(2683,75,0,448,'<h1>BAE 1066D Mic Pre Module</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired, 10-series module recreates the character of the Neve 1066 mic pre EQ with added selectable high-frequency shelves</span>\n</p>\n<p>\n	The BAE 1066D Mic Pre Module is a faithful recreation of its namesake, the Neve™ 1066, which was originally designed to populate the revered Neve 80 series consoles, such as the Neve 8028 made for Sound City. The precursor of the famed 1073, the 1066 shares the same mic/line amplifier circuitry (this also holds true between the BAE 1066D and \n	<a href=\"http://www.rspeaudio.com/BAE-1073-EQ-Module-p/bae-1073sm.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073</a>). The two differ only in terms of EQ curves; the original 1066 had a wide shelf at 10kHz, while the 1073 had a 12kHz shelf. The original idea behind the Neve 10-series preamp modules was to populate the Neve 80-series consoles with a selection of 1066, 1073, 1081, or the later 1084 to provide a wider sonic palette while maintaining uniformity of character. Fast-forward to today, the BAE 1066D adds more high-frequency shelves than the original 1066 (and 1084), giving you an even wider array of creative EQ options backed by authentic, vintage Neve-style sound.\n</p>\n<h3>BAE 1066D Mic Pre Module features:</h3>\n<ul>\n	<li>Completely hand-wired                                                           </li>\n	<li>Carnhill (St. Ives) transformers                                                </li>\n	<li>The “big iron” console sound of the ’60s and ’70s                               </li>\n	<li>Will fit seamlessly into vintage Neve consoles (see customer testimonials below)</li>\n	<li>Offers 4 additional shelving frequencies above 10kHz                            </li>\n	<li>Made in USA                                                                     </li>\n</ul>\n<h3>Inside the Box</h3>\n<p>\n	The BAE1066D is completely hand-wired using Carnhill (St. Ives) transformers and has the same mic-line pre-amp as the BAE 1073. However, the 1066D adds a few different frequencies to your pallet. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility.\n</p>\n<p>\n	Popular for recording guitar due its unique midrange, the BAE 1066D offers four additional high-frequency EQ shelves above the 10kHZ shelf of the classic 1066, including 12kHz, 16kHz, 20kHz, and 24kHz. Thanks to the addition of 12kHz shelving EQ, the 1066D gives you the high-frequency advantage of the classic 1073, which should make choosing the 1066D a little easier if you’re going back and forth. (Well, not really, you’ll still want both like we do.)\n</p>\n<p>\n	And speaking of using the 1066 for guitar recording, check out RSPE’s \n	<a href=\"http://www.rspeaudio.com/RSPE_Audio_Interviews_and_Media_a/275.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">interview with Pete Townsend</a>, fast forward to about 6 minutes in to the full interview and find that the 1066 is an integral part of his recording chain!</p>\n<h3>Outside the Box</h3>\n<p>\n	The vintage-blue front panel of the BAE 1066D has three dual-concentric knobs for EQ frequency selection and gain, and rotary selectors for LF filter and gain (0 – 80dB). It also has two small rectangular buttons for EQ on/off and phase reverse. The BAE 1066D Mic Pre Module not only fits into the \n	<a href=\"http://www.rspeaudio.com/BAE-8-Channel-Rack-Powered-Rack-for-Neve-p/bae-8rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 8-Channel Powered Rack</a> (as do vintage Neve modules), but also fits seamlessly into classic Neve 80-series consoles (see customer testimonial below).\n</p>\n<h3>BAE 1066D Mic Pre Module front-panel controls:</h3>\n<ul>\n	<li>High frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz        </li>\n	<li>Low frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz                     </li>\n	<li>Midrange: +/-16dB peaking with switchable selectable center frequencies of 700Hz, 1.2kHz, 2.4kHz, 3kHz, 7kHz</li>\n	<li>High-Pass Filter: 18dB per-octave slope, switchable between 45Hz, 70Hz, 160Hz, 360Hz.                       </li>\n	<li>EQ Button switches the equalizer on or off                                                                  </li>\n	<li>Phase button: 180º                                                                                          </li>\n</ul>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Get the classic Neve sound plus greater frequency control and precision performance with BAE’s 1066D. Call or chat with an RSPE representative today. </h3>'),(2684,75,1,448,'<h1>BAE 1066D Mic Pre Module</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired, 10-series module recreates the character of the Neve 1066 mic pre EQ with added selectable high-frequency shelves</span>\n</p>\n<p>\n	The BAE 1066D Mic Pre Module is a faithful recreation of its namesake, the Neve™ 1066, which was originally designed to populate the revered Neve 80 series consoles, such as the Neve 8028 made for Sound City. The precursor of the famed 1073, the 1066 shares the same mic/line amplifier circuitry (this also holds true between the BAE 1066D and \n	<a href=\"http://www.rspeaudio.com/BAE-1073-EQ-Module-p/bae-1073sm.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073</a>). The two differ only in terms of EQ curves; the original 1066 had a wide shelf at 10kHz, while the 1073 had a 12kHz shelf. The original idea behind the Neve 10-series preamp modules was to populate the Neve 80-series consoles with a selection of 1066, 1073, 1081, or the later 1084 to provide a wider sonic palette while maintaining uniformity of character. Fast-forward to today, the BAE 1066D adds more high-frequency shelves than the original 1066 (and 1084), giving you an even wider array of creative EQ options backed by authentic, vintage Neve-style sound.\n</p>\n<h3>BAE 1066D Mic Pre Module features:</h3>\n<ul>\n	<li>Completely hand-wired                                                           </li>\n	<li>Carnhill (St. Ives) transformers                                                </li>\n	<li>The “big iron” console sound of the ’60s and ’70s                               </li>\n	<li>Will fit seamlessly into vintage Neve consoles (see customer testimonials below)</li>\n	<li>Offers 4 additional shelving frequencies above 10kHz                            </li>\n	<li>Made in USA                                                                     </li>\n</ul>\n<h3>Inside the Box</h3>\n<p>\n	The BAE1066D is completely hand-wired using Carnhill (St. Ives) transformers and has the same mic-line pre-amp as the BAE 1073. However, the 1066D adds a few different frequencies to your pallet. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility.\n</p>\n<p>\n	Popular for recording guitar due its unique midrange, the BAE 1066D offers four additional high-frequency EQ shelves above the 10kHZ shelf of the classic 1066, including 12kHz, 16kHz, 20kHz, and 24kHz. Thanks to the addition of 12kHz shelving EQ, the 1066D gives you the high-frequency advantage of the classic 1073, which should make choosing the 1066D a little easier if you’re going back and forth. (Well, not really, you’ll still want both like we do.)\n</p>\n<p>\n	And speaking of using the 1066 for guitar recording, check out RSPE’s \n	<a href=\"http://www.rspeaudio.com/RSPE_Audio_Interviews_and_Media_a/275.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">interview with Pete Townsend</a>, fast forward to about 6 minutes in to the full interview and find that the 1066 is an integral part of his recording chain!</p>\n<h3>Outside the Box</h3>\n<p>\n	The vintage-blue front panel of the BAE 1066D has three dual-concentric knobs for EQ frequency selection and gain, and rotary selectors for LF filter and gain (0 – 80dB). It also has two small rectangular buttons for EQ on/off and phase reverse. The BAE 1066D Mic Pre Module not only fits into the \n	<a href=\"http://www.rspeaudio.com/BAE-8-Channel-Rack-Powered-Rack-for-Neve-p/bae-8rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 8-Channel Powered Rack</a> (as do vintage Neve modules), but also fits seamlessly into classic Neve 80-series consoles (see customer testimonial below).\n</p>\n<h3>BAE 1066D Mic Pre Module front-panel controls:</h3>\n<ul>\n	<li>High frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz        </li>\n	<li>Low frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz                     </li>\n	<li>Midrange: +/-16dB peaking with switchable selectable center frequencies of 700Hz, 1.2kHz, 2.4kHz, 3kHz, 7kHz</li>\n	<li>High-Pass Filter: 18dB per-octave slope, switchable between 45Hz, 70Hz, 160Hz, 360Hz.                       </li>\n	<li>EQ Button switches the equalizer on or off                                                                  </li>\n	<li>Phase button: 180º                                                                                          </li>\n</ul>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Get the classic Neve sound plus greater frequency control and precision performance with BAE’s 1066D. Call or chat with an RSPE representative today. </h3>'),(2685,85,0,448,'BAE 1066D Mic Pre Module'),(2686,85,1,448,'BAE 1066D Mic Pre Module'),(2687,76,0,448,''),(2688,76,1,448,''),(2689,75,0,449,'<h1>BAE 1066D Single 19\" 1RU Mic Preamp/EQ without Power Supply</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired, 19\", 1U rackmount preamp precisely recreates the character of the Neve™ 1066 mic pre/EQ with additional high-frequency shelves </span>\n</p>\n<p>\n	The BAE 1066D Mic Pre Rackmount is a faithful recreation of its namesake, the Neve 1066, which was originally designed to populate the revered Neve 80 series consoles, such as the 8028 made for Sound City. The precursor of the Neve 1073 and 1081 modules, the Neve1066 shared the same mic/line amplifier circuitry with marginal differences in EQ curves and frequency selection. The original 1066 had a wide shelf at 10kHz; the 1073 had a 12kHz shelf; the 1081 had a 15kHz shelf; and the later 1084 had a 10kHz, 14kHz, and 18kHz shelf, a wider selection of low and midrange frequencies, and a “Q” switch. The idea behind these preamp modules was to populate the Neve 80-series consoles with a selection of 1066, 1073, 1081, or 1084 preamp/EQ modules to provide a wider sonic palette while maintaining uniformity of character. Fast-forward to today, the BAE 1066D adds more high-frequency shelves than the original 1066 (and 1084), giving you an even wider array of creative EQ options backed by authentic, vintage Neve-style sound.\n</p>\n<p>\n	The BAE 1066D Rackmount lets you have a single or \n	<a href=\"http://www.rspeaudio.com/BAE-1066D-19-1RU-Pair-with-Power-Supply-p/bae-1066d-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">stereo pair</a> of the 1066D without the requirement of a power rack, such as the BAE 8CR 8-Channel Rack, which holds BAE 10-series modules such as the BAE 1066D Mic Pre/EQ Module and <a href=\"http://www.rspeaudio.com/BAE-1073-EQ-Module-p/bae-1073sm.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073 Mic Pre/EQ Module</a>.\n</p>\n<h3>BAE 1066D 19\" Mic Pre/EQ features:</h3>\n<ul>\n	<li>Stunning replica of the classic Neve 1066 in both sound and circuitry</li>\n	<li>The “big iron” console sound of the ’60s and ’70s                    </li>\n	<li>Front-panel DI                                                       </li>\n	<li>Selectable 300/1200 ohm input impedance                              </li>\n	<li>Output level control                                                 </li>\n	<li>Completely hand-wired                                                </li>\n	<li>Carnhill (St. Ives) transformers                                     </li>\n	<li>Offers 4 additional shelving frequencies above 10kHz                 </li>\n	<li>Made in USA                                                          </li>\n</ul>\n<h3>Inside the Box</h3>\n<p>\n	The BAE1066D is completely hand-wired using Carnhill (St. Ives) transformers and has the same mic-line pre-amp as the BAE 1073. However, the 1066D adds a few different frequencies to your pallet. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility.\n</p>\n<p>\n	Popular for recording guitar due its unique midrange presence, the BAE 1066D offers four additional high-frequency EQ shelves above the 10kHz shelf of the classic 1066, including 12kHz, 16kHz, 20kHz, and 24kHz. Thanks to the addition of 12kHz shelving EQ, the 1066D gives you the high-frequency advantage of the classic 1073, which should make choosing the 1066D a little easier if you’re going back and forth between the two. (Well, not really, you’ll still want both like we do.)\n</p>\n<p>\n	And speaking of using the 1066 for guitar recording, check out RSPE’s \n	<a href=\"http://www.rspeaudio.com/RSPE_Audio_Interviews_and_Media_a/275.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">interview with Pete Townsend</a>, fast forward to about 6 minutes in to the full interview and find that the 1066 is an integral part of his recording chain!\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The vintage-blue front panel of the BAE 1066D has three dual-concentric knobs for EQ frequency selection and gain, and rotary selectors for LF filter and gain (0 – 80dB). It has 4 rectangular buttons for EQ on/off, phantom power, DI select, and phase reverse. The BAE 1066D Mic Pre Rackmount also has a front-panel, 1/4\" Hi-Z instrument input (DI); input impedance switch that toggles between 300 and 1200 ohms; and an output level control that lets you control hot input signals without the need of a sound-changing pad. The output knob lets you drive the input hotter, say for heavy guitar recording, while controlling output to prevent clipping into a DAW. The rear panel has XLR I/O and power cable connector.\n</p>\n<h3>External 24V PSU</h3>\n<p>\n	The BAE 1066D Mic Preamp/EQ requires the external BAE 24V PSU (not included) to operate. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units*. While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n</p>\n<p>\n	Since the BAE 24V PSU can power up to two BAE units, the BAE 1066D comes with and without power supply in case you already have a BAE 1066D with power supply and wish to add another. (For BAE 1066D with power supply, see \n	<a href=\"http://www.rspeaudio.com/BAE-1073-19-Single-Channel-Mic-Pre-EQ-p/bae-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1066 Single + PSU</a> and <a href=\"http://www.rspeaudio.com/BAE-1066D-19-1RU-Pair-with-Power-Supply-p/bae-1066d-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1066D Pair + PSU</a>)\n</p>\n<h3>BAE 1066D 19\" Mic Pre/EQ front-panel controls:</h3>\n<ul>\n	<li>High frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz        </li>\n	<li>Low frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz                     </li>\n	<li>Midrange: +/-16dB peaking with switchable selectable center frequencies of 700Hz, 1.2kHz, 2.4kHz, 3kHz, 7kHz</li>\n	<li>High-Pass Filter: 18dB per-octave slope, switchable between 45Hz, 70Hz, 160Hz, 360Hz.                       </li>\n	<li>EQ button switches the equalizer on or off                                                                  </li>\n	<li>Phase button: 180º                                                                                          </li>\n	<li>Phantom power button; +48V                                                                                  </li>\n	<li>DI on/off                                                                                                   </li>\n	<li>Input impedance select                                                                                      </li>\n	<li>Output volume                                                                                               </li>\n</ul>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.</p>'),(2690,75,1,449,'<h1>BAE 1066D Single 19\" 1RU Mic Preamp/EQ without Power Supply</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired, 19\", 1U rackmount preamp precisely recreates the character of the Neve™ 1066 mic pre/EQ with additional high-frequency shelves </span>\n</p>\n<p>\n	The BAE 1066D Mic Pre Rackmount is a faithful recreation of its namesake, the Neve 1066, which was originally designed to populate the revered Neve 80 series consoles, such as the 8028 made for Sound City. The precursor of the Neve 1073 and 1081 modules, the Neve1066 shared the same mic/line amplifier circuitry with marginal differences in EQ curves and frequency selection. The original 1066 had a wide shelf at 10kHz; the 1073 had a 12kHz shelf; the 1081 had a 15kHz shelf; and the later 1084 had a 10kHz, 14kHz, and 18kHz shelf, a wider selection of low and midrange frequencies, and a “Q” switch. The idea behind these preamp modules was to populate the Neve 80-series consoles with a selection of 1066, 1073, 1081, or 1084 preamp/EQ modules to provide a wider sonic palette while maintaining uniformity of character. Fast-forward to today, the BAE 1066D adds more high-frequency shelves than the original 1066 (and 1084), giving you an even wider array of creative EQ options backed by authentic, vintage Neve-style sound.\n</p>\n<p>\n	The BAE 1066D Rackmount lets you have a single or \n	<a href=\"http://www.rspeaudio.com/BAE-1066D-19-1RU-Pair-with-Power-Supply-p/bae-1066d-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">stereo pair</a> of the 1066D without the requirement of a power rack, such as the BAE 8CR 8-Channel Rack, which holds BAE 10-series modules such as the BAE 1066D Mic Pre/EQ Module and <a href=\"http://www.rspeaudio.com/BAE-1073-EQ-Module-p/bae-1073sm.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073 Mic Pre/EQ Module</a>.\n</p>\n<h3>BAE 1066D 19\" Mic Pre/EQ features:</h3>\n<ul>\n	<li>Stunning replica of the classic Neve 1066 in both sound and circuitry</li>\n	<li>The “big iron” console sound of the ’60s and ’70s                    </li>\n	<li>Front-panel DI                                                       </li>\n	<li>Selectable 300/1200 ohm input impedance                              </li>\n	<li>Output level control                                                 </li>\n	<li>Completely hand-wired                                                </li>\n	<li>Carnhill (St. Ives) transformers                                     </li>\n	<li>Offers 4 additional shelving frequencies above 10kHz                 </li>\n	<li>Made in USA                                                          </li>\n</ul>\n<h3>Inside the Box</h3>\n<p>\n	The BAE1066D is completely hand-wired using Carnhill (St. Ives) transformers and has the same mic-line pre-amp as the BAE 1073. However, the 1066D adds a few different frequencies to your pallet. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility.\n</p>\n<p>\n	Popular for recording guitar due its unique midrange presence, the BAE 1066D offers four additional high-frequency EQ shelves above the 10kHz shelf of the classic 1066, including 12kHz, 16kHz, 20kHz, and 24kHz. Thanks to the addition of 12kHz shelving EQ, the 1066D gives you the high-frequency advantage of the classic 1073, which should make choosing the 1066D a little easier if you’re going back and forth between the two. (Well, not really, you’ll still want both like we do.)\n</p>\n<p>\n	And speaking of using the 1066 for guitar recording, check out RSPE’s \n	<a href=\"http://www.rspeaudio.com/RSPE_Audio_Interviews_and_Media_a/275.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">interview with Pete Townsend</a>, fast forward to about 6 minutes in to the full interview and find that the 1066 is an integral part of his recording chain!\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The vintage-blue front panel of the BAE 1066D has three dual-concentric knobs for EQ frequency selection and gain, and rotary selectors for LF filter and gain (0 – 80dB). It has 4 rectangular buttons for EQ on/off, phantom power, DI select, and phase reverse. The BAE 1066D Mic Pre Rackmount also has a front-panel, 1/4\" Hi-Z instrument input (DI); input impedance switch that toggles between 300 and 1200 ohms; and an output level control that lets you control hot input signals without the need of a sound-changing pad. The output knob lets you drive the input hotter, say for heavy guitar recording, while controlling output to prevent clipping into a DAW. The rear panel has XLR I/O and power cable connector.\n</p>\n<h3>External 24V PSU</h3>\n<p>\n	The BAE 1066D Mic Preamp/EQ requires the external BAE 24V PSU (not included) to operate. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units*. While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n</p>\n<p>\n	Since the BAE 24V PSU can power up to two BAE units, the BAE 1066D comes with and without power supply in case you already have a BAE 1066D with power supply and wish to add another. (For BAE 1066D with power supply, see \n	<a href=\"http://www.rspeaudio.com/BAE-1073-19-Single-Channel-Mic-Pre-EQ-p/bae-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1066 Single + PSU</a> and <a href=\"http://www.rspeaudio.com/BAE-1066D-19-1RU-Pair-with-Power-Supply-p/bae-1066d-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1066D Pair + PSU</a>)\n</p>\n<h3>BAE 1066D 19\" Mic Pre/EQ front-panel controls:</h3>\n<ul>\n	<li>High frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz        </li>\n	<li>Low frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz                     </li>\n	<li>Midrange: +/-16dB peaking with switchable selectable center frequencies of 700Hz, 1.2kHz, 2.4kHz, 3kHz, 7kHz</li>\n	<li>High-Pass Filter: 18dB per-octave slope, switchable between 45Hz, 70Hz, 160Hz, 360Hz.                       </li>\n	<li>EQ button switches the equalizer on or off                                                                  </li>\n	<li>Phase button: 180º                                                                                          </li>\n	<li>Phantom power button; +48V                                                                                  </li>\n	<li>DI on/off                                                                                                   </li>\n	<li>Input impedance select                                                                                      </li>\n	<li>Output volume                                                                                               </li>\n</ul>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.</p>'),(2691,85,0,449,'BAE 1066D 19\" 1RU Rack without Power Supply'),(2692,85,1,449,'BAE 1066D 19\" 1RU Rack without Power Supply'),(2693,76,0,449,''),(2694,76,1,449,''),(2695,75,0,450,'<h1>BAE 1066DL Mic Pre / EQ 500 Series Module</h1>\n<span style=\"font-size:16px; font-style:italic;\">A no-compromise, 500-series version of BAE’s 1066D Mic Pre/EQ </span><br /><br />\nThe BAE 1066DL takes all the features and sound of the <span style=\"background-color: initial;\">classic 1066 and puts it in a compact 500 series module. The 1066DL features the same mic-line pre-amplification stage as the 1073, but features different frequency selections in its EQ for a whole new sonic palette. These added frequencies on the 1066 are especially well suited to guitar applications because of its unique midrange.</span>\n<br /><br />\nThe 1066DL is completely hand-wired in the US using Carnhill (St. Ives) transformers and has the same mic-line pre-amp as the 1073, with the exception that the 1066DL adds a few different frequencies to your pallet.\n<br /><br />\nThis unit is popular among guitarists for having a unique mid-range. The original 1066 only had a 10k shelving but this unit offers additional frequencies: 10k Hz,12k Hz,16k Hz, 20k Hz and 24k Hz.\n<br /><br />\n<h3>BAE 1066DL 500 Series Module features:</h3>\n<ul>\n	<li>High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz.</li>\n	<li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz &220Hz.</li>\n	<li>Mid Range: +/-16dB peaking with switchable selectable centre frequencies of 700Hz, 1.2kHz, 2.4kHz, 3kHz, 7kHz</li>\n	<li>High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz.</li>\n	<li>EQ Button: Switches the equaliser on or off</li>\n</ul>\n<div>\n	<br />\n</div>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br /><br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br /><br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br /><br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br /><br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br /><br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br /><br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br /><br />\n</blockquote>'),(2696,75,1,450,'<h1>BAE 1066DL Mic Pre / EQ 500 Series Module</h1>\n<span style=\"font-size:16px; font-style:italic;\">A no-compromise, 500-series version of BAE’s 1066D Mic Pre/EQ </span><br /><br />\nThe BAE 1066DL takes all the features and sound of the <span style=\"background-color: initial;\">classic 1066 and puts it in a compact 500 series module. The 1066DL features the same mic-line pre-amplification stage as the 1073, but features different frequency selections in its EQ for a whole new sonic palette. These added frequencies on the 1066 are especially well suited to guitar applications because of its unique midrange.</span>\n<br /><br />\nThe 1066DL is completely hand-wired in the US using Carnhill (St. Ives) transformers and has the same mic-line pre-amp as the 1073, with the exception that the 1066DL adds a few different frequencies to your pallet.\n<br /><br />\nThis unit is popular among guitarists for having a unique mid-range. The original 1066 only had a 10k shelving but this unit offers additional frequencies: 10k Hz,12k Hz,16k Hz, 20k Hz and 24k Hz.\n<br /><br />\n<h3>BAE 1066DL 500 Series Module features:</h3>\n<ul>\n	<li>High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz.</li>\n	<li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz &220Hz.</li>\n	<li>Mid Range: +/-16dB peaking with switchable selectable centre frequencies of 700Hz, 1.2kHz, 2.4kHz, 3kHz, 7kHz</li>\n	<li>High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz.</li>\n	<li>EQ Button: Switches the equaliser on or off</li>\n</ul>\n<div>\n	<br />\n</div>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br /><br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br /><br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br /><br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br /><br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br /><br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br /><br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br /><br />\n</blockquote>'),(2697,85,0,450,''),(2698,85,1,450,''),(2699,76,0,450,''),(2700,76,1,450,''),(2701,75,0,451,'<h1>BAE 1073 19\" Single-Channel Mic Pre/EQ without Power Supply</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired mic pre/EQ gives you the sonic character of the legendary Neve™ 1073 with modern performance  </span><br/>\n</p>\n<p>\n	The single-channel BAE 1073 Mic Pre/EQ is as close as you can get to the original Neve 1073 module, but in rackmount form. The BAE 1073 Mic Pre/EQ Module features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. Revered for its high-end sheen and larger-than-life sound, the Neve 1073 has held its place the reigning monarch of audio royalty since its introduction in 1970. However, electronics do not improve with age, which is where BAE comes in. The BAE 1073 brings the classic 1073 into the modern age with improved performance, while maintaining time-honored 1073 sound. Originally, the 1073 was built in modular form to populate the Neve 80-series consoles. However, the BAE 10703 1RU Mic Pre EQ lets you have a single channel or \n	<a href=\"http://www.rspeaudio.com/BAE-1073-19-Pair-Single-Channel-Mic-Pre-EQ-p/bae-pair-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">stereo pair</a> of the 1073 without the requirement of a power rack, such as the <a href=\"http://www.rspeaudio.com/BAE-8-Channel-Rack-Powered-Rack-for-Neve-p/bae-8rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 8CR 8-Channel Rack</a>. Most importantly, the BAE 1073 gives you the classic sound you expect from the first name in Neve recreations: BAE.<br/>\n</p>\n<h3>BAE 1073 19\" Mic Pre/EQ Pair features:</h3>\n<ul>\n	<li>Two channels of classic 1073 sound                                               </li>\n	<li>Completely hand-wired                                                            </li>\n	<li>Carnhill (St. Ives) transformers                                                 </li>\n	<li>The “big iron” console sound of the ’60s and ’70s                                </li>\n	<li>External 24V PSU with 4\' cable provides four times the current for optimal sound </li>\n	<li>Made in USA                                                                      </li>\n</ul>\n<p>\n	When Mr. Rupert Neve designed his various 10-series mic/pre/EQ modules, the idea was to populate the Neve 80-series consoles with a selection of modules with marginal differences to offer a wider sonic palette while maintaining uniformity of sonic character across the range. To accomplish that, the 1066, 1073, 1081, or 1084 preamp/EQ modules all shared the same mic/line amplifier, but differed in terms of available EQ shelves and frequency selections. Of all the modules, the 1073, with its 12kHz high-frequency shelf, spoke the loudest to makers of rock and pop music, and has been the hands-down favorite for decades. Naturally, anyone trying to duplicate the character of the 1073 had better be up to the task, and as owners of both the original 1073 and modern BAE 1073 modules will attest, BAE has risen to the occasion in sound, build-quality, and performance.  \n	<br/>\n</p>\n<h3>Inside the Box</h3>\n<p>\n	The BAE1073 is completely hand-wired using Carnhill (St. Ives) transformers, Elma switches, and Canford wire. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility. Even though the 1073 is in rackmount form, it’s engineered in exactly the same way as the original 1073 module: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\n	<br/>\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The same unmistakable color as the original, the front panel of the BAE 1073 has two dual-concentric knobs for midrange and low-frequency selection and gain; high-frequency shelf knob; and rotary selectors for LF filter and gain, which ranges from 0 to 80dB. There are four rectangular buttons on the front panel for EQ on/off, phantom power, DI select, and phase reverse. The BAE 1073 Mic Pre Rackmount also has a front-panel, 1/4\" Hi-Z instrument input (DI); input impedance switch that toggles between 300 and 1200 ohms; and an output attenuator that lets you control hot input signals without need of a sound-changing pad. The output knob lets you drive the input hotter, say for heavy guitar recording, while controlling output level to prevent clipping into a DAW. The rear panel is simple and straightforward with XLR I/O and power cable connector. \n	<br/>\n</p>\n<h3>BAE 1073 EQ frequencies:</h3>\n<ul>\n	<li>High Frequency: +/-16dB fixed frequency shelving at 12kHz                                                                     </li>\n	<li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz.                                      </li>\n	<li>Mid Range: +/-18dB peaking, fixed \'Q\' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz  </li>\n	<li>High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz, 300Hz                                          </li>\n</ul>\n<h3>External 24V PSU</h3>\n<p>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n</p>\n<p>\n	For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073 comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box. (For BAE 1073 without power supply, see \n	<a href=\"http://www.rspeaudio.com/BAE-1073-19-Single-Channel-Mic-Pre-EQ-p/bae-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073 1RU Mic Pre/EQ  + PSU</a> or <a href=\"http://www.rspeaudio.com/BAE-1073-19-Pair-Single-Channel-Mic-Pre-EQ-p/bae-pair-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073 Dual + PSU</a>) <br/>\n</p>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>'),(2702,75,1,451,'<h1>BAE 1073 19\" Single-Channel Mic Pre/EQ without Power Supply</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired mic pre/EQ gives you the sonic character of the legendary Neve™ 1073 with modern performance  </span><br/>\n</p>\n<p>\n	The single-channel BAE 1073 Mic Pre/EQ is as close as you can get to the original Neve 1073 module, but in rackmount form. The BAE 1073 Mic Pre/EQ Module features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. Revered for its high-end sheen and larger-than-life sound, the Neve 1073 has held its place the reigning monarch of audio royalty since its introduction in 1970. However, electronics do not improve with age, which is where BAE comes in. The BAE 1073 brings the classic 1073 into the modern age with improved performance, while maintaining time-honored 1073 sound. Originally, the 1073 was built in modular form to populate the Neve 80-series consoles. However, the BAE 10703 1RU Mic Pre EQ lets you have a single channel or \n	<a href=\"http://www.rspeaudio.com/BAE-1073-19-Pair-Single-Channel-Mic-Pre-EQ-p/bae-pair-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">stereo pair</a> of the 1073 without the requirement of a power rack, such as the <a href=\"http://www.rspeaudio.com/BAE-8-Channel-Rack-Powered-Rack-for-Neve-p/bae-8rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 8CR 8-Channel Rack</a>. Most importantly, the BAE 1073 gives you the classic sound you expect from the first name in Neve recreations: BAE.<br/>\n</p>\n<h3>BAE 1073 19\" Mic Pre/EQ Pair features:</h3>\n<ul>\n	<li>Two channels of classic 1073 sound                                               </li>\n	<li>Completely hand-wired                                                            </li>\n	<li>Carnhill (St. Ives) transformers                                                 </li>\n	<li>The “big iron” console sound of the ’60s and ’70s                                </li>\n	<li>External 24V PSU with 4\' cable provides four times the current for optimal sound </li>\n	<li>Made in USA                                                                      </li>\n</ul>\n<p>\n	When Mr. Rupert Neve designed his various 10-series mic/pre/EQ modules, the idea was to populate the Neve 80-series consoles with a selection of modules with marginal differences to offer a wider sonic palette while maintaining uniformity of sonic character across the range. To accomplish that, the 1066, 1073, 1081, or 1084 preamp/EQ modules all shared the same mic/line amplifier, but differed in terms of available EQ shelves and frequency selections. Of all the modules, the 1073, with its 12kHz high-frequency shelf, spoke the loudest to makers of rock and pop music, and has been the hands-down favorite for decades. Naturally, anyone trying to duplicate the character of the 1073 had better be up to the task, and as owners of both the original 1073 and modern BAE 1073 modules will attest, BAE has risen to the occasion in sound, build-quality, and performance.  \n	<br/>\n</p>\n<h3>Inside the Box</h3>\n<p>\n	The BAE1073 is completely hand-wired using Carnhill (St. Ives) transformers, Elma switches, and Canford wire. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility. Even though the 1073 is in rackmount form, it’s engineered in exactly the same way as the original 1073 module: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\n	<br/>\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The same unmistakable color as the original, the front panel of the BAE 1073 has two dual-concentric knobs for midrange and low-frequency selection and gain; high-frequency shelf knob; and rotary selectors for LF filter and gain, which ranges from 0 to 80dB. There are four rectangular buttons on the front panel for EQ on/off, phantom power, DI select, and phase reverse. The BAE 1073 Mic Pre Rackmount also has a front-panel, 1/4\" Hi-Z instrument input (DI); input impedance switch that toggles between 300 and 1200 ohms; and an output attenuator that lets you control hot input signals without need of a sound-changing pad. The output knob lets you drive the input hotter, say for heavy guitar recording, while controlling output level to prevent clipping into a DAW. The rear panel is simple and straightforward with XLR I/O and power cable connector. \n	<br/>\n</p>\n<h3>BAE 1073 EQ frequencies:</h3>\n<ul>\n	<li>High Frequency: +/-16dB fixed frequency shelving at 12kHz                                                                     </li>\n	<li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz.                                      </li>\n	<li>Mid Range: +/-18dB peaking, fixed \'Q\' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz  </li>\n	<li>High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz, 300Hz                                          </li>\n</ul>\n<h3>External 24V PSU</h3>\n<p>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n</p>\n<p>\n	For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073 comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box. (For BAE 1073 without power supply, see \n	<a href=\"http://www.rspeaudio.com/BAE-1073-19-Single-Channel-Mic-Pre-EQ-p/bae-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073 1RU Mic Pre/EQ  + PSU</a> or <a href=\"http://www.rspeaudio.com/BAE-1073-19-Pair-Single-Channel-Mic-Pre-EQ-p/bae-pair-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073 Dual + PSU</a>) <br/>\n</p>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>'),(2703,85,0,451,'BAE 1073 19\" Single Channel Mic Pre & EQ without Power Supply'),(2704,85,1,451,'BAE 1073 19\" Single Channel Mic Pre & EQ without Power Supply'),(2705,76,0,451,''),(2706,76,1,451,''),(2707,75,0,452,'<h1>BAE 1073D Mic Pre / EQ 500 Series Module</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">A no-compromise, deluxe 500-series version of BAE’s incredible 1073 Mic Pre/EQ </span><br /></p>\n<p>\n	After suffering the wailings and moanings of Gearslutz and 500-series fans everywhere, BAE spent two painstaking years building the 500-series compatible 1073D, a deluxe version of the venerable Neve™ 1073 preamp/EQ module. Revered for its high-end sheen and larger-than-life sound, the original Neve™ 1073 has held its place at the top of the preamp food chain since its introduction in 1970. In order to maintain that legacy, BAE was unwilling to bow to the space restrictions of the 500 series form factor, which would force compromises in components and sound quality. In order to house the same premium components as the 10-series modules [Link], the 500-series BAE 1073D chose a three-space form factor, which enables it to sound as authentic as the original, plus house some additional features. If you’re new to the 500 series and looking for the holy grail of Neve sound, the 500-series compatible BAE 1073D should be at the top of your shopping list. <br /></p>\n<h3>BAE 1073D 500 Series Module features:</h3>\n<ul>\n	<li>Deluxe 500-series version of the 1073 module with authentic vintage Neve sound                                                    </li>\n	<li>Built using the same parts as the 10-series 1073 module including St Ives (Carnhill) transformers, Elma switches, and Canford wire</li>\n	<li>Front-panel Hi-Z instrument input and output level control                                                                        </li>\n	<li>1200/300 ohm input impedance switch                                                                                               </li>\n	<li>Phase reverse                                                                                                                     </li>\n	<li>Hand-made in the USA                                                                                                              </li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<h3>Inside the Box </h3>\n<p>\n	Usually, designing for the 500-series format means trade-offs in terms of components, power and current handling, and ultimately sound quality. BAE, the purveyors of true Neve sound, decided that if they were going to build a 500 compatible module of the BAE 1073, it was going to be spot-on to the original. They not only managed to come up with a 500-series 1073 that was equal in sound quality to the <a href=\"http://www.rspeaudio.com/BAE-1066D-Mic-Pre-Module-p/bae-1066d-mod.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">10-series module</a>, but also loaded with extras including three high-frequency shelves at 10kHz, 12kHz, and 16kHz. <br /></p>\n<p>\n	Because BAE had no intention of compromising the sound quality of the 1073D, they decided on a 3-space module instead of building a smaller rack-space version that would lack the same premium components as the 10-series 1073. As authentic as you can get, the BAE 1073D is engineered in exactly the same way as the originals: the same chassis construction (naturally with a different layout), connectors, printed circuit board layouts, hand-wired looms, and circuitry. Built using the same parts as the 10-series module, the 1073D features Carnhill transformers, Elma gold plated switches, and Canford wire—making the BAE 1073D one of the best-sounding Class A, 500-series mic pre/EQ modules around.<br /></p>\n<h3>Outside the Box </h3>\n<p>\n	Thanks to the 3-space chassis of the BAE 1073D, its vintage-blue front panel plays host to a full set of controls that doesn’t require a pair of tweezers to operate. The 1073D front panel has three dual-concentric knobs for EQ frequency selection and gain, and two rotary selectors for LF filter and gain, which ranges from 0 to 70dB. It also has 6 rectangular buttons for EQ on/off, phantom power, line input, DI select, phase reverse, and 300-ohm impedance. The BAE 1073D Mic Pre/EQ 500 module also has a front-panel, 1/4\" Hi-Z instrument input and an output level control that lets you control hot input signals without the need for a sound-changing pad. The output knob lets you drive the input hotter, say for heavy guitar recording while controlling output level to prevent clipping into your converters.<br /></p>\n<h3>BAE 1073D 500-series Mic Pre/EQ frequencies:</h3>\n<ul>\n	<li>High Frequency: +/-16dB fixed frequency shelving at 10kHz, 12kHz, 16kHz                                                       </li>\n	<li>Mid Range: +/-18dB peaking, fixed “Q” with, selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz </li>\n	<li>2Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz                                      </li>\n	<li>High Pass Filter: 50Hz, 80Hz, 160Hz, 300Hz                                                                                    </li>\n</ul>\n<p>\n	Don’t have enough space in your 500-series lunchbox for a BAE 1073D? No worries! BAE makes the <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">3LB 3-space lunchbox</a> designed to fit one 1073D; a <a href=\"http://www.rspeaudio.com/BAE-6-Module-Lunchbox-with-Power-Supply-p/bae-6lunchbox.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">6-space rack/lunchbox</a>] to hold two; and an <a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">11-space 500-series power rack</a>, which will hold three BAE 1073D Mic Pre/EQs with two spaces left over for <a href=\"http://www.rspeaudio.com/BAE-312A-Rackmount-and-Module-p/bae-312amod.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE’s 312a 500-series mic preamp</a>, if you’re looking to load up on vintage punch.<br /></p>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br /><br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br /><br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br /><br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br /><br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br /><br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br /><br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br /><br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.</p>');
INSERT INTO `catalog_product_entity_text` VALUES (2708,75,1,452,'<h1>BAE 1073D Mic Pre / EQ 500 Series Module</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">A no-compromise, deluxe 500-series version of BAE’s incredible 1073 Mic Pre/EQ </span><br /></p>\n<p>\n	After suffering the wailings and moanings of Gearslutz and 500-series fans everywhere, BAE spent two painstaking years building the 500-series compatible 1073D, a deluxe version of the venerable Neve™ 1073 preamp/EQ module. Revered for its high-end sheen and larger-than-life sound, the original Neve™ 1073 has held its place at the top of the preamp food chain since its introduction in 1970. In order to maintain that legacy, BAE was unwilling to bow to the space restrictions of the 500 series form factor, which would force compromises in components and sound quality. In order to house the same premium components as the 10-series modules [Link], the 500-series BAE 1073D chose a three-space form factor, which enables it to sound as authentic as the original, plus house some additional features. If you’re new to the 500 series and looking for the holy grail of Neve sound, the 500-series compatible BAE 1073D should be at the top of your shopping list. <br /></p>\n<h3>BAE 1073D 500 Series Module features:</h3>\n<ul>\n	<li>Deluxe 500-series version of the 1073 module with authentic vintage Neve sound                                                    </li>\n	<li>Built using the same parts as the 10-series 1073 module including St Ives (Carnhill) transformers, Elma switches, and Canford wire</li>\n	<li>Front-panel Hi-Z instrument input and output level control                                                                        </li>\n	<li>1200/300 ohm input impedance switch                                                                                               </li>\n	<li>Phase reverse                                                                                                                     </li>\n	<li>Hand-made in the USA                                                                                                              </li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<h3>Inside the Box </h3>\n<p>\n	Usually, designing for the 500-series format means trade-offs in terms of components, power and current handling, and ultimately sound quality. BAE, the purveyors of true Neve sound, decided that if they were going to build a 500 compatible module of the BAE 1073, it was going to be spot-on to the original. They not only managed to come up with a 500-series 1073 that was equal in sound quality to the <a href=\"http://www.rspeaudio.com/BAE-1066D-Mic-Pre-Module-p/bae-1066d-mod.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">10-series module</a>, but also loaded with extras including three high-frequency shelves at 10kHz, 12kHz, and 16kHz. <br /></p>\n<p>\n	Because BAE had no intention of compromising the sound quality of the 1073D, they decided on a 3-space module instead of building a smaller rack-space version that would lack the same premium components as the 10-series 1073. As authentic as you can get, the BAE 1073D is engineered in exactly the same way as the originals: the same chassis construction (naturally with a different layout), connectors, printed circuit board layouts, hand-wired looms, and circuitry. Built using the same parts as the 10-series module, the 1073D features Carnhill transformers, Elma gold plated switches, and Canford wire—making the BAE 1073D one of the best-sounding Class A, 500-series mic pre/EQ modules around.<br /></p>\n<h3>Outside the Box </h3>\n<p>\n	Thanks to the 3-space chassis of the BAE 1073D, its vintage-blue front panel plays host to a full set of controls that doesn’t require a pair of tweezers to operate. The 1073D front panel has three dual-concentric knobs for EQ frequency selection and gain, and two rotary selectors for LF filter and gain, which ranges from 0 to 70dB. It also has 6 rectangular buttons for EQ on/off, phantom power, line input, DI select, phase reverse, and 300-ohm impedance. The BAE 1073D Mic Pre/EQ 500 module also has a front-panel, 1/4\" Hi-Z instrument input and an output level control that lets you control hot input signals without the need for a sound-changing pad. The output knob lets you drive the input hotter, say for heavy guitar recording while controlling output level to prevent clipping into your converters.<br /></p>\n<h3>BAE 1073D 500-series Mic Pre/EQ frequencies:</h3>\n<ul>\n	<li>High Frequency: +/-16dB fixed frequency shelving at 10kHz, 12kHz, 16kHz                                                       </li>\n	<li>Mid Range: +/-18dB peaking, fixed “Q” with, selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz </li>\n	<li>2Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz                                      </li>\n	<li>High Pass Filter: 50Hz, 80Hz, 160Hz, 300Hz                                                                                    </li>\n</ul>\n<p>\n	Don’t have enough space in your 500-series lunchbox for a BAE 1073D? No worries! BAE makes the <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">3LB 3-space lunchbox</a> designed to fit one 1073D; a <a href=\"http://www.rspeaudio.com/BAE-6-Module-Lunchbox-with-Power-Supply-p/bae-6lunchbox.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">6-space rack/lunchbox</a>] to hold two; and an <a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">11-space 500-series power rack</a>, which will hold three BAE 1073D Mic Pre/EQs with two spaces left over for <a href=\"http://www.rspeaudio.com/BAE-312A-Rackmount-and-Module-p/bae-312amod.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE’s 312a 500-series mic preamp</a>, if you’re looking to load up on vintage punch.<br /></p>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br /><br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br /><br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br /><br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br /><br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br /><br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br /><br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br /><br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.</p>'),(2709,85,0,452,'BAE 1073D Mic Pre/EQ'),(2710,85,1,452,'BAE 1073D Mic Pre/EQ'),(2711,76,0,452,''),(2712,76,1,452,''),(2713,75,0,453,'<h1>BAE 1073DMP - Single Channel Desktop 1073 Mic Pre</h1>\n<i>Portable 1073 Mic Pre that features the same pre-amp and the same Carnhill (St Ives) transformers as the rack mount 1073, in an easy to carry, rugged desktop version.</i><br /><br />\nThe BAE 1073DMP single channel desktop mic pre is a rugged, smaller footprint, and portable version of BAE\'s excellent 1073 mic pre. <span style=\"background-color: initial;\">The 1073 DMP features the same pre-amp and the same Carnhill (St Ives) transformers as the 1073 and 1084.<br /><br />\nAll units come standard with the \'Bootsy Collins\' mod which consists of an OEP Carnhill DI transformer to create the first 1073 direct box. The 1073DMP features include two DI thrus, phase reverse, 48V for phantom power, a built in PSU for extra portability and the same hand-wired modular design that BAE is known for.<br /><br />\n<h3>BAE 1073DMP features:</h3>\n<ul>\n	<li>Built in PSU for extra portability.</li>\n	<li>DI in and DI through.</li>\n	<li>48v for phantom power.</li>\n	<li>Solid steel chassis.</li>\n	<li>Same hand-wired modular design that BAE is known for.</li>\n	<li>Made in the USA.</li>\n</ul>\n<br />\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n</span>'),(2714,75,1,453,'<h1>BAE 1073DMP - Single Channel Desktop 1073 Mic Pre</h1>\n<i>Portable 1073 Mic Pre that features the same pre-amp and the same Carnhill (St Ives) transformers as the rack mount 1073, in an easy to carry, rugged desktop version.</i><br /><br />\nThe BAE 1073DMP single channel desktop mic pre is a rugged, smaller footprint, and portable version of BAE\'s excellent 1073 mic pre. <span style=\"background-color: initial;\">The 1073 DMP features the same pre-amp and the same Carnhill (St Ives) transformers as the 1073 and 1084.<br /><br />\nAll units come standard with the \'Bootsy Collins\' mod which consists of an OEP Carnhill DI transformer to create the first 1073 direct box. The 1073DMP features include two DI thrus, phase reverse, 48V for phantom power, a built in PSU for extra portability and the same hand-wired modular design that BAE is known for.<br /><br />\n<h3>BAE 1073DMP features:</h3>\n<ul>\n	<li>Built in PSU for extra portability.</li>\n	<li>DI in and DI through.</li>\n	<li>48v for phantom power.</li>\n	<li>Solid steel chassis.</li>\n	<li>Same hand-wired modular design that BAE is known for.</li>\n	<li>Made in the USA.</li>\n</ul>\n<br />\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n</span>'),(2715,85,0,453,'BAE 1073DMP - Single Channel Desktop 1073 Mic Pre'),(2716,85,1,453,'BAE 1073DMP - Single Channel Desktop 1073 Mic Pre'),(2717,76,0,453,''),(2718,76,1,453,''),(2719,75,0,454,'<h1>BAE 1073DMPS - Dual Channel Desktop 1073 Mic Pre</h1>\n<i>Portable, Dual Channel 1073 Mic Pre that features the same pre-amp and the same Carnhill (St Ives) transformers as the rack mount 1073, in an easy to carry, rugged desktop version.</i><br /><br />\nThe BAE 1073DMPS dual channel desktop mic pre is a rugged, smaller footprint, and portable version of BAE\'s excellent 1073 mic pre. <span style=\"background-color: initial;\">The 1073 DMPS features the same pre-amp and the same Carnhill (St Ives) transformers as the 1073 and 1084.<br /><br />\n\nAll units come standard with the \'Bootsy Collins\' mod which consists of an OEP Carnhill DI transformer to create the first 1073 direct box. The 1073DMPS features include two DI thrus, phase reverse, 48V for phantom power, a built in PSU for extra portability and the same hand-wired modular design that BAE is known for.<br /><br />\n\n<h3>BAE 1073DMP features:</h3>\n<ul>\n	<li>Built in PSU for extra portability.</li>\n	<li>DI in and DI through.</li>\n	<li>48v for phantom power.</li>\n	<li>Solid steel chassis.</li>\n	<li>Same hand-wired modular design that BAE is known for.</li>\n	<li>Made in the USA.</li>\n</ul>\n<br />\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p></span>'),(2720,75,1,454,'<h1>BAE 1073DMPS - Dual Channel Desktop 1073 Mic Pre</h1>\n<i>Portable, Dual Channel 1073 Mic Pre that features the same pre-amp and the same Carnhill (St Ives) transformers as the rack mount 1073, in an easy to carry, rugged desktop version.</i><br /><br />\nThe BAE 1073DMPS dual channel desktop mic pre is a rugged, smaller footprint, and portable version of BAE\'s excellent 1073 mic pre. <span style=\"background-color: initial;\">The 1073 DMPS features the same pre-amp and the same Carnhill (St Ives) transformers as the 1073 and 1084.<br /><br />\n\nAll units come standard with the \'Bootsy Collins\' mod which consists of an OEP Carnhill DI transformer to create the first 1073 direct box. The 1073DMPS features include two DI thrus, phase reverse, 48V for phantom power, a built in PSU for extra portability and the same hand-wired modular design that BAE is known for.<br /><br />\n\n<h3>BAE 1073DMP features:</h3>\n<ul>\n	<li>Built in PSU for extra portability.</li>\n	<li>DI in and DI through.</li>\n	<li>48v for phantom power.</li>\n	<li>Solid steel chassis.</li>\n	<li>Same hand-wired modular design that BAE is known for.</li>\n	<li>Made in the USA.</li>\n</ul>\n<br />\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p></span>'),(2721,85,0,454,'BAE 1073DMPS - Dual Channel Desktop 1073 Mic Pre'),(2722,85,1,454,'BAE 1073DMPS - Dual Channel Desktop 1073 Mic Pre'),(2723,76,0,454,''),(2724,76,1,454,''),(2725,75,0,455,'<h1>BAE 1073MP Dual Channel Mic Pre with Power Supply</h1>\n<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired dual-channel mic pre that gives you the sonic character of the legendary Neve™ 1073 mic pre section with modern performance  </span><br/>\n<br/>\nThe BAE 1073MP dual-channel Mic Pre is as close as you can get to the original Neve 1073 module, but in rackmount form. The BAE 1073MP Mic Pre features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. Revered for its high-end sheen and larger-than-life sound, the Neve 1073 has held its place the reigning monarch of audio royalty since its introduction in 1970. However, electronics do not improve with age, which is where BAE comes in. The BAE 1073MP brings the classic 1073 into the modern age with improved performance, while maintaining time-honored 1073 sound, with its harmonically rich low end, slight resonant highs, and maintained focused mids. Most importantly, the BAE 1073 gives you the classic sound you expect from the first name in Neve recreations: BAE.\n<br/><br/>\n<h3>BAE 1073MP 19\" Mic Pre features:</h3>\n<ul>\n	<li>Two channels of classic 1073 sound                                               </li>\n	<li>Completely hand-wired                                                            </li>\n	<li>Carnhill (St. Ives) transformers                                                 </li>\n	<li>All Class A, transformer-coupled design in a 19\" 1U chassis.</li>\n	<li>Line level XLR inputs for extra versatility as a line preamp.</li>\n	<li>High impedance DI for guitar and synth.</li>\n	<li>The same Class A components as the 1073 and 1084.</li>\n	<li>Illuminated phase reverse and phantom power push-buttons.</li>\n	<li>Input impedance selector switch between 1200 and 300 ohms.</li>\n	<li>External 24V PSU with 4\' cable provides four times the current for optimal sound </li>\n	<li>Made in USA                                                                      </li>\n</ul>\n<br/>\n<h3>External 24V PSU</h3>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n<br/><br/>\nFor optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073MP comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box.\n<br/><br/>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n<br/><br/>\n<h3>Get two channels of the classic Neve sound plus precision performance with BAE’s 1073MP Mic Pre. Call or chat with an RSPE representative today.</h3>'),(2726,75,1,455,'<h1>BAE 1073MP Dual Channel Mic Pre with Power Supply</h1>\n<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired dual-channel mic pre that gives you the sonic character of the legendary Neve™ 1073 mic pre section with modern performance  </span><br/>\n<br/>\nThe BAE 1073MP dual-channel Mic Pre is as close as you can get to the original Neve 1073 module, but in rackmount form. The BAE 1073MP Mic Pre features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. Revered for its high-end sheen and larger-than-life sound, the Neve 1073 has held its place the reigning monarch of audio royalty since its introduction in 1970. However, electronics do not improve with age, which is where BAE comes in. The BAE 1073MP brings the classic 1073 into the modern age with improved performance, while maintaining time-honored 1073 sound, with its harmonically rich low end, slight resonant highs, and maintained focused mids. Most importantly, the BAE 1073 gives you the classic sound you expect from the first name in Neve recreations: BAE.\n<br/><br/>\n<h3>BAE 1073MP 19\" Mic Pre features:</h3>\n<ul>\n	<li>Two channels of classic 1073 sound                                               </li>\n	<li>Completely hand-wired                                                            </li>\n	<li>Carnhill (St. Ives) transformers                                                 </li>\n	<li>All Class A, transformer-coupled design in a 19\" 1U chassis.</li>\n	<li>Line level XLR inputs for extra versatility as a line preamp.</li>\n	<li>High impedance DI for guitar and synth.</li>\n	<li>The same Class A components as the 1073 and 1084.</li>\n	<li>Illuminated phase reverse and phantom power push-buttons.</li>\n	<li>Input impedance selector switch between 1200 and 300 ohms.</li>\n	<li>External 24V PSU with 4\' cable provides four times the current for optimal sound </li>\n	<li>Made in USA                                                                      </li>\n</ul>\n<br/>\n<h3>External 24V PSU</h3>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n<br/><br/>\nFor optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073MP comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box.\n<br/><br/>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n<br/><br/>\n<h3>Get two channels of the classic Neve sound plus precision performance with BAE’s 1073MP Mic Pre. Call or chat with an RSPE representative today.</h3>'),(2727,85,0,455,''),(2728,85,1,455,''),(2729,76,0,455,''),(2730,76,1,455,''),(2731,75,0,456,'<h1>BAE 1073MP Single Channel Mic Pre with Power Supply</h1>\n<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired mic pre gives you the sonic character of the legendary Neve™ 1073 mic pre section with modern performance  </span><br/>\n<br/>\nThe BAE 1073MP single-channel Mic Pre is as close as you can get to the original Neve 1073 module, but in rackmount form. The BAE 1073MP Mic Pre features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. Revered for its high-end sheen and larger-than-life sound, the Neve 1073 has held its place the reigning monarch of audio royalty since its introduction in 1970. However, electronics do not improve with age, which is where BAE comes in. The BAE 1073MP brings the classic 1073 into the modern age with improved performance, while maintaining time-honored 1073 sound, with its harmonically rich low end, slight resonant highs, and maintained focused mids. Most importantly, the BAE 1073 gives you the classic sound you expect from the first name in Neve recreations: BAE.\n<br/><br/>\n<h3>BAE 1073MP 19\" Mic Pre features:</h3>\n<ul>\n	<li>Single channel of classic 1073 sound                                               </li>\n	<li>Completely hand-wired                                                            </li>\n	<li>Carnhill (St. Ives) transformers                                                 </li>\n	<li>All Class A, transformer-coupled design in a 19\" 1U chassis.</li>\n	<li>Line level XLR inputs for extra versatility as a line preamp.</li>\n	<li>High impedance DI for guitar and synth.</li>\n	<li>The same Class A components as the 1073 and 1084.</li>\n	<li>Illuminated phase reverse and phantom power push-buttons.</li>\n	<li>Input impedance selector switch between 1200 and 300 ohms.</li>\n	<li>External 24V PSU with 4\' cable provides four times the current for optimal sound </li>\n	<li>Made in USA                                                                      </li>\n</ul>\n<br/>\n<h3>External 24V PSU</h3>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n<br/><br/>\nFor optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073MP comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box.\n<br/><br/>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n<br/><br/>\n<h3>Get the classic Neve sound plus precision performance with BAE’s 1073MP Mic Pre. Call or chat with an RSPE representative today.</h3>'),(2732,75,1,456,'<h1>BAE 1073MP Single Channel Mic Pre with Power Supply</h1>\n<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired mic pre gives you the sonic character of the legendary Neve™ 1073 mic pre section with modern performance  </span><br/>\n<br/>\nThe BAE 1073MP single-channel Mic Pre is as close as you can get to the original Neve 1073 module, but in rackmount form. The BAE 1073MP Mic Pre features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. Revered for its high-end sheen and larger-than-life sound, the Neve 1073 has held its place the reigning monarch of audio royalty since its introduction in 1970. However, electronics do not improve with age, which is where BAE comes in. The BAE 1073MP brings the classic 1073 into the modern age with improved performance, while maintaining time-honored 1073 sound, with its harmonically rich low end, slight resonant highs, and maintained focused mids. Most importantly, the BAE 1073 gives you the classic sound you expect from the first name in Neve recreations: BAE.\n<br/><br/>\n<h3>BAE 1073MP 19\" Mic Pre features:</h3>\n<ul>\n	<li>Single channel of classic 1073 sound                                               </li>\n	<li>Completely hand-wired                                                            </li>\n	<li>Carnhill (St. Ives) transformers                                                 </li>\n	<li>All Class A, transformer-coupled design in a 19\" 1U chassis.</li>\n	<li>Line level XLR inputs for extra versatility as a line preamp.</li>\n	<li>High impedance DI for guitar and synth.</li>\n	<li>The same Class A components as the 1073 and 1084.</li>\n	<li>Illuminated phase reverse and phantom power push-buttons.</li>\n	<li>Input impedance selector switch between 1200 and 300 ohms.</li>\n	<li>External 24V PSU with 4\' cable provides four times the current for optimal sound </li>\n	<li>Made in USA                                                                      </li>\n</ul>\n<br/>\n<h3>External 24V PSU</h3>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n<br/><br/>\nFor optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073MP comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box.\n<br/><br/>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n<br/><br/>\n<h3>Get the classic Neve sound plus precision performance with BAE’s 1073MP Mic Pre. Call or chat with an RSPE representative today.</h3>'),(2733,85,0,456,''),(2734,85,1,456,''),(2735,76,0,456,''),(2736,76,1,456,''),(2737,75,0,457,'<h1>BAE 1073MPF Dual Channel Mic Pre with PSU</h1>\n<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Dual Channel Mic Pre with High Pass Filter, gives you the sonic character of the legendary Neve™ 1073 mic pre section with modern performance. </span><br/>\n<br/>\n<div>\n	The BAE 1073MPF is the high-pass filter version of the 1073MP. The 1073MPF is the mic pre-amp version of the 1073 equalizer, sharing the the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs and maintained focused mids.<br/><br/><span style=\"background-color: initial;\">A transformer coupled input, with two selectable impedances makes the 1073MP work well with a variety of microphones.<br/><br/></span><span style=\"background-color: initial;\">There is also a line input feature for adding depth to 2-bus mixes and a DI input for all passive and active instruments.<br/><br/></span><span style=\"background-color: initial;\">As a colored and versatile mic-pre, the 1073MP maintains its sonic signature across a wide bandwidth.</span>\n</div>\n<br/>\n<h3>BAE 1073MPF Dual features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">All Class A, transformer-coupled design in a 19\" 1U chassis.</span></li>\n	<li>Inductor based high pass filter</li>\n	<li>Line level XLR inputs for extra versatility as a line preamp.</li>\n	<li>High impedance DI for guitar and synth.</li>\n	<li>The same Class A components as the 1073 and 1084.</li>\n	<li>Illuminated phase reverse and phantom power pushbuttons.</li>\n	<li>Input impedance selector switch between 1200 and 300 ohms.</li>\n	<li>Same modular design and hand-wiring BAE is known for.</li>\n	<li>Regulated linear power supply will run up to four channels.</li>\n	<li>Made in USA.</li>\n</ul>\n<br/>\n<h3>External 24V PSU</h3>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n<br/><br/>\nFor optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073MP comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box.\n<br/><br/>\n<h3>Who’s Using BAE:</h3>\n<i>\n\"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n<em><b>Ross Hogarth, Grammy-winning producer-engineer</b></em><br/>\n<br/>\n</i>\n<i>\n\"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n<em><b>Steven Slate Drums</b></em><br/>\n<br/>\n</i>\n<i>\n“What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” — <b>Ilan Rubin (NIN, Paramore, Lostprophets)\n</b><br/>\n<br/>\n</i>\n<i>\n“I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n<em><b>Jane Wiedlin, The Go-Go\'s</b></em><br/>\n<br/>\n</i>\n<i>\n“I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n<em><b>Bootsy Collins</b></em><br/>\n<br/>\n</i>\n<i>\n“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n<b><em>Andy Kravitz, drummer, producer, engineer</em><br/></b></i><i><br/>\n</i>\n<h3>About BAE (British Audio Engineering)</h3>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n<br/>'),(2738,75,1,457,'<h1>BAE 1073MPF Dual Channel Mic Pre with PSU</h1>\n<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Dual Channel Mic Pre with High Pass Filter, gives you the sonic character of the legendary Neve™ 1073 mic pre section with modern performance. </span><br/>\n<br/>\n<div>\n	The BAE 1073MPF is the high-pass filter version of the 1073MP. The 1073MPF is the mic pre-amp version of the 1073 equalizer, sharing the the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs and maintained focused mids.<br/><br/><span style=\"background-color: initial;\">A transformer coupled input, with two selectable impedances makes the 1073MP work well with a variety of microphones.<br/><br/></span><span style=\"background-color: initial;\">There is also a line input feature for adding depth to 2-bus mixes and a DI input for all passive and active instruments.<br/><br/></span><span style=\"background-color: initial;\">As a colored and versatile mic-pre, the 1073MP maintains its sonic signature across a wide bandwidth.</span>\n</div>\n<br/>\n<h3>BAE 1073MPF Dual features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">All Class A, transformer-coupled design in a 19\" 1U chassis.</span></li>\n	<li>Inductor based high pass filter</li>\n	<li>Line level XLR inputs for extra versatility as a line preamp.</li>\n	<li>High impedance DI for guitar and synth.</li>\n	<li>The same Class A components as the 1073 and 1084.</li>\n	<li>Illuminated phase reverse and phantom power pushbuttons.</li>\n	<li>Input impedance selector switch between 1200 and 300 ohms.</li>\n	<li>Same modular design and hand-wiring BAE is known for.</li>\n	<li>Regulated linear power supply will run up to four channels.</li>\n	<li>Made in USA.</li>\n</ul>\n<br/>\n<h3>External 24V PSU</h3>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n<br/><br/>\nFor optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073MP comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box.\n<br/><br/>\n<h3>Who’s Using BAE:</h3>\n<i>\n\"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n<em><b>Ross Hogarth, Grammy-winning producer-engineer</b></em><br/>\n<br/>\n</i>\n<i>\n\"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n<em><b>Steven Slate Drums</b></em><br/>\n<br/>\n</i>\n<i>\n“What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” — <b>Ilan Rubin (NIN, Paramore, Lostprophets)\n</b><br/>\n<br/>\n</i>\n<i>\n“I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n<em><b>Jane Wiedlin, The Go-Go\'s</b></em><br/>\n<br/>\n</i>\n<i>\n“I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n<em><b>Bootsy Collins</b></em><br/>\n<br/>\n</i>\n<i>\n“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n<b><em>Andy Kravitz, drummer, producer, engineer</em><br/></b></i><i><br/>\n</i>\n<h3>About BAE (British Audio Engineering)</h3>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n<br/>'),(2739,85,0,457,''),(2740,85,1,457,''),(2741,76,0,457,''),(2742,76,1,457,''),(2743,75,0,458,'<h1>BAE 1073MPF Single Channel Mic Pre with PSU</h1>\n<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Single Channel Mic Pre with High Pass Filter, gives you the sonic character of the legendary Neve™ 1073 mic pre section with modern performance.</span><br/>\n<br/>\nThe BAE 1073MPF is <span style=\"background-color: initial;\">the high-pass filter version of the 1073MP. The 1073MPF is the mic pre-amp version of the 1073 equalizer, sharing the the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs and maintained focused mids.<br/><br/></span><span style=\"background-color: initial;\">A transformer coupled input, with two selectable impedances makes the 1073MP work well with a variety of microphones.<br/><br/></span><span style=\"background-color: initial;\">There is also a line input feature for adding depth to 2-bus mixes and a DI input for all passive and active instruments.<br/><br/></span><span style=\"background-color: initial;\">As a colored and versatile mic-pre, the 1073MP maintains its sonic signature across a wide bandwidth.</span><span style=\"background-color: initial;\"><br/></span><br/>\n<h3>BAE 1073MPF features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">All Class A, transformer-coupled design in a 19\" 1U chassis.</span></li>\n	<li>Inductor based high pass filter</li>\n	<li>Line level XLR inputs for extra versatility as a line preamp.</li>\n	<li>High impedance DI for guitar and synth.</li>\n	<li>The same Class A components as the 1073 and 1084.</li>\n	<li>Illuminated phase reverse and phantom power pushbuttons.</li>\n	<li>Input impedance selector switch between 1200 and 300 ohms.</li>\n	<li>Same modular design and hand-wiring BAE is known for.</li>\n	<li>Regulated linear power supply will run up to four channels.</li>\n	<li>Made in USA.</li>\n</ul>\n<br/>\n<h3>External 24V PSU</h3>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n<br/><br/>\nFor optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073MP comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box.\n<br/><br/>\n<h3>Who’s Using BAE:</h3>\n<i>\n\"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n<em><b>Ross Hogarth, Grammy-winning producer-engineer</b></em><br/>\n<br/>\n</i>\n<i>\n\"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n<em><b>Steven Slate Drums</b></em><br/>\n<br/>\n</i>\n<i>\n“What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” — <b>Ilan Rubin (NIN, Paramore, Lostprophets)\n</b><br/>\n<br/>\n</i>\n<i>\n“I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n<em><b>Jane Wiedlin, The Go-Go\'s</b></em><br/>\n<br/>\n</i>\n<i>\n“I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n<em><b>Bootsy Collins</b></em><br/>\n<br/>\n</i>\n<i>\n“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n<b><em>Andy Kravitz, drummer, producer, engineer</em><br/></b></i><i><br/>\n</i>\n<h3>About BAE (British Audio Engineering)</h3>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n<br/>'),(2744,75,1,458,'<h1>BAE 1073MPF Single Channel Mic Pre with PSU</h1>\n<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Single Channel Mic Pre with High Pass Filter, gives you the sonic character of the legendary Neve™ 1073 mic pre section with modern performance.</span><br/>\n<br/>\nThe BAE 1073MPF is <span style=\"background-color: initial;\">the high-pass filter version of the 1073MP. The 1073MPF is the mic pre-amp version of the 1073 equalizer, sharing the the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs and maintained focused mids.<br/><br/></span><span style=\"background-color: initial;\">A transformer coupled input, with two selectable impedances makes the 1073MP work well with a variety of microphones.<br/><br/></span><span style=\"background-color: initial;\">There is also a line input feature for adding depth to 2-bus mixes and a DI input for all passive and active instruments.<br/><br/></span><span style=\"background-color: initial;\">As a colored and versatile mic-pre, the 1073MP maintains its sonic signature across a wide bandwidth.</span><span style=\"background-color: initial;\"><br/></span><br/>\n<h3>BAE 1073MPF features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">All Class A, transformer-coupled design in a 19\" 1U chassis.</span></li>\n	<li>Inductor based high pass filter</li>\n	<li>Line level XLR inputs for extra versatility as a line preamp.</li>\n	<li>High impedance DI for guitar and synth.</li>\n	<li>The same Class A components as the 1073 and 1084.</li>\n	<li>Illuminated phase reverse and phantom power pushbuttons.</li>\n	<li>Input impedance selector switch between 1200 and 300 ohms.</li>\n	<li>Same modular design and hand-wiring BAE is known for.</li>\n	<li>Regulated linear power supply will run up to four channels.</li>\n	<li>Made in USA.</li>\n</ul>\n<br/>\n<h3>External 24V PSU</h3>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n<br/><br/>\nFor optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073MP comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box.\n<br/><br/>\n<h3>Who’s Using BAE:</h3>\n<i>\n\"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n<em><b>Ross Hogarth, Grammy-winning producer-engineer</b></em><br/>\n<br/>\n</i>\n<i>\n\"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n<em><b>Steven Slate Drums</b></em><br/>\n<br/>\n</i>\n<i>\n“What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” — <b>Ilan Rubin (NIN, Paramore, Lostprophets)\n</b><br/>\n<br/>\n</i>\n<i>\n“I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n<em><b>Jane Wiedlin, The Go-Go\'s</b></em><br/>\n<br/>\n</i>\n<i>\n“I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n<em><b>Bootsy Collins</b></em><br/>\n<br/>\n</i>\n<i>\n“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n<b><em>Andy Kravitz, drummer, producer, engineer</em><br/></b></i><i><br/>\n</i>\n<h3>About BAE (British Audio Engineering)</h3>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n<br/>'),(2745,85,0,458,'BAE 1073MPF Single Channel Mic Pre with PSU'),(2746,85,1,458,'BAE 1073MPF Single Channel Mic Pre with PSU'),(2747,76,0,458,''),(2748,76,1,458,''),(2749,75,0,459,'<h1>BAE 1073MPL 500 Series Mic Pre</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">A no-compromise, deluxe 500-series version of BAE’s incredible 1073 Mic Pre</span>\n</p>\n<p>\n	The BAE 1073MPL is the no-compromise 500 Series version of the 1073MP. a mic pre-amp version of the 1073 equalizer. The 1073MPL has the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs, and maintained focused mids. \n	<span style=\"background-color: initial;\">Two selectable impedances makes the 1073MPL work well with a variety of microphones. </span><span style=\"background-color: initial;\">As a coloured and versatile mic-pre, the 1073MPL maintains its sonic signature across a wide bandwidth.</span>\n</p>\n<br/><br/>\n<h3>BAE 1073MPL 500 Series Module features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">All Class A, transformer-coupled design in a 500 series module.</span></li>\n	<li>Built using the same parts as the 10-series 1073 module including St Ives (Carnhill) transformers and Canford wire</li>\n	<li>Original Marconi knobs.</li>\n	<li>Input impedance selector switch between 1200 and 300 ohms.</li>\n	<li>Line level capability for extra versatility as a line preamp.</li>\n	<li>High impedance DI for guitar and synth.</li>\n	<li>Hand-made in the USA</li>\n	<li><span style=\"background-color: initial;\">Same modular design and hand-wiring BAE is known for.</span></li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n</div>\n<p>\n	Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br/>\n<h3>Inside the Box </h3>\n<p>\n	Usually, designing for the 500-series format means trade-offs in terms of components, power and current handling, and ultimately sound quality. BAE, the purveyors of true Neve sound, decided that if they were going to build a 500 compatible module of the BAE 1073MP, it was going to be spot-on to the original. They managed to come up with a 500-series 1073MP that was equal in sound quality to the \n	<a href=\"http://www.rspeaudio.com/BAE-1066D-Mic-Pre-Module-p/bae-1066d-mod.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">10-series module</a>.\n</p>\n<p>\n	Because BAE had no intention of compromising the sound quality of the 1073MPL, the BAE 1073MPL is engineered in exactly the same way as the originals: the same chassis construction (naturally with a different layout), connectors, printed circuit board layouts, hand-wired looms, and circuitry. Built using the same parts as the 10-series module, the 1073MPL features Carnhill transformers and Canford wire—making the BAE 1073MPL one of the best-sounding Class A, 500-series mic pre/EQ modules around.\n</p>\n<h3>Outside the Box </h3>\n<p>\n	The BAE 1073MPL features a vintage-blue front panel plays host to a full set of controls that doesn’t require a pair of tweezers to operate. The 1073MPL has four push-button controls for phase reverse, 48V phantom power, DI button to engage instrument input, and LINE Line level capability for extra versatility as a line preamp. It also features two rotary knobs to control gain and output levels.\n	<br/><br/>Don’t have enough space in your 500-series lunchbox for a BAE 1073MPL? No worries! BAE makes the <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\">3LB 3-space lunchbox</a> designed to fit one 1073MPL; a <a href=\"http://www.rspeaudio.com/BAE-6-Module-Lunchbox-with-Power-Supply-p/bae-6lunchbox.htm\" target=\"_blank\">6-space rack/lunchbox</a>] to hold two; and an <a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\">11-space 500-series power rack</a>, which will hold three BAE 1073MPL Mic Pre/EQs with two spaces left over for <a href=\"http://www.rspeaudio.com/BAE-312A-Rackmount-and-Module-p/bae-312amod.htm\" target=\"_blank\">BAE’s 312a 500-series mic preamp</a>, if you’re looking to load up on vintage punch.\n</p>\n<p>\n</p>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/><br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/><br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/><br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/><br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/><br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Add the classic Neve sound to your 500-series rack with BAE’s 1073MPL, plus greater frequency control and precision performance. Check out  <a href=\"http://www.rsperackrevolution.com\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>'),(2750,75,1,459,'<h1>BAE 1073MPL 500 Series Mic Pre</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">A no-compromise, deluxe 500-series version of BAE’s incredible 1073 Mic Pre</span>\n</p>\n<p>\n	The BAE 1073MPL is the no-compromise 500 Series version of the 1073MP. a mic pre-amp version of the 1073 equalizer. The 1073MPL has the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs, and maintained focused mids. \n	<span style=\"background-color: initial;\">Two selectable impedances makes the 1073MPL work well with a variety of microphones. </span><span style=\"background-color: initial;\">As a coloured and versatile mic-pre, the 1073MPL maintains its sonic signature across a wide bandwidth.</span>\n</p>\n<br/><br/>\n<h3>BAE 1073MPL 500 Series Module features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">All Class A, transformer-coupled design in a 500 series module.</span></li>\n	<li>Built using the same parts as the 10-series 1073 module including St Ives (Carnhill) transformers and Canford wire</li>\n	<li>Original Marconi knobs.</li>\n	<li>Input impedance selector switch between 1200 and 300 ohms.</li>\n	<li>Line level capability for extra versatility as a line preamp.</li>\n	<li>High impedance DI for guitar and synth.</li>\n	<li>Hand-made in the USA</li>\n	<li><span style=\"background-color: initial;\">Same modular design and hand-wiring BAE is known for.</span></li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n</div>\n<p>\n	Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br/>\n<h3>Inside the Box </h3>\n<p>\n	Usually, designing for the 500-series format means trade-offs in terms of components, power and current handling, and ultimately sound quality. BAE, the purveyors of true Neve sound, decided that if they were going to build a 500 compatible module of the BAE 1073MP, it was going to be spot-on to the original. They managed to come up with a 500-series 1073MP that was equal in sound quality to the \n	<a href=\"http://www.rspeaudio.com/BAE-1066D-Mic-Pre-Module-p/bae-1066d-mod.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">10-series module</a>.\n</p>\n<p>\n	Because BAE had no intention of compromising the sound quality of the 1073MPL, the BAE 1073MPL is engineered in exactly the same way as the originals: the same chassis construction (naturally with a different layout), connectors, printed circuit board layouts, hand-wired looms, and circuitry. Built using the same parts as the 10-series module, the 1073MPL features Carnhill transformers and Canford wire—making the BAE 1073MPL one of the best-sounding Class A, 500-series mic pre/EQ modules around.\n</p>\n<h3>Outside the Box </h3>\n<p>\n	The BAE 1073MPL features a vintage-blue front panel plays host to a full set of controls that doesn’t require a pair of tweezers to operate. The 1073MPL has four push-button controls for phase reverse, 48V phantom power, DI button to engage instrument input, and LINE Line level capability for extra versatility as a line preamp. It also features two rotary knobs to control gain and output levels.\n	<br/><br/>Don’t have enough space in your 500-series lunchbox for a BAE 1073MPL? No worries! BAE makes the <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\">3LB 3-space lunchbox</a> designed to fit one 1073MPL; a <a href=\"http://www.rspeaudio.com/BAE-6-Module-Lunchbox-with-Power-Supply-p/bae-6lunchbox.htm\" target=\"_blank\">6-space rack/lunchbox</a>] to hold two; and an <a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\">11-space 500-series power rack</a>, which will hold three BAE 1073MPL Mic Pre/EQs with two spaces left over for <a href=\"http://www.rspeaudio.com/BAE-312A-Rackmount-and-Module-p/bae-312amod.htm\" target=\"_blank\">BAE’s 312a 500-series mic preamp</a>, if you’re looking to load up on vintage punch.\n</p>\n<p>\n</p>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/><br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/><br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/><br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/><br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/><br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Add the classic Neve sound to your 500-series rack with BAE’s 1073MPL, plus greater frequency control and precision performance. Check out  <a href=\"http://www.rsperackrevolution.com\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>'),(2751,85,0,459,'BAE 1073MPL 500 Series Mic Pre'),(2752,85,1,459,'BAE 1073MPL 500 Series Mic Pre'),(2753,76,0,459,''),(2754,76,1,459,''),(2755,75,0,460,'<h1>BAE 1073 Mic Pre/EQ Module</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired, 10-series module recreates the character of the Neve™ 1073 mic pre/EQ </span>\n</p>\n<p>\n	The BAE 1073 Module is as close as you can get to the original Neve 1073, unless Mr. Rupert Neve himself were still building them at his converted rectory in Little Shelford, England. The BAE 1073 Mic Pre/EQ Module features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. If you put the two side by side (BAE 1073 and vintage 1073), open or closed, you’d be hard-pressed to find a difference between the two, except perhaps for the front-panel logos. Revered for its high-end sheen and larger-than-life sound, the original Neve™ 1073 remains the reigning monarch of audio royalty since its introduction in 1970, and the BAE 1073 pays careful homage to that legacy, right down to its ability to retrofit in vintage Neve 80 Series consoles. Most importantly, the BAE 1073 gives you the classic sound you expect from the first name in Neve recreations: British Audio Engineering; BAE.\n</p>\n<h3>BAE 1073 Mic Pre/EQ Module features:</h3>\n<ul>\n	<li>Classic sound and look of the Neve 1073                                         </li>\n	<li>Completely hand-wired                                                           </li>\n	<li>Carnhill (St. Ives) transformers                                                </li>\n	<li>The “big iron” console sound of the ’60s and ’70s                               </li>\n	<li>Will fit seamlessly into vintage Neve consoles (see customer testimonials below)</li>\n	<li>Made in USA                                                                     </li>\n</ul>\n<p>\n	When Mr. Rupert Neve designed his various mic/pre/EQ modules, the idea was to populate the Neve 80-series consoles with a selection of modules with marginal differences in EQ curves for a wider sonic palette, while maintaining the a uniformity of sonic character overall. To that end, the 1066, 1073, 1081, or 1084 preamp/EQ modules share the same mic/line amplifier, but differ in terms of available EQ shelves and frequency selections. Of all the modules, the 1073, with its 12kHz high-frequency shelf spoke the loudest to makers of rock and pop music, and has been the hands-down favorite for decades. Naturally, anyone trying to duplicate that sound had better be up to the task, and thus far, BAE has risen to the occasion in both sound, build-quality and performance.\n</p>\n<h3>Inside the Box</h3>\n<p>\n	The BAE1073 is completely hand-wired using Carnhill (St. Ives) transformers and has the same mic-line pre-amp as the BAE 1073. However, the 1066D adds a few different frequencies to your pallet. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility. The BAE 1073 Mic Pre Module not only fits into the <a href=\"http://www.rspeaudio.com/BAE-8-Channel-Rack-Powered-Rack-for-Neve-p/bae-8rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 8-Channel Powered Rack</a> (as do vintage Neve modules), but also fits seamlessly into classic Neve 80-series consoles. The achieve this feat, the BAE 1073 Mic Pre Module is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The same unmistakable color as the original, vintage blue front panel of the BAE 1073 has two dual-concentric knobs for EQ frequency selection and gain, high-frequency shelf knob, and rotary selectors for LF filter and gain (0 – 80dB). It also has two small rectangular buttons for EQ on/off and phase reverse. On the rear panel is a 300/1200 ohm toggle switch for mic input impedance.\n</p>\n<h3>BAE 1073 Mic Pre Module front-panel controls:</h3>\n<ul>\n	<li>High Frequency: +/-16dB fixed frequency shelving at 12kHz</li>\n	<li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz.</li>\n	<li>Mid Range: +/-18dB peaking, fixed \'Q\' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz</li>\n	<li>High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz, 300Hz</li>\n	<li>EQ Button switches the equalizer on or off</li>\n	<li>Phase button: 180º</li>\n</ul>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Get the classic Neve sound plus greater frequency control and precision performance with BAE’s 1073. Call or chat with an RSPE representative today.</h3>'),(2756,75,1,460,'<h1>BAE 1073 Mic Pre/EQ Module</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired, 10-series module recreates the character of the Neve™ 1073 mic pre/EQ </span>\n</p>\n<p>\n	The BAE 1073 Module is as close as you can get to the original Neve 1073, unless Mr. Rupert Neve himself were still building them at his converted rectory in Little Shelford, England. The BAE 1073 Mic Pre/EQ Module features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. If you put the two side by side (BAE 1073 and vintage 1073), open or closed, you’d be hard-pressed to find a difference between the two, except perhaps for the front-panel logos. Revered for its high-end sheen and larger-than-life sound, the original Neve™ 1073 remains the reigning monarch of audio royalty since its introduction in 1970, and the BAE 1073 pays careful homage to that legacy, right down to its ability to retrofit in vintage Neve 80 Series consoles. Most importantly, the BAE 1073 gives you the classic sound you expect from the first name in Neve recreations: British Audio Engineering; BAE.\n</p>\n<h3>BAE 1073 Mic Pre/EQ Module features:</h3>\n<ul>\n	<li>Classic sound and look of the Neve 1073                                         </li>\n	<li>Completely hand-wired                                                           </li>\n	<li>Carnhill (St. Ives) transformers                                                </li>\n	<li>The “big iron” console sound of the ’60s and ’70s                               </li>\n	<li>Will fit seamlessly into vintage Neve consoles (see customer testimonials below)</li>\n	<li>Made in USA                                                                     </li>\n</ul>\n<p>\n	When Mr. Rupert Neve designed his various mic/pre/EQ modules, the idea was to populate the Neve 80-series consoles with a selection of modules with marginal differences in EQ curves for a wider sonic palette, while maintaining the a uniformity of sonic character overall. To that end, the 1066, 1073, 1081, or 1084 preamp/EQ modules share the same mic/line amplifier, but differ in terms of available EQ shelves and frequency selections. Of all the modules, the 1073, with its 12kHz high-frequency shelf spoke the loudest to makers of rock and pop music, and has been the hands-down favorite for decades. Naturally, anyone trying to duplicate that sound had better be up to the task, and thus far, BAE has risen to the occasion in both sound, build-quality and performance.\n</p>\n<h3>Inside the Box</h3>\n<p>\n	The BAE1073 is completely hand-wired using Carnhill (St. Ives) transformers and has the same mic-line pre-amp as the BAE 1073. However, the 1066D adds a few different frequencies to your pallet. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility. The BAE 1073 Mic Pre Module not only fits into the <a href=\"http://www.rspeaudio.com/BAE-8-Channel-Rack-Powered-Rack-for-Neve-p/bae-8rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 8-Channel Powered Rack</a> (as do vintage Neve modules), but also fits seamlessly into classic Neve 80-series consoles. The achieve this feat, the BAE 1073 Mic Pre Module is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The same unmistakable color as the original, vintage blue front panel of the BAE 1073 has two dual-concentric knobs for EQ frequency selection and gain, high-frequency shelf knob, and rotary selectors for LF filter and gain (0 – 80dB). It also has two small rectangular buttons for EQ on/off and phase reverse. On the rear panel is a 300/1200 ohm toggle switch for mic input impedance.\n</p>\n<h3>BAE 1073 Mic Pre Module front-panel controls:</h3>\n<ul>\n	<li>High Frequency: +/-16dB fixed frequency shelving at 12kHz</li>\n	<li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz.</li>\n	<li>Mid Range: +/-18dB peaking, fixed \'Q\' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz</li>\n	<li>High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz, 300Hz</li>\n	<li>EQ Button switches the equalizer on or off</li>\n	<li>Phase button: 180º</li>\n</ul>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Get the classic Neve sound plus greater frequency control and precision performance with BAE’s 1073. Call or chat with an RSPE representative today.</h3>'),(2757,85,0,460,'BAE 1073 EQ Module'),(2758,85,1,460,'BAE 1073 EQ Module'),(2759,76,0,460,''),(2760,76,1,460,''),(2761,75,0,461,'<h1>BAE 1073 19\" Single-Channel Mic Pre/EQ with Power Supply</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired mic pre/EQ gives you the sonic character of the legendary Neve™ 1073 with modern performance  </span><br/>\n</p>\n<p>\n	The single-channel BAE 1073 Mic Pre/EQ is as close as you can get to the original Neve 1073 module, but in rackmount form. The BAE 1073 Mic Pre/EQ Module features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. Revered for its high-end sheen and larger-than-life sound, the Neve 1073 has held its place the reigning monarch of audio royalty since its introduction in 1970. However, electronics do not improve with age, which is where BAE comes in. The BAE 1073 brings the classic 1073 into the modern age with improved performance, while maintaining time-honored 1073 sound. Originally, the 1073 was built in modular form to populate the Neve 80-series consoles. However, the BAE 10703 1RU Mic Pre EQ lets you have a single channel or \n	<a href=\"http://www.rspeaudio.com/BAE-1073-19-Pair-Single-Channel-Mic-Pre-EQ-p/bae-pair-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">stereo pair</a> of the 1073 without the requirement of a power rack, such as the <a href=\"http://www.rspeaudio.com/BAE-8-Channel-Rack-Powered-Rack-for-Neve-p/bae-8rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 8CR 8-Channel Rack</a>. Most importantly, the BAE 1073 gives you the classic sound you expect from the first name in Neve recreations: BAE.<br/>\n</p>\n<h3>BAE 1073 19\" Mic Pre/EQ Pair features:</h3>\n<ul>\n	<li>Classic 1073 sound                                               </li>\n	<li>Completely hand-wired                                                            </li>\n	<li>Carnhill (St. Ives) transformers                                                 </li>\n	<li>The “big iron” console sound of the ’60s and ’70s                                </li>\n	<li>External 24V PSU with 4\' cable provides four times the current for optimal sound </li>\n	<li>Made in USA                                                                      </li>\n</ul>\n<p>\n	When Mr. Rupert Neve designed his various 10-series mic/pre/EQ modules, the idea was to populate the Neve 80-series consoles with a selection of modules with marginal differences to offer a wider sonic palette while maintaining uniformity of sonic character across the range. To accomplish that, the 1066, 1073, 1081, or 1084 preamp/EQ modules all shared the same mic/line amplifier, but differed in terms of available EQ shelves and frequency selections. Of all the modules, the 1073, with its 12kHz high-frequency shelf, spoke the loudest to makers of rock and pop music, and has been the hands-down favorite for decades. Naturally, anyone trying to duplicate the character of the 1073 had better be up to the task, and as owners of both the original 1073 and modern BAE 1073 modules will attest, BAE has risen to the occasion in sound, build-quality, and performance.  \n	<br/>\n</p>\n<h3>Inside the Box</h3>\n<p>\n	The BAE1073 is completely hand-wired using Carnhill (St. Ives) transformers, Elma switches, and Canford wire. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility. Even though the 1073 is in rackmount form, it’s engineered in exactly the same way as the original 1073 module: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\n	<br/>\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The same unmistakable color as the original, the front panel of the BAE 1073 has two dual-concentric knobs for midrange and low-frequency selection and gain; high-frequency shelf knob; and rotary selectors for LF filter and gain, which ranges from 0 to 80dB. There are four rectangular buttons on the front panel for EQ on/off, phantom power, DI select, and phase reverse. The BAE 1073 Mic Pre Rackmount also has a front-panel, 1/4\" Hi-Z instrument input (DI); input impedance switch that toggles between 300 and 1200 ohms; and an output attenuator that lets you control hot input signals without need of a sound-changing pad. The output knob lets you drive the input hotter, say for heavy guitar recording, while controlling output level to prevent clipping into a DAW. The rear panel is simple and straightforward with XLR I/O and power cable connector. \n	<br/>\n</p>\n<h3>BAE 1073 EQ frequencies:</h3>\n<ul>\n	<li>High Frequency: +/-16dB fixed frequency shelving at 12kHz                                                                     </li>\n	<li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz.                                      </li>\n	<li>Mid Range: +/-18dB peaking, fixed \'Q\' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz  </li>\n	<li>High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz, 300Hz                                          </li>\n</ul>\n<h3>External 24V PSU</h3>\n<p>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n</p>\n<p>\n	For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073 comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box. (For BAE 1073 without power supply, see \n	<a href=\"http://www.rspeaudio.com/BAE-1073-19-Single-Channel-Mic-Pre-EQ-p/bae-1073-nops.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073 1RU Mic Pre/EQ  - PSU</a> or <a href=\"http://www.rspeaudio.com/BAE-1073-19-Pair-Single-Channel-Mic-Pre-EQ-p/bae-pair-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073 Dual + PSU</a>) <br/>\n</p>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Get the classic Neve sound plus precision performance with BAE’s 1073 Mic Pre/EQ. Call or chat with an RSPE representative today.</h3>'),(2762,75,1,461,'<h1>BAE 1073 19\" Single-Channel Mic Pre/EQ with Power Supply</h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired mic pre/EQ gives you the sonic character of the legendary Neve™ 1073 with modern performance  </span><br/>\n</p>\n<p>\n	The single-channel BAE 1073 Mic Pre/EQ is as close as you can get to the original Neve 1073 module, but in rackmount form. The BAE 1073 Mic Pre/EQ Module features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. Revered for its high-end sheen and larger-than-life sound, the Neve 1073 has held its place the reigning monarch of audio royalty since its introduction in 1970. However, electronics do not improve with age, which is where BAE comes in. The BAE 1073 brings the classic 1073 into the modern age with improved performance, while maintaining time-honored 1073 sound. Originally, the 1073 was built in modular form to populate the Neve 80-series consoles. However, the BAE 10703 1RU Mic Pre EQ lets you have a single channel or \n	<a href=\"http://www.rspeaudio.com/BAE-1073-19-Pair-Single-Channel-Mic-Pre-EQ-p/bae-pair-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">stereo pair</a> of the 1073 without the requirement of a power rack, such as the <a href=\"http://www.rspeaudio.com/BAE-8-Channel-Rack-Powered-Rack-for-Neve-p/bae-8rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 8CR 8-Channel Rack</a>. Most importantly, the BAE 1073 gives you the classic sound you expect from the first name in Neve recreations: BAE.<br/>\n</p>\n<h3>BAE 1073 19\" Mic Pre/EQ Pair features:</h3>\n<ul>\n	<li>Classic 1073 sound                                               </li>\n	<li>Completely hand-wired                                                            </li>\n	<li>Carnhill (St. Ives) transformers                                                 </li>\n	<li>The “big iron” console sound of the ’60s and ’70s                                </li>\n	<li>External 24V PSU with 4\' cable provides four times the current for optimal sound </li>\n	<li>Made in USA                                                                      </li>\n</ul>\n<p>\n	When Mr. Rupert Neve designed his various 10-series mic/pre/EQ modules, the idea was to populate the Neve 80-series consoles with a selection of modules with marginal differences to offer a wider sonic palette while maintaining uniformity of sonic character across the range. To accomplish that, the 1066, 1073, 1081, or 1084 preamp/EQ modules all shared the same mic/line amplifier, but differed in terms of available EQ shelves and frequency selections. Of all the modules, the 1073, with its 12kHz high-frequency shelf, spoke the loudest to makers of rock and pop music, and has been the hands-down favorite for decades. Naturally, anyone trying to duplicate the character of the 1073 had better be up to the task, and as owners of both the original 1073 and modern BAE 1073 modules will attest, BAE has risen to the occasion in sound, build-quality, and performance.  \n	<br/>\n</p>\n<h3>Inside the Box</h3>\n<p>\n	The BAE1073 is completely hand-wired using Carnhill (St. Ives) transformers, Elma switches, and Canford wire. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility. Even though the 1073 is in rackmount form, it’s engineered in exactly the same way as the original 1073 module: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\n	<br/>\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The same unmistakable color as the original, the front panel of the BAE 1073 has two dual-concentric knobs for midrange and low-frequency selection and gain; high-frequency shelf knob; and rotary selectors for LF filter and gain, which ranges from 0 to 80dB. There are four rectangular buttons on the front panel for EQ on/off, phantom power, DI select, and phase reverse. The BAE 1073 Mic Pre Rackmount also has a front-panel, 1/4\" Hi-Z instrument input (DI); input impedance switch that toggles between 300 and 1200 ohms; and an output attenuator that lets you control hot input signals without need of a sound-changing pad. The output knob lets you drive the input hotter, say for heavy guitar recording, while controlling output level to prevent clipping into a DAW. The rear panel is simple and straightforward with XLR I/O and power cable connector. \n	<br/>\n</p>\n<h3>BAE 1073 EQ frequencies:</h3>\n<ul>\n	<li>High Frequency: +/-16dB fixed frequency shelving at 12kHz                                                                     </li>\n	<li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz.                                      </li>\n	<li>Mid Range: +/-18dB peaking, fixed \'Q\' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz  </li>\n	<li>High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz, 300Hz                                          </li>\n</ul>\n<h3>External 24V PSU</h3>\n<p>\n	While other rackmount preamps use an internal power supply, BAE chose to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure.\n</p>\n<p>\n	For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp—and since the BAE 24V PSU can power up to two BAE units, the BAE 1073 comes with and without power supply. If you already have a BAE 1073 and power supply, you can add another for stereo operation or adding the Neve console sound to a passive summing box. (For BAE 1073 without power supply, see \n	<a href=\"http://www.rspeaudio.com/BAE-1073-19-Single-Channel-Mic-Pre-EQ-p/bae-1073-nops.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073 1RU Mic Pre/EQ  - PSU</a> or <a href=\"http://www.rspeaudio.com/BAE-1073-19-Pair-Single-Channel-Mic-Pre-EQ-p/bae-pair-1073wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073 Dual + PSU</a>) <br/>\n</p>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Get the classic Neve sound plus precision performance with BAE’s 1073 Mic Pre/EQ. Call or chat with an RSPE representative today.</h3>'),(2763,85,0,461,'BAE 1073 19\" Single Channel Mic Pre & EQ with Power Supply'),(2764,85,1,461,'BAE 1073 19\" Single Channel Mic Pre & EQ with Power Supply'),(2765,76,0,461,''),(2766,76,1,461,''),(2767,75,0,462,'<h1>BAE 1084 Mic Preamp / EQ with Power Supply</h1>\n<p style=\"letter-spacing: normal;\">\n	<span href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\" style=\"font-style: italic;\">Hand-wired, 19\", 1U rackmount preamp precisely recreates the character of the Neve™ 1084 mic pre/EQ</span>\n</p>\n<p style=\"\">\n	The BAE 1084 Mic Pre / EQ is as authentic as you can get to the classic Neve 1084, in terms of sound, circuitry, and build quality.\n</p>\n<p style=\"\">\n	The BAE 1084 is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.<br/><br/>Like all BAE Audio  gear, the 1084 is completely hand-wired in the US and features St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.\n</p>\n<p style=\"letter-spacing: normal;\">\n</p>\n<h3>BAE 1084 19\" Mic Pre/EQ features:</h3>\n<ul style=\"\">\n	<li style=\"letter-spacing: normal;\">Stunning replica of the classic Neve 1084 in both sound and circuitry</li>\n	<li>High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz and 16kHz</li>\n	<li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz.</li>\n	<li>Mid Range: +/-12dB or +/-18dB peaking with switchable \'High Q\', selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHz.</li>\n	<li>High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz</li>\n	<li>EQ Button: Switches the equaliser on or off</li>\n	<li>Phase Button: 180°</li>\n	<li style=\"letter-spacing: normal;\">Made in USA</li>\n</ul>\n<br/>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	\"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	\"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\" — <em>Steven Slate Drums</em><br/><br/>\n</blockquote>\n<blockquote>\n	“What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br/><br/>\n</blockquote>\n<blockquote>\n	“I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br/><br/>\n</blockquote>\n<blockquote>\n	“I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br/><br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	Discography: (Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting) <br/><br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p style=\"letter-spacing: normal;\">\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<br/>\n<h3>Add the classic analog punch to your recordings with BAE’s single-channel  Mic Pre. Call or chat with an RSPE representative today.</h3>'),(2768,75,1,462,'<h1>BAE 1084 Mic Preamp / EQ with Power Supply</h1>\n<p style=\"letter-spacing: normal;\">\n	<span href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\" style=\"font-style: italic;\">Hand-wired, 19\", 1U rackmount preamp precisely recreates the character of the Neve™ 1084 mic pre/EQ</span>\n</p>\n<p style=\"\">\n	The BAE 1084 Mic Pre / EQ is as authentic as you can get to the classic Neve 1084, in terms of sound, circuitry, and build quality.\n</p>\n<p style=\"\">\n	The BAE 1084 is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.<br/><br/>Like all BAE Audio  gear, the 1084 is completely hand-wired in the US and features St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.\n</p>\n<p style=\"letter-spacing: normal;\">\n</p>\n<h3>BAE 1084 19\" Mic Pre/EQ features:</h3>\n<ul style=\"\">\n	<li style=\"letter-spacing: normal;\">Stunning replica of the classic Neve 1084 in both sound and circuitry</li>\n	<li>High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz and 16kHz</li>\n	<li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz.</li>\n	<li>Mid Range: +/-12dB or +/-18dB peaking with switchable \'High Q\', selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHz.</li>\n	<li>High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz</li>\n	<li>EQ Button: Switches the equaliser on or off</li>\n	<li>Phase Button: 180°</li>\n	<li style=\"letter-spacing: normal;\">Made in USA</li>\n</ul>\n<br/>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	\"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	\"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\" — <em>Steven Slate Drums</em><br/><br/>\n</blockquote>\n<blockquote>\n	“What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br/><br/>\n</blockquote>\n<blockquote>\n	“I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br/><br/>\n</blockquote>\n<blockquote>\n	“I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br/><br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	Discography: (Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting) <br/><br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p style=\"letter-spacing: normal;\">\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<br/>\n<h3>Add the classic analog punch to your recordings with BAE’s single-channel  Mic Pre. Call or chat with an RSPE representative today.</h3>'),(2769,85,0,462,'BAE 1084 Preamp with Power Supply'),(2770,85,1,462,'BAE 1084 Preamp with Power Supply'),(2771,76,0,462,''),(2772,76,1,462,''),(2773,75,0,463,'<h1>BAE 11-Space 500-Series Rack with Power Supply </h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\">Rock solid, 11-space 500-series rack with all-steel chassis and greater current handling for wider 500-module compatibility</span>\n</p>\n<p>\n	If you’re going for maximum 500-series capacity in your studio, this BAE rack goes to eleven (the most spaces available elsewhere are 10). Noted for handcrafting spot-on Neve reproductions, BAE (formerly Brent Averill, now British Audio Engineering) has been one of a very few to offer API/VPR Alliance-compatible 500-series racks and lunchboxes. BAE 500-series power racks are available in three formats: the BAE 11-space rack and lunchbox, \n	<a href=\"http://www.rspeaudio.com/BAE-6-Module-Rack-with-Power-Supply-p/bae-6rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 6-space rack</a>, and <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 3LB 3-space desktop lunchbox</a>. To ensure compatibility with a wide variety of 500 modules, BAE 500-series racks offer greater amperage rating to accommodate 500-series modules that stray outside the original VPR specs.\n</p>\n<h3>BAE 11-space 500-series module rack features</h3>\n<ul>\n	<li>Strong steel chassis (no aluminum anywhere)                                 </li>\n	<li>Shielded wires on individual connectors for serviceability—no PCBs          </li>\n	<li>XLR inputs and outputs                                                      </li>\n	<li>Remote power supply keeps power transformer interference away from modules  </li>\n	<li>Operates on 115/230 VAC for global use                                      </li>\n	<li>Hand-built in USA                                                           </li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<p>\n</p>\n<h3>Inside the Box </h3>\n	While other 500-series racks use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, your 500-module’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. Conversely, loading up a rack with 500 modules of varying power requirements can overheat an internal power supply.\n<p>\n</p>\n<p>\n	To deal with those power variations, BAE’s external PSU was designed to handle greater current. The power output of the BAE 11-Space Rack is ±16 VDC, 3A (1.5A per rail). To maintain reliable connectivity, BAE uses only the finest card edge connectors for your 500 module’s pin-out. Another feature of the BAE external PSU  is that it allows the BAE 11-Space Rack can operate at 115 VAC or 230 VAC (70W) for global use.\n</p>\n<p>\n</p>\n<h3>Outside the Box</h3>\n	When you’re filling up a 500 power rack with modules, there’ll be a considerable amount of weight putting stress on the rack, which is why BAE 11-Space rack features a strong, all-steel chassis to keep your 500 modules firmly in place without flexing. Integrating the BAE 11-Space 500 rack into you studio is as easy as it gets thanks to BAE’s use of high-quality, balanced XLR input and output connectors. To power and protect your 500-series modules from RF and other noise, BAE thoughtfully provides and external power supply, which also allows for 500 modules whose power requirements have strayed outside the old API standard. This also provides an advantage to 500-series manufacturers where quality and capacity of internal 500-series power supplies is an uncontrollable variable. The BAE 500-series PSU allows designers to push the old boundaries, enabling them to create better-performing 500 modules.\n<p>\n</p>\n<p>\n</p>\n<h3>About BAE</h3>\n	Answering to a higher authority—maintaining the legacy of Mr. Rupert Neve—BAE puts nothing but their very best efforts into each and every unit they build. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE\'s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n<p>\n</p>\n<h3>If you’ve been bitten by the 500-series bug, you’ll be wanting a power rack that lets you mix and match 500 modules to your heart’s content. Choose a BAE 11-space, 6-space, or 3LB desktop (lunchbox) power rack. Check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started, or call or chat with an RSPE representative today.   </h3>\n<br />'),(2774,75,1,463,'<h1>BAE 11-Space 500-Series Rack with Power Supply </h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\">Rock solid, 11-space 500-series rack with all-steel chassis and greater current handling for wider 500-module compatibility</span>\n</p>\n<p>\n	If you’re going for maximum 500-series capacity in your studio, this BAE rack goes to eleven (the most spaces available elsewhere are 10). Noted for handcrafting spot-on Neve reproductions, BAE (formerly Brent Averill, now British Audio Engineering) has been one of a very few to offer API/VPR Alliance-compatible 500-series racks and lunchboxes. BAE 500-series power racks are available in three formats: the BAE 11-space rack and lunchbox, \n	<a href=\"http://www.rspeaudio.com/BAE-6-Module-Rack-with-Power-Supply-p/bae-6rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 6-space rack</a>, and <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 3LB 3-space desktop lunchbox</a>. To ensure compatibility with a wide variety of 500 modules, BAE 500-series racks offer greater amperage rating to accommodate 500-series modules that stray outside the original VPR specs.\n</p>\n<h3>BAE 11-space 500-series module rack features</h3>\n<ul>\n	<li>Strong steel chassis (no aluminum anywhere)                                 </li>\n	<li>Shielded wires on individual connectors for serviceability—no PCBs          </li>\n	<li>XLR inputs and outputs                                                      </li>\n	<li>Remote power supply keeps power transformer interference away from modules  </li>\n	<li>Operates on 115/230 VAC for global use                                      </li>\n	<li>Hand-built in USA                                                           </li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<p>\n</p>\n<h3>Inside the Box </h3>\n	While other 500-series racks use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, your 500-module’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. Conversely, loading up a rack with 500 modules of varying power requirements can overheat an internal power supply.\n<p>\n</p>\n<p>\n	To deal with those power variations, BAE’s external PSU was designed to handle greater current. The power output of the BAE 11-Space Rack is ±16 VDC, 3A (1.5A per rail). To maintain reliable connectivity, BAE uses only the finest card edge connectors for your 500 module’s pin-out. Another feature of the BAE external PSU  is that it allows the BAE 11-Space Rack can operate at 115 VAC or 230 VAC (70W) for global use.\n</p>\n<p>\n</p>\n<h3>Outside the Box</h3>\n	When you’re filling up a 500 power rack with modules, there’ll be a considerable amount of weight putting stress on the rack, which is why BAE 11-Space rack features a strong, all-steel chassis to keep your 500 modules firmly in place without flexing. Integrating the BAE 11-Space 500 rack into you studio is as easy as it gets thanks to BAE’s use of high-quality, balanced XLR input and output connectors. To power and protect your 500-series modules from RF and other noise, BAE thoughtfully provides and external power supply, which also allows for 500 modules whose power requirements have strayed outside the old API standard. This also provides an advantage to 500-series manufacturers where quality and capacity of internal 500-series power supplies is an uncontrollable variable. The BAE 500-series PSU allows designers to push the old boundaries, enabling them to create better-performing 500 modules.\n<p>\n</p>\n<p>\n</p>\n<h3>About BAE</h3>\n	Answering to a higher authority—maintaining the legacy of Mr. Rupert Neve—BAE puts nothing but their very best efforts into each and every unit they build. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE\'s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n<p>\n</p>\n<h3>If you’ve been bitten by the 500-series bug, you’ll be wanting a power rack that lets you mix and match 500 modules to your heart’s content. Choose a BAE 11-space, 6-space, or 3LB desktop (lunchbox) power rack. Check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started, or call or chat with an RSPE representative today.   </h3>\n<br />'),(2775,85,0,463,'BAE 11-Space 500-Series Rack with Power Supply'),(2776,85,1,463,'BAE 11-Space 500-Series Rack with Power Supply'),(2777,76,0,463,''),(2778,76,1,463,''),(2779,75,0,464,'<h1>BAE 312A 500-Series Mic Preamp / DI  </h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">500-series compatible mic pre/DI with one of the most popular vintage sounds available: the API™ 312</span>\n</p>\n<p>\n	The BAE 312A 500-series mic preamp is a spot-on replica of the famous API 312 preamps that populated the early API consoles. Key to the API 312’s sound was the absence of a coupling capacitor between output transformer and opamp, which allowed transients to pass easily, making it a favorite for punchy snare and toms. The early 312s owed their sound in large degree to the API 2520 opamp, which underwent numerous changes throughout the years as component manufactures discontinued lines or changed specs—but API adapted as necessary to maintain the classic 312 sound. So how does the BAE opamp compare to the original API? BAE never stops short of getting right and the Avedis 1122 opamp found in the BAE 312A takes the performance of the API 2520 opamp to a higher level. The BAE 312A gives you all the vintage punch, sound and fury that made the original 312 a classic, and adds reliable, modern performance to boot.\n</p>\n<h3>BAE 312A 500-Series Mic Preamp/DI features:</h3>\n<ul>\n	<li>Authentic open, punchy sound of the original API 312            </li>\n	<li>Avedis 1122 opamp improves on the performance of the 2520 opamp </li>\n	<li>Jensen input and output transformers                            </li>\n	<li>Switches have gold contacts for long life                       </li>\n	<li>Front-panel, Hi-Z direct input for guitar and synthesizer       </li>\n	<li>Separate front panel switches for phantom power                 </li>\n	<li>Hand-made in the USA                                            </li>\n</ul>\n<p>\n	Back in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early-on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day.\n</p>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br/>\n<h3>Inside the Box</h3>\n<p>\n	Like all BAE products, the 500-series compatible BAE 312A Mic Pre/DI is made with the highest quality parts, including Jensen input and output transformers and the Avedis 1122 opamp. When discussing API preamps, the important distinction between the 312 and later 512C is the use of coupling capacitors between the output transformer and opamp. The reason for the 312’s success (it’s open punchy sound, particularly on drums) was also its greatest weakness. The 312 had no coupling capacitor between opamp and transformer. As such, if the opamp had any DC offset (a voltage output above the mean amplitude), it might burn out the transformer. The 512C had large coupling capacitor in parallel with a high-frequency capacitor and a resistor for transformer damping. The 512’s opamp also had a servo to eliminate DC offset. The result was increased headroom and the elimination of pops when the phase switch was cut in. Of course, the addition of these components led to a perceived sonic difference between the two. Those who have worked with both often hear the 312 as more open and punchy than the 512C.\n</p>\n<p>\n	To support the fast transient response of the capacitor-less 312A, the BAE 312A uses the Avedis 1122 opamp. The Avedis 1122 is a high-performance, direct-coupled operational amplifier designed specifically for professional audio amplifier applications. The 1122’s were originally made for replacement opamps in the repair of vintage API 312 and 512A mic preamps. It’s based on the same design principles as the 2520, but built with today\'s high-quality components, to make it operable under a wider voltage range and with lower noise than previously possible. Using no IC\'s, JFET\'s, or surface-mount components, the 1122 opamp is picks up where the 2520 left off. Its high output power, low distortion, and wide power bandwidth provides the kind of performance levels appreciated by the working professional.\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The front panel of the 500-series compatible BAE 312A mic pre has a matte black finish with orange BAE logo. It hosts a 1/4\" Hi-Z instrument input; buttons for phase reverse, pad, and +48V phantom power; and gain knob. Your basic no-frills design, it’s what’s inside the BAE 312A that counts.\n</p>\n<p>\n	Need a lunchbox or 500-series power rack for you BAE 312A? No worries! BAE makes the \n	<a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">3LB 3-space lunchbox</a>; a <a href=\"http://www.rspeaudio.com/BAE-6-Module-Lunchbox-with-Power-Supply-p/bae-6lunchbox.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">6-space lunchbox and power rack</a>; and an <a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">11-space 500-series power rack</a> if you’re looking to load up on vintage punch.\n</p>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Add the classic API punch to your 500-series rack with BAE’s 312A. Check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>\n<br/>\n<p>\n	<br/><a href=\"http://www.rspeaudio.com/Demo_4_Free_and_500_Series_Rentals_a/303.htm\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/demo4free-small2.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n</p>\n<p>\n		This product is also available as part of the RSPE Demo 4 Free & Rental Program, \n	<span class=\"colors_productprice\" style=\"font-weight: bold; text-decoration: underline;\"><a href=\"http://www.rspeaudio.com/BAE_312A_Single_Channel_500_Series_Mic_Pre_RENT_p/bae-312amod-rent.htm\" target=\"_blank\" class=\"colors_productprice\">click here</a></span> to see the rental product page.\n</p>'),(2780,75,1,464,'<h1>BAE 312A 500-Series Mic Preamp / DI  </h1>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">500-series compatible mic pre/DI with one of the most popular vintage sounds available: the API™ 312</span>\n</p>\n<p>\n	The BAE 312A 500-series mic preamp is a spot-on replica of the famous API 312 preamps that populated the early API consoles. Key to the API 312’s sound was the absence of a coupling capacitor between output transformer and opamp, which allowed transients to pass easily, making it a favorite for punchy snare and toms. The early 312s owed their sound in large degree to the API 2520 opamp, which underwent numerous changes throughout the years as component manufactures discontinued lines or changed specs—but API adapted as necessary to maintain the classic 312 sound. So how does the BAE opamp compare to the original API? BAE never stops short of getting right and the Avedis 1122 opamp found in the BAE 312A takes the performance of the API 2520 opamp to a higher level. The BAE 312A gives you all the vintage punch, sound and fury that made the original 312 a classic, and adds reliable, modern performance to boot.\n</p>\n<h3>BAE 312A 500-Series Mic Preamp/DI features:</h3>\n<ul>\n	<li>Authentic open, punchy sound of the original API 312            </li>\n	<li>Avedis 1122 opamp improves on the performance of the 2520 opamp </li>\n	<li>Jensen input and output transformers                            </li>\n	<li>Switches have gold contacts for long life                       </li>\n	<li>Front-panel, Hi-Z direct input for guitar and synthesizer       </li>\n	<li>Separate front panel switches for phantom power                 </li>\n	<li>Hand-made in the USA                                            </li>\n</ul>\n<p>\n	Back in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early-on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day.\n</p>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br/>\n<h3>Inside the Box</h3>\n<p>\n	Like all BAE products, the 500-series compatible BAE 312A Mic Pre/DI is made with the highest quality parts, including Jensen input and output transformers and the Avedis 1122 opamp. When discussing API preamps, the important distinction between the 312 and later 512C is the use of coupling capacitors between the output transformer and opamp. The reason for the 312’s success (it’s open punchy sound, particularly on drums) was also its greatest weakness. The 312 had no coupling capacitor between opamp and transformer. As such, if the opamp had any DC offset (a voltage output above the mean amplitude), it might burn out the transformer. The 512C had large coupling capacitor in parallel with a high-frequency capacitor and a resistor for transformer damping. The 512’s opamp also had a servo to eliminate DC offset. The result was increased headroom and the elimination of pops when the phase switch was cut in. Of course, the addition of these components led to a perceived sonic difference between the two. Those who have worked with both often hear the 312 as more open and punchy than the 512C.\n</p>\n<p>\n	To support the fast transient response of the capacitor-less 312A, the BAE 312A uses the Avedis 1122 opamp. The Avedis 1122 is a high-performance, direct-coupled operational amplifier designed specifically for professional audio amplifier applications. The 1122’s were originally made for replacement opamps in the repair of vintage API 312 and 512A mic preamps. It’s based on the same design principles as the 2520, but built with today\'s high-quality components, to make it operable under a wider voltage range and with lower noise than previously possible. Using no IC\'s, JFET\'s, or surface-mount components, the 1122 opamp is picks up where the 2520 left off. Its high output power, low distortion, and wide power bandwidth provides the kind of performance levels appreciated by the working professional.\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The front panel of the 500-series compatible BAE 312A mic pre has a matte black finish with orange BAE logo. It hosts a 1/4\" Hi-Z instrument input; buttons for phase reverse, pad, and +48V phantom power; and gain knob. Your basic no-frills design, it’s what’s inside the BAE 312A that counts.\n</p>\n<p>\n	Need a lunchbox or 500-series power rack for you BAE 312A? No worries! BAE makes the \n	<a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">3LB 3-space lunchbox</a>; a <a href=\"http://www.rspeaudio.com/BAE-6-Module-Lunchbox-with-Power-Supply-p/bae-6lunchbox.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">6-space lunchbox and power rack</a>; and an <a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">11-space 500-series power rack</a> if you’re looking to load up on vintage punch.\n</p>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/>\n	<br/>\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br/>\n	<br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Add the classic API punch to your 500-series rack with BAE’s 312A. Check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>\n<br/>\n<p>\n	<br/><a href=\"http://www.rspeaudio.com/Demo_4_Free_and_500_Series_Rentals_a/303.htm\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/demo4free-small2.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n</p>\n<p>\n		This product is also available as part of the RSPE Demo 4 Free & Rental Program, \n	<span class=\"colors_productprice\" style=\"font-weight: bold; text-decoration: underline;\"><a href=\"http://www.rspeaudio.com/BAE_312A_Single_Channel_500_Series_Mic_Pre_RENT_p/bae-312amod-rent.htm\" target=\"_blank\" class=\"colors_productprice\">click here</a></span> to see the rental product page.\n</p>'),(2781,85,0,464,'BAE 312A Rackmount and Module'),(2782,85,1,464,'BAE 312A Rackmount and Module'),(2783,76,0,464,''),(2784,76,1,464,''),(2785,75,0,465,'<h1>BAE 312B Signature Series Microphone Pre-Amplifier</h1>\n<span style=\"font-style: italic;\">500-series compatible mic pre/DI with one of the most popular vintage sounds available: the API™ 312</span>\n<br/><br/>\nThe BAE 312B 500 Series Mic Pre / DI carries the same excellent dynamic range, frequency response and noise performance the BAE 312 series is known for, but with 9dB lower gain, making it perfect for drums or other loud instruments. BAE achieves this newly introduced and modified gain structure by utilizing a lower gain Jensen input transformer, designed to compliment louder sources before needing to implement the pad.\n<br/><br/>\nThe 312A\'s higher gain structure occasionally required the pad to be used frequently with louder sources, such as a hot microphone on drums. The 312B uses an alternative Jensen transformer putting it at 7dB\'s of lower gain to accommodate louder sources without losing the dynamic characteristics of the 312A. This allows engineers the option of owning the 312A as a pre-amp geared toward higher gain and the 312B for toward lower gain.\n<br/><br/>\nThe 312B, just like the 312A, features the Avedis® 1122 Discrete Op-Amp and input and output Jensen transformers which use direct-coupled circuitry with no capacitors in the signal path. The input impedance of the 312B is designed to remain consistent, even after the pad is engaged, providing a steady load to the microphone. The characteristics of the 312B offer excellent dynamic range, frequency response, high headroom, and excellent noise performance for a punchy sound which works well with many microphones.\n<br/><br/>\nThe 312B is available as a single 500 Series module and as a fully loaded six space lunchbox. It includes a custom pull-on switch tailored to accentuate higher frequencies, a DI for instruments, a Phase Reverse switch, 48V for phantom power, and a PAD switch.\n<br/><br/>\n<h3>BAE 312A 500-Series Mic Preamp/DI features:</h3>\n<ul style=\"\">\n	<li>Made using Avedis® 1122 opamps</li>\n	<li>Supplied with Jensen input and output transformers.</li>\n	<li>Remote power supply with four-foot cable capable of four times the current needed by the preamps for optimum sound quality.</li>\n	<li>Switches have gold contacts for long life.</li>\n	<li>XLR connectors on the back for mic input and output and phone jack in front for direct input.</li>\n	<li>High impedance direct input for guitar and synthesizer.</li>\n	<li>Separate front panel switches for phantom power.</li>\n</ul>\n<p style=\"letter-spacing: normal;\">\n	<br/>Back in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early-on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day.\n</p>\n<h3></h3>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	\"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	\"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\" — \n	<em>Steven Slate Drums</em><br/><br/>\n</blockquote>\n<blockquote>\n	“What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/><br/>\n</blockquote>\n<blockquote>\n	“I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/><br/>\n</blockquote>\n<blockquote>\n	“I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/><br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	Discography: (Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting) \n	<br/><br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p style=\"letter-spacing: normal;\">\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Add the classic API punch to your 500-series rack with BAE’s 312B. Check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>'),(2786,75,1,465,'<h1>BAE 312B Signature Series Microphone Pre-Amplifier</h1>\n<span style=\"font-style: italic;\">500-series compatible mic pre/DI with one of the most popular vintage sounds available: the API™ 312</span>\n<br/><br/>\nThe BAE 312B 500 Series Mic Pre / DI carries the same excellent dynamic range, frequency response and noise performance the BAE 312 series is known for, but with 9dB lower gain, making it perfect for drums or other loud instruments. BAE achieves this newly introduced and modified gain structure by utilizing a lower gain Jensen input transformer, designed to compliment louder sources before needing to implement the pad.\n<br/><br/>\nThe 312A\'s higher gain structure occasionally required the pad to be used frequently with louder sources, such as a hot microphone on drums. The 312B uses an alternative Jensen transformer putting it at 7dB\'s of lower gain to accommodate louder sources without losing the dynamic characteristics of the 312A. This allows engineers the option of owning the 312A as a pre-amp geared toward higher gain and the 312B for toward lower gain.\n<br/><br/>\nThe 312B, just like the 312A, features the Avedis® 1122 Discrete Op-Amp and input and output Jensen transformers which use direct-coupled circuitry with no capacitors in the signal path. The input impedance of the 312B is designed to remain consistent, even after the pad is engaged, providing a steady load to the microphone. The characteristics of the 312B offer excellent dynamic range, frequency response, high headroom, and excellent noise performance for a punchy sound which works well with many microphones.\n<br/><br/>\nThe 312B is available as a single 500 Series module and as a fully loaded six space lunchbox. It includes a custom pull-on switch tailored to accentuate higher frequencies, a DI for instruments, a Phase Reverse switch, 48V for phantom power, and a PAD switch.\n<br/><br/>\n<h3>BAE 312A 500-Series Mic Preamp/DI features:</h3>\n<ul style=\"\">\n	<li>Made using Avedis® 1122 opamps</li>\n	<li>Supplied with Jensen input and output transformers.</li>\n	<li>Remote power supply with four-foot cable capable of four times the current needed by the preamps for optimum sound quality.</li>\n	<li>Switches have gold contacts for long life.</li>\n	<li>XLR connectors on the back for mic input and output and phone jack in front for direct input.</li>\n	<li>High impedance direct input for guitar and synthesizer.</li>\n	<li>Separate front panel switches for phantom power.</li>\n</ul>\n<p style=\"letter-spacing: normal;\">\n	<br/>Back in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early-on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day.\n</p>\n<h3></h3>\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	\"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	\"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\" — \n	<em>Steven Slate Drums</em><br/><br/>\n</blockquote>\n<blockquote>\n	“What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br/><br/>\n</blockquote>\n<blockquote>\n	“I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br/><br/>\n</blockquote>\n<blockquote>\n	“I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br/><br/>\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br/><br/>\n</blockquote>\n<blockquote>\n	Discography: (Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting) \n	<br/><br/>\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p style=\"letter-spacing: normal;\">\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Add the classic API punch to your 500-series rack with BAE’s 312B. Check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>'),(2787,85,0,465,''),(2788,85,1,465,''),(2789,76,0,465,''),(2790,76,1,465,''),(2791,75,0,466,'<h1>BAE 3LB 500-Series Desktop Lunchbox</h1>\n<span style=\"font-size:16px; font-style:italic;\">Handmade, 3-channel, portable 500-series lunchbox holds three 500 modules or one BAE 1073D </span><br /><br />\nThough the term “lunchbox” has become a generic term to fit all 500-series power racks, the BAE 3LB is a lunchbox in the truest form—one that you can take with you to any tracking session anywhere in the world. Noted for handcrafting spot-on Neve reproductions, BAE (formerly Brent Averill, now British Audio Engineering) has been one of a very few to offer API/VPR Alliance-compatible 500-series racks and lunchboxes. BAE 500-series power racks are available in three formats: the BAE 3LB 3-space desktop lunchbox, <a href=\"http://www.rspeaudio.com/BAE-6-Module-Rack-with-Power-Supply-p/bae-6rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 6-space rack</a>, and <a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 11-space rack</a>. To ensure compatibility with a wide variety of 500 modules, BAE 500-series racks offer greater amperage rating to accommodate 500-series modules that stray outside the original VPR specs. <br /><br />\n<h3>BAE 3LB 3-Space Desktop Lunchbox Features:</h3>\n<ul>\n	<li>Strong steel chassis                                                      </li>\n	<li>Completely hand-wired point-to-point with Mogami cable and silver solder  </li>\n	<li>XLR inputs and outputs                                                    </li>\n	<li>Overbuilt, 115/230 VAC PSU can be used globally                           </li>\n	<li>Hand-built in the USA                                                     </li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<h3>Inside the Box</h3>\nThe BAE 3LB is a 3-Channel Desktop Lunchbox Rack that can house 3 individual modules or one BAE 1073D. Built into the 3LB, or should we say, overbuilt into the BAE 3LB is a robust PSU that can easily be converted between 115 and 230V for international usage. No PCB’s are harmed in the making of the BAE 3LB, or even used for that matter. Built by the BAE team in Los Angeles, CA, the BAE 3LB is completely hand-wired point-to-point with Mogami cable. Connections are made using highly conductive silver solder. 3LB easily fits in the BAE Lunchbox Case for safe and easy traveling. \n<br /><br />\n<h3>Outside the Box</h3>\nWhether you’re staying put, or going mobile with your 3LB 500-series desktop lunchbox, it’s good to know your precious 500 modules are safely housed in BAE’s solid, road-resistant all-steel chassis with a convenient, built-in carrying handle. Integrating your BAE 3LB 500 rack into any studio is as easy as it gets thanks to BAE’s use of high-quality, balanced XLR input and output connectors. You’re thinking, “Okay, my BAE 3LB can handle the road, but how do I protect it against the elements?” BAE can read your mind (obviously) and offers you a \nvintage-style road case to keep your 3LB warm and dry as you carry it to tracking sessions in deepest darkest New York or London (they don’t have weather in L.A.) <br /><br />\n<h3>About BAE</h3>\nAnswering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they build. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out RSPE’s \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE. <br />\n<br />'),(2792,75,1,466,'<h1>BAE 3LB 500-Series Desktop Lunchbox</h1>\n<span style=\"font-size:16px; font-style:italic;\">Handmade, 3-channel, portable 500-series lunchbox holds three 500 modules or one BAE 1073D </span><br /><br />\nThough the term “lunchbox” has become a generic term to fit all 500-series power racks, the BAE 3LB is a lunchbox in the truest form—one that you can take with you to any tracking session anywhere in the world. Noted for handcrafting spot-on Neve reproductions, BAE (formerly Brent Averill, now British Audio Engineering) has been one of a very few to offer API/VPR Alliance-compatible 500-series racks and lunchboxes. BAE 500-series power racks are available in three formats: the BAE 3LB 3-space desktop lunchbox, <a href=\"http://www.rspeaudio.com/BAE-6-Module-Rack-with-Power-Supply-p/bae-6rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 6-space rack</a>, and <a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 11-space rack</a>. To ensure compatibility with a wide variety of 500 modules, BAE 500-series racks offer greater amperage rating to accommodate 500-series modules that stray outside the original VPR specs. <br /><br />\n<h3>BAE 3LB 3-Space Desktop Lunchbox Features:</h3>\n<ul>\n	<li>Strong steel chassis                                                      </li>\n	<li>Completely hand-wired point-to-point with Mogami cable and silver solder  </li>\n	<li>XLR inputs and outputs                                                    </li>\n	<li>Overbuilt, 115/230 VAC PSU can be used globally                           </li>\n	<li>Hand-built in the USA                                                     </li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<h3>Inside the Box</h3>\nThe BAE 3LB is a 3-Channel Desktop Lunchbox Rack that can house 3 individual modules or one BAE 1073D. Built into the 3LB, or should we say, overbuilt into the BAE 3LB is a robust PSU that can easily be converted between 115 and 230V for international usage. No PCB’s are harmed in the making of the BAE 3LB, or even used for that matter. Built by the BAE team in Los Angeles, CA, the BAE 3LB is completely hand-wired point-to-point with Mogami cable. Connections are made using highly conductive silver solder. 3LB easily fits in the BAE Lunchbox Case for safe and easy traveling. \n<br /><br />\n<h3>Outside the Box</h3>\nWhether you’re staying put, or going mobile with your 3LB 500-series desktop lunchbox, it’s good to know your precious 500 modules are safely housed in BAE’s solid, road-resistant all-steel chassis with a convenient, built-in carrying handle. Integrating your BAE 3LB 500 rack into any studio is as easy as it gets thanks to BAE’s use of high-quality, balanced XLR input and output connectors. You’re thinking, “Okay, my BAE 3LB can handle the road, but how do I protect it against the elements?” BAE can read your mind (obviously) and offers you a \nvintage-style road case to keep your 3LB warm and dry as you carry it to tracking sessions in deepest darkest New York or London (they don’t have weather in L.A.) <br /><br />\n<h3>About BAE</h3>\nAnswering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they build. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out RSPE’s \n<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE. <br />\n<br />'),(2793,85,0,466,'BAE 3LB 3 Module Desktop Rack With Power Supply, 500 series rack, 500, lunchbox,'),(2794,85,1,466,'BAE 3LB 3 Module Desktop Rack With Power Supply, 500 series rack, 500, lunchbox,'),(2795,76,0,466,''),(2796,76,1,466,''),(2797,75,0,467,'<h2>BAE 500C FET Compressor 500 Series Module</h2>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">500-series compatible FET compressor that\'s robust and musical. </span><br /><br />\n	Based on the design of studio staple FET compressors of the ’60s and ’70s heard on countless hit records, the 500C features controls for input and output gain, plus the four selectable, time-honored compression rations of 4:1, 8:1, 12:1, and 20:1.<br /><br />\n\n	In addition to taming peaks, its premium components and classic circuit design add highly desireable analog warmth to your signal, making it an all-star for everything from drums to bass to vocals. Like all BAE Audio gear, the 500C is hand-wired in California to ensure the highest possible quality control.\n<br /><br />\n<h3>BAE 500C features:</h3>\n<ul>\n	<li>FET gain reduction</li><li>Three 2520 style opamps</li><li>Transformer coupled output</li><li>Feedback style peak limiter</li><li>SC HPF</li><li>Hard bypass</li><li>Gain Reduction on/off</li><li>Comp ratios: 2:1, 4:1, 8:1, 12:1, 20:1, ABI</li><li>ABI All Buttons In</li><li>Fully enclosed</li><li>High quality components throughout</li>\n	<li>Hand-made in the USA                                            </li>\n</ul>\n<p></p>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Add classic FET compression to your 500-series rack with BAE’s 500C. Check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>'),(2798,75,1,467,'<h2>BAE 500C FET Compressor 500 Series Module</h2>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">500-series compatible FET compressor that\'s robust and musical. </span><br /><br />\n	Based on the design of studio staple FET compressors of the ’60s and ’70s heard on countless hit records, the 500C features controls for input and output gain, plus the four selectable, time-honored compression rations of 4:1, 8:1, 12:1, and 20:1.<br /><br />\n\n	In addition to taming peaks, its premium components and classic circuit design add highly desireable analog warmth to your signal, making it an all-star for everything from drums to bass to vocals. Like all BAE Audio gear, the 500C is hand-wired in California to ensure the highest possible quality control.\n<br /><br />\n<h3>BAE 500C features:</h3>\n<ul>\n	<li>FET gain reduction</li><li>Three 2520 style opamps</li><li>Transformer coupled output</li><li>Feedback style peak limiter</li><li>SC HPF</li><li>Hard bypass</li><li>Gain Reduction on/off</li><li>Comp ratios: 2:1, 4:1, 8:1, 12:1, 20:1, ABI</li><li>ABI All Buttons In</li><li>Fully enclosed</li><li>High quality components throughout</li>\n	<li>Hand-made in the USA                                            </li>\n</ul>\n<p></p>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Add classic FET compression to your 500-series rack with BAE’s 500C. Check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>'),(2799,85,0,467,''),(2800,85,1,467,''),(2801,76,0,467,''),(2802,76,1,467,''),(2803,75,0,468,'<h2>BAE (British Audio Engineering) 500-Series 6-Space Desktop Lunchbox </h2>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\">Rock-solid 500-series desktop lunchbox with all-steel chassis and greater current handling for wider 500-module compatibility</span>\n</p>\n<p>\n	Noted for handcrafting spot-on Neve reproductions, BAE (formerly Brent Averill, now British Audio Engineering) has been one of a very few to offer API/VPR Alliance-compatible 500-series racks and lunchboxes. BAE 500-series power racks are available in three formats: the BAE 6-space rack and lunchbox, \n	<a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 11-space rack</a>, and <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 3LB 3-space desktop lunchbox</a>. To ensure compatibility with a wide variety of 500 modules, BAE 500-series racks offer greater amperage rating, to accommodate 500-series modules that stray outside the original VPR specs.\n</p>\n<h3>BAE 6-space 500-series module lunchbox features</h3>\n<ul>\n	<li>Strong steel chassis (no aluminum anywhere)                               </li>\n	<li>Shielded wires on individual connectors for serviceability—no PCBs        </li>\n	<li>XLR inputs and outputs                                                    </li>\n	<li>Remote power supply keeps power transformer interference away from modules</li>\n	<li>Operates on 115/230 VAC for global use                                    </li>\n	<li>Hand-built in the USA                                                     </li>\n</ul><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" /><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.</p><br />\n<h3>Inside the Box </h3>\n<p>\n	While other 500-series racks use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows you to design the power supply without compromise, and makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, thus increasing noise. Additionally, components are subject to extra heat generated from transformers, regulators, and rectifiers—and heat is the enemy of all electronic components.\n</p>\n<p>\n	Heat causes unwanted changes in operational parameters and premature component failure. Conversely, loading up a rack with 500 modules of varying power requirements can overheat an internal power supply. To deal with those power-consumption variations, BAE’s external PSU was designed to handle greater current. The power output of the BAE 6-Space Lunchbox is ±16 VDC, 1.6A (800mA per rail). And finally, BAE uses on the finest card edge connectors for your 500 module’s pin-out.\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The BAE 6-Space lunchbox comes in two configurations; rackmount and desktop lunchbox.* So, whether you’re staying put, or going mobile with your 500-series 6-space lunchbox, it’s good to know your precious 500 modules are safely housed in BAE’s solid, road-resistant all-steel chassis. Integrating your BAE 6-Space 500 lunchbox into any studio is as easy as it gets thanks to BAE’s use of high-quality, balanced XLR input and output connectors. To power and protect your 500-series modules from RF and other noise, BAE thoughtfully provides and external power supply. You’re thinking, “but now I have two things to carry.” Au contraire, mon frere and frerettes, BAE thinks of everything and offers you a \n	<a href=\"http://www.rspeaudio.com/BAE-Lunchbox-PSU-Road-Case-p/bae-road-case.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">vintage-style lunchbox & PSU road case</a>.\n</p>\n<p>\n	*(optional rack ears allow 6-Space lunchboxes bought after June 2012 to be rackmounted)\n</p>\n<h3>About BAE</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\"> RSPE\'s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<br />\n<h3>If you’ve been bitten by the 500-series bug, you’ll be wanting a power rack that lets you mix and match 500 modules to your heart’s content. Choose a BAE 6-space, 11-space, or 3LB desktop (lunchbox) power rack. Check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started, or call or chat with an RSPE representative today.   </h3>\n<br />'),(2804,75,1,468,'<h2>BAE (British Audio Engineering) 500-Series 6-Space Desktop Lunchbox </h2>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\">Rock-solid 500-series desktop lunchbox with all-steel chassis and greater current handling for wider 500-module compatibility</span>\n</p>\n<p>\n	Noted for handcrafting spot-on Neve reproductions, BAE (formerly Brent Averill, now British Audio Engineering) has been one of a very few to offer API/VPR Alliance-compatible 500-series racks and lunchboxes. BAE 500-series power racks are available in three formats: the BAE 6-space rack and lunchbox, \n	<a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 11-space rack</a>, and <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 3LB 3-space desktop lunchbox</a>. To ensure compatibility with a wide variety of 500 modules, BAE 500-series racks offer greater amperage rating, to accommodate 500-series modules that stray outside the original VPR specs.\n</p>\n<h3>BAE 6-space 500-series module lunchbox features</h3>\n<ul>\n	<li>Strong steel chassis (no aluminum anywhere)                               </li>\n	<li>Shielded wires on individual connectors for serviceability—no PCBs        </li>\n	<li>XLR inputs and outputs                                                    </li>\n	<li>Remote power supply keeps power transformer interference away from modules</li>\n	<li>Operates on 115/230 VAC for global use                                    </li>\n	<li>Hand-built in the USA                                                     </li>\n</ul><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" /><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.</p><br />\n<h3>Inside the Box </h3>\n<p>\n	While other 500-series racks use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows you to design the power supply without compromise, and makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, thus increasing noise. Additionally, components are subject to extra heat generated from transformers, regulators, and rectifiers—and heat is the enemy of all electronic components.\n</p>\n<p>\n	Heat causes unwanted changes in operational parameters and premature component failure. Conversely, loading up a rack with 500 modules of varying power requirements can overheat an internal power supply. To deal with those power-consumption variations, BAE’s external PSU was designed to handle greater current. The power output of the BAE 6-Space Lunchbox is ±16 VDC, 1.6A (800mA per rail). And finally, BAE uses on the finest card edge connectors for your 500 module’s pin-out.\n</p>\n<h3>Outside the Box</h3>\n<p>\n	The BAE 6-Space lunchbox comes in two configurations; rackmount and desktop lunchbox.* So, whether you’re staying put, or going mobile with your 500-series 6-space lunchbox, it’s good to know your precious 500 modules are safely housed in BAE’s solid, road-resistant all-steel chassis. Integrating your BAE 6-Space 500 lunchbox into any studio is as easy as it gets thanks to BAE’s use of high-quality, balanced XLR input and output connectors. To power and protect your 500-series modules from RF and other noise, BAE thoughtfully provides and external power supply. You’re thinking, “but now I have two things to carry.” Au contraire, mon frere and frerettes, BAE thinks of everything and offers you a \n	<a href=\"http://www.rspeaudio.com/BAE-Lunchbox-PSU-Road-Case-p/bae-road-case.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">vintage-style lunchbox & PSU road case</a>.\n</p>\n<p>\n	*(optional rack ears allow 6-Space lunchboxes bought after June 2012 to be rackmounted)\n</p>\n<h3>About BAE</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\"> RSPE\'s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<br />\n<h3>If you’ve been bitten by the 500-series bug, you’ll be wanting a power rack that lets you mix and match 500 modules to your heart’s content. Choose a BAE 6-space, 11-space, or 3LB desktop (lunchbox) power rack. Check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started, or call or chat with an RSPE representative today.   </h3>\n<br />'),(2805,85,0,468,'BAE 6 Module Lunchbox with Power Supply'),(2806,85,1,468,'BAE 6 Module Lunchbox with Power Supply'),(2807,76,0,468,''),(2808,76,1,468,''),(2809,75,0,469,'<h2>BAE (British Audio Engineering) 500-Series 6-Space Rack </h2>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\">Rock-solid 500-series rack with all-steel chassis and greater current handling for wider 500-module compatibility</span>\n</p>\n<p>\n	Noted for handcrafting spot-on Neve reproductions, BAE (formerly Brent Averill, now British Audio Engineering) has been one of a very few to offer API/VPR Alliance-compatible 500-series racks and lunchboxes. BAE 500-series power racks are available in three formats: the BAE 6-space rack and lunchbox, \n	<a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 11-space rack</a>, and <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 3LB 3-space desktop lunchbox</a>. To ensure compatibility with a wide variety of 500 modules, BAE 500-series racks offer greater amperage rating, to accommodate 500-series modules that stray outside the original VPR specs.\n</p>\n<h3>BAE 6-space 500-series module rack features</h3>\n<ul>\n	<li>Strong steel chassis (no aluminum anywhere)                               </li>\n	<li>Shielded wires on individual connectors for serviceability—no PCBs        </li>\n	<li>XLR inputs and outputs                                                    </li>\n	<li>Remote power supply keeps power transformer interference away from modules</li>\n	<li>Operates on 115/230 VAC for global use                                    </li>\n	<li>Hand-built in the USA                                                     </li>\n</ul><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" /><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.</p><br />\n<h3>Inside the Box </h3>\n<p>\n		While other 500-series racks use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows you to design the power supply without compromise, and makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, thus increasing noise. Additionally, components are subject to extra heat generated from transformers, regulators, and rectifiers—and heat is the enemy of all electronic components.\n</p>\n<p>\n	Heat causes unwanted changes in operational parameters and premature component failure. Conversely, loading up a rack with 500 modules of varying power requirements can overheat an internal power supply. To deal with those power-consumption variations, BAE’s external PSU was designed to handle greater current. The power output of the BAE 6-Space Rack is ±16 VDC, 1.6A (800mA per rail). And finally, BAE uses on the finest card edge connectors for your 500 module’s pin-out.\n</p>\n<h3>Outside the Box</h3>\n<p>\n		The BAE 6-Space rack comes in two configurations; rackmount and desktop lunchbox.* So, whether you’re staying put, or going mobile with your 500-series 6-space lunchbox, it’s good to know your precious 500 modules are safely housed in BAE’s solid, road-resistant all-steel chassis. Integrating your BAE 6-Space 500 rack into any studio is as easy as it gets thanks to BAE’s use of high-quality, balanced XLR input and output connectors. To power and protect your 500-series modules from RF and other noise, BAE thoughtfully provides and external power supply. You’re thinking, “but now I have two things to carry.” Au contraire, mon frere and frerettes, BAE thinks of everything and offers you a \n	<a href=\"http://www.rspeaudio.com/BAE-Lunchbox-PSU-Road-Case-p/bae-road-case.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">vintage-style lunchbox & PSU road case</a>.\n</p>\n<p>\n	*(optional rack ears allow 6-Space lunchboxes bought after June 2012 to be rackmounted)\n</p>\n<h3>About BAE</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\"> RSPE\'s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p><br />\n<h3>If you’ve been bitten by the 500-series bug, you’ll be wanting a power rack that lets you mix and match 500 modules to your heart’s content. Choose a BAE 6-space, 11-space, or 3LB desktop (lunchbox) power rack. Check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started, or call or chat with an RSPE representative today.   </h3>\n<br />'),(2810,75,1,469,'<h2>BAE (British Audio Engineering) 500-Series 6-Space Rack </h2>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\">Rock-solid 500-series rack with all-steel chassis and greater current handling for wider 500-module compatibility</span>\n</p>\n<p>\n	Noted for handcrafting spot-on Neve reproductions, BAE (formerly Brent Averill, now British Audio Engineering) has been one of a very few to offer API/VPR Alliance-compatible 500-series racks and lunchboxes. BAE 500-series power racks are available in three formats: the BAE 6-space rack and lunchbox, \n	<a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 11-space rack</a>, and <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 3LB 3-space desktop lunchbox</a>. To ensure compatibility with a wide variety of 500 modules, BAE 500-series racks offer greater amperage rating, to accommodate 500-series modules that stray outside the original VPR specs.\n</p>\n<h3>BAE 6-space 500-series module rack features</h3>\n<ul>\n	<li>Strong steel chassis (no aluminum anywhere)                               </li>\n	<li>Shielded wires on individual connectors for serviceability—no PCBs        </li>\n	<li>XLR inputs and outputs                                                    </li>\n	<li>Remote power supply keeps power transformer interference away from modules</li>\n	<li>Operates on 115/230 VAC for global use                                    </li>\n	<li>Hand-built in the USA                                                     </li>\n</ul><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" /><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.</p><br />\n<h3>Inside the Box </h3>\n<p>\n		While other 500-series racks use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows you to design the power supply without compromise, and makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, thus increasing noise. Additionally, components are subject to extra heat generated from transformers, regulators, and rectifiers—and heat is the enemy of all electronic components.\n</p>\n<p>\n	Heat causes unwanted changes in operational parameters and premature component failure. Conversely, loading up a rack with 500 modules of varying power requirements can overheat an internal power supply. To deal with those power-consumption variations, BAE’s external PSU was designed to handle greater current. The power output of the BAE 6-Space Rack is ±16 VDC, 1.6A (800mA per rail). And finally, BAE uses on the finest card edge connectors for your 500 module’s pin-out.\n</p>\n<h3>Outside the Box</h3>\n<p>\n		The BAE 6-Space rack comes in two configurations; rackmount and desktop lunchbox.* So, whether you’re staying put, or going mobile with your 500-series 6-space lunchbox, it’s good to know your precious 500 modules are safely housed in BAE’s solid, road-resistant all-steel chassis. Integrating your BAE 6-Space 500 rack into any studio is as easy as it gets thanks to BAE’s use of high-quality, balanced XLR input and output connectors. To power and protect your 500-series modules from RF and other noise, BAE thoughtfully provides and external power supply. You’re thinking, “but now I have two things to carry.” Au contraire, mon frere and frerettes, BAE thinks of everything and offers you a \n	<a href=\"http://www.rspeaudio.com/BAE-Lunchbox-PSU-Road-Case-p/bae-road-case.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">vintage-style lunchbox & PSU road case</a>.\n</p>\n<p>\n	*(optional rack ears allow 6-Space lunchboxes bought after June 2012 to be rackmounted)\n</p>\n<h3>About BAE</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\"> RSPE\'s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p><br />\n<h3>If you’ve been bitten by the 500-series bug, you’ll be wanting a power rack that lets you mix and match 500 modules to your heart’s content. Choose a BAE 6-space, 11-space, or 3LB desktop (lunchbox) power rack. Check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started, or call or chat with an RSPE representative today.   </h3>\n<br />'),(2811,85,0,469,'BAE 6 Module Rack with Power Supply'),(2812,85,1,469,'BAE 6 Module Rack with Power Supply'),(2813,76,0,469,''),(2814,76,1,469,''),(2815,75,0,470,'<h1>BAE 73EQL 500 Series EQ Module</h1>\n<p>\n	<i>BAE\'s 73EQL is the ultimate companion for on-location, studio recording, mixing or mastering applications.</i>\n</p>\n<p>\n	The highly anticipated 73EQL follows the success of the 1073MPL 500 series preamplifier, which was introduced four years ago and which was quickly adopted as a foundational element for many commercial and project studios around the globe. BAE Audio has been building the 1073 for two decades; consecutively longer than any other company in history. The company’s 500 series rendition of this classic circuitry is the result of many years of research and development, over which time the company strived to retain the authentic sound character of the 1073 in an impossibly small package — without compromising quality, materials or workmanship.<br /><br />The 73EQL delivers impressive tonal shaping options into a diminutive size, making it the ultimate accompaniment to a BAE 1073MPL 500 series preamplifier or as a stand-alone EQ to complement just any other input source. With a 3-band EQ section and highpass filter controls, the 73EQL is able to shape nuances of sound sources while imparting the classic sound character of the 1073.\n</p>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<p>\n	<span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\"><br />Who’s Using BAE:</span>\n</p>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br /><br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br /><br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br /><br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br /><br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br /><br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer\"<br /><br /></em><span style=\"letter-spacing: 0.08em;\">Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	</span>\n</blockquote>\n<h3></h3>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Add the classic Neve sound to your 500-series rack with BAE’s 73EQL, plus greater frequency control and precision performance. Check out  <a href=\"http://www.rsperackrevolution.com\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.   </h3>\n<p>\n	<br />\n	This product is also available as part of the RSPE Demo 4 Free & Rental Program, <span class=\"colors_productprice\" style=\"font-weight: bold; text-decoration: underline;\"><a href=\"http://www.rspeaudio.com/BAE_1073D_Mic_Pre_EQ_p/bae-500-1073d-rent.htm\" target=\"_blank\" class=\"colors_productprice\">click here</a></span> to see the rental product page.\n</p>'),(2816,75,1,470,'<h1>BAE 73EQL 500 Series EQ Module</h1>\n<p>\n	<i>BAE\'s 73EQL is the ultimate companion for on-location, studio recording, mixing or mastering applications.</i>\n</p>\n<p>\n	The highly anticipated 73EQL follows the success of the 1073MPL 500 series preamplifier, which was introduced four years ago and which was quickly adopted as a foundational element for many commercial and project studios around the globe. BAE Audio has been building the 1073 for two decades; consecutively longer than any other company in history. The company’s 500 series rendition of this classic circuitry is the result of many years of research and development, over which time the company strived to retain the authentic sound character of the 1073 in an impossibly small package — without compromising quality, materials or workmanship.<br /><br />The 73EQL delivers impressive tonal shaping options into a diminutive size, making it the ultimate accompaniment to a BAE 1073MPL 500 series preamplifier or as a stand-alone EQ to complement just any other input source. With a 3-band EQ section and highpass filter controls, the 73EQL is able to shape nuances of sound sources while imparting the classic sound character of the 1073.\n</p>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<p>\n	<span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\"><br />Who’s Using BAE:</span>\n</p>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br /><br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br /><br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br /><br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br /><br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br /><br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer\"<br /><br /></em><span style=\"letter-spacing: 0.08em;\">Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	</span>\n</blockquote>\n<h3></h3>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<h3>Add the classic Neve sound to your 500-series rack with BAE’s 73EQL, plus greater frequency control and precision performance. Check out  <a href=\"http://www.rsperackrevolution.com\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.   </h3>\n<p>\n	<br />\n	This product is also available as part of the RSPE Demo 4 Free & Rental Program, <span class=\"colors_productprice\" style=\"font-weight: bold; text-decoration: underline;\"><a href=\"http://www.rspeaudio.com/BAE_1073D_Mic_Pre_EQ_p/bae-500-1073d-rent.htm\" target=\"_blank\" class=\"colors_productprice\">click here</a></span> to see the rental product page.\n</p>'),(2817,85,0,470,'BAE 73EQL 500 Series EQ Module'),(2818,85,1,470,'BAE 73EQL 500 Series EQ Module'),(2819,76,0,470,''),(2820,76,1,470,''),(2821,75,0,471,'<h2>BAE 8CR - 8 Channel Powered Rack for Neve Modules</h2><p style=\"letter-spacing: normal;\"><span href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\" style=\"font-style: italic;\"> 8-Channel Powered Rack for vintage Neve-style 10-series modules</span></p><p style=\"\"><span style=\"letter-spacing: normal;\">The BAE 8CR is an 8-module self-powered rack for vintage Neve™* 10-series 8 3/4\" high modules including the 1066, 1073, 1084 and our reproduction 1073 and 1084 modules (modules are NOT included). Each module has its own separate output level control and lighted 48v phantom power switch. The back panel has XLR connectors for mic input, line input and output. The oversize external power supply puts out two times the current necessary to power the rack. It has an extra DC outlet which will operate any of our 1272 preamps or Class A Mixers. The power supply may be set for 220/240 volt operation for Europe or Australia at no extra charge. As well we can set it for 100 volt operation for Japan at no extra charge.</span><br /><br /><span style=\"letter-spacing: normal; background-color: initial; color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">BAE 8CR features:</span></p><ul style=\"letter-spacing: normal;\"><li>8-Channel Rack for Neve 10-series modules</li><li>Heavy-Duty external Power supply</li><li>Separate Output level control for each channel</li><li>48V phantom power switch for each channel</li><li>Hand-made in the USA</li></ul>'),(2822,75,1,471,'<h2>BAE 8CR - 8 Channel Powered Rack for Neve Modules</h2><p style=\"letter-spacing: normal;\"><span href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\" style=\"font-style: italic;\"> 8-Channel Powered Rack for vintage Neve-style 10-series modules</span></p><p style=\"\"><span style=\"letter-spacing: normal;\">The BAE 8CR is an 8-module self-powered rack for vintage Neve™* 10-series 8 3/4\" high modules including the 1066, 1073, 1084 and our reproduction 1073 and 1084 modules (modules are NOT included). Each module has its own separate output level control and lighted 48v phantom power switch. The back panel has XLR connectors for mic input, line input and output. The oversize external power supply puts out two times the current necessary to power the rack. It has an extra DC outlet which will operate any of our 1272 preamps or Class A Mixers. The power supply may be set for 220/240 volt operation for Europe or Australia at no extra charge. As well we can set it for 100 volt operation for Japan at no extra charge.</span><br /><br /><span style=\"letter-spacing: normal; background-color: initial; color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">BAE 8CR features:</span></p><ul style=\"letter-spacing: normal;\"><li>8-Channel Rack for Neve 10-series modules</li><li>Heavy-Duty external Power supply</li><li>Separate Output level control for each channel</li><li>48V phantom power switch for each channel</li><li>Hand-made in the USA</li></ul>'),(2823,85,0,471,'BAE 8-Channel Rack Powered Rack for Neve'),(2824,85,1,471,'BAE 8-Channel Rack Powered Rack for Neve'),(2825,76,0,471,''),(2826,76,1,471,''),(2827,75,0,472,'<h2>BAE B15 500-Series Multi-Band Equalizer</h2>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\">A 500 series equalizer from BAE, the masters of recreating vintage sound with modern features and components.</span>\n<br /><br />\n	The BAE B15 multi-band equalizer is<span> inspired by the Avedis E15 and </span><span style=\"background-color: initial;\">designed to create both a clean sound and a colored sound, depending on what part of the circuit is used. The B15 EQ provides a mixture between the punchy, vintage sound of the 312 Mic Pre circuit and the rich, colored sound of the 1073 Mic Pre/EQ circuit in an economically efficient and compact 500 series package. </span><span style=\"background-color: initial;\">The B15 EQ is an all-discrete design, featuring three bands with (5) selectable frequencies per band. Created to BAE Audio\'s discriminating vintage specifications, the build and performance of the B15 does not disappoint, complete with Jensen transformers at the input & output stage, Elma gold plated rotary switches and a 15-way gold connector for longer life. The aesthetics of the B15 are equally as sleek, featuring custom-machined aluminum knobs set against a classic matte black housing.</span>\n<br /><br />\n	For equipment manufacturers, designing and building high quality 500 series modules is often ripe with challenges, given the significantly reduced physical space. With the B15 and its other 500 series units, BAE Audio has maintained a very high manufacturing standard, as each of its units are hand-wired and assembled in California.\n</p><br /><h3>BAE B15 500-Series Equalizer features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Standard 500 series modular size 1.5\" x 5.25\"</span></li>\n	<li>3-bands with 5 selectable frequencies per band</li>\n	<li>+16 dB of boost and cut using continuous variable potentiometer</li>\n	<li>Push button shelving option for low and high frequencies</li>\n	<li>All discrete design</li>\n	<li>High headroom</li>\n	<li>Low noise</li>\n	<li>Jensen Transformer balanced input & output</li>\n	<li>Custom machined aluminium knobs</li>\n	<li>Elma Gold plated rotary switches and 15-way connector for longer life</li>\n	<li>Utilizes Avedis® 1122 Opamps</li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<br />\n<h3>Add the clean vintage sound from the Avedis E15 to your 500-series rack with BAE’s B15. Check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>'),(2828,75,1,472,'<h2>BAE B15 500-Series Multi-Band Equalizer</h2>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\">A 500 series equalizer from BAE, the masters of recreating vintage sound with modern features and components.</span>\n<br /><br />\n	The BAE B15 multi-band equalizer is<span> inspired by the Avedis E15 and </span><span style=\"background-color: initial;\">designed to create both a clean sound and a colored sound, depending on what part of the circuit is used. The B15 EQ provides a mixture between the punchy, vintage sound of the 312 Mic Pre circuit and the rich, colored sound of the 1073 Mic Pre/EQ circuit in an economically efficient and compact 500 series package. </span><span style=\"background-color: initial;\">The B15 EQ is an all-discrete design, featuring three bands with (5) selectable frequencies per band. Created to BAE Audio\'s discriminating vintage specifications, the build and performance of the B15 does not disappoint, complete with Jensen transformers at the input & output stage, Elma gold plated rotary switches and a 15-way gold connector for longer life. The aesthetics of the B15 are equally as sleek, featuring custom-machined aluminum knobs set against a classic matte black housing.</span>\n<br /><br />\n	For equipment manufacturers, designing and building high quality 500 series modules is often ripe with challenges, given the significantly reduced physical space. With the B15 and its other 500 series units, BAE Audio has maintained a very high manufacturing standard, as each of its units are hand-wired and assembled in California.\n</p><br /><h3>BAE B15 500-Series Equalizer features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Standard 500 series modular size 1.5\" x 5.25\"</span></li>\n	<li>3-bands with 5 selectable frequencies per band</li>\n	<li>+16 dB of boost and cut using continuous variable potentiometer</li>\n	<li>Push button shelving option for low and high frequencies</li>\n	<li>All discrete design</li>\n	<li>High headroom</li>\n	<li>Low noise</li>\n	<li>Jensen Transformer balanced input & output</li>\n	<li>Custom machined aluminium knobs</li>\n	<li>Elma Gold plated rotary switches and 15-way connector for longer life</li>\n	<li>Utilizes Avedis® 1122 Opamps</li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<br />\n<h3>Add the clean vintage sound from the Avedis E15 to your 500-series rack with BAE’s B15. Check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>'),(2829,85,0,472,'BAE B15 500-Series Multi-Band Equalizer'),(2830,85,1,472,'BAE B15 500-Series Multi-Band Equalizer'),(2831,76,0,472,''),(2832,76,1,472,''),(2833,75,0,473,'<h2>BAE DMP Case - Vintage-Style Road Case for 1073DMP</h2><i>Vintage-style, heavy-duty travel case for the BAE 1073DMP, complete with combination locks hinges and etched BAE logo plate.</i><br /><br />Whether you’re staying put, or going mobile with your BAE 1073DMP, it’s good to know your precious gear is safely housed in BAE’s solid, road-resistant all-steel chassis case with a convenient, built-in carrying handle. You’re thinking, “Okay, my BAE 1073DMP can handle the road, but how do I protect it against the elements?” This road case can also keep your gear warm and dry while you carry it to your tracking sessions in the deepest, darkest New York or London storm. (We don’t have weather here in L.A.).'),(2834,75,1,473,'<h2>BAE DMP Case - Vintage-Style Road Case for 1073DMP</h2><i>Vintage-style, heavy-duty travel case for the BAE 1073DMP, complete with combination locks hinges and etched BAE logo plate.</i><br /><br />Whether you’re staying put, or going mobile with your BAE 1073DMP, it’s good to know your precious gear is safely housed in BAE’s solid, road-resistant all-steel chassis case with a convenient, built-in carrying handle. You’re thinking, “Okay, my BAE 1073DMP can handle the road, but how do I protect it against the elements?” This road case can also keep your gear warm and dry while you carry it to your tracking sessions in the deepest, darkest New York or London storm. (We don’t have weather here in L.A.).'),(2835,85,0,473,'BAE DMP Case - Vintage-Style Road Case for 1073DMP'),(2836,85,1,473,'BAE DMP Case - Vintage-Style Road Case for 1073DMP'),(2837,76,0,473,''),(2838,76,1,473,''),(2839,75,0,474,'<h2>BAE 312A Dual-Channel Mic Pre/DI without Power Supply </h2><p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Stunning, 2-channel preamp in a 19\" 1RU version delivers punch, clarity, and that famous steel-transformer API growl </span><br />\n	</p><p>\n	The BAE 312A mic preamp is a spot-on, rackmountable replica of the famous API™ 312 preamps that populated the early API consoles. Not only does the BAE 312A excel on percussion and guitars, but if you’re working with a passive summing mixer and want to add the low-end growl that the early API desks were famous for, using a 2-channel BAE 312A for make-up gain is just the ticket. Key to the API 312’s sound was the absence of a coupling capacitor between output transformer and opamp, which allowed transients to pass easily, making it a favorite for punchy drums. Does the BAE 312A compare to the original API? Of course it does. BAE never stops short of getting right. And with the inclusion of the Avedis 1122 opamp, which brings the performance of the API 2520 opamp to a higher level, the BAE 312A gives you all the vintage punch/sound and fury that made the original 312 a classic—and adds reliable, modern performance to boot. <br />\n	</p><h3>BAE 312A Dual-Channel Mic Pre/DI features:</h3><ul>\n	\n<li>The extremely popular vintage sound of the API 312 mic preamp                                 </li>	\n<li>Avedis 1122 opamp improves on the performance of the 2520 opamp                               </li>	\n<li>Jensen input and output transformers                                                          </li>	\n<li>Switches have gold contacts for long life                                                     </li>	\n<li>XLR connectors on the back for mic input and output and phone jack in front for direct input  </li>	\n<li>High-impedance direct input for guitar and synthesizer                                        </li>	\n<li>Separate front panel switches for phantom power                                               </li></ul><p>\n	Back in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day.<br />\n	</p><h3>Inside the Box</h3><p>\n	Like all BAE products, the dual-channel BAE 312A Mic Pre/DI is made with the highest quality parts, including Jensen input and output transformers and the Avedis 1122 opamp. When discussing API preamps, the important distinction between the 312 and later 512C is the use of coupling capacitors between the output transformer and opamp. The reason for the 312’s success (it’s open, punchy sound) was also its greatest weakness. The 312 had no coupling capacitor between opamp and transformer. As such, if the opamp had any DC offset (a voltage output above the mean amplitude), it might burn out the transformer. The 512C had large coupling capacitor in parallel with a high-frequency capacitor and a resistor for transformer damping. The 512’s opamp also had a servo to eliminate DC offset. The result was increased headroom and the elimination of pops when the phase switch was cut in. Of course, the addition of these components led to a perceived sonic difference between the two. Those who have worked with both often hear the 312 as more open and punchy than the 512C. <br />\n	</p><p>\n	To support the fast transient response of the capacitor-less 312A, the BAE 312A uses the Avedis 1122 opamp. The Avedis 1122 is a high-performance, direct-coupled operational amplifier designed specifically for professional audio amplifier applications. The 1122’s were originally made for replacement opamps for the repair of vintage API 312 and 512A mic preamps. It’s based on the same design principles as the 2520, but built with today\'s high-quality components to make it operable under a wider voltage range and with lower noise than previously possible. Using no IC\'s, JFET\'s, or surface-mount components, the 1122 opamp is picks up where the 2520 left off. Its high output power, low distortion, and wide power bandwidth provides the kind of performance levels appreciated by the working professional.<br />\n	</p><h3>Outside the Box</h3><p>\n	The front panel of the BAE 312A mic pre has a matte black finish with orange BAE logo. It has two channels, each with 1/4\" Hi-Z instrument input; buttons for phase reverse, pad, and +48V phantom power; and gain knob. Your basic no-frills design, it’s what’s inside the BAE 312A that counts. <br />\n	</p><h3>External 24V PSU</h3><p>\n	The BAE 312A Dual-Channel Mic Pre/DI requires the external BAE 24V PSU (not included) to operate. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units. While other rackmount preamps use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. <br />\n	</p><p>\n	Since the BAE 24V PSU can power up to two BAE units, the BAE 312A comes with and without power supply in case you already have a BAE unit and power supply. (For BAE 312A with power supply, see <a href=\"http://www.rspeaudio.com/BAE-312A-Single-Channel-Microphone-Preamp-p/bae-sin312wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Single + PSU</a> and <a href=\"http://www.rspeaudio.com/BAE-312A-Dual-Channel-Microphone-Preamp-p/bae-dual312wps1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Dual + PSU</a>. <br />\n	</p><h3>Who’s Using BAE:</h3><blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br /></blockquote><blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br /></blockquote><blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br /></blockquote><blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br /></blockquote><blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br /></blockquote><blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br /></blockquote><blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br /></blockquote><h3>About BAE (British Audio Engineering)</h3><p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.</p><h3>Add the classic API growl and punch to your recordings with BAE’s 312A Dual-Channel Mic Pre/DI. Call or chat with an RSPE representative today.</h3>'),(2840,75,1,474,'<h2>BAE 312A Dual-Channel Mic Pre/DI without Power Supply </h2><p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Stunning, 2-channel preamp in a 19\" 1RU version delivers punch, clarity, and that famous steel-transformer API growl </span><br />\n	</p><p>\n	The BAE 312A mic preamp is a spot-on, rackmountable replica of the famous API™ 312 preamps that populated the early API consoles. Not only does the BAE 312A excel on percussion and guitars, but if you’re working with a passive summing mixer and want to add the low-end growl that the early API desks were famous for, using a 2-channel BAE 312A for make-up gain is just the ticket. Key to the API 312’s sound was the absence of a coupling capacitor between output transformer and opamp, which allowed transients to pass easily, making it a favorite for punchy drums. Does the BAE 312A compare to the original API? Of course it does. BAE never stops short of getting right. And with the inclusion of the Avedis 1122 opamp, which brings the performance of the API 2520 opamp to a higher level, the BAE 312A gives you all the vintage punch/sound and fury that made the original 312 a classic—and adds reliable, modern performance to boot. <br />\n	</p><h3>BAE 312A Dual-Channel Mic Pre/DI features:</h3><ul>\n	\n<li>The extremely popular vintage sound of the API 312 mic preamp                                 </li>	\n<li>Avedis 1122 opamp improves on the performance of the 2520 opamp                               </li>	\n<li>Jensen input and output transformers                                                          </li>	\n<li>Switches have gold contacts for long life                                                     </li>	\n<li>XLR connectors on the back for mic input and output and phone jack in front for direct input  </li>	\n<li>High-impedance direct input for guitar and synthesizer                                        </li>	\n<li>Separate front panel switches for phantom power                                               </li></ul><p>\n	Back in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day.<br />\n	</p><h3>Inside the Box</h3><p>\n	Like all BAE products, the dual-channel BAE 312A Mic Pre/DI is made with the highest quality parts, including Jensen input and output transformers and the Avedis 1122 opamp. When discussing API preamps, the important distinction between the 312 and later 512C is the use of coupling capacitors between the output transformer and opamp. The reason for the 312’s success (it’s open, punchy sound) was also its greatest weakness. The 312 had no coupling capacitor between opamp and transformer. As such, if the opamp had any DC offset (a voltage output above the mean amplitude), it might burn out the transformer. The 512C had large coupling capacitor in parallel with a high-frequency capacitor and a resistor for transformer damping. The 512’s opamp also had a servo to eliminate DC offset. The result was increased headroom and the elimination of pops when the phase switch was cut in. Of course, the addition of these components led to a perceived sonic difference between the two. Those who have worked with both often hear the 312 as more open and punchy than the 512C. <br />\n	</p><p>\n	To support the fast transient response of the capacitor-less 312A, the BAE 312A uses the Avedis 1122 opamp. The Avedis 1122 is a high-performance, direct-coupled operational amplifier designed specifically for professional audio amplifier applications. The 1122’s were originally made for replacement opamps for the repair of vintage API 312 and 512A mic preamps. It’s based on the same design principles as the 2520, but built with today\'s high-quality components to make it operable under a wider voltage range and with lower noise than previously possible. Using no IC\'s, JFET\'s, or surface-mount components, the 1122 opamp is picks up where the 2520 left off. Its high output power, low distortion, and wide power bandwidth provides the kind of performance levels appreciated by the working professional.<br />\n	</p><h3>Outside the Box</h3><p>\n	The front panel of the BAE 312A mic pre has a matte black finish with orange BAE logo. It has two channels, each with 1/4\" Hi-Z instrument input; buttons for phase reverse, pad, and +48V phantom power; and gain knob. Your basic no-frills design, it’s what’s inside the BAE 312A that counts. <br />\n	</p><h3>External 24V PSU</h3><p>\n	The BAE 312A Dual-Channel Mic Pre/DI requires the external BAE 24V PSU (not included) to operate. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units. While other rackmount preamps use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. <br />\n	</p><p>\n	Since the BAE 24V PSU can power up to two BAE units, the BAE 312A comes with and without power supply in case you already have a BAE unit and power supply. (For BAE 312A with power supply, see <a href=\"http://www.rspeaudio.com/BAE-312A-Single-Channel-Microphone-Preamp-p/bae-sin312wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Single + PSU</a> and <a href=\"http://www.rspeaudio.com/BAE-312A-Dual-Channel-Microphone-Preamp-p/bae-dual312wps1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Dual + PSU</a>. <br />\n	</p><h3>Who’s Using BAE:</h3><blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br /></blockquote><blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br /></blockquote><blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br /></blockquote><blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br /></blockquote><blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br /></blockquote><blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br /></blockquote><blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br /></blockquote><h3>About BAE (British Audio Engineering)</h3><p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.</p><h3>Add the classic API growl and punch to your recordings with BAE’s 312A Dual-Channel Mic Pre/DI. Call or chat with an RSPE representative today.</h3>'),(2841,85,0,474,'BAE 312A Dual Channel Microphone Preamp No Power Supply'),(2842,85,1,474,'BAE 312A Dual Channel Microphone Preamp No Power Supply'),(2843,76,0,474,''),(2844,76,1,474,''),(2845,75,0,475,'<h2>BAE 312A Dual-Channel Mic Pre/DI with Power Supply </h2><p><span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Stunning, 2-channel preamp in a 19\" 1RU version delivers punch, clarity, and that famous steel-transformer API growl  \n</span></p><p>The BAE 312A mic preamp is a spot-on, rackmountable replica of the famous API™ 312 preamps that populated the early API consoles. Not only does the BAE 312A excel on percussion and guitars, if you’re working with a passive summing mixer and want to add the low-end growl that the early API desks were famous for, using a 2-channel BAE 312A for make-up gain is just the ticket. Key to the API 312’s sound was the absence of a coupling capacitor between output transformer and opamp, which allowed transients to pass easily, making it a favorite for punchy drums. Does the BAE 312A compare to the original API? Of course it does. BAE never stops short of getting right. And with the inclusion of the Avedis 1122 opamp, which brings the performance of the API 2520 opamp to a higher level, the BAE 312A gives you all the vintage punch/sound and fury that made the original 312 a classic—and adds reliable, modern performance to boot. \n </p><h3>BAE 312A Dual-Channel Mic Pre/DI + PSU features:</h3><ul><li>The extremely popular vintage sound of the API 312 mic preamp                                                             </li><li>Avedis 1122 opamp offers improved performance over the 2520 opamp                                                         </li><li>Jensen input and output transformers                                                                                      </li><li>Switches have gold contacts for long life                                                                                 </li><li>XLR connectors on the back for mic input and output and phone jack in front for direct input                              </li><li>High-impedance direct input for guitar and synthesizer                                                                    </li><li>Separate front panel switches for phantom power                                                                           </li><li>Remote power supply with four-foot cable capable of four times the current needed by the preamps for optimum sound quality</li></ul><p>Back in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early-on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day. </p><h3>Inside the Box</h3><p>Like all BAE products, the dual-channel BAE 312A Mic Pre/DI is made with the highest quality parts, including Jensen input and output transformers and the Avedis 1122 opamp. When discussing API preamps, the important distinction between the 312 and later 512C is the use of coupling capacitors between the output transformer and opamp. The reason for the 312’s success (it’s open, punchy sound) was also its greatest weakness. The 312 had no coupling capacitor between opamp and transformer. As such, if the opamp had any DC offset (a voltage output above the mean amplitude), it might burn out the transformer. The 512C had large coupling capacitor in parallel with a high-frequency capacitor and a resistor for transformer damping. The 512’s opamp also had a servo to eliminate DC offset. The result was increased headroom and the elimination of pops when the phase switch was cut in. Of course, the addition of these components led to a perceived sonic difference between the two. Those who have worked with both often hear the 312 as more open and punchy than the 512C. </p><p>To support the fast transient response of the capacitor-less 312A, the BAE 312A uses the Avedis 1122 opamp. The Avedis 1122 is a high-performance, direct-coupled operational amplifier designed specifically for professional audio amplifier applications. The 1122’s were originally made for replacement opamps for the repair of vintage API 312 and 512A mic preamps. It’s based on the same design principles as the 2520, but built with today\'s high-quality components to make it operable under a wider voltage range and with lower noise than previously possible. Using no IC\'s, JFET\'s, or surface-mount components, the 1122 opamp is picks up where the 2520 left off. Its high output power, low distortion, and wide power bandwidth provides the kind of performance levels appreciated by the working professional.</p><h3>Outside the Box</h3><p>The front panel of the BAE 312A mic pre has a matte black finish with orange BAE logo. It hosts a 1/4\" Hi-Z instrument input; buttons for phase reverse, pad, and +48V phantom power; and gain knob. Your basic no-frills design, it’s what’s inside the BAE 312A that counts. </p><h3>External 24V PSU </h3><p>The BAE 312A Single Channel Rackmount Mic Pre/DI requires the external BAE 24V PSU to operate. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units*. While other rackmount preamps use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. </p><p>Since the BAE 24V PSU can power up to two BAE units, the BAE 312A comes with and without power supply in case you already have a single BAE unit and power supply. (For BAE 312A without power supply, see <a href=\"http://www.rspeaudio.com/BAE-312A-Rackmount-and-Module-p/bae-sin312nops.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Single - PSU</a> and <a href=\"http://www.rspeaudio.com/BAE-312A-Dual-Channel-Microphone-Preamp-p/bae-dual312nops.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Dual - PSU</a></p><h3>Who’s Using BAE:</h3><blockquote>   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br /><br /></blockquote><blockquote>   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br /><br /></blockquote><blockquote>   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br /><br /></blockquote><blockquote>   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br /><br /></blockquote><blockquote>   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br /><br /></blockquote><blockquote>“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br /><br /></blockquote><blockquote> Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)<br /><br /></blockquote><h3>About BAE (British Audio Engineering)</h3><p>Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE. </p><h3>Add the classic API growl and punch to your recordings with BAE’s 312A Dual-Channel Mic Pre/DI. Call or chat with an RSPE representative today.</h3>'),(2846,75,1,475,'<h2>BAE 312A Dual-Channel Mic Pre/DI with Power Supply </h2><p><span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Stunning, 2-channel preamp in a 19\" 1RU version delivers punch, clarity, and that famous steel-transformer API growl  \n</span></p><p>The BAE 312A mic preamp is a spot-on, rackmountable replica of the famous API™ 312 preamps that populated the early API consoles. Not only does the BAE 312A excel on percussion and guitars, if you’re working with a passive summing mixer and want to add the low-end growl that the early API desks were famous for, using a 2-channel BAE 312A for make-up gain is just the ticket. Key to the API 312’s sound was the absence of a coupling capacitor between output transformer and opamp, which allowed transients to pass easily, making it a favorite for punchy drums. Does the BAE 312A compare to the original API? Of course it does. BAE never stops short of getting right. And with the inclusion of the Avedis 1122 opamp, which brings the performance of the API 2520 opamp to a higher level, the BAE 312A gives you all the vintage punch/sound and fury that made the original 312 a classic—and adds reliable, modern performance to boot. \n </p><h3>BAE 312A Dual-Channel Mic Pre/DI + PSU features:</h3><ul><li>The extremely popular vintage sound of the API 312 mic preamp                                                             </li><li>Avedis 1122 opamp offers improved performance over the 2520 opamp                                                         </li><li>Jensen input and output transformers                                                                                      </li><li>Switches have gold contacts for long life                                                                                 </li><li>XLR connectors on the back for mic input and output and phone jack in front for direct input                              </li><li>High-impedance direct input for guitar and synthesizer                                                                    </li><li>Separate front panel switches for phantom power                                                                           </li><li>Remote power supply with four-foot cable capable of four times the current needed by the preamps for optimum sound quality</li></ul><p>Back in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early-on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day. </p><h3>Inside the Box</h3><p>Like all BAE products, the dual-channel BAE 312A Mic Pre/DI is made with the highest quality parts, including Jensen input and output transformers and the Avedis 1122 opamp. When discussing API preamps, the important distinction between the 312 and later 512C is the use of coupling capacitors between the output transformer and opamp. The reason for the 312’s success (it’s open, punchy sound) was also its greatest weakness. The 312 had no coupling capacitor between opamp and transformer. As such, if the opamp had any DC offset (a voltage output above the mean amplitude), it might burn out the transformer. The 512C had large coupling capacitor in parallel with a high-frequency capacitor and a resistor for transformer damping. The 512’s opamp also had a servo to eliminate DC offset. The result was increased headroom and the elimination of pops when the phase switch was cut in. Of course, the addition of these components led to a perceived sonic difference between the two. Those who have worked with both often hear the 312 as more open and punchy than the 512C. </p><p>To support the fast transient response of the capacitor-less 312A, the BAE 312A uses the Avedis 1122 opamp. The Avedis 1122 is a high-performance, direct-coupled operational amplifier designed specifically for professional audio amplifier applications. The 1122’s were originally made for replacement opamps for the repair of vintage API 312 and 512A mic preamps. It’s based on the same design principles as the 2520, but built with today\'s high-quality components to make it operable under a wider voltage range and with lower noise than previously possible. Using no IC\'s, JFET\'s, or surface-mount components, the 1122 opamp is picks up where the 2520 left off. Its high output power, low distortion, and wide power bandwidth provides the kind of performance levels appreciated by the working professional.</p><h3>Outside the Box</h3><p>The front panel of the BAE 312A mic pre has a matte black finish with orange BAE logo. It hosts a 1/4\" Hi-Z instrument input; buttons for phase reverse, pad, and +48V phantom power; and gain knob. Your basic no-frills design, it’s what’s inside the BAE 312A that counts. </p><h3>External 24V PSU </h3><p>The BAE 312A Single Channel Rackmount Mic Pre/DI requires the external BAE 24V PSU to operate. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units*. While other rackmount preamps use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. </p><p>Since the BAE 24V PSU can power up to two BAE units, the BAE 312A comes with and without power supply in case you already have a single BAE unit and power supply. (For BAE 312A without power supply, see <a href=\"http://www.rspeaudio.com/BAE-312A-Rackmount-and-Module-p/bae-sin312nops.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Single - PSU</a> and <a href=\"http://www.rspeaudio.com/BAE-312A-Dual-Channel-Microphone-Preamp-p/bae-dual312nops.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Dual - PSU</a></p><h3>Who’s Using BAE:</h3><blockquote>   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br /><br /></blockquote><blockquote>   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br /><br /></blockquote><blockquote>   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br /><br /></blockquote><blockquote>   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br /><br /></blockquote><blockquote>   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br /><br /></blockquote><blockquote>“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br /><br /></blockquote><blockquote> Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)<br /><br /></blockquote><h3>About BAE (British Audio Engineering)</h3><p>Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE. </p><h3>Add the classic API growl and punch to your recordings with BAE’s 312A Dual-Channel Mic Pre/DI. Call or chat with an RSPE representative today.</h3>'),(2847,85,0,475,'BAE 312A Dual Channel Microphone Preamp with Power Supply'),(2848,85,1,475,'BAE 312A Dual Channel Microphone Preamp with Power Supply'),(2849,76,0,475,''),(2850,76,1,475,''),(2851,75,0,476,'<h2>BAE G10 500-Series Graphic EQ</h2>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\">A 500 series equalizer from BAE, the masters of recreating vintage sound with modern features and components.</span>\n	<br /><br />\n	The BAE G10 500-Series 10-Band Equalizer features a Balanced Input and Output and Hi/Low-Pass Filters, making it the Ultimate Hands-On Sound Shaping Tool for Tracking, Mixing, or Mastering.<br /><br />\n	The G10 combines a punchy, transformer-based signal path with the versatile 10-band graphic EQ configuration and a 2520 style op-amp — making it ideal for tweaking drum or guitar sounds, or even processing an entire mix.<br /><br />\n	With 10 carefully selected bands offering up to 12 dB of boost or cut on tap, the G10 offers a level of tone sculpting that can help any audio sit perfectly in the mix. The easy-to-use slider-based interface helps users intuitively visualize the EQ curves they are applying. Switchable high-pass and low-pass filters, tuned at 80 Hz and 12 kHz respectively, help make the G10 a truly complete sound shaping solution.<br /><br />\n	The BAE Audio G10 implements a classic op-amp like those used in well-loved ‘70s American mixing boards. Unlike some other 10-band equalizers presently on the market, the G10 is fully transformer balanced on the input and output, and features a CineMag transformer, to give any audio passing through a unique tonal character.\n</p>\n<br />\n<h3>BAE G10 500-Series Graphic EQ features:</h3>\n<ul>\n	<li>CineMag transformer balanced in/out</li>\n	<li>Hand-built in the USA using top quality components throughout</li>\n	<li>+/- 12dB Boost/Cut @ 31Hz, 63Hz,125Hz, 250Hz, 500Hz, 1KHz, 2KHz, 4KHz, 8KHz, 16KHz</li>\n	<li>Individually Selectable LPF @ 12KHz, and HPF @ 80Hz (approx. 6 and 10 dB per octave, respectively)</li>\n	<li>EQ In/Out Select Switch (bypasses EQ and Filters)</li>\n	<li>Fully enclosed ventilated steel enclosure</li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<br />\n<h3>Add clean vintage sound and versatility of a 10-band Graphic EQ to your 500 Series rack with the BAE G10. Check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>'),(2852,75,1,476,'<h2>BAE G10 500-Series Graphic EQ</h2>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\">A 500 series equalizer from BAE, the masters of recreating vintage sound with modern features and components.</span>\n	<br /><br />\n	The BAE G10 500-Series 10-Band Equalizer features a Balanced Input and Output and Hi/Low-Pass Filters, making it the Ultimate Hands-On Sound Shaping Tool for Tracking, Mixing, or Mastering.<br /><br />\n	The G10 combines a punchy, transformer-based signal path with the versatile 10-band graphic EQ configuration and a 2520 style op-amp — making it ideal for tweaking drum or guitar sounds, or even processing an entire mix.<br /><br />\n	With 10 carefully selected bands offering up to 12 dB of boost or cut on tap, the G10 offers a level of tone sculpting that can help any audio sit perfectly in the mix. The easy-to-use slider-based interface helps users intuitively visualize the EQ curves they are applying. Switchable high-pass and low-pass filters, tuned at 80 Hz and 12 kHz respectively, help make the G10 a truly complete sound shaping solution.<br /><br />\n	The BAE Audio G10 implements a classic op-amp like those used in well-loved ‘70s American mixing boards. Unlike some other 10-band equalizers presently on the market, the G10 is fully transformer balanced on the input and output, and features a CineMag transformer, to give any audio passing through a unique tonal character.\n</p>\n<br />\n<h3>BAE G10 500-Series Graphic EQ features:</h3>\n<ul>\n	<li>CineMag transformer balanced in/out</li>\n	<li>Hand-built in the USA using top quality components throughout</li>\n	<li>+/- 12dB Boost/Cut @ 31Hz, 63Hz,125Hz, 250Hz, 500Hz, 1KHz, 2KHz, 4KHz, 8KHz, 16KHz</li>\n	<li>Individually Selectable LPF @ 12KHz, and HPF @ 80Hz (approx. 6 and 10 dB per octave, respectively)</li>\n	<li>EQ In/Out Select Switch (bypasses EQ and Filters)</li>\n	<li>Fully enclosed ventilated steel enclosure</li>\n</ul>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<br />\n<h3>Who’s Using BAE:</h3>\n<blockquote>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n	<br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em><br />\n	<br />\n</blockquote>\n<blockquote>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n	<br />\n	<br />\n</blockquote>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>\n<br />\n<h3>Add clean vintage sound and versatility of a 10-band Graphic EQ to your 500 Series rack with the BAE G10. Check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a> custom 500-series module builder and get started now, or call or chat with an RSPE representative today.</h3>'),(2853,85,0,476,''),(2854,85,1,476,''),(2855,76,0,476,''),(2856,76,1,476,''),(2857,75,0,477,'<h2>BAE Blank 500-Series Module Plates</h2>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">The BAE Blank Module Plate is solid steel with matte black finish and BAE logo</span>\n</p>\n<p>\n	Nobody likes a an open space in their 500-series power rack, but sometimes you just can’t afford to fill them with 500 modules, for fear of losing wife points or other financial circumstance. Not to worry, BAE has blank module plates that will cover those disappointing holes in your BAE 500-series \n	<a href=\"http://www.rspeaudio.com/BAE-6-Module-Rack-with-Power-Supply-p/bae-6rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">6-space rack</a> or <a href=\"http://www.rspeaudio.com/BAE-6-Module-Lunchbox-with-Power-Supply-p/bae-6lunchbox.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">6-space lunchbox</a>; <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">3LB lunchbox</a>; or <a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">11-space power rack</a>. Best of all, the BAE Blank Module Plates not only cover those gaping holes in your 500 racks, but also, their affordability will score you some extra wife points for when you want to splurge on a BAE 500-series module, such as the <a href=\"http://www.rspeaudio.com/BAE-1073D-Mic-Pre-EQ-p/bae-500-1073d.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073D</a> or <a href=\"http://www.rspeaudio.com/BAE-312A-Rackmount-and-Module-p/bae-312amod.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A</a>.\n</p>\n<h3>BAE Blank 500 Module Plate features:</h3>\n<ul>\n	<li>Solid steel – no aluminum                    </li>\n	<li>BAE logo                                     </li>\n	<li>Matte black finish                           </li>\n	<li>Precision-machined, countersunk screw holes  </li>\n	<li>Made in USA                                  </li>\n</ul><br />\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<h3>Who’s Using BAE:</h3>\n<p>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em>\n</p>\n<p>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em>\n</p>\n<p>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n</p>\n<p>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em>\n</p>\n<p>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em>\n</p>\n<p>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em>\n</p>\n<p>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n</p>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>'),(2858,75,1,477,'<h2>BAE Blank 500-Series Module Plates</h2>\n<p>\n	<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">The BAE Blank Module Plate is solid steel with matte black finish and BAE logo</span>\n</p>\n<p>\n	Nobody likes a an open space in their 500-series power rack, but sometimes you just can’t afford to fill them with 500 modules, for fear of losing wife points or other financial circumstance. Not to worry, BAE has blank module plates that will cover those disappointing holes in your BAE 500-series \n	<a href=\"http://www.rspeaudio.com/BAE-6-Module-Rack-with-Power-Supply-p/bae-6rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">6-space rack</a> or <a href=\"http://www.rspeaudio.com/BAE-6-Module-Lunchbox-with-Power-Supply-p/bae-6lunchbox.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">6-space lunchbox</a>; <a href=\"http://www.rspeaudio.com/BAE-3LB-3-Module-Desktop-Rack-With-Power-Supply-p/bae-3lb.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">3LB lunchbox</a>; or <a href=\"http://www.rspeaudio.com/BAE-11-Module-Rack-with-Power-Supply-p/bae-11rack.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">11-space power rack</a>. Best of all, the BAE Blank Module Plates not only cover those gaping holes in your 500 racks, but also, their affordability will score you some extra wife points for when you want to splurge on a BAE 500-series module, such as the <a href=\"http://www.rspeaudio.com/BAE-1073D-Mic-Pre-EQ-p/bae-500-1073d.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 1073D</a> or <a href=\"http://www.rspeaudio.com/BAE-312A-Rackmount-and-Module-p/bae-312amod.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A</a>.\n</p>\n<h3>BAE Blank 500 Module Plate features:</h3>\n<ul>\n	<li>Solid steel – no aluminum                    </li>\n	<li>BAE logo                                     </li>\n	<li>Matte black finish                           </li>\n	<li>Precision-machined, countersunk screw holes  </li>\n	<li>Made in USA                                  </li>\n</ul><br />\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n	Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>\n<h3>Who’s Using BAE:</h3>\n<p>\n	   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — \n	<em>Ross Hogarth, Grammy-winning producer-engineer</em>\n</p>\n<p>\n	   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — \n	<em>Steven Slate Drums</em>\n</p>\n<p>\n	   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)\n</p>\n<p>\n	   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — \n	<em>Jane Wiedlin, The Go-Go\'s</em>\n</p>\n<p>\n	   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – \n	<em>Bootsy Collins</em>\n</p>\n<p>\n	“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — \n	<em>Andy Kravitz, drummer, producer, engineer</em>\n</p>\n<p>\n	 Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)\n</p>\n<h3>About BAE (British Audio Engineering)</h3>\n<p>\n	Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out \n	<a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE.\n</p>'),(2859,85,0,477,'BAE Blank Module Plates'),(2860,85,1,477,'BAE Blank Module Plates'),(2861,76,0,477,''),(2862,76,1,477,''),(2863,75,0,478,'<h2>BAE 1073 19\" Mic Pre/EQ Pair with Power Supply</h2><p><span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired, rackmount BAE mic pre/EQ pair gives you two channels of vintage Neve™ sound coupled with modern performance</span><br><br>  </p><p>The BAE 1073 Mic Pre/EQ is as close as you can get to the original Neve 1073, in sound quality, differing only in its rackmountable form. The BAE 1073 Mic Pre/EQ features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. Revered for its high-end sheen and larger-than-life sound, the Neve 1073 took its place as the reigning monarch of audio royalty since its introduction in 1970, and has held it ever since. However, electronics do not improve with age, which is where BAE comes in. The BAE 1073 Mic Pre/EQ brings the classic 1073 into the modern age with improved performance while maintaining its time-honored sound. Originally, the 1073 was built in modular form to populate the Neve 80-series consoles, but the BAE 1073 19\" Mic Pre/EQ Pair gives you two channels for dual-mono/stereo tracking; adding vintage Neve console sound to warm up a DAW inside-the-box mix; or for gain makeup with a passive summing box. Most importantly, the BAE 19\" 1073 Mic Pre/EQ Pair gives you the classic sound you expect from the first name in Neve recreations: BAE.<br><br>  </p><h3>BAE 1073 19\" Mic Pre/EQ Pair features:</h3><ul><li>Two channels of classic 1073 sound                                               </li><li>Completely hand-wired                                                            </li><li>Carnhill (St. Ives) transformers                                                 </li><li>The “big iron” console sound of the ’60s and ’70s                                </li><li>External 24V PSU with 4\' cable provides four times the current for optimal sound </li><li>Made in USA                                                                      </li></ul><p>When Mr. Rupert Neve designed his various 10-series mic/pre/EQ modules, the idea was to populate the Neve 80-series consoles with a selection of modules with marginal differences to offer a wider sonic palette while maintaining uniformity of sonic character across the range. To accomplish that, the 1066, 1073, 1081, or 1084 preamp/EQ modules all shared the same mic/line amplifier, but differed in terms of available EQ shelves and frequency selections. Of all the modules, the 1073, with its 12kHz high-frequency shelf, spoke the loudest to makers of rock and pop music, and has been the hands-down favorite for decades. Naturally, anyone trying to duplicate the character of the 1073 had better be up to the task, and as owners of both the original 1073 and modern BAE 1073 modules will attest, BAE has risen to the occasion in sound, build-quality, and performance.  <br><br>  </p><h3>Inside the Box</h3><p>The BAE1073 is completely hand-wired using Carnhill (St. Ives) transformers, Elma switches, and Canford wire. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility. Even though the 1073 is in rackmount form, it’s engineered in exactly the same way as the original 1073 module: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.<br><br>  </p><h3>Outside the Box</h3><p>The same unmistakable color as the original, the front panel of the BAE 1073 has two dual-concentric knobs for midrange and low-frequency selection and gain; high-frequency shelf knob; and rotary selectors for LF filter and gain, which ranges from 0 to 80dB. There are four rectangular buttons on the front panel for EQ on/off, phantom power, DI select, and phase reverse. The BAE 1073 Mic Pre Rackmount also has a front-panel, 1/4\" Hi-Z instrument input (DI); input impedance switch that toggles between 300 and 1200 ohms; and an output attenuator that lets you control hot input signals without need of a sound-changing pad. The output knob lets you drive the input hotter, say for heavy guitar recording, while controlling output level to prevent clipping into a DAW. The rear panel is simple and straightforward with XLR I/O and power cable connector. <br><br>  \n  </p><h3>BAE 1073 EQ frequencies:</h3><ul><li>High Frequency: +/-16dB fixed frequency shelving at 12kHz                                                                     </li><li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz.                                      </li><li>Mid Range: +/-18dB peaking, fixed \'Q\' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz  </li><li>High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz, 300Hz                                          </li></ul><h3>External 24V PSU</h3><p>While other rackmount preamps use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units.<br><br>  </p><h3>Who’s Using BAE:</h3><blockquote>   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br><br></blockquote><blockquote>   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br><br></blockquote><blockquote>   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br><br></blockquote><blockquote>   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br><br></blockquote><blockquote>   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br><br></blockquote><blockquote>“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br><br></blockquote><blockquote> Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)<br><br></blockquote><h3>About BAE (British Audio Engineering)</h3><p>Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE. <br></p><h3>Track instruments or warm up a digital 2-bus mix with classic Neve sound with BAE’s 1073 Mic Pre/EQ Pair. Call or chat with an RSPE representative today.</h3>'),(2864,75,1,478,'<h2>BAE 1073 19\" Mic Pre/EQ Pair with Power Supply</h2><p><span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Hand-wired, rackmount BAE mic pre/EQ pair gives you two channels of vintage Neve™ sound coupled with modern performance</span><br><br>  </p><p>The BAE 1073 Mic Pre/EQ is as close as you can get to the original Neve 1073, in sound quality, differing only in its rackmountable form. The BAE 1073 Mic Pre/EQ features the same St Ives (Carnhill) transformers as the vintage modules, Elma switches, and Canford wire. Revered for its high-end sheen and larger-than-life sound, the Neve 1073 took its place as the reigning monarch of audio royalty since its introduction in 1970, and has held it ever since. However, electronics do not improve with age, which is where BAE comes in. The BAE 1073 Mic Pre/EQ brings the classic 1073 into the modern age with improved performance while maintaining its time-honored sound. Originally, the 1073 was built in modular form to populate the Neve 80-series consoles, but the BAE 1073 19\" Mic Pre/EQ Pair gives you two channels for dual-mono/stereo tracking; adding vintage Neve console sound to warm up a DAW inside-the-box mix; or for gain makeup with a passive summing box. Most importantly, the BAE 19\" 1073 Mic Pre/EQ Pair gives you the classic sound you expect from the first name in Neve recreations: BAE.<br><br>  </p><h3>BAE 1073 19\" Mic Pre/EQ Pair features:</h3><ul><li>Two channels of classic 1073 sound                                               </li><li>Completely hand-wired                                                            </li><li>Carnhill (St. Ives) transformers                                                 </li><li>The “big iron” console sound of the ’60s and ’70s                                </li><li>External 24V PSU with 4\' cable provides four times the current for optimal sound </li><li>Made in USA                                                                      </li></ul><p>When Mr. Rupert Neve designed his various 10-series mic/pre/EQ modules, the idea was to populate the Neve 80-series consoles with a selection of modules with marginal differences to offer a wider sonic palette while maintaining uniformity of sonic character across the range. To accomplish that, the 1066, 1073, 1081, or 1084 preamp/EQ modules all shared the same mic/line amplifier, but differed in terms of available EQ shelves and frequency selections. Of all the modules, the 1073, with its 12kHz high-frequency shelf, spoke the loudest to makers of rock and pop music, and has been the hands-down favorite for decades. Naturally, anyone trying to duplicate the character of the 1073 had better be up to the task, and as owners of both the original 1073 and modern BAE 1073 modules will attest, BAE has risen to the occasion in sound, build-quality, and performance.  <br><br>  </p><h3>Inside the Box</h3><p>The BAE1073 is completely hand-wired using Carnhill (St. Ives) transformers, Elma switches, and Canford wire. It features a discrete, 3-band EQ with low-, mid- (presence), and high-frequency controls, with hi-pass filter. The shape of frequency curves and the frequencies themselves have been carefully chosen to provide maximum flexibility. Even though the 1073 is in rackmount form, it’s engineered in exactly the same way as the original 1073 module: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.<br><br>  </p><h3>Outside the Box</h3><p>The same unmistakable color as the original, the front panel of the BAE 1073 has two dual-concentric knobs for midrange and low-frequency selection and gain; high-frequency shelf knob; and rotary selectors for LF filter and gain, which ranges from 0 to 80dB. There are four rectangular buttons on the front panel for EQ on/off, phantom power, DI select, and phase reverse. The BAE 1073 Mic Pre Rackmount also has a front-panel, 1/4\" Hi-Z instrument input (DI); input impedance switch that toggles between 300 and 1200 ohms; and an output attenuator that lets you control hot input signals without need of a sound-changing pad. The output knob lets you drive the input hotter, say for heavy guitar recording, while controlling output level to prevent clipping into a DAW. The rear panel is simple and straightforward with XLR I/O and power cable connector. <br><br>  \n  </p><h3>BAE 1073 EQ frequencies:</h3><ul><li>High Frequency: +/-16dB fixed frequency shelving at 12kHz                                                                     </li><li>Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, 220Hz.                                      </li><li>Mid Range: +/-18dB peaking, fixed \'Q\' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz  </li><li>High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz, 300Hz                                          </li></ul><h3>External 24V PSU</h3><p>While other rackmount preamps use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units.<br><br>  </p><h3>Who’s Using BAE:</h3><blockquote>   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br><br></blockquote><blockquote>   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br><br></blockquote><blockquote>   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br><br></blockquote><blockquote>   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br><br></blockquote><blockquote>   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br><br></blockquote><blockquote>“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br><br></blockquote><blockquote> Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)<br><br></blockquote><h3>About BAE (British Audio Engineering)</h3><p>Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE. <br></p><h3>Track instruments or warm up a digital 2-bus mix with classic Neve sound with BAE’s 1073 Mic Pre/EQ Pair. Call or chat with an RSPE representative today.</h3>'),(2865,85,0,478,'BAE 1073 19\" (Pair) Single Channel Mic Pre & EQ with Power Supply'),(2866,85,1,478,'BAE 1073 19\" (Pair) Single Channel Mic Pre & EQ with Power Supply'),(2867,76,0,478,''),(2868,76,1,478,''),(2869,75,0,479,'<h2>BAE 312A Single-Channel Mic Pre/DI without Power Supply </h2><p><span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Stunning, single-channel preamp in a 19\" 1RU version delivers punch, clarity, and that famous steel-transformer API growl  </span></p><p>The BAE 312A 500-series mic preamp is a spot-on replica of the famous API 312 preamps that populated the early API consoles. Key to the API 312’s sound was the absence of a coupling capacitor between output transformer and opamp, which allowed transients to pass easily, making it a favorite for punchy snare and toms. The early 312s owed their sound in large degree to the API 2520 opamp, which underwent numerous changes throughout the years as component manufactures discontinued lines or changed specs—but API adapted as necessary to maintain the classic 312 sound. So how does the BAE opamp compare to the original API? BAE never stops short of getting right and the Avedis 1122 opamp found in the BAE 312A takes the performance of the API 2520 opamp to a higher level. The BAE 312A gives you all the vintage punch, sound and fury that made the original 312 a classic, and adds reliable, modern performance to boot.  </p><h3>BAE 312A Single-Channel Mic Pre/DI features:</h3><ul>\n<li>The extremely popular vintage sound of the API 312 mic preamp                               </li><li>Avedis 1122 opamp improves on the performance of the 2520 opamp                             </li><li>Jensen input and output transformers                                                        </li><li>Switches have gold contacts for long life                                                   </li><li>XLR connectors on the back for mic input and output and phone jack in front for direct input</li><li>High-impedance direct input for guitar and synthesizer                                      </li><li>Separate front panel switches for phantom power                                             </li></ul><p>Back in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early-on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day. </p><h3>Inside the Box</h3><p>Like all BAE products, the 500-series compatible BAE 312A Mic Pre/DI is made with the highest quality parts, including Jensen input and output transformers and the Avedis 1122 opamp. When discussing API preamps, the important distinction between the 312 and later 512C is the use of coupling capacitors between the output transformer and opamp. The reason for the 312’s success (it’s open punchy sound, particularly on drums) was also its greatest weakness. The 312 had no coupling capacitor between opamp and transformer. As such, if the opamp had any DC offset (a voltage output above the mean amplitude), it might burn out the transformer. The 512C had large coupling capacitor in parallel with a high-frequency capacitor and a resistor for transformer damping. The 512’s opamp also had a servo to eliminate DC offset. The result was increased headroom and the elimination of pops when the phase switch was cut in. Of course, the addition of these components led to a perceived sonic difference between the two. Those who have worked with both often hear the 312 as more open and punchy than the 512C. </p><p>To support the fast transient response of the capacitor-less 312A, the BAE 312A uses the Avedis 1122 opamp. The Avedis 1122 is a high-performance, direct-coupled operational amplifier designed specifically for professional audio amplifier applications. The 1122’s were originally made for replacement opamps in the repair of vintage API 312 and 512A mic preamps. It’s based on the same design principles as the 2520, but built with today\'s high-quality components, to make it operable under a wider voltage range and with lower noise than previously possible. Using no IC\'s, JFET\'s, or surface-mount components, the 1122 opamp is picks up where the 2520 left off. Its high output power, low distortion, and wide power bandwidth provides the kind of performance levels appreciated by the working professional.</p><h3>Outside the Box</h3><p>The front panel of the BAE 312A mic pre has a matte black finish with orange BAE logo. It has a 1/4\" Hi-Z instrument input; buttons for phase reverse, pad, and +48V phantom power; and gain knob. Your basic no-frills design, it’s what’s inside the BAE 312A that counts. </p><h3>External 24V PSU</h3><p>The BAE 312A Single-Channel Mic Pre/DI requires the external BAE 24V PSU (not included) to operate. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units*. While other rackmount preamps use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. </p><p>Since the BAE 24V PSU can power up to two BAE units, the BAE 312A comes with and without power supply in case you already have a BAE unit and power supply. (For BAE 312A with power supply, see \n	<a href=\"http://www.rspeaudio.com/BAE-312A-Single-Channel-Microphone-Preamp-p/bae-sin312wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Single + PSU</a> and <a href=\"http://www.rspeaudio.com/BAE-312A-Dual-Channel-Microphone-Preamp-p/bae-dual312wps1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Dual + PSU</a>) </p><h3>Who’s Using BAE:</h3><blockquote>   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br><br></blockquote><blockquote>   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br><br></blockquote><blockquote>   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br><br></blockquote><blockquote>   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br><br></blockquote><blockquote>   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br><br></blockquote><blockquote>“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br><br></blockquote><blockquote> Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)<br><br></blockquote><h3>About BAE (British Audio Engineering)</h3><p>Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE. </p><h3>Add the classic API growl and punch to your recordings with BAE’s single-channel 312A Mic Pre/DI. Call or chat with an RSPE representative today.</h3>'),(2870,75,1,479,'<h2>BAE 312A Single-Channel Mic Pre/DI without Power Supply </h2><p><span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Stunning, single-channel preamp in a 19\" 1RU version delivers punch, clarity, and that famous steel-transformer API growl  </span></p><p>The BAE 312A 500-series mic preamp is a spot-on replica of the famous API 312 preamps that populated the early API consoles. Key to the API 312’s sound was the absence of a coupling capacitor between output transformer and opamp, which allowed transients to pass easily, making it a favorite for punchy snare and toms. The early 312s owed their sound in large degree to the API 2520 opamp, which underwent numerous changes throughout the years as component manufactures discontinued lines or changed specs—but API adapted as necessary to maintain the classic 312 sound. So how does the BAE opamp compare to the original API? BAE never stops short of getting right and the Avedis 1122 opamp found in the BAE 312A takes the performance of the API 2520 opamp to a higher level. The BAE 312A gives you all the vintage punch, sound and fury that made the original 312 a classic, and adds reliable, modern performance to boot.  </p><h3>BAE 312A Single-Channel Mic Pre/DI features:</h3><ul>\n<li>The extremely popular vintage sound of the API 312 mic preamp                               </li><li>Avedis 1122 opamp improves on the performance of the 2520 opamp                             </li><li>Jensen input and output transformers                                                        </li><li>Switches have gold contacts for long life                                                   </li><li>XLR connectors on the back for mic input and output and phone jack in front for direct input</li><li>High-impedance direct input for guitar and synthesizer                                      </li><li>Separate front panel switches for phantom power                                             </li></ul><p>Back in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early-on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day. </p><h3>Inside the Box</h3><p>Like all BAE products, the 500-series compatible BAE 312A Mic Pre/DI is made with the highest quality parts, including Jensen input and output transformers and the Avedis 1122 opamp. When discussing API preamps, the important distinction between the 312 and later 512C is the use of coupling capacitors between the output transformer and opamp. The reason for the 312’s success (it’s open punchy sound, particularly on drums) was also its greatest weakness. The 312 had no coupling capacitor between opamp and transformer. As such, if the opamp had any DC offset (a voltage output above the mean amplitude), it might burn out the transformer. The 512C had large coupling capacitor in parallel with a high-frequency capacitor and a resistor for transformer damping. The 512’s opamp also had a servo to eliminate DC offset. The result was increased headroom and the elimination of pops when the phase switch was cut in. Of course, the addition of these components led to a perceived sonic difference between the two. Those who have worked with both often hear the 312 as more open and punchy than the 512C. </p><p>To support the fast transient response of the capacitor-less 312A, the BAE 312A uses the Avedis 1122 opamp. The Avedis 1122 is a high-performance, direct-coupled operational amplifier designed specifically for professional audio amplifier applications. The 1122’s were originally made for replacement opamps in the repair of vintage API 312 and 512A mic preamps. It’s based on the same design principles as the 2520, but built with today\'s high-quality components, to make it operable under a wider voltage range and with lower noise than previously possible. Using no IC\'s, JFET\'s, or surface-mount components, the 1122 opamp is picks up where the 2520 left off. Its high output power, low distortion, and wide power bandwidth provides the kind of performance levels appreciated by the working professional.</p><h3>Outside the Box</h3><p>The front panel of the BAE 312A mic pre has a matte black finish with orange BAE logo. It has a 1/4\" Hi-Z instrument input; buttons for phase reverse, pad, and +48V phantom power; and gain knob. Your basic no-frills design, it’s what’s inside the BAE 312A that counts. </p><h3>External 24V PSU</h3><p>The BAE 312A Single-Channel Mic Pre/DI requires the external BAE 24V PSU (not included) to operate. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units*. While other rackmount preamps use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. </p><p>Since the BAE 24V PSU can power up to two BAE units, the BAE 312A comes with and without power supply in case you already have a BAE unit and power supply. (For BAE 312A with power supply, see \n	<a href=\"http://www.rspeaudio.com/BAE-312A-Single-Channel-Microphone-Preamp-p/bae-sin312wps.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Single + PSU</a> and <a href=\"http://www.rspeaudio.com/BAE-312A-Dual-Channel-Microphone-Preamp-p/bae-dual312wps1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Dual + PSU</a>) </p><h3>Who’s Using BAE:</h3><blockquote>   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br><br></blockquote><blockquote>   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br><br></blockquote><blockquote>   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br><br></blockquote><blockquote>   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br><br></blockquote><blockquote>   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br><br></blockquote><blockquote>“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br><br></blockquote><blockquote> Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)<br><br></blockquote><h3>About BAE (British Audio Engineering)</h3><p>Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE. </p><h3>Add the classic API growl and punch to your recordings with BAE’s single-channel 312A Mic Pre/DI. Call or chat with an RSPE representative today.</h3>'),(2871,85,0,479,'BAE 312A Rackmount and Module'),(2872,85,1,479,'BAE 312A Rackmount and Module'),(2873,76,0,479,''),(2874,76,1,479,''),(2875,75,0,480,'<h2>BAE 312A Single-Channel Mic Pre/DI with Power Supply  </h2>\n\n<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Stunning, single-channel preamp in a 19\" 1RU version delivers punch, clarity, and that famous steel-transformer API growl  </span><br><br>\n\nThe BAE 312A 500-series mic preamp is a spot-on replica of the famous API 312 preamps that populated the early API consoles. Key to the API 312’s sound was the absence of a coupling capacitor between output transformer and opamp, which allowed transients to pass easily, making it a favorite for punchy snare and toms. The early 312s owed their sound in large degree to the API 2520 opamp, which underwent numerous changes throughout the years as component manufactures discontinued lines or changed specs—but API adapted as necessary to maintain the classic 312 sound. So how does the BAE opamp compare to the original API? BAE never stops short of getting right and the Avedis 1122 opamp found in the BAE 312A takes the performance of the API 2520 opamp to a higher level. The BAE 312A gives you all the vintage punch, sound and fury that made the original 312 a classic, and adds reliable, modern performance to boot.  <br><br>\n\n\n<h3>BAE 312A Single-Channel Mic Pre/DI features:</h3>\n<ul>\n<li>The extremely popular vintage sound of the API 312 mic preamp                               </li>\n<li>Avedis 1122 opamp improves on the performance of the 2520 opamp                             </li>\n<li>Jensen input and output transformers                                                        </li>\n<li>Switches have gold contacts for long life                                                   </li>\n<li>XLR connectors on the back for mic input and output and phone jack in front for direct input</li>\n<li>High-impedance direct input for guitar and synthesizer                                      </li>\n<li>Separate front panel switches for phantom power                                             </li>\n</ul>\n\nBack in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early-on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day. <br><br>\n\n\n<h3>Inside the Box</h3>\nLike all BAE products, the 500-series compatible BAE 312A Mic Pre/DI is made with the highest quality parts, including Jensen input and output transformers and the Avedis 1122 opamp. When discussing API preamps, the important distinction between the 312 and later 512C is the use of coupling capacitors between the output transformer and opamp. The reason for the 312’s success (it’s open punchy sound, particularly on drums) was also its greatest weakness. The 312 had no coupling capacitor between opamp and transformer. As such, if the opamp had any DC offset (a voltage output above the mean amplitude), it might burn out the transformer. The 512C had large coupling capacitor in parallel with a high-frequency capacitor and a resistor for transformer damping. The 512’s opamp also had a servo to eliminate DC offset. The result was increased headroom and the elimination of pops when the phase switch was cut in. Of course, the addition of these components led to a perceived sonic difference between the two. Those who have worked with both often hear the 312 as more open and punchy than the 512C. <br><br>\n\nTo support the fast transient response of the capacitor-less 312A, the BAE 312A uses the Avedis 1122 opamp. The Avedis 1122 is a high-performance, direct-coupled operational amplifier designed specifically for professional audio amplifier applications. The 1122’s were originally made for replacement opamps in the repair of vintage API 312 and 512A mic preamps. It’s based on the same design principles as the 2520, but built with today\'s high-quality components, to make it operable under a wider voltage range and with lower noise than previously possible. Using no IC\'s, JFET\'s, or surface-mount components, the 1122 opamp is picks up where the 2520 left off. Its high output power, low distortion, and wide power bandwidth provides the kind of performance levels appreciated by the working professional.<br><br>\n\n\n<h3>Outside the Box</h3>\nThe front panel of the BAE 312A mic pre has a matte black finish with orange BAE logo. It has a 1/4\" Hi-Z instrument input; buttons for phase reverse, pad, and +48V phantom power; and gain knob. Your basic no-frills design, it’s what’s inside the BAE 312A that counts. <br><br>\n\n<h3>External 24V PSU</h3>\nThe BAE 312A Single-Channel Mic Pre/DI requires the external BAE 24V PSU (not included) to operate. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units*. While other rackmount preamps use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. <br><br>\n\n\nSince the BAE 24V PSU can power up to two BAE units, the BAE 312A comes with and without power supply in case you already have a BAE unit and power supply. (For BAE 312A without power supply, see <a href=\"http://www.rspeaudio.com/BAE-312A-Rackmount-and-Module-p/bae-sin312nops.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Single - PSU</a> and <a href=\"http://www.rspeaudio.com/BAE-312A-Dual-Channel-Microphone-Preamp-p/bae-dual312nops.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Dual - PSU</a>) <br><br>\n\n\n<h3>Who’s Using BAE:</h3>\n   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br><br>\n\n   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br><br>\n\n   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br><br>\n\n   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br><br>\n\n   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br><br>\n\n“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br><br>\n\n Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)<br><br>\n\n\n<h3>About BAE (British Audio Engineering)</h3>\nAnswering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE. \n\n\n<h3>Add the classic API growl and punch to your recordings with BAE’s single-channel 312A Mic Pre/DI. Call or chat with an RSPE representative today.</h3>'),(2876,75,1,480,'<h2>BAE 312A Single-Channel Mic Pre/DI with Power Supply  </h2>\n\n<span style=\"font-size:16px; font-style:italic;\" href=\"RSPE Product Description Template.html\" title=\"RSPE Product Description Template\">Stunning, single-channel preamp in a 19\" 1RU version delivers punch, clarity, and that famous steel-transformer API growl  </span><br><br>\n\nThe BAE 312A 500-series mic preamp is a spot-on replica of the famous API 312 preamps that populated the early API consoles. Key to the API 312’s sound was the absence of a coupling capacitor between output transformer and opamp, which allowed transients to pass easily, making it a favorite for punchy snare and toms. The early 312s owed their sound in large degree to the API 2520 opamp, which underwent numerous changes throughout the years as component manufactures discontinued lines or changed specs—but API adapted as necessary to maintain the classic 312 sound. So how does the BAE opamp compare to the original API? BAE never stops short of getting right and the Avedis 1122 opamp found in the BAE 312A takes the performance of the API 2520 opamp to a higher level. The BAE 312A gives you all the vintage punch, sound and fury that made the original 312 a classic, and adds reliable, modern performance to boot.  <br><br>\n\n\n<h3>BAE 312A Single-Channel Mic Pre/DI features:</h3>\n<ul>\n<li>The extremely popular vintage sound of the API 312 mic preamp                               </li>\n<li>Avedis 1122 opamp improves on the performance of the 2520 opamp                             </li>\n<li>Jensen input and output transformers                                                        </li>\n<li>Switches have gold contacts for long life                                                   </li>\n<li>XLR connectors on the back for mic input and output and phone jack in front for direct input</li>\n<li>High-impedance direct input for guitar and synthesizer                                      </li>\n<li>Separate front panel switches for phantom power                                             </li>\n</ul>\n\nBack in the ’70s there were two major players in console manufacture (three if you count Electrodyne, which disappeared early-on due to mismanagement). The Neve name inspired awe among engineers and musicians alike, and had emerged as the primary force in console making to be reckoned with. Much like John Cougar Mellencamp was signed as the American answer to David Bowie, Saul Walker’s Automated Processes Inc. (API) consoles were the American answer to Mr. Rupert Neve’s eponymous consoles. Both desks defined the sound of rock and roll in their own way, with preamps of elegant simplicity that provided the power and punch that rock and roll would continue to thrive on to this day. <br><br>\n\n\n<h3>Inside the Box</h3>\nLike all BAE products, the 500-series compatible BAE 312A Mic Pre/DI is made with the highest quality parts, including Jensen input and output transformers and the Avedis 1122 opamp. When discussing API preamps, the important distinction between the 312 and later 512C is the use of coupling capacitors between the output transformer and opamp. The reason for the 312’s success (it’s open punchy sound, particularly on drums) was also its greatest weakness. The 312 had no coupling capacitor between opamp and transformer. As such, if the opamp had any DC offset (a voltage output above the mean amplitude), it might burn out the transformer. The 512C had large coupling capacitor in parallel with a high-frequency capacitor and a resistor for transformer damping. The 512’s opamp also had a servo to eliminate DC offset. The result was increased headroom and the elimination of pops when the phase switch was cut in. Of course, the addition of these components led to a perceived sonic difference between the two. Those who have worked with both often hear the 312 as more open and punchy than the 512C. <br><br>\n\nTo support the fast transient response of the capacitor-less 312A, the BAE 312A uses the Avedis 1122 opamp. The Avedis 1122 is a high-performance, direct-coupled operational amplifier designed specifically for professional audio amplifier applications. The 1122’s were originally made for replacement opamps in the repair of vintage API 312 and 512A mic preamps. It’s based on the same design principles as the 2520, but built with today\'s high-quality components, to make it operable under a wider voltage range and with lower noise than previously possible. Using no IC\'s, JFET\'s, or surface-mount components, the 1122 opamp is picks up where the 2520 left off. Its high output power, low distortion, and wide power bandwidth provides the kind of performance levels appreciated by the working professional.<br><br>\n\n\n<h3>Outside the Box</h3>\nThe front panel of the BAE 312A mic pre has a matte black finish with orange BAE logo. It has a 1/4\" Hi-Z instrument input; buttons for phase reverse, pad, and +48V phantom power; and gain knob. Your basic no-frills design, it’s what’s inside the BAE 312A that counts. <br><br>\n\n<h3>External 24V PSU</h3>\nThe BAE 312A Single-Channel Mic Pre/DI requires the external BAE 24V PSU (not included) to operate. For optimal sound quality, the BAE 24V PSU provides four times the current necessary to power a preamp, and can power up to two BAE rackmount units*. While other rackmount preamps use an internal power supply, BAE chooses to go a different route in the form of an external PSU. The advantages of an external PSU are many. To begin with, not having space constraints allows BAE to design the power supply without compromise. Plus, it makes the shielding concerns of integrated power supplies a non-issue. When power supplies are built into the same chassis as the audio circuitry, nearby audio paths are susceptible to nasty magnetic fields radiated from the transformers, which adds noise and hum. Additionally, the preamp’s components are subject to extra heat generated from transformers, regulators, and rectifiers—and as we all know, heat is the enemy of electronics. It causes unwanted changes in operational parameters and premature component failure. <br><br>\n\n\nSince the BAE 24V PSU can power up to two BAE units, the BAE 312A comes with and without power supply in case you already have a BAE unit and power supply. (For BAE 312A without power supply, see <a href=\"http://www.rspeaudio.com/BAE-312A-Rackmount-and-Module-p/bae-sin312nops.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Single - PSU</a> and <a href=\"http://www.rspeaudio.com/BAE-312A-Dual-Channel-Microphone-Preamp-p/bae-dual312nops.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">BAE 312A Dual - PSU</a>) <br><br>\n\n\n<h3>Who’s Using BAE:</h3>\n   \"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre\'s, EQ\'s, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark\'s (Loughman) new ownership in the company. I forecast excellent things to come. — <em>Ross Hogarth, Grammy-winning producer-engineer</em><br><br>\n\n   \"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I\'ve ever heard.\"  — <em>Steven Slate Drums</em><br><br>\n\n   “What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre\'s with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)<br><br>\n\n   “I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — <em>Jane Wiedlin, The Go-Go\'s</em><br><br>\n\n   “I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – <em>Bootsy Collins</em><br><br>\n\n“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we\'ve had blind fold audio \"shoot out\" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — <em>Andy Kravitz, drummer, producer, engineer</em><br><br>\n\n Discography:\n(Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)<br><br>\n\n\n<h3>About BAE (British Audio Engineering)</h3>\nAnswering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out <a href=\"http://www.rspeaudio.com/Designers_Perspective_a/286.htm#bae\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">RSPE’s Designer’s Perspective</a> feature and get a first-hand look at the inner workings of BAE. \n\n\n<h3>Add the classic API growl and punch to your recordings with BAE’s single-channel 312A Mic Pre/DI. Call or chat with an RSPE representative today.</h3>'),(2877,85,0,480,'BAE 312A Single Channel Microphone Preamp with Power Supply'),(2878,85,1,480,'BAE 312A Single Channel Microphone Preamp with Power Supply'),(2879,76,0,480,''),(2880,76,1,480,''),