monitoring sections. The input section boasts two input sources, Phase reversal of the left and right channels, Low and High frequencies 12dB/octave cut off filters and +/-10dB of gain (5dB in 0.5dB steps and a fixed +5dB switch). Two cut buttons are included to cut the signal while plugging insert processors. The Low Cut filter uses a fairly sharp knee at lower frequencies to optimise performance while the High-cut filter uses “soft” knee.\n<br /><br />\n	<b>The Input Section:</b>\n<ul>\n	<li><span style=\"background-color: initial;\">Input source selection</span></li>\n	<li>Phase invert for left and right</li>\n	<li>Separate left and right gain controls (1/2dB steps)</li>\n	<li>5dB Additional gain selectable for low level sources</li>\n	<li>Low-cut and high-cut filters</li>\n	<li>Independent cut controls for left and right</li>\n</ul>\n<br />\n	<b>The Insert section has six insert points and offers additional powerful functions: </b>\n\n<ul>\n	<li><span style=\"background-color: initial;\">M-S with gain control for the ‘difference’ signal</span></li>\n	<li>Inserts 1 & 2 equipment swap (FLIP)</li>\n	<li>Insert 4 or Inserts 2-4 cross-fade or additive mix with the use of a rotary switch. This function could be used for ‘parallel’ compression or adding reverb</li>\n	<li>Inserts 4 & 5 equipment swap (FLIP)</li>\n	<li>Insert 6 can be moved to Post Output. This is the preferred position for a brick-wall limite<span style=\"background-color: initial;\">r.</span></li>\n</ul>\n<br />\n	<b>The Output Section:</b>\n<ul>\n	<li><span style=\"background-color: initial;\">Separate left and right gain controls (1/2dB steps)</span></li>\n	<li>Elliptical filter with 20 frequencies</li>\n	<li>Stereo width control; from mono to extra wide</li>\n	<li>Output cut control</li>\n</ul>\n<br />\n	<b>The Monitor Section:</b>\n<ul>\n	<li><span style=\"background-color: initial;\">4 External Monitor Sources</span></li>\n	<li>Monitor of the Input and Output sections</li>\n	<li>2 Speaker feeds0 to10dB, 1/2dB steps, offset trim for inputs S1 and S2</li>\n	<li>Monitor of the stereo-, left-, right-, mono-or difference- signal</li>\n	<li>Individual cut controls for left and right speakers</li>\n	<li>Progressive dim function</li>\n	<li>Meter output, with –6dB, -8dB and –10dB offsets</li>\n</ul>\n\n<br />\n<h3>About Maselec</h3>\nAll MASELEC products are developed by Leif Mases. His experience as a producer, recording engineer and studio owner, working with Jeff Beck, Led Zeppelin, Black Sabbath, ABBA and others, is reflected in the operation and performance of his designs. Maselec features a comprehensive range of high-quality analogue processors that offer precision, transparency and in some cases, program-dependent effectiveness.\n<br /><br />\n<h3>Upgrade your studio with the power of the Maselec MTC-1X. Call or chat with a RSPE representative today for more information.\n</h3>'),(6603,85,0,1101,''),(6604,85,1,1101,''),(6605,76,0,1101,''),(6606,76,1,1101,''),(6607,75,0,1102,'<h2>McDSP 4020 Retro EQ - Native</h2><div><div>The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>4020 EQ Features</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Variable slope filtering</li><li>Variable Q/slope Shelving and Parametric EQ</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation Modeling</li><li>Double Precision Processing</li><li>Ultra Low Latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6608,75,1,1102,'<h2>McDSP 4020 Retro EQ - Native</h2><div><div>The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>4020 EQ Features</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Variable slope filtering</li><li>Variable Q/slope Shelving and Parametric EQ</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation Modeling</li><li>Double Precision Processing</li><li>Ultra Low Latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6609,85,0,1102,'McDSP 4020 Retro EQ - Native'),(6610,85,1,1102,'McDSP 4020 Retro EQ - Native'),(6611,76,0,1102,''),(6612,76,1,1102,''),(6613,75,0,1103,'<h2>McDSP 4020 Retro EQ - HD</h2><div><div>The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>4020 EQ Features</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Variable slope filtering</li><li>Variable Q/slope Shelving and Parametric EQ</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation Modeling</li><li>Double Precision Processing</li><li>Ultra Low Latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6614,75,1,1103,'<h2>McDSP 4020 Retro EQ - HD</h2><div><div>The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>4020 EQ Features</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Variable slope filtering</li><li>Variable Q/slope Shelving and Parametric EQ</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation Modeling</li><li>Double Precision Processing</li><li>Ultra Low Latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6615,85,0,1103,'McDSP 4020 Retro EQ - HD'),(6616,85,1,1103,'McDSP 4020 Retro EQ - HD'),(6617,76,0,1103,''),(6618,76,1,1103,''),(6619,75,0,1104,'<h2>McDSP 4030 Retro Compressor - Native</h2><div><div>The 4030 Retro Compressor is a new dynamic range control topology coupled with a wet/dry mix control to balance compressed and uncompressed signals. An active attack and release design allows aggressive compression settings with minimal artifact generation.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>4030 Comp Features</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Mix control</li><li>Side chain support</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6620,75,1,1104,'<h2>McDSP 4030 Retro Compressor - Native</h2><div><div>The 4030 Retro Compressor is a new dynamic range control topology coupled with a wet/dry mix control to balance compressed and uncompressed signals. An active attack and release design allows aggressive compression settings with minimal artifact generation.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>4030 Comp Features</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Mix control</li><li>Side chain support</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6621,85,0,1104,'McDSP 4030 Retro Compressor - Native'),(6622,85,1,1104,'McDSP 4030 Retro Compressor - Native'),(6623,76,0,1104,''),(6624,76,1,1104,''),(6625,75,0,1105,'<h2>McDSP 4030 Retro Compressor - HD</h2><div><div>The 4030 Retro Compressor is a new dynamic range control topology coupled with a wet/dry mix control to balance compressed and uncompressed signals. An active attack and release design allows aggressive compression settings with minimal artifact generation.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>4030 Comp Features</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Mix control</li><li>Side chain support</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6626,75,1,1105,'<h2>McDSP 4030 Retro Compressor - HD</h2><div><div>The 4030 Retro Compressor is a new dynamic range control topology coupled with a wet/dry mix control to balance compressed and uncompressed signals. An active attack and release design allows aggressive compression settings with minimal artifact generation.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>4030 Comp Features</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Mix control</li><li>Side chain support</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6627,85,0,1105,'McDSP 4030 Retro Compressor - HD'),(6628,85,1,1105,'McDSP 4030 Retro Compressor - HD'),(6629,76,0,1105,''),(6630,76,1,1105,''),(6631,75,0,1106,'<h2>McDSP 4040 Retro Limiter - Native</h2><div><div>The 4040 Retro Limiter combines a look-ahead brick wall limiter function with several subjective treatments to make the limiting action subtle, and yet vintage.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>Includes</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Up to 36 dB of signal gain</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6632,75,1,1106,'<h2>McDSP 4040 Retro Limiter - Native</h2><div><div>The 4040 Retro Limiter combines a look-ahead brick wall limiter function with several subjective treatments to make the limiting action subtle, and yet vintage.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>Includes</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Up to 36 dB of signal gain</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6633,85,0,1106,'McDSP 4040 Retro Limiter - Native'),(6634,85,1,1106,'McDSP 4040 Retro Limiter - Native'),(6635,76,0,1106,''),(6636,76,1,1106,''),(6637,75,0,1107,'<h2>McDSP 4040 Retro Limiter - HD</h2><div><div>The 4040 Retro Limiter combines a look-ahead brick wall limiter function with several subjective treatments to make the limiting action subtle, and yet vintage.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>Includes</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Up to 36 dB of signal gain</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6638,75,1,1107,'<h2>McDSP 4040 Retro Limiter - HD</h2><div><div>The 4040 Retro Limiter combines a look-ahead brick wall limiter function with several subjective treatments to make the limiting action subtle, and yet vintage.</div><div>All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.</div><div>Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.</div></div><br /><h3>Includes</h3><ul><li>Unique original algorithms with transparent yet vintage sound</li><li>Up to 36 dB of signal gain</li><li>Anti-Clip Output Stage Topology</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6639,85,0,1107,'McDSP 4040 Retro Limiter - HD'),(6640,85,1,1107,'McDSP 4040 Retro Limiter - HD'),(6641,76,0,1107,''),(6642,76,1,1107,''),(6643,75,0,1108,'<h2>McDSP 6020 Ultimate EQ - Native</h2><div><div>The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.</div><div>All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.</div><div>Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.</div></div><br /><h3>6020 EQ Features</h3><ul><li>10 EQ modules in a single interface</li><li>Input & output control</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6644,75,1,1108,'<h2>McDSP 6020 Ultimate EQ - Native</h2><div><div>The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.</div><div>All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.</div><div>Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.</div></div><br /><h3>6020 EQ Features</h3><ul><li>10 EQ modules in a single interface</li><li>Input & output control</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6645,85,0,1108,'McDSP 6020 Ultimate EQ - Native'),(6646,85,1,1108,'McDSP 6020 Ultimate EQ - Native'),(6647,76,0,1108,''),(6648,76,1,1108,'');
INSERT INTO `catalog_product_entity_text` VALUES (6649,75,0,1109,'<h2>McDSP 6020 Ultimate EQ - HD</h2><div><div>The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.</div><div>All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.</div><div>Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.</div></div><br /><h3>6020 EQ Features</h3><ul><li>10 EQ modules in a single interface</li><li>Input & output control</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6650,75,1,1109,'<h2>McDSP 6020 Ultimate EQ - HD</h2><div><div>The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.</div><div>All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.</div><div>Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.</div></div><br /><h3>6020 EQ Features</h3><ul><li>10 EQ modules in a single interface</li><li>Input & output control</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6651,85,0,1109,'McDSP 6020 Ultimate EQ - HD'),(6652,85,1,1109,'McDSP 6020 Ultimate EQ - HD'),(6653,76,0,1109,''),(6654,76,1,1109,''),(6655,75,0,1110,'<h2>McDSP 6030 Ultimate Compressor - Native</h2><div><div>The 6030 Ultimate Compressor is the next generation of dynamic range control technology. Building from the entire McDSP compression algorithm code base, the 6030 adds new sonic capabilities, stunning new interfaces, and quality only McDSP could deliver.</div><div>Using the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP – some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP. Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional.</div><div><br /></div><div>Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.</div></div><br /><h3>6030 EQ Features</h3><ul><li>10 compressor modules in a single interface</li><li>Side chain support</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6656,75,1,1110,'<h2>McDSP 6030 Ultimate Compressor - Native</h2><div><div>The 6030 Ultimate Compressor is the next generation of dynamic range control technology. Building from the entire McDSP compression algorithm code base, the 6030 adds new sonic capabilities, stunning new interfaces, and quality only McDSP could deliver.</div><div>Using the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP – some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP. Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional.</div><div><br /></div><div>Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.</div></div><br /><h3>6030 EQ Features</h3><ul><li>10 compressor modules in a single interface</li><li>Side chain support</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6657,85,0,1110,'McDSP 6030 Ultimate Compressor - Native'),(6658,85,1,1110,'McDSP 6030 Ultimate Compressor - Native'),(6659,76,0,1110,''),(6660,76,1,1110,''),(6661,75,0,1111,'<h2>McDSP 6030 Ultimate Compressor - HD</h2><div><div>The 6030 Ultimate Compressor is the next generation of dynamic range control technology. Building from the entire McDSP compression algorithm code base, the 6030 adds new sonic capabilities, stunning new interfaces, and quality only McDSP could deliver.</div><div>Using the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP – some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP. Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional.</div><div><br /></div><div>Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.</div></div><br /><h3>6030 EQ Features</h3><ul><li>10 compressor modules in a single interface</li><li>Side chain support</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6662,75,1,1111,'<h2>McDSP 6030 Ultimate Compressor - HD</h2><div><div>The 6030 Ultimate Compressor is the next generation of dynamic range control technology. Building from the entire McDSP compression algorithm code base, the 6030 adds new sonic capabilities, stunning new interfaces, and quality only McDSP could deliver.</div><div>Using the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP – some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP. Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional.</div><div><br /></div><div>Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.</div></div><br /><h3>6030 EQ Features</h3><ul><li>10 compressor modules in a single interface</li><li>Side chain support</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6663,85,0,1111,'McDSP 6030 Ultimate Compressor - HD'),(6664,85,1,1111,'McDSP 6030 Ultimate Compressor - HD'),(6665,76,0,1111,''),(6666,76,1,1111,''),(6667,75,0,1112,'<h1>McDSP 6034 Ultimate Multi-band</h1>\n		The McDSP 6034 Ultimate Multi-band is a flexible multi-band dynamics processor, offering all the award-winning compression, expansion, and gating modules from the highly acclaimed 6050 Ultimate Channel Strip plug-in, in a four band crossover network. Just like the 6050 modules, the 6034 Ultimate Multi-band modules can be swapped on the fly for quick auditioning while retaining relative settings. The crossover filter slopes can be configured as 6, 12, or 24 dB/Oct. Metering includes gain reduction and output levels on all crossover bands, as well as main input and output levels.\n<br /><br />\n		Artist Presets included from: Mike Dean, ROCAsound, David Bottrill, Richard Chycki, Lovy Longomba, Eric Racy, Brujo Caipo and Zakk Cervini.\n<br /><br />\n<h3>6034 Ultimate Multi-band Features</h3>\n<ul>\n	<li>Includes award-winning compressor modules from the 6050 Ultimate Channel Strip</li>\n	<li>Configurable four-band crossover with multiple filter slope options</li>\n	<li>On the fly module auditioning</li>\n	<li>Input and output control</li>\n	<li>Analog Saturation Modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>AU</li>\n	<li>VST</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6668,75,1,1112,'<h1>McDSP 6034 Ultimate Multi-band</h1>\n		The McDSP 6034 Ultimate Multi-band is a flexible multi-band dynamics processor, offering all the award-winning compression, expansion, and gating modules from the highly acclaimed 6050 Ultimate Channel Strip plug-in, in a four band crossover network. Just like the 6050 modules, the 6034 Ultimate Multi-band modules can be swapped on the fly for quick auditioning while retaining relative settings. The crossover filter slopes can be configured as 6, 12, or 24 dB/Oct. Metering includes gain reduction and output levels on all crossover bands, as well as main input and output levels.\n<br /><br />\n		Artist Presets included from: Mike Dean, ROCAsound, David Bottrill, Richard Chycki, Lovy Longomba, Eric Racy, Brujo Caipo and Zakk Cervini.\n<br /><br />\n<h3>6034 Ultimate Multi-band Features</h3>\n<ul>\n	<li>Includes award-winning compressor modules from the 6050 Ultimate Channel Strip</li>\n	<li>Configurable four-band crossover with multiple filter slope options</li>\n	<li>On the fly module auditioning</li>\n	<li>Input and output control</li>\n	<li>Analog Saturation Modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>AU</li>\n	<li>VST</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6669,85,0,1112,'McDSP 6034 Ultimate Multi-band'),(6670,85,1,1112,'McDSP 6034 Ultimate Multi-band'),(6671,76,0,1112,''),(6672,76,1,1112,''),(6673,75,0,1113,'<h1>McDSP 6034 Ultimate Multi-band - HD</h1>\n		The McDSP 6034 Ultimate Multi-band is a flexible multi-band dynamics processor, offering all the award-winning compression, expansion, and gating modules from the highly acclaimed 6050 Ultimate Channel Strip plug-in, in a four band crossover network. Just like the 6050 modules, the 6034 Ultimate Multi-band modules can be swapped on the fly for quick auditioning while retaining relative settings. The crossover filter slopes can be configured as 6, 12, or 24 dB/Oct. Metering includes gain reduction and output levels on all crossover bands, as well as main input and output levels.\n<br /><br />\nArtist Presets included from: Mike Dean, ROCAsound, David Bottrill, Richard Chycki, Lovy Longomba, Eric Racy, Brujo Caipo and Zakk Cervini.\n<br /><br />\n<h3>6034 Ultimate Multi-band Features</h3>\n<ul>\n	<li>Includes award-winning compressor modules from the 6050 Ultimate Channel Strip</li>\n	<li>Configurable four-band crossover with multiple filter slope options</li>\n	<li>On the fly module auditioning</li>\n	<li>Input and output control</li>\n	<li>Analog Saturation Modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP & Native</li>\n	<li>AU</li>\n	<li>VST</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6674,75,1,1113,'<h1>McDSP 6034 Ultimate Multi-band - HD</h1>\n		The McDSP 6034 Ultimate Multi-band is a flexible multi-band dynamics processor, offering all the award-winning compression, expansion, and gating modules from the highly acclaimed 6050 Ultimate Channel Strip plug-in, in a four band crossover network. Just like the 6050 modules, the 6034 Ultimate Multi-band modules can be swapped on the fly for quick auditioning while retaining relative settings. The crossover filter slopes can be configured as 6, 12, or 24 dB/Oct. Metering includes gain reduction and output levels on all crossover bands, as well as main input and output levels.\n<br /><br />\nArtist Presets included from: Mike Dean, ROCAsound, David Bottrill, Richard Chycki, Lovy Longomba, Eric Racy, Brujo Caipo and Zakk Cervini.\n<br /><br />\n<h3>6034 Ultimate Multi-band Features</h3>\n<ul>\n	<li>Includes award-winning compressor modules from the 6050 Ultimate Channel Strip</li>\n	<li>Configurable four-band crossover with multiple filter slope options</li>\n	<li>On the fly module auditioning</li>\n	<li>Input and output control</li>\n	<li>Analog Saturation Modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP & Native</li>\n	<li>AU</li>\n	<li>VST</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6675,85,0,1113,'McDSP 6034 Ultimate Multi-band - HD'),(6676,85,1,1113,'McDSP 6034 Ultimate Multi-band - HD'),(6677,76,0,1113,''),(6678,76,1,1113,''),(6679,75,0,1114,'<h1>McDSP 6050 Ultimate Channel Strip - HD</h1>\n\n		The McDSP 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters.\n<br /><br />\n		The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.\n<br /><br />\n		Artist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.\n<br /><br />\n<h3>6050 Ultimate Channel Strip Features</h3>\n<ul>\n	<li>Over 25 EQ, compressor, gate, expander, saturator, and filter modules</li>\n	<li>Easy drag and drop, on the fly module auditioning</li>\n	<li>Side chain support</li>\n	<li>Analog Saturation modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP/Native</li>\n	<li>AU</li>\n	<li>VST</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6680,75,1,1114,'<h1>McDSP 6050 Ultimate Channel Strip - HD</h1>\n\n		The McDSP 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters.\n<br /><br />\n		The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.\n<br /><br />\n		Artist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.\n<br /><br />\n<h3>6050 Ultimate Channel Strip Features</h3>\n<ul>\n	<li>Over 25 EQ, compressor, gate, expander, saturator, and filter modules</li>\n	<li>Easy drag and drop, on the fly module auditioning</li>\n	<li>Side chain support</li>\n	<li>Analog Saturation modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP/Native</li>\n	<li>AU</li>\n	<li>VST</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6681,85,0,1114,'McDSP 6050 Ultimate Channel Strip - HD'),(6682,85,1,1114,'McDSP 6050 Ultimate Channel Strip - HD'),(6683,76,0,1114,''),(6684,76,1,1114,''),(6685,75,0,1115,'<h1>McDSP 6050 Ultimate Channel Strip - Native</h1>\n\n		The McDSP 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters.\n<br /><br />\n		The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.\n<br /><br />\n		Artist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.\n<br /><br />\n<h3>6050 Ultimate Channel Strip Features</h3>\n<ul>\n	<li>Over 25 EQ, compressor, gate, expander, saturator, and filter modules</li>\n	<li>Easy drag and drop, on the fly module auditioning</li>\n	<li>Side chain support</li>\n	<li>Analog Saturation modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>AU</li>\n	<li>VST</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6686,75,1,1115,'<h1>McDSP 6050 Ultimate Channel Strip - Native</h1>\n\n		The McDSP 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters.\n<br /><br />\n		The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.\n<br /><br />\n		Artist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.\n<br /><br />\n<h3>6050 Ultimate Channel Strip Features</h3>\n<ul>\n	<li>Over 25 EQ, compressor, gate, expander, saturator, and filter modules</li>\n	<li>Easy drag and drop, on the fly module auditioning</li>\n	<li>Side chain support</li>\n	<li>Analog Saturation modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>AU</li>\n	<li>VST</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6687,85,0,1115,'McDSP 6050 Ultimate Channel Strip - Native'),(6688,85,1,1115,'McDSP 6050 Ultimate Channel Strip - Native'),(6689,76,0,1115,''),(6690,76,1,1115,''),(6691,75,0,1116,'<h2>McDSP 6060 Ultimate Module Collection - HD</h2>\n			The McDSP 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available. The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.\n<br /><br />\nThe 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.\n<br /><br />\nThe 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.\n<br /><br />\nThe 6060 is indeed, the ultimate module collection.\n<br /><br />\n<h3>McDSP 6060 Features</h3>\n<ul>\n	<li>Largest collection of processing options of any module-based plug-in</li>\n	<li>Easy drag and drop, on the fly module auditioning</li>\n	<li>Split Mode operation for two separate parallel signal paths</li>\n	<li>Analog Saturation Modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra-low latency</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP/Native, AU, VST</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6692,75,1,1116,'<h2>McDSP 6060 Ultimate Module Collection - HD</h2>\n			The McDSP 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available. The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.\n<br /><br />\nThe 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.\n<br /><br />\nThe 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.\n<br /><br />\nThe 6060 is indeed, the ultimate module collection.\n<br /><br />\n<h3>McDSP 6060 Features</h3>\n<ul>\n	<li>Largest collection of processing options of any module-based plug-in</li>\n	<li>Easy drag and drop, on the fly module auditioning</li>\n	<li>Split Mode operation for two separate parallel signal paths</li>\n	<li>Analog Saturation Modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra-low latency</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP/Native, AU, VST</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6693,85,0,1116,'McDSP 6060 Ultimate Module Collection - HD'),(6694,85,1,1116,'McDSP 6060 Ultimate Module Collection - HD'),(6695,76,0,1116,''),(6696,76,1,1116,''),(6697,75,0,1117,'<h2>McDSP 6060 Ultimate Module Collection - Native</h2>\n			The McDSP 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available. The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.\n<br /><br />\nThe 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.\n<br /><br />\nThe 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.\n<br /><br />\nThe 6060 is indeed, the ultimate module collection.\n<br /><br />\n<h3>McDSP 6060 Features</h3>\n<ul>\n	<li>Largest collection of processing options of any module-based plug-in</li>\n	<li>Easy drag and drop, on the fly module auditioning</li>\n	<li>Split Mode operation for two separate parallel signal paths</li>\n	<li>Analog Saturation Modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra-low latency</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native, AU, VST</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6698,75,1,1117,'<h2>McDSP 6060 Ultimate Module Collection - Native</h2>\n			The McDSP 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available. The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.\n<br /><br />\nThe 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.\n<br /><br />\nThe 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.\n<br /><br />\nThe 6060 is indeed, the ultimate module collection.\n<br /><br />\n<h3>McDSP 6060 Features</h3>\n<ul>\n	<li>Largest collection of processing options of any module-based plug-in</li>\n	<li>Easy drag and drop, on the fly module auditioning</li>\n	<li>Split Mode operation for two separate parallel signal paths</li>\n	<li>Analog Saturation Modeling</li>\n	<li>Double precision processing</li>\n	<li>Ultra-low latency</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native, AU, VST</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6699,85,0,1117,'McDSP 6060 Ultimate Module Collection - Native'),(6700,85,1,1117,'McDSP 6060 Ultimate Module Collection - Native'),(6701,76,0,1117,''),(6702,76,1,1117,''),(6703,75,0,1118,'<h2>McDSP AE400 Active EQ - Native</h2><div><div>The AE400 is made up of 4 bands of fixed and active equalization. Each band is completely overlapping with all other bands and has its own Q (bandwidth), fixed gain, and active gain controls. A key filter for each band allows the active gain response to be as selective or broad as needed, based on the Q (bandwidth) control. Each band can use the input signal or selected side chain signal to trigger the active EQ response.</div><div>The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot. The AE400’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE400.</div><div><br /></div><div>Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE400.</div></div><br /><h3>AE400 EQ Features</h3><ul><li>Four fully overlapping fixed and active EQ bands</li><li>Independent control over all active EQ parameters per band</li><li>Unique active EQ ratio response control</li><li>Side chain support</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6704,75,1,1118,'<h2>McDSP AE400 Active EQ - Native</h2><div><div>The AE400 is made up of 4 bands of fixed and active equalization. Each band is completely overlapping with all other bands and has its own Q (bandwidth), fixed gain, and active gain controls. A key filter for each band allows the active gain response to be as selective or broad as needed, based on the Q (bandwidth) control. Each band can use the input signal or selected side chain signal to trigger the active EQ response.</div><div>The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot. The AE400’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE400.</div><div><br /></div><div>Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE400.</div></div><br /><h3>AE400 EQ Features</h3><ul><li>Four fully overlapping fixed and active EQ bands</li><li>Independent control over all active EQ parameters per band</li><li>Unique active EQ ratio response control</li><li>Side chain support</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6705,85,0,1118,'McDSP AE400 Active EQ - Native'),(6706,85,1,1118,'McDSP AE400 Active EQ - Native'),(6707,76,0,1118,''),(6708,76,1,1118,''),(6709,75,0,1119,'<h2>McDSP AE400 Active EQ - HD</h2><div><div>The AE400 is made up of 4 bands of fixed and active equalization. Each band is completely overlapping with all other bands and has its own Q (bandwidth), fixed gain, and active gain controls. A key filter for each band allows the active gain response to be as selective or broad as needed, based on the Q (bandwidth) control. Each band can use the input signal or selected side chain signal to trigger the active EQ response.</div><div>The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot. The AE400’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE400.</div><div><br /></div><div>Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE400.</div></div><br /><h3>AE400 EQ Features</h3><ul><li>Four fully overlapping fixed and active EQ bands</li><li>Independent control over all active EQ parameters per band</li><li>Unique active EQ ratio response control</li><li>Side chain support</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6710,75,1,1119,'<h2>McDSP AE400 Active EQ - HD</h2><div><div>The AE400 is made up of 4 bands of fixed and active equalization. Each band is completely overlapping with all other bands and has its own Q (bandwidth), fixed gain, and active gain controls. A key filter for each band allows the active gain response to be as selective or broad as needed, based on the Q (bandwidth) control. Each band can use the input signal or selected side chain signal to trigger the active EQ response.</div><div>The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot. The AE400’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE400.</div><div><br /></div><div>Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE400.</div></div><br /><h3>AE400 EQ Features</h3><ul><li>Four fully overlapping fixed and active EQ bands</li><li>Independent control over all active EQ parameters per band</li><li>Unique active EQ ratio response control</li><li>Side chain support</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6711,85,0,1119,'McDSP AE400 Active EQ - HD'),(6712,85,1,1119,'McDSP AE400 Active EQ - HD'),(6713,76,0,1119,''),(6714,76,1,1119,''),(6715,75,0,1120,'<h2>McDSP AE600 Active EQ - Native</h2><div>The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.<br /><br />Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.<br /><br />The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.<br /><br />Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.</div><br /><h3>AE600 EQ Features</h3><ul><li>Six fully overlapping fixed and active EQ bands</li><li>Independent control over all fixed and active EQ parameters per band</li><li>Selectable EQ mode per fixed and active bands</li><li>Unique active EQ ratio response control</li><li>Side chain support</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li><strong>Native v6</strong>: AAX Native, AU, VST</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6716,75,1,1120,'<h2>McDSP AE600 Active EQ - Native</h2><div>The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.<br /><br />Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.<br /><br />The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.<br /><br />Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.</div><br /><h3>AE600 EQ Features</h3><ul><li>Six fully overlapping fixed and active EQ bands</li><li>Independent control over all fixed and active EQ parameters per band</li><li>Selectable EQ mode per fixed and active bands</li><li>Unique active EQ ratio response control</li><li>Side chain support</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li><strong>Native v6</strong>: AAX Native, AU, VST</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6717,85,0,1120,'McDSP AE600 Active EQ - Native'),(6718,85,1,1120,'McDSP AE600 Active EQ - Native'),(6719,76,0,1120,''),(6720,76,1,1120,''),(6721,75,0,1121,'<h2>McDSP AE600 Active EQ - HD</h2><div>The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.<br /><br />Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.<br /><br />The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.<br /><br />Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.</div><br /><h3>AE600 EQ Features</h3><ul><li>Six fully overlapping fixed and active EQ bands</li><li>Independent control over all fixed and active EQ parameters per band</li><li>Selectable EQ mode per fixed and active bands</li><li>Unique active EQ ratio response control</li><li>Side chain support</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li><strong>HD v6</strong>: AAX DSP/Native, AU, VST</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6722,75,1,1121,'<h2>McDSP AE600 Active EQ - HD</h2><div>The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.<br /><br />Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.<br /><br />The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.<br /><br />Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.</div><br /><h3>AE600 EQ Features</h3><ul><li>Six fully overlapping fixed and active EQ bands</li><li>Independent control over all fixed and active EQ parameters per band</li><li>Selectable EQ mode per fixed and active bands</li><li>Unique active EQ ratio response control</li><li>Side chain support</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li><strong>HD v6</strong>: AAX DSP/Native, AU, VST</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6723,85,0,1121,'McDSP AE600 Active EQ - HD'),(6724,85,1,1121,'McDSP AE600 Active EQ - HD'),(6725,76,0,1121,''),(6726,76,1,1121,''),(6727,75,0,1122,'<h2>McDSP Analog Channel - Native</h2><div><div>Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers.</div><div>Analog Channel is 2 plug-ins:</div><ul><li>AC101 – Emulates analog channel amplifier circuits</li><li>AC202 – Emulates analog tape machines</li></ul><br /><div>The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.</div><div><br /></div><div>The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Library of presets emulating analog mixing systems</li><li>Real-time display of saturation curves and calibrations</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6728,75,1,1122,'<h2>McDSP Analog Channel - Native</h2><div><div>Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers.</div><div>Analog Channel is 2 plug-ins:</div><ul><li>AC101 – Emulates analog channel amplifier circuits</li><li>AC202 – Emulates analog tape machines</li></ul><br /><div>The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.</div><div><br /></div><div>The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Library of presets emulating analog mixing systems</li><li>Real-time display of saturation curves and calibrations</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6729,85,0,1122,'McDSP Analog Channel - Native'),(6730,85,1,1122,'McDSP Analog Channel - Native'),(6731,76,0,1122,''),(6732,76,1,1122,''),(6733,75,0,1123,'<h2>McDSP Analog Channel - HD</h2><div><div>Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers.</div><div>Analog Channel is 2 plug-ins:</div><ul><li>AC101 – Emulates analog channel amplifier circuits</li><li>AC202 – Emulates analog tape machines</li></ul><br /><div>The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.</div><div><br /></div><div>The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Library of presets emulating analog mixing systems</li><li>Real-time display of saturation curves and calibrations</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6734,75,1,1123,'<h2>McDSP Analog Channel - HD</h2><div><div>Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers.</div><div>Analog Channel is 2 plug-ins:</div><ul><li>AC101 – Emulates analog channel amplifier circuits</li><li>AC202 – Emulates analog tape machines</li></ul><br /><div>The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.</div><div><br /></div><div>The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Library of presets emulating analog mixing systems</li><li>Real-time display of saturation curves and calibrations</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6735,85,0,1123,'McDSP Analog Channel - HD'),(6736,85,1,1123,'McDSP Analog Channel - HD'),(6737,76,0,1123,''),(6738,76,1,1123,''),(6739,75,0,1124,'<h1>McDSP APB-16 Analog Processing Box</h1>\n<i>16-Channel analog processing box gives you 16 channels of real-time analog processing that\'s controlled like a normal plug-in but with the true warmth and sound of the analog domain.</i><br /><br />The McDSP APB-16 Analog Processing Box is a 16 channel processor that combines the flexibility of software with the fidelity of premium analog processing. Each channel can be controlled by a Pro Tools plug-in giving true digital workflow with genuine analog performance. Processing options include compressors, mastering limiters, transient enhancement devices, multi-channel and multi-band applications, and so much more... we\'re only getting started.\n<br /><br />\n<h3>APB-16 Hardware Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Programmable analog processing</span></li>\n	<li>Premium analog components</li>\n	<li>Multiple analog saturation circuits</li>\n	<li>AKM 32-bit DAC and ADC</li>\n	<li>Thunderbolt 2 and 3 compatible</li>\n	<li>McDSP patented technology</li>\n	<li>Manufactured in the United States</li>\n</ul>\n<br />\n<h3></h3>\n<h3>APB-16 Software Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">APB-ready software plug-in bundle included</span></li>\n	<li>Sample accurate automation</li>\n	<li>Full session recall and preset handling</li>\n</ul>\n<br />\n<h3>APB Plug-Ins</h3>\nThe APB-16 comes with a collection of APB plug-ins to route audio to the APB hardware and control the analog circuitry within. The user simply operates the APB plug-in like any other plug-in, but processing is done in the analog domain. Settings can be saved as a preset, plug-ins can be recalled with a session, and parameters can even be automated with sample level accuracy. APB plug-ins provide true digital workflow with genuine analog performance.\n<br /><br /><b>Included Plug-Ins:</b><br />\n<ul>\n	<li><span style=\"background-color: initial;\">MOO X Mixer</span></li><li><span style=\"background-color: initial;\">C673-A </span><span style=\"background-color: initial;\">Dynamic Range Compressor<br /></span></li>\n	<li><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\">EL MOO </span><span style=\"background-color: initial;\">Tube Limiter<br /></span></li>\n	<li><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\">MOO TUBE </span><span style=\"background-color: initial;\">Compressor<br /></span></li>\n	<li><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\">ChickenHead </span><span style=\"background-color: initial;\">Compressor<br /></span></li>\n	<li><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\">L-18 </span><span style=\"background-color: initial;\">Limiter<br /></span></li>\n	<li><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\">C-18 </span><span style=\"background-color: initial;\">Compressor</span></li>\n</ul>\n<br />\n<h3>APB Rear Connections</h3>\nAn APB plug-in takes the input audio signal, combines it with a control signal, and sends both along a Thunderbolt connection to an APB hardware unit for processing. The control signal sets up the analog components to do the selected algorithm with all the parameter values, and the audio signal is processed in the analog domain, and then converted back to the digital domain, and appears at the output of the APB plug-in back inside the Pro Tools session.\n<br /><br />'),(6740,75,1,1124,'<h1>McDSP APB-16 Analog Processing Box</h1>\n<i>16-Channel analog processing box gives you 16 channels of real-time analog processing that\'s controlled like a normal plug-in but with the true warmth and sound of the analog domain.</i><br /><br />The McDSP APB-16 Analog Processing Box is a 16 channel processor that combines the flexibility of software with the fidelity of premium analog processing. Each channel can be controlled by a Pro Tools plug-in giving true digital workflow with genuine analog performance. Processing options include compressors, mastering limiters, transient enhancement devices, multi-channel and multi-band applications, and so much more... we\'re only getting started.\n<br /><br />\n<h3>APB-16 Hardware Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Programmable analog processing</span></li>\n	<li>Premium analog components</li>\n	<li>Multiple analog saturation circuits</li>\n	<li>AKM 32-bit DAC and ADC</li>\n	<li>Thunderbolt 2 and 3 compatible</li>\n	<li>McDSP patented technology</li>\n	<li>Manufactured in the United States</li>\n</ul>\n<br />\n<h3></h3>\n<h3>APB-16 Software Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">APB-ready software plug-in bundle included</span></li>\n	<li>Sample accurate automation</li>\n	<li>Full session recall and preset handling</li>\n</ul>\n<br />\n<h3>APB Plug-Ins</h3>\nThe APB-16 comes with a collection of APB plug-ins to route audio to the APB hardware and control the analog circuitry within. The user simply operates the APB plug-in like any other plug-in, but processing is done in the analog domain. Settings can be saved as a preset, plug-ins can be recalled with a session, and parameters can even be automated with sample level accuracy. APB plug-ins provide true digital workflow with genuine analog performance.\n<br /><br /><b>Included Plug-Ins:</b><br />\n<ul>\n	<li><span style=\"background-color: initial;\">MOO X Mixer</span></li><li><span style=\"background-color: initial;\">C673-A </span><span style=\"background-color: initial;\">Dynamic Range Compressor<br /></span></li>\n	<li><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\">EL MOO </span><span style=\"background-color: initial;\">Tube Limiter<br /></span></li>\n	<li><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\">MOO TUBE </span><span style=\"background-color: initial;\">Compressor<br /></span></li>\n	<li><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\">ChickenHead </span><span style=\"background-color: initial;\">Compressor<br /></span></li>\n	<li><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\">L-18 </span><span style=\"background-color: initial;\">Limiter<br /></span></li>\n	<li><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\"></span><span style=\"background-color: initial;\">C-18 </span><span style=\"background-color: initial;\">Compressor</span></li>\n</ul>\n<br />\n<h3>APB Rear Connections</h3>\nAn APB plug-in takes the input audio signal, combines it with a control signal, and sends both along a Thunderbolt connection to an APB hardware unit for processing. The control signal sets up the analog components to do the selected algorithm with all the parameter values, and the audio signal is processed in the analog domain, and then converted back to the digital domain, and appears at the output of the APB plug-in back inside the Pro Tools session.\n<br /><br />'),(6741,85,0,1124,'McDSP APB-16 Analog Processing Box'),(6742,85,1,1124,'McDSP APB-16 Analog Processing Box'),(6743,76,0,1124,''),(6744,76,1,1124,''),(6745,75,0,1125,'<h1>McDSP APB-8 Analog Processing Box</h1>\n<i>8-Channel analog processing box gives you 8 channels of real-time analog processing that\'s controlled like a normal plug-in but with the true warmth and sound of the analog domain.</i><br /><br />The McDSP APB-8 Analog Processing Box is a 8 channel version of McDSP\'s popular APB-16, a processor that combines the flexibility of software with the fidelity of premium analog processing. Each channel can be controlled by a Pro Tools plug-in giving true digital workflow with genuine analog performance. Processing options include compressors, mastering limiters, transient enhancement devices, multi-channel and multi-band applications, and so much more... we\'re only getting started.\n<br /><br />\n<h3>APB-8 Hardware Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Programmable analog processing</span></li>\n	<li>Premium analog components</li>\n	<li>Multiple analog saturation circuits</li>\n	<li>AKM 32-bit DAC and ADC</li>\n	<li>Thunderbolt 2 and 3 compatible</li>\n	<li>McDSP patented technology</li>\n	<li>Manufactured in the United States</li>\n</ul>\n<br />\n<h3></h3>\n<h3>APB-8 Software Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">APB-ready software plug-in bundle included</span></li>\n	<li>Sample accurate automation</li>\n	<li>Full session recall and preset handling</li>\n</ul>\n<br />\n<h3>APB Plug-Ins</h3>\nThe APB-8 comes with a collection of APB plug-ins to route audio to the APB hardware and control the analog circuitry within. The user simply operates the APB plug-in like any other plug-in, but processing is done in the analog domain. Settings can be saved as a preset, plug-ins can be recalled with a session, and parameters can even be automated with sample level accuracy. APB plug-ins provide true digital workflow with genuine analog performance. \n<br /><br /><b>Included Plug-Ins:</b><br />\n<ul>\n\n	<li>MOO X Mixer</li><li>C673-A Dynamic Range Compressor</li><li>EL MOO Tube Limiter</li><li>MOO TUBE Compressor</li><li>ChickenHead Compressor</li><li>L-18 Limiter</li><li>C-18 Compressor</li>\n</ul>\n<br />\n<h3>APB Rear Connections</h3>\nAn APB plug-in takes the input audio signal, combines it with a control signal, and sends both along a Thunderbolt connection to an APB hardware unit for processing. The control signal sets up the analog components to do the selected algorithm with all the parameter values, and the audio signal is processed in the analog domain, and then converted back to the digital domain, and appears at the output of the APB plug-in back inside the Pro Tools session.\n<br /><br />'),(6746,75,1,1125,'<h1>McDSP APB-8 Analog Processing Box</h1>\n<i>8-Channel analog processing box gives you 8 channels of real-time analog processing that\'s controlled like a normal plug-in but with the true warmth and sound of the analog domain.</i><br /><br />The McDSP APB-8 Analog Processing Box is a 8 channel version of McDSP\'s popular APB-16, a processor that combines the flexibility of software with the fidelity of premium analog processing. Each channel can be controlled by a Pro Tools plug-in giving true digital workflow with genuine analog performance. Processing options include compressors, mastering limiters, transient enhancement devices, multi-channel and multi-band applications, and so much more... we\'re only getting started.\n<br /><br />\n<h3>APB-8 Hardware Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Programmable analog processing</span></li>\n	<li>Premium analog components</li>\n	<li>Multiple analog saturation circuits</li>\n	<li>AKM 32-bit DAC and ADC</li>\n	<li>Thunderbolt 2 and 3 compatible</li>\n	<li>McDSP patented technology</li>\n	<li>Manufactured in the United States</li>\n</ul>\n<br />\n<h3></h3>\n<h3>APB-8 Software Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">APB-ready software plug-in bundle included</span></li>\n	<li>Sample accurate automation</li>\n	<li>Full session recall and preset handling</li>\n</ul>\n<br />\n<h3>APB Plug-Ins</h3>\nThe APB-8 comes with a collection of APB plug-ins to route audio to the APB hardware and control the analog circuitry within. The user simply operates the APB plug-in like any other plug-in, but processing is done in the analog domain. Settings can be saved as a preset, plug-ins can be recalled with a session, and parameters can even be automated with sample level accuracy. APB plug-ins provide true digital workflow with genuine analog performance. \n<br /><br /><b>Included Plug-Ins:</b><br />\n<ul>\n\n	<li>MOO X Mixer</li><li>C673-A Dynamic Range Compressor</li><li>EL MOO Tube Limiter</li><li>MOO TUBE Compressor</li><li>ChickenHead Compressor</li><li>L-18 Limiter</li><li>C-18 Compressor</li>\n</ul>\n<br />\n<h3>APB Rear Connections</h3>\nAn APB plug-in takes the input audio signal, combines it with a control signal, and sends both along a Thunderbolt connection to an APB hardware unit for processing. The control signal sets up the analog components to do the selected algorithm with all the parameter values, and the audio signal is processed in the analog domain, and then converted back to the digital domain, and appears at the output of the APB plug-in back inside the Pro Tools session.\n<br /><br />'),(6747,85,0,1125,'McDSP APB-8 Analog Processing Box'),(6748,85,1,1125,'McDSP APB-8 Analog Processing Box'),(6749,76,0,1125,''),(6750,76,1,1125,''),(6751,75,0,1126,'<h2>McDSP Channel G - Native</h2><div><div><div>Channel G delivers the big board sound with unprecedented flexibility and seamless integration with the Avid D-Control and D-Command control surfaces.</div><div>Channel G is 3 plug-ins:</div><ul><li>G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section</li><li>G Equalizer – a five-band professional grade console style EQ with a versatile filter section</li><li>G Console – a combination of the G Dynamics and G Equalizer configurations</li></ul><br /><div>All Channel G configurations feature calibration modes for music, post production, and models of the world’s most popular analog mixing desks.</div></div></div><h3>Channel G Features</h3><ul><li>Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct</li><li>Full featured Expander/Gate, Compressor/Limiter</li><li>Five-band EQ with shelving and parametric sections</li><li>Compressor/Limiter operation pre or post EQ section</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6752,75,1,1126,'<h2>McDSP Channel G - Native</h2><div><div><div>Channel G delivers the big board sound with unprecedented flexibility and seamless integration with the Avid D-Control and D-Command control surfaces.</div><div>Channel G is 3 plug-ins:</div><ul><li>G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section</li><li>G Equalizer – a five-band professional grade console style EQ with a versatile filter section</li><li>G Console – a combination of the G Dynamics and G Equalizer configurations</li></ul><br /><div>All Channel G configurations feature calibration modes for music, post production, and models of the world’s most popular analog mixing desks.</div></div></div><h3>Channel G Features</h3><ul><li>Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct</li><li>Full featured Expander/Gate, Compressor/Limiter</li><li>Five-band EQ with shelving and parametric sections</li><li>Compressor/Limiter operation pre or post EQ section</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6753,85,0,1126,'McDSP Channel G - Native'),(6754,85,1,1126,'McDSP Channel G - Native'),(6755,76,0,1126,''),(6756,76,1,1126,''),(6757,75,0,1127,'<h2>McDSP Channel G Compact - Native</h2><div><div>Channel G Compact delivers the same sonic experience as Channel G with a smaller dsp footprint.</div><div>Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks.</div><div>The Channel G Compact HD user interface seamlessly integrates with the Avid D-Control and D-Command control surfaces, as well as the Venue D-Show and Profile live sound consoles.</div></div><br /><h3>Channel G Compact Features</h3><ul><li>High pass and low pass filters with selectable slopes of up 12 and 24 dB/Oct</li><li>Full featured Compressor/Limiter</li><li>Four-band EQ with shelving and parametric sections</li><li>Compressor/Limiter operation pre or post EQ section</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6758,75,1,1127,'<h2>McDSP Channel G Compact - Native</h2><div><div>Channel G Compact delivers the same sonic experience as Channel G with a smaller dsp footprint.</div><div>Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks.</div><div>The Channel G Compact HD user interface seamlessly integrates with the Avid D-Control and D-Command control surfaces, as well as the Venue D-Show and Profile live sound consoles.</div></div><br /><h3>Channel G Compact Features</h3><ul><li>High pass and low pass filters with selectable slopes of up 12 and 24 dB/Oct</li><li>Full featured Compressor/Limiter</li><li>Four-band EQ with shelving and parametric sections</li><li>Compressor/Limiter operation pre or post EQ section</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6759,85,0,1127,'McDSP Channel G Compact - Native'),(6760,85,1,1127,'McDSP Channel G Compact - Native'),(6761,76,0,1127,''),(6762,76,1,1127,''),(6763,75,0,1128,'<h2>McDSP Channel G Compact - HD</h2><div><div>Channel G Compact delivers the same sonic experience as Channel G with a smaller dsp footprint.</div><div>Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks.</div><div>The Channel G Compact HD user interface seamlessly integrates with the Avid D-Control and D-Command control surfaces, as well as the Venue D-Show and Profile live sound consoles.</div></div><br /><h3>Channel G Compact Features</h3><ul><li>High pass and low pass filters with selectable slopes of up 12 and 24 dB/Oct</li><li>Full featured Compressor/Limiter</li><li>Four-band EQ with shelving and parametric sections</li><li>Compressor/Limiter operation pre or post EQ section</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6764,75,1,1128,'<h2>McDSP Channel G Compact - HD</h2><div><div>Channel G Compact delivers the same sonic experience as Channel G with a smaller dsp footprint.</div><div>Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks.</div><div>The Channel G Compact HD user interface seamlessly integrates with the Avid D-Control and D-Command control surfaces, as well as the Venue D-Show and Profile live sound consoles.</div></div><br /><h3>Channel G Compact Features</h3><ul><li>High pass and low pass filters with selectable slopes of up 12 and 24 dB/Oct</li><li>Full featured Compressor/Limiter</li><li>Four-band EQ with shelving and parametric sections</li><li>Compressor/Limiter operation pre or post EQ section</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6765,85,0,1128,'McDSP Channel G Compact - HD'),(6766,85,1,1128,'McDSP Channel G Compact - HD'),(6767,76,0,1128,''),(6768,76,1,1128,''),(6769,75,0,1129,'<h2>McDSP Channel G - HD</h2><div><div><div>Channel G delivers the big board sound with unprecedented flexibility and seamless integration with the Avid D-Control and D-Command control surfaces.</div><div>Channel G is 3 plug-ins:</div><ul><li>G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section</li><li>G Equalizer – a five-band professional grade console style EQ with a versatile filter section</li><li>G Console – a combination of the G Dynamics and G Equalizer configurations</li></ul><br /><div>All Channel G configurations feature calibration modes for music, post production, and models of the world’s most popular analog mixing desks.</div></div></div><h3>Channel G Features</h3><ul><li>Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct</li><li>Full featured Expander/Gate, Compressor/Limiter</li><li>Five-band EQ with shelving and parametric sections</li><li>Compressor/Limiter operation pre or post EQ section</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6770,75,1,1129,'<h2>McDSP Channel G - HD</h2><div><div><div>Channel G delivers the big board sound with unprecedented flexibility and seamless integration with the Avid D-Control and D-Command control surfaces.</div><div>Channel G is 3 plug-ins:</div><ul><li>G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section</li><li>G Equalizer – a five-band professional grade console style EQ with a versatile filter section</li><li>G Console – a combination of the G Dynamics and G Equalizer configurations</li></ul><br /><div>All Channel G configurations feature calibration modes for music, post production, and models of the world’s most popular analog mixing desks.</div></div></div><h3>Channel G Features</h3><ul><li>Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct</li><li>Full featured Expander/Gate, Compressor/Limiter</li><li>Five-band EQ with shelving and parametric sections</li><li>Compressor/Limiter operation pre or post EQ section</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6771,85,0,1129,'McDSP Channel G - HD'),(6772,85,1,1129,'McDSP Channel G - HD'),(6773,76,0,1129,''),(6774,76,1,1129,''),(6775,75,0,1130,'<h3>McDSP Classic Pack Plug-in Bundle</h3>McDSPs world-renowned emulations of vintage equalizers, compressors, tape machines and channel amplifiers are now available together as the McDSP Classic Pack.<br /><br /><h3>Includes</h3><ul><li>Analog Channel</li><li>CompressorBank</li><li>FilterBank</li><li>MC2000</li></ul><div></div><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6776,75,1,1130,'<h3>McDSP Classic Pack Plug-in Bundle</h3>McDSPs world-renowned emulations of vintage equalizers, compressors, tape machines and channel amplifiers are now available together as the McDSP Classic Pack.<br /><br /><h3>Includes</h3><ul><li>Analog Channel</li><li>CompressorBank</li><li>FilterBank</li><li>MC2000</li></ul><div></div><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6777,85,0,1130,'McDSP Classic Pack Plug-in Bundle - Native'),(6778,85,1,1130,'McDSP Classic Pack Plug-in Bundle - Native'),(6779,76,0,1130,''),(6780,76,1,1130,''),(6781,75,0,1131,'<h3>McDSP Classic Pack Plug-in Bundle - HD</h3>McDSPs world-renowned emulations of vintage equalizers, compressors, tape machines and channel amplifiers are now available together as the McDSP Classic Pack.<br /><br /><h3>Includes</h3><ul><li>Analog Channel</li><li>CompressorBank</li><li>FilterBank</li><li>MC2000</li></ul><div></div><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6782,75,1,1131,'<h3>McDSP Classic Pack Plug-in Bundle - HD</h3>McDSPs world-renowned emulations of vintage equalizers, compressors, tape machines and channel amplifiers are now available together as the McDSP Classic Pack.<br /><br /><h3>Includes</h3><ul><li>Analog Channel</li><li>CompressorBank</li><li>FilterBank</li><li>MC2000</li></ul><div></div><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6783,85,0,1131,'McDSP Classic Pack Plug-in Bundle - HD'),(6784,85,1,1131,'McDSP Classic Pack Plug-in Bundle - HD'),(6785,76,0,1131,''),(6786,76,1,1131,''),(6787,75,0,1132,'<h2>McDSP CompressorBank - Native</h2><div><div>CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.</div><div>CompressorBank is 3 plug-ins:</div><ul><li>CB101 – basic compression</li><li>CB202 – compression with pre-filtering</li><li>CB303 – compression with pre-filtering and static/dynamic EQ</li></ul><br /><div>In addition to the standard threshold and ratio controls, the actual shape and response of the compression curve can be adjusted with the Knee and BITE controls. Flexible compression control is complimented with pre-filtering and post-compression EQ.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Static and Dynamic EQ</li><li>Side chain support and pre-filtering options</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6788,75,1,1132,'<h2>McDSP CompressorBank - Native</h2><div><div>CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.</div><div>CompressorBank is 3 plug-ins:</div><ul><li>CB101 – basic compression</li><li>CB202 – compression with pre-filtering</li><li>CB303 – compression with pre-filtering and static/dynamic EQ</li></ul><br /><div>In addition to the standard threshold and ratio controls, the actual shape and response of the compression curve can be adjusted with the Knee and BITE controls. Flexible compression control is complimented with pre-filtering and post-compression EQ.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Static and Dynamic EQ</li><li>Side chain support and pre-filtering options</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6789,85,0,1132,'McDSP CompressorBank - Native'),(6790,85,1,1132,'McDSP CompressorBank - Native'),(6791,76,0,1132,''),(6792,76,1,1132,''),(6793,75,0,1133,'<h2>McDSP CompressorBank - HD</h2><div><div>CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.</div><div>CompressorBank is 3 plug-ins:</div><ul><li>CB101 – basic compression</li><li>CB202 – compression with pre-filtering</li><li>CB303 – compression with pre-filtering and static/dynamic EQ</li></ul><br /><div>In addition to the standard threshold and ratio controls, the actual shape and response of the compression curve can be adjusted with the Knee and BITE controls. Flexible compression control is complimented with pre-filtering and post-compression EQ.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Static and Dynamic EQ</li><li>Side chain support and pre-filtering options</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6794,75,1,1133,'<h2>McDSP CompressorBank - HD</h2><div><div>CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.</div><div>CompressorBank is 3 plug-ins:</div><ul><li>CB101 – basic compression</li><li>CB202 – compression with pre-filtering</li><li>CB303 – compression with pre-filtering and static/dynamic EQ</li></ul><br /><div>In addition to the standard threshold and ratio controls, the actual shape and response of the compression curve can be adjusted with the Knee and BITE controls. Flexible compression control is complimented with pre-filtering and post-compression EQ.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Static and Dynamic EQ</li><li>Side chain support and pre-filtering options</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6795,85,0,1133,'McDSP CompressorBank - HD'),(6796,85,1,1133,'McDSP CompressorBank - HD'),(6797,76,0,1133,''),(6798,76,1,1133,''),(6799,75,0,1134,'<h2>McDSP DE555 - Native</h2><div><div>The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.</div><div>Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.</div><div>Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.</div><div><br /></div><div>Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.</div><div><br /></div><div>Real-time displays of de-essing amounts and key filter response enable quick and easy setup.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Advanced de-essing technology</li><li>Unique key filter focus and de-essing controls</li><li>Real-time metering and key filter response plot</li><li>High frequency (HF) only option</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6800,75,1,1134,'<h2>McDSP DE555 - Native</h2><div><div>The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.</div><div>Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.</div><div>Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.</div><div><br /></div><div>Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.</div><div><br /></div><div>Real-time displays of de-essing amounts and key filter response enable quick and easy setup.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Advanced de-essing technology</li><li>Unique key filter focus and de-essing controls</li><li>Real-time metering and key filter response plot</li><li>High frequency (HF) only option</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6801,85,0,1134,'McDSP DE555 - Native'),(6802,85,1,1134,'McDSP DE555 - Native'),(6803,76,0,1134,''),(6804,76,1,1134,''),(6805,75,0,1135,'<h2>McDSP DE555 - HD</h2><div><div>The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.</div><div>Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.</div><div>Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.</div><div><br /></div><div>Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.</div><div><br /></div><div>Real-time displays of de-essing amounts and key filter response enable quick and easy setup.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Advanced de-essing technology</li><li>Unique key filter focus and de-essing controls</li><li>Real-time metering and key filter response plot</li><li>High frequency (HF) only option</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6806,75,1,1135,'<h2>McDSP DE555 - HD</h2><div><div>The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.</div><div>Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.</div><div>Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.</div><div><br /></div><div>Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.</div><div><br /></div><div>Real-time displays of de-essing amounts and key filter response enable quick and easy setup.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Advanced de-essing technology</li><li>Unique key filter focus and de-essing controls</li><li>Real-time metering and key filter response plot</li><li>High frequency (HF) only option</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6807,85,0,1135,'McDSP DE555 - HD'),(6808,85,1,1135,'McDSP DE555 - HD'),(6809,76,0,1135,''),(6810,76,1,1135,''),(6811,75,0,1136,'<h2>McDSP EC-300 Echo Collection - Native</h2>\n<i>EC-300 is a high-quality collection of echo and chorus effects packed into one powerful and versatile plug-in.\n</i><br /><br />\nThe EC-300 Echo Collection the sounds of dozens of echo and chorus effects into a single plug-in. EC-300 features three delay types – Magnetic, Digital, and Analog – and each come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience. \n<br /><br />\nEach EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.<br /><br />\n<h3>McDSP EC-300 Features</h3>\n<ul>\n	<li>Three delay types – Magnetic, Digital, and Analog</li><li>Wide variety of character modes per delay tape</li><li>Saturation, Wow, Flutter, Ducking, and other delay features</li><li>Single, dual, and ping-pong delay operation</li><li>Tap tempo and session sync</li><li>Over 75 SIMs (Synthetic Impulse Models) included</li><li>Mono, stereo, and mono-to-stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>RTAS</li>\n	<li>AU</li>\n</ul>\n<div><inline style=\"font-size: 10px;\"><br /></inline></div>When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6812,75,1,1136,'<h2>McDSP EC-300 Echo Collection - Native</h2>\n<i>EC-300 is a high-quality collection of echo and chorus effects packed into one powerful and versatile plug-in.\n</i><br /><br />\nThe EC-300 Echo Collection the sounds of dozens of echo and chorus effects into a single plug-in. EC-300 features three delay types – Magnetic, Digital, and Analog – and each come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience. \n<br /><br />\nEach EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.<br /><br />\n<h3>McDSP EC-300 Features</h3>\n<ul>\n	<li>Three delay types – Magnetic, Digital, and Analog</li><li>Wide variety of character modes per delay tape</li><li>Saturation, Wow, Flutter, Ducking, and other delay features</li><li>Single, dual, and ping-pong delay operation</li><li>Tap tempo and session sync</li><li>Over 75 SIMs (Synthetic Impulse Models) included</li><li>Mono, stereo, and mono-to-stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>RTAS</li>\n	<li>AU</li>\n</ul>\n<div><inline style=\"font-size: 10px;\"><br /></inline></div>When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6813,85,0,1136,''),(6814,85,1,1136,''),(6815,76,0,1136,''),(6816,76,1,1136,''),(6817,75,0,1137,'<h2>McDSP EC-300 Echo Collection - HD</h2>\n<i>EC-300 is a high-quality collection of echo and chorus effects packed into one powerful and versatile plug-in.\n</i><br /><br />\nThe EC-300 Echo Collection the sounds of dozens of echo and chorus effects into a single plug-in. EC-300 features three delay types – Magnetic, Digital, and Analog – and each come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience. \n<br /><br />\nEach EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.<br /><br />\n<h3>McDSP EC-300 Features</h3>\n<ul>\n	<li>Three delay types – Magnetic, Digital, and Analog</li><li>Wide variety of character modes per delay tape</li><li>Saturation, Wow, Flutter, Ducking, and other delay features</li><li>Single, dual, and ping-pong delay operation</li><li>Tap tempo and session sync</li><li>Over 75 SIMs (Synthetic Impulse Models) included</li><li>Mono, stereo, and mono-to-stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP & Native</li>\n	<li>RTAS</li>\n	<li>AU</li>\n</ul>\n<div><inline style=\"font-size: 10px;\"><br /></inline></div>When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6818,75,1,1137,'<h2>McDSP EC-300 Echo Collection - HD</h2>\n<i>EC-300 is a high-quality collection of echo and chorus effects packed into one powerful and versatile plug-in.\n</i><br /><br />\nThe EC-300 Echo Collection the sounds of dozens of echo and chorus effects into a single plug-in. EC-300 features three delay types – Magnetic, Digital, and Analog – and each come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience. \n<br /><br />\nEach EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.<br /><br />\n<h3>McDSP EC-300 Features</h3>\n<ul>\n	<li>Three delay types – Magnetic, Digital, and Analog</li><li>Wide variety of character modes per delay tape</li><li>Saturation, Wow, Flutter, Ducking, and other delay features</li><li>Single, dual, and ping-pong delay operation</li><li>Tap tempo and session sync</li><li>Over 75 SIMs (Synthetic Impulse Models) included</li><li>Mono, stereo, and mono-to-stereo versions</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP & Native</li>\n	<li>RTAS</li>\n	<li>AU</li>\n</ul>\n<div><inline style=\"font-size: 10px;\"><br /></inline></div>When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6819,85,0,1137,''),(6820,85,1,1137,''),(6821,76,0,1137,''),(6822,76,1,1137,''),(6823,75,0,1138,'<h2>McDSP Emerald Pack Plug-in Bundle</h2>McDSP\'s world-renowned emulations of vintage equalizers, compressors, tape machines and channel amplifiers, combined with custom console modeling, and the latest technology in convolution reverb and mastering limiters are now available together as the McDSP Emerald Pack. The Emerald Pack is a complete music production bundle for the user who needs powerful plug-ins to make their audio sound as good or better than the latest software and hardware audio processors on the market today.<br /><br /><h3>Includes</h3><ul><li>6030 Ultimate Compressor</li><li>Analog Channel</li><li>Channel G</li><li>Channel G Compact</li><li>CompressorBank</li><li>DE555</li><li>FilterBank</li><li>FutzBox</li><li>MC2000</li><li>ML4000</li><li>NF575</li><li>Revolver</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6824,75,1,1138,'<h2>McDSP Emerald Pack Plug-in Bundle</h2>McDSP\'s world-renowned emulations of vintage equalizers, compressors, tape machines and channel amplifiers, combined with custom console modeling, and the latest technology in convolution reverb and mastering limiters are now available together as the McDSP Emerald Pack. The Emerald Pack is a complete music production bundle for the user who needs powerful plug-ins to make their audio sound as good or better than the latest software and hardware audio processors on the market today.<br /><br /><h3>Includes</h3><ul><li>6030 Ultimate Compressor</li><li>Analog Channel</li><li>Channel G</li><li>Channel G Compact</li><li>CompressorBank</li><li>DE555</li><li>FilterBank</li><li>FutzBox</li><li>MC2000</li><li>ML4000</li><li>NF575</li><li>Revolver</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6825,85,0,1138,'McDSP Emerald Pack Plug-in Bundle - Native'),(6826,85,1,1138,'McDSP Emerald Pack Plug-in Bundle - Native'),(6827,76,0,1138,''),(6828,76,1,1138,''),(6829,75,0,1139,'<h2>McDSP Emerald Pack Plug-in Bundle - HD</h2>McDSP\'s world-renowned emulations of vintage equalizers, compressors, tape machines and channel amplifiers, combined with custom console modeling, and the latest technology in convolution reverb and mastering limiters are now available together as the McDSP Emerald Pack. The Emerald Pack is a complete music production bundle for the user who needs powerful plug-ins to make their audio sound as good or better than the latest software and hardware audio processors on the market today.<br /><br /><h3>Includes</h3><ul><li>6030 Ultimate Compressor</li><li>Analog Channel</li><li>Channel G</li><li>Channel G Compact</li><li>CompressorBank</li><li>DE555</li><li>FilterBank</li><li>FutzBox</li><li>MC2000</li><li>ML4000</li><li>NF575</li><li>Revolver</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6830,75,1,1139,'<h2>McDSP Emerald Pack Plug-in Bundle - HD</h2>McDSP\'s world-renowned emulations of vintage equalizers, compressors, tape machines and channel amplifiers, combined with custom console modeling, and the latest technology in convolution reverb and mastering limiters are now available together as the McDSP Emerald Pack. The Emerald Pack is a complete music production bundle for the user who needs powerful plug-ins to make their audio sound as good or better than the latest software and hardware audio processors on the market today.<br /><br /><h3>Includes</h3><ul><li>6030 Ultimate Compressor</li><li>Analog Channel</li><li>Channel G</li><li>Channel G Compact</li><li>CompressorBank</li><li>DE555</li><li>FilterBank</li><li>FutzBox</li><li>MC2000</li><li>ML4000</li><li>NF575</li><li>Revolver</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6831,85,0,1139,'McDSP Emerald Pack Plug-in Bundle - HD'),(6832,85,1,1139,'McDSP Emerald Pack Plug-in Bundle - HD'),(6833,76,0,1139,''),(6834,76,1,1139,''),(6835,75,0,1140,'<h2>McDSP Everything Pack Plug-in Bundle</h2><div>For those who need everything, the McDSP Everything Pack is the ticket. All McDSP’s equalizers, compressors, virtual tape machines, multi-band dynamic processors, reverbs, de-essers, noise filters, and ‘futz’ tools. Includes plug-ins from Emerald Pack, Retro Pack, and the new 6020 Ultimate EQ, AE400 Active EQ, and SPC2000 Serial/Parallel compressor.</div><div> </div><div>The Everything Pack is our complete bundle for the user who needs powerful plug-ins to make their audio sound as good or better than the latest software and hardware audio processors on the market today.</div><br /><h3>Includes</h3><ul><li>6020 Ultimate EQ*</li><li>SPC2000*</li><li>AE400 Active EQ*</li><li>4020 Retro EQ</li><li>4030 Retro Compressor</li><li>4040 Retro Limiter</li><li>6030 Ultimate Compressor</li><li>Analog Channel</li><li>Channel G</li><li>Channel G Compact</li><li>CompressorBank</li><li>DE555</li><li>FilterBank</li><li>FutzBox</li><li>MC2000</li><li>ML4000</li><li>NF575</li><li>Revolver</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><i>*indicates AAX only at this time.</i><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6836,75,1,1140,'<h2>McDSP Everything Pack Plug-in Bundle</h2><div>For those who need everything, the McDSP Everything Pack is the ticket. All McDSP’s equalizers, compressors, virtual tape machines, multi-band dynamic processors, reverbs, de-essers, noise filters, and ‘futz’ tools. Includes plug-ins from Emerald Pack, Retro Pack, and the new 6020 Ultimate EQ, AE400 Active EQ, and SPC2000 Serial/Parallel compressor.</div><div> </div><div>The Everything Pack is our complete bundle for the user who needs powerful plug-ins to make their audio sound as good or better than the latest software and hardware audio processors on the market today.</div><br /><h3>Includes</h3><ul><li>6020 Ultimate EQ*</li><li>SPC2000*</li><li>AE400 Active EQ*</li><li>4020 Retro EQ</li><li>4030 Retro Compressor</li><li>4040 Retro Limiter</li><li>6030 Ultimate Compressor</li><li>Analog Channel</li><li>Channel G</li><li>Channel G Compact</li><li>CompressorBank</li><li>DE555</li><li>FilterBank</li><li>FutzBox</li><li>MC2000</li><li>ML4000</li><li>NF575</li><li>Revolver</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><i>*indicates AAX only at this time.</i><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6837,85,0,1140,'McDSP Everything Pack Plug-in Bundle - Native'),(6838,85,1,1140,'McDSP Everything Pack Plug-in Bundle - Native'),(6839,76,0,1140,''),(6840,76,1,1140,''),(6841,75,0,1141,'<h2>McDSP Everything Pack Plug-in Bundle - HD</h2><div>For those who need everything, the McDSP Everything Pack is the ticket. All McDSP’s equalizers, compressors, virtual tape machines, multi-band dynamic processors, reverbs, de-essers, noise filters, and ‘futz’ tools. Includes plug-ins from Emerald Pack, Retro Pack, and the new 6020 Ultimate EQ, AE400 Active EQ, and SPC2000 Serial/Parallel compressor.</div><div> </div><div>The Everything Pack is our complete bundle for the user who needs powerful plug-ins to make their audio sound as good or better than the latest software and hardware audio processors on the market today.</div><br /><h3>Includes</h3><ul><li>6020 Ultimate EQ*</li><li>SPC2000*</li><li>AE400 Active EQ*</li><li>4020 Retro EQ</li><li>4030 Retro Compressor</li><li>4040 Retro Limiter</li><li>6030 Ultimate Compressor</li><li>Analog Channel</li><li>Channel G</li><li>Channel G Compact</li><li>CompressorBank</li><li>DE555</li><li>FilterBank</li><li>FutzBox</li><li>MC2000</li><li>ML4000</li><li>NF575</li><li>Revolver</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><i>*indicates AAX only at this time.</i><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6842,75,1,1141,'<h2>McDSP Everything Pack Plug-in Bundle - HD</h2><div>For those who need everything, the McDSP Everything Pack is the ticket. All McDSP’s equalizers, compressors, virtual tape machines, multi-band dynamic processors, reverbs, de-essers, noise filters, and ‘futz’ tools. Includes plug-ins from Emerald Pack, Retro Pack, and the new 6020 Ultimate EQ, AE400 Active EQ, and SPC2000 Serial/Parallel compressor.</div><div> </div><div>The Everything Pack is our complete bundle for the user who needs powerful plug-ins to make their audio sound as good or better than the latest software and hardware audio processors on the market today.</div><br /><h3>Includes</h3><ul><li>6020 Ultimate EQ*</li><li>SPC2000*</li><li>AE400 Active EQ*</li><li>4020 Retro EQ</li><li>4030 Retro Compressor</li><li>4040 Retro Limiter</li><li>6030 Ultimate Compressor</li><li>Analog Channel</li><li>Channel G</li><li>Channel G Compact</li><li>CompressorBank</li><li>DE555</li><li>FilterBank</li><li>FutzBox</li><li>MC2000</li><li>ML4000</li><li>NF575</li><li>Revolver</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><i>*indicates AAX only at this time.</i><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6843,85,0,1141,'McDSP Everything Pack Plug-in Bundle - HD'),(6844,85,1,1141,'McDSP Everything Pack Plug-in Bundle - HD'),(6845,76,0,1141,''),(6846,76,1,1141,''),(6847,75,0,1142,'<h2>McDSP FilterBank - Native</h2><div><div>FilterBank is a high-end equalizer plug-in designed to emulate the sounds of vintage and modern equalizers and filters. For more information, check out the Colin’s Corner article about this product.</div><div>FilterBank is 3 plug-ins:</div><ul><li>E606 – parametric, high and low shelving EQ, high and low pass filters</li><li>F202 – steep high and low pass filtering with resonant Q control</li><li>P606 – parametric EQ with variable Q modes</li></ul><br /><div>Since it’s debut in 1998, FilterBank has become a legend within the audio community.  With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Shelving and Parametric EQ</li><li>High and Low pass filters with resonance control</li><li>Unique Peak-Slope-Dip Shelving EQ parameters</li><li>Variable parametric Q modes</li><li>Analog Saturation Modeling</li><li>Double Precision Processing</li><li>Ultra Low Latency</li><li>Mono and Stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6848,75,1,1142,'<h2>McDSP FilterBank - Native</h2><div><div>FilterBank is a high-end equalizer plug-in designed to emulate the sounds of vintage and modern equalizers and filters. For more information, check out the Colin’s Corner article about this product.</div><div>FilterBank is 3 plug-ins:</div><ul><li>E606 – parametric, high and low shelving EQ, high and low pass filters</li><li>F202 – steep high and low pass filtering with resonant Q control</li><li>P606 – parametric EQ with variable Q modes</li></ul><br /><div>Since it’s debut in 1998, FilterBank has become a legend within the audio community.  With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Shelving and Parametric EQ</li><li>High and Low pass filters with resonance control</li><li>Unique Peak-Slope-Dip Shelving EQ parameters</li><li>Variable parametric Q modes</li><li>Analog Saturation Modeling</li><li>Double Precision Processing</li><li>Ultra Low Latency</li><li>Mono and Stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6849,85,0,1142,'McDSP FilterBank - Native'),(6850,85,1,1142,'McDSP FilterBank - Native'),(6851,76,0,1142,''),(6852,76,1,1142,''),(6853,75,0,1143,'<h2>McDSP FilterBank - HD</h2><div><div>FilterBank is a high-end equalizer plug-in designed to emulate the sounds of vintage and modern equalizers and filters. For more information, check out the Colin’s Corner article about this product.</div><div>FilterBank is 3 plug-ins:</div><ul><li>E606 – parametric, high and low shelving EQ, high and low pass filters</li><li>F202 – steep high and low pass filtering with resonant Q control</li><li>P606 – parametric EQ with variable Q modes</li></ul><br /><div>Since it’s debut in 1998, FilterBank has become a legend within the audio community.  With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Shelving and Parametric EQ</li><li>High and Low pass filters with resonance control</li><li>Unique Peak-Slope-Dip Shelving EQ parameters</li><li>Variable parametric Q modes</li><li>Analog Saturation Modeling</li><li>Double Precision Processing</li><li>Ultra Low Latency</li><li>Mono and Stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6854,75,1,1143,'<h2>McDSP FilterBank - HD</h2><div><div>FilterBank is a high-end equalizer plug-in designed to emulate the sounds of vintage and modern equalizers and filters. For more information, check out the Colin’s Corner article about this product.</div><div>FilterBank is 3 plug-ins:</div><ul><li>E606 – parametric, high and low shelving EQ, high and low pass filters</li><li>F202 – steep high and low pass filtering with resonant Q control</li><li>P606 – parametric EQ with variable Q modes</li></ul><br /><div>Since it’s debut in 1998, FilterBank has become a legend within the audio community.  With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.</div></div><br /><h3>Analog Channel Features</h3><ul><li>Shelving and Parametric EQ</li><li>High and Low pass filters with resonance control</li><li>Unique Peak-Slope-Dip Shelving EQ parameters</li><li>Variable parametric Q modes</li><li>Analog Saturation Modeling</li><li>Double Precision Processing</li><li>Ultra Low Latency</li><li>Mono and Stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6855,85,0,1143,'McDSP FilterBank - HD'),(6856,85,1,1143,'McDSP FilterBank - HD'),(6857,76,0,1143,''),(6858,76,1,1143,''),(6859,75,0,1144,'<h2>McDSP FutzBox - Native</h2><div><div>FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.</div><div>Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.</div><div>In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.</div></div><br /><h3>FutzBox Features</h3><ul><li>Library of Synthetic Impulse Models (SIMs)</li><li>Configurable ‘futz’ effects including filtering, EQ, and distortion</li><li>Flexible noise generator with ducking capability</li><li>Hyper-sensitive gate for signal dropout effects</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6860,75,1,1144,'<h2>McDSP FutzBox - Native</h2><div><div>FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.</div><div>Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.</div><div>In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.</div></div><br /><h3>FutzBox Features</h3><ul><li>Library of Synthetic Impulse Models (SIMs)</li><li>Configurable ‘futz’ effects including filtering, EQ, and distortion</li><li>Flexible noise generator with ducking capability</li><li>Hyper-sensitive gate for signal dropout effects</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6861,85,0,1144,'McDSP FutzBox - Native'),(6862,85,1,1144,'McDSP FutzBox - Native'),(6863,76,0,1144,''),(6864,76,1,1144,''),(6865,75,0,1145,'<h2>McDSP FutzBox - HD</h2><div><div>FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.</div><div>Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.</div><div>In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.</div></div><br /><h3>FutzBox Features</h3><ul><li>Library of Synthetic Impulse Models (SIMs)</li><li>Configurable ‘futz’ effects including filtering, EQ, and distortion</li><li>Flexible noise generator with ducking capability</li><li>Hyper-sensitive gate for signal dropout effects</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul>When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6866,75,1,1145,'<h2>McDSP FutzBox - HD</h2><div><div>FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.</div><div>Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.</div><div>In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.</div></div><br /><h3>FutzBox Features</h3><ul><li>Library of Synthetic Impulse Models (SIMs)</li><li>Configurable ‘futz’ effects including filtering, EQ, and distortion</li><li>Flexible noise generator with ducking capability</li><li>Hyper-sensitive gate for signal dropout effects</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul>When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6867,85,0,1145,'McDSP FutzBox - HD'),(6868,85,1,1145,'McDSP FutzBox - HD'),(6869,76,0,1145,''),(6870,76,1,1145,''),(6871,75,0,1146,'<h2>McDSP Live Pack Plug-in Bundle - HD</h2><div><div>McDSP is proud to introduce Live Pack v5, a collection of highly acclaimed plug-ins for mixing live performances. Features like ultra low latency, superior sonic flexibility and seamless integration with the Avid VENUE live sound system make Live Pack a “must-have” for any FOH or monitoring engineer.</div><div>In addition to supporting the Avid VENUE systems, Live Pack v5 plug-ins also run as AAX DSP, TDM, AAX Native, RTAS and AudioSuite formats on Pro Tools HD, LE, and M-Powered systems, as well as on any Audio Unit compatible DAW.</div></div><br /><h3>Includes</h3><ul><li>Channel G Compact</li><li>DE555</li><li>FutzBox</li><li>MC2000</li><li>ML4000</li><li>NF575</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6872,75,1,1146,'<h2>McDSP Live Pack Plug-in Bundle - HD</h2><div><div>McDSP is proud to introduce Live Pack v5, a collection of highly acclaimed plug-ins for mixing live performances. Features like ultra low latency, superior sonic flexibility and seamless integration with the Avid VENUE live sound system make Live Pack a “must-have” for any FOH or monitoring engineer.</div><div>In addition to supporting the Avid VENUE systems, Live Pack v5 plug-ins also run as AAX DSP, TDM, AAX Native, RTAS and AudioSuite formats on Pro Tools HD, LE, and M-Powered systems, as well as on any Audio Unit compatible DAW.</div></div><br /><h3>Includes</h3><ul><li>Channel G Compact</li><li>DE555</li><li>FutzBox</li><li>MC2000</li><li>ML4000</li><li>NF575</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6873,85,0,1146,'McDSP Live Pack Plug-in Bundle - HD'),(6874,85,1,1146,'McDSP Live Pack Plug-in Bundle - HD'),(6875,76,0,1146,''),(6876,76,1,1146,''),(6877,75,0,1147,'<h2>McDSP MC2000 - Native</h2><div><div>The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.</div><div><b>MC2000 is 3 plug-ins:</b></div><ul><li>MC202 – two-band compression</li><li>MC303 – three-band compression</li><li>MC404 – four-band compression</li></ul><br /><div>The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.</div></div><br /><h3>MC2000 Features</h3><ul><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Adjustable crossover filters</li><li>Multi-band control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6878,75,1,1147,'<h2>McDSP MC2000 - Native</h2><div><div>The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.</div><div><b>MC2000 is 3 plug-ins:</b></div><ul><li>MC202 – two-band compression</li><li>MC303 – three-band compression</li><li>MC404 – four-band compression</li></ul><br /><div>The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.</div></div><br /><h3>MC2000 Features</h3><ul><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Adjustable crossover filters</li><li>Multi-band control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6879,85,0,1147,'McDSP MC2000 - Native'),(6880,85,1,1147,'McDSP MC2000 - Native'),(6881,76,0,1147,''),(6882,76,1,1147,''),(6883,75,0,1148,'<h2>McDSP MC2000 - HD</h2><div><div>The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.</div><div><b>MC2000 is 3 plug-ins:</b></div><ul><li>MC202 – two-band compression</li><li>MC303 – three-band compression</li><li>MC404 – four-band compression</li></ul><br /><div>The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.</div></div><br /><h3>MC2000 Features</h3><ul><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Adjustable crossover filters</li><li>Multi-band control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6884,75,1,1148,'<h2>McDSP MC2000 - HD</h2><div><div>The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.</div><div><b>MC2000 is 3 plug-ins:</b></div><ul><li>MC202 – two-band compression</li><li>MC303 – three-band compression</li><li>MC404 – four-band compression</li></ul><br /><div>The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.</div></div><br /><h3>MC2000 Features</h3><ul><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Adjustable crossover filters</li><li>Multi-band control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6885,85,0,1148,'McDSP MC2000 - HD'),(6886,85,1,1148,'McDSP MC2000 - HD'),(6887,76,0,1148,''),(6888,76,1,1148,''),(6889,75,0,1149,'<h2>McDSP ML4000 - Native</h2><div><div>The ML4000 is a high-resolution limiter and multi-band dynamics processor designed for music, mastering, post, and live sound.</div><div><b>The ML4000 is two plug-ins:</b></div><ul><li>ML1 – mastering limiter</li><li>ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter</li></ul><br /><div>The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.</div><div><br /></div><div>The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.</div><div><br /></div><div>The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies. Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.</div><div><br /></div><div>The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.</div></div><br /><h3>ML4000 Features</h3><ul><li>Brick wall look-ahead limiter</li><li>Multi-stage peak detection and limiting</li><li>Unique limiter Knee and Mode controls</li><li>Multi-band Gate, Expander (up/down), Compressor</li><li>Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band</li><li>Multiple real-time metering options</li><li>Adjustable crossover filters</li><li>Multi-band control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6890,75,1,1149,'<h2>McDSP ML4000 - Native</h2><div><div>The ML4000 is a high-resolution limiter and multi-band dynamics processor designed for music, mastering, post, and live sound.</div><div><b>The ML4000 is two plug-ins:</b></div><ul><li>ML1 – mastering limiter</li><li>ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter</li></ul><br /><div>The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.</div><div><br /></div><div>The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.</div><div><br /></div><div>The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies. Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.</div><div><br /></div><div>The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.</div></div><br /><h3>ML4000 Features</h3><ul><li>Brick wall look-ahead limiter</li><li>Multi-stage peak detection and limiting</li><li>Unique limiter Knee and Mode controls</li><li>Multi-band Gate, Expander (up/down), Compressor</li><li>Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band</li><li>Multiple real-time metering options</li><li>Adjustable crossover filters</li><li>Multi-band control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6891,85,0,1149,'McDSP ML4000 - Native'),(6892,85,1,1149,'McDSP ML4000 - Native'),(6893,76,0,1149,''),(6894,76,1,1149,''),(6895,75,0,1150,'<h2>McDSP ML4000 - HD</h2><div><div>The ML4000 is a high-resolution limiter and multi-band dynamics processor designed for music, mastering, post, and live sound.</div><div><b>The ML4000 is two plug-ins:</b></div><ul><li>ML1 – mastering limiter</li><li>ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter</li></ul><br /><div>The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.</div><div><br /></div><div>The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.</div><div><br /></div><div>The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies. Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.</div><div><br /></div><div>The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.</div></div><br /><h3>ML4000 Features</h3><ul><li>Brick wall look-ahead limiter</li><li>Multi-stage peak detection and limiting</li><li>Unique limiter Knee and Mode controls</li><li>Multi-band Gate, Expander (up/down), Compressor</li><li>Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band</li><li>Multiple real-time metering options</li><li>Adjustable crossover filters</li><li>Multi-band control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6896,75,1,1150,'<h2>McDSP ML4000 - HD</h2><div><div>The ML4000 is a high-resolution limiter and multi-band dynamics processor designed for music, mastering, post, and live sound.</div><div><b>The ML4000 is two plug-ins:</b></div><ul><li>ML1 – mastering limiter</li><li>ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter</li></ul><br /><div>The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.</div><div><br /></div><div>The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.</div><div><br /></div><div>The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies. Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.</div><div><br /></div><div>The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.</div></div><br /><h3>ML4000 Features</h3><ul><li>Brick wall look-ahead limiter</li><li>Multi-stage peak detection and limiting</li><li>Unique limiter Knee and Mode controls</li><li>Multi-band Gate, Expander (up/down), Compressor</li><li>Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band</li><li>Multiple real-time metering options</li><li>Adjustable crossover filters</li><li>Multi-band control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6897,85,0,1150,'McDSP ML4000 - HD'),(6898,85,1,1150,'McDSP ML4000 - HD'),(6899,76,0,1150,''),(6900,76,1,1150,''),(6901,75,0,1151,'<h2>McDSP ML8000 Advanced Limiter Plug-in - Native</h2>\nThe McDSP ML8000 Advanced Limiter Plug-in is a next generation of limiter plug-in for Pro Tools and all major DAWS that uses two completely separate stages of processing for significantly improved peak level adjustment.\n<br /><br />\nThe first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.\n<br /><br />\nThe second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.\n<br /><br />\nThe ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.\n<br /><br />\nVisual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.e ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.\n<br /><br />\n<h3>ML8000 Features</h3>\n<ul>\n	<li>Brick wall look-ahead limiter</li>\n	<li>Multi-stage and multi-band peak detection and limiting</li>\n	<li>Unique limiter Knee, Mode, and Focus controls</li>\n	<li>Snap function instantly sets multi-band thresholds to signal levels</li>\n	<li>Double precision processing</li>\n	<li>Low latency</li>\n	<li>Mono and stereo versions</li>\n	\n</ul>\n<h3></h3>\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>RTAS</li>\n	<li>AU</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6902,75,1,1151,'<h2>McDSP ML8000 Advanced Limiter Plug-in - Native</h2>\nThe McDSP ML8000 Advanced Limiter Plug-in is a next generation of limiter plug-in for Pro Tools and all major DAWS that uses two completely separate stages of processing for significantly improved peak level adjustment.\n<br /><br />\nThe first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.\n<br /><br />\nThe second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.\n<br /><br />\nThe ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.\n<br /><br />\nVisual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.e ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.\n<br /><br />\n<h3>ML8000 Features</h3>\n<ul>\n	<li>Brick wall look-ahead limiter</li>\n	<li>Multi-stage and multi-band peak detection and limiting</li>\n	<li>Unique limiter Knee, Mode, and Focus controls</li>\n	<li>Snap function instantly sets multi-band thresholds to signal levels</li>\n	<li>Double precision processing</li>\n	<li>Low latency</li>\n	<li>Mono and stereo versions</li>\n	\n</ul>\n<h3></h3>\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>RTAS</li>\n	<li>AU</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6903,85,0,1151,'McDSP ML8000 Advanced Limiter Plug-in - Native'),(6904,85,1,1151,'McDSP ML8000 Advanced Limiter Plug-in - Native'),(6905,76,0,1151,''),(6906,76,1,1151,''),(6907,75,0,1152,'<h2>McDSP ML8000 Advanced Limiter Plug-in - HD</h2>\nThe McDSP ML8000 Advanced Limiter Plug-in is a next generation of limiter plug-in for Pro Tools and all major DAWS that uses two completely separate stages of processing for significantly improved peak level adjustment.\n<br /><br />\nThe first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.\n<br /><br />\nThe second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.\n<br /><br />\nThe ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.\n<br /><br />\nVisual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.e ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.\n<br /><br />\n<h3>ML8000 Features</h3>\n<ul>\n	<li>Brick wall look-ahead limiter</li>\n	<li>Multi-stage and multi-band peak detection and limiting</li>\n	<li>Unique limiter Knee, Mode, and Focus controls</li>\n	<li>Snap function instantly sets multi-band thresholds to signal levels</li>\n	<li>Double precision processing</li>\n	<li>Low latency</li>\n	<li>Mono and stereo versions</li>\n	\n</ul>\n<h3></h3>\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP/Native</li>\n	<li>RTAS</li>\n	<li>AU</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6908,75,1,1152,'<h2>McDSP ML8000 Advanced Limiter Plug-in - HD</h2>\nThe McDSP ML8000 Advanced Limiter Plug-in is a next generation of limiter plug-in for Pro Tools and all major DAWS that uses two completely separate stages of processing for significantly improved peak level adjustment.\n<br /><br />\nThe first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.\n<br /><br />\nThe second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.\n<br /><br />\nThe ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.\n<br /><br />\nVisual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.e ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.\n<br /><br />\n<h3>ML8000 Features</h3>\n<ul>\n	<li>Brick wall look-ahead limiter</li>\n	<li>Multi-stage and multi-band peak detection and limiting</li>\n	<li>Unique limiter Knee, Mode, and Focus controls</li>\n	<li>Snap function instantly sets multi-band thresholds to signal levels</li>\n	<li>Double precision processing</li>\n	<li>Low latency</li>\n	<li>Mono and stereo versions</li>\n	\n</ul>\n<h3></h3>\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP/Native</li>\n	<li>RTAS</li>\n	<li>AU</li>\n</ul>\n<br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6909,85,0,1152,'McDSP ML8000 Advanced Limiter Plug-in - HD'),(6910,85,1,1152,'McDSP ML8000 Advanced Limiter Plug-in - HD'),(6911,76,0,1152,''),(6912,76,1,1152,''),(6913,75,0,1153,'<h2>McDSP NF575 - Native</h2><div><div>Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.</div><div>Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.</div></div><br /><h3>NF575 Features</h3><ul><li>High Pass Filtering (HPF) with slopes up to 36 dB/Oct</li><li>Low Pass Filtering (LPF) with slopes up to 36 dB/Oct</li><li>Five bands of notch filtering with linkable frequency control</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6914,75,1,1153,'<h2>McDSP NF575 - Native</h2><div><div>Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.</div><div>Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.</div></div><br /><h3>NF575 Features</h3><ul><li>High Pass Filtering (HPF) with slopes up to 36 dB/Oct</li><li>Low Pass Filtering (LPF) with slopes up to 36 dB/Oct</li><li>Five bands of notch filtering with linkable frequency control</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6915,85,0,1153,'McDSP NF575 - Native'),(6916,85,1,1153,'McDSP NF575 - Native'),(6917,76,0,1153,''),(6918,76,1,1153,''),(6919,75,0,1154,'<h2>McDSP NF575 - HD</h2><div><div>Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.</div><div>Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.</div></div><br /><h3>NF575 Features</h3><ul><li>High Pass Filtering (HPF) with slopes up to 36 dB/Oct</li><li>Low Pass Filtering (LPF) with slopes up to 36 dB/Oct</li><li>Five bands of notch filtering with linkable frequency control</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6920,75,1,1154,'<h2>McDSP NF575 - HD</h2><div><div>Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.</div><div>Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.</div></div><br /><h3>NF575 Features</h3><ul><li>High Pass Filtering (HPF) with slopes up to 36 dB/Oct</li><li>Low Pass Filtering (LPF) with slopes up to 36 dB/Oct</li><li>Five bands of notch filtering with linkable frequency control</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6921,85,0,1154,'McDSP NF575 - HD'),(6922,85,1,1154,'McDSP NF575 - HD'),(6923,76,0,1154,''),(6924,76,1,1154,''),(6925,75,0,1155,'<h1>McDSP NR800 Noise Reduction Processor</h1>\n		The McDSP NR800 is a real-time noise reduction processor, useful for music production,\npost production, and live sound.<br /><br />\n\nThe NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.\n<br /><br />\nThe NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.\n<br /><br />\nSeveral noise reduction modes (NR Mode) are available to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). A ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.\n<br /><br />\nEach of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.\n<br /><br />\nArtist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.\n<br /><br />\n<h3>NR8000 Features</h3>\n<ul>\n	<li>HPF and LPF pre-filtering</li><li>Eight bands of focusable noise reduction</li><li>Noise reductions modes and noise reduction bias</li><li>Snap Gain and Snap Threshold for fast setup</li><li>Overall noise reduction range and response control</li><li>McDSP Emmy Award-winning engineering</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>AU</li>\n	<li>VST</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6926,75,1,1155,'<h1>McDSP NR800 Noise Reduction Processor</h1>\n		The McDSP NR800 is a real-time noise reduction processor, useful for music production,\npost production, and live sound.<br /><br />\n\nThe NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.\n<br /><br />\nThe NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.\n<br /><br />\nSeveral noise reduction modes (NR Mode) are available to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). A ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.\n<br /><br />\nEach of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.\n<br /><br />\nArtist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.\n<br /><br />\n<h3>NR8000 Features</h3>\n<ul>\n	<li>HPF and LPF pre-filtering</li><li>Eight bands of focusable noise reduction</li><li>Noise reductions modes and noise reduction bias</li><li>Snap Gain and Snap Threshold for fast setup</li><li>Overall noise reduction range and response control</li><li>McDSP Emmy Award-winning engineering</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>AU</li>\n	<li>VST</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6927,85,0,1155,'McDSP NR800 Noise Reduction Processor'),(6928,85,1,1155,'McDSP NR800 Noise Reduction Processor'),(6929,76,0,1155,''),(6930,76,1,1155,''),(6931,75,0,1156,'<h1>McDSP NR800 Noise Reduction Processor HD</h1>\n		The McDSP NR800 is a real-time noise reduction processor, useful for music production,\npost production, and live sound.<br /><br />\n\nThe NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.\n<br /><br />\nThe NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.\n<br /><br />\nSeveral noise reduction modes (NR Mode) are available to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). A ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.\n<br /><br />\nEach of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.\n<br /><br />\nArtist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.\n<br /><br />\n<h3>NR8000 Features</h3>\n<ul>\n	<li>HPF and LPF pre-filtering</li><li>Eight bands of focusable noise reduction</li><li>Noise reductions modes and noise reduction bias</li><li>Snap Gain and Snap Threshold for fast setup</li><li>Overall noise reduction range and response control</li><li>McDSP Emmy Award-winning engineering</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP/Native</li>\n	<li>AU</li>\n	<li>VST</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6932,75,1,1156,'<h1>McDSP NR800 Noise Reduction Processor HD</h1>\n		The McDSP NR800 is a real-time noise reduction processor, useful for music production,\npost production, and live sound.<br /><br />\n\nThe NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.\n<br /><br />\nThe NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.\n<br /><br />\nSeveral noise reduction modes (NR Mode) are available to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). A ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.\n<br /><br />\nEach of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.\n<br /><br />\nArtist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.\n<br /><br />\n<h3>NR8000 Features</h3>\n<ul>\n	<li>HPF and LPF pre-filtering</li><li>Eight bands of focusable noise reduction</li><li>Noise reductions modes and noise reduction bias</li><li>Snap Gain and Snap Threshold for fast setup</li><li>Overall noise reduction range and response control</li><li>McDSP Emmy Award-winning engineering</li>\n</ul>\n<br />\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP/Native</li>\n	<li>AU</li>\n	<li>VST</li></ul><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.'),(6933,85,0,1156,'McDSP NR800 Noise Reduction Processor - HD'),(6934,85,1,1156,'McDSP NR800 Noise Reduction Processor - HD'),(6935,76,0,1156,''),(6936,76,1,1156,''),(6937,75,0,1157,'<h2>McDSP Retro Pack Plug-in Bundle</h2>Retro plug-ins are originally styled and designed for the ultimate vintage audio vibe.\nAll Retro plug-ins use a new output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade. Retro plug-ins are a line of \"classics\" that can live up to their own name without emulating something else. In addition to the three full featured McDSP Retro plug-ins, Retro Pack also contains a pre-programmed McDSP Green iLok. Retro Pack is ready to plug and play right out of the box.<br /><br /><h3>Includes</h3><ul><li>4020 Retro EQ</li><li>4030 Retro Compressor</li><li>4040 Retro Limiter</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6938,75,1,1157,'<h2>McDSP Retro Pack Plug-in Bundle</h2>Retro plug-ins are originally styled and designed for the ultimate vintage audio vibe.\nAll Retro plug-ins use a new output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade. Retro plug-ins are a line of \"classics\" that can live up to their own name without emulating something else. In addition to the three full featured McDSP Retro plug-ins, Retro Pack also contains a pre-programmed McDSP Green iLok. Retro Pack is ready to plug and play right out of the box.<br /><br /><h3>Includes</h3><ul><li>4020 Retro EQ</li><li>4030 Retro Compressor</li><li>4040 Retro Limiter</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6939,85,0,1157,'McDSP Retro Pack Plug-in Bundle - Native'),(6940,85,1,1157,'McDSP Retro Pack Plug-in Bundle - Native'),(6941,76,0,1157,''),(6942,76,1,1157,''),(6943,75,0,1158,'<h2>McDSP Retro Pack Plug-in Bundle - HD</h2>Retro plug-ins are originally styled and designed for the ultimate vintage audio vibe.\nAll Retro plug-ins use a new output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade. Retro plug-ins are a line of \"classics\" that can live up to their own name without emulating something else. In addition to the three full featured McDSP Retro plug-ins, Retro Pack also contains a pre-programmed McDSP Green iLok. Retro Pack is ready to plug and play right out of the box.<br /><br /><h3>Includes</h3><ul><li>4020 Retro EQ</li><li>4030 Retro Compressor</li><li>4040 Retro Limiter</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6944,75,1,1158,'<h2>McDSP Retro Pack Plug-in Bundle - HD</h2>Retro plug-ins are originally styled and designed for the ultimate vintage audio vibe.\nAll Retro plug-ins use a new output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade. Retro plug-ins are a line of \"classics\" that can live up to their own name without emulating something else. In addition to the three full featured McDSP Retro plug-ins, Retro Pack also contains a pre-programmed McDSP Green iLok. Retro Pack is ready to plug and play right out of the box.<br /><br /><h3>Includes</h3><ul><li>4020 Retro EQ</li><li>4030 Retro Compressor</li><li>4040 Retro Limiter</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li><li>TDM</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6945,85,0,1158,'McDSP Retro Pack Plug-in Bundle  - HD'),(6946,85,1,1158,'McDSP Retro Pack Plug-in Bundle  - HD'),(6947,76,0,1158,''),(6948,76,1,1158,''),(6949,75,0,1159,'<h2>McDSP Revolver - Native</h2><div><div>Revolver is a high-powered convolution reverb that operates like no other, providing total impulse response control, dedicated and routable EQ, two sync-able delay lines, a reverb decay crossover network, and specialized stereo imaging for unprecedented flexibility.</div><div>Revolver provides the most compelling impulse library to date, with hundreds of sounds from rare holy grail out of production reverbs and acoustic spaces. Additional acoustic spaces and outboard gear can be modeled in a few minutes with Revolver and the Revolver impulse response tools.</div><div><br /></div><div>Controls for the total reverb time (in percent and RT60 values), wet and dry levels are always displayed. The remainder of the Revolver plug-in interface is separated into several control pages and views. Graphical representations of signal flow, impulse response data, EQ responses, and even images of the impulse response source are available</div><div><br /></div><div>All parameter adjustments are heard immediately, and the outputs are not muted during any control updates. The user does not need to wait while the reverb is re-rendered.</div><div><br /></div><div>Revolver is what convolution reverb was always meant to be.</div></div><br /><h3>Revolver Features</h3><ul><li>Huge library of presets of out of production reverbs, rare vintage reverbs, and acoustic spaces</li><li>Total impulse response manipulation</li><li>Pre-delay (positive or negative)</li><li>Two-band dedicated reverb EQ</li><li>Three-band routable EQ</li><li>Two sync-able delay lines</li><li>Tools for creating custom impulse responses</li><li>Reverb decay crossover network</li><li>Double precision processing</li><li>Low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6950,75,1,1159,'<h2>McDSP Revolver - Native</h2><div><div>Revolver is a high-powered convolution reverb that operates like no other, providing total impulse response control, dedicated and routable EQ, two sync-able delay lines, a reverb decay crossover network, and specialized stereo imaging for unprecedented flexibility.</div><div>Revolver provides the most compelling impulse library to date, with hundreds of sounds from rare holy grail out of production reverbs and acoustic spaces. Additional acoustic spaces and outboard gear can be modeled in a few minutes with Revolver and the Revolver impulse response tools.</div><div><br /></div><div>Controls for the total reverb time (in percent and RT60 values), wet and dry levels are always displayed. The remainder of the Revolver plug-in interface is separated into several control pages and views. Graphical representations of signal flow, impulse response data, EQ responses, and even images of the impulse response source are available</div><div><br /></div><div>All parameter adjustments are heard immediately, and the outputs are not muted during any control updates. The user does not need to wait while the reverb is re-rendered.</div><div><br /></div><div>Revolver is what convolution reverb was always meant to be.</div></div><br /><h3>Revolver Features</h3><ul><li>Huge library of presets of out of production reverbs, rare vintage reverbs, and acoustic spaces</li><li>Total impulse response manipulation</li><li>Pre-delay (positive or negative)</li><li>Two-band dedicated reverb EQ</li><li>Three-band routable EQ</li><li>Two sync-able delay lines</li><li>Tools for creating custom impulse responses</li><li>Reverb decay crossover network</li><li>Double precision processing</li><li>Low latency</li><li>Mono and stereo versions</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li><li>RTAS</li><li>AU</li><li>AS</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6951,85,0,1159,'McDSP Revolver - Native'),(6952,85,1,1159,'McDSP Revolver - Native'),(6953,76,0,1159,''),(6954,76,1,1159,''),(6955,75,0,1160,'<h2>McDSP SA-2 Dialog Processor - Native</h2>\nThe McDSP SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.\n<br /><br />\nThe SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.\n<br /><br />\n<h3>SA-2 Dialog Processor Features</h3>\n<ul>\n	<li>Five independent bands of strategic active equalization</li>\n	<li>Multiple process modes for a variety of applications</li>\n	<li>Unique signal reduction metering</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3></h3>\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>AU</li>\n	<li>VST</li>\n</ul>\n<br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6956,75,1,1160,'<h2>McDSP SA-2 Dialog Processor - Native</h2>\nThe McDSP SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.\n<br /><br />\nThe SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.\n<br /><br />\n<h3>SA-2 Dialog Processor Features</h3>\n<ul>\n	<li>Five independent bands of strategic active equalization</li>\n	<li>Multiple process modes for a variety of applications</li>\n	<li>Unique signal reduction metering</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3></h3>\n<h3>Formats</h3>\n<ul>\n	<li>AAX Native</li>\n	<li>AU</li>\n	<li>VST</li>\n</ul>\n<br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6957,85,0,1160,'McDSP SA-2 Dialog Processor - Native'),(6958,85,1,1160,'McDSP SA-2 Dialog Processor - Native'),(6959,76,0,1160,''),(6960,76,1,1160,''),(6961,75,0,1161,'<h2>McDSP SA-2 Dialog Processor - HD</h2>\nThe McDSP SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.<br /><br />\n\nThe SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.\n<br /><br />\n<h3>SA-2 Dialog Processor Features</h3>\n<ul>\n	<li>Five independent bands of strategic active equalization</li>\n	<li>Multiple process modes for a variety of applications</li>\n	<li>Unique signal reduction metering</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3></h3>\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP/Native</li>\n	<li>AU</li>\n	<li>VST</li>\n</ul>\n<br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6962,75,1,1161,'<h2>McDSP SA-2 Dialog Processor - HD</h2>\nThe McDSP SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.<br /><br />\n\nThe SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.\n<br /><br />\n<h3>SA-2 Dialog Processor Features</h3>\n<ul>\n	<li>Five independent bands of strategic active equalization</li>\n	<li>Multiple process modes for a variety of applications</li>\n	<li>Unique signal reduction metering</li>\n	<li>Double precision processing</li>\n	<li>Ultra low latency</li>\n	<li>Mono and stereo versions</li>\n</ul>\n<br />\n<h3></h3>\n<h3>Formats</h3>\n<ul>\n	<li>AAX DSP/Native</li>\n	<li>AU</li>\n	<li>VST</li>\n</ul>\n<br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.\n<p style=\"margin-top: 10px; font-size: 10px;\">\n	Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.\n</p>'),(6963,85,0,1161,'McDSP SA-2 Dialog Processor - HD'),(6964,85,1,1161,'McDSP SA-2 Dialog Processor - HD'),(6965,76,0,1161,''),(6966,76,1,1161,''),(6967,75,0,1162,'<h2>McDSP SPC2000 - Native</h2><div><div>The SPC2000 Serial/Parallel Compressor takes the power and flexibility of the now classic CompressorBank plug-in by McDSP, and offers two, three, and four stage configurations with serial and parallel routing combinations unlike any dynamic processor. Couple this routing capability with the ability to emulate any other compressor, and it’s clear the SPC2000 is a serious audio tool.</div><div><b>SPC2000 is 3 plug-ins:</b></div><ul><li>SPC202 – two-stage configuration</li><li>SPC303 – three-stage configuration</li><li>SPC404 – four-stage configuration</li></ul><br /><div>Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.</div></div><br /><h3>SPC2000 Features</h3><ul><li>Multiple parallel and serial compression combinations</li><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Multi-compressor control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6968,75,1,1162,'<h2>McDSP SPC2000 - Native</h2><div><div>The SPC2000 Serial/Parallel Compressor takes the power and flexibility of the now classic CompressorBank plug-in by McDSP, and offers two, three, and four stage configurations with serial and parallel routing combinations unlike any dynamic processor. Couple this routing capability with the ability to emulate any other compressor, and it’s clear the SPC2000 is a serious audio tool.</div><div><b>SPC2000 is 3 plug-ins:</b></div><ul><li>SPC202 – two-stage configuration</li><li>SPC303 – three-stage configuration</li><li>SPC404 – four-stage configuration</li></ul><br /><div>Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.</div></div><br /><h3>SPC2000 Features</h3><ul><li>Multiple parallel and serial compression combinations</li><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Multi-compressor control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX Native</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6969,85,0,1162,'McDSP SPC2000 - Native'),(6970,85,1,1162,'McDSP SPC2000 - Native'),(6971,76,0,1162,''),(6972,76,1,1162,''),(6973,75,0,1163,'<h2>McDSP SPC2000 - HD</h2><div><div>The SPC2000 Serial/Parallel Compressor takes the power and flexibility of the now classic CompressorBank plug-in by McDSP, and offers two, three, and four stage configurations with serial and parallel routing combinations unlike any dynamic processor. Couple this routing capability with the ability to emulate any other compressor, and it’s clear the SPC2000 is a serious audio tool.</div><div><b>SPC2000 is 3 plug-ins:</b></div><ul><li>SPC202 – two-stage configuration</li><li>SPC303 – three-stage configuration</li><li>SPC404 – four-stage configuration</li></ul><br /><div>Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.</div></div><br /><h3>SPC2000 Features</h3><ul><li>Multiple parallel and serial compression combinations</li><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Multi-compressor control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6974,75,1,1163,'<h2>McDSP SPC2000 - HD</h2><div><div>The SPC2000 Serial/Parallel Compressor takes the power and flexibility of the now classic CompressorBank plug-in by McDSP, and offers two, three, and four stage configurations with serial and parallel routing combinations unlike any dynamic processor. Couple this routing capability with the ability to emulate any other compressor, and it’s clear the SPC2000 is a serious audio tool.</div><div><b>SPC2000 is 3 plug-ins:</b></div><ul><li>SPC202 – two-stage configuration</li><li>SPC303 – three-stage configuration</li><li>SPC404 – four-stage configuration</li></ul><br /><div>Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.</div></div><br /><h3>SPC2000 Features</h3><ul><li>Multiple parallel and serial compression combinations</li><li>Compression curve modeling</li><li>Multiple peak detection circuits</li><li>Multi-compressor control linking</li><li>Analog Saturation modeling</li><li>Double precision processing</li><li>Ultra low latency</li></ul><h3></h3><h3>Formats</h3><ul><li>AAX DSP & Native</li></ul><br /><br />When your order is complete, you will receive an email confirmation with the license code that may be redeemed using the iLok License Manager.<p style=\"margin-top: 10px; font-size: 10px;\">Recipients must provide a valid iLok.com user ID at the time of purchase. Trade-in or surrender authorizations must be present in your account at the time of upgrade.</p>'),(6975,85,0,1163,'McDSP SPC2000 - HD'),(6976,85,1,1163,'McDSP SPC2000 - HD'),(6977,76,0,1163,''),(6978,76,1,1163,''),(6979,75,0,1164,'<style>\n<!--\n /* Font Definitions */\n@font-face\n	{font-family:Arial;\n	panose-1:2 11 6 4 2 2 2 2 2 4;\n	mso-font-charset:0;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:-536859905 -1073711037 9 0 511 0;}\n@font-face\n	{font-family:\"Courier New\";\n	panose-1:2 7 3 9 2 2 5 2 4 4;\n	mso-font-charset:0;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:-536859905 -1073711037 9 0 511 0;}\n@font-face\n	{font-family:Wingdings;\n	panose-1:5 0 0 0 0 0 0 0 0 0;\n	mso-font-charset:2;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:0 268435456 0 0 -2147483648 0;}\n@font-face\n	{font-family:\"ＭＳ 明朝\";\n	mso-font-charset:78;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:-536870145 1791491579 18 0 131231 0;}\n@font-face\n	{font-family:\"Cambria Math\";\n	panose-1:2 4 5 3 5 4 6 3 2 4;\n	mso-font-charset:0;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:-536870145 1107305727 0 0 415 0;}\n@font-face\n	{font-family:Cambria;\n	panose-1:2 4 5 3 5 4 6 3 2 4;\n	mso-font-charset:0;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:-536870145 1073743103 0 0 415 0;}\n /* Style Definitions */\np.MsoNormal, li.MsoNormal, div.MsoNormal\n	{mso-style-unhide:no;\n	mso-style-qformat:yes;\n	mso-style-parent:\"\";\n	margin:0in;\n	margin-bottom:.0001pt;\n	mso-pagination:widow-orphan;\n	font-size:12.0pt;\n	font-family:Cambria;\n	mso-ascii-font-family:Cambria;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\"ＭＳ 明朝\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Cambria;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\"Times New Roman\";\n	mso-bidi-theme-font:minor-bidi;}\n.MsoChpDefault\n	{mso-style-type:export-only;\n	mso-default-props:yes;\n	font-family:Cambria;\n	mso-ascii-font-family:Cambria;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\"ＭＳ 明朝\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Cambria;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\"Times New Roman\";\n	mso-bidi-theme-font:minor-bidi;}\n@page WordSection1\n	{size:8.5in 11.0in;\n	margin:1.0in 1.25in 1.0in 1.25in;\n	mso-header-margin:.5in;\n	mso-footer-margin:.5in;\n	mso-paper-source:0;}\ndiv.WordSection1\n	{page:WordSection1;}\n /* List Definitions */\n@list l0\n	{mso-list-id:1919560095;\n	mso-list-template-ids:97687852;}\n@list l0:level1\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:.5in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Symbol;}\n@list l0:level2\n	{mso-level-number-format:bullet;\n	mso-level-text:o;\n	mso-level-tab-stop:1.0in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:\"Courier New\";\n	mso-bidi-font-family:\"Times New Roman\";}\n@list l0:level3\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:1.5in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level4\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:2.0in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level5\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:2.5in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level6\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:3.0in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level7\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:3.5in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level8\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:4.0in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level9\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:4.5in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\nol\n	{margin-bottom:0in;}\nul\n	{margin-bottom:0in;}\n-->\n</style>\n\n\n\n\n\n\n<p class=\"MsoNormal\" style=\"margin-bottom:12.0pt\"><b><span style=\"font-size: 17pt; font-family: Arial;\">Mackie 802VLZ4\n8-channel Compact Mixer<br />\n</span></b><span style=\"font-size: 10pt; font-family: Arial;\"><br />\n<i><inline style=\"font-size: 12px;\">The Mackie 802VLZ4 Mixer, it truly is \"Built-Like-A-Tank\" with a\nridiculously rugged solid steel chassis and high-contrast controls for ultimate\ntactile control. </inline></i><inline style=\"font-size: 12px;\"><br />\n<br />\nThe 8-channel 802VLZ4 features the proven performance of Mackie\'s flagship Onyx mic\npreamps in a desk-friendly, ultra-compact design, perfect for professional\napplications with a lower input need.<br /><br />\nFrom every input to every output, the 802VLZ4 is designed to provide the\nhighest headroom and lowest noise possible for maximum signal integrity.<br />\n<br />\nAnd with features like instrument level inputs, phantom power and level\nmetering, the 802VLZ4 offers a true step-up performance and durability that\'s\nideal for your professional application.<br style=\"mso-special-character:line-break\" />\n<br style=\"mso-special-character:line-break\" />\n</inline></span></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;\nmso-outline-level:5\"><inline style=\"font-size: 12px;\"><b><span style=\"font-size: 10pt; font-family: Arial;\">Mackie 802VLZ4 Key Features</span></b></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><ul type=\"disc\"><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">8-channel\n     mixer featuring Mackie\'s signature high-headroom, low-noise design</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">3\n     boutique-quality Onyx mic preamps</span></inline></li><ul type=\"circle\"><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Ultra-wide\n      60 dB gain range</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">128.5\n      dB dynamic range</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">+22\n      dBu line input handling</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Extended\n      frequency response</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Distortion\n      under 0.0007% [20 Hz – 50 kHz]</span></inline></li></ul><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Improved RF\n     rejection, perfect for broadcast applications</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Phantom power\n     for condenser mics</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">8\n     high-headroom line inputs</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Selectable\n     instrument inputs  on first two channels – no DI box needed</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">3-band EQ (80\n     Hz, 2.5 kHz, 12 kHz)</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">18 dB/oct\n     100Hz low-cut filter on mic input channels</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Aux send,\n     level, pan and PFL solo on each channel</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Stereo return\n     for connecting FX processor or other stereo source</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">ALT ¾ stereo\n     bus for added routing flexibility</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Control\n     room/phones source matrix</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">High-resolution\n     12-segment stereo meters</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Sealed rotary\n     controls resist dust and grime</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">“Built-Like-A-Tank”\n     rugged steel chassis with powder-coat finish</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">High-visibility,\n     high-contrast controls deliver convenient “at-a-glance” visual feedback</span></inline></li></ul><inline style=\"font-size: 12px;\"><br />\n\n</inline><p class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\"> </span></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;\nmso-outline-level:5\"><inline style=\"font-size: 12px;\"><b><span style=\"font-size: 10pt; font-family: Arial;\">VLZ4 Multi-Channel Compact Mixers<br /><br /></span></b></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">A legend in compact mixer design,\nperformance and durability, Mackie VLZ is the original no-nonsense mixer\nseries. Offering more bang for your buck, the redesigned VLZ4 line now includes\nMackie\'s industry-proven Onyx preamps for crystal-clear sonic clarity. The\ncomprehensive VLZ4 line delivers the proven feature set,\nhigh-headroom/low-noise design and \"Built-Like-A-Tank\" construction\nthat created an industry more than 20 years ago. From every input to every\noutput, VLZ4 is optimized to deliver professional-quality results each and\nevery time.<br /><br /></span></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;\nmso-outline-level:5\"><inline style=\"font-size: 12px;\"><b><span style=\"font-size: 10pt; font-family: Arial;\">Maximum Usability<br /><br /></span></b></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">The new VLZ4\'s feature a sleek black\npowder coat finish and cockpit-inspired controls. Colorful high-contrast knobs\noptimizes the VLZ4\'s usability in low-light scenarios as well as feature a\nradical, ergonomic taper that provides all the tactile control you need all\nwhile keeping the mixer footprint as small as possible.<br /><br /></span></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;\nmso-outline-level:5\"><inline style=\"font-size: 12px;\"><b><span style=\"font-size: 10pt; font-family: Arial;\">Built Like A Tank<br /><br /></span></b></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Mackie VLZ4 mixers are truly\n\"Built Like A Tank.\" Show to show the VLZ4 is made to keep on working\nno matter what gets thrown at it. Features like a nearly indestructible steel\nwrap-around chassis and grime-resistant rotary sealed pots make the Mackie VLZ4\nmixer a solid investment.<br /><br /></span></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;\nmso-outline-level:5\"><inline style=\"font-size: 12px;\"><b><span style=\"font-size: 10pt; font-family: Arial;\">Comprehensive Lineup<br /><br /></span></b></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;margin-bottom:12.0pt\"><span style=\"font-size: 10pt; font-family: Arial;\"><inline style=\"font-size: 12px;\">The comprehensive VLZ4 line offers\nmixers of every channel count for every application. From the 402VLZ4 which is\nperfect for desktop applications to the tour-ready 3204VLZ4 there is a VLZ4\nmixer ready for any situation.</inline><br /><br /></span></p>\n\n\n\n\n\n\n\n<b><inline style=\"font-size: 24px;\">The Mackie brand is used on professional music and recording equipment, such as mixing consoles, loudspeakers, studio monitors and DAW control surfaces, digital recording equipment and more. Call or chat with a RSPE representative today for more information.</inline></b><br /><p></p>'),(6980,75,1,1164,'<style>\n<!--\n /* Font Definitions */\n@font-face\n	{font-family:Arial;\n	panose-1:2 11 6 4 2 2 2 2 2 4;\n	mso-font-charset:0;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:-536859905 -1073711037 9 0 511 0;}\n@font-face\n	{font-family:\"Courier New\";\n	panose-1:2 7 3 9 2 2 5 2 4 4;\n	mso-font-charset:0;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:-536859905 -1073711037 9 0 511 0;}\n@font-face\n	{font-family:Wingdings;\n	panose-1:5 0 0 0 0 0 0 0 0 0;\n	mso-font-charset:2;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:0 268435456 0 0 -2147483648 0;}\n@font-face\n	{font-family:\"ＭＳ 明朝\";\n	mso-font-charset:78;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:-536870145 1791491579 18 0 131231 0;}\n@font-face\n	{font-family:\"Cambria Math\";\n	panose-1:2 4 5 3 5 4 6 3 2 4;\n	mso-font-charset:0;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:-536870145 1107305727 0 0 415 0;}\n@font-face\n	{font-family:Cambria;\n	panose-1:2 4 5 3 5 4 6 3 2 4;\n	mso-font-charset:0;\n	mso-generic-font-family:auto;\n	mso-font-pitch:variable;\n	mso-font-signature:-536870145 1073743103 0 0 415 0;}\n /* Style Definitions */\np.MsoNormal, li.MsoNormal, div.MsoNormal\n	{mso-style-unhide:no;\n	mso-style-qformat:yes;\n	mso-style-parent:\"\";\n	margin:0in;\n	margin-bottom:.0001pt;\n	mso-pagination:widow-orphan;\n	font-size:12.0pt;\n	font-family:Cambria;\n	mso-ascii-font-family:Cambria;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\"ＭＳ 明朝\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Cambria;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\"Times New Roman\";\n	mso-bidi-theme-font:minor-bidi;}\n.MsoChpDefault\n	{mso-style-type:export-only;\n	mso-default-props:yes;\n	font-family:Cambria;\n	mso-ascii-font-family:Cambria;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\"ＭＳ 明朝\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Cambria;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\"Times New Roman\";\n	mso-bidi-theme-font:minor-bidi;}\n@page WordSection1\n	{size:8.5in 11.0in;\n	margin:1.0in 1.25in 1.0in 1.25in;\n	mso-header-margin:.5in;\n	mso-footer-margin:.5in;\n	mso-paper-source:0;}\ndiv.WordSection1\n	{page:WordSection1;}\n /* List Definitions */\n@list l0\n	{mso-list-id:1919560095;\n	mso-list-template-ids:97687852;}\n@list l0:level1\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:.5in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Symbol;}\n@list l0:level2\n	{mso-level-number-format:bullet;\n	mso-level-text:o;\n	mso-level-tab-stop:1.0in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:\"Courier New\";\n	mso-bidi-font-family:\"Times New Roman\";}\n@list l0:level3\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:1.5in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level4\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:2.0in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level5\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:2.5in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level6\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:3.0in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level7\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:3.5in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level8\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:4.0in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\n@list l0:level9\n	{mso-level-number-format:bullet;\n	mso-level-text:;\n	mso-level-tab-stop:4.5in;\n	mso-level-number-position:left;\n	text-indent:-.25in;\n	mso-ansi-font-size:10.0pt;\n	font-family:Wingdings;}\nol\n	{margin-bottom:0in;}\nul\n	{margin-bottom:0in;}\n-->\n</style>\n\n\n\n\n\n\n<p class=\"MsoNormal\" style=\"margin-bottom:12.0pt\"><b><span style=\"font-size: 17pt; font-family: Arial;\">Mackie 802VLZ4\n8-channel Compact Mixer<br />\n</span></b><span style=\"font-size: 10pt; font-family: Arial;\"><br />\n<i><inline style=\"font-size: 12px;\">The Mackie 802VLZ4 Mixer, it truly is \"Built-Like-A-Tank\" with a\nridiculously rugged solid steel chassis and high-contrast controls for ultimate\ntactile control. </inline></i><inline style=\"font-size: 12px;\"><br />\n<br />\nThe 8-channel 802VLZ4 features the proven performance of Mackie\'s flagship Onyx mic\npreamps in a desk-friendly, ultra-compact design, perfect for professional\napplications with a lower input need.<br /><br />\nFrom every input to every output, the 802VLZ4 is designed to provide the\nhighest headroom and lowest noise possible for maximum signal integrity.<br />\n<br />\nAnd with features like instrument level inputs, phantom power and level\nmetering, the 802VLZ4 offers a true step-up performance and durability that\'s\nideal for your professional application.<br style=\"mso-special-character:line-break\" />\n<br style=\"mso-special-character:line-break\" />\n</inline></span></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;\nmso-outline-level:5\"><inline style=\"font-size: 12px;\"><b><span style=\"font-size: 10pt; font-family: Arial;\">Mackie 802VLZ4 Key Features</span></b></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><ul type=\"disc\"><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">8-channel\n     mixer featuring Mackie\'s signature high-headroom, low-noise design</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">3\n     boutique-quality Onyx mic preamps</span></inline></li><ul type=\"circle\"><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Ultra-wide\n      60 dB gain range</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">128.5\n      dB dynamic range</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">+22\n      dBu line input handling</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Extended\n      frequency response</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Distortion\n      under 0.0007% [20 Hz – 50 kHz]</span></inline></li></ul><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Improved RF\n     rejection, perfect for broadcast applications</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Phantom power\n     for condenser mics</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">8\n     high-headroom line inputs</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Selectable\n     instrument inputs  on first two channels – no DI box needed</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">3-band EQ (80\n     Hz, 2.5 kHz, 12 kHz)</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">18 dB/oct\n     100Hz low-cut filter on mic input channels</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Aux send,\n     level, pan and PFL solo on each channel</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Stereo return\n     for connecting FX processor or other stereo source</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">ALT ¾ stereo\n     bus for added routing flexibility</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Control\n     room/phones source matrix</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">High-resolution\n     12-segment stereo meters</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Sealed rotary\n     controls resist dust and grime</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">“Built-Like-A-Tank”\n     rugged steel chassis with powder-coat finish</span></inline></li><li class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">High-visibility,\n     high-contrast controls deliver convenient “at-a-glance” visual feedback</span></inline></li></ul><inline style=\"font-size: 12px;\"><br />\n\n</inline><p class=\"MsoNormal\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\"> </span></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;\nmso-outline-level:5\"><inline style=\"font-size: 12px;\"><b><span style=\"font-size: 10pt; font-family: Arial;\">VLZ4 Multi-Channel Compact Mixers<br /><br /></span></b></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">A legend in compact mixer design,\nperformance and durability, Mackie VLZ is the original no-nonsense mixer\nseries. Offering more bang for your buck, the redesigned VLZ4 line now includes\nMackie\'s industry-proven Onyx preamps for crystal-clear sonic clarity. The\ncomprehensive VLZ4 line delivers the proven feature set,\nhigh-headroom/low-noise design and \"Built-Like-A-Tank\" construction\nthat created an industry more than 20 years ago. From every input to every\noutput, VLZ4 is optimized to deliver professional-quality results each and\nevery time.<br /><br /></span></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;\nmso-outline-level:5\"><inline style=\"font-size: 12px;\"><b><span style=\"font-size: 10pt; font-family: Arial;\">Maximum Usability<br /><br /></span></b></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">The new VLZ4\'s feature a sleek black\npowder coat finish and cockpit-inspired controls. Colorful high-contrast knobs\noptimizes the VLZ4\'s usability in low-light scenarios as well as feature a\nradical, ergonomic taper that provides all the tactile control you need all\nwhile keeping the mixer footprint as small as possible.<br /><br /></span></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;\nmso-outline-level:5\"><inline style=\"font-size: 12px;\"><b><span style=\"font-size: 10pt; font-family: Arial;\">Built Like A Tank<br /><br /></span></b></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"><inline style=\"font-size: 12px;\"><span style=\"font-size: 10pt; font-family: Arial;\">Mackie VLZ4 mixers are truly\n\"Built Like A Tank.\" Show to show the VLZ4 is made to keep on working\nno matter what gets thrown at it. Features like a nearly indestructible steel\nwrap-around chassis and grime-resistant rotary sealed pots make the Mackie VLZ4\nmixer a solid investment.<br /><br /></span></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;\nmso-outline-level:5\"><inline style=\"font-size: 12px;\"><b><span style=\"font-size: 10pt; font-family: Arial;\">Comprehensive Lineup<br /><br /></span></b></inline></p><inline style=\"font-size: 12px;\">\n\n</inline><p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;margin-bottom:12.0pt\"><span style=\"font-size: 10pt; font-family: Arial;\"><inline style=\"font-size: 12px;\">The comprehensive VLZ4 line offers\nmixers of every channel count for every application. From the 402VLZ4 which is\nperfect for desktop applications to the tour-ready 3204VLZ4 there is a VLZ4\nmixer ready for any situation.</inline><br /><br /></span></p>\n\n\n\n\n\n\n\n<b><inline style=\"font-size: 24px;\">The Mackie brand is used on professional music and recording equipment, such as mixing consoles, loudspeakers, studio monitors and DAW control surfaces, digital recording equipment and more. Call or chat with a RSPE representative today for more information.</inline></b><br /><p></p>'),(6981,85,0,1164,'Mackie 802VLZ4 8-channel Compact Mixer'),(6982,85,1,1164,'Mackie 802VLZ4 8-channel Compact Mixer'),(6983,76,0,1164,''),(6984,76,1,1164,''),(6985,75,0,1165,'<h2>Mercury Recording 66 Mk. 3.5 Studio Limiting Amplifier</h2>\n<font size=\"3\"><i>An all tube, all transformer mono (Stereo-Linkable) studio limiting amplifier based on the legendary Fairchild 660.</i></font><br /><br />The Mercury 66 Studio Limiting Amplifier [Mk. III] is an ‘All Tube - All Transformer’, fully balanced, variable-bias limiter. Based on the most sought after product in this genre, the legendary Fairchild 660. This limiting amplifier is recognized essential tool for making great recordings. Many manufacturers have tried to copy the Fairchild circuit but have failed to capture the true sonic essence and presented a similar look and functionality but failed to capture the overall tone of the original. Until now.<br /><br />\n\nMercury Recording Equipment has gone to great lengths to recreate the pride and passion of the past, both sonically and aesthetically, while offering the reliability of a modern build. The choices made in looks, layout, functionality, features and build quality all answer back to one question: How would \"they\" have done it today? So, the Mercury 66, like all Mercury products, has no ICs (chips), and is proudly hand built and assembled in the USA using no-compromise parts / components and has transformer balanced inputs and outputs. With the vintage style VU meter, large bakelite knobs and powder coated chassis / front panel, the Mercury 66 has a very distinctive 1950s aesthetic so that they look as good as they sound!<br /><br />\n\nSome might ask, \"Why recreate one of the most complicated pieces of recording equipment ever made?\" The answer is: the Mercury 66 Studio Limiting Amplifier is based on the classic Fairchild 660 limiting amplifier because we were inspired by the unique sound that only this circuit can deliver to your audio signal path. There is truly nothing else like it. The Mercury 66 has a massive, custom power supply transformer, a choke, 3 audio transformers, a control amp transformer and 8 tubes squeezed into a 3U chassis. All together the M66 weighs in at 38 pounds for a mono amplifier! Proudly, using parts that are available today, we have met all the original specifications, but most importantly, the Mercury 66 sounds like a Fairchild 660.<br /><br />\n\n<h3>Performance features include:</h3>\n<ul>\n<li>Exceptional tone and musical focus                                                        </li>\n<li>Absence of audible thumps, distortion or noise                                            </li>\n<li>Extremely fast attack time that can produce full limiting in 1/5000th of a second         </li>\n<li>Variable release time from .3 seconds to 25 seconds                                       </li>\n<li>Useful as a limiter or a compressor depending on the program material and control settings</li>\n<li>Reliability and stability (All components operate well below their rated maximums)        </li>\n<li>All tube, fully balanced (push-pull) transformer coupled circuitry                        </li>\n<li>Simple, easy to use controls.                                                             </li>\n</ul><br />\n\nMERCURY 66 BACK PANELThe Mercury 66 Studio Limiting Amplifier uses a single push-pull stage of amplification which are transformer coupled input and output (XLRs) with no capacitors in the signal path, with a high control voltage. The result: the unit never produces any audible thumps, and has low distortion and noise under all conditions (either as a limiter or straight-through amplifier). The control amplifier is also fully balanced, transformer coupled in/out. The unit makes use of a very stable high current vacuum tube voltage regulator. It has ample and accessible input, threshold, attack, release time and metering controls allowing for convenience in the control room when making adjustments. The attack time is very fast and catches short transients. The release time of .3 to 25 seconds provides real flexibility: Three positions of the six available make the release time a function of program material, with fast recovery for short duration peaks and overall reduction of program level should the program level remain high. It can be used as a limiter or compressor. For example, use it as a 2 to 1 ratio compressor with a threshold 5 dB below average level, or as a peak limiter with a 20 to 1 ratio with threshold 10 dB above normal program level, or anywhere between these extremes.<br /><br />\n\nMERCURY 66 DC ADJUSTOne notable change on the Mercury 66 is the addition of the DC Adjust Control. On an original Fairchild 660 this was called DC Threshold and was on the rear of the unit (not accessible from front panel). We put that control on the front panel and labeled it DC Adjust to not confuse the Threshold function. The DC Adjust lets you control DC (Direct Current) in part of the circuit to give the user more control of the functionality and level of compression. This gives you the control how the amplifier reacts to the audio signal and basically how hard the compression tube ‘works’, allowing you to ‘smash’ the signal or just add a ‘soft touch’ of compression along with the velvet tone and overwhelming musicality of the amplifier. This is possible by turning the DC Adjust to the far left (counter clockwise) on the M66 to add more DC and more compression [or saturation] &mdhas; turn to the far right (clockwise) to decrease the amount of DC and the amount compression [or saturation, for a lack of a better term and to make things easier to understand]. The best thing about this feature is you can find that ‘sweet spot’ for that perfect amount of compression. We like to think of this as the \'magic knob\' as do most of our users and this sets the Mercury 66 apart from the original and other compressors and limiting amplifiers available today.<br /><br />\n\n<h3>Front Panel Controls:</h3>\n<ul>\n<li>Input Gain</li>\n<li>AC Threshold</li>\n<li>Attack/Release</li>\n<li>DC Adjust</li>\n<li>Meter Zero (Trim)</li>\n<li>Stereo Link</li>\n<li>Power on/off Switch</li>\n</ul><br />\n<h3>Attack and Release Times:</h3>\n<ul>\n<li>Position 1 - Attack [ Fast - 0.2 ] Release, in Seconds [ 0.3 ]                            </li>\n<li>Position 2 - Attack [ Fast - 0.2 ] Release, in Seconds [ 0.8 ]                            </li>\n<li>Position 3 - Attack [ Med. - 0.4 ] Release, in Seconds [ 2.0 ]                            </li>\n<li>Position 4 - Attack [ Slow - 0.8 ] Release, in Seconds [ 5.0 ]                            </li>\n<li>Position 5 - Attack [ Med. - 0.4 ] Release, in Seconds [ Auto: 2.0 peaks, 10.0 program ]  </li>\n<li>Position 6 - Attack [ Fast - 0.2 ] Release, in Seconds [ Auto: 0.3 peaks, 25.0 program ]  </li>\n</ul>'),(6986,75,1,1165,'<h2>Mercury Recording 66 Mk. 3.5 Studio Limiting Amplifier</h2>\n<font size=\"3\"><i>An all tube, all transformer mono (Stereo-Linkable) studio limiting amplifier based on the legendary Fairchild 660.</i></font><br /><br />The Mercury 66 Studio Limiting Amplifier [Mk. III] is an ‘All Tube - All Transformer’, fully balanced, variable-bias limiter. Based on the most sought after product in this genre, the legendary Fairchild 660. This limiting amplifier is recognized essential tool for making great recordings. Many manufacturers have tried to copy the Fairchild circuit but have failed to capture the true sonic essence and presented a similar look and functionality but failed to capture the overall tone of the original. Until now.<br /><br />\n\nMercury Recording Equipment has gone to great lengths to recreate the pride and passion of the past, both sonically and aesthetically, while offering the reliability of a modern build. The choices made in looks, layout, functionality, features and build quality all answer back to one question: How would \"they\" have done it today? So, the Mercury 66, like all Mercury products, has no ICs (chips), and is proudly hand built and assembled in the USA using no-compromise parts / components and has transformer balanced inputs and outputs. With the vintage style VU meter, large bakelite knobs and powder coated chassis / front panel, the Mercury 66 has a very distinctive 1950s aesthetic so that they look as good as they sound!<br /><br />\n\nSome might ask, \"Why recreate one of the most complicated pieces of recording equipment ever made?\" The answer is: the Mercury 66 Studio Limiting Amplifier is based on the classic Fairchild 660 limiting amplifier because we were inspired by the unique sound that only this circuit can deliver to your audio signal path. There is truly nothing else like it. The Mercury 66 has a massive, custom power supply transformer, a choke, 3 audio transformers, a control amp transformer and 8 tubes squeezed into a 3U chassis. All together the M66 weighs in at 38 pounds for a mono amplifier! Proudly, using parts that are available today, we have met all the original specifications, but most importantly, the Mercury 66 sounds like a Fairchild 660.<br /><br />\n\n<h3>Performance features include:</h3>\n<ul>\n<li>Exceptional tone and musical focus                                                        </li>\n<li>Absence of audible thumps, distortion or noise                                            </li>\n<li>Extremely fast attack time that can produce full limiting in 1/5000th of a second         </li>\n<li>Variable release time from .3 seconds to 25 seconds                                       </li>\n<li>Useful as a limiter or a compressor depending on the program material and control settings</li>\n<li>Reliability and stability (All components operate well below their rated maximums)        </li>\n<li>All tube, fully balanced (push-pull) transformer coupled circuitry                        </li>\n<li>Simple, easy to use controls.                                                             </li>\n</ul><br />\n\nMERCURY 66 BACK PANELThe Mercury 66 Studio Limiting Amplifier uses a single push-pull stage of amplification which are transformer coupled input and output (XLRs) with no capacitors in the signal path, with a high control voltage. The result: the unit never produces any audible thumps, and has low distortion and noise under all conditions (either as a limiter or straight-through amplifier). The control amplifier is also fully balanced, transformer coupled in/out. The unit makes use of a very stable high current vacuum tube voltage regulator. It has ample and accessible input, threshold, attack, release time and metering controls allowing for convenience in the control room when making adjustments. The attack time is very fast and catches short transients. The release time of .3 to 25 seconds provides real flexibility: Three positions of the six available make the release time a function of program material, with fast recovery for short duration peaks and overall reduction of program level should the program level remain high. It can be used as a limiter or compressor. For example, use it as a 2 to 1 ratio compressor with a threshold 5 dB below average level, or as a peak limiter with a 20 to 1 ratio with threshold 10 dB above normal program level, or anywhere between these extremes.<br /><br />\n\nMERCURY 66 DC ADJUSTOne notable change on the Mercury 66 is the addition of the DC Adjust Control. On an original Fairchild 660 this was called DC Threshold and was on the rear of the unit (not accessible from front panel). We put that control on the front panel and labeled it DC Adjust to not confuse the Threshold function. The DC Adjust lets you control DC (Direct Current) in part of the circuit to give the user more control of the functionality and level of compression. This gives you the control how the amplifier reacts to the audio signal and basically how hard the compression tube ‘works’, allowing you to ‘smash’ the signal or just add a ‘soft touch’ of compression along with the velvet tone and overwhelming musicality of the amplifier. This is possible by turning the DC Adjust to the far left (counter clockwise) on the M66 to add more DC and more compression [or saturation] &mdhas; turn to the far right (clockwise) to decrease the amount of DC and the amount compression [or saturation, for a lack of a better term and to make things easier to understand]. The best thing about this feature is you can find that ‘sweet spot’ for that perfect amount of compression. We like to think of this as the \'magic knob\' as do most of our users and this sets the Mercury 66 apart from the original and other compressors and limiting amplifiers available today.<br /><br />\n\n<h3>Front Panel Controls:</h3>\n<ul>\n<li>Input Gain</li>\n<li>AC Threshold</li>\n<li>Attack/Release</li>\n<li>DC Adjust</li>\n<li>Meter Zero (Trim)</li>\n<li>Stereo Link</li>\n<li>Power on/off Switch</li>\n</ul><br />\n<h3>Attack and Release Times:</h3>\n<ul>\n<li>Position 1 - Attack [ Fast - 0.2 ] Release, in Seconds [ 0.3 ]                            </li>\n<li>Position 2 - Attack [ Fast - 0.2 ] Release, in Seconds [ 0.8 ]                            </li>\n<li>Position 3 - Attack [ Med. - 0.4 ] Release, in Seconds [ 2.0 ]                            </li>\n<li>Position 4 - Attack [ Slow - 0.8 ] Release, in Seconds [ 5.0 ]                            </li>\n<li>Position 5 - Attack [ Med. - 0.4 ] Release, in Seconds [ Auto: 2.0 peaks, 10.0 program ]  </li>\n<li>Position 6 - Attack [ Fast - 0.2 ] Release, in Seconds [ Auto: 0.3 peaks, 25.0 program ]  </li>\n</ul>'),(6987,85,0,1165,'Mercury Recording 66 Mk. III Studio Limiting Amplifier'),(6988,85,1,1165,'Mercury Recording 66 Mk. III Studio Limiting Amplifier'),(6989,76,0,1165,''),(6990,76,1,1165,''),(6991,75,0,1166,'<h2>Mercury Recording D Series AM16D 500 Series Microphone Amplifier Module</h2>\nThe Mercury AM16D is a D Series / 500 Series version of the original American, modular, transistor type preamplifier built in the 1960s. The AM16 is well known for being very musical overall, open and airy on the top end and having a tube-like \"air\" characteristic not found in most amplifiers of the same type.<br /><br />\n\nThe Mercury AM16D Features include: Gain Control (0-50dB, 0 = Line Input), Phantom (48V), Polarity (Phase Reverse), an Output Control (Fader), a newly designed Direct Input featuring the Mercury FDI Circuit, and comes with a Peak Indicator that allows you to see quickly which channel is receiving ‘hot’ signals.<br /><br />\n\nThe Mercury AM16D has transformer coupled inputs and outputs with custom wound transformers that are modeled after the originals. These transformers are the same transformers we used in our older 2U 19\" version, the Mercury AM16. The amplifier gain is set at 50dB like the original \"AM16 R\" high gain setting. We have added features that make the Mercury AM16D more flexible than the original, or even a modern rack solution of vintage modules.<br /><br />\n\nWe have worked with many of the vintage AM16 modules in the past. At Marquette Audio Labs we have been racking and modifying modules since 1994 and the ‘vintage Langevin’ AM16 has always been a personal favorite. We have always had continuous great feedback from clients about the musical characteristics of the AM16. But the original modules have not been made for some 30+ years and supply is not able to meet demand. The Mercury AM16D solves that problem with the same fully discrete, \"transistor type\" circuitry and more importantly the same musical quality and performance of the original modules.<br /><br />\n\nThe original AM16 Amplifier literature stated: \"The AM16 is primarily a microphone pre-mixing amplifier (mic pre). However, its performance also qualifies it for use as a post-mixing (booster) and as a low-level program amplifier. Of special note is the low noise generation figure.\"<br /><br />\n\nMercury Recording Equipment has achieved its goal with the Mercury AM16D: to make it possible to use the amplifier to its original, full potential. The Mercury AM16D can be used as a microphone amplifier (mic pre) and you can also use it as a line amplifier (booster) by using the Input Gain and Output Fader controls, Note: You can set at 0dB to accept Line Level inputs and or increase gain and turn down Output for ‘musical break up.’ You can use it to warm up tracks or as a front end of your G8 Sum-It Mixer. The Direct Input on the Mercury AM16D was designed for direct recording of bass and electric guitar as well as keyboards and drum machines, etc... The Mercury FDI Direct Input on the Mercury AM16 is very full sounding. There is more mid range and low end presence than most DIs as well as an open and airy top end that the AM16 is famous for.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(6992,75,1,1166,'<h2>Mercury Recording D Series AM16D 500 Series Microphone Amplifier Module</h2>\nThe Mercury AM16D is a D Series / 500 Series version of the original American, modular, transistor type preamplifier built in the 1960s. The AM16 is well known for being very musical overall, open and airy on the top end and having a tube-like \"air\" characteristic not found in most amplifiers of the same type.<br /><br />\n\nThe Mercury AM16D Features include: Gain Control (0-50dB, 0 = Line Input), Phantom (48V), Polarity (Phase Reverse), an Output Control (Fader), a newly designed Direct Input featuring the Mercury FDI Circuit, and comes with a Peak Indicator that allows you to see quickly which channel is receiving ‘hot’ signals.<br /><br />\n\nThe Mercury AM16D has transformer coupled inputs and outputs with custom wound transformers that are modeled after the originals. These transformers are the same transformers we used in our older 2U 19\" version, the Mercury AM16. The amplifier gain is set at 50dB like the original \"AM16 R\" high gain setting. We have added features that make the Mercury AM16D more flexible than the original, or even a modern rack solution of vintage modules.<br /><br />\n\nWe have worked with many of the vintage AM16 modules in the past. At Marquette Audio Labs we have been racking and modifying modules since 1994 and the ‘vintage Langevin’ AM16 has always been a personal favorite. We have always had continuous great feedback from clients about the musical characteristics of the AM16. But the original modules have not been made for some 30+ years and supply is not able to meet demand. The Mercury AM16D solves that problem with the same fully discrete, \"transistor type\" circuitry and more importantly the same musical quality and performance of the original modules.<br /><br />\n\nThe original AM16 Amplifier literature stated: \"The AM16 is primarily a microphone pre-mixing amplifier (mic pre). However, its performance also qualifies it for use as a post-mixing (booster) and as a low-level program amplifier. Of special note is the low noise generation figure.\"<br /><br />\n\nMercury Recording Equipment has achieved its goal with the Mercury AM16D: to make it possible to use the amplifier to its original, full potential. The Mercury AM16D can be used as a microphone amplifier (mic pre) and you can also use it as a line amplifier (booster) by using the Input Gain and Output Fader controls, Note: You can set at 0dB to accept Line Level inputs and or increase gain and turn down Output for ‘musical break up.’ You can use it to warm up tracks or as a front end of your G8 Sum-It Mixer. The Direct Input on the Mercury AM16D was designed for direct recording of bass and electric guitar as well as keyboards and drum machines, etc... The Mercury FDI Direct Input on the Mercury AM16 is very full sounding. There is more mid range and low end presence than most DIs as well as an open and airy top end that the AM16 is famous for.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(6993,85,0,1166,'Mercury Recording AM16D 500 Series Microphone Amplifier Module'),(6994,85,1,1166,'Mercury Recording AM16D 500 Series Microphone Amplifier Module'),(6995,76,0,1166,''),(6996,76,1,1166,''),(6997,75,0,1167,'<h2>Mercury Recording Brüder Studio Microphone Preamplifier</h2>\n<font size=\"3\"><i>A combination of one M72s channel and one M76m channel in a single 3U package available from the Mercury Custom Shop.</i></font><br /><br />\n\nThe Mercury M72s is warm and punchy, with a thick bottom end, a great push in the mid range and a open airy top end. The M72s performs great on vocals, bass, drums, acoustic and electric guitars, as well as room and overhead applications.<br /><br />\n\nThe M76m is warm, open and airy. Compared to the M72s, the M76m is overall more evenly \"EQ\'ed,\" meaning there is not a push in the low or mids. The M76m shines on vocals, bass and guitars (you have amazing control on the amplifier\'s tone), and opens up your room and overhead mics. With 72dB (+/-) of total gain and a choice of high or low input impedance — ribbon mics are big and open with the M76m.<br /><br />\n\nThe M72s has 58dB of gain and the M76m has about 72dB of gain (60dB input gain, +6dB(+/-) of level control and +6dB when low impedance is selected).'),(6998,75,1,1167,'<h2>Mercury Recording Brüder Studio Microphone Preamplifier</h2>\n<font size=\"3\"><i>A combination of one M72s channel and one M76m channel in a single 3U package available from the Mercury Custom Shop.</i></font><br /><br />\n\nThe Mercury M72s is warm and punchy, with a thick bottom end, a great push in the mid range and a open airy top end. The M72s performs great on vocals, bass, drums, acoustic and electric guitars, as well as room and overhead applications.<br /><br />\n\nThe M76m is warm, open and airy. Compared to the M72s, the M76m is overall more evenly \"EQ\'ed,\" meaning there is not a push in the low or mids. The M76m shines on vocals, bass and guitars (you have amazing control on the amplifier\'s tone), and opens up your room and overhead mics. With 72dB (+/-) of total gain and a choice of high or low input impedance — ribbon mics are big and open with the M76m.<br /><br />\n\nThe M72s has 58dB of gain and the M76m has about 72dB of gain (60dB input gain, +6dB(+/-) of level control and +6dB when low impedance is selected).'),(6999,85,0,1167,'Mercury Recording Bruder Studio Microphone Preamplifier'),(7000,85,1,1167,'Mercury Recording Bruder Studio Microphone Preamplifier'),(7001,76,0,1167,''),(7002,76,1,1167,''),(7003,75,0,1168,'<h2>Mercury Recording EQ-H1 Mk. III Studio Program Equalizer</h2>\n<font size=\"3\"><i>A passive Pultec style equalizer designed to bring back life and musicality to your recordings.</i></font><br /><br />\nThe Mercury EQ-H1 features a passive EQ circuit with a single ended gain make up amplifier topology, based on the vintage ‘Pultec EQH’ circuit. The Mercury EQ-H1 circuit provides a musically satisfying result unobtainable with active and parametric EQs, since it does not rely upon negative feedback (and all its associated phase and dynamic distortions) to achieve equalization. The EQ-H1, like all Mercury products, has transformer balanced (XLR) input and outputs. The only modern additions or changes to the original are a much more powerful and stable power supply and running DC on the heaters, rather than AC, and two additional frequencies to expand the range and make it more flexible.<br /><br />\nThe Mercury EQ-H1, EQ-P1, EQ-H2 and EQ-P2 are all based on the original Pultec equalizers which were tools developed to deal with the limitations of recorded music. Limitations that most often manifest themselves in the highest and lowest frequencies of the program material. The Mercury Studio Program Equalizers, like the family of original Pultec EQs, are originally designed to bring back the life and musicality lost in a recording. Whether by accident or genius, nothing has been able to do this better in music production than a passive equalizer with tube gain make up amplifier (‘Pultec style’) equalizer. The interaction of the passive boosting and attenuating shelving EQs (not relying on negative feedback), as well as the transformers, tubes and other amplification circuitry all add to the incredibly musical character of the product. Working engineers try other types of equalizers, but always end up coming back to the Pultec style as the equalizer of choice for those final touches while tracking or mixing and even mastering at times.<br /><br />\n\nNow in this modern age of digital recording, where the source you put into the DAW is exactly what you have on the track, with no rounded edges, no slight compression and none of the “pixie dust” that came with analog tape, the Mercury family of equalizers are needed more than ever to help add the musicality, warmth and tone to your tracks that we have all treasured.\n<br /><br />\n<h3>Frequencies</h3>\n<ul>\n	<li>Low Frequency Select (CPS; Cycles per second): 20, 30, 60, 100, 200 Hz         </li>\n	<li>Low Frequency Boost Control: Shelf Boost, 0dB to +13dB                         </li>\n	<li>Low Frequency Attenuate Control: Shelf Atten. 0dB to -17dB                     </li>\n	<li>High Frequency Select (KCS; kilocycles per second ): 3, 4, 5, 8, 10, 12, 16 kHz</li>\n	<li>High Frequency Boost Control: Shelf Boost, 0dB to +16dB                        </li>\n	<li>High Frequency Attenuate Control: 10k Shelf Attenuate, 0dB to -16dB            </li>\n</ul>'),(7004,75,1,1168,'<h2>Mercury Recording EQ-H1 Mk. III Studio Program Equalizer</h2>\n<font size=\"3\"><i>A passive Pultec style equalizer designed to bring back life and musicality to your recordings.</i></font><br /><br />\nThe Mercury EQ-H1 features a passive EQ circuit with a single ended gain make up amplifier topology, based on the vintage ‘Pultec EQH’ circuit. The Mercury EQ-H1 circuit provides a musically satisfying result unobtainable with active and parametric EQs, since it does not rely upon negative feedback (and all its associated phase and dynamic distortions) to achieve equalization. The EQ-H1, like all Mercury products, has transformer balanced (XLR) input and outputs. The only modern additions or changes to the original are a much more powerful and stable power supply and running DC on the heaters, rather than AC, and two additional frequencies to expand the range and make it more flexible.<br /><br />\nThe Mercury EQ-H1, EQ-P1, EQ-H2 and EQ-P2 are all based on the original Pultec equalizers which were tools developed to deal with the limitations of recorded music. Limitations that most often manifest themselves in the highest and lowest frequencies of the program material. The Mercury Studio Program Equalizers, like the family of original Pultec EQs, are originally designed to bring back the life and musicality lost in a recording. Whether by accident or genius, nothing has been able to do this better in music production than a passive equalizer with tube gain make up amplifier (‘Pultec style’) equalizer. The interaction of the passive boosting and attenuating shelving EQs (not relying on negative feedback), as well as the transformers, tubes and other amplification circuitry all add to the incredibly musical character of the product. Working engineers try other types of equalizers, but always end up coming back to the Pultec style as the equalizer of choice for those final touches while tracking or mixing and even mastering at times.<br /><br />\n\nNow in this modern age of digital recording, where the source you put into the DAW is exactly what you have on the track, with no rounded edges, no slight compression and none of the “pixie dust” that came with analog tape, the Mercury family of equalizers are needed more than ever to help add the musicality, warmth and tone to your tracks that we have all treasured.\n<br /><br />\n<h3>Frequencies</h3>\n<ul>\n	<li>Low Frequency Select (CPS; Cycles per second): 20, 30, 60, 100, 200 Hz         </li>\n	<li>Low Frequency Boost Control: Shelf Boost, 0dB to +13dB                         </li>\n	<li>Low Frequency Attenuate Control: Shelf Atten. 0dB to -17dB                     </li>\n	<li>High Frequency Select (KCS; kilocycles per second ): 3, 4, 5, 8, 10, 12, 16 kHz</li>\n	<li>High Frequency Boost Control: Shelf Boost, 0dB to +16dB                        </li>\n	<li>High Frequency Attenuate Control: 10k Shelf Attenuate, 0dB to -16dB            </li>\n</ul>'),(7005,85,0,1168,'Mercury Recording EQ-H1 Mk. III Studio Program Equalizer'),(7006,85,1,1168,'Mercury Recording EQ-H1 Mk. III Studio Program Equalizer'),(7007,76,0,1168,''),(7008,76,1,1168,''),(7009,75,0,1169,'<h2>Mercury Recording EQ-P1 Mk. III Studio Program Equalizer</h2>\n<font size=\"3\"><i>A passive Pultec style equalizer designed to bring back life and musicality to your recordings.</i></font><br /><br />\nThe Mercury EQ-H1, EQ-P1, EQ-H2 and EQ-P2 are all based on the original Pultec equalizers which were tools developed to deal with the limitations of recorded music. Limitations that most often manifest themselves in the highest and lowest frequencies of the program material. The Mercury Studio Program Equalizers, like the family of original Pultec EQs, are originally designed to bring back the life and musicality lost in a recording. Whether by accident or genius, nothing has been able to do this better in music production than a passive equalizer with tube gain make up amplifier (‘Pultec style’) equalizer. The interaction of the passive boosting and attenuating shelving EQs (not relying on negative feedback), as well as the transformers, tubes and other amplification circuitry all add to the incredibly musical character of the product. Working engineers try other types of equalizers, but always end up coming back to the Pultec style as the equalizer of choice for those final touches while tracking or mixing and even mastering at times.<br /><br />\n\nNow in this modern age of digital recording, where the source you put into the DAW is exactly what you have on the track, with no rounded edges, no slight compression and none of the “pixie dust” that came with analog tape, the Mercury family of equalizers are needed more than ever to help add the musicality, warmth and tone to your tracks that we have all treasured.<br /><br />\n\n<h3>Frequencies</h3>\n<ul>\n<li>Low Frequency Select (CPS; Cycles per second): 20, 30, 60, 100, 200 Hz          </li>\n<li>Low Frequency Boost Control: Shelf Boost, 0dB to +13dB                          </li>\n<li>Low Frequency Attenuate Control: Shelf Atten. 0dB to -17dB                      </li>\n<li>High Frequency Select (KCS; kilocycles per second ): 3, 4, 5, 8, 10, 12, 16 kHz </li>\n<li>High Frequency Boost Control: Shelf Boost, 0dB to +16dB                         </li>\n<li>High Frequency Attenuate Control: 10k Shelf Attenuate, 0dB to -16dB             </li>\n</ul>'),(7010,75,1,1169,'<h2>Mercury Recording EQ-P1 Mk. III Studio Program Equalizer</h2>\n<font size=\"3\"><i>A passive Pultec style equalizer designed to bring back life and musicality to your recordings.</i></font><br /><br />\nThe Mercury EQ-H1, EQ-P1, EQ-H2 and EQ-P2 are all based on the original Pultec equalizers which were tools developed to deal with the limitations of recorded music. Limitations that most often manifest themselves in the highest and lowest frequencies of the program material. The Mercury Studio Program Equalizers, like the family of original Pultec EQs, are originally designed to bring back the life and musicality lost in a recording. Whether by accident or genius, nothing has been able to do this better in music production than a passive equalizer with tube gain make up amplifier (‘Pultec style’) equalizer. The interaction of the passive boosting and attenuating shelving EQs (not relying on negative feedback), as well as the transformers, tubes and other amplification circuitry all add to the incredibly musical character of the product. Working engineers try other types of equalizers, but always end up coming back to the Pultec style as the equalizer of choice for those final touches while tracking or mixing and even mastering at times.<br /><br />\n\nNow in this modern age of digital recording, where the source you put into the DAW is exactly what you have on the track, with no rounded edges, no slight compression and none of the “pixie dust” that came with analog tape, the Mercury family of equalizers are needed more than ever to help add the musicality, warmth and tone to your tracks that we have all treasured.<br /><br />\n\n<h3>Frequencies</h3>\n<ul>\n<li>Low Frequency Select (CPS; Cycles per second): 20, 30, 60, 100, 200 Hz          </li>\n<li>Low Frequency Boost Control: Shelf Boost, 0dB to +13dB                          </li>\n<li>Low Frequency Attenuate Control: Shelf Atten. 0dB to -17dB                      </li>\n<li>High Frequency Select (KCS; kilocycles per second ): 3, 4, 5, 8, 10, 12, 16 kHz </li>\n<li>High Frequency Boost Control: Shelf Boost, 0dB to +16dB                         </li>\n<li>High Frequency Attenuate Control: 10k Shelf Attenuate, 0dB to -16dB             </li>\n</ul>'),(7011,85,0,1169,'Mercury Recording EQ-P1 Mk. III Studio Program Equalizer'),(7012,85,1,1169,'Mercury Recording EQ-P1 Mk. III Studio Program Equalizer'),(7013,76,0,1169,''),(7014,76,1,1169,''),(7015,75,0,1170,'<h2>Mercury Recording G8 Sum-It 500 Series 8:2 Summing Mixer</h2>\nThe G8 Sum-It is a passive mixer, designed for use with Mercury M72s, M76m and GPQ15s Studio Microphone Amplifiers (for output make-up gain), allowing you be able to track with your high end Mercury preamps, and use them again when mixing or summing thru the G810 and G8 Sum-It.\n<br /><br />\nYou can use the Mercury G8 Sum-It to sub-mix guitar or bass with multiple mics, sub-mix drums, run up to 4 stereo stems through, and more. You can add warmth and punch with your Mercury M72s for output make-up gain and get that Beatles early album sound, quickly and easily – all inside your Mercury D Series G810 Rack System.\n<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(7016,75,1,1170,'<h2>Mercury Recording G8 Sum-It 500 Series 8:2 Summing Mixer</h2>\nThe G8 Sum-It is a passive mixer, designed for use with Mercury M72s, M76m and GPQ15s Studio Microphone Amplifiers (for output make-up gain), allowing you be able to track with your high end Mercury preamps, and use them again when mixing or summing thru the G810 and G8 Sum-It.\n<br /><br />\nYou can use the Mercury G8 Sum-It to sub-mix guitar or bass with multiple mics, sub-mix drums, run up to 4 stereo stems through, and more. You can add warmth and punch with your Mercury M72s for output make-up gain and get that Beatles early album sound, quickly and easily – all inside your Mercury D Series G810 Rack System.\n<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(7017,85,0,1170,'Mercury Recording G8 Sum-It 500 Series 8:2 Summing Mixer'),(7018,85,1,1170,'Mercury Recording G8 Sum-It 500 Series 8:2 Summing Mixer'),(7019,76,0,1170,''),(7020,76,1,1170,''),(7021,75,0,1171,'<h1>Mercury Recording G810 Rack System I - 10 Slot 500 Series Rack</h1>\n<span style=\"font-size:16px; font-style:italic;\">A 10 slot, feature-rich, heavy-duty rack for your 500 series modules. Ships as rack mount version (Tabletop Kit Extra)</span><br /><br />\nMercury Recording Equipment Company is debuting the first of many products in their new Mercury D Series Line. The first is the Mercury D Seres G810 Rack. From the outside, you might think you have seen this product or something similar before but you are in for a surprise. Using 20 years experience custom racking vintage modules with Marquette Audio Labs and nearly 15 years manufacturing Mercury Recording Equipment Co. products, David Marquette and Mercury Recording Equipment Company pulled out all the stops on their new product, the Mercury G810, and completely reinvented the ‘500 Rack’ inside and out.<br /><br />\nThe Mercury D Series G810 is not just another piece of hardware, but a quantum leap ahead for a Recording Industry format, making the Mercury G810 the new benchmark in ‘500 racks.’ The G810 is the new standard for reliability, stability and performance and allows you as an engineer, as well as all other ‘500 Module’ manufactures, to get the most out of the limited format. The Mercury G810 provides a solid foundation with the best power structure and regulation using our proprietary Mercury Power Regulation Circuit, Mercury Soft Start Circuit along with the robust Mercury PSU-1 Power Supply.<br /><br />\nThe new Mercury D Series Line will have additional products in the near future for the Mercury D Series G810 Rack. Future Mercury D Series products that will let you get the most out of the modules you already own and have additional features at your fingertips that some module do not have available. As well Mercury will have several Mercury D Series Modules (Classics and New Designs) and Mercury G8 Modules for slots 9 and 10 to improve the flexibility and add additional features to get even more out of your G810 Rack. The debut of the Mercury D Series G810 Rack is just the beginning of a new recording system from Mercury Recording Equipment Co. and Proudly Made in the USA!<br /><br />\n<h3>Mercury G810 Features:</h3>\n<ul>\n	<li>Supports Ten (10) D Series / ‘500 modules’ or Eight (8) D Series / ‘500 Modules’ with a Mercury G8 module in Slots 9 & 10.</li>\n	<li>Mercury D Series PSU-1: Custom, Low noise, linear power supply, designed for Professional Audio.</li>\n	<li>Mercury Power Regulation Circuit per Slot / Channel and Mercury Soft Start Circuit for powering up gently.</li>\n	<li>Bulletproof: Studio Quality Construction yet Road worthy, Heavy Duty Steel and Aluminum chassis.</li>\n	<li>Connection Choices: Individual Gold Pin XLR connectors (Ch. 1-10) and convenient DB25 connectors (Ch. 1-8)</li>\n	<li>G810 Chain Switch (per channel): This switch allows simple, convenient, internal signal flow among modules.</li>\n	<li>G810 Link Switch, (per channel): This switch provides ‘Linking’ of modules that support that feature.</li>\n	<li>Custom Ground Lift Switch: Three modes of ground connection insure quiet operation in all environments.</li>\n	<li>Flexibility: Convertible between being rack mountable or free standing ‘Table Top’ portable configurations.</li>\n	<li>The D Series PSU-1 Power Supply is also convertible between being rack mountable or free standing.</li>\n</ul>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>\n<br />\n<h3>Powerful</h3>\nThe Mercury G810 solves the biggest complaint for users of other ‘500 racks’ in the marketplace, Lack of Power, especially when using products that are not built to the specifications of the ‘VPR Alliance’. Those products take / need more then their share of the power to work, which in turn causes problems with all other modules in the rack. This is not an issue with the Mercury D Series G810 Rack. We welcome any ‘500 Module’ to be installed in the Mercury G810 Rack. The Mercury D Series Power Specification is much larger than the maximum spec of the ‘VPR Alliance’. But just providing more power is not good enough for Mercury, we wanted to design a better system overall not just more power. This vision was realized with the Mercury Power Regulation Circuit (PRC). The Mercury PRC is not only in the rack it is on every channel (slot) of the rack offering individual regulation per channel / per module. The Mercury G810 is the first ‘500 Rack’ to have this feature and why we feel this is not only a better rack but a better system overall. The Mercury Power Regulation Circuit allows each channel (slot) to be isolated from the channel (slot or module) next to it or any other channel (slot or module) in the rack, which will protect from faults or emissions from problematic module.\n<br /><br />\nWe added more power and the Mercury Power Regulation Circuit, but we did not stop there. We also added the Mercury Soft Start Circuit feature to the Mercury G810 Rack as well. The Mercury Soft Start Circuit allows power to ‘ramp up’ slowly and will gradually and gently apply voltage to your expensive D Series or ‘500 Series’ modules when you power up. This is better for your modules as well it reduces the danger to woofers that could be damaged with ‘turn-on’ thump. It might not be the first thing you think of when buying equipment, but the power for any recording device is the foundation of how it works. In Professional Audio a clean, regulated and abundant power supply affects the headroom of your Preamps, Equalizers and Compressor/Limiters etc... and allows your equipment to simply work better and have more dynamics with more power in reserve. If you have a rack full of 8 or 10 limiters for drums (for example) you are going to hear things distort sooner on peaks if there is not enough power in reserve. We have solved those issues with the Mercury G810, allowing you to concentrate on recording music not calculating the amperage or total power you need for the modules you are using. The Mercury D Series Line will have several choices of power supplies to be able to power a single rack or several. The first is the D Series PSU-1. All Mercury D Series Power Supplies feature Studio Quality, Low Noise, Linear Power designed for Audio.<br /><br />\n<h3>Rock Solid Construction</h3>\nThe Mercury D Series G810 is simply built like a Tank, with a durable, steel chassis and thick Aluminum Rack Ears. Like all Mercury Recording Equipment Co. products, the Mercury G810 is engineered to be reliable and look good in your Studio but is road worthy and can be used for Live work as as well.\n<br /><br />\n<h3>Flexible</h3>\nOn the back panel of the Mercury G810 has Gold Pin XLRs (for Channels 1-10) and DB25 (DSUB) connectors for Channels 1-8 to give you choices of how you install your system and more the opportunity help you lower the cost for expensive cabling. The Mercury G810 is rack mountable but you can also use as a Table Top Rack as well. The D Series PSU-1 Power supply is also rack mountable or can sit on the tabletop next to the rack or on the floor or in the bottom of your rack. You can also mount two PSU-1 power supplies together as a dual 1U unit to save valuable rack space.\n<br /><br />\n<h3>Plenty of Features</h3>\nThe Mercury G810 has many features to make your recording experience easier. The G810 Chain Switch (per channel), This switch allows simple, convenient, internal signal flow among modules. Example: If you have a Mic pre in Channel 1 of your G810 Rack, and EQ in Channel 2 and a Limiter in Channel 3, you could plug your Microphone cable in the input of Channel 1 and an XLR Cable into the Output of Channel 3 directly to you recording device and engage the Chain Switch on Channel 1 and 2 and they will all be “Chained” together. Note: This also works if you are using DB25 connectors to your patch bay as well. G810 Link, (per channel), This switch provides ‘Linking’ of modules that support that feature. Custom Ground Lift - Three modes of ground connection insure quiet operation in all environments with ‘Ground Lift’, ‘RF’ and ‘Ground’ Selections.\n<br /><br />\n<h3>The Future</h3>\nThe Mercury G810 Rack is just the beginning. It is the first part of the Mercury D Series System that will feature Mercury D Series Modules, like Preamps, EQ and Limiters. More, there are new products and problem solving tools for engineers to use to make the gear they already use better. The Mercury G810 has 10 slots, 1-8 are designed for Mercury D Series or any ‘500 Module’ to be installed, and you can also install these on slots 9 and 10 as well. But in the very near future we will have several Mercury G8 Modules for slot 9 and 10 that will let you do things with the G810 Rack to make recording easier and also have choices at your fingertips to make recording easier.\n<br /><br />'),(7022,75,1,1171,'<h1>Mercury Recording G810 Rack System I - 10 Slot 500 Series Rack</h1>\n<span style=\"font-size:16px; font-style:italic;\">A 10 slot, feature-rich, heavy-duty rack for your 500 series modules. Ships as rack mount version (Tabletop Kit Extra)</span><br /><br />\nMercury Recording Equipment Company is debuting the first of many products in their new Mercury D Series Line. The first is the Mercury D Seres G810 Rack. From the outside, you might think you have seen this product or something similar before but you are in for a surprise. Using 20 years experience custom racking vintage modules with Marquette Audio Labs and nearly 15 years manufacturing Mercury Recording Equipment Co. products, David Marquette and Mercury Recording Equipment Company pulled out all the stops on their new product, the Mercury G810, and completely reinvented the ‘500 Rack’ inside and out.<br /><br />\nThe Mercury D Series G810 is not just another piece of hardware, but a quantum leap ahead for a Recording Industry format, making the Mercury G810 the new benchmark in ‘500 racks.’ The G810 is the new standard for reliability, stability and performance and allows you as an engineer, as well as all other ‘500 Module’ manufactures, to get the most out of the limited format. The Mercury G810 provides a solid foundation with the best power structure and regulation using our proprietary Mercury Power Regulation Circuit, Mercury Soft Start Circuit along with the robust Mercury PSU-1 Power Supply.<br /><br />\nThe new Mercury D Series Line will have additional products in the near future for the Mercury D Series G810 Rack. Future Mercury D Series products that will let you get the most out of the modules you already own and have additional features at your fingertips that some module do not have available. As well Mercury will have several Mercury D Series Modules (Classics and New Designs) and Mercury G8 Modules for slots 9 and 10 to improve the flexibility and add additional features to get even more out of your G810 Rack. The debut of the Mercury D Series G810 Rack is just the beginning of a new recording system from Mercury Recording Equipment Co. and Proudly Made in the USA!<br /><br />\n<h3>Mercury G810 Features:</h3>\n<ul>\n	<li>Supports Ten (10) D Series / ‘500 modules’ or Eight (8) D Series / ‘500 Modules’ with a Mercury G8 module in Slots 9 & 10.</li>\n	<li>Mercury D Series PSU-1: Custom, Low noise, linear power supply, designed for Professional Audio.</li>\n	<li>Mercury Power Regulation Circuit per Slot / Channel and Mercury Soft Start Circuit for powering up gently.</li>\n	<li>Bulletproof: Studio Quality Construction yet Road worthy, Heavy Duty Steel and Aluminum chassis.</li>\n	<li>Connection Choices: Individual Gold Pin XLR connectors (Ch. 1-10) and convenient DB25 connectors (Ch. 1-8)</li>\n	<li>G810 Chain Switch (per channel): This switch allows simple, convenient, internal signal flow among modules.</li>\n	<li>G810 Link Switch, (per channel): This switch provides ‘Linking’ of modules that support that feature.</li>\n	<li>Custom Ground Lift Switch: Three modes of ground connection insure quiet operation in all environments.</li>\n	<li>Flexibility: Convertible between being rack mountable or free standing ‘Table Top’ portable configurations.</li>\n	<li>The D Series PSU-1 Power Supply is also convertible between being rack mountable or free standing.</li>\n</ul>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>\n<br />\n<h3>Powerful</h3>\nThe Mercury G810 solves the biggest complaint for users of other ‘500 racks’ in the marketplace, Lack of Power, especially when using products that are not built to the specifications of the ‘VPR Alliance’. Those products take / need more then their share of the power to work, which in turn causes problems with all other modules in the rack. This is not an issue with the Mercury D Series G810 Rack. We welcome any ‘500 Module’ to be installed in the Mercury G810 Rack. The Mercury D Series Power Specification is much larger than the maximum spec of the ‘VPR Alliance’. But just providing more power is not good enough for Mercury, we wanted to design a better system overall not just more power. This vision was realized with the Mercury Power Regulation Circuit (PRC). The Mercury PRC is not only in the rack it is on every channel (slot) of the rack offering individual regulation per channel / per module. The Mercury G810 is the first ‘500 Rack’ to have this feature and why we feel this is not only a better rack but a better system overall. The Mercury Power Regulation Circuit allows each channel (slot) to be isolated from the channel (slot or module) next to it or any other channel (slot or module) in the rack, which will protect from faults or emissions from problematic module.\n<br /><br />\nWe added more power and the Mercury Power Regulation Circuit, but we did not stop there. We also added the Mercury Soft Start Circuit feature to the Mercury G810 Rack as well. The Mercury Soft Start Circuit allows power to ‘ramp up’ slowly and will gradually and gently apply voltage to your expensive D Series or ‘500 Series’ modules when you power up. This is better for your modules as well it reduces the danger to woofers that could be damaged with ‘turn-on’ thump. It might not be the first thing you think of when buying equipment, but the power for any recording device is the foundation of how it works. In Professional Audio a clean, regulated and abundant power supply affects the headroom of your Preamps, Equalizers and Compressor/Limiters etc... and allows your equipment to simply work better and have more dynamics with more power in reserve. If you have a rack full of 8 or 10 limiters for drums (for example) you are going to hear things distort sooner on peaks if there is not enough power in reserve. We have solved those issues with the Mercury G810, allowing you to concentrate on recording music not calculating the amperage or total power you need for the modules you are using. The Mercury D Series Line will have several choices of power supplies to be able to power a single rack or several. The first is the D Series PSU-1. All Mercury D Series Power Supplies feature Studio Quality, Low Noise, Linear Power designed for Audio.<br /><br />\n<h3>Rock Solid Construction</h3>\nThe Mercury D Series G810 is simply built like a Tank, with a durable, steel chassis and thick Aluminum Rack Ears. Like all Mercury Recording Equipment Co. products, the Mercury G810 is engineered to be reliable and look good in your Studio but is road worthy and can be used for Live work as as well.\n<br /><br />\n<h3>Flexible</h3>\nOn the back panel of the Mercury G810 has Gold Pin XLRs (for Channels 1-10) and DB25 (DSUB) connectors for Channels 1-8 to give you choices of how you install your system and more the opportunity help you lower the cost for expensive cabling. The Mercury G810 is rack mountable but you can also use as a Table Top Rack as well. The D Series PSU-1 Power supply is also rack mountable or can sit on the tabletop next to the rack or on the floor or in the bottom of your rack. You can also mount two PSU-1 power supplies together as a dual 1U unit to save valuable rack space.\n<br /><br />\n<h3>Plenty of Features</h3>\nThe Mercury G810 has many features to make your recording experience easier. The G810 Chain Switch (per channel), This switch allows simple, convenient, internal signal flow among modules. Example: If you have a Mic pre in Channel 1 of your G810 Rack, and EQ in Channel 2 and a Limiter in Channel 3, you could plug your Microphone cable in the input of Channel 1 and an XLR Cable into the Output of Channel 3 directly to you recording device and engage the Chain Switch on Channel 1 and 2 and they will all be “Chained” together. Note: This also works if you are using DB25 connectors to your patch bay as well. G810 Link, (per channel), This switch provides ‘Linking’ of modules that support that feature. Custom Ground Lift - Three modes of ground connection insure quiet operation in all environments with ‘Ground Lift’, ‘RF’ and ‘Ground’ Selections.\n<br /><br />\n<h3>The Future</h3>\nThe Mercury G810 Rack is just the beginning. It is the first part of the Mercury D Series System that will feature Mercury D Series Modules, like Preamps, EQ and Limiters. More, there are new products and problem solving tools for engineers to use to make the gear they already use better. The Mercury G810 has 10 slots, 1-8 are designed for Mercury D Series or any ‘500 Module’ to be installed, and you can also install these on slots 9 and 10 as well. But in the very near future we will have several Mercury G8 Modules for slot 9 and 10 that will let you do things with the G810 Rack to make recording easier and also have choices at your fingertips to make recording easier.\n<br /><br />'),(7023,85,0,1171,'Mercury Recording G810 Rack - 10 Slot 500 Series Rack'),(7024,85,1,1171,'Mercury Recording G810 Rack - 10 Slot 500 Series Rack'),(7025,76,0,1171,''),(7026,76,1,1171,''),(7027,75,0,1172,'<h2>Mercury Recording G810 - 500 Series Rack Ear Kit</h2>\n<span style=\"font-size:16px; font-style:italic;\">Convert your Mercury Recording G810 Rack from Tabletop to rack mount with this rack ear kit.</span><br /><br />\nThe Mercury D Series G810 Rack System I ships as a tabletop version with feet and handles, use this rack ear kit to rack-mount your G810 rack in a standard 19\" equipment rack.<br /><br />Pair it with the <a href=\"http://www.rspeaudio.com/Mercury-Recording-PSU-1-Rack-Ear-Kit-p/merc-psu-1-rackkit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">PSU-1 Rack Ear Kit</a> and you can also mount the power supply in you rack.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\">\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(7028,75,1,1172,'<h2>Mercury Recording G810 - 500 Series Rack Ear Kit</h2>\n<span style=\"font-size:16px; font-style:italic;\">Convert your Mercury Recording G810 Rack from Tabletop to rack mount with this rack ear kit.</span><br /><br />\nThe Mercury D Series G810 Rack System I ships as a tabletop version with feet and handles, use this rack ear kit to rack-mount your G810 rack in a standard 19\" equipment rack.<br /><br />Pair it with the <a href=\"http://www.rspeaudio.com/Mercury-Recording-PSU-1-Rack-Ear-Kit-p/merc-psu-1-rackkit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">PSU-1 Rack Ear Kit</a> and you can also mount the power supply in you rack.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\">\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(7029,85,0,1172,'Mercury Recording G810 - 500 Series Rack Ear Kit'),(7030,85,1,1172,'Mercury Recording G810 - 500 Series Rack Ear Kit'),(7031,76,0,1172,''),(7032,76,1,1172,''),(7033,75,0,1173,'<h1>Mercury Recording G810 Rack System II- 10 Slot 500 Series Rack</h1>\n<span style=\"font-size: 16px; font-style: italic;\">A more budget-friendly version </span><span style=\"font-size:16px; font-style:italic;\">of the G810 500 Series Rack, with the same heavy-duty power structure as the G810 System I. Ships as rack mount version (Table Top Kit Extra)</span><br /><br />\nMercury Recording Equipment Company is debuting the first of many products in their new Mercury D Series Line. The first is the Mercury D Seres G810 Rack. From the outside, you might think you have seen this product or something similar before but you are in for a surprise. Using 20 years experience custom racking vintage modules with Marquette Audio Labs and nearly 15 years manufacturing Mercury Recording Equipment Co. products, David Marquette and Mercury Recording Equipment Company pulled out all the stops on their new product, the Mercury G810, and completely reinvented the ‘500 Rack’ inside and out.<br /><br />\nThe Mercury D Series G810 is not just another piece of hardware, but a quantum leap ahead for a Recording Industry format, making the Mercury G810 the new benchmark in ‘500 racks.’ The G810 is the new standard for reliability, stability and performance and allows you as an engineer, as well as all other ‘500 Module’ manufactures, to get the most out of the limited format. The Mercury G810 provides a solid foundation with the best power structure and regulation using our proprietary Mercury Power Regulation Circuit, Mercury Soft Start Circuit along with the robust Mercury PSU-1 Power Supply.<br /><br />\nThe new Mercury D Series Line will have additional products in the near future for the Mercury D Series G810 Rack. Future Mercury D Series products that will let you get the most out of the modules you already own and have additional features at your fingertips that some module do not have available. As well Mercury will have several Mercury D Series Modules (Classics and New Designs) and Mercury G8 Modules for slots 9 and 10 to improve the flexibility and add additional features to get even more out of your G810 Rack. The debut of the Mercury D Series G810 Rack is just the beginning of a new recording system from Mercury Recording Equipment Co. and Proudly Made in the USA!<br /><br />\n<h3>Mercury G810 Features:</h3>\n<ul>\n	<li>Supports Ten (10) D Series / ‘500 modules’ or Eight (8) D Series / ‘500 Modules’ with a Mercury G8 module in Slots 9 & 10.</li>\n	<li>Mercury D Series PSU-1: Custom, Low noise, linear power supply, designed for Professional Audio.</li>\n	<li>Mercury Power Regulation Circuit per Slot / Channel and Mercury Soft Start Circuit for powering up gently.</li>\n	<li>Bulletproof: Studio Quality Construction yet Road worthy, Heavy Duty Steel and Aluminum chassis.</li>\n	<li>Connection Choices: Individual Gold Pin XLR connectors (Ch. 9-10 only) and convenient DB25 connectors (Ch. 1-8)</li>\n	<li><span style=\"background-color: initial;\">G810 Sequential Link Switch, (per channel): This switch provides ‘Linking’ of modules that support that feature.</span></li>\n	<li>Custom Ground Lift Switch: Three modes of ground connection insure quiet operation in all environments.</li>\n	<li>Flexibility: Convertible between being rack mountable or free standing ‘Table Top’ portable configurations.</li>\n	<li>The D Series PSU-1 Power Supply is also convertible between being rack mountable or free standing.</li>\n</ul>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>\n<br />\n<h3>Powerful</h3>\nThe Mercury G810 solves the biggest complaint for users of other ‘500 racks’ in the marketplace, Lack of Power, especially when using products that are not built to the specifications of the ‘VPR Alliance’. Those products take / need more then their share of the power to work, which in turn causes problems with all other modules in the rack. This is not an issue with the Mercury D Series G810 Rack. We welcome any ‘500 Module’ to be installed in the Mercury G810 Rack. The Mercury D Series Power Specification is much larger than the maximum spec of the ‘VPR Alliance’. But just providing more power is not good enough for Mercury, we wanted to design a better system overall not just more power. This vision was realized with the Mercury Power Regulation Circuit (PRC). The Mercury PRC is not only in the rack it is on every channel (slot) of the rack offering individual regulation per channel / per module. The Mercury G810 is the first ‘500 Rack’ to have this feature and why we feel this is not only a better rack but a better system overall. The Mercury Power Regulation Circuit allows each channel (slot) to be isolated from the channel (slot or module) next to it or any other channel (slot or module) in the rack, which will protect from faults or emissions from problematic module.\n<br /><br />\nWe added more power and the Mercury Power Regulation Circuit, but we did not stop there. We also added the Mercury Soft Start Circuit feature to the Mercury G810 Rack as well. The Mercury Soft Start Circuit allows power to ‘ramp up’ slowly and will gradually and gently apply voltage to your expensive D Series or ‘500 Series’ modules when you power up. This is better for your modules as well it reduces the danger to woofers that could be damaged with ‘turn-on’ thump. It might not be the first thing you think of when buying equipment, but the power for any recording device is the foundation of how it works. In Professional Audio a clean, regulated and abundant power supply affects the headroom of your Preamps, Equalizers and Compressor/Limiters etc... and allows your equipment to simply work better and have more dynamics with more power in reserve. If you have a rack full of 8 or 10 limiters for drums (for example) you are going to hear things distort sooner on peaks if there is not enough power in reserve. We have solved those issues with the Mercury G810, allowing you to concentrate on recording music not calculating the amperage or total power you need for the modules you are using. The Mercury D Series Line will have several choices of power supplies to be able to power a single rack or several. The first is the D Series PSU-1. All Mercury D Series Power Supplies feature Studio Quality, Low Noise, Linear Power designed for Audio.<br /><br />\n<h3>Rock Solid Construction</h3>\nThe Mercury D Series G810 is simply built like a Tank, with a durable, steel chassis and thick Aluminum Rack Ears. Like all Mercury Recording Equipment Co. products, the Mercury G810 is engineered to be reliable and look good in your Studio but is road worthy and can be used for Live work as as well.\n<br /><br />\n<h3>Flexible</h3>\nOn the back panel of the Mercury G810 System II has Gold Pin XLRs (for Channels 9-10 only) and DB25 (DSUB) connectors for Channels 1-8 to give you choices of how you install your system and more the opportunity help you lower the cost for expensive cabling. The Mercury G810 is rack mountable but you can also use as a Table Top Rack as well. The D Series PSU-1 Power supply is also rack mountable or can sit on the tabletop next to the rack or on the floor or in the bottom of your rack. You can also mount two PSU-1 power supplies together as a dual 1U unit to save valuable rack space.\n<br /><br />\n<h3>Plenty of Features</h3>\nThe budget-friendly Mercury G810 System II has many features to make your recording experience easier. Missing is the System I\'s Chain Switch (per channel), which allows simple, convenient, internal signal flow among modules. The System II still has the LINK switch but you only have the ability to link channels sequentially (1-2, 3-4, etc.).\n<br /><br />\n<h3>The Future</h3>\nThe Mercury G810 Rack is just the beginning. It is the first part of the Mercury D Series System that will feature Mercury D Series Modules, like Preamps, EQ and Limiters. More, there are new products and problem solving tools for engineers to use to make the gear they already use better. The Mercury G810 has 10 slots, 1-8 are designed for Mercury D Series or any ‘500 Module’ to be installed, and you can also install these on slots 9 and 10 as well. But in the very near future we will have several Mercury G8 Modules for slot 9 and 10 that will let you do things with the G810 Rack to make recording easier and also have choices at your fingertips to make recording easier.\n<br /><br />'),(7034,75,1,1173,'<h1>Mercury Recording G810 Rack System II- 10 Slot 500 Series Rack</h1>\n<span style=\"font-size: 16px; font-style: italic;\">A more budget-friendly version </span><span style=\"font-size:16px; font-style:italic;\">of the G810 500 Series Rack, with the same heavy-duty power structure as the G810 System I. Ships as rack mount version (Table Top Kit Extra)</span><br /><br />\nMercury Recording Equipment Company is debuting the first of many products in their new Mercury D Series Line. The first is the Mercury D Seres G810 Rack. From the outside, you might think you have seen this product or something similar before but you are in for a surprise. Using 20 years experience custom racking vintage modules with Marquette Audio Labs and nearly 15 years manufacturing Mercury Recording Equipment Co. products, David Marquette and Mercury Recording Equipment Company pulled out all the stops on their new product, the Mercury G810, and completely reinvented the ‘500 Rack’ inside and out.<br /><br />\nThe Mercury D Series G810 is not just another piece of hardware, but a quantum leap ahead for a Recording Industry format, making the Mercury G810 the new benchmark in ‘500 racks.’ The G810 is the new standard for reliability, stability and performance and allows you as an engineer, as well as all other ‘500 Module’ manufactures, to get the most out of the limited format. The Mercury G810 provides a solid foundation with the best power structure and regulation using our proprietary Mercury Power Regulation Circuit, Mercury Soft Start Circuit along with the robust Mercury PSU-1 Power Supply.<br /><br />\nThe new Mercury D Series Line will have additional products in the near future for the Mercury D Series G810 Rack. Future Mercury D Series products that will let you get the most out of the modules you already own and have additional features at your fingertips that some module do not have available. As well Mercury will have several Mercury D Series Modules (Classics and New Designs) and Mercury G8 Modules for slots 9 and 10 to improve the flexibility and add additional features to get even more out of your G810 Rack. The debut of the Mercury D Series G810 Rack is just the beginning of a new recording system from Mercury Recording Equipment Co. and Proudly Made in the USA!<br /><br />\n<h3>Mercury G810 Features:</h3>\n<ul>\n	<li>Supports Ten (10) D Series / ‘500 modules’ or Eight (8) D Series / ‘500 Modules’ with a Mercury G8 module in Slots 9 & 10.</li>\n	<li>Mercury D Series PSU-1: Custom, Low noise, linear power supply, designed for Professional Audio.</li>\n	<li>Mercury Power Regulation Circuit per Slot / Channel and Mercury Soft Start Circuit for powering up gently.</li>\n	<li>Bulletproof: Studio Quality Construction yet Road worthy, Heavy Duty Steel and Aluminum chassis.</li>\n	<li>Connection Choices: Individual Gold Pin XLR connectors (Ch. 9-10 only) and convenient DB25 connectors (Ch. 1-8)</li>\n	<li><span style=\"background-color: initial;\">G810 Sequential Link Switch, (per channel): This switch provides ‘Linking’ of modules that support that feature.</span></li>\n	<li>Custom Ground Lift Switch: Three modes of ground connection insure quiet operation in all environments.</li>\n	<li>Flexibility: Convertible between being rack mountable or free standing ‘Table Top’ portable configurations.</li>\n	<li>The D Series PSU-1 Power Supply is also convertible between being rack mountable or free standing.</li>\n</ul>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>\n<br />\n<h3>Powerful</h3>\nThe Mercury G810 solves the biggest complaint for users of other ‘500 racks’ in the marketplace, Lack of Power, especially when using products that are not built to the specifications of the ‘VPR Alliance’. Those products take / need more then their share of the power to work, which in turn causes problems with all other modules in the rack. This is not an issue with the Mercury D Series G810 Rack. We welcome any ‘500 Module’ to be installed in the Mercury G810 Rack. The Mercury D Series Power Specification is much larger than the maximum spec of the ‘VPR Alliance’. But just providing more power is not good enough for Mercury, we wanted to design a better system overall not just more power. This vision was realized with the Mercury Power Regulation Circuit (PRC). The Mercury PRC is not only in the rack it is on every channel (slot) of the rack offering individual regulation per channel / per module. The Mercury G810 is the first ‘500 Rack’ to have this feature and why we feel this is not only a better rack but a better system overall. The Mercury Power Regulation Circuit allows each channel (slot) to be isolated from the channel (slot or module) next to it or any other channel (slot or module) in the rack, which will protect from faults or emissions from problematic module.\n<br /><br />\nWe added more power and the Mercury Power Regulation Circuit, but we did not stop there. We also added the Mercury Soft Start Circuit feature to the Mercury G810 Rack as well. The Mercury Soft Start Circuit allows power to ‘ramp up’ slowly and will gradually and gently apply voltage to your expensive D Series or ‘500 Series’ modules when you power up. This is better for your modules as well it reduces the danger to woofers that could be damaged with ‘turn-on’ thump. It might not be the first thing you think of when buying equipment, but the power for any recording device is the foundation of how it works. In Professional Audio a clean, regulated and abundant power supply affects the headroom of your Preamps, Equalizers and Compressor/Limiters etc... and allows your equipment to simply work better and have more dynamics with more power in reserve. If you have a rack full of 8 or 10 limiters for drums (for example) you are going to hear things distort sooner on peaks if there is not enough power in reserve. We have solved those issues with the Mercury G810, allowing you to concentrate on recording music not calculating the amperage or total power you need for the modules you are using. The Mercury D Series Line will have several choices of power supplies to be able to power a single rack or several. The first is the D Series PSU-1. All Mercury D Series Power Supplies feature Studio Quality, Low Noise, Linear Power designed for Audio.<br /><br />\n<h3>Rock Solid Construction</h3>\nThe Mercury D Series G810 is simply built like a Tank, with a durable, steel chassis and thick Aluminum Rack Ears. Like all Mercury Recording Equipment Co. products, the Mercury G810 is engineered to be reliable and look good in your Studio but is road worthy and can be used for Live work as as well.\n<br /><br />\n<h3>Flexible</h3>\nOn the back panel of the Mercury G810 System II has Gold Pin XLRs (for Channels 9-10 only) and DB25 (DSUB) connectors for Channels 1-8 to give you choices of how you install your system and more the opportunity help you lower the cost for expensive cabling. The Mercury G810 is rack mountable but you can also use as a Table Top Rack as well. The D Series PSU-1 Power supply is also rack mountable or can sit on the tabletop next to the rack or on the floor or in the bottom of your rack. You can also mount two PSU-1 power supplies together as a dual 1U unit to save valuable rack space.\n<br /><br />\n<h3>Plenty of Features</h3>\nThe budget-friendly Mercury G810 System II has many features to make your recording experience easier. Missing is the System I\'s Chain Switch (per channel), which allows simple, convenient, internal signal flow among modules. The System II still has the LINK switch but you only have the ability to link channels sequentially (1-2, 3-4, etc.).\n<br /><br />\n<h3>The Future</h3>\nThe Mercury G810 Rack is just the beginning. It is the first part of the Mercury D Series System that will feature Mercury D Series Modules, like Preamps, EQ and Limiters. More, there are new products and problem solving tools for engineers to use to make the gear they already use better. The Mercury G810 has 10 slots, 1-8 are designed for Mercury D Series or any ‘500 Module’ to be installed, and you can also install these on slots 9 and 10 as well. But in the very near future we will have several Mercury G8 Modules for slot 9 and 10 that will let you do things with the G810 Rack to make recording easier and also have choices at your fingertips to make recording easier.\n<br /><br />'),(7035,85,0,1173,'Mercury Recording G810 Rack System II - 10 Slot 500 Series Rack'),(7036,85,1,1173,'Mercury Recording G810 Rack System II - 10 Slot 500 Series Rack'),(7037,76,0,1173,''),(7038,76,1,1173,''),(7039,75,0,1174,'<h2>Mercury Recording M72s Mk. III Studio Microphone Amplifier</h2>\n<span style=\"font-size:16px; font-style:italic;\">A modern represention of the modified classic mic pres used in the REDD.37 Recording Desk.</span><br /><br />\nIn the mid-sixties, at Abbey Road Studios legends were born. Not just the Beatles or George Martin, but also the REDD.37 recording desk that was used to record most of their earlier work. The very rare amplifiers used in that desk were called \"V72s\" and were a modified version of the standard Telefunken / Siemens V72 module.<br /><br />\n\nThe more common V72 amplifier modules were later modified and have been sold for many years as outboard preamplifiers all over the world. These V72 modules have not been available new for 40 years, and working units have become extremely rare and expensive. It is the uniquely musical tonal characteristics of these preamps have made them the prized possession of many engineers lucky enough to get the vintage modules, and a \"secret weapon\" for many studio musicians. With that in mind, Mercury Recording Equipment has made a faithful reproduction in the M72s -- not only of how the units behave, but of how they SOUND overall. The addition of pad, phase, phantom and gain controls make it even more versatile without sacrificing the most important feature: Musicality.<br /><br />\n\nThe most sought after Telefunken/Siemens \"V series\" modules are famous for being used in Abbey Road\'s REDD.37 consoles. These amplifiers were called \"V72s\" and were a modified version of the standard V72 modules that were much more common. Unlike those vintage modules that had fixed gain, The V72 at 34dB, and the \"V72s\" at 40dB, the Mercury M72s has variable mic gain from 28dB to 58dB. Also, with the M72s, you have a selectable input pad of -16dB or -28dB for even more control. When the -28dB pad is engaged and it is set at the lowest gain setting (28dB) you can run line level signal through the M72s. This will provide a warm, rich path for mixes, keyboards, drum machines, samples etc... There are also all the modern features we expect on a new piece of equipment: 48V DC (Phantom), Phase Reverse (Polarity) and Direct Input for Bass or Electric Guitar per channel. The Mercury M72s has the rich lows and punchy mids that the vintage V72 modules have but a more open high end. The Mercury M72s Studio Microphone Amplifier has that \"vintage\" tone and \"break up\" like the original modules but it is a bit more musical over all (not cleaner... more musical, there is a huge difference).<br /><br />\n\nThe Mercury M72s brings that \"vintage\" magic back! It is truly a new classic for today as well as for the next 50 years!<br /><br />\n\nMERCURY M72s BACK PANELMERCURY RECORDING EQUIPMENT has gone to great lengths to recreate the pride and passion of the past, both sonically and aesthetically, while offering the reliability of a present day production. The choices made in looks, layout, functionality, features and build quality all answer back to one question: How would \"they\" have done it today?<br /><br />\n\nMercury Recording Equipment Co. products are hand wired and/or assembled using silver solder and no-compromise parts. All Mercury products are transformer balanced, inputs and outputs and there are no I.C.s (chips) in the signal path. The chassis and front panels have a very distinctive \"vintage\" look with custom powder coating finish. They look as good as they sound!<br /><br />'),(7040,75,1,1174,'<h2>Mercury Recording M72s Mk. III Studio Microphone Amplifier</h2>\n<span style=\"font-size:16px; font-style:italic;\">A modern represention of the modified classic mic pres used in the REDD.37 Recording Desk.</span><br /><br />\nIn the mid-sixties, at Abbey Road Studios legends were born. Not just the Beatles or George Martin, but also the REDD.37 recording desk that was used to record most of their earlier work. The very rare amplifiers used in that desk were called \"V72s\" and were a modified version of the standard Telefunken / Siemens V72 module.<br /><br />\n\nThe more common V72 amplifier modules were later modified and have been sold for many years as outboard preamplifiers all over the world. These V72 modules have not been available new for 40 years, and working units have become extremely rare and expensive. It is the uniquely musical tonal characteristics of these preamps have made them the prized possession of many engineers lucky enough to get the vintage modules, and a \"secret weapon\" for many studio musicians. With that in mind, Mercury Recording Equipment has made a faithful reproduction in the M72s -- not only of how the units behave, but of how they SOUND overall. The addition of pad, phase, phantom and gain controls make it even more versatile without sacrificing the most important feature: Musicality.<br /><br />\n\nThe most sought after Telefunken/Siemens \"V series\" modules are famous for being used in Abbey Road\'s REDD.37 consoles. These amplifiers were called \"V72s\" and were a modified version of the standard V72 modules that were much more common. Unlike those vintage modules that had fixed gain, The V72 at 34dB, and the \"V72s\" at 40dB, the Mercury M72s has variable mic gain from 28dB to 58dB. Also, with the M72s, you have a selectable input pad of -16dB or -28dB for even more control. When the -28dB pad is engaged and it is set at the lowest gain setting (28dB) you can run line level signal through the M72s. This will provide a warm, rich path for mixes, keyboards, drum machines, samples etc... There are also all the modern features we expect on a new piece of equipment: 48V DC (Phantom), Phase Reverse (Polarity) and Direct Input for Bass or Electric Guitar per channel. The Mercury M72s has the rich lows and punchy mids that the vintage V72 modules have but a more open high end. The Mercury M72s Studio Microphone Amplifier has that \"vintage\" tone and \"break up\" like the original modules but it is a bit more musical over all (not cleaner... more musical, there is a huge difference).<br /><br />\n\nThe Mercury M72s brings that \"vintage\" magic back! It is truly a new classic for today as well as for the next 50 years!<br /><br />\n\nMERCURY M72s BACK PANELMERCURY RECORDING EQUIPMENT has gone to great lengths to recreate the pride and passion of the past, both sonically and aesthetically, while offering the reliability of a present day production. The choices made in looks, layout, functionality, features and build quality all answer back to one question: How would \"they\" have done it today?<br /><br />\n\nMercury Recording Equipment Co. products are hand wired and/or assembled using silver solder and no-compromise parts. All Mercury products are transformer balanced, inputs and outputs and there are no I.C.s (chips) in the signal path. The chassis and front panels have a very distinctive \"vintage\" look with custom powder coating finish. They look as good as they sound!<br /><br />'),(7041,85,0,1174,'Mercury Recording M72s Mk. III Studio Microphone Amplifier'),(7042,85,1,1174,'Mercury Recording M72s Mk. III Studio Microphone Amplifier'),(7043,76,0,1174,''),(7044,76,1,1174,''),(7045,75,0,1175,'<h2>Mercury Recording M72s-CSV - Custom Shop Version Studio Microphone Amplifier</h2>\n<span style=\"font-size:16px; font-style:italic;\">A modern represention of the modified classic mic pres used in the REDD.37 Recording Desk, </span><span style=\"font-size: 16px;\"><i>with the vintage look, tone and musicality only found in the past,</i></span><br /><br />\nThe Mercury Recording M72s-CSV is based on the most sought after vintage amplifier module—the Telefunken/Siemens V72s—which is most famous for being installed in REDD.37 consoles, used on all the early Beatles recordings by George Martin at Abbey Road Studios in London, England.<br /><br />\n\nInspired by the vintage tone, craftsmanship and practicality of the original, modular, tube amplifier from the console. We wanted to pay homage in every detail. From the color of paint, to the style of venting used, to the nickel plated handles that were used to remove it from the slotted DIN rack on the console side. Bringing back the sound, look and feel that inspired not only this product but this company, Mercury, to manufacture recording equipment and keep this and other beloved circuits alive to make more music for another generation.<br /><br />\n\nThe Mercury M72s-CSV is based on the module used in consoles which are very rare due to a minimal amount made. The more common V72 amplifier modules (not marked with the lower case \"s\", ie V72s) were later modified and have been sold for many years as outboard preamplifiers all over the world. Neither of these amplifier modules have been available new for more than 50 years. So, working units have become extremely rare, very expensive and in some cases are now in need of much repair.<br /><br />\n\nRegardless of cost, the uniquely musical tonal characteristics of these amplifiers has made them the prized possession of many engineers lucky enough to get the vintage modules, and a \"secret weapon\" for many studio musicians. Mercury Recording Equipment is proud to have a faithful reproduction in the M72s-CSV. We have 20+ years of experience with the amplifiers and feel we have captured not only how the units behave, but how they sound overall. We are confident with the addition of modern features, making the M72s much more versatile, without sacrificing the most important feature: Musicality<br /><br />\n\n<h3>Mercury M72s-CSV Features</h3>\nThe Gain of the Mercury M72s is variable from 28dB to 58dB, in 3dB increments, controlled with a high quality rotary switch. Also, there is an option of a selectable Input Pad of -16dB or -28dB for even more control. Additionally, when the -28dB pad is engaged and it is set at the lowest gain setting (28dB) you can run signal through the M72s-CSV to add warmth and tonality to any tracks, mixes, keyboards, drum machines, samples etc... There are also all the modern features we expect on a new piece of equipment: Phantom Power (on/off) , Phase (Polarity) Reversal, and our amazing sounding FDI (FET Direct Input) circuit per channel.<br /><br />\n\nThe Mercury FDI (FET Direct Input) is a proprietary J-Fet circuit, based on a class-A tube topology. The Mercury FDI is designed to reproduce every nuance of a direct recording, while the circuit lets the tube or solid-state character of the amplifier determine the overall tone. The instrument DI signal is sent through the entire microphone preamp circuitry, including Mercury’s custom, massive input transformers, so that the individual character of each preamp comes through.<br /><br />\n\nThe Mercury M72s-CSV has the rich lows and punchy mids giving you that \'instant\' vocal tone, or assisting with a realistic acoustic guitar tone, punch to bass guitar. The same reaction to instruments or source as the vintage module but with slightly more open high end and openness. The Mercury M72s-CSV Studio Microphone Amplifier has that \"vintage\" tone and break up like the original circuit but it is a bit more musical over all (not cleaner, but more musical—there is a huge difference).<br /><br />\n\n<h3>About Mercury Custom Shop</h3>\nMercury Recording Equipment Co. was started with inspiration of warm tones, quality craftsmanship and the classic aesthetics from the vintage recording equipment used and appreciated for the past 60 years to record music. Mercury tenaciously created our line as close to original sound, build quality and aesthetic as we could with a new build. We added some features more for aesthetic purposes then functionality which have been very appreciated by vintage gear aficionados. But, those aesthetic extras add additional costs to each product.<br /><br />\n\nSo to help keep costs down, and make our world class products more affordable, we offer two versions of some products. Neither will compromise the standard of quality Mercury is known for, or the sound, because the circuit and parts internally are both exactly the same in every way. M72s [Mk. III] is our standard model and the M72s-CSV (Custom Shop Version) has aesthetic extras to look and feel like the vintage models.<br /><br />\n\n“This is my way of compromising without compromising... offering both versions of some products. Trying to keep alive the original vision I had for Mercury providing premium quality recording products, with the vintage look, tone and musicality only found in the past, and doing this as affordable as we can...” - David Marquette'),(7046,75,1,1175,'<h2>Mercury Recording M72s-CSV - Custom Shop Version Studio Microphone Amplifier</h2>\n<span style=\"font-size:16px; font-style:italic;\">A modern represention of the modified classic mic pres used in the REDD.37 Recording Desk, </span><span style=\"font-size: 16px;\"><i>with the vintage look, tone and musicality only found in the past,</i></span><br /><br />\nThe Mercury Recording M72s-CSV is based on the most sought after vintage amplifier module—the Telefunken/Siemens V72s—which is most famous for being installed in REDD.37 consoles, used on all the early Beatles recordings by George Martin at Abbey Road Studios in London, England.<br /><br />\n\nInspired by the vintage tone, craftsmanship and practicality of the original, modular, tube amplifier from the console. We wanted to pay homage in every detail. From the color of paint, to the style of venting used, to the nickel plated handles that were used to remove it from the slotted DIN rack on the console side. Bringing back the sound, look and feel that inspired not only this product but this company, Mercury, to manufacture recording equipment and keep this and other beloved circuits alive to make more music for another generation.<br /><br />\n\nThe Mercury M72s-CSV is based on the module used in consoles which are very rare due to a minimal amount made. The more common V72 amplifier modules (not marked with the lower case \"s\", ie V72s) were later modified and have been sold for many years as outboard preamplifiers all over the world. Neither of these amplifier modules have been available new for more than 50 years. So, working units have become extremely rare, very expensive and in some cases are now in need of much repair.<br /><br />\n\nRegardless of cost, the uniquely musical tonal characteristics of these amplifiers has made them the prized possession of many engineers lucky enough to get the vintage modules, and a \"secret weapon\" for many studio musicians. Mercury Recording Equipment is proud to have a faithful reproduction in the M72s-CSV. We have 20+ years of experience with the amplifiers and feel we have captured not only how the units behave, but how they sound overall. We are confident with the addition of modern features, making the M72s much more versatile, without sacrificing the most important feature: Musicality<br /><br />\n\n<h3>Mercury M72s-CSV Features</h3>\nThe Gain of the Mercury M72s is variable from 28dB to 58dB, in 3dB increments, controlled with a high quality rotary switch. Also, there is an option of a selectable Input Pad of -16dB or -28dB for even more control. Additionally, when the -28dB pad is engaged and it is set at the lowest gain setting (28dB) you can run signal through the M72s-CSV to add warmth and tonality to any tracks, mixes, keyboards, drum machines, samples etc... There are also all the modern features we expect on a new piece of equipment: Phantom Power (on/off) , Phase (Polarity) Reversal, and our amazing sounding FDI (FET Direct Input) circuit per channel.<br /><br />\n\nThe Mercury FDI (FET Direct Input) is a proprietary J-Fet circuit, based on a class-A tube topology. The Mercury FDI is designed to reproduce every nuance of a direct recording, while the circuit lets the tube or solid-state character of the amplifier determine the overall tone. The instrument DI signal is sent through the entire microphone preamp circuitry, including Mercury’s custom, massive input transformers, so that the individual character of each preamp comes through.<br /><br />\n\nThe Mercury M72s-CSV has the rich lows and punchy mids giving you that \'instant\' vocal tone, or assisting with a realistic acoustic guitar tone, punch to bass guitar. The same reaction to instruments or source as the vintage module but with slightly more open high end and openness. The Mercury M72s-CSV Studio Microphone Amplifier has that \"vintage\" tone and break up like the original circuit but it is a bit more musical over all (not cleaner, but more musical—there is a huge difference).<br /><br />\n\n<h3>About Mercury Custom Shop</h3>\nMercury Recording Equipment Co. was started with inspiration of warm tones, quality craftsmanship and the classic aesthetics from the vintage recording equipment used and appreciated for the past 60 years to record music. Mercury tenaciously created our line as close to original sound, build quality and aesthetic as we could with a new build. We added some features more for aesthetic purposes then functionality which have been very appreciated by vintage gear aficionados. But, those aesthetic extras add additional costs to each product.<br /><br />\n\nSo to help keep costs down, and make our world class products more affordable, we offer two versions of some products. Neither will compromise the standard of quality Mercury is known for, or the sound, because the circuit and parts internally are both exactly the same in every way. M72s [Mk. III] is our standard model and the M72s-CSV (Custom Shop Version) has aesthetic extras to look and feel like the vintage models.<br /><br />\n\n“This is my way of compromising without compromising... offering both versions of some products. Trying to keep alive the original vision I had for Mercury providing premium quality recording products, with the vintage look, tone and musicality only found in the past, and doing this as affordable as we can...” - David Marquette'),(7047,85,0,1175,'Mercury Recording M72s CSV - Custom Shop Version Studio Microphone Amplifier'),(7048,85,1,1175,'Mercury Recording M72s CSV - Custom Shop Version Studio Microphone Amplifier'),(7049,76,0,1175,''),(7050,76,1,1175,''),(7051,75,0,1176,'<h2>Mercury Recording M76m Mk. III Studio Microphone Amplifier</h2>\n<font size=\"3\"><i>The big brother to the M72, a modern recreation of the original German designed Telefunken / Siemens amplifier module.</i></font><br /><br />First, Mercury Recording Equipment Co. successfully recreated the original V72s with the highly regarded Mercury M72s. Now, with the Mercury M76m, we have brought to life the V72s\' \"big brother\" - the V76. The Mercury M76m is a recreation of the original German designed Telefunken / Siemens amplifier module used in many European broadcast and recording desks. The V76 modules, however, are more well known as an outboard rack mounted preamp and are highly sought after by studios and engineers all over the world. Of all the V76 amplifiers, the \"V76m\" has always been the most desired because of its useful variable gain control, (as well as no filters intended for broadcast use). Original V76 modules have not been available new for 40 years and working vintage units have become extremely rare and expensive. Furthermore, due to its overly compact modular design, the V76 modules are now, after four decades, not as mechanically sound as they once were which causes problems sonically.<br /><br />\n\nMERCURY M76m BACK PANELWith that in mind, Mercury Recording Equipment Co. has recreated the transformer balanced, four tube per channel, high gain amplifier. Keeping the integrity of the original circuit, the M76m has open, warm tonality. After many years in development, Mercury has now built what is quite possibly the ultimate combination of vintage sound and modern features.<br /><br />\n\nWe made it first priority to build a modern Studio Microphone Amplifier that sounds identical to the original. Which was successful, by drawing on years of experience, repairing, rebuilding, and most importantly listening to the Telefunken / Siemens V76 modules. We did not stop there, however. Mercury took it one step farther than a \"recreation\". Using our years of professional service and taking note of what modifications and features the professional recording engineers wished their original V76 modules had Mercury added a few new features that the original studio microphone amplifiers and even the best \"vintage\" reracks never had.\n<br /><br />\nThe Mercury M76m has an Impedance Select switch for both high and low impedance devices. Secondly, a Level Control (which will work as a fader as well as add another 6dB (+ / -) from the second stage amplifier) and a Output Attenuation control (-0 to -10dB) has been added for even more control, including the ability to overdrive the amplifier in several different ways, if desired. The Gain control is 0 to +60dB in 6dB increments, that works in conjunction with the Level control and Output Attenuation Control. Also, all the staple features one expects from a modern piece of equipment were added: Phantom power, Phase Reversal (Polarity) , and an amazing sounding direct input on each channel. The M76m is truly a new classic for today as well as the benchmark in Studio Microphone Amplifiers for the next 50 years!'),(7052,75,1,1176,'<h2>Mercury Recording M76m Mk. III Studio Microphone Amplifier</h2>\n<font size=\"3\"><i>The big brother to the M72, a modern recreation of the original German designed Telefunken / Siemens amplifier module.</i></font><br /><br />First, Mercury Recording Equipment Co. successfully recreated the original V72s with the highly regarded Mercury M72s. Now, with the Mercury M76m, we have brought to life the V72s\' \"big brother\" - the V76. The Mercury M76m is a recreation of the original German designed Telefunken / Siemens amplifier module used in many European broadcast and recording desks. The V76 modules, however, are more well known as an outboard rack mounted preamp and are highly sought after by studios and engineers all over the world. Of all the V76 amplifiers, the \"V76m\" has always been the most desired because of its useful variable gain control, (as well as no filters intended for broadcast use). Original V76 modules have not been available new for 40 years and working vintage units have become extremely rare and expensive. Furthermore, due to its overly compact modular design, the V76 modules are now, after four decades, not as mechanically sound as they once were which causes problems sonically.<br /><br />\n\nMERCURY M76m BACK PANELWith that in mind, Mercury Recording Equipment Co. has recreated the transformer balanced, four tube per channel, high gain amplifier. Keeping the integrity of the original circuit, the M76m has open, warm tonality. After many years in development, Mercury has now built what is quite possibly the ultimate combination of vintage sound and modern features.<br /><br />\n\nWe made it first priority to build a modern Studio Microphone Amplifier that sounds identical to the original. Which was successful, by drawing on years of experience, repairing, rebuilding, and most importantly listening to the Telefunken / Siemens V76 modules. We did not stop there, however. Mercury took it one step farther than a \"recreation\". Using our years of professional service and taking note of what modifications and features the professional recording engineers wished their original V76 modules had Mercury added a few new features that the original studio microphone amplifiers and even the best \"vintage\" reracks never had.\n<br /><br />\nThe Mercury M76m has an Impedance Select switch for both high and low impedance devices. Secondly, a Level Control (which will work as a fader as well as add another 6dB (+ / -) from the second stage amplifier) and a Output Attenuation control (-0 to -10dB) has been added for even more control, including the ability to overdrive the amplifier in several different ways, if desired. The Gain control is 0 to +60dB in 6dB increments, that works in conjunction with the Level control and Output Attenuation Control. Also, all the staple features one expects from a modern piece of equipment were added: Phantom power, Phase Reversal (Polarity) , and an amazing sounding direct input on each channel. The M76m is truly a new classic for today as well as the benchmark in Studio Microphone Amplifiers for the next 50 years!'),(7053,85,0,1176,'Mercury Recording M76m Mk. III Studio Microphone Amplifier'),(7054,85,1,1176,'Mercury Recording M76m Mk. III Studio Microphone Amplifier'),(7055,76,0,1176,''),(7056,76,1,1176,''),(7057,75,0,1177,'<h2>Mercury Recording M76m CSV - Custom Shop Version Dual Mono Tube Studio Microphone Amplifiers</h2>\n<font size=\"3\"><i>The big brother to the M72, a modern recreation of the original German designed Telefunken / Siemens amplifier module.</i></font><br /><br />\n\nThe Mercury M76m-CSV [Custom Shop Version] is the latest version of Mercury\'s benchmark Studio Microphone Amplifier. The M76m-CSV is based on one of the most sought after vintage amplifier modules, the Telefunken/Siemens V76m. These modules were used in european broadcast and recording studios in the late 1950s and 60s. Later, after tube consoles were out of favor and replaced by discrete, transistor consoles, the V76 modules still lived on and were racked as outboard mic amps and used in the studios around the world.<br /><br />\n\nInspired by the vintage tone, craftsmanship and practicality of the original, modular, tube amplifier from the console. Mercury wanted to pay homage in every detail. From the color of paint, to the style of venting used, to the nickel platted handles that were used to remove it from the slotted DIN rack on the console side. Bringing back the sound, look and feel that inspired not only this product but Mercury as a company, to manufacture recording equipment and keep this and other beloved circuits alive to make more music for another generation.<br /><br />\n\nDrawing on 20+ years of experience repairing, rebuilding, and most importantly listening to the Telefunken/Siemens V76 modules it was Mercury\'s first priority to build a modern Studio Microphone Amplifier that sounds identical to the original. Mercury Recording Equipment Co. kept the integrity of the original circuit, the M76m has the same open, warm tonality created with the transformer balanced, dual stage, high gain amplifier, and uses four transformers and four tube per channel. They are confident They have built what is quite possibly the ultimate combination of vintage sound and modern features in a modern tube microphone amplifier and feel they have captured not only of how the units behave, but of how they sound overall. With the addition normal modern features, such as: Phantom, Phase, as well as many new features such as: Level Control and High/Low Impedance switch never available on any module, or even custom racked units, the Mercury M76m is the benchmark of modern tube microphone amplifiers.<br /><br />\n\n<h3>Features & Controls</h3>\nThe Mercury M76m Gain Control of 0 to +60dB in 6dB increments, works in conjunction with the Level Control and Output Attenuation. The Level Control, which will work as a fader, increasing (clockwise) and decreasing (counter clockwise) the amount of gain from the first stage to the second stage of the amplifier. This also allows you the ability to add musical (tube) \"break up\" by decreasing your level (control) and increasing the (course) gain. The Output Attenuation Control (-0 to -10dB) has been added for even more control, including the ability shape tones in several different ways, if desired, which works well on electric guitar recordings. We have also added an Impedance Select Switch for both high and low impedance devices, as well as all the staple features one expects from a modern piece of equipment were added. Phantom Power (on/off) , Phase (Polarity) Reversal, and our amazing sounding F.D.I. (FET Direct Input) Circuit.<br /><br />\n\nThe Mercury FDI (FET Direct Input), a proprietary J-Fet circuit, based on a class-A tube topology. The Mercury FDI is designed to reproduce every nuance of a direct recording, while the circuit lets the tube or solid-state character of the amplifier determine the overall tone. The instrument DI signal is sent through the entire microphone preamp circuitry, including Mercury\'s custom, massive input transformers, so that the individual character of each preamp comes through.<br /><br />\n\n<h3>About Mercury Custom Shop</h3>\nMercury Recording Equipment Co. was started with inspiration of warm tones, quality craftsmanship and the classic aesthetics from the vintage recording equipment used and appreciated for the past 60 years to record music. Mercury tenaciously created our line as close to original sound, build quality and aesthetic as we could with a new build. We added some features more for aesthetic purposes then functionality which have been very appreciated by vintage gear aficionados. But, those aesthetic extras add additional costs to each product.\n<br /><br />\nSo to help keep costs down, and make our world class products more affordable, we offer two versions of some products. Neither will compromise the standard of quality Mercury is known for, or the sound, because the circuit and parts internally are both exactly the same in every way. M72s [Mk. III] is our standard model and the M72s-CSV (Custom Shop Version) has aesthetic extras to look and feel like the vintage models.<br /><br />\n“This is my way of compromising without compromising... offering both versions of some products. Trying to keep alive the original vision I had for Mercury providing premium quality recording products, with the vintage look, tone and musicality only found in the past, and doing this as affordable as we can...” - David Marquette'),(7058,75,1,1177,'<h2>Mercury Recording M76m CSV - Custom Shop Version Dual Mono Tube Studio Microphone Amplifiers</h2>\n<font size=\"3\"><i>The big brother to the M72, a modern recreation of the original German designed Telefunken / Siemens amplifier module.</i></font><br /><br />\n\nThe Mercury M76m-CSV [Custom Shop Version] is the latest version of Mercury\'s benchmark Studio Microphone Amplifier. The M76m-CSV is based on one of the most sought after vintage amplifier modules, the Telefunken/Siemens V76m. These modules were used in european broadcast and recording studios in the late 1950s and 60s. Later, after tube consoles were out of favor and replaced by discrete, transistor consoles, the V76 modules still lived on and were racked as outboard mic amps and used in the studios around the world.<br /><br />\n\nInspired by the vintage tone, craftsmanship and practicality of the original, modular, tube amplifier from the console. Mercury wanted to pay homage in every detail. From the color of paint, to the style of venting used, to the nickel platted handles that were used to remove it from the slotted DIN rack on the console side. Bringing back the sound, look and feel that inspired not only this product but Mercury as a company, to manufacture recording equipment and keep this and other beloved circuits alive to make more music for another generation.<br /><br />\n\nDrawing on 20+ years of experience repairing, rebuilding, and most importantly listening to the Telefunken/Siemens V76 modules it was Mercury\'s first priority to build a modern Studio Microphone Amplifier that sounds identical to the original. Mercury Recording Equipment Co. kept the integrity of the original circuit, the M76m has the same open, warm tonality created with the transformer balanced, dual stage, high gain amplifier, and uses four transformers and four tube per channel. They are confident They have built what is quite possibly the ultimate combination of vintage sound and modern features in a modern tube microphone amplifier and feel they have captured not only of how the units behave, but of how they sound overall. With the addition normal modern features, such as: Phantom, Phase, as well as many new features such as: Level Control and High/Low Impedance switch never available on any module, or even custom racked units, the Mercury M76m is the benchmark of modern tube microphone amplifiers.<br /><br />\n\n<h3>Features & Controls</h3>\nThe Mercury M76m Gain Control of 0 to +60dB in 6dB increments, works in conjunction with the Level Control and Output Attenuation. The Level Control, which will work as a fader, increasing (clockwise) and decreasing (counter clockwise) the amount of gain from the first stage to the second stage of the amplifier. This also allows you the ability to add musical (tube) \"break up\" by decreasing your level (control) and increasing the (course) gain. The Output Attenuation Control (-0 to -10dB) has been added for even more control, including the ability shape tones in several different ways, if desired, which works well on electric guitar recordings. We have also added an Impedance Select Switch for both high and low impedance devices, as well as all the staple features one expects from a modern piece of equipment were added. Phantom Power (on/off) , Phase (Polarity) Reversal, and our amazing sounding F.D.I. (FET Direct Input) Circuit.<br /><br />\n\nThe Mercury FDI (FET Direct Input), a proprietary J-Fet circuit, based on a class-A tube topology. The Mercury FDI is designed to reproduce every nuance of a direct recording, while the circuit lets the tube or solid-state character of the amplifier determine the overall tone. The instrument DI signal is sent through the entire microphone preamp circuitry, including Mercury\'s custom, massive input transformers, so that the individual character of each preamp comes through.<br /><br />\n\n<h3>About Mercury Custom Shop</h3>\nMercury Recording Equipment Co. was started with inspiration of warm tones, quality craftsmanship and the classic aesthetics from the vintage recording equipment used and appreciated for the past 60 years to record music. Mercury tenaciously created our line as close to original sound, build quality and aesthetic as we could with a new build. We added some features more for aesthetic purposes then functionality which have been very appreciated by vintage gear aficionados. But, those aesthetic extras add additional costs to each product.\n<br /><br />\nSo to help keep costs down, and make our world class products more affordable, we offer two versions of some products. Neither will compromise the standard of quality Mercury is known for, or the sound, because the circuit and parts internally are both exactly the same in every way. M72s [Mk. III] is our standard model and the M72s-CSV (Custom Shop Version) has aesthetic extras to look and feel like the vintage models.<br /><br />\n“This is my way of compromising without compromising... offering both versions of some products. Trying to keep alive the original vision I had for Mercury providing premium quality recording products, with the vintage look, tone and musicality only found in the past, and doing this as affordable as we can...” - David Marquette'),(7059,85,0,1177,'Mercury Recording M76m CSV - Custom Shop Version Dual Mono Tube Studio Microphone Amplifiers'),(7060,85,1,1177,'Mercury Recording M76m CSV - Custom Shop Version Dual Mono Tube Studio Microphone Amplifiers'),(7061,76,0,1177,''),(7062,76,1,1177,''),(7063,75,0,1178,'<h2>Mercury Recording PSU-1 Rack Ear Kit</h2>\n<span style=\"font-size:16px; font-style:italic;\">Rack-mount your Mercury Recording PSU-1 Power Supply with this rack ear kit.</span><br /><br />\nThe Mercury Recording PSU-1 Rack Ear Kit allows you to easily rack-mount your PSU-1 rack in a standard 19\" equipment rack.<br /><br /><div><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\">\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.</p></div>'),(7064,75,1,1178,'<h2>Mercury Recording PSU-1 Rack Ear Kit</h2>\n<span style=\"font-size:16px; font-style:italic;\">Rack-mount your Mercury Recording PSU-1 Power Supply with this rack ear kit.</span><br /><br />\nThe Mercury Recording PSU-1 Rack Ear Kit allows you to easily rack-mount your PSU-1 rack in a standard 19\" equipment rack.<br /><br /><div><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\">\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.</p></div>'),(7065,85,0,1178,'Mercury Recording PSU-1 Rack Ear Kit'),(7066,85,1,1178,'Mercury Recording PSU-1 Rack Ear Kit'),(7067,76,0,1178,''),(7068,76,1,1178,''),(7069,75,0,1179,'<h2>Metric Halo Character Plug-In</h2>\n<span style=\"font-size: 16px; font-style: italic;\">A bucket full of old school goodness.....</span><br /><br />\n\nCharacter is a plug-in that lets you add the luscious distortion characteristics of classic analog circuits to your source tracks. To create Character we asked top flight tracking, mixing and mastering engineers to send us their favorite analog hardware; the mic pres, DIs and EQs that they used for recording, mixing and mastering. We then used SpectraFoo to measure the ways that these processors add lovely, gooey analog distortion to the sound run through them and modeled this distortion using our proprietary +DSP technology.<br /><br />\n\nCharacter provides over 20 different models, incorporating the sound of tubes, transformers and solid state devices. Character has a Drive control (and autodrive) to allow you to push the distortion even harder for over-the-top sound mangling.<br /><br />\n\nAs Ed Abbott of Universal Mastering says, “Character is so cool, because it has all of the good stuff and none of the bad. Who ever heard of noiseless, phase coherent non-linear distortion? To the best of my knowledge it\'s never been done!” And Rob Caggiano (Guitarist for Anthrax, producer and engineer) adds, “I tended to use the ‘Classic British’ character setting on the ULN-8’s mic pres, quite a bit. It just sounds awesome! It gave the guitars and vocals exactly the tone I was looking for, and it even delivered an aggressive sound for a conga percussion riff!”<br /><br />\n\n“It’s like having this cool little analog desk – it’s digital, but you can put Character on it.” - Charlie Pilzer, Grammy Award Winning Mastering Engineer and Musician.<br /><br />\n\n<h3>MH Character Key Features</h3>\n<ul>\n<li>Provides 20 different Character Models                           </li>\n<li>Oversampled and antialiased for analog euphonic distortion       </li>\n<li>Manual Drive control - to set how hard you hit the distortion    </li>\n<li>Autodrive - to enable consistent distortion for all signal levels</li>\n<li>Output Gain - to level match                                     </li>\n<li>Adjustable UI size                                               </li>\n<li>MH Preset Manager - Provides cross-platform presets              </li>\n</ul>'),(7070,75,1,1179,'<h2>Metric Halo Character Plug-In</h2>\n<span style=\"font-size: 16px; font-style: italic;\">A bucket full of old school goodness.....</span><br /><br />\n\nCharacter is a plug-in that lets you add the luscious distortion characteristics of classic analog circuits to your source tracks. To create Character we asked top flight tracking, mixing and mastering engineers to send us their favorite analog hardware; the mic pres, DIs and EQs that they used for recording, mixing and mastering. We then used SpectraFoo to measure the ways that these processors add lovely, gooey analog distortion to the sound run through them and modeled this distortion using our proprietary +DSP technology.<br /><br />\n\nCharacter provides over 20 different models, incorporating the sound of tubes, transformers and solid state devices. Character has a Drive control (and autodrive) to allow you to push the distortion even harder for over-the-top sound mangling.<br /><br />\n\nAs Ed Abbott of Universal Mastering says, “Character is so cool, because it has all of the good stuff and none of the bad. Who ever heard of noiseless, phase coherent non-linear distortion? To the best of my knowledge it\'s never been done!” And Rob Caggiano (Guitarist for Anthrax, producer and engineer) adds, “I tended to use the ‘Classic British’ character setting on the ULN-8’s mic pres, quite a bit. It just sounds awesome! It gave the guitars and vocals exactly the tone I was looking for, and it even delivered an aggressive sound for a conga percussion riff!”<br /><br />\n\n“It’s like having this cool little analog desk – it’s digital, but you can put Character on it.” - Charlie Pilzer, Grammy Award Winning Mastering Engineer and Musician.<br /><br />\n\n<h3>MH Character Key Features</h3>\n<ul>\n<li>Provides 20 different Character Models                           </li>\n<li>Oversampled and antialiased for analog euphonic distortion       </li>\n<li>Manual Drive control - to set how hard you hit the distortion    </li>\n<li>Autodrive - to enable consistent distortion for all signal levels</li>\n<li>Output Gain - to level match                                     </li>\n<li>Adjustable UI size                                               </li>\n<li>MH Preset Manager - Provides cross-platform presets              </li>\n</ul>'),(7071,85,0,1179,'Metric Halo Character Plug-in'),(7072,85,1,1179,'Metric Halo Character Plug-in'),(7073,76,0,1179,''),(7074,76,1,1179,''),(7075,75,0,1180,'<h2>Metric Halo ChannelStrip 3 Plug-in</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Put a Million Dollar Console in your DAW</span><br /><br />\n\nChannelStrip is like having the channel strip section of a large format console - with a few awesome Metric Halo twists!<br /><br />\n\nAs a signal processing bundle ChannelStrip integrates everything you need to process the channels that make up a mix as well as process the entire mix bus.<br /><br />\n\nFeaturing an Expander, Compressor, multi-band EQ, and a limiter, ChannelStrip provides a unified interface for processing your tracks. It also includes phase invert, channel delay, comprehensive metering and SpectraFoo™ spectrum analysis - so you can see your audio as well as you can hear it.<br /><br />\n\nChannelStrip is an essential tool for every project.<br /><br />\n\nGrammy Award-Winning Mix Engineer Jeff Juliano says, “ChannelStrip is so good that I often disable an analog send that isn’t doing the job in favor of ChannelStrip. The dynamics are reactive and the equalizer has air and warmth. ChannelStrip is useful both as an enhancement for tracks that are decent to begin with and as an emergency repair for tracks that have big problems. It’s a one-stop shop, and there’s a reason why it’s still an industry standard after well over a decade on the market.”<br /><br />\n\nGrammy Award-Winning Mix Engineer and Producer Serban Ghenea says, “I’d attempt to compare it to other similar plug-ins, but the truth is I only use ChannelStrip. To me, ChannelStrip together with Pro Tools is the console.”<br /><br />\n\nLike so many #1 Hit Mix Engineers, Billy Decker finds ChannelStrip indispensible. He says, “I once found myself in a situation without ChannelStrip, and I tried to mix anyway. It didn’t work. The mix sounded terrible, and I won’t ever try it again. ChannelStrip is absolutely indispensible to everything I do.”<br /><br />\n\nGrammy Award-Winning Mix Engineer Richard Furch says that, for example, if he finds that he’s losing a particular instrument in the mix, he enables the compressor with his preset parameters and the auto gain make up “lifts out the sound of the mix a bit.” He continued, “I used to do that when I mixed on SSL consoles, but no other plug-in – not even SSL emulators – could replicate that trick quite this way and keep the gain exactly steady. ChannelStrip does. In addition, I often employ the high-pass filter on the compressor side chain and then lower the cut-off frequency to get more compression. It’s like a second threshold control, but it has its own, uniquely musical effect.”<br /><br />\n\nFind out why so many top Engineers say that ChannelStrip is the one plugin they literally cannot live without.<br /><br />\n\n<h3>Key Features</h3>\n<ul>\n<li>World-class Signal Processing and Workflow              </li>\n<li>Used by Grammy-Award winning Engineers on countless hits</li>\n<li>Expander, Compressor, EQ, & Limiter in one processor    </li>\n<li>Fully parametric interpolated EQ                        </li>\n<li>Integrated side-chain EQ for dynamics                   </li>\n<li>Individually switchable side-chains for dynamics blocks </li>\n<li>Individual side-chain listen for dynamics blocks        </li>\n<li>EQ/Compressor routing control                           </li>\n<li>SpectraFoo™ spectrum analysis built-in                  </li>\n<li>Scalable gain reduction meters                          </li>\n<li>More than 100 presets included                          </li>\n<li>Adjustable UI size / Disclosable Graphs                 </li>\n<li>MH Preset Manager - Provides cross-platform presets     </li>\n</ul>'),(7076,75,1,1180,'<h2>Metric Halo ChannelStrip 3 Plug-in</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Put a Million Dollar Console in your DAW</span><br /><br />\n\nChannelStrip is like having the channel strip section of a large format console - with a few awesome Metric Halo twists!<br /><br />\n\nAs a signal processing bundle ChannelStrip integrates everything you need to process the channels that make up a mix as well as process the entire mix bus.<br /><br />\n\nFeaturing an Expander, Compressor, multi-band EQ, and a limiter, ChannelStrip provides a unified interface for processing your tracks. It also includes phase invert, channel delay, comprehensive metering and SpectraFoo™ spectrum analysis - so you can see your audio as well as you can hear it.<br /><br />\n\nChannelStrip is an essential tool for every project.<br /><br />\n\nGrammy Award-Winning Mix Engineer Jeff Juliano says, “ChannelStrip is so good that I often disable an analog send that isn’t doing the job in favor of ChannelStrip. The dynamics are reactive and the equalizer has air and warmth. ChannelStrip is useful both as an enhancement for tracks that are decent to begin with and as an emergency repair for tracks that have big problems. It’s a one-stop shop, and there’s a reason why it’s still an industry standard after well over a decade on the market.”<br /><br />\n\nGrammy Award-Winning Mix Engineer and Producer Serban Ghenea says, “I’d attempt to compare it to other similar plug-ins, but the truth is I only use ChannelStrip. To me, ChannelStrip together with Pro Tools is the console.”<br /><br />\n\nLike so many #1 Hit Mix Engineers, Billy Decker finds ChannelStrip indispensible. He says, “I once found myself in a situation without ChannelStrip, and I tried to mix anyway. It didn’t work. The mix sounded terrible, and I won’t ever try it again. ChannelStrip is absolutely indispensible to everything I do.”<br /><br />\n\nGrammy Award-Winning Mix Engineer Richard Furch says that, for example, if he finds that he’s losing a particular instrument in the mix, he enables the compressor with his preset parameters and the auto gain make up “lifts out the sound of the mix a bit.” He continued, “I used to do that when I mixed on SSL consoles, but no other plug-in – not even SSL emulators – could replicate that trick quite this way and keep the gain exactly steady. ChannelStrip does. In addition, I often employ the high-pass filter on the compressor side chain and then lower the cut-off frequency to get more compression. It’s like a second threshold control, but it has its own, uniquely musical effect.”<br /><br />\n\nFind out why so many top Engineers say that ChannelStrip is the one plugin they literally cannot live without.<br /><br />\n\n<h3>Key Features</h3>\n<ul>\n<li>World-class Signal Processing and Workflow              </li>\n<li>Used by Grammy-Award winning Engineers on countless hits</li>\n<li>Expander, Compressor, EQ, & Limiter in one processor    </li>\n<li>Fully parametric interpolated EQ                        </li>\n<li>Integrated side-chain EQ for dynamics                   </li>\n<li>Individually switchable side-chains for dynamics blocks </li>\n<li>Individual side-chain listen for dynamics blocks        </li>\n<li>EQ/Compressor routing control                           </li>\n<li>SpectraFoo™ spectrum analysis built-in                  </li>\n<li>Scalable gain reduction meters                          </li>\n<li>More than 100 presets included                          </li>\n<li>Adjustable UI size / Disclosable Graphs                 </li>\n<li>MH Preset Manager - Provides cross-platform presets     </li>\n</ul>'),(7077,85,0,1180,'Metric Halo ChannelStrip 3 Plug-in'),(7078,85,1,1180,'Metric Halo ChannelStrip 3 Plug-in'),(7079,76,0,1180,''),(7080,76,1,1180,''),(7081,75,0,1181,'<h2>Metric Halo HaloVerb Plug-In</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Create your perfect space</span><br /><br />\n\n\nHaloVerb is a plug-in that allows you to add ambience and depth to your recordings. Based on the original HaloVerb hardware implementation for 2d-Expanded Metric Halo interfaces, the HaloVerb plugin expands on the great algorithmic sound to give you more flexibilty and control. Use the reverb impulse to see the reverberant field as you make adjustments, or hide the graphics and let your ears be your guide.<br /><br />\n\nAccording to mix engineer Billy Decker, “It’s the perfect snare reverb – very thick and three-dimensional. After every snare hit, I can hear the little bits of dust crumbling in the background, little fairies floating around in the background. It’s very deep!”<br /><br />\n\nAdd subtle ambience or generate the sound of a vintage echo chamber - the extensive presets and easy to use UI let you dial in the sound you want quickly.<br /><br />\n\n<h3>MH HaloVerb Key Features</h3>\n<ul>\n<li>Low and High frequency pre-filters with graphic display     </li>\n<li>Reverb impulse display to show the shape of the reverb      </li>\n<li>Reverb times of up to 7 seconds                             </li>\n<li>Stereo width control                                        </li>\n<li>Adjustable UI size                                          </li>\n<li>Supports AAX DSP – one of the only AAX|DSP reverbs available</li>\n<li>MH Preset Manager - Provides cross-platform presets         </li>\n</ul>'),(7082,75,1,1181,'<h2>Metric Halo HaloVerb Plug-In</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Create your perfect space</span><br /><br />\n\n\nHaloVerb is a plug-in that allows you to add ambience and depth to your recordings. Based on the original HaloVerb hardware implementation for 2d-Expanded Metric Halo interfaces, the HaloVerb plugin expands on the great algorithmic sound to give you more flexibilty and control. Use the reverb impulse to see the reverberant field as you make adjustments, or hide the graphics and let your ears be your guide.<br /><br />\n\nAccording to mix engineer Billy Decker, “It’s the perfect snare reverb – very thick and three-dimensional. After every snare hit, I can hear the little bits of dust crumbling in the background, little fairies floating around in the background. It’s very deep!”<br /><br />\n\nAdd subtle ambience or generate the sound of a vintage echo chamber - the extensive presets and easy to use UI let you dial in the sound you want quickly.<br /><br />\n\n<h3>MH HaloVerb Key Features</h3>\n<ul>\n<li>Low and High frequency pre-filters with graphic display     </li>\n<li>Reverb impulse display to show the shape of the reverb      </li>\n<li>Reverb times of up to 7 seconds                             </li>\n<li>Stereo width control                                        </li>\n<li>Adjustable UI size                                          </li>\n<li>Supports AAX DSP – one of the only AAX|DSP reverbs available</li>\n<li>MH Preset Manager - Provides cross-platform presets         </li>\n</ul>'),(7083,85,0,1181,'Metric Halo HaloVerb Plug-in'),(7084,85,1,1181,'Metric Halo HaloVerb Plug-in'),(7085,76,0,1181,''),(7086,76,1,1181,''),(7087,75,0,1182,'<h2>Metric Halo Multiband Dynamics Plug-In</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Sometimes the best EQ is a compressor</span><br /><br />\n\nMultiband Dynamics is a plug-in that allows you to add clarity, warmth and punch to your mix. It shapes timbral quality of your audio by running it through a three-band crossover, and providing independent compression in each frequency range before summing the result through a limiter. Without compression, you can broadly shape the timbre of your tracks, and if you need dynamic range control or dynamic EQ, simply enable the compressor for the band.<br /><br />\n\nMultiband Dynamics is an essential tool for mixing and mastering, but can also be used for sound design and other audio processing.<br /><br />\n\nGrammy Award-Winning Engineer Gary Noble found that “The Multiband Dynamics processor recently helped me rescue part of a song,” he shared. “A break included a bass synth that was completely different from the bass texture used in the rest of the song. Raw, the new bass just didn’t fit in the song. But with a few moments and the Multiband Dynamics processor, I was able to lock it right in.”<br /><br />\n\nGrammy Award-Winning Engineer Tony Maserati adds, “Metric Halo has a long history of solid performance that uses surprisingly little DSP resources. A testament to Metric Halo’s stability is the fact that I’m now using Metric Halo’s Multiband Dynamics plug-in on my mix bus. That’s unusual for me, and I wouldn’t do that if I wasn’t completely confident.”<br /><br />\n\nDynamics in modern recordings is always a challenge, and Grammy Award-Winning Producer and Engineer Julian King has found that “Unfortunately dynamic range in commercial recordings is almost non-existent and there seems to be an expectation for songs to be nearly full scale from start to finish,” continued King. “My job is to create the impression of dynamics in the mix even if they aren’t really there, as there has to be some lift as you transition from, say, a verse to a chorus. My mentor Lynn Peterzell called this “illusionary dynamics.” The Metric Halo Multiband Dynamics does a great job of keeping things nice and full and musical while still delivering a modern, full-scale output. It does its job, but you don’t sense that it is beating up the music.”<br /><br />\n\n<h3>MH Multiband Dynamics Key Features</h3>\n<ul>\n<li>Low, mid, & high band compressors with selectable auto gain</li>\n<li>Comprehensive master-slave linking between bands           </li>\n<li>Post-compressor limiter for level maximization             </li>\n<li>Dynamic Transfer function to show the overall response     </li>\n<li>SpectraFoo™ spectrum analysis built-in                     </li>\n<li>Scalable gain reduction meters                             </li>\n<li>Adjustable UI size                                         </li>\n<li>MH Preset Manager - Provides cross-platform presets        </li>\n</ul>'),(7088,75,1,1182,'<h2>Metric Halo Multiband Dynamics Plug-In</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Sometimes the best EQ is a compressor</span><br /><br />\n\nMultiband Dynamics is a plug-in that allows you to add clarity, warmth and punch to your mix. It shapes timbral quality of your audio by running it through a three-band crossover, and providing independent compression in each frequency range before summing the result through a limiter. Without compression, you can broadly shape the timbre of your tracks, and if you need dynamic range control or dynamic EQ, simply enable the compressor for the band.<br /><br />\n\nMultiband Dynamics is an essential tool for mixing and mastering, but can also be used for sound design and other audio processing.<br /><br />\n\nGrammy Award-Winning Engineer Gary Noble found that “The Multiband Dynamics processor recently helped me rescue part of a song,” he shared. “A break included a bass synth that was completely different from the bass texture used in the rest of the song. Raw, the new bass just didn’t fit in the song. But with a few moments and the Multiband Dynamics processor, I was able to lock it right in.”<br /><br />\n\nGrammy Award-Winning Engineer Tony Maserati adds, “Metric Halo has a long history of solid performance that uses surprisingly little DSP resources. A testament to Metric Halo’s stability is the fact that I’m now using Metric Halo’s Multiband Dynamics plug-in on my mix bus. That’s unusual for me, and I wouldn’t do that if I wasn’t completely confident.”<br /><br />\n\nDynamics in modern recordings is always a challenge, and Grammy Award-Winning Producer and Engineer Julian King has found that “Unfortunately dynamic range in commercial recordings is almost non-existent and there seems to be an expectation for songs to be nearly full scale from start to finish,” continued King. “My job is to create the impression of dynamics in the mix even if they aren’t really there, as there has to be some lift as you transition from, say, a verse to a chorus. My mentor Lynn Peterzell called this “illusionary dynamics.” The Metric Halo Multiband Dynamics does a great job of keeping things nice and full and musical while still delivering a modern, full-scale output. It does its job, but you don’t sense that it is beating up the music.”<br /><br />\n\n<h3>MH Multiband Dynamics Key Features</h3>\n<ul>\n<li>Low, mid, & high band compressors with selectable auto gain</li>\n<li>Comprehensive master-slave linking between bands           </li>\n<li>Post-compressor limiter for level maximization             </li>\n<li>Dynamic Transfer function to show the overall response     </li>\n<li>SpectraFoo™ spectrum analysis built-in                     </li>\n<li>Scalable gain reduction meters                             </li>\n<li>Adjustable UI size                                         </li>\n<li>MH Preset Manager - Provides cross-platform presets        </li>\n</ul>'),(7089,85,0,1182,'Metric Halo Multiband Dynamics Plug-in'),(7090,85,1,1182,'Metric Halo Multiband Dynamics Plug-in'),(7091,76,0,1182,''),(7092,76,1,1182,''),(7093,75,0,1183,'<h2>Metric Halo Multiband Expander Plug-In</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Expand your horizons</span><br /><br />\n\nMultiband Expander is a plug-in that allows you to manage, suppress and control noise in your tracks in a frequency-sensitive way. The 3-band phase-coherent crossover network directs the audio to three independent expanders that you configure to smoothly suppress noise below the threshold you specify. The expanders can also be configured to change the feel of rhythmic patterns by suppressing elements that are played more softly – all in a frequency-sensitive way.<br /><br />\n\nMultiband Expander features SpectraFoo™ spectral analysis to allow you to zero-in on crossover points and thresholds quickly and with confidence.<br /><br />\n\nThe Multiband feature of the expander is extremely useful for controlling noise and hum in guitar tracks, as you can attack the noise more aggressively than the desired signal.<br /><br />\n\nWhile Multiband Expander is not an essential tool for every mix, when you need it, it will really save the day!<br /><br />\n\nWhen Grammy Nominated Engineer Ariel Borujow used the Production Bundle to mix Charlie Red, he found that the tracks were noisy at times and he was able to use the Multiband Expander to carve out the noise. The very accurate spectrum analysis feature allowed him to zero in and position the bands for maximum effect.<br /><br />\n\n<h3>MH Multiband Expander Key Features</h3>\n<ul>\n	<li>Low, mid, & high band expanders with independent controls</li>\n	<li>Comprehensive master-slave linking between bands         </li>\n	<li>Dynamic Transfer function to show the overall response   </li>\n	<li>SpectraFoo™ spectrum analysis built-in                   </li>\n	<li>Scalable gain reduction meters                           </li>\n	<li>Adjustable UI size                                       </li>\n	<li>MH Preset Manager - Provides cross-platform presets      </li>\n	</ul>'),(7094,75,1,1183,'<h2>Metric Halo Multiband Expander Plug-In</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Expand your horizons</span><br /><br />\n\nMultiband Expander is a plug-in that allows you to manage, suppress and control noise in your tracks in a frequency-sensitive way. The 3-band phase-coherent crossover network directs the audio to three independent expanders that you configure to smoothly suppress noise below the threshold you specify. The expanders can also be configured to change the feel of rhythmic patterns by suppressing elements that are played more softly – all in a frequency-sensitive way.<br /><br />\n\nMultiband Expander features SpectraFoo™ spectral analysis to allow you to zero-in on crossover points and thresholds quickly and with confidence.<br /><br />\n\nThe Multiband feature of the expander is extremely useful for controlling noise and hum in guitar tracks, as you can attack the noise more aggressively than the desired signal.<br /><br />\n\nWhile Multiband Expander is not an essential tool for every mix, when you need it, it will really save the day!<br /><br />\n\nWhen Grammy Nominated Engineer Ariel Borujow used the Production Bundle to mix Charlie Red, he found that the tracks were noisy at times and he was able to use the Multiband Expander to carve out the noise. The very accurate spectrum analysis feature allowed him to zero in and position the bands for maximum effect.<br /><br />\n\n<h3>MH Multiband Expander Key Features</h3>\n<ul>\n	<li>Low, mid, & high band expanders with independent controls</li>\n	<li>Comprehensive master-slave linking between bands         </li>\n	<li>Dynamic Transfer function to show the overall response   </li>\n	<li>SpectraFoo™ spectrum analysis built-in                   </li>\n	<li>Scalable gain reduction meters                           </li>\n	<li>Adjustable UI size                                       </li>\n	<li>MH Preset Manager - Provides cross-platform presets      </li>\n	</ul>'),(7095,85,0,1183,'Metric Halo Multiband Expander Plug-in'),(7096,85,1,1183,'Metric Halo Multiband Expander Plug-in'),(7097,76,0,1183,''),(7098,76,1,1183,''),(7099,75,0,1184,'<h2>Metric Halo Precision DeEsser Plug-In</h2>\n<span style=\"font-size: 16px; font-style: italic;\">A Surgical Strike On Stubborn Sibilance</span><br /><br />\n\nPrecision DeEsser is a plug-in that allows you to manipulate your tracks and remove excessive high frequency content. It combines the high precision filter technology and dynamics processing of ChannelStrip with the metering and analysis of SpectraFoo to allow you zero in on offending frequencies and correct them quickly and efficiently.<br /><br />\n\nPrecision DeEsser features comprehensive listening controls to allow you to hear to hear exactly what is (or isn\'t) being removed; you may choose five different points in the processing chain to monitor. As with all Metric Halo plug-ins, parameters are fully automatable to give you full control of the processing during mixdown.<br /><br />\n\nThe Precision DeEsser is an essential tool for vocal tracks, but can also be used for sound design and other audio processing.<br /><br />\n\nProducer and Composer Andy Price notes that “Precision DeEsser is the only DeEsser that I’ll use now. It gives all of my vocals a noticeably warmer output, which is something that I’ve never considered or experienced with any other DeEsser. I sometimes even throw it on the master bus together with ChannelStrip 3 to clear out anything edgy or grating. ChannelStrip 3 comes first with an overall high-end boost, followed by Precision DeEsser to give a crisp, but warm, sound to the overall mix.”<br /><br />\n\nMix Engineer Billy Decker says, “I use Metric Halo’s Precision DeEsser plug-in to do the de-essing; actually, I use two instances. One for traditional de-essing and the second for what I call \'de-honking.\' Using so much compression brings a lot of junk to the surface, including the nasty nasal sound that pretty much every voice has between 1.5kHz and 2kHz. By setting the second Precision DeEsser to that frequency, everything smooths out and sounds much nicer. I\'ve used a lot of de-esser plug-ins, but I find that Metric Halo’s version is noticeably smoother and more transparent. Where other plug-ins can sound grainy and degrade the signal, Precision DeEsser is colorless and pleasant.”<br /><br />\n\n<h3>MH Precision DeEsser Key Features</h3>\n<ul>\n<li>High precision linear-phase filter block with:          <ul><li>Center, Bandwidth and Sharpness controls                </li></ul></li>\n\n<li>Ess-Compressor with:                                    <ul><li>Threshold, Ratio, Attack and Release controls           </li></ul></li>\n\n<li>Comprehensive Listening Control                         </li>\n<li>SpectraFoo™ spectrum analysis, with selectable displays </li>\n<li>Scalable gain reduction meter                           </li>\n<li>Adjustable UI size                                      </li>\n<li>MH Preset Manager - Provides cross-platform presets     </li>\n</ul>'),(7100,75,1,1184,'<h2>Metric Halo Precision DeEsser Plug-In</h2>\n<span style=\"font-size: 16px; font-style: italic;\">A Surgical Strike On Stubborn Sibilance</span><br /><br />\n\nPrecision DeEsser is a plug-in that allows you to manipulate your tracks and remove excessive high frequency content. It combines the high precision filter technology and dynamics processing of ChannelStrip with the metering and analysis of SpectraFoo to allow you zero in on offending frequencies and correct them quickly and efficiently.<br /><br />\n\nPrecision DeEsser features comprehensive listening controls to allow you to hear to hear exactly what is (or isn\'t) being removed; you may choose five different points in the processing chain to monitor. As with all Metric Halo plug-ins, parameters are fully automatable to give you full control of the processing during mixdown.<br /><br />\n\nThe Precision DeEsser is an essential tool for vocal tracks, but can also be used for sound design and other audio processing.<br /><br />\n\nProducer and Composer Andy Price notes that “Precision DeEsser is the only DeEsser that I’ll use now. It gives all of my vocals a noticeably warmer output, which is something that I’ve never considered or experienced with any other DeEsser. I sometimes even throw it on the master bus together with ChannelStrip 3 to clear out anything edgy or grating. ChannelStrip 3 comes first with an overall high-end boost, followed by Precision DeEsser to give a crisp, but warm, sound to the overall mix.”<br /><br />\n\nMix Engineer Billy Decker says, “I use Metric Halo’s Precision DeEsser plug-in to do the de-essing; actually, I use two instances. One for traditional de-essing and the second for what I call \'de-honking.\' Using so much compression brings a lot of junk to the surface, including the nasty nasal sound that pretty much every voice has between 1.5kHz and 2kHz. By setting the second Precision DeEsser to that frequency, everything smooths out and sounds much nicer. I\'ve used a lot of de-esser plug-ins, but I find that Metric Halo’s version is noticeably smoother and more transparent. Where other plug-ins can sound grainy and degrade the signal, Precision DeEsser is colorless and pleasant.”<br /><br />\n\n<h3>MH Precision DeEsser Key Features</h3>\n<ul>\n<li>High precision linear-phase filter block with:          <ul><li>Center, Bandwidth and Sharpness controls                </li></ul></li>\n\n<li>Ess-Compressor with:                                    <ul><li>Threshold, Ratio, Attack and Release controls           </li></ul></li>\n\n<li>Comprehensive Listening Control                         </li>\n<li>SpectraFoo™ spectrum analysis, with selectable displays </li>\n<li>Scalable gain reduction meter                           </li>\n<li>Adjustable UI size                                      </li>\n<li>MH Preset Manager - Provides cross-platform presets     </li>\n</ul>'),(7101,85,0,1184,'Metric Halo Precision DeEsser Plug-in'),(7102,85,1,1184,'Metric Halo Precision DeEsser Plug-in'),(7103,76,0,1184,''),(7104,76,1,1184,''),(7105,75,0,1185,'<h2>Metric Halo Production Bundle Plug-in V2</h2>\nProduction Bundle is a suite of signal processing plug-ins that let you stop recording and start making records. With all the critical tools you need to shape, tame, manipulate, and master your tracks, it is the essential audio engineering toolset that no one should be without.\n<br /><br />\nThe Production Bundle includes 8 fantastic sounding plugins that will help you bring your work to new levels:<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-ChannelStrip-3-Plug-in-p/met-cs3.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH ChannelStrip</a><br />\nPut a Million Dollar Console in your DAW<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-Character-Plug-in-p/met-chrctr.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH Character</a><br />\nA bucket full of old school goodness.....<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-HaloVerb-Plug-in-p/met-hvb.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH HaloVerb</a><br />\nCreate your perfect space<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-Dirty-Delay-Plug-in-p/met-dirty-delay.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH Dirty Delay</a><br />\nVisceral, Gritty, Musical Feedback Delay<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-Precision-DeEsser-Plug-in-p/met-pdess.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH Precision De-Esser</a><br />\nA Surgical Strike On Stubborn Sibilance<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-Multiband-Dynamics-Plug-in-p/met-mbdyn.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH Multiband Dynamics</a><br />\nSometimes the best EQ is a compressor<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-Multiband-Expander-Plug-in-p/met-mbexp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH Multiband Expander</a><br />\nExpand your horizons<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-TransientControl-Plug-in-p/met-tcntrl.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH TransientControl</a><br />\nSophisticated Transient Modifier & Waveshaper'),(7106,75,1,1185,'<h2>Metric Halo Production Bundle Plug-in V2</h2>\nProduction Bundle is a suite of signal processing plug-ins that let you stop recording and start making records. With all the critical tools you need to shape, tame, manipulate, and master your tracks, it is the essential audio engineering toolset that no one should be without.\n<br /><br />\nThe Production Bundle includes 8 fantastic sounding plugins that will help you bring your work to new levels:<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-ChannelStrip-3-Plug-in-p/met-cs3.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH ChannelStrip</a><br />\nPut a Million Dollar Console in your DAW<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-Character-Plug-in-p/met-chrctr.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH Character</a><br />\nA bucket full of old school goodness.....<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-HaloVerb-Plug-in-p/met-hvb.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH HaloVerb</a><br />\nCreate your perfect space<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-Dirty-Delay-Plug-in-p/met-dirty-delay.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH Dirty Delay</a><br />\nVisceral, Gritty, Musical Feedback Delay<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-Precision-DeEsser-Plug-in-p/met-pdess.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH Precision De-Esser</a><br />\nA Surgical Strike On Stubborn Sibilance<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-Multiband-Dynamics-Plug-in-p/met-mbdyn.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH Multiband Dynamics</a><br />\nSometimes the best EQ is a compressor<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-Multiband-Expander-Plug-in-p/met-mbexp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH Multiband Expander</a><br />\nExpand your horizons<br /><br />\n<a href=\"http://www.rspeaudio.com/Metric-Halo-TransientControl-Plug-in-p/met-tcntrl.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">MH TransientControl</a><br />\nSophisticated Transient Modifier & Waveshaper'),(7107,85,0,1185,'Metric Halo Production Bundle Plug-in'),(7108,85,1,1185,'Metric Halo Production Bundle Plug-in'),(7109,76,0,1185,''),(7110,76,1,1185,''),(7111,75,0,1186,'<h2>Metric Halo TransientControl Plug-in</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Sophisticated Transient Modifier & Waveshaper</span><br /><br />\n\nTransientControl is a plug-in that allows you to modify dynamics in ways that just aren’t possible with traditional compressors. You can directly change the transient (“attack”) and sustain of your audio; this allows you to make your tracks more punchy, or smooth them out so they sit in a mix.<br /><br />\n\nTransientControl analyzes your audio and distinguishes between the onset of sounds (the attack), the sustain of sounds and the decay of sounds (the release). With three gain controls you can dial in the relative level of these three elements of the sound.<br /><br />\n\nTransientControl can enhance the attacks of finger-picked guitar, or mute the attack of strumming. Use it to make an instrument sit in the mix or pop out. Control the snap of a snare without affecting the ring. Even use it to change the feel of a percussion pattern.<br /><br />\n\nTransientControl does its magic in real-time with no latency, so you can use it for mixing and live.<br /><br />\n\n<h3>MH TransientControl Key Features</h3>\n<ul>\n<li>Independent Control over Attack and Sustain of your tracks</li>\n<li>Detailed display of gain applied over time                </li>\n<li>Advanced controls to modify attack and release detectors  </li>\n<li>Adjustable UI - simple, detailed and advanced             </li>\n<li>Auto Sensitivity Mode for processing at any signal level  </li>\n<li>MH Preset Manager - Provides cross-platform presets       </li>\n</ul>'),(7112,75,1,1186,'<h2>Metric Halo TransientControl Plug-in</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Sophisticated Transient Modifier & Waveshaper</span><br /><br />\n\nTransientControl is a plug-in that allows you to modify dynamics in ways that just aren’t possible with traditional compressors. You can directly change the transient (“attack”) and sustain of your audio; this allows you to make your tracks more punchy, or smooth them out so they sit in a mix.<br /><br />\n\nTransientControl analyzes your audio and distinguishes between the onset of sounds (the attack), the sustain of sounds and the decay of sounds (the release). With three gain controls you can dial in the relative level of these three elements of the sound.<br /><br />\n\nTransientControl can enhance the attacks of finger-picked guitar, or mute the attack of strumming. Use it to make an instrument sit in the mix or pop out. Control the snap of a snare without affecting the ring. Even use it to change the feel of a percussion pattern.<br /><br />\n\nTransientControl does its magic in real-time with no latency, so you can use it for mixing and live.<br /><br />\n\n<h3>MH TransientControl Key Features</h3>\n<ul>\n<li>Independent Control over Attack and Sustain of your tracks</li>\n<li>Detailed display of gain applied over time                </li>\n<li>Advanced controls to modify attack and release detectors  </li>\n<li>Adjustable UI - simple, detailed and advanced             </li>\n<li>Auto Sensitivity Mode for processing at any signal level  </li>\n<li>MH Preset Manager - Provides cross-platform presets       </li>\n</ul>'),(7113,85,0,1186,'Metric Halo TransientControl Plug-in'),(7114,85,1,1186,'Metric Halo TransientControl Plug-in'),(7115,76,0,1186,''),(7116,76,1,1186,''),(7117,75,0,1187,'<h2>Metric Halo MH Dirty Delay Plug-in</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Visceral, Gritty, Musical Feedback Delay Plug-In</span><br /><br />Metric Halo MH Dirty Delay is a fantastic-sounding feedback delay processor with integrated Character and Filters in the delay path. Use it to create awesome vintage echo and tape-delay style sounds as well as create lush and subtle spaces in a mix.<br /><br />\n\nNot just a musical feedback delay, MH Dirty Delay is something special. With integrated Filters and Character in the feedback path, you can make it clean or dirty, vintage or futuristic, subtle or nasty.<br /><br />\n\nWith dual delay lines, crossfeed, feedback and distortion control, Dirty Delay is capable of creating extraordinarily rich and complex textures and patterns from your audio. Dirty Delay adds texture and movement without the veiling and darkening of the sound that is often associated with feedback delays.<br /><br />\n\nDirty Delay is equally at home in production and performance.<br /><br />\n\n<h3>Key Features</h3>\n<ul>\n<li>Mono and Stereo delay lines of up to 5 seconds each                            </li>\n<li>Delay Times can be set manually in milliseconds, or                            </li>\n<li>Delay Times can be set via note values based on Tempo                          </li>\n<li>Tempo can be slaved to host, set manually or tapped in                         </li>\n<li>Each delay line has feedback with phase invert                                 </li>\n<li>Each delay line has and crossfeed with phase invert                            </li>\n<li>The output of each delay line can be offset in time                            </li>\n<li>Each delay line has an independent wet/dry mix and gain                        </li>\n<li>2-band fully-parametric filter for shaping the delayed sound                   </li>\n<li>MH Character in the delay path for texturizing and saturating the delayed sound</li>\n<li>MH Preset Manager - Provides cross-platform presets                            </li>\n</ul>'),(7118,75,1,1187,'<h2>Metric Halo MH Dirty Delay Plug-in</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Visceral, Gritty, Musical Feedback Delay Plug-In</span><br /><br />Metric Halo MH Dirty Delay is a fantastic-sounding feedback delay processor with integrated Character and Filters in the delay path. Use it to create awesome vintage echo and tape-delay style sounds as well as create lush and subtle spaces in a mix.<br /><br />\n\nNot just a musical feedback delay, MH Dirty Delay is something special. With integrated Filters and Character in the feedback path, you can make it clean or dirty, vintage or futuristic, subtle or nasty.<br /><br />\n\nWith dual delay lines, crossfeed, feedback and distortion control, Dirty Delay is capable of creating extraordinarily rich and complex textures and patterns from your audio. Dirty Delay adds texture and movement without the veiling and darkening of the sound that is often associated with feedback delays.<br /><br />\n\nDirty Delay is equally at home in production and performance.<br /><br />\n\n<h3>Key Features</h3>\n<ul>\n<li>Mono and Stereo delay lines of up to 5 seconds each                            </li>\n<li>Delay Times can be set manually in milliseconds, or                            </li>\n<li>Delay Times can be set via note values based on Tempo                          </li>\n<li>Tempo can be slaved to host, set manually or tapped in                         </li>\n<li>Each delay line has feedback with phase invert                                 </li>\n<li>Each delay line has and crossfeed with phase invert                            </li>\n<li>The output of each delay line can be offset in time                            </li>\n<li>Each delay line has an independent wet/dry mix and gain                        </li>\n<li>2-band fully-parametric filter for shaping the delayed sound                   </li>\n<li>MH Character in the delay path for texturizing and saturating the delayed sound</li>\n<li>MH Preset Manager - Provides cross-platform presets                            </li>\n</ul>'),(7119,85,0,1187,'Metric Halo MH Dirty Delay Plug-in'),(7120,85,1,1187,'Metric Halo MH Dirty Delay Plug-in'),(7121,76,0,1187,''),(7122,76,1,1187,''),(7123,75,0,1188,'<h2>Metric Halo SpectraFoo Complete Plug-in</h2>\n<span style=\"font-size: 16px; font-style: italic;\">World class signal metering and analysis plug-in with full-featured singal generator</span><br /><br />\nMetric Halo SpectraFoo Complete Plug-in is a collection of award-winning high resolution metering tools that provides everything today’s audio projects demand. SpectraFoo can analyze up to 24 channels of audio simultaneously, and features a completely flexible workspace. Place any combination of instruments wherever you want, link their controls and save a windowset to have instant access to your workspace. Create windowsets for live mixing, mastering, studio recording or benchtesting gear and recall them with a keystroke. <br /><br />\nWith standards-based level metering, high-speed high-resolution spectral analysis, the unique PhaseTorch, correlation metering, triggerable waveform display, power balance and a variety of power, envelope and spectral histories and phase analysis, the SpectraFoo product family is absolutely essential for broadcast production and critical mixing and mastering. <br /><br />\n<div>\n	SpectraFoo Complete takes all the features from Standard and adds tools to provide the engineer with sample code <span style=\"background-color: initial;\">metering tools, a recording, playback, looping & static analysis system, and </span><span style=\"background-color: initial;\">a complete transfer function acoustic analysis system used by countless </span><span style=\"background-color: initial;\">concert tours, recording studios, manufacturing plants and government </span><span style=\"background-color: initial;\">agencies the world over.</span>\n</div>\n<br />\n<h3>SpectraFoo Complete Adds Features:</h3><ul><li><b></b><span style=\"background-color: initial;\"><b>Full featured world-class signal generator: </b>SpectraFoo Complete has a high-resolution multi-tone, multi-noise, sweepable, burstable signal generator. The generator is capable of running in real-time, or alternatively striping signal into a capture or into an AIFF or SDII file. The interface to the signal generator is numerical, which makes it very precise,</span></li><li><b>Provides high resolution 24-bit distortion free signal generation</b></li><li><b>Up to 9 simultaneous sine sweeps</b></li><li><b>Pink and White noise generation</b></li><li><b>Burst Generation</b></li><li><b>FFT synchronized sine generation</b></li><li><b>Direct generation to audio I/O, captures and files</b></li></ul>\n<br />\n<h3>SpectraFoo Complete Contains All the Features From Standard:</h3>\n<ul>\n	<li> Lissajous phase scope</li>\n	<li>L-R Stereo power balance meter</li>\n	<li>Envelope history meter</li>\n	<li>Digital level history meter</li>\n	<li>Band-limited history meter</li>\n	<li>Full-featured audio spectrum analyzer</li>\n	<li>Full-featured audio frequency oscilloscope</li>\n	<li>Spectragram spectral history meter</li>\n	<li>PhaseTorch™ frequency-sensitive phase meter</li>\n	<li>Sample accurate digital level meter</li>\n	<li>Correlation meter</li>\n	<li>Correlation history meter</li>\n	<li>Parameter management system</li>\n	<li>Window sets</li>\n	<li>Link groups</li>\n</ul>'),(7124,75,1,1188,'<h2>Metric Halo SpectraFoo Complete Plug-in</h2>\n<span style=\"font-size: 16px; font-style: italic;\">World class signal metering and analysis plug-in with full-featured singal generator</span><br /><br />\nMetric Halo SpectraFoo Complete Plug-in is a collection of award-winning high resolution metering tools that provides everything today’s audio projects demand. SpectraFoo can analyze up to 24 channels of audio simultaneously, and features a completely flexible workspace. Place any combination of instruments wherever you want, link their controls and save a windowset to have instant access to your workspace. Create windowsets for live mixing, mastering, studio recording or benchtesting gear and recall them with a keystroke. <br /><br />\nWith standards-based level metering, high-speed high-resolution spectral analysis, the unique PhaseTorch, correlation metering, triggerable waveform display, power balance and a variety of power, envelope and spectral histories and phase analysis, the SpectraFoo product family is absolutely essential for broadcast production and critical mixing and mastering. <br /><br />\n<div>\n	SpectraFoo Complete takes all the features from Standard and adds tools to provide the engineer with sample code <span style=\"background-color: initial;\">metering tools, a recording, playback, looping & static analysis system, and </span><span style=\"background-color: initial;\">a complete transfer function acoustic analysis system used by countless </span><span style=\"background-color: initial;\">concert tours, recording studios, manufacturing plants and government </span><span style=\"background-color: initial;\">agencies the world over.</span>\n</div>\n<br />\n<h3>SpectraFoo Complete Adds Features:</h3><ul><li><b></b><span style=\"background-color: initial;\"><b>Full featured world-class signal generator: </b>SpectraFoo Complete has a high-resolution multi-tone, multi-noise, sweepable, burstable signal generator. The generator is capable of running in real-time, or alternatively striping signal into a capture or into an AIFF or SDII file. The interface to the signal generator is numerical, which makes it very precise,</span></li><li><b>Provides high resolution 24-bit distortion free signal generation</b></li><li><b>Up to 9 simultaneous sine sweeps</b></li><li><b>Pink and White noise generation</b></li><li><b>Burst Generation</b></li><li><b>FFT synchronized sine generation</b></li><li><b>Direct generation to audio I/O, captures and files</b></li></ul>\n<br />\n<h3>SpectraFoo Complete Contains All the Features From Standard:</h3>\n<ul>\n	<li> Lissajous phase scope</li>\n	<li>L-R Stereo power balance meter</li>\n	<li>Envelope history meter</li>\n	<li>Digital level history meter</li>\n	<li>Band-limited history meter</li>\n	<li>Full-featured audio spectrum analyzer</li>\n	<li>Full-featured audio frequency oscilloscope</li>\n	<li>Spectragram spectral history meter</li>\n	<li>PhaseTorch™ frequency-sensitive phase meter</li>\n	<li>Sample accurate digital level meter</li>\n	<li>Correlation meter</li>\n	<li>Correlation history meter</li>\n	<li>Parameter management system</li>\n	<li>Window sets</li>\n	<li>Link groups</li>\n</ul>'),(7125,85,0,1188,''),(7126,85,1,1188,''),(7127,76,0,1188,''),(7128,76,1,1188,''),(7129,75,0,1189,'<h2>Metric Halo SpectraFoo Standard Plug-in</h2>\n<span style=\"font-size: 16px; font-style: italic;\">World class signal metering and analysis plug-in</span><br /><br />\n\nMetric Halo SpectraFoo Standard Plug-in is a collection of award-winning high resolution metering tools that provides everything today’s audio projects demand. SpectraFoo can analyze up to 24 channels of audio simultaneously, and features a completely flexible workspace. Place any combination of instruments wherever you want, link their controls and save a windowset to have instant access to your workspace. Create windowsets for live mixing, mastering, studio recording or benchtesting gear and recall them with a keystroke. <br /><br />\n\nWith standards-based level metering, high-speed high-resolution spectral analysis, the unique PhaseTorch, correlation metering, triggerable waveform display, power balance and a variety of power, envelope and spectral histories and phase analysis, the SpectraFoo product family is absolutely essential for broadcast production and critical mixing and mastering. <br /><br />\n\nSpectraFoo Standard includes basic, sample-accurate metering, triggerable waveform display, power balancing and phase analysis on any number of input or output channels.\nWhether you are a live sound engineer or a studio mixer, you need the power of SpectraFoo. <br /><br />\n<h3>SpectraFoo Standard Metering Features</h3>\n<ul>\n	<li> Lissajous phase scope</li>\n	<li>L-R Stereo power balance meter</li>\n	<li>Envelope history meter</li>\n	<li>Digital level history meter</li>\n	<li>Band-limited history meter</li>\n	<li>Full-featured audio spectrum analyzer</li>\n	<li>Full-featured audio frequency oscilloscope</li>\n	<li>Spectragram spectral history meter</li>\n	<li>PhaseTorch™ frequency-sensitive phase meter</li>\n	<li>Sample accurate digital level meter</li>\n	<li>Correlation meter</li>\n	<li>Correlation history meter</li>\n	<li>Parameter management system</li>\n	<li>Window sets</li>\n	<li>Link groups</li>\n</ul>'),(7130,75,1,1189,'<h2>Metric Halo SpectraFoo Standard Plug-in</h2>\n<span style=\"font-size: 16px; font-style: italic;\">World class signal metering and analysis plug-in</span><br /><br />\n\nMetric Halo SpectraFoo Standard Plug-in is a collection of award-winning high resolution metering tools that provides everything today’s audio projects demand. SpectraFoo can analyze up to 24 channels of audio simultaneously, and features a completely flexible workspace. Place any combination of instruments wherever you want, link their controls and save a windowset to have instant access to your workspace. Create windowsets for live mixing, mastering, studio recording or benchtesting gear and recall them with a keystroke. <br /><br />\n\nWith standards-based level metering, high-speed high-resolution spectral analysis, the unique PhaseTorch, correlation metering, triggerable waveform display, power balance and a variety of power, envelope and spectral histories and phase analysis, the SpectraFoo product family is absolutely essential for broadcast production and critical mixing and mastering. <br /><br />\n\nSpectraFoo Standard includes basic, sample-accurate metering, triggerable waveform display, power balancing and phase analysis on any number of input or output channels.\nWhether you are a live sound engineer or a studio mixer, you need the power of SpectraFoo. <br /><br />\n<h3>SpectraFoo Standard Metering Features</h3>\n<ul>\n	<li> Lissajous phase scope</li>\n	<li>L-R Stereo power balance meter</li>\n	<li>Envelope history meter</li>\n	<li>Digital level history meter</li>\n	<li>Band-limited history meter</li>\n	<li>Full-featured audio spectrum analyzer</li>\n	<li>Full-featured audio frequency oscilloscope</li>\n	<li>Spectragram spectral history meter</li>\n	<li>PhaseTorch™ frequency-sensitive phase meter</li>\n	<li>Sample accurate digital level meter</li>\n	<li>Correlation meter</li>\n	<li>Correlation history meter</li>\n	<li>Parameter management system</li>\n	<li>Window sets</li>\n	<li>Link groups</li>\n</ul>'),(7131,85,0,1189,''),(7132,85,1,1189,''),(7133,76,0,1189,''),(7134,76,1,1189,''),(7135,75,0,1190,'<h1>Meyer Sound Acheron - Screen Channel Loudspeakers</h1>\n<i>Meyer SoundAcheron’s cinema-optimized components are ideal for dub stages</i><br /><br />Meyer Sound’s Acheron’s well-designed horn and processing technologies are optimized for cinema sound: Its patented horn and associated processing filters driving the high-frequency driver are designed to deliver uniform response across its coverage area, extending vertical beamwidth control with a soft off-axis roll-off, for a full LCR experience in every seat. The horn’s precise position within its enclosure ensures accurate phase response and vertical consistency between low and high frequencies. With this patented system and innovative lower crossover frequency, the 4-inch compression driver and horn handle the majority of the dialog range but blend seamlessly with the low-frequency driver for maximum intelligibility.<br /><br />Today’s cinema technology offers unprecedented potential for sonic thrills, and a dynamic soundtrack is as important as the action onscreen. Whether you’re creating or playing back cinema sound, rely on the Meyer Sound Acheron system to meet the demands of the state-of-the-art film mix, so the audience hears everything from the softest whisper to room-rattling explosions, exactly as intended. <br /><br /><h3>Acheron 80/100</h3><p class=\"blurb\">Acheron 100 and 80 two-way, full-range speakers deliver precise coverage for cinema screen sound channels. Each model is based around Acheron’s signature horn design and 15-inch woofer: The 100 offers 100-degree horizontal coverage, for wider theatres and re-recording stages; while the 80 offers 80-degree horizontal coverage, for narrower theatres and dub stages. Models measure just 21 inches deep, making them ideal for tight behind-screen installs. </p><h3>Acheron LF</h3><p class=\"blurb\">Acheron LF pairs with Acheron 80 and 100 speakers to deliver extended low-frequency headroom and more punch in bigger rooms. Its double-15\" cabinet houses the same low-frequency driver found in the Acheron 80 and 100, and pairs perfectly with either model to form a column that places all three in phase alignment. </p><h3>Acheron Studio</h3><p class=\"blurb\">The Acheron Studio is a compact version of the Acheron 80 geared toward smaller theatres, re-recording stages, and post-production facilities. It offers the same fidelity and performance as its larger Acheron siblings and features a convection-cooled amplifier for ultra-quiet operation in studio environments. Acheron Studio integrates seamlessly with Meyer Sound’s HMS family of surround loudspeakers and the Meyer Sound X-800C cinema subwoofer to create complete systems for smaller venues. </p><h3>Acheron<strong> Features<br /></strong></h3><ul><li>High peak power output with ultralow distortion</li><li>Exceptional fidelity and extended highfrequency performance</li><li>Constant-Q horn yields uniform response throughout coverage area</li><li>Extraordinarily flat amplitude and phase response for tonal accuracy</li><li>Seamless integration with HMS-10 surround loudspeakers and X-800C subwoofer</li></ul>\n<p><strong>Suggested Applications:</strong></p>\n<ul><li>Sound design suites</li><li>Small theatres</li><li>Custom, private theatres</li><li>Re-recording stages</li><li>Mixing for postproduction facilities</li></ul><p class=\"blurb\"></p><p class=\"blurb\"></p><p class=\"blurb\"></p>\n<ul>\n</ul>'),(7136,75,1,1190,'<h1>Meyer Sound Acheron - Screen Channel Loudspeakers</h1>\n<i>Meyer SoundAcheron’s cinema-optimized components are ideal for dub stages</i><br /><br />Meyer Sound’s Acheron’s well-designed horn and processing technologies are optimized for cinema sound: Its patented horn and associated processing filters driving the high-frequency driver are designed to deliver uniform response across its coverage area, extending vertical beamwidth control with a soft off-axis roll-off, for a full LCR experience in every seat. The horn’s precise position within its enclosure ensures accurate phase response and vertical consistency between low and high frequencies. With this patented system and innovative lower crossover frequency, the 4-inch compression driver and horn handle the majority of the dialog range but blend seamlessly with the low-frequency driver for maximum intelligibility.<br /><br />Today’s cinema technology offers unprecedented potential for sonic thrills, and a dynamic soundtrack is as important as the action onscreen. Whether you’re creating or playing back cinema sound, rely on the Meyer Sound Acheron system to meet the demands of the state-of-the-art film mix, so the audience hears everything from the softest whisper to room-rattling explosions, exactly as intended. <br /><br /><h3>Acheron 80/100</h3><p class=\"blurb\">Acheron 100 and 80 two-way, full-range speakers deliver precise coverage for cinema screen sound channels. Each model is based around Acheron’s signature horn design and 15-inch woofer: The 100 offers 100-degree horizontal coverage, for wider theatres and re-recording stages; while the 80 offers 80-degree horizontal coverage, for narrower theatres and dub stages. Models measure just 21 inches deep, making them ideal for tight behind-screen installs. </p><h3>Acheron LF</h3><p class=\"blurb\">Acheron LF pairs with Acheron 80 and 100 speakers to deliver extended low-frequency headroom and more punch in bigger rooms. Its double-15\" cabinet houses the same low-frequency driver found in the Acheron 80 and 100, and pairs perfectly with either model to form a column that places all three in phase alignment. </p><h3>Acheron Studio</h3><p class=\"blurb\">The Acheron Studio is a compact version of the Acheron 80 geared toward smaller theatres, re-recording stages, and post-production facilities. It offers the same fidelity and performance as its larger Acheron siblings and features a convection-cooled amplifier for ultra-quiet operation in studio environments. Acheron Studio integrates seamlessly with Meyer Sound’s HMS family of surround loudspeakers and the Meyer Sound X-800C cinema subwoofer to create complete systems for smaller venues. </p><h3>Acheron<strong> Features<br /></strong></h3><ul><li>High peak power output with ultralow distortion</li><li>Exceptional fidelity and extended highfrequency performance</li><li>Constant-Q horn yields uniform response throughout coverage area</li><li>Extraordinarily flat amplitude and phase response for tonal accuracy</li><li>Seamless integration with HMS-10 surround loudspeakers and X-800C subwoofer</li></ul>\n<p><strong>Suggested Applications:</strong></p>\n<ul><li>Sound design suites</li><li>Small theatres</li><li>Custom, private theatres</li><li>Re-recording stages</li><li>Mixing for postproduction facilities</li></ul><p class=\"blurb\"></p><p class=\"blurb\"></p><p class=\"blurb\"></p>\n<ul>\n</ul>'),(7137,85,0,1190,'Meyer Sound Acheron- Screen Channel Loudspeakers'),(7138,85,1,1190,'Meyer Sound Acheron- Screen Channel Loudspeakers'),(7139,76,0,1190,''),(7140,76,1,1190,''),(7141,75,0,1191,'<h1>Meyer Sound’s Acheron Designer - Screen Channel Loudspeakers</h1>\n<i>Meyer SoundAcheron’s cinema-optimized components are ideal for dub stages</i><br /><br />Meyer\n Sound’s Acheron Designer is aimed at sound designers, screening rooms, and small theaters, the full-range Acheron Designer offers the same horn technology as the Acheron 80 and Studio, in an even more compact footprint that’s ideal for use tight spaces behind screens. Rear-mount, recessed convection cooling allows Acheron Designer to be placed flat against a wall. Acheron Designer integrates seamlessly with any of Meyer Sound’s HMS family of surround loudspeakers and the X-800C Meyer Sound cinema subwoofer to create a complete system.<br /><br /><h3>Acheron 80/100</h3><p class=\"blurb\">Acheron\n 100 and 80 two-way, full-range speakers deliver precise coverage for \ncinema screen sound channels. Each model is based around Acheron’s \nsignature horn design and 15-inch woofer: The 100 offers 100-degree \nhorizontal coverage, for wider theatres and re-recording stages; while \nthe 80 offers 80-degree horizontal coverage, for narrower theatres and \ndub stages. Models measure just 21 inches deep, making them ideal for \ntight behind-screen installs. </p><h3>Acheron LF</h3><p class=\"blurb\">Acheron\n LF pairs with Acheron 80 and 100 speakers to deliver extended \nlow-frequency headroom and more punch in bigger rooms. Its double-15\" \ncabinet houses the same low-frequency driver found in the Acheron 80 and\n 100, and pairs perfectly with either model to form a column that places\n all three in phase alignment. </p><h3>Acheron Studio</h3><p class=\"blurb\">The\n Acheron Studio is a compact version of the Acheron 80 geared toward \nsmaller theatres, re-recording stages, and post-production facilities. \nIt offers the same fidelity and performance as its larger Acheron \nsiblings and features a convection-cooled amplifier for ultra-quiet \noperation in studio environments. Acheron Studio integrates seamlessly \nwith Meyer Sound’s HMS family of surround loudspeakers and the Meyer \nSound X-800C cinema subwoofer to create complete systems for smaller \nvenues. </p><h3>Acheron<strong> Features<br /></strong></h3><ul><li>High peak power output with ultralow distortion</li><li>Exceptional fidelity and extended highfrequency performance</li><li>Constant-Q horn yields uniform response throughout coverage area</li><li>Extraordinarily flat amplitude and phase response for tonal accuracy</li><li>Seamless integration with HMS-10 surround loudspeakers and X-800C subwoofer</li></ul>\n<p><strong>Suggested Applications:</strong></p>\n<ul><li>Sound design suites</li><li>Small theatres</li><li>Custom, private theatres</li><li>Re-recording stages</li><li>Mixing for postproduction facilities</li></ul>'),(7142,75,1,1191,'<h1>Meyer Sound’s Acheron Designer - Screen Channel Loudspeakers</h1>\n<i>Meyer SoundAcheron’s cinema-optimized components are ideal for dub stages</i><br /><br />Meyer\n Sound’s Acheron Designer is aimed at sound designers, screening rooms, and small theaters, the full-range Acheron Designer offers the same horn technology as the Acheron 80 and Studio, in an even more compact footprint that’s ideal for use tight spaces behind screens. Rear-mount, recessed convection cooling allows Acheron Designer to be placed flat against a wall. Acheron Designer integrates seamlessly with any of Meyer Sound’s HMS family of surround loudspeakers and the X-800C Meyer Sound cinema subwoofer to create a complete system.<br /><br /><h3>Acheron 80/100</h3><p class=\"blurb\">Acheron\n 100 and 80 two-way, full-range speakers deliver precise coverage for \ncinema screen sound channels. Each model is based around Acheron’s \nsignature horn design and 15-inch woofer: The 100 offers 100-degree \nhorizontal coverage, for wider theatres and re-recording stages; while \nthe 80 offers 80-degree horizontal coverage, for narrower theatres and \ndub stages. Models measure just 21 inches deep, making them ideal for \ntight behind-screen installs. </p><h3>Acheron LF</h3><p class=\"blurb\">Acheron\n LF pairs with Acheron 80 and 100 speakers to deliver extended \nlow-frequency headroom and more punch in bigger rooms. Its double-15\" \ncabinet houses the same low-frequency driver found in the Acheron 80 and\n 100, and pairs perfectly with either model to form a column that places\n all three in phase alignment. </p><h3>Acheron Studio</h3><p class=\"blurb\">The\n Acheron Studio is a compact version of the Acheron 80 geared toward \nsmaller theatres, re-recording stages, and post-production facilities. \nIt offers the same fidelity and performance as its larger Acheron \nsiblings and features a convection-cooled amplifier for ultra-quiet \noperation in studio environments. Acheron Studio integrates seamlessly \nwith Meyer Sound’s HMS family of surround loudspeakers and the Meyer \nSound X-800C cinema subwoofer to create complete systems for smaller \nvenues. </p><h3>Acheron<strong> Features<br /></strong></h3><ul><li>High peak power output with ultralow distortion</li><li>Exceptional fidelity and extended highfrequency performance</li><li>Constant-Q horn yields uniform response throughout coverage area</li><li>Extraordinarily flat amplitude and phase response for tonal accuracy</li><li>Seamless integration with HMS-10 surround loudspeakers and X-800C subwoofer</li></ul>\n<p><strong>Suggested Applications:</strong></p>\n<ul><li>Sound design suites</li><li>Small theatres</li><li>Custom, private theatres</li><li>Re-recording stages</li><li>Mixing for postproduction facilities</li></ul>'),(7143,85,0,1191,'Meyer Sound Acheron Designer- Screen Channel Loudspeakers'),(7144,85,1,1191,'Meyer Sound Acheron Designer- Screen Channel Loudspeakers'),(7145,76,0,1191,''),(7146,76,1,1191,''),(7147,75,0,1192,'<h1>Meyer Sound’s Acheron Studio - Screen Channel Loudspeakers</h1>\n<i>Meyer SoundAcheron’s cinema-optimized components are ideal for dub stages</i><br /><br />Meyer\n Sound’s Acheron Studio is a robust Class AB/H amplification, correction\n filters, and driver-protection circuitry ensure consistent, rock-solid \nperformance, and a self-powered design means installation is plug and \nplay.<br />Today’s cinema technology offers unprecedented potential for \nsonic thrills, and a dynamic soundtrack is as important as the action \nonscreen. Whether you’re creating or playing back cinema sound, rely on \nthe Meyer Sound Acheron system to meet the demands of the \nstate-of-the-art film mix, so the audience hears everything from the \nsoftest whisper to room-rattling explosions, exactly as intended. <br />The\n Acheron Studio provides the truest translation of the mix from creation\n through delivery: Acheron’s cinema-optimized components are ideal for \ndub stages, production and post-production facilities, and theatres of \nany size. With four full-range models and a subwoofer, there’s a \nconfiguration that matches your cinema sound needs. <br /><br /><h3>Acheron 80/100</h3><p class=\"blurb\">Acheron\n 100 and 80 two-way, full-range speakers deliver precise coverage for \ncinema screen sound channels. Each model is based around Acheron’s \nsignature horn design and 15-inch woofer: The 100 offers 100-degree \nhorizontal coverage, for wider theatres and re-recording stages; while \nthe 80 offers 80-degree horizontal coverage, for narrower theatres and \ndub stages. Models measure just 21 inches deep, making them ideal for \ntight behind-screen installs. </p><h3>Acheron LF</h3><p class=\"blurb\">Acheron\n LF pairs with Acheron 80 and 100 speakers to deliver extended \nlow-frequency headroom and more punch in bigger rooms. Its double-15\" \ncabinet houses the same low-frequency driver found in the Acheron 80 and\n 100, and pairs perfectly with either model to form a column that places\n all three in phase alignment. </p><h3>Acheron Studio</h3><p class=\"blurb\">The\n Acheron Studio is a compact version of the Acheron 80 geared toward \nsmaller theatres, re-recording stages, and post-production facilities. \nIt offers the same fidelity and performance as its larger Acheron \nsiblings and features a convection-cooled amplifier for ultra-quiet \noperation in studio environments. Acheron Studio integrates seamlessly \nwith Meyer Sound’s HMS family of surround loudspeakers and the Meyer \nSound X-800C cinema subwoofer to create complete systems for smaller \nvenues. </p><h3>Acheron<strong> Features<br /></strong></h3><ul><li>High peak power output with ultralow distortion</li><li>Exceptional fidelity and extended highfrequency performance</li><li>Constant-Q horn yields uniform response throughout coverage area</li><li>Extraordinarily flat amplitude and phase response for tonal accuracy</li><li>Seamless integration with HMS-10 surround loudspeakers and X-800C subwoofer</li></ul>\n<p><strong>Suggested Applications:</strong></p>\n<ul><li>Sound design suites</li><li>Small theatres</li><li>Custom, private theatres</li><li>Re-recording stages</li><li>Mixing for postproduction facilities</li></ul>'),(7148,75,1,1192,'<h1>Meyer Sound’s Acheron Studio - Screen Channel Loudspeakers</h1>\n<i>Meyer SoundAcheron’s cinema-optimized components are ideal for dub stages</i><br /><br />Meyer\n Sound’s Acheron Studio is a robust Class AB/H amplification, correction\n filters, and driver-protection circuitry ensure consistent, rock-solid \nperformance, and a self-powered design means installation is plug and \nplay.<br />Today’s cinema technology offers unprecedented potential for \nsonic thrills, and a dynamic soundtrack is as important as the action \nonscreen. Whether you’re creating or playing back cinema sound, rely on \nthe Meyer Sound Acheron system to meet the demands of the \nstate-of-the-art film mix, so the audience hears everything from the \nsoftest whisper to room-rattling explosions, exactly as intended. <br />The\n Acheron Studio provides the truest translation of the mix from creation\n through delivery: Acheron’s cinema-optimized components are ideal for \ndub stages, production and post-production facilities, and theatres of \nany size. With four full-range models and a subwoofer, there’s a \nconfiguration that matches your cinema sound needs. <br /><br /><h3>Acheron 80/100</h3><p class=\"blurb\">Acheron\n 100 and 80 two-way, full-range speakers deliver precise coverage for \ncinema screen sound channels. Each model is based around Acheron’s \nsignature horn design and 15-inch woofer: The 100 offers 100-degree \nhorizontal coverage, for wider theatres and re-recording stages; while \nthe 80 offers 80-degree horizontal coverage, for narrower theatres and \ndub stages. Models measure just 21 inches deep, making them ideal for \ntight behind-screen installs. </p><h3>Acheron LF</h3><p class=\"blurb\">Acheron\n LF pairs with Acheron 80 and 100 speakers to deliver extended \nlow-frequency headroom and more punch in bigger rooms. Its double-15\" \ncabinet houses the same low-frequency driver found in the Acheron 80 and\n 100, and pairs perfectly with either model to form a column that places\n all three in phase alignment. </p><h3>Acheron Studio</h3><p class=\"blurb\">The\n Acheron Studio is a compact version of the Acheron 80 geared toward \nsmaller theatres, re-recording stages, and post-production facilities. \nIt offers the same fidelity and performance as its larger Acheron \nsiblings and features a convection-cooled amplifier for ultra-quiet \noperation in studio environments. Acheron Studio integrates seamlessly \nwith Meyer Sound’s HMS family of surround loudspeakers and the Meyer \nSound X-800C cinema subwoofer to create complete systems for smaller \nvenues. </p><h3>Acheron<strong> Features<br /></strong></h3><ul><li>High peak power output with ultralow distortion</li><li>Exceptional fidelity and extended highfrequency performance</li><li>Constant-Q horn yields uniform response throughout coverage area</li><li>Extraordinarily flat amplitude and phase response for tonal accuracy</li><li>Seamless integration with HMS-10 surround loudspeakers and X-800C subwoofer</li></ul>\n<p><strong>Suggested Applications:</strong></p>\n<ul><li>Sound design suites</li><li>Small theatres</li><li>Custom, private theatres</li><li>Re-recording stages</li><li>Mixing for postproduction facilities</li></ul>'),(7149,85,0,1192,'Meyer Sound Acheron Studio- Screen Channel Loudspeakers'),(7150,85,1,1192,'Meyer Sound Acheron Studio- Screen Channel Loudspeakers'),(7151,76,0,1192,''),(7152,76,1,1192,''),(7153,75,0,1193,'<h1>Meyer Sound Amie - Precision Studio Monitor (Single)</h1>\n<i>Amie is a near-field monitor for postproduction applications featuring f</i><i>ocused coverage, precise imaging, and flat frequency and phase response. D</i><i>esigned for accurate translation to Acheron cinema systems. </i><br /><br />\nMeyer Sound Amie is a high-performance linear loudspeaker designed to reproduce every sonic element with utmost accuracy and consistency, Amie extends the exceptional translation of the Meyer Sound Acheron screen channel line to studio monitoring. Amie’s extremely flat frequency and phase response and low distortion, allows sound professionals to listen for longer periods of time without the typical strain and fatigue. Built with the highest quality materials and quality control in Meyer Sound’s facilities in California, Amie is introduced as “the ideal studio monitor for film, broadcast or gaming post-production.”<br /><br />\n<h3>Meyer Sound Amie Features:</h3>\n<ul>\n	<li>Seamless translation to larger cinema systems</li>\n	<li>Flat frequency and phase response for sonic accuracy</li>\n	<li>Uniform tonal balance over a wide dynamic range</li>\n	<li>Constant-directivity waveguide yields focused coverage</li>\n	<li>Patented class-D amplifier handles high SPL and peaks with very low distortion</li>\n	<li>Individually tested and calibrated for consistent performance</li>\n	<li>Optional U-bracket for mounting on surfaces, hanging, or pole-mounting</li>\n</ul>\n<ul>\n</ul>'),(7154,75,1,1193,'<h1>Meyer Sound Amie - Precision Studio Monitor (Single)</h1>\n<i>Amie is a near-field monitor for postproduction applications featuring f</i><i>ocused coverage, precise imaging, and flat frequency and phase response. D</i><i>esigned for accurate translation to Acheron cinema systems. </i><br /><br />\nMeyer Sound Amie is a high-performance linear loudspeaker designed to reproduce every sonic element with utmost accuracy and consistency, Amie extends the exceptional translation of the Meyer Sound Acheron screen channel line to studio monitoring. Amie’s extremely flat frequency and phase response and low distortion, allows sound professionals to listen for longer periods of time without the typical strain and fatigue. Built with the highest quality materials and quality control in Meyer Sound’s facilities in California, Amie is introduced as “the ideal studio monitor for film, broadcast or gaming post-production.”<br /><br />\n<h3>Meyer Sound Amie Features:</h3>\n<ul>\n	<li>Seamless translation to larger cinema systems</li>\n	<li>Flat frequency and phase response for sonic accuracy</li>\n	<li>Uniform tonal balance over a wide dynamic range</li>\n	<li>Constant-directivity waveguide yields focused coverage</li>\n	<li>Patented class-D amplifier handles high SPL and peaks with very low distortion</li>\n	<li>Individually tested and calibrated for consistent performance</li>\n	<li>Optional U-bracket for mounting on surfaces, hanging, or pole-mounting</li>\n</ul>\n<ul>\n</ul>'),(7155,85,0,1193,'Meyer Sound Amie - Precision Studio Monitor'),(7156,85,1,1193,'Meyer Sound Amie - Precision Studio Monitor'),(7157,76,0,1193,''),(7158,76,1,1193,''),(7159,75,0,1194,'<h1>Meyer Sound Bluehorn System-Full Bandwidth Monitoring</h1>\n<i>Meyer Sound BlueHorn Is A Breakthrough In Full-Bandwidth, Phase-Accurate Monitoring</i><br /><br />Meyer Sound’s BlueHorn System unveils a new level of nuance in your mix: The Bluehorn System perfectly \npreserves phase relationships, faithfully reproducing every timbral \ndetail and three-dimensional ambiance. Response is neutral and \ntransparent, at any output level. <br /><br />When reproducing complex sounds, pattern relationships matter just as much as amplitude and frequency. Perfectly linear acoustical output requires phase re-alignment of the input signal. But thanks to the laws of physics, even the most accurate acoustic systems have introduced phase anomalies—until now.<br /><br />Powerful, full-bandwidth monitoring with zero phase shift was once just a theoretical notion. But after six years of extensive research, we’re setting a new benchmark for accuracy in studio monitors: a system that marries acoustic precision and digital modeling to offer completely flat amplitude and phase response across the entire audible frequency spectrum. No tradeoffs, no compromises—just the sound you recorded, exactly as you recorded it.<br /><br />Measurement traces reveal Bluehorn System’s flat frequency response and \nunprecedented phase linearity across the audible bandwidth.<br /><br /><h3>Restoring Phase Through DSP</h3><p class=\"blurb\">Powerful digital \nprocessing is at the heart of The Bluehorn System: Proprietary \nphase-correcting algorithms model system behavior and restore original \nrelationships, while introducing minimal latency.</p><h3>Building on Proven Components</h3><p class=\"blurb\">Configured as a \nthree-way system, The Bluehorn System incorporates the latest driver, \nprocessing, and amplifier technologies from Meyer Sound’s Cinema Series and LEO Family of line array loudspeakers and Galileo GALAXY processors.</p><h3>Acoustically Optimized</h3><p class=\"blurb\">The Bluehorn System is \ndesigned with acoustic transparency in mind: Advanced driver mechanics \nand alignment technology, along with precision tuning, minimize phase \nanomalies that can color your sound. It all adds up to unprecedented \naccuracy and detail, like you’ve never heard before.</p><h3><strong>Meyer Sound Bluehorn System Features<br /></strong></h3><ul><li>Patented digital signal processing algorithms provide full-bandwidth (25 Hz to 22 kHz) phase correction</li><li>Linear frequency response from 25Hz to 22kHz</li><li>Replicates the input signal precisely in every dimension: frequency, amplitude, and time relationships between frequencies</li><li>Consistent\n and accurate system results—no guess work, because the dedicated \nBluehorn 816 processing unit includes all the active correction filters \nto drive the system.</li><li>Overall system latency of &lt; 50ms. Notably fast for the amount of processing needed for phase correction down to 25Hz</li><li>Highly advanced DSP module with proprietary phase-correction algorithms</li><li>Three-dimensional acoustic ambience well beyond conventional monitoring systems</li><li>Designed for high-resolution monitoring in mid-sized rooms for music recording, cinema post-production, and mastering</li><li>Three-way\n system incorporates the latest driver, processing, and amplifier \ntechnologies from Meyer Sound’s Cinema Series, LEO Family line-array \nloudspeakers, and Galileo GALAXY processors</li><li>Built for critical monitoring in medium-sized rooms</li></ul><p class=\"blurb\"></p><p class=\"blurb\"></p><p class=\"blurb\"></p>\n<ul>\n</ul>'),(7160,75,1,1194,'<h1>Meyer Sound Bluehorn System-Full Bandwidth Monitoring</h1>\n<i>Meyer Sound BlueHorn Is A Breakthrough In Full-Bandwidth, Phase-Accurate Monitoring</i><br /><br />Meyer Sound’s BlueHorn System unveils a new level of nuance in your mix: The Bluehorn System perfectly \npreserves phase relationships, faithfully reproducing every timbral \ndetail and three-dimensional ambiance. Response is neutral and \ntransparent, at any output level. <br /><br />When reproducing complex sounds, pattern relationships matter just as much as amplitude and frequency. Perfectly linear acoustical output requires phase re-alignment of the input signal. But thanks to the laws of physics, even the most accurate acoustic systems have introduced phase anomalies—until now.<br /><br />Powerful, full-bandwidth monitoring with zero phase shift was once just a theoretical notion. But after six years of extensive research, we’re setting a new benchmark for accuracy in studio monitors: a system that marries acoustic precision and digital modeling to offer completely flat amplitude and phase response across the entire audible frequency spectrum. No tradeoffs, no compromises—just the sound you recorded, exactly as you recorded it.<br /><br />Measurement traces reveal Bluehorn System’s flat frequency response and \nunprecedented phase linearity across the audible bandwidth.<br /><br /><h3>Restoring Phase Through DSP</h3><p class=\"blurb\">Powerful digital \nprocessing is at the heart of The Bluehorn System: Proprietary \nphase-correcting algorithms model system behavior and restore original \nrelationships, while introducing minimal latency.</p><h3>Building on Proven Components</h3><p class=\"blurb\">Configured as a \nthree-way system, The Bluehorn System incorporates the latest driver, \nprocessing, and amplifier technologies from Meyer Sound’s Cinema Series and LEO Family of line array loudspeakers and Galileo GALAXY processors.</p><h3>Acoustically Optimized</h3><p class=\"blurb\">The Bluehorn System is \ndesigned with acoustic transparency in mind: Advanced driver mechanics \nand alignment technology, along with precision tuning, minimize phase \nanomalies that can color your sound. It all adds up to unprecedented \naccuracy and detail, like you’ve never heard before.</p><h3><strong>Meyer Sound Bluehorn System Features<br /></strong></h3><ul><li>Patented digital signal processing algorithms provide full-bandwidth (25 Hz to 22 kHz) phase correction</li><li>Linear frequency response from 25Hz to 22kHz</li><li>Replicates the input signal precisely in every dimension: frequency, amplitude, and time relationships between frequencies</li><li>Consistent\n and accurate system results—no guess work, because the dedicated \nBluehorn 816 processing unit includes all the active correction filters \nto drive the system.</li><li>Overall system latency of &lt; 50ms. Notably fast for the amount of processing needed for phase correction down to 25Hz</li><li>Highly advanced DSP module with proprietary phase-correction algorithms</li><li>Three-dimensional acoustic ambience well beyond conventional monitoring systems</li><li>Designed for high-resolution monitoring in mid-sized rooms for music recording, cinema post-production, and mastering</li><li>Three-way\n system incorporates the latest driver, processing, and amplifier \ntechnologies from Meyer Sound’s Cinema Series, LEO Family line-array \nloudspeakers, and Galileo GALAXY processors</li><li>Built for critical monitoring in medium-sized rooms</li></ul><p class=\"blurb\"></p><p class=\"blurb\"></p><p class=\"blurb\"></p>\n<ul>\n</ul>'),(7161,85,0,1194,'Meyer Sound Bluehorn System-Full Bandwidth Monitoring'),(7162,85,1,1194,'Meyer Sound Bluehorn System-Full Bandwidth Monitoring'),(7163,76,0,1194,''),(7164,76,1,1194,''),(7165,75,0,1195,'<h1>Meyer Sound Ultra X-20 - Compact Wide Coverage Loudspeakers</h1>\n<i>Meyer Sound Ultra X-20 delivers Point Source Solutions for Size-Critical Applications </i><i></i><br /><br />Meyer Sound’s ULTRA-X20 self-powered full-range loudspeaker brings state-of-the-art ULTRA-X40 point source technology to a smaller, lighter footprint, ideal for installed and portable applications where size and weight are critical factors. Whether used as a compact main system or as fills or surrounds in a larger system, count on the ULTRA-X20 to deliver high power output, low distortion, and consistent polar response in any configuration.<br /><br />The ULTRA-X20 measures just 7.5 inches wide by 19.04 inches high by 8.6 inches deep, but packs a mighty punch, delivering 123.5 dB peak SPL measured using M-Noise. It features two 5-inch cone drivers and a 2-inch compression driver in concentric configuration for more consistent pattern control below the crossover point.<br /><br />The ULTRA-X20 rotatable horn produces precise, even coverage regardless of orientation. It\'s available in three Constant-Q horn variants, for optimal coverage in any scenario. The ULTRA-X20 features a 110° x 50° horn, while the ULTRA-X22 provides more controlled 80° x 50° coverage and the ULTRA-X23’s horn provides a wider 110° x 110° coverage<br /><br /><h3>Ultra-Efficient Amplification</h3><p class=\"blurb\">ULTRA-X20 is \npowered by a three-channel, 860-watt peak  Class D digital amplifier \nwith a sophisticated DSP package including electronic crossover, \ncorrection filters for phase and frequency response, and \ndriver-protection circuitry. Phase-corrected electronics ensure flat \nacoustical amplitude and phase response for exceptional impulse response\n and precise imaging.</p><h3>Intel at Your Fingertips</h3><p class=\"blurb\">Don’t leave system \nmanagement to chance: ULTRA-X20 loudspeakers are compatible with Meyer \nSound’s RMS platform, which lets you monitor essential performance \nparameters right from your Mac or Windows PC running Compass control software.</p><h3>Smart Power Solutions</h3><p class=\"blurb\">Power up with peace of \nmind: ULTRA-X20’s built-in IntelligentAC technology auto-selects correct\n operating voltage, suppresses high voltage transients, filters EMI, and\n provides soft-start power-up. The ULTRA-X20XP loudspeaker variant \nincorporates IntelligentDC technology, which receives balanced audio and\n DC power from a single composite cable—eliminating the need for conduit\n and allowing for longer, lighter-gauge cable runs.</p><h3>Making All the Right Connections</h3><p class=\"blurb\">The ULTRA-X20 \nmay be configured with any of three connector panel options. Two \nAC-powered versions feature looping Powercon connectors with either \n3-pin or 5-pin XLR audio I/O and RMS remote monitoring; an IntelligentDC\n variant receives audio and DC power over single cable via its 5-pin \nPhoenix connector.</p><h3><strong>Meyer Sound ULTRA-X20 Features</strong><strong><br /></strong></h3><ul><li>Exceptional fidelity and surprising power capability delivered in a compact, elegant and light aluminum enclosure</li><li>Extraordinarily flat amplitude and phase response ensures tonal accuracy and precise imaging</li><li>Wide pattern covers broad listening areas</li><li>Rotatable horn provides installation flexibility</li><li>Integral stand mount and QuickFly<sup>®</sup> mounting options facilitate rigging</li><li>An innovative, highly efficient class D amplifier reproduces any sound source with linearity over a wide dynamic range</li><li>The small-size cabinet weighs only 27 lb. (12.3 kg)</li><li>Its\n concentric driver configuration has all the benefits of a coaxial \ndriver, yet none of the disadvantages. In addition, this configuration \nsupports directional control of frequencies down to 600Hz.</li><li>The \nextremely well-behaved rotatable horn was designed for very precise, \neven coverage. This horn design, in conjunction with the concentric \ndriver configuration, delivers the same pattern regardless of \norientation</li></ul><p class=\"blurb\"></p><p class=\"blurb\"></p><p class=\"blurb\"></p>\n<ul>\n</ul>'),(7166,75,1,1195,'<h1>Meyer Sound Ultra X-20 - Compact Wide Coverage Loudspeakers</h1>\n<i>Meyer Sound Ultra X-20 delivers Point Source Solutions for Size-Critical Applications </i><i></i><br /><br />Meyer Sound’s ULTRA-X20 self-powered full-range loudspeaker brings state-of-the-art ULTRA-X40 point source technology to a smaller, lighter footprint, ideal for installed and portable applications where size and weight are critical factors. Whether used as a compact main system or as fills or surrounds in a larger system, count on the ULTRA-X20 to deliver high power output, low distortion, and consistent polar response in any configuration.<br /><br />The ULTRA-X20 measures just 7.5 inches wide by 19.04 inches high by 8.6 inches deep, but packs a mighty punch, delivering 123.5 dB peak SPL measured using M-Noise. It features two 5-inch cone drivers and a 2-inch compression driver in concentric configuration for more consistent pattern control below the crossover point.<br /><br />The ULTRA-X20 rotatable horn produces precise, even coverage regardless of orientation. It\'s available in three Constant-Q horn variants, for optimal coverage in any scenario. The ULTRA-X20 features a 110° x 50° horn, while the ULTRA-X22 provides more controlled 80° x 50° coverage and the ULTRA-X23’s horn provides a wider 110° x 110° coverage<br /><br /><h3>Ultra-Efficient Amplification</h3><p class=\"blurb\">ULTRA-X20 is \npowered by a three-channel, 860-watt peak  Class D digital amplifier \nwith a sophisticated DSP package including electronic crossover, \ncorrection filters for phase and frequency response, and \ndriver-protection circuitry. Phase-corrected electronics ensure flat \nacoustical amplitude and phase response for exceptional impulse response\n and precise imaging.</p><h3>Intel at Your Fingertips</h3><p class=\"blurb\">Don’t leave system \nmanagement to chance: ULTRA-X20 loudspeakers are compatible with Meyer \nSound’s RMS platform, which lets you monitor essential performance \nparameters right from your Mac or Windows PC running Compass control software.</p><h3>Smart Power Solutions</h3><p class=\"blurb\">Power up with peace of \nmind: ULTRA-X20’s built-in IntelligentAC technology auto-selects correct\n operating voltage, suppresses high voltage transients, filters EMI, and\n provides soft-start power-up. The ULTRA-X20XP loudspeaker variant \nincorporates IntelligentDC technology, which receives balanced audio and\n DC power from a single composite cable—eliminating the need for conduit\n and allowing for longer, lighter-gauge cable runs.</p><h3>Making All the Right Connections</h3><p class=\"blurb\">The ULTRA-X20 \nmay be configured with any of three connector panel options. Two \nAC-powered versions feature looping Powercon connectors with either \n3-pin or 5-pin XLR audio I/O and RMS remote monitoring; an IntelligentDC\n variant receives audio and DC power over single cable via its 5-pin \nPhoenix connector.</p><h3><strong>Meyer Sound ULTRA-X20 Features</strong><strong><br /></strong></h3><ul><li>Exceptional fidelity and surprising power capability delivered in a compact, elegant and light aluminum enclosure</li><li>Extraordinarily flat amplitude and phase response ensures tonal accuracy and precise imaging</li><li>Wide pattern covers broad listening areas</li><li>Rotatable horn provides installation flexibility</li><li>Integral stand mount and QuickFly<sup>®</sup> mounting options facilitate rigging</li><li>An innovative, highly efficient class D amplifier reproduces any sound source with linearity over a wide dynamic range</li><li>The small-size cabinet weighs only 27 lb. (12.3 kg)</li><li>Its\n concentric driver configuration has all the benefits of a coaxial \ndriver, yet none of the disadvantages. In addition, this configuration \nsupports directional control of frequencies down to 600Hz.</li><li>The \nextremely well-behaved rotatable horn was designed for very precise, \neven coverage. This horn design, in conjunction with the concentric \ndriver configuration, delivers the same pattern regardless of \norientation</li></ul><p class=\"blurb\"></p><p class=\"blurb\"></p><p class=\"blurb\"></p>\n<ul>\n</ul>'),(7167,85,0,1195,'Meyer Sound Ultra X-20 - Compact Wide Coverage Loudspeakers'),(7168,85,1,1195,'Meyer Sound Ultra X-20 - Compact Wide Coverage Loudspeakers'),(7169,76,0,1195,''),(7170,76,1,1195,''),