(937,75,0,157,'<h1>Apogee Symphony Desktop Audio Interface</h1>\n<span style=\"font-size:16px; font-style:italic;\">Symphony Series 10x14 Desktop Audio Interface with V</span><i><span style=\"background-color: initial;\">intage Mic Preamp Emulation, Apogee Hardware DSP with Premium Plugins, </span><span style=\"background-color: initial;\">Immersive Touch Screen for Mac, Windows and iPad Pro.</span></i><span style=\"font-size:16px; font-style:italic;\"><br /></span><br />\nApogee Symphony Desktop is a portable professional-grade audio interface for Mac, iPad pro and Windows that packs the legendary sound quality of Apogee’s rack-mount Symphony I/O Mk II into an elegant and inspiring 10×14 audio interface that sits on your desk and fits in your bag. With Symphony Desktop, musicians and producers are empowered to record, overdub and mix with the music industry’s most respected AD/DA converters and mic preamps.\n<br /><br />\nBy combining superior performance, with new features like mic preamp emulation, the Symphony ECS Channel Strip plugin and ultra low latency recording with hardware DSP and Apogee native FX plugins, Symphony Desktop will amplify your creativity in your studio or on the go and give your recordings the Apogee sound quality Advantage.\n<br /><br />\n<h3>Apogee Symphony Desktop Features</h3>\n<ul>\n	<li>Most affordable Symphony series interface ever</li>\n	<li>Cutting edge components and circuit design deliver detailed and pristine flagship sound quality</li>\n	<li>2 Advanced Stepped Gain mic preamps, up to 75dB of gain, variable impedance</li>\n	<li>FET instrument input with electric guitar tube amp charcteristics</li>\n	<li>Apogee Alloy Mic Preamp emulation (Analog processing + DSP modeling) Includes British Solid State & 50s American Tube</li>\n	<li>Built-in hardware DSP processing of Apogee FX Rack plugins</li>\n	<li>Includes Symphony ECS Channel Strip Tuned by Bob Clearmountain – Native and hardware DSP versions with EQ, Compression and Saturation</li>\n	<li>Includes Symphony Reverb – Native version</li>\n	<li>Flexible, zero latency plugin workflows: Print, Monitor and DualPath Link workflows</li>\n	<li>Dynamic touch screen display for comprehensive hardware control</li>\n	<li>2 assignable headphone outputs: 1 x 1/4″, 1 x 1/8”</li>\n	<li>10 IN x 14 OUT simultaneous channels of audio</li>\n	<li>MIDI over USB</li>\n	<li>Digital I/O: 2 x Optical Toslink (ADAT,S/PDIF)</li>\n	<li>Works with: macOS, Windows, iPad Pro</li>\n</ul>\n<br />\n<h3>Apogee Symphony Pro Quality</h3>\nAs a Symphony family product, Symphony Desktop benefits from Apogee’s core mission to design the finest performing audio interfaces using cutting edge analog and digital components, carefully selected by ear. While others cut costs and rely on conventional design approaches, we use innovative components and circuit optimization to consistently improve the performance of our products.\n<br /><br />\n<h3>A/D Conversion - Faithfully Capture Every Nuance</h3>\nLike Symphony I/O Mk II, Symphony Desktop’s analog-to-digital convertor stage features ultra-low distortion, high-slew rate, fully differential analog op-amps plus a cutting edge A/D convertor in a performance-enhancing dual-sum configuration. Create with the confidence that every nuance of your analog input is faithfully reproduced in the digital domain.\n<br /><br />\n<h3>D/A Conversion - A Widescreen Window Into Your Mix</h3>\nSymphony Desktop’s digital-to-analog stage employs brand new technology to provide uncompromising Symphony DAC performance in a portable product, including a robust ultra-low distortion, high-current output driver. Regardless of downstream connections, Symphony Desktop provides a transparent, widescreen window into the sonic landscape of your mix.\n<br /><br />\n<h3>Mic Preamps - Superior Performance + Alloy Preamp Emulations</h3>\nAt the core of the input stage, are Symphony Desktop’s mic preamps offering up to 75dB of gain. The preamp design features Apogee’s unique Advanced Stepped Gain Architecture which ensures ultra-low noise and distortion regardless of the source, from pounding kick drum to delicate fingerpicking on an acoustic guitar. With variable impedance settings on both mic and instrument inputs, Symphony Desktop optimizes the input stage to better match your specific devices, for deep lows and clear highs. Selectable Apogee Alloy mic preamp emulations adds character, attitude and maybe a bit of grit to your recordings.\n<br /><br />\n<h3>Headphone Outputs</h3>\nSymphony Desktop has two completely independent ultra low impedance headphone outputs, individually routable, both equipped with dual-sum ESS DACs. Output power range is tailored to  the expected type of headphones: the front panel output can drive virtually any headphones, while the rear panel output is specifically tailored for high-efficiency headphones.\n<br /><br />\n<h3>Hardware DSP and Native Plugin FX</h3>\n<b>\nRun Apogee’s premium plugins on Symphony Desktop and in your DAW, No Hardware Required</b><br />\nObsessively crafted by the same team that designs all Apogee hardware and software products, Apogee FX are premium plugins that run on the hardware DSP in Symphony Desktop or as native plugins on your computer. From visually modern interfaces that allow you to precisely shape and contour your sound to meticulously modeled vintage hardware so accurate it has been endorsed by the hardware manufacturer, Apogee plugins will quickly find their way into your daily recording tool kit.<br /><br />'),(938,75,1,157,'<h1>Apogee Symphony Desktop Audio Interface</h1>\n<span style=\"font-size:16px; font-style:italic;\">Symphony Series 10x14 Desktop Audio Interface with V</span><i><span style=\"background-color: initial;\">intage Mic Preamp Emulation, Apogee Hardware DSP with Premium Plugins, </span><span style=\"background-color: initial;\">Immersive Touch Screen for Mac, Windows and iPad Pro.</span></i><span style=\"font-size:16px; font-style:italic;\"><br /></span><br />\nApogee Symphony Desktop is a portable professional-grade audio interface for Mac, iPad pro and Windows that packs the legendary sound quality of Apogee’s rack-mount Symphony I/O Mk II into an elegant and inspiring 10×14 audio interface that sits on your desk and fits in your bag. With Symphony Desktop, musicians and producers are empowered to record, overdub and mix with the music industry’s most respected AD/DA converters and mic preamps.\n<br /><br />\nBy combining superior performance, with new features like mic preamp emulation, the Symphony ECS Channel Strip plugin and ultra low latency recording with hardware DSP and Apogee native FX plugins, Symphony Desktop will amplify your creativity in your studio or on the go and give your recordings the Apogee sound quality Advantage.\n<br /><br />\n<h3>Apogee Symphony Desktop Features</h3>\n<ul>\n	<li>Most affordable Symphony series interface ever</li>\n	<li>Cutting edge components and circuit design deliver detailed and pristine flagship sound quality</li>\n	<li>2 Advanced Stepped Gain mic preamps, up to 75dB of gain, variable impedance</li>\n	<li>FET instrument input with electric guitar tube amp charcteristics</li>\n	<li>Apogee Alloy Mic Preamp emulation (Analog processing + DSP modeling) Includes British Solid State & 50s American Tube</li>\n	<li>Built-in hardware DSP processing of Apogee FX Rack plugins</li>\n	<li>Includes Symphony ECS Channel Strip Tuned by Bob Clearmountain – Native and hardware DSP versions with EQ, Compression and Saturation</li>\n	<li>Includes Symphony Reverb – Native version</li>\n	<li>Flexible, zero latency plugin workflows: Print, Monitor and DualPath Link workflows</li>\n	<li>Dynamic touch screen display for comprehensive hardware control</li>\n	<li>2 assignable headphone outputs: 1 x 1/4″, 1 x 1/8”</li>\n	<li>10 IN x 14 OUT simultaneous channels of audio</li>\n	<li>MIDI over USB</li>\n	<li>Digital I/O: 2 x Optical Toslink (ADAT,S/PDIF)</li>\n	<li>Works with: macOS, Windows, iPad Pro</li>\n</ul>\n<br />\n<h3>Apogee Symphony Pro Quality</h3>\nAs a Symphony family product, Symphony Desktop benefits from Apogee’s core mission to design the finest performing audio interfaces using cutting edge analog and digital components, carefully selected by ear. While others cut costs and rely on conventional design approaches, we use innovative components and circuit optimization to consistently improve the performance of our products.\n<br /><br />\n<h3>A/D Conversion - Faithfully Capture Every Nuance</h3>\nLike Symphony I/O Mk II, Symphony Desktop’s analog-to-digital convertor stage features ultra-low distortion, high-slew rate, fully differential analog op-amps plus a cutting edge A/D convertor in a performance-enhancing dual-sum configuration. Create with the confidence that every nuance of your analog input is faithfully reproduced in the digital domain.\n<br /><br />\n<h3>D/A Conversion - A Widescreen Window Into Your Mix</h3>\nSymphony Desktop’s digital-to-analog stage employs brand new technology to provide uncompromising Symphony DAC performance in a portable product, including a robust ultra-low distortion, high-current output driver. Regardless of downstream connections, Symphony Desktop provides a transparent, widescreen window into the sonic landscape of your mix.\n<br /><br />\n<h3>Mic Preamps - Superior Performance + Alloy Preamp Emulations</h3>\nAt the core of the input stage, are Symphony Desktop’s mic preamps offering up to 75dB of gain. The preamp design features Apogee’s unique Advanced Stepped Gain Architecture which ensures ultra-low noise and distortion regardless of the source, from pounding kick drum to delicate fingerpicking on an acoustic guitar. With variable impedance settings on both mic and instrument inputs, Symphony Desktop optimizes the input stage to better match your specific devices, for deep lows and clear highs. Selectable Apogee Alloy mic preamp emulations adds character, attitude and maybe a bit of grit to your recordings.\n<br /><br />\n<h3>Headphone Outputs</h3>\nSymphony Desktop has two completely independent ultra low impedance headphone outputs, individually routable, both equipped with dual-sum ESS DACs. Output power range is tailored to  the expected type of headphones: the front panel output can drive virtually any headphones, while the rear panel output is specifically tailored for high-efficiency headphones.\n<br /><br />\n<h3>Hardware DSP and Native Plugin FX</h3>\n<b>\nRun Apogee’s premium plugins on Symphony Desktop and in your DAW, No Hardware Required</b><br />\nObsessively crafted by the same team that designs all Apogee hardware and software products, Apogee FX are premium plugins that run on the hardware DSP in Symphony Desktop or as native plugins on your computer. From visually modern interfaces that allow you to precisely shape and contour your sound to meticulously modeled vintage hardware so accurate it has been endorsed by the hardware manufacturer, Apogee plugins will quickly find their way into your daily recording tool kit.<br /><br />'),(939,85,0,157,'Apogee Symphony Desktop Audio Interface'),(940,85,1,157,'Apogee Symphony Desktop Audio Interface'),(941,76,0,157,''),(942,76,1,157,''),(943,75,0,158,'<h1>Apogee Symphony ECS Channel Strip</h1>\n<div>\n	<i>Multiple effects Channel Strip </i><i style=\"background-color: initial;\">Vintage 3-band EQ, Compression and Saturation </i><i style=\"background-color: initial;\">Clearmountain-tuned Compressor with Auto Makeup</i>\n</div>\n<br />\nTuned by Bob Clearmountain, the Apogee Symphony ECS Channel Strip plugin includes EQ, Compression and Saturation controls that let you create the optimal blend of channel FX for tracking vocals or acoustic instruments. You can use the ECS Channel strip with Symphony Desktop hardware DSP for zero latency recording or as a native plugin in your DAW.<br /><br />Whether you’re recording basic tracks or adding the final touches on your mix, the Symphony ECS Channel Strip offers simple but comprehensive EQ, compression and saturation for enhancing your tracks with minimum fuss and maximum results.<br /><br />\n<h3>Symphony ECS Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Channel Strip format offering multiple effects in one plugin.</span></li>\n	<li>Vintage-modeled 3-band EQ</li>\n	<li>Clearmountain-tuned Compressor with Auto Makeup</li>\n	<li>Saturation from subtle gain to warm crush</li>\n	<li>Flexible High-Pass </li>\n	<li>DualPath flexibility with Symphony Desktop</li>\n	\n</ul>\n<br />\n<h3>Symphony ECS In-Depth</h3><b>\nEQ – </b>The Channel Strip’s EQ is based on vintage 1970’s hardware EQ that’s simple but potent, so you can dial in your sound with ease. Switch the high pass filter to the compressor sidechain for aggressive compression without pumping.<br /><br /><b>\n\nCompressor – </b>With parameters tuned by legendary mixer Bob Clearmountain, the compressor offers foolproof gain reduction with just the essential controls. Parallel compression is easy using the included Mix knob.<br /><br /><b>\n\nSaturation –</b> Add the finishing touch to your sound with variable levels of saturation, from subtle volume boosting through crunchy and exciting to full-on crush.<br /><br /><b>\n\nFlexible Workflows with Symphony Desktop –</b> The ECS Channel Strip runs both on Symphony Desktop on-board hardware DSP and as a native plugin in your DAW, opening an array of innovative and flexible workflows. Commit to your processing with Print FX mode or set up DualPath monitoring for zero latency recording with the ECS Channel Strip.<br /><br />'),(944,75,1,158,'<h1>Apogee Symphony ECS Channel Strip</h1>\n<div>\n	<i>Multiple effects Channel Strip </i><i style=\"background-color: initial;\">Vintage 3-band EQ, Compression and Saturation </i><i style=\"background-color: initial;\">Clearmountain-tuned Compressor with Auto Makeup</i>\n</div>\n<br />\nTuned by Bob Clearmountain, the Apogee Symphony ECS Channel Strip plugin includes EQ, Compression and Saturation controls that let you create the optimal blend of channel FX for tracking vocals or acoustic instruments. You can use the ECS Channel strip with Symphony Desktop hardware DSP for zero latency recording or as a native plugin in your DAW.<br /><br />Whether you’re recording basic tracks or adding the final touches on your mix, the Symphony ECS Channel Strip offers simple but comprehensive EQ, compression and saturation for enhancing your tracks with minimum fuss and maximum results.<br /><br />\n<h3>Symphony ECS Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Channel Strip format offering multiple effects in one plugin.</span></li>\n	<li>Vintage-modeled 3-band EQ</li>\n	<li>Clearmountain-tuned Compressor with Auto Makeup</li>\n	<li>Saturation from subtle gain to warm crush</li>\n	<li>Flexible High-Pass </li>\n	<li>DualPath flexibility with Symphony Desktop</li>\n	\n</ul>\n<br />\n<h3>Symphony ECS In-Depth</h3><b>\nEQ – </b>The Channel Strip’s EQ is based on vintage 1970’s hardware EQ that’s simple but potent, so you can dial in your sound with ease. Switch the high pass filter to the compressor sidechain for aggressive compression without pumping.<br /><br /><b>\n\nCompressor – </b>With parameters tuned by legendary mixer Bob Clearmountain, the compressor offers foolproof gain reduction with just the essential controls. Parallel compression is easy using the included Mix knob.<br /><br /><b>\n\nSaturation –</b> Add the finishing touch to your sound with variable levels of saturation, from subtle volume boosting through crunchy and exciting to full-on crush.<br /><br /><b>\n\nFlexible Workflows with Symphony Desktop –</b> The ECS Channel Strip runs both on Symphony Desktop on-board hardware DSP and as a native plugin in your DAW, opening an array of innovative and flexible workflows. Commit to your processing with Print FX mode or set up DualPath monitoring for zero latency recording with the ECS Channel Strip.<br /><br />'),(945,85,0,158,'Apogee Symphony ECS Channel Strip'),(946,85,1,158,'Apogee Symphony ECS Channel Strip'),(947,76,0,158,''),(948,76,1,158,''),(949,75,0,159,'<h2>Apogee Symphony I/O Mk II 2x6 Thunderbolt Audio Interface</h2>\n<i>Symphony I/O MKII Chassis with 2x6 Analog I/O + 8x8 Optical + AES I/O + 2-Chan S/PDIF and Thunderbolt Connectivity</i><br /><br />\nThanks to Apogee Symphony I/O Mk II professional audio interfaces, gone are days when audio professionals, looking for the highest-quality conversion for their DAWs, would have to purchase two expensive interfaces to do one job: one interface to talk to the “industry-standard” DAW software and outboard gear, and Apogee converters to bypass the ADA of the interface/dongle. With Apogee Symphony I/O, you have flexible, reconfigurable I/O, plus Apogee’s industry-renowned conversion and world-class microphone preamps. Symphony I/O’s user-configurability allows you to customize or expand I/O without complicating your setup with submixers, format converters, sidecars, or additional components cluttering your signal path—just pure Apogee quality through and through. <br /><br />The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. <br /><br />\n<h3>Apogee Symphony I/O Mk II 2x6 Unique Features:</h3>\n<ul>\n	<li>Apogee’s best-sounding and most transparent interface to date </li>\n	<li><span style=\"background-color: initial;\">Best AD/DA conversion of any Thunderbolt™ audio interface</span></li>\n	<li>User-expandable with up to four I/O Modules </li>\n	<li><span style=\"background-color: initial;\">Intuitive touchscreen display and front panel control</span></li>\n</ul>\n<br />\n<h3>Apogee Symphony I/O Mk II 2x6 Key Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li>\n	<li>Best per-channel value of any interface in its category</li>\n	<li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li>\n	<li>Ultra-low latency performance</li>\n	<li>Intuitive touchscreen display and front panel control</li>\n	<li>Option card slot for future platform flexibility</li>\n	<li>Designed in California, Built in the U.S.A.</li>\n</ul>\n<br />\n<h3>The Apogee Symphony I/O Mk II 2x6 and Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\nThe Symphony I/O 2x6 comes loaded with the 2x6 I/O module, which is only available for base configuration and not as an expansion option. The 2x6 I/O Module provides eight simultaneous channels of I/O comprising 2x6 analog I/O, 8x8 optical, and AES I/O.<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 2x6 unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(950,75,1,159,'<h2>Apogee Symphony I/O Mk II 2x6 Thunderbolt Audio Interface</h2>\n<i>Symphony I/O MKII Chassis with 2x6 Analog I/O + 8x8 Optical + AES I/O + 2-Chan S/PDIF and Thunderbolt Connectivity</i><br /><br />\nThanks to Apogee Symphony I/O Mk II professional audio interfaces, gone are days when audio professionals, looking for the highest-quality conversion for their DAWs, would have to purchase two expensive interfaces to do one job: one interface to talk to the “industry-standard” DAW software and outboard gear, and Apogee converters to bypass the ADA of the interface/dongle. With Apogee Symphony I/O, you have flexible, reconfigurable I/O, plus Apogee’s industry-renowned conversion and world-class microphone preamps. Symphony I/O’s user-configurability allows you to customize or expand I/O without complicating your setup with submixers, format converters, sidecars, or additional components cluttering your signal path—just pure Apogee quality through and through. <br /><br />The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. <br /><br />\n<h3>Apogee Symphony I/O Mk II 2x6 Unique Features:</h3>\n<ul>\n	<li>Apogee’s best-sounding and most transparent interface to date </li>\n	<li><span style=\"background-color: initial;\">Best AD/DA conversion of any Thunderbolt™ audio interface</span></li>\n	<li>User-expandable with up to four I/O Modules </li>\n	<li><span style=\"background-color: initial;\">Intuitive touchscreen display and front panel control</span></li>\n</ul>\n<br />\n<h3>Apogee Symphony I/O Mk II 2x6 Key Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li>\n	<li>Best per-channel value of any interface in its category</li>\n	<li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li>\n	<li>Ultra-low latency performance</li>\n	<li>Intuitive touchscreen display and front panel control</li>\n	<li>Option card slot for future platform flexibility</li>\n	<li>Designed in California, Built in the U.S.A.</li>\n</ul>\n<br />\n<h3>The Apogee Symphony I/O Mk II 2x6 and Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\nThe Symphony I/O 2x6 comes loaded with the 2x6 I/O module, which is only available for base configuration and not as an expansion option. The 2x6 I/O Module provides eight simultaneous channels of I/O comprising 2x6 analog I/O, 8x8 optical, and AES I/O.<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 2x6 unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(951,85,0,159,'Apogee Symphony I/O Mk II 2x6 Thunderbolt Audio Interface'),(952,85,1,159,'Apogee Symphony I/O Mk II 2x6 Thunderbolt Audio Interface'),(953,76,0,159,''),(954,76,1,159,''),(955,75,0,160,'<h2>Apogee Symphony I/O Mk II 16X16 Thunderbolt Audio Interface</h2>\n<span style=\"font-size:16px; font-style:italic;\">Professional-grade audio interface with renowned Apogee conversion, Low-Latency Thunderbolt Connection and user-upgradeable I/O</span><br /><br />\nThanks to Apogee Symphony I/O Mk II professional audio interfaces, gone are days when audio professionals, looking for the highest-quality conversion for their DAWs, would have to purchase two expensive interfaces to do one job: one interface to talk to the “industry-standard” DAW software and outboard gear, and Apogee converters to bypass the ADA of the interface/dongle. With Apogee Symphony I/O, you have flexible, reconfigurable I/O, plus Apogee’s industry-renowned conversion and world-class microphone preamps. Symphony I/O’s user-configurability allows you to customize or expand I/O without complicating your setup with submixers, format converters, sidecars, or additional components cluttering your signal path—just pure Apogee quality through and through. <br /><br />The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. <br /><br />\n<h3>Apogee Symphony I/O Mk II 16X16 Unique Features:</h3>\n<ul>\n	<li>Apogee’s best-sounding and most transparent interface to date </li>\n	<li><span style=\"background-color: initial;\">Best AD/DA conversion of any Thunderbolt™ audio interface</span></li>\n	<li>User-expandable with up to four I/O Modules </li>\n	<li><span style=\"background-color: initial;\">Intuitive touchscreen display and front panel control</span></li>\n</ul>\n<br />\n<h3>Apogee Symphony I/O Mk II <span style=\"background-color: initial;\">16X16 Key Features:</span></h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li>\n	<li>Best per-channel value of any interface in its category</li>\n	<li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li>\n	<li>Ultra-low latency performance</li>\n	<li>Intuitive touchscreen display and front panel control</li>\n	<li>Option card slot for future platform flexibility</li>\n	<li>Designed in California, Built in the U.S.A.</li>\n</ul>\n<br />\n<h3>The Apogee Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 16X16 unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(956,75,1,160,'<h2>Apogee Symphony I/O Mk II 16X16 Thunderbolt Audio Interface</h2>\n<span style=\"font-size:16px; font-style:italic;\">Professional-grade audio interface with renowned Apogee conversion, Low-Latency Thunderbolt Connection and user-upgradeable I/O</span><br /><br />\nThanks to Apogee Symphony I/O Mk II professional audio interfaces, gone are days when audio professionals, looking for the highest-quality conversion for their DAWs, would have to purchase two expensive interfaces to do one job: one interface to talk to the “industry-standard” DAW software and outboard gear, and Apogee converters to bypass the ADA of the interface/dongle. With Apogee Symphony I/O, you have flexible, reconfigurable I/O, plus Apogee’s industry-renowned conversion and world-class microphone preamps. Symphony I/O’s user-configurability allows you to customize or expand I/O without complicating your setup with submixers, format converters, sidecars, or additional components cluttering your signal path—just pure Apogee quality through and through. <br /><br />The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. <br /><br />\n<h3>Apogee Symphony I/O Mk II 16X16 Unique Features:</h3>\n<ul>\n	<li>Apogee’s best-sounding and most transparent interface to date </li>\n	<li><span style=\"background-color: initial;\">Best AD/DA conversion of any Thunderbolt™ audio interface</span></li>\n	<li>User-expandable with up to four I/O Modules </li>\n	<li><span style=\"background-color: initial;\">Intuitive touchscreen display and front panel control</span></li>\n</ul>\n<br />\n<h3>Apogee Symphony I/O Mk II <span style=\"background-color: initial;\">16X16 Key Features:</span></h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li>\n	<li>Best per-channel value of any interface in its category</li>\n	<li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li>\n	<li>Ultra-low latency performance</li>\n	<li>Intuitive touchscreen display and front panel control</li>\n	<li>Option card slot for future platform flexibility</li>\n	<li>Designed in California, Built in the U.S.A.</li>\n</ul>\n<br />\n<h3>The Apogee Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 16X16 unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(957,85,0,160,'Apogee Symphony I/O Mk II 16X16 Thunderbolt Audio Interface'),(958,85,1,160,'Apogee Symphony I/O Mk II 16X16 Thunderbolt Audio Interface'),(959,76,0,160,''),(960,76,1,160,''),(961,75,0,161,'<h2>Apogee Symphony I/O Mk II 8x8 Thunderbolt Audio Interface</h2>\n<span style=\"font-size:16px; font-style:italic;\">Professional-grade audio interface with renowned Apogee conversion, Low-Latency Thunderbolt Connection and user-upgradeable I/O</span><br /><br />\nThanks to Apogee Symphony I/O Mk II professional audio interfaces, gone are days when audio professionals, looking for the highest-quality conversion for their DAWs, would have to purchase two expensive interfaces to do one job: one interface to talk to the “industry-standard” DAW software and outboard gear, and Apogee converters to bypass the ADA of the interface/dongle. With Apogee Symphony I/O, you have flexible, reconfigurable I/O, plus Apogee’s industry-renowned conversion and world-class microphone preamps. Symphony I/O’s user-configurability allows you to customize or expand I/O without complicating your setup with submixers, format converters, sidecars, or additional components cluttering your signal path—just pure Apogee quality through and through. <br /><br />The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. <br /><br />\n<h3>Apogee Symphony I/O Mk II 8x8 Unique Features:</h3>\n<ul>\n	<li>Apogee’s best-sounding and most transparent interface to date </li>\n	<li><span style=\"background-color: initial;\">Best AD/DA conversion of any Thunderbolt™ audio interface</span></li>\n	<li>User-expandable with up to four I/O Modules </li>\n	<li><span style=\"background-color: initial;\">Intuitive touchscreen display and front panel control</span></li>\n</ul>\n<br />\n<h3>Apogee Symphony I/O Mk II <span style=\"background-color: initial;\">8x8</span><span style=\"background-color: initial;\"> Key Features:</span></h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li>\n	<li>Best per-channel value of any interface in its category</li>\n	<li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li>\n	<li>Ultra-low latency performance</li>\n	<li>Intuitive touchscreen display and front panel control</li>\n	<li>Option card slot for future platform flexibility</li>\n	<li>Designed in California, Built in the U.S.A.</li>\n</ul>\n<br />\n<h3>The Apogee Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 8x8 unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(962,75,1,161,'<h2>Apogee Symphony I/O Mk II 8x8 Thunderbolt Audio Interface</h2>\n<span style=\"font-size:16px; font-style:italic;\">Professional-grade audio interface with renowned Apogee conversion, Low-Latency Thunderbolt Connection and user-upgradeable I/O</span><br /><br />\nThanks to Apogee Symphony I/O Mk II professional audio interfaces, gone are days when audio professionals, looking for the highest-quality conversion for their DAWs, would have to purchase two expensive interfaces to do one job: one interface to talk to the “industry-standard” DAW software and outboard gear, and Apogee converters to bypass the ADA of the interface/dongle. With Apogee Symphony I/O, you have flexible, reconfigurable I/O, plus Apogee’s industry-renowned conversion and world-class microphone preamps. Symphony I/O’s user-configurability allows you to customize or expand I/O without complicating your setup with submixers, format converters, sidecars, or additional components cluttering your signal path—just pure Apogee quality through and through. <br /><br />The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. <br /><br />\n<h3>Apogee Symphony I/O Mk II 8x8 Unique Features:</h3>\n<ul>\n	<li>Apogee’s best-sounding and most transparent interface to date </li>\n	<li><span style=\"background-color: initial;\">Best AD/DA conversion of any Thunderbolt™ audio interface</span></li>\n	<li>User-expandable with up to four I/O Modules </li>\n	<li><span style=\"background-color: initial;\">Intuitive touchscreen display and front panel control</span></li>\n</ul>\n<br />\n<h3>Apogee Symphony I/O Mk II <span style=\"background-color: initial;\">8x8</span><span style=\"background-color: initial;\"> Key Features:</span></h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li>\n	<li>Best per-channel value of any interface in its category</li>\n	<li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li>\n	<li>Ultra-low latency performance</li>\n	<li>Intuitive touchscreen display and front panel control</li>\n	<li>Option card slot for future platform flexibility</li>\n	<li>Designed in California, Built in the U.S.A.</li>\n</ul>\n<br />\n<h3>The Apogee Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 8x8 unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(963,85,0,161,'Apogee Symphony I/O Mk II 8x8 Thunderbolt Audio Interface'),(964,85,1,161,'Apogee Symphony I/O Mk II 8x8 Thunderbolt Audio Interface'),(965,76,0,161,''),(966,76,1,161,'');
INSERT INTO `catalog_product_entity_text` VALUES (967,75,0,162,'<h2>Apogee Symphony I/O Mk II  8X8 + 8MP Thunderbolt Audio Interface</h2>\n<span style=\"font-size:16px; font-style:italic;\">Professional-grade audio interface with renowned Apogee conversion, Low-Latency Thunderbolt Connection and user-upgradeable I/O</span><br /><br />\nThanks to Apogee Symphony I/O Mk II professional audio interfaces, gone are days when audio professionals, looking for the highest-quality conversion for their DAWs, would have to purchase two expensive interfaces to do one job: one interface to talk to the “industry-standard” DAW software and outboard gear, and Apogee converters to bypass the ADA of the interface/dongle. With Apogee Symphony I/O, you have flexible, reconfigurable I/O, plus Apogee’s industry-renowned conversion and world-class microphone preamps. Symphony I/O’s user-configurability allows you to customize or expand I/O without complicating your setup with submixers, format converters, sidecars, or additional components cluttering your signal path—just pure Apogee quality through and through. <br /><br />The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. <br /><br />\n<h3>Apogee Symphony I/O Mk II 8X8 + 8MP Unique Features:</h3>\n<ul>\n	<li>Apogee’s best-sounding and most transparent interface to date </li>\n	<li><span style=\"background-color: initial;\">Best AD/DA conversion of any Thunderbolt™ audio interface</span></li>\n	<li>User-expandable with up to four I/O Modules </li>\n	<li><span style=\"background-color: initial;\">Intuitive touchscreen display and front panel control</span></li>\n</ul>\n<br />\n<h3>Apogee Symphony I/O Mk II <span style=\"background-color: initial;\">8X8 + 8MP Key Features:</span></h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li>\n	<li>Best per-channel value of any interface in its category</li>\n	<li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li>\n	<li>Ultra-low latency performance</li>\n	<li>Intuitive touchscreen display and front panel control</li>\n	<li>Option card slot for future platform flexibility</li>\n	<li>Designed in California, Built in the U.S.A.</li>\n</ul>\n<br />\n<h3>The Apogee Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 8X8 + 8MP unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(968,75,1,162,'<h2>Apogee Symphony I/O Mk II  8X8 + 8MP Thunderbolt Audio Interface</h2>\n<span style=\"font-size:16px; font-style:italic;\">Professional-grade audio interface with renowned Apogee conversion, Low-Latency Thunderbolt Connection and user-upgradeable I/O</span><br /><br />\nThanks to Apogee Symphony I/O Mk II professional audio interfaces, gone are days when audio professionals, looking for the highest-quality conversion for their DAWs, would have to purchase two expensive interfaces to do one job: one interface to talk to the “industry-standard” DAW software and outboard gear, and Apogee converters to bypass the ADA of the interface/dongle. With Apogee Symphony I/O, you have flexible, reconfigurable I/O, plus Apogee’s industry-renowned conversion and world-class microphone preamps. Symphony I/O’s user-configurability allows you to customize or expand I/O without complicating your setup with submixers, format converters, sidecars, or additional components cluttering your signal path—just pure Apogee quality through and through. <br /><br />The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. <br /><br />\n<h3>Apogee Symphony I/O Mk II 8X8 + 8MP Unique Features:</h3>\n<ul>\n	<li>Apogee’s best-sounding and most transparent interface to date </li>\n	<li><span style=\"background-color: initial;\">Best AD/DA conversion of any Thunderbolt™ audio interface</span></li>\n	<li>User-expandable with up to four I/O Modules </li>\n	<li><span style=\"background-color: initial;\">Intuitive touchscreen display and front panel control</span></li>\n</ul>\n<br />\n<h3>Apogee Symphony I/O Mk II <span style=\"background-color: initial;\">8X8 + 8MP Key Features:</span></h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li>\n	<li>Best per-channel value of any interface in its category</li>\n	<li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li>\n	<li>Ultra-low latency performance</li>\n	<li>Intuitive touchscreen display and front panel control</li>\n	<li>Option card slot for future platform flexibility</li>\n	<li>Designed in California, Built in the U.S.A.</li>\n</ul>\n<br />\n<h3>The Apogee Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 8X8 + 8MP unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(969,85,0,162,'Apogee Symphony I/O Mk II  8X8 + 8MP Thunderbolt Audio Interface'),(970,85,1,162,'Apogee Symphony I/O Mk II  8X8 + 8MP Thunderbolt Audio Interface'),(971,76,0,162,''),(972,76,1,162,''),(973,75,0,163,'<h2>Apogee Symphony I/O Mk II HD 16X16 Pro Tools HD Interface</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Symphony I/O Mk II HD can be utilized alongside or in place of Avid® or Digidesign® interfaces for Pro Tools HD.</span><br /><br />\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding first  avia-builder-el-4  el_after_av_one_full  el_before_av_one_half  column-top-margin\" style=\"border-radius:0px; \"><section class=\"av_textblock_section\" itemscope=\"itemscope\" itemtype=\"https://schema.org/CreativeWork\"><div class=\"avia_textblock \" itemprop=\"text\"><p>Symphony\n I/O Mk II HD is designed for the Pro Tools HD user who needs a \nmulti-channel audio interface with the best sound quality at an \nincredible cost per channel value. Whether using a Mac or PC based \nstudio, Symphony I/O Mk II HD can connect directly to your Pro Tools \nHDX, Pro Tools HD Native or Pro Tools Core/Accel systems.</p>\n<p>Each I/O module \ninstalled in Symphony I/O Mk II HD appears and functions in Pro Tools HD\n the same if it were a separate Avid HD I/O interface, so set up is easy\n and you can take advantage of important Pro Tools features such as \nsample-accurate delay compensation.</p>\n<p>A single Symphony I/O Mk II HD unit can have up to 32 simultaneous \nanalog I/O, so you can have more channels with less rack gear.  Need \neven more channels?  You can utilize multiple units simultaneously, with\n one Symphony I/O Mk II HD per every Pro Tools HD port in your system. \nCalibrating your I/O is easy with Symphony I/O Mk II HD’s front panel \ntouchscreen.</p>\n</div></section></div><br /><br />\n<h3>Apogee Symphony I/O Mk II 16X16 Unique Features:</h3>\n<ul><li>Best performance of any multi-channel Pro Tools HD interface</li><li>Best cost per channel value of any Pro Tools HD interface solution</li><li>Connects directly to any Pro Tools HD system (Mac or PC)</li><li>Emulates Avid HD I/O interface, including sample-accurate delay compensation</li><li>Connect multiple units in a single system (1 unit per HD port)</li><li>Easy I/O calibration with front panel touchscreen</li></ul>\n<br />\n<h3>Apogee Symphony I/O Mk II <span style=\"background-color: initial;\">16X16 Key Features:</span></h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li>\n	<li>Best per-channel value of any interface in its category</li>\n	<li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li>\n	<li>Ultra-low latency performance</li>\n	<li>Intuitive touchscreen display and front panel control</li>\n	<li>Option card slot for future platform flexibility</li>\n	<li>Designed in California, Built in the U.S.A.</li>\n</ul>\n<br />\n<h3>The Apogee Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 16X16 unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(974,75,1,163,'<h2>Apogee Symphony I/O Mk II HD 16X16 Pro Tools HD Interface</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Symphony I/O Mk II HD can be utilized alongside or in place of Avid® or Digidesign® interfaces for Pro Tools HD.</span><br /><br />\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding first  avia-builder-el-4  el_after_av_one_full  el_before_av_one_half  column-top-margin\" style=\"border-radius:0px; \"><section class=\"av_textblock_section\" itemscope=\"itemscope\" itemtype=\"https://schema.org/CreativeWork\"><div class=\"avia_textblock \" itemprop=\"text\"><p>Symphony\n I/O Mk II HD is designed for the Pro Tools HD user who needs a \nmulti-channel audio interface with the best sound quality at an \nincredible cost per channel value. Whether using a Mac or PC based \nstudio, Symphony I/O Mk II HD can connect directly to your Pro Tools \nHDX, Pro Tools HD Native or Pro Tools Core/Accel systems.</p>\n<p>Each I/O module \ninstalled in Symphony I/O Mk II HD appears and functions in Pro Tools HD\n the same if it were a separate Avid HD I/O interface, so set up is easy\n and you can take advantage of important Pro Tools features such as \nsample-accurate delay compensation.</p>\n<p>A single Symphony I/O Mk II HD unit can have up to 32 simultaneous \nanalog I/O, so you can have more channels with less rack gear.  Need \neven more channels?  You can utilize multiple units simultaneously, with\n one Symphony I/O Mk II HD per every Pro Tools HD port in your system. \nCalibrating your I/O is easy with Symphony I/O Mk II HD’s front panel \ntouchscreen.</p>\n</div></section></div><br /><br />\n<h3>Apogee Symphony I/O Mk II 16X16 Unique Features:</h3>\n<ul><li>Best performance of any multi-channel Pro Tools HD interface</li><li>Best cost per channel value of any Pro Tools HD interface solution</li><li>Connects directly to any Pro Tools HD system (Mac or PC)</li><li>Emulates Avid HD I/O interface, including sample-accurate delay compensation</li><li>Connect multiple units in a single system (1 unit per HD port)</li><li>Easy I/O calibration with front panel touchscreen</li></ul>\n<br />\n<h3>Apogee Symphony I/O Mk II <span style=\"background-color: initial;\">16X16 Key Features:</span></h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li>\n	<li>Best per-channel value of any interface in its category</li>\n	<li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li>\n	<li>Ultra-low latency performance</li>\n	<li>Intuitive touchscreen display and front panel control</li>\n	<li>Option card slot for future platform flexibility</li>\n	<li>Designed in California, Built in the U.S.A.</li>\n</ul>\n<br />\n<h3>The Apogee Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 16X16 unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(975,85,0,163,'Apogee Symphony I/O Mk II HD 16X16 Pro Tools HD Interface'),(976,85,1,163,'Apogee Symphony I/O Mk II HD 16X16 Pro Tools HD Interface'),(977,76,0,163,''),(978,76,1,163,''),(979,75,0,164,'<h2>Apogee Symphony I/O Mk II 2x6 Pro Tools HD Audio Interface</h2>\n<i>Symphony I/O MKII Chassis with 2x6 Analog I/O + 8x8 Optical + AES I/O + 2-Chan S/PDIF and Pro Tools HD DigiLink connectivity</i><br /><br />Apogee Symphony I/O Mk II 2×6 Special Edition offers the highest quality AD/DA conversion of the Symphony series. Designed specifically for mastering engineers whose critical work demands ultimate sonic performance, 2×6 SE takes advantage of the latest advancements in digital and analog audio technology to offer inputs with 124 dB (A) of dynamic range, THD+N of -116dB and outputs with 131dB (A) dynamic range and an astonishingly low THD+N of -118dB.<br /><br /><h3>Apogee Symphony I/O Mk II 2x6 Unique Features:</h3><ul style=\"letter-spacing: normal;\"><li>Apogee’s best-sounding and most transparent interface to date</li><li><span style=\"background-color: initial;\">Best AD/DA conversion of any Thunderbolt™ audio interface</span></li><li>User-expandable with up to four I/O Modules</li><li><span style=\"background-color: initial;\">Intuitive touchscreen display and front panel control</span></li></ul><br /><h3>Apogee Symphony I/O Mk II 2x6 Key Features:</h3><ul style=\"letter-spacing: normal;\"><li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li><li>Best per-channel value of any interface in its category</li><li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li><li>Ultra-low latency performance</li><li>Intuitive touchscreen display and front panel control</li><li>Option card slot for future platform flexibility</li><li>Designed in California, Built in the U.S.A.</li></ul><br /><h3>The Apogee Symphony I/O Mk II 2x6 and Symphony I/O family</h3>Apogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. <br /><br />The Symphony I/O 2x6 comes loaded with the 2x6 I/O module, which is only available for base configuration and not as an expansion option. The 2x6 I/O Module provides eight simultaneous channels of I/O comprising 2x6 analog I/O, 8x8 optical, and AES I/O.<br /><br /><h3>Apogee Symphony I/O Mk II Base configurations:</h3>1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br /><h2>Apogee Symphony I/O Mk II 2x6 unique features in depth</h2><h3>Apogee Sound Quality</h3>While the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. <br /><br /><h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>Symphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration. <br /><br />Symphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch. <br /><br /><h3>Input and Output Flexibility</h3>Tired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. <br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br /><h3>Apogee Symphony I/O expansion options:</h3>1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br /><br />*The 2x6 card is only available in base configuration<br />** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br /><h3>Apogee Symphony I/O front panel touch screen</h3><div>All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. <span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span></div><br /><h3>Apogee Symphony I/O rear panel</h3>The rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running. <br /><br /><h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(980,75,1,164,'<h2>Apogee Symphony I/O Mk II 2x6 Pro Tools HD Audio Interface</h2>\n<i>Symphony I/O MKII Chassis with 2x6 Analog I/O + 8x8 Optical + AES I/O + 2-Chan S/PDIF and Pro Tools HD DigiLink connectivity</i><br /><br />Apogee Symphony I/O Mk II 2×6 Special Edition offers the highest quality AD/DA conversion of the Symphony series. Designed specifically for mastering engineers whose critical work demands ultimate sonic performance, 2×6 SE takes advantage of the latest advancements in digital and analog audio technology to offer inputs with 124 dB (A) of dynamic range, THD+N of -116dB and outputs with 131dB (A) dynamic range and an astonishingly low THD+N of -118dB.<br /><br /><h3>Apogee Symphony I/O Mk II 2x6 Unique Features:</h3><ul style=\"letter-spacing: normal;\"><li>Apogee’s best-sounding and most transparent interface to date</li><li><span style=\"background-color: initial;\">Best AD/DA conversion of any Thunderbolt™ audio interface</span></li><li>User-expandable with up to four I/O Modules</li><li><span style=\"background-color: initial;\">Intuitive touchscreen display and front panel control</span></li></ul><br /><h3>Apogee Symphony I/O Mk II 2x6 Key Features:</h3><ul style=\"letter-spacing: normal;\"><li><span style=\"background-color: initial;\">Up to 32 channels of modular analog I/O with optional 8 mic preamps</span></li><li>Best per-channel value of any interface in its category</li><li>Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*</li><li>Ultra-low latency performance</li><li>Intuitive touchscreen display and front panel control</li><li>Option card slot for future platform flexibility</li><li>Designed in California, Built in the U.S.A.</li></ul><br /><h3>The Apogee Symphony I/O Mk II 2x6 and Symphony I/O family</h3>Apogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. <br /><br />The Symphony I/O 2x6 comes loaded with the 2x6 I/O module, which is only available for base configuration and not as an expansion option. The 2x6 I/O Module provides eight simultaneous channels of I/O comprising 2x6 analog I/O, 8x8 optical, and AES I/O.<br /><br /><h3>Apogee Symphony I/O Mk II Base configurations:</h3>1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br /><h2>Apogee Symphony I/O Mk II 2x6 unique features in depth</h2><h3>Apogee Sound Quality</h3>While the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. <br /><br /><h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>Symphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration. <br /><br />Symphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch. <br /><br /><h3>Input and Output Flexibility</h3>Tired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. <br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br /><h3>Apogee Symphony I/O expansion options:</h3>1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br /><br />*The 2x6 card is only available in base configuration<br />** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br /><h3>Apogee Symphony I/O front panel touch screen</h3><div>All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. <span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span></div><br /><h3>Apogee Symphony I/O rear panel</h3>The rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running. <br /><br /><h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(981,85,0,164,'Apogee Symphony I/O Module - 2x6 Analog I/O + 8x8 Optical + AES I/O'),(982,85,1,164,'Apogee Symphony I/O Module - 2x6 Analog I/O + 8x8 Optical + AES I/O'),(983,76,0,164,''),(984,76,1,164,''),(985,75,0,165,'<h2>Apogee Symphony I/O Mk II HD 8x8 Pro Tools HD Audio Interface</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Symphony I/O Mk II HD can be utilized alongside or in place of Avid® or Digidesign® interfaces for Pro Tools HD</span><br /><br />\nSymphony I/O Mk II HD is designed for the Pro Tools HD user who needs a multi-channel audio interface with the best sound quality at an incredible cost per channel value. Whether using a Mac or PC based studio, Symphony I/O Mk II HD can connect directly to your Pro Tools HDX, Pro Tools HD Native or Pro Tools Core/Accel systems.<br /><br />Each I/O module installed in Symphony I/O Mk II HD appears and functions in Pro Tools HD the same if it were a separate Avid HD I/O interface, so set up is easy and you can take advantage of important Pro Tools features such as sample-accurate delay compensation.<br /><br />A single Symphony I/O Mk II HD unit can have up to 32 simultaneous analog I/O, so you can have more channels with less rack gear.  Need even more channels?  You can utilize multiple units simultaneously, with one Symphony I/O Mk II HD per every Pro Tools HD port in your system. Calibrating your I/O is easy with Symphony I/O Mk II HD’s front panel touchscreen.<br /><br />\n<h3>Apogee Symphony I/O HD Mk II <span style=\"background-color: initial;\">8x8</span><span style=\"background-color: initial;\"> Key Features:</span></h3>\n<ul><li>Best performance of any multi-channel Pro Tools HD interface</li><li>Best cost per channel value of any Pro Tools HD interface solution</li><li>Connects directly to any Pro Tools HD system (Mac or PC)</li><li>Emulates Avid HD I/O interface, including sample-accurate delay compensation</li><li>Connect multiple units in a single system (1 unit per HD port)</li><li>Easy I/O calibration with front panel touchscreen</li></ul><br />\n<em></em>\n<h3>The Apogee Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 8x8 unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(986,75,1,165,'<h2>Apogee Symphony I/O Mk II HD 8x8 Pro Tools HD Audio Interface</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Symphony I/O Mk II HD can be utilized alongside or in place of Avid® or Digidesign® interfaces for Pro Tools HD</span><br /><br />\nSymphony I/O Mk II HD is designed for the Pro Tools HD user who needs a multi-channel audio interface with the best sound quality at an incredible cost per channel value. Whether using a Mac or PC based studio, Symphony I/O Mk II HD can connect directly to your Pro Tools HDX, Pro Tools HD Native or Pro Tools Core/Accel systems.<br /><br />Each I/O module installed in Symphony I/O Mk II HD appears and functions in Pro Tools HD the same if it were a separate Avid HD I/O interface, so set up is easy and you can take advantage of important Pro Tools features such as sample-accurate delay compensation.<br /><br />A single Symphony I/O Mk II HD unit can have up to 32 simultaneous analog I/O, so you can have more channels with less rack gear.  Need even more channels?  You can utilize multiple units simultaneously, with one Symphony I/O Mk II HD per every Pro Tools HD port in your system. Calibrating your I/O is easy with Symphony I/O Mk II HD’s front panel touchscreen.<br /><br />\n<h3>Apogee Symphony I/O HD Mk II <span style=\"background-color: initial;\">8x8</span><span style=\"background-color: initial;\"> Key Features:</span></h3>\n<ul><li>Best performance of any multi-channel Pro Tools HD interface</li><li>Best cost per channel value of any Pro Tools HD interface solution</li><li>Connects directly to any Pro Tools HD system (Mac or PC)</li><li>Emulates Avid HD I/O interface, including sample-accurate delay compensation</li><li>Connect multiple units in a single system (1 unit per HD port)</li><li>Easy I/O calibration with front panel touchscreen</li></ul><br />\n<em></em>\n<h3>The Apogee Symphony I/O family </h3>\nApogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage. \n<br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h2>Apogee Symphony I/O Mk II 8x8 unique features in depth</h2>\n<h3>Apogee Sound Quality</h3>\nWhile the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date. \n<br /><br />\n<h3>Mk II Sound Quality–New 8×8 and 16×16 Modules</h3>\nSymphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.  \n<br /><br />\nSymphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.  <br /><br />\n<h3>Input and Output Flexibility</h3>\nTired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module. \n<br /><br />Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.<br /><br />\n<h3>Apogee Symphony I/O expansion options: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br />\n<br />\n*The 2x6 card is only available in base configuration<br />\n** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card <br /><br />\n<h3>Apogee Symphony I/O front panel touch screen</h3>\n<div>\n	All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. \n	<span style=\"background-color: initial;\">A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.</span>\n</div>\n<br />\n<h3>Apogee Symphony I/O rear panel</h3>\nThe rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.\n<br /><br />\n<h3>Apogee Symphony I/O’s stellar conversion, world-class preamps, and user scalability make a great choice for any studio. For more information, talk to an RSPE representative.</h3>'),(987,85,0,165,'Apogee Symphony I/O Mk II HD 8x8 Pro Tools HD Audio Interface'),(988,85,1,165,'Apogee Symphony I/O Mk II HD 8x8 Pro Tools HD Audio Interface'),(989,76,0,165,''),(990,76,1,165,''),(991,75,0,166,'<h2>Apogee Symphony I/O Module - 16x16 Analog Mk II</h2>\n<span style=\"font-size:16px; font-style:italic;\">Apogee’s 16-channel, analog expansion module lets you select and expand your Symphony’s I/O scheme to suit present and future needs </span><br /><br />\nApogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” \nWe’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed! \n<br /><br />\nWith Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.<br /><br /><br />\n<h3>Apogee 16x16 Analog I/O Module: </h3><span style=\"font-size: 16px;\"><i>16 simultaneous channels of I/O </i></span><br /><br />\n<h3>Inputs</h3>\nAnalog: 16 balanced inputs on two DSUB 25-pin connectors\n<br />\nCoax: Supports S/PDIF on RCA connector<br /><br />\n<h3>Outputs</h3>\nAnalog: 16 balanced inputs on two DSUB 25-pin connectors\n<br />\nCoax: Supports S/PDIF on RCA connector<br /><br />\n<h3>Apogee Symphony I/O Modules: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp<br /></a><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h3>Apogee I/O Modules let you configure and expand your Symphony I/O for easy studio integration and future needs. Talk to an RSPE representative today to help select which configuration is right for you.</h3>'),(992,75,1,166,'<h2>Apogee Symphony I/O Module - 16x16 Analog Mk II</h2>\n<span style=\"font-size:16px; font-style:italic;\">Apogee’s 16-channel, analog expansion module lets you select and expand your Symphony’s I/O scheme to suit present and future needs </span><br /><br />\nApogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” \nWe’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed! \n<br /><br />\nWith Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.<br /><br /><br />\n<h3>Apogee 16x16 Analog I/O Module: </h3><span style=\"font-size: 16px;\"><i>16 simultaneous channels of I/O </i></span><br /><br />\n<h3>Inputs</h3>\nAnalog: 16 balanced inputs on two DSUB 25-pin connectors\n<br />\nCoax: Supports S/PDIF on RCA connector<br /><br />\n<h3>Outputs</h3>\nAnalog: 16 balanced inputs on two DSUB 25-pin connectors\n<br />\nCoax: Supports S/PDIF on RCA connector<br /><br />\n<h3>Apogee Symphony I/O Modules: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp<br /></a><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h3>Apogee I/O Modules let you configure and expand your Symphony I/O for easy studio integration and future needs. Talk to an RSPE representative today to help select which configuration is right for you.</h3>'),(993,85,0,166,'Apogee Symphony I/O Module - 16x16 Analog Mk II'),(994,85,1,166,'Apogee Symphony I/O Module - 16x16 Analog Mk II'),(995,76,0,166,''),(996,76,1,166,''),(997,75,0,167,'<h2>Apogee 2x6 Analog I/O + 8x8 Optical + AES I/O</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Apogee’s 8-channel, analog expansion module lets you select and expand your Symphony’s I/O scheme to suit present and future needs </span><br /><br />\nApogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” \nWe’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed! \n<br /><br />\nWith Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six  I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.<br /><br /><br />\n<h3>Apogee 2x6 Analog I/O + 8x8 Optical + AES I/O Module: </h3>\n8 simultaneous channels of I/O <br /><br />\n<h3>Inputs</h3>\n<ul>\n	<li>Analog IN: 2 balanced inputs on 2 female XLR connectors</li>\n	<li>AES IN: Stereo input on 1 female XLR connector</li>\n	<li>Optical IN: Supports ADAT, SMUX & S/PDIF\n	<ul>\n		<li>ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector</li>\n		<li>SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector</li>\n		<li>S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector</li>\n	</ul>\n	</li>\n	<li>S/PDIF Coax IN: 2 channels, up to 192 kHz on 1 RCA connector</li>\n</ul>\n<br />\n<h3>Outputs</h3>\n<ul>\n	<li>Analog OUT: 6 balanced outputs on 1 DSUB 25-pin connector</li>\n	<li>AES OUT: Stereo output on 1 male XLR connector</li>\n	<li>Optical OUT: Supports ADAT, SMUX & S/PDIF\n	<ul>\n		<li>ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector</li>\n		<li>SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector</li>\n		<li>S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector</li>\n	</ul>\n	</li>\n	<li>S/PDIF Coax OUT: 2 channels, up to 192 kHz on 1 RCA connector</li>\n</ul>\n<br />\n<h3>Apogee Symphony I/O Modules: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h3>Apogee I/O Modules let you configure and expand your Symphony I/O for easy studio integration and future needs. Talk to an RSPE representative today to help select which configuration is right for you.</h3>'),(998,75,1,167,'<h2>Apogee 2x6 Analog I/O + 8x8 Optical + AES I/O</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Apogee’s 8-channel, analog expansion module lets you select and expand your Symphony’s I/O scheme to suit present and future needs </span><br /><br />\nApogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” \nWe’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed! \n<br /><br />\nWith Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six  I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.<br /><br /><br />\n<h3>Apogee 2x6 Analog I/O + 8x8 Optical + AES I/O Module: </h3>\n8 simultaneous channels of I/O <br /><br />\n<h3>Inputs</h3>\n<ul>\n	<li>Analog IN: 2 balanced inputs on 2 female XLR connectors</li>\n	<li>AES IN: Stereo input on 1 female XLR connector</li>\n	<li>Optical IN: Supports ADAT, SMUX & S/PDIF\n	<ul>\n		<li>ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector</li>\n		<li>SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector</li>\n		<li>S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector</li>\n	</ul>\n	</li>\n	<li>S/PDIF Coax IN: 2 channels, up to 192 kHz on 1 RCA connector</li>\n</ul>\n<br />\n<h3>Outputs</h3>\n<ul>\n	<li>Analog OUT: 6 balanced outputs on 1 DSUB 25-pin connector</li>\n	<li>AES OUT: Stereo output on 1 male XLR connector</li>\n	<li>Optical OUT: Supports ADAT, SMUX & S/PDIF\n	<ul>\n		<li>ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector</li>\n		<li>SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector</li>\n		<li>S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector</li>\n	</ul>\n	</li>\n	<li>S/PDIF Coax OUT: 2 channels, up to 192 kHz on 1 RCA connector</li>\n</ul>\n<br />\n<h3>Apogee Symphony I/O Modules: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h3>Apogee I/O Modules let you configure and expand your Symphony I/O for easy studio integration and future needs. Talk to an RSPE representative today to help select which configuration is right for you.</h3>'),(999,85,0,167,'Apogee Symphony I/O Module - 2x6 Analog I/O + 8x8 Optical + AES I/O'),(1000,85,1,167,'Apogee Symphony I/O Module - 2x6 Analog I/O + 8x8 Optical + AES I/O'),(1001,76,0,167,''),(1002,76,1,167,''),(1003,75,0,168,'<h2>Apogee 8 Mic Preamp I/O Module  </h2>\n<span style=\"font-size:16px; font-style:italic;\">Apogess’s 8-channel mic preamp with 4 instrument DIs and 8 inserts gives you a complete front end for your DAW</span><br /><br />\n<h3>Apogee 8 Mic Preamp I/O expansion module</h3>\nApogee’s TEC award-winning 8 Mic Preamp Module turns Symphony I/O into an all-in-one audio interface with 8 world-class microphone preamps and 8 channels of premium AD/DA conversion. Used by such notable engineers as Joe Barresi, an 8 Mic Preamp in your Symphony I/O gives you supremely professional solution for studio or mobile recording.    \n<br /><br />\n<h3>8-Channel Mic Preamp Module Key Features:</h3>\n<ul>\n	<li>8 digitally controlled microphone preamps</li>\n	<li>4 Hi-Z instrument inputs</li>\n	<li>8 software assignable inserts</li>\n	<li>85dB gain</li>\n	<li>Upgrades functionality of existing Symphony I/O line inputs</li>\n	<li>Creates a direct connection between the Mic Preamp Module and Analog I/O Module by inserting a mic preamp stage before the line inputs</li>\n	<li>Ultra low noise</li>\n	<li>Completely controllable via Maestro software</li>\n	<li>Selectable +48V phantom power, Soft Limit, and phase invert</li>\n</ul>\n<h3>Apogee Symphony I/O expansion modules</h3>\nApogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” \nWe’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed! \n<br /><br />\nWith Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.<br /><br /><br />\n<h3>Apogee 8 Mic Preamp I/O Module </h3>\n<h3>Inputs</h3>\n4 Hi-Z 1/4\" instrument inputs capable of handling high-output instruments\n<br /><br />\n<h3>Inserts</h3>\n8 balanced, software-assignable analog inserts\n<br />\nSend and return 1-8 on two DSUB 25-pin connectors<br /><br />\n<h3>Apogee Symphony I/O Modules: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h3>Add 8 world-class mic preamps to your Symphony I/O for an all-in-one DAW solution—for more details, chat with an RSPE representative.</h3>'),(1004,75,1,168,'<h2>Apogee 8 Mic Preamp I/O Module  </h2>\n<span style=\"font-size:16px; font-style:italic;\">Apogess’s 8-channel mic preamp with 4 instrument DIs and 8 inserts gives you a complete front end for your DAW</span><br /><br />\n<h3>Apogee 8 Mic Preamp I/O expansion module</h3>\nApogee’s TEC award-winning 8 Mic Preamp Module turns Symphony I/O into an all-in-one audio interface with 8 world-class microphone preamps and 8 channels of premium AD/DA conversion. Used by such notable engineers as Joe Barresi, an 8 Mic Preamp in your Symphony I/O gives you supremely professional solution for studio or mobile recording.    \n<br /><br />\n<h3>8-Channel Mic Preamp Module Key Features:</h3>\n<ul>\n	<li>8 digitally controlled microphone preamps</li>\n	<li>4 Hi-Z instrument inputs</li>\n	<li>8 software assignable inserts</li>\n	<li>85dB gain</li>\n	<li>Upgrades functionality of existing Symphony I/O line inputs</li>\n	<li>Creates a direct connection between the Mic Preamp Module and Analog I/O Module by inserting a mic preamp stage before the line inputs</li>\n	<li>Ultra low noise</li>\n	<li>Completely controllable via Maestro software</li>\n	<li>Selectable +48V phantom power, Soft Limit, and phase invert</li>\n</ul>\n<h3>Apogee Symphony I/O expansion modules</h3>\nApogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” \nWe’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed! \n<br /><br />\nWith Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.<br /><br /><br />\n<h3>Apogee 8 Mic Preamp I/O Module </h3>\n<h3>Inputs</h3>\n4 Hi-Z 1/4\" instrument inputs capable of handling high-output instruments\n<br /><br />\n<h3>Inserts</h3>\n8 balanced, software-assignable analog inserts\n<br />\nSend and return 1-8 on two DSUB 25-pin connectors<br /><br />\n<h3>Apogee Symphony I/O Modules: </h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h3>Add 8 world-class mic preamps to your Symphony I/O for an all-in-one DAW solution—for more details, chat with an RSPE representative.</h3>'),(1005,85,0,168,'Apogee Symphony I/O Module - 8 Mic Pre Amp'),(1006,85,1,168,'Apogee Symphony I/O Module - 8 Mic Pre Amp'),(1007,76,0,168,''),(1008,76,1,168,''),(1009,75,0,169,'<h2>Apogee 8x8 Analog I/O + 8x8 AES/Optical I/O Module Mk II</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Apogee’s 8x8 analog I/O + 8x8 optical expansion module lets you select and expand your Symphony’s I/O scheme to suit present and future needs</span><br /><br />\nApogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” \nWe’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed! \n<br /><br />\nWith Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.<br /><br /><br />\n<h3>Apogee 8x8 Analog I/O + 8x8 AES/Optical I/O Module Mk II:</h3><br />\n<span style=\"font-size: 16px; font-style: italic;\">16 simultaneous channels of I/O<br /></span>\n<h3>Inputs</h3>\nAnalog: 8 balanced inputs on DSUB 25-pin connector\n<br />\n*AES-EBU: 8 inputs on DSUB 25-pin connector<br />\n(192k single-wide compatible)<br />\n*Optical: Supports ADAT, SMUX, and S/PDIF<br />\n<blockquote>\n	1. ADAT: 8 channels @ 44.1 - 48kHz\n	<br />\n	2. SMUX: 8 channels @ 88.2 - 96kHz<br />\n	3. S/PDIF: 2 channels, up to 96kHz<br />\n</blockquote>\nCoax: 2 channels of S/PDIF, up to 192kHz\n<br />\n<h3>Outputs</h3>\nAnalog: 8 balanced outputs on DSUB 25-pin connector\n<br />\n*AES-EBU: 8 outputs on DSUB 25-pin connector<br />\n(192k single-wide compatible)<br />\n*Optical: Supports ADAT, SMUX, and S/PDIF<br />\n<blockquote>\n	1. ADAT: 8 channels @ 44.1 - 48kHz\n	<br />\n	2. SMUX: 8 channels @ 88.2 - 96kHz<br />\n	3. S/PDIF: 2 channels, up to 96kHz <br />\n</blockquote>\nCoax: 2-channel S/PDIF, up to 192kHz\n<br /><br />\n*Dig I/O hardware switch selects AES or Optical digital I/O format<br /><br />\n<h3>Apogee Symphony I/O Modules: </h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">8 Mic Preamp – 8-channel microphone preamp</a><br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h3>Apogee I/O Modules let you configure and expand your Symphony I/O for easy studio integration and future needs. Talk to an RSPE representative today to help select which configuration is right for you.</h3>'),(1010,75,1,169,'<h2>Apogee 8x8 Analog I/O + 8x8 AES/Optical I/O Module Mk II</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Apogee’s 8x8 analog I/O + 8x8 optical expansion module lets you select and expand your Symphony’s I/O scheme to suit present and future needs</span><br /><br />\nApogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” \nWe’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed! \n<br /><br />\nWith Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.<br /><br /><br />\n<h3>Apogee 8x8 Analog I/O + 8x8 AES/Optical I/O Module Mk II:</h3><br />\n<span style=\"font-size: 16px; font-style: italic;\">16 simultaneous channels of I/O<br /></span>\n<h3>Inputs</h3>\nAnalog: 8 balanced inputs on DSUB 25-pin connector\n<br />\n*AES-EBU: 8 inputs on DSUB 25-pin connector<br />\n(192k single-wide compatible)<br />\n*Optical: Supports ADAT, SMUX, and S/PDIF<br />\n<blockquote>\n	1. ADAT: 8 channels @ 44.1 - 48kHz\n	<br />\n	2. SMUX: 8 channels @ 88.2 - 96kHz<br />\n	3. S/PDIF: 2 channels, up to 96kHz<br />\n</blockquote>\nCoax: 2 channels of S/PDIF, up to 192kHz\n<br />\n<h3>Outputs</h3>\nAnalog: 8 balanced outputs on DSUB 25-pin connector\n<br />\n*AES-EBU: 8 outputs on DSUB 25-pin connector<br />\n(192k single-wide compatible)<br />\n*Optical: Supports ADAT, SMUX, and S/PDIF<br />\n<blockquote>\n	1. ADAT: 8 channels @ 44.1 - 48kHz\n	<br />\n	2. SMUX: 8 channels @ 88.2 - 96kHz<br />\n	3. S/PDIF: 2 channels, up to 96kHz <br />\n</blockquote>\nCoax: 2-channel S/PDIF, up to 192kHz\n<br /><br />\n*Dig I/O hardware switch selects AES or Optical digital I/O format<br /><br />\n<h3>Apogee Symphony I/O Modules: </h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-16A-IN-and-16O-OUT-p/apo-sym-16ain-16optout.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">16 Analog in + 16 Optical out</a><br />5. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">8 Mic Preamp – 8-channel microphone preamp</a><br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h3>Apogee I/O Modules let you configure and expand your Symphony I/O for easy studio integration and future needs. Talk to an RSPE representative today to help select which configuration is right for you.</h3>'),(1011,85,0,169,'Apogee Symphony I/O Module - 8x8 Analog I/O + 8x8 AES/Optical I/O'),(1012,85,1,169,'Apogee Symphony I/O Module - 8x8 Analog I/O + 8x8 AES/Optical I/O'),(1013,76,0,169,''),(1014,76,1,169,''),(1015,75,0,170,'<h2>Apogee Symphony I/O Pro Tools HD Option Card</h2>\n<span style=\"font-size:16px; font-style:italic;\">Add Pro Tools HD Connectivity to your Apogee Symphony I/O MKII<br /></span><br />\nApogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” \nWe’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed! \n<br /><br />\nWith Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.<br /><br /><h3>Apogee Symphony I/O Pro Tools HD Option Card</h3>\n<span style=\"font-size:16px; font-style:italic;\">Add a DigiLink port to your Symphony I/O MKII and get the clean sound of Apogee conversion with your Pro Tools HD system!</span><br /><br />\n<h3>Apogee Symphony I/O Modules: </h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h3>Apogee I/O Modules let you configure and expand your Symphony I/O for easy studio integration and future needs. Talk to an RSPE representative today to help select which configuration is right for you.</h3>'),(1016,75,1,170,'<h2>Apogee Symphony I/O Pro Tools HD Option Card</h2>\n<span style=\"font-size:16px; font-style:italic;\">Add Pro Tools HD Connectivity to your Apogee Symphony I/O MKII<br /></span><br />\nApogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” \nWe’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed! \n<br /><br />\nWith Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.<br /><br /><h3>Apogee Symphony I/O Pro Tools HD Option Card</h3>\n<span style=\"font-size:16px; font-style:italic;\">Add a DigiLink port to your Symphony I/O MKII and get the clean sound of Apogee conversion with your Pro Tools HD system!</span><br /><br />\n<h3>Apogee Symphony I/O Modules: </h3>\n1. \n<a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-2x6-p/apo-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">2x6 Analog I/O + 8x8 Optical + AES I/O Module</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8x8-8x8-p/apo-a8x8-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8x8 Analog I/O + 8x8 AES/Optical I/O Mk II</a><br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-16x16-Analog-MKII-p/apo-a16x16-mk2.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">16x16 Analog I/O Mk II</a><br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Module-8-Mic-Pre-Amp-p/apo-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">8 Mic Preamp – 8-channel microphone preamp</a><br /><br />\n<h3>Apogee Symphony I/O Mk II Base configurations:</h3>\n1. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-2x6-p/apo-sioc-mkii-a2x6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 2x6 Mk II</a><br />2. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-8x8-p/apo-sioc-mkii-a8x8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 Mk II</a> <br />3. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-Mk-II-16X16-p/apo-sioc-mkii-a16x16.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 16x16 Mk II</a> <br />4. <a href=\"http://www.rspeaudio.com/Apogee-Symphony-I-O-8X8-8MP-p/apo-sioc-mkii-a8x8-a8mp.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">Symphony I/O 8x8 + 8MP Mk II</a> <br /><br />\n<h3>Apogee I/O Modules let you configure and expand your Symphony I/O for easy studio integration and future needs. Talk to an RSPE representative today to help select which configuration is right for you.</h3>'),(1017,85,0,170,'Apogee Symphony I/O Module - 16 Analog IN and 16 Optical OUT'),(1018,85,1,170,'Apogee Symphony I/O Module - 16 Analog IN and 16 Optical OUT'),(1019,76,0,170,''),(1020,76,1,170,''),(1021,75,0,171,'<h2>Symphony 64 | ThunderBridge Thunderbolt Audio Interface</h2>\n<span style=\"font-size:16px; font-style:italic;\">With the Apogee Thunderbridge, gone are the days of the oversized, overpriced PCI-card based system. A 64-channel audio interface </span><span style=\"font-size: 16px; font-style: italic;\">for Symphony I/O </span><span style=\"font-size:16px; font-style:italic;\">with the blazing-fast power of Thunderbolt technology , compatible with the new Mac Pro.</span><br /><br />\n\n<h3>ThunderBridge features:</h3>\n<ul>\n<li>Connects up to 64 channels of Apogee I/O to any Thunderbolt-equipped Mac                         </li>\n<li>Operates at sample rates from 44.1-192 kHz                                                       </li>\n<li>Compatible with Symphony I/O and X-Symphony-equipped Rosetta 800, 200, AD16X and DA16X.          </li>\n<li>Latency = 1.8 ms at 96kHz/32 buffer                                                              </li>\n<li>2 Thunderbolt™ ports for connecting additional peripherals                                       </li>\n<li>2 PC-32 ports for connection to Apogee interfaces                                                </li>\n<li>DC Input - 12V DC 30W (power supply included)                                                    </li>\n<li>Status LEDs to verify proper system configuration at a glance                                    </li>\n<li>Works with any Core Audio compatible application on Mac including: Logic, Pro Tools, Ableton Live</li>\n<li>Certified by Intel                                                                               </li>\n<li>Made in the U.S.A.                                                                               </li>\n</ul><br /><h2><span style=\"font-size: 24px;\">Legendary Sound Quality.</span></h2>\nApogee’s Symphony 64 | ThunderBridge® enables Apogee’s flagship audio interface, Symphony I/O, to connect to any Thunderbolt™ equipped Mac for true Thunderbolt compatibility and performance. Capable of up to 64 channels of input and output at sample rates up to 192kHz, Symphony 64 | ThunderBridge delivers impressive channel counts at unprecedented speeds for a latency and hassle free recording experience that meets the requirements of the most demanding professional audio I/O applications.<br /><br />\n \n<h3>The Power of Two Ports</h3>\nSymphony 64 | ThunderBridge offers two Thunderbolt ports to take advantage of the Thunderbolt protocol’s daisy-chaining feature. Using the second port, additional Thunderbolt devices such as hard drives, DisplayPort monitors and other high bandwidth media devices may be connected in parallel from a single Thunderbolt port on the Mac.<br /><br />\n \n<h3>Near Zero Latency</h3>\nBuilt upon the PCIe protocol, Thunderbolt technology is as fast as any PCIe card such as the Apogee Symphony 64 PCIe. Measured at 1.8 ms at 96kHz/32 buffer, Symphony I/O and Symphony 64 | ThunderBridge deliver near zero latency for a hassle free workflow.<br /><br />\n\n<h3>Who is it for</h3>\nSymphony 64 | ThunderBridge is for the audio professional seeking the highest channel count, lowest latency, and highest quality audio solution for the Mac based studio.<br /><br /><br />\n\n<h2>The Symphony System</h2>\n<h3>What makes Symphony the best sounding, most powerful, most affordable pro audio production system ever?</h3>\n<ul>\n<li>Award winning sound quality of Apogee AD/DA Converters                                           </li>\n<li>Up to 64 Channels of I/O with Symphony 64 | ThunderBridge                                        </li>\n<li>Ultra low latency... 1.8 Milliseconds at 96kHz                                                   </li>\n<li>Compatibility with any Core Audio Application on Mac including Logic, Pro Tools and Ableton Live </li>\n<li>Connects to any Thunderbolt equipped Mac with a single cable                                     </li>\n<li>Up to 32-channels of analog I/O in a single unit                                                 </li>\n </ul><br />\n<h3>Best per-channel value of any professional multi-channel system</h3> \nThe Symphony System delivers unprecedented performance and quality at a cost as low as $125 per analog I/O channel, an incredible cost-per-channel value for a professional Thunderbolt based audio system.<br /><br />\n\n<h3>The Next-generation Mac Pro Workstation</h3> \nThunderbolt technology is the next leap in high channel, low latency audio recording. And the new Apple Mac Pro is the ultimate Thunderbolt workstation. Gone are the days of the oversized, overpriced PCI-card based system. Thunderbolt is more efficient, more affordable and more expandable. Future proof your professional studio with the new Mac Pro, Symphony I/O and ThunderBridge.<br /><br /><br />\n\n<h2>Intel\'s Thunderbolt Connection</h2>\n<h3>The fastest way to transfer data to and from a Mac</h3>\nThunderbolt consists of two mature and stable protocols, PCI Express and DisplayPort, creating a single highly-efficient protocol for both audio and video devices. Given that each technology has been well vetted in the computing industry you can be confident in its stability and performance.<br /><br />\n\n<h3>Thunderbolt Advantages</h3>\nThunderbolt offers a number of advantages for the audio and video professional, including the ability to connect up to six devices to single Thunderbolt port, as well as time synchronization uniquely suited for audio and video devices.<br /><br />\n\n<h3>Certified by Intel</h3>\nSymphony 64 | ThunderBridge is certified by Intel, so you can be confident it will flawlessly integrate with other certified Thunderbolt devices.<br /><br />\n\n<h2>*In the box:</h2>\n<ul>\n<li>Symphony 64 |ThunderBridge     </li>\n<li>QuickStart Guide               </li>\n<li>DC Power Supply + IEC AC cable </li>\n<li>1 PC-32 Cable                  </li>\n</ul>\n<span style=\"font-style:italic;\">*Please note: Thunderbolt cable sold separately<br /><br /></span><h3>ThunderBridge delivers impressive channel counts at unprecedented speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(1022,75,1,171,'<h2>Symphony 64 | ThunderBridge Thunderbolt Audio Interface</h2>\n<span style=\"font-size:16px; font-style:italic;\">With the Apogee Thunderbridge, gone are the days of the oversized, overpriced PCI-card based system. A 64-channel audio interface </span><span style=\"font-size: 16px; font-style: italic;\">for Symphony I/O </span><span style=\"font-size:16px; font-style:italic;\">with the blazing-fast power of Thunderbolt technology , compatible with the new Mac Pro.</span><br /><br />\n\n<h3>ThunderBridge features:</h3>\n<ul>\n<li>Connects up to 64 channels of Apogee I/O to any Thunderbolt-equipped Mac                         </li>\n<li>Operates at sample rates from 44.1-192 kHz                                                       </li>\n<li>Compatible with Symphony I/O and X-Symphony-equipped Rosetta 800, 200, AD16X and DA16X.          </li>\n<li>Latency = 1.8 ms at 96kHz/32 buffer                                                              </li>\n<li>2 Thunderbolt™ ports for connecting additional peripherals                                       </li>\n<li>2 PC-32 ports for connection to Apogee interfaces                                                </li>\n<li>DC Input - 12V DC 30W (power supply included)                                                    </li>\n<li>Status LEDs to verify proper system configuration at a glance                                    </li>\n<li>Works with any Core Audio compatible application on Mac including: Logic, Pro Tools, Ableton Live</li>\n<li>Certified by Intel                                                                               </li>\n<li>Made in the U.S.A.                                                                               </li>\n</ul><br /><h2><span style=\"font-size: 24px;\">Legendary Sound Quality.</span></h2>\nApogee’s Symphony 64 | ThunderBridge® enables Apogee’s flagship audio interface, Symphony I/O, to connect to any Thunderbolt™ equipped Mac for true Thunderbolt compatibility and performance. Capable of up to 64 channels of input and output at sample rates up to 192kHz, Symphony 64 | ThunderBridge delivers impressive channel counts at unprecedented speeds for a latency and hassle free recording experience that meets the requirements of the most demanding professional audio I/O applications.<br /><br />\n \n<h3>The Power of Two Ports</h3>\nSymphony 64 | ThunderBridge offers two Thunderbolt ports to take advantage of the Thunderbolt protocol’s daisy-chaining feature. Using the second port, additional Thunderbolt devices such as hard drives, DisplayPort monitors and other high bandwidth media devices may be connected in parallel from a single Thunderbolt port on the Mac.<br /><br />\n \n<h3>Near Zero Latency</h3>\nBuilt upon the PCIe protocol, Thunderbolt technology is as fast as any PCIe card such as the Apogee Symphony 64 PCIe. Measured at 1.8 ms at 96kHz/32 buffer, Symphony I/O and Symphony 64 | ThunderBridge deliver near zero latency for a hassle free workflow.<br /><br />\n\n<h3>Who is it for</h3>\nSymphony 64 | ThunderBridge is for the audio professional seeking the highest channel count, lowest latency, and highest quality audio solution for the Mac based studio.<br /><br /><br />\n\n<h2>The Symphony System</h2>\n<h3>What makes Symphony the best sounding, most powerful, most affordable pro audio production system ever?</h3>\n<ul>\n<li>Award winning sound quality of Apogee AD/DA Converters                                           </li>\n<li>Up to 64 Channels of I/O with Symphony 64 | ThunderBridge                                        </li>\n<li>Ultra low latency... 1.8 Milliseconds at 96kHz                                                   </li>\n<li>Compatibility with any Core Audio Application on Mac including Logic, Pro Tools and Ableton Live </li>\n<li>Connects to any Thunderbolt equipped Mac with a single cable                                     </li>\n<li>Up to 32-channels of analog I/O in a single unit                                                 </li>\n </ul><br />\n<h3>Best per-channel value of any professional multi-channel system</h3> \nThe Symphony System delivers unprecedented performance and quality at a cost as low as $125 per analog I/O channel, an incredible cost-per-channel value for a professional Thunderbolt based audio system.<br /><br />\n\n<h3>The Next-generation Mac Pro Workstation</h3> \nThunderbolt technology is the next leap in high channel, low latency audio recording. And the new Apple Mac Pro is the ultimate Thunderbolt workstation. Gone are the days of the oversized, overpriced PCI-card based system. Thunderbolt is more efficient, more affordable and more expandable. Future proof your professional studio with the new Mac Pro, Symphony I/O and ThunderBridge.<br /><br /><br />\n\n<h2>Intel\'s Thunderbolt Connection</h2>\n<h3>The fastest way to transfer data to and from a Mac</h3>\nThunderbolt consists of two mature and stable protocols, PCI Express and DisplayPort, creating a single highly-efficient protocol for both audio and video devices. Given that each technology has been well vetted in the computing industry you can be confident in its stability and performance.<br /><br />\n\n<h3>Thunderbolt Advantages</h3>\nThunderbolt offers a number of advantages for the audio and video professional, including the ability to connect up to six devices to single Thunderbolt port, as well as time synchronization uniquely suited for audio and video devices.<br /><br />\n\n<h3>Certified by Intel</h3>\nSymphony 64 | ThunderBridge is certified by Intel, so you can be confident it will flawlessly integrate with other certified Thunderbolt devices.<br /><br />\n\n<h2>*In the box:</h2>\n<ul>\n<li>Symphony 64 |ThunderBridge     </li>\n<li>QuickStart Guide               </li>\n<li>DC Power Supply + IEC AC cable </li>\n<li>1 PC-32 Cable                  </li>\n</ul>\n<span style=\"font-style:italic;\">*Please note: Thunderbolt cable sold separately<br /><br /></span><h3>ThunderBridge delivers impressive channel counts at unprecedented speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(1023,85,0,171,'Apogee Symphony 64 | ThunderBridge Thunderbolt Audio Interface'),(1024,85,1,171,'Apogee Symphony 64 | ThunderBridge Thunderbolt Audio Interface'),(1025,76,0,171,''),(1026,76,1,171,''),(1027,75,0,172,'<h2>Apple Mac Pro</h2>\n<span style=\"font-size:16px; font-style:italic;\">The New, radically redesigned Mac Pro. With dual GPUs, PCIe based flash storage, next-generation Xeon processors, and ultra-fast memory the new Mac Pro is built for creativity on an epic scale.</span><br /><br />\n\n<h3>The new power structure.</h3>\nEngineered around workstation graphics with dual GPUs, PCIe-based flash storage, high-performance Thunderbolt 2, new-generation Xeon processors, ultrafast memory, and support for 4K video, the new Mac Pro delivers state-of-the-art performance across the board.<br /><br />\n\n<h3>Processor.</h3>\nThe new Mac Pro is muscle through and through, starting with the new-generation Intel Xeon E5, available with 4, 6, 8, or 12 cores of processing power on a single die. And with up to 30MB of L3 cache, 40GB/s of PCI Express gen 3 bandwidth, and 256-bit-wide floating-point instructions, you’ll never be at a loss for speed.<br /><br />\n\n<h3>Memory</h3>\nEvery component in the new Mac Pro is optimized for performance. That includes a four-channel DDR3 memory controller running at 1866MHz. It supports up to 64GB of memory and delivers up to 60GB/s of memory bandwidth, which means you can fly through even the most compute-intensive tasks in no time. And since it’s ECC memory, your render job, video export, or simulation won’t be stopped by transient memory errors.<br /><br />\n\n<h3>Graphics</h3>\nTraditionally, pro computers have relied primarily on the CPU for their computing power. But as GPU performance has dramatically increased, software developers have begun to leverage that power in their apps. With the new Mac Pro, we looked ahead and engineered an even more powerful GPU architecture. Not only does it feature a state-of-the-art AMD FirePro workstation-class GPU — it features two of them. And each is available with 2GB, 3GB, or 6GB of dedicated VRAM and up to 2048 stream processors. With all that power, you’ll be able to do things like seamlessly edit full-resolution 4K video while simultaneously rendering effects in the background — and still have enough power to connect up to three high-resolution 4K displays.<br /><br />\n\n<h3>Storage</h3>\nThere’s flash storage, and then there’s next-generation PCIe-based flash storage. We’re talking storage that’s up to 2.4 times faster than the fastest SATA-based solid-state drive and up to 10 times faster than a 7200-rpm SATA hard drive. Most flash storage systems connect via SATA buses designed for slower spinning hard drives. But we designed the new Mac Pro around new PCIe-based flash controller technology to deliver the fastest solid-state drives available standard in a desktop computer. So you’ll have up to 1TB of storage that will let you boot up, launch apps, and even open massive files in, well, a flash.<br /><br />\n\n<h3>A uniﬁed thermal core.</h3>\nThe new Mac Pro packs an unprecedented amount of power in an unthinkable amount of space. A big reason we were able to do that is the ingenious unified thermal core. Rather than using multiple heat sinks and fans to cool the processor and graphics cards, we built everything around a single piece of extruded aluminum designed to maximize airflow as well as thermal capacity. It works by conducting heat away from the CPU and GPUs and distributing that heat uniformly across the core. That way, if one processor isn’t working as hard as the others, the extra thermal capacity can be shared efficiently among them. No computer has been built this way before. And yet it makes so much sense, it’s now hard to imagine building one any other way.<br /><br />\n\n<h3>A single breakthrough fan.</h3>\nAn incredible amount of innovation went into designing a fan system capable of cooling such a high-performance device. Instead of adding extra fans, we engineered a single, larger fan that pulls air upward through a bottom intake. As air passes vertically through the center of the device, it absorbs heat and carries it out the top. It’s simple and elegant — and also astonishingly quiet. To achieve that, we had to consider every detail: the number of blades, the size of the blades, the spacing of the blades, and even the shape of the blades. By minimizing air resistance throughout the system, we were able to design a fan with backward-curved impeller blades that runs at fewer revolutions per minute, draws air more efficiently as it spins, and creates considerably less noise.<br /><br />\n\n<h3>Expansion, vastly expanded.</h3>\nIn creating a pro computer for the future, we wanted to provide an enormous amount of expansion — without being limited to the space inside the enclosure. Designed with built-in Thunderbolt 2, USB 3, Gigabit Ethernet, and HDMI 1.4 ports, Mac Pro sets a new standard in flexible, high-performance expansion. It’s our most expandable Mac yet. And it has everything you need to build a workstation completely customized to what you need and how you work.<br /><br />\n\n<h3>Thunderbolt 2.</h3>\nThunderbolt combines PCI Express and DisplayPort into one high-speed, versatile I/O technology. And with Mac Pro, we’re jumping even further ahead. Thunderbolt 2 delivers twice the throughput, providing up to 20Gb/s of bandwidth to each external device. So you’re more than ready for the next generation of high-performance peripherals, without being limited by the number of expansion slots inside your computer. You can connect massive amounts of storage, add a PCI expansion chassis, and work with the latest external displays — including 4K desktop displays and peripheral devices capable of broadcast monitoring in 4K. And since each Thunderbolt 2 port allows you to daisy-chain up to six peripherals, you can go all out by plugging in up to 36 external devices via Thunderbolt 2 alone.<br /><br />\n\n<h3>Other I/O connections.</h3>\nMac Pro equips you with all kinds of connections for all kinds of peripherals. USB 3 gives you the versatility to hook up dozens of different types of external devices. Two Gigabit Ethernet ports let you connect to multiple networks. And an HDMI 1.4 port provides support for the latest televisions, projectors, and displays, including Ultra HD TVs. But the thought we put into expandability extends beyond the types of peripherals you can use. As you rotate Mac Pro to plug in a device, it senses the movement and automatically illuminates the I/O panel. So you can easily see the ports you need when you need them.<br /><br />\n\n<h3>Advanced wireless.</h3>\nAccess your network over three-stream 802.11ac Wi-Fi for the latest in high-speed wireless connectivity. For all your other wireless connections, Mac Pro includes Bluetooth 4.0. It’s the easiest way to connect your keyboard, mouse, and other wireless devices without having to physically attach anything.<br /><br />\n\n<h3>Radical. Yet completely logical.</h3>\nThe new Mac Pro looks unlike any other computer. Because it is unlike any other computer. By rethinking the architecture of its internal components, we had the chance to rethink the entire enclosure. And since everything centers around a unified thermal core, we were free to design a much leaner, lighter, quieter, and far more streamlined structure. Its unique design and beautiful finishes are executed to an extraordinary degree of precision. And at just 9.9 inches tall with a diameter of just 6.6 inches, it’s a pro desktop computer that can actually sit on your desk.<br /><br />\n\n<h3>Designed and assembled in the U.S.</h3>\nWith the new Mac Pro, we assemble the entire product and machine several of its high-precision components in the United States. By leveraging the innovative power of industry-leading companies in Texas, Florida, Illinois, Kentucky, and over a dozen other states across America, we\'re able to build a product that\'s impeccably constructed and beautiful in every detail. In other words, exactly as it was envisioned by our designers and engineers in California.<br /><br />'),(1028,75,1,172,'<h2>Apple Mac Pro</h2>\n<span style=\"font-size:16px; font-style:italic;\">The New, radically redesigned Mac Pro. With dual GPUs, PCIe based flash storage, next-generation Xeon processors, and ultra-fast memory the new Mac Pro is built for creativity on an epic scale.</span><br /><br />\n\n<h3>The new power structure.</h3>\nEngineered around workstation graphics with dual GPUs, PCIe-based flash storage, high-performance Thunderbolt 2, new-generation Xeon processors, ultrafast memory, and support for 4K video, the new Mac Pro delivers state-of-the-art performance across the board.<br /><br />\n\n<h3>Processor.</h3>\nThe new Mac Pro is muscle through and through, starting with the new-generation Intel Xeon E5, available with 4, 6, 8, or 12 cores of processing power on a single die. And with up to 30MB of L3 cache, 40GB/s of PCI Express gen 3 bandwidth, and 256-bit-wide floating-point instructions, you’ll never be at a loss for speed.<br /><br />\n\n<h3>Memory</h3>\nEvery component in the new Mac Pro is optimized for performance. That includes a four-channel DDR3 memory controller running at 1866MHz. It supports up to 64GB of memory and delivers up to 60GB/s of memory bandwidth, which means you can fly through even the most compute-intensive tasks in no time. And since it’s ECC memory, your render job, video export, or simulation won’t be stopped by transient memory errors.<br /><br />\n\n<h3>Graphics</h3>\nTraditionally, pro computers have relied primarily on the CPU for their computing power. But as GPU performance has dramatically increased, software developers have begun to leverage that power in their apps. With the new Mac Pro, we looked ahead and engineered an even more powerful GPU architecture. Not only does it feature a state-of-the-art AMD FirePro workstation-class GPU — it features two of them. And each is available with 2GB, 3GB, or 6GB of dedicated VRAM and up to 2048 stream processors. With all that power, you’ll be able to do things like seamlessly edit full-resolution 4K video while simultaneously rendering effects in the background — and still have enough power to connect up to three high-resolution 4K displays.<br /><br />\n\n<h3>Storage</h3>\nThere’s flash storage, and then there’s next-generation PCIe-based flash storage. We’re talking storage that’s up to 2.4 times faster than the fastest SATA-based solid-state drive and up to 10 times faster than a 7200-rpm SATA hard drive. Most flash storage systems connect via SATA buses designed for slower spinning hard drives. But we designed the new Mac Pro around new PCIe-based flash controller technology to deliver the fastest solid-state drives available standard in a desktop computer. So you’ll have up to 1TB of storage that will let you boot up, launch apps, and even open massive files in, well, a flash.<br /><br />\n\n<h3>A uniﬁed thermal core.</h3>\nThe new Mac Pro packs an unprecedented amount of power in an unthinkable amount of space. A big reason we were able to do that is the ingenious unified thermal core. Rather than using multiple heat sinks and fans to cool the processor and graphics cards, we built everything around a single piece of extruded aluminum designed to maximize airflow as well as thermal capacity. It works by conducting heat away from the CPU and GPUs and distributing that heat uniformly across the core. That way, if one processor isn’t working as hard as the others, the extra thermal capacity can be shared efficiently among them. No computer has been built this way before. And yet it makes so much sense, it’s now hard to imagine building one any other way.<br /><br />\n\n<h3>A single breakthrough fan.</h3>\nAn incredible amount of innovation went into designing a fan system capable of cooling such a high-performance device. Instead of adding extra fans, we engineered a single, larger fan that pulls air upward through a bottom intake. As air passes vertically through the center of the device, it absorbs heat and carries it out the top. It’s simple and elegant — and also astonishingly quiet. To achieve that, we had to consider every detail: the number of blades, the size of the blades, the spacing of the blades, and even the shape of the blades. By minimizing air resistance throughout the system, we were able to design a fan with backward-curved impeller blades that runs at fewer revolutions per minute, draws air more efficiently as it spins, and creates considerably less noise.<br /><br />\n\n<h3>Expansion, vastly expanded.</h3>\nIn creating a pro computer for the future, we wanted to provide an enormous amount of expansion — without being limited to the space inside the enclosure. Designed with built-in Thunderbolt 2, USB 3, Gigabit Ethernet, and HDMI 1.4 ports, Mac Pro sets a new standard in flexible, high-performance expansion. It’s our most expandable Mac yet. And it has everything you need to build a workstation completely customized to what you need and how you work.<br /><br />\n\n<h3>Thunderbolt 2.</h3>\nThunderbolt combines PCI Express and DisplayPort into one high-speed, versatile I/O technology. And with Mac Pro, we’re jumping even further ahead. Thunderbolt 2 delivers twice the throughput, providing up to 20Gb/s of bandwidth to each external device. So you’re more than ready for the next generation of high-performance peripherals, without being limited by the number of expansion slots inside your computer. You can connect massive amounts of storage, add a PCI expansion chassis, and work with the latest external displays — including 4K desktop displays and peripheral devices capable of broadcast monitoring in 4K. And since each Thunderbolt 2 port allows you to daisy-chain up to six peripherals, you can go all out by plugging in up to 36 external devices via Thunderbolt 2 alone.<br /><br />\n\n<h3>Other I/O connections.</h3>\nMac Pro equips you with all kinds of connections for all kinds of peripherals. USB 3 gives you the versatility to hook up dozens of different types of external devices. Two Gigabit Ethernet ports let you connect to multiple networks. And an HDMI 1.4 port provides support for the latest televisions, projectors, and displays, including Ultra HD TVs. But the thought we put into expandability extends beyond the types of peripherals you can use. As you rotate Mac Pro to plug in a device, it senses the movement and automatically illuminates the I/O panel. So you can easily see the ports you need when you need them.<br /><br />\n\n<h3>Advanced wireless.</h3>\nAccess your network over three-stream 802.11ac Wi-Fi for the latest in high-speed wireless connectivity. For all your other wireless connections, Mac Pro includes Bluetooth 4.0. It’s the easiest way to connect your keyboard, mouse, and other wireless devices without having to physically attach anything.<br /><br />\n\n<h3>Radical. Yet completely logical.</h3>\nThe new Mac Pro looks unlike any other computer. Because it is unlike any other computer. By rethinking the architecture of its internal components, we had the chance to rethink the entire enclosure. And since everything centers around a unified thermal core, we were free to design a much leaner, lighter, quieter, and far more streamlined structure. Its unique design and beautiful finishes are executed to an extraordinary degree of precision. And at just 9.9 inches tall with a diameter of just 6.6 inches, it’s a pro desktop computer that can actually sit on your desk.<br /><br />\n\n<h3>Designed and assembled in the U.S.</h3>\nWith the new Mac Pro, we assemble the entire product and machine several of its high-precision components in the United States. By leveraging the innovative power of industry-leading companies in Texas, Florida, Illinois, Kentucky, and over a dozen other states across America, we\'re able to build a product that\'s impeccably constructed and beautiful in every detail. In other words, exactly as it was envisioned by our designers and engineers in California.<br /><br />'),(1029,85,0,172,'Apple Mac Pro'),(1030,85,1,172,'Apple Mac Pro'),(1031,76,0,172,''),(1032,76,1,172,''),(1033,75,0,173,'<h1>Argosy 90 Series for Digidesign C|24 - Rack Unit and Monitor Bay</h1>The 90 series for Digidesign C|24 has been designed to follow the contours of the mixer. The chassis is made of MDF for maximum strength and durability and minimal acoustical influence. Behind the meter bridge is an enclosed utility area, with easy access thru detachable lids and back access panels.<br /><br /><h3>Key Features</h3><ul style=\"\"><li><span style=\"background-color: initial; letter-spacing: 0px;\">Padded Armrests</span></li><li>Removable Access Lids</li><li>Enclosed Utility Area behind meterbridge</li><li>Removable Back Access Panels</li><li>Steel Leg Assemblies</li><li>Position of Monitor and Rack bays may be reversed</li><li>Length: 89.5\" - Depth: 44.5\" - Height: 37.5\"</li><li>19\" Rack (11 RU spaces)</li><li>24.1\" Monitor Bay</li><li>1 sp. Blank Panel Cover</li><li>Made in the U.S.A.</li></ul>'),(1034,75,1,173,'<h1>Argosy 90 Series for Digidesign C|24 - Rack Unit and Monitor Bay</h1>The 90 series for Digidesign C|24 has been designed to follow the contours of the mixer. The chassis is made of MDF for maximum strength and durability and minimal acoustical influence. Behind the meter bridge is an enclosed utility area, with easy access thru detachable lids and back access panels.<br /><br /><h3>Key Features</h3><ul style=\"\"><li><span style=\"background-color: initial; letter-spacing: 0px;\">Padded Armrests</span></li><li>Removable Access Lids</li><li>Enclosed Utility Area behind meterbridge</li><li>Removable Back Access Panels</li><li>Steel Leg Assemblies</li><li>Position of Monitor and Rack bays may be reversed</li><li>Length: 89.5\" - Depth: 44.5\" - Height: 37.5\"</li><li>19\" Rack (11 RU spaces)</li><li>24.1\" Monitor Bay</li><li>1 sp. Blank Panel Cover</li><li>Made in the U.S.A.</li></ul>'),(1035,85,0,173,'Argosy Mirage 90-NC24-RC'),(1036,85,1,173,'Argosy Mirage 90-NC24-RC'),(1037,76,0,173,''),(1038,76,1,173,''),(1039,75,0,174,'<h1>Argosy 90 Series for Digidesign C|24 - Rack Units Left and Right</h1>\n\nThe 90 series for Digidesign C|24 has been designed to follow the contours of the mixer. The chassis is made of MDF for maximum strength and durability and minimal acoustical influence. Behind the meter bridge is an enclosed utility area, with easy access thru detachable lids and back access panels.<br /><br /><h3>Key Features</h3><ul><li><span style=\"background-color: initial; letter-spacing: 0px;\">Padded Armrests</span></li><li>Removable Access Lids</li><li>Enclosed Utility Behind Meterbridge</li><li>2) 11sp Rack Units</li><li>Removable Back Access Panels</li><li>Steel Leg Assemblies</li><li>100 Rack Rail Screws/Washers</li><li>Length: 89.5\"; Depth: 44.5\"; Height: 37.5\"</li><li><span style=\"background-color: initial; letter-spacing: 0px;\">Made in the U.S.A.</span></li></ul>'),(1040,75,1,174,'<h1>Argosy 90 Series for Digidesign C|24 - Rack Units Left and Right</h1>\n\nThe 90 series for Digidesign C|24 has been designed to follow the contours of the mixer. The chassis is made of MDF for maximum strength and durability and minimal acoustical influence. Behind the meter bridge is an enclosed utility area, with easy access thru detachable lids and back access panels.<br /><br /><h3>Key Features</h3><ul><li><span style=\"background-color: initial; letter-spacing: 0px;\">Padded Armrests</span></li><li>Removable Access Lids</li><li>Enclosed Utility Behind Meterbridge</li><li>2) 11sp Rack Units</li><li>Removable Back Access Panels</li><li>Steel Leg Assemblies</li><li>100 Rack Rail Screws/Washers</li><li>Length: 89.5\"; Depth: 44.5\"; Height: 37.5\"</li><li><span style=\"background-color: initial; letter-spacing: 0px;\">Made in the U.S.A.</span></li></ul>'),(1041,85,0,174,'Argosy Mirage 90-NC24-RR'),(1042,85,1,174,'Argosy Mirage 90-NC24-RR'),(1043,76,0,174,''),(1044,76,1,174,''),(1045,75,0,175,'<h1>Argosy 90 Series for Digidesign C|24 - 2 Rack Units and Monitor Bay</h1>The expanded 90 series for AVID C|24 provides impressive 119\" chassis with ample room for multiple users. 19\" wide monitor/ keyboard bay, on-board racks, fully enclosed utility area, detachable bridge lids, and back access panels, make the expanded 90 series for C|24 makes a central focal point in your control room.<br /><br /><h3>Key Features</h3><ul style=\"\"><li style=\"letter-spacing: normal;\"><span style=\"background-color: initial; letter-spacing: 0px;\">Padded Armrests</span></li><li><span style=\"background-color: initial; letter-spacing: 0px;\">Removable Access Lids</span></li><li>Enclosed Utility Behind Meterbridge</li><li>2) 11sp Rack Units</li><li>1) 19\" wide Monitor Bay</li><li>Removable Back Access Panels</li><li>Steel Leg Assemblies</li><li>100 Rack Rail Screws/Washers</li><li>Length: 119\"; Depth: 44.5\"; Height: 37.5\"</li><li>Made in the U.S.A.</li></ul><h1></h1>'),(1046,75,1,175,'<h1>Argosy 90 Series for Digidesign C|24 - 2 Rack Units and Monitor Bay</h1>The expanded 90 series for AVID C|24 provides impressive 119\" chassis with ample room for multiple users. 19\" wide monitor/ keyboard bay, on-board racks, fully enclosed utility area, detachable bridge lids, and back access panels, make the expanded 90 series for C|24 makes a central focal point in your control room.<br /><br /><h3>Key Features</h3><ul style=\"\"><li style=\"letter-spacing: normal;\"><span style=\"background-color: initial; letter-spacing: 0px;\">Padded Armrests</span></li><li><span style=\"background-color: initial; letter-spacing: 0px;\">Removable Access Lids</span></li><li>Enclosed Utility Behind Meterbridge</li><li>2) 11sp Rack Units</li><li>1) 19\" wide Monitor Bay</li><li>Removable Back Access Panels</li><li>Steel Leg Assemblies</li><li>100 Rack Rail Screws/Washers</li><li>Length: 119\"; Depth: 44.5\"; Height: 37.5\"</li><li>Made in the U.S.A.</li></ul><h1></h1>'),(1047,85,0,175,'Argosy Mirage 90-NC24-RRC'),(1048,85,1,175,'Argosy Mirage 90-NC24-RRC'),(1049,76,0,175,''),(1050,76,1,175,''),(1051,75,0,176,'<h1>Argosy Eclipse Desk for Avid S4 - 3 Foot with Desk Left and Right</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 3 buckets and featuring Desk Spaces on each side of the console.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 3-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module and 16 faders, plus it features a Desk space on the Left and Right sides of the console, perfect for your computer monitor and keyboard & mouse. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 3-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option. </div><div><div><br /></div></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 3-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>8sp Racks on Left and Right</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li>Made in U.S.A.</li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1052,75,1,176,'<h1>Argosy Eclipse Desk for Avid S4 - 3 Foot with Desk Left and Right</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 3 buckets and featuring Desk Spaces on each side of the console.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 3-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module and 16 faders, plus it features a Desk space on the Left and Right sides of the console, perfect for your computer monitor and keyboard & mouse. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 3-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option. </div><div><div><br /></div></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 3-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>8sp Racks on Left and Right</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li>Made in U.S.A.</li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1053,85,0,176,'Argosy Eclipse Desk for Avid S4 - 3 Foot Wide Base System with Desk (L) and Desk (R)'),(1054,85,1,176,'Argosy Eclipse Desk for Avid S4 - 3 Foot Wide Base System with Desk (L) and Desk (R)'),(1055,76,0,176,''),(1056,76,1,176,''),(1057,75,0,177,'<h1>Argosy Eclipse Desk for Avid S4 - 3 Foot with Racks Left and Right</h1>\n<i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 3 buckets and featuring 6RU racks on each side of the console.</i><br /><br />\n	The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 3-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module and 16 faders, plus it features a 6RYU rack on the left and right sides of the console for your rack mounted studio gear. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 3-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />\n	Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.\n<br /><br />\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 3-Foot Wide Base Models</span></li>\n	<li>Vented Rear Access Panels</li>\n	<li>8sp Racks on Left and Right</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Internal Module System Allows For Greater Flexibility</li>\n	<li>Made in U.S.A.</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1058,75,1,177,'<h1>Argosy Eclipse Desk for Avid S4 - 3 Foot with Racks Left and Right</h1>\n<i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 3 buckets and featuring 6RU racks on each side of the console.</i><br /><br />\n	The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 3-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module and 16 faders, plus it features a 6RYU rack on the left and right sides of the console for your rack mounted studio gear. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 3-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />\n	Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.\n<br /><br />\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 3-Foot Wide Base Models</span></li>\n	<li>Vented Rear Access Panels</li>\n	<li>8sp Racks on Left and Right</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Internal Module System Allows For Greater Flexibility</li>\n	<li>Made in U.S.A.</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1059,85,0,177,'Argosy Eclipse Desk for Avid S4 - 3 Foot Wide Base System with Rack (L) and Rack (R)'),(1060,85,1,177,'Argosy Eclipse Desk for Avid S4 - 3 Foot Wide Base System with Rack (L) and Rack (R)'),(1061,76,0,177,''),(1062,76,1,177,''),(1063,75,0,178,'<h1>Argosy Eclipse Desk for Avid S4 - 4 Foot Base System</h1>\n<i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 4 buckets.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 4-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module and 24 faders. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 4-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br />\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 4-Foot Wide Base Models</span></li>\n	<li>Vented Rear Access Panels</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Internal Module System Allows For Greater Flexibility</li>\n	<li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1064,75,1,178,'<h1>Argosy Eclipse Desk for Avid S4 - 4 Foot Base System</h1>\n<i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 4 buckets.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 4-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module and 24 faders. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 4-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br />\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 4-Foot Wide Base Models</span></li>\n	<li>Vented Rear Access Panels</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Internal Module System Allows For Greater Flexibility</li>\n	<li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1065,85,0,178,'Argosy Eclipse Desk for Avid S4 - 4 Foot Wide Base System'),(1066,85,1,178,'Argosy Eclipse Desk for Avid S4 - 4 Foot Wide Base System'),(1067,76,0,178,''),(1068,76,1,178,''),(1069,75,0,179,'<h1>Argosy Eclipse Desk for Avid S4 - 4 Foot with Desk Left and Right</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 4 buckets and featuring Desk Spaces on each side of the console.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 4-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module and 24 faders, plus it features a Desk space on the Left and Right sides of the console, perfect for your computer monitor and keyboard & mouse. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 4-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.</div><div><div><br /></div></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">For Avid S4 4-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1070,75,1,179,'<h1>Argosy Eclipse Desk for Avid S4 - 4 Foot with Desk Left and Right</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 4 buckets and featuring Desk Spaces on each side of the console.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 4-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module and 24 faders, plus it features a Desk space on the Left and Right sides of the console, perfect for your computer monitor and keyboard & mouse. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 4-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.</div><div><div><br /></div></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">For Avid S4 4-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1071,85,0,179,'Argosy Eclipse Desk for Avid S4 - 4 Foot Wide Base System with Desk (L) and Desk (R)'),(1072,85,1,179,'Argosy Eclipse Desk for Avid S4 - 4 Foot Wide Base System with Desk (L) and Desk (R)'),(1073,76,0,179,''),(1074,76,1,179,''),(1075,75,0,180,'<h1>Argosy Eclipse Desk for Avid S4 - 4 Foot with Racks Left and Right</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 4 buckets and featuring 6RU racks on each side of the console.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 4-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module and 24 faders, plus it features a 6RYU rack on the left and right sides of the console for your rack mounted studio gear. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 4-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">For Avid S4 4-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>8sp Racks on Left and Right</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1076,75,1,180,'<h1>Argosy Eclipse Desk for Avid S4 - 4 Foot with Racks Left and Right</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 4 buckets and featuring 6RU racks on each side of the console.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 4-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module and 24 faders, plus it features a 6RYU rack on the left and right sides of the console for your rack mounted studio gear. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 4-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">For Avid S4 4-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>8sp Racks on Left and Right</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1077,85,0,180,'Argosy Eclipse Desk for Avid S4 - 4 Foot Wide Base System with Rack (L) and Rack (R)'),(1078,85,1,180,'Argosy Eclipse Desk for Avid S4 - 4 Foot Wide Base System with Rack (L) and Rack (R)'),(1079,76,0,180,''),(1080,76,1,180,''),(1081,75,0,181,'<h1>Argosy Eclipse Desk for Avid S4 - 5 Foot Base System</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 5 buckets.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 5-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module, 24 faders and an extra bucket for accessory modules. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 5-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1082,75,1,181,'<h1>Argosy Eclipse Desk for Avid S4 - 5 Foot Base System</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 5 buckets.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 5-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module, 24 faders and an extra bucket for accessory modules. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 5-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1083,85,0,181,'Argosy Eclipse Desk for Avid S4 - 5 Foot Wide Base System'),(1084,85,1,181,'Argosy Eclipse Desk for Avid S4 - 5 Foot Wide Base System'),(1085,76,0,181,''),(1086,76,1,181,''),(1087,75,0,182,'<h1>Argosy Eclipse Desk for Avid S4 - 5 Foot with Desk Left and Right</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 5 buckets and featuring Desk Spaces on each side of the console.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 5-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module, 24 faders and an extra bucket for accessory modules, plus it features a Desk space on the Left and Right sides of the console, perfect for your computer monitor and keyboard & mouse. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 5-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1088,75,1,182,'<h1>Argosy Eclipse Desk for Avid S4 - 5 Foot with Desk Left and Right</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 5 buckets and featuring Desk Spaces on each side of the console.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 5-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module, 24 faders and an extra bucket for accessory modules, plus it features a Desk space on the Left and Right sides of the console, perfect for your computer monitor and keyboard & mouse. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 5-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1089,85,0,182,'Argosy Eclipse Desk for Avid S4 - 5 Foot Wide Base System with Desk (L) and Desk (R)'),(1090,85,1,182,'Argosy Eclipse Desk for Avid S4 - 5 Foot Wide Base System with Desk (L) and Desk (R)'),(1091,76,0,182,''),(1092,76,1,182,''),(1093,75,0,183,'<h1>Argosy Eclipse Desk for Avid S4 - 5 Foot with Racks Left and Right</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 5 buckets and featuring 6RU racks on each side of the console.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 5-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module, 24 faders and an extra bucket for accessory modules, plus it features a 6RU rack on the left and right sides of the console for your rack mounted studio gear. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 5-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1094,75,1,183,'<h1>Argosy Eclipse Desk for Avid S4 - 5 Foot with Racks Left and Right</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S4 Control surface with 5 buckets and featuring 6RU racks on each side of the console.</i><br /><br />The Argosy Eclipse for Avid S4 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 5-bay Argosy Eclipse is perfect for an Avid S4 with one Avid Master Touch Module, 24 faders and an extra bucket for accessory modules, plus it features a 6RU rack on the left and right sides of the console for your rack mounted studio gear. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S4 you currently own. As you add components to your Avid S4, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S4 unique features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">For Avid S4 5-Foot Wide Base Models</span></li><li>Vented Rear Access Panels</li><li>Aluminum Extrusion Accessory Rail</li><li>Internal Module System Allows For Greater Flexibility</li><li><span style=\"letter-spacing: 0px;\">Made in U.S.A.</span></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1095,85,0,183,'Argosy Eclipse Desk for Avid S4 - 5 Foot Wide Base System with Rack (L) and Rack (R)'),(1096,85,1,183,'Argosy Eclipse Desk for Avid S4 - 5 Foot Wide Base System with Rack (L) and Rack (R)'),(1097,76,0,183,''),(1098,76,1,183,''),(1099,75,0,184,'<h1>Argosy Eclipse Desk for Avid S6 - 4 Foot Base System</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S6 Control surface with 5 buckets.</i><br /><br />The Argosy Eclipse for Avid S6 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 5-bay Argosy Eclipse is perfect for an Avid S6 with one Avid Master Touch Module, 24 faders and an extra bucket for accessory modules. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 you currently own. As you add components to your Avid S6, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />ECLIPSE console system was developed to bring important features of a large format console to today\'s high powered control surfaces and ancillary gear. Creature comforts include on-board accessory racks, padded armrests, and smart optional accessories.<div>Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.</div><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S6 unique features:</h3>\n<ul>\n	<li></li><li>Compatible with M40 (5 and 9 knob) & M10 based systems</li><li>4 \"buckets\" wide</li><li>Aluminum Extrusion Accessory Rail</li><li>Free Cont. US FedEx Ground Shipping</li><li>Made in USA</li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1100,75,1,184,'<h1>Argosy Eclipse Desk for Avid S6 - 4 Foot Base System</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S6 Control surface with 5 buckets.</i><br /><br />The Argosy Eclipse for Avid S6 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 5-bay Argosy Eclipse is perfect for an Avid S6 with one Avid Master Touch Module, 24 faders and an extra bucket for accessory modules. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 you currently own. As you add components to your Avid S6, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />ECLIPSE console system was developed to bring important features of a large format console to today\'s high powered control surfaces and ancillary gear. Creature comforts include on-board accessory racks, padded armrests, and smart optional accessories.<div>Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.</div><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S6 unique features:</h3>\n<ul>\n	<li></li><li>Compatible with M40 (5 and 9 knob) & M10 based systems</li><li>4 \"buckets\" wide</li><li>Aluminum Extrusion Accessory Rail</li><li>Free Cont. US FedEx Ground Shipping</li><li>Made in USA</li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1101,85,0,184,'Argosy Eclipse Desk for Avid S6 - 4 Foot Wide Base System'),(1102,85,1,184,'Argosy Eclipse Desk for Avid S6 - 4 Foot Wide Base System'),(1103,76,0,184,''),(1104,76,1,184,''),(1105,75,0,185,'<h1>Argosy Eclipse For Avid S6 - 4-Bay with Desks on Left and Right</h1>\n<i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S6 Control surface with 4 buckets and featuring desk spaces on both side of the console.</i><br /><br />\nThe Argosy Eclipse for S6 is sleek, ultra modern console furniture that can grow with your S6 recording console/control surface. The The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 M10/M40 you currently own. As you add components to your Avid S6, you can add buckets to the 4-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs. <br /><br /><h3>Argosy Eclipse 4-Bay key features:</h3><ul style=\"letter-spacing: normal;\"><li><span style=\"background-color: initial; letter-spacing: 0px;\">Compatible with S6 M40 (5 and 9 knob) & M10 based systems</span></li><li>4 \"buckets\" wide to fit a fader Avid S6</li><li>Producers Desks on Left and Right</li><li>Aluminum Extrusion Accessory Rail</li><li>Free US FedEx Ground Shipping</li><li>Made in USA</li></ul><br /><h3>Modular & Customizable</h3>\n	The 4-bay Argosy Eclipse is perfect for an Avid S6 with one Avid Master Touch Module and 24 faders. The producer’s desk can hold a computer screen. The Eclipse can be configured with anywhere from three to nine buckets that are the width of the Avid S6 modules. Argosy console furniture can also be fitted with producer’s desks or 6-space rack units on both left and right sides. Other available options include mahogany hardwood trim panels and chrome or black legs. The console also has a padded leather armrest for desk and rack sections. Argosy Eclipse console furniture is currently available in standard configurations, plus, you can also custom-configure an Argosy Eclipse console to accommodate any size studio, such as a video post-production facility.<br /><br /><ul>\n</ul>\n\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The 4-bay Argosy Eclipse not only provides seamless integration with Avid S6 modular console/control surfaces, it can grow with your studio. For more information or help configuring an Eclipse, call or chat with an RSPE representative today.  </h3>'),(1106,75,1,185,'<h1>Argosy Eclipse For Avid S6 - 4-Bay with Desks on Left and Right</h1>\n<i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S6 Control surface with 4 buckets and featuring desk spaces on both side of the console.</i><br /><br />\nThe Argosy Eclipse for S6 is sleek, ultra modern console furniture that can grow with your S6 recording console/control surface. The The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 M10/M40 you currently own. As you add components to your Avid S6, you can add buckets to the 4-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs. <br /><br /><h3>Argosy Eclipse 4-Bay key features:</h3><ul style=\"letter-spacing: normal;\"><li><span style=\"background-color: initial; letter-spacing: 0px;\">Compatible with S6 M40 (5 and 9 knob) & M10 based systems</span></li><li>4 \"buckets\" wide to fit a fader Avid S6</li><li>Producers Desks on Left and Right</li><li>Aluminum Extrusion Accessory Rail</li><li>Free US FedEx Ground Shipping</li><li>Made in USA</li></ul><br /><h3>Modular & Customizable</h3>\n	The 4-bay Argosy Eclipse is perfect for an Avid S6 with one Avid Master Touch Module and 24 faders. The producer’s desk can hold a computer screen. The Eclipse can be configured with anywhere from three to nine buckets that are the width of the Avid S6 modules. Argosy console furniture can also be fitted with producer’s desks or 6-space rack units on both left and right sides. Other available options include mahogany hardwood trim panels and chrome or black legs. The console also has a padded leather armrest for desk and rack sections. Argosy Eclipse console furniture is currently available in standard configurations, plus, you can also custom-configure an Argosy Eclipse console to accommodate any size studio, such as a video post-production facility.<br /><br /><ul>\n</ul>\n\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The 4-bay Argosy Eclipse not only provides seamless integration with Avid S6 modular console/control surfaces, it can grow with your studio. For more information or help configuring an Eclipse, call or chat with an RSPE representative today.  </h3>'),(1107,85,0,185,'Argosy Eclipse For Avid S6 - 4-Bay with Desks on Left and Right'),(1108,85,1,185,'Argosy Eclipse For Avid S6 - 4-Bay with Desks on Left and Right'),(1109,76,0,185,''),(1110,76,1,185,''),(1111,75,0,186,'<h1>Argosy Eclipse For Avid S6 - 4-Bay with Racks on Left and Right</h1>\n<i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S6 Control surface with 4 buckets and featuring 6RU racks on both side of the console.</i><br /><br />\nThe Argosy Eclipse for S6 is sleek, ultra modern console furniture that can grow with your S6 recording console/control surface. The The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 M10/M40 you currently own. As you add components to your Avid S6, you can add buckets to the 4-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs. <br /><br /><h3>Argosy Eclipse 4-Bay key features:</h3><ul style=\"letter-spacing: normal;\"><li><span style=\"background-color: initial; letter-spacing: 0px;\">Compatible with S6 M40 (5 and 9 knob) & M10 based systems</span></li><li>4 \"buckets\" wide to fit a fader Avid S6</li><li>6-space 19\" Racks on Left and Right</li><li>Aluminum Extrusion Accessory Rail</li><li>Free US FedEx Ground Shipping</li><li>Made in USA</li></ul><br /><h3>Modular & Customizable</h3>\n	The 4-bay Argosy Eclipse is perfect for an Avid S6 with one Avid Master Touch Module and 24 faders. The producer’s desk can hold a computer screen. The Eclipse can be configured with anywhere from three to nine buckets that are the width of the Avid S6 modules. Argosy console furniture can also be fitted with producer’s desks or 6-space rack units on both left and right sides. Other available options include mahogany hardwood trim panels and chrome or black legs. The console also has a padded leather armrest for desk and rack sections. Argosy Eclipse console furniture is currently available in standard configurations, plus, you can also custom-configure an Argosy Eclipse console to accommodate any size studio, such as a video post-production facility.<br /><br /><ul>\n</ul>\n\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The 4-bay Argosy Eclipse not only provides seamless integration with Avid S6 modular console/control surfaces, it can grow with your studio. For more information or help configuring an Eclipse, call or chat with an RSPE representative today.  </h3>'),(1112,75,1,186,'<h1>Argosy Eclipse For Avid S6 - 4-Bay with Racks on Left and Right</h1>\n<i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S6 Control surface with 4 buckets and featuring 6RU racks on both side of the console.</i><br /><br />\nThe Argosy Eclipse for S6 is sleek, ultra modern console furniture that can grow with your S6 recording console/control surface. The The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 M10/M40 you currently own. As you add components to your Avid S6, you can add buckets to the 4-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs. <br /><br /><h3>Argosy Eclipse 4-Bay key features:</h3><ul style=\"letter-spacing: normal;\"><li><span style=\"background-color: initial; letter-spacing: 0px;\">Compatible with S6 M40 (5 and 9 knob) & M10 based systems</span></li><li>4 \"buckets\" wide to fit a fader Avid S6</li><li>6-space 19\" Racks on Left and Right</li><li>Aluminum Extrusion Accessory Rail</li><li>Free US FedEx Ground Shipping</li><li>Made in USA</li></ul><br /><h3>Modular & Customizable</h3>\n	The 4-bay Argosy Eclipse is perfect for an Avid S6 with one Avid Master Touch Module and 24 faders. The producer’s desk can hold a computer screen. The Eclipse can be configured with anywhere from three to nine buckets that are the width of the Avid S6 modules. Argosy console furniture can also be fitted with producer’s desks or 6-space rack units on both left and right sides. Other available options include mahogany hardwood trim panels and chrome or black legs. The console also has a padded leather armrest for desk and rack sections. Argosy Eclipse console furniture is currently available in standard configurations, plus, you can also custom-configure an Argosy Eclipse console to accommodate any size studio, such as a video post-production facility.<br /><br /><ul>\n</ul>\n\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The 4-bay Argosy Eclipse not only provides seamless integration with Avid S6 modular console/control surfaces, it can grow with your studio. For more information or help configuring an Eclipse, call or chat with an RSPE representative today.  </h3>'),(1113,85,0,186,'Argosy Eclipse For Avid S6 - 4-Bay with Racks on Left and Right'),(1114,85,1,186,'Argosy Eclipse For Avid S6 - 4-Bay with Racks on Left and Right'),(1115,76,0,186,''),(1116,76,1,186,''),(1117,75,0,187,'<h1>Argosy Eclipse For Avid S6 — 5-Bay, with Desk (L) and Desk (R)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Expandable console furniture as advanced and stylish as the console it’s designed to house — the Avid S6 M10 and M40</span><br /><br />\nIn keeping with the modular concept of Avid S6 M40 and M10 control surfaces, the Argosy Eclipse is sleek, ultra modern console furniture that can grow with your S6 recording console/control surface. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 M10/M40 you currently own. As you add components to your Avid S6, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. The Eclipse console can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs. <br /><br />\n<h3>Argosy Eclipse 5-Bay unique features:</h3>\n<ul>\n	<li>Compatible with Avid S6 M40 and M10-based systems</li>\n	<li>Modular aluminum rail frame system allows future expansion</li>\n	<li>Modular design to fit all S6 configurations</li>\n</ul>\n<h3>Argosy Eclipse 5-Bay key features:</h3>\n<ul>\n	<li>Available with Racks or Desk space on left and/or right</li>\n	<li>Additional 19\" rack</li>\n	<li>Optional Mahogany Hardwood Trim Panels</li>\n	<li>Legs available in black or chrome</li>\n	<li>Custom configurations available</li>\n</ul>\n<div>\n	The 5-bay Argosy Eclipse is perfect for an S6 M10 with one Avid Master Touch Module, 16 faders, plus room for computer monitor and keypad. The Eclipse can be configured with anywhere from three to nine buckets that are the width of the Avid S6 modules. The Eclipse console can also be fitted with producer’s desks or 6-space rack units on both left and right sides. Other available options include mahogany hardwood trim panels and chrome or black legs. The console also has a padded leather armrest for desk and rack sections. The Argosy Eclipse is currently available in standard configurations, plus, you can also custom-configure Argosy console furniture to accommodate any size studio, such as a video post-production facility.\n</div>\n<br />\n<h3>Argosy Eclipse available configurations:</h3>\n<ul>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-4-Bay-Desk-on-R-p/arg-ecl-s6-4b-nd.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">4 buckets, desk on right</a></li>\n	<li>5 buckets, no desk</li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-7-Bay-Dual-Desk-p/arg-ecl-s6-7b-dd.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">7 buckets, desk left and right</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-9-Bay-Dual-Racks-p/arg-ecl-s6-9b-rr.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">9 buckets, rack units left and right</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-for-S6-p/arg-ecl-s6.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Custom configuration</a></li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The 5-bay Argosy Eclipse not only provides seamless integration with Avid S6 modular console/control surfaces, it can grow with your studio. For more information or help configuring an Eclipse, call or chat with an RSPE representative today.  </h3>'),(1118,75,1,187,'<h1>Argosy Eclipse For Avid S6 — 5-Bay, with Desk (L) and Desk (R)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Expandable console furniture as advanced and stylish as the console it’s designed to house — the Avid S6 M10 and M40</span><br /><br />\nIn keeping with the modular concept of Avid S6 M40 and M10 control surfaces, the Argosy Eclipse is sleek, ultra modern console furniture that can grow with your S6 recording console/control surface. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 M10/M40 you currently own. As you add components to your Avid S6, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. The Eclipse console can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs. <br /><br />\n<h3>Argosy Eclipse 5-Bay unique features:</h3>\n<ul>\n	<li>Compatible with Avid S6 M40 and M10-based systems</li>\n	<li>Modular aluminum rail frame system allows future expansion</li>\n	<li>Modular design to fit all S6 configurations</li>\n</ul>\n<h3>Argosy Eclipse 5-Bay key features:</h3>\n<ul>\n	<li>Available with Racks or Desk space on left and/or right</li>\n	<li>Additional 19\" rack</li>\n	<li>Optional Mahogany Hardwood Trim Panels</li>\n	<li>Legs available in black or chrome</li>\n	<li>Custom configurations available</li>\n</ul>\n<div>\n	The 5-bay Argosy Eclipse is perfect for an S6 M10 with one Avid Master Touch Module, 16 faders, plus room for computer monitor and keypad. The Eclipse can be configured with anywhere from three to nine buckets that are the width of the Avid S6 modules. The Eclipse console can also be fitted with producer’s desks or 6-space rack units on both left and right sides. Other available options include mahogany hardwood trim panels and chrome or black legs. The console also has a padded leather armrest for desk and rack sections. The Argosy Eclipse is currently available in standard configurations, plus, you can also custom-configure Argosy console furniture to accommodate any size studio, such as a video post-production facility.\n</div>\n<br />\n<h3>Argosy Eclipse available configurations:</h3>\n<ul>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-4-Bay-Desk-on-R-p/arg-ecl-s6-4b-nd.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">4 buckets, desk on right</a></li>\n	<li>5 buckets, no desk</li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-7-Bay-Dual-Desk-p/arg-ecl-s6-7b-dd.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">7 buckets, desk left and right</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-9-Bay-Dual-Racks-p/arg-ecl-s6-9b-rr.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">9 buckets, rack units left and right</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-for-S6-p/arg-ecl-s6.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Custom configuration</a></li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The 5-bay Argosy Eclipse not only provides seamless integration with Avid S6 modular console/control surfaces, it can grow with your studio. For more information or help configuring an Eclipse, call or chat with an RSPE representative today.  </h3>'),(1119,85,0,187,'Argosy Eclipse for S6 Workstation - 5 Bay with Desk (L) and Desk (R)'),(1120,85,1,187,'Argosy Eclipse for S6 Workstation - 5 Bay with Desk (L) and Desk (R)'),(1121,76,0,187,''),(1122,76,1,187,''),(1123,75,0,188,'<h1>Argosy Eclipse Desk for Avid S6 - 5 Foot Base System</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S6 Control surface with 5 buckets.</i><br /><br />The Argosy Eclipse for Avid S6 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 5-bay Argosy Eclipse is perfect for an Avid S6 with one Avid Master Touch Module, 24 faders and an extra bucket for accessory modules. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 you currently own. As you add components to your Avid S6, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />ECLIPSE console system was developed to bring important features of a large format console to today\'s high powered control surfaces and ancillary gear. Creature comforts include on-board accessory racks, padded armrests, and smart optional accessories.<div>Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.</div><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S6 unique features:</h3>\n<ul>\n	<li><li>Compatible with M40 (5 and 9 knob) & M10 based systems</li><li>5 \"buckets\" wide</li><li>Aluminum Extrusion Accessory Rail</li><li>Free Cont. US FedEx Ground Shipping</li><li>Made in USA</li></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1124,75,1,188,'<h1>Argosy Eclipse Desk for Avid S6 - 5 Foot Base System</h1><div><i>Expandable, sleek and ergonomic workstation desk designed specifically for the Avid S6 Control surface with 5 buckets.</i><br /><br />The Argosy Eclipse for Avid S6 is a sleek modern studio workstation desk designed specifically for the Avid S4 control surface. The 5-bay Argosy Eclipse is perfect for an Avid S6 with one Avid Master Touch Module, 24 faders and an extra bucket for accessory modules. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 you currently own. As you add components to your Avid S6, you can add buckets to the 5-bay Eclipse without having to replace the original Argosy desk. Eclipse console furniture can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs.<br /><br />ECLIPSE console system was developed to bring important features of a large format console to today\'s high powered control surfaces and ancillary gear. Creature comforts include on-board accessory racks, padded armrests, and smart optional accessories.<div>Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.</div><br />Matte black fingerprint-resistant smooth writing surfaces, a full length padded armrest, and smart optional accessories transform your area into a truly inspirational workspace. Optional accessories include: Rail-mounted isolating speaker platforms, articulating monitor arms, CPU mounting bracket, and mahogany end panel trim option.<br /><br /></div>\n<h3>Argosy Eclipse S6 unique features:</h3>\n<ul>\n	<li><li>Compatible with M40 (5 and 9 knob) & M10 based systems</li><li>5 \"buckets\" wide</li><li>Aluminum Extrusion Accessory Rail</li><li>Free Cont. US FedEx Ground Shipping</li><li>Made in USA</li></li></ul><br /><ul>\n</ul>\n<div><div><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">About Argosy</span></div></div>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Argosy Eclipse not only provides seamless integration with Avid S4 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1125,85,0,188,'Argosy Eclipse Desk for Avid S6 - 5 Foot Wide Base System'),(1126,85,1,188,'Argosy Eclipse Desk for Avid S6 - 5 Foot Wide Base System'),(1127,76,0,188,''),(1128,76,1,188,''),(1129,75,0,189,'<h1>Argosy Eclipse For Avid S6 — 7-Bay, Desk Left & Right </h1>\n<span style=\"font-size: 16px; font-style: italic;\">Expandable console furniture as advanced and stylish as the console it’s designed to house — the Avid S6 M10 and M40</span><br /><br />\nIn keeping with the modular concept of Avid S6 M40 and M10 control surfaces, the Argosy Eclipse is sleek, ultra modern console furniture that can grow with your S6 recording console/control surface. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 M10/M40 you currently own. As you add components to your Avid S6, you can add buckets to the 7-bay Eclipse without having to replace the original Argosy desk. The Eclipse can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs. <br /><br />\n<h3>Argosy Eclipse 7-Bay unique features:</h3>\n<ul>\n	<li>Compatible with Avid S6 M40 and M10-based systems</li>\n	<li>Modular aluminum rail frame system allows future expansion</li>\n	<li>Modular design to fit all S6 configurations</li>\n</ul>\n<h3>Argosy Eclipse 7-Bay key features:</h3>\n<ul>\n	<li>Available with Racks or Desk space on left and/or right</li>\n	<li>Additional 19\" rack</li>\n	<li>Optional Mahogany Hardwood Trim Panels</li>\n	<li>Legs available in black or chrome</li>\n	<li>Custom configurations available</li>\n</ul>\n<br />\n<div>\n	<div>\n		The 7-bay Argosy Eclipse with dual left and right producer’s desks is perfect for a 48-channel S6 M40 with a center Avid Master Touch Module. The Eclipse can be configured with anywhere from three to nine buckets that are the width of the Avid S6 modules. Eclipse console furniture can also be fitted with producer’s desks or 6-space rack units on both left and right sides. Other available options include mahogany hardwood trim panels and chrome or black legs. The console also has a padded leather armrest for desk and rack sections. The Argosy Eclipse is currently available in standard configurations, plus, you can also custom-configure Argosy console furniture to accommodate any size studio, such as a video post-production facility.\n	</div>\n</div>\n<div>\n	<br />\n</div>\n<h3>Argosy Eclipse available configurations:</h3>\n<ul>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-4-Bay-Desk-on-R-p/arg-ecl-s6-4b-nd.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">4 buckets, desk on right</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-for-S6-Workstation-5-Bay-No-Desk-p/arg-ecl-s6-5b-nn.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">5 buckets, no desk</a></li>\n	<li>7 buckets, desk left and right</li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-9-Bay-Dual-Racks-p/arg-ecl-s6-9b-rr.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">9 buckets, rack units left and right</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-for-S6-p/arg-ecl-s6.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Custom configuration</a></li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The 7-bay Argosy Eclipse not only provides seamless integration with Avid S6 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1130,75,1,189,'<h1>Argosy Eclipse For Avid S6 — 7-Bay, Desk Left & Right </h1>\n<span style=\"font-size: 16px; font-style: italic;\">Expandable console furniture as advanced and stylish as the console it’s designed to house — the Avid S6 M10 and M40</span><br /><br />\nIn keeping with the modular concept of Avid S6 M40 and M10 control surfaces, the Argosy Eclipse is sleek, ultra modern console furniture that can grow with your S6 recording console/control surface. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 M10/M40 you currently own. As you add components to your Avid S6, you can add buckets to the 7-bay Eclipse without having to replace the original Argosy desk. The Eclipse can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs. <br /><br />\n<h3>Argosy Eclipse 7-Bay unique features:</h3>\n<ul>\n	<li>Compatible with Avid S6 M40 and M10-based systems</li>\n	<li>Modular aluminum rail frame system allows future expansion</li>\n	<li>Modular design to fit all S6 configurations</li>\n</ul>\n<h3>Argosy Eclipse 7-Bay key features:</h3>\n<ul>\n	<li>Available with Racks or Desk space on left and/or right</li>\n	<li>Additional 19\" rack</li>\n	<li>Optional Mahogany Hardwood Trim Panels</li>\n	<li>Legs available in black or chrome</li>\n	<li>Custom configurations available</li>\n</ul>\n<br />\n<div>\n	<div>\n		The 7-bay Argosy Eclipse with dual left and right producer’s desks is perfect for a 48-channel S6 M40 with a center Avid Master Touch Module. The Eclipse can be configured with anywhere from three to nine buckets that are the width of the Avid S6 modules. Eclipse console furniture can also be fitted with producer’s desks or 6-space rack units on both left and right sides. Other available options include mahogany hardwood trim panels and chrome or black legs. The console also has a padded leather armrest for desk and rack sections. The Argosy Eclipse is currently available in standard configurations, plus, you can also custom-configure Argosy console furniture to accommodate any size studio, such as a video post-production facility.\n	</div>\n</div>\n<div>\n	<br />\n</div>\n<h3>Argosy Eclipse available configurations:</h3>\n<ul>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-4-Bay-Desk-on-R-p/arg-ecl-s6-4b-nd.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">4 buckets, desk on right</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-for-S6-Workstation-5-Bay-No-Desk-p/arg-ecl-s6-5b-nn.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">5 buckets, no desk</a></li>\n	<li>7 buckets, desk left and right</li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-9-Bay-Dual-Racks-p/arg-ecl-s6-9b-rr.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">9 buckets, rack units left and right</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-for-S6-p/arg-ecl-s6.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Custom configuration</a></li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The 7-bay Argosy Eclipse not only provides seamless integration with Avid S6 modular console/control surfaces, it can grow with your studio. For more information or help configuring Eclipse console furniture, call or chat with an RSPE representative today.  </h3>'),(1131,85,0,189,'Argosy Eclipse Desk for Avid S6 - 7 Bay Dual Desk, studio furniture, custom furniture'),(1132,85,1,189,'Argosy Eclipse Desk for Avid S6 - 7 Bay Dual Desk, studio furniture, custom furniture'),(1133,76,0,189,''),(1134,76,1,189,''),(1135,75,0,190,'<h1>Argosy Eclipse For Avid S6 — 9-Bay, Rack Space on Left & Right </h1>\n<span style=\"font-size: 16px; font-style: italic;\">Expandable console furniture as advanced and stylish as the console it’s designed to house — the Avid S6 M10 and M40</span><br /><br />In keeping with the modular concept of Avid S6 M40 and M10 control surfaces, the Argosy Eclipse is sleek, ultra modern console furniture that can grow with your S6 recording console/control surface. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 M10/M40 you currently own. As you add components to your Avid S6, you can add buckets to the 9-bay Eclipse without having to replace the original Argosy desk. The Eclipse can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs. <br /><br />\n<h3>Argosy Eclipse 9-Bay unique features:</h3>\n<ul>\n	<li>Compatible with Avid S6 M40 and M10-based systems</li>\n	<li>Modular aluminum rail frame system allows future expansion</li>\n	<li>Modular design to fit all S6 configurations</li>\n</ul>\n<h3>Argosy Eclipse 9-Bay key features:</h3>\n<ul>\n	<li>Available with Racks or Desk space on left and/or right</li>\n	<li>Additional 19\" rack</li>\n	<li>Optional Mahogany Hardwood Trim Panels</li>\n	<li>Legs available in black or chrome</li>\n	<li>Custom configurations available</li>\n</ul>\n<br />The 9-bay Argosy Eclipse with dual left and right 6-space racks is perfect for a 48-channel S6 M40 with a center Avid Master Touch Module and center computer monitor with keypad. The Eclipse console can be configured with anywhere from three to nine buckets that are the width of the Avid S6 modules. Argosy console furniture can also be fitted with producer’s desks or 6-space rack units on both left and right sides. Other available options include mahogany hardwood trim panels and chrome or black legs. The console also has a padded leather armrest for desk and rack sections. The Argosy Eclipse is currently available in standard configurations, plus, you can also custom-configure an Argosy Eclipse console to accommodate any size studio, such as a video post-production facility.        <br /><br />\n<h3>Argosy Eclipse available configurations:</h3>\n<ul>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-4-Bay-Desk-on-R-p/arg-ecl-s6-4b-nd.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">4 buckets, desk on right</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-for-S6-Workstation-5-Bay-No-Desk-p/arg-ecl-s6-5b-nn.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">5 buckets, no desk</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-7-Bay-Dual-Desk-p/arg-ecl-s6-7b-dd.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">7 buckets, desk left and right</a></li>\n	<li>9 buckets, rack units left and right</li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-for-S6-p/arg-ecl-s6.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Custom configuration</a></li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The 9-bay Argosy Eclipse not only provides seamless integration with Avid S6 modular console/control surfaces, it can grow with your studio. For more information or help configuring an Eclipse console, call or chat with an RSPE representative today.  </h3>'),(1136,75,1,190,'<h1>Argosy Eclipse For Avid S6 — 9-Bay, Rack Space on Left & Right </h1>\n<span style=\"font-size: 16px; font-style: italic;\">Expandable console furniture as advanced and stylish as the console it’s designed to house — the Avid S6 M10 and M40</span><br /><br />In keeping with the modular concept of Avid S6 M40 and M10 control surfaces, the Argosy Eclipse is sleek, ultra modern console furniture that can grow with your S6 recording console/control surface. The Eclipse features a modular aluminum rail system that allows you to select the number of “buckets,” which house the various system components of the S6 M10/M40 you currently own. As you add components to your Avid S6, you can add buckets to the 9-bay Eclipse without having to replace the original Argosy desk. The Eclipse can also be fitted with additional desk space and 19\" rack modules to conveniently house analog outboard equipment, as well as optional trim panels and legs. <br /><br />\n<h3>Argosy Eclipse 9-Bay unique features:</h3>\n<ul>\n	<li>Compatible with Avid S6 M40 and M10-based systems</li>\n	<li>Modular aluminum rail frame system allows future expansion</li>\n	<li>Modular design to fit all S6 configurations</li>\n</ul>\n<h3>Argosy Eclipse 9-Bay key features:</h3>\n<ul>\n	<li>Available with Racks or Desk space on left and/or right</li>\n	<li>Additional 19\" rack</li>\n	<li>Optional Mahogany Hardwood Trim Panels</li>\n	<li>Legs available in black or chrome</li>\n	<li>Custom configurations available</li>\n</ul>\n<br />The 9-bay Argosy Eclipse with dual left and right 6-space racks is perfect for a 48-channel S6 M40 with a center Avid Master Touch Module and center computer monitor with keypad. The Eclipse console can be configured with anywhere from three to nine buckets that are the width of the Avid S6 modules. Argosy console furniture can also be fitted with producer’s desks or 6-space rack units on both left and right sides. Other available options include mahogany hardwood trim panels and chrome or black legs. The console also has a padded leather armrest for desk and rack sections. The Argosy Eclipse is currently available in standard configurations, plus, you can also custom-configure an Argosy Eclipse console to accommodate any size studio, such as a video post-production facility.        <br /><br />\n<h3>Argosy Eclipse available configurations:</h3>\n<ul>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-4-Bay-Desk-on-R-p/arg-ecl-s6-4b-nd.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">4 buckets, desk on right</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-for-S6-Workstation-5-Bay-No-Desk-p/arg-ecl-s6-5b-nn.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">5 buckets, no desk</a></li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-Desk-for-Avid-S6-7-Bay-Dual-Desk-p/arg-ecl-s6-7b-dd.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">7 buckets, desk left and right</a></li>\n	<li>9 buckets, rack units left and right</li>\n	<li><a href=\"http://www.rspeaudio.com/Argosy-Eclipse-for-S6-p/arg-ecl-s6.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Custom configuration</a></li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The 9-bay Argosy Eclipse not only provides seamless integration with Avid S6 modular console/control surfaces, it can grow with your studio. For more information or help configuring an Eclipse console, call or chat with an RSPE representative today.  </h3>'),(1137,85,0,190,'Argosy Eclipse Desk for Avid S6 - 9 Bay Dual Racks, studio furniture, custom furniture'),(1138,85,1,190,'Argosy Eclipse Desk for Avid S6 - 9 Bay Dual Racks, studio furniture, custom furniture'),(1139,76,0,190,''),(1140,76,1,190,''),(1141,75,0,191,'<h2>Argosy Halo Base Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">A workstation desk that\'s simple and stylish for home-based or professional studio applications.</span><br /><br />\n\n	The Halo base desk is an economical solution for video production, sound design and editing studio owners, and operators, that have always an ergonomic and durable workstation. The streamlined design is perfect for users who are looking for a high quality look and feel. The dual rack bays are placed to ensure you your equipment is always close at hand, while providing the user enough room to feel comfortable during long sessions.<br /><br />\n\n<h3>Argosy Halo Base features:</h3>\n<ul><li>HALO Base Desk</li><li>Dual 8 Space Rack Bays</li><li>Ergonomic Padded Armrest</li><li>Steel Leg Assemblies with Floor Levelers </li><li>Cable Management </li><li>Aluminum Extrusion Accessory Rail</li><li>Pack 100 Rack Rail Screws</li><li>Made in the U.S.A.</li></ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo Base workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1142,75,1,191,'<h2>Argosy Halo Base Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">A workstation desk that\'s simple and stylish for home-based or professional studio applications.</span><br /><br />\n\n	The Halo base desk is an economical solution for video production, sound design and editing studio owners, and operators, that have always an ergonomic and durable workstation. The streamlined design is perfect for users who are looking for a high quality look and feel. The dual rack bays are placed to ensure you your equipment is always close at hand, while providing the user enough room to feel comfortable during long sessions.<br /><br />\n\n<h3>Argosy Halo Base features:</h3>\n<ul><li>HALO Base Desk</li><li>Dual 8 Space Rack Bays</li><li>Ergonomic Padded Armrest</li><li>Steel Leg Assemblies with Floor Levelers </li><li>Cable Management </li><li>Aluminum Extrusion Accessory Rail</li><li>Pack 100 Rack Rail Screws</li><li>Made in the U.S.A.</li></ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo Base workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1143,85,0,191,''),(1144,85,1,191,''),(1145,76,0,191,''),(1146,76,1,191,''),(1147,75,0,192,'<h1>Argosy Halo.E2 Ultimate Workstation Desk</h1>\n<i>The Halo.E2 Ultimate takes the Halo.E2 studio desk and adds IsoAcoustic Speaker Mounts, specially designed Utility Shelves, Monitor Arm, Pull Out Drawer, and  CPU Mount for the ultimate studio setup.</i><br /><br />\nThe Halo.E2 Ultimate Workstation Desk\'s motorized actuators accommodate evenly \ndistributed loads up to 200 lb. 3-height programmable memory allows you \nto set a desk height anywhere from 27\" to 42\".\n<br /><br />\n<p>\n	Combine rack gear with stand-alone electronics on shelves specially \ndesigned for HALO angled racks. Position near-field monitors on \nIsoAcoustics loaded speaker mounts available in 3 sizes up to 70 lb. \nHandy accessory drawer provides convenient storage. CPU mount allows \nyour computer to ride along with sit-stand movement.\n</p>\n<br />\n<h3>Argosy Halo.E2 Ultimate features:</h3>\n<ul>\n	<li>HALO.E2 base unit </li>\n	<li>Proprietary Stabilization System</li>\n	<li>3 Height Programmable Memory</li>\n	<li>200 lb Lifting Capacity - Evenly Distributed</li>\n	<li>Monitor arm (4.5-17 lb capacity)</li>\n	<li>160 speaker mounts (2)</li>\n	<li>Utility shelves (2)</li>\n	<li>Pull-out drawer</li>\n	<li>CPU mount</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>Ergonomic Padded Armrest</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A. </li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.E2 Ultimate workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1148,75,1,192,'<h1>Argosy Halo.E2 Ultimate Workstation Desk</h1>\n<i>The Halo.E2 Ultimate takes the Halo.E2 studio desk and adds IsoAcoustic Speaker Mounts, specially designed Utility Shelves, Monitor Arm, Pull Out Drawer, and  CPU Mount for the ultimate studio setup.</i><br /><br />\nThe Halo.E2 Ultimate Workstation Desk\'s motorized actuators accommodate evenly \ndistributed loads up to 200 lb. 3-height programmable memory allows you \nto set a desk height anywhere from 27\" to 42\".\n<br /><br />\n<p>\n	Combine rack gear with stand-alone electronics on shelves specially \ndesigned for HALO angled racks. Position near-field monitors on \nIsoAcoustics loaded speaker mounts available in 3 sizes up to 70 lb. \nHandy accessory drawer provides convenient storage. CPU mount allows \nyour computer to ride along with sit-stand movement.\n</p>\n<br />\n<h3>Argosy Halo.E2 Ultimate features:</h3>\n<ul>\n	<li>HALO.E2 base unit </li>\n	<li>Proprietary Stabilization System</li>\n	<li>3 Height Programmable Memory</li>\n	<li>200 lb Lifting Capacity - Evenly Distributed</li>\n	<li>Monitor arm (4.5-17 lb capacity)</li>\n	<li>160 speaker mounts (2)</li>\n	<li>Utility shelves (2)</li>\n	<li>Pull-out drawer</li>\n	<li>CPU mount</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>Ergonomic Padded Armrest</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A. </li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.E2 Ultimate workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1149,85,0,192,''),(1150,85,1,192,''),(1151,76,0,192,''),(1152,76,1,192,''),(1153,75,0,193,'<h1>Argosy Halo.E2 Workstation Desk</h1>\n<i>HALO.E2 - the most stable sit-stand studio workstation desk in its class. </i><br /><br />The Argosy Halo.E2 base unit is the perfect place to start your studio upgrade. You can add any of the accessories to Halo.E2 at a later time and start out enjoying the proprietary stabilization technology that makes HALO.E2 the most stable sit-stand desk in its class. Motorized actuators can accommodate evenly distributed loads up to 200 lb. 3-height programmable memory allows you to set a desk height anywhere from 27\" to 42\".<br /><br />\n<h3>Argosy Halo.E2 Base features:</h3>\n<ul>\n	<li>HALO.E2 base unit </li>\n	<li>Proprietary Stabilization System</li>\n	<li>3 Height Programmable Memory</li>\n	<li>200 lb Lifting Capacity - Evenly Distributed</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>Ergonomic Padded Armrest</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers </li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A. </li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.E2 workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1154,75,1,193,'<h1>Argosy Halo.E2 Workstation Desk</h1>\n<i>HALO.E2 - the most stable sit-stand studio workstation desk in its class. </i><br /><br />The Argosy Halo.E2 base unit is the perfect place to start your studio upgrade. You can add any of the accessories to Halo.E2 at a later time and start out enjoying the proprietary stabilization technology that makes HALO.E2 the most stable sit-stand desk in its class. Motorized actuators can accommodate evenly distributed loads up to 200 lb. 3-height programmable memory allows you to set a desk height anywhere from 27\" to 42\".<br /><br />\n<h3>Argosy Halo.E2 Base features:</h3>\n<ul>\n	<li>HALO.E2 base unit </li>\n	<li>Proprietary Stabilization System</li>\n	<li>3 Height Programmable Memory</li>\n	<li>200 lb Lifting Capacity - Evenly Distributed</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>Ergonomic Padded Armrest</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers </li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A. </li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.E2 workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1155,85,0,193,''),(1156,85,1,193,''),(1157,76,0,193,''),(1158,76,1,193,''),(1159,75,0,194,'<h1>Argosy Halo.E2 Plus Workstation Desk</h1>\n<i>The Halo.E2 Plus takes the Halo.E2 studio desk and adds IsoAcoustic Speaker Mounts and specially designed Utility Shelves for the perfect studio setup.</i><br /><br />\nThe Halo.E2 Plus desk has motorized actuators accommodate evenly distributed loads up to 200 lb. 3-height programmable memory allows you to set a desk height anywhere from 27\" to 42\".<br /><br />Combine rack gear with stand-alone electronics on shelves specially designed for HALO angled racks. Position near-field monitors on IsoAcoustics loaded speaker mounts available in 3 sizes up to 70 lb. Handy accessory drawer provides convenient storage. CPU mount allows your computer to ride along with sit-stand movement. <br /><br />The \"Plus\" package includes IsoAcoustic Speaker Mount Accessories to position your near-field monitors and specially designed Utility Shelves to combine rack gear with stand-alone electronics within the HALO angled rack. <br /><br />\n<h3>Argosy Halo.E2 Plus features:</h3>\n<ul>\n	<li>HALO.E2 base unit </li>\n	<li>Proprietary Stabilization System</li>\n	<li>3 Height Programmable Memory</li>\n	<li>200 lb Lifting Capacity - Evenly Distributed</li>\n	<li>160 speaker mounts (2)</li>\n	<li>Utility shelves (2)</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>Ergonomic Padded Armrest</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A. </li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.E2 Plus workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1160,75,1,194,'<h1>Argosy Halo.E2 Plus Workstation Desk</h1>\n<i>The Halo.E2 Plus takes the Halo.E2 studio desk and adds IsoAcoustic Speaker Mounts and specially designed Utility Shelves for the perfect studio setup.</i><br /><br />\nThe Halo.E2 Plus desk has motorized actuators accommodate evenly distributed loads up to 200 lb. 3-height programmable memory allows you to set a desk height anywhere from 27\" to 42\".<br /><br />Combine rack gear with stand-alone electronics on shelves specially designed for HALO angled racks. Position near-field monitors on IsoAcoustics loaded speaker mounts available in 3 sizes up to 70 lb. Handy accessory drawer provides convenient storage. CPU mount allows your computer to ride along with sit-stand movement. <br /><br />The \"Plus\" package includes IsoAcoustic Speaker Mount Accessories to position your near-field monitors and specially designed Utility Shelves to combine rack gear with stand-alone electronics within the HALO angled rack. <br /><br />\n<h3>Argosy Halo.E2 Plus features:</h3>\n<ul>\n	<li>HALO.E2 base unit </li>\n	<li>Proprietary Stabilization System</li>\n	<li>3 Height Programmable Memory</li>\n	<li>200 lb Lifting Capacity - Evenly Distributed</li>\n	<li>160 speaker mounts (2)</li>\n	<li>Utility shelves (2)</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>Ergonomic Padded Armrest</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A. </li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.E2 Plus workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1161,85,0,194,''),(1162,85,1,194,''),(1163,76,0,194,''),(1164,76,1,194,''),(1165,75,0,195,'<h2>Argosy Halo G Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">A workstation desk that\'s simple and stylish for home-based or professional studio applications.</span><br /><br />\n\n	The Argosy Halo G Workstation Desk is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo. G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors. <br /><br />\n\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br /><br />\n\nLoaded with features and creature comforts, the Halo G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.<br /><br />\n\n<h3>Argosy Halo G features:</h3>\n<ul>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br />\n<h3>Argosy Halo G available configurations:</h3>\n<ul>\n	<li>Halo G (this version)</li>\n	<li>Halo G Plus (with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo G Ultimate (with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo G workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring Halo G, call or chat with an RSPE representative today.  </h3>'),(1166,75,1,195,'<h2>Argosy Halo G Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">A workstation desk that\'s simple and stylish for home-based or professional studio applications.</span><br /><br />\n\n	The Argosy Halo G Workstation Desk is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo. G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors. <br /><br />\n\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br /><br />\n\nLoaded with features and creature comforts, the Halo G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.<br /><br />\n\n<h3>Argosy Halo G features:</h3>\n<ul>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br />\n<h3>Argosy Halo G available configurations:</h3>\n<ul>\n	<li>Halo G (this version)</li>\n	<li>Halo G Plus (with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo G Ultimate (with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo G workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring Halo G, call or chat with an RSPE representative today.  </h3>'),(1167,85,0,195,''),(1168,85,1,195,''),(1169,76,0,195,''),(1170,76,1,195,''),(1171,75,0,196,'<h1>Argosy Halo.GE Sit-Stand Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Sit-Stand version of the Halo.GE workstation that allows you to adjust the height of your desk with the push of a button.</span><br /><br />The Argosy Halo.GE Sit-Stand Workstation Desk creates an inspirational and healthy workspace using push-button electronic actuators that allow you to set the Halo.G at your desired height, freeing you from distractions and discomfort. Sitting all day is bad for you,that\'s why Argosy took the Halo.G and made a Sit-Stand version.<br /><br />Halo G is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo. G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors. <br /><br />\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br /><br />\nLoaded with features and creature comforts, the Halo G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.<br /><br />\n<h3>Argosy Halo.GE features:</h3>\n<ul>\n	<li>Push-button electronic adjustment of desk height, to easily go from sitting to standing</li>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br />\n<h3>Argosy Halo.GE available configurations:</h3>\n<ul>\n	<li>Halo.GE (this version)</li>\n	<li>Halo.GE Plus (with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo.GE Ultimate (with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>Save your back the pain of sitting all day with the Halo.GE Sit-Stand Workstation. For more information or help configuring Halo.G, call or chat with an RSPE representative today.  </h3>'),(1172,75,1,196,'<h1>Argosy Halo.GE Sit-Stand Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Sit-Stand version of the Halo.GE workstation that allows you to adjust the height of your desk with the push of a button.</span><br /><br />The Argosy Halo.GE Sit-Stand Workstation Desk creates an inspirational and healthy workspace using push-button electronic actuators that allow you to set the Halo.G at your desired height, freeing you from distractions and discomfort. Sitting all day is bad for you,that\'s why Argosy took the Halo.G and made a Sit-Stand version.<br /><br />Halo G is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo. G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors. <br /><br />\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br /><br />\nLoaded with features and creature comforts, the Halo G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.<br /><br />\n<h3>Argosy Halo.GE features:</h3>\n<ul>\n	<li>Push-button electronic adjustment of desk height, to easily go from sitting to standing</li>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br />\n<h3>Argosy Halo.GE available configurations:</h3>\n<ul>\n	<li>Halo.GE (this version)</li>\n	<li>Halo.GE Plus (with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo.GE Ultimate (with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>Save your back the pain of sitting all day with the Halo.GE Sit-Stand Workstation. For more information or help configuring Halo.G, call or chat with an RSPE representative today.  </h3>'),(1173,85,0,196,''),(1174,85,1,196,''),(1175,76,0,196,''),(1176,76,1,196,''),(1177,75,0,197,'<h1>Argosy Halo.GE Plus Sit-Stand Workstation Desk</h1>\n<i>The Argosy Halo.GE Plus workstation takes the simple, yet elegant Halo.G sit-stand desk and adds a slide-out accessory tray and 2 D8 Monitor Arms.</i><br/><br/>The Argosy Halo.GE Sit-Stand Workstation Desk creates an inspirational and healthy workspace using push-button electronic actuators that allow you to set the Halo.G at your desired height, freeing you from distractions and discomfort. Sitting all day is bad for you, that\'s why Argosy took the Halo.G Plus and made a Sit-Stand version. <br/><br/>Halo.G is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo. G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors. <br/><br/>\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br/><br/>\nLoaded with features and creature comforts, the Halo G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.<br/><br/>\n<h3>Argosy Halo.GE Plus features:</h3>\n<ul>\n	<li>Slide-out accessory tray</li>\n	<li>2 D8 Monitor Stands</li>\n	<li>Push-button electronic adjustment of desk height, to easily go from sitting to standing</li>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br/>\n<h3>Argosy Halo.GE available configurations:</h3>\n<ul>\n	<li>Halo.GE (this version)</li>\n	<li>Halo.GE Plus (with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo.GE Ultimate (with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br/>\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br/><br/>\n<h3>The Halo.GE Plus workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring Halo.G, call or chat with an RSPE representative today.  </h3>'),(1178,75,1,197,'<h1>Argosy Halo.GE Plus Sit-Stand Workstation Desk</h1>\n<i>The Argosy Halo.GE Plus workstation takes the simple, yet elegant Halo.G sit-stand desk and adds a slide-out accessory tray and 2 D8 Monitor Arms.</i><br/><br/>The Argosy Halo.GE Sit-Stand Workstation Desk creates an inspirational and healthy workspace using push-button electronic actuators that allow you to set the Halo.G at your desired height, freeing you from distractions and discomfort. Sitting all day is bad for you, that\'s why Argosy took the Halo.G Plus and made a Sit-Stand version. <br/><br/>Halo.G is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo. G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors. <br/><br/>\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br/><br/>\nLoaded with features and creature comforts, the Halo G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.<br/><br/>\n<h3>Argosy Halo.GE Plus features:</h3>\n<ul>\n	<li>Slide-out accessory tray</li>\n	<li>2 D8 Monitor Stands</li>\n	<li>Push-button electronic adjustment of desk height, to easily go from sitting to standing</li>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br/>\n<h3>Argosy Halo.GE available configurations:</h3>\n<ul>\n	<li>Halo.GE (this version)</li>\n	<li>Halo.GE Plus (with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo.GE Ultimate (with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br/>\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br/><br/>\n<h3>The Halo.GE Plus workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring Halo.G, call or chat with an RSPE representative today.  </h3>'),(1179,85,0,197,''),(1180,85,1,197,''),(1181,76,0,197,''),(1182,76,1,197,''),(1183,75,0,198,'<h1>Argosy Halo.GE Ultimate Sit-Stand<span style=\"background-color: initial; letter-spacing: -0.02em;\"> </span>Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Take the simple and stylish Halo.GE workstation, add all the accessories you\"ll ever need and you have the Halo.G Sit-Stand Ultimate Workstation.</span><br /><br />\nThe Argosy Halo.GE Ultimate studio workstation takes the simple, yet elegant Halo .G desk and adds all the accessories you\'ll ever need! <br /><br />\nThe Argosy Halo.GE Sit-Stand Ultimate workstation takes the simple, yet elegant Halo.GE sit-stand desk and adds a slide-out accessory tray and 2 D8 Monitor Arms.<br />Sitting all day is bad for you, so Argosy took the Halo.G Plus and made a Sit-Stand version. The Argosy Halo.GE Sit-Stand Workstation Desk creates an inspirational and healthy workspace using push-button electronic actuators that allow you to set the Halo.G at your desired height, freeing you from distractions and discomfort. <br /><br />Halo.G is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo.G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors. <br /><br />\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br /><br />\nLoaded with features and creature comforts, the Halo.G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.<br /><br />\n<h3>Argosy Halo.GE Ultimate features:</h3>\n<ul>\n	<li>IsoAcoustics Model 160 Speaker Stands</li>\n	<li>CPU Shelf</li>\n	<li>Slide-out accessory tray</li>\n	<li>2 D8 Monitor Stands</li>\n	<li>Push-button electronic adjustment of desk height, to easily go from sitting to standing</li>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br />\n<h3>Argosy Halo.GE available configurations:</h3>\n<ul>\n	<li>Halo.GE (Base model)</li>\n	<li>Halo.GE Plus (with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo.GE Ultimate (This version, with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.GE Ultimate workstation really is the ultimate sit-stand studio workstation desk. For more information or help configuring Halo.G, call or chat with an RSPE representative today.  </h3>'),(1184,75,1,198,'<h1>Argosy Halo.GE Ultimate Sit-Stand<span style=\"background-color: initial; letter-spacing: -0.02em;\"> </span>Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Take the simple and stylish Halo.GE workstation, add all the accessories you\"ll ever need and you have the Halo.G Sit-Stand Ultimate Workstation.</span><br /><br />\nThe Argosy Halo.GE Ultimate studio workstation takes the simple, yet elegant Halo .G desk and adds all the accessories you\'ll ever need! <br /><br />\nThe Argosy Halo.GE Sit-Stand Ultimate workstation takes the simple, yet elegant Halo.GE sit-stand desk and adds a slide-out accessory tray and 2 D8 Monitor Arms.<br />Sitting all day is bad for you, so Argosy took the Halo.G Plus and made a Sit-Stand version. The Argosy Halo.GE Sit-Stand Workstation Desk creates an inspirational and healthy workspace using push-button electronic actuators that allow you to set the Halo.G at your desired height, freeing you from distractions and discomfort. <br /><br />Halo.G is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo.G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors. <br /><br />\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br /><br />\nLoaded with features and creature comforts, the Halo.G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.<br /><br />\n<h3>Argosy Halo.GE Ultimate features:</h3>\n<ul>\n	<li>IsoAcoustics Model 160 Speaker Stands</li>\n	<li>CPU Shelf</li>\n	<li>Slide-out accessory tray</li>\n	<li>2 D8 Monitor Stands</li>\n	<li>Push-button electronic adjustment of desk height, to easily go from sitting to standing</li>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br />\n<h3>Argosy Halo.GE available configurations:</h3>\n<ul>\n	<li>Halo.GE (Base model)</li>\n	<li>Halo.GE Plus (with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo.GE Ultimate (This version, with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.GE Ultimate workstation really is the ultimate sit-stand studio workstation desk. For more information or help configuring Halo.G, call or chat with an RSPE representative today.  </h3>'),(1185,85,0,198,''),(1186,85,1,198,''),(1187,76,0,198,''),(1188,76,1,198,''),(1189,75,0,199,'<h2>Argosy Halo G Plus Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Take the simple and stylish Halo G workstation, add an Accessory Tray and 2 D8 Monitor Arms and you have the Halo G Plus</span><br /><br />\nThe Argosy Halo G Plus workstation desk takes the simple, yet elegant Halo G desk and adds a slide-out accessory tray and 2 D8 Monitor Arms.<br /><br />\n\nThe Argosy Halo G Workstation Desk is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo. G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors.<br /><br />\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br /><br />\nLoaded with features and creature comforts, the Halo G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.\n<br /><br />\n\n<h3>Argosy Halo G Plus features:</h3>\n<ul>\n	<li>Slide-out accessory tray</li>\n	<li>2 D8 Monitor Stands</li>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br />\n<h3>Argosy Halo G available configurations:</h3>\n<ul>\n	<li>Halo G (Base model)</li>\n	<li>Halo G Plus (This version, with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo G Ultimate (with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo G Plus workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring Halo G, call or chat with an RSPE representative today.  </h3>'),(1190,75,1,199,'<h2>Argosy Halo G Plus Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Take the simple and stylish Halo G workstation, add an Accessory Tray and 2 D8 Monitor Arms and you have the Halo G Plus</span><br /><br />\nThe Argosy Halo G Plus workstation desk takes the simple, yet elegant Halo G desk and adds a slide-out accessory tray and 2 D8 Monitor Arms.<br /><br />\n\nThe Argosy Halo G Workstation Desk is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo. G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors.<br /><br />\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br /><br />\nLoaded with features and creature comforts, the Halo G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.\n<br /><br />\n\n<h3>Argosy Halo G Plus features:</h3>\n<ul>\n	<li>Slide-out accessory tray</li>\n	<li>2 D8 Monitor Stands</li>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br />\n<h3>Argosy Halo G available configurations:</h3>\n<ul>\n	<li>Halo G (Base model)</li>\n	<li>Halo G Plus (This version, with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo G Ultimate (with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo G Plus workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring Halo G, call or chat with an RSPE representative today.  </h3>'),(1191,85,0,199,''),(1192,85,1,199,''),(1193,76,0,199,''),(1194,76,1,199,''),(1195,75,0,200,'<h2>Argosy Halo G Ultimate Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Take the simple and stylish Halo G workstation, add all the accessories you\'l\' ever need and you have the Halo G Ultimate</span><br/><br/>\nThe Argosy Halo G Ultimate studio workstation takes the simple, yet elegant Halo G desk and adds all the accessories you\'ll ever need! <br/><br/>\nThe Argosy Halo G Plus Workstation Desk is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo. G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors.<br/><br/>\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br/><br/>\nLoaded with features and creature comforts, the Halo G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.\n<br/><br/>\n<h3>Argosy Halo G Ultimate features:</h3>\n<ul>\n	<li>IsoAcoustics Model 160 Speaker Stands</li>\n	<li>CPU Shelf</li>\n	<li>Slide-out accessory tray</li>\n	<li>2 D8 Monitor Stands</li>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br/>\n<h3>Argosy Halo G available configurations:</h3>\n<ul>\n	<li>Halo G (Base model)</li>\n	<li>Halo G Plus (with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo G Ultimate (This version, with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br/>\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br/><br/>\n<h3>The Halo G Ultimate workstation really is the ultimate studio workstation desk. For more information or help configuring Halo G, call or chat with an RSPE representative today.  </h3>'),(1196,75,1,200,'<h2>Argosy Halo G Ultimate Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Take the simple and stylish Halo G workstation, add all the accessories you\'l\' ever need and you have the Halo G Ultimate</span><br/><br/>\nThe Argosy Halo G Ultimate studio workstation takes the simple, yet elegant Halo G desk and adds all the accessories you\'ll ever need! <br/><br/>\nThe Argosy Halo G Plus Workstation Desk is specifically designed for screen-based applications, and gives you the edge in performance ergonomics for any digital media environment. Featuring the same wraparound design of the original Halo, the Halo.G opens you up to new possibilities by removing the side mounted rack bays. This makes the Halo. G the ideal solution for multi-monitor workspaces, or mixers and musicians with floor standing monitors.<br/><br/>\nHalo.G gives you complete control and access with a perfectly sized desktop in an ideal format. It’s angled design curves around you, perfect for placing you in the center of the sweet spot. And with a full length padded armrest and powder-coated components it\'s not only comfortable, but also built to last.<br/><br/>\nLoaded with features and creature comforts, the Halo G can be accessorized with optional Argosy monitor arms speaker mounts or accessory drawers to meet the demands of your creative workspace. And like the original Halo, the Halo.G is made right here in the USA.\n<br/><br/>\n<h3>Argosy Halo G Ultimate features:</h3>\n<ul>\n	<li>IsoAcoustics Model 160 Speaker Stands</li>\n	<li>CPU Shelf</li>\n	<li>Slide-out accessory tray</li>\n	<li>2 D8 Monitor Stands</li>\n	<li>Sculptured Padded Armrest</li>\n	<li>Powder-coated Steel Legs with Floor Levelers</li>\n	<li>Extruded Aluminum Chassis Rail</li>\n	<li>Length: 79.7\" - Depth: 35.5\"</li>\n	<li>Height: 28.7\" (fixed)</li>\n</ul>\n<br/>\n<h3>Argosy Halo G available configurations:</h3>\n<ul>\n	<li>Halo G (Base model)</li>\n	<li>Halo G Plus (with Accessory Tray and 2 D8 Monitor Arms)</li>\n	<li>Halo G Ultimate (This version, with Isoacoustic Speaker Mounts, CPU Shelf, Accessory Tray and 2 D8 Monitor Arms)</li>\n</ul>\n<br/>\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br/><br/>\n<h3>The Halo G Ultimate workstation really is the ultimate studio workstation desk. For more information or help configuring Halo G, call or chat with an RSPE representative today.  </h3>'),(1197,85,0,200,''),(1198,85,1,200,''),(1199,76,0,200,''),(1200,76,1,200,''),(1201,75,0,201,'<h1>Argosy Halo.K Base Keyboard Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Just the basics. The original HALO.K Keyboard Desk. </span><br /><br />\nThe Halo.K base keyboard desk has a specially adapted design for keyboard-centric studios. The \"K\" model \nallows integration for most 61 note keyboard controllers with all the \nfeatures of the HALO. \n<br /><br />\n<h3>Argosy Halo.K Base features:</h3>\n<ul>\n	<li>HALO.Kkeyboard desk base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A.</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical \nfurniture for leading recording control rooms, post-production houses, \nfilm facilities and high tech venues worldwide. The company prides \nitself on responding to clients’ individual application-specific needs \nusing a variety of custom materials and unique finishes, with careful \nattention to aesthetic design and ergonomic details. Since 1994, Argosy \nproducts have been installed at thousands of award-winning facilities in\n countries worldwide.\n<br /><br />\n<h3>The Halo .K Base workstation is simple, elegant, and will upgrade \nthe look in any studio. For more information or help configuring a Halo \nworkstation, call or chat with an RSPE representative today.  \n</h3>'),(1202,75,1,201,'<h1>Argosy Halo.K Base Keyboard Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Just the basics. The original HALO.K Keyboard Desk. </span><br /><br />\nThe Halo.K base keyboard desk has a specially adapted design for keyboard-centric studios. The \"K\" model \nallows integration for most 61 note keyboard controllers with all the \nfeatures of the HALO. \n<br /><br />\n<h3>Argosy Halo.K Base features:</h3>\n<ul>\n	<li>HALO.Kkeyboard desk base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A.</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical \nfurniture for leading recording control rooms, post-production houses, \nfilm facilities and high tech venues worldwide. The company prides \nitself on responding to clients’ individual application-specific needs \nusing a variety of custom materials and unique finishes, with careful \nattention to aesthetic design and ergonomic details. Since 1994, Argosy \nproducts have been installed at thousands of award-winning facilities in\n countries worldwide.\n<br /><br />\n<h3>The Halo .K Base workstation is simple, elegant, and will upgrade \nthe look in any studio. For more information or help configuring a Halo \nworkstation, call or chat with an RSPE representative today.  \n</h3>'),(1203,85,0,201,''),(1204,85,1,201,''),(1205,76,0,201,''),(1206,76,1,201,''),(1207,75,0,202,'<h1>Argosy Halo.K Plus Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The HALO.K Plus desk combines your gear and your keyboard into one workstation with added IsoAcoustic Speaker Mounts and Utility Shelves. </span><br /><br />\nThe Halo.K Plus desk has a specially adapted design for keyboard-centric studios. The \"K\" model \nallows integration for most 61 note keyboard controllers with all the \nfeatures of the HALO. \n<br /><br />The \"Plus\" package includes IsoAcoustic Speaker Mount Accessories to \nposition your near-field monitors. Combine rack gear with stand-alone \nelectronics on shelves specially designed for HALO angled racks. \n<br /><br />\n<h3>Argosy Halo.K Plus features:</h3>\n<ul>\n	<li>HALO.K base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>160 speaker mounts (2)</li>\n	<li>Utility shelves (2)</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A.</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical \nfurniture for leading recording control rooms, post-production houses, \nfilm facilities and high tech venues worldwide. The company prides \nitself on responding to clients’ individual application-specific needs \nusing a variety of custom materials and unique finishes, with careful \nattention to aesthetic design and ergonomic details. Since 1994, Argosy \nproducts have been installed at thousands of award-winning facilities in\n countries worldwide.\n<br /><br />\n<h3>The Halo .K Plus workstation is simple, elegant, and will upgrade \nthe look in any studio. For more information or help configuring a Halo \nworkstation, call or chat with an RSPE representative today.  \n</h3>'),(1208,75,1,202,'<h1>Argosy Halo.K Plus Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The HALO.K Plus desk combines your gear and your keyboard into one workstation with added IsoAcoustic Speaker Mounts and Utility Shelves. </span><br /><br />\nThe Halo.K Plus desk has a specially adapted design for keyboard-centric studios. The \"K\" model \nallows integration for most 61 note keyboard controllers with all the \nfeatures of the HALO. \n<br /><br />The \"Plus\" package includes IsoAcoustic Speaker Mount Accessories to \nposition your near-field monitors. Combine rack gear with stand-alone \nelectronics on shelves specially designed for HALO angled racks. \n<br /><br />\n<h3>Argosy Halo.K Plus features:</h3>\n<ul>\n	<li>HALO.K base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>160 speaker mounts (2)</li>\n	<li>Utility shelves (2)</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A.</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical \nfurniture for leading recording control rooms, post-production houses, \nfilm facilities and high tech venues worldwide. The company prides \nitself on responding to clients’ individual application-specific needs \nusing a variety of custom materials and unique finishes, with careful \nattention to aesthetic design and ergonomic details. Since 1994, Argosy \nproducts have been installed at thousands of award-winning facilities in\n countries worldwide.\n<br /><br />\n<h3>The Halo .K Plus workstation is simple, elegant, and will upgrade \nthe look in any studio. For more information or help configuring a Halo \nworkstation, call or chat with an RSPE representative today.  \n</h3>'),(1209,85,0,202,''),(1210,85,1,202,''),(1211,76,0,202,''),(1212,76,1,202,''),(1213,75,0,203,'<h1>Argosy Halo.K Ultimate Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The HALO.K Ultimate desk combines your gear and your keyboard into one workstation. </span><br /><br />\nThe Argosy Halo.K Plus desk has a specially adapted design for keyboard-centric studios. The \"K\" model \nallows integration for most 61 note keyboard controllers with all the \nfeatures of the HALO. \n<br /><br />The \"Ultimate\" package includes accessories to allow you to attach your \nCPU securely to your workstation, as well as position near-field \nmonitors on IsoAcoustics loaded 160 speaker mounts. Combine rack gear \nwith stand-alone electronics on shelves specially designed for HALO \nangled racks. Float your screen on easy to install D8 Monitor Arm. Handy\n accessory drawer provides convenient storage.\n<br /><br />\n<h3>Argosy Halo.K Ultimate features:</h3>\n<ul>\n	<li>HALO.K base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>D8 Monitor arm (4.5-17 lb capacity)</li>\n	<li>160 speaker mounts (2)</li>\n	<li>Utility shelves (2)</li>\n	<li>Pull-out keyboard tray</li>\n	<li>CPU mount</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A.</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical \nfurniture for leading recording control rooms, post-production houses, \nfilm facilities and high tech venues worldwide. The company prides \nitself on responding to clients’ individual application-specific needs \nusing a variety of custom materials and unique finishes, with careful \nattention to aesthetic design and ergonomic details. Since 1994, Argosy \nproducts have been installed at thousands of award-winning facilities in\n countries worldwide.\n<br /><br />\n<h3>The Halo.K Ultimate workstation is simple, elegant, and will upgrade \nthe look in any studio. For more information or help configuring a Halo \nworkstation, call or chat with an RSPE representative today.  \n</h3>'),(1214,75,1,203,'<h1>Argosy Halo.K Ultimate Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The HALO.K Ultimate desk combines your gear and your keyboard into one workstation. </span><br /><br />\nThe Argosy Halo.K Plus desk has a specially adapted design for keyboard-centric studios. The \"K\" model \nallows integration for most 61 note keyboard controllers with all the \nfeatures of the HALO. \n<br /><br />The \"Ultimate\" package includes accessories to allow you to attach your \nCPU securely to your workstation, as well as position near-field \nmonitors on IsoAcoustics loaded 160 speaker mounts. Combine rack gear \nwith stand-alone electronics on shelves specially designed for HALO \nangled racks. Float your screen on easy to install D8 Monitor Arm. Handy\n accessory drawer provides convenient storage.\n<br /><br />\n<h3>Argosy Halo.K Ultimate features:</h3>\n<ul>\n	<li>HALO.K base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>D8 Monitor arm (4.5-17 lb capacity)</li>\n	<li>160 speaker mounts (2)</li>\n	<li>Utility shelves (2)</li>\n	<li>Pull-out keyboard tray</li>\n	<li>CPU mount</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A.</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical \nfurniture for leading recording control rooms, post-production houses, \nfilm facilities and high tech venues worldwide. The company prides \nitself on responding to clients’ individual application-specific needs \nusing a variety of custom materials and unique finishes, with careful \nattention to aesthetic design and ergonomic details. Since 1994, Argosy \nproducts have been installed at thousands of award-winning facilities in\n countries worldwide.\n<br /><br />\n<h3>The Halo.K Ultimate workstation is simple, elegant, and will upgrade \nthe look in any studio. For more information or help configuring a Halo \nworkstation, call or chat with an RSPE representative today.  \n</h3>'),(1215,85,0,203,''),(1216,85,1,203,''),(1217,76,0,203,''),(1218,76,1,203,''),(1219,75,0,204,'<h1>Argosy Halo.K88 Base Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo.K88 is the most popular studio desk for keyboard centric studios featuring larger 88 note keyboard controllers.  <br/></span><br/>The Argosy Halo.K88 is specially adapted design for keyboard-centric studios. The \"K88\" model \nallows integration for most 88 note keyboard controllers with all the \nfeatures of the HALO. \n<br/><br/>\n<h3>Argosy Halo.K88 Base features:</h3>\n<ul>\n	<li>HALO.K88 base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A.</li>\n</ul>\n<br/>\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br/><br/>\n<h3>The Halo.K88 Base workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1220,75,1,204,'<h1>Argosy Halo.K88 Base Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo.K88 is the most popular studio desk for keyboard centric studios featuring larger 88 note keyboard controllers.  <br/></span><br/>The Argosy Halo.K88 is specially adapted design for keyboard-centric studios. The \"K88\" model \nallows integration for most 88 note keyboard controllers with all the \nfeatures of the HALO. \n<br/><br/>\n<h3>Argosy Halo.K88 Base features:</h3>\n<ul>\n	<li>HALO.K88 base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A.</li>\n</ul>\n<br/>\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br/><br/>\n<h3>The Halo.K88 Base workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1221,85,0,204,''),(1222,85,1,204,''),(1223,76,0,204,''),(1224,76,1,204,''),(1225,75,0,205,'<h1>Argosy Halo.K88 Plus Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo.K88 is the most popular studio desk for keyboard centric studios featuring larger 88 note keyboard controllers.  <br /></span><br />The Halo.K88 is specially adapted design for keyboard-centric studios. The \"K88\" model \nallows integration for most 88 note keyboard controllers with all the \nfeatures of the HALO. \n<br /><br />The \"Plus\" package includes IsoAcoustic Speaker Mount Accessories to \nposition your near-field monitors. Combine rack gear with stand-alone \nelectronics on shelves specially designed for HALO angled racks. \n<br /><br />\n<h3>Argosy Halo.K88 Plus features:</h3>\n<ul>\n	<li>HALO.K88 base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>160 speaker mounts (2)</li>\n	<li>Utility shelves (2)</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A.</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.K88 Plus workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1226,75,1,205,'<h1>Argosy Halo.K88 Plus Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo.K88 is the most popular studio desk for keyboard centric studios featuring larger 88 note keyboard controllers.  <br /></span><br />The Halo.K88 is specially adapted design for keyboard-centric studios. The \"K88\" model \nallows integration for most 88 note keyboard controllers with all the \nfeatures of the HALO. \n<br /><br />The \"Plus\" package includes IsoAcoustic Speaker Mount Accessories to \nposition your near-field monitors. Combine rack gear with stand-alone \nelectronics on shelves specially designed for HALO angled racks. \n<br /><br />\n<h3>Argosy Halo.K88 Plus features:</h3>\n<ul>\n	<li>HALO.K88 base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>160 speaker mounts (2)</li>\n	<li>Utility shelves (2)</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A.</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.K88 Plus workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1227,85,0,205,''),(1228,85,1,205,''),(1229,76,0,205,''),(1230,76,1,205,''),(1231,75,0,206,'<h1>Argosy Halo.K88 Ultimate Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo.K88 the most popular studio desk for keyboard centric studios featuring larger 88 note keyboard controllers.<br /></span><br />The Halo .K88 was specially adapted design for keyboard-centric studios. The \"K88\" \nmodel allows integration for most 88 note keyboard controllers with all \nthe features of the HALO. \n<br /><br />\n<p>\n	The \"Ultimate\" package includes accessories to allow you to attach \nyour CPU securely to your workstation, as well as position near-field \nmonitors on IsoAcoustics loaded 160 speaker mounts. Combine rack gear \nwith stand-alone electronics on shelves specially designed for HALO \nangled racks. Float dual screens on easy to install D8 Monitor Arms. \nIncludes undermount pull-out Keyboard Tray for convenient access to \nqwerty keyboard and mouse.\n</p>\n<br />\n<h3>Argosy Halo.K88 Ultimate features:</h3>\n<ul>\n	<li>HALO.K88 base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>D8 Monitor Arms (2) 4.5-17 lb capacity</li>\n	<li>160 Speaker Mounts (2)</li>\n	<li>Utility Shelves (2)</li>\n	<li>Pull-out Keyboard Tray</li>\n	<li>CPU Mount</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.K88 Ultimate workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1232,75,1,206,'<h1>Argosy Halo.K88 Ultimate Workstation Desk</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo.K88 the most popular studio desk for keyboard centric studios featuring larger 88 note keyboard controllers.<br /></span><br />The Halo .K88 was specially adapted design for keyboard-centric studios. The \"K88\" \nmodel allows integration for most 88 note keyboard controllers with all \nthe features of the HALO. \n<br /><br />\n<p>\n	The \"Ultimate\" package includes accessories to allow you to attach \nyour CPU securely to your workstation, as well as position near-field \nmonitors on IsoAcoustics loaded 160 speaker mounts. Combine rack gear \nwith stand-alone electronics on shelves specially designed for HALO \nangled racks. Float dual screens on easy to install D8 Monitor Arms. \nIncludes undermount pull-out Keyboard Tray for convenient access to \nqwerty keyboard and mouse.\n</p>\n<br />\n<h3>Argosy Halo.K88 Ultimate features:</h3>\n<ul>\n	<li>HALO.K88 base unit</li>\n	<li>Dual 8 Space Rack Bays</li>\n	<li>D8 Monitor Arms (2) 4.5-17 lb capacity</li>\n	<li>160 Speaker Mounts (2)</li>\n	<li>Utility Shelves (2)</li>\n	<li>Pull-out Keyboard Tray</li>\n	<li>CPU Mount</li>\n	<li>Heavy Duty Steel Legs with Floor Levelers</li>\n	<li>Aluminum Extrusion Accessory Rail</li>\n	<li>Pack 100 Rack Rail Screws</li>\n	<li>Made in the U.S.A</li>\n</ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo.K88 Ultimate workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1233,85,0,206,''),(1234,85,1,206,''),(1235,76,0,206,''),(1236,76,1,206,''),(1237,75,0,207,'<h2>Argosy Halo .KE2 Ultimate Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo .KE2 Ultimate set up desk is Proprietary stabilization technology makes HALO.KE2 the most stable sit-stand desk in its class. <br /></span><br />The Halo.KE2\'s proprietary stabilization technology makes HALO.KE2 the most stable sit-stand keyboard desk in its class. Motorized actuators can accommodate evenly distributed loads up to 200 lb. 3-height programmable memory allows you to set a desk height anywhere from 27\" to 42\".<br /><br />Combine rack gear with stand-alone electronics on shelves specially designed for HALO angled racks. Position near-field monitors on Aperta 160 IsoAcoustics loaded speaker mounts to support up to 70 lb per side. Handy accessory drawer provides convenient storage. CPU mount allows your computer to ride along with sit-stand movement. <br /><br />\n\n<h3>Argosy Halo .KE2 features:</h3>\n<ul><li>HALO.KE2 base unit </li><li>Proprietary Stabilization System</li><li>3 Height Programmable Memory</li><li>200 lb Lifting Capacity - Evenly Distributed</li><li>Voltage Range 110-230</li><li>Monitor arm (4.5-17 lb capacity)</li><li>160 speaker mounts (2)</li><li>Utility shelves (2)</li><li>Pull-out keyboard tray</li><li>CPU mount</li><li>Dual 8 Space Rack Bays - 1st rack space (on each bay) has 3.75\" depth restriction</li><li>Heavy Duty Steel Legs with Floor Levelers</li><li>Aluminum Extrusion Accessory Rail</li><li>Optional Mahogany Veneer Finish or Fingerprint Resistant Black Finish</li><li>Pack 100 Rack Rail Screws</li></ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo .KE2 Base workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1238,75,1,207,'<h2>Argosy Halo .KE2 Ultimate Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo .KE2 Ultimate set up desk is Proprietary stabilization technology makes HALO.KE2 the most stable sit-stand desk in its class. <br /></span><br />The Halo.KE2\'s proprietary stabilization technology makes HALO.KE2 the most stable sit-stand keyboard desk in its class. Motorized actuators can accommodate evenly distributed loads up to 200 lb. 3-height programmable memory allows you to set a desk height anywhere from 27\" to 42\".<br /><br />Combine rack gear with stand-alone electronics on shelves specially designed for HALO angled racks. Position near-field monitors on Aperta 160 IsoAcoustics loaded speaker mounts to support up to 70 lb per side. Handy accessory drawer provides convenient storage. CPU mount allows your computer to ride along with sit-stand movement. <br /><br />\n\n<h3>Argosy Halo .KE2 features:</h3>\n<ul><li>HALO.KE2 base unit </li><li>Proprietary Stabilization System</li><li>3 Height Programmable Memory</li><li>200 lb Lifting Capacity - Evenly Distributed</li><li>Voltage Range 110-230</li><li>Monitor arm (4.5-17 lb capacity)</li><li>160 speaker mounts (2)</li><li>Utility shelves (2)</li><li>Pull-out keyboard tray</li><li>CPU mount</li><li>Dual 8 Space Rack Bays - 1st rack space (on each bay) has 3.75\" depth restriction</li><li>Heavy Duty Steel Legs with Floor Levelers</li><li>Aluminum Extrusion Accessory Rail</li><li>Optional Mahogany Veneer Finish or Fingerprint Resistant Black Finish</li><li>Pack 100 Rack Rail Screws</li></ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo .KE2 Base workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1239,85,0,207,''),(1240,85,1,207,''),(1241,76,0,207,''),(1242,76,1,207,''),(1243,75,0,208,'<h2>Argosy Halo Plus Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo Plus workstation desk includes IsoAcoustics speaker mounts.<br /></span><br />\n\n	The Halo Plus desk is an economical solution for video production, sound design and editing studio owners, and operators, that have always an ergonomic and durable workstation. The streamlined design is perfect for users who are looking for a high quality look and feel. The dual rack bays are placed to ensure you your equipment is always close at hand, while providing the user enough room to feel comfortable during long sessions.<br /><br />The \"Plus\" package includes, IsoAcoustics speaker mounts that are available \nin 3 sizes to accommodate up to 70 lb. Combine rack gear with \nstand-alone electronics on shelves specially designed for HALO angled \nracks.<br /><br />\n\n<h3>Argosy Halo Plus features:</h3>\n<ul><li>HALO base unit</li><li>160 speaker mounts (2)</li><li>Utility shelves (2)</li><li>Dual 8 Space Rack Bays</li><li>Ergonomic Padded Armrest</li><li>Steel Leg Assemblies with Floor Levelers </li><li>Cable Management </li><li>Aluminum Extrusion Accessory Rail</li><li>Pack 100 Rack Rail Screws</li><li>Made in the U.S.A.</li></ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo Plus workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1244,75,1,208,'<h2>Argosy Halo Plus Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo Plus workstation desk includes IsoAcoustics speaker mounts.<br /></span><br />\n\n	The Halo Plus desk is an economical solution for video production, sound design and editing studio owners, and operators, that have always an ergonomic and durable workstation. The streamlined design is perfect for users who are looking for a high quality look and feel. The dual rack bays are placed to ensure you your equipment is always close at hand, while providing the user enough room to feel comfortable during long sessions.<br /><br />The \"Plus\" package includes, IsoAcoustics speaker mounts that are available \nin 3 sizes to accommodate up to 70 lb. Combine rack gear with \nstand-alone electronics on shelves specially designed for HALO angled \nracks.<br /><br />\n\n<h3>Argosy Halo Plus features:</h3>\n<ul><li>HALO base unit</li><li>160 speaker mounts (2)</li><li>Utility shelves (2)</li><li>Dual 8 Space Rack Bays</li><li>Ergonomic Padded Armrest</li><li>Steel Leg Assemblies with Floor Levelers </li><li>Cable Management </li><li>Aluminum Extrusion Accessory Rail</li><li>Pack 100 Rack Rail Screws</li><li>Made in the U.S.A.</li></ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo Plus workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1245,85,0,208,''),(1246,85,1,208,''),(1247,76,0,208,''),(1248,76,1,208,''),(1249,75,0,209,'<h2>Argosy Halo Ultimate Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo Ultimate workstation desk includes IsoAcoustics speaker mounts, Computer Monitor arm, and a Handy accessory drawer provides convenient storage</span><br /><br />\n\n	The Halo Ultimate desk is an economical solution for video production, sound design and editing studio owners, and operators, that have always an ergonomic and durable workstation. The streamlined design is perfect for users who are looking for a high quality look and feel. The dual rack bays are placed to ensure you your equipment is always close at hand, while providing the user enough room to feel comfortable during long sessions.<br /><br />The \"Ultimate\" package includes accessories to allow you to attach your CPU securely to your workstation. As well as position near-field monitors on IsoAcoustics loaded speaker mounts available in 3 sizes up to 70 lb. Combine rack gear with stand-alone electronics on shelves specially designed for HALO angled racks. Handy accessory drawer provides convenient storage.<br /><br />\n\n<h3>Argosy Halo Ultimate features:</h3>\n<ul><li>HALO base unit</li><li>Monitor arm (4.5-17 lbs capacity)</li><li>160 speaker mounts (2)</li><li>Utility shelves (2)</li><li>Pull-out drawer</li><li>CPU mount</li><li>Dual 8 Space Rack Bays</li><li>Ergonomic Padded Armrest</li><li>Steel Leg Assemblies with Floor Levelers  </li><li>Cable Management </li><li>Aluminum Extrusion Accessory Rail</li><li>Pack 100 Rack Rail Screws</li><li>Made in the U.S.A.</li></ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo Ultimate workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1250,75,1,209,'<h2>Argosy Halo Ultimate Workstation Desk</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The Halo Ultimate workstation desk includes IsoAcoustics speaker mounts, Computer Monitor arm, and a Handy accessory drawer provides convenient storage</span><br /><br />\n\n	The Halo Ultimate desk is an economical solution for video production, sound design and editing studio owners, and operators, that have always an ergonomic and durable workstation. The streamlined design is perfect for users who are looking for a high quality look and feel. The dual rack bays are placed to ensure you your equipment is always close at hand, while providing the user enough room to feel comfortable during long sessions.<br /><br />The \"Ultimate\" package includes accessories to allow you to attach your CPU securely to your workstation. As well as position near-field monitors on IsoAcoustics loaded speaker mounts available in 3 sizes up to 70 lb. Combine rack gear with stand-alone electronics on shelves specially designed for HALO angled racks. Handy accessory drawer provides convenient storage.<br /><br />\n\n<h3>Argosy Halo Ultimate features:</h3>\n<ul><li>HALO base unit</li><li>Monitor arm (4.5-17 lbs capacity)</li><li>160 speaker mounts (2)</li><li>Utility shelves (2)</li><li>Pull-out drawer</li><li>CPU mount</li><li>Dual 8 Space Rack Bays</li><li>Ergonomic Padded Armrest</li><li>Steel Leg Assemblies with Floor Levelers  </li><li>Cable Management </li><li>Aluminum Extrusion Accessory Rail</li><li>Pack 100 Rack Rail Screws</li><li>Made in the U.S.A.</li></ul>\n<br />\n<h3>About Argosy</h3>\nArgosy is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.\n<br /><br />\n<h3>The Halo Ultimate workstation is simple, elegant, and will upgrade the look in any studio. For more information or help configuring a Halo workstation, call or chat with an RSPE representative today.  </h3>'),(1251,85,0,209,''),(1252,85,1,209,''),(1253,76,0,209,''),(1254,76,1,209,''),(1255,75,0,210,'<h1>Arturia Analog Lab - Ultimate Keyboard Sound Collection</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Perform. Record. Compose. Awesome.</span><br /><br />\n		Analog Lab 2 brings together everything you need to rock your performances—just add your favorite controller. Analog Lab 2 gives you instant access to over 5000 of the best designer \nsounds from the 17 authentic legendary keyboards in our critically \nacclaimed V Collection. Analog Lab 2 is your all-in-one sound bank solution for every playing situation. When composing, Analog Lab 2 gives you quick access to the \ninspirational mainstay instruments and tones that keep you in the \ncreative flow. When recording, you’ll quickly find track-ready \ninstruments that can be easily tweaked in Analog Lab 2 or take you right\n into the full V Collection instruments you also own for total sound \ndesign. When gigging, you’ll step through all the decades of sounds you \nneed right at the touch of a button or pedal.\n<br /><br />\n		Save your back and your wallet. With Analog Lab 2,\n your laptop replaces stacks of keyboards and racks and gives you even \nmore flexibility.\n<br /><br />\n		Under\n the hood, Analog Lab 2 has all the sound engines from our award-winning\n V Collection of modeled instruments that reproduce the actual \ncharacteristics of the original hardware.\n<br /><br />\n		The organic warmth of analog and electro-acoustic sounds is \nextremely difficult to reproduce authentically with digital technology. \nSamples only capture snapshots, and no amount of snapshots can possibly \nconvey all the nuances of playing the original instrument. Arturia’s \ncritically acclaimed TAE® technology and physical modelling technology \nfaithfully emulate the actual physics and circuitry of vintage \ninstruments—transistors, tubes, pickups, preamps, the works—to create \nsoftware instruments that are virtually indistinguishable from the \noriginals.\n<br /><br />\n		Give your music the sonic richness and organic texture of analog—with all the convenience of digital.\n<br /><br />\n<h3>Analog Labs Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">The original hardware/software hybrid synthesizer</span></li><li>Updated with sounds from the V Collection 5</li><li>Over 5000 sounds from some of the best sound designers in the industry</li><li>TAE® presets are carefully selected from our V Collection 5 (ARP 2600 V, B3 V, CS-80V, Farfisa V, Jup-8V, Matrix 12 V, Mini V, Modular V, Prophet V, Prophet VS, SEM V, Solina V, Stage V, Synclavier V, Piano V, Vox V, and Wurli V)</li><li>Updated browser to find your sound quickly: by Type (Bass, Pads, Leads…), by Characteristics (long, bright, dark…), etc.</li><li>Multi mode for creating your own layers, splits and adding effects</li><li>Automatic mapping of parameters for Arturia keyboards</li><li>Parameters can be mapped easily to other MIDI controllers</li><li>Standalone or plug-in operation (VST, VST3, AU, AAX)</li><li>Full preset editing available for owners of the full versions of our synthesizers (Mini V, Modular V, CS-80V, Wurlitzer V, etc.)</li><li>User interface configures automatically to match your Arturia controller</li>\n</ul>\n<br />\n<h3>Combine your favorite sounds</h3>\nWant to play a funky bass with your left hand and a customized twirly \nWurli with your right? How about bringing in a layer of strings in with \nyour expression pedal while playing that piano ballad? Stack your \nfavorite piano and strings? The Multi feature lets you simply drag and \ndrop to combine any two of your favorite presets into splits and layers,\n complete with discrete options for key range, MIDI channels, \ntransposition and response to common MIDI CC messages from controllers \nlike touch, wheels and pedals. Then just save it as a preset for when \nyou need it again. We’re talking full creative expression and control.\n<br /><br />\n<h3>All your favorite effects are right on board</h3>\nAnalog Lab 2 gives you a complete array of 13 classic effects that take \nthese already incredible sounds beyond the call of duty—everything from \nstandards like chorus, delay, reverb and overdrive to exotics like bit \ncrunching and vocal filters. You can even add different amounts of \ndiscrete effects to the two instruments in your Multi patches to add a \nwhole new dimension to your sound. Of course, all your effects settings \nare saved right with your patches for instant recall.\n<br /><br />\n<h3 class=\"text-white\">Sound browsing done right</h3>\nArturia spent a lot of time redesigning the user interface in Analog Lab 2 to\n make it easier and faster than ever to get to just the right sounds. \nIts streamlined UI lets you filter this vast library with combinations \nof tags for Types, Banks, Characteristics and Instruments. Looking for \ninspiration for a mellow synth melody? Just click tags like Soft, Lead \nand, optionally, instruments like Mini and ARP 2600, and you’ll \ninstantly be auditioning just those candidates that match that \ncombination.\n<p>\n	When you find sounds you like, mark them as a Favorite, and \nthen access them quicker in the preset browser. When it’s gig time, \nsimply put only the sounds you need into a Playlist and step through \nthem with a switch or pedal. You’ll never get lost trying to find the \nright sound again—unless you want to.\n</p>\n<br />\n<h3 class=\"text-white\">Tweak and perform with the most important controls</h3>\n						With each preset, Analog Lab 2 surfaces the most common controls you \nmight want to get your hands on to tweak your sound or control live—like\n the drawbars on a B-3 V or the filter controls of a Matrix-12 V. \nThey’re even mapped automatically to the most logical controls on \nArturia KeyLab and MiniLab keyboards, or NI controllers via NKS. With \nMulti patches, you even get macro control so that a single controller \ncan affect parameters on two different patches at once. The MIDI Learn \nfeature makes it as simple as click-and-touch to assign any hardware \ncontroller to any surfaced parameter in an Analog Lab 2 patch for total \nexpression.\n<br /><br />\n<h3 class=\"text-white\">The command center for all your V-series instruments</h3>\nIf you love getting your hands on all the controls, you probably already\n have one or more full instruments in the V series—and Analog Lab 2 is \nalso included in the complete V Collection bundle. Analog Lab 2 makes \nthe perfect command center for your V Collection. For starters, it helps\n you find sounds across your entire studio of vintage instruments. Then,\n if you want to make mods beyond the most common controls we’ve \nsurfaced, with a click you can go directly into edit mode for the full \nV-series instrument if you own a license for it.\n<br /><br />\n<h2 class=\"full-width\"><inline style=\"font-size: 24px;\">Inspiring sounds for every type of music</inline></h2>\nNo matter what kind of music you play, Analog Lab 2 has you covered.\n<p>\n	Think about the mainstay keyboard instruments in any genre of \nmusic that you write, play or produce—or ever want to—and you’ll find \nthe best of those sounds in Analog Lab 2. Rock. Jazz. Gospel. Top 40. \nCountry. Blues. It’s all here, with total authenticity and easy access \nto tones created by some of the world’s top programmers and sound \ndesigners.\n</p>\n<br />\n<h3>Platform specifications</h3>\n<p class=\"MsoNormal\">\n	<inline style=\"font-size: 12px;\">Windows: Win 7+ PC: 4 GB RAM; 2 GHz CPU.<br />1GB free hard disk space<br />OpenGL 2.0 compatible GPU<br /><br />Apple: 10.8+: 4 GB RAM; 2 GHz CPU.<br />1GB free hard disk space<br />OpenGL 2.0 compatible GPU</inline>\n</p>\n<h3>Required configuration</h3>\nWorks in Standalone, VST 2.4 (32-bit and 64-bit), VST 3 (32-bit and 64-bit), AAX (32 bits with PT 10.3.8, 64 bits with PT 11), Audio Unit (32-bit and 64-bit), NKS.\n<br /><br /><br />\n<h3>Arturia software synthesizers are based on TAE® (standing for True Anlog Emulation), an advanced proprietary technology allowing accurate modelling of analogue circuitry behaviour on personal computers. Call or chat with a RSPE representative today.<span id=\"product_description\" itemprop=\"description\"></span></h3>'),(1256,75,1,210,'<h1>Arturia Analog Lab - Ultimate Keyboard Sound Collection</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Perform. Record. Compose. Awesome.</span><br /><br />\n		Analog Lab 2 brings together everything you need to rock your performances—just add your favorite controller. Analog Lab 2 gives you instant access to over 5000 of the best designer \nsounds from the 17 authentic legendary keyboards in our critically \nacclaimed V Collection. Analog Lab 2 is your all-in-one sound bank solution for every playing situation. When composing, Analog Lab 2 gives you quick access to the \ninspirational mainstay instruments and tones that keep you in the \ncreative flow. When recording, you’ll quickly find track-ready \ninstruments that can be easily tweaked in Analog Lab 2 or take you right\n into the full V Collection instruments you also own for total sound \ndesign. When gigging, you’ll step through all the decades of sounds you \nneed right at the touch of a button or pedal.\n<br /><br />\n		Save your back and your wallet. With Analog Lab 2,\n your laptop replaces stacks of keyboards and racks and gives you even \nmore flexibility.\n<br /><br />\n		Under\n the hood, Analog Lab 2 has all the sound engines from our award-winning\n V Collection of modeled instruments that reproduce the actual \ncharacteristics of the original hardware.\n<br /><br />\n		The organic warmth of analog and electro-acoustic sounds is \nextremely difficult to reproduce authentically with digital technology. \nSamples only capture snapshots, and no amount of snapshots can possibly \nconvey all the nuances of playing the original instrument. Arturia’s \ncritically acclaimed TAE® technology and physical modelling technology \nfaithfully emulate the actual physics and circuitry of vintage \ninstruments—transistors, tubes, pickups, preamps, the works—to create \nsoftware instruments that are virtually indistinguishable from the \noriginals.\n<br /><br />\n		Give your music the sonic richness and organic texture of analog—with all the convenience of digital.\n<br /><br />\n<h3>Analog Labs Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">The original hardware/software hybrid synthesizer</span></li><li>Updated with sounds from the V Collection 5</li><li>Over 5000 sounds from some of the best sound designers in the industry</li><li>TAE® presets are carefully selected from our V Collection 5 (ARP 2600 V, B3 V, CS-80V, Farfisa V, Jup-8V, Matrix 12 V, Mini V, Modular V, Prophet V, Prophet VS, SEM V, Solina V, Stage V, Synclavier V, Piano V, Vox V, and Wurli V)</li><li>Updated browser to find your sound quickly: by Type (Bass, Pads, Leads…), by Characteristics (long, bright, dark…), etc.</li><li>Multi mode for creating your own layers, splits and adding effects</li><li>Automatic mapping of parameters for Arturia keyboards</li><li>Parameters can be mapped easily to other MIDI controllers</li><li>Standalone or plug-in operation (VST, VST3, AU, AAX)</li><li>Full preset editing available for owners of the full versions of our synthesizers (Mini V, Modular V, CS-80V, Wurlitzer V, etc.)</li><li>User interface configures automatically to match your Arturia controller</li>\n</ul>\n<br />\n<h3>Combine your favorite sounds</h3>\nWant to play a funky bass with your left hand and a customized twirly \nWurli with your right? How about bringing in a layer of strings in with \nyour expression pedal while playing that piano ballad? Stack your \nfavorite piano and strings? The Multi feature lets you simply drag and \ndrop to combine any two of your favorite presets into splits and layers,\n complete with discrete options for key range, MIDI channels, \ntransposition and response to common MIDI CC messages from controllers \nlike touch, wheels and pedals. Then just save it as a preset for when \nyou need it again. We’re talking full creative expression and control.\n<br /><br />\n<h3>All your favorite effects are right on board</h3>\nAnalog Lab 2 gives you a complete array of 13 classic effects that take \nthese already incredible sounds beyond the call of duty—everything from \nstandards like chorus, delay, reverb and overdrive to exotics like bit \ncrunching and vocal filters. You can even add different amounts of \ndiscrete effects to the two instruments in your Multi patches to add a \nwhole new dimension to your sound. Of course, all your effects settings \nare saved right with your patches for instant recall.\n<br /><br />\n<h3 class=\"text-white\">Sound browsing done right</h3>\nArturia spent a lot of time redesigning the user interface in Analog Lab 2 to\n make it easier and faster than ever to get to just the right sounds. \nIts streamlined UI lets you filter this vast library with combinations \nof tags for Types, Banks, Characteristics and Instruments. Looking for \ninspiration for a mellow synth melody? Just click tags like Soft, Lead \nand, optionally, instruments like Mini and ARP 2600, and you’ll \ninstantly be auditioning just those candidates that match that \ncombination.\n<p>\n	When you find sounds you like, mark them as a Favorite, and \nthen access them quicker in the preset browser. When it’s gig time, \nsimply put only the sounds you need into a Playlist and step through \nthem with a switch or pedal. You’ll never get lost trying to find the \nright sound again—unless you want to.\n</p>\n<br />\n<h3 class=\"text-white\">Tweak and perform with the most important controls</h3>\n						With each preset, Analog Lab 2 surfaces the most common controls you \nmight want to get your hands on to tweak your sound or control live—like\n the drawbars on a B-3 V or the filter controls of a Matrix-12 V. \nThey’re even mapped automatically to the most logical controls on \nArturia KeyLab and MiniLab keyboards, or NI controllers via NKS. With \nMulti patches, you even get macro control so that a single controller \ncan affect parameters on two different patches at once. The MIDI Learn \nfeature makes it as simple as click-and-touch to assign any hardware \ncontroller to any surfaced parameter in an Analog Lab 2 patch for total \nexpression.\n<br /><br />\n<h3 class=\"text-white\">The command center for all your V-series instruments</h3>\nIf you love getting your hands on all the controls, you probably already\n have one or more full instruments in the V series—and Analog Lab 2 is \nalso included in the complete V Collection bundle. Analog Lab 2 makes \nthe perfect command center for your V Collection. For starters, it helps\n you find sounds across your entire studio of vintage instruments. Then,\n if you want to make mods beyond the most common controls we’ve \nsurfaced, with a click you can go directly into edit mode for the full \nV-series instrument if you own a license for it.\n<br /><br />\n<h2 class=\"full-width\"><inline style=\"font-size: 24px;\">Inspiring sounds for every type of music</inline></h2>\nNo matter what kind of music you play, Analog Lab 2 has you covered.\n<p>\n	Think about the mainstay keyboard instruments in any genre of \nmusic that you write, play or produce—or ever want to—and you’ll find \nthe best of those sounds in Analog Lab 2. Rock. Jazz. Gospel. Top 40. \nCountry. Blues. It’s all here, with total authenticity and easy access \nto tones created by some of the world’s top programmers and sound \ndesigners.\n</p>\n<br />\n<h3>Platform specifications</h3>\n<p class=\"MsoNormal\">\n	<inline style=\"font-size: 12px;\">Windows: Win 7+ PC: 4 GB RAM; 2 GHz CPU.<br />1GB free hard disk space<br />OpenGL 2.0 compatible GPU<br /><br />Apple: 10.8+: 4 GB RAM; 2 GHz CPU.<br />1GB free hard disk space<br />OpenGL 2.0 compatible GPU</inline>\n</p>\n<h3>Required configuration</h3>\nWorks in Standalone, VST 2.4 (32-bit and 64-bit), VST 3 (32-bit and 64-bit), AAX (32 bits with PT 10.3.8, 64 bits with PT 11), Audio Unit (32-bit and 64-bit), NKS.\n<br /><br /><br />\n<h3>Arturia software synthesizers are based on TAE® (standing for True Anlog Emulation), an advanced proprietary technology allowing accurate modelling of analogue circuitry behaviour on personal computers. Call or chat with a RSPE representative today.<span id=\"product_description\" itemprop=\"description\"></span></h3>'),(1257,85,0,210,'Arturia Analog Lab - Ultimate Keyboard Sound Collection'),(1258,85,1,210,'Arturia Analog Lab - Ultimate Keyboard Sound Collection'),(1259,76,0,210,''),(1260,76,1,210,''),(1261,75,0,211,'<h1>Arturia ARP2600 V Plug-in</h1>\n<i>With its sound palette varying from heavy drum n\' bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today\'s music.</i><br /><br />\n<div>\n	The Arturia Arp 2600 is an extremely faithful recreation of the iconic ARP2600 synthesizer. From the sound of the 3 oscillators to the original \'grey face\' filter to the vast modulation routing abilities. You get all this and more. With its sound palette varying from heavy drum n\' bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today\'s music.<br /><br /><span style=\"background-color: initial;\">The Arp 2600 is a workhorse that can deliver everything from clean leads and sequences to crazy sound effects. When you need something with that extra special character the Arp 2600 is the one to go for.</span></div>\n<div>\n	<br />\n</div>\n<h3>ARP2600 V Key Features</h3>\n<ul>\n	<li>All the parameters of the original ARP 2600:</li>\n	<li>3 voltage-controlled oscillators</li>\n	<li>Osc2-&gt;Osc1 synchronization</li>\n	<li>24 dB/octave low pass resonant filter with self-oscillation</li>\n	<li>1 LFO (can be synchronized to the host sequencer’s tempo)</li>\n	<li>1 sample and hold, 1 ring modulator, 1 noise generator</li>\n	<li>1 ADSR & 1 AR envelope follower</li>\n	<li>ARP2500 multimode 12 dB/octave filter with LP, HP, BP and Notch settings</li>\n	<li>Original ARP Sequencer model 1601</li>\n	<li>4 exclusive tracking generators with real-time interactive LFO creation ability</li>\n	<li>Voltage processors can be used as inverters, mixers or lag processors</li>\n	<li>Onboard effects: chorus, MIDI-syncable stereo delay, reverb</li>\n	<li>Polyphony from 2 to 32 voices with Unison options</li>\n	<li>More than 500 presets from top sound designers</li>\n	<li>Absolutely pure, top quality sound from TAE® analog modeling</li>\n</ul>\n<div>\n	<br />\n</div>\n<h3>New Creative Possibilities</h3>\n<div>\n	With ARP 2600 V Arturia brings this powerful analog synthesizer back to life. All of the original functions and signature sound are there, not to mention MIDI control, polyphony, and the ability to create, save and recall presets. But that’s not all: the speaker panels hide innovative features that take the initial design of the ARP 2600 to a new level. Four revolutionary tracking generators add sonic flexibility that is highly advanced. Modern effects devices are also available, along with the original ARP sequencer. The combination of old and new features forms an exciting new virtual synthesizer.<br /><br /><span style=\"background-color: initial;\">If you’re new to synthesis, no problem: we’ve included hundreds of excellent presets to get you started. If you’re an experienced sound designer, ARP 2600 V will immediately add whole new dimensions to your music.</span></div>\n<div>\n	<br />\n</div>\n<h3></h3>\n<h3>Preset browser</h3>\n<div>\n	Arturia redesigned preset browser lets you quickly find just the sound you’re looking for. Search by name or simply select the appropriate tags to dial in on the exact sonic character you’re looking for. You can mark and recall your own favorites, enter comments, and set up playlists. There’s never been a more intuitive way to manage your library of designer and personal presets.\n</div>\n<div>\n	<br />\n</div>\n<div>\n<h3>	Resizable GUI</h3>\n</div>\n<div>\n	The user interfaces for all your Arturia instruments are now resizable, making it easy to work with any High Resolution screen, UHD or Retina.<br /><br /><span style=\"background-color: initial;\">You can decide whether you want to fill the screen with awesome graphic reproductions of classic instrument goodness, scale the window down when you’re working in a DAW and screen real estate is at a premium, or even zoom for detailed work.</span></div>\n<div>\n	<br />\n</div>\n<div>\n	<h3>Tweak and perform with the most important controls</h3>\n</div>\n<div>\n	With each preset, Analog Lab 2 surfaces the most common controls you might want to get your hands on to tweak your sound or control live—like the drawbars on a B-3 V or the filter controls of a Matrix-12 V. They’re even mapped automatically to the most logical controls on Arturia KeyLab and MiniLab keyboards, or NI controllers via NKS. With Multi patches, you even get macro control so that a single controller can affect parameters on two different patches at once. The MIDI Learn feature makes it as simple as click-and-touch to assign any hardware controller to any surfaced parameter in an Analog Lab 2 patch for total expression.\n</div>\n<div>\n	<br />\n</div>\n<div>\n	<h3>The command center for all your V-series instruments</h3>\n</div>\n<div>\n	If you love getting your hands on all the controls, you probably already have one or more full instruments in the V series—and Analog Lab 2 is also included in the complete V Collection bundle. Analog Lab 2 makes the perfect command center for your V Collection. For starters, it helps you find sounds across your entire studio of vintage instruments. Then, if you want to make mods beyond the most common controls we’ve surfaced, with a click you can go directly into edit mode for the full V-series instrument if you own a license for it.\n</div>\n<div>\n	<br />\n</div>\n<div>\n	<h3>Inspiring sounds for every type of music</h3>\n</div>\n<div>\n	No matter what kind of music you play, Analog Lab 2 has you covered.\n</div>\n<div>\n	Think about the mainstay keyboard instruments in any genre of music that you write, play or produce—or ever want to—and you’ll find the best of those sounds in Analog Lab 2. Rock. Jazz. Gospel. Top 40. Country. Blues. It’s all here, with total authenticity and easy access to tones created by some of the world’s top programmers and sound designers.\n</div>'),(1262,75,1,211,'<h1>Arturia ARP2600 V Plug-in</h1>\n<i>With its sound palette varying from heavy drum n\' bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today\'s music.</i><br /><br />\n<div>\n	The Arturia Arp 2600 is an extremely faithful recreation of the iconic ARP2600 synthesizer. From the sound of the 3 oscillators to the original \'grey face\' filter to the vast modulation routing abilities. You get all this and more. With its sound palette varying from heavy drum n\' bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today\'s music.<br /><br /><span style=\"background-color: initial;\">The Arp 2600 is a workhorse that can deliver everything from clean leads and sequences to crazy sound effects. When you need something with that extra special character the Arp 2600 is the one to go for.</span></div>\n<div>\n	<br />\n</div>\n<h3>ARP2600 V Key Features</h3>\n<ul>\n	<li>All the parameters of the original ARP 2600:</li>\n	<li>3 voltage-controlled oscillators</li>\n	<li>Osc2-&gt;Osc1 synchronization</li>\n	<li>24 dB/octave low pass resonant filter with self-oscillation</li>\n	<li>1 LFO (can be synchronized to the host sequencer’s tempo)</li>\n	<li>1 sample and hold, 1 ring modulator, 1 noise generator</li>\n	<li>1 ADSR & 1 AR envelope follower</li>\n	<li>ARP2500 multimode 12 dB/octave filter with LP, HP, BP and Notch settings</li>\n	<li>Original ARP Sequencer model 1601</li>\n	<li>4 exclusive tracking generators with real-time interactive LFO creation ability</li>\n	<li>Voltage processors can be used as inverters, mixers or lag processors</li>\n	<li>Onboard effects: chorus, MIDI-syncable stereo delay, reverb</li>\n	<li>Polyphony from 2 to 32 voices with Unison options</li>\n	<li>More than 500 presets from top sound designers</li>\n	<li>Absolutely pure, top quality sound from TAE® analog modeling</li>\n</ul>\n<div>\n	<br />\n</div>\n<h3>New Creative Possibilities</h3>\n<div>\n	With ARP 2600 V Arturia brings this powerful analog synthesizer back to life. All of the original functions and signature sound are there, not to mention MIDI control, polyphony, and the ability to create, save and recall presets. But that’s not all: the speaker panels hide innovative features that take the initial design of the ARP 2600 to a new level. Four revolutionary tracking generators add sonic flexibility that is highly advanced. Modern effects devices are also available, along with the original ARP sequencer. The combination of old and new features forms an exciting new virtual synthesizer.<br /><br /><span style=\"background-color: initial;\">If you’re new to synthesis, no problem: we’ve included hundreds of excellent presets to get you started. If you’re an experienced sound designer, ARP 2600 V will immediately add whole new dimensions to your music.</span></div>\n<div>\n	<br />\n</div>\n<h3></h3>\n<h3>Preset browser</h3>\n<div>\n	Arturia redesigned preset browser lets you quickly find just the sound you’re looking for. Search by name or simply select the appropriate tags to dial in on the exact sonic character you’re looking for. You can mark and recall your own favorites, enter comments, and set up playlists. There’s never been a more intuitive way to manage your library of designer and personal presets.\n</div>\n<div>\n	<br />\n</div>\n<div>\n<h3>	Resizable GUI</h3>\n</div>\n<div>\n	The user interfaces for all your Arturia instruments are now resizable, making it easy to work with any High Resolution screen, UHD or Retina.<br /><br /><span style=\"background-color: initial;\">You can decide whether you want to fill the screen with awesome graphic reproductions of classic instrument goodness, scale the window down when you’re working in a DAW and screen real estate is at a premium, or even zoom for detailed work.</span></div>\n<div>\n	<br />\n</div>\n<div>\n	<h3>Tweak and perform with the most important controls</h3>\n</div>\n<div>\n	With each preset, Analog Lab 2 surfaces the most common controls you might want to get your hands on to tweak your sound or control live—like the drawbars on a B-3 V or the filter controls of a Matrix-12 V. They’re even mapped automatically to the most logical controls on Arturia KeyLab and MiniLab keyboards, or NI controllers via NKS. With Multi patches, you even get macro control so that a single controller can affect parameters on two different patches at once. The MIDI Learn feature makes it as simple as click-and-touch to assign any hardware controller to any surfaced parameter in an Analog Lab 2 patch for total expression.\n</div>\n<div>\n	<br />\n</div>\n<div>\n	<h3>The command center for all your V-series instruments</h3>\n</div>\n<div>\n	If you love getting your hands on all the controls, you probably already have one or more full instruments in the V series—and Analog Lab 2 is also included in the complete V Collection bundle. Analog Lab 2 makes the perfect command center for your V Collection. For starters, it helps you find sounds across your entire studio of vintage instruments. Then, if you want to make mods beyond the most common controls we’ve surfaced, with a click you can go directly into edit mode for the full V-series instrument if you own a license for it.\n</div>\n<div>\n	<br />\n</div>\n<div>\n	<h3>Inspiring sounds for every type of music</h3>\n</div>\n<div>\n	No matter what kind of music you play, Analog Lab 2 has you covered.\n</div>\n<div>\n	Think about the mainstay keyboard instruments in any genre of music that you write, play or produce—or ever want to—and you’ll find the best of those sounds in Analog Lab 2. Rock. Jazz. Gospel. Top 40. Country. Blues. It’s all here, with total authenticity and easy access to tones created by some of the world’s top programmers and sound designers.\n</div>'),(1263,85,0,211,'Arturia ARP2600 V Plug-in'),(1264,85,1,211,'Arturia ARP2600 V Plug-in'),(1265,76,0,211,''),(1266,76,1,211,''),(1267,75,0,212,'<h1>Arturia AudioFuse Portable Audio Interface</h1>\n<i>AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. </i><br /><br />AudioFuse from Arturia is a 14 x 14 audio interface created for the discerning professional who requires the sound of a high-end analog console with the flexibility of a solid mobile interface. The AudioFuse was designed from the ground up utilizing DiscretePRO microphone preamps, which rely on a discrete component topology to achieve studio-quality performance. A temperature-compensated oscillator controls the reference clock to ensure jitter free analog-to-digital conversion and provide remarkable transparency at sampling rates up to 192 kHz. There are no menus to dive through as every function is a single layer with dedicated knob and button controls.<br /><br />Inputs 1 and 2 feature combo XLR/TRS 1/4\" connectors for mic pres, line inputs, and instrument inputs. Inputs 3 and 4 share a set of stereo 1/4\" connectors with a stereo RCA RIAA phono preamp with ground for connecting a turntable. Speaker output A and B offer two sets of stereo 1/4\" outputs for connecting two sets of monitors, while the two dedicated headphone outputs feature independent volume control and offer both 1/4\" and 1/8\" jacks. The digital ADAT lightpipe ports add an additional eight channels of input and output, while two coaxial connectors offer S/PDIF and wordclock I/O.<br /><br />Connect any hardware MIDI device with the included MIDI cable adapters, or use the USB hub to connect controllers and other devices. The dedicated micro-USB port offers connections to your computer, tablet, or phone. The AudioFuse offers 3 ms round trip latency into and out of your computer, while the direct monitoring function allows for the blending of a recorded track with the direct signal for true zero latency performance. The built-in talkback microphone allows communication from the control room to musicians in a remote studio. The output control section controls output level with VU meters, audio mix selection, mono mode, output dimming, mute, and speaker A/B selection.<br /><br /><b> <span style=\"font-size: 24px;\">Arturia AudioFuse </span></b><span style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">Key Features:</span></inline></b></inline><br /></inline><br />\n<div class=\"col-md-12\">\n	<div class=\"list-striped cols-3\">\n		<ul>\n			<li>\n			14 input and output channels</li>\n			<li>4 analog inputs\n			<ul>\n				<li>2x mic/instrument/line</li>\n				<li>2x phono/line</li>\n			</ul>\n			</li>\n		</ul>\n		<ul>\n			<li>4 analog outputs</li>\n			<li>2 analog inserts      </li>\n			<li>ADAT in & out        </li>\n			<li>S/PDIF in & out        </li>\n			<li>Word clock in & out        </li>\n			<li>MIDI in & out         </li>\n			<li>3-port USB hub        </li>\n			<li>2 microphone preamps with DiscretePRO technology         </li>\n			<li>2 phono RIAA preamps         </li>\n			<li>24-bit latest generation AD/DA converters at up to 192 kHz sampling rate         </li>\n			<li>Option for analog soft-clipping        </li>\n			<li>Talkback feature with a dedicated built-in microphone         </li>\n			<li>A/B speaker switching         </li>\n			<li>Direct monitoring        </li>\n			<li>Separate master & monitor mix channels         </li>\n			<li>USB interface with PC, Mac, iOS, Android & Linux compatibility         </li>\n			<li>Aluminum chassis, leather-covered top </li>\n		</ul>\n		<br /><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n		<h3><span>Artuia is dedicated to musicians. They dare to create original and different instruments, and reinvent products. </span>Call or chat with\n a RSPE representative today for more information.\n		</h3>\n		</span></span></span>\n	</div>\n</div>'),(1268,75,1,212,'<h1>Arturia AudioFuse Portable Audio Interface</h1>\n<i>AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. </i><br /><br />AudioFuse from Arturia is a 14 x 14 audio interface created for the discerning professional who requires the sound of a high-end analog console with the flexibility of a solid mobile interface. The AudioFuse was designed from the ground up utilizing DiscretePRO microphone preamps, which rely on a discrete component topology to achieve studio-quality performance. A temperature-compensated oscillator controls the reference clock to ensure jitter free analog-to-digital conversion and provide remarkable transparency at sampling rates up to 192 kHz. There are no menus to dive through as every function is a single layer with dedicated knob and button controls.<br /><br />Inputs 1 and 2 feature combo XLR/TRS 1/4\" connectors for mic pres, line inputs, and instrument inputs. Inputs 3 and 4 share a set of stereo 1/4\" connectors with a stereo RCA RIAA phono preamp with ground for connecting a turntable. Speaker output A and B offer two sets of stereo 1/4\" outputs for connecting two sets of monitors, while the two dedicated headphone outputs feature independent volume control and offer both 1/4\" and 1/8\" jacks. The digital ADAT lightpipe ports add an additional eight channels of input and output, while two coaxial connectors offer S/PDIF and wordclock I/O.<br /><br />Connect any hardware MIDI device with the included MIDI cable adapters, or use the USB hub to connect controllers and other devices. The dedicated micro-USB port offers connections to your computer, tablet, or phone. The AudioFuse offers 3 ms round trip latency into and out of your computer, while the direct monitoring function allows for the blending of a recorded track with the direct signal for true zero latency performance. The built-in talkback microphone allows communication from the control room to musicians in a remote studio. The output control section controls output level with VU meters, audio mix selection, mono mode, output dimming, mute, and speaker A/B selection.<br /><br /><b> <span style=\"font-size: 24px;\">Arturia AudioFuse </span></b><span style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">Key Features:</span></inline></b></inline><br /></inline><br />\n<div class=\"col-md-12\">\n	<div class=\"list-striped cols-3\">\n		<ul>\n			<li>\n			14 input and output channels</li>\n			<li>4 analog inputs\n			<ul>\n				<li>2x mic/instrument/line</li>\n				<li>2x phono/line</li>\n			</ul>\n			</li>\n		</ul>\n		<ul>\n			<li>4 analog outputs</li>\n			<li>2 analog inserts      </li>\n			<li>ADAT in & out        </li>\n			<li>S/PDIF in & out        </li>\n			<li>Word clock in & out        </li>\n			<li>MIDI in & out         </li>\n			<li>3-port USB hub        </li>\n			<li>2 microphone preamps with DiscretePRO technology         </li>\n			<li>2 phono RIAA preamps         </li>\n			<li>24-bit latest generation AD/DA converters at up to 192 kHz sampling rate         </li>\n			<li>Option for analog soft-clipping        </li>\n			<li>Talkback feature with a dedicated built-in microphone         </li>\n			<li>A/B speaker switching         </li>\n			<li>Direct monitoring        </li>\n			<li>Separate master & monitor mix channels         </li>\n			<li>USB interface with PC, Mac, iOS, Android & Linux compatibility         </li>\n			<li>Aluminum chassis, leather-covered top </li>\n		</ul>\n		<br /><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n		<h3><span>Artuia is dedicated to musicians. They dare to create original and different instruments, and reinvent products. </span>Call or chat with\n a RSPE representative today for more information.\n		</h3>\n		</span></span></span>\n	</div>\n</div>'),(1269,85,0,212,'Arturia AudioFuse Portable Audio Interface'),(1270,85,1,212,'Arturia AudioFuse Portable Audio Interface'),(1271,76,0,212,''),(1272,76,1,212,''),(1273,75,0,213,'<h1>Arturia AudioFuse Rev2 Portable USB Audio Interface</h1>\n<i>AudioFuse Rev 2 is a portable and rugged USB Audio Interface that delivers professional sound quality and tons of features.</i><br/><br/>\nThe Arturia AudioFuse Rev2 Portable USB Audio Interface is a 14x14 interface featuring two DiscretePRO mic preamps, A monitoring section controlling 2 sets of monitor outs, 2 Input channels with direct controls, and two independent headphone outputs, each with their own volume control.<br/><br/><span style=\"background-color: initial;\">AudioFuse is the revolutionary next-gen pro audio interface that sets a new standard in sonic </span><span style=\"background-color: initial;\">quality, creative production and value. It fuses the superior sound of high-end analog studio </span><span style=\"background-color: initial;\">consoles with the flexibility of a solid mobile interface—with all the connectivity you need for </span><span style=\"background-color: initial;\">any recording or performance.</span><br/><br/>\n<h3>AudioFuse Rev2 Key Features:</h3>\n<div class=\"col-md-12\">\n	<ul>\n		<li>14 Input, 14 Output channels</li>\n		<li>4 analog inputs 2x Mic/Instrument/Line</li>\n		<li>2x Phono/Line</li>\n		<li>4 analog outputs</li>\n		<li>2 analog inserts</li>\n		<li>ADAT In & Out</li>\n		<li>SPDIF In & Out</li>\n		<li>Word Clock In & Out</li>\n		<li>MIDI In & Out</li>\n		<li>3-port USB hub</li>\n		<li>2 microphone preamps</li>\n		<li>24-bit latest generation AD/DA converters at up to 192kHz sampling rate.</li>\n		<li>2 phono RIAA preamps</li>\n		<li>Talkback feature with a dedicated built-in microphone</li>\n		<li>A/B speaker switching</li>\n		<li>Direct monitoring</li>\n		<li>Separate Master & Monitor mix channels</li>\n		<li>USB interface with PC, Mac, iOS, Android & Linux compatibility</li>\n		<li>Aluminum chassis, leather-covered top</li>\n	</ul>\n	<br/>\n	<h3>The Sound</h3>\nTo create a truly next-gen interface Arturia designed every element from the ground up. From the chassis to the convertors, the headphone connections to the DiscretePRO® preamps, every detail has been carefully chosen to give users the best possible experience.\n<br/><br/>\nNo compromises, each element of the AudioFuse has been selected to perfectly serve your sound, using the set of state-of-the-art AD/DA converters to compliment the crystal clear signal path.\n<br/><br/>\n<h3>Connectivity</h3>\nWith AudioFuse, Arturia didn’t want to settle for merely bringing you the sound quality of a pro studio, they wanted to bring you its workflow too. That’s why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.\n<br/><br/>AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you\'ll feel right in the groove every time.<br/><br/>\n<h3>A perfect creative bundle</h3>\nAudioFuse Rev 2 comes complete with the AudioFuse Creative Suite, an ever-evolving collection of software effects and instruments that will let you add your own unique signature to your music. Combining favorites from our “You’ll Actually Use” series with Analog Lab Lite, AudioFuse Rev 2 lets you also enjoy legendary signal processing effects and iconic synth sounds. Color the pristine inputs of AudioFuse Rev 2 with stunning vintage effects!\n<br/><br/>\n<h3>Workflow</h3>\nBuilt around the idea that an interface should be a gateway to creativity, and not a barrier to it, AudioFuse puts heavy focus on “one knob, one function” workflow. If you need to activate talkback, press the button. Want to hear more of the input signal? Turn the knob. Need to switch monitors from A to B? Press a button. Want more level in one set of headphones? Not a problem, each one has its own volume knob. It’s like having your own mini-console on your desktop.\n<br/>'),(1274,75,1,213,'<h1>Arturia AudioFuse Rev2 Portable USB Audio Interface</h1>\n<i>AudioFuse Rev 2 is a portable and rugged USB Audio Interface that delivers professional sound quality and tons of features.</i><br/><br/>\nThe Arturia AudioFuse Rev2 Portable USB Audio Interface is a 14x14 interface featuring two DiscretePRO mic preamps, A monitoring section controlling 2 sets of monitor outs, 2 Input channels with direct controls, and two independent headphone outputs, each with their own volume control.<br/><br/><span style=\"background-color: initial;\">AudioFuse is the revolutionary next-gen pro audio interface that sets a new standard in sonic </span><span style=\"background-color: initial;\">quality, creative production and value. It fuses the superior sound of high-end analog studio </span><span style=\"background-color: initial;\">consoles with the flexibility of a solid mobile interface—with all the connectivity you need for </span><span style=\"background-color: initial;\">any recording or performance.</span><br/><br/>\n<h3>AudioFuse Rev2 Key Features:</h3>\n<div class=\"col-md-12\">\n	<ul>\n		<li>14 Input, 14 Output channels</li>\n		<li>4 analog inputs 2x Mic/Instrument/Line</li>\n		<li>2x Phono/Line</li>\n		<li>4 analog outputs</li>\n		<li>2 analog inserts</li>\n		<li>ADAT In & Out</li>\n		<li>SPDIF In & Out</li>\n		<li>Word Clock In & Out</li>\n		<li>MIDI In & Out</li>\n		<li>3-port USB hub</li>\n		<li>2 microphone preamps</li>\n		<li>24-bit latest generation AD/DA converters at up to 192kHz sampling rate.</li>\n		<li>2 phono RIAA preamps</li>\n		<li>Talkback feature with a dedicated built-in microphone</li>\n		<li>A/B speaker switching</li>\n		<li>Direct monitoring</li>\n		<li>Separate Master & Monitor mix channels</li>\n		<li>USB interface with PC, Mac, iOS, Android & Linux compatibility</li>\n		<li>Aluminum chassis, leather-covered top</li>\n	</ul>\n	<br/>\n	<h3>The Sound</h3>\nTo create a truly next-gen interface Arturia designed every element from the ground up. From the chassis to the convertors, the headphone connections to the DiscretePRO® preamps, every detail has been carefully chosen to give users the best possible experience.\n<br/><br/>\nNo compromises, each element of the AudioFuse has been selected to perfectly serve your sound, using the set of state-of-the-art AD/DA converters to compliment the crystal clear signal path.\n<br/><br/>\n<h3>Connectivity</h3>\nWith AudioFuse, Arturia didn’t want to settle for merely bringing you the sound quality of a pro studio, they wanted to bring you its workflow too. That’s why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.\n<br/><br/>AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you\'ll feel right in the groove every time.<br/><br/>\n<h3>A perfect creative bundle</h3>\nAudioFuse Rev 2 comes complete with the AudioFuse Creative Suite, an ever-evolving collection of software effects and instruments that will let you add your own unique signature to your music. Combining favorites from our “You’ll Actually Use” series with Analog Lab Lite, AudioFuse Rev 2 lets you also enjoy legendary signal processing effects and iconic synth sounds. Color the pristine inputs of AudioFuse Rev 2 with stunning vintage effects!\n<br/><br/>\n<h3>Workflow</h3>\nBuilt around the idea that an interface should be a gateway to creativity, and not a barrier to it, AudioFuse puts heavy focus on “one knob, one function” workflow. If you need to activate talkback, press the button. Want to hear more of the input signal? Turn the knob. Need to switch monitors from A to B? Press a button. Want more level in one set of headphones? Not a problem, each one has its own volume knob. It’s like having your own mini-console on your desktop.\n<br/>'),(1275,85,0,213,'Arturia AudioFuse Rev2 Portable Audio Interface'),(1276,85,1,213,'Arturia AudioFuse Rev2 Portable Audio Interface'),(1277,76,0,213,''),(1278,76,1,213,''),(1279,75,0,214,'<h1>Arturia CS-80 V Plug-In</h1>\n<i>Arturia CS-80 V is a modeled version of the legendary Yamaha™ CS-80, considered by many to be the ultimate polyphonic synthesizer of the late ‘70s.</i><br /><br />\n<p>Arturia CS-80\n V offers all the features of the original synth, plus a new generation \nof innovative features that allow the original design to soar to new \nsonic heights:\n</p>\n<ul>\n	<li>A modulation matrix that offers a choice of 13 sources and 38 destinations for 10 additional modulation routings\n	</li>\n	<li>Multi Mode allows you to assign a different sound to each \npolyphonic voice. There are 4 different keyboard zones for multitimbral \nMIDI response, with 7 different voice modes (4 polyphonic and 3 unison \nmodes). Unison modes can use from 2 voices to all 8 voices.\n	</li>\n	<li>An arpeggiator and a stereo delay.</li>\n</ul>\n<div class=\"row zerg text-center margin-top-3 \">\n	<div class=\"col-md-12 col-sm-12 col-xs-12 \">\n		<p>\n			CS-80V comes loaded with more than 500 presets made by an international team of highly-skilled sound designers.<br /><br />\n		</p>\n	</div>\n</div>\n<span id=\"product_description\" itemprop=\"description\">\n<h3><span id=\"product_description\" itemprop=\"description\">\n<h3>CS-80 V Features</h3>\n</span></h3>\n</span>\n<div class=\"col-md-12\">\n	<div class=\"list-striped cols-3\">\n		<ul>\n			<li>All the original parameters of the Yamaha CS-80:\n			<ul>\n				<li>2 oscillators</li>\n				<li>4 filters (high pass, low pass)</li>\n				<li>2 LFOs</li>\n				<li>4 envelopes</li>\n				<li>2 VCAs</li>\n				<li>1 sub-oscillator</li>\n				<li>1 ring modulator</li>\n				<li>chorus and tremolo</li>\n			</ul>\n			</li>\n			<li>Digital Delay</li>\n			<li>Multi Mode: assign a different sound to each of the 8 voices of polyphony!</li>\n			<li>Modulation Matrix: 13 sources, 38 destinations</li>\n			<li>More than 500 presets made by some of the world’s best sound designers</li>\n			<li>Polyphonic aftertouch response</li>\n			<li>1 arpeggiator</li>\n			<li>Full MIDI controller mapping</li>\n			<li>Virtual Ribbon controller</li>\n			<li>Absolutely pure, top quality sound from TAE® analog modeling</li>\n		</ul>\n	</div>\n</div>\n<span id=\"product_description\" itemprop=\"description\">\n<br />\n<h3>Multi-Mode </h3>\n<br />\n<div class=\"col-md-6\">\n	<p>\n		The sound of the CS80 makes it standout for pad sounds. For that cinamatic sound that will stand out in a mix and drive emotion, CS-80 V is the right choice for you.\n	</p>\n	<div class=\"container \">\n		<div class=\"row\">\n		</div>\n	</div>\n	<div class=\"row\">\n	</div>\n</div>\n<br />\n<h3 class=\"text-white\">There is never enough of a good thing</h3>\n</span><span id=\"product_description\" itemprop=\"description\">\n</span><span id=\"product_description\" itemprop=\"description\">While the CS-80 was wonderful sounding, it was missing some critical \nmodulation routing that a modern synth should have. We added a \nmodulation matrix which has opened up the sound design capabilities to \nnew heights. The new voice modes and arpeggiator breath new life into \nthis classic giving you even bigger sounds than original.\n<br /><br /><br />\n</span>'),(1280,75,1,214,'<h1>Arturia CS-80 V Plug-In</h1>\n<i>Arturia CS-80 V is a modeled version of the legendary Yamaha™ CS-80, considered by many to be the ultimate polyphonic synthesizer of the late ‘70s.</i><br /><br />\n<p>Arturia CS-80\n V offers all the features of the original synth, plus a new generation \nof innovative features that allow the original design to soar to new \nsonic heights:\n</p>\n<ul>\n	<li>A modulation matrix that offers a choice of 13 sources and 38 destinations for 10 additional modulation routings\n	</li>\n	<li>Multi Mode allows you to assign a different sound to each \npolyphonic voice. There are 4 different keyboard zones for multitimbral \nMIDI response, with 7 different voice modes (4 polyphonic and 3 unison \nmodes). Unison modes can use from 2 voices to all 8 voices.\n	</li>\n	<li>An arpeggiator and a stereo delay.</li>\n</ul>\n<div class=\"row zerg text-center margin-top-3 \">\n	<div class=\"col-md-12 col-sm-12 col-xs-12 \">\n		<p>\n			CS-80V comes loaded with more than 500 presets made by an international team of highly-skilled sound designers.<br /><br />\n		</p>\n	</div>\n</div>\n<span id=\"product_description\" itemprop=\"description\">\n<h3><span id=\"product_description\" itemprop=\"description\">\n<h3>CS-80 V Features</h3>\n</span></h3>\n</span>\n<div class=\"col-md-12\">\n	<div class=\"list-striped cols-3\">\n		<ul>\n			<li>All the original parameters of the Yamaha CS-80:\n			<ul>\n				<li>2 oscillators</li>\n				<li>4 filters (high pass, low pass)</li>\n				<li>2 LFOs</li>\n				<li>4 envelopes</li>\n				<li>2 VCAs</li>\n				<li>1 sub-oscillator</li>\n				<li>1 ring modulator</li>\n				<li>chorus and tremolo</li>\n			</ul>\n			</li>\n			<li>Digital Delay</li>\n			<li>Multi Mode: assign a different sound to each of the 8 voices of polyphony!</li>\n			<li>Modulation Matrix: 13 sources, 38 destinations</li>\n			<li>More than 500 presets made by some of the world’s best sound designers</li>\n			<li>Polyphonic aftertouch response</li>\n			<li>1 arpeggiator</li>\n			<li>Full MIDI controller mapping</li>\n			<li>Virtual Ribbon controller</li>\n			<li>Absolutely pure, top quality sound from TAE® analog modeling</li>\n		</ul>\n	</div>\n</div>\n<span id=\"product_description\" itemprop=\"description\">\n<br />\n<h3>Multi-Mode </h3>\n<br />\n<div class=\"col-md-6\">\n	<p>\n		The sound of the CS80 makes it standout for pad sounds. For that cinamatic sound that will stand out in a mix and drive emotion, CS-80 V is the right choice for you.\n	</p>\n	<div class=\"container \">\n		<div class=\"row\">\n		</div>\n	</div>\n	<div class=\"row\">\n	</div>\n</div>\n<br />\n<h3 class=\"text-white\">There is never enough of a good thing</h3>\n</span><span id=\"product_description\" itemprop=\"description\">\n</span><span id=\"product_description\" itemprop=\"description\">While the CS-80 was wonderful sounding, it was missing some critical \nmodulation routing that a modern synth should have. We added a \nmodulation matrix which has opened up the sound design capabilities to \nnew heights. The new voice modes and arpeggiator breath new life into \nthis classic giving you even bigger sounds than original.\n<br /><br /><br />\n</span>'),(1281,85,0,214,'Arturia CS-80 V Plug-in'),(1282,85,1,214,'Arturia CS-80 V Plug-in'),(1283,76,0,214,''),(1284,76,1,214,''),(1285,75,0,215,'<h1>Arturia DrumBrute - Analog Drum Machine</h1>\n<i>The DrumBrute has 17 distinct analog drum instruments, an advanced 64-step drum sequencer with song mode, and sequence looper.</i><br /><br />The Arturia DrumBrute provides 17 distinct, fully analog drum and percussion instruments with an intuitive sequencer, massive connectivity, a two-mode Steiner-Parker filter, and dynamic performance controls, DrumBrute will take your beat production to the next level.<br /><br />The Arturia DrumBrute creates energetic and exciting drum beats with a single, user-friendly device. With its vast sonic potential and smooth workflow, DrumBrute meets and exceeds the expectations of demanding musicians. Bridging the gap between inspiration and technology, DrumBrute offers punchy analog drum sounds, advanced 64 step / 64 pattern sequencing possibilities and ultra-effective performance controls.<br /><br /><b> <inline style=\"font-size: 24px;\">Arturia  DrumBrute </inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">Key Features:</inline></inline></b></inline><br /></inline><br />\n<div class=\"col-md-12\">\n	<div class=\"list-striped cols-3\">\n		<div class=\"col-md-12\">\n			<div class=\"list-striped cols-3\">\n				<ul>\n					<li>17 pure analog drum sounds\n					<ul>\n						<li>Kick 1, kick 2, snare, clap, hi-hat 1, hi-hat 2, conga hi, conga \nlow, tom hi, tom low, maracas, rimshot, clave, tambourine, cymbal, \nreverse cymbal, zap.\n						</li>\n						<li>Wide-range controls allow for many new and unique sounds.</li>\n						<li>2 different flavors of kick drums</li>\n						<li>Our unique analog Reverse Cymbal</li>\n					</ul>\n					</li>\n					<li>64 patterns with up to 64 steps each</li>\n					<li>Separate accent per drum</li>\n					<li>Song mode for chaining patterns</li>\n					<li>Pattern effects\n					<ul>\n						<li>Swing that can be global or per instrument</li>\n						<li>Randomness per instrument for generating variations.</li>\n						<li>Pattern Looper for beat repeat functions</li>\n					</ul>\n					</li>\n					<li>Steiner Parker output filter with bypass</li>\n					<li>Multiple sync options\n					<ul>\n						<li>Internal</li>\n						<li>MIDI</li>\n						<li>Clock</li>\n						<li>1PPS, 2PPQ, DIN24, DIN48</li>\n					</ul>\n					</li>\n					<li>USB MIDI interface</li>\n					<li>Mix audio output (unbalanced 1/4\" jack)</li>\n					<li>Individual audio outputs (unbalanced 3.5mm jacks)</li>\n					<li>Headphone output with both 3.5mm and 1/4” jacks</li>\n					<li>Create polyrhythms\n					<ul>\n						<li>Each drum track can be a separate length.</li>\n					</ul>\n					</li>\n				</ul>\n			</div>\n		</div>\n	</div>\n</div>\n<span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3><span>Artuia is dedicated to musicians. They dare to create original and different instruments, and reinvent products. </span>Call or chat with\n a RSPE representative today for more information.\n</h3>\n</span></span></span>'),(1286,75,1,215,'<h1>Arturia DrumBrute - Analog Drum Machine</h1>\n<i>The DrumBrute has 17 distinct analog drum instruments, an advanced 64-step drum sequencer with song mode, and sequence looper.</i><br /><br />The Arturia DrumBrute provides 17 distinct, fully analog drum and percussion instruments with an intuitive sequencer, massive connectivity, a two-mode Steiner-Parker filter, and dynamic performance controls, DrumBrute will take your beat production to the next level.<br /><br />The Arturia DrumBrute creates energetic and exciting drum beats with a single, user-friendly device. With its vast sonic potential and smooth workflow, DrumBrute meets and exceeds the expectations of demanding musicians. Bridging the gap between inspiration and technology, DrumBrute offers punchy analog drum sounds, advanced 64 step / 64 pattern sequencing possibilities and ultra-effective performance controls.<br /><br /><b> <inline style=\"font-size: 24px;\">Arturia  DrumBrute </inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">Key Features:</inline></inline></b></inline><br /></inline><br />\n<div class=\"col-md-12\">\n	<div class=\"list-striped cols-3\">\n		<div class=\"col-md-12\">\n			<div class=\"list-striped cols-3\">\n				<ul>\n					<li>17 pure analog drum sounds\n					<ul>\n						<li>Kick 1, kick 2, snare, clap, hi-hat 1, hi-hat 2, conga hi, conga \nlow, tom hi, tom low, maracas, rimshot, clave, tambourine, cymbal, \nreverse cymbal, zap.\n						</li>\n						<li>Wide-range controls allow for many new and unique sounds.</li>\n						<li>2 different flavors of kick drums</li>\n						<li>Our unique analog Reverse Cymbal</li>\n					</ul>\n					</li>\n					<li>64 patterns with up to 64 steps each</li>\n					<li>Separate accent per drum</li>\n					<li>Song mode for chaining patterns</li>\n					<li>Pattern effects\n					<ul>\n						<li>Swing that can be global or per instrument</li>\n						<li>Randomness per instrument for generating variations.</li>\n						<li>Pattern Looper for beat repeat functions</li>\n					</ul>\n					</li>\n					<li>Steiner Parker output filter with bypass</li>\n					<li>Multiple sync options\n					<ul>\n						<li>Internal</li>\n						<li>MIDI</li>\n						<li>Clock</li>\n						<li>1PPS, 2PPQ, DIN24, DIN48</li>\n					</ul>\n					</li>\n					<li>USB MIDI interface</li>\n					<li>Mix audio output (unbalanced 1/4\" jack)</li>\n					<li>Individual audio outputs (unbalanced 3.5mm jacks)</li>\n					<li>Headphone output with both 3.5mm and 1/4” jacks</li>\n					<li>Create polyrhythms\n					<ul>\n						<li>Each drum track can be a separate length.</li>\n					</ul>\n					</li>\n				</ul>\n			</div>\n		</div>\n	</div>\n</div>\n<span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3><span>Artuia is dedicated to musicians. They dare to create original and different instruments, and reinvent products. </span>Call or chat with\n a RSPE representative today for more information.\n</h3>\n</span></span></span>'),(1287,85,0,215,'Arturia DrumBrute'),(1288,85,1,215,'Arturia DrumBrute'),(1289,76,0,215,''),(1290,76,1,215,''),(1291,75,0,216,'<h1>Arturia MatrixBrute - Analog Matrix Synthesizer</h1>\n<i>49-key Analog Matrix Synthesizer with three Brute Oscillators, 64-step Sequencer, Steiner-Parker Filter and Ladder filter, 256 Preset Memory Locations, and Onboard Analog Effects.</i><br/><br/>Arturia MatrixBrute is a flexible, powerful monophonic analog synthesizer that takes classic analog sound and adds 21st century routing and features. Offering three Brute oscillators, a Steiner-Parker filter and a ladder filter, five analog effects, and the incredible modulation matrix, MatrixBrute gives you the power, sound, and creativity of a modular synth, without all of the confusion and patch cables.<br/><br/>MatrixBrute features a unique modulation matrix that allows you to create your own routings, without a single patch cable. You can invent a sound palette of your own then save it to recall later, or instantly recall on of the 256 presets with the touch of a button.<br/><br/>\nMatrixBrute also features a 64-step sequencer that can also be used as a modulation source, allowing sounds to evolve in melody and texture, just the way you want.<br/><br/>\n<h3>Arturia MatrixBrute Key Features</h3>\n<ul>\n	<li>Flexibility and sound of a modular synthesizer with modern routing</li>\n	<li>49-note full-sized keyboard with mod and pitch wheels</li>\n	<li>100% analog signal path with Brute Series Oscillators</li>\n	<li>Simple Matrix Button Navigation. Instantly route signal, recall presets, set up sequences, and more</li>\n	<li>Steiner-Parker and ladder filters for even more character</li>\n	<li>Monophonic, paraphonic, and duophonic modes</li>\n	<li>64-step sequencer</li>\n	<li>Five onboard analog effects including delay, reverb, and more</li>\n	<li>256 presets with the ability to edit/store your own sounds</li>\n</ul>\n<br/>\n<span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3><span>Arturia MatrixBrute is the modern evolution of the modular analog synthesizer. </span>Call or chat with\n a RSPE representative today for more information.\n</h3>\n</span></span></span>'),(1292,75,1,216,'<h1>Arturia MatrixBrute - Analog Matrix Synthesizer</h1>\n<i>49-key Analog Matrix Synthesizer with three Brute Oscillators, 64-step Sequencer, Steiner-Parker Filter and Ladder filter, 256 Preset Memory Locations, and Onboard Analog Effects.</i><br/><br/>Arturia MatrixBrute is a flexible, powerful monophonic analog synthesizer that takes classic analog sound and adds 21st century routing and features. Offering three Brute oscillators, a Steiner-Parker filter and a ladder filter, five analog effects, and the incredible modulation matrix, MatrixBrute gives you the power, sound, and creativity of a modular synth, without all of the confusion and patch cables.<br/><br/>MatrixBrute features a unique modulation matrix that allows you to create your own routings, without a single patch cable. You can invent a sound palette of your own then save it to recall later, or instantly recall on of the 256 presets with the touch of a button.<br/><br/>\nMatrixBrute also features a 64-step sequencer that can also be used as a modulation source, allowing sounds to evolve in melody and texture, just the way you want.<br/><br/>\n<h3>Arturia MatrixBrute Key Features</h3>\n<ul>\n	<li>Flexibility and sound of a modular synthesizer with modern routing</li>\n	<li>49-note full-sized keyboard with mod and pitch wheels</li>\n	<li>100% analog signal path with Brute Series Oscillators</li>\n	<li>Simple Matrix Button Navigation. Instantly route signal, recall presets, set up sequences, and more</li>\n	<li>Steiner-Parker and ladder filters for even more character</li>\n	<li>Monophonic, paraphonic, and duophonic modes</li>\n	<li>64-step sequencer</li>\n	<li>Five onboard analog effects including delay, reverb, and more</li>\n	<li>256 presets with the ability to edit/store your own sounds</li>\n</ul>\n<br/>\n<span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3><span>Arturia MatrixBrute is the modern evolution of the modular analog synthesizer. </span>Call or chat with\n a RSPE representative today for more information.\n</h3>\n</span></span></span>'),(1293,85,0,216,''),(1294,85,1,216,''),(1295,76,0,216,''),(1296,76,1,216,''),(1297,75,0,217,'<h1>Arturia MicroBrute  - Monophonic Synthesizer</h1>\n<i>The MicroBrute is new but carries the award-winning heritage of its big brother, the MiniBrute.<br/></i><br/>\n<p>\n	The MicroBrute was designed to be small but still \nretain an amazing sound quality. With a 100% pure analog voice path and \nadvanced interconnectability via MIDI, USB, CV/ GATE, this machine is a \ntrue powerhouse synthesizer that takes your sound to a new level.\n	<br/>If you’re new to synths, you’re looking at one of the easiest to use \nand most unique-sounding synthesizers we think money can buy. And if \nyou’re a synth veteran, we think it won’t have escaped your attention \nthat MicroBrute is also a seriously capable semi-modular sequence-able \nbeast. Wait till you hear how it sounds.\n</p>\n<p>\n	No presets, no menus, nothing to get between you \nand the ability to sculpt your sound live. Not only does MicroBrute give\n you the means to create, perform and be completely original every time \nyou power up, it does it with astounding sound quality.\n	<br/><br/>The VCO on the MicroBrute is unique in the synthesizer world. It \nfeatures the ability to mix waveforms in variable amounts as opposed to \nsimple ON/OFF switches that are found on many synths at four times the \nprice. The sound possibilities don’t stop there. Each waveform has wave \nmodifiers that allow even further tonal variations. While many synths \nneed two or three oscillators to get a somewhat big sound, the \nMicroBrute is able to achieve a much wider tonal range with its one \noscillator.\n</p>\n<b> <inline style=\"font-size: 24px;\">Arturia MircoBrute </inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">Key Features:</inline></inline></b></inline><br/></inline><br/>\n<div class=\"col-md-12\">\n	<div class=\"list-striped cols-3\">\n		<div class=\"col-md-12\">\n			<div class=\"list-striped cols-3\">\n				<div class=\"col-md-12\">\n					<div class=\"list-striped cols-3\">\n						<div class=\"col-md-12\">\n							<div class=\"list-striped cols-3\">\n								<ul>\n									<li>100% Analog audio signal path</li>\n									<li>Steiner-Parker 2-pole multimode filter (Low Pass, Band Pass, High Pass)</li>\n									<li>Analog Voltage Controlled Oscillator</li>\n									<li>Oscillator Mixer (Overtone, Sawtooth, Square, Triangle, audio in [on rear panel])</li>\n									<li>‘Overtone’ sub oscillator/5th generator</li>\n									<li>Signal enhancers:\n									<ul>\n										<li>Pulse Width Modulation</li>\n										<li>Ultrasaw generates fat sawtooth waveforms</li>\n										<li>Metalizer brings in extreme harmonics</li>\n									</ul>\n									</li>\n									<li>Brute Factor™ delivers saturation and rich harmonics</li>\n									<li>LFO with 3 waveforms (sine, sawtooth, square)</li>\n									<li>LFO can freerun or sync to arpeggiator</li>\n									<li>ADSR envelope generator</li>\n									<li>Keyboard tracking of the VCF cutoff</li>\n									<li>25-note mini-key keyboard</li>\n									<li>Mod wheel (assignable to cutoff or LFO amount)</li>\n									<li>Pitch wheel (bend range selectable via software)</li>\n									<li>Octave selector from -2 to +2 octaves</li>\n									<li>External analog audio input</li>\n									<li>CV In jacks: Pitch, Filter, sub-harmonics, pulse width, Metalizer, saw animator</li>\n									<li>CV Out jacks: pitch, envelope, LFO</li>\n									<li>MIDI In with 5 pin DIN connector</li>\n									<li>USB MIDI In/Out</li>\n									<li>1/4” audio output and 1/8” headphone output</li>\n									<li>Full-functioned step sequencer:\n									<ul>\n										<li>8 memories</li>\n										<li>up to 64 steps per memory</li>\n										<li>tap tempo</li>\n										<li>rate control</li>\n										<li>step divisions (via software)</li>\n										<li>trigger modes (via software)</li>\n									</ul>\n									</li>\n									<li>MIDI sync</li>\n									<li>Steel bottom panel</li>\n									<li>12V DC 1A power supply</li>\n								</ul>\n							</div>\n						</div>\n					</div>\n				</div>\n			</div>\n		</div>\n	</div>\n</div>\n<span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3><span>Artuia is dedicated to musicians. They dare to create original and different instruments, and reinvent products. </span>Call or chat with\n a RSPE representative today for more information.\n</h3>\n</span></span></span>'),(1298,75,1,217,'<h1>Arturia MicroBrute  - Monophonic Synthesizer</h1>\n<i>The MicroBrute is new but carries the award-winning heritage of its big brother, the MiniBrute.<br/></i><br/>\n<p>\n	The MicroBrute was designed to be small but still \nretain an amazing sound quality. With a 100% pure analog voice path and \nadvanced interconnectability via MIDI, USB, CV/ GATE, this machine is a \ntrue powerhouse synthesizer that takes your sound to a new level.\n	<br/>If you’re new to synths, you’re looking at one of the easiest to use \nand most unique-sounding synthesizers we think money can buy. And if \nyou’re a synth veteran, we think it won’t have escaped your attention \nthat MicroBrute is also a seriously capable semi-modular sequence-able \nbeast. Wait till you hear how it sounds.\n</p>\n<p>\n	No presets, no menus, nothing to get between you \nand the ability to sculpt your sound live. Not only does MicroBrute give\n you the means to create, perform and be completely original every time \nyou power up, it does it with astounding sound quality.\n	<br/><br/>The VCO on the MicroBrute is unique in the synthesizer world. It \nfeatures the ability to mix waveforms in variable amounts as opposed to \nsimple ON/OFF switches that are found on many synths at four times the \nprice. The sound possibilities don’t stop there. Each waveform has wave \nmodifiers that allow even further tonal variations. While many synths \nneed two or three oscillators to get a somewhat big sound, the \nMicroBrute is able to achieve a much wider tonal range with its one \noscillator.\n</p>\n<b> <inline style=\"font-size: 24px;\">Arturia MircoBrute </inline></b><inline style=\"font-size: 24px;\"><inline style=\"font-size: 20px;\"><b><inline style=\"font-size: 20px;\"><inline style=\"font-size: 24px;\">Key Features:</inline></inline></b></inline><br/></inline><br/>\n<div class=\"col-md-12\">\n	<div class=\"list-striped cols-3\">\n		<div class=\"col-md-12\">\n			<div class=\"list-striped cols-3\">\n				<div class=\"col-md-12\">\n					<div class=\"list-striped cols-3\">\n						<div class=\"col-md-12\">\n							<div class=\"list-striped cols-3\">\n								<ul>\n									<li>100% Analog audio signal path</li>\n									<li>Steiner-Parker 2-pole multimode filter (Low Pass, Band Pass, High Pass)</li>\n									<li>Analog Voltage Controlled Oscillator</li>\n									<li>Oscillator Mixer (Overtone, Sawtooth, Square, Triangle, audio in [on rear panel])</li>\n									<li>‘Overtone’ sub oscillator/5th generator</li>\n									<li>Signal enhancers:\n									<ul>\n										<li>Pulse Width Modulation</li>\n										<li>Ultrasaw generates fat sawtooth waveforms</li>\n										<li>Metalizer brings in extreme harmonics</li>\n									</ul>\n									</li>\n									<li>Brute Factor™ delivers saturation and rich harmonics</li>\n									<li>LFO with 3 waveforms (sine, sawtooth, square)</li>\n									<li>LFO can freerun or sync to arpeggiator</li>\n									<li>ADSR envelope generator</li>\n									<li>Keyboard tracking of the VCF cutoff</li>\n									<li>25-note mini-key keyboard</li>\n									<li>Mod wheel (assignable to cutoff or LFO amount)</li>\n									<li>Pitch wheel (bend range selectable via software)</li>\n									<li>Octave selector from -2 to +2 octaves</li>\n									<li>External analog audio input</li>\n									<li>CV In jacks: Pitch, Filter, sub-harmonics, pulse width, Metalizer, saw animator</li>\n									<li>CV Out jacks: pitch, envelope, LFO</li>\n									<li>MIDI In with 5 pin DIN connector</li>\n									<li>USB MIDI In/Out</li>\n									<li>1/4” audio output and 1/8” headphone output</li>\n									<li>Full-functioned step sequencer:\n									<ul>\n										<li>8 memories</li>\n										<li>up to 64 steps per memory</li>\n										<li>tap tempo</li>\n										<li>rate control</li>\n										<li>step divisions (via software)</li>\n										<li>trigger modes (via software)</li>\n									</ul>\n									</li>\n									<li>MIDI sync</li>\n									<li>Steel bottom panel</li>\n									<li>12V DC 1A power supply</li>\n								</ul>\n							</div>\n						</div>\n					</div>\n				</div>\n			</div>\n		</div>\n	</div>\n</div>\n<span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3><span>Artuia is dedicated to musicians. They dare to create original and different instruments, and reinvent products. </span>Call or chat with\n a RSPE representative today for more information.\n</h3>\n</span></span></span>'),(1299,85,0,217,'Arturia MicroBrute  - Monophonic Synthesizer'),(1300,85,1,217,'Arturia MicroBrute  - Monophonic Synthesizer'),(1301,76,0,217,''),(1302,76,1,217,''),(1303,75,0,218,'<h1>Arturia MicroFreak - Hybrid Synthesizer</h1>\n<i>A synthesizer like no other, MicroFreak blends wavetable and digital oscillators with analog filters and features a unique poly-aftertouch flat keyboard.<br /></i><br />\n<p>\n	The Arturia \n	<span style=\"background-color: initial;\">MicroFreak Hybrid Synthesizer is a compact, versatile, semi-modular synthesizer with many unique </span><span style=\"background-color: initial; letter-spacing: 0px;\">features that will spark your imagination and creativity in a new way. It enables you to </span><span style=\"background-color: initial; letter-spacing: 0px;\">experiment with modular sound construction without the hassle of patch cords. </span><span style=\"background-color: initial; letter-spacing: 0px;\">Its core is an advanced digital oscillator with newly developed control options. The classic </span><span style=\"background-color: initial; letter-spacing: 0px;\">Analog Filter guarantees a warm sound. Together they offer the best of two worlds: digital </span><span style=\"background-color: initial; letter-spacing: 0px;\">and analog.<br /></span>\n</p>\n<p>\n	In addition to a standard envelope, a cycling envelope provides you with modulation options \n	<span style=\"background-color: initial; letter-spacing: 0px;\">only found on high-end modular systems.<br /></span>\n</p>\n<p>\n	The center point of the MicroFreak is a versatile matrix patchboard that has options similar \n	<span style=\"background-color: initial; letter-spacing: 0px;\">to the matrix of its elder brother, the MatrixBrute. The Matrix allows you to take control and </span><span style=\"background-color: initial; letter-spacing: 0px;\">route modulation sources to a great number of destinations.<br /></span>\n</p>\n<p>\n	Another unique feature of the MicroFreak is an expressive touch capacitor keyboard that \n	<span style=\"background-color: initial; letter-spacing: 0px;\">responds to your finger pressure. Couple this with the paraphonic playing option, an </span><span style=\"background-color: initial; letter-spacing: 0px;\">arpeggiator, and assignable matrix destinations, and you will understand why the </span><span style=\"background-color: initial; letter-spacing: 0px;\">MicroFreak will soon be your favorite performance synthesizer.<br /></span>\n</p>\n<p>\n	Last but not least: the MicroFreak features two paraphonic sequencers, each with four \n	<span style=\"background-color: initial; letter-spacing: 0px;\">modulation tracks. Paraphonic means that they can record and play back up to four voices, </span><span style=\"background-color: initial; letter-spacing: 0px;\">sharing the same filter, simultaneously.<br /></span>\n</p>\n<p>\n</p>\n<b> <inline style=\"font-size: 24px;\">Arturia MircoFreak </inline></b>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Synthesizer with 256 preset slots and 160 factory presets</span></li>\n	<li>12 Digital oscillators with variable modes, with integrated open source Plaits engine created by Mutable Instruments</li>\n	<li>Analog State Variable Filter, 12dB/octave, resonant, Low Pass, Band Pass, High Pass</li>\n	<li>ADSR envelope</li>\n	<li>Cycling Envelope offering two modes\n	<ul>\n		<li>Envelope</li>\n		<li>LFO</li>\n	</ul>\n	</li>\n	<li>LFO with Sync: Sine, Tri, Saw, Square, Random, Slew Random</li>\n	<li>Modulation matrix with 5 sources and 7 destinations (3 custom destinations)</li>\n	<li>Monophonic or Paraphonic modes - Up to 4 voices</li>\n	<li>25-key capacitive keybed with polyphonic aftertouch</li>\n	<li>Capacitive touch strip</li>\n	<li>Crisp OLED display for editing and parameter values</li>\n	<li>Powerful arpeggiator\n	<ul>\n		<li>Up, Order, Random, Pattern modes</li>\n		<li>Spice & Dice Gate randomizers</li>\n	</ul>\n	</li>\n	<li>64-step sequencer\n	<ul>\n		<li>2 patterns per preset</li>\n		<li>4 automation tracks per preset</li>\n	</ul>\n	</li>\n	<li>CV / Gate / Mod outputs</li>\n	<li>USB, Clock and MIDI in and out</li>\n	<li>6.35mm master and 3.5mm headphone output</li>\n</ul>\n<br /><br />'),(1304,75,1,218,'<h1>Arturia MicroFreak - Hybrid Synthesizer</h1>\n<i>A synthesizer like no other, MicroFreak blends wavetable and digital oscillators with analog filters and features a unique poly-aftertouch flat keyboard.<br /></i><br />\n<p>\n	The Arturia \n	<span style=\"background-color: initial;\">MicroFreak Hybrid Synthesizer is a compact, versatile, semi-modular synthesizer with many unique </span><span style=\"background-color: initial; letter-spacing: 0px;\">features that will spark your imagination and creativity in a new way. It enables you to </span><span style=\"background-color: initial; letter-spacing: 0px;\">experiment with modular sound construction without the hassle of patch cords. </span><span style=\"background-color: initial; letter-spacing: 0px;\">Its core is an advanced digital oscillator with newly developed control options. The classic </span><span style=\"background-color: initial; letter-spacing: 0px;\">Analog Filter guarantees a warm sound. Together they offer the best of two worlds: digital </span><span style=\"background-color: initial; letter-spacing: 0px;\">and analog.<br /></span>\n</p>\n<p>\n	In addition to a standard envelope, a cycling envelope provides you with modulation options \n	<span style=\"background-color: initial; letter-spacing: 0px;\">only found on high-end modular systems.<br /></span>\n</p>\n<p>\n	The center point of the MicroFreak is a versatile matrix patchboard that has options similar \n	<span style=\"background-color: initial; letter-spacing: 0px;\">to the matrix of its elder brother, the MatrixBrute. The Matrix allows you to take control and </span><span style=\"background-color: initial; letter-spacing: 0px;\">route modulation sources to a great number of destinations.<br /></span>\n</p>\n<p>\n	Another unique feature of the MicroFreak is an expressive touch capacitor keyboard that \n	<span style=\"background-color: initial; letter-spacing: 0px;\">responds to your finger pressure. Couple this with the paraphonic playing option, an </span><span style=\"background-color: initial; letter-spacing: 0px;\">arpeggiator, and assignable matrix destinations, and you will understand why the </span><span style=\"background-color: initial; letter-spacing: 0px;\">MicroFreak will soon be your favorite performance synthesizer.<br /></span>\n</p>\n<p>\n	Last but not least: the MicroFreak features two paraphonic sequencers, each with four \n	<span style=\"background-color: initial; letter-spacing: 0px;\">modulation tracks. Paraphonic means that they can record and play back up to four voices, </span><span style=\"background-color: initial; letter-spacing: 0px;\">sharing the same filter, simultaneously.<br /></span>\n</p>\n<p>\n</p>\n<b> <inline style=\"font-size: 24px;\">Arturia MircoFreak </inline></b>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Synthesizer with 256 preset slots and 160 factory presets</span></li>\n	<li>12 Digital oscillators with variable modes, with integrated open source Plaits engine created by Mutable Instruments</li>\n	<li>Analog State Variable Filter, 12dB/octave, resonant, Low Pass, Band Pass, High Pass</li>\n	<li>ADSR envelope</li>\n	<li>Cycling Envelope offering two modes\n	<ul>\n		<li>Envelope</li>\n		<li>LFO</li>\n	</ul>\n	</li>\n	<li>LFO with Sync: Sine, Tri, Saw, Square, Random, Slew Random</li>\n	<li>Modulation matrix with 5 sources and 7 destinations (3 custom destinations)</li>\n	<li>Monophonic or Paraphonic modes - Up to 4 voices</li>\n	<li>25-key capacitive keybed with polyphonic aftertouch</li>\n	<li>Capacitive touch strip</li>\n	<li>Crisp OLED display for editing and parameter values</li>\n	<li>Powerful arpeggiator\n	<ul>\n		<li>Up, Order, Random, Pattern modes</li>\n		<li>Spice & Dice Gate randomizers</li>\n	</ul>\n	</li>\n	<li>64-step sequencer\n	<ul>\n		<li>2 patterns per preset</li>\n		<li>4 automation tracks per preset</li>\n	</ul>\n	</li>\n	<li>CV / Gate / Mod outputs</li>\n	<li>USB, Clock and MIDI in and out</li>\n	<li>6.35mm master and 3.5mm headphone output</li>\n</ul>\n<br /><br />'),(1305,85,0,218,'Arturia MicroFreak - Hybrid Synthesizer'),(1306,85,1,218,'Arturia MicroFreak - Hybrid Synthesizer'),(1307,76,0,218,''),(1308,76,1,218,''),(1309,75,0,219,'<h1>Arturia Mini V Plug-in</h1>\n<span style=\"font-size: 16px; font-style: italic;\">From the starship funk lead lines of the ‘70s to the gangster whine of mid ‘90s hip-hop, the ever-present MiniMg has been making its fat presence known for over 4 decades.</span><br /><br />\n<p>\n	The Mini V has kept all of the original characteristics of its award-winning previous versions. Mini V version 3 updates the \nfilter design to make it even more accurate than ever. Powerful and rich\n bass, faithfully reproduced ‘free-running’ waveforms thanks to new \nadvances in our long proven TAE® technology. In\n partnership with Bob Moog we  recreated the legendary interface of his \nearly 70\'s synth that was and is loved by generations of musicians. What\n truly makes this synth the Legend of Legends is its sound, and so we \ntook great care to model the subtleties of its internal characteristics \nas well. \n	<br /><br />The model of the Mini V knew an unparalleled success during the 1970’s. \nArtists and bands like Tangerine Dream, Kraftwerk, Depeche Mode, Keith \nEmerson, Jean-Michel Jarre, Klaus Schulze, and Rick Wakeman used the \nsynthesizer, notably for the typical sound and its very warm quality, \nwhich is excellent for basses and lead sounds.\n</p>\n<p>\n		The very first prototype of this synth was called Model A. Three\n other versions, B, C and D, followed. This last model is the final and \nmost common incarnation of this synthesizer and the only one that was \nput into production in large numbers. The choice of wood rather than \nplastic for the cabinet prevailed from the beginning, simply because \nRobert Moog preferred to follow the advice of his musician friends \nrather than the drawings coming from his industrial engineers.\n</p>\n<p>\n		The Model D was first introduced at the NAMM convention in June \n1971. It was Dr. Moog’s first exposure to the musical instrument \nindustry - and the industry\'s first exposure to synthesizers. The \nreception was rather cold as, according to Bob Moog himself, “Most \ndealers didn\'t know what to make of a musical instrument with words like\n Oscillator Bank and Filter printed on the front panel.”\n</p>\n<h3>Mini V Key Features</h3>\n<ul>\n	<li>All the parameters of the original Mini V\n	<ul>\n		<li>3 voltage controlled oscillators with 5 waveforms</li>\n		<li>1 amazing 24 dB/octave filter</li>\n		<li>2 ADSR envelopes</li>\n		<li>LFO with 7 waveforms </li>\n		<li>1 Noise Generator</li>\n		<li>1 VCA</li>\n		<li>1 Mixer</li>\n		<li>1 external audio input and 1 external oscillator and filter modulation input</li>\n	</ul>\n	</li>\n</ul>\n<ul>\n	<li>Modulation matrix with up to 8 connections (15 sources and 35 destinations)</li>\n	<li>Arpeggiator</li>\n	<li>Vocal Filter: a fully automatable, formant-based effect with its own LFO</li>\n	<li>Up to 32 voices of polyphony</li>\n	<li>Unison mode option</li>\n	<li>More than 1000 presets created by an international team of top-notch sound designers</li>\n	<li>Stereo effects: chorus and delay</li>\n	<li>Soft clipping function</li>\n	<li>Advanced automation mode</li>\n</ul>\n<br />\n<h3>A Faithful Reproduction</h3>\nThe original synth had particular characteristics for which it \nis loved by musicians even to this day. Arturia mini V brings back the \nsound and features of this beloved synth in a virtual instrument. We decided to recreate the legendary interface of the original \nbecause of its \"vibe\", a look and layout known and loved by generations \nof musicians. But what truly makes this synth the Legend of Legends is its \nsound, and so we took great care to recreate its internal \ncharacteristics as well.\n<br /><br />\n<h3>Why does it sound so good?</h3>\nFirst, the oscillators. Arturia recreate the exact\ncharacteristics of each oscillator, which have a very unique sound. And as with\nany discrete component analog oscillator, mini V produces\n\"free-running\" waveforms just like the physical circuits do.\n<br /><br />\nSecondly, the filter. Many digital filters have some\ncharacteristics which are very far from their analog counterparts. The mini V\nfilter has the same characteristics as that of the original synth; i.e., its\nfrequency and emphasis are completely independent. The mini V filter is a true\nemulation of the renowned 24dB/octave 4-pole filter. Another feature of the\noriginal filter is that the emphasis decreases when the cutoff frequency is\nlow. This contributes a special character to the sound that lets the bass pass\ncleanly through the filter when playing lower notes.\nWhat you can do with the Mini V\nYou can make an insane range of sounds with mini V. Of course it \nis particularly adept at bass and lead sounds. And pads. And effects. \nAnd, well, everything.\n<br /><br />\nBut if you ask owners of the original synth what sort of sound is\n its specialty, almost every single one would say \"Bass!\" And naturally \nit’s used for bass and lead sounds since it is monophonic. But there’s \nanother reason: its simple but efficient voice architecture, the \nspecific shape of the filter, the characteristics of oscillators and the\n soft-clipping output stage give the original synth a warm and unique \nsound. And Mini V reproduces this sound exactly, so it also excels at \npowerful, fat basses and lead instruments.\n<br /><br />\nThe lead sounds are also as clear and full as on the original, with \nthe same glide and that very particular envelope response which makes \neach sound more playable.\n<br /><br />\nBut there’s more! With polyphonic capability, an arpeggiator, \nthe modulation matrix and the effects, you can make an incredible array \nof sounds while still enjoying the simple layout and true character of \nthe original voice architecture.\n<br /><br />\nInserting a mini V sound into your mix is quick and easy. You \ncan pick any one of over 1,000 presets, made by renowned sound \ndesigners, and begin to play. All parameters are directly accessible, so\n you can tweak the sound easily to fit your song.\n<h3 class=\"text-white\">Preset browser</h3>\nThe redesigned preset browser lets you quickly find just the sound you’re looking for. Search by name or simply select the appropriate tags to dial in on the exact sonic character you’re looking for. You can mark and recall your own favorites, enter comments, and set up playlists. There’s never been a more intuitive way to manage your library of designer and personal presets.\n<br /><br />\n<h3 class=\"text-white\">Resizable GUI</h3>\nIf you love getting your hands on all the controls, you probably already\n have one or more full instruments in the V series—and Analog Lab 2 is \nalso included in the complete V Collection bundle. Analog Lab 2 makes \nthe perfect command center for your V Collection. For starters, it helps\n you find sounds across your entire studio of vintage instruments. Then,\n if you want to make mods beyond the most common controls we’ve \nsurfaced, with a click you can go directly into edit mode for the full \nV-series instrument if you own a license for it.\n<br /><br />\n<h3>Platform specifications</h3>\nWindows: Win 7+ PC: 4 GB RAM; 2 GHz CPU.\n<br />    1GB free hard disk space<br />    OpenGL 2.0 compatible GPU<br /><br />    Apple: 10.8+: 4 GB RAM; 2 GHz CPU.<br />    1GB free hard disk space<br />    OpenGL 2.0 compatible GPU\n<br /><br />\n<h3>Required configuration</h3>\nWorks in Standalone, VST 2.4 (32-bit and 64-bit), VST 3 (32-bit and \n64-bit), AAX (32 bits with PT 10.3.8, 64 bits with PT 11), Audio Unit \n(32-bit and 64-bit), NKS.\n<br /><br />\n<h3>Arturia software synthesizers are based on TAE® (standing for True \nAnlog Emulation), an advanced proprietary technology allowing accurate \nmodelling of analogue circuitry behaviour on personal computers. Call or\n chat with a RSPE representative today.\n</h3>'),(1310,75,1,219,'<h1>Arturia Mini V Plug-in</h1>\n<span style=\"font-size: 16px; font-style: italic;\">From the starship funk lead lines of the ‘70s to the gangster whine of mid ‘90s hip-hop, the ever-present MiniMg has been making its fat presence known for over 4 decades.</span><br /><br />\n<p>\n	The Mini V has kept all of the original characteristics of its award-winning previous versions. Mini V version 3 updates the \nfilter design to make it even more accurate than ever. Powerful and rich\n bass, faithfully reproduced ‘free-running’ waveforms thanks to new \nadvances in our long proven TAE® technology. In\n partnership with Bob Moog we  recreated the legendary interface of his \nearly 70\'s synth that was and is loved by generations of musicians. What\n truly makes this synth the Legend of Legends is its sound, and so we \ntook great care to model the subtleties of its internal characteristics \nas well. \n	<br /><br />The model of the Mini V knew an unparalleled success during the 1970’s. \nArtists and bands like Tangerine Dream, Kraftwerk, Depeche Mode, Keith \nEmerson, Jean-Michel Jarre, Klaus Schulze, and Rick Wakeman used the \nsynthesizer, notably for the typical sound and its very warm quality, \nwhich is excellent for basses and lead sounds.\n</p>\n<p>\n		The very first prototype of this synth was called Model A. Three\n other versions, B, C and D, followed. This last model is the final and \nmost common incarnation of this synthesizer and the only one that was \nput into production in large numbers. The choice of wood rather than \nplastic for the cabinet prevailed from the beginning, simply because \nRobert Moog preferred to follow the advice of his musician friends \nrather than the drawings coming from his industrial engineers.\n</p>\n<p>\n		The Model D was first introduced at the NAMM convention in June \n1971. It was Dr. Moog’s first exposure to the musical instrument \nindustry - and the industry\'s first exposure to synthesizers. The \nreception was rather cold as, according to Bob Moog himself, “Most \ndealers didn\'t know what to make of a musical instrument with words like\n Oscillator Bank and Filter printed on the front panel.”\n</p>\n<h3>Mini V Key Features</h3>\n<ul>\n	<li>All the parameters of the original Mini V\n	<ul>\n		<li>3 voltage controlled oscillators with 5 waveforms</li>\n		<li>1 amazing 24 dB/octave filter</li>\n		<li>2 ADSR envelopes</li>\n		<li>LFO with 7 waveforms </li>\n		<li>1 Noise Generator</li>\n		<li>1 VCA</li>\n		<li>1 Mixer</li>\n		<li>1 external audio input and 1 external oscillator and filter modulation input</li>\n	</ul>\n	</li>\n</ul>\n<ul>\n	<li>Modulation matrix with up to 8 connections (15 sources and 35 destinations)</li>\n	<li>Arpeggiator</li>\n	<li>Vocal Filter: a fully automatable, formant-based effect with its own LFO</li>\n	<li>Up to 32 voices of polyphony</li>\n	<li>Unison mode option</li>\n	<li>More than 1000 presets created by an international team of top-notch sound designers</li>\n	<li>Stereo effects: chorus and delay</li>\n	<li>Soft clipping function</li>\n	<li>Advanced automation mode</li>\n</ul>\n<br />\n<h3>A Faithful Reproduction</h3>\nThe original synth had particular characteristics for which it \nis loved by musicians even to this day. Arturia mini V brings back the \nsound and features of this beloved synth in a virtual instrument. We decided to recreate the legendary interface of the original \nbecause of its \"vibe\", a look and layout known and loved by generations \nof musicians. But what truly makes this synth the Legend of Legends is its \nsound, and so we took great care to recreate its internal \ncharacteristics as well.\n<br /><br />\n<h3>Why does it sound so good?</h3>\nFirst, the oscillators. Arturia recreate the exact\ncharacteristics of each oscillator, which have a very unique sound. And as with\nany discrete component analog oscillator, mini V produces\n\"free-running\" waveforms just like the physical circuits do.\n<br /><br />\nSecondly, the filter. Many digital filters have some\ncharacteristics which are very far from their analog counterparts. The mini V\nfilter has the same characteristics as that of the original synth; i.e., its\nfrequency and emphasis are completely independent. The mini V filter is a true\nemulation of the renowned 24dB/octave 4-pole filter. Another feature of the\noriginal filter is that the emphasis decreases when the cutoff frequency is\nlow. This contributes a special character to the sound that lets the bass pass\ncleanly through the filter when playing lower notes.\nWhat you can do with the Mini V\nYou can make an insane range of sounds with mini V. Of course it \nis particularly adept at bass and lead sounds. And pads. And effects. \nAnd, well, everything.\n<br /><br />\nBut if you ask owners of the original synth what sort of sound is\n its specialty, almost every single one would say \"Bass!\" And naturally \nit’s used for bass and lead sounds since it is monophonic. But there’s \nanother reason: its simple but efficient voice architecture, the \nspecific shape of the filter, the characteristics of oscillators and the\n soft-clipping output stage give the original synth a warm and unique \nsound. And Mini V reproduces this sound exactly, so it also excels at \npowerful, fat basses and lead instruments.\n<br /><br />\nThe lead sounds are also as clear and full as on the original, with \nthe same glide and that very particular envelope response which makes \neach sound more playable.\n<br /><br />\nBut there’s more! With polyphonic capability, an arpeggiator, \nthe modulation matrix and the effects, you can make an incredible array \nof sounds while still enjoying the simple layout and true character of \nthe original voice architecture.\n<br /><br />\nInserting a mini V sound into your mix is quick and easy. You \ncan pick any one of over 1,000 presets, made by renowned sound \ndesigners, and begin to play. All parameters are directly accessible, so\n you can tweak the sound easily to fit your song.\n<h3 class=\"text-white\">Preset browser</h3>\nThe redesigned preset browser lets you quickly find just the sound you’re looking for. Search by name or simply select the appropriate tags to dial in on the exact sonic character you’re looking for. You can mark and recall your own favorites, enter comments, and set up playlists. There’s never been a more intuitive way to manage your library of designer and personal presets.\n<br /><br />\n<h3 class=\"text-white\">Resizable GUI</h3>\nIf you love getting your hands on all the controls, you probably already\n have one or more full instruments in the V series—and Analog Lab 2 is \nalso included in the complete V Collection bundle. Analog Lab 2 makes \nthe perfect command center for your V Collection. For starters, it helps\n you find sounds across your entire studio of vintage instruments. Then,\n if you want to make mods beyond the most common controls we’ve \nsurfaced, with a click you can go directly into edit mode for the full \nV-series instrument if you own a license for it.\n<br /><br />\n<h3>Platform specifications</h3>\nWindows: Win 7+ PC: 4 GB RAM; 2 GHz CPU.\n<br />    1GB free hard disk space<br />    OpenGL 2.0 compatible GPU<br /><br />    Apple: 10.8+: 4 GB RAM; 2 GHz CPU.<br />    1GB free hard disk space<br />    OpenGL 2.0 compatible GPU\n<br /><br />\n<h3>Required configuration</h3>\nWorks in Standalone, VST 2.4 (32-bit and 64-bit), VST 3 (32-bit and \n64-bit), AAX (32 bits with PT 10.3.8, 64 bits with PT 11), Audio Unit \n(32-bit and 64-bit), NKS.\n<br /><br />\n<h3>Arturia software synthesizers are based on TAE® (standing for True \nAnlog Emulation), an advanced proprietary technology allowing accurate \nmodelling of analogue circuitry behaviour on personal computers. Call or\n chat with a RSPE representative today.\n</h3>'),(1311,85,0,219,'Arturia Mini V Plug-in'),(1312,85,1,219,'Arturia Mini V Plug-in'),(1313,76,0,219,''),(1314,76,1,219,''),(1315,75,0,220,'<h1>Arturia MiniBrute 2 - Keyboard Synthesizer</h1>\n<i>The MiniBrute 2 has evolved from the legendary monosynth that revolutionized the analog scene with its mixable waveforms, Steiner-Parker filter, and Brute Factor. Now with semi-modular architecture, you can splice its genome and expand its raw power into the world of Eurorack modular.</i><br /><br />\n\nThe Arturia The MiniBrute 2 is designed to be an exceptionally powerful, modern analog synthesizer with a classic flair.\nThe roots of this product stem from the greatest synthesizers of all time, all enhanced with Arturia’s own modern touch and character. The now famous ‘Brute’ style oscillators, paired with the classic sounds of the Steiner-Parker filter, give you a wealth of tools and amazing sonic character with which to build your own sounds.<br /><br />\n\nThere are many great features, both old and new, in the MiniBrute 2 series synths. But the pièce de résistance of the MiniBrute 2 might be the inclusion of a very flexible 48-point patch bay. This physical matrix allows you to route modulation sources in a nearly endless number of ways, both within the MiniBrute 2 and with external devices.<br /><br />\n\nCouple these features with the sheer musicality of the sequencer and arpeggiator and you have an instrument that will become a powerful asset in your creative endeavors, be they on stage or in the studio.<br /><br />\n\nWe are excited to bring you this powerful and affordable synthesizer. It is the culmination of many years of research, and is the perfect combination of our passion for the world of synthesizers and our deep appreciation for the the world of music they help to create.\n\n<br /><br />\n<h3>Arturia MiniBrute Features</h3>\n\n								<ul>\n									<li><span style=\"background-color: initial; letter-spacing: 0px;\">Analog Synthesizer</span></li>\n									<li>2 Analog VCO’s:<ul><li>VCO1 : Saw + UltraSaw, Square +Pulse width, Triangle + Metalizer. (Waveform mixing)</li><li>VCO2 : Sine, Saw, Square waveforms (three tuning ranges).</li></ul></li>\n									\n									\n									<li>VCO 2&gt;1 Hard Sync, VCO1 linear and exponential FM</li>\n									<li>White Noise Generator</li>\n									<li>External Audio In</li>\n									<li>Steiner Parker filter (12dB per octave): Low Pass, High Pass, Band Pass, Notch modes.</li>\n									<li>2 LFO’s with Sync: Sine, Tri, Saw, Square, Random, Slew Random</li>\n									<li>1 ADSR envelope</li>\n									<li>1 AD envelope<ul><li>Trig, Gate modes</li><li>One shot or Loop</li><li>Attack and Decay times CV controllable</li></ul></li>\n									\n									\n									\n									<li>48-point CV and Gate patchbay<ul><li>Inputs and Outputs for the voice and sequencer</li><li>Utility modules: inverter, attenuators, VCA</li></ul></li>\n									\n									\n									<li>25-key velocity and pressure sensitive keyboard</li>\n									<li>Arpeggiator types : Up, down, inclusive, exclusive, random, note order, double up, double down modes</li>\n									<li>Sequencer mode:<ul><li>8 step-sequences with Rest, Tie and Legato note entry</li><li>Each sequence can have up to 64 steps</li></ul></li><li>MIDI and USB I/O</li>\n									\n									\n									\n								</ul>\n\n<br />'),(1316,75,1,220,'<h1>Arturia MiniBrute 2 - Keyboard Synthesizer</h1>\n<i>The MiniBrute 2 has evolved from the legendary monosynth that revolutionized the analog scene with its mixable waveforms, Steiner-Parker filter, and Brute Factor. Now with semi-modular architecture, you can splice its genome and expand its raw power into the world of Eurorack modular.</i><br /><br />\n\nThe Arturia The MiniBrute 2 is designed to be an exceptionally powerful, modern analog synthesizer with a classic flair.\nThe roots of this product stem from the greatest synthesizers of all time, all enhanced with Arturia’s own modern touch and character. The now famous ‘Brute’ style oscillators, paired with the classic sounds of the Steiner-Parker filter, give you a wealth of tools and amazing sonic character with which to build your own sounds.<br /><br />\n\nThere are many great features, both old and new, in the MiniBrute 2 series synths. But the pièce de résistance of the MiniBrute 2 might be the inclusion of a very flexible 48-point patch bay. This physical matrix allows you to route modulation sources in a nearly endless number of ways, both within the MiniBrute 2 and with external devices.<br /><br />\n\nCouple these features with the sheer musicality of the sequencer and arpeggiator and you have an instrument that will become a powerful asset in your creative endeavors, be they on stage or in the studio.<br /><br />\n\nWe are excited to bring you this powerful and affordable synthesizer. It is the culmination of many years of research, and is the perfect combination of our passion for the world of synthesizers and our deep appreciation for the the world of music they help to create.\n\n<br /><br />\n<h3>Arturia MiniBrute Features</h3>\n\n								<ul>\n									<li><span style=\"background-color: initial; letter-spacing: 0px;\">Analog Synthesizer</span></li>\n									<li>2 Analog VCO’s:<ul><li>VCO1 : Saw + UltraSaw, Square +Pulse width, Triangle + Metalizer. (Waveform mixing)</li><li>VCO2 : Sine, Saw, Square waveforms (three tuning ranges).</li></ul></li>\n									\n									\n									<li>VCO 2&gt;1 Hard Sync, VCO1 linear and exponential FM</li>\n									<li>White Noise Generator</li>\n									<li>External Audio In</li>\n									<li>Steiner Parker filter (12dB per octave): Low Pass, High Pass, Band Pass, Notch modes.</li>\n									<li>2 LFO’s with Sync: Sine, Tri, Saw, Square, Random, Slew Random</li>\n									<li>1 ADSR envelope</li>\n									<li>1 AD envelope<ul><li>Trig, Gate modes</li><li>One shot or Loop</li><li>Attack and Decay times CV controllable</li></ul></li>\n									\n									\n									\n									<li>48-point CV and Gate patchbay<ul><li>Inputs and Outputs for the voice and sequencer</li><li>Utility modules: inverter, attenuators, VCA</li></ul></li>\n									\n									\n									<li>25-key velocity and pressure sensitive keyboard</li>\n									<li>Arpeggiator types : Up, down, inclusive, exclusive, random, note order, double up, double down modes</li>\n									<li>Sequencer mode:<ul><li>8 step-sequences with Rest, Tie and Legato note entry</li><li>Each sequence can have up to 64 steps</li></ul></li><li>MIDI and USB I/O</li>\n									\n									\n									\n								</ul>\n\n<br />'),(1317,85,0,220,'Arturia MiniBrute 2 - Keyboard Synthesizer'),(1318,85,1,220,'Arturia MiniBrute 2 - Keyboard Synthesizer'),(1319,76,0,220,''),(1320,76,1,220,''),(1321,75,0,221,'<h1>Arturia Modular V Plug-in</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Revival of a Legend! This is the one that switched on the synthesizer in popular music. Huge, massive, powerful, flexible all of this recreated in great detail for you.</span><br /><br />The Arturia Modular V is all about the complexities and nuances that only a \nmodular patch can deliver. With more tone generation and modulation \ncapabilties than any other synth this is the reference standard for \nintricate sound design. Originally sold as custom units to artists such as Tomita, Klaus \nSchultz, the Beatle\'s, Tangerine Dream and many others, we have \nrecreated a giant collection of the best modules for you here.  With up \nto 9 oscillators, 3 filter slots, 2 LFOs, 6 envelopes, VCAs, mixers, a \nsequencer and more, this classic synth offers you no limitations for \nyour creative endeavors.\n<br /><br />Arturia, in partnership with Dr. Bob Moog, has brought you the synth \nthat started it all. From Wendy Carlos\'s famous \'Switched on Bach\' to \nKeith Emerson\'s live use, this huge modular showed that electronics \ncould be musical thus being the catalyst for every synthesizer we see \ntoday.  The towering modular synthesizer that has dominated the world of\n music since the 1960s has been revived!\n<br /><br />\n<h3>Modular V Key Features</h3>\n<div class=\"col-md-12\">\n	<div class=\"list-striped cols-3\">\n		<ul>\n			<li>All the parameters of the original modular synth:\n			<ul>\n				<li>9 oscillators</li>\n				<li>2 LFOs</li>\n				<li>3 filter slots</li>\n				<li>1 Noise Generator</li>\n				<li>6 envelopes</li>\n				<li>2 VCAs</li>\n			</ul>\n			</li>\n			<li>16 auxiliary VCAs with modulation inputs</li>\n			<li>24-step sequencer</li>\n			<li>1 filter bank (14 bandwidths available)</li>\n			<li>More than 600 presets, made by professional sound designers</li>\n			<li>Mono / polyphonic (up to 64 voices per instrument)</li>\n			<li>Soft-clipping function</li>\n			<li>Stereo delay and chorus</li>\n			<li>12-stage phaser and ring modulator</li>\n			<li>Very accurate reproduction of the legendary 24dB/octave low-pass filter</li>\n			<li>Superb audio quality with TAE® engine</li>\n			<li>24 bits/96 kHz supported</li>\n		</ul>\n	</div>\n</div>\n<br />\n<h3>Pure Anolog</h3>\nTAE®, standing for True Analog Emulation, is a new technology \ndeveloped by Arturia, enabling the digital reproduction of analog \ncircuits. The implementation of TAE in Modular V results in:\n<div class=\"col-md-6\">\n	<ul>\n		<li>aliasing-free oscillators, at no extra CPU cost.</li>\n		<li>better reproduction of analog oscillators: the condensers\' \nunload and the oscillators\' instability are simulated, helping to \nreproduce a typical warm sound.\n		</li>\n		<li>very accurate reproduction of the legendary Mg 24 dB low-pass filter.</li>\n		<li>implementation of soft clipping, i.e. reproduction of the filters\' current limiting function.</li>\n	</ul>\n</div>\n<br />\n<h3 class=\"text-white\">Much more than a Modular</h3>\n						Modular V includes some very rare module replicas like the Bode \nfrequency shifter and the 928 sample and hold modules, as well as a few \ninnovative effects developed by Arturia’s team like the formant filter \nand ring modulator. Modular V will give you a lifetime of sound design \npossibilities.\n<br /><br />\n<h3>Preset browser</h3>\nArturia redesigned preset browser lets you quickly find just the sound you’re looking for. Search by name or \nsimply select the appropriate tags to dial in on the exact sonic \ncharacter you’re looking for. You can mark and recall your own \nfavorites, enter comments, and set up playlists. There’s never been a \nmore intuitive way to manage your library of designer and personal \npresets.\n<br /><br />\n<h3 class=\"text-white\">Resizable GUI</h3>\nThe user interfaces for all your Arturia instruments are now resizable, \nmaking it easy to work with any High Resolution screen, UHD or Retina.\n<br /><br />You\n can decide whether you want to fill the screen with awesome graphic \nreproductions of classic instrument goodness, scale the window down when\n you’re working in a DAW and screen real estate is at a premium, or even\n zoom for detailed work. \n<br /><br />\n<h3></h3>'),(1322,75,1,221,'<h1>Arturia Modular V Plug-in</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Revival of a Legend! This is the one that switched on the synthesizer in popular music. Huge, massive, powerful, flexible all of this recreated in great detail for you.</span><br /><br />The Arturia Modular V is all about the complexities and nuances that only a \nmodular patch can deliver. With more tone generation and modulation \ncapabilties than any other synth this is the reference standard for \nintricate sound design. Originally sold as custom units to artists such as Tomita, Klaus \nSchultz, the Beatle\'s, Tangerine Dream and many others, we have \nrecreated a giant collection of the best modules for you here.  With up \nto 9 oscillators, 3 filter slots, 2 LFOs, 6 envelopes, VCAs, mixers, a \nsequencer and more, this classic synth offers you no limitations for \nyour creative endeavors.\n<br /><br />Arturia, in partnership with Dr. Bob Moog, has brought you the synth \nthat started it all. From Wendy Carlos\'s famous \'Switched on Bach\' to \nKeith Emerson\'s live use, this huge modular showed that electronics \ncould be musical thus being the catalyst for every synthesizer we see \ntoday.  The towering modular synthesizer that has dominated the world of\n music since the 1960s has been revived!\n<br /><br />\n<h3>Modular V Key Features</h3>\n<div class=\"col-md-12\">\n	<div class=\"list-striped cols-3\">\n		<ul>\n			<li>All the parameters of the original modular synth:\n			<ul>\n				<li>9 oscillators</li>\n				<li>2 LFOs</li>\n				<li>3 filter slots</li>\n				<li>1 Noise Generator</li>\n				<li>6 envelopes</li>\n				<li>2 VCAs</li>\n			</ul>\n			</li>\n			<li>16 auxiliary VCAs with modulation inputs</li>\n			<li>24-step sequencer</li>\n			<li>1 filter bank (14 bandwidths available)</li>\n			<li>More than 600 presets, made by professional sound designers</li>\n			<li>Mono / polyphonic (up to 64 voices per instrument)</li>\n			<li>Soft-clipping function</li>\n			<li>Stereo delay and chorus</li>\n			<li>12-stage phaser and ring modulator</li>\n			<li>Very accurate reproduction of the legendary 24dB/octave low-pass filter</li>\n			<li>Superb audio quality with TAE® engine</li>\n			<li>24 bits/96 kHz supported</li>\n		</ul>\n	</div>\n</div>\n<br />\n<h3>Pure Anolog</h3>\nTAE®, standing for True Analog Emulation, is a new technology \ndeveloped by Arturia, enabling the digital reproduction of analog \ncircuits. The implementation of TAE in Modular V results in:\n<div class=\"col-md-6\">\n	<ul>\n		<li>aliasing-free oscillators, at no extra CPU cost.</li>\n		<li>better reproduction of analog oscillators: the condensers\' \nunload and the oscillators\' instability are simulated, helping to \nreproduce a typical warm sound.\n		</li>\n		<li>very accurate reproduction of the legendary Mg 24 dB low-pass filter.</li>\n		<li>implementation of soft clipping, i.e. reproduction of the filters\' current limiting function.</li>\n	</ul>\n</div>\n<br />\n<h3 class=\"text-white\">Much more than a Modular</h3>\n						Modular V includes some very rare module replicas like the Bode \nfrequency shifter and the 928 sample and hold modules, as well as a few \ninnovative effects developed by Arturia’s team like the formant filter \nand ring modulator. Modular V will give you a lifetime of sound design \npossibilities.\n<br /><br />\n<h3>Preset browser</h3>\nArturia redesigned preset browser lets you quickly find just the sound you’re looking for. Search by name or \nsimply select the appropriate tags to dial in on the exact sonic \ncharacter you’re looking for. You can mark and recall your own \nfavorites, enter comments, and set up playlists. There’s never been a \nmore intuitive way to manage your library of designer and personal \npresets.\n<br /><br />\n<h3 class=\"text-white\">Resizable GUI</h3>\nThe user interfaces for all your Arturia instruments are now resizable, \nmaking it easy to work with any High Resolution screen, UHD or Retina.\n<br /><br />You\n can decide whether you want to fill the screen with awesome graphic \nreproductions of classic instrument goodness, scale the window down when\n you’re working in a DAW and screen real estate is at a premium, or even\n zoom for detailed work. \n<br /><br />\n<h3></h3>'),(1323,85,0,221,'Arturia Moog Modular V2.6 Plug-in'),(1324,85,1,221,'Arturia Moog Modular V2.6 Plug-in'),(1325,76,0,221,''),(1326,76,1,221,''),