(7171,75,0,1196,'<h1>Meyer Sound Ultra X-23 - Compact Wide Coverage Loudspeakers</h1>\n<i>Meyer Sound Ultra X-23 has wider coverage version, the ULTRA-X23, offers a 110° x 110° Constant-Q horn</i><br /><br />Meyer Sound’s ULTRA-X23 self-powered full-range loudspeaker brings state-of-the-art ULTRA-X40 point source technology to a smaller, lighter footprint, ideal for installed and portable applications where size and weight are critical factors. Whether used as a compact main system or as fills or surrounds in a larger system, count on the ULTRA-X23 to deliver high power output, low distortion, and consistent polar response in any configuration.<br /><br />The ULTRA-X23 measures just 7.5 inches wide by 19.04 inches high by 8.6 inches deep, but packs a mighty punch, delivering 123.5 dB peak SPL measured using M-Noise. It features two 5-inch cone drivers and a 2-inch compression driver in concentric configuration for more consistent pattern control below the crossover point.<br /><br />The ULTRA-X23 rotatable horn produces precise, even coverage regardless of orientation. It\'s available in three Constant-Q horn variants, for optimal coverage in any scenario. The ULTRA-X20 features a 110° x 50° horn, while the ULTRA-X22 provides more controlled 80° x 50° coverage and the ULTRA-X23’s horn provides a wider 110° x 110° coverage<br /><br /><h3>Ultra-Efficient Amplification</h3><p class=\"blurb\">ULTRA-X23 is \npowered by a three-channel, 860-watt peak  Class D digital amplifier \nwith a sophisticated DSP package including electronic crossover, \ncorrection filters for phase and frequency response, and \ndriver-protection circuitry. Phase-corrected electronics ensure flat \nacoustical amplitude and phase response for exceptional impulse response\n and precise imaging.</p><h3>Intel at Your Fingertips</h3><p class=\"blurb\">Don’t leave system \nmanagement to chance: ULTRA-X23 loudspeakers are compatible with Meyer \nSound’s RMS platform, which lets you monitor essential performance \nparameters right from your Mac or Windows PC running Compass control software.</p><h3>Smart Power Solutions</h3><p class=\"blurb\">Power up with peace of \nmind: ULTRA-X23’s built-in IntelligentAC technology auto-selects correct\n operating voltage, suppresses high voltage transients, filters EMI, and\n provides soft-start power-up. The ULTRA-X23XP loudspeaker variant \nincorporates IntelligentDC technology, which receives balanced audio and\n DC power from a single composite cable—eliminating the need for conduit\n and allowing for longer, lighter-gauge cable runs.</p><h3>Making All the Right Connections</h3><p class=\"blurb\">The ULTRA-X23 \nmay be configured with any of three connector panel options. Two \nAC-powered versions feature looping Powercon connectors with either \n3-pin or 5-pin XLR audio I/O and RMS remote monitoring; an IntelligentDC\n variant receives audio and DC power over single cable via its 5-pin \nPhoenix connector.</p><h3><strong>Meyer Sound ULTRA-X23 Features</strong><strong><br /></strong></h3><ul><li>Provides a wider 110° x 110° coverage</li><li>Exceptional fidelity and surprising power capability delivered in a compact, elegant and light aluminum enclosure</li><li>Extraordinarily flat amplitude and phase response ensures tonal accuracy and precise imaging</li><li>Wide pattern covers broad listening areas</li><li>Rotatable horn provides installation flexibility</li><li>Integral stand mount and QuickFly<sup>®</sup> mounting options facilitate rigging</li><li>An innovative, highly efficient class D amplifier reproduces any sound source with linearity over a wide dynamic range</li><li>The small-size cabinet weighs only 27 lb. (12.3 kg)</li><li>Its\n concentric driver configuration has all the benefits of a coaxial \ndriver, yet none of the disadvantages. In addition, this configuration \nsupports directional control of frequencies down to 600Hz.</li><li>The \nextremely well-behaved rotatable horn was designed for very precise, \neven coverage. This horn design, in conjunction with the concentric \ndriver configuration, delivers the same pattern regardless of \norientation</li></ul><p class=\"blurb\"></p><p class=\"blurb\"></p><p class=\"blurb\"></p>\n<ul>\n</ul>'),(7172,75,1,1196,'<h1>Meyer Sound Ultra X-23 - Compact Wide Coverage Loudspeakers</h1>\n<i>Meyer Sound Ultra X-23 has wider coverage version, the ULTRA-X23, offers a 110° x 110° Constant-Q horn</i><br /><br />Meyer Sound’s ULTRA-X23 self-powered full-range loudspeaker brings state-of-the-art ULTRA-X40 point source technology to a smaller, lighter footprint, ideal for installed and portable applications where size and weight are critical factors. Whether used as a compact main system or as fills or surrounds in a larger system, count on the ULTRA-X23 to deliver high power output, low distortion, and consistent polar response in any configuration.<br /><br />The ULTRA-X23 measures just 7.5 inches wide by 19.04 inches high by 8.6 inches deep, but packs a mighty punch, delivering 123.5 dB peak SPL measured using M-Noise. It features two 5-inch cone drivers and a 2-inch compression driver in concentric configuration for more consistent pattern control below the crossover point.<br /><br />The ULTRA-X23 rotatable horn produces precise, even coverage regardless of orientation. It\'s available in three Constant-Q horn variants, for optimal coverage in any scenario. The ULTRA-X20 features a 110° x 50° horn, while the ULTRA-X22 provides more controlled 80° x 50° coverage and the ULTRA-X23’s horn provides a wider 110° x 110° coverage<br /><br /><h3>Ultra-Efficient Amplification</h3><p class=\"blurb\">ULTRA-X23 is \npowered by a three-channel, 860-watt peak  Class D digital amplifier \nwith a sophisticated DSP package including electronic crossover, \ncorrection filters for phase and frequency response, and \ndriver-protection circuitry. Phase-corrected electronics ensure flat \nacoustical amplitude and phase response for exceptional impulse response\n and precise imaging.</p><h3>Intel at Your Fingertips</h3><p class=\"blurb\">Don’t leave system \nmanagement to chance: ULTRA-X23 loudspeakers are compatible with Meyer \nSound’s RMS platform, which lets you monitor essential performance \nparameters right from your Mac or Windows PC running Compass control software.</p><h3>Smart Power Solutions</h3><p class=\"blurb\">Power up with peace of \nmind: ULTRA-X23’s built-in IntelligentAC technology auto-selects correct\n operating voltage, suppresses high voltage transients, filters EMI, and\n provides soft-start power-up. The ULTRA-X23XP loudspeaker variant \nincorporates IntelligentDC technology, which receives balanced audio and\n DC power from a single composite cable—eliminating the need for conduit\n and allowing for longer, lighter-gauge cable runs.</p><h3>Making All the Right Connections</h3><p class=\"blurb\">The ULTRA-X23 \nmay be configured with any of three connector panel options. Two \nAC-powered versions feature looping Powercon connectors with either \n3-pin or 5-pin XLR audio I/O and RMS remote monitoring; an IntelligentDC\n variant receives audio and DC power over single cable via its 5-pin \nPhoenix connector.</p><h3><strong>Meyer Sound ULTRA-X23 Features</strong><strong><br /></strong></h3><ul><li>Provides a wider 110° x 110° coverage</li><li>Exceptional fidelity and surprising power capability delivered in a compact, elegant and light aluminum enclosure</li><li>Extraordinarily flat amplitude and phase response ensures tonal accuracy and precise imaging</li><li>Wide pattern covers broad listening areas</li><li>Rotatable horn provides installation flexibility</li><li>Integral stand mount and QuickFly<sup>®</sup> mounting options facilitate rigging</li><li>An innovative, highly efficient class D amplifier reproduces any sound source with linearity over a wide dynamic range</li><li>The small-size cabinet weighs only 27 lb. (12.3 kg)</li><li>Its\n concentric driver configuration has all the benefits of a coaxial \ndriver, yet none of the disadvantages. In addition, this configuration \nsupports directional control of frequencies down to 600Hz.</li><li>The \nextremely well-behaved rotatable horn was designed for very precise, \neven coverage. This horn design, in conjunction with the concentric \ndriver configuration, delivers the same pattern regardless of \norientation</li></ul><p class=\"blurb\"></p><p class=\"blurb\"></p><p class=\"blurb\"></p>\n<ul>\n</ul>'),(7173,85,0,1196,'Meyer Sound Ultra X-23 - Compact Wide Coverage Loudspeakers'),(7174,85,1,1196,'Meyer Sound Ultra X-23 - Compact Wide Coverage Loudspeakers'),(7175,76,0,1196,''),(7176,76,1,1196,''),(7177,75,0,1197,'<h1>Meyer Sound UP-4slim - UltraCompact Installation Loudspeaker </h1>\n<i>Meyer Sound UP-4slim delivers Amie Premium Sound, When Space Is at a Premium</i><i></i><br /><br />\nMeyer Sound UP-4slim delivers uncompromising fidelity in a slim, discreet design, so you can serve up a breathtaking sonic experience that never distracts from your star attractions.<br />Extraordinary audio in every seat? The UP-4slim has you covered. Its \n100-degree pattern reaches a wide area for a more consistent sonic \nexperience, and its unique driver configuration prevents acoustic \ninterference. <br />The UP-4slim’s compact footprint gives you the flexibility to project \nfull-fidelity sound from tight spaces—from front and under-balcony fills\n to installed AV systems to theme parks—without blocking crucial \nsightlines.<br /><br />\n<h3>Power Up the Smart Way</h3><p class=\"blurb\">The rack-mount MPS-488P \nIntelligentDC power supply delivers both balanced audio and DC power to \nthe UP-4slim over a single composite multiconductor cable. Power up to \neight loudspeakers with a single unit.</p><h3>All Systems Go</h3><p class=\"blurb\">Monitor performance in real time from your Windows PC, with optional RMS remote monitoring.</p><h3>From Spoken Word to Thundering Herd</h3><p class=\"blurb\">The \nUP-4slim’s 65Hz–18kHz range is ideal for medium-sized installations and \nvocal reinforcement systems. Add an optional subwoofer to extend low-end\n response for a full-range system.</p><h3>A Master of Disguise</h3><p class=\"blurb\">Order the UP-4slim in \ncustom colors that perfectly match your venue. Add optional \nweatherproofing for protection from the elements.</p><h3>UP-4slim Features</h3><ul><li>Extraordinary fidelity and power in a compact, sleek aluminum package</li><li>Low distortion drivers and a metal dome tweeter deliver a smooth high-frequency response</li><li>Wide, symmetrical coverage pattern creates a broad listening area</li><li>Unique crossover design eliminates comb filtering and yields a consistent midrange response</li><li>Exceptional SPL -to -size ration</li><li>Supports long cable runs with light-gauge cables</li></ul><p class=\"blurb\"></p><p class=\"blurb\"></p><p class=\"blurb\"></p>\n<ul>\n</ul>'),(7178,75,1,1197,'<h1>Meyer Sound UP-4slim - UltraCompact Installation Loudspeaker </h1>\n<i>Meyer Sound UP-4slim delivers Amie Premium Sound, When Space Is at a Premium</i><i></i><br /><br />\nMeyer Sound UP-4slim delivers uncompromising fidelity in a slim, discreet design, so you can serve up a breathtaking sonic experience that never distracts from your star attractions.<br />Extraordinary audio in every seat? The UP-4slim has you covered. Its \n100-degree pattern reaches a wide area for a more consistent sonic \nexperience, and its unique driver configuration prevents acoustic \ninterference. <br />The UP-4slim’s compact footprint gives you the flexibility to project \nfull-fidelity sound from tight spaces—from front and under-balcony fills\n to installed AV systems to theme parks—without blocking crucial \nsightlines.<br /><br />\n<h3>Power Up the Smart Way</h3><p class=\"blurb\">The rack-mount MPS-488P \nIntelligentDC power supply delivers both balanced audio and DC power to \nthe UP-4slim over a single composite multiconductor cable. Power up to \neight loudspeakers with a single unit.</p><h3>All Systems Go</h3><p class=\"blurb\">Monitor performance in real time from your Windows PC, with optional RMS remote monitoring.</p><h3>From Spoken Word to Thundering Herd</h3><p class=\"blurb\">The \nUP-4slim’s 65Hz–18kHz range is ideal for medium-sized installations and \nvocal reinforcement systems. Add an optional subwoofer to extend low-end\n response for a full-range system.</p><h3>A Master of Disguise</h3><p class=\"blurb\">Order the UP-4slim in \ncustom colors that perfectly match your venue. Add optional \nweatherproofing for protection from the elements.</p><h3>UP-4slim Features</h3><ul><li>Extraordinary fidelity and power in a compact, sleek aluminum package</li><li>Low distortion drivers and a metal dome tweeter deliver a smooth high-frequency response</li><li>Wide, symmetrical coverage pattern creates a broad listening area</li><li>Unique crossover design eliminates comb filtering and yields a consistent midrange response</li><li>Exceptional SPL -to -size ration</li><li>Supports long cable runs with light-gauge cables</li></ul><p class=\"blurb\"></p><p class=\"blurb\"></p><p class=\"blurb\"></p>\n<ul>\n</ul>'),(7179,85,0,1197,'Meyer Sound UP-4slim - UltraCompact Installation Loudspeaker'),(7180,85,1,1197,'Meyer Sound UP-4slim - UltraCompact Installation Loudspeaker'),(7181,76,0,1197,''),(7182,76,1,1197,''),(7183,75,0,1198,'<h1>Microtech Gefell KEM 975 Line Array Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The M300 is a studio quality compact condenser microphone perfect for vocal and instrument soloists.</span><br /><br />\nThe Microtech Gefell KEM 975 Cardioid Plane Microphone is a multi-capsule microphone system, using the proven M300 series ceramic capsules, which has unique directional characteristics that are largely independent of frequency. On the horizontal axis the KEM 975 has the characteristic of a cardioid microphone, whilst on the vertical axis the characteristics resemble a shotgun microphone with a very narrow acceptance angle of about 30°. The directional pattern is therefore particularly well suited to the most frequently encountered situations where the source to be recorded is widely spread, or moving across the horizontal plane, and sound arriving from other directions needs to be attenuated. <br /><br />\nAttenuated sound may consist of unwanted noise or reflections from surfaces such as ceilings, tables or the floor. Mounting the microphone physically on its side can significantly reduce feedback problems from sound reinforcement loudspeaker installations on the side walls.<br /><br />\n<h3>KEM 975 Top Features:</h3>\n<ul>\n	<li>Multi-capsule condenser microphone system</li>\n	<li>Broad cardioid pattern to cover wide or moving sound sources</li>\n	<li>Optical display to indicate optimum recording area</li>\n	<li>Locate up to three times the distance of omni microphones for the same diffusion field</li>\n	<li>Suppress undesired refelection on the vertical axis</li>\n	<li>frequency response 40 - 18,000 Hz</li>\n	<li>Latency-free analogue signal processing</li>\n	<li>Transformer-balanced output, line level</li>\n</ul>\n<br />\nFor effective use of the highly directional nature of this microphone, a good understanding of the directions from which wanted and unwanted sounds arrive is important. The more care taken in positioning the KEM 975, the better the results obtained will be. Integrated front facing indicator LED helps in positioning the microphone accurately.\nAcoustic treatment to improve a room can be an extremely costly exercise, and perhaps not even possible when trying to achieve the average 5dB increase in operating level that the KEM 975 provides. An added benefit of the KEM 975 is its ability through skilled use of the sensitivity characteristics, to compensate for level changes if the sound source moves closer to the microphone. \n<br /><br />\n<h3>Recommended applications for the KEM 975:</h3>\n<ul>\n	<li>on the front, or side ends of a stage</li>\n	<li>at a presenterʼs lectern</li>\n	<li>as a table microphone</li>\n	<li>radio and TV productions</li>\n	<li>video conferencing</li>\n	<li>location of neighbouring unwanted noise</li>\n</ul>\n<br />\nExperience gained from practical applications in TV production, stage-sound reinforcement and presenter amplification at lecterns, confirms the fundamental theoretical benefits of the Cardioid Plane Microphone across a wide range of varied applications. <br /><br />\nThe new KEM 975 incorporates a newly-developed low-noise pre-amplifier which increases its application in music recording. Microtech Gefell’s well-proven optical principle to generate the capsule polarisation voltage is also used in the KEM 975 – this eliminates any “nasties” on the power line getting into the audio circuit.<br /><br />\n<h3>Delta Capsule Option</h3>\nBelow approx. 800 Hz, the KEM 975 cannot maintain its clubbed directivity in the vertical plane anymore due to its length and approaches a cardioid polar pattern more and more with decreasing frequency. With a process developed and patented by the Institut für Rundfunktechnik (Institute for Broadcasting Technology), the directivity and the directionality are increased in this frequency range by using the optional attachable Delta capsule which forms an equilateral triangle together with the two outermost capsules of the KEM 975. Thus, a frequency-constant directivity index is realised across the entire frequency range down to below 100 Hz. The result is a better spatial separation of sound sources with lowfrequency signal portions and a more consistent spaciousness in the recorded signal over the frequency spectrum. This is particularly advantageous for music recordings. If the KEM 975 is used for video conferences, or as a speaker’s microphone on a lectern or desk, it can be used without the Delta capsule, as speech frequencies are above the threshold where the Delta capsule is needed.<br /><br />'),(7184,75,1,1198,'<h1>Microtech Gefell KEM 975 Line Array Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The M300 is a studio quality compact condenser microphone perfect for vocal and instrument soloists.</span><br /><br />\nThe Microtech Gefell KEM 975 Cardioid Plane Microphone is a multi-capsule microphone system, using the proven M300 series ceramic capsules, which has unique directional characteristics that are largely independent of frequency. On the horizontal axis the KEM 975 has the characteristic of a cardioid microphone, whilst on the vertical axis the characteristics resemble a shotgun microphone with a very narrow acceptance angle of about 30°. The directional pattern is therefore particularly well suited to the most frequently encountered situations where the source to be recorded is widely spread, or moving across the horizontal plane, and sound arriving from other directions needs to be attenuated. <br /><br />\nAttenuated sound may consist of unwanted noise or reflections from surfaces such as ceilings, tables or the floor. Mounting the microphone physically on its side can significantly reduce feedback problems from sound reinforcement loudspeaker installations on the side walls.<br /><br />\n<h3>KEM 975 Top Features:</h3>\n<ul>\n	<li>Multi-capsule condenser microphone system</li>\n	<li>Broad cardioid pattern to cover wide or moving sound sources</li>\n	<li>Optical display to indicate optimum recording area</li>\n	<li>Locate up to three times the distance of omni microphones for the same diffusion field</li>\n	<li>Suppress undesired refelection on the vertical axis</li>\n	<li>frequency response 40 - 18,000 Hz</li>\n	<li>Latency-free analogue signal processing</li>\n	<li>Transformer-balanced output, line level</li>\n</ul>\n<br />\nFor effective use of the highly directional nature of this microphone, a good understanding of the directions from which wanted and unwanted sounds arrive is important. The more care taken in positioning the KEM 975, the better the results obtained will be. Integrated front facing indicator LED helps in positioning the microphone accurately.\nAcoustic treatment to improve a room can be an extremely costly exercise, and perhaps not even possible when trying to achieve the average 5dB increase in operating level that the KEM 975 provides. An added benefit of the KEM 975 is its ability through skilled use of the sensitivity characteristics, to compensate for level changes if the sound source moves closer to the microphone. \n<br /><br />\n<h3>Recommended applications for the KEM 975:</h3>\n<ul>\n	<li>on the front, or side ends of a stage</li>\n	<li>at a presenterʼs lectern</li>\n	<li>as a table microphone</li>\n	<li>radio and TV productions</li>\n	<li>video conferencing</li>\n	<li>location of neighbouring unwanted noise</li>\n</ul>\n<br />\nExperience gained from practical applications in TV production, stage-sound reinforcement and presenter amplification at lecterns, confirms the fundamental theoretical benefits of the Cardioid Plane Microphone across a wide range of varied applications. <br /><br />\nThe new KEM 975 incorporates a newly-developed low-noise pre-amplifier which increases its application in music recording. Microtech Gefell’s well-proven optical principle to generate the capsule polarisation voltage is also used in the KEM 975 – this eliminates any “nasties” on the power line getting into the audio circuit.<br /><br />\n<h3>Delta Capsule Option</h3>\nBelow approx. 800 Hz, the KEM 975 cannot maintain its clubbed directivity in the vertical plane anymore due to its length and approaches a cardioid polar pattern more and more with decreasing frequency. With a process developed and patented by the Institut für Rundfunktechnik (Institute for Broadcasting Technology), the directivity and the directionality are increased in this frequency range by using the optional attachable Delta capsule which forms an equilateral triangle together with the two outermost capsules of the KEM 975. Thus, a frequency-constant directivity index is realised across the entire frequency range down to below 100 Hz. The result is a better spatial separation of sound sources with lowfrequency signal portions and a more consistent spaciousness in the recorded signal over the frequency spectrum. This is particularly advantageous for music recordings. If the KEM 975 is used for video conferences, or as a speaker’s microphone on a lectern or desk, it can be used without the Delta capsule, as speech frequencies are above the threshold where the Delta capsule is needed.<br /><br />'),(7185,85,0,1198,'Microtech Gefell KEM 975 Line Array Condenser Microphone'),(7186,85,1,1198,'Microtech Gefell KEM 975 Line Array Condenser Microphone'),(7187,76,0,1198,''),(7188,76,1,1198,''),(7189,75,0,1199,'<h1>Microtech Gefell M 1030 Cardioid Studio Condensor Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The M 1030 microphone combines a large diaphragm capsule with the latest in semiconductor circuit design.</span><br /><br />\nThe Microtech Gefell M 1030 studio condenser microphone combines modern large diaphragm capsule technology with the latest in semiconductor circuit topology. The M1030 is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. This microphone is designed for universal miking applications in broadcast and sound studios and performs with anything from vocalists, announcers, and dialog pickup to a spot microphone for recording guitars, keyboard, percussion, wind and string instruments.<br /><br />The M 1030 is a side-addressed cardioid pickup pattern microphone, with the model number and pick-up pattern symbol marking the front of the microphone. The green light emitting diode (LED) inside the protection grid operates as optical ready indicator.<br /><br />\nThe condenser capsule exhibits a smooth frequency response with a slight presence boost in the 8 to 14 kHz range. The polar response exhibits an exceptionally high degree of rejection for sounds impinging from the rear (cardioid) or sides (super-cardioid) of the microphone. The electronic impedance converter uses a newly perfected circuit topology. This design reduces the noise floor to an extremely low level while also raising the maximum output capability. As a result, this microphone have a clean, distortion free sound over an extremely wide dynamic range. RFI susceptibility is very low.M_1030_EA92_kl.<br /><br />\nThe microphone capsule and electronics are elastically suspended inside the compact metalhousing. This reduces the sensitivity to mechanical impact and structure born noise.<br /><br />\nThe microphone stand holder MH 93.1 can be exchanged for an elastic suspension EA 92 with the adaptor A 93 to further attenuate noise in extreme situations. The M 1030 connect to the microphone cable with a standard 3-pin XLR plug. Powering must be provided by an external 48 V phantom supply according to DIN 45596 and IEC 268-15.<br /><br />\nThe microphone is finished in satin matt.<br /><br />\n\n\n<h3>Gefell M 1030 Top Features:</h3>\n<ul>\n	<li>extreme dynamic range</li>\n	<li>noise floor 7 dB-A</li>\n	<li>large diaphragm capsule</li>\n	<li>cardioid polar pattern</li>\n	<li>advanced circuit design</li>\n	<li>transformerless output</li>\n	<li>internal elastic suspension</li>\n	<li>optical ready indicator</li>\n</ul>\n<br />'),(7190,75,1,1199,'<h1>Microtech Gefell M 1030 Cardioid Studio Condensor Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The M 1030 microphone combines a large diaphragm capsule with the latest in semiconductor circuit design.</span><br /><br />\nThe Microtech Gefell M 1030 studio condenser microphone combines modern large diaphragm capsule technology with the latest in semiconductor circuit topology. The M1030 is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. This microphone is designed for universal miking applications in broadcast and sound studios and performs with anything from vocalists, announcers, and dialog pickup to a spot microphone for recording guitars, keyboard, percussion, wind and string instruments.<br /><br />The M 1030 is a side-addressed cardioid pickup pattern microphone, with the model number and pick-up pattern symbol marking the front of the microphone. The green light emitting diode (LED) inside the protection grid operates as optical ready indicator.<br /><br />\nThe condenser capsule exhibits a smooth frequency response with a slight presence boost in the 8 to 14 kHz range. The polar response exhibits an exceptionally high degree of rejection for sounds impinging from the rear (cardioid) or sides (super-cardioid) of the microphone. The electronic impedance converter uses a newly perfected circuit topology. This design reduces the noise floor to an extremely low level while also raising the maximum output capability. As a result, this microphone have a clean, distortion free sound over an extremely wide dynamic range. RFI susceptibility is very low.M_1030_EA92_kl.<br /><br />\nThe microphone capsule and electronics are elastically suspended inside the compact metalhousing. This reduces the sensitivity to mechanical impact and structure born noise.<br /><br />\nThe microphone stand holder MH 93.1 can be exchanged for an elastic suspension EA 92 with the adaptor A 93 to further attenuate noise in extreme situations. The M 1030 connect to the microphone cable with a standard 3-pin XLR plug. Powering must be provided by an external 48 V phantom supply according to DIN 45596 and IEC 268-15.<br /><br />\nThe microphone is finished in satin matt.<br /><br />\n\n\n<h3>Gefell M 1030 Top Features:</h3>\n<ul>\n	<li>extreme dynamic range</li>\n	<li>noise floor 7 dB-A</li>\n	<li>large diaphragm capsule</li>\n	<li>cardioid polar pattern</li>\n	<li>advanced circuit design</li>\n	<li>transformerless output</li>\n	<li>internal elastic suspension</li>\n	<li>optical ready indicator</li>\n</ul>\n<br />'),(7191,85,0,1199,'Microtech Gefell M 1030 Studio Condenser Microphone - Cardioid'),(7192,85,1,1199,'Microtech Gefell M 1030 Studio Condenser Microphone - Cardioid'),(7193,76,0,1199,''),(7194,76,1,1199,''),(7195,75,0,1200,'<h1>Microtech Gefell M 300 Cardioid Miniature Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The M 300 is a studio quality compact condenser microphone perfect for vocal and instrument soloists.</span><br /><br />\nThe Microtech Gefell M 300 is a compact, cardioid condenser mic designed for studio applications in radio, television broadcasting and films, as well as for live performance and recording of instruments, vocals and speech and sound reinforcement. The M 300\'s cardioid polar pattern provides excellent isolation in tough acoustic conditions, like churches or conference rooms.<br /><br />\nThe frequency response of the M 300 is extremely flat for most of the range of sound but features a smooth treble boost rising to about 3 dB between 6 and 10 kHz. This gives a subtle sweetness to the recording, while still producing something that\'s incredibly lifelike.<br /><br />\nA new low-noise integrated hybrid circuit and the transformer-less circuit design guarantee an extremely wide dynamic range by a low equivalent loudness level and a high reliability in operation.<br /><br />\nRFI susceptibility is very low.<br /><br />\nThe microphone is powered by a 3-pin XLR connector with the C 70 microphone cable. The power supply is provided by 48 V phantom powering, which is internationally standardized as P 48 in DIN 45596 and IEC 268-15. A two-channel powering is possible with the N 200 power supply. The microphone is finished in dark bronze.<br /><br />\nA windscreen is recommended for voice-over and speech recording.<br /><h3></h3><h3>Gefell M 300 Top Features:</h3>\n<ul>\n	<li>transformerless output</li>\n	<li>modern small membrane capsule</li>\n	<li>polar pattern: cardioid</li>\n</ul>\n<br />'),(7196,75,1,1200,'<h1>Microtech Gefell M 300 Cardioid Miniature Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The M 300 is a studio quality compact condenser microphone perfect for vocal and instrument soloists.</span><br /><br />\nThe Microtech Gefell M 300 is a compact, cardioid condenser mic designed for studio applications in radio, television broadcasting and films, as well as for live performance and recording of instruments, vocals and speech and sound reinforcement. The M 300\'s cardioid polar pattern provides excellent isolation in tough acoustic conditions, like churches or conference rooms.<br /><br />\nThe frequency response of the M 300 is extremely flat for most of the range of sound but features a smooth treble boost rising to about 3 dB between 6 and 10 kHz. This gives a subtle sweetness to the recording, while still producing something that\'s incredibly lifelike.<br /><br />\nA new low-noise integrated hybrid circuit and the transformer-less circuit design guarantee an extremely wide dynamic range by a low equivalent loudness level and a high reliability in operation.<br /><br />\nRFI susceptibility is very low.<br /><br />\nThe microphone is powered by a 3-pin XLR connector with the C 70 microphone cable. The power supply is provided by 48 V phantom powering, which is internationally standardized as P 48 in DIN 45596 and IEC 268-15. A two-channel powering is possible with the N 200 power supply. The microphone is finished in dark bronze.<br /><br />\nA windscreen is recommended for voice-over and speech recording.<br /><h3></h3><h3>Gefell M 300 Top Features:</h3>\n<ul>\n	<li>transformerless output</li>\n	<li>modern small membrane capsule</li>\n	<li>polar pattern: cardioid</li>\n</ul>\n<br />'),(7197,85,0,1200,'Microtech Gefell M 300 Condenser Miniature Microphone'),(7198,85,1,1200,'Microtech Gefell M 300 Condenser Miniature Microphone'),(7199,76,0,1200,''),(7200,76,1,1200,''),(7201,75,0,1201,'<h1>Microtech Gefell M 92.1S Tube Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The M 92.1S vacuum tube condenser microphone features a warm, full-bodied sound revered by vocalists and soloists alike.</span><br/><br/>\nThe Microtech Gefell M 92.1S is renowned for its high sensitivity and excellent signal-to-noise ratio. It has the typical warm, full-bodied sound of tube microphones that are preferred by vocalists and soloists. The M 92.1 S vacuum tube condenser microphone is suited for difficult radio play recordings as well as a supporting microphone for orchestra recordings. The renowned pressure gradient transducer of the M 92.1 S uses two large diameter gold-plated plastic diaphragms. The vacuum tube preamplifier is equipped with a pentode working as a triode selected for its sonic characteristics.<br/><br/>\nThe N 920.1 power supply provides the operating voltage for the vacuum tube condenser microphone. It can be powered from AC mains with a primary voltage of 115 or 230 volts / 50 or 60 Hz. For cable lengths over 50 meters it is recommended to have your service provider set the heater voltage of the power supply to 5.8 volts. The N 920.1 is equipped with an on/off-switch, a 7-pin Tuchel connector that powers the microphone and a 3-pin XLR connector with integrated line voltage selector.<br/><br/>\nThe M 92.1 S is packed in a wooden case and comes with power supply N 920.1, connection cable C 92.1 and elastic shock mount EA 92.<br/><br/>\n<h3>M 92.1S Top Features:</h3>\n<ul>\n	<li>legendary M7 capsule</li>\n	<li>large diameter gold-plated plastic membrane</li>\n	<li>tube preamplifier with EF86</li>\n</ul>\n<br/>'),(7202,75,1,1201,'<h1>Microtech Gefell M 92.1S Tube Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The M 92.1S vacuum tube condenser microphone features a warm, full-bodied sound revered by vocalists and soloists alike.</span><br/><br/>\nThe Microtech Gefell M 92.1S is renowned for its high sensitivity and excellent signal-to-noise ratio. It has the typical warm, full-bodied sound of tube microphones that are preferred by vocalists and soloists. The M 92.1 S vacuum tube condenser microphone is suited for difficult radio play recordings as well as a supporting microphone for orchestra recordings. The renowned pressure gradient transducer of the M 92.1 S uses two large diameter gold-plated plastic diaphragms. The vacuum tube preamplifier is equipped with a pentode working as a triode selected for its sonic characteristics.<br/><br/>\nThe N 920.1 power supply provides the operating voltage for the vacuum tube condenser microphone. It can be powered from AC mains with a primary voltage of 115 or 230 volts / 50 or 60 Hz. For cable lengths over 50 meters it is recommended to have your service provider set the heater voltage of the power supply to 5.8 volts. The N 920.1 is equipped with an on/off-switch, a 7-pin Tuchel connector that powers the microphone and a 3-pin XLR connector with integrated line voltage selector.<br/><br/>\nThe M 92.1 S is packed in a wooden case and comes with power supply N 920.1, connection cable C 92.1 and elastic shock mount EA 92.<br/><br/>\n<h3>M 92.1S Top Features:</h3>\n<ul>\n	<li>legendary M7 capsule</li>\n	<li>large diameter gold-plated plastic membrane</li>\n	<li>tube preamplifier with EF86</li>\n</ul>\n<br/>'),(7203,85,0,1201,'Microtech Gefell M 92.1S Tube Condenser Microphone'),(7204,85,1,1201,'Microtech Gefell M 92.1S Tube Condenser Microphone'),(7205,76,0,1201,''),(7206,76,1,1201,''),(7207,75,0,1202,'<h1>Microtech Gefell M 930 Cardioid Studio Condensor Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">Large Diaphragm Studio Condenser Microphone with Cardioid Polar Pattern</span><br /><br />\nThe Microtech Gefell M 930 cardioid condenser microphone combines a modern large diaphragm capsule with the latest in semiconductor circuit topology. The M 930 is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. This microphone is ideally suited for universal miking applications in broadcast and sound studios, for applications including vocalists, announcers, dialog pickup and as spot microphones for recording guitars, keyboard, percussion, wind and string instruments. It also comes in at a budget that makes its great sound attractive for project studios.<br /><br />\nThe pick-up pattern is perpendicular to the direction of the microphone axis (side addressed). The model number and pick-up pattern symbol mark the front of the microphone.<br /><br />\nThe condenser capsules exhibits a smooth frequency response with a slight presence boost in the 7 to 11 kHz range. The polar response exhibits an exceptionally high degree of rejection for sounds impinging from the rear (cardioid) of the microphone. The electronic impedance converter uses a newly perfected circuit topology. This design reduces the noise floor to an extremely low level while also raising the maximum output capability. As a result, these microphones have a clean, distortion free sound over an extremely wide dynamic range. RFI susceptibility is very low.<br /><br />\nThe microphone capsule and electronics are elastically suspended inside the compact metal housing. This reduces the sensitivity to mechanical impact and structure born noise. The microphone stand holder MH 93.1 can be exchanged for an elastic suspension EH 93 to further attenuate noise in extreme situations. The M930 connects to the microphone cable with a standard 3-pin XLR plug. Powering must be provided by an external 48 V phantom supply according to DIN 45596 and IEC 268-15.<br /><br />\nThe microphones are finished in either a satin nickel or dark bronze color.<br /><br />\n<h3>M 930 Top Features:</h3>\n<ul>\n	<li>Cardioid Polar Pattern</li><li>Extreme dynamic range</li>\n	<li>Noise floor 7dB-A</li>\n	<li>Designed for universal applications</li>\n	<li>New large diaphragm capsule</li>\n	<li>Advanced circuit design</li>\n	<li>Transformerless output</li>\n	<li>Internal elastic suspension</li>\n	<li>Compact design</li>\n</ul>\n<br />'),(7208,75,1,1202,'<h1>Microtech Gefell M 930 Cardioid Studio Condensor Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">Large Diaphragm Studio Condenser Microphone with Cardioid Polar Pattern</span><br /><br />\nThe Microtech Gefell M 930 cardioid condenser microphone combines a modern large diaphragm capsule with the latest in semiconductor circuit topology. The M 930 is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. This microphone is ideally suited for universal miking applications in broadcast and sound studios, for applications including vocalists, announcers, dialog pickup and as spot microphones for recording guitars, keyboard, percussion, wind and string instruments. It also comes in at a budget that makes its great sound attractive for project studios.<br /><br />\nThe pick-up pattern is perpendicular to the direction of the microphone axis (side addressed). The model number and pick-up pattern symbol mark the front of the microphone.<br /><br />\nThe condenser capsules exhibits a smooth frequency response with a slight presence boost in the 7 to 11 kHz range. The polar response exhibits an exceptionally high degree of rejection for sounds impinging from the rear (cardioid) of the microphone. The electronic impedance converter uses a newly perfected circuit topology. This design reduces the noise floor to an extremely low level while also raising the maximum output capability. As a result, these microphones have a clean, distortion free sound over an extremely wide dynamic range. RFI susceptibility is very low.<br /><br />\nThe microphone capsule and electronics are elastically suspended inside the compact metal housing. This reduces the sensitivity to mechanical impact and structure born noise. The microphone stand holder MH 93.1 can be exchanged for an elastic suspension EH 93 to further attenuate noise in extreme situations. The M930 connects to the microphone cable with a standard 3-pin XLR plug. Powering must be provided by an external 48 V phantom supply according to DIN 45596 and IEC 268-15.<br /><br />\nThe microphones are finished in either a satin nickel or dark bronze color.<br /><br />\n<h3>M 930 Top Features:</h3>\n<ul>\n	<li>Cardioid Polar Pattern</li><li>Extreme dynamic range</li>\n	<li>Noise floor 7dB-A</li>\n	<li>Designed for universal applications</li>\n	<li>New large diaphragm capsule</li>\n	<li>Advanced circuit design</li>\n	<li>Transformerless output</li>\n	<li>Internal elastic suspension</li>\n	<li>Compact design</li>\n</ul>\n<br />'),(7209,85,0,1202,'Microtech Gefell M 930 Studio Condenser Microphone'),(7210,85,1,1202,'Microtech Gefell M 930 Studio Condenser Microphone'),(7211,76,0,1202,''),(7212,76,1,1202,''),(7213,75,0,1203,'<h1>Microtech Gefell M 930 TS Studio Condensor Microphone</h1>\n<i>Large Diaphragm Studio Condenser Microphone with Cardioid Polar Pattern and Output Transformer</i><br /><br />\nThe Microtech Gefell M 930 TS is a compact cardioid condenser microphone designed to bring the benefits of large diaphragm capsules together with an optimised output transformer and newly developed circuit.<br /><br />\nThe Microtech Gefell M 930 TS achieves incredible performance with negligible distortion combined with improved low frequency response, very low noise and high sound pressure level. In addition the use of transformer adds desirable colouration compared to the transformerless M 930.<br /><br />\nThe M 930 Ts uses Microtech Gefell’s own capsule which is employed in other microphones such as the UM 930, and UM 930 Twin. The capsule has a diaphragm of 28mm with gold-plated polyester membrane and is shockmounted within the headbasket to reduce structure born noise. The microphone exhibits a high frequency bump of 2.5dB between 6kHz and 12kHz to raise speech intelligibility and thanks to the output transformer; the M930 Ts can be used with longer cable length with negligible quality loss.<br /><br />\nThe M 930 is extremely versatile and can be used in broadcast applications or recording solo instruments or vocals as well as spot microphone within an instrumental group.<br /><br />\n<h3>M 930 Ts Top Features:</h3>\n<ul>\n	<li>Cardiod Polar Pattern </li>\n	<li>Capsule - 28 mm gold-plated polyester membrane</li>\n	<li>Big output transformer with optimized circuit</li>\n	<li>Low frequency transmission with negligible distortion</li>\n	<li>Lower low frequency response</li>\n	<li>Extreme dynamic range</li>\n	<li>Noise floor 7 dB(A)</li>\n	<li>Highly balanced output</li>\n	<li>High solid-borne sound attenuation</li>\n	<li>Compact design</li>\n</ul>\n<br />'),(7214,75,1,1203,'<h1>Microtech Gefell M 930 TS Studio Condensor Microphone</h1>\n<i>Large Diaphragm Studio Condenser Microphone with Cardioid Polar Pattern and Output Transformer</i><br /><br />\nThe Microtech Gefell M 930 TS is a compact cardioid condenser microphone designed to bring the benefits of large diaphragm capsules together with an optimised output transformer and newly developed circuit.<br /><br />\nThe Microtech Gefell M 930 TS achieves incredible performance with negligible distortion combined with improved low frequency response, very low noise and high sound pressure level. In addition the use of transformer adds desirable colouration compared to the transformerless M 930.<br /><br />\nThe M 930 Ts uses Microtech Gefell’s own capsule which is employed in other microphones such as the UM 930, and UM 930 Twin. The capsule has a diaphragm of 28mm with gold-plated polyester membrane and is shockmounted within the headbasket to reduce structure born noise. The microphone exhibits a high frequency bump of 2.5dB between 6kHz and 12kHz to raise speech intelligibility and thanks to the output transformer; the M930 Ts can be used with longer cable length with negligible quality loss.<br /><br />\nThe M 930 is extremely versatile and can be used in broadcast applications or recording solo instruments or vocals as well as spot microphone within an instrumental group.<br /><br />\n<h3>M 930 Ts Top Features:</h3>\n<ul>\n	<li>Cardiod Polar Pattern </li>\n	<li>Capsule - 28 mm gold-plated polyester membrane</li>\n	<li>Big output transformer with optimized circuit</li>\n	<li>Low frequency transmission with negligible distortion</li>\n	<li>Lower low frequency response</li>\n	<li>Extreme dynamic range</li>\n	<li>Noise floor 7 dB(A)</li>\n	<li>Highly balanced output</li>\n	<li>High solid-borne sound attenuation</li>\n	<li>Compact design</li>\n</ul>\n<br />'),(7215,85,0,1203,'Microtech Gefell M 930 Ts Studio Condenser Microphone - Cardioid'),(7216,85,1,1203,'Microtech Gefell M 930 Ts Studio Condenser Microphone - Cardioid'),(7217,76,0,1203,''),(7218,76,1,1203,''),(7219,75,0,1204,'<h1>Microtech Gefell M 940 Hypercardioid Studio Condensor Microphone</h1>\n<i>Large Diaphragm Studio Condenser Microphone with Hypercardioid Polar Pattern</i><br /><br />\nThe Microtech Gefell M 940 hypercardioid condenser microphone combines a modern large diaphragm capsule with the latest in semiconductor circuit topology. The M 940 is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. This microphone is ideally suited for universal miking applications in broadcast and sound studios, from applications including vocalists, announcers, dialog pickup or as spot microphones for recording guitars, keyboard, percussion, wind and string instruments. It also comes in at a budget that makes its great sound attractive for project studios.<br /><br />\nThe pick-up pattern is perpendicular to the direction of the microphone axis (side addressed). The model number and pick-up pattern symbol mark the front of the microphone.<br /><br />\nThe condenser capsules exhibits a smooth frequency response with a slight presence boost in the 7 to 11 kHz range. The polar response exhibits an exceptionally high degree of rejection for sounds impinging from the rear and sides (hypercardioid) of the microphone. The electronic impedance converter uses a newly perfected circuit topology. This design reduces the noise floor to an extremely low level while also raising the maximum output capability. As a result, these microphones have a clean, distortion free sound over an extremely wide dynamic range. RFI susceptibility is very low.<br /><br />\nThe microphone capsule and electronics are elastically suspended inside the compact metal housing. This reduces the sensitivity to mechanical impact and structure born noise. The microphone stand holder MH 93.1 can be exchanged for an elastic suspension EH 93 to further attenuate noise in extreme situations. The M 940 connects to the microphone cable with a standard 3-pin XLR plug. Powering must be provided by an external 48 V phantom supply according to DIN 45596 and IEC 268-15.<br /><br />\nThe microphones are finished in either a satin nickel or dark bronze color.<br /><br />\n<h3>M 940 Top Features:</h3>\n<ul>\n	<li>Hypercardiod Polar Pattern</li>\n	<li>Extreme dynamic range</li>\n	<li>Noise floor 7dB-A</li>\n	<li>Universal applications</li>\n	<li>New large diaphragm capsule</li>\n	<li>Advanced circuit design</li>\n	<li>Transformerless output</li>\n	<li>Internal elastic suspension</li>\n	<li>Compact design</li>\n</ul>\n<br />'),(7220,75,1,1204,'<h1>Microtech Gefell M 940 Hypercardioid Studio Condensor Microphone</h1>\n<i>Large Diaphragm Studio Condenser Microphone with Hypercardioid Polar Pattern</i><br /><br />\nThe Microtech Gefell M 940 hypercardioid condenser microphone combines a modern large diaphragm capsule with the latest in semiconductor circuit topology. The M 940 is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. This microphone is ideally suited for universal miking applications in broadcast and sound studios, from applications including vocalists, announcers, dialog pickup or as spot microphones for recording guitars, keyboard, percussion, wind and string instruments. It also comes in at a budget that makes its great sound attractive for project studios.<br /><br />\nThe pick-up pattern is perpendicular to the direction of the microphone axis (side addressed). The model number and pick-up pattern symbol mark the front of the microphone.<br /><br />\nThe condenser capsules exhibits a smooth frequency response with a slight presence boost in the 7 to 11 kHz range. The polar response exhibits an exceptionally high degree of rejection for sounds impinging from the rear and sides (hypercardioid) of the microphone. The electronic impedance converter uses a newly perfected circuit topology. This design reduces the noise floor to an extremely low level while also raising the maximum output capability. As a result, these microphones have a clean, distortion free sound over an extremely wide dynamic range. RFI susceptibility is very low.<br /><br />\nThe microphone capsule and electronics are elastically suspended inside the compact metal housing. This reduces the sensitivity to mechanical impact and structure born noise. The microphone stand holder MH 93.1 can be exchanged for an elastic suspension EH 93 to further attenuate noise in extreme situations. The M 940 connects to the microphone cable with a standard 3-pin XLR plug. Powering must be provided by an external 48 V phantom supply according to DIN 45596 and IEC 268-15.<br /><br />\nThe microphones are finished in either a satin nickel or dark bronze color.<br /><br />\n<h3>M 940 Top Features:</h3>\n<ul>\n	<li>Hypercardiod Polar Pattern</li>\n	<li>Extreme dynamic range</li>\n	<li>Noise floor 7dB-A</li>\n	<li>Universal applications</li>\n	<li>New large diaphragm capsule</li>\n	<li>Advanced circuit design</li>\n	<li>Transformerless output</li>\n	<li>Internal elastic suspension</li>\n	<li>Compact design</li>\n</ul>\n<br />'),(7221,85,0,1204,'Microtech Gefell M 940 Studio Condenser Microphone'),(7222,85,1,1204,'Microtech Gefell M 940 Studio Condenser Microphone'),(7223,76,0,1204,''),(7224,76,1,1204,''),(7225,75,0,1205,'<h1>Microtech Gefell M 950 Wide Cardioid Studio Condensor Microphone</h1>\n<i>Large Diaphragm Studio Condenser Microphone with Wide Cardioid Polar Pattern</i><br /><br />\nThe Microtech Gefell M 950 wide cardioid condenser microphone combines a modern large diaphragm capsule with the latest in semiconductor circuit topology. The M 950 is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. This microphone is ideally suited for universal miking applications in broadcast and sound studios, from applications including vocalists, announcers, dialog pickup or as spot microphones for recording guitars, keyboard, percussion, wind and string instruments. It also comes in at a budget that makes its great sound attractive for project studios.<br /><br />\nThe pick-up pattern is perpendicular to the direction of the microphone axis (side addressed). The model number and pick-up pattern symbol mark the front of the microphone.<br /><br />\nThe condenser capsules exhibits a smooth frequency response with a slight presence boost in the 7 to 11 kHz range. The polar response exhibits an exceptionally high degree of rejection for sounds impinging from the rear and sides (hypercardioid) of the microphone. The electronic impedance converter uses a newly perfected circuit topology. This design reduces the noise floor to an extremely low level while also raising the maximum output capability. As a result, these microphones have a clean, distortion free sound over an extremely wide dynamic range. RFI susceptibility is very low.<br /><br />\nThe microphone capsule and electronics are elastically suspended inside the compact metal housing. This reduces the sensitivity to mechanical impact and structure born noise. The microphone stand holder MH 93.1 can be exchanged for an elastic suspension EH 93 to further attenuate noise in extreme situations. The M 940 connects to the microphone cable with a standard 3-pin XLR plug. Powering must be provided by an external 48 V phantom supply according to DIN 45596 and IEC 268-15.<br /><br />\nThe microphones are finished in either a satin nickel or dark bronze color.<br /><br />\n<h3>M 940 Top Features:</h3>\n<ul>\n	<li>Hypercardiod Polar Pattern</li>\n	<li>Extreme dynamic range</li>\n	<li>Noise floor 7dB-A</li>\n	<li>Universal applications</li>\n	<li>New large diaphragm capsule</li>\n	<li>Advanced circuit design</li>\n	<li>Transformerless output</li>\n	<li>Internal elastic suspension</li>\n	<li>Compact design</li>\n</ul>\n<br />'),(7226,75,1,1205,'<h1>Microtech Gefell M 950 Wide Cardioid Studio Condensor Microphone</h1>\n<i>Large Diaphragm Studio Condenser Microphone with Wide Cardioid Polar Pattern</i><br /><br />\nThe Microtech Gefell M 950 wide cardioid condenser microphone combines a modern large diaphragm capsule with the latest in semiconductor circuit topology. The M 950 is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. This microphone is ideally suited for universal miking applications in broadcast and sound studios, from applications including vocalists, announcers, dialog pickup or as spot microphones for recording guitars, keyboard, percussion, wind and string instruments. It also comes in at a budget that makes its great sound attractive for project studios.<br /><br />\nThe pick-up pattern is perpendicular to the direction of the microphone axis (side addressed). The model number and pick-up pattern symbol mark the front of the microphone.<br /><br />\nThe condenser capsules exhibits a smooth frequency response with a slight presence boost in the 7 to 11 kHz range. The polar response exhibits an exceptionally high degree of rejection for sounds impinging from the rear and sides (hypercardioid) of the microphone. The electronic impedance converter uses a newly perfected circuit topology. This design reduces the noise floor to an extremely low level while also raising the maximum output capability. As a result, these microphones have a clean, distortion free sound over an extremely wide dynamic range. RFI susceptibility is very low.<br /><br />\nThe microphone capsule and electronics are elastically suspended inside the compact metal housing. This reduces the sensitivity to mechanical impact and structure born noise. The microphone stand holder MH 93.1 can be exchanged for an elastic suspension EH 93 to further attenuate noise in extreme situations. The M 940 connects to the microphone cable with a standard 3-pin XLR plug. Powering must be provided by an external 48 V phantom supply according to DIN 45596 and IEC 268-15.<br /><br />\nThe microphones are finished in either a satin nickel or dark bronze color.<br /><br />\n<h3>M 940 Top Features:</h3>\n<ul>\n	<li>Hypercardiod Polar Pattern</li>\n	<li>Extreme dynamic range</li>\n	<li>Noise floor 7dB-A</li>\n	<li>Universal applications</li>\n	<li>New large diaphragm capsule</li>\n	<li>Advanced circuit design</li>\n	<li>Transformerless output</li>\n	<li>Internal elastic suspension</li>\n	<li>Compact design</li>\n</ul>\n<br />'),(7227,85,0,1205,'Microtech Gefell M 950 Studio Condenser Microphone'),(7228,85,1,1205,'Microtech Gefell M 950 Studio Condenser Microphone'),(7229,76,0,1205,''),(7230,76,1,1205,''),(7231,75,0,1206,'<h1>Microtech Gefell M 960 Omni Studio Condensor Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The Microtech Gefell M 960 omnidirectional microphone combines a large diaphragm capsule with the latest in semiconductor circuit design.</span><br /><br />\nThe Microtech Gefell M 960 omnidirectional studio condenser microphone combines well-proven large diaphragm capsule technology with the latest in semiconductor circuit topology. It is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. The M 960 is ideally suited for miking applications in broadcast and sound studios. Applications include recordings outside the diffuse-field distance during choir or orchestra performances, e.g. in concert halls, churches and theaters.<br /><br />\nThe condenser capsule is designed for a diffuse-field. It exhibits a presence boost in the 4 to 12 kHz range.<br /><br />\nThe electronic impedance converter uses a newly perfected circuit topology. This design reduces the noise floor to an extremely low level while also raising the maximum output capability. As a result, this microphone has a clean, distortion-free sound over an extremely wide dynamic range.<br /><br />\nThe M 960 is either mounted by means of the microphone stand holder MH 93.1, which is included or the optional swivel mount MH 93. If necessary the microphone holder can be exchanged for the elastic suspension EH 93 to further attenuate noise (in extreme situations). The M 960 connects to the microphone cable with a standard 3-pin XLR plug. Powering must be provided by an external 48 V phantom supply according to DIN EN 61938 and IEC 1938.<br /><br />\nThe microphone is finished in dark bronze.<br /><br />\n<h3>M 960 Top Features:</h3>\n<ul>\n	<li>omnidirectional polar pattern</li>\n	<li>extreme dynamic range</li>\n	<li>low noise floor</li>\n	<li>large membrane capsule</li>\n	<li>advanced circuit design</li>\n	<li>transformerless output</li>\n	<li>high sensitivity</li>\n	<li>compact design</li>\n</ul>\n<br />'),(7232,75,1,1206,'<h1>Microtech Gefell M 960 Omni Studio Condensor Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The Microtech Gefell M 960 omnidirectional microphone combines a large diaphragm capsule with the latest in semiconductor circuit design.</span><br /><br />\nThe Microtech Gefell M 960 omnidirectional studio condenser microphone combines well-proven large diaphragm capsule technology with the latest in semiconductor circuit topology. It is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. The M 960 is ideally suited for miking applications in broadcast and sound studios. Applications include recordings outside the diffuse-field distance during choir or orchestra performances, e.g. in concert halls, churches and theaters.<br /><br />\nThe condenser capsule is designed for a diffuse-field. It exhibits a presence boost in the 4 to 12 kHz range.<br /><br />\nThe electronic impedance converter uses a newly perfected circuit topology. This design reduces the noise floor to an extremely low level while also raising the maximum output capability. As a result, this microphone has a clean, distortion-free sound over an extremely wide dynamic range.<br /><br />\nThe M 960 is either mounted by means of the microphone stand holder MH 93.1, which is included or the optional swivel mount MH 93. If necessary the microphone holder can be exchanged for the elastic suspension EH 93 to further attenuate noise (in extreme situations). The M 960 connects to the microphone cable with a standard 3-pin XLR plug. Powering must be provided by an external 48 V phantom supply according to DIN EN 61938 and IEC 1938.<br /><br />\nThe microphone is finished in dark bronze.<br /><br />\n<h3>M 960 Top Features:</h3>\n<ul>\n	<li>omnidirectional polar pattern</li>\n	<li>extreme dynamic range</li>\n	<li>low noise floor</li>\n	<li>large membrane capsule</li>\n	<li>advanced circuit design</li>\n	<li>transformerless output</li>\n	<li>high sensitivity</li>\n	<li>compact design</li>\n</ul>\n<br />'),(7233,85,0,1206,'Microtech Gefell M 960 Studio Condenser Microphone'),(7234,85,1,1206,'Microtech Gefell M 960 Studio Condenser Microphone'),(7235,76,0,1206,''),(7236,76,1,1206,''),(7237,75,0,1207,'<h1>Microtech Gefell M 990 Tube Condensor Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The M990 microphone combines a large diaphragm capsule with the typical full-bodied sound of tube microphones preferred by vocalists and soloists.</span><br /><br />\nThe Microtech Gefell M 990 tube condenser microphone, renowned for its high sensitivity and excellent signal-to-noise ratio, combines modern large diaphragm capsule technology with the typical full-bodied sound of tube microphones that are preferred by vocalists and soloists. The M 990 vacuum tube condenser microphone is well-suited for difficult radio play productions as well as a supporting microphone for orchestra recordings.<br /><br />\nThe new pressure gradient transducer of the M 990 uses a large diameter gold-plated plastic diaphragm. The vacuum tube preamplifier is equipped with a pentode working as a triode selected for its sonic characteristics.\nThe N 920.1 power supply provides the operating voltage for the vacuum tube condenser microphone. It can be powered from AC mains with a primary voltage of 115 or 230 volts / 50 or 60 Hz.\n<br /><br />\nFor cable lengths over 50 meters it is recommended to have your service provider set the heater voltage of the power supply to 5.8 volts. The N 920.1 is equipped with an on/off-switch, a 7-pin Tuchel connector that powers the microphone and a 3-pin XLR connector with integrated line voltage selector.<br /><br />\nThe M 990 is packed in a wooden case and comes with power supply , connection cable C 92.1 and elastic suspension EA 92.<br /><br />\n<h3>M 990 Top Features:</h3>\n<li>high sensitivity</li>\n<li>excellent signal-to-noise ratio</li>\n<li>modern M930 capsule</li>\n<li>large diameter gold-plated plastic membrane</li>\n<li>tube preamplifier with EF86</li>\n<br />'),(7238,75,1,1207,'<h1>Microtech Gefell M 990 Tube Condensor Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The M990 microphone combines a large diaphragm capsule with the typical full-bodied sound of tube microphones preferred by vocalists and soloists.</span><br /><br />\nThe Microtech Gefell M 990 tube condenser microphone, renowned for its high sensitivity and excellent signal-to-noise ratio, combines modern large diaphragm capsule technology with the typical full-bodied sound of tube microphones that are preferred by vocalists and soloists. The M 990 vacuum tube condenser microphone is well-suited for difficult radio play productions as well as a supporting microphone for orchestra recordings.<br /><br />\nThe new pressure gradient transducer of the M 990 uses a large diameter gold-plated plastic diaphragm. The vacuum tube preamplifier is equipped with a pentode working as a triode selected for its sonic characteristics.\nThe N 920.1 power supply provides the operating voltage for the vacuum tube condenser microphone. It can be powered from AC mains with a primary voltage of 115 or 230 volts / 50 or 60 Hz.\n<br /><br />\nFor cable lengths over 50 meters it is recommended to have your service provider set the heater voltage of the power supply to 5.8 volts. The N 920.1 is equipped with an on/off-switch, a 7-pin Tuchel connector that powers the microphone and a 3-pin XLR connector with integrated line voltage selector.<br /><br />\nThe M 990 is packed in a wooden case and comes with power supply , connection cable C 92.1 and elastic suspension EA 92.<br /><br />\n<h3>M 990 Top Features:</h3>\n<li>high sensitivity</li>\n<li>excellent signal-to-noise ratio</li>\n<li>modern M930 capsule</li>\n<li>large diameter gold-plated plastic membrane</li>\n<li>tube preamplifier with EF86</li>\n<br />'),(7239,85,0,1207,'Microtech Gefell M 990 Tube Condenser Microphone'),(7240,85,1,1207,'Microtech Gefell M 990 Tube Condenser Microphone'),(7241,76,0,1207,''),(7242,76,1,1207,''),(7243,75,0,1208,'<h1>Microtech Gefell MT 71 S Cardioid Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The Microtech Gefell MT 71 S microphone comes equipped with Geffel\'s legendary large diameter M7 capsule, guaranteeing outstanding performance, high sensitivity and a beautifully clean and colorless sound.</span><br /><br />\n	The Microtech Gefell MT 71 S cardioid condenser microphone features Gefell\'s proven M7 large diameter membrane capsule, the original capsule found on Neumann’s U-47 microphone, which features outstanding performance, a high sensitivity and a improved signal-to-noise ratio. The MT 71 S guarantees a particularly clean and colourless sound reproduction. lt is well suited for instrumental and vocal soloists in radio and television broadcasting and for accurate productions.\n<br /><br />\n	The pressure gradient transducer is a dual capacitor design using a single brass back plate and two large diameter gold plated plastic membranes.\n<br /><br />\n	The cardioid pattern exhibits a smooth treble boost rising which peaks at about 4 dB in the range of 7 kHz. This response coupled with a slight roll-off at low frequencies is what gives the microphone its legendary \"presence\". The direction of maximum sensitivity is radial to the grill, i.e. side addressed.\n<br /><br />\n	The newly developed transformerless circuit design substitutes the previous transformer by a symmetrical output stage yielding superb transient response combined with high RFI rejection. The circuitry also achieves wider dynamic range by lowering the self noise floor and increasing the headroom for loud signals.\n<br /><br />\n	A 10 dB attenuator is installed to reduce the sensitivity of the microphone when placed near extremely loud sound sources. And, a low frequency roll-off switch will reduce the proximity effect when dose miking.\n<br /><br />\n	The microphone is equipped with a 3-pin XLR connector fitting to a microphone cable, e.g. C 70.	The MT 71 S uses 48 volt phantom powering according to the international standards DIN 45596 and lEC 2 68-15.\n<br /><br />\n	MT 71 S is available in a black matte or satin nickel finish.\n<br /><br />\n\n<h3>MT 71 S Top Features:</h3>\n<ul>\n	<li>polar patterns: cardioid</li>\n	<li>switchable attenuater</li>\n	<li>legendary M7 capsule</li>\n	<li>transformerless output</li>\n</ul>\n<br />'),(7244,75,1,1208,'<h1>Microtech Gefell MT 71 S Cardioid Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The Microtech Gefell MT 71 S microphone comes equipped with Geffel\'s legendary large diameter M7 capsule, guaranteeing outstanding performance, high sensitivity and a beautifully clean and colorless sound.</span><br /><br />\n	The Microtech Gefell MT 71 S cardioid condenser microphone features Gefell\'s proven M7 large diameter membrane capsule, the original capsule found on Neumann’s U-47 microphone, which features outstanding performance, a high sensitivity and a improved signal-to-noise ratio. The MT 71 S guarantees a particularly clean and colourless sound reproduction. lt is well suited for instrumental and vocal soloists in radio and television broadcasting and for accurate productions.\n<br /><br />\n	The pressure gradient transducer is a dual capacitor design using a single brass back plate and two large diameter gold plated plastic membranes.\n<br /><br />\n	The cardioid pattern exhibits a smooth treble boost rising which peaks at about 4 dB in the range of 7 kHz. This response coupled with a slight roll-off at low frequencies is what gives the microphone its legendary \"presence\". The direction of maximum sensitivity is radial to the grill, i.e. side addressed.\n<br /><br />\n	The newly developed transformerless circuit design substitutes the previous transformer by a symmetrical output stage yielding superb transient response combined with high RFI rejection. The circuitry also achieves wider dynamic range by lowering the self noise floor and increasing the headroom for loud signals.\n<br /><br />\n	A 10 dB attenuator is installed to reduce the sensitivity of the microphone when placed near extremely loud sound sources. And, a low frequency roll-off switch will reduce the proximity effect when dose miking.\n<br /><br />\n	The microphone is equipped with a 3-pin XLR connector fitting to a microphone cable, e.g. C 70.	The MT 71 S uses 48 volt phantom powering according to the international standards DIN 45596 and lEC 2 68-15.\n<br /><br />\n	MT 71 S is available in a black matte or satin nickel finish.\n<br /><br />\n\n<h3>MT 71 S Top Features:</h3>\n<ul>\n	<li>polar patterns: cardioid</li>\n	<li>switchable attenuater</li>\n	<li>legendary M7 capsule</li>\n	<li>transformerless output</li>\n</ul>\n<br />'),(7245,85,0,1208,'Microtech Gefell MT 71 S Condenser Microphone'),(7246,85,1,1208,'Microtech Gefell MT 71 S Condenser Microphone'),(7247,76,0,1208,''),(7248,76,1,1208,''),(7249,75,0,1209,'<h1>Microtech Gefell UM 900 Switchable Pattern Tube Condenser Microphone</h1>\nThe Microtech Gefell UM 900 is the first switchable pattern, valve condenser microphone which can be connected to industry standard 48 volt phantom powering using a normal 3-pin XLR microphone cable. This is made possible by an advanced circuit design for the amplifier and internal power supply. The pickup capsule uses a traditional, proven design with two large, gold plated plastic membranes.\n<br /><br />\nThree switches are located around the body of the UM 900. The switch in the front selects the polar pattern: omni, wide cardioid, cardioid, hyper cardioid and figure 8. Located 120 degrees to each side are switches for gain adjust and low frequency roll-off.\n<br /><br />\nThe unusual shape of the microphone\'s body is especially designed to minimize undesirable reflections of sound toward the pickup element. Acoustic influences which could result from the housing resonance and/or mechanical vibration are reduced by the robust construction and by a special fixture within the microphone\'s housing which dampens vibration.\n<br /><br />\nThe high sensitivity and low noise of the UM 900 make it especially suitable for vocal and speech pickup in professional sound recording studios, scoring stages and broadcast studios. The 5 pickup patterns allow the microphone to be tailored to a wide variety of applications. For example, the microphone can be used as an overall pickup for a large orchestra or it can be used as a solo or spot mike for individual instruments. It may also serve as an announce microphone where its proximity effect may be desirable.\n<br /><br />\nThe direction of maximum sensitivity is radial to the microphone body, i.e. side addressed. The front of the microphone is indicated by the model number and the pattern selector switch. The pick-up capsule is mounted in a large, acoustically open headgrill which prevents mechanical vibration interference. This gives the microphone a clean, colorless sound characteristic. <br /><br />\n\nThe internal vacuum tube amplifier of the UM 900 can be powered by any external 48 volt phantom supply which can provide at least 4 mA of current. This is due to the amplifiers\' specially selected vacuum tube and internal transverter that provides all the necessary voltages. The low impedance output is implemented with an operational\namplifier and balanced output transformer.\n\n<br /><br />\nThe UM 900 can be connected with a cable of up to 150 m length without any effect on sound quality.\n<br /><br />\n<h3>UM 900 Top Features:</h3>\n<ul>\n	<li>Large diameter dual membrane capsule, switchable</li>\n	<li>Characteristic: Omni, Wide cardioid, Cardioid, Hyper cardioid, Figure 8</li>\n	<li>Balanced output transformer</li>\n	<li>Level reduction pad 10dB</li>\n	<li>Level increase gain 4dB</li>\n	<li>Bass roll-off switch</li>\n	<li>Satin nickel / dark bronze finish</li><li>Features MH80 microphone holder and wooden case. (Available upgrade with EA 92 shock mount, W 82 windscreen and travel suitcase)</li>\n</ul>\n<br />'),(7250,75,1,1209,'<h1>Microtech Gefell UM 900 Switchable Pattern Tube Condenser Microphone</h1>\nThe Microtech Gefell UM 900 is the first switchable pattern, valve condenser microphone which can be connected to industry standard 48 volt phantom powering using a normal 3-pin XLR microphone cable. This is made possible by an advanced circuit design for the amplifier and internal power supply. The pickup capsule uses a traditional, proven design with two large, gold plated plastic membranes.\n<br /><br />\nThree switches are located around the body of the UM 900. The switch in the front selects the polar pattern: omni, wide cardioid, cardioid, hyper cardioid and figure 8. Located 120 degrees to each side are switches for gain adjust and low frequency roll-off.\n<br /><br />\nThe unusual shape of the microphone\'s body is especially designed to minimize undesirable reflections of sound toward the pickup element. Acoustic influences which could result from the housing resonance and/or mechanical vibration are reduced by the robust construction and by a special fixture within the microphone\'s housing which dampens vibration.\n<br /><br />\nThe high sensitivity and low noise of the UM 900 make it especially suitable for vocal and speech pickup in professional sound recording studios, scoring stages and broadcast studios. The 5 pickup patterns allow the microphone to be tailored to a wide variety of applications. For example, the microphone can be used as an overall pickup for a large orchestra or it can be used as a solo or spot mike for individual instruments. It may also serve as an announce microphone where its proximity effect may be desirable.\n<br /><br />\nThe direction of maximum sensitivity is radial to the microphone body, i.e. side addressed. The front of the microphone is indicated by the model number and the pattern selector switch. The pick-up capsule is mounted in a large, acoustically open headgrill which prevents mechanical vibration interference. This gives the microphone a clean, colorless sound characteristic. <br /><br />\n\nThe internal vacuum tube amplifier of the UM 900 can be powered by any external 48 volt phantom supply which can provide at least 4 mA of current. This is due to the amplifiers\' specially selected vacuum tube and internal transverter that provides all the necessary voltages. The low impedance output is implemented with an operational\namplifier and balanced output transformer.\n\n<br /><br />\nThe UM 900 can be connected with a cable of up to 150 m length without any effect on sound quality.\n<br /><br />\n<h3>UM 900 Top Features:</h3>\n<ul>\n	<li>Large diameter dual membrane capsule, switchable</li>\n	<li>Characteristic: Omni, Wide cardioid, Cardioid, Hyper cardioid, Figure 8</li>\n	<li>Balanced output transformer</li>\n	<li>Level reduction pad 10dB</li>\n	<li>Level increase gain 4dB</li>\n	<li>Bass roll-off switch</li>\n	<li>Satin nickel / dark bronze finish</li><li>Features MH80 microphone holder and wooden case. (Available upgrade with EA 92 shock mount, W 82 windscreen and travel suitcase)</li>\n</ul>\n<br />'),(7251,85,0,1209,'Microtech Gefell UM 900 Switchable Pattern Tube Condenser Microphone'),(7252,85,1,1209,'Microtech Gefell UM 900 Switchable Pattern Tube Condenser Microphone'),(7253,76,0,1209,''),(7254,76,1,1209,''),(7255,75,0,1210,'<h1> Microtech Gefell UM 92.1 S Condenser Microphone</h1>\n<i>Tube condenser microphone with switchable polar patterns that features Microtech Gefell\'s classic M7 capsule guaranteeing outstanding performance, high sensitivity and a beautifully clean and colorless sound..</i><br /><br />\nThe Microtech Gefell UM 92.1 S studio microphone features Microtech Gefell\'s classic M7 capsule, t<span style=\"background-color: initial;\">his was the original capsule found on Neumann’s U-47 microphone,</span><span style=\"background-color: initial;\"> renowned for its outstanding performance, high sensitivity and a beautifully clean and colorless sound.. This pressure gradient transducer uses two large diameter gold-plated plastic diaphragms. The capsules are hand selected for optimum polar response.</span><span style=\"background-color: initial;\"><br /></span><br />\nThree polar patterns (omni, cardioid and figure 8) can be selected with a pattern selector switch integrated into the power supply.<br /><br />\nThis vacuum tube microphone has a remarkable signal-to-noise ratio and high sensitivity. The UM 92.1 S has the typical full- bodied sound of tube microphones that are preferred by vocalists and soloists.<br /><br />\nThe vacuum tube preamplifier is a well-established design equipped with a pentode working as high μ triode selected for its sonic characteristics. The UN 920.1 power supply provides the polarization voltage for the capsule and the necessary DC voltages for the microphone\'s preamplifier. For cable lengths over 50 meters it is recommended to have your service provider set the heater voltage of the power supply to 5.8 volts. The UN 920.1 can be powered from AC mains with a primary voltage of 115 or 230 volts / 50 or 60 Hz.<br /><br />\nThe pattern selector switch and the on/off-switch are located on the front panel. The AC mains connector (with choice of voltage), the 7-pin Tuchel connector that powers the microphone and the standard 3-pin XLR connector for audio output are located on the rear panel.<br /><br />\nThe microphone is available in a satin nickel or a black matt finish. \n<br /><br />\n<h3>UM 92.1 S Top Features:</h3>\n<li>Classic M7 capsule</li>\n<li>Polar Patterns: omni, cardioid, figure 8</li>\n<li>gold-plated plastic diaphragm</li>\n<li>Includes power supply, connection cable, elastic shockmount, windscreen, and travel suitcase.</li>\n<br />'),(7256,75,1,1210,'<h1> Microtech Gefell UM 92.1 S Condenser Microphone</h1>\n<i>Tube condenser microphone with switchable polar patterns that features Microtech Gefell\'s classic M7 capsule guaranteeing outstanding performance, high sensitivity and a beautifully clean and colorless sound..</i><br /><br />\nThe Microtech Gefell UM 92.1 S studio microphone features Microtech Gefell\'s classic M7 capsule, t<span style=\"background-color: initial;\">his was the original capsule found on Neumann’s U-47 microphone,</span><span style=\"background-color: initial;\"> renowned for its outstanding performance, high sensitivity and a beautifully clean and colorless sound.. This pressure gradient transducer uses two large diameter gold-plated plastic diaphragms. The capsules are hand selected for optimum polar response.</span><span style=\"background-color: initial;\"><br /></span><br />\nThree polar patterns (omni, cardioid and figure 8) can be selected with a pattern selector switch integrated into the power supply.<br /><br />\nThis vacuum tube microphone has a remarkable signal-to-noise ratio and high sensitivity. The UM 92.1 S has the typical full- bodied sound of tube microphones that are preferred by vocalists and soloists.<br /><br />\nThe vacuum tube preamplifier is a well-established design equipped with a pentode working as high μ triode selected for its sonic characteristics. The UN 920.1 power supply provides the polarization voltage for the capsule and the necessary DC voltages for the microphone\'s preamplifier. For cable lengths over 50 meters it is recommended to have your service provider set the heater voltage of the power supply to 5.8 volts. The UN 920.1 can be powered from AC mains with a primary voltage of 115 or 230 volts / 50 or 60 Hz.<br /><br />\nThe pattern selector switch and the on/off-switch are located on the front panel. The AC mains connector (with choice of voltage), the 7-pin Tuchel connector that powers the microphone and the standard 3-pin XLR connector for audio output are located on the rear panel.<br /><br />\nThe microphone is available in a satin nickel or a black matt finish. \n<br /><br />\n<h3>UM 92.1 S Top Features:</h3>\n<li>Classic M7 capsule</li>\n<li>Polar Patterns: omni, cardioid, figure 8</li>\n<li>gold-plated plastic diaphragm</li>\n<li>Includes power supply, connection cable, elastic shockmount, windscreen, and travel suitcase.</li>\n<br />'),(7257,85,0,1210,'Microtech Gefell UM 92.1 S Condenser Microphone'),(7258,85,1,1210,'Microtech Gefell UM 92.1 S Condenser Microphone'),(7259,76,0,1210,''),(7260,76,1,1210,''),(7261,75,0,1211,'<h1>Microtech Gefell UM 930 Switchable Pattern Studio Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The Microtech Gefell UM 930 microphone combines large diaphragm dual-capsules with the latest in semiconductor circuit design, creating a switchable pattern mic of the highest quality.</span><br /><br />\nThe Microtech Gefell UM 930 is a switchable pattern FET condenser microphone with a dual-membrane large-diaphragm capsule. The mic is known for its low self-noise (7dBA) and high dynamic range (135dB).<br /><br />\nPattern selection is effected via a magnetic reed switch on the mic body. Five discrete patterns are provided: omni, wide cardioid, cardioid, hypercardioid, and figure 8. The mic’s circuitry mutes the output when the pattern switch is engaged; this prevents audible clicks through the signal chain when changing patterns on a hot mic.<br /><br />\nThe UM 930 uses the same diaphragm/capsule as the M 930 microphone, although in the UM 930 there are two of them, positioned back-to-back.<br /><br />\nThe mic employs a unique phantom power circuit, in which the incoming power is fed through an optical converter, eliminating the phantom circuit as a source of potential noise.\n<br /><br />\nOptional accessories include: foam windscreen, popscreen, elastic suspension mounts, solid mic holders, and cables.\n<br /><br />\n<h3>UM 930 Top Features:</h3>\n<ul>\n	<li>large diaphragm dual-capsule</li>\n	<li>switchable: omni, wide cardioid, cardioid, hypercardioid, fig-8</li>\n	<li>exceptional dynamic range</li>\n	<li>equivalent noise level 7 dBA</li>\n	<li>transformerless output</li>\n	<li>elastic capsule suspension</li>\n	<li>Soundcheck Tool SCT</li>\n	<li>muting function</li>\n	<li>optical ready indicator</li>\n	<li>satin nickel / dark bronze finish</li>\n</ul>\n<br />'),(7262,75,1,1211,'<h1>Microtech Gefell UM 930 Switchable Pattern Studio Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The Microtech Gefell UM 930 microphone combines large diaphragm dual-capsules with the latest in semiconductor circuit design, creating a switchable pattern mic of the highest quality.</span><br /><br />\nThe Microtech Gefell UM 930 is a switchable pattern FET condenser microphone with a dual-membrane large-diaphragm capsule. The mic is known for its low self-noise (7dBA) and high dynamic range (135dB).<br /><br />\nPattern selection is effected via a magnetic reed switch on the mic body. Five discrete patterns are provided: omni, wide cardioid, cardioid, hypercardioid, and figure 8. The mic’s circuitry mutes the output when the pattern switch is engaged; this prevents audible clicks through the signal chain when changing patterns on a hot mic.<br /><br />\nThe UM 930 uses the same diaphragm/capsule as the M 930 microphone, although in the UM 930 there are two of them, positioned back-to-back.<br /><br />\nThe mic employs a unique phantom power circuit, in which the incoming power is fed through an optical converter, eliminating the phantom circuit as a source of potential noise.\n<br /><br />\nOptional accessories include: foam windscreen, popscreen, elastic suspension mounts, solid mic holders, and cables.\n<br /><br />\n<h3>UM 930 Top Features:</h3>\n<ul>\n	<li>large diaphragm dual-capsule</li>\n	<li>switchable: omni, wide cardioid, cardioid, hypercardioid, fig-8</li>\n	<li>exceptional dynamic range</li>\n	<li>equivalent noise level 7 dBA</li>\n	<li>transformerless output</li>\n	<li>elastic capsule suspension</li>\n	<li>Soundcheck Tool SCT</li>\n	<li>muting function</li>\n	<li>optical ready indicator</li>\n	<li>satin nickel / dark bronze finish</li>\n</ul>\n<br />'),(7263,85,0,1211,'Microtech Gefell UM 930 Switchable Pattern Studio Condenser Microphone'),(7264,85,1,1211,'Microtech Gefell UM 930 Switchable Pattern Studio Condenser Microphone'),(7265,76,0,1211,''),(7266,76,1,1211,''),(7267,75,0,1212,'<h1>Microtech Gefell UM 930 Twin Dual Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The Microtech Gefell UM 930 microphone combines large diaphragm dual-capsules with the latest in semiconductor circuit design, creating a switchable pattern mic of the highest quality.</span><br /><br />\nThe Microtech Gefell The UM 930 Twin is a special version of the UM 930 multipattern FET condenser. Both mics feature twin large-diaphragm “M930” capsules; however the Twin provides a separate output (via 5-pin XLR) for each capsule. The front capsule is always a cardioid pattern while the back capsule has a selectable pattern allowing this microphone to record the same source with two pickup patterns, simultaneously.<br /><br />\nThe behavior of the pattern-selection switch for the rear capsule is unusual, in that for four of its five patterns, it causes the output of the “rear” channel to be a mix of the front and back capsules. For example, when set to Omni, the “rear” channel would output the in-phase combination of the front and rear capsules’ outputs. When set to Figure-8, the “rear” channel would output the out-of-phase combination of the two capsules. Hypercardioid and wide-cardioid patterns can be achieved by similar combinations of the two capsules’ outputs, although the level of the rear capsule’s output is lowered — implying the presence of some sort of mixing circuitry within the Twin.<br /><br />\nFor the fifth pickup pattern (Cardioid), the “rear” output will deliver only the output of the rear capsule. Curiously, this mode allows the engineer to produce any of the mic’s five pickup patterns in post-production — simply by combining the two capsules’ tracks at varying volumes and phase settings.<br /><br />\nThe mic is available in three finishes and three configurations. Finishes include satin nickel, dark bronze, and 24K gold.\n<br /><br />\nOptional accessories include: foam windscreen, popscreen, elastic suspension mounts, solid mic holders, and cables.\n<br /><br />\n<h3>UM 930 Top Features:</h3>\n<ul>\n	<li>One microphone records two separate polar patterns simultaneously</li>\n	<li>Large diaphragm dual-capsule</li>\n	<li>Cardioid front pattern</li>\n	<li>Rear selected by switch ring: omni, wide cardioid, cardioid, hypercardioid, fig-8</li>\n	<li>Continuous control of variable polar pattern from the mixing console or PC using separate signal outputs</li>\n	<li>Exceptional dynamic range</li>\n	<li>Equivalent noise level 7 dBA</li>\n	<li>Transformerless output</li>\n	<li>Elastic capsule suspension</li>\n	<li>Satin nickel / dark bronze finish</li>\n</ul>\n<br />'),(7268,75,1,1212,'<h1>Microtech Gefell UM 930 Twin Dual Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The Microtech Gefell UM 930 microphone combines large diaphragm dual-capsules with the latest in semiconductor circuit design, creating a switchable pattern mic of the highest quality.</span><br /><br />\nThe Microtech Gefell The UM 930 Twin is a special version of the UM 930 multipattern FET condenser. Both mics feature twin large-diaphragm “M930” capsules; however the Twin provides a separate output (via 5-pin XLR) for each capsule. The front capsule is always a cardioid pattern while the back capsule has a selectable pattern allowing this microphone to record the same source with two pickup patterns, simultaneously.<br /><br />\nThe behavior of the pattern-selection switch for the rear capsule is unusual, in that for four of its five patterns, it causes the output of the “rear” channel to be a mix of the front and back capsules. For example, when set to Omni, the “rear” channel would output the in-phase combination of the front and rear capsules’ outputs. When set to Figure-8, the “rear” channel would output the out-of-phase combination of the two capsules. Hypercardioid and wide-cardioid patterns can be achieved by similar combinations of the two capsules’ outputs, although the level of the rear capsule’s output is lowered — implying the presence of some sort of mixing circuitry within the Twin.<br /><br />\nFor the fifth pickup pattern (Cardioid), the “rear” output will deliver only the output of the rear capsule. Curiously, this mode allows the engineer to produce any of the mic’s five pickup patterns in post-production — simply by combining the two capsules’ tracks at varying volumes and phase settings.<br /><br />\nThe mic is available in three finishes and three configurations. Finishes include satin nickel, dark bronze, and 24K gold.\n<br /><br />\nOptional accessories include: foam windscreen, popscreen, elastic suspension mounts, solid mic holders, and cables.\n<br /><br />\n<h3>UM 930 Top Features:</h3>\n<ul>\n	<li>One microphone records two separate polar patterns simultaneously</li>\n	<li>Large diaphragm dual-capsule</li>\n	<li>Cardioid front pattern</li>\n	<li>Rear selected by switch ring: omni, wide cardioid, cardioid, hypercardioid, fig-8</li>\n	<li>Continuous control of variable polar pattern from the mixing console or PC using separate signal outputs</li>\n	<li>Exceptional dynamic range</li>\n	<li>Equivalent noise level 7 dBA</li>\n	<li>Transformerless output</li>\n	<li>Elastic capsule suspension</li>\n	<li>Satin nickel / dark bronze finish</li>\n</ul>\n<br />'),(7269,85,0,1212,'Microtech Gefell UM 930 Twin Dual Condenser Microphone'),(7270,85,1,1212,'Microtech Gefell UM 930 Twin Dual Condenser Microphone'),(7271,76,0,1212,''),(7272,76,1,1212,''),(7273,75,0,1213,'<h1>Microtech Gefell UMT 70 S Switchable Pattern Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The UMT 70 S switchable microphone comes equipped with Geffel\'s proven large diameter capsule, guaranteeing outstanding performance, high sensitivity and a beautifully clean and colorless sound.</span><br /><br />\nThe Microtech Gefell UMT 70 S condenser microphone equipped with our proven large diameter membrane capsule features outstanding performance, a high sensitivity and a improved signal-to-noise ratio. The UMT 70 S guarantees a particularly clean and colourIess sound reproduction. lt is well suited for instrumental and vocal soloists in radio and television broadcasting and for accurate productions.\n<br /><br />\n	The pressure gradient transducer is a dual capacitor design using a single brass back plate and two large diameter gold plated plastic membranes.\n<br /><br />\n	Varying the polarization voltage applied to the membranes produces three directional characteristics: omni, cardioid and figure 8. A ring at the bottom of the microphone\'s head grill selects the pattern. The omni-directional pattern shows a slight 2 dB rise in the vicinity of 10,5 kHz while the bass response is perfectly flat. The cardioid and figure 8 patterns exhibit a smooth treble boost rising which peaks at about 4dB in the range of 7 kHz. This response coupled with a slight roll-off at low frequencies, is responsible for the legendary \"presence\" of this microphone.\n<br /><br />\n	The newly developed transformerless circuit design substitutes the previous transformer by a symmetrical output stage yielding superb transient response combined with high RFI rejection. The circuitry also achieves wider dynamic range by lowering. The self noise floor and increasing the headroom for loud signals. A 10 dB attenuator is installed to reduce the sensitivity of the microphone when placed near extremely loud sound sources. And, a low frequency roll-off switch will reduce the proximity effect when dose miking with the cardioid or figure 8 patterns.\n<br /><br />\n	The microphone is equipped with a 3-pin XLR connector fitting to a microphone cable, e.g. C 70. The UMT 7O S uses 48 volt phantom powering according to the international standards DIN 45596 and IEC 268-15.\n<br /><br />\n	UMT 70 S available in a black matte or satin nickel finish.<br /><br />\n\n<h3>UMT 70 S Top Features:</h3>\n<ul>\n	<li>polar patterns omni, cardioid, figure 8</li>\n	<li>switchable attenuator</li>\n	<li>legendary M7 capsule</li>\n	<li>transformerless output</li>\n</ul>\n<br />'),(7274,75,1,1213,'<h1>Microtech Gefell UMT 70 S Switchable Pattern Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The UMT 70 S switchable microphone comes equipped with Geffel\'s proven large diameter capsule, guaranteeing outstanding performance, high sensitivity and a beautifully clean and colorless sound.</span><br /><br />\nThe Microtech Gefell UMT 70 S condenser microphone equipped with our proven large diameter membrane capsule features outstanding performance, a high sensitivity and a improved signal-to-noise ratio. The UMT 70 S guarantees a particularly clean and colourIess sound reproduction. lt is well suited for instrumental and vocal soloists in radio and television broadcasting and for accurate productions.\n<br /><br />\n	The pressure gradient transducer is a dual capacitor design using a single brass back plate and two large diameter gold plated plastic membranes.\n<br /><br />\n	Varying the polarization voltage applied to the membranes produces three directional characteristics: omni, cardioid and figure 8. A ring at the bottom of the microphone\'s head grill selects the pattern. The omni-directional pattern shows a slight 2 dB rise in the vicinity of 10,5 kHz while the bass response is perfectly flat. The cardioid and figure 8 patterns exhibit a smooth treble boost rising which peaks at about 4dB in the range of 7 kHz. This response coupled with a slight roll-off at low frequencies, is responsible for the legendary \"presence\" of this microphone.\n<br /><br />\n	The newly developed transformerless circuit design substitutes the previous transformer by a symmetrical output stage yielding superb transient response combined with high RFI rejection. The circuitry also achieves wider dynamic range by lowering. The self noise floor and increasing the headroom for loud signals. A 10 dB attenuator is installed to reduce the sensitivity of the microphone when placed near extremely loud sound sources. And, a low frequency roll-off switch will reduce the proximity effect when dose miking with the cardioid or figure 8 patterns.\n<br /><br />\n	The microphone is equipped with a 3-pin XLR connector fitting to a microphone cable, e.g. C 70. The UMT 7O S uses 48 volt phantom powering according to the international standards DIN 45596 and IEC 268-15.\n<br /><br />\n	UMT 70 S available in a black matte or satin nickel finish.<br /><br />\n\n<h3>UMT 70 S Top Features:</h3>\n<ul>\n	<li>polar patterns omni, cardioid, figure 8</li>\n	<li>switchable attenuator</li>\n	<li>legendary M7 capsule</li>\n	<li>transformerless output</li>\n</ul>\n<br />'),(7275,85,0,1213,'Microtech Gefell UMT 70 S Switchable Pattern Condenser Microphone'),(7276,85,1,1213,'Microtech Gefell UMT 70 S Switchable Pattern Condenser Microphone'),(7277,76,0,1213,''),(7278,76,1,1213,''),(7279,75,0,1214,'<h1>Microtech Gefell UMT 800 Switchable Pattern Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The UMT 800 switchable microphone comes equipped with Geffel\'s legendary large diameter M7 capsule, and with 5 polar patterns this mic is ideal for a wide range of recording situations.</span><br /><br />\nThe  Microtech Gefell UMT 800 is a large format studio microphone featuring a pickup capsule with a long history of proven performance. Five polar patterns make this mic an ideal choice for a wide range of professional and semi-professional recording situations. The UMT 800 produces a clean, colorless sound, ideally suited for accurate recording of instrumental and vocal soloists in music studios, motion picture scoring stages and television broadcast studios. <br /><br />\nTwo distinguishing characteristics of this microphone are its high sensitivity and outstanding signal to noise ratio.<br /><br />\nThe pickup capsule is a pressure gradient transducer using dual membranes and a single brass back plate. The large diameter plastic membranes are sputtered with gold. Varying the polarization voltage to the membranes with the pattern switch, located just below the head grill, produces five patterns: omni, wide cardioid, cardioid, hyper-cardioid and figure 8.<br /><br />\nThe direction of maximum sensitivity is radial to the head grill, i.e. side addressed.<br /><br />\nThe microphone amplifier is a transformerless design with a symmetrical output stage. This design yields a wide dynamic range and a low self noise floor. The sensitivity can be reduced by a 10 dB switch mounted on the body of the mic when miking extremely loud sound sources. A low frequency roll-off switch, also located on the body of the microphone, reduces the proximity effect for close-range applications.<br /><br />\nThe microphone is equipped with a 3 - pin XLR connector fitting to a microphone cable, e.g. C 70.<br /><br />\nThe UMT 800 uses 48 volt phantom powering according to the international standards DIN 45596 and IEC 268 -15.<br /><br />\nIt is available in a black matte or satin nickel finish.<br /><br />'),(7280,75,1,1214,'<h1>Microtech Gefell UMT 800 Switchable Pattern Condenser Microphone</h1>\n<span style=\"font-size:16px; font-style:italic;\">The UMT 800 switchable microphone comes equipped with Geffel\'s legendary large diameter M7 capsule, and with 5 polar patterns this mic is ideal for a wide range of recording situations.</span><br /><br />\nThe  Microtech Gefell UMT 800 is a large format studio microphone featuring a pickup capsule with a long history of proven performance. Five polar patterns make this mic an ideal choice for a wide range of professional and semi-professional recording situations. The UMT 800 produces a clean, colorless sound, ideally suited for accurate recording of instrumental and vocal soloists in music studios, motion picture scoring stages and television broadcast studios. <br /><br />\nTwo distinguishing characteristics of this microphone are its high sensitivity and outstanding signal to noise ratio.<br /><br />\nThe pickup capsule is a pressure gradient transducer using dual membranes and a single brass back plate. The large diameter plastic membranes are sputtered with gold. Varying the polarization voltage to the membranes with the pattern switch, located just below the head grill, produces five patterns: omni, wide cardioid, cardioid, hyper-cardioid and figure 8.<br /><br />\nThe direction of maximum sensitivity is radial to the head grill, i.e. side addressed.<br /><br />\nThe microphone amplifier is a transformerless design with a symmetrical output stage. This design yields a wide dynamic range and a low self noise floor. The sensitivity can be reduced by a 10 dB switch mounted on the body of the mic when miking extremely loud sound sources. A low frequency roll-off switch, also located on the body of the microphone, reduces the proximity effect for close-range applications.<br /><br />\nThe microphone is equipped with a 3 - pin XLR connector fitting to a microphone cable, e.g. C 70.<br /><br />\nThe UMT 800 uses 48 volt phantom powering according to the international standards DIN 45596 and IEC 268 -15.<br /><br />\nIt is available in a black matte or satin nickel finish.<br /><br />'),(7281,85,0,1214,'Microtech Gefell UMT 800 Switchable Pattern Condenser Microphone'),(7282,85,1,1214,'Microtech Gefell UMT 800 Switchable Pattern Condenser Microphone'),(7283,76,0,1214,''),(7284,76,1,1214,''),(7285,75,0,1215,'<h2>MIDAS M32 Digital Mixing Console </h2>\n<span style=\"font-size:16px; font-style:italic;\">Digital Console for Live and Studio with 40 Input Channels, 32 MIDAS Microphone Preamplifiers and 25 Mix Buses</span><br /><br />\nThe Midas M32 Digital Mixing Console for Live and Studio features a unique elegant styling with impressive features to match. With 40 Input Channels, 32 MIDAS Microphone Preamplifiers and 25 Mix Buses, the M32 \nThe Midas M32 is a 40-input, 25 fader ((24 Channels + 1 Master) digital mixing console that is designed for live performance, and live and studio recording. The M32 mixer features 32 mic inputs with Midas preamplifiers, along with 25 time-aligned and phase-coherent mix buses and is fitted with 25 motorized 100 mm faders that are rated for 1 million life cycles. <br /><br />\nHoused in a an elegant, high-performance carbon fiber, aluminum and high-impact steel chassis, this console is designed to be both lightweight and durable, making it ideal for professional audio applications such as touring sound, A/V, club installs and more. <br /><br />\nThe M32 includes a vast array of built-in effects that are designed to take the place of your outboard signal processors, thus reducing set up times and streamlining your workflow. The Virtual FX rack features 8 true-stereo, studio-grade effects engines each assignable to any input, group or output mix bus. Choose from high-end FX plug-ins that have been modeled after classic audio gear including the Urei 1176, Teletronix LA-2A and Fairchild 670 compressors, as well as the legendary Pultec EQP-1a and EQ5 equalizers. There is also a wide range of reverbs, delays, modulation effects and much more. <br /><br />\nIn addition, the M32 employs 192 kHz ADC and DAC converters for state-of-the-art conversion and sound quality, capable of catering to the most demanding professional applications. It features on-board USB 2.0 connectivity which delivers a full 32 x 32 channels of audio and MIDI to your DAW, as well as dual AES50 network ports which allow for up to 96 inputs and 96 outputs over a shielded CAT5 cable.\n<br /><br />\n<h3>M32 Key Features</h3>\n<ul>\n	<li>Up to 40 Simultaneous Input Channels                </li>\n	<li>32 MIDAS Microphone Preamps                         </li>\n	<li>25 Phase-Coherent Mix Buses                         </li>\n	<li>Up to 96 Inputs & 96 Outputs via AES50              </li>\n	<li>192 kHz ADC & DAC Converters                        </li>\n	<li>8 DCA & 6 Mute Groups                               </li>\n	<li>8 Stereo Signal Processing FX Engines               </li>\n	<li>25 Motorized 100 mm Faders                          </li>\n	<li>7\" Full-Color TFT Display Screen                    </li>\n	<li>32 x 32 Channel USB 2.0 Audio Interface             </li>\n	<li>Industry-leading design by Bentley* Motors Designer </li>\n	<li>Designed and engineered in England                  </li>\n</ul>\n<br /><br />\n<h3>Supercharge your studio or live rig with the MIDAS M32 Digital Mixing Console. Call or chat online with an RSPE representative for more information</h3>'),(7286,75,1,1215,'<h2>MIDAS M32 Digital Mixing Console </h2>\n<span style=\"font-size:16px; font-style:italic;\">Digital Console for Live and Studio with 40 Input Channels, 32 MIDAS Microphone Preamplifiers and 25 Mix Buses</span><br /><br />\nThe Midas M32 Digital Mixing Console for Live and Studio features a unique elegant styling with impressive features to match. With 40 Input Channels, 32 MIDAS Microphone Preamplifiers and 25 Mix Buses, the M32 \nThe Midas M32 is a 40-input, 25 fader ((24 Channels + 1 Master) digital mixing console that is designed for live performance, and live and studio recording. The M32 mixer features 32 mic inputs with Midas preamplifiers, along with 25 time-aligned and phase-coherent mix buses and is fitted with 25 motorized 100 mm faders that are rated for 1 million life cycles. <br /><br />\nHoused in a an elegant, high-performance carbon fiber, aluminum and high-impact steel chassis, this console is designed to be both lightweight and durable, making it ideal for professional audio applications such as touring sound, A/V, club installs and more. <br /><br />\nThe M32 includes a vast array of built-in effects that are designed to take the place of your outboard signal processors, thus reducing set up times and streamlining your workflow. The Virtual FX rack features 8 true-stereo, studio-grade effects engines each assignable to any input, group or output mix bus. Choose from high-end FX plug-ins that have been modeled after classic audio gear including the Urei 1176, Teletronix LA-2A and Fairchild 670 compressors, as well as the legendary Pultec EQP-1a and EQ5 equalizers. There is also a wide range of reverbs, delays, modulation effects and much more. <br /><br />\nIn addition, the M32 employs 192 kHz ADC and DAC converters for state-of-the-art conversion and sound quality, capable of catering to the most demanding professional applications. It features on-board USB 2.0 connectivity which delivers a full 32 x 32 channels of audio and MIDI to your DAW, as well as dual AES50 network ports which allow for up to 96 inputs and 96 outputs over a shielded CAT5 cable.\n<br /><br />\n<h3>M32 Key Features</h3>\n<ul>\n	<li>Up to 40 Simultaneous Input Channels                </li>\n	<li>32 MIDAS Microphone Preamps                         </li>\n	<li>25 Phase-Coherent Mix Buses                         </li>\n	<li>Up to 96 Inputs & 96 Outputs via AES50              </li>\n	<li>192 kHz ADC & DAC Converters                        </li>\n	<li>8 DCA & 6 Mute Groups                               </li>\n	<li>8 Stereo Signal Processing FX Engines               </li>\n	<li>25 Motorized 100 mm Faders                          </li>\n	<li>7\" Full-Color TFT Display Screen                    </li>\n	<li>32 x 32 Channel USB 2.0 Audio Interface             </li>\n	<li>Industry-leading design by Bentley* Motors Designer </li>\n	<li>Designed and engineered in England                  </li>\n</ul>\n<br /><br />\n<h3>Supercharge your studio or live rig with the MIDAS M32 Digital Mixing Console. Call or chat online with an RSPE representative for more information</h3>'),(7287,85,0,1215,'MIDAS M32 Digital Mixing Console'),(7288,85,1,1215,'MIDAS M32 Digital Mixing Console'),(7289,76,0,1215,''),(7290,76,1,1215,''),(7291,75,0,1216,'<h2>Miktek C1 Large Diaphragm FET Condenser Mic </h2>\n<span style=\"font-size:16px; font-style:italic;\">Large diaphragm FET condenser will impress the most critical listeners and inspire artists to create their best performance</span><br /><br />\n\nThe Miktek C1 large diaphragm FET condenser features a tightly controlled cardioid pick up pattern, a high-pass filter and –10dB pad for recording loud sound sources.\n\nThe frequency response is warm on the bottom and silky-sweet on the top, yet at the same time, the midrange is natural and open. The microphone produces amazing results when recording acoustic instruments, guitar amps, or as overheads on a drum kit. But of course, the C1 really excels on vocal ­applications.<br /><br />\n\nThe C1 utilizes the new MK1 capsule developed by Miktek engineers, featuring dual 1-inch diaphragms made using 5-micron Mylar with a 0.4-micron layer of evaporated gold. The diaphragm is precisely tensioned and mounted to a carefully tuned backplate to create the finished capsule.<br /><br />\n\nThe C1’s head amplifier has been designed around the AMI T7 transformer and, together with the implementation of high-quality components including hand-selected transistors, offers a sweet response reminiscent of highly desirable vintage microphones.<br /><br />\n\nIn addition, the innovated head amplifier design features a unique circuit that allows the engineer to switch the capsule bias voltage from +44 to +60 volts. This proprietary circuit implementation essentially provides the mic with two voices; allowing you to choose between a classic and modern microphone. At +44 volts the capsule’s diaphragm is under less ­tension, so it’s able to react to extremely subtle changes in sound pressure; enabling the microphone to capture the slightest nuances in any performance. When the bias voltage is set to +60 volts, the C1 is extremely accurate and articulate.<br /><br />\n\nThe Miktek C1 is hand assembled, tested and packaged in Nashville, Tennessee, USA using components from the US, Europe and Asia. Each microphone includes its serialized ­frequency response graph created during final testing.<br /><br />\n\nThe C1 is packaged with its swivel mount, in a wooden box, along with the included shock mount.\n\n<br /><br />\n<h3>Miktek C1 Key Features:</h3>\n<ul>\n	<li>MK1 1-inch Capsule 5-micron Mylar, Evaporated Gold Diaphragm</li>\n	<li>Cardioid Pick-up Pattern</li>\n	<li>High-pass Filter & -10dB Pad Switches</li>\n	<li>Variable Capsule Bias Voltage: 48 – 60v</li>\n	<li>AMI T7 Transformer</li>\n	<li>Individual serialized Frequency Response Graph</li>\n	<li>Wood Presentation Case with Swivel-mount, Shock-mount and rugged aluminum Carrying Case</li>\n	\n</ul>\n<ul>\n</ul>'),(7292,75,1,1216,'<h2>Miktek C1 Large Diaphragm FET Condenser Mic </h2>\n<span style=\"font-size:16px; font-style:italic;\">Large diaphragm FET condenser will impress the most critical listeners and inspire artists to create their best performance</span><br /><br />\n\nThe Miktek C1 large diaphragm FET condenser features a tightly controlled cardioid pick up pattern, a high-pass filter and –10dB pad for recording loud sound sources.\n\nThe frequency response is warm on the bottom and silky-sweet on the top, yet at the same time, the midrange is natural and open. The microphone produces amazing results when recording acoustic instruments, guitar amps, or as overheads on a drum kit. But of course, the C1 really excels on vocal ­applications.<br /><br />\n\nThe C1 utilizes the new MK1 capsule developed by Miktek engineers, featuring dual 1-inch diaphragms made using 5-micron Mylar with a 0.4-micron layer of evaporated gold. The diaphragm is precisely tensioned and mounted to a carefully tuned backplate to create the finished capsule.<br /><br />\n\nThe C1’s head amplifier has been designed around the AMI T7 transformer and, together with the implementation of high-quality components including hand-selected transistors, offers a sweet response reminiscent of highly desirable vintage microphones.<br /><br />\n\nIn addition, the innovated head amplifier design features a unique circuit that allows the engineer to switch the capsule bias voltage from +44 to +60 volts. This proprietary circuit implementation essentially provides the mic with two voices; allowing you to choose between a classic and modern microphone. At +44 volts the capsule’s diaphragm is under less ­tension, so it’s able to react to extremely subtle changes in sound pressure; enabling the microphone to capture the slightest nuances in any performance. When the bias voltage is set to +60 volts, the C1 is extremely accurate and articulate.<br /><br />\n\nThe Miktek C1 is hand assembled, tested and packaged in Nashville, Tennessee, USA using components from the US, Europe and Asia. Each microphone includes its serialized ­frequency response graph created during final testing.<br /><br />\n\nThe C1 is packaged with its swivel mount, in a wooden box, along with the included shock mount.\n\n<br /><br />\n<h3>Miktek C1 Key Features:</h3>\n<ul>\n	<li>MK1 1-inch Capsule 5-micron Mylar, Evaporated Gold Diaphragm</li>\n	<li>Cardioid Pick-up Pattern</li>\n	<li>High-pass Filter & -10dB Pad Switches</li>\n	<li>Variable Capsule Bias Voltage: 48 – 60v</li>\n	<li>AMI T7 Transformer</li>\n	<li>Individual serialized Frequency Response Graph</li>\n	<li>Wood Presentation Case with Swivel-mount, Shock-mount and rugged aluminum Carrying Case</li>\n	\n</ul>\n<ul>\n</ul>'),(7293,85,0,1216,'Miktek C1 Large Diaphragm FET Condenser Mic, microphone'),(7294,85,1,1216,'Miktek C1 Large Diaphragm FET Condenser Mic, microphone'),(7295,76,0,1216,''),(7296,76,1,1216,''),(7297,75,0,1217,'<h2>Miktek C5 Small Diaphragm Cardioid Pencil Condensor Mic</h2>\n<span style=\"font-style: italic;\">Small diaphragm cardioid pencil condenser mic that also includes a free omni capsule</span><br /><br />\nThe Miktek C5 pencil condenser features Miktek\'s MK5a, 0.5-inch cardioid capsule, which produces a super-linear, full-bodied response. The capsule employs a 5-micron tensioned Mylar diaphragm, on which a 0.4-micron layer of evaporated gold is applied. Tight tolerances and special attention to precise machining of the backplate, and acoustical porting, produces an off-axis response that ensures the accuracy of the microphone. Also included is the MK5b omnidirectional capsule.\n\n<br /><br />\nThe C5’s head amplifier has been designed around the AMI T5 transformer and, together with the implementation of high quality components including hand-selected transistors, offers a sweet response reminiscent of the iconic classic mics of the past. The Miktek C5 is perfect for recording acoustic instruments including violin, acoustic guitar, mandolin, dobro, brass, woodwind, and piano. The C5 produces excellent results on drums as overheads or hi-hat mics.\n\n<br /><br />\nThe Miktek C5 is hand built using components from the US, Europe and Asia, and is tested and packaged in Nashville, Tennessee, USA. Each microphone includes its serialized frequency response graph created during final testing.\n<br /><br />\nThe C5 is available as a single instrument packaged with a mic clip and wooden presentation box, or as a matched pair packaged with two clips in a wooden box and set inside an aluminum case. Matched-pair accessories include two shock mounts, windscreens and a stereo bar.\n\n<br /><br />\n<h3>Miktek C5 Key Features:</h3>\n<ul style=\"\">\n	<li>MK5a 0.5-inch Cardioid Capsule with 5-micron Mylar, Evaporated Gold Diaphragm</li>\n	<li>MK5b Omni Capsule Included</li>\n	<li>AMI T5 Transformer</li>\n	<li>Hand-selected Transistors</li>\n	<li>Individual serialized Frequency Response Graph</li>\n	<li>Packaged in a wood Presentation Case with Mic Clip</li>\n	\n</ul>'),(7298,75,1,1217,'<h2>Miktek C5 Small Diaphragm Cardioid Pencil Condensor Mic</h2>\n<span style=\"font-style: italic;\">Small diaphragm cardioid pencil condenser mic that also includes a free omni capsule</span><br /><br />\nThe Miktek C5 pencil condenser features Miktek\'s MK5a, 0.5-inch cardioid capsule, which produces a super-linear, full-bodied response. The capsule employs a 5-micron tensioned Mylar diaphragm, on which a 0.4-micron layer of evaporated gold is applied. Tight tolerances and special attention to precise machining of the backplate, and acoustical porting, produces an off-axis response that ensures the accuracy of the microphone. Also included is the MK5b omnidirectional capsule.\n\n<br /><br />\nThe C5’s head amplifier has been designed around the AMI T5 transformer and, together with the implementation of high quality components including hand-selected transistors, offers a sweet response reminiscent of the iconic classic mics of the past. The Miktek C5 is perfect for recording acoustic instruments including violin, acoustic guitar, mandolin, dobro, brass, woodwind, and piano. The C5 produces excellent results on drums as overheads or hi-hat mics.\n\n<br /><br />\nThe Miktek C5 is hand built using components from the US, Europe and Asia, and is tested and packaged in Nashville, Tennessee, USA. Each microphone includes its serialized frequency response graph created during final testing.\n<br /><br />\nThe C5 is available as a single instrument packaged with a mic clip and wooden presentation box, or as a matched pair packaged with two clips in a wooden box and set inside an aluminum case. Matched-pair accessories include two shock mounts, windscreens and a stereo bar.\n\n<br /><br />\n<h3>Miktek C5 Key Features:</h3>\n<ul style=\"\">\n	<li>MK5a 0.5-inch Cardioid Capsule with 5-micron Mylar, Evaporated Gold Diaphragm</li>\n	<li>MK5b Omni Capsule Included</li>\n	<li>AMI T5 Transformer</li>\n	<li>Hand-selected Transistors</li>\n	<li>Individual serialized Frequency Response Graph</li>\n	<li>Packaged in a wood Presentation Case with Mic Clip</li>\n	\n</ul>'),(7299,85,0,1217,'Miktek C5 Small Diaphragm Cardioid Pencil Condensor Mic'),(7300,85,1,1217,'Miktek C5 Small Diaphragm Cardioid Pencil Condensor Mic'),(7301,76,0,1217,''),(7302,76,1,1217,''),(7303,75,0,1218,'<h2>Miktek C5MP Small Diaphragm Cardioid Pencil Condensor Matched Pair</h2><span style=\"font-style: italic;\">A Matched pair of small diaphragm cardioid pencil condenser mic that also includes a free omni capsules</span><br /><br />The Miktek C5 pencil condenser features Miktek\'s MK5a, 0.5-inch cardioid capsule, which produces a super-linear, full-bodied response. The capsule employs a 5-micron tensioned Mylar diaphragm, on which a 0.4-micron layer of evaporated gold is applied. Tight tolerances and special attention to precise machining of the backplate, and acoustical porting, produces an off-axis response that ensures the accuracy of the microphone. Also included is the MK5b omnidirectional capsule. <br /><br />The C5’s head amplifier has been designed around the AMI T5 transformer and, together with the implementation of high quality components including hand-selected transistors, offers a sweet response reminiscent of the iconic classic mics of the past. The Miktek C5 is perfect for recording acoustic instruments including violin, acoustic guitar, mandolin, dobro, brass, woodwind, and piano. The C5 produces excellent results on drums as overheads or hi-hat mics. <br /><br />The Miktek C5 is hand built using components from the US, Europe and Asia, and is tested and packaged in Nashville, Tennessee, USA. Each microphone includes its serialized frequency response graph created during final testing. <br /><br />The C5 is available as a single instrument packaged with a mic clip and wooden presentation box, or as a matched pair packaged with two clips in a wooden box and set inside an aluminum case. Matched-pair accessories include two shock mounts, windscreens and a stereo bar. <br /><br /><h3>Miktek C5M Key Features:</h3><ul style=\"letter-spacing: normal;\"><li>MK5a 0.5-inch Cardioid Capsule with 5-micron Mylar, Evaporated Gold Diaphragm</li><li>MK5b Omni Capsule Included</li><li>AMI T5 Transformer</li><li>Hand-selected Transistors</li><li>Individual serialized Frequency Response Graph</li><li>Packaged in a wood Presentation Case with Mic Clip</li></ul>'),(7304,75,1,1218,'<h2>Miktek C5MP Small Diaphragm Cardioid Pencil Condensor Matched Pair</h2><span style=\"font-style: italic;\">A Matched pair of small diaphragm cardioid pencil condenser mic that also includes a free omni capsules</span><br /><br />The Miktek C5 pencil condenser features Miktek\'s MK5a, 0.5-inch cardioid capsule, which produces a super-linear, full-bodied response. The capsule employs a 5-micron tensioned Mylar diaphragm, on which a 0.4-micron layer of evaporated gold is applied. Tight tolerances and special attention to precise machining of the backplate, and acoustical porting, produces an off-axis response that ensures the accuracy of the microphone. Also included is the MK5b omnidirectional capsule. <br /><br />The C5’s head amplifier has been designed around the AMI T5 transformer and, together with the implementation of high quality components including hand-selected transistors, offers a sweet response reminiscent of the iconic classic mics of the past. The Miktek C5 is perfect for recording acoustic instruments including violin, acoustic guitar, mandolin, dobro, brass, woodwind, and piano. The C5 produces excellent results on drums as overheads or hi-hat mics. <br /><br />The Miktek C5 is hand built using components from the US, Europe and Asia, and is tested and packaged in Nashville, Tennessee, USA. Each microphone includes its serialized frequency response graph created during final testing. <br /><br />The C5 is available as a single instrument packaged with a mic clip and wooden presentation box, or as a matched pair packaged with two clips in a wooden box and set inside an aluminum case. Matched-pair accessories include two shock mounts, windscreens and a stereo bar. <br /><br /><h3>Miktek C5M Key Features:</h3><ul style=\"letter-spacing: normal;\"><li>MK5a 0.5-inch Cardioid Capsule with 5-micron Mylar, Evaporated Gold Diaphragm</li><li>MK5b Omni Capsule Included</li><li>AMI T5 Transformer</li><li>Hand-selected Transistors</li><li>Individual serialized Frequency Response Graph</li><li>Packaged in a wood Presentation Case with Mic Clip</li></ul>'),(7305,85,0,1218,'Miktek C5MP Small Diaphragm Cardioid Pencil Condensor Mic - Matched Pair'),(7306,85,1,1218,'Miktek C5MP Small Diaphragm Cardioid Pencil Condensor Mic - Matched Pair'),(7307,76,0,1218,''),(7308,76,1,1218,''),(7309,75,0,1219,'<h2>Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic</h2>\n<span style=\"font-style: italic;\">Large diaphragm FET condenser microphone with selectable polar patterns, high pass filter and -10dB pad</span><br /><br />The Miktek C7e, multi-pattern, large diaphragm FET condenser will impress the most critical listeners and inspire artists to create their best performance. The microphone’s pick-up characteristic is selectable; offering cardioid, omni and bidirectional patterns. In addition, the C7e employs a high-pass filter and –10dB pad for recording loud sound sources.\n<br /><br />\nThe frequency response is warm on the bottom and silky-sweet on the top, yet at the same time, the midrange is natural and open. The microphone produces amazing results when recording acoustic instruments, guitar amps, or as overheads on a drum kit. But of course, the C7 really excels on vocal applications.\n<br /><br />\nThe C7e utilizes the new MK7 capsule developed by Miktek engineers, featuring dual 1-inch diaphragms made using 5-micron Mylar with a 0.4-micron layer of evaporated gold. Diaphragms are then precisely tensioned, mounted to carefully- tuned backplates, and finally set back-to-back, with electronic isolation, to create the finished capsule.\n<br /><br />\nThe C7e’s head amplifier has been designed around the AMI T7 transformer and, together with the implementation of high-quality components including hand-selected transistors, offers a sweet response reminiscent of highly desirable vintage microphones.\n<br /><br />\nIn addition, the innovated head amplifier design features a unique circuit that allows the engineer to switch the capsule bias voltage from +44 to +60 volts. This proprietary circuit implementation essentially provides the mic with two voices; allowing you to choose between a classic and modern microphone. At +44 volts the capsule’s diaphragm is under less tension, so it’s able to react to extremely subtle changes in sound pressure; enabling the microphone to capture the slightest nuances in any performance. When the bias voltage is set to +60 volts, the C7e is extremely accurate and articulate.\n\n<br /><br />\n\nThe Miktek C7e is hand assembled, tested and packaged in Nashville, Tennessee, USA using components from the US, Europe and Asia. Each microphone includes its serialized frequency response graph created during final testing.\n<br /><br />\nThe C7e is packaged with its swivel mount, in a wooden box, and set inside a rugged aluminum case along with the included shock mount.\n\n<br /><br />\n<h3>Miktek C7e Key Features:</h3>\n<ul style=\"\">\n	<li>MK7 Dual 1-inch Capsule 5-micron Mylar, Evaporated Gold Diaphragms</li>\n	<li>Cardioid, Omni and Bidirectional Pick-up Patterns</li>\n	<li>High-pass Filter & -10dB Pad Switches</li>\n	<li>Variable Capsule Bias Voltage: 48 – 60v</li>\n	<li>AMI T7 Transformer</li>\n	<li>Individual serialized Frequency Response Graph</li>\n	<li>Wood Presentation Case with Swivel-mount, Shock-mount and rugged aluminum Carrying Case</li>\n	<li>Shipping Dims : 14” x 14” x 7” Shipping Weights:</li>\n	\n</ul>'),(7310,75,1,1219,'<h2>Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic</h2>\n<span style=\"font-style: italic;\">Large diaphragm FET condenser microphone with selectable polar patterns, high pass filter and -10dB pad</span><br /><br />The Miktek C7e, multi-pattern, large diaphragm FET condenser will impress the most critical listeners and inspire artists to create their best performance. The microphone’s pick-up characteristic is selectable; offering cardioid, omni and bidirectional patterns. In addition, the C7e employs a high-pass filter and –10dB pad for recording loud sound sources.\n<br /><br />\nThe frequency response is warm on the bottom and silky-sweet on the top, yet at the same time, the midrange is natural and open. The microphone produces amazing results when recording acoustic instruments, guitar amps, or as overheads on a drum kit. But of course, the C7 really excels on vocal applications.\n<br /><br />\nThe C7e utilizes the new MK7 capsule developed by Miktek engineers, featuring dual 1-inch diaphragms made using 5-micron Mylar with a 0.4-micron layer of evaporated gold. Diaphragms are then precisely tensioned, mounted to carefully- tuned backplates, and finally set back-to-back, with electronic isolation, to create the finished capsule.\n<br /><br />\nThe C7e’s head amplifier has been designed around the AMI T7 transformer and, together with the implementation of high-quality components including hand-selected transistors, offers a sweet response reminiscent of highly desirable vintage microphones.\n<br /><br />\nIn addition, the innovated head amplifier design features a unique circuit that allows the engineer to switch the capsule bias voltage from +44 to +60 volts. This proprietary circuit implementation essentially provides the mic with two voices; allowing you to choose between a classic and modern microphone. At +44 volts the capsule’s diaphragm is under less tension, so it’s able to react to extremely subtle changes in sound pressure; enabling the microphone to capture the slightest nuances in any performance. When the bias voltage is set to +60 volts, the C7e is extremely accurate and articulate.\n\n<br /><br />\n\nThe Miktek C7e is hand assembled, tested and packaged in Nashville, Tennessee, USA using components from the US, Europe and Asia. Each microphone includes its serialized frequency response graph created during final testing.\n<br /><br />\nThe C7e is packaged with its swivel mount, in a wooden box, and set inside a rugged aluminum case along with the included shock mount.\n\n<br /><br />\n<h3>Miktek C7e Key Features:</h3>\n<ul style=\"\">\n	<li>MK7 Dual 1-inch Capsule 5-micron Mylar, Evaporated Gold Diaphragms</li>\n	<li>Cardioid, Omni and Bidirectional Pick-up Patterns</li>\n	<li>High-pass Filter & -10dB Pad Switches</li>\n	<li>Variable Capsule Bias Voltage: 48 – 60v</li>\n	<li>AMI T7 Transformer</li>\n	<li>Individual serialized Frequency Response Graph</li>\n	<li>Wood Presentation Case with Swivel-mount, Shock-mount and rugged aluminum Carrying Case</li>\n	<li>Shipping Dims : 14” x 14” x 7” Shipping Weights:</li>\n	\n</ul>'),(7311,85,0,1219,'Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic'),(7312,85,1,1219,'Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic'),(7313,76,0,1219,''),(7314,76,1,1219,''),(7315,75,0,1220,'<h2>Miktek CV3 Large Diaphragm Multi-Pattern Tube Condenser Mic</h2>\n<span style=\"font-style: italic;\">Large diaphragm tube condenser microphone with 9 selectable polar patterns, high pass filter and -10dB pad</span><br /><br />\n\nThe Miktek CV3 is a large-diaphragm tube condenser ­microphone offering nine pick-up patterns. The CV3’s sound is truly large and produces a musical response that will please artists, producers and most seasoned engineers alike. The bottom end is big, warm and tight, with mids that are present and even, along with a high frequency response that’s sweet and airy. The CV3 is ideal for recording single vocalists, and perfect for acoustic instruments, groups of vocals, piano, string ensembles, winds, overheads on a drum kit or as ­ambient room mics.\n\n<br /><br />\n\nThe CV3 utilizes the MK9 capsule developed by Miktek. This unique capsule features dual 1-inch diaphragms manufactured using 5-micron Mylar with a 0.4-micron layer of evaporated gold, which is precisely tensioned, mounted to carefully-tuned backplates, and set back-to-back to create the final capsule. Tight tolerances and special attention to precise machining of the backplate produce a linear off-axis response that ensures the accuracy of the microphone\n\n<br /><br />\n\nThe CV3’s head amplifier employs exotic discrete components together with a hand selected subminiature pentode vacuum tube, in which the high-voltage circuit has been uniquely implemented, the CV3 challenges the performance of the best-in-class industry standards without hesitation.\n\n<br /><br />\nThe output stage features a custom AMI transformer, which offers a classic sound and an extended low frequency response found in the earliest versions of the most famous vintage tube microphones.\n<br /><br />\n\nThe Miktek CV3 is hand assembled, tested and packaged in Nashville, Tennessee, USA using components from the US, Europe and Asia. Each microphone includes its serialized ­frequency response graph created during final testing.The CV3 is packaged with its swivel mount in a wooden box, which is set inside an aluminum case with the included power supply unit, 7-pin XLR cable and shock mount.\n\n<br /><br />\n<h3>Miktek CV3 Key Features:</h3>\n<ul style=\"\">\n	<li>Classic Large-diaphragm Tube Condenser Design</li><li>MK9 Dual 1-inch Capsule with 5-micron Mylar, Evaporated Gold Diaphragms</li><li>Nine Selectable Pick-up Patterns</li><li>Custom US Made Miktek Transformer</li><li>Subminiature pentode vacuum tube</li><li>High-pass Filter and 10 dB PAD</li><li>Individual serialized Frequency Response Graph</li><li>External Power Supply and 7-pin XLR Cable</li><li>Wood Presentation Case with swivel-mount, shock-mount and rugged aluminum Carrying Case</li>\n</ul>'),(7316,75,1,1220,'<h2>Miktek CV3 Large Diaphragm Multi-Pattern Tube Condenser Mic</h2>\n<span style=\"font-style: italic;\">Large diaphragm tube condenser microphone with 9 selectable polar patterns, high pass filter and -10dB pad</span><br /><br />\n\nThe Miktek CV3 is a large-diaphragm tube condenser ­microphone offering nine pick-up patterns. The CV3’s sound is truly large and produces a musical response that will please artists, producers and most seasoned engineers alike. The bottom end is big, warm and tight, with mids that are present and even, along with a high frequency response that’s sweet and airy. The CV3 is ideal for recording single vocalists, and perfect for acoustic instruments, groups of vocals, piano, string ensembles, winds, overheads on a drum kit or as ­ambient room mics.\n\n<br /><br />\n\nThe CV3 utilizes the MK9 capsule developed by Miktek. This unique capsule features dual 1-inch diaphragms manufactured using 5-micron Mylar with a 0.4-micron layer of evaporated gold, which is precisely tensioned, mounted to carefully-tuned backplates, and set back-to-back to create the final capsule. Tight tolerances and special attention to precise machining of the backplate produce a linear off-axis response that ensures the accuracy of the microphone\n\n<br /><br />\n\nThe CV3’s head amplifier employs exotic discrete components together with a hand selected subminiature pentode vacuum tube, in which the high-voltage circuit has been uniquely implemented, the CV3 challenges the performance of the best-in-class industry standards without hesitation.\n\n<br /><br />\nThe output stage features a custom AMI transformer, which offers a classic sound and an extended low frequency response found in the earliest versions of the most famous vintage tube microphones.\n<br /><br />\n\nThe Miktek CV3 is hand assembled, tested and packaged in Nashville, Tennessee, USA using components from the US, Europe and Asia. Each microphone includes its serialized ­frequency response graph created during final testing.The CV3 is packaged with its swivel mount in a wooden box, which is set inside an aluminum case with the included power supply unit, 7-pin XLR cable and shock mount.\n\n<br /><br />\n<h3>Miktek CV3 Key Features:</h3>\n<ul style=\"\">\n	<li>Classic Large-diaphragm Tube Condenser Design</li><li>MK9 Dual 1-inch Capsule with 5-micron Mylar, Evaporated Gold Diaphragms</li><li>Nine Selectable Pick-up Patterns</li><li>Custom US Made Miktek Transformer</li><li>Subminiature pentode vacuum tube</li><li>High-pass Filter and 10 dB PAD</li><li>Individual serialized Frequency Response Graph</li><li>External Power Supply and 7-pin XLR Cable</li><li>Wood Presentation Case with swivel-mount, shock-mount and rugged aluminum Carrying Case</li>\n</ul>'),(7317,85,0,1220,'Miktek CV3 Large Diaphragm Multi-Pattern Tube Condenser Mic'),(7318,85,1,1220,'Miktek CV3 Large Diaphragm Multi-Pattern Tube Condenser Mic'),(7319,76,0,1220,''),(7320,76,1,1220,''),(7321,75,0,1221,'<h2>Miktek CV4 Large Diaphragm Multi-Pattern Tube Condenser</h2>\nThe Miktek CV4 is a large-diaphragm tube condenser microphone offering nine pick-up patterns. The CV4’s sound is truly large and produces a musical response that will please artists, producers and most seasoned engineers a like. The bottom end is big, warm and tight, with mids that are present and even, along with a high frequency response that’s sweet and airy. The CV4 is ideal for recording single vocalists, and perfect for acoustic instruments, groups of vocals, piano, string ensembles, winds, overheads on a drum kit or as ­ambient room mics.<br /><br />\nThe CV4 utilizes the MK9 capsule developed by Miktek.<br /><br />\nThis unique capsule features dual 1-inch diaphragms manufactured using 5-micron Mylar with a 0.4-micron layer of evaporated gold, which is precisely tensioned, mounted to carefully-tuned backplates, and set back-to-back to create the final capsule. Tight tolerances and special attention to precise machining of the backplate produce a linear off-axis response that ensures the accuracy of the microphone.<br /><br />\nThe heart and soul of the CV4’s head amplifier is the AMI BT4 transformer, which offers a classic sound and an extended low frequency response found in the earliest versions of the most famous vintage tube microphones. Together with an original NOS (new-old-stock) Telefunken EF800 tube, in which the high-voltage circuit has been uniquely implemented, the microphone challenges the performance of the best-in-class industry standards without hesitation.<br /><br />\nThe Miktek CV4 is hand-built using components from the US, Europe and Asia, and is tested and packaged in Nashville, Tennessee, USA. Each microphone includes its serialized frequency response graph created during final testing.<br /><br />\nThe CV4 is packaged with its swivel mount in a wooden box, which is set inside an aluminum case with the included power supply unit, 7-pin XLR cable and shock mount.<br /><br /><h3>Miktek CV4 Key Features:</h3><ul style=\"\"><li>Classic Large-diaphragm Tube Condenser Design</li><li>MK9 Dual 1-inch Capsule with 5-micron Mylar, Evaporated Gold Diaphragms</li><li>Nine Selectable Pick-up Patterns</li><li>AMI BT4 Transformer</li><li>Original NOS Telefunken EF800 Tube</li><li>Individual serialized Frequency Response Graph</li><li>External Power Supply and 7-pin XLR Cable</li><li>Wood Presentation Case with swivel-mount, shock-mount and rugged aluminum Carrying Case</li></ul>'),(7322,75,1,1221,'<h2>Miktek CV4 Large Diaphragm Multi-Pattern Tube Condenser</h2>\nThe Miktek CV4 is a large-diaphragm tube condenser microphone offering nine pick-up patterns. The CV4’s sound is truly large and produces a musical response that will please artists, producers and most seasoned engineers a like. The bottom end is big, warm and tight, with mids that are present and even, along with a high frequency response that’s sweet and airy. The CV4 is ideal for recording single vocalists, and perfect for acoustic instruments, groups of vocals, piano, string ensembles, winds, overheads on a drum kit or as ­ambient room mics.<br /><br />\nThe CV4 utilizes the MK9 capsule developed by Miktek.<br /><br />\nThis unique capsule features dual 1-inch diaphragms manufactured using 5-micron Mylar with a 0.4-micron layer of evaporated gold, which is precisely tensioned, mounted to carefully-tuned backplates, and set back-to-back to create the final capsule. Tight tolerances and special attention to precise machining of the backplate produce a linear off-axis response that ensures the accuracy of the microphone.<br /><br />\nThe heart and soul of the CV4’s head amplifier is the AMI BT4 transformer, which offers a classic sound and an extended low frequency response found in the earliest versions of the most famous vintage tube microphones. Together with an original NOS (new-old-stock) Telefunken EF800 tube, in which the high-voltage circuit has been uniquely implemented, the microphone challenges the performance of the best-in-class industry standards without hesitation.<br /><br />\nThe Miktek CV4 is hand-built using components from the US, Europe and Asia, and is tested and packaged in Nashville, Tennessee, USA. Each microphone includes its serialized frequency response graph created during final testing.<br /><br />\nThe CV4 is packaged with its swivel mount in a wooden box, which is set inside an aluminum case with the included power supply unit, 7-pin XLR cable and shock mount.<br /><br /><h3>Miktek CV4 Key Features:</h3><ul style=\"\"><li>Classic Large-diaphragm Tube Condenser Design</li><li>MK9 Dual 1-inch Capsule with 5-micron Mylar, Evaporated Gold Diaphragms</li><li>Nine Selectable Pick-up Patterns</li><li>AMI BT4 Transformer</li><li>Original NOS Telefunken EF800 Tube</li><li>Individual serialized Frequency Response Graph</li><li>External Power Supply and 7-pin XLR Cable</li><li>Wood Presentation Case with swivel-mount, shock-mount and rugged aluminum Carrying Case</li></ul>'),(7323,85,0,1221,'Miktek CV4 Large Diaphragm Multi-Pattern Tube Condenser'),(7324,85,1,1221,'Miktek CV4 Large Diaphragm Multi-Pattern Tube Condenser'),(7325,76,0,1221,''),(7326,76,1,1221,''),(7327,75,0,1222,'<h2>Miktek MPA-201 Dual Channel Class A Mic Preamplifier</h2>\n\nThe Miktek™ MPA-201 dual channel, Class A microphone preamplifier provides a pristine signal path with a sweet and linear response that will please the most sophisticated listeners. With 70 dB of gain, 48-volt phantom power and variable impedance selector, the Miktek MPA-201 will highlight and enhance the sound of most any microphone.\n<br /><br />\nEach channel boasts a large analog VU meter that can be switched from input to output, plus an LED Peak output meter, making it easy to set a good level. This innovative preamplifier design also features a Phase switch and variable High Pass Filter, which allows you to reduce unwanted low frequencies in your recording and help reduce stage rumble in live sound applications.\n\n<br /><br />\n\nThe MPA-201 preamplifier features discrete transistors and six Miktek custom transformers, which produce a quality sound you would normally expect only from a vintage piece. It features Direct Inputs on each channel, through a dedicated transformer, for recording instruments like guitar, bass and keyboards. Do you like to record your guitar or bass with an effects pod or plug-ins? Plug in to the MPA-201 first to capture that big studio sound that’s far beyond what’s possible with a standard audio interface.\n<br /><br />\nPerfect for adding a world-class signal path in front of your digital recordings, the Miktek MPA-201 is a must for any serious recordist.\n\n<br /><br />\n<h3>Miktek MPA-201 Key Features:</h3>\n<ul style=\"\">\n	<li>Class A, Discrete Transistor Vintage Design</li>\n	<li>Linear response 1 dB down at 10Hz and 1 dB down at 100kHz</li>\n	<li>Sweet sound from Custom Designed Transformers</li>\n	<li>48 Volt Phantom Power</li>\n	<li>Variable High-Pass Filter</li>\n	<li>Relay controlled Phase switch</li>\n	<li>Smooth switch selects different output loading for “racked” and “in-console” sound</li>\n	<li>Impedance selector allows for 300, 600, or 1200 Ω load</li>\n	<li>Large backlit VU Meters switchable to display Input and Output Levels</li>\n	<li>+4 XLR Balanced Outputs</li>\n	<li>Heavy duty metal construction featuring steel chassis and milled aluminum front panel in an attractive silver finish.</li>\n</ul>'),(7328,75,1,1222,'<h2>Miktek MPA-201 Dual Channel Class A Mic Preamplifier</h2>\n\nThe Miktek™ MPA-201 dual channel, Class A microphone preamplifier provides a pristine signal path with a sweet and linear response that will please the most sophisticated listeners. With 70 dB of gain, 48-volt phantom power and variable impedance selector, the Miktek MPA-201 will highlight and enhance the sound of most any microphone.\n<br /><br />\nEach channel boasts a large analog VU meter that can be switched from input to output, plus an LED Peak output meter, making it easy to set a good level. This innovative preamplifier design also features a Phase switch and variable High Pass Filter, which allows you to reduce unwanted low frequencies in your recording and help reduce stage rumble in live sound applications.\n\n<br /><br />\n\nThe MPA-201 preamplifier features discrete transistors and six Miktek custom transformers, which produce a quality sound you would normally expect only from a vintage piece. It features Direct Inputs on each channel, through a dedicated transformer, for recording instruments like guitar, bass and keyboards. Do you like to record your guitar or bass with an effects pod or plug-ins? Plug in to the MPA-201 first to capture that big studio sound that’s far beyond what’s possible with a standard audio interface.\n<br /><br />\nPerfect for adding a world-class signal path in front of your digital recordings, the Miktek MPA-201 is a must for any serious recordist.\n\n<br /><br />\n<h3>Miktek MPA-201 Key Features:</h3>\n<ul style=\"\">\n	<li>Class A, Discrete Transistor Vintage Design</li>\n	<li>Linear response 1 dB down at 10Hz and 1 dB down at 100kHz</li>\n	<li>Sweet sound from Custom Designed Transformers</li>\n	<li>48 Volt Phantom Power</li>\n	<li>Variable High-Pass Filter</li>\n	<li>Relay controlled Phase switch</li>\n	<li>Smooth switch selects different output loading for “racked” and “in-console” sound</li>\n	<li>Impedance selector allows for 300, 600, or 1200 Ω load</li>\n	<li>Large backlit VU Meters switchable to display Input and Output Levels</li>\n	<li>+4 XLR Balanced Outputs</li>\n	<li>Heavy duty metal construction featuring steel chassis and milled aluminum front panel in an attractive silver finish.</li>\n</ul>'),(7329,85,0,1222,'Miktek MPA-201 Dual Channel Class A Mic Preamplifier'),(7330,85,1,1222,'Miktek MPA-201 Dual Channel Class A Mic Preamplifier'),(7331,76,0,1222,''),(7332,76,1,1222,''),(7333,75,0,1223,'<h2>Miktek PM10 Snare/Tom Dynamic Mic</h2>\n\nThe Miktek PM10 super cardioid, dynamic microphone features a custom designed, neodymium capsule element offering extremely clear and articulate sound reproduction. The PM10’s frequency response is full and robust and has been contoured to snare and tom-toms. Plus, the capsule’s unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so your snare and toms cut though the PA. The PM10 is an excellent choice for conga, timbale, hand-drums and other percussion as well.\n<br /><br />\n\nWith high SPL capabilities the PM10 can easily accommodate the loudest drummers and can even be used to mic up loud guitar amps and brass instruments. The PM10’s steel grill and die cast body ensure durability and reliability night after night. The PM 10 can be set upon a traditional mic stand, or use the included clip to quickly attached the microphone to your snare or tom rim. The ultra sleek, silver finish with stainless steel and black appointments make the PM10 an attractive complement to any drum kit. The Miktek PM10 Snare/Tom microphone will reproduce the sound of your kit faithfully, delivering solid backbeat and dramatic fills.<br /><br />\n<h3>Miktek PM10 Key Features:</h3>\n<ul style=\"\">\n	<li>Dynamic Snare / Tom microphone</li>\n	<li>Neodymium Element</li>\n	<li>Super Cardioid Pick Up Pattern</li>\n	<li>Custom AMI Transformer</li>\n	<li>Level lock Rim Mount Clip</li>\n	<li>Packaged with Protective Case and standard Mic Clip</li>\n	\n</ul>'),(7334,75,1,1223,'<h2>Miktek PM10 Snare/Tom Dynamic Mic</h2>\n\nThe Miktek PM10 super cardioid, dynamic microphone features a custom designed, neodymium capsule element offering extremely clear and articulate sound reproduction. The PM10’s frequency response is full and robust and has been contoured to snare and tom-toms. Plus, the capsule’s unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so your snare and toms cut though the PA. The PM10 is an excellent choice for conga, timbale, hand-drums and other percussion as well.\n<br /><br />\n\nWith high SPL capabilities the PM10 can easily accommodate the loudest drummers and can even be used to mic up loud guitar amps and brass instruments. The PM10’s steel grill and die cast body ensure durability and reliability night after night. The PM 10 can be set upon a traditional mic stand, or use the included clip to quickly attached the microphone to your snare or tom rim. The ultra sleek, silver finish with stainless steel and black appointments make the PM10 an attractive complement to any drum kit. The Miktek PM10 Snare/Tom microphone will reproduce the sound of your kit faithfully, delivering solid backbeat and dramatic fills.<br /><br />\n<h3>Miktek PM10 Key Features:</h3>\n<ul style=\"\">\n	<li>Dynamic Snare / Tom microphone</li>\n	<li>Neodymium Element</li>\n	<li>Super Cardioid Pick Up Pattern</li>\n	<li>Custom AMI Transformer</li>\n	<li>Level lock Rim Mount Clip</li>\n	<li>Packaged with Protective Case and standard Mic Clip</li>\n	\n</ul>'),(7335,85,0,1223,'Miktek PM10 Snare/Tom Mic'),(7336,85,1,1223,'Miktek PM10 Snare/Tom Mic'),(7337,76,0,1223,''),(7338,76,1,1223,''),(7339,75,0,1224,'<h2>Miktek PM11 Dynamic Kick Drum Mic</h2>\nThe Miktek PM11 super cardioid, dynamic microphone features a custom designed, neodymium capsule element offering extremely clear and articulate sound reproduction of low toms, acoustic bass, and of course, kick drum.\n<br /><br />\nThe PM11’s frequency response is full and robust and is perfect for reinforcing bass drums in live sound applications. Plus, the capsule’s unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so your kick, or kicks, cut though the PA with clarity and distinction. The deep and honest response makes the PM11 kick drum mic ideal for studio applications.\n<br /><br />\nWith high SPL capabilities the PM11 can easily accommodate the loudest drummers and can even be used to mic up loud bass guitar amps. The PM11’s steel grill and die cast body ensure durability and reliability night after night. The PM11 can be set upon a traditional mic stand using the included holder. The ultra sleek, silver finish with stainless steel and black appointments make the PM11 an attractive complement to any drum kit. The Miktek PM11 kick drum microphone will reproduce the sound of your bass drum faithfully, delivering a solid foundation to any live or studio performance.<br /><br />\n<h3>Miktek PM11 Key Features:</h3>\n<ul style=\"\">\n	<li>Neodymium Element</li>\n	<li>Super Cardioid Pick Up Pattern</li>\n	<li>Custom AMI Transformer</li>\n	<li>Packaged with protective Case and Mic Clip</li>\n	\n</ul>'),(7340,75,1,1224,'<h2>Miktek PM11 Dynamic Kick Drum Mic</h2>\nThe Miktek PM11 super cardioid, dynamic microphone features a custom designed, neodymium capsule element offering extremely clear and articulate sound reproduction of low toms, acoustic bass, and of course, kick drum.\n<br /><br />\nThe PM11’s frequency response is full and robust and is perfect for reinforcing bass drums in live sound applications. Plus, the capsule’s unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so your kick, or kicks, cut though the PA with clarity and distinction. The deep and honest response makes the PM11 kick drum mic ideal for studio applications.\n<br /><br />\nWith high SPL capabilities the PM11 can easily accommodate the loudest drummers and can even be used to mic up loud bass guitar amps. The PM11’s steel grill and die cast body ensure durability and reliability night after night. The PM11 can be set upon a traditional mic stand using the included holder. The ultra sleek, silver finish with stainless steel and black appointments make the PM11 an attractive complement to any drum kit. The Miktek PM11 kick drum microphone will reproduce the sound of your bass drum faithfully, delivering a solid foundation to any live or studio performance.<br /><br />\n<h3>Miktek PM11 Key Features:</h3>\n<ul style=\"\">\n	<li>Neodymium Element</li>\n	<li>Super Cardioid Pick Up Pattern</li>\n	<li>Custom AMI Transformer</li>\n	<li>Packaged with protective Case and Mic Clip</li>\n	\n</ul>'),(7341,85,0,1224,'Miktek PM11 Dynamic Kick Drum Mic'),(7342,85,1,1224,'Miktek PM11 Dynamic Kick Drum Mic'),(7343,76,0,1224,''),(7344,76,1,1224,''),(7345,75,0,1225,'<h2>Miktek PM5 Handheld Condensor Stage Mic</h2>\nThe Miktek PM5 cardioid, condenser microphone brings the sound of a high-end studio condenser to vocalists for live stage use. Sharing the capsule, electronics and output transformer of the Miktek C5 small diaphragm condenser, the PM5 is a truly world-class mic that offers detail and nuance. The PM5’s frequency response is extremely linear, with rich lows, a present yet sweet mid-range, and airy highs that please artists and engineers alike. In fact, the PM5 is perfectly at home in the recording studio for miking acoustic guitar, piano and as drum overheads. The PM5 employs a multistage windscreen to help ensure a minimum amount of p-popping. The steel grill and die cast body ensure durability and reliability night after night. An ultra sleek, black finish with stainless steel appointments make the PM5 an attractive complement to any stage setting.\n<br /><br />\n<h3>Miktek PM5 Key Features:</h3>\n<ul>\n\n	<li>Studio Quality Handheld Condenser</li>\n	<li>MK5a 0.5-inch Super Cardioid Capsule with 5-micron Mylar, Evaporated Gold Diaphragm</li>\n	<li>Custom Miktek Transformer by AMI</li>\n	<li>Hand-selected Transistors</li>\n	<li>Packaged Protective Case and Mic Clip</li>\n</ul>'),(7346,75,1,1225,'<h2>Miktek PM5 Handheld Condensor Stage Mic</h2>\nThe Miktek PM5 cardioid, condenser microphone brings the sound of a high-end studio condenser to vocalists for live stage use. Sharing the capsule, electronics and output transformer of the Miktek C5 small diaphragm condenser, the PM5 is a truly world-class mic that offers detail and nuance. The PM5’s frequency response is extremely linear, with rich lows, a present yet sweet mid-range, and airy highs that please artists and engineers alike. In fact, the PM5 is perfectly at home in the recording studio for miking acoustic guitar, piano and as drum overheads. The PM5 employs a multistage windscreen to help ensure a minimum amount of p-popping. The steel grill and die cast body ensure durability and reliability night after night. An ultra sleek, black finish with stainless steel appointments make the PM5 an attractive complement to any stage setting.\n<br /><br />\n<h3>Miktek PM5 Key Features:</h3>\n<ul>\n\n	<li>Studio Quality Handheld Condenser</li>\n	<li>MK5a 0.5-inch Super Cardioid Capsule with 5-micron Mylar, Evaporated Gold Diaphragm</li>\n	<li>Custom Miktek Transformer by AMI</li>\n	<li>Hand-selected Transistors</li>\n	<li>Packaged Protective Case and Mic Clip</li>\n</ul>'),(7347,85,0,1225,'Miktek PM5 Handheld Condensor Stage Mic'),(7348,85,1,1225,'Miktek PM5 Handheld Condensor Stage Mic'),(7349,76,0,1225,''),(7350,76,1,1225,''),(7351,75,0,1226,'<h2>Miktek PM9 Handheld Dynamic Stage Mic</h2>\nThe Miktek PM9 is a super cardioid, dynamic microphone featuring a custom designed, neodymium capsule element offering extremely clear and articulate vocal reproduction. The PM9’s frequency response is full and sweet. Plus, the capsule’s unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so you can hear more of yourself on stage. With high SPL capabilities the PM9 can easily accommodate the loudest singers and can even be used to mic up loud guitar amps, brass and drums. The PM9’s multistage windscreen helps ensure a minimum amount of p-popping and the steel grill and die cast body ensure durability and reliability night after night. The ultra sleek, black finish with stainless steel appointments make the PM9 an attractive complement to any stage setting.<br /><br /><h3>Miktek PM9 Key Features:</h3><ul style=\"\"><li><li>Dynamic Vocal microphone</li><li>Neodymium Element</li><li>Super Cardioid Pick Up Pattern</li><li>Custom AMI Transformer</li><li>Packaged with protective Case and Mic Clip</li></li></ul>'),(7352,75,1,1226,'<h2>Miktek PM9 Handheld Dynamic Stage Mic</h2>\nThe Miktek PM9 is a super cardioid, dynamic microphone featuring a custom designed, neodymium capsule element offering extremely clear and articulate vocal reproduction. The PM9’s frequency response is full and sweet. Plus, the capsule’s unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so you can hear more of yourself on stage. With high SPL capabilities the PM9 can easily accommodate the loudest singers and can even be used to mic up loud guitar amps, brass and drums. The PM9’s multistage windscreen helps ensure a minimum amount of p-popping and the steel grill and die cast body ensure durability and reliability night after night. The ultra sleek, black finish with stainless steel appointments make the PM9 an attractive complement to any stage setting.<br /><br /><h3>Miktek PM9 Key Features:</h3><ul style=\"\"><li><li>Dynamic Vocal microphone</li><li>Neodymium Element</li><li>Super Cardioid Pick Up Pattern</li><li>Custom AMI Transformer</li><li>Packaged with protective Case and Mic Clip</li></li></ul>'),(7353,85,0,1226,'Miktek PM9 Handheld Dynamic Stage Mic'),(7354,85,1,1226,'Miktek PM9 Handheld Dynamic Stage Mic'),(7355,76,0,1226,''),(7356,76,1,1226,''),(7357,75,0,1227,'<h1>Miktek PMD7 7-Piece Drum Mic Kit</h1>\nThe Miktek The Miktek PMD7 drum mic kit brings the sound of two great microphones together for drummers, on the stage and in the studio. Featuring four PM10 snare/tom mics, four LRM100 rim mount clips, along with the PM11 kick drum mic and 2 C5 mics all packed in a sturdy road case, the PMD7 is a perfect foundation for miking any kit. The PM10 and PM11 are super cardioid, dynamic microphones featuring custom designed, neodymium capsule elements offering extremely clear and articulate sound reproduction. The capsules are then matched with a proprietary boutique transformer made in the US by AMI, and finally, the microphones are assembled and tested in Nashville TN USA. Simply put, we use better components to achieve a higher level of sound quality.\n<br /><br />\nThe PM10’s frequency response is full and robust and has been contoured to snare and tom-toms. Plus, the capsule’s unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so your snare and toms cut though the PA. The PM10 is an excellent choice for conga, timbale, hand-drums and other percussion as well. With high SPL capabilities the PM10 can easily accommodate the loudest drummers and can even be used to mic up loud guitar amps and brass instruments. The PM10 can be set upon a traditional mic stand, or use the included LRM100 Lever Rim Mount clip to quickly attached the microphone to your snare or tom rim.<br /><br />\nstevesinatraThe PM11’s frequency response is full and robust and is perfect for reinforcing bass drums in live sound applications. The P11’s capsule features a unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so your kick, or kicks, cut though the PA with clarity and distinction. The deep and honest response makes the PM11 kick drum mic ideal for studio applications. With high SPL capabilities the PM11 can easily accommodate the loudest drummers and can even be used to mic up loud bass guitar amps.<br /><br />\nThe PM10 and PM11’s steel grilles and die cast bodies ensure durability and reliability night after night. Their ultra sleek, silver finish with stainless steel and black appointments make the PM10 and PM11 attractive complements to any drum kit. The Miktek PMD7 drum microphone kit will reproduce the sound of your bass drum faithfully, delivering a solid foundation to any live or studio performance.<br /><br />\n<h3>Miktek PMD7 Key Features:</h3>\n<ul>\n	<li>Dynamic Drum Microphone Set&gt;</li>\n	<li>Incudes 1 PM11 Kick Drum mic, 4 PM10   Snare/Tom Mics & 2 C5 Mics</li>\n	<li>Lever lock Rim Mount Tom Clips and Standard Mic Clips</li>\n	<li>Packaged with in a rugged aluminum carrying case</li>\n	<li>Three year warranty</li>\n</ul>\n<ul>\n</ul>'),(7358,75,1,1227,'<h1>Miktek PMD7 7-Piece Drum Mic Kit</h1>\nThe Miktek The Miktek PMD7 drum mic kit brings the sound of two great microphones together for drummers, on the stage and in the studio. Featuring four PM10 snare/tom mics, four LRM100 rim mount clips, along with the PM11 kick drum mic and 2 C5 mics all packed in a sturdy road case, the PMD7 is a perfect foundation for miking any kit. The PM10 and PM11 are super cardioid, dynamic microphones featuring custom designed, neodymium capsule elements offering extremely clear and articulate sound reproduction. The capsules are then matched with a proprietary boutique transformer made in the US by AMI, and finally, the microphones are assembled and tested in Nashville TN USA. Simply put, we use better components to achieve a higher level of sound quality.\n<br /><br />\nThe PM10’s frequency response is full and robust and has been contoured to snare and tom-toms. Plus, the capsule’s unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so your snare and toms cut though the PA. The PM10 is an excellent choice for conga, timbale, hand-drums and other percussion as well. With high SPL capabilities the PM10 can easily accommodate the loudest drummers and can even be used to mic up loud guitar amps and brass instruments. The PM10 can be set upon a traditional mic stand, or use the included LRM100 Lever Rim Mount clip to quickly attached the microphone to your snare or tom rim.<br /><br />\nstevesinatraThe PM11’s frequency response is full and robust and is perfect for reinforcing bass drums in live sound applications. The P11’s capsule features a unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so your kick, or kicks, cut though the PA with clarity and distinction. The deep and honest response makes the PM11 kick drum mic ideal for studio applications. With high SPL capabilities the PM11 can easily accommodate the loudest drummers and can even be used to mic up loud bass guitar amps.<br /><br />\nThe PM10 and PM11’s steel grilles and die cast bodies ensure durability and reliability night after night. Their ultra sleek, silver finish with stainless steel and black appointments make the PM10 and PM11 attractive complements to any drum kit. The Miktek PMD7 drum microphone kit will reproduce the sound of your bass drum faithfully, delivering a solid foundation to any live or studio performance.<br /><br />\n<h3>Miktek PMD7 Key Features:</h3>\n<ul>\n	<li>Dynamic Drum Microphone Set&gt;</li>\n	<li>Incudes 1 PM11 Kick Drum mic, 4 PM10   Snare/Tom Mics & 2 C5 Mics</li>\n	<li>Lever lock Rim Mount Tom Clips and Standard Mic Clips</li>\n	<li>Packaged with in a rugged aluminum carrying case</li>\n	<li>Three year warranty</li>\n</ul>\n<ul>\n</ul>'),(7359,85,0,1227,'Miktek PMD7 7-Piece Drum Mic Kit'),(7360,85,1,1227,'Miktek PMD7 7-Piece Drum Mic Kit'),(7361,76,0,1227,''),(7362,76,1,1227,''),(7363,75,0,1228,'Millennia Music & Media Systems has completed the concept of your \"front end\"  with the Millennia AD-596 A to D Converter. The AD-596 is a API 500VPR compatible analog to 8 channel AES Audio converter that includes work clock in and out. The AD 596 is based on the Millennia AD r96 converter.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(7364,75,1,1228,'Millennia Music & Media Systems has completed the concept of your \"front end\"  with the Millennia AD-596 A to D Converter. The AD-596 is a API 500VPR compatible analog to 8 channel AES Audio converter that includes work clock in and out. The AD 596 is based on the Millennia AD r96 converter.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(7365,85,0,1228,'Millennia AD-596 A/D Converter Module'),(7366,85,1,1228,'Millennia AD-596 A/D Converter Module'),(7367,76,0,1228,''),(7368,76,1,1228,''),(7369,75,0,1229,'<h1>Millennia HV-316 Sixteen Channel Remote Dante Microphone Preamp</h1><i>\n16 channel remote controllable Dante mic pre featuring pristine Millennia HV-3 microphone preamplifiers in a road-hardened 1U chassis. Also available with analog output option (+$745 per 8 ch of output)</i><br /><br />The Millenia <span style=\"background-color: initial;\">HV-316 is a 16-channel microphone preamplifier with Dante networking capability that’s remote‐controllable using the Millennia\'s AELogic software.<br /><br /></span><span style=\"background-color: initial;\">The HV‐316 is designed for applications that include live touring racks, scoring stages, remote recording trucks, large studio complexes, sampler houses, hot‐rack installs, concert halls, outdoor facilities, schools and networked music venues, and environmental recording (12-volt battery operation).</span><div><br /><span style=\"background-color: initial;\">The aluminum chassis houses 16 channels of Millennia HV‐3 mic preamps with simultaneous analog and Dante 32‐bit/192 kHz Ethernet outputs. Other digital audio output options are planned, including USB and MADI.<br /><br />M</span><span style=\"background-color: initial;\">illennia remote mic preamps (HV‐3R and HV‐316) can operate together on a single Ethernet network with up to 256 redundant audio channels.<br /><br /></span><span style=\"background-color: initial;\">Remote control functions include gain, polarity, pad, mute, channel linking, high‐pass filter, and selectable true‐DC ribbon or phantom paths on every channel. Also onboard are new generation AKM 192kHz A‐D converters, femto‐clock, multi‐paralleled for high dynamic range performance. All internal processing is achieved via a generic ”Beagle Green” plug‐and‐play ARM processor designed for non‐obsolescence and easy field replacement.<br /><br /></span><span style=\"background-color: initial;\">Redundant (dual) powering means that if one power source fails, the other source continues operating without audio dropout or glitch. There’s also a hardware MIDI input for third‐party compatibilities. It’s also available short‐loaded as an 8‐channel unit.</span></div><br />\n<h3>Millennia HV-316 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">16 channels of pristine Millennia HV-3 microphone preamplifiers in a road-hardened 1U chassis</span></li><li>Effortless, vividly realistic, dynamically uniform HV-3 musical performance</li><li>Dante network output standard -- analog output option.</li><li>Both 12VDC (battery) and 80-264VAC worldwide powering</li><li>Redundant power supply capability for fail-safe, glitch-free operation</li><li>Paralleled next-generation AKM A-to-D conversion assuring &gt;120dB dynamic range</li><li>Designed for ultra-high-temperature continuous operation (65C / 150F)</li><li>RF “pi filter” shielding provided on analog and digital feeds, destroys mobile interference</li><li>Control up to 256 channels at once via Dante Ethernet.</li><li>+34dBu input headroom for use in the most extreme audio environments</li><li>Matched discrete-octet transistor gain topology, the classic Millennia HV-3 double-balanced circuit</li><li>Ælogic Windows third-generation software offers total control for both HV-316 and HV-3R on the same network</li><li>High-definition meters, grouping, linking, scene management, temperature monitoring</li><li>Entirely balanced audio path with precision components maintains signal integrity: THD under 10 PPM (&lt; .001%)</li><li>Laser-trimmed FET-based output stage (analog output option) drives 1000-foot (300m) cable runs with ease</li><li>All channels matched to 0.08 dB</li><li>Advanced power supply rated for 650,000 hours MTBF operation</li><li>Aluminum 16-gauge rack chassis, ultra-lightweight, just 10 pounds</li><li>Gorgeous NC-machined and hand-polished front-panel billet aluminum</li><li>Lovingly hand-built and quality-assured in Northern California USA</li>\n</ul>\n<br />'),(7370,75,1,1229,'<h1>Millennia HV-316 Sixteen Channel Remote Dante Microphone Preamp</h1><i>\n16 channel remote controllable Dante mic pre featuring pristine Millennia HV-3 microphone preamplifiers in a road-hardened 1U chassis. Also available with analog output option (+$745 per 8 ch of output)</i><br /><br />The Millenia <span style=\"background-color: initial;\">HV-316 is a 16-channel microphone preamplifier with Dante networking capability that’s remote‐controllable using the Millennia\'s AELogic software.<br /><br /></span><span style=\"background-color: initial;\">The HV‐316 is designed for applications that include live touring racks, scoring stages, remote recording trucks, large studio complexes, sampler houses, hot‐rack installs, concert halls, outdoor facilities, schools and networked music venues, and environmental recording (12-volt battery operation).</span><div><br /><span style=\"background-color: initial;\">The aluminum chassis houses 16 channels of Millennia HV‐3 mic preamps with simultaneous analog and Dante 32‐bit/192 kHz Ethernet outputs. Other digital audio output options are planned, including USB and MADI.<br /><br />M</span><span style=\"background-color: initial;\">illennia remote mic preamps (HV‐3R and HV‐316) can operate together on a single Ethernet network with up to 256 redundant audio channels.<br /><br /></span><span style=\"background-color: initial;\">Remote control functions include gain, polarity, pad, mute, channel linking, high‐pass filter, and selectable true‐DC ribbon or phantom paths on every channel. Also onboard are new generation AKM 192kHz A‐D converters, femto‐clock, multi‐paralleled for high dynamic range performance. All internal processing is achieved via a generic ”Beagle Green” plug‐and‐play ARM processor designed for non‐obsolescence and easy field replacement.<br /><br /></span><span style=\"background-color: initial;\">Redundant (dual) powering means that if one power source fails, the other source continues operating without audio dropout or glitch. There’s also a hardware MIDI input for third‐party compatibilities. It’s also available short‐loaded as an 8‐channel unit.</span></div><br />\n<h3>Millennia HV-316 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">16 channels of pristine Millennia HV-3 microphone preamplifiers in a road-hardened 1U chassis</span></li><li>Effortless, vividly realistic, dynamically uniform HV-3 musical performance</li><li>Dante network output standard -- analog output option.</li><li>Both 12VDC (battery) and 80-264VAC worldwide powering</li><li>Redundant power supply capability for fail-safe, glitch-free operation</li><li>Paralleled next-generation AKM A-to-D conversion assuring &gt;120dB dynamic range</li><li>Designed for ultra-high-temperature continuous operation (65C / 150F)</li><li>RF “pi filter” shielding provided on analog and digital feeds, destroys mobile interference</li><li>Control up to 256 channels at once via Dante Ethernet.</li><li>+34dBu input headroom for use in the most extreme audio environments</li><li>Matched discrete-octet transistor gain topology, the classic Millennia HV-3 double-balanced circuit</li><li>Ælogic Windows third-generation software offers total control for both HV-316 and HV-3R on the same network</li><li>High-definition meters, grouping, linking, scene management, temperature monitoring</li><li>Entirely balanced audio path with precision components maintains signal integrity: THD under 10 PPM (&lt; .001%)</li><li>Laser-trimmed FET-based output stage (analog output option) drives 1000-foot (300m) cable runs with ease</li><li>All channels matched to 0.08 dB</li><li>Advanced power supply rated for 650,000 hours MTBF operation</li><li>Aluminum 16-gauge rack chassis, ultra-lightweight, just 10 pounds</li><li>Gorgeous NC-machined and hand-polished front-panel billet aluminum</li><li>Lovingly hand-built and quality-assured in Northern California USA</li>\n</ul>\n<br />'),(7371,85,0,1229,'Millennia HV-316 Sixteen Channel Remote Dante Microphone Preamp'),(7372,85,1,1229,'Millennia HV-316 Sixteen Channel Remote Dante Microphone Preamp'),(7373,76,0,1229,''),(7374,76,1,1229,''),(7375,75,0,1230,'<h1>Millennia HV-32P Portable Two Channel Microphone Preamplifier</h1>\n<span style=\"font-size:16px; font-style:italic;\">A compact and portable version of Millennia\'s acclaimed HV-3</span><br/><br/>\nThe Millennia HV-32P portable preamp brings you the clarity of the acclaimed HV-3, packed into rugged aluminum chassis and powered from 12-15 VDC. The HP-32P features two 200 Series HV-32 preamps on board, giving you the classic Millennia sound anywhere you take it!<br/><br/>\nCarry them with you, stack them horizontally or vertically, bolt three of them into a Middle Atlantic rack shelf—these preamps are designed to deliver Millennia quality from desktop to treetop.<br/><br/>\n<h2>Millennia HV-32P Key Features</h2>\n<ul>\n	<li>Continuously variable gain control                                            </li>\n	<li>DC coupled ribbon mic with 10dB gain boost setting                            </li>\n	<li>48V phantom power                                                             </li>\n	<li>15 dB PadPolarity flip                                                        </li>\n	<li>12 to 15V operation - 100 to 240V line lump power supply, 12V output, included</li>\n</ul>'),(7376,75,1,1230,'<h1>Millennia HV-32P Portable Two Channel Microphone Preamplifier</h1>\n<span style=\"font-size:16px; font-style:italic;\">A compact and portable version of Millennia\'s acclaimed HV-3</span><br/><br/>\nThe Millennia HV-32P portable preamp brings you the clarity of the acclaimed HV-3, packed into rugged aluminum chassis and powered from 12-15 VDC. The HP-32P features two 200 Series HV-32 preamps on board, giving you the classic Millennia sound anywhere you take it!<br/><br/>\nCarry them with you, stack them horizontally or vertically, bolt three of them into a Middle Atlantic rack shelf—these preamps are designed to deliver Millennia quality from desktop to treetop.<br/><br/>\n<h2>Millennia HV-32P Key Features</h2>\n<ul>\n	<li>Continuously variable gain control                                            </li>\n	<li>DC coupled ribbon mic with 10dB gain boost setting                            </li>\n	<li>48V phantom power                                                             </li>\n	<li>15 dB PadPolarity flip                                                        </li>\n	<li>12 to 15V operation - 100 to 240V line lump power supply, 12V output, included</li>\n</ul>'),(7377,85,0,1230,'Millennia HV-32P Portable Two Channel Microphone Preamplifier'),(7378,85,1,1230,'Millennia HV-32P Portable Two Channel Microphone Preamplifier'),(7379,76,0,1230,''),(7380,76,1,1230,''),(7381,75,0,1231,'<h1>Millennia HV-35 500-Series Preamp Module</h1>\nThe Millennia HV-35 is a 500 series preamp module delivering the iconic \"HV-3\" sound in a compact, portable 500 Series lunchbox format. \nNew easy to access push buttons include a 15dB Pad, a polarity flip, 48V phantom power, a 10dB switch for ribbon mics, a highpass filter, and switch for the front-panel hi-Z instrument input.\n<br /><br />\n<h3>Millennia HV-35 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Pad – Attenuates the input signal after the gain stage by 15dB</span></li>\n	<li>Polarity Flip inverts the signal’s polarity. This can be useful in multiple mic setups to change the interaction between them.</li>\n	<li>+48V turns the phantom power supply on/off</li>\n	<li>Ribbon Mic DC couples the mic to the gain stage and also provides an additional 10dB of gain. Use with any Ribbon or Dynamic mic (like an SM-57).</li>\n	<li>HPF (High Pass Filter) rolls off low frequencies below 80 Hz at 3 dB per octave.</li>\n	<li>Instrument Input is perfect for high impedance sources such as bass guitars. It makes the Hi-Z Instrument input active.</li>\n	<li>Gain is a continuously variable gain control. It has a high gain jump near full clockwise for low level signals.</li>\n</ul>\n<br />'),(7382,75,1,1231,'<h1>Millennia HV-35 500-Series Preamp Module</h1>\nThe Millennia HV-35 is a 500 series preamp module delivering the iconic \"HV-3\" sound in a compact, portable 500 Series lunchbox format. \nNew easy to access push buttons include a 15dB Pad, a polarity flip, 48V phantom power, a 10dB switch for ribbon mics, a highpass filter, and switch for the front-panel hi-Z instrument input.\n<br /><br />\n<h3>Millennia HV-35 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Pad – Attenuates the input signal after the gain stage by 15dB</span></li>\n	<li>Polarity Flip inverts the signal’s polarity. This can be useful in multiple mic setups to change the interaction between them.</li>\n	<li>+48V turns the phantom power supply on/off</li>\n	<li>Ribbon Mic DC couples the mic to the gain stage and also provides an additional 10dB of gain. Use with any Ribbon or Dynamic mic (like an SM-57).</li>\n	<li>HPF (High Pass Filter) rolls off low frequencies below 80 Hz at 3 dB per octave.</li>\n	<li>Instrument Input is perfect for high impedance sources such as bass guitars. It makes the Hi-Z Instrument input active.</li>\n	<li>Gain is a continuously variable gain control. It has a high gain jump near full clockwise for low level signals.</li>\n</ul>\n<br />'),(7383,85,0,1231,'Millennia HV-35 500-Series Preamp Module'),(7384,85,1,1231,'Millennia HV-35 500-Series Preamp Module'),(7385,76,0,1231,''),(7386,76,1,1231,''),(7387,75,0,1232,'<h1>Millennia HV-35P Portable Microphone Preamplifier</h1>\n<span style=\"font-size:16px; font-style:italic;\">A compact and portable version of Millennia\'s acclaimed HV-3</span><br /><br />\nThe Millennia HV-35P portable preamp brings you the clarity of the acclaimed HV-3, packed into rugged aluminum chassis and powered from 12-15 VDC. The HP-35P a portable version of Millenia\'s 500 Series HV-35 preamp, giving you the classic Millennia sound anywhere you take it!<br /><br />\nCarry them with you, stack them horizontally or vertically, bolt three of them into a Middle Atlantic rack shelf—these preamps are designed to deliver Millennia quality from desktop to treetop.<br /><br />\n<h2>Millennia HV-35P Key Features</h2>\n<ul>\n	<li><span style=\"background-color: initial;\">Continuously variable gain control</span></li>\n	<li> Front panel instrument input</li>\n	<li>DC coupled ribbon mic with 10dB gain boost setting</li>\n	<li>80 Hz rolloff filter</li>\n	<li>48V phantom power</li>\n	<li>15 dB Pad</li>\n	<li>Polarity flip</li>\n	<li>12 to 15V operation - 100 to 240V line lump power supply, 12V output, included</li>\n</ul>'),(7388,75,1,1232,'<h1>Millennia HV-35P Portable Microphone Preamplifier</h1>\n<span style=\"font-size:16px; font-style:italic;\">A compact and portable version of Millennia\'s acclaimed HV-3</span><br /><br />\nThe Millennia HV-35P portable preamp brings you the clarity of the acclaimed HV-3, packed into rugged aluminum chassis and powered from 12-15 VDC. The HP-35P a portable version of Millenia\'s 500 Series HV-35 preamp, giving you the classic Millennia sound anywhere you take it!<br /><br />\nCarry them with you, stack them horizontally or vertically, bolt three of them into a Middle Atlantic rack shelf—these preamps are designed to deliver Millennia quality from desktop to treetop.<br /><br />\n<h2>Millennia HV-35P Key Features</h2>\n<ul>\n	<li><span style=\"background-color: initial;\">Continuously variable gain control</span></li>\n	<li> Front panel instrument input</li>\n	<li>DC coupled ribbon mic with 10dB gain boost setting</li>\n	<li>80 Hz rolloff filter</li>\n	<li>48V phantom power</li>\n	<li>15 dB Pad</li>\n	<li>Polarity flip</li>\n	<li>12 to 15V operation - 100 to 240V line lump power supply, 12V output, included</li>\n</ul>'),(7389,85,0,1232,'Millennia HV-35P Portable Microphone Preamplifier'),(7390,85,1,1232,'Millennia HV-35P Portable Microphone Preamplifier'),(7391,76,0,1232,''),(7392,76,1,1232,''),(7393,75,0,1233,'<h1>Millennia HV-3C Two Channel Microphone Preamp</h1>\nThe Millenia HV-3C two channel microphone preamp is the result of meticulous listening tests on numerous circuit, topology, and packaging designs.  HV-3C is a finely tuned instrument intended for critical professional applications.  It offers sonically neutral microphone preamplification. With the emergence of 24+ bit digital audio, recording engineers are faced with a new requirement for undistorted dynamic range. The HV-3C meets this challenge exceptionally well.<br /><br />\n<h3>Millennia HV-3C Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Unsurpassed ambience retrieval</span></li>\n	<li>Transformerless design with matched hi-speed discrete transistor octet has +23 dBu input headroom: no attenuator “pads” needed</li>\n	<li>Uncolored timbral accuracy at all dynamic levels</li>\n	<li>Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)</li>\n	<li>Effortless, vividly realistic musical performance</li>\n	<li>Laser-trimmed FET-based output stage has +32 dBu headroom: drives 1000 foot (300 m) cable runs with ease</li>\n	<li>Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB</li>\n	<li>Ultra-clean universal power supply (100-240VAC)</li>\n	<li>Gold switches</li>\n	<li>Mogami Neglex OFC audio wiring</li>\n	<li>Silver Teflon power wiring</li>\n	<li>Welded 16 gauge steel rack chassis</li>\n</ul>\n<br />'),(7394,75,1,1233,'<h1>Millennia HV-3C Two Channel Microphone Preamp</h1>\nThe Millenia HV-3C two channel microphone preamp is the result of meticulous listening tests on numerous circuit, topology, and packaging designs.  HV-3C is a finely tuned instrument intended for critical professional applications.  It offers sonically neutral microphone preamplification. With the emergence of 24+ bit digital audio, recording engineers are faced with a new requirement for undistorted dynamic range. The HV-3C meets this challenge exceptionally well.<br /><br />\n<h3>Millennia HV-3C Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Unsurpassed ambience retrieval</span></li>\n	<li>Transformerless design with matched hi-speed discrete transistor octet has +23 dBu input headroom: no attenuator “pads” needed</li>\n	<li>Uncolored timbral accuracy at all dynamic levels</li>\n	<li>Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)</li>\n	<li>Effortless, vividly realistic musical performance</li>\n	<li>Laser-trimmed FET-based output stage has +32 dBu headroom: drives 1000 foot (300 m) cable runs with ease</li>\n	<li>Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB</li>\n	<li>Ultra-clean universal power supply (100-240VAC)</li>\n	<li>Gold switches</li>\n	<li>Mogami Neglex OFC audio wiring</li>\n	<li>Silver Teflon power wiring</li>\n	<li>Welded 16 gauge steel rack chassis</li>\n</ul>\n<br />'),(7395,85,0,1233,'Millennia HV-3C Two Channel Microphone Preamp'),(7396,85,1,1233,'Millennia HV-3C Two Channel Microphone Preamp'),(7397,76,0,1233,''),(7398,76,1,1233,''),(7399,75,0,1234,'<h1>Millennia HV-3D-4 Four Channel Microphone Preamp</h1>\nThe Millenia HV-3D-4 four channel microphone preamp is the result of meticulous listening tests on numerous circuit, topology, and packaging designs.  HV-3D-4 is a finely tuned instrument intended for critical professional applications.  It offers sonically neutral microphone preamplification. With the emergence of 24+ bit digital audio, recording engineers are faced with a new requirement for undistorted dynamic range. The HV-3D-4 meets this challenge exceptionally well.\n<br /><br />\n<h3>Millennia HV-3D-4 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Unsurpassed ambience retrieval</span></li>\n	<li>Transformerless design with matched hi-speed discrete transistor octet has +23 dBu input headroom: no attenuator “pads” needed</li>\n	<li>Uncolored timbral accuracy at all dynamic levels</li>\n	<li>Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)</li>\n	<li>Effortless, vividly realistic musical performance</li>\n	<li>Laser-trimmed FET-based output stage has +32 dBu headroom: drives 1000 foot (300 m) cable runs with ease</li>\n	<li>Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB</li>\n	<li>Ultra-clean universal power supply (100-240VAC)</li>\n	<li>Gold switches</li>\n	<li>Mogami Neglex OFC audio wiring</li>\n	<li>Silver Teflon power wiring</li>\n	<li>Welded 16 gauge steel rack chassis</li>\n</ul>\n<br />'),(7400,75,1,1234,'<h1>Millennia HV-3D-4 Four Channel Microphone Preamp</h1>\nThe Millenia HV-3D-4 four channel microphone preamp is the result of meticulous listening tests on numerous circuit, topology, and packaging designs.  HV-3D-4 is a finely tuned instrument intended for critical professional applications.  It offers sonically neutral microphone preamplification. With the emergence of 24+ bit digital audio, recording engineers are faced with a new requirement for undistorted dynamic range. The HV-3D-4 meets this challenge exceptionally well.\n<br /><br />\n<h3>Millennia HV-3D-4 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Unsurpassed ambience retrieval</span></li>\n	<li>Transformerless design with matched hi-speed discrete transistor octet has +23 dBu input headroom: no attenuator “pads” needed</li>\n	<li>Uncolored timbral accuracy at all dynamic levels</li>\n	<li>Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)</li>\n	<li>Effortless, vividly realistic musical performance</li>\n	<li>Laser-trimmed FET-based output stage has +32 dBu headroom: drives 1000 foot (300 m) cable runs with ease</li>\n	<li>Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB</li>\n	<li>Ultra-clean universal power supply (100-240VAC)</li>\n	<li>Gold switches</li>\n	<li>Mogami Neglex OFC audio wiring</li>\n	<li>Silver Teflon power wiring</li>\n	<li>Welded 16 gauge steel rack chassis</li>\n</ul>\n<br />'),(7401,85,0,1234,'Millennia HV-3D-4 Four Channel Microphone Preamp'),(7402,85,1,1234,'Millennia HV-3D-4 Four Channel Microphone Preamp'),(7403,76,0,1234,''),(7404,76,1,1234,''),(7405,75,0,1235,'<h1>Millennia HV-3D-8 Eight Channel Microphone Preamp</h1>\nThe Millenia HV-3D-8 eight channel microphone preamp is the result of meticulous listening tests on numerous circuit, topology, and packaging designs.  HV-3D is a finely tuned instrument intended for critical professional applications.  It offers sonically neutral microphone preamplification. With the emergence of 24+ bit digital audio, recording engineers are faced with a new requirement for undistorted dynamic range. The HV-3D meets this challenge exceptionally well.\n<br /><br />\n<h3>Millennia HV-3D-8 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Unsurpassed ambience retrieval</span></li>\n	<li>Transformerless design with matched hi-speed discrete transistor octet has +23 dBu input headroom: no attenuator “pads” needed</li>\n	<li>Uncolored timbral accuracy at all dynamic levels</li>\n	<li>Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)</li>\n	<li>Effortless, vividly realistic musical performance</li>\n	<li>Laser-trimmed FET-based output stage has +32 dBu headroom: drives 1000 foot (300 m) cable runs with ease</li>\n	<li>Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB</li>\n	<li>Ultra-clean universal power supply (100-240VAC)</li>\n	<li>Gold switches</li>\n	<li>Mogami Neglex OFC audio wiring</li>\n	<li>Silver Teflon power wiring</li>\n	<li>Welded 16 gauge steel rack chassis</li>\n</ul>\n<br />'),(7406,75,1,1235,'<h1>Millennia HV-3D-8 Eight Channel Microphone Preamp</h1>\nThe Millenia HV-3D-8 eight channel microphone preamp is the result of meticulous listening tests on numerous circuit, topology, and packaging designs.  HV-3D is a finely tuned instrument intended for critical professional applications.  It offers sonically neutral microphone preamplification. With the emergence of 24+ bit digital audio, recording engineers are faced with a new requirement for undistorted dynamic range. The HV-3D meets this challenge exceptionally well.\n<br /><br />\n<h3>Millennia HV-3D-8 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Unsurpassed ambience retrieval</span></li>\n	<li>Transformerless design with matched hi-speed discrete transistor octet has +23 dBu input headroom: no attenuator “pads” needed</li>\n	<li>Uncolored timbral accuracy at all dynamic levels</li>\n	<li>Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)</li>\n	<li>Effortless, vividly realistic musical performance</li>\n	<li>Laser-trimmed FET-based output stage has +32 dBu headroom: drives 1000 foot (300 m) cable runs with ease</li>\n	<li>Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB</li>\n	<li>Ultra-clean universal power supply (100-240VAC)</li>\n	<li>Gold switches</li>\n	<li>Mogami Neglex OFC audio wiring</li>\n	<li>Silver Teflon power wiring</li>\n	<li>Welded 16 gauge steel rack chassis</li>\n</ul>\n<br />'),(7407,85,0,1235,'Millennia HV-3D-8 Eight Channel Microphone Preamp'),(7408,85,1,1235,'Millennia HV-3D-8 Eight Channel Microphone Preamp'),(7409,76,0,1235,''),(7410,76,1,1235,''),(7411,75,0,1236,'<h1>Millennia STT-1 Origin Channel Strip</h1>\n<i>\nTwin Topology Channel Strip Featuring</i><span style=\"background-color: initial;\"><i> HV-3 discrete hybrid solid state microphone preamplifier and M-2 vacuum tube microphone preamplifier, </i></span><i style=\"background-color: initial;\">NSEQ four-band parametric EQ, selectable via vacuum tube -or- discrete solid state audio topology, and </i><i style=\"background-color: initial;\">TCL opto-compressor/limiter/de-esser, selectable via vacuum tube, solid state, or non-amplifier topology.<br /></i><br />\nThe STT-1 Origin is a collection of Millennia\'s essential product line combined into one box. You might call it our \"greatest hits\" compilation. The STT-1 is a single channel (mono) processing chain with various signal path topologies (vacuum tubes, discrete transistors, audio transformer, transformerless) all selectable at various functions. The STT-1 offers an entirely discrete, entirely Class-A direct signal path from input to output. The signal path can be variously selected to use vacuum tubes or transistors, transformer or non-transformer coupling. The STT-1 also offers additional monolithic utility outputs. There are (yes, we counted) at least 134 different product combinations available in the STT-1 Origin — ranging from the most musically transparent, sonically accurate, and dynamically stable audio circuits, to sublime levels of vacuum tube and transformer \'euphony\', and everything in between. The possibilities afforded the creative engineer, producer, and musician are virtually endless.\n<br /><br />\n<h3>Millennia STT-1 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Twin Mic Preamps — M-2B vacuum tube or HV-3 discrete solid state</span></li>\n	<li>Twin NSEQ-2 Mastering-Grade Parametric EQs — vacuum tube or discrete solid state</li>\n	<li>Three Opto Compressor/Limiter Paths — TCL vacuum tube, discrete solid state, passive</li>\n	<li>Twin Opto De-Esser Paths — vacuum tube or discrete solid state</li>\n	<li>Vacuum tube or discrete solid state line level paths</li>\n	<li>Input coupling with or without MIT-01 audio transformer</li>\n	<li>1/4” vacuum tube DI input — route via tube or solid state gain path</li>\n	<li>Effortless, lifelike musical performance at all levels</li>\n	<li>Musically rich vacuum tubes available</li>\n	<li>Gold audio connectors, tube sockets, relays and switches</li>\n	<li>3/8“ thick radius extruded aluminum face plate</li>\n	<li>Durable black mirror-gloss anodized finish</li>\n	<li>Mil spec 16 gauge cold-rolled steel chassis</li>\n	<li>Ultra-clean toroid power supply: internal sub-chassis</li>\n	<li>Hand machined aluminum knobs, illuminated IT&T pushbuttons</li>\n	<li>Mogami Neglex OFC audio wiring</li>\n	<li>Silver Teflon power wiring</li>\n	<li>True audio VU meter for output level or dynamics gain reduction</li>\n</ul>\n<br />'),(7412,75,1,1236,'<h1>Millennia STT-1 Origin Channel Strip</h1>\n<i>\nTwin Topology Channel Strip Featuring</i><span style=\"background-color: initial;\"><i> HV-3 discrete hybrid solid state microphone preamplifier and M-2 vacuum tube microphone preamplifier, </i></span><i style=\"background-color: initial;\">NSEQ four-band parametric EQ, selectable via vacuum tube -or- discrete solid state audio topology, and </i><i style=\"background-color: initial;\">TCL opto-compressor/limiter/de-esser, selectable via vacuum tube, solid state, or non-amplifier topology.<br /></i><br />\nThe STT-1 Origin is a collection of Millennia\'s essential product line combined into one box. You might call it our \"greatest hits\" compilation. The STT-1 is a single channel (mono) processing chain with various signal path topologies (vacuum tubes, discrete transistors, audio transformer, transformerless) all selectable at various functions. The STT-1 offers an entirely discrete, entirely Class-A direct signal path from input to output. The signal path can be variously selected to use vacuum tubes or transistors, transformer or non-transformer coupling. The STT-1 also offers additional monolithic utility outputs. There are (yes, we counted) at least 134 different product combinations available in the STT-1 Origin — ranging from the most musically transparent, sonically accurate, and dynamically stable audio circuits, to sublime levels of vacuum tube and transformer \'euphony\', and everything in between. The possibilities afforded the creative engineer, producer, and musician are virtually endless.\n<br /><br />\n<h3>Millennia STT-1 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Twin Mic Preamps — M-2B vacuum tube or HV-3 discrete solid state</span></li>\n	<li>Twin NSEQ-2 Mastering-Grade Parametric EQs — vacuum tube or discrete solid state</li>\n	<li>Three Opto Compressor/Limiter Paths — TCL vacuum tube, discrete solid state, passive</li>\n	<li>Twin Opto De-Esser Paths — vacuum tube or discrete solid state</li>\n	<li>Vacuum tube or discrete solid state line level paths</li>\n	<li>Input coupling with or without MIT-01 audio transformer</li>\n	<li>1/4” vacuum tube DI input — route via tube or solid state gain path</li>\n	<li>Effortless, lifelike musical performance at all levels</li>\n	<li>Musically rich vacuum tubes available</li>\n	<li>Gold audio connectors, tube sockets, relays and switches</li>\n	<li>3/8“ thick radius extruded aluminum face plate</li>\n	<li>Durable black mirror-gloss anodized finish</li>\n	<li>Mil spec 16 gauge cold-rolled steel chassis</li>\n	<li>Ultra-clean toroid power supply: internal sub-chassis</li>\n	<li>Hand machined aluminum knobs, illuminated IT&T pushbuttons</li>\n	<li>Mogami Neglex OFC audio wiring</li>\n	<li>Silver Teflon power wiring</li>\n	<li>True audio VU meter for output level or dynamics gain reduction</li>\n</ul>\n<br />'),(7413,85,0,1236,'Millennia STT-1 Origin Channel Strip'),(7414,85,1,1236,'Millennia STT-1 Origin Channel Strip'),(7415,76,0,1236,''),(7416,76,1,1236,''),(7417,75,0,1237,'<h2>Modal Electronics Modal 001 - 2 Voice Duo Phonic and Bi Timbral Synthesizer </h2>\n<i>The Modal 001 has over 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes.</i><i></i><br /><br />The Modal 001 is a 2 voice duo phonic and bi timbral synthesizer utilizing the same voice architecture as its bigger brother 002. Two oscillators per voice with two sub oscillators, which can be switched from being either traditional square wave to having the same waveform as the main oscillator – in effect making four oscillators per voice Analogue / digital hybrid architecture uses NCOs for very high resolution, and very stable oscillators. <br /><br />Modal Electronics designed the 001 with 24dB per octave four pole transistor ladder filter, with some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 001</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\"> Key Features:</inline></inline></b></inline><br /></inline><br /><div class=\"wpb_row vc_inner vc_row    attched-false   vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li><strong>Two LFO’s</strong>, one per voice and one global</li><li>Extensive modulation options</li><li>001 features a range of sequencing options – a built in <strong>2 Track, 12 row, 32 step sequencer</strong> with MIDI sync capabilities. Sequences can also be transposed dynamically while running</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 001 to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li></ul>\n\n	\n</div>\n</div></div></div>\n\n\n	\n	<ul><li>Ethernet port to connect your 001 to your network and enable updates\n via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li><li>Superb UI, a great departure from the norm of synthesisers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong>,\n display is context sensitive where the control parameters of any \ncontrol knob that is touched by the user, is immediately displayed</li><li><strong>6 ‘quick recall banks’</strong> are accessible directly from\n the front panel, enabling performing musicians to get rid of their set \nsheets and build set lists of presets, sequences and animations, all \nquickly accessible from dedicated front panel buttons. Up to ten banks \nof quick recalls can be created, making live performance a doddle</li><li>VCF and VCA envelope generators</li><li><strong>Three Key Modes</strong> – Polyphonic, Monophonic and Stack</li><li>Very high quality construction, uses a premium <strong>FATAR semi-weighted three octave key mechanism with aftertouch</strong></li><li>Most voice control parameters are accessible from a well designed \nand intuitive front panel, that follows a traditional synthesiser work \nflow</li><li><strong>Pure analogue signal path</strong> from the oscillators onwards, no digital conversion.</li><li><strong>4 CV inputs and 4 CV outputs</strong></li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li><strong>XY joystick</strong> for performance controls – any control parameter can be assigned to any joystick axis (X+, X-, Y+, Y-)</li></ul></div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7418,75,1,1237,'<h2>Modal Electronics Modal 001 - 2 Voice Duo Phonic and Bi Timbral Synthesizer </h2>\n<i>The Modal 001 has over 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes.</i><i></i><br /><br />The Modal 001 is a 2 voice duo phonic and bi timbral synthesizer utilizing the same voice architecture as its bigger brother 002. Two oscillators per voice with two sub oscillators, which can be switched from being either traditional square wave to having the same waveform as the main oscillator – in effect making four oscillators per voice Analogue / digital hybrid architecture uses NCOs for very high resolution, and very stable oscillators. <br /><br />Modal Electronics designed the 001 with 24dB per octave four pole transistor ladder filter, with some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 001</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\"> Key Features:</inline></inline></b></inline><br /></inline><br /><div class=\"wpb_row vc_inner vc_row    attched-false   vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li><strong>Two LFO’s</strong>, one per voice and one global</li><li>Extensive modulation options</li><li>001 features a range of sequencing options – a built in <strong>2 Track, 12 row, 32 step sequencer</strong> with MIDI sync capabilities. Sequences can also be transposed dynamically while running</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 001 to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li></ul>\n\n	\n</div>\n</div></div></div>\n\n\n	\n	<ul><li>Ethernet port to connect your 001 to your network and enable updates\n via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li><li>Superb UI, a great departure from the norm of synthesisers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong>,\n display is context sensitive where the control parameters of any \ncontrol knob that is touched by the user, is immediately displayed</li><li><strong>6 ‘quick recall banks’</strong> are accessible directly from\n the front panel, enabling performing musicians to get rid of their set \nsheets and build set lists of presets, sequences and animations, all \nquickly accessible from dedicated front panel buttons. Up to ten banks \nof quick recalls can be created, making live performance a doddle</li><li>VCF and VCA envelope generators</li><li><strong>Three Key Modes</strong> – Polyphonic, Monophonic and Stack</li><li>Very high quality construction, uses a premium <strong>FATAR semi-weighted three octave key mechanism with aftertouch</strong></li><li>Most voice control parameters are accessible from a well designed \nand intuitive front panel, that follows a traditional synthesiser work \nflow</li><li><strong>Pure analogue signal path</strong> from the oscillators onwards, no digital conversion.</li><li><strong>4 CV inputs and 4 CV outputs</strong></li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li><strong>XY joystick</strong> for performance controls – any control parameter can be assigned to any joystick axis (X+, X-, Y+, Y-)</li></ul></div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7419,85,0,1237,'Modal Electronics Modal 001 - 2 Voice Duo Phonic and Bi Timbral Synthesizer'),(7420,85,1,1237,'Modal Electronics Modal 001 - 2 Voice Duo Phonic and Bi Timbral Synthesizer'),(7421,76,0,1237,''),(7422,76,1,1237,''),(7423,75,0,1238,'<h2>Modal Electronics Modal 002 - 12 Voice Polyphonic Analogue / Digital Hybrid Synthesizer</h2>\n<i>The Modal 002 is a </i><i>12-voice </i><i><i>61-key </i>Synthesizer with Semi-weighted Keys, Step Sequencer, Low-pass and High-pass Filters, </i><i><i>2 Oscillators Per \nVoice,</i> and Arpeggiator.</i><br /><br />The Modal 002 is designed to be the flagship in the Modulus \nrange. The keyboard layout includes a semi-weighted, five octave key \nmechanism and has been ergonomically designed by musicians so that the \nhands fall naturally and intuitively to the controls. It provides twelve\n discrete voices of polyphony with full multi-timbrility if required. \nAdding to the ease of use is a large integral display screen that is \ncontext sensitive, i.e. it displays the control parameters of any \ncontrol knobs immediately when touched by the user. <br /><br />Quick recall banks \nenable preset sequences and settings to be stored for instant use such \nas during a live performance. NCOs (Numerically Controlled Oscillators) \nare used for stability and accuracy while an analog transistor ladder \nfilter provides classic warm sounds.\n				    	\n					<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 002</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\"> Key Features:</inline></inline></b></inline><br /></inline><br />\n<div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li>002 provides <strong>twelve discrete voices of polyphony</strong> with <strong>full multi-timbrality</strong> if desired</li><li><strong>Two oscillators per voice with two sub oscillators</strong>,\n which can be switched from being either traditional square wave to \nhaving the same waveform as the main oscillator – in effect making four \noscillators per voice</li><li>Analogue / digital hybrid architecture uses <strong>NCOs</strong> for very <strong>high resolution</strong>, and <strong>very stable oscillators</strong>. Over 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes</li><li>Modal Electronics designed <strong>24dB per octave four pole transistor ladder filter</strong>,\n with some very unusual morphing characteristics or ‘polesweeping’, \nenabling transition from four pole through bandpass to one pole 6db per \noctave, or anywhere in between</li><li><strong>Two LFO’s</strong>, one per voice and one global</li><li>Extensive modulation options, all accessed directly from the front panel – no menu options!</li><li>002 features a range of sequencing options – a built in <strong>12 Track, 12 row, 32 step sequencer</strong> with\n 16 dedicated step time editing knobs on the front panel and MIDI sync \ncapabilities. Sequences can also be transposed dynamically while running</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 002 to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li><li>Ethernet port to connect your 002 to your network and enable updates\n via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li></ul>\n\n	\n</div>\n</div></div></div>\n\n\n	\n	<ul><li>Superb UI, a great departure from the norm of synthesizers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong>,\n display is context sensitive where the control parameters of any \ncontrol knob that is touched by the user, is immediately displayed</li><li><strong>Twelve ‘quick recall banks’</strong> are accessible directly\n from the front panel, enabling performing musicians to get rid of their\n set sheets and build set lists of presets, sequences and animations, \nall quickly accessible from dedicated front panel buttons. Up to ten \nbanks of quick recalls can be created, making live performance a doddle</li><li>VCF and VCA envelope generators</li><li><strong>Four Key Modes</strong> – Polyphonic, Monophonic, Unison and Stack</li><li>Very high quality construction, uses a premium <strong>FATAR semi-weighted five octave key mechanism with aftertouch</strong></li><li>All voice control parameters are accessible from a well designed and\n intuitive front panel, that follows a traditional synthesizer  work flow</li><li><strong>Pure analogue signal path</strong> from the oscillators onwards, no digital conversion.</li><li>Combined XLR/TRS sockets for balanced / unbalanced outputs. Further,\n each of the twelve outputs can be brought out individually via a \ndedicated d-sub socket.</li><li>Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016.</li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li><strong>XY joystick</strong> and Sustain and Expression pedal inputs\n for performance controls – any control parameter can be assigned to \nany joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel\n selector button.</li></ul><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7424,75,1,1238,'<h2>Modal Electronics Modal 002 - 12 Voice Polyphonic Analogue / Digital Hybrid Synthesizer</h2>\n<i>The Modal 002 is a </i><i>12-voice </i><i><i>61-key </i>Synthesizer with Semi-weighted Keys, Step Sequencer, Low-pass and High-pass Filters, </i><i><i>2 Oscillators Per \nVoice,</i> and Arpeggiator.</i><br /><br />The Modal 002 is designed to be the flagship in the Modulus \nrange. The keyboard layout includes a semi-weighted, five octave key \nmechanism and has been ergonomically designed by musicians so that the \nhands fall naturally and intuitively to the controls. It provides twelve\n discrete voices of polyphony with full multi-timbrility if required. \nAdding to the ease of use is a large integral display screen that is \ncontext sensitive, i.e. it displays the control parameters of any \ncontrol knobs immediately when touched by the user. <br /><br />Quick recall banks \nenable preset sequences and settings to be stored for instant use such \nas during a live performance. NCOs (Numerically Controlled Oscillators) \nare used for stability and accuracy while an analog transistor ladder \nfilter provides classic warm sounds.\n				    	\n					<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 002</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\"> Key Features:</inline></inline></b></inline><br /></inline><br />\n<div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li>002 provides <strong>twelve discrete voices of polyphony</strong> with <strong>full multi-timbrality</strong> if desired</li><li><strong>Two oscillators per voice with two sub oscillators</strong>,\n which can be switched from being either traditional square wave to \nhaving the same waveform as the main oscillator – in effect making four \noscillators per voice</li><li>Analogue / digital hybrid architecture uses <strong>NCOs</strong> for very <strong>high resolution</strong>, and <strong>very stable oscillators</strong>. Over 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes</li><li>Modal Electronics designed <strong>24dB per octave four pole transistor ladder filter</strong>,\n with some very unusual morphing characteristics or ‘polesweeping’, \nenabling transition from four pole through bandpass to one pole 6db per \noctave, or anywhere in between</li><li><strong>Two LFO’s</strong>, one per voice and one global</li><li>Extensive modulation options, all accessed directly from the front panel – no menu options!</li><li>002 features a range of sequencing options – a built in <strong>12 Track, 12 row, 32 step sequencer</strong> with\n 16 dedicated step time editing knobs on the front panel and MIDI sync \ncapabilities. Sequences can also be transposed dynamically while running</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 002 to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li><li>Ethernet port to connect your 002 to your network and enable updates\n via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li></ul>\n\n	\n</div>\n</div></div></div>\n\n\n	\n	<ul><li>Superb UI, a great departure from the norm of synthesizers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong>,\n display is context sensitive where the control parameters of any \ncontrol knob that is touched by the user, is immediately displayed</li><li><strong>Twelve ‘quick recall banks’</strong> are accessible directly\n from the front panel, enabling performing musicians to get rid of their\n set sheets and build set lists of presets, sequences and animations, \nall quickly accessible from dedicated front panel buttons. Up to ten \nbanks of quick recalls can be created, making live performance a doddle</li><li>VCF and VCA envelope generators</li><li><strong>Four Key Modes</strong> – Polyphonic, Monophonic, Unison and Stack</li><li>Very high quality construction, uses a premium <strong>FATAR semi-weighted five octave key mechanism with aftertouch</strong></li><li>All voice control parameters are accessible from a well designed and\n intuitive front panel, that follows a traditional synthesizer  work flow</li><li><strong>Pure analogue signal path</strong> from the oscillators onwards, no digital conversion.</li><li>Combined XLR/TRS sockets for balanced / unbalanced outputs. Further,\n each of the twelve outputs can be brought out individually via a \ndedicated d-sub socket.</li><li>Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016.</li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li><strong>XY joystick</strong> and Sustain and Expression pedal inputs\n for performance controls – any control parameter can be assigned to \nany joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel\n selector button.</li></ul><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7425,85,0,1238,'Modal Electronics Modal 002 - 12 Voice Polyphonic Analogue / Digital Hybrid Synthesizer'),(7426,85,1,1238,'Modal Electronics Modal 002 - 12 Voice Polyphonic Analogue / Digital Hybrid Synthesizer'),(7427,76,0,1238,''),(7428,76,1,1238,''),(7429,75,0,1239,'<h2>Modal Electronics Modal 002R - 12 Voice Polyphonic Analogue / Digital Hybrid Synthesizer </h2>\n<i>The Modal 002 has 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes</i><i>.</i><br /><br />The Modal 002R provides twelve discrete voices of polyphony with full multi-timbrality if desired. The 002R has two oscillators per voice with two sub oscillators, which can be switched from being either traditional square wave to having the same waveform as the main oscillator – in effect making four oscillators per voice<br />Analogue / digital hybrid architecture uses NCOs for very high resolution, and very stable oscillators. <br />Modal Electronics designed 24dB per octave four pole transistor ladder filter, with some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 002</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">R Key Features:</inline></inline></b></inline><br /></inline><br /><div class=\"wpb_row vc_inner vc_row    attched-false   vc_row-fluid\">\n		\n		<div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li><strong>Two LFO’s</strong>, one per voice and one global</li><li>Extensive modulation options</li><li>002R features a range of sequencing options – a built in <strong>12 Track, 12 row, 32 step sequencer</strong> with MIDI sync capabilities. Sequences can also be transposed dynamically while running</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 002 to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li><li>Ethernet port to connect your 002R to your network and enable \nupdates via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li></ul>\n\n	\n</div>\n</div></div></div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-7\" class=\"mk-text-block   \">\n\n	\n	<ul><li>Superb UI, a great departure from the norm of synthesisers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong></li><li><strong>12 ‘quick recall banks’</strong> are accessible directly \nfrom the front panel, enabling performing musicians to get rid of their \nset sheets and build set lists of presets, sequences and animations, all\n quickly accessible from dedicated front panel buttons. Up to ten banks \nof quick recalls can be created, making live performance a doddle</li><li>VCF and VCA envelope generators</li><li><strong>Four Key Modes</strong> – Polyphonic, Monophonic, Unison and Stack</li><li>Voice control parameters are easily accessible using the <strong>Modal Quick Navigate</strong>\n dials to quickly control page, parameter and value. These dials are \nalso user assignable to single or multiple parameters to create complex \nmacro knobs.</li><li>The power of 002R becomes really apparent when used with the <strong>Modal Web Interface,</strong>\n no need for a plugin, use any HTML5 compatible web browser (Chrome, \nSafari, Firefox etc.) on any platform that supports a browser – laptop, \ndesktop, tablet or phone! for full control and editing of all of 002R’s \nfunctions</li><li><strong>Pure analogue signal path</strong> from the oscillators onwards, no digital conversion.</li><li>Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016.</li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li>Fits into a 3U 19″ audio rack</li></ul>\n\n	\n</div>\n</div></div></div>		\n</div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7430,75,1,1239,'<h2>Modal Electronics Modal 002R - 12 Voice Polyphonic Analogue / Digital Hybrid Synthesizer </h2>\n<i>The Modal 002 has 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes</i><i>.</i><br /><br />The Modal 002R provides twelve discrete voices of polyphony with full multi-timbrality if desired. The 002R has two oscillators per voice with two sub oscillators, which can be switched from being either traditional square wave to having the same waveform as the main oscillator – in effect making four oscillators per voice<br />Analogue / digital hybrid architecture uses NCOs for very high resolution, and very stable oscillators. <br />Modal Electronics designed 24dB per octave four pole transistor ladder filter, with some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 002</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">R Key Features:</inline></inline></b></inline><br /></inline><br /><div class=\"wpb_row vc_inner vc_row    attched-false   vc_row-fluid\">\n		\n		<div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li><strong>Two LFO’s</strong>, one per voice and one global</li><li>Extensive modulation options</li><li>002R features a range of sequencing options – a built in <strong>12 Track, 12 row, 32 step sequencer</strong> with MIDI sync capabilities. Sequences can also be transposed dynamically while running</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 002 to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li><li>Ethernet port to connect your 002R to your network and enable \nupdates via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li></ul>\n\n	\n</div>\n</div></div></div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-7\" class=\"mk-text-block   \">\n\n	\n	<ul><li>Superb UI, a great departure from the norm of synthesisers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong></li><li><strong>12 ‘quick recall banks’</strong> are accessible directly \nfrom the front panel, enabling performing musicians to get rid of their \nset sheets and build set lists of presets, sequences and animations, all\n quickly accessible from dedicated front panel buttons. Up to ten banks \nof quick recalls can be created, making live performance a doddle</li><li>VCF and VCA envelope generators</li><li><strong>Four Key Modes</strong> – Polyphonic, Monophonic, Unison and Stack</li><li>Voice control parameters are easily accessible using the <strong>Modal Quick Navigate</strong>\n dials to quickly control page, parameter and value. These dials are \nalso user assignable to single or multiple parameters to create complex \nmacro knobs.</li><li>The power of 002R becomes really apparent when used with the <strong>Modal Web Interface,</strong>\n no need for a plugin, use any HTML5 compatible web browser (Chrome, \nSafari, Firefox etc.) on any platform that supports a browser – laptop, \ndesktop, tablet or phone! for full control and editing of all of 002R’s \nfunctions</li><li><strong>Pure analogue signal path</strong> from the oscillators onwards, no digital conversion.</li><li>Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016.</li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li>Fits into a 3U 19″ audio rack</li></ul>\n\n	\n</div>\n</div></div></div>		\n</div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7431,85,0,1239,'Modal Electronics Modal 002R - 12 Voice Polyphonic Analogue / Digital Hybrid Synthesizer'),(7432,85,1,1239,'Modal Electronics Modal 002R - 12 Voice Polyphonic Analogue / Digital Hybrid Synthesizer'),(7433,76,0,1239,''),(7434,76,1,1239,''),(7435,75,0,1240,'<h2>Modal Electronics Modal 002R - 8 Voice Polyphonic Analogue / Digital Hybrid Synthesizer </h2>\n<i>The Modal 002 has 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes</i><i>.</i><br /><br />The Modal 002R provides eight discrete voices of polyphony with full multi-timbrality if desired. The 002R has two oscillators per voice with two sub oscillators, which can be switched from being either traditional square wave to having the same waveform as the main oscillator – in effect making four oscillators per voice<br />Analogue / digital hybrid architecture uses NCOs for very high resolution, and very stable oscillators. <br />Modal Electronics designed 24dB per octave four pole transistor ladder filter, with some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 002</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">R Key Features:</inline></inline></b></inline><br /></inline><br /><div class=\"wpb_row vc_inner vc_row    attched-false   vc_row-fluid\">\n		\n		<div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li><strong>Two LFO’s</strong>, one per voice and one global</li><li>Extensive modulation options</li><li>002R features a range of sequencing options – a built in <strong>12 Track, 12 row, 32 step sequencer</strong> with MIDI sync capabilities. Sequences can also be transposed dynamically while running</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 002 to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li><li>Ethernet port to connect your 002R to your network and enable \nupdates via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li></ul>\n\n	\n</div>\n</div></div></div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-7\" class=\"mk-text-block   \">\n\n	\n	<ul><li>Superb UI, a great departure from the norm of synthesisers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong></li><li><strong>12 ‘quick recall banks’</strong> are accessible directly \nfrom the front panel, enabling performing musicians to get rid of their \nset sheets and build set lists of presets, sequences and animations, all\n quickly accessible from dedicated front panel buttons. Up to ten banks \nof quick recalls can be created, making live performance a doddle</li><li>VCF and VCA envelope generators</li><li><strong>Four Key Modes</strong> – Polyphonic, Monophonic, Unison and Stack</li><li>Voice control parameters are easily accessible using the <strong>Modal Quick Navigate</strong>\n dials to quickly control page, parameter and value. These dials are \nalso user assignable to single or multiple parameters to create complex \nmacro knobs.</li><li>The power of 002R becomes really apparent when used with the <strong>Modal Web Interface,</strong>\n no need for a plugin, use any HTML5 compatible web browser (Chrome, \nSafari, Firefox etc.) on any platform that supports a browser – laptop, \ndesktop, tablet or phone! for full control and editing of all of 002R’s \nfunctions</li><li><strong>Pure analogue signal path</strong> from the oscillators onwards, no digital conversion.</li><li>Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016.</li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li>Fits into a 3U 19″ audio rack</li></ul>\n\n	\n</div>\n</div></div></div>		\n</div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7436,75,1,1240,'<h2>Modal Electronics Modal 002R - 8 Voice Polyphonic Analogue / Digital Hybrid Synthesizer </h2>\n<i>The Modal 002 has 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes</i><i>.</i><br /><br />The Modal 002R provides eight discrete voices of polyphony with full multi-timbrality if desired. The 002R has two oscillators per voice with two sub oscillators, which can be switched from being either traditional square wave to having the same waveform as the main oscillator – in effect making four oscillators per voice<br />Analogue / digital hybrid architecture uses NCOs for very high resolution, and very stable oscillators. <br />Modal Electronics designed 24dB per octave four pole transistor ladder filter, with some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 002</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">R Key Features:</inline></inline></b></inline><br /></inline><br /><div class=\"wpb_row vc_inner vc_row    attched-false   vc_row-fluid\">\n		\n		<div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li><strong>Two LFO’s</strong>, one per voice and one global</li><li>Extensive modulation options</li><li>002R features a range of sequencing options – a built in <strong>12 Track, 12 row, 32 step sequencer</strong> with MIDI sync capabilities. Sequences can also be transposed dynamically while running</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 002 to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li><li>Ethernet port to connect your 002R to your network and enable \nupdates via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li></ul>\n\n	\n</div>\n</div></div></div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-7\" class=\"mk-text-block   \">\n\n	\n	<ul><li>Superb UI, a great departure from the norm of synthesisers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong></li><li><strong>12 ‘quick recall banks’</strong> are accessible directly \nfrom the front panel, enabling performing musicians to get rid of their \nset sheets and build set lists of presets, sequences and animations, all\n quickly accessible from dedicated front panel buttons. Up to ten banks \nof quick recalls can be created, making live performance a doddle</li><li>VCF and VCA envelope generators</li><li><strong>Four Key Modes</strong> – Polyphonic, Monophonic, Unison and Stack</li><li>Voice control parameters are easily accessible using the <strong>Modal Quick Navigate</strong>\n dials to quickly control page, parameter and value. These dials are \nalso user assignable to single or multiple parameters to create complex \nmacro knobs.</li><li>The power of 002R becomes really apparent when used with the <strong>Modal Web Interface,</strong>\n no need for a plugin, use any HTML5 compatible web browser (Chrome, \nSafari, Firefox etc.) on any platform that supports a browser – laptop, \ndesktop, tablet or phone! for full control and editing of all of 002R’s \nfunctions</li><li><strong>Pure analogue signal path</strong> from the oscillators onwards, no digital conversion.</li><li>Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016.</li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li>Fits into a 3U 19″ audio rack</li></ul>\n\n	\n</div>\n</div></div></div>		\n</div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7437,85,0,1240,'Modal Electronics Modal 002R - 8 Voice Polyphonic Analogue / Digital Hybrid Synthesizer'),(7438,85,1,1240,'Modal Electronics Modal 002R - 8 Voice Polyphonic Analogue / Digital Hybrid Synthesizer'),(7439,76,0,1240,''),(7440,76,1,1240,''),(7441,75,0,1241,'<h2>Modal Electronics Modal 008 - 8 Voice Polyphonic Analogue Synthesizer</h2>\n<i>The Modal 008 is a </i><i>8-Voice Polyphony, 2-Part Multi-Timbral, 2x 100% Analog VCOs, 2 Sub Oscillators and 15 Multi-Mode Filter</i><i> Keyboard Synthesizer.</i><br /><br />The Modal 008 is an 8-voice analogue synthesizer. It features two 100% analogue VCO’s per voice with two sub oscillators, an innovative and extremely flexible 15 multi-mode filter, VCA, 11 modulation sources, including two audio rate LFOs, with unlimited destinations and a very powerful Sequencer and Arpeggiator.<br /><br />The hardware has been manufactured with high-quality components: FATAR semi-weighted five octave key mechanism with aftertouch, black metal case, aluminum turned encoders and high quality 4.3” LCD screen.<br /><br />Among the many connections, Modal 008 features an ethernet port to connect your synth to your network and enable updates via the internet (no need for MIDI sysex dumps) and also access to the Modal cloud features and HTML Web User Interface.<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 008</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\"> Key Features:</inline></inline></b></inline><br /></inline><br /><div class=\"wpb_row vc_inner vc_row    attched-false   vc_row-fluid\">\n		\n		<div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li>008 provides <strong>eight discrete voices of polyphony</strong> with an<strong>  uncompromising analogue architecture</strong> utilising the highest grade components throughout</li><li><strong>Two 100% analogue VCO’s per voice with two sub oscillators</strong>,\n providing sawtooth, triangle, square with PWM and noise. Each of the \nwaveforms can be blended together to provide completely new complex wave\n shapes</li><li>Innovative and extremely flexible <strong>15 multi-mode filter</strong>,\n consisting of traditional modes such as low-pass, band-pass and \nhigh-pass as well as more unusual notch, phase and combination modes.</li><li>Filter overdrive enables the sound to be driven to sonic extremes</li><li>A range of classic analogue polysynth features such as <strong>oscillator and filter FM</strong> bringing amazing sonic power</li><li><strong>Two LFO’s, both capable of reaching audio rates </strong>with multiple wave shapes and midi sync</li><li><strong>11 modulation sources</strong> with <strong>unlimited</strong> destinations. Each destination can be set its own <strong>unique depth</strong>, a super smooth sample rate of 10kHz and all accessible from the front panel – no menu diving</li><li>008 features a range of sequencing options – a built in <strong>2 Track, 12 row, 32 step sequencer</strong>\n with 16 dedicated step time editing knobs on the front panel and MIDI \nsync capabilities. Sequences can also be transposed dynamically while \nrunning</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 008 to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li><li>Ethernet port to connect your 008 to your network and enable updates\n via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li></ul>\n\n	\n</div>\n</div></div></div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-7\" class=\"mk-text-block   \">\n\n	\n	<ul><li>Two part multi-timbral (<strong>bi timbral</strong>) allowing splits across the keyboard or stacks to create amazingly complex sounds</li><li>Superb UI, a great departure from the norm of synthesisers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong>,\n display is context sensitive where the control parameters of any \ncontrol knob that is touched by the user, is immediately displayed</li><li><strong>Eight ‘quick recall banks’</strong> are accessible directly \nfrom the front panel, enabling performing musicians to get rid of their \nset sheets and build set lists of presets, sequences and animations, all\n quickly accessible from dedicated front panel buttons. Up to ten banks \nof quick recalls can be created, making live performance a doddle</li><li><strong>Ultra fast (1ms) VCF and VCA envelope generators</strong>. VCF-EG is one of the 11 modulation sources that can be freely assigned to any parameter by it’s own unique amount</li><li><strong>Four Key Modes</strong> – Polyphonic, Monophonic, Unison and Stack</li><li>Very high quality construction, uses a premium <strong>FATAR semi-weighted five octave key mechanism with aftertouch</strong></li><li>All voice control parameters are accessible from a well designed and\n intuitive front panel, that follows a traditional synthesiser work flow</li><li>Combined XLR/TRS sockets for balanced / unbalanced outputs. Further,\n each of the eight outputs can be brought out individually via a \ndedicated d-sub socket.</li><li>Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016.</li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li><strong>XY joystick</strong> and Sustain and Expression pedal inputs\n for performance controls – any control parameter can be assigned to \nany joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel\n selector button</li></ul>\n\n	\n</div>\n</div></div></div>		\n</div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7442,75,1,1241,'<h2>Modal Electronics Modal 008 - 8 Voice Polyphonic Analogue Synthesizer</h2>\n<i>The Modal 008 is a </i><i>8-Voice Polyphony, 2-Part Multi-Timbral, 2x 100% Analog VCOs, 2 Sub Oscillators and 15 Multi-Mode Filter</i><i> Keyboard Synthesizer.</i><br /><br />The Modal 008 is an 8-voice analogue synthesizer. It features two 100% analogue VCO’s per voice with two sub oscillators, an innovative and extremely flexible 15 multi-mode filter, VCA, 11 modulation sources, including two audio rate LFOs, with unlimited destinations and a very powerful Sequencer and Arpeggiator.<br /><br />The hardware has been manufactured with high-quality components: FATAR semi-weighted five octave key mechanism with aftertouch, black metal case, aluminum turned encoders and high quality 4.3” LCD screen.<br /><br />Among the many connections, Modal 008 features an ethernet port to connect your synth to your network and enable updates via the internet (no need for MIDI sysex dumps) and also access to the Modal cloud features and HTML Web User Interface.<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 008</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\"> Key Features:</inline></inline></b></inline><br /></inline><br /><div class=\"wpb_row vc_inner vc_row    attched-false   vc_row-fluid\">\n		\n		<div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li>008 provides <strong>eight discrete voices of polyphony</strong> with an<strong>  uncompromising analogue architecture</strong> utilising the highest grade components throughout</li><li><strong>Two 100% analogue VCO’s per voice with two sub oscillators</strong>,\n providing sawtooth, triangle, square with PWM and noise. Each of the \nwaveforms can be blended together to provide completely new complex wave\n shapes</li><li>Innovative and extremely flexible <strong>15 multi-mode filter</strong>,\n consisting of traditional modes such as low-pass, band-pass and \nhigh-pass as well as more unusual notch, phase and combination modes.</li><li>Filter overdrive enables the sound to be driven to sonic extremes</li><li>A range of classic analogue polysynth features such as <strong>oscillator and filter FM</strong> bringing amazing sonic power</li><li><strong>Two LFO’s, both capable of reaching audio rates </strong>with multiple wave shapes and midi sync</li><li><strong>11 modulation sources</strong> with <strong>unlimited</strong> destinations. Each destination can be set its own <strong>unique depth</strong>, a super smooth sample rate of 10kHz and all accessible from the front panel – no menu diving</li><li>008 features a range of sequencing options – a built in <strong>2 Track, 12 row, 32 step sequencer</strong>\n with 16 dedicated step time editing knobs on the front panel and MIDI \nsync capabilities. Sequences can also be transposed dynamically while \nrunning</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 008 to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li><li>Ethernet port to connect your 008 to your network and enable updates\n via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li></ul>\n\n	\n</div>\n</div></div></div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-7\" class=\"mk-text-block   \">\n\n	\n	<ul><li>Two part multi-timbral (<strong>bi timbral</strong>) allowing splits across the keyboard or stacks to create amazingly complex sounds</li><li>Superb UI, a great departure from the norm of synthesisers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong>,\n display is context sensitive where the control parameters of any \ncontrol knob that is touched by the user, is immediately displayed</li><li><strong>Eight ‘quick recall banks’</strong> are accessible directly \nfrom the front panel, enabling performing musicians to get rid of their \nset sheets and build set lists of presets, sequences and animations, all\n quickly accessible from dedicated front panel buttons. Up to ten banks \nof quick recalls can be created, making live performance a doddle</li><li><strong>Ultra fast (1ms) VCF and VCA envelope generators</strong>. VCF-EG is one of the 11 modulation sources that can be freely assigned to any parameter by it’s own unique amount</li><li><strong>Four Key Modes</strong> – Polyphonic, Monophonic, Unison and Stack</li><li>Very high quality construction, uses a premium <strong>FATAR semi-weighted five octave key mechanism with aftertouch</strong></li><li>All voice control parameters are accessible from a well designed and\n intuitive front panel, that follows a traditional synthesiser work flow</li><li>Combined XLR/TRS sockets for balanced / unbalanced outputs. Further,\n each of the eight outputs can be brought out individually via a \ndedicated d-sub socket.</li><li>Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016.</li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li><strong>XY joystick</strong> and Sustain and Expression pedal inputs\n for performance controls – any control parameter can be assigned to \nany joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel\n selector button</li></ul>\n\n	\n</div>\n</div></div></div>		\n</div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7443,85,0,1241,'Modal Electronics Modal 008 - 8 Voice Polyphonic Analogue Synthesizer'),(7444,85,1,1241,'Modal Electronics Modal 008 - 8 Voice Polyphonic Analogue Synthesizer'),(7445,76,0,1241,''),(7446,76,1,1241,''),(7447,75,0,1242,'<h2>Modal Electronics Modal 008R - 8 Voice Polyphonic Analogue Synthesizer</h2>\n<i>The Modal 008R has </i><i>a range of classic analogue polysynth features such as oscillator and filter FM bringing amazing sonic power<i>.</i> </i><i></i><br /><br />The Modal 008R provides eight discrete voices of polyphony with an  uncompromising analogue architecture utilizing the highest grade components throughout. The two 100% analogue VCO’s per voice with two sub oscillators, providing sawtooth, triangle, square with PWM and noise. Each of the waveforms can be blended together to provide completely new complex wave shapes.<br /><br />The Modal 008R has an innovative and extremely flexible 15 multi-mode filter, consisting of traditional modes such as low-pass, band-pass and high-pass as well as more unusual notch, phase and combination modes. A filter overdrive enables the sound to be driven to sonic extremes.<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 008</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">R Key Features:</inline></inline></b></inline><br /></inline><br /><div class=\"wpb_row vc_inner vc_row    attched-false   vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li><strong>Two LFO’s, both capable of reaching audio rates </strong>with multiple wave shapes and midi sync</li><li><strong>11 modulation sources</strong> with <strong>unlimited</strong> destinations. Each destination can be set its own <strong>unique depth</strong>, a super smooth sample rate of 10kHz</li><li>008R features a range of sequencing options – a built in <strong>2 Track, 12 row, 32 step sequencer</strong> with\n 16 dedicated step time editing knobs on the front panel and MIDI sync \ncapabilities. Sequences can also be transposed dynamically while running</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 008R to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li><li>Ethernet port to connect your 008R to your network and enable \nupdates via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li></ul>\n\n	\n</div>\n</div></div></div>\n\n\n	\n	<ul><li>Two part multi-timbral (<strong>bi timbral</strong>) allowing splits across a keyboard or stacks to create amazingly complex sounds</li><li>Superb UI, a great departure from the norm of synthesisers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong>,\n display is context sensitive where the control parameters of any \ncontrol knob that is touched by the user, is immediately displayed</li><li><strong>Eight ‘quick recall banks’</strong> are accessible directly \nfrom the front panel, enabling performing musicians to get rid of their \nset sheets and build set lists of presets, sequences and animations, all\n quickly accessible from dedicated front panel buttons. Up to ten banks \nof quick recalls can be created, making live performance a doddle</li><li><strong>Ultra fast (1ms) VCF and VCA envelope generators</strong>. VCF-EG is one of the 11 modulation sources that can be freely assigned to any parameter by it’s own unique amount</li><li><strong>Four Key Modes</strong> – Polyphonic, Monophonic, Unison and Stack</li><li>Voice control parameters are easily accessible using the <strong>Modal Quick Navigate</strong> dials\n to quickly control page, parameter and value. These dials are also user\n assignable to single or multiple parameters to create complex macro \nknobs.</li><li>The power of 008R becomes really apparent when used with the <strong>Modal Web Interface,</strong> no\n need for a plugin, use any HTML5 compatible web browser (Chrome, \nSafari, Firefox etc.) on any platform that supports a browser – laptop, \ndesktop, tablet or phone! for full control and editing of all of 008R’s \nfunctions</li><li>Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016.</li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li>Fits into a 3U 19″ audio rack</li></ul></div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7448,75,1,1242,'<h2>Modal Electronics Modal 008R - 8 Voice Polyphonic Analogue Synthesizer</h2>\n<i>The Modal 008R has </i><i>a range of classic analogue polysynth features such as oscillator and filter FM bringing amazing sonic power<i>.</i> </i><i></i><br /><br />The Modal 008R provides eight discrete voices of polyphony with an  uncompromising analogue architecture utilizing the highest grade components throughout. The two 100% analogue VCO’s per voice with two sub oscillators, providing sawtooth, triangle, square with PWM and noise. Each of the waveforms can be blended together to provide completely new complex wave shapes.<br /><br />The Modal 008R has an innovative and extremely flexible 15 multi-mode filter, consisting of traditional modes such as low-pass, band-pass and high-pass as well as more unusual notch, phase and combination modes. A filter overdrive enables the sound to be driven to sonic extremes.<br /><br /><b> <inline style=\"font-size: 24px;\">Modal 008</inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">R Key Features:</inline></inline></b></inline><br /></inline><br /><div class=\"wpb_row vc_inner vc_row    attched-false   vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner \"><div class=\"wpb_wrapper\">\n<div id=\"text-block-6\" class=\"mk-text-block   \">\n\n	\n	<ul><li><strong>Two LFO’s, both capable of reaching audio rates </strong>with multiple wave shapes and midi sync</li><li><strong>11 modulation sources</strong> with <strong>unlimited</strong> destinations. Each destination can be set its own <strong>unique depth</strong>, a super smooth sample rate of 10kHz</li><li>008R features a range of sequencing options – a built in <strong>2 Track, 12 row, 32 step sequencer</strong> with\n 16 dedicated step time editing knobs on the front panel and MIDI sync \ncapabilities. Sequences can also be transposed dynamically while running</li><li>A very highly featured <strong>arpeggiator</strong> with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created</li><li>The Modal Electronics <strong>Animator</strong>, which enables any \ncontrol parameter on the 008R to be sequenced, enabling very complex \nfilter transisitions, wave form changes and modulation matrix changes to\n be sequenced</li><li>Ethernet port to connect your 008R to your network and enable \nupdates via the internet (no more midi sysex dumps) and access to the <strong>Modal Electronics cloud features</strong></li></ul>\n\n	\n</div>\n</div></div></div>\n\n\n	\n	<ul><li>Two part multi-timbral (<strong>bi timbral</strong>) allowing splits across a keyboard or stacks to create amazingly complex sounds</li><li>Superb UI, a great departure from the norm of synthesisers, featuring a very <strong>high quality 4.3″ screen with wide viewing angle</strong>,\n display is context sensitive where the control parameters of any \ncontrol knob that is touched by the user, is immediately displayed</li><li><strong>Eight ‘quick recall banks’</strong> are accessible directly \nfrom the front panel, enabling performing musicians to get rid of their \nset sheets and build set lists of presets, sequences and animations, all\n quickly accessible from dedicated front panel buttons. Up to ten banks \nof quick recalls can be created, making live performance a doddle</li><li><strong>Ultra fast (1ms) VCF and VCA envelope generators</strong>. VCF-EG is one of the 11 modulation sources that can be freely assigned to any parameter by it’s own unique amount</li><li><strong>Four Key Modes</strong> – Polyphonic, Monophonic, Unison and Stack</li><li>Voice control parameters are easily accessible using the <strong>Modal Quick Navigate</strong> dials\n to quickly control page, parameter and value. These dials are also user\n assignable to single or multiple parameters to create complex macro \nknobs.</li><li>The power of 008R becomes really apparent when used with the <strong>Modal Web Interface,</strong> no\n need for a plugin, use any HTML5 compatible web browser (Chrome, \nSafari, Firefox etc.) on any platform that supports a browser – laptop, \ndesktop, tablet or phone! for full control and editing of all of 008R’s \nfunctions</li><li>Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016.</li><li>Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out</li><li>Fits into a 3U 19″ audio rack</li></ul></div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3><span>Modal Electronics designs and manufactures innovative \"Machines for Musicians\". </span>Call or chat with\n a RSPE representative today for more information.</h3></span></span></span>'),(7449,85,0,1242,'Modal Electronics Modal 008R - 8 Voice Polyphonic Analogue Synthesizer'),(7450,85,1,1242,'Modal Electronics Modal 008R - 8 Voice Polyphonic Analogue Synthesizer'),(7451,76,0,1242,''),(7452,76,1,1242,''),(7453,75,0,1243,'<h2>Modson Studio Furniture FT2 Production Workstation Desk</h2>\nThe Modson FT2 Universal Studio Workstation is a sleek, modern, and ergonomic studio desk that features 12RU angled racks on each side and a curved design to make sure all your gear is comfortably within reach. Designed for mixing and mastering in recording studios and post production facilities, the FT2\'s acoustically transparent design won\'t interfere with your room\'s sound. Like all Modson studio furniture, the FT2 is hand-made and custom built to order in France.<br /><br />\n<h3>Modson FT2 Features:</h3>\n<ul>\n	<li>Designed for mixing and mastering</li><li>Padded vinyl armrest from long-lasting comfort</li><li>2x12RU racks on each side of the desk to keep your gear within reach</li><li>Sleek, low profile design that\'s acoustically transparent</li><li>Optional FT2 Speaker Platforms, 6RU center rack, or wood panel finish available. </li><li>Can be customized to seamlessly fit your mixer / control surface</li><li>Dimensions: 98.5 in (W) x 47.25 in (D) x 33.85 in (H) desktop working Height: 29.5 in</li></ul>'),(7454,75,1,1243,'<h2>Modson Studio Furniture FT2 Production Workstation Desk</h2>\nThe Modson FT2 Universal Studio Workstation is a sleek, modern, and ergonomic studio desk that features 12RU angled racks on each side and a curved design to make sure all your gear is comfortably within reach. Designed for mixing and mastering in recording studios and post production facilities, the FT2\'s acoustically transparent design won\'t interfere with your room\'s sound. Like all Modson studio furniture, the FT2 is hand-made and custom built to order in France.<br /><br />\n<h3>Modson FT2 Features:</h3>\n<ul>\n	<li>Designed for mixing and mastering</li><li>Padded vinyl armrest from long-lasting comfort</li><li>2x12RU racks on each side of the desk to keep your gear within reach</li><li>Sleek, low profile design that\'s acoustically transparent</li><li>Optional FT2 Speaker Platforms, 6RU center rack, or wood panel finish available. </li><li>Can be customized to seamlessly fit your mixer / control surface</li><li>Dimensions: 98.5 in (W) x 47.25 in (D) x 33.85 in (H) desktop working Height: 29.5 in</li></ul>'),(7455,85,0,1243,'Modson FT2 Production Workstation Desk'),(7456,85,1,1243,'Modson FT2 Production Workstation Desk'),(7457,76,0,1243,''),(7458,76,1,1243,''),(7459,75,0,1244,'<h2>Modson FT2 for Avid S6 Custom Workstation Desk</h2>\nThe Modson FT2 For Avid S6 Studio Workstation takes the FT2 and customizes it to seamlessly fit your Avid S6 control Surface. The FT2 is a sleek, modern, and ergonomic studio desk that features 12RU angled racks on each side and a curved design to make sure all your gear is comfortably within reach. Designed for mixing and mastering in recording studios and post production facilities, the FT2\'s acoustically transparent design won\'t interfere with your room\'s sound. Like all Modson studio furniture, the FT2 is hand-made and custom built to order in France.<br /><br />\n<h3>Modson FT2 Features:</h3>\n<ul>\n	<li>Custom designed to fit the Avid S6 Control Surface</li><li>Padded vinyl armrest from long-lasting comfort</li><li>2x12RU racks on each side of the desk to keep your gear within reach</li><li>Sleek, low profile design that\'s acoustically transparent</li><li>Optional FT2 Speaker Platforms, 6RU center rack, or wood panel finish available.</li><li>Dimensions: 98.5 in (W - varies depending on your S6) x 47.25 in (D) x 33.85 in (H) desktop working Height: 29.5 in</li></ul>'),(7460,75,1,1244,'<h2>Modson FT2 for Avid S6 Custom Workstation Desk</h2>\nThe Modson FT2 For Avid S6 Studio Workstation takes the FT2 and customizes it to seamlessly fit your Avid S6 control Surface. The FT2 is a sleek, modern, and ergonomic studio desk that features 12RU angled racks on each side and a curved design to make sure all your gear is comfortably within reach. Designed for mixing and mastering in recording studios and post production facilities, the FT2\'s acoustically transparent design won\'t interfere with your room\'s sound. Like all Modson studio furniture, the FT2 is hand-made and custom built to order in France.<br /><br />\n<h3>Modson FT2 Features:</h3>\n<ul>\n	<li>Custom designed to fit the Avid S6 Control Surface</li><li>Padded vinyl armrest from long-lasting comfort</li><li>2x12RU racks on each side of the desk to keep your gear within reach</li><li>Sleek, low profile design that\'s acoustically transparent</li><li>Optional FT2 Speaker Platforms, 6RU center rack, or wood panel finish available.</li><li>Dimensions: 98.5 in (W - varies depending on your S6) x 47.25 in (D) x 33.85 in (H) desktop working Height: 29.5 in</li></ul>'),(7461,85,0,1244,'Modson FT2 for Avid S6 Workstation Desk'),(7462,85,1,1244,'Modson FT2 for Avid S6 Workstation Desk'),(7463,76,0,1244,''),(7464,76,1,1244,''),(7465,75,0,1245,'<h2>Modson FT2 for Blackmagic DaVinci Resolve Advanced Panel Workstation Desk</h2>\nThe Modson FT2 Blackmagic DaVinci Resolve Advanced Panel  Studio Workstation takes the FT2 and customizes it to seamlessly fit your DaVinci Resolve Advanced Panel . The FT2 is a sleek, modern, and ergonomic studio desk that features 12RU angled racks on each side and a curved design to make sure all your gear is comfortably within reach. Designed for mixing and mastering in recording studios and post production facilities, the FT2\'s acoustically transparent design won\'t interfere with your room\'s sound. Like all Modson studio furniture, the FT2 is hand-made and custom built to order in France.<br /><br />\n<h3>Modson FT2 Features:</h3>\n<ul>\n	<li>Custom designed to fit the Blackmagic DaVinci Resolve Advanced Panel </li><li>Padded vinyl armrest from long-lasting comfort</li><li>12RU racks on left side of the desk to keep your gear within reach (12RU rack can also be added to the right side)</li><li>Sleek, low profile design that\'s acoustically transparent</li><li>Optional FT2 Speaker Platforms, 6RU center rack, or wood panel finish available.</li><li>Dimensions: 98.5 in (W - varies depending on your S6) x 47.25 in (D) x 33.85 in (H) desktop working Height: 29.5 in</li></ul>'),(7466,75,1,1245,'<h2>Modson FT2 for Blackmagic DaVinci Resolve Advanced Panel Workstation Desk</h2>\nThe Modson FT2 Blackmagic DaVinci Resolve Advanced Panel  Studio Workstation takes the FT2 and customizes it to seamlessly fit your DaVinci Resolve Advanced Panel . The FT2 is a sleek, modern, and ergonomic studio desk that features 12RU angled racks on each side and a curved design to make sure all your gear is comfortably within reach. Designed for mixing and mastering in recording studios and post production facilities, the FT2\'s acoustically transparent design won\'t interfere with your room\'s sound. Like all Modson studio furniture, the FT2 is hand-made and custom built to order in France.<br /><br />\n<h3>Modson FT2 Features:</h3>\n<ul>\n	<li>Custom designed to fit the Blackmagic DaVinci Resolve Advanced Panel </li><li>Padded vinyl armrest from long-lasting comfort</li><li>12RU racks on left side of the desk to keep your gear within reach (12RU rack can also be added to the right side)</li><li>Sleek, low profile design that\'s acoustically transparent</li><li>Optional FT2 Speaker Platforms, 6RU center rack, or wood panel finish available.</li><li>Dimensions: 98.5 in (W - varies depending on your S6) x 47.25 in (D) x 33.85 in (H) desktop working Height: 29.5 in</li></ul>'),(7467,85,0,1245,'Modson FT2 for Blackmagic DaVinci Resolve Advanced Panel Workstation Desk'),(7468,85,1,1245,'Modson FT2 for Blackmagic DaVinci Resolve Advanced Panel Workstation Desk'),(7469,76,0,1245,''),(7470,76,1,1245,''),(7471,75,0,1246,'<h2>Modson Xplore 2.0 Studio Workstation Desk</h2>\nThe Modson Xplore 2.0 Studio Workstation Desk is a sleek, modern, and ergonomic studio desk that features 6RU angled racks on each side and a padded vinyl armrest to make sure all your gear is comfortably within reach. Designed for mixing and mastering in recording studios and post production facilities, the Xplore 2.0\'s acoustically transparent design won\'t interfere with your room\'s sound. Like all Modson studio furniture, the Xplore 2.0 is custom built to order in France.<br /><br />\n<h3>Modson Xplore 2.0 Features:</h3>\n<ul>\n	<li>Designed for mixing and mastering</li><li>Padded vinyl armrest from long-lasting comfort</li><li>2x6RU racks on each side of the desk to keep your gear within reach</li><li>Sleek, Low profile , acoustically transparent and ergonomic design</li><li>Optional Speaker Platforms, LCD arms, or Iso acoustics</li><li>Can be customized to seamlessly fit your mixer / control surface including Avid S3 & Artist Series, SSL Nucleus, and Avid S6 8-Fader</li><li>Powder Coated Legs, Mdf 40mm</li><li>Dimensions: 188 cm (W) x 105 cm (D) x 86 cm (H) working Height: 75cm</li></ul>'),(7472,75,1,1246,'<h2>Modson Xplore 2.0 Studio Workstation Desk</h2>\nThe Modson Xplore 2.0 Studio Workstation Desk is a sleek, modern, and ergonomic studio desk that features 6RU angled racks on each side and a padded vinyl armrest to make sure all your gear is comfortably within reach. Designed for mixing and mastering in recording studios and post production facilities, the Xplore 2.0\'s acoustically transparent design won\'t interfere with your room\'s sound. Like all Modson studio furniture, the Xplore 2.0 is custom built to order in France.<br /><br />\n<h3>Modson Xplore 2.0 Features:</h3>\n<ul>\n	<li>Designed for mixing and mastering</li><li>Padded vinyl armrest from long-lasting comfort</li><li>2x6RU racks on each side of the desk to keep your gear within reach</li><li>Sleek, Low profile , acoustically transparent and ergonomic design</li><li>Optional Speaker Platforms, LCD arms, or Iso acoustics</li><li>Can be customized to seamlessly fit your mixer / control surface including Avid S3 & Artist Series, SSL Nucleus, and Avid S6 8-Fader</li><li>Powder Coated Legs, Mdf 40mm</li><li>Dimensions: 188 cm (W) x 105 cm (D) x 86 cm (H) working Height: 75cm</li></ul>'),(7473,85,0,1246,'Modson Xplore 2.0 Studio Workstation Desk'),(7474,85,1,1246,'Modson Xplore 2.0 Studio Workstation Desk'),(7475,76,0,1246,''),(7476,76,1,1246,''),(7477,75,0,1247,'<h2>Modson Xplore 2.0 for Avid S3 Studio Workstation Desk</h2>\nThe Modson Xplore 2.0 for Avid S3 Studio Workstation Desk takes the Xplore 2.0 and customizes it to seamlessly fit your Avid S3 control surface. Xplore 2.0 is a sleek, modern, and ergonomic studio desk that features 6RU angled racks on each side and a padded vinyl armrest to make sure all your gear is comfortably within reach. Designed for mixing and mastering in recording studios and post production facilities, the Xplore 2.0\'s acoustically transparent design won\'t interfere with your room\'s sound. Like all Modson studio furniture, the Xplore 2.0 is custom built to order in France.<br /><br />\n<h3>Modson Xplore 2.0 Features:</h3>\n<ul>\n	<li>Custom designed to fit the Avid S3 Control Surface</li><li>Designed for mixing and mastering</li><li>Padded vinyl armrest from long-lasting comfort</li><li>2x6RU racks on each side of the desk to keep your gear within reach</li><li>Sleek, Low profile , acoustically transparent and ergonomic design</li><li>Optional Speaker Platforms, LCD arms, or Iso acoustics</li><li>Can also be customized to seamlessly fit other mixer / control surfaces including Avid Artist Series, SSL Nucleus, and Avid S6 8-Fader</li><li>Powder Coated Legs, Mdf 40mm</li><li>Dimensions: 188 cm (W) x 105 cm (D) x 86 cm (H) working Height: 75cm</li></ul>'),(7478,75,1,1247,'<h2>Modson Xplore 2.0 for Avid S3 Studio Workstation Desk</h2>\nThe Modson Xplore 2.0 for Avid S3 Studio Workstation Desk takes the Xplore 2.0 and customizes it to seamlessly fit your Avid S3 control surface. Xplore 2.0 is a sleek, modern, and ergonomic studio desk that features 6RU angled racks on each side and a padded vinyl armrest to make sure all your gear is comfortably within reach. Designed for mixing and mastering in recording studios and post production facilities, the Xplore 2.0\'s acoustically transparent design won\'t interfere with your room\'s sound. Like all Modson studio furniture, the Xplore 2.0 is custom built to order in France.<br /><br />\n<h3>Modson Xplore 2.0 Features:</h3>\n<ul>\n	<li>Custom designed to fit the Avid S3 Control Surface</li><li>Designed for mixing and mastering</li><li>Padded vinyl armrest from long-lasting comfort</li><li>2x6RU racks on each side of the desk to keep your gear within reach</li><li>Sleek, Low profile , acoustically transparent and ergonomic design</li><li>Optional Speaker Platforms, LCD arms, or Iso acoustics</li><li>Can also be customized to seamlessly fit other mixer / control surfaces including Avid Artist Series, SSL Nucleus, and Avid S6 8-Fader</li><li>Powder Coated Legs, Mdf 40mm</li><li>Dimensions: 188 cm (W) x 105 cm (D) x 86 cm (H) working Height: 75cm</li></ul>'),(7479,85,0,1247,'Modson Xplore 2.0 for Avid S3 Studio Workstation Desk'),(7480,85,1,1247,'Modson Xplore 2.0 for Avid S3 Studio Workstation Desk'),(7481,76,0,1247,''),(7482,76,1,1247,''),(7483,75,0,1248,'Used with the world\'s most prestigious recording machines, consoles and patch bays, Mogami DB25 to gold pin XLR is eight channels analog in. This cable uses industry standard analog pin-out and fits all machines.\n\nMade with Mogami 2932 studio snake cable. Includes both metric and domestic thumbscrews for use on just about all machines and consoles.'),(7484,75,1,1248,'Used with the world\'s most prestigious recording machines, consoles and patch bays, Mogami DB25 to gold pin XLR is eight channels analog in. This cable uses industry standard analog pin-out and fits all machines.\n\nMade with Mogami 2932 studio snake cable. Includes both metric and domestic thumbscrews for use on just about all machines and consoles.'),(7485,85,0,1248,'Mogami Recording Analog Interface Cable 10\' DB25-XLRF, d-sub, dsub'),(7486,85,1,1248,'Mogami Recording Analog Interface Cable 10\' DB25-XLRF, d-sub, dsub'),(7487,76,0,1248,''),(7488,76,1,1248,''),(7489,75,0,1249,'Used with the world\'s most prestigious recording machines, consoles and patch bays, Mogami DB25 to gold pin XLR is eight channels analog in. This cable uses industry standard analog pin-out and fits all machines.\n\nMade with Mogami 2932 studio snake cable. Includes both metric and domestic thumbscrews for use on just about all machines and consoles.'),(7490,75,1,1249,'Used with the world\'s most prestigious recording machines, consoles and patch bays, Mogami DB25 to gold pin XLR is eight channels analog in. This cable uses industry standard analog pin-out and fits all machines.\n\nMade with Mogami 2932 studio snake cable. Includes both metric and domestic thumbscrews for use on just about all machines and consoles.'),(7491,85,0,1249,'Mogami Recording Analog Interface Cable 20\' DB25-XLRF, d-sub, dsub'),(7492,85,1,1249,'Mogami Recording Analog Interface Cable 20\' DB25-XLRF, d-sub, dsub'),(7493,76,0,1249,''),(7494,76,1,1249,''),(7495,75,0,1250,'Used with the world\'s most prestigious recording machines, consoles and patch bays, Mogami DB25 to gold pin XLR male is eight channels analog out. This cable uses industry standard analog pin-out and fits all machines.\n\nMade with Mogami 2932 studio snake cable. Includes both metric & domestic thumbscrews for use on just about all machines & consoles.'),(7496,75,1,1250,'Used with the world\'s most prestigious recording machines, consoles and patch bays, Mogami DB25 to gold pin XLR male is eight channels analog out. This cable uses industry standard analog pin-out and fits all machines.\n\nMade with Mogami 2932 studio snake cable. Includes both metric & domestic thumbscrews for use on just about all machines & consoles.'),(7497,85,0,1250,'Mogami Recording Analog Interface Cable 10\' DB25-XLRM, D-sub, Dsub'),(7498,85,1,1250,'Mogami Recording Analog Interface Cable 10\' DB25-XLRM, D-sub, Dsub'),(7499,76,0,1250,''),(7500,76,1,1250,''),(7501,75,0,1251,'Used with the world\'s most prestigious recording machines, consoles and patch bays, Mogami DB25 to gold pin XLR male is eight channels analog out. This cable uses industry standard analog pin-out and fits all machines.\n\nMade with Mogami 2932 studio snake cable. Includes both metric & domestic thumbscrews for use on just about all machines & consoles.'),(7502,75,1,1251,'Used with the world\'s most prestigious recording machines, consoles and patch bays, Mogami DB25 to gold pin XLR male is eight channels analog out. This cable uses industry standard analog pin-out and fits all machines.\n\nMade with Mogami 2932 studio snake cable. Includes both metric & domestic thumbscrews for use on just about all machines & consoles.'),(7503,85,0,1251,'Mogami Recording Analog Interface Cable 20\' DB25-XLRM, D-sub, Dsub'),(7504,85,1,1251,'Mogami Recording Analog Interface Cable 20\' DB25-XLRM, D-sub, Dsub'),(7505,76,0,1251,''),(7506,76,1,1251,''),(7507,75,0,1252,'Made with Mogami Neglex Quad cable and gold connectors, Mogami studio accessory cables are the finest you can buy for neutral tone and noise rejection.  Conductor insulation is XLPE (Cross-Linked Polyethylene) for excellent sonic clarity.  Mogami Signature Ultra High Density Spiral Pure Copper Shield for superior sound quality and silent background.  A perfect choice for high end audio equipment.'),(7508,75,1,1252,'Made with Mogami Neglex Quad cable and gold connectors, Mogami studio accessory cables are the finest you can buy for neutral tone and noise rejection.  Conductor insulation is XLPE (Cross-Linked Polyethylene) for excellent sonic clarity.  Mogami Signature Ultra High Density Spiral Pure Copper Shield for superior sound quality and silent background.  A perfect choice for high end audio equipment.'),(7509,85,0,1252,'Mogami TRS to XLR-M 10\' Cable'),(7510,85,1,1252,'Mogami TRS to XLR-M 10\' Cable'),(7511,76,0,1252,''),(7512,76,1,1252,''),(7513,75,0,1253,'Made with Mogami Neglex Quad cable and gold connectors, Mogami studio accessory cables are the finest you can buy for neutral tone and noise rejection.  Conductor insulation is XLPE (Cross-Linked Polyethylene) for excellent sonic clarity.  Mogami Signature Ultra High Density Spiral Pure Copper Shield for superior sound quality and silent background.  A perfect choice for high end audio equipment.'),(7514,75,1,1253,'Made with Mogami Neglex Quad cable and gold connectors, Mogami studio accessory cables are the finest you can buy for neutral tone and noise rejection.  Conductor insulation is XLPE (Cross-Linked Polyethylene) for excellent sonic clarity.  Mogami Signature Ultra High Density Spiral Pure Copper Shield for superior sound quality and silent background.  A perfect choice for high end audio equipment.'),(7515,85,0,1253,'Mogami TRS to XLR-M 25\' Cable'),(7516,85,1,1253,'Mogami TRS to XLR-M 25\' Cable'),(7517,76,0,1253,''),(7518,76,1,1253,''),(7519,75,0,1254,'From large recording facilities to small project studios, engineers and artists trust Mogami Gold Studio microphone cables. Wired with Neglex studio quad, this 4-conductor cable offers the highest cancellation of noise and is the quietest, best sounding cable you can buy. Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range.\n\nMogami’s finest Studio microphone cable. Black body/gold pin XLR connectors, made with Mogami 2534 quad cable.'),(7520,75,1,1254,'From large recording facilities to small project studios, engineers and artists trust Mogami Gold Studio microphone cables. Wired with Neglex studio quad, this 4-conductor cable offers the highest cancellation of noise and is the quietest, best sounding cable you can buy. Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range.\n\nMogami’s finest Studio microphone cable. Black body/gold pin XLR connectors, made with Mogami 2534 quad cable.'),(7521,85,0,1254,'Mogami 6\' Gold Microphone Cable, mic cable'),(7522,85,1,1254,'Mogami 6\' Gold Microphone Cable, mic cable'),(7523,76,0,1254,''),(7524,76,1,1254,''),(7525,75,0,1255,'<h2>Mogami Gold Studio Microphone Cable - <span style=\"background-color: initial;\">15 Foot</span><span style=\"background-color: initial;\"> </span></h2>From large recording facilities to small project studios, engineers and artists trust Mogami Gold Studio microphone cables. Wired with Neglex studio quad, this 4-conductor cable offers the highest cancellation of noise and is the quietest, best sounding cable you can buy. Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range. Mogami’s finest Studio microphone cable. Black body/gold pin XLR connectors, made with Mogami 2534 quad cable. <br /><br /><h3>Mogami Gold Key Features</h3><ul><li><span style=\"background-color: initial;\">Wired with Neglex Studio Quad</span></li><li><span style=\"background-color: initial;\">Offers superior clarity and freedom from noise/RF interference</span></li><li><span style=\"background-color: initial;\">Terminated with black body 3-pin XLR connectors and gold contacts</span></li><li><span style=\"background-color: initial;\">Lifetime warranty</span></li></ul>'),(7526,75,1,1255,'<h2>Mogami Gold Studio Microphone Cable - <span style=\"background-color: initial;\">15 Foot</span><span style=\"background-color: initial;\"> </span></h2>From large recording facilities to small project studios, engineers and artists trust Mogami Gold Studio microphone cables. Wired with Neglex studio quad, this 4-conductor cable offers the highest cancellation of noise and is the quietest, best sounding cable you can buy. Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range. Mogami’s finest Studio microphone cable. Black body/gold pin XLR connectors, made with Mogami 2534 quad cable. <br /><br /><h3>Mogami Gold Key Features</h3><ul><li><span style=\"background-color: initial;\">Wired with Neglex Studio Quad</span></li><li><span style=\"background-color: initial;\">Offers superior clarity and freedom from noise/RF interference</span></li><li><span style=\"background-color: initial;\">Terminated with black body 3-pin XLR connectors and gold contacts</span></li><li><span style=\"background-color: initial;\">Lifetime warranty</span></li></ul>'),(7527,85,0,1255,'Mogami Gold Studio Microphone Cable - 15 Foot , mic cable'),(7528,85,1,1255,'Mogami Gold Studio Microphone Cable - 15 Foot , mic cable'),(7529,76,0,1255,''),(7530,76,1,1255,''),(7531,75,0,1256,'From large recording facilities to small project studios, engineers and artists trust Mogami Gold Studio microphone cables. Wired with Neglex studio quad, this 4-conductor cable offers the highest cancellation of noise and is the quietest, best sounding cable you can buy. Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range.\n\nMogami’s finest Studio microphone cable. Black body/gold pin XLR connectors, made with Mogami 2534 quad cable.'),(7532,75,1,1256,'From large recording facilities to small project studios, engineers and artists trust Mogami Gold Studio microphone cables. Wired with Neglex studio quad, this 4-conductor cable offers the highest cancellation of noise and is the quietest, best sounding cable you can buy. Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range.\n\nMogami’s finest Studio microphone cable. Black body/gold pin XLR connectors, made with Mogami 2534 quad cable.'),(7533,85,0,1256,'Mogami 25\' Gold Microphone Cable, mic cable'),(7534,85,1,1256,'Mogami 25\' Gold Microphone Cable, mic cable'),(7535,76,0,1256,''),(7536,76,1,1256,''),(7537,75,0,1257,'<h1>Mojave Audio MA-201fet Condenser Microphone</h1>\nThe Mojave Audio MA-201fet is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern. With its roots in a lineage of microphone designs by David Royer, the MA-201fet gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.<br /><br />\nUtilizing a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resistors, the MA-20fet performs at a level reminiscent of some of the best loved classic condenser microphones. Each MA-201fet microphone is carefully tested and evaluated, then packaged in its protective case with a professional grade shockmount.<br /><br /><h3>Mojave MA-201fet <span style=\"background-color: initial;\">Features</span></h3><ul><li><span style=\"background-color: initial;\">Hand-selected 3-micron 1″ capsule</span></li><li>Jensen audio transformer</li><li>Military-grade FET</li><li>Custom designed low-noise resistors</li><li>Ultra clean signal path</li></ul><h3><br />Recommended Applications</h3><ul><li><span style=\"background-color: initial;\">Vocals</span></li><li>Voice Over and Broadcast</li><li>High SPL sources, such as Kick Drums and Bass Guitar Amps</li><li>Electric Guitar</li><li>Piano</li><li>Drum Overheads, Drum Rooms</li><li>Acoustic Instruments</li></ul><br />'),(7538,75,1,1257,'<h1>Mojave Audio MA-201fet Condenser Microphone</h1>\nThe Mojave Audio MA-201fet is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern. With its roots in a lineage of microphone designs by David Royer, the MA-201fet gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.<br /><br />\nUtilizing a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resistors, the MA-20fet performs at a level reminiscent of some of the best loved classic condenser microphones. Each MA-201fet microphone is carefully tested and evaluated, then packaged in its protective case with a professional grade shockmount.<br /><br /><h3>Mojave MA-201fet <span style=\"background-color: initial;\">Features</span></h3><ul><li><span style=\"background-color: initial;\">Hand-selected 3-micron 1″ capsule</span></li><li>Jensen audio transformer</li><li>Military-grade FET</li><li>Custom designed low-noise resistors</li><li>Ultra clean signal path</li></ul><h3><br />Recommended Applications</h3><ul><li><span style=\"background-color: initial;\">Vocals</span></li><li>Voice Over and Broadcast</li><li>High SPL sources, such as Kick Drums and Bass Guitar Amps</li><li>Electric Guitar</li><li>Piano</li><li>Drum Overheads, Drum Rooms</li><li>Acoustic Instruments</li></ul><br />'),(7539,85,0,1257,'Mojave Audio MA-201fet Condenser Microphone'),(7540,85,1,1257,'Mojave Audio MA-201fet Condenser Microphone'),(7541,76,0,1257,''),(7542,76,1,1257,''),(7543,75,0,1258,'<h1>Mojave Audio MA-301fet Condenser Microphone</h1>\nThe Mojave MA-301fet is a multi-pattern large diaphragm, solid-state condenser microphone. Based upon the popular MA-201fet designed by David Royer, the MA-301fet adds a 3-posistion pickup pattern selector, a15dB pad and a switchable bass roll-off.<br /><br />\n\nUtilizing a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resistors, the MA-301fet performs at a level reminiscent of some of the best loved classic condenser microphones. Each MA-301fet microphone is carefully tested and evaluated, then packaged in its protective case with a professional grade shockmount.<br /><br />\n<h3>Mojave MA-301fet <span style=\"background-color: initial;\">Features</span></h3>\n<ul>\n	<li>Multi-pattern: Cardioid, Omnidiectional, Figure-eight (Bi-directional)</li>\n	<li>Switchable 15dB pad</li>\n	<li>Switchable Bass Roll-off</li>\n	<li>Hand-selected 3-micron 1″ capsule</li>\n	<li>Jensen audio transformer</li>\n	<li>Military-grade FET</li>\n	<li>Custom designed low-noise resistors</li>\n	<li>Ultra clean signal path</li>\n</ul>\n<h3><br />Recommended Applications</h3>\n<ul>\n	<li>Vocals</li>\n	<li>Voice Over and Broadcast</li>\n	<li>High SPL sources, such as Kick Drums and Bass Guitar Amps</li>\n	<li>Electric Guitar</li>\n	<li>Piano</li>\n	<li>Drum Overheads, Drum Rooms</li>\n</ul>\n<br />'),(7544,75,1,1258,'<h1>Mojave Audio MA-301fet Condenser Microphone</h1>\nThe Mojave MA-301fet is a multi-pattern large diaphragm, solid-state condenser microphone. Based upon the popular MA-201fet designed by David Royer, the MA-301fet adds a 3-posistion pickup pattern selector, a15dB pad and a switchable bass roll-off.<br /><br />\n\nUtilizing a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resistors, the MA-301fet performs at a level reminiscent of some of the best loved classic condenser microphones. Each MA-301fet microphone is carefully tested and evaluated, then packaged in its protective case with a professional grade shockmount.<br /><br />\n<h3>Mojave MA-301fet <span style=\"background-color: initial;\">Features</span></h3>\n<ul>\n	<li>Multi-pattern: Cardioid, Omnidiectional, Figure-eight (Bi-directional)</li>\n	<li>Switchable 15dB pad</li>\n	<li>Switchable Bass Roll-off</li>\n	<li>Hand-selected 3-micron 1″ capsule</li>\n	<li>Jensen audio transformer</li>\n	<li>Military-grade FET</li>\n	<li>Custom designed low-noise resistors</li>\n	<li>Ultra clean signal path</li>\n</ul>\n<h3><br />Recommended Applications</h3>\n<ul>\n	<li>Vocals</li>\n	<li>Voice Over and Broadcast</li>\n	<li>High SPL sources, such as Kick Drums and Bass Guitar Amps</li>\n	<li>Electric Guitar</li>\n	<li>Piano</li>\n	<li>Drum Overheads, Drum Rooms</li>\n</ul>\n<br />'),(7545,85,0,1258,'Mojave Audio MA-301fet Condenser Microphone'),(7546,85,1,1258,'Mojave Audio MA-301fet Condenser Microphone'),(7547,76,0,1258,''),(7548,76,1,1258,''),(7549,75,0,1259,'The MA-200 is a large diaphragm, vacuum tube condenser microphone with a fixed cardioid pattern. Born to a lineage of fine microphone designs by David Royer, the MA-200 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.\n\nUtilizing hand-selected 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200 performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-200 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-200 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case.'),(7550,75,1,1259,'The MA-200 is a large diaphragm, vacuum tube condenser microphone with a fixed cardioid pattern. Born to a lineage of fine microphone designs by David Royer, the MA-200 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.\n\nUtilizing hand-selected 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200 performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-200 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-200 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case.'),(7551,85,0,1259,'Mojave Audio MA-200 Condenser Microphone'),(7552,85,1,1259,'Mojave Audio MA-200 Condenser Microphone'),(7553,76,0,1259,''),(7554,76,1,1259,''),(7555,75,0,1260,'<h2>Mojave Audio MA-300 Multi Pattern Vacuum Tube Condenser Microphone</h2>\nThe MA-300 is a multi-pattern large diaphragm, vacuum tube condenser microphone. Based upon the widely accepted MA-200 designed by David Royer, the MA-300 adds a continuously variable pickup pattern selector, 15dB pad and a switchable bass roll-off. The MA-300 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.\n<br /><br />\nUtilizing hand-selected, double diaphragm 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-300 performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-300 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-300 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case.<br /><br />\n<h3>MA-300 Features:</h3>\n<ul>\n	<li>Remotely controlled, continuously variable polar pattern selector</li>\n	<li>Switchable 15dB pad</li>\n	<li>Switchable Bass Roll-off</li>\n	<li>Hand-selected 3-micron double diaphragm capsule</li>\n	<li>Jensen audio transformer</li>\n	<li>Military grade JAN 5840 vacuum tube</li>\n	<li>Internal switchable power supply voltage</li>\n	<li>Ultra clean signal path</li>\n	</ul>\n		<br />\n		<h3>Recommended applications:</h3>\nUse anywhere you would use an expensive, large diaphragm tube microphone.\n		<br /><br />\n		<ul>\n			<li>Vocals</li>\n			<li>Voice Over and Broadcast</li>\n			<li>Acoustic Instruments</li>\n			<li>Piano</li>\n			<li>Drum Overheads, Drum Rooms</li>\n			<li>Orchestral Recording</li>\n			<li>Choral Recording</li>\n		</ul>'),(7556,75,1,1260,'<h2>Mojave Audio MA-300 Multi Pattern Vacuum Tube Condenser Microphone</h2>\nThe MA-300 is a multi-pattern large diaphragm, vacuum tube condenser microphone. Based upon the widely accepted MA-200 designed by David Royer, the MA-300 adds a continuously variable pickup pattern selector, 15dB pad and a switchable bass roll-off. The MA-300 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.\n<br /><br />\nUtilizing hand-selected, double diaphragm 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-300 performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-300 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-300 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case.<br /><br />\n<h3>MA-300 Features:</h3>\n<ul>\n	<li>Remotely controlled, continuously variable polar pattern selector</li>\n	<li>Switchable 15dB pad</li>\n	<li>Switchable Bass Roll-off</li>\n	<li>Hand-selected 3-micron double diaphragm capsule</li>\n	<li>Jensen audio transformer</li>\n	<li>Military grade JAN 5840 vacuum tube</li>\n	<li>Internal switchable power supply voltage</li>\n	<li>Ultra clean signal path</li>\n	</ul>\n		<br />\n		<h3>Recommended applications:</h3>\nUse anywhere you would use an expensive, large diaphragm tube microphone.\n		<br /><br />\n		<ul>\n			<li>Vocals</li>\n			<li>Voice Over and Broadcast</li>\n			<li>Acoustic Instruments</li>\n			<li>Piano</li>\n			<li>Drum Overheads, Drum Rooms</li>\n			<li>Orchestral Recording</li>\n			<li>Choral Recording</li>\n		</ul>'),(7557,85,0,1260,'Mojave Audio MA-300 Multi Pattern Vacuum Tube Condenser Microphone'),(7558,85,1,1260,'Mojave Audio MA-300 Multi Pattern Vacuum Tube Condenser Microphone'),(7559,76,0,1260,''),(7560,76,1,1260,''),(7561,75,0,1261,'<h1>Moog 16 Channel Vocoder</h1>\nThe Moog 16 Channel Vocoder offers 16 patchable bands ranging from 50 to 5,080 Hz for optimal encoding of the fundamental spectral characteristics of the human voice. In addition, a selectable DIRECT mode passes an additional high frequency channel (above 5,080 Hz) to the vocoder output for a greater degree of vocal intelligibility. While traditionally associated with vocal effects, the Moog 16 Channel Vocoder’s ultra fast response time makes it additionally useful for capturing the fast transients of percussive sounds.\n<br /><br />When you articulate a sound and press the Sample/Hold switch, the tonal characteristics of that sound will be held until the switch is returned to the out position. This function is particularly useful in creating sustained vocal phrases without pausing for breath and can be controlled via remote footswitch.<br /><br />Use the included patch cords to interconnect this powerful vocoder with other analog gear, or create unusual “cross patches,” allowing you to select any frequency range of the Program and impose those characteristics upon any frequency range of the Carrier. Selectable Hiss (sibilance), Buzz (plosive), and Balance controls allow you to fine tune the fundamental details of your electronic voice.<br /><br />\n<h3>Moog 16 Channel Vocoder Features</h3>\n\n<ul>\n	<li>Splits the carrier signal into 16 frequency bands (50Hz–,080Hz)</li>\n	<li>Effects: Sample/Hold, External Patch, Hiss & Buzz</li>\n	<li>Resumed Production of Original Design</li>\n	<li>16 Bands with Ultrafast Response Time</li>\n	<li>Program and Carrier Signal Inputs</li>\n	<li>Analog Inputs: 1 Carrier Audio, 1 Program Audio, 16 Filter Band CV, 3 Footswitchable (Sample/Hold, Patch Select, Bypass)</li>\n	<li>Analog Outputs: 1 Main Output Audio, 16 x Filter Band CV</li>\n	<li>Power source: external power supply, 120/240 VAC input, 12VDC @ 3A output</li>\n	<li>Desktop and rackmountable unit, hand-wired in Asheville, NC</li>\n</ul>\n<br />'),(7562,75,1,1261,'<h1>Moog 16 Channel Vocoder</h1>\nThe Moog 16 Channel Vocoder offers 16 patchable bands ranging from 50 to 5,080 Hz for optimal encoding of the fundamental spectral characteristics of the human voice. In addition, a selectable DIRECT mode passes an additional high frequency channel (above 5,080 Hz) to the vocoder output for a greater degree of vocal intelligibility. While traditionally associated with vocal effects, the Moog 16 Channel Vocoder’s ultra fast response time makes it additionally useful for capturing the fast transients of percussive sounds.\n<br /><br />When you articulate a sound and press the Sample/Hold switch, the tonal characteristics of that sound will be held until the switch is returned to the out position. This function is particularly useful in creating sustained vocal phrases without pausing for breath and can be controlled via remote footswitch.<br /><br />Use the included patch cords to interconnect this powerful vocoder with other analog gear, or create unusual “cross patches,” allowing you to select any frequency range of the Program and impose those characteristics upon any frequency range of the Carrier. Selectable Hiss (sibilance), Buzz (plosive), and Balance controls allow you to fine tune the fundamental details of your electronic voice.<br /><br />\n<h3>Moog 16 Channel Vocoder Features</h3>\n\n<ul>\n	<li>Splits the carrier signal into 16 frequency bands (50Hz–,080Hz)</li>\n	<li>Effects: Sample/Hold, External Patch, Hiss & Buzz</li>\n	<li>Resumed Production of Original Design</li>\n	<li>16 Bands with Ultrafast Response Time</li>\n	<li>Program and Carrier Signal Inputs</li>\n	<li>Analog Inputs: 1 Carrier Audio, 1 Program Audio, 16 Filter Band CV, 3 Footswitchable (Sample/Hold, Patch Select, Bypass)</li>\n	<li>Analog Outputs: 1 Main Output Audio, 16 x Filter Band CV</li>\n	<li>Power source: external power supply, 120/240 VAC input, 12VDC @ 3A output</li>\n	<li>Desktop and rackmountable unit, hand-wired in Asheville, NC</li>\n</ul>\n<br />'),(7563,85,0,1261,'Moog 16 Channel Vocoder'),(7564,85,1,1261,'Moog 16 Channel Vocoder'),(7565,76,0,1261,''),(7566,76,1,1261,''),(7567,75,0,1262,'<h1>Moog DFAM Percussion Synthesizer</h1>\nMoog DFAM is the first addition to the Mother-32 family of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.\n<br /><br />\nActivated by an easy-to-use analog sequencer, DFAM’s emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM’s distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations.<br /><br />\nDFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analog envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and cacophonous chaos can be spawned or subdued at the turn of a knob.Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviors, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment.<br /><br />\nThrough exploration and experimentation, the vast potential of this expressive analog instrument is realized.<br /><br />\n<h3>Moog DFAM Features</h3>\n<ul>\n	<li>Semi-modular design, no patching required</li>\n	<li>100% analog with unbridled sonic flexibility for a lifetime of percussive inspiration</li>\n	<li>Two Oscillators for an ultra-wide range sound generation</li>\n	<li>Dynamically sculpt your sound with an analog Low Pass or High Pass Ladder filter.</li>\n	<li>8-step analog sequencer with velocity sensitivity </li>\n	<li>24 patch points take you out of of the box, and into modular expansion</li>\n	<li>Easily remove DFAM from its case and mount it into a Eurorack system</li>\n</ul>\n<br />'),(7568,75,1,1262,'<h1>Moog DFAM Percussion Synthesizer</h1>\nMoog DFAM is the first addition to the Mother-32 family of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.\n<br /><br />\nActivated by an easy-to-use analog sequencer, DFAM’s emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM’s distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations.<br /><br />\nDFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analog envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and cacophonous chaos can be spawned or subdued at the turn of a knob.Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviors, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment.<br /><br />\nThrough exploration and experimentation, the vast potential of this expressive analog instrument is realized.<br /><br />\n<h3>Moog DFAM Features</h3>\n<ul>\n	<li>Semi-modular design, no patching required</li>\n	<li>100% analog with unbridled sonic flexibility for a lifetime of percussive inspiration</li>\n	<li>Two Oscillators for an ultra-wide range sound generation</li>\n	<li>Dynamically sculpt your sound with an analog Low Pass or High Pass Ladder filter.</li>\n	<li>8-step analog sequencer with velocity sensitivity </li>\n	<li>24 patch points take you out of of the box, and into modular expansion</li>\n	<li>Easily remove DFAM from its case and mount it into a Eurorack system</li>\n</ul>\n<br />'),(7569,85,0,1262,'Moog DFAM Percussion Synthesizer'),(7570,85,1,1262,'Moog DFAM Percussion Synthesizer'),(7571,76,0,1262,''),(7572,76,1,1262,''),(7573,75,0,1263,'<h1>Moog One 16-Voice Analog Synthesizer</h1><i>\n61-Key, 16-Voice Polyphonic Analog Synthesizer from Moog.</i><br /><br />Moog One is the ultimate Moog synthesizer - a tri-timbral, polyphonic, analog dream-synth designed to inspire imagination, stimulate creativity, and unlock portals to vast new realms of sonic potential. Available in 8-voice and 16-voice configurations, Moog One’s polyphonic sound engine is built on the most powerful synthesizer architecture ever employed by a Moog instrument. Per voice, Moog One offers 3 newly-designed analog VCOs, 2 independent analog filters, a dual source analog noise generator, analog mixer with external audio input, 4 LFOs, and 3 envelopes. To deliver an infinitely inspiring performance experience, each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, each with its own sequencer, arpeggiator, and onboard effects library--including a suite of professional reverbs from Eventide®.\n<br /><br />\nSecured in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel is equipped with 73 knobs and 144 buttons, inviting physical connection with every sound shaping and performance control. Extended functionality is easily accessed via a per-module “More” button that brings additional parameters into focus using the Moog One center-panel LCD to ensure the most transparent and expedient sound creation experience possible.<br /><br />\nMoog One is an unprecedented conduit for the expression of your own creative voice. Sculpt, shape, and transform your own sound with nearly infinite possibilities.<br /><br />\n<h3>Moog One 16-Voice Features</h3>\n<ul>\n	<li>16 voice polyphony</li>\n	<li>3 VCOs per voice with waveshape mixing and OLED displays</li>\n	<li>Unison Mode (up to 48 Oscillators on a 16-voice instrument)</li>\n	<li>2 filters per voice with filter mixing (2x Multimode State Variable filters that function as a single filter, and a classic low pass / high pass Moog Ladder filter)</li>\n	<li>3 DAHDSR envelopes per voice with user-definable curves</li>\n	<li>3-part multitimbrality</li>\n	<li>Sequencer and arpeggiator per timbre</li>\n	<li>Chord memory</li>\n	<li>Dual source noise generator with dedicated envelope</li>\n	<li>Mixer with external audio input</li>\n	<li>Ring modulation with selectable routing</li>\n	<li>Oscillator FM and Hard Sync with selectable routing</li>\n	<li>4 assignable LFOs</li>\n	<li>Premium 61-note Fatar TP-8S with velocity and aftertouch</li>\n	<li>Assignable pressure-sensing X/Y pad</li>\n	<li>Digital Effects (Synth and Master Bus)</li>\n	<li>Eventide® reverbs</li>\n	<li>Selectable glide types</li>\n	<li>USB and DIN MIDI</li>\n	<li>Save, categorize, and recall tens of thousands of presets</li>\n	<li>Create performance sets to make up to 64 presets accessible at the push of a button</li>\n</ul>\n<br />\n<h3>Triangle Core Oscillators</h3>\nEach Moog One voice employs three newly developed triangle core analog VCOs. The output of each oscillator is a user-defined mix of the selectable triangle / sawtooth wave, plus a variable-width pulse wave. Expanding beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be shaped and modulated to create to a rich palette of classic analog tones. Blending the tri/saw and pulse waves together opens new dimensions of harmonic freedom, creating complex waveforms not typically found in analog synthesizers. The Moog One oscillator section is also equipped with hard sync, analog ring modulation, and FM for boundless analog sound generation.\n<br /><br />\n<h3> Source Noise Generator</h3>\nEach Moog One voice includes an advanced dual-source analog noise generator that allows different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. This unique module is a powerful tool for adding percussive attacks, breath, or full-body impact to a sound.\n<br /><br />\n<h3>Mixer</h3>\nMoog One offers a flexible analog mixer, providing volume controls and filter routing selections for each oscillator, noise generator, ring modulator, and external audio input -- sound sources can be shaped by different filters independently, or at the same time.\n<br /><br />'),(7574,75,1,1263,'<h1>Moog One 16-Voice Analog Synthesizer</h1><i>\n61-Key, 16-Voice Polyphonic Analog Synthesizer from Moog.</i><br /><br />Moog One is the ultimate Moog synthesizer - a tri-timbral, polyphonic, analog dream-synth designed to inspire imagination, stimulate creativity, and unlock portals to vast new realms of sonic potential. Available in 8-voice and 16-voice configurations, Moog One’s polyphonic sound engine is built on the most powerful synthesizer architecture ever employed by a Moog instrument. Per voice, Moog One offers 3 newly-designed analog VCOs, 2 independent analog filters, a dual source analog noise generator, analog mixer with external audio input, 4 LFOs, and 3 envelopes. To deliver an infinitely inspiring performance experience, each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, each with its own sequencer, arpeggiator, and onboard effects library--including a suite of professional reverbs from Eventide®.\n<br /><br />\nSecured in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel is equipped with 73 knobs and 144 buttons, inviting physical connection with every sound shaping and performance control. Extended functionality is easily accessed via a per-module “More” button that brings additional parameters into focus using the Moog One center-panel LCD to ensure the most transparent and expedient sound creation experience possible.<br /><br />\nMoog One is an unprecedented conduit for the expression of your own creative voice. Sculpt, shape, and transform your own sound with nearly infinite possibilities.<br /><br />\n<h3>Moog One 16-Voice Features</h3>\n<ul>\n	<li>16 voice polyphony</li>\n	<li>3 VCOs per voice with waveshape mixing and OLED displays</li>\n	<li>Unison Mode (up to 48 Oscillators on a 16-voice instrument)</li>\n	<li>2 filters per voice with filter mixing (2x Multimode State Variable filters that function as a single filter, and a classic low pass / high pass Moog Ladder filter)</li>\n	<li>3 DAHDSR envelopes per voice with user-definable curves</li>\n	<li>3-part multitimbrality</li>\n	<li>Sequencer and arpeggiator per timbre</li>\n	<li>Chord memory</li>\n	<li>Dual source noise generator with dedicated envelope</li>\n	<li>Mixer with external audio input</li>\n	<li>Ring modulation with selectable routing</li>\n	<li>Oscillator FM and Hard Sync with selectable routing</li>\n	<li>4 assignable LFOs</li>\n	<li>Premium 61-note Fatar TP-8S with velocity and aftertouch</li>\n	<li>Assignable pressure-sensing X/Y pad</li>\n	<li>Digital Effects (Synth and Master Bus)</li>\n	<li>Eventide® reverbs</li>\n	<li>Selectable glide types</li>\n	<li>USB and DIN MIDI</li>\n	<li>Save, categorize, and recall tens of thousands of presets</li>\n	<li>Create performance sets to make up to 64 presets accessible at the push of a button</li>\n</ul>\n<br />\n<h3>Triangle Core Oscillators</h3>\nEach Moog One voice employs three newly developed triangle core analog VCOs. The output of each oscillator is a user-defined mix of the selectable triangle / sawtooth wave, plus a variable-width pulse wave. Expanding beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be shaped and modulated to create to a rich palette of classic analog tones. Blending the tri/saw and pulse waves together opens new dimensions of harmonic freedom, creating complex waveforms not typically found in analog synthesizers. The Moog One oscillator section is also equipped with hard sync, analog ring modulation, and FM for boundless analog sound generation.\n<br /><br />\n<h3> Source Noise Generator</h3>\nEach Moog One voice includes an advanced dual-source analog noise generator that allows different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. This unique module is a powerful tool for adding percussive attacks, breath, or full-body impact to a sound.\n<br /><br />\n<h3>Mixer</h3>\nMoog One offers a flexible analog mixer, providing volume controls and filter routing selections for each oscillator, noise generator, ring modulator, and external audio input -- sound sources can be shaped by different filters independently, or at the same time.\n<br /><br />'),(7575,85,0,1263,'Moog One 16-Voice Analog Synthesizer'),(7576,85,1,1263,'Moog One 16-Voice Analog Synthesizer'),(7577,76,0,1263,''),(7578,76,1,1263,''),(7579,75,0,1264,'<h1>Moog One 8-Voice Analog Synthesizer</h1><i>\n61-Key, 8-Voice Polyphonic Analog Synthesizer from Moog.</i><br /><br />Moog One is the ultimate Moog synthesizer - a tri-timbral, polyphonic, analog dream-synth designed to inspire imagination, stimulate creativity, and unlock portals to vast new realms of sonic potential. Available in 8-voice and 16-voice configurations, Moog One’s polyphonic sound engine is built on the most powerful synthesizer architecture ever employed by a Moog instrument. Per voice, Moog One offers 3 newly-designed analog VCOs, 2 independent analog filters, a dual source analog noise generator, analog mixer with external audio input, 4 LFOs, and 3 envelopes. To deliver an infinitely inspiring performance experience, each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, each with its own sequencer, arpeggiator, and onboard effects library--including a suite of professional reverbs from Eventide®.\n<br /><br />\nSecured in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel is equipped with 73 knobs and 144 buttons, inviting physical connection with every sound shaping and performance control. Extended functionality is easily accessed via a per-module “More” button that brings additional parameters into focus using the Moog One center-panel LCD to ensure the most transparent and expedient sound creation experience possible.<br /><br />\nMoog One is an unprecedented conduit for the expression of your own creative voice. Sculpt, shape, and transform your own sound with nearly infinite possibilities.<br /><br />\n<h3>Moog One 8-Voice Features</h3>\n<ul>\n	<li>8 voice polyphony</li>\n	<li>3 VCOs per voice with waveshape mixing and OLED displays</li>\n	<li>Unison Mode (up to 48 Oscillators on a 16-voice instrument)</li>\n	<li>2 filters per voice with filter mixing (2x Multimode State Variable filters that function as a single filter, and a classic low pass / high pass Moog Ladder filter)</li>\n	<li>3 DAHDSR envelopes per voice with user-definable curves</li>\n	<li>3-part multitimbrality</li>\n	<li>Sequencer and arpeggiator per timbre</li>\n	<li>Chord memory</li>\n	<li>Dual source noise generator with dedicated envelope</li>\n	<li>Mixer with external audio input</li>\n	<li>Ring modulation with selectable routing</li>\n	<li>Oscillator FM and Hard Sync with selectable routing</li>\n	<li>4 assignable LFOs</li>\n	<li>Premium 61-note Fatar TP-8S with velocity and aftertouch</li>\n	<li>Assignable pressure-sensing X/Y pad</li>\n	<li>Digital Effects (Synth and Master Bus)</li>\n	<li>Eventide® reverbs</li>\n	<li>Selectable glide types</li>\n	<li>USB and DIN MIDI</li>\n	<li>Save, categorize, and recall tens of thousands of presets</li>\n	<li>Create performance sets to make up to 64 presets accessible at the push of a button</li>\n</ul>\n<br />\n<h3>Triangle Core Oscillators</h3>\nEach Moog One voice employs three newly developed triangle core analog VCOs. The output of each oscillator is a user-defined mix of the selectable triangle / sawtooth wave, plus a variable-width pulse wave. Expanding beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be shaped and modulated to create to a rich palette of classic analog tones. Blending the tri/saw and pulse waves together opens new dimensions of harmonic freedom, creating complex waveforms not typically found in analog synthesizers. The Moog One oscillator section is also equipped with hard sync, analog ring modulation, and FM for boundless analog sound generation.\n<br /><br />\n<h3> Source Noise Generator</h3>\nEach Moog One voice includes an advanced dual-source analog noise generator that allows different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. This unique module is a powerful tool for adding percussive attacks, breath, or full-body impact to a sound.\n<br /><br />\n<h3>Mixer</h3>\nMoog One offers a flexible analog mixer, providing volume controls and filter routing selections for each oscillator, noise generator, ring modulator, and external audio input -- sound sources can be shaped by different filters independently, or at the same time.\n<br /><br />'),(7580,75,1,1264,'<h1>Moog One 8-Voice Analog Synthesizer</h1><i>\n61-Key, 8-Voice Polyphonic Analog Synthesizer from Moog.</i><br /><br />Moog One is the ultimate Moog synthesizer - a tri-timbral, polyphonic, analog dream-synth designed to inspire imagination, stimulate creativity, and unlock portals to vast new realms of sonic potential. Available in 8-voice and 16-voice configurations, Moog One’s polyphonic sound engine is built on the most powerful synthesizer architecture ever employed by a Moog instrument. Per voice, Moog One offers 3 newly-designed analog VCOs, 2 independent analog filters, a dual source analog noise generator, analog mixer with external audio input, 4 LFOs, and 3 envelopes. To deliver an infinitely inspiring performance experience, each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, each with its own sequencer, arpeggiator, and onboard effects library--including a suite of professional reverbs from Eventide®.\n<br /><br />\nSecured in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel is equipped with 73 knobs and 144 buttons, inviting physical connection with every sound shaping and performance control. Extended functionality is easily accessed via a per-module “More” button that brings additional parameters into focus using the Moog One center-panel LCD to ensure the most transparent and expedient sound creation experience possible.<br /><br />\nMoog One is an unprecedented conduit for the expression of your own creative voice. Sculpt, shape, and transform your own sound with nearly infinite possibilities.<br /><br />\n<h3>Moog One 8-Voice Features</h3>\n<ul>\n	<li>8 voice polyphony</li>\n	<li>3 VCOs per voice with waveshape mixing and OLED displays</li>\n	<li>Unison Mode (up to 48 Oscillators on a 16-voice instrument)</li>\n	<li>2 filters per voice with filter mixing (2x Multimode State Variable filters that function as a single filter, and a classic low pass / high pass Moog Ladder filter)</li>\n	<li>3 DAHDSR envelopes per voice with user-definable curves</li>\n	<li>3-part multitimbrality</li>\n	<li>Sequencer and arpeggiator per timbre</li>\n	<li>Chord memory</li>\n	<li>Dual source noise generator with dedicated envelope</li>\n	<li>Mixer with external audio input</li>\n	<li>Ring modulation with selectable routing</li>\n	<li>Oscillator FM and Hard Sync with selectable routing</li>\n	<li>4 assignable LFOs</li>\n	<li>Premium 61-note Fatar TP-8S with velocity and aftertouch</li>\n	<li>Assignable pressure-sensing X/Y pad</li>\n	<li>Digital Effects (Synth and Master Bus)</li>\n	<li>Eventide® reverbs</li>\n	<li>Selectable glide types</li>\n	<li>USB and DIN MIDI</li>\n	<li>Save, categorize, and recall tens of thousands of presets</li>\n	<li>Create performance sets to make up to 64 presets accessible at the push of a button</li>\n</ul>\n<br />\n<h3>Triangle Core Oscillators</h3>\nEach Moog One voice employs three newly developed triangle core analog VCOs. The output of each oscillator is a user-defined mix of the selectable triangle / sawtooth wave, plus a variable-width pulse wave. Expanding beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be shaped and modulated to create to a rich palette of classic analog tones. Blending the tri/saw and pulse waves together opens new dimensions of harmonic freedom, creating complex waveforms not typically found in analog synthesizers. The Moog One oscillator section is also equipped with hard sync, analog ring modulation, and FM for boundless analog sound generation.\n<br /><br />\n<h3> Source Noise Generator</h3>\nEach Moog One voice includes an advanced dual-source analog noise generator that allows different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. This unique module is a powerful tool for adding percussive attacks, breath, or full-body impact to a sound.\n<br /><br />\n<h3>Mixer</h3>\nMoog One offers a flexible analog mixer, providing volume controls and filter routing selections for each oscillator, noise generator, ring modulator, and external audio input -- sound sources can be shaped by different filters independently, or at the same time.\n<br /><br />'),(7581,85,0,1264,'Moog One 8-Voice Analog Synthesizer'),(7582,85,1,1264,'Moog One 8-Voice Analog Synthesizer'),(7583,76,0,1264,''),(7584,76,1,1264,''),(7585,75,0,1265,'<h1>Moog Subharmonicon Semi-Modular Polyrhythmic Analog Synthesizer</h1>\n<i>Semi-modular polyrhythmic analog synthesizer that employs a 6-tone sound engine and multi-layered clock generator to explore the world of subharmonics, polyrhythms, and the unique relationships they create.</i><br /><br />The Moog <span style=\"background-color: initial;\">Subharmonicon is an intensely creative semi-modular analog polyrhythmic synthesizer that uses </span><span style=\"background-color: initial;\">mathematical ratios to tune its four subharmonic oscillators, and to control the timing of its four </span><span style=\"background-color: initial;\">rhythm generators. Because these tuning and timing values are integer-derived, there is something </span><span style=\"background-color: initial;\">uniquely coherent about how patterns and phrases created using Subharmonicon blend together </span><span style=\"background-color: initial;\">musically. As with Mother-32 and DFAM, Subharmonicon conforms to the 60HP Eurorack format; </span><span style=\"background-color: initial;\">features aluminum rails, finished wood side pieces, an extensive patchbay; and can perform as </span><span style=\"background-color: initial;\">a standalone electronic instrument.<br /><br /></span><span style=\"background-color: initial;\">Subharmonicon’s characteristic sound starts with two analog VCOs and four Subharmonic Oscillators for a total of six powerful sound sources. Each subharmonic tone is mathematically derived from one of the two main VCOs, giving the resulting chord shapes a beautifully coherent quality. Onboard quantization lets you dial in perfect intervals every time with selections for multiple tuning systems. Choose from contemporary Equal Temperament settings, the heavenly intervals of Just Intonation, or the unlimited freedom of no quantization at all.<br /><br /></span><span style=\"background-color: initial;\">Animating Subharmonicon’s distinctive chord shapes is done through a polyrhythmic pair of 4-Step Sequencers. Each sequencer is clocked by any or all of four Rhythm Generators that output mathematical divisions of the master tempo. Layer multiple Rhythm Generators on top of each other to create complex polyrhythms and discover inspiring new patterns and styles. Delve into Subharmonicon’s dual Envelope Generators, Moog Ladder Filter, and analog VCA to call up dynamic articulations ranging from lush pads and blurred edges to percussive plosives and ritualistic rhythms.<br /><br /></span><span style=\"background-color: initial;\">Although no patching is required to start creating, exploring Subharmonicon’s modular patchbay unlocks worlds of possibilities as you make novel connections and plug into new ideas. The 32-point 3.5mm patchbay can be patched into itself, expanding Subharmonicon’s onboard capabilities, or interfaced with Mother-32, DFAM, and other external Eurorack-compatible gear (MIDI Type A adapter included for DIN to 3.5mm MIDI input). Use as a standalone synth with included +12V DC power supply or simply remove the front panel to install into any Eurorack system.<br /><br /></span><span style=\"background-color: initial;\">The Moog Subharmonicon is a versatile analog labyrinth of subharmonically derived synthesis and polyrhythmic sound, equally suited for losing oneself and simultaneously finding oneself.<br /><br /></span>\n<h3><span style=\"background-color: initial;\">Subharmonicon Features</span></h3>\n<ul>\n	<li><b style=\"background-color: initial; letter-spacing: 0px;\">2 VOLTAGE CONTROLLED OSCILLATORS (VCOs)</b><span style=\"background-color: initial; letter-spacing: 0px;\"> - Each VCO features two additional subharmonic oscillators</span></li>\n	<li><b>POLYRHYTHM SECTION: 4 RHYTHM GENERATORS</b> - Each rhythm generator can be set to drive a single sequencer – or both</li>\n	<li><b>TWO 4-STEP SEQUENCERS</b> - Each sequencer controls any combination of its associated VCO, SUB 1, and SUB 2</li>\n	<li><b>2 ENVELOPE GENERATORS</b> - Two Attack/Decay envelope generators control the VCF and VCA</li>\n	<li><b>RESONANT MOOG FILTER</b> - 4-pole (-24 db/octave) low-pass Moog ladder filter</li>\n	<li><b>PATCHING</b> - 32-point modular patchbay offering 17 inputs and 15 outputs</li>\n</ul>\n<br />'),(7586,75,1,1265,'<h1>Moog Subharmonicon Semi-Modular Polyrhythmic Analog Synthesizer</h1>\n<i>Semi-modular polyrhythmic analog synthesizer that employs a 6-tone sound engine and multi-layered clock generator to explore the world of subharmonics, polyrhythms, and the unique relationships they create.</i><br /><br />The Moog <span style=\"background-color: initial;\">Subharmonicon is an intensely creative semi-modular analog polyrhythmic synthesizer that uses </span><span style=\"background-color: initial;\">mathematical ratios to tune its four subharmonic oscillators, and to control the timing of its four </span><span style=\"background-color: initial;\">rhythm generators. Because these tuning and timing values are integer-derived, there is something </span><span style=\"background-color: initial;\">uniquely coherent about how patterns and phrases created using Subharmonicon blend together </span><span style=\"background-color: initial;\">musically. As with Mother-32 and DFAM, Subharmonicon conforms to the 60HP Eurorack format; </span><span style=\"background-color: initial;\">features aluminum rails, finished wood side pieces, an extensive patchbay; and can perform as </span><span style=\"background-color: initial;\">a standalone electronic instrument.<br /><br /></span><span style=\"background-color: initial;\">Subharmonicon’s characteristic sound starts with two analog VCOs and four Subharmonic Oscillators for a total of six powerful sound sources. Each subharmonic tone is mathematically derived from one of the two main VCOs, giving the resulting chord shapes a beautifully coherent quality. Onboard quantization lets you dial in perfect intervals every time with selections for multiple tuning systems. Choose from contemporary Equal Temperament settings, the heavenly intervals of Just Intonation, or the unlimited freedom of no quantization at all.<br /><br /></span><span style=\"background-color: initial;\">Animating Subharmonicon’s distinctive chord shapes is done through a polyrhythmic pair of 4-Step Sequencers. Each sequencer is clocked by any or all of four Rhythm Generators that output mathematical divisions of the master tempo. Layer multiple Rhythm Generators on top of each other to create complex polyrhythms and discover inspiring new patterns and styles. Delve into Subharmonicon’s dual Envelope Generators, Moog Ladder Filter, and analog VCA to call up dynamic articulations ranging from lush pads and blurred edges to percussive plosives and ritualistic rhythms.<br /><br /></span><span style=\"background-color: initial;\">Although no patching is required to start creating, exploring Subharmonicon’s modular patchbay unlocks worlds of possibilities as you make novel connections and plug into new ideas. The 32-point 3.5mm patchbay can be patched into itself, expanding Subharmonicon’s onboard capabilities, or interfaced with Mother-32, DFAM, and other external Eurorack-compatible gear (MIDI Type A adapter included for DIN to 3.5mm MIDI input). Use as a standalone synth with included +12V DC power supply or simply remove the front panel to install into any Eurorack system.<br /><br /></span><span style=\"background-color: initial;\">The Moog Subharmonicon is a versatile analog labyrinth of subharmonically derived synthesis and polyrhythmic sound, equally suited for losing oneself and simultaneously finding oneself.<br /><br /></span>\n<h3><span style=\"background-color: initial;\">Subharmonicon Features</span></h3>\n<ul>\n	<li><b style=\"background-color: initial; letter-spacing: 0px;\">2 VOLTAGE CONTROLLED OSCILLATORS (VCOs)</b><span style=\"background-color: initial; letter-spacing: 0px;\"> - Each VCO features two additional subharmonic oscillators</span></li>\n	<li><b>POLYRHYTHM SECTION: 4 RHYTHM GENERATORS</b> - Each rhythm generator can be set to drive a single sequencer – or both</li>\n	<li><b>TWO 4-STEP SEQUENCERS</b> - Each sequencer controls any combination of its associated VCO, SUB 1, and SUB 2</li>\n	<li><b>2 ENVELOPE GENERATORS</b> - Two Attack/Decay envelope generators control the VCF and VCA</li>\n	<li><b>RESONANT MOOG FILTER</b> - 4-pole (-24 db/octave) low-pass Moog ladder filter</li>\n	<li><b>PATCHING</b> - 32-point modular patchbay offering 17 inputs and 15 outputs</li>\n</ul>\n<br />'),(7587,85,0,1265,'Moog Subharmonicon Semi-Modular Polyrhythmic Analog Synthesizer'),(7588,85,1,1265,'Moog Subharmonicon Semi-Modular Polyrhythmic Analog Synthesizer'),(7589,76,0,1265,''),(7590,76,1,1265,''),(7591,75,0,1266,'<h1>Moog Subsequent 25 Analog Synthesizer</h1>\n<i>\nSubsequent 25 is a 25-key, 2-note paraphonic analog synthesizer with 2 x Oscillators, 1 x Sub Oscillator, and 1 x Noise Generator to give you true Moog sound in a portable synth.</i><br /><br />The Moog Subsequent 25 is a 2-note paraphonic analog synthesizer that melds the hands-on analog soul of classic Moog instruments with the convenience and workflow of a modern sound-design machine. Moog’s most compact keyboard synthesizer, the Subsequent 25 delivers all of the rich sonic density that Moog synthesizers are known for.\n<br /><br />\nAttain instant gratification with immediate access to expertly programmed preset patches that will have you creating right away, then explore the knob-per-function front panel to create something completely unique. Set yourself apart by designing your own library of signature analog sounds then save and recall an infinite number of patches with the free Subsequent 25 Editor/Librarian Software.\n<br /><br />\nDial-up ground-shaking analog bass by stacking all 3 Oscillators in Unison Mode, or engage the new Duo Mode to split Oscillators 1 & 2, opening new doors of musicality by playing 2 different notes at once. Trigger the Subsequent 25’s analog sound engine any way you like – by integrating with other voltage controlled analog gear via 4 onboard CV inputs, by interfacing with your favorite DAW using DIN & USB MIDI, or go fully manual with the ultra playable fast-action keybed.\n<br /><br />\nSubsequent 25’s analog filter section contains the transformative Multidrive circuit, a unique combination of OTA distortion and FET drive – a key sparkplug for the compact synthesizer’s powerful sound. Through the creative use of the Mixer Section (with expanded headroom), Ladder Filter, and Multidrive circuit, a wide range of classic analog colors and aggressive modern tones can be achieved.\n<br /><br />\nDesigned for portability, Subsequent 25 is the most agile full-size Moog synthesizer, equally reliable moving from stage to studio and every stop in between. Subsequent 25’s compact footprint fits into any situation and won’t overtake your studio desk – yet still fills any room with powerful synth bass, dynamic analog percussion, and harmonic-rich leads.\n<br /><br />\nBalancing classic analog sound design with seamless integration into modern digital workflows and DAW environments, the Subsequent 25 features a full MIDI implementation, allowing MIDI automation and recall of all front panel and under-the-hood synthesis parameters.\n<br /><br />\nSubsequent 25 is a versatile new instrument for unique sonic expression and realizing artistic vision. With its streamlined interface and dynamic sound design flexibility, this dynamic synthesizer fuses a revolutionary connection between human and machine, opening portals to new musical experiences.<br /><br />\n<h3>Moog Subsequent 25 Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Twice the headroom for access to a new range of classic clean tones in mono and duo modes</span></li>\n	<li>Reshaped gain staging in the Ladder Filter to boost harmonic saturation and analog compression, resulting in an overall richer low end</li>\n	<li>Re-tuned Multidrive circuit that extends well beyond the original grit and growl of the Sub Phatty</li>\n	<li>Brand new presets that have been optimized to take full advantage of the Subsequent 25’s upgraded circuitry</li>\n	<li>Upgraded keybed for improved playability</li>\n	<li>New high-powered headphone amplifier strong enough to drive the most demanding headphones</li>\n	<li>Free Editor/Librarian software for Windows and Mac (plug-in or standalone)</li>\n</ul>\n<br />'),(7592,75,1,1266,'<h1>Moog Subsequent 25 Analog Synthesizer</h1>\n<i>\nSubsequent 25 is a 25-key, 2-note paraphonic analog synthesizer with 2 x Oscillators, 1 x Sub Oscillator, and 1 x Noise Generator to give you true Moog sound in a portable synth.</i><br /><br />The Moog Subsequent 25 is a 2-note paraphonic analog synthesizer that melds the hands-on analog soul of classic Moog instruments with the convenience and workflow of a modern sound-design machine. Moog’s most compact keyboard synthesizer, the Subsequent 25 delivers all of the rich sonic density that Moog synthesizers are known for.\n<br /><br />\nAttain instant gratification with immediate access to expertly programmed preset patches that will have you creating right away, then explore the knob-per-function front panel to create something completely unique. Set yourself apart by designing your own library of signature analog sounds then save and recall an infinite number of patches with the free Subsequent 25 Editor/Librarian Software.\n<br /><br />\nDial-up ground-shaking analog bass by stacking all 3 Oscillators in Unison Mode, or engage the new Duo Mode to split Oscillators 1 & 2, opening new doors of musicality by playing 2 different notes at once. Trigger the Subsequent 25’s analog sound engine any way you like – by integrating with other voltage controlled analog gear via 4 onboard CV inputs, by interfacing with your favorite DAW using DIN & USB MIDI, or go fully manual with the ultra playable fast-action keybed.\n<br /><br />\nSubsequent 25’s analog filter section contains the transformative Multidrive circuit, a unique combination of OTA distortion and FET drive – a key sparkplug for the compact synthesizer’s powerful sound. Through the creative use of the Mixer Section (with expanded headroom), Ladder Filter, and Multidrive circuit, a wide range of classic analog colors and aggressive modern tones can be achieved.\n<br /><br />\nDesigned for portability, Subsequent 25 is the most agile full-size Moog synthesizer, equally reliable moving from stage to studio and every stop in between. Subsequent 25’s compact footprint fits into any situation and won’t overtake your studio desk – yet still fills any room with powerful synth bass, dynamic analog percussion, and harmonic-rich leads.\n<br /><br />\nBalancing classic analog sound design with seamless integration into modern digital workflows and DAW environments, the Subsequent 25 features a full MIDI implementation, allowing MIDI automation and recall of all front panel and under-the-hood synthesis parameters.\n<br /><br />\nSubsequent 25 is a versatile new instrument for unique sonic expression and realizing artistic vision. With its streamlined interface and dynamic sound design flexibility, this dynamic synthesizer fuses a revolutionary connection between human and machine, opening portals to new musical experiences.<br /><br />\n<h3>Moog Subsequent 25 Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Twice the headroom for access to a new range of classic clean tones in mono and duo modes</span></li>\n	<li>Reshaped gain staging in the Ladder Filter to boost harmonic saturation and analog compression, resulting in an overall richer low end</li>\n	<li>Re-tuned Multidrive circuit that extends well beyond the original grit and growl of the Sub Phatty</li>\n	<li>Brand new presets that have been optimized to take full advantage of the Subsequent 25’s upgraded circuitry</li>\n	<li>Upgraded keybed for improved playability</li>\n	<li>New high-powered headphone amplifier strong enough to drive the most demanding headphones</li>\n	<li>Free Editor/Librarian software for Windows and Mac (plug-in or standalone)</li>\n</ul>\n<br />'),(7593,85,0,1266,'Moog Subsequent 25 Analog Synthesizer'),(7594,85,1,1266,'Moog Subsequent 25 Analog Synthesizer'),(7595,76,0,1266,''),(7596,76,1,1266,''),(7597,75,0,1267,'<h1>MOTU 828mk3 Hybrid FireWire / USB2 Audio Interface</h1><div>The MOTU 828mk3 Hybrid audio interface delivers innovative new features, universal \"hybrid\" FireWire/USB2 connectivity to your Mac or Windows computer, superb sound, and reliable performance.</div><div><br /></div><h3>Hybrid FireWire / USB2 connectivity</h3><div>As a hybrid audio interface, the 828mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU audio interfaces or the 8pre mic input expander.</div><div><br /></div><h3>Tons of I/O</h3><div>The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.</div><div><br /></div><h3>On-board digital mixer with effects for monitoring and live mixing</h3><div>Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3’s signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.<br /></div><h3>Advanced audio analysis tools</h3><div>Analyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram \"waterfall\" display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.</div><div><br /></div><h3>Stand-alone operation as a mixer</h3><div>After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.</div><div><br /></div><h3>Across-the-board compatibility</h3><div>The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.<br /></div>'),(7598,75,1,1267,'<h1>MOTU 828mk3 Hybrid FireWire / USB2 Audio Interface</h1><div>The MOTU 828mk3 Hybrid audio interface delivers innovative new features, universal \"hybrid\" FireWire/USB2 connectivity to your Mac or Windows computer, superb sound, and reliable performance.</div><div><br /></div><h3>Hybrid FireWire / USB2 connectivity</h3><div>As a hybrid audio interface, the 828mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU audio interfaces or the 8pre mic input expander.</div><div><br /></div><h3>Tons of I/O</h3><div>The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.</div><div><br /></div><h3>On-board digital mixer with effects for monitoring and live mixing</h3><div>Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3’s signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.<br /></div><h3>Advanced audio analysis tools</h3><div>Analyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram \"waterfall\" display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.</div><div><br /></div><h3>Stand-alone operation as a mixer</h3><div>After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.</div><div><br /></div><h3>Across-the-board compatibility</h3><div>The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.<br /></div>'),(7599,85,0,1267,'MOTU 828mk3 Hybrid FireWire / USB2 Audio Interface'),(7600,85,1,1267,'MOTU 828mk3 Hybrid FireWire / USB2 Audio Interface'),(7601,76,0,1267,''),(7602,76,1,1267,''),(7603,75,0,1268,'<h1>MOTU 828x - Professional 28x30 Thunderbolt Audio Interface</h1>\nThunderbolt™ has arrived…on MOTU\'s all-time best-selling audio interface. Only the 828x gives you an award-winning combination of comprehensive features, inspired engineering, rock-solid performance, and connectivity to any Mac or PC with either Thunderbolt or high-speed USB 2.0.\n<br /><br />\n<h3>828x feature highlights</h3>\n<ul>\n	<li>Thunderbolt connectivity — Compatible with Thunderbolt 1 and 2.</li>\n	<li>Hi-speed USB 2.0 connectivity — Compatible with USB 3.0.</li>\n	<li>58 simultaneous channels — 28 inputs and 30 outputs, including two mic preamps with sends, 8 TRS analog in/out, separate main outs on XLR jacks, two banks of optical, S/PDIF, MIDI in/out, time code in/out, word clock I/O, and two front-panel headphone jacks.</li>\n	<li>CueMix FX™ — High-powered DSP with mixing and effects on individual ins/outs. Includes classic reverb, modeled analog EQ, and vintage LA-2A compressor.</li>\n	<li>Flexible mic/guitar inputs with preamps — Two front panel combo jacks provide hi-Z 1/4” guitar input or XLR mic input with individual phantom power and pad.</li>\n	<li>Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustments in 1 dB increments.</li>\n	<li>V-Limit™ overload protection — Hardware-based input limiter on the mic/guitar inputs prevents digital clipping and distortion from overloaded signal levels up to +12 dB over zero.</li>\n	<li>Front-panel control for stand-alone operation — Access any setting in your entire 828x mix directly from the front panel.</li>\n	<li>Foot switch input — Connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.</li>\n	<li>Direct Digital Synthesis™ (DDS) — DSP-driven phase lock engine and internal clock source produces imperceptibly low jitter characteristics (below the noise floor), even when the 828x is resolved to an external clock source via SMPTE time code.</li>\n	<li>Time code support — Directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.</li>\n	<li>DC-coupled TRS outputs — Use the 828x with Volta™ (sold separately) to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.</li>\n	<li>Instrument tuner and audio analysis tools — Includes an oscilloscope, real-time FFT, X-Y Plot, and graphic phase analysis.</li>\n</ul>\n<br />\n<h3>Universal connectivity</h3>\nThe 828x can also connect to any computer with high-speed USB 2.0, which is USB 3.0 compatible, so if you don\'t have Thunderbolt yet, the 828x has you covered.\n<br /><br />\n<h3>Thunderbolt audio</h3>\nThe new 828x provides all of the same features as MOTU\'s latest 828mk3 Hybrid interface, including hi-speed USB 2.0 connectivity to a computer host, but replaces FireWire with Thunderbolt, the new ultra-fast connectivity standard now found on today\'s current-generation MacBooks, iMacs, Mac Pro, and various laptops from leading PC vendors like Hewlett Packard.\n<br /><br />\nThunderbolt allows you to connect the 828x and other Thunderbolt-equipped peripherals to a laptop for a sleek, state-of-the-art desktop production system. Even with a high-performance hard drive or RAID, plus a large computer display, the Thunderbolt bus allows the 828x to easily stream 58 simultaneous channels of audio (28 inputs and 30 outputs) with plenty of bandwidth to spare for smooth, glitch-free operation.<br /><br />\nUp to six devices can be connected to a Thunderbolt daisy-chain, with the 828x at the end of the chain. Thunderbolt is a plug-and-play protocol, so devices can be hot swapped, even while the host computer remains powered up.<br /><br />\n<h3>Hi-speed USB 2.0</h3>\nAs Thunderbolt becomes more widely adopted, Hi-speed USB 2.0 provides across-the-board compatibility with virtually all laptops and desktops on both Mac and Windows. Since USB 2.0 devices are compatible with USB 3.0-equipped hosts, your 828x interface is a future-proof investment in your studio.\n<br /><br />\n<h3>28 inputs and 30 outputs</h3>\nWe pack it in, like no one else can: two combo-style mic/guitar inputs with preamps, 8 balanced analog in/out, XLR main outs, 16 channels of ADAT optical (8 channels at 96 kHz), plus S/PDIF, word clock and MIDI. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors.\n<br /><br />\n<h2>Recording up to 192 kHz</h2>\nNow in its fifth generation, the 828 has become a benchmark for the industry, setting the bar by which others are judged. How has this level of respect been earned? Through consistent design integrity and intelligent use of current-generation parts and design technologies.\n<br /><br />\n<h3>Studio-grade mic channels</h3>\nDo you work with outboard EQs and compressors? Each 828x mic input offers a pre-converter send for mono or stereo mic channel outboard processing. The 828x\'s unique V-Limit™ hardware limiter employs a proprietary design to offer an additional 12 dB of headroom over digital zero with no digital clipping or harsh artifacts, for that added protection in dynamic recording situations. The 828x\'s preamps are clean and neutral, allowing you to use your favorite plug-ins and host software to color the sound just the way you want for each recording application.\n<br /><br />\n<h3>On-board digital mixer with effect</h3>\nRecord, monitor, route and process all live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply DSP-driven compression, EQ and reverb to every input and output, independent of your host computer.\n<h3>Stand-alone operation as a mixer</h3>\nAfter programming the on-board mixing in the studio, unplug the 828x from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.\n<br /><br />\n<h3>Solid metal chassis</h3>\nWe still get calls and Facebook posts from happy users of the original 828, introduced more than 10 years ago! Like all MOTU interfaces, the 828x\'s aluminum alloy chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and road. In a world awash with cheap plastic, the cool feeling of the 828x\'s metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction.\n<br /><br />\n<h2>Audio Connectivity - The Way It Should Be</h2>\n<h3>Two mic inputs with individual preamps</h3>\n	Two convenient front-panel mic/guitar inputs are equipped with pristine, transparent preamps and offer individually adjustable 48V phantom power and -20 dB pad. All settings can be adjusted directly on the front panel, or from the 828x CueMix FX software running on your computer. Mic inputs can be operated individually or in stereo pairs, as needed.\n<br /><br />\n<h3>Flexible combo jacks for guitar input</h3>\n	The two mic inputs are combo jacks that also accept quarter-inch plugs from a guitar or bass, without an amp or cabinet, so you can run your guitar input through amp/cab simulation plug-ins in your host software.\n<br /><br />\n<h3>Individual 48V, pad and gain</h3>\n	Each mic input has individual 48V phantom power, -20dB pad and preamp gain to give you maximum flexibility with the microphones you choose to work with.\n<br /><br />\n<h3>Precision trim™</h3>\n	You get the best of both worlds: analog trim with digital precision and control. The 828x preamps provide 53 dB of gain, which you can adjust in approximately 1 dB increments using the detented digital rotary encoder. As you turn the encoder, you see graphic and numeric feedback in the front panel LCD, so you know exactly how much gain you are applying. The gain adjustment itself is smooth because it is analog, but the digital control gives you both precision and the ability to save and recall trim settings.\n<br /><br />\n<h3>V-Limit™ overload protection</h3>\n	Both mic/guitar inputs are equipped with V-Limit™, a hardware limiter that helps prevent digital clipping from overloaded input signals. With V-Limit enabled, signals can go above zero dB (where limiting kicks in) to as high as +12 dB above zero with no distortion due to digital clipping.\n<br /><br />\n<h3>Soft Clip™</h3>\n	Additional protection can be applied to the mic/guitar inputs by enabling the 828x\'s Soft Clip™ feature, which engages just before clipping occurs and helps reduce perceptible distortion.\n<br /><br />\n<h3>Sends</h3>\n	Each mic input has a corresponding rear panel send that allows you to insert outboard gear before the signal goes digital. Any input can be used as a return.\n<br /><br />\n<h3>A plethora of analog I/O</h3>\nEight balanced (TRS) 24-bit analog inputs and outputs, as well as two XLR main outs and the two preamp inputs, can operate at sample rates up to 192 kHz (a total of ten analog inputs and outputs).\n<br /><br />\n<h3>Control room monitoring</h3>\nConnect your primary, powered studio monitors directly to the XLR main outs. Add additional pairs of monitors to the TRS outputs. Control volume from software or the front-panel MAIN VOL control. Choose any combination of outputs to control from the front panel and your software.\n<br /><br />\n<h3>Two headphone jacks</h3>\nA second phone jack can be life-saver when you need to finish the mix with your colleague in close proximity to family or neighbors you don\'t want to disturb. The top phone jack always mirrors the main outs, and the \"MAIN VOL\" knob controls both. The bottom phone jack has added flexibility: it can mirror the main outs with independent volume control, or it can mirror any other 828x output pair.\n<br /><br />\n<h3>Two banks of optical</h3>\nTwo optical banks provide 16 channels of ADAT optical at 48 kHz, 8 channels of S/MUX optical I/O at 96 kHz or two banks of stereo TOSLink (optical S/PDIF) at rates up to 96 kHz. Each optical input and output operates independently, allowing you to mix and match any optical formats, in and out.\n<br /><br />\n<h3>S/PDIF digital I/O</h3>\nStereo digital transfers are an essential fact of daily studio life. The 828x\'s standard RCA S/PDIF input and output make stereo digital transfers a snap, with optional external clocking and support for sample rates up to 96 kHz.\n<br /><br />\n<h3>Balanced analog inputs and outputs</h3>\n828x balanced I/O connections are well-protected against RF interference, AC hum, and other noise-producing environmental factors.\n<br /><br />'),(7604,75,1,1268,'<h1>MOTU 828x - Professional 28x30 Thunderbolt Audio Interface</h1>\nThunderbolt™ has arrived…on MOTU\'s all-time best-selling audio interface. Only the 828x gives you an award-winning combination of comprehensive features, inspired engineering, rock-solid performance, and connectivity to any Mac or PC with either Thunderbolt or high-speed USB 2.0.\n<br /><br />\n<h3>828x feature highlights</h3>\n<ul>\n	<li>Thunderbolt connectivity — Compatible with Thunderbolt 1 and 2.</li>\n	<li>Hi-speed USB 2.0 connectivity — Compatible with USB 3.0.</li>\n	<li>58 simultaneous channels — 28 inputs and 30 outputs, including two mic preamps with sends, 8 TRS analog in/out, separate main outs on XLR jacks, two banks of optical, S/PDIF, MIDI in/out, time code in/out, word clock I/O, and two front-panel headphone jacks.</li>\n	<li>CueMix FX™ — High-powered DSP with mixing and effects on individual ins/outs. Includes classic reverb, modeled analog EQ, and vintage LA-2A compressor.</li>\n	<li>Flexible mic/guitar inputs with preamps — Two front panel combo jacks provide hi-Z 1/4” guitar input or XLR mic input with individual phantom power and pad.</li>\n	<li>Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustments in 1 dB increments.</li>\n	<li>V-Limit™ overload protection — Hardware-based input limiter on the mic/guitar inputs prevents digital clipping and distortion from overloaded signal levels up to +12 dB over zero.</li>\n	<li>Front-panel control for stand-alone operation — Access any setting in your entire 828x mix directly from the front panel.</li>\n	<li>Foot switch input — Connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.</li>\n	<li>Direct Digital Synthesis™ (DDS) — DSP-driven phase lock engine and internal clock source produces imperceptibly low jitter characteristics (below the noise floor), even when the 828x is resolved to an external clock source via SMPTE time code.</li>\n	<li>Time code support — Directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.</li>\n	<li>DC-coupled TRS outputs — Use the 828x with Volta™ (sold separately) to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.</li>\n	<li>Instrument tuner and audio analysis tools — Includes an oscilloscope, real-time FFT, X-Y Plot, and graphic phase analysis.</li>\n</ul>\n<br />\n<h3>Universal connectivity</h3>\nThe 828x can also connect to any computer with high-speed USB 2.0, which is USB 3.0 compatible, so if you don\'t have Thunderbolt yet, the 828x has you covered.\n<br /><br />\n<h3>Thunderbolt audio</h3>\nThe new 828x provides all of the same features as MOTU\'s latest 828mk3 Hybrid interface, including hi-speed USB 2.0 connectivity to a computer host, but replaces FireWire with Thunderbolt, the new ultra-fast connectivity standard now found on today\'s current-generation MacBooks, iMacs, Mac Pro, and various laptops from leading PC vendors like Hewlett Packard.\n<br /><br />\nThunderbolt allows you to connect the 828x and other Thunderbolt-equipped peripherals to a laptop for a sleek, state-of-the-art desktop production system. Even with a high-performance hard drive or RAID, plus a large computer display, the Thunderbolt bus allows the 828x to easily stream 58 simultaneous channels of audio (28 inputs and 30 outputs) with plenty of bandwidth to spare for smooth, glitch-free operation.<br /><br />\nUp to six devices can be connected to a Thunderbolt daisy-chain, with the 828x at the end of the chain. Thunderbolt is a plug-and-play protocol, so devices can be hot swapped, even while the host computer remains powered up.<br /><br />\n<h3>Hi-speed USB 2.0</h3>\nAs Thunderbolt becomes more widely adopted, Hi-speed USB 2.0 provides across-the-board compatibility with virtually all laptops and desktops on both Mac and Windows. Since USB 2.0 devices are compatible with USB 3.0-equipped hosts, your 828x interface is a future-proof investment in your studio.\n<br /><br />\n<h3>28 inputs and 30 outputs</h3>\nWe pack it in, like no one else can: two combo-style mic/guitar inputs with preamps, 8 balanced analog in/out, XLR main outs, 16 channels of ADAT optical (8 channels at 96 kHz), plus S/PDIF, word clock and MIDI. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors.\n<br /><br />\n<h2>Recording up to 192 kHz</h2>\nNow in its fifth generation, the 828 has become a benchmark for the industry, setting the bar by which others are judged. How has this level of respect been earned? Through consistent design integrity and intelligent use of current-generation parts and design technologies.\n<br /><br />\n<h3>Studio-grade mic channels</h3>\nDo you work with outboard EQs and compressors? Each 828x mic input offers a pre-converter send for mono or stereo mic channel outboard processing. The 828x\'s unique V-Limit™ hardware limiter employs a proprietary design to offer an additional 12 dB of headroom over digital zero with no digital clipping or harsh artifacts, for that added protection in dynamic recording situations. The 828x\'s preamps are clean and neutral, allowing you to use your favorite plug-ins and host software to color the sound just the way you want for each recording application.\n<br /><br />\n<h3>On-board digital mixer with effect</h3>\nRecord, monitor, route and process all live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply DSP-driven compression, EQ and reverb to every input and output, independent of your host computer.\n<h3>Stand-alone operation as a mixer</h3>\nAfter programming the on-board mixing in the studio, unplug the 828x from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.\n<br /><br />\n<h3>Solid metal chassis</h3>\nWe still get calls and Facebook posts from happy users of the original 828, introduced more than 10 years ago! Like all MOTU interfaces, the 828x\'s aluminum alloy chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and road. In a world awash with cheap plastic, the cool feeling of the 828x\'s metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction.\n<br /><br />\n<h2>Audio Connectivity - The Way It Should Be</h2>\n<h3>Two mic inputs with individual preamps</h3>\n	Two convenient front-panel mic/guitar inputs are equipped with pristine, transparent preamps and offer individually adjustable 48V phantom power and -20 dB pad. All settings can be adjusted directly on the front panel, or from the 828x CueMix FX software running on your computer. Mic inputs can be operated individually or in stereo pairs, as needed.\n<br /><br />\n<h3>Flexible combo jacks for guitar input</h3>\n	The two mic inputs are combo jacks that also accept quarter-inch plugs from a guitar or bass, without an amp or cabinet, so you can run your guitar input through amp/cab simulation plug-ins in your host software.\n<br /><br />\n<h3>Individual 48V, pad and gain</h3>\n	Each mic input has individual 48V phantom power, -20dB pad and preamp gain to give you maximum flexibility with the microphones you choose to work with.\n<br /><br />\n<h3>Precision trim™</h3>\n	You get the best of both worlds: analog trim with digital precision and control. The 828x preamps provide 53 dB of gain, which you can adjust in approximately 1 dB increments using the detented digital rotary encoder. As you turn the encoder, you see graphic and numeric feedback in the front panel LCD, so you know exactly how much gain you are applying. The gain adjustment itself is smooth because it is analog, but the digital control gives you both precision and the ability to save and recall trim settings.\n<br /><br />\n<h3>V-Limit™ overload protection</h3>\n	Both mic/guitar inputs are equipped with V-Limit™, a hardware limiter that helps prevent digital clipping from overloaded input signals. With V-Limit enabled, signals can go above zero dB (where limiting kicks in) to as high as +12 dB above zero with no distortion due to digital clipping.\n<br /><br />\n<h3>Soft Clip™</h3>\n	Additional protection can be applied to the mic/guitar inputs by enabling the 828x\'s Soft Clip™ feature, which engages just before clipping occurs and helps reduce perceptible distortion.\n<br /><br />\n<h3>Sends</h3>\n	Each mic input has a corresponding rear panel send that allows you to insert outboard gear before the signal goes digital. Any input can be used as a return.\n<br /><br />\n<h3>A plethora of analog I/O</h3>\nEight balanced (TRS) 24-bit analog inputs and outputs, as well as two XLR main outs and the two preamp inputs, can operate at sample rates up to 192 kHz (a total of ten analog inputs and outputs).\n<br /><br />\n<h3>Control room monitoring</h3>\nConnect your primary, powered studio monitors directly to the XLR main outs. Add additional pairs of monitors to the TRS outputs. Control volume from software or the front-panel MAIN VOL control. Choose any combination of outputs to control from the front panel and your software.\n<br /><br />\n<h3>Two headphone jacks</h3>\nA second phone jack can be life-saver when you need to finish the mix with your colleague in close proximity to family or neighbors you don\'t want to disturb. The top phone jack always mirrors the main outs, and the \"MAIN VOL\" knob controls both. The bottom phone jack has added flexibility: it can mirror the main outs with independent volume control, or it can mirror any other 828x output pair.\n<br /><br />\n<h3>Two banks of optical</h3>\nTwo optical banks provide 16 channels of ADAT optical at 48 kHz, 8 channels of S/MUX optical I/O at 96 kHz or two banks of stereo TOSLink (optical S/PDIF) at rates up to 96 kHz. Each optical input and output operates independently, allowing you to mix and match any optical formats, in and out.\n<br /><br />\n<h3>S/PDIF digital I/O</h3>\nStereo digital transfers are an essential fact of daily studio life. The 828x\'s standard RCA S/PDIF input and output make stereo digital transfers a snap, with optional external clocking and support for sample rates up to 96 kHz.\n<br /><br />\n<h3>Balanced analog inputs and outputs</h3>\n828x balanced I/O connections are well-protected against RF interference, AC hum, and other noise-producing environmental factors.\n<br /><br />'),(7605,85,0,1268,'MOTU 828x Professional 28x30 Thunderbolt Audio Interface'),(7606,85,1,1268,'MOTU 828x Professional 28x30 Thunderbolt Audio Interface'),(7607,76,0,1268,''),(7608,76,1,1268,''),(7609,75,0,1269,'<h1>MOTU 896mk3 Hybrid 8 Mic / Guitar Inputs Audio Interface</h1>\nThe MOTU 896mk3 audio interface delivers advanced design, high-end performance, superb sound, and universal \"hybrid\" FireWire/USB2 connectivity to your Mac or Windows computer.<br/>\n<br/>\n<h3>Hybrid FireWire / USB2 connectivity</h3>\n<div>\n	As a hybrid audio interface, the 896mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.\n	<br/>\n</div>\n<h3>Flexible operation</h3>\n<div>\n	The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.\n	<br/>\n</div>\n<h3>On-board digital mixer with effects for monitoring and live mixing</h3>\n<div>\n	Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.\n</div>\n<div>\n	When recording from the analog inputs, the 896mk3’s signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.\n	<br/>\n</div>\n<h3>Advanced audio analysis tools</h3>\n<div>\n	Analyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram \"waterfall\" display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.\n	<br/>\n</div>\n<h3>\nStand-alone operation as a mixer\n</h3>\n<div>\n	After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.\n</div>\n<h3>\nAcross-the-board compatibility\n</h3>\n<div>\n	The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.\n</div>'),(7610,75,1,1269,'<h1>MOTU 896mk3 Hybrid 8 Mic / Guitar Inputs Audio Interface</h1>\nThe MOTU 896mk3 audio interface delivers advanced design, high-end performance, superb sound, and universal \"hybrid\" FireWire/USB2 connectivity to your Mac or Windows computer.<br/>\n<br/>\n<h3>Hybrid FireWire / USB2 connectivity</h3>\n<div>\n	As a hybrid audio interface, the 896mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.\n	<br/>\n</div>\n<h3>Flexible operation</h3>\n<div>\n	The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.\n	<br/>\n</div>\n<h3>On-board digital mixer with effects for monitoring and live mixing</h3>\n<div>\n	Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.\n</div>\n<div>\n	When recording from the analog inputs, the 896mk3’s signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.\n	<br/>\n</div>\n<h3>Advanced audio analysis tools</h3>\n<div>\n	Analyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram \"waterfall\" display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.\n	<br/>\n</div>\n<h3>\nStand-alone operation as a mixer\n</h3>\n<div>\n	After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.\n</div>\n<h3>\nAcross-the-board compatibility\n</h3>\n<div>\n	The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.\n</div>'),(7611,85,0,1269,'MOTU 896mk3 Hybrid 8 Mic / Guitar Inputs Audio Interface'),(7612,85,1,1269,'MOTU 896mk3 Hybrid 8 Mic / Guitar Inputs Audio Interface'),(7613,76,0,1269,''),(7614,76,1,1269,''),(7615,75,0,1270,'Break the Chains\n\nThe  first in a suite of new  products that will set you free…\n\nIncrease your creative time\nAutomate the repetitive audio processing tasks\nIncrease your income\nFree up the editing suite for more billable hours\n\nGet  rid of the wasted time and  mindless boring drudgery  of repetitive audio processing  tasks, with AudioTools AWE!  Finally, a serious professional  tool for automating audio  processing. Easy setup, easy  use, powerful processing.  If you can imagine it, you  can do it with AudioTools  AWE.\n\nAutomated Workflow\n\nFour Easy Steps!\n\n1)  Select your input soundfiles. \n2) Select your processors. \n3) Select your output location. \n4) Go!\n\nPowerful  Processing\n\nDon’t  be fooled by the ease of use.  AudioTools AWE does serious  professional processing:\n\nultra-high-quality 64-bit sample rate  converters \nFade In, Fade Out, Normalize, Gain, Concatenate,  more \nsoundfile format conversion, bit-depth conversion \nmulitchannel surround \nVST plug–in support \napply any number of proecessors in any order \nOptional plug–ins include Dolby Digital, time/pitch,  mastering EQ, more\n\nFlexible  Configuration\n\nautomatically processes  any new input soundfile immediatey\nsubmit folders of input  soundfiles\nsurround sound as  interleaved  files or multichannel-mono\nauto-loading of multichannel-mono  files\nfile name modifiers\nadd date, time, or custom  text\noutput can copy folder  structure of input\n\nReal  monitoring\n\nmonitor input soundfiles\nmonitor output soundfiles\nmonitor  processors in real time,  and adjust parameters\ncue monitor to anywhere in the soundfile\ntime display in many formats including timecode\nlooping\nmultichannel level metering\n\nSetup ONCE\n\n\n\nsave  Jobs, recall them later\nsave processor  chains, recall them later\nsave settings of individual processors, recall them later\nsave collections of Jobs, submit them all later in a single step\nset up a Job, email it to run in another facility\n\nFuture–proof\n\nAudioTools  AWE is just the first of a  suite of workflow-enhancing  tools. Future products include:\n\nclient/server  AWE\nversioning tools \ncollaberation tools'),(7616,75,1,1270,'Break the Chains\n\nThe  first in a suite of new  products that will set you free…\n\nIncrease your creative time\nAutomate the repetitive audio processing tasks\nIncrease your income\nFree up the editing suite for more billable hours\n\nGet  rid of the wasted time and  mindless boring drudgery  of repetitive audio processing  tasks, with AudioTools AWE!  Finally, a serious professional  tool for automating audio  processing. Easy setup, easy  use, powerful processing.  If you can imagine it, you  can do it with AudioTools  AWE.\n\nAutomated Workflow\n\nFour Easy Steps!\n\n1)  Select your input soundfiles. \n2) Select your processors. \n3) Select your output location. \n4) Go!\n\nPowerful  Processing\n\nDon’t  be fooled by the ease of use.  AudioTools AWE does serious  professional processing:\n\nultra-high-quality 64-bit sample rate  converters \nFade In, Fade Out, Normalize, Gain, Concatenate,  more \nsoundfile format conversion, bit-depth conversion \nmulitchannel surround \nVST plug–in support \napply any number of proecessors in any order \nOptional plug–ins include Dolby Digital, time/pitch,  mastering EQ, more\n\nFlexible  Configuration\n\nautomatically processes  any new input soundfile immediatey\nsubmit folders of input  soundfiles\nsurround sound as  interleaved  files or multichannel-mono\nauto-loading of multichannel-mono  files\nfile name modifiers\nadd date, time, or custom  text\noutput can copy folder  structure of input\n\nReal  monitoring\n\nmonitor input soundfiles\nmonitor output soundfiles\nmonitor  processors in real time,  and adjust parameters\ncue monitor to anywhere in the soundfile\ntime display in many formats including timecode\nlooping\nmultichannel level metering\n\nSetup ONCE\n\n\n\nsave  Jobs, recall them later\nsave processor  chains, recall them later\nsave settings of individual processors, recall them later\nsave collections of Jobs, submit them all later in a single step\nset up a Job, email it to run in another facility\n\nFuture–proof\n\nAudioTools  AWE is just the first of a  suite of workflow-enhancing  tools. Future products include:\n\nclient/server  AWE\nversioning tools \ncollaberation tools'),(7617,85,0,1270,'Minnetonka AudioTools Audio Workflow Engine - Mac'),(7618,85,1,1270,'Minnetonka AudioTools Audio Workflow Engine - Mac'),(7619,76,0,1270,''),(7620,76,1,1270,''),(7621,75,0,1271,'discWelder  STEEL — the easy, fast, and  inexpensive way to produce  pro grade DVD-Audio  discs from your high resolution  audio files.\n\nWith discWelder  STEEL, you can import all  Linear PCM (LPCM) formats  supported in the DVD-A specification.  These include non–encoded  or uncompressed surround files,  in either WAV  or AIFF format:\n\nup  to 6 channels of 24 bit,  48 kHz audio\n\ntwo channels  of 24-bit, up to 192 kHz audio\n\nSurround  and stereo tracks may  be used  on the same disc, and  a discWelder-created disc  will play on any DVD-A  player that supports  DVD-R/RW.\n\ndiscWelder STEEL  also includes several advanced  features, to really jazz up  your titles…The exclusive  AutoMirror  feature  duplicates the content in the  audio zone to the video zone.  This makes a universal disc  that works on any  player, using either high res  PCM or AC-3 encoded audio.\n\nAdd  a slide show, such as talent  stills  or lyric  sheets,  to  visually  augment the performance. The dual layer feature enables  the presentation of seamless,  long duration, high data rate  programs not possible with  a single layer disc. discWelder  STEELs Downmix feature  allows you to control the stereo  playback  when the customer only has  stereo, not surround,  equipment.\n\nAs icing on the  cake, discWelder  STEEL converts Direct Stream  Digital (DSD) into high resolution  linear PCM for inclusion in  your title. This means you  can leverage the low cost,  high quality of DSD decks  from Tascam and Korg as master  recorders for your DVD titles.'),(7622,75,1,1271,'discWelder  STEEL — the easy, fast, and  inexpensive way to produce  pro grade DVD-Audio  discs from your high resolution  audio files.\n\nWith discWelder  STEEL, you can import all  Linear PCM (LPCM) formats  supported in the DVD-A specification.  These include non–encoded  or uncompressed surround files,  in either WAV  or AIFF format:\n\nup  to 6 channels of 24 bit,  48 kHz audio\n\ntwo channels  of 24-bit, up to 192 kHz audio\n\nSurround  and stereo tracks may  be used  on the same disc, and  a discWelder-created disc  will play on any DVD-A  player that supports  DVD-R/RW.\n\ndiscWelder STEEL  also includes several advanced  features, to really jazz up  your titles…The exclusive  AutoMirror  feature  duplicates the content in the  audio zone to the video zone.  This makes a universal disc  that works on any  player, using either high res  PCM or AC-3 encoded audio.\n\nAdd  a slide show, such as talent  stills  or lyric  sheets,  to  visually  augment the performance. The dual layer feature enables  the presentation of seamless,  long duration, high data rate  programs not possible with  a single layer disc. discWelder  STEELs Downmix feature  allows you to control the stereo  playback  when the customer only has  stereo, not surround,  equipment.\n\nAs icing on the  cake, discWelder  STEEL converts Direct Stream  Digital (DSD) into high resolution  linear PCM for inclusion in  your title. This means you  can leverage the low cost,  high quality of DSD decks  from Tascam and Korg as master  recorders for your DVD titles.'),(7623,85,0,1271,'Minnetonka discWelder STEEL'),(7624,85,1,1271,'Minnetonka discWelder STEEL'),(7625,76,0,1271,''),(7626,76,1,1271,''),(7627,75,0,1272,'With over 60 audio  equipment manufacturers licensed  to produce DTS decoders, DTS  has become a standard for high  quality Surround Sound in home  theater systems.  This makes it easy to easy  to give someone your Surround  Sound mix to audition, and  also creates a mass market  for distribution of multichannel  surround recordings.\n\nSurcodes  CD-DTS encoder is a low  cost  version for encoding surround mixes  exclusively onto audio Compact  Discs. Surcode CD–DTS  is a fully licensed  and certified  encoder and decoder, suitable for encoding commercially  released recordings.\n\nSurCode 5.1 DTS Encoder for Compact Disc: \n\nSurCode CD-DTS is  easy to use. Just specify the  six  44.1 khz WAV or AIFF  files of your surround or multichannel  mix. SurCode will create a  DTS encoded  WAV file, at a 1.234 Mb/s data  rate, that you can then burn  onto a CD.\n\nSpecifications  subject to change without  notice. DTS is a registered  trademark of DTS, Inc.'),(7628,75,1,1272,'With over 60 audio  equipment manufacturers licensed  to produce DTS decoders, DTS  has become a standard for high  quality Surround Sound in home  theater systems.  This makes it easy to easy  to give someone your Surround  Sound mix to audition, and  also creates a mass market  for distribution of multichannel  surround recordings.\n\nSurcodes  CD-DTS encoder is a low  cost  version for encoding surround mixes  exclusively onto audio Compact  Discs. Surcode CD–DTS  is a fully licensed  and certified  encoder and decoder, suitable for encoding commercially  released recordings.\n\nSurCode 5.1 DTS Encoder for Compact Disc: \n\nSurCode CD-DTS is  easy to use. Just specify the  six  44.1 khz WAV or AIFF  files of your surround or multichannel  mix. SurCode will create a  DTS encoded  WAV file, at a 1.234 Mb/s data  rate, that you can then burn  onto a CD.\n\nSpecifications  subject to change without  notice. DTS is a registered  trademark of DTS, Inc.'),(7629,85,0,1272,'Minnetonka SurCode CD–DTS Encoder and Confidence Monitor'),(7630,85,1,1272,'Minnetonka SurCode CD–DTS Encoder and Confidence Monitor'),(7631,76,0,1272,''),(7632,76,1,1272,''),(7633,75,0,1273,'MASIs SurCode for Dolby Digital Encoder gives you the ability to encode AIFF or WAV files into the Dolby Digital format. The SurCode for Dolby Digital Encoder is the perfect way to integrate the Dolby stereo format into your existing workflow. Unlike other encoding formats, Dolby Digital is the most widely used stereo codec for consumer distribution.\n\nSurCode for Dolby Digital Stereo Encoder: \n\nThe audio track of a DVD-Video consumes a large amount of disk space. For example, two hours of stereo audio, at 48 kHz 16 bit, uses nearly 1.4 GB of a DVDs 4.3GB total available space. Dolby Digital encoding is an excellent option for audio on a DVD-Video disc because it reduces the size of the source files typically by a ratio of 8:1, yet still achieves excellent sound quality. SurCode for Dolby Digital can free up considerable space on the disc to allow for either more video and a longer running time or, higher bit rate video for better image quality.\n\nSpecifications subject to change without notice. Dolby and the double-D symbol are registered trademarks of Dolby Laboratories.'),(7634,75,1,1273,'MASIs SurCode for Dolby Digital Encoder gives you the ability to encode AIFF or WAV files into the Dolby Digital format. The SurCode for Dolby Digital Encoder is the perfect way to integrate the Dolby stereo format into your existing workflow. Unlike other encoding formats, Dolby Digital is the most widely used stereo codec for consumer distribution.\n\nSurCode for Dolby Digital Stereo Encoder: \n\nThe audio track of a DVD-Video consumes a large amount of disk space. For example, two hours of stereo audio, at 48 kHz 16 bit, uses nearly 1.4 GB of a DVDs 4.3GB total available space. Dolby Digital encoding is an excellent option for audio on a DVD-Video disc because it reduces the size of the source files typically by a ratio of 8:1, yet still achieves excellent sound quality. SurCode for Dolby Digital can free up considerable space on the disc to allow for either more video and a longer running time or, higher bit rate video for better image quality.\n\nSpecifications subject to change without notice. Dolby and the double-D symbol are registered trademarks of Dolby Laboratories.'),(7635,85,0,1273,'Minnetonka SurCode for Dolby Digital Stereo Encoder and Decoder'),(7636,85,1,1273,'Minnetonka SurCode for Dolby Digital Stereo Encoder and Decoder'),(7637,76,0,1273,''),(7638,76,1,1273,''),(7639,75,0,1274,'Minnetonka Audio Software\'s SurCode for Dolby Pro Logic II is the best way to encode 5.1 surround for stereo delivery formats.\n\nSurCode for Dolby Pro Logic II v2.3!\n\nProvided as a cross platform plug-in suite, SurCode for Dolby Pro Logic II is now a unified encoder and decoder for:\n\n\nPro Tool Mac + Windows\nVST Mac + Windows\nStandalone Mac + Windows\nNow all on one ilok license! \n\nWith an all-in-one installer, users can choose when and how to use SurCode for Dolby Pro Logic II, giving you powerful multi-platform deployment at no additional charge. For example, the very same license of SurCode for Dolby Pro Logic II on Pro Tools will authorize both the standalone product, on Mac and Windows, along with instances on any VST host.\nLtRt downmix - full compatibility\nEncode and Decode simultaneously in real-time\nMulti-DAW, multi-instance support\nFlexible license handling\nLicensed - Use Dolby logos and trademarks on content produced with this plug-in or application\nPerfect compliment to SurCode for Dolby E \n\n\nCBC, Radio-Canada, CTV, Discovery Canada, TFO, ARTV, Super Channel, Starz, APTN\n\n\n\nSurCode Dolby Pro Logic II VST Plug–in: \n\nAvailable VST versions for both Windows and Mac, the SurCode for Dolby Pro Logic II software matrix encoder allows broadcasters, game developers, video producers, and audio professionals everywhere to easily encode 5.1 surround mixes into stereo soundfiles. Surround ambiences, sound effects, and music stems can all be pre-encoded for delivery within stereo cues, and the resulting mix is completely stereo-compatible.\n\n\nSurCode Dolby Pro Logic II Standalone Application: \nDont need a DAW? SurCode for Pro Logic II standalone software are fully licensed and certified standalone software surround encoder/decoders for both Windows and Mac.'),(7640,75,1,1274,'Minnetonka Audio Software\'s SurCode for Dolby Pro Logic II is the best way to encode 5.1 surround for stereo delivery formats.\n\nSurCode for Dolby Pro Logic II v2.3!\n\nProvided as a cross platform plug-in suite, SurCode for Dolby Pro Logic II is now a unified encoder and decoder for:\n\n\nPro Tool Mac + Windows\nVST Mac + Windows\nStandalone Mac + Windows\nNow all on one ilok license! \n\nWith an all-in-one installer, users can choose when and how to use SurCode for Dolby Pro Logic II, giving you powerful multi-platform deployment at no additional charge. For example, the very same license of SurCode for Dolby Pro Logic II on Pro Tools will authorize both the standalone product, on Mac and Windows, along with instances on any VST host.\nLtRt downmix - full compatibility\nEncode and Decode simultaneously in real-time\nMulti-DAW, multi-instance support\nFlexible license handling\nLicensed - Use Dolby logos and trademarks on content produced with this plug-in or application\nPerfect compliment to SurCode for Dolby E \n\n\nCBC, Radio-Canada, CTV, Discovery Canada, TFO, ARTV, Super Channel, Starz, APTN\n\n\n\nSurCode Dolby Pro Logic II VST Plug–in: \n\nAvailable VST versions for both Windows and Mac, the SurCode for Dolby Pro Logic II software matrix encoder allows broadcasters, game developers, video producers, and audio professionals everywhere to easily encode 5.1 surround mixes into stereo soundfiles. Surround ambiences, sound effects, and music stems can all be pre-encoded for delivery within stereo cues, and the resulting mix is completely stereo-compatible.\n\n\nSurCode Dolby Pro Logic II Standalone Application: \nDont need a DAW? SurCode for Pro Logic II standalone software are fully licensed and certified standalone software surround encoder/decoders for both Windows and Mac.'),(7641,85,0,1274,'Minnetonka SurCode for Dolby Pro Logic II v2.5'),(7642,85,1,1274,'Minnetonka SurCode for Dolby Pro Logic II v2.5'),(7643,76,0,1274,''),(7644,76,1,1274,''),(7645,75,0,1275,'DVD is the most  popular home entertainment  format yet.  With over 60 audio equipment manufacturers  licensed  to produce DTS decoders, DTS  has become a standard for high  quality Surround Sound in  home theater systems.  This makes it easy to offer  your audience DTS–quality sound  on your DVD-Video products.\n\nSurcodes  DVD-DTS encoder is your entry  into the vast world of DVD-V  content. The Surcode DVD-DTS encoder also includes  the functionality of SurCodes  CD-DTS encoder so you can leverage  compact disc release as well. Surcode  DVD–DTS  is a fully licensed  and certified encoder,  suitable for encoding commercially  released recordings.\n\nSurCode 5.1 DTS Encoder for DVD & CD: \n\nSurCode DTS–CD  is easy to use. Just specify  the six discreet 48 kHz WAV  files of your multichannel mix. SurCode will  create an encoded WAV, CPT  or DTS file at either the  1.536 Mb/s or .768 kb/s data  rate that you can then use  with your DVD-Video authoring  system.\n\nSurCode DVD Professional  can also encode your six 44.1  kHz surround audio files for  CDs  as a WAV file at the 1.234  Mb/s data rate, just like SurCode  CD-DTS. It’s the standard  for maximum quality Surround  Sound on  CD or DVD.\n\nSpecifications  subject to change without  notice. DTS is a registered  trademark of DTS, Inc.'),(7646,75,1,1275,'DVD is the most  popular home entertainment  format yet.  With over 60 audio equipment manufacturers  licensed  to produce DTS decoders, DTS  has become a standard for high  quality Surround Sound in  home theater systems.  This makes it easy to offer  your audience DTS–quality sound  on your DVD-Video products.\n\nSurcodes  DVD-DTS encoder is your entry  into the vast world of DVD-V  content. The Surcode DVD-DTS encoder also includes  the functionality of SurCodes  CD-DTS encoder so you can leverage  compact disc release as well. Surcode  DVD–DTS  is a fully licensed  and certified encoder,  suitable for encoding commercially  released recordings.\n\nSurCode 5.1 DTS Encoder for DVD & CD: \n\nSurCode DTS–CD  is easy to use. Just specify  the six discreet 48 kHz WAV  files of your multichannel mix. SurCode will  create an encoded WAV, CPT  or DTS file at either the  1.536 Mb/s or .768 kb/s data  rate that you can then use  with your DVD-Video authoring  system.\n\nSurCode DVD Professional  can also encode your six 44.1  kHz surround audio files for  CDs  as a WAV file at the 1.234  Mb/s data rate, just like SurCode  CD-DTS. It’s the standard  for maximum quality Surround  Sound on  CD or DVD.\n\nSpecifications  subject to change without  notice. DTS is a registered  trademark of DTS, Inc.'),(7647,85,0,1275,'Minnetonka SurCode DVD–DTS Encoder and Confidence Monitor'),(7648,85,1,1275,'Minnetonka SurCode DVD–DTS Encoder and Confidence Monitor'),(7649,76,0,1275,''),(7650,76,1,1275,''),(7651,75,0,1276,'DTS-HD, quickly becoming the industry standard audio solution for Blu-ray Disc, is now available to Apple professionals. The SurCode for DTS-HD suite, by Minnetonka Audio Software, brings lossless surround sound straight from your Final Cut and Logic sessions to disc. Now you can encode audio for Blu-ray Disc like a pro for $249.'),(7652,75,1,1276,'DTS-HD, quickly becoming the industry standard audio solution for Blu-ray Disc, is now available to Apple professionals. The SurCode for DTS-HD suite, by Minnetonka Audio Software, brings lossless surround sound straight from your Final Cut and Logic sessions to disc. Now you can encode audio for Blu-ray Disc like a pro for $249.'),(7653,85,0,1276,'Minnetonka SurCode Encoder for DTS-HD for Compressor'),(7654,85,1,1276,'Minnetonka SurCode Encoder for DTS-HD for Compressor'),(7655,76,0,1276,''),(7656,76,1,1276,''),(7657,75,0,1277,'This box contains everything you need to turn your computer into a powerful 24-bit/96kHz digital audio workstation. The 2408mk3 provides 8 channels of pristine 96kHz analog recording and playback, combined with 24 channels of ADAT and Tascam digital I/O - the most ever offered in a single rack space audio interface. Connect up to four interfaces to the included PCI-424 card for an expanded system capable of 96 simultaneous active input and output connections at 96kHz.\n\nThe 2408mk3 is ideal for both the computer-based studio with no mixing board and more elaborate studios built around a digital mixer of any size.\n\nFor the computer-based studio, the included PCI-424 card features CueMix DSP™, a flexible DSP-driven mixing and monitoring matrix that eliminates the need for an external mixer or patch-bay. Connect all of your studio gear, including synths, keyboards, and even effects processors. Then control it all from your desktop with no audible monitoring latency and no processor drain on your computer.\n\nWith 24 channels of digital I/O, the 2408 is ideal for connecting your computer to a digital mixer. Both ADAT lightpipe and Tascam TDIF digital connections are supported at any sample rate up to 96kHz.\n\nAnd here’s another 2408mk3 first: built-in video and SMPTE synchronization. Slave your entire workstation directly to video or SMPTE time code with sub-frame accuracy—without a dedicated synchronizer.\n\nThe 2408mk3 provides cross-platform compatibility for Mac and Windows with all of your favorite audio software and host-based effects. Or you can use the included AudioDesk workstation software for Mac OS X, with 24-bit recording/editing and 32-bit mixing/processing/mastering.\n\nThe 2408mk3 upgrades the award-winning 2408 with many significant improvements including 96kHz support, SMPTE synchronization, support for four interfaces and a 96-channel DSP-driven monitor mixer.'),(7658,75,1,1277,'This box contains everything you need to turn your computer into a powerful 24-bit/96kHz digital audio workstation. The 2408mk3 provides 8 channels of pristine 96kHz analog recording and playback, combined with 24 channels of ADAT and Tascam digital I/O - the most ever offered in a single rack space audio interface. Connect up to four interfaces to the included PCI-424 card for an expanded system capable of 96 simultaneous active input and output connections at 96kHz.\n\nThe 2408mk3 is ideal for both the computer-based studio with no mixing board and more elaborate studios built around a digital mixer of any size.\n\nFor the computer-based studio, the included PCI-424 card features CueMix DSP™, a flexible DSP-driven mixing and monitoring matrix that eliminates the need for an external mixer or patch-bay. Connect all of your studio gear, including synths, keyboards, and even effects processors. Then control it all from your desktop with no audible monitoring latency and no processor drain on your computer.\n\nWith 24 channels of digital I/O, the 2408 is ideal for connecting your computer to a digital mixer. Both ADAT lightpipe and Tascam TDIF digital connections are supported at any sample rate up to 96kHz.\n\nAnd here’s another 2408mk3 first: built-in video and SMPTE synchronization. Slave your entire workstation directly to video or SMPTE time code with sub-frame accuracy—without a dedicated synchronizer.\n\nThe 2408mk3 provides cross-platform compatibility for Mac and Windows with all of your favorite audio software and host-based effects. Or you can use the included AudioDesk workstation software for Mac OS X, with 24-bit recording/editing and 32-bit mixing/processing/mastering.\n\nThe 2408mk3 upgrades the award-winning 2408 with many significant improvements including 96kHz support, SMPTE synchronization, support for four interfaces and a 96-channel DSP-driven monitor mixer.'),(7659,85,0,1277,'MOTU 2408mk3 Versatile Hard Disk Recording System'),(7660,85,1,1277,'MOTU 2408mk3 Versatile Hard Disk Recording System'),(7661,76,0,1277,''),(7662,76,1,1277,''),(7663,75,0,1278,'Experience the ultimate Beat Production Machine\n\nBPM unites drum machine-style operation with advanced virtual instrument technology to give you the ultimate rhythm programming experience. Combine drum kits, sequenced patterns, sliced loops and instrument sounds to realize your rhythmic vision, mixing and matching any playing style with any drum kit. Or plug in your pad controller or MIDI keyboard to capture your live, groove-quantized performance directly in BPM.\n\nExplore a new universe of new sounds\n\nBrowse BPMs vast 15 GB sound library of expertly recorded and mastered 24-bit 96 kHz rhythmic material for urban, R&B, hip hop, techno, electro, house, pop, rock and other music styles. Sample your own drum sounds directly into BPMs drum pads, or simply drag and drop clips from your computer desktop, to add infinite possibilities to your own, unique sound. Add further punch with BPMs Drum Synthesizer. Combine unlimited sample layers per pad with programmable layer switching. Now add guitar, bass and other multi-sample instrument sounds from BPMs included library, MachFive or any other MOTU or UVI sample instrument library.\n\nBPM version 1.04 is now available as a free, downloadable update for all registered BPM users. Version 1.04 includes optimizations and enhancements, plus significant new features introduced in versions 1.02 and 1.01, including new Step Sequencer shortcuts and abilities, MIDI beat clock sync, MIDI modulation, expanded Metronome controls, One Shot pads, slice creation in audio files that don\'t yet have slices, and the ability to load sliced loops onto pad banks. For complete details, see the PDF documentation included in the 1.04 updater download.\n\nLet your beats flow, from start to finish\n\nTrigger scenes during live performance from pads or MIDI notes. Drag and drop scenes into a song to build an entire track in seconds. Finalize your track with BPMs comprehensive graphic mixer, unlimited effects processing and dozens of world-class effects, including multi-band EQ, filter, delay, drive, distortion and convolution reverb. Advanced features include drag & drop audio import/export, multiple outputs, universal plug-in compatibility and stand-alone operation.\n\nLet BPM turn your computer into a rhythm production powerhouse. Watch the BPM movie to see BPM in action.'),(7664,75,1,1278,'Experience the ultimate Beat Production Machine\n\nBPM unites drum machine-style operation with advanced virtual instrument technology to give you the ultimate rhythm programming experience. Combine drum kits, sequenced patterns, sliced loops and instrument sounds to realize your rhythmic vision, mixing and matching any playing style with any drum kit. Or plug in your pad controller or MIDI keyboard to capture your live, groove-quantized performance directly in BPM.\n\nExplore a new universe of new sounds\n\nBrowse BPMs vast 15 GB sound library of expertly recorded and mastered 24-bit 96 kHz rhythmic material for urban, R&B, hip hop, techno, electro, house, pop, rock and other music styles. Sample your own drum sounds directly into BPMs drum pads, or simply drag and drop clips from your computer desktop, to add infinite possibilities to your own, unique sound. Add further punch with BPMs Drum Synthesizer. Combine unlimited sample layers per pad with programmable layer switching. Now add guitar, bass and other multi-sample instrument sounds from BPMs included library, MachFive or any other MOTU or UVI sample instrument library.\n\nBPM version 1.04 is now available as a free, downloadable update for all registered BPM users. Version 1.04 includes optimizations and enhancements, plus significant new features introduced in versions 1.02 and 1.01, including new Step Sequencer shortcuts and abilities, MIDI beat clock sync, MIDI modulation, expanded Metronome controls, One Shot pads, slice creation in audio files that don\'t yet have slices, and the ability to load sliced loops onto pad banks. For complete details, see the PDF documentation included in the 1.04 updater download.\n\nLet your beats flow, from start to finish\n\nTrigger scenes during live performance from pads or MIDI notes. Drag and drop scenes into a song to build an entire track in seconds. Finalize your track with BPMs comprehensive graphic mixer, unlimited effects processing and dozens of world-class effects, including multi-band EQ, filter, delay, drive, distortion and convolution reverb. Advanced features include drag & drop audio import/export, multiple outputs, universal plug-in compatibility and stand-alone operation.\n\nLet BPM turn your computer into a rhythm production powerhouse. Watch the BPM movie to see BPM in action.'),(7665,85,0,1278,'MOTU BPM Plug-in'),(7666,85,1,1278,'MOTU BPM Plug-in'),(7667,76,0,1278,''),(7668,76,1,1278,''),(7669,75,0,1279,'Digital Performer 6\n\nDigital Performer lets you record, edit, arrange, mix, process and master audio and MIDI tracks side by side for song writing, studio production, live performance, film and television sound tracks, audio post production, surround mixing and other professional audio production tasks.\n\nAdvanced features with intuitive operation\n\nFor beginners and experts alike, Digital Performer delivers advanced features in an intuitive, streamlined design. With support for built-in Mac audio and MIDI, you don\'t even need additional audio hardware. Whether you\'re completing a surround sound DVD, or you just want to write a song and burn a CD or MP3 file, Digital Performer gets you there quickly with elegance and ease.\n\nAward-winning design\n\nRecord-enable a track, check the input source and VU level, then press Record. Sound familiar? Then you should be using Digital Performer. It\'s that simple. Digital Performer\'s track layout, mixing board, and transport controls are all you need for the foundation of a powerful computer-based production system.\n\nA flexible instrument for your creativity\n\nDigital Performer\'s flexible, highly customizable interface adapts to your creative style. Loop-based music production? Linear sequencing and recording? Part and score notation-based composition? Digital Performer eliminates barriers and lets your creativity flow. Superlative Mac OS X support\n\nDigital Performer provides industry-leading support for Mac OS X Core Audio and Core MIDI services. Built from the ground up for Mac users, Digital Performer takes full advantage of sample-accurate MIDI Time Stamping, Core MIDI patch list support, Audio Unit plug-ins and virtual instruments, support for multiple Core Audio interface drivers and more.\n\nGet it now\n\nWith features like these, it\'s no surprise that Digital Performer is the choice of studio professionals, film composers, touring professionals, and remixers worldwide.'),(7670,75,1,1279,'Digital Performer 6\n\nDigital Performer lets you record, edit, arrange, mix, process and master audio and MIDI tracks side by side for song writing, studio production, live performance, film and television sound tracks, audio post production, surround mixing and other professional audio production tasks.\n\nAdvanced features with intuitive operation\n\nFor beginners and experts alike, Digital Performer delivers advanced features in an intuitive, streamlined design. With support for built-in Mac audio and MIDI, you don\'t even need additional audio hardware. Whether you\'re completing a surround sound DVD, or you just want to write a song and burn a CD or MP3 file, Digital Performer gets you there quickly with elegance and ease.\n\nAward-winning design\n\nRecord-enable a track, check the input source and VU level, then press Record. Sound familiar? Then you should be using Digital Performer. It\'s that simple. Digital Performer\'s track layout, mixing board, and transport controls are all you need for the foundation of a powerful computer-based production system.\n\nA flexible instrument for your creativity\n\nDigital Performer\'s flexible, highly customizable interface adapts to your creative style. Loop-based music production? Linear sequencing and recording? Part and score notation-based composition? Digital Performer eliminates barriers and lets your creativity flow. Superlative Mac OS X support\n\nDigital Performer provides industry-leading support for Mac OS X Core Audio and Core MIDI services. Built from the ground up for Mac users, Digital Performer takes full advantage of sample-accurate MIDI Time Stamping, Core MIDI patch list support, Audio Unit plug-ins and virtual instruments, support for multiple Core Audio interface drivers and more.\n\nGet it now\n\nWith features like these, it\'s no surprise that Digital Performer is the choice of studio professionals, film composers, touring professionals, and remixers worldwide.'),(7671,85,0,1279,'MOTU Digital Performer Software'),(7672,85,1,1279,'MOTU Digital Performer Software'),(7673,76,0,1279,''),(7674,76,1,1279,''),(7675,75,0,1280,'Digital Performer 6\n\nDigital Performer lets you record, edit, arrange, mix, process and master audio and MIDI tracks side by side for song writing, studio production, live performance, film and television sound tracks, audio post production, surround mixing and other professional audio production tasks.\n\nAdvanced features with intuitive operation\n\nFor beginners and experts alike, Digital Performer delivers advanced features in an intuitive, streamlined design. With support for built-in Mac audio and MIDI, you don\'t even need additional audio hardware. Whether you\'re completing a surround sound DVD, or you just want to write a song and burn a CD or MP3 file, Digital Performer gets you there quickly with elegance and ease.\n\nAward-winning design\n\nRecord-enable a track, check the input source and VU level, then press Record. Sound familiar? Then you should be using Digital Performer. It\'s that simple. Digital Performer\'s track layout, mixing board, and transport controls are all you need for the foundation of a powerful computer-based production system.\n\nA flexible instrument for your creativity\n\nDigital Performer\'s flexible, highly customizable interface adapts to your creative style. Loop-based music production? Linear sequencing and recording? Part and score notation-based composition? Digital Performer eliminates barriers and lets your creativity flow. Superlative Mac OS X support\n\nDigital Performer provides industry-leading support for Mac OS X Core Audio and Core MIDI services. Built from the ground up for Mac users, Digital Performer takes full advantage of sample-accurate MIDI Time Stamping, Core MIDI patch list support, Audio Unit plug-ins and virtual instruments, support for multiple Core Audio interface drivers and more.\n\nGet it now\n\nWith features like these, it\'s no surprise that Digital Performer is the choice of studio professionals, film composers, touring professionals, and remixers worldwide.'),(7676,75,1,1280,'Digital Performer 6\n\nDigital Performer lets you record, edit, arrange, mix, process and master audio and MIDI tracks side by side for song writing, studio production, live performance, film and television sound tracks, audio post production, surround mixing and other professional audio production tasks.\n\nAdvanced features with intuitive operation\n\nFor beginners and experts alike, Digital Performer delivers advanced features in an intuitive, streamlined design. With support for built-in Mac audio and MIDI, you don\'t even need additional audio hardware. Whether you\'re completing a surround sound DVD, or you just want to write a song and burn a CD or MP3 file, Digital Performer gets you there quickly with elegance and ease.\n\nAward-winning design\n\nRecord-enable a track, check the input source and VU level, then press Record. Sound familiar? Then you should be using Digital Performer. It\'s that simple. Digital Performer\'s track layout, mixing board, and transport controls are all you need for the foundation of a powerful computer-based production system.\n\nA flexible instrument for your creativity\n\nDigital Performer\'s flexible, highly customizable interface adapts to your creative style. Loop-based music production? Linear sequencing and recording? Part and score notation-based composition? Digital Performer eliminates barriers and lets your creativity flow. Superlative Mac OS X support\n\nDigital Performer provides industry-leading support for Mac OS X Core Audio and Core MIDI services. Built from the ground up for Mac users, Digital Performer takes full advantage of sample-accurate MIDI Time Stamping, Core MIDI patch list support, Audio Unit plug-ins and virtual instruments, support for multiple Core Audio interface drivers and more.\n\nGet it now\n\nWith features like these, it\'s no surprise that Digital Performer is the choice of studio professionals, film composers, touring professionals, and remixers worldwide.'),(7677,85,0,1280,'MOTU Digital Performer Competitive Upgrade'),(7678,85,1,1280,'MOTU Digital Performer Competitive Upgrade'),(7679,76,0,1280,''),(7680,76,1,1280,''),(7681,75,0,1281,'Electric Keys is a cross-platform virtual instrument that delivers authentic sounds of 50 classic, vintage electric keyboard instruments from the last 40 years. This massive 40GB sound library includes over 20,000 meticulously crafted 24-bit 96 kHz multi-samples of legendary electric pianos, electric organs, clavinets, Wurlitzers, tape samplers, string machines, keyboard basses and other rare and exotic electric keyboard instruments.\n\nElectric Keys version 1.01 is now available as a free, downloadable update for all registered Electric Keys users. This maintenance update has numerous enhancements and is recommended for all users. For complete details, see the PDF documentation included in the 1.01 updater download.\n\nRecreate the popular keyboard sounds and riffs you know so well from your favorite recordings of the last four decades of rock, pop, funk and jazz, or create your own unique style with an intriguing assortment of rare electric keyboard instruments never before offered in a virtual keyboard product - and sure to delight even vintage keyboard devotees.\n\nElectric Keys is beautiful to look at and easy to use on screen. Load, save and combine factory or custom presets. Use the virtual effects rack to combine, apply and save chained multi-effects, including chorus, reverb, delay and more. Itâ€™s easy, fast and fun to play and layer professional, authentic electric keyboard sounds.'),(7682,75,1,1281,'Electric Keys is a cross-platform virtual instrument that delivers authentic sounds of 50 classic, vintage electric keyboard instruments from the last 40 years. This massive 40GB sound library includes over 20,000 meticulously crafted 24-bit 96 kHz multi-samples of legendary electric pianos, electric organs, clavinets, Wurlitzers, tape samplers, string machines, keyboard basses and other rare and exotic electric keyboard instruments.\n\nElectric Keys version 1.01 is now available as a free, downloadable update for all registered Electric Keys users. This maintenance update has numerous enhancements and is recommended for all users. For complete details, see the PDF documentation included in the 1.01 updater download.\n\nRecreate the popular keyboard sounds and riffs you know so well from your favorite recordings of the last four decades of rock, pop, funk and jazz, or create your own unique style with an intriguing assortment of rare electric keyboard instruments never before offered in a virtual keyboard product - and sure to delight even vintage keyboard devotees.\n\nElectric Keys is beautiful to look at and easy to use on screen. Load, save and combine factory or custom presets. Use the virtual effects rack to combine, apply and save chained multi-effects, including chorus, reverb, delay and more. Itâ€™s easy, fast and fun to play and layer professional, authentic electric keyboard sounds.'),(7683,85,0,1281,'MOTU Electric Keys Plug-in'),(7684,85,1,1281,'MOTU Electric Keys Plug-in'),(7685,76,0,1281,''),(7686,76,1,1281,''),(7687,75,0,1282,'World/ethnic instruments, loops and phrases in a unified window\n\nThe Ethno Instrument delivers expressive ethnic instrument sounds combined with authentic world music loops and phrases in one easy-to-use window. From solo instruments to full ensembles, the Ethno Instrument delivers all of the exotic textures you need to take your recordings to the four corners of the globe.\n\nStart with a massive 4GB library of instrument samples from all over the world, recorded with pristine audio fidelity and careful attention to detail. Now add another 4GB of authentic loops and phrases, instantly tempo-locked to your host software time line. Slice loops with one click to trigger each beat from your keyboard, or drag & drop them into your host software tracks. Adjust your sounds quickly with the Ethno Instrumentâ€™s intuitive controls.\n\nPlace your recordings in real acoustic spaces, from primordial caves to towering forests to remote canyons, all faithfully reproduced with stunning realism by the Ethno Instrumentâ€™s built-in convolution reverb processor.\n\nSupplied both as a stand-alone application and as a universally compatible plug-in (available in all major plug-in formats for Mac OS X and Windows XP), the Ethno Instrument can operate by itself to turn your computer into a world instrument powerhouse with disk streaming and multiple outputs. Or load it as a plug-in that saves all settings with your host software documents for instant recall.'),(7688,75,1,1282,'World/ethnic instruments, loops and phrases in a unified window\n\nThe Ethno Instrument delivers expressive ethnic instrument sounds combined with authentic world music loops and phrases in one easy-to-use window. From solo instruments to full ensembles, the Ethno Instrument delivers all of the exotic textures you need to take your recordings to the four corners of the globe.\n\nStart with a massive 4GB library of instrument samples from all over the world, recorded with pristine audio fidelity and careful attention to detail. Now add another 4GB of authentic loops and phrases, instantly tempo-locked to your host software time line. Slice loops with one click to trigger each beat from your keyboard, or drag & drop them into your host software tracks. Adjust your sounds quickly with the Ethno Instrumentâ€™s intuitive controls.\n\nPlace your recordings in real acoustic spaces, from primordial caves to towering forests to remote canyons, all faithfully reproduced with stunning realism by the Ethno Instrumentâ€™s built-in convolution reverb processor.\n\nSupplied both as a stand-alone application and as a universally compatible plug-in (available in all major plug-in formats for Mac OS X and Windows XP), the Ethno Instrument can operate by itself to turn your computer into a world instrument powerhouse with disk streaming and multiple outputs. Or load it as a plug-in that saves all settings with your host software documents for instant recall.'),(7689,85,0,1282,'MOTU Ethno Instrument Plug-in'),(7690,85,1,1282,'MOTU Ethno Instrument Plug-in'),(7691,76,0,1282,''),(7692,76,1,1282,''),(7693,75,0,1283,'8-in/8-out MIDI interface, patchbay, and merger with time code sync\n\nBuilt with MOTU’s award-winning MIDI interface technology, the MIDI Express XT is a professional MIDI interface and SMPTE synchronizer that provides plug-and-play connectivity to any USB-equipped Mac or Windows computer.\n\nThe Express XT provides 8 MIDI IN, 9 MIDI OUT, 128 MIDI channels and compatibility with all Mac and Windows software. Sixteen convenient, one-touch presets (8 factory and 8 user programmable) give you instant front-panel access to multiple operational configurations.\n\nThe included ClockWorks™ console software for Mac OS X and Windows provides comprehensive MIDI routing, merging and muting.\n\nAs a professional-grade SMPTE time code synchronizer, the Express XT converts and stripes SMPTE in all frame formats (23.976*, 24, 25, 29.97 drop and non-drop, and 30). SMPTE “jam sync” with adjustable freewheeling provides glitch-free sync.\n\nThe Express XT also supports MIDI Machine Control (MMC), with the ability to serve as either an MMC master or slave. The Express XT can distribute MMC transport commands to all other connected MMC devices.\n\nConnect a foot switch to the convenient front-panel pedal input and then program it to generate MIDI data when pressed. Send the data to any connected devices. For example, you could send MIDI patch changes to synths and sound modules during live performance.\n\nThe MIDI Express XT takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for “hot-swapping” and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. And the Express XT’s internal international power supply delivers reliable performance and professional operation.\n\nNo other MIDI interface offers this much value and performance at such an affordable price.'),(7694,75,1,1283,'8-in/8-out MIDI interface, patchbay, and merger with time code sync\n\nBuilt with MOTU’s award-winning MIDI interface technology, the MIDI Express XT is a professional MIDI interface and SMPTE synchronizer that provides plug-and-play connectivity to any USB-equipped Mac or Windows computer.\n\nThe Express XT provides 8 MIDI IN, 9 MIDI OUT, 128 MIDI channels and compatibility with all Mac and Windows software. Sixteen convenient, one-touch presets (8 factory and 8 user programmable) give you instant front-panel access to multiple operational configurations.\n\nThe included ClockWorks™ console software for Mac OS X and Windows provides comprehensive MIDI routing, merging and muting.\n\nAs a professional-grade SMPTE time code synchronizer, the Express XT converts and stripes SMPTE in all frame formats (23.976*, 24, 25, 29.97 drop and non-drop, and 30). SMPTE “jam sync” with adjustable freewheeling provides glitch-free sync.\n\nThe Express XT also supports MIDI Machine Control (MMC), with the ability to serve as either an MMC master or slave. The Express XT can distribute MMC transport commands to all other connected MMC devices.\n\nConnect a foot switch to the convenient front-panel pedal input and then program it to generate MIDI data when pressed. Send the data to any connected devices. For example, you could send MIDI patch changes to synths and sound modules during live performance.\n\nThe MIDI Express XT takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for “hot-swapping” and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. And the Express XT’s internal international power supply delivers reliable performance and professional operation.\n\nNo other MIDI interface offers this much value and performance at such an affordable price.'),(7695,85,0,1283,'MOTU MIDI Express XT 8x8 USB MIDI Interface'),(7696,85,1,1283,'MOTU MIDI Express XT 8x8 USB MIDI Interface'),(7697,76,0,1283,''),(7698,76,1,1283,''),(7699,75,0,1284,'With the blazing speed of PCI Express, the HDX-SDI video interface turns your Mac or PC desktop or laptop computer into a powerful HD/SD video production workstation equipped with all the I/O you need.\n\nConnect any source, from SD camcorders to todays latest professional HD cameras, then log and capture HD or SD clips directly into your video editing software.\n\nFor the best-possible image quality, capture uncompressed video via HD-SDI or HDMI with 4:2:2 10-bit color depth and full-raster 1920x1080 HD resolution. Many cameras feed their uncompressed SDI, HDMI or component output directly from the camera’s optics and imager, before compression, for absolutely pristine picture quality during capture with the HDX-SDI.\n\nIf you prefer to edit more conveniently at a lower data rate, use Apple ProRes, ProRes HQ or the codec of your choice in Apple Final Cut Pro or Adobe Premiere Pro. Because the HDX-SDI delivers 10-bit uncompressed video to the computer, you are not limited to a particular codec and are instead free to go with the host-based workflow of your choice, including many popular file-based formats now supported by todays video editing software.\n\nBy using a codec directly supported by your editing software, you eliminate unnecessary extra stages of compression and decompression for maximum CPU efficiency and smooth editing.\n\nAs you edit, monitor your timeline with pixel-for-pixel accuracy on a large plasma screen via digital HDMI output, with color-corrected balance on an LCD reference monitor via HD-SDI output, or with the real-world look of a consumer display via analog HD or SD component, composite or S-Video output.\n\nCapture and monitor up to 16 channels of audio (analog, AES/EBU or embedded) at sample rates up to 96 kHz. Employ Sony 9-pin machine control for advanced Batch Capture and Edit to Tape operations. Keep everything frame-accurate using time code and video reference.\n\nFor high-performance desktop operation, the HDX-SDI provides PCI Express card connectivity for today’s ultra-fast, multi-core Mac and PC towers. Need to go mobile? The HDX-SDI is also available with an ExpressCard adapter for any current-generation Mac or Windows laptop equipped with an ExpressCard slot.\n\nFrom initial capture to final finishing, the HDX-SDI delivers exceptional video I/O performance and quality.'),(7700,75,1,1284,'With the blazing speed of PCI Express, the HDX-SDI video interface turns your Mac or PC desktop or laptop computer into a powerful HD/SD video production workstation equipped with all the I/O you need.\n\nConnect any source, from SD camcorders to todays latest professional HD cameras, then log and capture HD or SD clips directly into your video editing software.\n\nFor the best-possible image quality, capture uncompressed video via HD-SDI or HDMI with 4:2:2 10-bit color depth and full-raster 1920x1080 HD resolution. Many cameras feed their uncompressed SDI, HDMI or component output directly from the camera’s optics and imager, before compression, for absolutely pristine picture quality during capture with the HDX-SDI.\n\nIf you prefer to edit more conveniently at a lower data rate, use Apple ProRes, ProRes HQ or the codec of your choice in Apple Final Cut Pro or Adobe Premiere Pro. Because the HDX-SDI delivers 10-bit uncompressed video to the computer, you are not limited to a particular codec and are instead free to go with the host-based workflow of your choice, including many popular file-based formats now supported by todays video editing software.\n\nBy using a codec directly supported by your editing software, you eliminate unnecessary extra stages of compression and decompression for maximum CPU efficiency and smooth editing.\n\nAs you edit, monitor your timeline with pixel-for-pixel accuracy on a large plasma screen via digital HDMI output, with color-corrected balance on an LCD reference monitor via HD-SDI output, or with the real-world look of a consumer display via analog HD or SD component, composite or S-Video output.\n\nCapture and monitor up to 16 channels of audio (analog, AES/EBU or embedded) at sample rates up to 96 kHz. Employ Sony 9-pin machine control for advanced Batch Capture and Edit to Tape operations. Keep everything frame-accurate using time code and video reference.\n\nFor high-performance desktop operation, the HDX-SDI provides PCI Express card connectivity for today’s ultra-fast, multi-core Mac and PC towers. Need to go mobile? The HDX-SDI is also available with an ExpressCard adapter for any current-generation Mac or Windows laptop equipped with an ExpressCard slot.\n\nFrom initial capture to final finishing, the HDX-SDI delivers exceptional video I/O performance and quality.'),(7701,85,0,1284,'MOTU HDX-SDI'),(7702,85,1,1284,'MOTU HDX-SDI'),(7703,76,0,1284,''),(7704,76,1,1284,''),(7705,75,0,1285,'Rebuilt from the ground up, the all-new MachFive 3 delivers state-of-the-art virtual instrument technology to your desktop studio.\n\nBeauty and brawn\nDesigned to inspire. Engineered to astound.\n\nWithin minutes after you begin using MachFive 3, you\'ll appreciate the years of user interface design and engineering that have gone into this 3rd-generation release. From the configurable part list to the full-screen envelope editor, MachFive 3 has been designed to spur your creative muse while delivering state-of-the-art virtual instrument technology in a streamlined, efficient environment. After all, music, sound design, and audio production are creative endeavors that deserve a worthy partner in creativity.\n\nScripting engine\nInstead of guitar presets, you get a guitar player…\n\nCompared to a typical software instrument, MachFive\'s scripted virtual instruments are like the difference between a simple guitar preset and a real guitar player. MachFive\'s sophisticated instruments are truly technological marvels: they model not only the sounds of an instrument, in minute detail, but also the playing characteristics. For example, MachFive\'s included Telematic electric guitar instrument models strumming and picking techniques, which you can dial up as desired. Imagine strumming chords with proper fingerings, up/down-strokes, and other utterly authentic playing techniques. It\'s like having a real guitar player in your studio, who never spills beer or leaves practice early.\n\n\nA universe of sounds\n45 GB of included instruments, loops and phrases\n\nMachFive\'s signature scripted instruments give you incredibly realistic core instruments that are basic necessities for any studio: drums, bass, guitar, piano, and percussion. But that\'s just the beginning. MachFive also includes thousands of loops and phrases. From break-beats to mixed choirs, there\'s an entire universe to explore. MachFive Biosphere™ further broadens your sonic vistas with fresh, rich synth textures that are out of this world. And for the truly adventurous, the Xtreme FX bonus library from UltimateSoundBank.com gives you 5,000 creative sound effects, foley effects, and ambient textures suitable for both music production and sound design.\n\n\nPowerful new synth engine\nTwelve forms of synthesis that span music history\n\nFrom modular analog pioneered in the 1950\'s to milestone breakthroughs like FM and wavetable synthesis in the decades that followed, MachFive 3 delivers twelve synth engines that make it a powerful multi-synthesizer in its own right. When combined with MachFive\'s multi-sample instrument capabilities and extensive effects, the possibilities for hybrid synthesis and sound design are limitless.'),(7706,75,1,1285,'Rebuilt from the ground up, the all-new MachFive 3 delivers state-of-the-art virtual instrument technology to your desktop studio.\n\nBeauty and brawn\nDesigned to inspire. Engineered to astound.\n\nWithin minutes after you begin using MachFive 3, you\'ll appreciate the years of user interface design and engineering that have gone into this 3rd-generation release. From the configurable part list to the full-screen envelope editor, MachFive 3 has been designed to spur your creative muse while delivering state-of-the-art virtual instrument technology in a streamlined, efficient environment. After all, music, sound design, and audio production are creative endeavors that deserve a worthy partner in creativity.\n\nScripting engine\nInstead of guitar presets, you get a guitar player…\n\nCompared to a typical software instrument, MachFive\'s scripted virtual instruments are like the difference between a simple guitar preset and a real guitar player. MachFive\'s sophisticated instruments are truly technological marvels: they model not only the sounds of an instrument, in minute detail, but also the playing characteristics. For example, MachFive\'s included Telematic electric guitar instrument models strumming and picking techniques, which you can dial up as desired. Imagine strumming chords with proper fingerings, up/down-strokes, and other utterly authentic playing techniques. It\'s like having a real guitar player in your studio, who never spills beer or leaves practice early.\n\n\nA universe of sounds\n45 GB of included instruments, loops and phrases\n\nMachFive\'s signature scripted instruments give you incredibly realistic core instruments that are basic necessities for any studio: drums, bass, guitar, piano, and percussion. But that\'s just the beginning. MachFive also includes thousands of loops and phrases. From break-beats to mixed choirs, there\'s an entire universe to explore. MachFive Biosphere™ further broadens your sonic vistas with fresh, rich synth textures that are out of this world. And for the truly adventurous, the Xtreme FX bonus library from UltimateSoundBank.com gives you 5,000 creative sound effects, foley effects, and ambient textures suitable for both music production and sound design.\n\n\nPowerful new synth engine\nTwelve forms of synthesis that span music history\n\nFrom modular analog pioneered in the 1950\'s to milestone breakthroughs like FM and wavetable synthesis in the decades that followed, MachFive 3 delivers twelve synth engines that make it a powerful multi-synthesizer in its own right. When combined with MachFive\'s multi-sample instrument capabilities and extensive effects, the possibilities for hybrid synthesis and sound design are limitless.'),(7707,85,0,1285,'MOTU MachFive2 Competitive Upgrade'),(7708,85,1,1285,'MOTU MachFive2 Competitive Upgrade'),(7709,76,0,1285,''),(7710,76,1,1285,''),(7711,75,0,1286,'micro express is a 4-in/6-out MIDI interface with SMPTE synchronization.\n\nTHE MICRO EXPRESS NOW INCLUDES:\nSupport for 23.976 time code*\nUpdate ClockWorks software\nBuilt with MOTU’s award-winning MIDI interface technology, the micro express is a compact, bus-powered MIDI interface and time code synchronizer that provides expandable, plug-and-play connectivity to any USB-equipped Mac or Windows computer.\n\nIt\'s an Express XT — but compact and portable\nThe micro express is a mini version of the MIDI Express XT. It has many of the same features as the Express XT — except that it is smaller, bus-powered, and even more affordable.\n\nThe micro express provides 4 MIDI inputs, 6 MIDI outputs, 96 MIDI channels and compatibility with all Mac and Windows software. Sixteen convenient, one-touch presets (8 factory and 8 user programmable) give you instant front-panel access to multiple operational configurations.\n\nThe included ClockWorks™ console software for Mac OS X and Windows 7/Vista provides comprehensive MIDI routing, merging and muting.\n\nProfessional time code sync\nAs a professional-grade SMPTE time code synchronizer, the micro express converts and stripes time code in all frame formats (23.976*, 24, 25, 29.97 drop and non-drop, and 30). SMPTE “jam sync” with adjustable freewheeling provides glitch-free sync.\n\nThe micro express also supports MIDI Machine Control (MMC), with the ability to serve as either an MMC master or slave. The micro express can distribute MMC transport commands to all other connected MMC devices.\n\nFoot switch support\nConnect a foot switch to the convenient front-panel pedal input and then program it to generate MIDI data when pressed. Send the data to any connected devices. For example, you could send MIDI patch changes to synths and sound modules during live performance.\n\nExpandable, plug-and-play bus-powered USB operation\nThe micro express takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for “hot-swapping” and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. Because it\'s bus--powered, you can take the micro express anywhere.\n\nNo other MIDI interface offers this much value and performance at such an affordable price.\n\n*This feature is available only in micro express \"re-release\" models manufactured in 2011 or later.'),(7712,75,1,1286,'micro express is a 4-in/6-out MIDI interface with SMPTE synchronization.\n\nTHE MICRO EXPRESS NOW INCLUDES:\nSupport for 23.976 time code*\nUpdate ClockWorks software\nBuilt with MOTU’s award-winning MIDI interface technology, the micro express is a compact, bus-powered MIDI interface and time code synchronizer that provides expandable, plug-and-play connectivity to any USB-equipped Mac or Windows computer.\n\nIt\'s an Express XT — but compact and portable\nThe micro express is a mini version of the MIDI Express XT. It has many of the same features as the Express XT — except that it is smaller, bus-powered, and even more affordable.\n\nThe micro express provides 4 MIDI inputs, 6 MIDI outputs, 96 MIDI channels and compatibility with all Mac and Windows software. Sixteen convenient, one-touch presets (8 factory and 8 user programmable) give you instant front-panel access to multiple operational configurations.\n\nThe included ClockWorks™ console software for Mac OS X and Windows 7/Vista provides comprehensive MIDI routing, merging and muting.\n\nProfessional time code sync\nAs a professional-grade SMPTE time code synchronizer, the micro express converts and stripes time code in all frame formats (23.976*, 24, 25, 29.97 drop and non-drop, and 30). SMPTE “jam sync” with adjustable freewheeling provides glitch-free sync.\n\nThe micro express also supports MIDI Machine Control (MMC), with the ability to serve as either an MMC master or slave. The micro express can distribute MMC transport commands to all other connected MMC devices.\n\nFoot switch support\nConnect a foot switch to the convenient front-panel pedal input and then program it to generate MIDI data when pressed. Send the data to any connected devices. For example, you could send MIDI patch changes to synths and sound modules during live performance.\n\nExpandable, plug-and-play bus-powered USB operation\nThe micro express takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for “hot-swapping” and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. Because it\'s bus--powered, you can take the micro express anywhere.\n\nNo other MIDI interface offers this much value and performance at such an affordable price.\n\n*This feature is available only in micro express \"re-release\" models manufactured in 2011 or later.'),(7713,85,0,1286,'MOTU micro express 4x6 USB MIDI Interface'),(7714,85,1,1286,'MOTU micro express 4x6 USB MIDI Interface'),(7715,76,0,1286,''),(7716,76,1,1286,''),(7717,75,0,1287,'Built from the same technology found in MOTU\'s flagship MIDI Timepiece, the MIDI Express 128 is a professional MIDI interface that provides plug-and-play connectivity to any USB-equipped Mac or Windows computer. The Express 128 provides 8 MIDI IN, 9 MIDI OUT, 128 MIDI channels and compatibility with all Macintosh and Windows software.\n\nThe MIDI Express 128 takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for \"hot-swapping\" and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. And the Express 128 is powered by USB – no wall wart or AC plug.\n\nNo other MIDI interface offers this much value and performance at such an affordable price.'),(7718,75,1,1287,'Built from the same technology found in MOTU\'s flagship MIDI Timepiece, the MIDI Express 128 is a professional MIDI interface that provides plug-and-play connectivity to any USB-equipped Mac or Windows computer. The Express 128 provides 8 MIDI IN, 9 MIDI OUT, 128 MIDI channels and compatibility with all Macintosh and Windows software.\n\nThe MIDI Express 128 takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for \"hot-swapping\" and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. And the Express 128 is powered by USB – no wall wart or AC plug.\n\nNo other MIDI interface offers this much value and performance at such an affordable price.'),(7719,85,0,1287,'MOTU MIDI Express 128 8x8 USB MIDI Interface'),(7720,85,1,1287,'MOTU MIDI Express 128 8x8 USB MIDI Interface'),(7721,76,0,1287,''),(7722,76,1,1287,''),(7723,75,0,1288,'The Traveler-mk3 delivers innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.\n\nEngineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.\n\nThe Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.\n\nThe Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch “combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.\n\nConnect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.\n\n\nAdd Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3’s signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.\n\nAfter programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.\n\nThe Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.'),(7724,75,1,1288,'The Traveler-mk3 delivers innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.\n\nEngineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.\n\nThe Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.\n\nThe Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch “combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.\n\nConnect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.\n\n\nAdd Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3’s signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.\n\nAfter programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.\n\nThe Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.'),(7725,85,0,1288,'MOTU Traveler-mk3 Portable Bus-Powered Audio Interface'),(7726,85,1,1288,'MOTU Traveler-mk3 Portable Bus-Powered Audio Interface'),(7727,76,0,1288,''),(7728,76,1,1288,''),(7729,75,0,1289,'Meet the new instrument plug-in powerhouse for your studio. Inspired by legendary subtractive synthesizers, MX4 combines several core synthesis techniques in a unified, hybrid synthesis engine that delivers fresh and vintage sounds alike.\n\nAs you explore its many banks and hundreds of presets, you\'ll soon rely on MX4 as your \"go-to\" instrument. Fat basses, nasty leads, analog pads, vintage electronica â€” it\'s all at your fingertips and conveniently saved with your host application projects for instant recall.\n\nTweaking sounds is fast and easy with clearly presented controls in one window â€” but with a depth and sophistication true synth programmers will appreciate. Create your music with pristine 32-bit sound quality, unlimited voices and unlimited polyphony (as much as your host computer allows). MX4\'s flexible programming and advanced modulation architecture provide the intimacy of a vintage synth, the flexibility of a modular synth, and the innovation of a virtual synth.'),(7730,75,1,1289,'Meet the new instrument plug-in powerhouse for your studio. Inspired by legendary subtractive synthesizers, MX4 combines several core synthesis techniques in a unified, hybrid synthesis engine that delivers fresh and vintage sounds alike.\n\nAs you explore its many banks and hundreds of presets, you\'ll soon rely on MX4 as your \"go-to\" instrument. Fat basses, nasty leads, analog pads, vintage electronica â€” it\'s all at your fingertips and conveniently saved with your host application projects for instant recall.\n\nTweaking sounds is fast and easy with clearly presented controls in one window â€” but with a depth and sophistication true synth programmers will appreciate. Create your music with pristine 32-bit sound quality, unlimited voices and unlimited polyphony (as much as your host computer allows). MX4\'s flexible programming and advanced modulation architecture provide the intimacy of a vintage synth, the flexibility of a modular synth, and the innovation of a virtual synth.'),(7731,85,0,1289,'MOTU Mx4 Plug-in'),(7732,85,1,1289,'MOTU Mx4 Plug-in'),(7733,76,0,1289,''),(7734,76,1,1289,''),(7735,75,0,1290,'Finally, one simple-to-use instrument that contains everything you need to create complete orchestral recordings. From solo instruments and small ensembles to full orchestral masterpieces, the MOTU Symphonic Instrument delivers.\n\nStart with a massive 8GB library of brand new sounds from world class orchestras and musicians, recorded with pristine audio fidelity and careful attention to detail. Quality and variety abound. Now add a simple, easy to understand, single-window interface to personalize your instruments. Adjust your sound quickly and intuitively.\n\nTo further enhance the stunning realism of your compositions, the MOTU Symphonic Instrument includes a built-in convolution reverb processor to produce the most realistic room ambiences available. Use authentic acoustic spaces, from orchestra sound stages to renowned concert halls to majestic cathedrals.\n\nThe MOTU Symphonic Instrument is a CPU-efficient plug-in that saves with your host application document for instant recall. Nothing could be easier!\n\nThe MOTU Symphonic Instrument is compatible with all major plug in formats for Macintosh OS X and Windows (VST, Audio Units, DXi, MAS and RTAS).'),(7736,75,1,1290,'Finally, one simple-to-use instrument that contains everything you need to create complete orchestral recordings. From solo instruments and small ensembles to full orchestral masterpieces, the MOTU Symphonic Instrument delivers.\n\nStart with a massive 8GB library of brand new sounds from world class orchestras and musicians, recorded with pristine audio fidelity and careful attention to detail. Quality and variety abound. Now add a simple, easy to understand, single-window interface to personalize your instruments. Adjust your sound quickly and intuitively.\n\nTo further enhance the stunning realism of your compositions, the MOTU Symphonic Instrument includes a built-in convolution reverb processor to produce the most realistic room ambiences available. Use authentic acoustic spaces, from orchestra sound stages to renowned concert halls to majestic cathedrals.\n\nThe MOTU Symphonic Instrument is a CPU-efficient plug-in that saves with your host application document for instant recall. Nothing could be easier!\n\nThe MOTU Symphonic Instrument is compatible with all major plug in formats for Macintosh OS X and Windows (VST, Audio Units, DXi, MAS and RTAS).'),(7737,85,0,1290,'MOTU Symphonic Instrument'),(7738,85,1,1290,'MOTU Symphonic Instrument'),(7739,76,0,1290,''),(7740,76,1,1290,''),(7741,75,0,1291,'<h1>Mutec MC-3+ Smart Clock - Master Clock and Audio Re-Clocker</h1>\n<span style=\"font-size: 16px;\"><i>Lowest-Jitter Master Clock and Audio Re-Clocker based on MUTEC\'s new 1G-Clock Technology</i></span><br /><br />The Mutec MC-3+ Smart Clock is developed to significantly improve the audiophile quality of connected digital audio devices in two ways: At first by clocking devices with ultra-low-jitter Word Clock signals and secondly by aggressively re-clocking incoming digital audio signals.<br /><br />\n<h3>Mutec MC-3+ Smart Clock key features:</h3>\n<ul>\n	<li>Incorporates MUTEC\'s unique 1G-Clock technology for lowest jitter possible</li>\n	<li>Improves audiophile quality of any connected digital audio device</li>\n	<li>Re-clocks digital audio most aggressively</li>\n	<li>Raises clearly audible the sound quality of any DA converter</li>\n	<li>Eliminates digital \"Clicks and Pops\"</li>\n	<li>Enhances existing master clocks</li>\n	<li>Digitally-compensated clock accuracy for highest precision of the generated clocks</li>\n	<li>Locks to 10 MHz clock signals of so-called Atomic clocks or GPS receivers</li>\n	<li>Outputs clock signals fail-safe in any state of operation</li>\n	<li>Generates Word Clocks, Super Clocks, AES3 + S/P-DIF blanks simultaneously</li>\n	<li>Converts between AES3 and S/P-DIF as well as between AES11 and Word Clock</li>\n	<li>New-designed, simple user interface</li>\n	<li>Front panel lock-out for preventing misuse</li>\n	<li>Rack-space-saving 9.5\" housing</li>\n	<li>Built-in, international power supply</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">Mutec MC-3+ Smart Clock </span>Applications</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Audiophile sound improvement of digital audio devices</span></li>\n	<li>Elimination of »clicks and pops« in audio recordings</li>\n	<li>Enhancing and stabilization of existing clock chains</li>\n	<li>Stellate, ultra-low-jitter clock signal supply</li>\n	<li>Addition of redundancy to clock chains in use</li>\n	<li>Increase of clock signal reliability during live events</li>\n	<li>Multiple clock rate synchronization</li>\n</ul>\n<br />\n<h3>Enhancement of Sound Quality by high-resolution Audio Re-Clocking</h3>\nIt is widely known that a master clock changes the sound quality of digital audio devices more or less to a higher level. But carving out finest audio details in your recordings to reproduce individual instruments as clear as possible and to raise the precision of their positions within the spatial sound to a maximum is possible at best with high-resolution re-clocking of your digital audio material. That is what MUTEC\'s new audio re-clocking algorithms paired with the 1G-Clock technology perform in the MC-3+ Smart Clock. Thus, the sensing of the incoming audio is carried out with highest resolution which leads to ultimate precision during merging the audio data with the new ultra-low-jitter clock. The result is unparalleled richness of details and spatiality of the re-clocked audio material.\n<br /><br />\n<h3>The real next Step in Audio Clock Generation</h3>\nWhile others argue for their products with standardly known technical aspects, MUTEC really sets the benchmark of digital audio clocking to a higher level using the proprietary 1G-Clock technology for the first time in the MC-3+ Smart Clock. Running a frequency synthesis on a specifically calculated high clock rate, eliminates completely typical jitter inducing artifacts which are present in all standardly implemented DDS processes. Additionally, we took a look around the clock generation circuit and developed totally new ultra-low-noise power supplies and PCB design rules aligned to high-speed communication technologies to virtually eliminate all electrical noise. Thus, the new 1G-Clock technology helps you to bring jitter down to an unique low level, which leads to unprecedented transparency in your audio recordings.\n<br /><br />\n<h3>Usability in Studio and Live Event Environments</h3>\nThe new MC-3+ Smart Clock works not only as generator, but also as clock distributor. Unlike other products, the MC-3+ effectively regenerates incoming clock signals to higher purity as the signal source. This helps to stabilize already existing clock systems and improves the level of sound reproduction quality in your studio environment. In cases when the MC-3+\'s digitally-compensated clock accuracy is not sufficient, it is possible to lock the system to references of higher accuracy like so-called Atomic clocks or GPS receivers to raise the timing accuracy to the highest possible level. Additional to that, for the use during live events or in mobile trucks, the MC-3+ features anytime-fail-safe clock generation in every state of operation. Entering the hold-over-mode and re-synchronization of returning clock references is carried out so smoothly that live recordings will surely not be affected. Thus, the new MUTEC MC-3+ Smart Clock ensures flawless synchronization of connected devices at any time, while enhancing the sound of your audio production impressively.\n<br /><br />'),(7742,75,1,1291,'<h1>Mutec MC-3+ Smart Clock - Master Clock and Audio Re-Clocker</h1>\n<span style=\"font-size: 16px;\"><i>Lowest-Jitter Master Clock and Audio Re-Clocker based on MUTEC\'s new 1G-Clock Technology</i></span><br /><br />The Mutec MC-3+ Smart Clock is developed to significantly improve the audiophile quality of connected digital audio devices in two ways: At first by clocking devices with ultra-low-jitter Word Clock signals and secondly by aggressively re-clocking incoming digital audio signals.<br /><br />\n<h3>Mutec MC-3+ Smart Clock key features:</h3>\n<ul>\n	<li>Incorporates MUTEC\'s unique 1G-Clock technology for lowest jitter possible</li>\n	<li>Improves audiophile quality of any connected digital audio device</li>\n	<li>Re-clocks digital audio most aggressively</li>\n	<li>Raises clearly audible the sound quality of any DA converter</li>\n	<li>Eliminates digital \"Clicks and Pops\"</li>\n	<li>Enhances existing master clocks</li>\n	<li>Digitally-compensated clock accuracy for highest precision of the generated clocks</li>\n	<li>Locks to 10 MHz clock signals of so-called Atomic clocks or GPS receivers</li>\n	<li>Outputs clock signals fail-safe in any state of operation</li>\n	<li>Generates Word Clocks, Super Clocks, AES3 + S/P-DIF blanks simultaneously</li>\n	<li>Converts between AES3 and S/P-DIF as well as between AES11 and Word Clock</li>\n	<li>New-designed, simple user interface</li>\n	<li>Front panel lock-out for preventing misuse</li>\n	<li>Rack-space-saving 9.5\" housing</li>\n	<li>Built-in, international power supply</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">Mutec MC-3+ Smart Clock </span>Applications</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Audiophile sound improvement of digital audio devices</span></li>\n	<li>Elimination of »clicks and pops« in audio recordings</li>\n	<li>Enhancing and stabilization of existing clock chains</li>\n	<li>Stellate, ultra-low-jitter clock signal supply</li>\n	<li>Addition of redundancy to clock chains in use</li>\n	<li>Increase of clock signal reliability during live events</li>\n	<li>Multiple clock rate synchronization</li>\n</ul>\n<br />\n<h3>Enhancement of Sound Quality by high-resolution Audio Re-Clocking</h3>\nIt is widely known that a master clock changes the sound quality of digital audio devices more or less to a higher level. But carving out finest audio details in your recordings to reproduce individual instruments as clear as possible and to raise the precision of their positions within the spatial sound to a maximum is possible at best with high-resolution re-clocking of your digital audio material. That is what MUTEC\'s new audio re-clocking algorithms paired with the 1G-Clock technology perform in the MC-3+ Smart Clock. Thus, the sensing of the incoming audio is carried out with highest resolution which leads to ultimate precision during merging the audio data with the new ultra-low-jitter clock. The result is unparalleled richness of details and spatiality of the re-clocked audio material.\n<br /><br />\n<h3>The real next Step in Audio Clock Generation</h3>\nWhile others argue for their products with standardly known technical aspects, MUTEC really sets the benchmark of digital audio clocking to a higher level using the proprietary 1G-Clock technology for the first time in the MC-3+ Smart Clock. Running a frequency synthesis on a specifically calculated high clock rate, eliminates completely typical jitter inducing artifacts which are present in all standardly implemented DDS processes. Additionally, we took a look around the clock generation circuit and developed totally new ultra-low-noise power supplies and PCB design rules aligned to high-speed communication technologies to virtually eliminate all electrical noise. Thus, the new 1G-Clock technology helps you to bring jitter down to an unique low level, which leads to unprecedented transparency in your audio recordings.\n<br /><br />\n<h3>Usability in Studio and Live Event Environments</h3>\nThe new MC-3+ Smart Clock works not only as generator, but also as clock distributor. Unlike other products, the MC-3+ effectively regenerates incoming clock signals to higher purity as the signal source. This helps to stabilize already existing clock systems and improves the level of sound reproduction quality in your studio environment. In cases when the MC-3+\'s digitally-compensated clock accuracy is not sufficient, it is possible to lock the system to references of higher accuracy like so-called Atomic clocks or GPS receivers to raise the timing accuracy to the highest possible level. Additional to that, for the use during live events or in mobile trucks, the MC-3+ features anytime-fail-safe clock generation in every state of operation. Entering the hold-over-mode and re-synchronization of returning clock references is carried out so smoothly that live recordings will surely not be affected. Thus, the new MUTEC MC-3+ Smart Clock ensures flawless synchronization of connected devices at any time, while enhancing the sound of your audio production impressively.\n<br /><br />'),(7743,85,0,1291,'Mutec MC-3+ Smart Clock - Master Clock and Audio Re-Clocker'),(7744,85,1,1291,'Mutec MC-3+ Smart Clock - Master Clock and Audio Re-Clocker'),(7745,76,0,1291,''),(7746,76,1,1291,''),(7747,75,0,1292,'<h1>Mutec MC-3+USB Smart Clock - Master Clock and Audio Re-Clocker</h1>\n<i>Exceptional Audio Re-Clocker, audiophile USB Interface & lowest Jitter Master Clock</i><br /><br />The Mutec MC-3+USB Smart Clock is setting a new benchmark for clocking technology and the reproduction of digital audio by uniquely combining an audiophile USB interface with an audio re-clocker in perfection! Particularly designed for the demands of high-end consumer audio, the device expands a new sonic universe with increased musicality, clarity, and precision. As such, the MC-3+USB will prove its worth in many audiophile listening rooms around the world.<br /><br />\n<h3>Mutec MC-3+USB Smart Clock key features:</h3>\n<ul>\n	<li>Unique, bit-transparent Re-Clocking without conventional sample rate conversion for purest sound quality</li>\n	<li>Audiophile, asynchronous two-channel USB interface with ultra-low noise audio clock oscillators and total galvanic isolation of up to 2500 VRMS, respectively 4242 VPK, for suppression of high-frequency interferences</li>\n	<li>Converts DSD/DoP streams (64-256) to PCM audio with selectable output clock rate</li>\n	<li>Locks to MUTEC\'s REF10, as well as so-called atomic clocks and GPS clock references</li>\n	<li>Improved, next-generation REVIVE re-clocking and 1G-Clock technology by MUTEC</li>\n	<li>Serves as a flexible digital input switching matrix, audio format converter and master clock</li>\n	<li>Compatible to Apple Macintosh and Windows PCs</li>\n	<li>Intuitive user interface and easy installation</li>\n	<li>Update-capability via USB</li>\n	<li>Available with black- or clear aluminum front panel</li>\n	<li>Galvanic isolation up to 2500 VRMS in accordance with UL1577, respectively 4242 VPK in accordance with DIN EN 60747-5-2 (VDE 0884 part 2)</li>\n	<li>Converts DSD/DoP streams (64-256) to PCM audio with selectable output clock rate</li>\n	<li>Transfers USB audio streams into AES3 and S/P-DIF and outputs those to five digital audio formats simultaneously</li>\n	<li>Converts between USB PCM audio, USB DSD/DoP audio, AES3 and S/P-DIF, as well as between AES11 and Word Clock</li>\n	<li>Highly compatible USB audio class 2.0 driver for Windows supporting ASIO, MME, DirectSound, WASAPI, Kernel Streaming, PCM 16Bit, 24Bit, 32Bit and Float-32Bit at all clock rates between 44.1kHz and 192.0kHz</li>\n	<li>Ultra-low jitter Word Clock generation with clock rates up to 1,536.0 kHz</li>\n	<li>Scalable to FS1x512 clock rates, 22,5792 MHz & 24,576 MHz, for e.g. high-end audio interfaces</li>\n	<li>Locks to Rubidium- (10 MHz), Cesium- (5 MHz) and GPS clock references</li>\n	<li>Generates Word Clocks, Super Clocks, AES3 + S/P-DIF blanks simultaneously</li>\n	<li>Uninterruptible, fail-safe clock generation in all operation modes</li>\n	<li>Eliminates so-called digital \"clicks and pops\"</li>\n	<li>Individual lock indicators for the clock or audio reference and the re-clock reference</li>\n	<li>USB, AES/EBU, AES/EBUid and S/P-DIF interfaces in one box</li>\n	<li>S/P-DIF interconnections via BNC, RCA and optical interfaces available as in- and outputs</li>\n	<li>Front panel lock-out for preventing of misuse</li>\n	<li>Rack-space-saving 9.5\" housing</li>\n	<li>Built-in, universal power supply</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">Mutec MC-3+USB Smart Clock </span>Applications</h3>\n<ul>\n	<li>Optimizes jitter-affected digital sources like CD transports, satellite ratios, and streamers</li>\n	<li>Ideally suited as a signal conditioner to audibly improve any D/A converter</li>\n	<li>Enables computer audio via USB at highest fidelity quality</li>\n	<li>Serves as a digital audio switching matrix, format converter, and master clock</li>\n	<li>Exports and converts native DSD signals from the computer</li>\n	<li>Isolates USB audio streams to digital devices</li>\n	<li>Improves jitter-affected digital sources for archival and audio processing purposes</li>\n</ul>\n<br />\n<h3>A new sonic Dimension for USB Audio</h3>\nUSB interfaces are the most commonly utilized devices for digital audio transmission in a computer-based music playback environment. But the convenience and ease of use often times come at a price of lackluster audio quality to the critical ears of high-end consumer audio aficionados and of professional users. It’s no secret that even the best D/A converters are not capable of reproducing and converting audio via USB at the highest possible level, which is why using digital audio inputs such as AES3 or S/P-DIF yields significantly better results and is generally preferred.\n<br /><br />\nWe have invested into our own research to uncover the underlying principles and the root of the problem with high-end audio via USB. In a nutshell, electromagnetic interference of any kind, but particularly those caused by audio computers and other IT devices, will induce noise and seriously disturb the audio transmission. In order to eliminate these disturbances and avoid their damaging effect on the conversion process as much as possible we have developed a new signal-isolating, asynchronous USB interface for the MC-3+ Smart Clock USB. It has been designed as a dedicated building block with a power supply that’s independent from the main board of the unit. In addition, the USB interface is galvanically isolated from the other parts of the circuitry and employs its own ultra-low noise audio oscillators that once again are autonomous and isolated from the other processes. In combination with IT-based high-speed isolators we have achieved exceptional reduction of the impact of noise interference within the USB data stream yielding a USB interface that’s virtually immune to any interference problems caused by PCs, laptops or music servers. At the same time, there are no limitations regarding the possible clock rates for playback from your music library with the MC-3+USB supporting all rates possible up to high-speed USB as well as DSD/DoP streams up to DSD/DoP256.<br /><br />\nAll of these features in combination with the subsequent re-clocking process, proprietary to MUTEC, leads to a significant acoustic improvement of connected digital audio devices that usually manifests itself in increased width of the sound stage, more precise imaging, and with a more musical representation of the recorded space and the instruments within it. Stock consumer audio devices, laptops, and audio computers can now achieve a new level of sonic perfection that was previously reserved for equipment with much higher price tags.<br /><br />\n<h3>Ultimate Connectivity and Flexibility</h3>\nThe MC-3+ Smart Clock USB enables bi-directional audio format conversion (half-duplex) between USB audio streams, AES3, AES3id, and S/P-DIF signals. In addition to a variety of digital audio outputs like most other competing devices, it furthermore also provides a full set of digital inputs for AES3, AES3id, and S/P-DIF signals with BNC, RCA, and optical connectivity. Audio streams received via USB will always be converted to five audio outputs allowing multiple devices to receive the same audio simultaneously. Upon selecting one of the audio inputs, the signal will be converted into a USB audio stream to be sent to the computer. At the same time, the source signal will also be converted to the digital outputs of the MC-3+USB, which can be used for monitoring purposes or a digital peak meter, while audio is recorded in the computer via USB. The re-clocking process takes care of delivering your audio at the utmost precision in both cases.\n<br /><br />\nApart from transmitting standard PCM audio the USB interface is further capable of receiving native DSD and DoP streams with up to four times the SACD clock rate (DSD256). These streams will be re-clocked and converted to PCM audio by the MC-3+USB in realtime to pass them on to the five audio outputs simultaneously. The desired clock rate for the digital outputs can be selected on the front panel with options between 44.1 kHz, 88.2 kHzand 176.4 kHzthat are independent from the clock rate of the incoming DSD or DoP streams.\nHigh-end D/A converters or premium music servers often provide BNC connectors for the transmission of S/P-DIF signals, which are the best choice due to their superior electrical properties compared to the RCA connector. With the MC-3+USB you can conveniently convert USB-PCM, DSD/DoP, or AES3 streams to the S/P-DIF format and send it to appropriately equipped high-end receivers via BNC. Four additional outputs in other formats may be used simultaneously to drive digital headphone amps or other digital audio devices for recording and/or monitoring.\n<br /><br />\nWhile the MC-3+USB is playing back your precious music via the digital audio outputs, the four Word Clock outputs simultaneously provide phase-coherent clock signals. Since those are derived from the internal re-clocking process they have the same ultra-low jitter qualities as the basic clock signal embedded in the audio signals. Furthermore, the clock outputs may be independently switched in pairs to scale to clock rates of up to FS1 x 512, coming out to 22.5792 MHz or 24.576 MHz respectively making the Word Clock signals of MC-3+USB are ideally suited to clock a wide range of studio equipment and high-end DACs, CD players, and audio interfaces from manufacturers such as Esoteric, TACT Audio or M2Tech (e.g. hiFace Evo).\n<br /><br />\n<h3>The new Authority for High-resolution Audio Re-Clocking</h3>\nIt is widely known that a master clock improves the sound quality of digital audio devices such as CD players and music streamers or mixing desks and DAWs more or less. But carving out finest details in audio recordings to reproduce individual instruments as clearly and with the best spatial resolution as possible is best achieved with high-resolution re-clocking of the audio material. This is what MUTEC’s proprietary re-clocking algorithm paired with the 1G-Clock technology provides at the highest level! Our MC-3+ Smart Clock already impressed critics and users around the world, and the MC-3+USB now marks the next generation of re-clocking by MUTEC. Extreme oversampling of incoming data allows the audio to be recombined and merged with a newly generated ultra-low jitter clock signal at ultimate precision, enhancing the re-clocked audio with unparalleled richness of details, spatiality, and musicality.\n<br /><br />\nIf desired this effect can be further heightened by utilizing the unique externally referenced re-clocking mode of the MC-3+USB that locks to Rubidium- or Cesium-based atomic clocks and GPS receivers (1-10 MHz). Presuming an extremely high-grade external reference, it is possible to perfect the audiophile quality and precision of the audio clock beyond the already stellar internal re-clocking algorithms of the device.<br /><br />\nThe flexible, audiophile re-clocking of the MC-3+USB makes it ideally suited to regenerate music recordings from jitter-affected digital sources and to optimize it for further processing, archival or simply for your listening pleasure at the best possible quality.<br /><br />\n<h3>The next Generation in Clocking Technology</h3>\nThe world-renowned 1G-Clock technology that we introduced with the popular MC-3+ Smart Clock by MUTEC has been setting new standards for the generation of nearly jitter-free clock signals. Our engineers have derived a reference clock rate for our DDS (direct digital synthesis) process through extensive lab testing, which reduces jitter and noise artifacts present in all other DDS algorithms to their absolute minimum. Building on these fundamentals, we were able to further improve clocking algorithms in the MC-3+USB based on our 1G-Clock technology. The reduction of power supply noise has been taken to yet another level by employing the latest cutting-edge components. All of these measures combined yield an additional, clearly audible improvement in transparency, spatiality, and musicality of the re-clocked audio as our distinguished beta-testers can attest.\n<br /><br />\n<h3>The MC-3+USB in the Studio and in Live Sound</h3>\nThe new MC-3+ Smart Clock USB serves not only as a generator, but also as a clock distributor. Unlike other products, the MC-3+USB effectively regenerates incoming clock signals to higher precision as the signal source. This helps to stabilize existing clock systems and improves the level of sound reproduction quality in the studio environment. In cases when the MC-3+USB’s digitally compensated clock accuracy is not sufficient, it is possible to lock the system to so-called atomic clocks or GPS receivers, raising the timing accuracy to the highest possible level. In addition to the commonly known 10 MHz frequency of Rubidium-based clocks and GPS receivers, the device also supports 5 MHz Caesium-based clock rates as well as 1 MHz and 2.5 MHz frequencies.\n<br /><br />'),(7748,75,1,1292,'<h1>Mutec MC-3+USB Smart Clock - Master Clock and Audio Re-Clocker</h1>\n<i>Exceptional Audio Re-Clocker, audiophile USB Interface & lowest Jitter Master Clock</i><br /><br />The Mutec MC-3+USB Smart Clock is setting a new benchmark for clocking technology and the reproduction of digital audio by uniquely combining an audiophile USB interface with an audio re-clocker in perfection! Particularly designed for the demands of high-end consumer audio, the device expands a new sonic universe with increased musicality, clarity, and precision. As such, the MC-3+USB will prove its worth in many audiophile listening rooms around the world.<br /><br />\n<h3>Mutec MC-3+USB Smart Clock key features:</h3>\n<ul>\n	<li>Unique, bit-transparent Re-Clocking without conventional sample rate conversion for purest sound quality</li>\n	<li>Audiophile, asynchronous two-channel USB interface with ultra-low noise audio clock oscillators and total galvanic isolation of up to 2500 VRMS, respectively 4242 VPK, for suppression of high-frequency interferences</li>\n	<li>Converts DSD/DoP streams (64-256) to PCM audio with selectable output clock rate</li>\n	<li>Locks to MUTEC\'s REF10, as well as so-called atomic clocks and GPS clock references</li>\n	<li>Improved, next-generation REVIVE re-clocking and 1G-Clock technology by MUTEC</li>\n	<li>Serves as a flexible digital input switching matrix, audio format converter and master clock</li>\n	<li>Compatible to Apple Macintosh and Windows PCs</li>\n	<li>Intuitive user interface and easy installation</li>\n	<li>Update-capability via USB</li>\n	<li>Available with black- or clear aluminum front panel</li>\n	<li>Galvanic isolation up to 2500 VRMS in accordance with UL1577, respectively 4242 VPK in accordance with DIN EN 60747-5-2 (VDE 0884 part 2)</li>\n	<li>Converts DSD/DoP streams (64-256) to PCM audio with selectable output clock rate</li>\n	<li>Transfers USB audio streams into AES3 and S/P-DIF and outputs those to five digital audio formats simultaneously</li>\n	<li>Converts between USB PCM audio, USB DSD/DoP audio, AES3 and S/P-DIF, as well as between AES11 and Word Clock</li>\n	<li>Highly compatible USB audio class 2.0 driver for Windows supporting ASIO, MME, DirectSound, WASAPI, Kernel Streaming, PCM 16Bit, 24Bit, 32Bit and Float-32Bit at all clock rates between 44.1kHz and 192.0kHz</li>\n	<li>Ultra-low jitter Word Clock generation with clock rates up to 1,536.0 kHz</li>\n	<li>Scalable to FS1x512 clock rates, 22,5792 MHz & 24,576 MHz, for e.g. high-end audio interfaces</li>\n	<li>Locks to Rubidium- (10 MHz), Cesium- (5 MHz) and GPS clock references</li>\n	<li>Generates Word Clocks, Super Clocks, AES3 + S/P-DIF blanks simultaneously</li>\n	<li>Uninterruptible, fail-safe clock generation in all operation modes</li>\n	<li>Eliminates so-called digital \"clicks and pops\"</li>\n	<li>Individual lock indicators for the clock or audio reference and the re-clock reference</li>\n	<li>USB, AES/EBU, AES/EBUid and S/P-DIF interfaces in one box</li>\n	<li>S/P-DIF interconnections via BNC, RCA and optical interfaces available as in- and outputs</li>\n	<li>Front panel lock-out for preventing of misuse</li>\n	<li>Rack-space-saving 9.5\" housing</li>\n	<li>Built-in, universal power supply</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">Mutec MC-3+USB Smart Clock </span>Applications</h3>\n<ul>\n	<li>Optimizes jitter-affected digital sources like CD transports, satellite ratios, and streamers</li>\n	<li>Ideally suited as a signal conditioner to audibly improve any D/A converter</li>\n	<li>Enables computer audio via USB at highest fidelity quality</li>\n	<li>Serves as a digital audio switching matrix, format converter, and master clock</li>\n	<li>Exports and converts native DSD signals from the computer</li>\n	<li>Isolates USB audio streams to digital devices</li>\n	<li>Improves jitter-affected digital sources for archival and audio processing purposes</li>\n</ul>\n<br />\n<h3>A new sonic Dimension for USB Audio</h3>\nUSB interfaces are the most commonly utilized devices for digital audio transmission in a computer-based music playback environment. But the convenience and ease of use often times come at a price of lackluster audio quality to the critical ears of high-end consumer audio aficionados and of professional users. It’s no secret that even the best D/A converters are not capable of reproducing and converting audio via USB at the highest possible level, which is why using digital audio inputs such as AES3 or S/P-DIF yields significantly better results and is generally preferred.\n<br /><br />\nWe have invested into our own research to uncover the underlying principles and the root of the problem with high-end audio via USB. In a nutshell, electromagnetic interference of any kind, but particularly those caused by audio computers and other IT devices, will induce noise and seriously disturb the audio transmission. In order to eliminate these disturbances and avoid their damaging effect on the conversion process as much as possible we have developed a new signal-isolating, asynchronous USB interface for the MC-3+ Smart Clock USB. It has been designed as a dedicated building block with a power supply that’s independent from the main board of the unit. In addition, the USB interface is galvanically isolated from the other parts of the circuitry and employs its own ultra-low noise audio oscillators that once again are autonomous and isolated from the other processes. In combination with IT-based high-speed isolators we have achieved exceptional reduction of the impact of noise interference within the USB data stream yielding a USB interface that’s virtually immune to any interference problems caused by PCs, laptops or music servers. At the same time, there are no limitations regarding the possible clock rates for playback from your music library with the MC-3+USB supporting all rates possible up to high-speed USB as well as DSD/DoP streams up to DSD/DoP256.<br /><br />\nAll of these features in combination with the subsequent re-clocking process, proprietary to MUTEC, leads to a significant acoustic improvement of connected digital audio devices that usually manifests itself in increased width of the sound stage, more precise imaging, and with a more musical representation of the recorded space and the instruments within it. Stock consumer audio devices, laptops, and audio computers can now achieve a new level of sonic perfection that was previously reserved for equipment with much higher price tags.<br /><br />\n<h3>Ultimate Connectivity and Flexibility</h3>\nThe MC-3+ Smart Clock USB enables bi-directional audio format conversion (half-duplex) between USB audio streams, AES3, AES3id, and S/P-DIF signals. In addition to a variety of digital audio outputs like most other competing devices, it furthermore also provides a full set of digital inputs for AES3, AES3id, and S/P-DIF signals with BNC, RCA, and optical connectivity. Audio streams received via USB will always be converted to five audio outputs allowing multiple devices to receive the same audio simultaneously. Upon selecting one of the audio inputs, the signal will be converted into a USB audio stream to be sent to the computer. At the same time, the source signal will also be converted to the digital outputs of the MC-3+USB, which can be used for monitoring purposes or a digital peak meter, while audio is recorded in the computer via USB. The re-clocking process takes care of delivering your audio at the utmost precision in both cases.\n<br /><br />\nApart from transmitting standard PCM audio the USB interface is further capable of receiving native DSD and DoP streams with up to four times the SACD clock rate (DSD256). These streams will be re-clocked and converted to PCM audio by the MC-3+USB in realtime to pass them on to the five audio outputs simultaneously. The desired clock rate for the digital outputs can be selected on the front panel with options between 44.1 kHz, 88.2 kHzand 176.4 kHzthat are independent from the clock rate of the incoming DSD or DoP streams.\nHigh-end D/A converters or premium music servers often provide BNC connectors for the transmission of S/P-DIF signals, which are the best choice due to their superior electrical properties compared to the RCA connector. With the MC-3+USB you can conveniently convert USB-PCM, DSD/DoP, or AES3 streams to the S/P-DIF format and send it to appropriately equipped high-end receivers via BNC. Four additional outputs in other formats may be used simultaneously to drive digital headphone amps or other digital audio devices for recording and/or monitoring.\n<br /><br />\nWhile the MC-3+USB is playing back your precious music via the digital audio outputs, the four Word Clock outputs simultaneously provide phase-coherent clock signals. Since those are derived from the internal re-clocking process they have the same ultra-low jitter qualities as the basic clock signal embedded in the audio signals. Furthermore, the clock outputs may be independently switched in pairs to scale to clock rates of up to FS1 x 512, coming out to 22.5792 MHz or 24.576 MHz respectively making the Word Clock signals of MC-3+USB are ideally suited to clock a wide range of studio equipment and high-end DACs, CD players, and audio interfaces from manufacturers such as Esoteric, TACT Audio or M2Tech (e.g. hiFace Evo).\n<br /><br />\n<h3>The new Authority for High-resolution Audio Re-Clocking</h3>\nIt is widely known that a master clock improves the sound quality of digital audio devices such as CD players and music streamers or mixing desks and DAWs more or less. But carving out finest details in audio recordings to reproduce individual instruments as clearly and with the best spatial resolution as possible is best achieved with high-resolution re-clocking of the audio material. This is what MUTEC’s proprietary re-clocking algorithm paired with the 1G-Clock technology provides at the highest level! Our MC-3+ Smart Clock already impressed critics and users around the world, and the MC-3+USB now marks the next generation of re-clocking by MUTEC. Extreme oversampling of incoming data allows the audio to be recombined and merged with a newly generated ultra-low jitter clock signal at ultimate precision, enhancing the re-clocked audio with unparalleled richness of details, spatiality, and musicality.\n<br /><br />\nIf desired this effect can be further heightened by utilizing the unique externally referenced re-clocking mode of the MC-3+USB that locks to Rubidium- or Cesium-based atomic clocks and GPS receivers (1-10 MHz). Presuming an extremely high-grade external reference, it is possible to perfect the audiophile quality and precision of the audio clock beyond the already stellar internal re-clocking algorithms of the device.<br /><br />\nThe flexible, audiophile re-clocking of the MC-3+USB makes it ideally suited to regenerate music recordings from jitter-affected digital sources and to optimize it for further processing, archival or simply for your listening pleasure at the best possible quality.<br /><br />\n<h3>The next Generation in Clocking Technology</h3>\nThe world-renowned 1G-Clock technology that we introduced with the popular MC-3+ Smart Clock by MUTEC has been setting new standards for the generation of nearly jitter-free clock signals. Our engineers have derived a reference clock rate for our DDS (direct digital synthesis) process through extensive lab testing, which reduces jitter and noise artifacts present in all other DDS algorithms to their absolute minimum. Building on these fundamentals, we were able to further improve clocking algorithms in the MC-3+USB based on our 1G-Clock technology. The reduction of power supply noise has been taken to yet another level by employing the latest cutting-edge components. All of these measures combined yield an additional, clearly audible improvement in transparency, spatiality, and musicality of the re-clocked audio as our distinguished beta-testers can attest.\n<br /><br />\n<h3>The MC-3+USB in the Studio and in Live Sound</h3>\nThe new MC-3+ Smart Clock USB serves not only as a generator, but also as a clock distributor. Unlike other products, the MC-3+USB effectively regenerates incoming clock signals to higher precision as the signal source. This helps to stabilize existing clock systems and improves the level of sound reproduction quality in the studio environment. In cases when the MC-3+USB’s digitally compensated clock accuracy is not sufficient, it is possible to lock the system to so-called atomic clocks or GPS receivers, raising the timing accuracy to the highest possible level. In addition to the commonly known 10 MHz frequency of Rubidium-based clocks and GPS receivers, the device also supports 5 MHz Caesium-based clock rates as well as 1 MHz and 2.5 MHz frequencies.\n<br /><br />'),(7749,85,0,1292,'Mutec MC-3+USB Smart Clock - Master Clock and Audio Re-Clocker'),(7750,85,1,1292,'Mutec MC-3+USB Smart Clock - Master Clock and Audio Re-Clocker'),(7751,76,0,1292,''),(7752,76,1,1292,''),(7753,75,0,1293,'<h1>Mutec REF 10 Reference Master Clock</h1>\n<i>Audiophile Grade 10 MHz Reference Master Clock</i><br /><br />The Mutec <span style=\"background-color: initial;\">REF 10 is an audiophile reference master clock generating 10 MHz signals with industry-leading low phase noise (i.e. jitter) to significantly improve digital playback systems. As the conductor of your digital audio orchestra at home, the REF 10 will inspire you with unheard-of clarity, graceful dynamics, and pure music. It is the most flexible, most compatible 10 MHz clock on the market allowing you to spend less time worrying about integration and leaving you with more hours to enjoy blissful playback.</span>\n<div>\n	<br />\n</div>\n<div>\n	Unlock a more dynamic, more transparent sound stage with exceptional spatiality and level of detail, free from any digital blur. For all music enthusiasts reaching for the pinnacle of signal purity, audio quality, and clock precision, the REF 10 is the must-have expansion to conduct your digital playback chain.\n</div>\n<br />\n<h3>Mutec REF10 key features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Audiophile 10 MHz reference generator with industry’s lowest phase noise</span></li>\n	<li>Improves and enhances compatible DACs, audio re-clockers, music servers, and master clocks</li>\n	<li>Engineered around a handcrafted, ultra-low phase noise OCXO made in Germany</li>\n	<li>Generates a very high slew-rate square wave signal for superior lock precision compared to the sine wave signals used by competing brands</li>\n	<li>Provides simultaneous reference outputs with 50 and 75 Ω impedance for maximum compatibility with clocks and DACs by other manufacturers</li>\n	<li>Eight galvanically isolated, individually switchable BNC clock outputs</li>\n	<li>Revolutionary, sub-Hz optimized, lowest noise power supply for every circuit section</li>\n	<li>Integrated, highest-quality international linear power supply</li>\n	<li>Highly efficient power line filtering</li>\n	<li>Intuitive user interface with noble aesthetics</li>\n	<li>Rack-mountable with optional mounting brackets for studio use (2 RU)</li>\n	<li>3-year extended manufacturer-guaranteed warranty</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">Mutec REF10 </span>Applications</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">As an audiophile performance enhancement for compatible DACs, master clocks, and re-clockers by any other brand</span></li>\n	<li>As an ultra-low noise, high stability clock reference for the entire digital audio chain at home or in the studio</li>\n	<li>As an ideal high-end upgrade for MUTEC’s own MC‑3+, MC‑3+USB, and iClock/iClock dp master clocks</li>\n	<li>To stabilize existing audio clock generators</li>\n</ul>\n<br />\n<h3>The Story of the REF 10</h3>\nCurrently available digital converters, master clocks, and audio re-clockers perform acceptably when reproducing or processing digital audio. Even so, MUTEC felt that existing solutions fall short of delivering the full potential of audio productions. In Mutec\'s commitment to advancing the state of the art and science they set out to investigate the possibilities to further enhance the performance of digital audio systems. To do so, Mutec recruited one of Germany’s most renowned RF engineers to join their R&D team. Together they developed a master clock generator with a technical performance beyond what was thought could be possible. The effects of the technical performance were then verified by a group of experience audiophile beta testers to ensure that the high-end performance translates to best-in-class sound.\n<br /><br />\nThe final result of Mutec\'s extensive efforts is the REF 10: a superior 10 MHz reference master clock and Mutec\'s first Empyreal Class product combining uncompromising engineering with the beauty of simplicity and the utmost clock precision.<br /><br />\n<h3>Debunking the \"Atomic\" Myth</h3>\nMutec\'s research has shown that the high clock stability of so-called \"atomic clocks\" based on a rubidium or cesium oscillator is limited to the long-term time domain. This long-term stability refers to the amount the absolute clock frequency (10 MHz, or 10 million cycles per second, in this case) drifts over time. While this long-term stability may be useful for some telecommunications applications, it is essentially irrelevant for digital audio purposes. Ultimately, it is the timing from one sample to another as a digital audio stream is transferred from one device to another that needs to be as precise as possible for best sound quality. Fluctuations in short-term stability are measured as jitter or phase-noise and are central to the audiophile performance of any digital audio device.\n<br /><br />\nIn contrast to these \"atomic clocks\" then, the REF 10 is engineered around MUTEC\'s handcrafted, oven-controlled oscillator (OCXO) made in Germany, featuring highest clock stability in the time domain relevant for audiophile digital audio performance.<br /><br />\n<h3>Exceptional Design</h3>\nA well laid-out main power supply constitutes the basis for exceptional high-end products. To meet this requirement, Mutec specifically designed for the REF 10 a dual linear power supply based on a German made toroidal transformer. It provides a dedicated transformer winding for the sensitive OCXO that is completely isolated form the surrounding circuit. Networks of lowest-ESR (equivalent series resistance) capacitors made by Panasonic ensure best interference suppression for the supply voltages. Hereafter, sub-Hz optimized, lowest-noise voltage sources arranged in multiple stages independently supply every part of the circuit to avoid mutual interference. However, for the heart of the REF 10, MUTEC’s handcrafted OCXO, they had to go even further. They developed a dedicated power source of such incredibly low noise that even Mutec\'s engineers themselves were amazed by the noise figures and the resulting oscillator performance they ultimately achieved. Consequently, Mutec then developed unique ultra-low noise clock distribution and amplification circuits, which successfully transfer the oscillator’s reference signal to the REF 10’s eight outputs with virtually no losses.\n<br /><br />\n<h3>A Perfect Clock. Empyreal Sound</h3>\nMUTEC’s Empyreal Class is a commitment to HiFi in its most sophisticated form. This series combines uncompromising engineering with the beauty of simplicity and utmost precision. Apart from exceptional sound performance these products feature a streamlined interface with fewer parameters and user-friendly operation. Just like any Empyreal Class product, the REF 10 is an investment in highest audio quality \"Made in Germany\" - an aspiration reflected by an extended manufacturer-guaranteed warranty of three years.\n<br />'),(7754,75,1,1293,'<h1>Mutec REF 10 Reference Master Clock</h1>\n<i>Audiophile Grade 10 MHz Reference Master Clock</i><br /><br />The Mutec <span style=\"background-color: initial;\">REF 10 is an audiophile reference master clock generating 10 MHz signals with industry-leading low phase noise (i.e. jitter) to significantly improve digital playback systems. As the conductor of your digital audio orchestra at home, the REF 10 will inspire you with unheard-of clarity, graceful dynamics, and pure music. It is the most flexible, most compatible 10 MHz clock on the market allowing you to spend less time worrying about integration and leaving you with more hours to enjoy blissful playback.</span>\n<div>\n	<br />\n</div>\n<div>\n	Unlock a more dynamic, more transparent sound stage with exceptional spatiality and level of detail, free from any digital blur. For all music enthusiasts reaching for the pinnacle of signal purity, audio quality, and clock precision, the REF 10 is the must-have expansion to conduct your digital playback chain.\n</div>\n<br />\n<h3>Mutec REF10 key features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Audiophile 10 MHz reference generator with industry’s lowest phase noise</span></li>\n	<li>Improves and enhances compatible DACs, audio re-clockers, music servers, and master clocks</li>\n	<li>Engineered around a handcrafted, ultra-low phase noise OCXO made in Germany</li>\n	<li>Generates a very high slew-rate square wave signal for superior lock precision compared to the sine wave signals used by competing brands</li>\n	<li>Provides simultaneous reference outputs with 50 and 75 Ω impedance for maximum compatibility with clocks and DACs by other manufacturers</li>\n	<li>Eight galvanically isolated, individually switchable BNC clock outputs</li>\n	<li>Revolutionary, sub-Hz optimized, lowest noise power supply for every circuit section</li>\n	<li>Integrated, highest-quality international linear power supply</li>\n	<li>Highly efficient power line filtering</li>\n	<li>Intuitive user interface with noble aesthetics</li>\n	<li>Rack-mountable with optional mounting brackets for studio use (2 RU)</li>\n	<li>3-year extended manufacturer-guaranteed warranty</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">Mutec REF10 </span>Applications</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">As an audiophile performance enhancement for compatible DACs, master clocks, and re-clockers by any other brand</span></li>\n	<li>As an ultra-low noise, high stability clock reference for the entire digital audio chain at home or in the studio</li>\n	<li>As an ideal high-end upgrade for MUTEC’s own MC‑3+, MC‑3+USB, and iClock/iClock dp master clocks</li>\n	<li>To stabilize existing audio clock generators</li>\n</ul>\n<br />\n<h3>The Story of the REF 10</h3>\nCurrently available digital converters, master clocks, and audio re-clockers perform acceptably when reproducing or processing digital audio. Even so, MUTEC felt that existing solutions fall short of delivering the full potential of audio productions. In Mutec\'s commitment to advancing the state of the art and science they set out to investigate the possibilities to further enhance the performance of digital audio systems. To do so, Mutec recruited one of Germany’s most renowned RF engineers to join their R&D team. Together they developed a master clock generator with a technical performance beyond what was thought could be possible. The effects of the technical performance were then verified by a group of experience audiophile beta testers to ensure that the high-end performance translates to best-in-class sound.\n<br /><br />\nThe final result of Mutec\'s extensive efforts is the REF 10: a superior 10 MHz reference master clock and Mutec\'s first Empyreal Class product combining uncompromising engineering with the beauty of simplicity and the utmost clock precision.<br /><br />\n<h3>Debunking the \"Atomic\" Myth</h3>\nMutec\'s research has shown that the high clock stability of so-called \"atomic clocks\" based on a rubidium or cesium oscillator is limited to the long-term time domain. This long-term stability refers to the amount the absolute clock frequency (10 MHz, or 10 million cycles per second, in this case) drifts over time. While this long-term stability may be useful for some telecommunications applications, it is essentially irrelevant for digital audio purposes. Ultimately, it is the timing from one sample to another as a digital audio stream is transferred from one device to another that needs to be as precise as possible for best sound quality. Fluctuations in short-term stability are measured as jitter or phase-noise and are central to the audiophile performance of any digital audio device.\n<br /><br />\nIn contrast to these \"atomic clocks\" then, the REF 10 is engineered around MUTEC\'s handcrafted, oven-controlled oscillator (OCXO) made in Germany, featuring highest clock stability in the time domain relevant for audiophile digital audio performance.<br /><br />\n<h3>Exceptional Design</h3>\nA well laid-out main power supply constitutes the basis for exceptional high-end products. To meet this requirement, Mutec specifically designed for the REF 10 a dual linear power supply based on a German made toroidal transformer. It provides a dedicated transformer winding for the sensitive OCXO that is completely isolated form the surrounding circuit. Networks of lowest-ESR (equivalent series resistance) capacitors made by Panasonic ensure best interference suppression for the supply voltages. Hereafter, sub-Hz optimized, lowest-noise voltage sources arranged in multiple stages independently supply every part of the circuit to avoid mutual interference. However, for the heart of the REF 10, MUTEC’s handcrafted OCXO, they had to go even further. They developed a dedicated power source of such incredibly low noise that even Mutec\'s engineers themselves were amazed by the noise figures and the resulting oscillator performance they ultimately achieved. Consequently, Mutec then developed unique ultra-low noise clock distribution and amplification circuits, which successfully transfer the oscillator’s reference signal to the REF 10’s eight outputs with virtually no losses.\n<br /><br />\n<h3>A Perfect Clock. Empyreal Sound</h3>\nMUTEC’s Empyreal Class is a commitment to HiFi in its most sophisticated form. This series combines uncompromising engineering with the beauty of simplicity and utmost precision. Apart from exceptional sound performance these products feature a streamlined interface with fewer parameters and user-friendly operation. Just like any Empyreal Class product, the REF 10 is an investment in highest audio quality \"Made in Germany\" - an aspiration reflected by an extended manufacturer-guaranteed warranty of three years.\n<br />'),(7755,85,0,1293,'Mutec REF 10 Reference Master Clock'),(7756,85,1,1293,'Mutec REF 10 Reference Master Clock'),(7757,76,0,1293,''),(7758,76,1,1293,''),(7759,75,0,1294,'<h1>Mutec REF10 SE120 Reference Master Clock</h1>\n<div><i>The Ultimate </i><span style=\"background-color: initial;\"><i>• Audiophile 10MHz reference master clock generator with </i></span><i style=\"background-color: initial;\">ultimately-low phase noise of -120 dBc measured at 1 Hz </i><i style=\"background-color: initial;\">offset from the carrier frequency of 10 MHz.</i></div><br />The Mutec <span style=\"background-color: initial;\">The REF10 SE120 Reference Master Clock is a special version of the successful audiophile reference clock generator REF10 that Mutec have further enhanced in terms of signal performance. The exceptional quality of the original REF10 has been confirmed many times since its launch in 2017 – in numerous reviews from specialized magazines and through enthusiastic user feedback. A clock generator from MUTEC significantly increases the quality of digital music playback, even and especially with demanding high‑end systems and studio installations. Because it provides the foundation for perfect signal processing in a digital audio chain: the extremely low‑noise reference clock.<br /><br /></span><span style=\"background-color: initial;\">The \"tuning\" variant REF10 SE120 outperforms the original model REF10 in this regard considerably. A clearly measurable advantage is the result of a special feature of the REF10 SE120: its much more elaborately manufactured and selected oven‑controlled quartz oscillator (OCXO). This oscillator is selected according to the strictest standards in test procedures lasting many hours with the help of exceptionally precise and expensive measuring technology. The use of such an outstanding oscillator is responsible for the fact that the REF10 SE120 from MUTEC currently delivers - to our knowledge - the lowest phase noise, respectively jitter values in the industry. This outstanding technical performance has a noticeable impact on the sonic result. Precision, transparency, spatiality and dynamics of the musical presentation reach an unprecedented level and will inspire you!<br /><br /></span><span style=\"background-color: initial;\">Like the proven REF10, the optimized REF10 SE120 is extremely flexible. Because of its versatile connectivity this MUTEC clock generator can be successfully integrated in a wide variety of configurations while maintaining an easy way of operation. If you want to maximize the sound potential of your compatible DA converter, music server or audio re‑clocker in every respect, you need the REF10 SE120 from MUTEC!</span><span style=\"background-color: initial;\"><br /></span>\n<br />\n<h3>Mutec REF120 SE120 key features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">10 MHz reference master clock generator with ultimately low phase noise of ‑120 dBc at 1 Hz</span></li><li>Improves and enhances compatible DACs, audio re‑clockers, music servers and master clocks</li><li>Engineered around an elaborately manufactured and selected OCXO made in Germany with outstanding low noise</li><li>Generates a very high slew‑rate square wave signal for superior lock precision</li><li>Provides simultaneous reference outputs with 50 Ω and 75 Ω impedance for maximum compatibility with audio components by other manufacturers</li><li>Eight galvanically isolated, individually switchable BNC clock outputs</li><li>Sub‑Hz optimized, lowest noise power supply for every circuit section</li><li>Integrated highest quality international linear power supply</li><li>Highly efficient power line filtering</li><li>Intuitive user interface with noble appearance</li><li>Rack‑mountable for studio use with optional mounting brackets (2 RU)</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">Mutec MC-3+ Smart Clock </span>Applications</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Ultimate audiophile performance enhancement for compatible DACs, master clocks and re‑clockers by any other brand</span></li><li>Ultra‑low noise high stability clock reference for the entire digital audio chain at home or in the studio</li><li>Ideal high‑end upgrade for MUTEC’s own MC‑3+, MC‑3+USB, and iClock/iClock dp master clocks</li><li>Stabilization of existing audio video clock generators</li>\n</ul>\n<br />\n<h3>The Story of the REF 10</h3>\nCurrently available digital converters, master clocks, and audio re-clockers perform acceptably when reproducing or processing digital audio. Even so, MUTEC felt that existing solutions fall short of delivering the full potential of audio productions. In Mutec\'s commitment to advancing the state of the art and science they set out to investigate the possibilities to further enhance the performance of digital audio systems. To do so, Mutec recruited one of Germany’s most renowned RF engineers to join their R&D team. Together they developed a master clock generator with a technical performance beyond what was thought could be possible. The effects of the technical performance were then verified by a group of experience audiophile beta testers to ensure that the high-end performance translates to best-in-class sound.\n<br /><br />\nThe final result of Mutec\'s extensive efforts is the REF 10: a superior 10 MHz reference master clock and Mutec\'s first Empyreal Class product combining uncompromising engineering with the beauty of simplicity and the utmost clock precision.<br /><br />\n<h3>Debunking the \"Atomic\" Myth</h3>\nMutec\'s research has shown that the high clock stability of so-called \"atomic clocks\" based on a rubidium or cesium oscillator is limited to the long-term time domain. This long-term stability refers to the amount the absolute clock frequency (10 MHz, or 10 million cycles per second, in this case) drifts over time. While this long-term stability may be useful for some telecommunications applications, it is essentially irrelevant for digital audio purposes. Ultimately, it is the timing from one sample to another as a digital audio stream is transferred from one device to another that needs to be as precise as possible for best sound quality. Fluctuations in short-term stability are measured as jitter or phase-noise and are central to the audiophile performance of any digital audio device.\n<br /><br />\nIn contrast to these \"atomic clocks\" then, the REF 10 is engineered around MUTEC\'s handcrafted, oven-controlled oscillator (OCXO) made in Germany, featuring highest clock stability in the time domain relevant for audiophile digital audio performance.<br /><br />\n<h3>Exceptional Design</h3>\nA well laid-out main power supply constitutes the basis for exceptional high-end products. To meet this requirement, Mutec specifically designed for the REF 10 a dual linear power supply based on a German made toroidal transformer. It provides a dedicated transformer winding for the sensitive OCXO that is completely isolated form the surrounding circuit. Networks of lowest-ESR (equivalent series resistance) capacitors made by Panasonic ensure best interference suppression for the supply voltages. Hereafter, sub-Hz optimized, lowest-noise voltage sources arranged in multiple stages independently supply every part of the circuit to avoid mutual interference. However, for the heart of the REF 10, MUTEC’s handcrafted OCXO, they had to go even further. They developed a dedicated power source of such incredibly low noise that even Mutec\'s engineers themselves were amazed by the noise figures and the resulting oscillator performance they ultimately achieved. Consequently, Mutec then developed unique ultra-low noise clock distribution and amplification circuits, which successfully transfer the oscillator’s reference signal to the REF 10’s eight outputs with virtually no losses.\n<br /><br />\n<h3>A Perfect Clock. Empyreal Sound</h3>\nMUTEC’s Empyreal Class is a commitment to HiFi in its most sophisticated form. This series combines uncompromising engineering with the beauty of simplicity and utmost precision. Apart from exceptional sound performance these products feature a streamlined interface with fewer parameters and user-friendly operation. Just like any Empyreal Class product, the REF 10 is an investment in highest audio quality \"Made in Germany\" - an aspiration reflected by an extended manufacturer-guaranteed warranty of three years.\n<br /><br />'),(7760,75,1,1294,'<h1>Mutec REF10 SE120 Reference Master Clock</h1>\n<div><i>The Ultimate </i><span style=\"background-color: initial;\"><i>• Audiophile 10MHz reference master clock generator with </i></span><i style=\"background-color: initial;\">ultimately-low phase noise of -120 dBc measured at 1 Hz </i><i style=\"background-color: initial;\">offset from the carrier frequency of 10 MHz.</i></div><br />The Mutec <span style=\"background-color: initial;\">The REF10 SE120 Reference Master Clock is a special version of the successful audiophile reference clock generator REF10 that Mutec have further enhanced in terms of signal performance. The exceptional quality of the original REF10 has been confirmed many times since its launch in 2017 – in numerous reviews from specialized magazines and through enthusiastic user feedback. A clock generator from MUTEC significantly increases the quality of digital music playback, even and especially with demanding high‑end systems and studio installations. Because it provides the foundation for perfect signal processing in a digital audio chain: the extremely low‑noise reference clock.<br /><br /></span><span style=\"background-color: initial;\">The \"tuning\" variant REF10 SE120 outperforms the original model REF10 in this regard considerably. A clearly measurable advantage is the result of a special feature of the REF10 SE120: its much more elaborately manufactured and selected oven‑controlled quartz oscillator (OCXO). This oscillator is selected according to the strictest standards in test procedures lasting many hours with the help of exceptionally precise and expensive measuring technology. The use of such an outstanding oscillator is responsible for the fact that the REF10 SE120 from MUTEC currently delivers - to our knowledge - the lowest phase noise, respectively jitter values in the industry. This outstanding technical performance has a noticeable impact on the sonic result. Precision, transparency, spatiality and dynamics of the musical presentation reach an unprecedented level and will inspire you!<br /><br /></span><span style=\"background-color: initial;\">Like the proven REF10, the optimized REF10 SE120 is extremely flexible. Because of its versatile connectivity this MUTEC clock generator can be successfully integrated in a wide variety of configurations while maintaining an easy way of operation. If you want to maximize the sound potential of your compatible DA converter, music server or audio re‑clocker in every respect, you need the REF10 SE120 from MUTEC!</span><span style=\"background-color: initial;\"><br /></span>\n<br />\n<h3>Mutec REF120 SE120 key features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">10 MHz reference master clock generator with ultimately low phase noise of ‑120 dBc at 1 Hz</span></li><li>Improves and enhances compatible DACs, audio re‑clockers, music servers and master clocks</li><li>Engineered around an elaborately manufactured and selected OCXO made in Germany with outstanding low noise</li><li>Generates a very high slew‑rate square wave signal for superior lock precision</li><li>Provides simultaneous reference outputs with 50 Ω and 75 Ω impedance for maximum compatibility with audio components by other manufacturers</li><li>Eight galvanically isolated, individually switchable BNC clock outputs</li><li>Sub‑Hz optimized, lowest noise power supply for every circuit section</li><li>Integrated highest quality international linear power supply</li><li>Highly efficient power line filtering</li><li>Intuitive user interface with noble appearance</li><li>Rack‑mountable for studio use with optional mounting brackets (2 RU)</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">Mutec MC-3+ Smart Clock </span>Applications</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Ultimate audiophile performance enhancement for compatible DACs, master clocks and re‑clockers by any other brand</span></li><li>Ultra‑low noise high stability clock reference for the entire digital audio chain at home or in the studio</li><li>Ideal high‑end upgrade for MUTEC’s own MC‑3+, MC‑3+USB, and iClock/iClock dp master clocks</li><li>Stabilization of existing audio video clock generators</li>\n</ul>\n<br />\n<h3>The Story of the REF 10</h3>\nCurrently available digital converters, master clocks, and audio re-clockers perform acceptably when reproducing or processing digital audio. Even so, MUTEC felt that existing solutions fall short of delivering the full potential of audio productions. In Mutec\'s commitment to advancing the state of the art and science they set out to investigate the possibilities to further enhance the performance of digital audio systems. To do so, Mutec recruited one of Germany’s most renowned RF engineers to join their R&D team. Together they developed a master clock generator with a technical performance beyond what was thought could be possible. The effects of the technical performance were then verified by a group of experience audiophile beta testers to ensure that the high-end performance translates to best-in-class sound.\n<br /><br />\nThe final result of Mutec\'s extensive efforts is the REF 10: a superior 10 MHz reference master clock and Mutec\'s first Empyreal Class product combining uncompromising engineering with the beauty of simplicity and the utmost clock precision.<br /><br />\n<h3>Debunking the \"Atomic\" Myth</h3>\nMutec\'s research has shown that the high clock stability of so-called \"atomic clocks\" based on a rubidium or cesium oscillator is limited to the long-term time domain. This long-term stability refers to the amount the absolute clock frequency (10 MHz, or 10 million cycles per second, in this case) drifts over time. While this long-term stability may be useful for some telecommunications applications, it is essentially irrelevant for digital audio purposes. Ultimately, it is the timing from one sample to another as a digital audio stream is transferred from one device to another that needs to be as precise as possible for best sound quality. Fluctuations in short-term stability are measured as jitter or phase-noise and are central to the audiophile performance of any digital audio device.\n<br /><br />\nIn contrast to these \"atomic clocks\" then, the REF 10 is engineered around MUTEC\'s handcrafted, oven-controlled oscillator (OCXO) made in Germany, featuring highest clock stability in the time domain relevant for audiophile digital audio performance.<br /><br />\n<h3>Exceptional Design</h3>\nA well laid-out main power supply constitutes the basis for exceptional high-end products. To meet this requirement, Mutec specifically designed for the REF 10 a dual linear power supply based on a German made toroidal transformer. It provides a dedicated transformer winding for the sensitive OCXO that is completely isolated form the surrounding circuit. Networks of lowest-ESR (equivalent series resistance) capacitors made by Panasonic ensure best interference suppression for the supply voltages. Hereafter, sub-Hz optimized, lowest-noise voltage sources arranged in multiple stages independently supply every part of the circuit to avoid mutual interference. However, for the heart of the REF 10, MUTEC’s handcrafted OCXO, they had to go even further. They developed a dedicated power source of such incredibly low noise that even Mutec\'s engineers themselves were amazed by the noise figures and the resulting oscillator performance they ultimately achieved. Consequently, Mutec then developed unique ultra-low noise clock distribution and amplification circuits, which successfully transfer the oscillator’s reference signal to the REF 10’s eight outputs with virtually no losses.\n<br /><br />\n<h3>A Perfect Clock. Empyreal Sound</h3>\nMUTEC’s Empyreal Class is a commitment to HiFi in its most sophisticated form. This series combines uncompromising engineering with the beauty of simplicity and utmost precision. Apart from exceptional sound performance these products feature a streamlined interface with fewer parameters and user-friendly operation. Just like any Empyreal Class product, the REF 10 is an investment in highest audio quality \"Made in Germany\" - an aspiration reflected by an extended manufacturer-guaranteed warranty of three years.\n<br /><br />'),(7761,85,0,1294,'Mutec REF10 SE120 Reference Master Clock'),(7762,85,1,1294,'Mutec REF10 SE120 Reference Master Clock'),(7763,76,0,1294,''),(7764,76,1,1294,''),(7765,75,0,1295,'<h2>Neumann KH 80 DSP A - Active DSP Studio Monitor (Single)</h2>\n<i>Ultra-compact, DSP-controlled bi-amplified near-field monitor with exceptional power reserves.</i><br /><br />\nThe Neumann KH 80 DSP two-way active bi-amplified monitor is<span style=\"background-color: initial;\"> designed for use as a near-field monitor, as a front loudspeaker in small multi-channel systems, or as a rear loudspeaker in a compact multi-channel systems. Due it small footprint, it is well suited to desktop applications.  It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering.</span>\n<br /><br />\nThe KH 80 DSP two-way active studio monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options, high efficiency amplifiers, and an extensive range of mounting hardware. A standard IP network connection allows the monitoring system to be controlled using Neumann. Control which runs on a PC/Mac computer or Android/iOS tablet. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 80 DSP represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible.\n<br /><br />\n<h3>KH 80 DSP A Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">New DSP-engine optimizes output to achieve reference class sound</span></li><li>Mathematically modeled dispersion to deliver excellent detail in any surroundings</li><li>Optional Neumann.Control iPad® app for setup, room alignment and operation</li>\n</ul>\n<br />\n<h4>Neumann even includes the biggest unknown factor in our calculations: Your room</h4>\nIt might be a project studio, an outside broadcast van, a corner at work or just a brick building: The room defines the sound. Surfaces and corners in the room cause interference, diffraction, reflection, and refraction: all are forms of distortion. For a really true sound, without acoustic-physical “accidents”, you normally need expensive equipment plus plenty of time and expertise to align it correctly – or smart algorithms. An easy adjustment to the monitor position (free standing, small/medium/large desk) is possible via the rear \"Acoustical Control\" switch.\n<br /><br />\nThe optional, freely available Neumann.Control iPad® app goes several steps further. It adapts the KH 80 DSP to the individual room situation, delivering quality way above the price-tag. And the best part: the patented \"Guided Alignment\" means that you don\'t have to be an expert to adapt the system to your environment.<br /><br />\n<h4>A tool for everyone who has professional standards</h4>\nHighest quality components, high-end protection systems and power reserves are what you would expect from this studio class product even under the most demanding circumstances. Its design makes the KH 80 DSP a versatile near-field monitor, which delivers professional-quality sound wherever you need it – in project and music studios, editing and broadcasting rooms or in outside broadcast vans. Some of our customers like it so much, they use the KH 80 DSP in their living rooms. Why not? After all, the KH 80 DSP delivers digital precision for a masterpiece of analog technology: your ears.\n<br /><br />\n<h4>The KH 750 DSP subwoofer is the perfect complement to the KH 80 DSP.</h4>\nThe KH 80 DSP and the Neuman.Control iPad® app\n<br />\nThe iPad® connects to the KH 80 DSP via a standard IP network with an Ethernet cable between the router and the monitor. In case of a 2.0 stereo configuration with the KH 750 DSP the stereo pair receives the analog audio signal directly from the subwoofer.<br />'),(7766,75,1,1295,'<h2>Neumann KH 80 DSP A - Active DSP Studio Monitor (Single)</h2>\n<i>Ultra-compact, DSP-controlled bi-amplified near-field monitor with exceptional power reserves.</i><br /><br />\nThe Neumann KH 80 DSP two-way active bi-amplified monitor is<span style=\"background-color: initial;\"> designed for use as a near-field monitor, as a front loudspeaker in small multi-channel systems, or as a rear loudspeaker in a compact multi-channel systems. Due it small footprint, it is well suited to desktop applications.  It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering.</span>\n<br /><br />\nThe KH 80 DSP two-way active studio monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options, high efficiency amplifiers, and an extensive range of mounting hardware. A standard IP network connection allows the monitoring system to be controlled using Neumann. Control which runs on a PC/Mac computer or Android/iOS tablet. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 80 DSP represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible.\n<br /><br />\n<h3>KH 80 DSP A Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">New DSP-engine optimizes output to achieve reference class sound</span></li><li>Mathematically modeled dispersion to deliver excellent detail in any surroundings</li><li>Optional Neumann.Control iPad® app for setup, room alignment and operation</li>\n</ul>\n<br />\n<h4>Neumann even includes the biggest unknown factor in our calculations: Your room</h4>\nIt might be a project studio, an outside broadcast van, a corner at work or just a brick building: The room defines the sound. Surfaces and corners in the room cause interference, diffraction, reflection, and refraction: all are forms of distortion. For a really true sound, without acoustic-physical “accidents”, you normally need expensive equipment plus plenty of time and expertise to align it correctly – or smart algorithms. An easy adjustment to the monitor position (free standing, small/medium/large desk) is possible via the rear \"Acoustical Control\" switch.\n<br /><br />\nThe optional, freely available Neumann.Control iPad® app goes several steps further. It adapts the KH 80 DSP to the individual room situation, delivering quality way above the price-tag. And the best part: the patented \"Guided Alignment\" means that you don\'t have to be an expert to adapt the system to your environment.<br /><br />\n<h4>A tool for everyone who has professional standards</h4>\nHighest quality components, high-end protection systems and power reserves are what you would expect from this studio class product even under the most demanding circumstances. Its design makes the KH 80 DSP a versatile near-field monitor, which delivers professional-quality sound wherever you need it – in project and music studios, editing and broadcasting rooms or in outside broadcast vans. Some of our customers like it so much, they use the KH 80 DSP in their living rooms. Why not? After all, the KH 80 DSP delivers digital precision for a masterpiece of analog technology: your ears.\n<br /><br />\n<h4>The KH 750 DSP subwoofer is the perfect complement to the KH 80 DSP.</h4>\nThe KH 80 DSP and the Neuman.Control iPad® app\n<br />\nThe iPad® connects to the KH 80 DSP via a standard IP network with an Ethernet cable between the router and the monitor. In case of a 2.0 stereo configuration with the KH 750 DSP the stereo pair receives the analog audio signal directly from the subwoofer.<br />'),(7767,85,0,1295,'Neumann KH 80 DSP A - Active DSP Studio Monitor'),(7768,85,1,1295,'Neumann KH 80 DSP A - Active DSP Studio Monitor'),(7769,76,0,1295,''),(7770,76,1,1295,''),(7771,75,0,1296,'<h2>Neumann KH 120 A - Active Studio Monitor</h2>\n<span style=\"font-size:16px; font-style:italic;\">Active, bi-amplified two-way nearfield monitor, 5.25\" + 1\" driver with aluminum cabinet</span><br /><br />\n<div>\n	The KH 120 A studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. The KH 120 A represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. It has a Mathematically Modeled Dispersion waveguide (MMD (TM), flexible acoustical controls, analog class-AB amplifiers, a large headroom analog input and an extensive mounting hardware range. All of this provides the user with the maximum versatility over a wide variety of acoustic conditions, source equipment, and physical locations.\n</div>\n<div>\n	<br />\n</div>\n<div>\n	The KH 120 is perfect for tracking, mixing and mastering in music, broadcast, project and post-production studios.\n</div>\n<br />\n<h3>KH 120 A Features:</h3>\n<ul>	\n	<li>Powerful titanium fabric dome                                                        </li>\n 	<li>Elliptical Mathematically Modelled Dispersion™                                       </li>\n 	<li>Composite sandwich cone                                                              </li>\n 	<li>Long throw bass driver                                                               </li>\n 	<li>Two-color + dimmable Neumann logo                                                    </li>\n 	<li>Robust metal grille                                                                  </li>\n 	<li>Large front panel ports                                                              </li>\n 	<li>Compact aluminum cabinet (magnetically shielded)                                     </li>\n 	<li>Wide horizontal dispersion                                                           </li>\n 	<li>Narrow vertical dispersion                                                           </li>\n 	<li>One-piece front panel with no discontinuities                                        </li>\n 	<li>Powerful analog amplifiers with large headroom                                       </li>\n 	<li>Production consistency                                                               </li>\n 	<li>4-position bass, low-mid and treble acoustical controls                              </li>\n 	<li>Wide range input gain and output level controls                                      </li>\n 	<li>New mounting hardware options                                                        </li>\n 	<li>Display dimmer                                                                       </li>\n 	<li>Ground lift                                                                          </li>\n 	<li>Universal switched-mode power supply (100 … 240 V)                                   </li>\n 	<li>Separate woofer and tweeter electronic peak limiters and thermal-protection circuitry</li>\n</ul>'),