<h1>ASC AttackWall Standard Kit</h1>
<span style="font-size: 16px; font-style: italic;">Our best-selling AttackWall System is the perfect way to acoustically treat your space and get professional results at a fraction of the price of construction. The AttackWall Standard kit features 2 MonitorStacks and 12 StudioTraps giving you the perfect studio acoustics, with professional results, extreme clarity and improved imaging. Plus it's modular and portable, so you get the same awesome results in any size studio.</span><br/><br/>
It may be the Standard Kit, but there's nothing standard about it. The ASC AttackWall Standard Kit provides a solid platform for mixing and mastering audio. Experience the benefits of Vertical Mode Control, Early Side/Front Reflection Control, Time Delayed Backfill, and Wall Loaded Mains with this popular AttackWall configuration.<br/><br/>
The AttackWall redefines world class mixing environments. It's a free standing workstation that consistently produces the most amazingly clear sonic space you'll ever work in. The AttackWall produces a reliable, repeatable, and accurate sonic space in which to track, mix, and master, regardless of room or speaker system. <br/><br/>
<h3>ASC AttackWall Standard Kit Features</h3>
<ul>
	<li>Includes (12) 9" StudioTraps with Stands</li>
	<li>Includes (2) 13" MonitorStacks - 2 BasePlates, 2 Stands and 2 Tops</li>
	<li>Any Room, Any Studio, Perfect Repeatability     </li>
	<li>Portable and Convenient World Class Control Room    </li>
	<li>Infinite Setup Possibilities from 2.0 to 5.2        </li>
	<li>Use the Same StudioTraps for Gobo Recording         </li>
	<li>Soffit Loaded Monitor Effect, Just Like a Downtown Studio      </li>
	<li>Engineered for Performance by Art Noxon and Sam Lynn</li>
</ul>
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<h3>The Repeatable Mixing Environment</h3>
The AttackWall is made up of Studio Traps and Monitor Traps, versatile acoustic tools created by ASC for the recording studio. The front half of the Studio Trap is treble range reflective and the back side is treble range absorptive. The entire surface of the Traps is bass range absorptive. Studio Traps are adjustable in height and are usually set up midway between the floor and ceiling, but they can be raised or lowered for different listening positions or line of sight requirements.
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<h3>Portable and Powerful</h3>
By wrapping Studio Traps tightly around the sides and back of the console, and more loosely locating them behind the engineer, the AttackWall control booth is formed. Wider AttackWalls are formed around big consoles with midfield monitors, while narrower AttackWalls are used for smaller consoles with nearfield monitors. The AttackWall can also accommodate studios that use computer screens. In the treble range, the AttackWall eliminates undesirable early reflections while creating a desirable time delayed diffusive back fill, typical of the LEDE type studio. In the bass range, the drivers become wall loaded and decoupled from the room modes. The AttackWall satisfies all the requirements necessary for a professional control room. Engineers love the level of detail they can get with the AttackWall. They hear sound that couldn’t be heard before, even in some of the world’s biggest studios.
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<h3>Record Anywhere, with Big Studio Results</h3>
The AttackWall loads bass just like the built-in main found in a downtown studio. StudioTraps fit tight to the sides of the speaker to create a corner-loading short horn. This increases the efficiency of the speaker and projects the bass. With the absorptive side of the StudioTraps facing inward there is no “horn coloration” added to the direct signal. The AttackWall setup results in a bass loading horn that is lined with treble range absorption. This type of horn loading is designed to be strong in the horizontal plane but weak in the vertical direction. The horn is vented above and below AttackWall just before the expanding bass wave hits the floor or ceiling. This gives a soft bounce effect as the bass wave wraps around the Wall and expands into the rest of the room.
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<h3>The AttackWall System Components</h3>
<strong>StudioTraps</strong><br/>
Used all over the world, ASC StudioTraps are based on the famous ASC TubeTrap, and are a powerful and versatile tool for the recording industry. These Traps not only absorb sound energy, but create diffusion to give the room a more defined and natural sound. The front half of the StudioTrap cylinder is treble reflective to give a bright, diffusive backscatter for recording with enhanced presence. The back half is treble absorptive for the traditional dry recording.<br/><br/>
<strong>TubeTrap</strong>
Developed as a corner loaded bass trap and voiced with a treble range diffusor panel. The TubeTrap has unique acoustic properties that are perfect for the studio environment. Used in mixing rooms, control rooms, live rooms, foley rooms, informed industry professionals insist on this product by name.<br/><br/>
<strong>MonitorStand</strong>
Tired of floor-ceiling reflections and vertical resonant modes wreaking havoc with your monitor response?
Now you can achieve the broadband acoustic improvement offered by ASC TubeTraps in your MonitorStands. This is a specially adapted set of TubeTraps designed just for monitors. The MonitorStand has no built-in reflectors, unless they are specifically requested. Each Stand is custom sized to fit your studio requirements, and can be ordered with top and bottom, or just bottom configurations.
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<span class="colors_productprice"><span><span style="font-weight: bold; font-style: italic;"><span style="font-weight: bold; font-style: italic;"><a href="http://www.rspeaudio.com/Attack_Wall_Webboutique_a/276.htm"> <span class="colors_productprice">Find out more and see who's using the ASC AttackWall</span>.<br/></a></span></span></span></span><br/>
<h3>Experience the perfect acoustic clarity and imaging the ASC AttackWall can offer. Call or chat with an RSPE representative for more in-depth information, or assistance configuring an AttackWall for your studio.</h3>