(2881,75,0,481,'<h2>Blue Cat Audio All Plug-ins Pack</h2>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The complete software collection</span></span><br /><br />A complete professional digital audio processing environment in a single bundle: the Blue Cat\'s PatchWork standalone application and the complete collection of Blue Cat Audio\'s commercial audio plug-ins: a total of 17 products, including 6 award-winning unique audio analysis tools, 3 powerful dynamics processors, 4 premium equalizers, and a unique scripting plug-in to build your own effects or virtual instruments.<br /><br /><h2>Bundle Includes:</h2>\n<h3>Blue Cat\'s DP Meter Pro</h3>Blue Cat\'s DP Meter Pro (DPMP) is a unique audio analysis tool: it \ncombines very flexible and customizable audio meters with advanced side \nchaining control capabilities thanks to its MIDI and automation outputs.\n The metering capabilities of the DPMP plug-in let you control and \nmonitor audio signals exactly the way you want: almost every aspect of \nthe peak, RMS and crest factor meters can be customized. It proposes \nfive different scales by default, including Bob Katz\'s popular K-System \nscales (K-12, K-14, K-20), and you can create your own.  Large colored \nstatistics displays following your own scales are included for an \noverview of a track, while histograms give you a precise measurement of \nthe dynamic range of the track. The graphs show the evolution of the \naudio envelopes over time, and the mid-side switch lets you verify mono \ncompatibility problems and check the \"stereoness\" of your audio sources \nvery easily. Whether you are working with mono, stereo or surround \ntracks, this plug-in will fit into your workflow. All envelopes (peak, \nRMS, crest factor...) can be reused for additional monitoring or side \nchaining purposes: combined together, reversed, modified and recorded as\n automation curves or sent as MIDI CC messages, they can control other \neffects in real time. The DP Meter Pro Tutorials explain how to use \nthese unique capabilities in your favorite host. Possibilities are \nendless, from voice over and ducking to side chain compression, multiple\n tracks monitoring or dynamic stereo enhancement. It is also possible to\n control external MIDI hardware (such a synths, MIDI effects), video \neffects or lighting systems with an audio signal.<br /><br />\n<h4>Features</h4><ul><li>Multichannel peak, RMS & crest factor meter.</li><li>True dynamic range measurement with levels histograms.</li><li>Instant, average and maximum audio levels.</li><li>Modular user interface to fit into your workflow, with multiple screen sizes.</li><li>Total control over the metering characteristics, including attack/release shape.</li><li>Bob Katz\'s K-System scales support (K-12 / K-14 / K-20 and custom)</li><li>Mono, stereo, mid-side or surround analysis.</li><li>Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.</li><li>Control in real time any MIDI-compatible plug-in or external MIDI \ndevice with the generated envelopes thanks to the plugin\'s MIDI CC \noutput. See the <a href=\"http://www.bluecataudio.com/Tutorials\" title=\"\">Tutorials</a> section for more examples.</li><li>Manage the shape of the output envelope: record reversed envelope, \nchange amount of signal, and offset the generated envelope. This lets \nyou use the plug-in for side chain ducking, compression and much more.</li><li>Easy \'stereoness\' and phase cancelation measurement.</li></ul> <br /><h3>Blue Cat\'s Dynamics </h3>Blue Cat\'s Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior. The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to. The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor. An additional brick wall limiter and clipper protects the output for complete control over the dynamics response. Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.  The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application. All these features can be controlled from a fully configurable and \"skinnable\" user interface, or from any external controller.<br />The package includes a mono and a stereo version for optimal CPU usage.<br /><br /><h4>Features</h4><ul><li>Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.</li><li>Total control over the processor: continuous peak/RMS and Opto/VCA \nmodes selection, peak envelope shape control, depth control to limit the\n gain range.</li><li>Total control over the signal: dry/wet control for parallel compression, input and side chain filters.</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or clipper.</li><li>Optimal monitoring: dynamics response, envelopes and gain reduction \nreal time display with zooming capability. The main compression \ninformation can be recorded as automation curves.</li><li>Best quality: up to 4x oversampling for the best sounding quality.</li><li>Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.</li><li>Fully configurable user interface for optimal experience.</li><li>No latency.</li></ul>\n <br />\n<h3>Blue Cat\'s FreqAnalyst Multi</h3>\nBlue Cat\'s FreqAnalyst Multi is a unique multiple tracks real time \nspectrum analyzer: it lets you visualize the spectral content of several\n audio tracks on the same screen with extreme smoothness and high \nresolution, for both time and frequency. It is the ideal solution for \nmixing: you can use it as a frequency overlap detector and actually see \nwhich part of the spectrum every single instrument uses. It is now also \npossible to easily compare the spectrum of several instances (for EQ \nmatching or response curve measurement) thanks to the new \'Diff\' view \nwhich displays the difference between several curves. Just like \nwith Blue Cat\'s FreqAnalyst Pro plug-in, the frequency analysis can be \nfine tuned in details, and three modes are offered for each channel: \ninstant, peak or average response of several audio tracks can be \ndisplayed on the same graph (the plugin supports up to 16 curves). \nZooming capabilities and coordinates display let you exactly measure the\n characteristics of the spectrum for each audio track. Thanks to the \nadvanced routing capabilities you can define different settings for each\n track and thus adapt the analysis for each audio signal you want to \nanalyze. Our multiple tracks tutorial shows you how simple multiple \ntracks spectrum analysis can be. The four memory slots let you \nstore any curve in memory: it helps you make comparisons between several\n setups or portions of your audio project very easily. Thanks to \nincluded window opacity management feature and advanced layout \ncustomization capabilities, you can adapt the plug-in user interface to \nyour personal needs and enhance your workflow. It is also possible to \ncreate a completely custom user interface using Blue Cat\'s skinning \nlanguage. <br /><br />\n<h4>Features</h4>\n<ul>\n	<li>64-bit compliant (AAX / AU / VST)              </li><li>Mono, stereo or mid/side multiple tracks real time spectrum \nanalyzer: visualize and compare the spectrum of several audio tracks on \nthe same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between spectra for easy EQ matching and response curve measurement.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum view with zooming and precise measurement capabilities as well as note info display.</li><li>Multiple display sizes</li><li>Instant, peak and average curves display for each track.</li><li>Choose a name for each curve for easier sharing.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul>\n<br />\n<h3>Blue Cat\'s FreqAnalyst Pro</h3>\nBlue Cat\'s FreqAnalyst Pro is a real time spectrum analyzer with advanced functionalities. It uses the same smooth algorithms as its little brother (Blue Cat\'s FreqAnalyst free plug-in): it has been designed to provide extreme smoothness and high resolution for both time and frequency. The frequency analysis can be fine tuned in details: manage its precision and rate, apply an offset or slope to the measured spectrum. Two thresholding systems are available, and the time response can be changed thanks to the attack and release parameters. Three modes are offered for each channel: instant, peak or average response can be displayed on the same graph. Zooming capabilities and coordinates display let you exactly measure the characteristics of the spectrum. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. A spectrogram view has been added so that you can monitor the evolution of the spectrum over time either in 2D or 3D (3D waterfall mode). All channels are of course available in this view, with exact coordinates display and zooming capabilities. Like many of our other professional analysis tools, this plug-in also provides output parameters that you can use to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum frequencies and the energy center of the spectrum, expressed in Hertz or as MIDI note value. With the transformation parameters (offset, amount and reverse), you can customize the generation of these parameters and monitor the modifications on the value graphs. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to this unique functionality, you can now control any effect with the pitch of the audio signal: imagine a filter on an instrument controlled by the pitch of another instrument, compression depending on the pitch of the signal... Anything is possible. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4><ul><li>Mono, stereo or mid/side real time spectrum analyzer.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum and spectrogram views.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities, with note info display.</li><li>3D waterfall view with full 3D control.</li><li>Solid or wireframe 3D surface display.</li><li>Instant, peak and average curves display for each channel.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><br />\n<h3>Blue Cat\'s Liny EQ </h3> Blue Cat\'s Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds). Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow. The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow. Thanks to its ability to update the EQ curve continuously using MIDI or automation and its additionnal \"Mix\" control, dynamic equalization tasks can be performed easily when used together with any of our control generation plug-ins.<br /><br />\n<h4>Features</h4>\n<ul><li>Linear phase graphic equalizer</li><li>very short latency (less than 3 ms: 128 samples at 44,1 kHz), with minimal pre-ringing artefacts.</li><li>customizable range (+/- 40 dB).</li><li>Exact EQ curve display.</li><li>Four EQ shapes.</li><li>Automatic gain compensation.</li><li>Real time spectrum analyzer display.</li><li>High resolution color and greyscale spectrogram display.</li><li>High resolution color peak meter.</li><li>Single and dual channel versions.</li><li>Left/right or mid/side processing for spectral stereo widening or narrowing.</li><li>Advanced channels linking capabilities.</li><li>Multiple display sizes.</li><li>Highly customizable user interface: display what you need, the way you need.</li></ul><br /><h3>Blue Cat\'s MB-5 Dynamix </h3>Blue Cat\'s MB-5 Dynamix is an extremely powerful all-in-one multiband dynamics processor: it can be used as a multiband compressor, limiter, gate, expander, waveshaper or all combined at once, on any part of the spectrum. The unique dynamics processing section of the Blue Cat\'s Dynamics plug-in has been streamlined and integrated in this plug-in to process each one of the 5 bands separately. The plug-in provides unique envelope detection capabilities that let one band trigger the dynamics response on others (internal side-chain). Combined with the advanced stereo features including mid/side processing and independent channels activation, it gives you full control over the dynamics of the signal for a wide range of effects. An additional brick wall limiter/clipper protects the output for complete control over the dynamics response. The plug-in provides comprehensive visual feedback to let you know what\'s exactly going on at every step of the dynamics processor: for each channel, monitor the spectrum, the in/out levels, dynamics response, compression ratio and in/out level of each band... The user interface has been designed to streamline the workflow, and despite the wide range of functionalities offered by the plug-in, it is extremely easy to use. Inter-bands controls (copy/paste, link...) lets you create complex treatments with a few clicks. Thanks to its advanced MIDI and automation output capabilities, Blue Cat\'s MB-5 Dynamix is capable of advanced side-chaining features: you can control other plug-ins with the output of the dynamics processing stage for simple side chain dynamics effects or more advanced signal-dependent effects. Check out our MB-5 Dynamix Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Full featured multiband dynamics processor: compressor, gate, limiter, expander, waveshaper.</li><li>Up to 5 bands, with crossover filters from 6 to 60 dB/Oct for optimal separation.</li><li>Unique envelope routing capability for cross-band dynamics effects (one band may trigger another).</li><li>Dry/wet control for parallel processing (\"New York Compression\").</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or waveshaper.</li><li>Complete Visual feedback with real time response curves and levels display.</li><li>Easy copy/paste settings between bands.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Plug-in window transparency management.</li><li>No latency.</li></ul><br /><h3>Blue Cat\'s MB-7 Mixer</h3>Blue Cat\'s MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the \"stereoness\" and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST, VST3 and Audio Unit host: you can process each band independently with your favorite VST, VST3 or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several competing tracks. And as usual with Blue Cat Audio, the plug-in provides comprehensive visual feedback to let you know what\'s exactly going on: for each channel, monitor the spectrum, the in/out levels and the frequency response. Thanks to its advanced MIDI and automation input capabilities, when combined with our other plug-ins, Blue Cat\'s MB-7 Mixer is capable of advanced side-chaining features that really unveils its potential. Check out our MB-7 Mixer Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><br /><h3>Blue Cat\'s Oscilloscope Multi</h3>Blue Cat\'s Oscilloscope Multi is a unique multiple tracks real time waveform renderer and comparator: it lets you visualize the content of several audio tracks on the same screen and compare them thanks to its X-Y view. The plugin offers stereo or mid-side channels waveform extraction as well as several synchronization modes. The zooming and precise measurement capabilities let you analyze the waveforms in details, and the XY phase scope view will help you track phase issues within an effect chain or while recording with multiple microphones. The additional histogram display complements the toolset to check the distribution of the values in the waveform and get an idea of the average peak level. The four memory slots let you store any waveform in memory: it helps you make comparisons between several setups or portions of your audio project very easily. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow<br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time oscilloscope: visualize and compare the waveform of several audio tracks on the same screen.</li><li>Waveform display with loop, flow and trigger modes.</li><li>Histogram display.</li><li>Dual channel XY phasescope view (Lissajous) for easy phase \ncancelation and mono compatibility issues detection on multiple tracks \nor within an effect chain.</li><li>Latency compensation capability to align waveforms.</li><li>Choose a name for each curve for easier sharing.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities.</li><li>Save the curves for easy A/B comparison.</li><li>Left-Right or Mid-Side operation modes</li><li>Unique data sharing technology with multi-core processors support.</li><li>Opacity control for the user interface.</li></ul><br /><h3> Blue Cat\'s Parametr\'EQ</h3> Blue Cat\'s Parametr\'EQ is a 7 bands parametric equalizer combining the advantages of both the digital and analog worlds. Its special non-linear and oversampling features let you easily simulate the compression and distortion that may occur in an analog EQ or on the contrary obtain a very clean and transparent digital EQ. The plug-in includes a low shelf/low cut filter, a high shelf/high cut filter and 5 boost/cut band filters. An optional brickwall limiter has been added to the output to protect your ears and monitors. Its wide range of gain (+/-40 dB per band) and bandwidth (one hundredth to five octaves) makes it suitable for any equalization task, especially with the extra zooming capability that lets you define your own range for the user interface. The included skins let you choose the layout that best suits your needs, and you can completely customize the user interface thanks to Blue Cat\'s Skinning language support. The graph displays the computed frequency response of the plug-in, so that you can exactly know how your signal is processed. This is not an approximated or \"ideal\" response curve based on the controls of the user interface, but the exact computed frequency response of the filter, which makes this plug-in a true WYSIWYG (What You See Is What You Get) equalizer. Thanks to the included Smooth Update technology, every single parameter of this equalizer can be automated in your favorite sequencer or controlled by MIDI in real time (MIDI learn included). You will get an absolutely zipper-free continuous time-varying equalization. Filters activation and bypass functions are now totally smooth and won\'t damage your ears or speakers. Last but not least, this equalizer has absolutely no latency, which make it perfect for real time applications.  <br /><br /><h3>Blue Cat\'s PatchWork </h3>Blue Cat\'s PatchWork is a universal plug-ins patchbay that can host up to 64 VST, VST3 or Audio Unit plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack\'s matrix. All plug-ins can also communicate with each other or with the host application using the virtual MIDI ports offered by the plug-in. For each plug-in slot, latency compensation, presets management, undo/redo integration, audio i/o selection and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.<br /> Also, sub plug-ins can be automated or controlled with external control surfaces using Blue Cat\'s PatchWork parameters mapping capabilities. This product is available as an audio plug-in (effect or a virtual instrument) and standalone application, so that it can used alone or inserted on any type of track in your favorite DAW, with up to 16 audio channels. Input and output level meters are also available to monitor the signal that is dispatched to inserted plug-ins, including side chain and aux channels.<br /><br />\n<h4>Features</h4>\n<ul><li>Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.</li><li>Available as an effect, virtual instrument or standalone application.</li><li>Build your own effects chains: up to 8 \"pre\" and \"post\" plug-ins slots to chain plug-ins in series.</li><li>Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.</li><li>Host up to 8 virtual instruments in parallel and mix them within the plug-in.</li><li>Global Dry/Wet control (\"Mix\").</li><li>Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.</li><li>Flexible MIDI routing: connect sub plug-ins together or with the host application.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel.</li><li>External side chain and multiple outputs support.</li><li>Link pre and post gains for automatic gain compensation.</li><li>Cut, Copy and paste plug-ins with their settings between slots.</li><li>Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.</li><li>Input and output levels monitoring.</li><li>Plug-ins Latency compensation.</li><li>Supports VST Shell plug-ins.</li><li>Integrated undo/redo.</li><li>Fully customizable user interface, with multiple sizes.</li></ul><br /><h3>Blue Cat\'s Plug\'n Script</h3>Blue Cat\'s Plug\'n Script is a scripting plug-in that can be programmed to quickly build custom audio and MIDI effects or virtual instruments, without quitting your favorite DAW software. With this plug-in, you can write your own effects with very little knowledge about programming: no need to invest time and money to learn all these plug-in formats, they are all supported here already! If you do not care about programming, Blue Cat\'s Plug\'n Script can also be used as a regular processor with existing scripts or to get someone else write this very particular effect you have been searching for years and cannot find anywhere. It is also possible for audio software companies to use this plug-in to quickly prototype algorithms and reduce the time required to develop audio products: writing and testing scripts is lightning fast! This plug-in has been in our lab for several years and has been used to prototype lots of our existing plug-ins. It supports both scripts distributed as source code and pre-compiled binary scripts. For source scripts, it uses the high performance AngelScript scripting engine, originally developed for video games, with a JIT compiler that helps compiling scripts into machine code for optimal performance. Starting with version 2, the plug-in also supports native (compiled) code and can load binary scripts built from C or C++ (or any language that can export C functions), using the same interface as the angelscript version. The syntax of the AngelScript language is close to Java, C#, C++ or JavaScript, making it very easy to learn. It is also convenient to reuse your scripts into native code, or integrate code snippets found on the web into your script. Also, switching between angelscript and binary versions of the same script is very easy, requiring very few changes. The plug-in includes dozens of audio and MIDI processing scripts as well as several virtual instruments and utilities to enhance your workflow. They can be used as is, or as examples to get started to write your own scripts. User scripts can be shared in the scripts repository, which also includes the factory scripts and native projects for reference.<br /><br />Note: on Mac, the factory native scripts require Mac OSX 10.7 or newer.<br /><br />\n<h4>Features</h4><ul><li>Audio and MIDI scripting plug-in.</li><li>Build your own Audio and MIDI effects or virtual instruments.</li><li>Simple scripting syntax, using either the AngelScript language (similar to C++, Java or javascript) or C/C++ for native code.</li><li>Native binary scripts support (compiled C or C++).</li><li>The user interface adapts to scripts automatically. Build your own using Blue Cat\'s KUIML language.</li><li>Up to 48 input parameters and 32 outputs, with full MIDI and automation control.</li><li>Use your favorite Integrated Development Environment (IDE) for editing.</li><li>Integrated JIT (Just In Time) compiler for optimal performance (scripts are not interpreted but compiled).</li><li>Includes\n 55 scripts with source code and 132 presets for sound synthesis, MIDI \nFX, audio FX (comp, gate, tremolo echo, filters, looper...), waveform \ngeneration, file playback/recording and more.</li><li>Side chain input and auxiliary outputs support.</li><li>Surround support (up to 8 audio channels). </li></ul><br /><h3>Blue Cat\'s Protector </h3>Blue Cat\'s Protector is a 0 dB stereo brickwall limiter with adjustable dynamics response. It will typically find its place on the master bus of your DAW to protect your audio output from overshoot, limit the general volume and improve the perceived loudness, thanks to a very transparent frequency response. Despite its very simple set of controls, it offers a wide range of sounds and it is also suitable as a track limiter for more creative effects such as distortion, pumping or heavy limiting. Its large colorful meters and its custom dynamics histogram provide premium visual feedback and make it the perfect tool to monitor and control the dynamics on your master buss. You can also check in real time the loudness boost obtained with the limiter. Beyond its powerful dynamics processing features, and like most of our plug-ins, Blue Cat\'s Protector also offers a powerful side chain capability thanks to its MIDI CC output. This unique technique not only lets you do side chain limiting but also parameters modulation: control any parameter of any plugin to create powerful side chain effects in real time. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><br /><h3> Blue Cat\'s Remote Control </h3> Blue Cat\'s Remote Control is a set of plug-ins which let you control and monitor in real time several MIDI controllable plug-ins or devices from a single customizable user interface: the user interface of your favorite DirectX or VST plugin does not satisfy you? Your favorite hardware device is too complicated to control? Your project contains hundreds of plug-ins and you would like to control them all from a single user interface? You want undo/redo for all your modifications? This product was designed for you. The package includes 3 plug-ins: Remote Control 16, 32 and 64, which have the ability to manage up to 16, 32 or 64 parameters. You can assign a MIDI channel and CC number to each controller, customize its response curve. You can as well choose a skin that suits your needs for every instance of the remote control (several skins are included in the package, see the screenshots), or create your own (see the Skins section): this is the best way to create your own user interface to control your entire Digital Audio Workstation (DAW) the way you have chosen. If you have a very specific project and you do not have time to spend on our Skinning Language, Blue Cat Audio can also create custom skins for you: see our Consulting page for more information. Another way to use the product is for MIDI control remapping and transform: assign an input parameter a given MIDI CC, and assign the associated output parameter to another MIDI CC with different response curve parameters: the plug-in will remap the controller to the new CC and channel with a new response curve. <br /><br />\n<h4>Features</h4>\n<ul><li>Virtual MIDI control surface and monitoring tool.</li><li>Control or monitor in real time any MIDI-controllable plug-in or external MIDI device.</li><li>Customize the controls response curve with advanced settings.</li><li>Create your own Digital Workstation controller thanks to Blue Cat\'s Skinning Language.</li><li>MIDI learn.</li><li>Full automation support.</li><li>DirectX and VST formats.</li><li>Undo/Redo.</li><li>Load and Save presets in a host independent format.</li></ul><br /><h3> Blue Cat\'s Stereo Parametr\'EQ </h3> Blue Cat\'s Stereo Parametr\'EQ is a 7 bands parametric stereo equalizer based on Blue Cat\'s Parametr\'EQ technology, providing the best of the analog and digital worlds in stereo. This stereo plug-in enables you to manage separately the left and right equalizer settings and keep an eye on both frequency responses thanks to the frequency graph above the controls. The left equalizer is visible by its blue color and the right equalizer controls and graph are red. Left and right controls can be linked together with several modes. The Smooth Update and Smooth Bypass technologies have been included in this plug-in so that you can automate the equalizer in your favorite sequencer or use the MIDI capabilities of your host software to control the EQ in real time. You will get an absolutely zipper-free continuous time-varying equalization. These capabilities and the zero latency of this plug-in make it suitable for any real time application.<br /><br /><h3>Blue Cat\'s StereoScope Multi</h3>Blue Cat\'s StereoScope Multi is a unique tool to compare the stereo image of several tracks in real time. It is the ideal solution for mixing: you can actually see which part of the stereo field every single instrument uses. It can also be used to analyze an effect chain and see how audio effects influence the stereo image of your content. This plug-in is based on the same stereo analysis algorithms as Blue Cat\'s StereoScope Pro analysis plug-in, and the instant, peak or average responses of several audio tracks can be displayed on the same graph (the plug-in supports up to 16 curves). The same zooming capabilities and coordinates display let you exactly measure the characteristics of the stereo image for each audio track. The advanced routing capabilities let you define different settings for each track, and thus adapt the parameters for each audio signal you want to analyze. Our multiple tracks audio analysis tutorial shows you how to use this multitrack analysis feature. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time stereo field analyzer: visualize and \ncompare the stereo image of several audio tracks on the same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between curves for easy response curve measurement.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>Easy phase cancelation and mono compatibility issues detection on multiple tracks or within an effect chain.</li><li>Instant, peak and average curves display for each track.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><br /><h3>Blue Cat\'s StereoScope Pro</h3>Blue Cat\'s StereoScope Pro is a real time stereo field analyzer with multiple views and MIDI/automation output capabilities. It is a powerful help to analyze how the audio signal is spread in the stereo field, and you can easily detect potential phase and mono compatibilities issues. The stereo analysis can be controlled in details, and the precise measurements capabilities combined with the zoomable displays let you monitor what is exactly happening. Choose your preferred view for your needs: real time stereo field display, evolution of the stereo image over time (2D or 3D) or output parameters that explicitly describe the average position and extent of the audio signal in the stereo field. The 3D waterfall view lets you see in details from your preferred viewpoint the evolution of the stereo image over time. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. You can compare your mix with other commercial hits! Like our other professional analysis tools, the output parameters of this plug-in can be used to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum positions in the stereo field and the perceived position based on the audio energy spread in the stereo image. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow: work faster and more efficiently. <br /><br />\n<h4>Features</h4>\n<ul><li>Real time stereo image analyzer.</li><li>Three detailed views: stereo image, \"stereogram\" (evolution of the image over time) and output parameters.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>3D waterfall view with full 3D control.</li><li>solid or wireframe 3D surface display.</li><li>Integrated correlation meter.</li><li>Instant, peak and average stereo image curves display.</li><li>Easy phase cancelation and mono compatibility issues detection.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><h3> Blue Cat\'s Widening Parametr\'EQ</h3> Blue Cat\'s Widening Parametr\'EQ is a 7 bands parametric Mid-Side equalizer based on Blue Cat\'s Parametr\'EQ algorithms, enabling you to widen or narrow the frequencies of your choice. This special \'widening\' version offers two independent equalizers for the mid and side channels with instant frequency response display. But Blue Cat\'s Widening Parametr\'EQ is much more than a standard mid/side equalizer, since it lets you choose the position of the virtual center for the Mid/Side matrix: you can really control where you want the equalization to take place in the stereo field. You can thus use this parametric mid/side equalizer for many purposes: from simple standard equalizing anywhere in the stereo field to advanced multi-band stereo widening or narrowing. The new non linear behavior and the included M/S output brickwall limiter will also let you modify the dynamics response of this very special plugin. <br /><ul></ul>'),(2882,75,1,481,'<h2>Blue Cat Audio All Plug-ins Pack</h2>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The complete software collection</span></span><br /><br />A complete professional digital audio processing environment in a single bundle: the Blue Cat\'s PatchWork standalone application and the complete collection of Blue Cat Audio\'s commercial audio plug-ins: a total of 17 products, including 6 award-winning unique audio analysis tools, 3 powerful dynamics processors, 4 premium equalizers, and a unique scripting plug-in to build your own effects or virtual instruments.<br /><br /><h2>Bundle Includes:</h2>\n<h3>Blue Cat\'s DP Meter Pro</h3>Blue Cat\'s DP Meter Pro (DPMP) is a unique audio analysis tool: it \ncombines very flexible and customizable audio meters with advanced side \nchaining control capabilities thanks to its MIDI and automation outputs.\n The metering capabilities of the DPMP plug-in let you control and \nmonitor audio signals exactly the way you want: almost every aspect of \nthe peak, RMS and crest factor meters can be customized. It proposes \nfive different scales by default, including Bob Katz\'s popular K-System \nscales (K-12, K-14, K-20), and you can create your own.  Large colored \nstatistics displays following your own scales are included for an \noverview of a track, while histograms give you a precise measurement of \nthe dynamic range of the track. The graphs show the evolution of the \naudio envelopes over time, and the mid-side switch lets you verify mono \ncompatibility problems and check the \"stereoness\" of your audio sources \nvery easily. Whether you are working with mono, stereo or surround \ntracks, this plug-in will fit into your workflow. All envelopes (peak, \nRMS, crest factor...) can be reused for additional monitoring or side \nchaining purposes: combined together, reversed, modified and recorded as\n automation curves or sent as MIDI CC messages, they can control other \neffects in real time. The DP Meter Pro Tutorials explain how to use \nthese unique capabilities in your favorite host. Possibilities are \nendless, from voice over and ducking to side chain compression, multiple\n tracks monitoring or dynamic stereo enhancement. It is also possible to\n control external MIDI hardware (such a synths, MIDI effects), video \neffects or lighting systems with an audio signal.<br /><br />\n<h4>Features</h4><ul><li>Multichannel peak, RMS & crest factor meter.</li><li>True dynamic range measurement with levels histograms.</li><li>Instant, average and maximum audio levels.</li><li>Modular user interface to fit into your workflow, with multiple screen sizes.</li><li>Total control over the metering characteristics, including attack/release shape.</li><li>Bob Katz\'s K-System scales support (K-12 / K-14 / K-20 and custom)</li><li>Mono, stereo, mid-side or surround analysis.</li><li>Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.</li><li>Control in real time any MIDI-compatible plug-in or external MIDI \ndevice with the generated envelopes thanks to the plugin\'s MIDI CC \noutput. See the <a href=\"http://www.bluecataudio.com/Tutorials\" title=\"\">Tutorials</a> section for more examples.</li><li>Manage the shape of the output envelope: record reversed envelope, \nchange amount of signal, and offset the generated envelope. This lets \nyou use the plug-in for side chain ducking, compression and much more.</li><li>Easy \'stereoness\' and phase cancelation measurement.</li></ul> <br /><h3>Blue Cat\'s Dynamics </h3>Blue Cat\'s Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior. The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to. The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor. An additional brick wall limiter and clipper protects the output for complete control over the dynamics response. Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.  The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application. All these features can be controlled from a fully configurable and \"skinnable\" user interface, or from any external controller.<br />The package includes a mono and a stereo version for optimal CPU usage.<br /><br /><h4>Features</h4><ul><li>Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.</li><li>Total control over the processor: continuous peak/RMS and Opto/VCA \nmodes selection, peak envelope shape control, depth control to limit the\n gain range.</li><li>Total control over the signal: dry/wet control for parallel compression, input and side chain filters.</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or clipper.</li><li>Optimal monitoring: dynamics response, envelopes and gain reduction \nreal time display with zooming capability. The main compression \ninformation can be recorded as automation curves.</li><li>Best quality: up to 4x oversampling for the best sounding quality.</li><li>Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.</li><li>Fully configurable user interface for optimal experience.</li><li>No latency.</li></ul>\n <br />\n<h3>Blue Cat\'s FreqAnalyst Multi</h3>\nBlue Cat\'s FreqAnalyst Multi is a unique multiple tracks real time \nspectrum analyzer: it lets you visualize the spectral content of several\n audio tracks on the same screen with extreme smoothness and high \nresolution, for both time and frequency. It is the ideal solution for \nmixing: you can use it as a frequency overlap detector and actually see \nwhich part of the spectrum every single instrument uses. It is now also \npossible to easily compare the spectrum of several instances (for EQ \nmatching or response curve measurement) thanks to the new \'Diff\' view \nwhich displays the difference between several curves. Just like \nwith Blue Cat\'s FreqAnalyst Pro plug-in, the frequency analysis can be \nfine tuned in details, and three modes are offered for each channel: \ninstant, peak or average response of several audio tracks can be \ndisplayed on the same graph (the plugin supports up to 16 curves). \nZooming capabilities and coordinates display let you exactly measure the\n characteristics of the spectrum for each audio track. Thanks to the \nadvanced routing capabilities you can define different settings for each\n track and thus adapt the analysis for each audio signal you want to \nanalyze. Our multiple tracks tutorial shows you how simple multiple \ntracks spectrum analysis can be. The four memory slots let you \nstore any curve in memory: it helps you make comparisons between several\n setups or portions of your audio project very easily. Thanks to \nincluded window opacity management feature and advanced layout \ncustomization capabilities, you can adapt the plug-in user interface to \nyour personal needs and enhance your workflow. It is also possible to \ncreate a completely custom user interface using Blue Cat\'s skinning \nlanguage. <br /><br />\n<h4>Features</h4>\n<ul>\n	<li>64-bit compliant (AAX / AU / VST)              </li><li>Mono, stereo or mid/side multiple tracks real time spectrum \nanalyzer: visualize and compare the spectrum of several audio tracks on \nthe same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between spectra for easy EQ matching and response curve measurement.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum view with zooming and precise measurement capabilities as well as note info display.</li><li>Multiple display sizes</li><li>Instant, peak and average curves display for each track.</li><li>Choose a name for each curve for easier sharing.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul>\n<br />\n<h3>Blue Cat\'s FreqAnalyst Pro</h3>\nBlue Cat\'s FreqAnalyst Pro is a real time spectrum analyzer with advanced functionalities. It uses the same smooth algorithms as its little brother (Blue Cat\'s FreqAnalyst free plug-in): it has been designed to provide extreme smoothness and high resolution for both time and frequency. The frequency analysis can be fine tuned in details: manage its precision and rate, apply an offset or slope to the measured spectrum. Two thresholding systems are available, and the time response can be changed thanks to the attack and release parameters. Three modes are offered for each channel: instant, peak or average response can be displayed on the same graph. Zooming capabilities and coordinates display let you exactly measure the characteristics of the spectrum. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. A spectrogram view has been added so that you can monitor the evolution of the spectrum over time either in 2D or 3D (3D waterfall mode). All channels are of course available in this view, with exact coordinates display and zooming capabilities. Like many of our other professional analysis tools, this plug-in also provides output parameters that you can use to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum frequencies and the energy center of the spectrum, expressed in Hertz or as MIDI note value. With the transformation parameters (offset, amount and reverse), you can customize the generation of these parameters and monitor the modifications on the value graphs. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to this unique functionality, you can now control any effect with the pitch of the audio signal: imagine a filter on an instrument controlled by the pitch of another instrument, compression depending on the pitch of the signal... Anything is possible. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4><ul><li>Mono, stereo or mid/side real time spectrum analyzer.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum and spectrogram views.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities, with note info display.</li><li>3D waterfall view with full 3D control.</li><li>Solid or wireframe 3D surface display.</li><li>Instant, peak and average curves display for each channel.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><br />\n<h3>Blue Cat\'s Liny EQ </h3> Blue Cat\'s Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds). Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow. The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow. Thanks to its ability to update the EQ curve continuously using MIDI or automation and its additionnal \"Mix\" control, dynamic equalization tasks can be performed easily when used together with any of our control generation plug-ins.<br /><br />\n<h4>Features</h4>\n<ul><li>Linear phase graphic equalizer</li><li>very short latency (less than 3 ms: 128 samples at 44,1 kHz), with minimal pre-ringing artefacts.</li><li>customizable range (+/- 40 dB).</li><li>Exact EQ curve display.</li><li>Four EQ shapes.</li><li>Automatic gain compensation.</li><li>Real time spectrum analyzer display.</li><li>High resolution color and greyscale spectrogram display.</li><li>High resolution color peak meter.</li><li>Single and dual channel versions.</li><li>Left/right or mid/side processing for spectral stereo widening or narrowing.</li><li>Advanced channels linking capabilities.</li><li>Multiple display sizes.</li><li>Highly customizable user interface: display what you need, the way you need.</li></ul><br /><h3>Blue Cat\'s MB-5 Dynamix </h3>Blue Cat\'s MB-5 Dynamix is an extremely powerful all-in-one multiband dynamics processor: it can be used as a multiband compressor, limiter, gate, expander, waveshaper or all combined at once, on any part of the spectrum. The unique dynamics processing section of the Blue Cat\'s Dynamics plug-in has been streamlined and integrated in this plug-in to process each one of the 5 bands separately. The plug-in provides unique envelope detection capabilities that let one band trigger the dynamics response on others (internal side-chain). Combined with the advanced stereo features including mid/side processing and independent channels activation, it gives you full control over the dynamics of the signal for a wide range of effects. An additional brick wall limiter/clipper protects the output for complete control over the dynamics response. The plug-in provides comprehensive visual feedback to let you know what\'s exactly going on at every step of the dynamics processor: for each channel, monitor the spectrum, the in/out levels, dynamics response, compression ratio and in/out level of each band... The user interface has been designed to streamline the workflow, and despite the wide range of functionalities offered by the plug-in, it is extremely easy to use. Inter-bands controls (copy/paste, link...) lets you create complex treatments with a few clicks. Thanks to its advanced MIDI and automation output capabilities, Blue Cat\'s MB-5 Dynamix is capable of advanced side-chaining features: you can control other plug-ins with the output of the dynamics processing stage for simple side chain dynamics effects or more advanced signal-dependent effects. Check out our MB-5 Dynamix Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Full featured multiband dynamics processor: compressor, gate, limiter, expander, waveshaper.</li><li>Up to 5 bands, with crossover filters from 6 to 60 dB/Oct for optimal separation.</li><li>Unique envelope routing capability for cross-band dynamics effects (one band may trigger another).</li><li>Dry/wet control for parallel processing (\"New York Compression\").</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or waveshaper.</li><li>Complete Visual feedback with real time response curves and levels display.</li><li>Easy copy/paste settings between bands.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Plug-in window transparency management.</li><li>No latency.</li></ul><br /><h3>Blue Cat\'s MB-7 Mixer</h3>Blue Cat\'s MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the \"stereoness\" and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST, VST3 and Audio Unit host: you can process each band independently with your favorite VST, VST3 or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several competing tracks. And as usual with Blue Cat Audio, the plug-in provides comprehensive visual feedback to let you know what\'s exactly going on: for each channel, monitor the spectrum, the in/out levels and the frequency response. Thanks to its advanced MIDI and automation input capabilities, when combined with our other plug-ins, Blue Cat\'s MB-7 Mixer is capable of advanced side-chaining features that really unveils its potential. Check out our MB-7 Mixer Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><br /><h3>Blue Cat\'s Oscilloscope Multi</h3>Blue Cat\'s Oscilloscope Multi is a unique multiple tracks real time waveform renderer and comparator: it lets you visualize the content of several audio tracks on the same screen and compare them thanks to its X-Y view. The plugin offers stereo or mid-side channels waveform extraction as well as several synchronization modes. The zooming and precise measurement capabilities let you analyze the waveforms in details, and the XY phase scope view will help you track phase issues within an effect chain or while recording with multiple microphones. The additional histogram display complements the toolset to check the distribution of the values in the waveform and get an idea of the average peak level. The four memory slots let you store any waveform in memory: it helps you make comparisons between several setups or portions of your audio project very easily. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow<br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time oscilloscope: visualize and compare the waveform of several audio tracks on the same screen.</li><li>Waveform display with loop, flow and trigger modes.</li><li>Histogram display.</li><li>Dual channel XY phasescope view (Lissajous) for easy phase \ncancelation and mono compatibility issues detection on multiple tracks \nor within an effect chain.</li><li>Latency compensation capability to align waveforms.</li><li>Choose a name for each curve for easier sharing.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities.</li><li>Save the curves for easy A/B comparison.</li><li>Left-Right or Mid-Side operation modes</li><li>Unique data sharing technology with multi-core processors support.</li><li>Opacity control for the user interface.</li></ul><br /><h3> Blue Cat\'s Parametr\'EQ</h3> Blue Cat\'s Parametr\'EQ is a 7 bands parametric equalizer combining the advantages of both the digital and analog worlds. Its special non-linear and oversampling features let you easily simulate the compression and distortion that may occur in an analog EQ or on the contrary obtain a very clean and transparent digital EQ. The plug-in includes a low shelf/low cut filter, a high shelf/high cut filter and 5 boost/cut band filters. An optional brickwall limiter has been added to the output to protect your ears and monitors. Its wide range of gain (+/-40 dB per band) and bandwidth (one hundredth to five octaves) makes it suitable for any equalization task, especially with the extra zooming capability that lets you define your own range for the user interface. The included skins let you choose the layout that best suits your needs, and you can completely customize the user interface thanks to Blue Cat\'s Skinning language support. The graph displays the computed frequency response of the plug-in, so that you can exactly know how your signal is processed. This is not an approximated or \"ideal\" response curve based on the controls of the user interface, but the exact computed frequency response of the filter, which makes this plug-in a true WYSIWYG (What You See Is What You Get) equalizer. Thanks to the included Smooth Update technology, every single parameter of this equalizer can be automated in your favorite sequencer or controlled by MIDI in real time (MIDI learn included). You will get an absolutely zipper-free continuous time-varying equalization. Filters activation and bypass functions are now totally smooth and won\'t damage your ears or speakers. Last but not least, this equalizer has absolutely no latency, which make it perfect for real time applications.  <br /><br /><h3>Blue Cat\'s PatchWork </h3>Blue Cat\'s PatchWork is a universal plug-ins patchbay that can host up to 64 VST, VST3 or Audio Unit plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack\'s matrix. All plug-ins can also communicate with each other or with the host application using the virtual MIDI ports offered by the plug-in. For each plug-in slot, latency compensation, presets management, undo/redo integration, audio i/o selection and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.<br /> Also, sub plug-ins can be automated or controlled with external control surfaces using Blue Cat\'s PatchWork parameters mapping capabilities. This product is available as an audio plug-in (effect or a virtual instrument) and standalone application, so that it can used alone or inserted on any type of track in your favorite DAW, with up to 16 audio channels. Input and output level meters are also available to monitor the signal that is dispatched to inserted plug-ins, including side chain and aux channels.<br /><br />\n<h4>Features</h4>\n<ul><li>Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.</li><li>Available as an effect, virtual instrument or standalone application.</li><li>Build your own effects chains: up to 8 \"pre\" and \"post\" plug-ins slots to chain plug-ins in series.</li><li>Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.</li><li>Host up to 8 virtual instruments in parallel and mix them within the plug-in.</li><li>Global Dry/Wet control (\"Mix\").</li><li>Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.</li><li>Flexible MIDI routing: connect sub plug-ins together or with the host application.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel.</li><li>External side chain and multiple outputs support.</li><li>Link pre and post gains for automatic gain compensation.</li><li>Cut, Copy and paste plug-ins with their settings between slots.</li><li>Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.</li><li>Input and output levels monitoring.</li><li>Plug-ins Latency compensation.</li><li>Supports VST Shell plug-ins.</li><li>Integrated undo/redo.</li><li>Fully customizable user interface, with multiple sizes.</li></ul><br /><h3>Blue Cat\'s Plug\'n Script</h3>Blue Cat\'s Plug\'n Script is a scripting plug-in that can be programmed to quickly build custom audio and MIDI effects or virtual instruments, without quitting your favorite DAW software. With this plug-in, you can write your own effects with very little knowledge about programming: no need to invest time and money to learn all these plug-in formats, they are all supported here already! If you do not care about programming, Blue Cat\'s Plug\'n Script can also be used as a regular processor with existing scripts or to get someone else write this very particular effect you have been searching for years and cannot find anywhere. It is also possible for audio software companies to use this plug-in to quickly prototype algorithms and reduce the time required to develop audio products: writing and testing scripts is lightning fast! This plug-in has been in our lab for several years and has been used to prototype lots of our existing plug-ins. It supports both scripts distributed as source code and pre-compiled binary scripts. For source scripts, it uses the high performance AngelScript scripting engine, originally developed for video games, with a JIT compiler that helps compiling scripts into machine code for optimal performance. Starting with version 2, the plug-in also supports native (compiled) code and can load binary scripts built from C or C++ (or any language that can export C functions), using the same interface as the angelscript version. The syntax of the AngelScript language is close to Java, C#, C++ or JavaScript, making it very easy to learn. It is also convenient to reuse your scripts into native code, or integrate code snippets found on the web into your script. Also, switching between angelscript and binary versions of the same script is very easy, requiring very few changes. The plug-in includes dozens of audio and MIDI processing scripts as well as several virtual instruments and utilities to enhance your workflow. They can be used as is, or as examples to get started to write your own scripts. User scripts can be shared in the scripts repository, which also includes the factory scripts and native projects for reference.<br /><br />Note: on Mac, the factory native scripts require Mac OSX 10.7 or newer.<br /><br />\n<h4>Features</h4><ul><li>Audio and MIDI scripting plug-in.</li><li>Build your own Audio and MIDI effects or virtual instruments.</li><li>Simple scripting syntax, using either the AngelScript language (similar to C++, Java or javascript) or C/C++ for native code.</li><li>Native binary scripts support (compiled C or C++).</li><li>The user interface adapts to scripts automatically. Build your own using Blue Cat\'s KUIML language.</li><li>Up to 48 input parameters and 32 outputs, with full MIDI and automation control.</li><li>Use your favorite Integrated Development Environment (IDE) for editing.</li><li>Integrated JIT (Just In Time) compiler for optimal performance (scripts are not interpreted but compiled).</li><li>Includes\n 55 scripts with source code and 132 presets for sound synthesis, MIDI \nFX, audio FX (comp, gate, tremolo echo, filters, looper...), waveform \ngeneration, file playback/recording and more.</li><li>Side chain input and auxiliary outputs support.</li><li>Surround support (up to 8 audio channels). </li></ul><br /><h3>Blue Cat\'s Protector </h3>Blue Cat\'s Protector is a 0 dB stereo brickwall limiter with adjustable dynamics response. It will typically find its place on the master bus of your DAW to protect your audio output from overshoot, limit the general volume and improve the perceived loudness, thanks to a very transparent frequency response. Despite its very simple set of controls, it offers a wide range of sounds and it is also suitable as a track limiter for more creative effects such as distortion, pumping or heavy limiting. Its large colorful meters and its custom dynamics histogram provide premium visual feedback and make it the perfect tool to monitor and control the dynamics on your master buss. You can also check in real time the loudness boost obtained with the limiter. Beyond its powerful dynamics processing features, and like most of our plug-ins, Blue Cat\'s Protector also offers a powerful side chain capability thanks to its MIDI CC output. This unique technique not only lets you do side chain limiting but also parameters modulation: control any parameter of any plugin to create powerful side chain effects in real time. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><br /><h3> Blue Cat\'s Remote Control </h3> Blue Cat\'s Remote Control is a set of plug-ins which let you control and monitor in real time several MIDI controllable plug-ins or devices from a single customizable user interface: the user interface of your favorite DirectX or VST plugin does not satisfy you? Your favorite hardware device is too complicated to control? Your project contains hundreds of plug-ins and you would like to control them all from a single user interface? You want undo/redo for all your modifications? This product was designed for you. The package includes 3 plug-ins: Remote Control 16, 32 and 64, which have the ability to manage up to 16, 32 or 64 parameters. You can assign a MIDI channel and CC number to each controller, customize its response curve. You can as well choose a skin that suits your needs for every instance of the remote control (several skins are included in the package, see the screenshots), or create your own (see the Skins section): this is the best way to create your own user interface to control your entire Digital Audio Workstation (DAW) the way you have chosen. If you have a very specific project and you do not have time to spend on our Skinning Language, Blue Cat Audio can also create custom skins for you: see our Consulting page for more information. Another way to use the product is for MIDI control remapping and transform: assign an input parameter a given MIDI CC, and assign the associated output parameter to another MIDI CC with different response curve parameters: the plug-in will remap the controller to the new CC and channel with a new response curve. <br /><br />\n<h4>Features</h4>\n<ul><li>Virtual MIDI control surface and monitoring tool.</li><li>Control or monitor in real time any MIDI-controllable plug-in or external MIDI device.</li><li>Customize the controls response curve with advanced settings.</li><li>Create your own Digital Workstation controller thanks to Blue Cat\'s Skinning Language.</li><li>MIDI learn.</li><li>Full automation support.</li><li>DirectX and VST formats.</li><li>Undo/Redo.</li><li>Load and Save presets in a host independent format.</li></ul><br /><h3> Blue Cat\'s Stereo Parametr\'EQ </h3> Blue Cat\'s Stereo Parametr\'EQ is a 7 bands parametric stereo equalizer based on Blue Cat\'s Parametr\'EQ technology, providing the best of the analog and digital worlds in stereo. This stereo plug-in enables you to manage separately the left and right equalizer settings and keep an eye on both frequency responses thanks to the frequency graph above the controls. The left equalizer is visible by its blue color and the right equalizer controls and graph are red. Left and right controls can be linked together with several modes. The Smooth Update and Smooth Bypass technologies have been included in this plug-in so that you can automate the equalizer in your favorite sequencer or use the MIDI capabilities of your host software to control the EQ in real time. You will get an absolutely zipper-free continuous time-varying equalization. These capabilities and the zero latency of this plug-in make it suitable for any real time application.<br /><br /><h3>Blue Cat\'s StereoScope Multi</h3>Blue Cat\'s StereoScope Multi is a unique tool to compare the stereo image of several tracks in real time. It is the ideal solution for mixing: you can actually see which part of the stereo field every single instrument uses. It can also be used to analyze an effect chain and see how audio effects influence the stereo image of your content. This plug-in is based on the same stereo analysis algorithms as Blue Cat\'s StereoScope Pro analysis plug-in, and the instant, peak or average responses of several audio tracks can be displayed on the same graph (the plug-in supports up to 16 curves). The same zooming capabilities and coordinates display let you exactly measure the characteristics of the stereo image for each audio track. The advanced routing capabilities let you define different settings for each track, and thus adapt the parameters for each audio signal you want to analyze. Our multiple tracks audio analysis tutorial shows you how to use this multitrack analysis feature. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time stereo field analyzer: visualize and \ncompare the stereo image of several audio tracks on the same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between curves for easy response curve measurement.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>Easy phase cancelation and mono compatibility issues detection on multiple tracks or within an effect chain.</li><li>Instant, peak and average curves display for each track.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><br /><h3>Blue Cat\'s StereoScope Pro</h3>Blue Cat\'s StereoScope Pro is a real time stereo field analyzer with multiple views and MIDI/automation output capabilities. It is a powerful help to analyze how the audio signal is spread in the stereo field, and you can easily detect potential phase and mono compatibilities issues. The stereo analysis can be controlled in details, and the precise measurements capabilities combined with the zoomable displays let you monitor what is exactly happening. Choose your preferred view for your needs: real time stereo field display, evolution of the stereo image over time (2D or 3D) or output parameters that explicitly describe the average position and extent of the audio signal in the stereo field. The 3D waterfall view lets you see in details from your preferred viewpoint the evolution of the stereo image over time. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. You can compare your mix with other commercial hits! Like our other professional analysis tools, the output parameters of this plug-in can be used to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum positions in the stereo field and the perceived position based on the audio energy spread in the stereo image. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow: work faster and more efficiently. <br /><br />\n<h4>Features</h4>\n<ul><li>Real time stereo image analyzer.</li><li>Three detailed views: stereo image, \"stereogram\" (evolution of the image over time) and output parameters.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>3D waterfall view with full 3D control.</li><li>solid or wireframe 3D surface display.</li><li>Integrated correlation meter.</li><li>Instant, peak and average stereo image curves display.</li><li>Easy phase cancelation and mono compatibility issues detection.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><h3> Blue Cat\'s Widening Parametr\'EQ</h3> Blue Cat\'s Widening Parametr\'EQ is a 7 bands parametric Mid-Side equalizer based on Blue Cat\'s Parametr\'EQ algorithms, enabling you to widen or narrow the frequencies of your choice. This special \'widening\' version offers two independent equalizers for the mid and side channels with instant frequency response display. But Blue Cat\'s Widening Parametr\'EQ is much more than a standard mid/side equalizer, since it lets you choose the position of the virtual center for the Mid/Side matrix: you can really control where you want the equalization to take place in the stereo field. You can thus use this parametric mid/side equalizer for many purposes: from simple standard equalizing anywhere in the stereo field to advanced multi-band stereo widening or narrowing. The new non linear behavior and the included M/S output brickwall limiter will also let you modify the dynamics response of this very special plugin. <br /><ul></ul>'),(2883,85,0,481,'Blue Cat Audio All Plug-ins Pack'),(2884,85,1,481,'Blue Cat Audio All Plug-ins Pack'),(2885,76,0,481,''),(2886,76,1,481,''),(2887,75,0,482,'<h2>Blue Cat Analysis Pack</h2>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">Analyze, Monitor and Control</span></span><br /><br />Get all the tools you need to measure, monitor, understand your audio signal and also reuse these measurements to control other plug-ins or any MIDI controllable hardware!<br /><br />Blue Cat\'s DP Meter Pro plug-in will tell you everything about your audio levels. Blue Cat\'s FreqAnalyst Pro and FreqAnalyst Multi plug-ins provide extremely smooth spectrum and frequency content analysis. Finally, the StereoScope plug-ins series let you visualize the stereo image of your audio content in details.<br /><br />While the \'Pro\' plug-ins offer unique possibilities to create your own signal-controlled effects, the \'Multi\' versions have unique multiple instances features to perform the analysis on several tracks or anywhere in a signal chain. <br /><br /><h2>Bundle Includes:</h2>\n<h3>Blue Cat\'s DP Meter Pro</h3>Blue Cat\'s DP Meter Pro (DPMP) is a unique audio analysis tool: it \ncombines very flexible and customizable audio meters with advanced side \nchaining control capabilities thanks to its MIDI and automation outputs.\n The metering capabilities of the DPMP plug-in let you control and \nmonitor audio signals exactly the way you want: almost every aspect of \nthe peak, RMS and crest factor meters can be customized. It proposes \nfive different scales by default, including Bob Katz\'s popular K-System \nscales (K-12, K-14, K-20), and you can create your own.  Large colored \nstatistics displays following your own scales are included for an \noverview of a track, while histograms give you a precise measurement of \nthe dynamic range of the track. The graphs show the evolution of the \naudio envelopes over time, and the mid-side switch lets you verify mono \ncompatibility problems and check the \"stereoness\" of your audio sources \nvery easily. Whether you are working with mono, stereo or surround \ntracks, this plug-in will fit into your workflow. All envelopes (peak, \nRMS, crest factor...) can be reused for additional monitoring or side \nchaining purposes: combined together, reversed, modified and recorded as\n automation curves or sent as MIDI CC messages, they can control other \neffects in real time. The DP Meter Pro Tutorials explain how to use \nthese unique capabilities in your favorite host. Possibilities are \nendless, from voice over and ducking to side chain compression, multiple\n tracks monitoring or dynamic stereo enhancement. It is also possible to\n control external MIDI hardware (such a synths, MIDI effects), video \neffects or lighting systems with an audio signal.<br /><br />\n<h4>Features</h4><ul><li>Multichannel peak, RMS & crest factor meter.</li><li>True dynamic range measurement with levels histograms.</li><li>Instant, average and maximum audio levels.</li><li>Modular user interface to fit into your workflow, with multiple screen sizes.</li><li>Total control over the metering characteristics, including attack/release shape.</li><li>Bob Katz\'s K-System scales support (K-12 / K-14 / K-20 and custom)</li><li>Mono, stereo, mid-side or surround analysis.</li><li>Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.</li><li>Control in real time any MIDI-compatible plug-in or external MIDI \ndevice with the generated envelopes thanks to the plugin\'s MIDI CC \noutput. See the <a href=\"http://www.bluecataudio.com/Tutorials\" title=\"\">Tutorials</a> section for more examples.</li><li>Manage the shape of the output envelope: record reversed envelope, \nchange amount of signal, and offset the generated envelope. This lets \nyou use the plug-in for side chain ducking, compression and much more.</li><li>Easy \'stereoness\' and phase cancelation measurement.</li></ul> <br />\n<h3>Blue Cat\'s FreqAnalyst Multi</h3>\nBlue Cat\'s FreqAnalyst Multi is a unique multiple tracks real time \nspectrum analyzer: it lets you visualize the spectral content of several\n audio tracks on the same screen with extreme smoothness and high \nresolution, for both time and frequency. It is the ideal solution for \nmixing: you can use it as a frequency overlap detector and actually see \nwhich part of the spectrum every single instrument uses. It is now also \npossible to easily compare the spectrum of several instances (for EQ \nmatching or response curve measurement) thanks to the new \'Diff\' view \nwhich displays the difference between several curves. Just like \nwith Blue Cat\'s FreqAnalyst Pro plug-in, the frequency analysis can be \nfine tuned in details, and three modes are offered for each channel: \ninstant, peak or average response of several audio tracks can be \ndisplayed on the same graph (the plugin supports up to 16 curves). \nZooming capabilities and coordinates display let you exactly measure the\n characteristics of the spectrum for each audio track. Thanks to the \nadvanced routing capabilities you can define different settings for each\n track and thus adapt the analysis for each audio signal you want to \nanalyze. Our multiple tracks tutorial shows you how simple multiple \ntracks spectrum analysis can be. The four memory slots let you \nstore any curve in memory: it helps you make comparisons between several\n setups or portions of your audio project very easily. Thanks to \nincluded window opacity management feature and advanced layout \ncustomization capabilities, you can adapt the plug-in user interface to \nyour personal needs and enhance your workflow. It is also possible to \ncreate a completely custom user interface using Blue Cat\'s skinning \nlanguage. <br /><br />\n<h4>Features</h4>\n<ul>\n	<li>64-bit compliant (AAX / AU / VST)              </li><li>Mono, stereo or mid/side multiple tracks real time spectrum \nanalyzer: visualize and compare the spectrum of several audio tracks on \nthe same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between spectra for easy EQ matching and response curve measurement.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum view with zooming and precise measurement capabilities as well as note info display.</li><li>Multiple display sizes</li><li>Instant, peak and average curves display for each track.</li><li>Choose a name for each curve for easier sharing.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul>\n<br />\n<h3>Blue Cat\'s FreqAnalyst Pro</h3>\nBlue Cat\'s FreqAnalyst Pro is a real time spectrum analyzer with advanced functionalities. It uses the same smooth algorithms as its little brother (Blue Cat\'s FreqAnalyst free plug-in): it has been designed to provide extreme smoothness and high resolution for both time and frequency. The frequency analysis can be fine tuned in details: manage its precision and rate, apply an offset or slope to the measured spectrum. Two thresholding systems are available, and the time response can be changed thanks to the attack and release parameters. Three modes are offered for each channel: instant, peak or average response can be displayed on the same graph. Zooming capabilities and coordinates display let you exactly measure the characteristics of the spectrum. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. A spectrogram view has been added so that you can monitor the evolution of the spectrum over time either in 2D or 3D (3D waterfall mode). All channels are of course available in this view, with exact coordinates display and zooming capabilities. Like many of our other professional analysis tools, this plug-in also provides output parameters that you can use to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum frequencies and the energy center of the spectrum, expressed in Hertz or as MIDI note value. With the transformation parameters (offset, amount and reverse), you can customize the generation of these parameters and monitor the modifications on the value graphs. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to this unique functionality, you can now control any effect with the pitch of the audio signal: imagine a filter on an instrument controlled by the pitch of another instrument, compression depending on the pitch of the signal... Anything is possible. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4><ul><li>Mono, stereo or mid/side real time spectrum analyzer.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum and spectrogram views.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities, with note info display.</li><li>3D waterfall view with full 3D control.</li><li>Solid or wireframe 3D surface display.</li><li>Instant, peak and average curves display for each channel.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><br /><br /><h3>Blue Cat\'s Oscilloscope Multi</h3>Blue Cat\'s Oscilloscope Multi is a unique multiple tracks real time waveform renderer and comparator: it lets you visualize the content of several audio tracks on the same screen and compare them thanks to its X-Y view. The plugin offers stereo or mid-side channels waveform extraction as well as several synchronization modes. The zooming and precise measurement capabilities let you analyze the waveforms in details, and the XY phase scope view will help you track phase issues within an effect chain or while recording with multiple microphones. The additional histogram display complements the toolset to check the distribution of the values in the waveform and get an idea of the average peak level. The four memory slots let you store any waveform in memory: it helps you make comparisons between several setups or portions of your audio project very easily. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow<br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time oscilloscope: visualize and compare the waveform of several audio tracks on the same screen.</li><li>Waveform display with loop, flow and trigger modes.</li><li>Histogram display.</li><li>Dual channel XY phasescope view (Lissajous) for easy phase \ncancelation and mono compatibility issues detection on multiple tracks \nor within an effect chain.</li><li>Latency compensation capability to align waveforms.</li><li>Choose a name for each curve for easier sharing.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities.</li><li>Save the curves for easy A/B comparison.</li><li>Left-Right or Mid-Side operation modes</li><li>Unique data sharing technology with multi-core processors support.</li><li>Opacity control for the user interface.</li></ul><br /><h3> Blue Cat\'s Parametr\'EQ</h3> Blue Cat\'s Parametr\'EQ is a 7 bands parametric equalizer combining the advantages of both the digital and analog worlds. Its special non-linear and oversampling features let you easily simulate the compression and distortion that may occur in an analog EQ or on the contrary obtain a very clean and transparent digital EQ. The plug-in includes a low shelf/low cut filter, a high shelf/high cut filter and 5 boost/cut band filters. An optional brickwall limiter has been added to the output to protect your ears and monitors. Its wide range of gain (+/-40 dB per band) and bandwidth (one hundredth to five octaves) makes it suitable for any equalization task, especially with the extra zooming capability that lets you define your own range for the user interface. The included skins let you choose the layout that best suits your needs, and you can completely customize the user interface thanks to Blue Cat\'s Skinning language support. The graph displays the computed frequency response of the plug-in, so that you can exactly know how your signal is processed. This is not an approximated or \"ideal\" response curve based on the controls of the user interface, but the exact computed frequency response of the filter, which makes this plug-in a true WYSIWYG (What You See Is What You Get) equalizer. Thanks to the included Smooth Update technology, every single parameter of this equalizer can be automated in your favorite sequencer or controlled by MIDI in real time (MIDI learn included). You will get an absolutely zipper-free continuous time-varying equalization. Filters activation and bypass functions are now totally smooth and won\'t damage your ears or speakers. Last but not least, this equalizer has absolutely no latency, which make it perfect for real time applications.  <br /><br /><h3>Blue Cat\'s StereoScope Multi</h3>Blue Cat\'s StereoScope Multi is a unique tool to compare the stereo image of several tracks in real time. It is the ideal solution for mixing: you can actually see which part of the stereo field every single instrument uses. It can also be used to analyze an effect chain and see how audio effects influence the stereo image of your content. This plug-in is based on the same stereo analysis algorithms as Blue Cat\'s StereoScope Pro analysis plug-in, and the instant, peak or average responses of several audio tracks can be displayed on the same graph (the plug-in supports up to 16 curves). The same zooming capabilities and coordinates display let you exactly measure the characteristics of the stereo image for each audio track. The advanced routing capabilities let you define different settings for each track, and thus adapt the parameters for each audio signal you want to analyze. Our multiple tracks audio analysis tutorial shows you how to use this multitrack analysis feature. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time stereo field analyzer: visualize and \ncompare the stereo image of several audio tracks on the same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between curves for easy response curve measurement.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>Easy phase cancelation and mono compatibility issues detection on multiple tracks or within an effect chain.</li><li>Instant, peak and average curves display for each track.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><br /><h3>Blue Cat\'s StereoScope Pro</h3>Blue Cat\'s StereoScope Pro is a real time stereo field analyzer with multiple views and MIDI/automation output capabilities. It is a powerful help to analyze how the audio signal is spread in the stereo field, and you can easily detect potential phase and mono compatibilities issues. The stereo analysis can be controlled in details, and the precise measurements capabilities combined with the zoomable displays let you monitor what is exactly happening. Choose your preferred view for your needs: real time stereo field display, evolution of the stereo image over time (2D or 3D) or output parameters that explicitly describe the average position and extent of the audio signal in the stereo field. The 3D waterfall view lets you see in details from your preferred viewpoint the evolution of the stereo image over time. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. You can compare your mix with other commercial hits! Like our other professional analysis tools, the output parameters of this plug-in can be used to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum positions in the stereo field and the perceived position based on the audio energy spread in the stereo image. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow: work faster and more efficiently. <br /><br />\n<h4>Features</h4>\n<ul><li>Real time stereo image analyzer.</li><li>Three detailed views: stereo image, \"stereogram\" (evolution of the image over time) and output parameters.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>3D waterfall view with full 3D control.</li><li>solid or wireframe 3D surface display.</li><li>Integrated correlation meter.</li><li>Instant, peak and average stereo image curves display.</li><li>Easy phase cancelation and mono compatibility issues detection.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><ul></ul>'),(2888,75,1,482,'<h2>Blue Cat Analysis Pack</h2>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">Analyze, Monitor and Control</span></span><br /><br />Get all the tools you need to measure, monitor, understand your audio signal and also reuse these measurements to control other plug-ins or any MIDI controllable hardware!<br /><br />Blue Cat\'s DP Meter Pro plug-in will tell you everything about your audio levels. Blue Cat\'s FreqAnalyst Pro and FreqAnalyst Multi plug-ins provide extremely smooth spectrum and frequency content analysis. Finally, the StereoScope plug-ins series let you visualize the stereo image of your audio content in details.<br /><br />While the \'Pro\' plug-ins offer unique possibilities to create your own signal-controlled effects, the \'Multi\' versions have unique multiple instances features to perform the analysis on several tracks or anywhere in a signal chain. <br /><br /><h2>Bundle Includes:</h2>\n<h3>Blue Cat\'s DP Meter Pro</h3>Blue Cat\'s DP Meter Pro (DPMP) is a unique audio analysis tool: it \ncombines very flexible and customizable audio meters with advanced side \nchaining control capabilities thanks to its MIDI and automation outputs.\n The metering capabilities of the DPMP plug-in let you control and \nmonitor audio signals exactly the way you want: almost every aspect of \nthe peak, RMS and crest factor meters can be customized. It proposes \nfive different scales by default, including Bob Katz\'s popular K-System \nscales (K-12, K-14, K-20), and you can create your own.  Large colored \nstatistics displays following your own scales are included for an \noverview of a track, while histograms give you a precise measurement of \nthe dynamic range of the track. The graphs show the evolution of the \naudio envelopes over time, and the mid-side switch lets you verify mono \ncompatibility problems and check the \"stereoness\" of your audio sources \nvery easily. Whether you are working with mono, stereo or surround \ntracks, this plug-in will fit into your workflow. All envelopes (peak, \nRMS, crest factor...) can be reused for additional monitoring or side \nchaining purposes: combined together, reversed, modified and recorded as\n automation curves or sent as MIDI CC messages, they can control other \neffects in real time. The DP Meter Pro Tutorials explain how to use \nthese unique capabilities in your favorite host. Possibilities are \nendless, from voice over and ducking to side chain compression, multiple\n tracks monitoring or dynamic stereo enhancement. It is also possible to\n control external MIDI hardware (such a synths, MIDI effects), video \neffects or lighting systems with an audio signal.<br /><br />\n<h4>Features</h4><ul><li>Multichannel peak, RMS & crest factor meter.</li><li>True dynamic range measurement with levels histograms.</li><li>Instant, average and maximum audio levels.</li><li>Modular user interface to fit into your workflow, with multiple screen sizes.</li><li>Total control over the metering characteristics, including attack/release shape.</li><li>Bob Katz\'s K-System scales support (K-12 / K-14 / K-20 and custom)</li><li>Mono, stereo, mid-side or surround analysis.</li><li>Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.</li><li>Control in real time any MIDI-compatible plug-in or external MIDI \ndevice with the generated envelopes thanks to the plugin\'s MIDI CC \noutput. See the <a href=\"http://www.bluecataudio.com/Tutorials\" title=\"\">Tutorials</a> section for more examples.</li><li>Manage the shape of the output envelope: record reversed envelope, \nchange amount of signal, and offset the generated envelope. This lets \nyou use the plug-in for side chain ducking, compression and much more.</li><li>Easy \'stereoness\' and phase cancelation measurement.</li></ul> <br />\n<h3>Blue Cat\'s FreqAnalyst Multi</h3>\nBlue Cat\'s FreqAnalyst Multi is a unique multiple tracks real time \nspectrum analyzer: it lets you visualize the spectral content of several\n audio tracks on the same screen with extreme smoothness and high \nresolution, for both time and frequency. It is the ideal solution for \nmixing: you can use it as a frequency overlap detector and actually see \nwhich part of the spectrum every single instrument uses. It is now also \npossible to easily compare the spectrum of several instances (for EQ \nmatching or response curve measurement) thanks to the new \'Diff\' view \nwhich displays the difference between several curves. Just like \nwith Blue Cat\'s FreqAnalyst Pro plug-in, the frequency analysis can be \nfine tuned in details, and three modes are offered for each channel: \ninstant, peak or average response of several audio tracks can be \ndisplayed on the same graph (the plugin supports up to 16 curves). \nZooming capabilities and coordinates display let you exactly measure the\n characteristics of the spectrum for each audio track. Thanks to the \nadvanced routing capabilities you can define different settings for each\n track and thus adapt the analysis for each audio signal you want to \nanalyze. Our multiple tracks tutorial shows you how simple multiple \ntracks spectrum analysis can be. The four memory slots let you \nstore any curve in memory: it helps you make comparisons between several\n setups or portions of your audio project very easily. Thanks to \nincluded window opacity management feature and advanced layout \ncustomization capabilities, you can adapt the plug-in user interface to \nyour personal needs and enhance your workflow. It is also possible to \ncreate a completely custom user interface using Blue Cat\'s skinning \nlanguage. <br /><br />\n<h4>Features</h4>\n<ul>\n	<li>64-bit compliant (AAX / AU / VST)              </li><li>Mono, stereo or mid/side multiple tracks real time spectrum \nanalyzer: visualize and compare the spectrum of several audio tracks on \nthe same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between spectra for easy EQ matching and response curve measurement.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum view with zooming and precise measurement capabilities as well as note info display.</li><li>Multiple display sizes</li><li>Instant, peak and average curves display for each track.</li><li>Choose a name for each curve for easier sharing.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul>\n<br />\n<h3>Blue Cat\'s FreqAnalyst Pro</h3>\nBlue Cat\'s FreqAnalyst Pro is a real time spectrum analyzer with advanced functionalities. It uses the same smooth algorithms as its little brother (Blue Cat\'s FreqAnalyst free plug-in): it has been designed to provide extreme smoothness and high resolution for both time and frequency. The frequency analysis can be fine tuned in details: manage its precision and rate, apply an offset or slope to the measured spectrum. Two thresholding systems are available, and the time response can be changed thanks to the attack and release parameters. Three modes are offered for each channel: instant, peak or average response can be displayed on the same graph. Zooming capabilities and coordinates display let you exactly measure the characteristics of the spectrum. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. A spectrogram view has been added so that you can monitor the evolution of the spectrum over time either in 2D or 3D (3D waterfall mode). All channels are of course available in this view, with exact coordinates display and zooming capabilities. Like many of our other professional analysis tools, this plug-in also provides output parameters that you can use to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum frequencies and the energy center of the spectrum, expressed in Hertz or as MIDI note value. With the transformation parameters (offset, amount and reverse), you can customize the generation of these parameters and monitor the modifications on the value graphs. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to this unique functionality, you can now control any effect with the pitch of the audio signal: imagine a filter on an instrument controlled by the pitch of another instrument, compression depending on the pitch of the signal... Anything is possible. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4><ul><li>Mono, stereo or mid/side real time spectrum analyzer.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum and spectrogram views.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities, with note info display.</li><li>3D waterfall view with full 3D control.</li><li>Solid or wireframe 3D surface display.</li><li>Instant, peak and average curves display for each channel.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><br /><br /><h3>Blue Cat\'s Oscilloscope Multi</h3>Blue Cat\'s Oscilloscope Multi is a unique multiple tracks real time waveform renderer and comparator: it lets you visualize the content of several audio tracks on the same screen and compare them thanks to its X-Y view. The plugin offers stereo or mid-side channels waveform extraction as well as several synchronization modes. The zooming and precise measurement capabilities let you analyze the waveforms in details, and the XY phase scope view will help you track phase issues within an effect chain or while recording with multiple microphones. The additional histogram display complements the toolset to check the distribution of the values in the waveform and get an idea of the average peak level. The four memory slots let you store any waveform in memory: it helps you make comparisons between several setups or portions of your audio project very easily. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow<br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time oscilloscope: visualize and compare the waveform of several audio tracks on the same screen.</li><li>Waveform display with loop, flow and trigger modes.</li><li>Histogram display.</li><li>Dual channel XY phasescope view (Lissajous) for easy phase \ncancelation and mono compatibility issues detection on multiple tracks \nor within an effect chain.</li><li>Latency compensation capability to align waveforms.</li><li>Choose a name for each curve for easier sharing.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities.</li><li>Save the curves for easy A/B comparison.</li><li>Left-Right or Mid-Side operation modes</li><li>Unique data sharing technology with multi-core processors support.</li><li>Opacity control for the user interface.</li></ul><br /><h3> Blue Cat\'s Parametr\'EQ</h3> Blue Cat\'s Parametr\'EQ is a 7 bands parametric equalizer combining the advantages of both the digital and analog worlds. Its special non-linear and oversampling features let you easily simulate the compression and distortion that may occur in an analog EQ or on the contrary obtain a very clean and transparent digital EQ. The plug-in includes a low shelf/low cut filter, a high shelf/high cut filter and 5 boost/cut band filters. An optional brickwall limiter has been added to the output to protect your ears and monitors. Its wide range of gain (+/-40 dB per band) and bandwidth (one hundredth to five octaves) makes it suitable for any equalization task, especially with the extra zooming capability that lets you define your own range for the user interface. The included skins let you choose the layout that best suits your needs, and you can completely customize the user interface thanks to Blue Cat\'s Skinning language support. The graph displays the computed frequency response of the plug-in, so that you can exactly know how your signal is processed. This is not an approximated or \"ideal\" response curve based on the controls of the user interface, but the exact computed frequency response of the filter, which makes this plug-in a true WYSIWYG (What You See Is What You Get) equalizer. Thanks to the included Smooth Update technology, every single parameter of this equalizer can be automated in your favorite sequencer or controlled by MIDI in real time (MIDI learn included). You will get an absolutely zipper-free continuous time-varying equalization. Filters activation and bypass functions are now totally smooth and won\'t damage your ears or speakers. Last but not least, this equalizer has absolutely no latency, which make it perfect for real time applications.  <br /><br /><h3>Blue Cat\'s StereoScope Multi</h3>Blue Cat\'s StereoScope Multi is a unique tool to compare the stereo image of several tracks in real time. It is the ideal solution for mixing: you can actually see which part of the stereo field every single instrument uses. It can also be used to analyze an effect chain and see how audio effects influence the stereo image of your content. This plug-in is based on the same stereo analysis algorithms as Blue Cat\'s StereoScope Pro analysis plug-in, and the instant, peak or average responses of several audio tracks can be displayed on the same graph (the plug-in supports up to 16 curves). The same zooming capabilities and coordinates display let you exactly measure the characteristics of the stereo image for each audio track. The advanced routing capabilities let you define different settings for each track, and thus adapt the parameters for each audio signal you want to analyze. Our multiple tracks audio analysis tutorial shows you how to use this multitrack analysis feature. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time stereo field analyzer: visualize and \ncompare the stereo image of several audio tracks on the same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between curves for easy response curve measurement.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>Easy phase cancelation and mono compatibility issues detection on multiple tracks or within an effect chain.</li><li>Instant, peak and average curves display for each track.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><br /><h3>Blue Cat\'s StereoScope Pro</h3>Blue Cat\'s StereoScope Pro is a real time stereo field analyzer with multiple views and MIDI/automation output capabilities. It is a powerful help to analyze how the audio signal is spread in the stereo field, and you can easily detect potential phase and mono compatibilities issues. The stereo analysis can be controlled in details, and the precise measurements capabilities combined with the zoomable displays let you monitor what is exactly happening. Choose your preferred view for your needs: real time stereo field display, evolution of the stereo image over time (2D or 3D) or output parameters that explicitly describe the average position and extent of the audio signal in the stereo field. The 3D waterfall view lets you see in details from your preferred viewpoint the evolution of the stereo image over time. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. You can compare your mix with other commercial hits! Like our other professional analysis tools, the output parameters of this plug-in can be used to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum positions in the stereo field and the perceived position based on the audio energy spread in the stereo image. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow: work faster and more efficiently. <br /><br />\n<h4>Features</h4>\n<ul><li>Real time stereo image analyzer.</li><li>Three detailed views: stereo image, \"stereogram\" (evolution of the image over time) and output parameters.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>3D waterfall view with full 3D control.</li><li>solid or wireframe 3D surface display.</li><li>Integrated correlation meter.</li><li>Instant, peak and average stereo image curves display.</li><li>Easy phase cancelation and mono compatibility issues detection.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><ul></ul>'),(2889,85,0,482,'Blue Cat Audio Analysis Pack'),(2890,85,1,482,'Blue Cat Audio Analysis Pack'),(2891,76,0,482,''),(2892,76,1,482,''),(2893,75,0,483,'<h2>Blue Cat Audio Crafters Pack</h2>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The Ultimate Creative Toolkit</span></span><br /><br />Blue Cat\'s Crafters Pack is the ultimate audio toolkit to design your own custom toolbox:<br /><br />Write your own effects or virtual instruments with Blue Cat\'s Plug\'n Script, create custom MIDI controllers with Blue Cat\'s Remote Control, and connect everything together with Blue Cat\'s PatchWork, as a plug-in or standalone application.<br /><br />With Blue Cat\'s MB-7 Mixer, create your own multiband processors by applying plug-ins of your choice (including your own!) to distinct frequency bands.<br /><br />The \"Multi\" analysis plug-ins series are also included, to help you during the creation process: analyze and match existing gear, or check how your processing chains are impacting the signal.<br /><br />If you really care about having tools that adapt to your own workflow, or if you are a programmer and want to speed up your development process, check it out: Blue Cat\'s Crafters Pack will unleash your creativity!<br /><br /><h2>Bundle Includes:</h2>\n<h3>Blue Cat\'s DP Meter Pro</h3>Blue Cat\'s DP Meter Pro (DPMP) is a unique audio analysis tool: it \ncombines very flexible and customizable audio meters with advanced side \nchaining control capabilities thanks to its MIDI and automation outputs.\n The metering capabilities of the DPMP plug-in let you control and \nmonitor audio signals exactly the way you want: almost every aspect of \nthe peak, RMS and crest factor meters can be customized. It proposes \nfive different scales by default, including Bob Katz\'s popular K-System \nscales (K-12, K-14, K-20), and you can create your own.  Large colored \nstatistics displays following your own scales are included for an \noverview of a track, while histograms give you a precise measurement of \nthe dynamic range of the track. The graphs show the evolution of the \naudio envelopes over time, and the mid-side switch lets you verify mono \ncompatibility problems and check the \"stereoness\" of your audio sources \nvery easily. Whether you are working with mono, stereo or surround \ntracks, this plug-in will fit into your workflow. All envelopes (peak, \nRMS, crest factor...) can be reused for additional monitoring or side \nchaining purposes: combined together, reversed, modified and recorded as\n automation curves or sent as MIDI CC messages, they can control other \neffects in real time. The DP Meter Pro Tutorials explain how to use \nthese unique capabilities in your favorite host. Possibilities are \nendless, from voice over and ducking to side chain compression, multiple\n tracks monitoring or dynamic stereo enhancement. It is also possible to\n control external MIDI hardware (such a synths, MIDI effects), video \neffects or lighting systems with an audio signal.<br /><br />\n<h4>Features</h4><ul><li>Multichannel peak, RMS & crest factor meter.</li><li>True dynamic range measurement with levels histograms.</li><li>Instant, average and maximum audio levels.</li><li>Modular user interface to fit into your workflow, with multiple screen sizes.</li><li>Total control over the metering characteristics, including attack/release shape.</li><li>Bob Katz\'s K-System scales support (K-12 / K-14 / K-20 and custom)</li><li>Mono, stereo, mid-side or surround analysis.</li><li>Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.</li><li>Control in real time any MIDI-compatible plug-in or external MIDI \ndevice with the generated envelopes thanks to the plugin\'s MIDI CC \noutput. See the <a href=\"http://www.bluecataudio.com/Tutorials\" title=\"\">Tutorials</a> section for more examples.</li><li>Manage the shape of the output envelope: record reversed envelope, \nchange amount of signal, and offset the generated envelope. This lets \nyou use the plug-in for side chain ducking, compression and much more.</li><li>Easy \'stereoness\' and phase cancelation measurement.</li></ul> <br /><h3>Blue Cat\'s Dynamics </h3>Blue Cat\'s Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior. The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to. The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor. An additional brick wall limiter and clipper protects the output for complete control over the dynamics response. Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.  The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application. All these features can be controlled from a fully configurable and \"skinnable\" user interface, or from any external controller.<br />The package includes a mono and a stereo version for optimal CPU usage.<br /><br /><h4>Features</h4><ul><li>Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.</li><li>Total control over the processor: continuous peak/RMS and Opto/VCA \nmodes selection, peak envelope shape control, depth control to limit the\n gain range.</li><li>Total control over the signal: dry/wet control for parallel compression, input and side chain filters.</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or clipper.</li><li>Optimal monitoring: dynamics response, envelopes and gain reduction \nreal time display with zooming capability. The main compression \ninformation can be recorded as automation curves.</li><li>Best quality: up to 4x oversampling for the best sounding quality.</li><li>Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.</li><li>Fully configurable user interface for optimal experience.</li><li>No latency.</li></ul>\n <br />\n<h3>Blue Cat\'s FreqAnalyst Multi</h3>\nBlue Cat\'s FreqAnalyst Multi is a unique multiple tracks real time \nspectrum analyzer: it lets you visualize the spectral content of several\n audio tracks on the same screen with extreme smoothness and high \nresolution, for both time and frequency. It is the ideal solution for \nmixing: you can use it as a frequency overlap detector and actually see \nwhich part of the spectrum every single instrument uses. It is now also \npossible to easily compare the spectrum of several instances (for EQ \nmatching or response curve measurement) thanks to the new \'Diff\' view \nwhich displays the difference between several curves. Just like \nwith Blue Cat\'s FreqAnalyst Pro plug-in, the frequency analysis can be \nfine tuned in details, and three modes are offered for each channel: \ninstant, peak or average response of several audio tracks can be \ndisplayed on the same graph (the plugin supports up to 16 curves). \nZooming capabilities and coordinates display let you exactly measure the\n characteristics of the spectrum for each audio track. Thanks to the \nadvanced routing capabilities you can define different settings for each\n track and thus adapt the analysis for each audio signal you want to \nanalyze. Our multiple tracks tutorial shows you how simple multiple \ntracks spectrum analysis can be. The four memory slots let you \nstore any curve in memory: it helps you make comparisons between several\n setups or portions of your audio project very easily. Thanks to \nincluded window opacity management feature and advanced layout \ncustomization capabilities, you can adapt the plug-in user interface to \nyour personal needs and enhance your workflow. It is also possible to \ncreate a completely custom user interface using Blue Cat\'s skinning \nlanguage. <br /><br />\n<h4>Features</h4>\n<ul>\n	<li>64-bit compliant (AAX / AU / VST)              </li><li>Mono, stereo or mid/side multiple tracks real time spectrum \nanalyzer: visualize and compare the spectrum of several audio tracks on \nthe same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between spectra for easy EQ matching and response curve measurement.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum view with zooming and precise measurement capabilities as well as note info display.</li><li>Multiple display sizes</li><li>Instant, peak and average curves display for each track.</li><li>Choose a name for each curve for easier sharing.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul>\n<br /><br /><h3>Blue Cat\'s MB-7 Mixer</h3>Blue Cat\'s MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the \"stereoness\" and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST, VST3 and Audio Unit host: you can process each band independently with your favorite VST, VST3 or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several competing tracks. And as usual with Blue Cat Audio, the plug-in provides comprehensive visual feedback to let you know what\'s exactly going on: for each channel, monitor the spectrum, the in/out levels and the frequency response. Thanks to its advanced MIDI and automation input capabilities, when combined with our other plug-ins, Blue Cat\'s MB-7 Mixer is capable of advanced side-chaining features that really unveils its potential. Check out our MB-7 Mixer Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><br /><h3>Blue Cat\'s Oscilloscope Multi</h3>Blue Cat\'s Oscilloscope Multi is a unique multiple tracks real time waveform renderer and comparator: it lets you visualize the content of several audio tracks on the same screen and compare them thanks to its X-Y view. The plugin offers stereo or mid-side channels waveform extraction as well as several synchronization modes. The zooming and precise measurement capabilities let you analyze the waveforms in details, and the XY phase scope view will help you track phase issues within an effect chain or while recording with multiple microphones. The additional histogram display complements the toolset to check the distribution of the values in the waveform and get an idea of the average peak level. The four memory slots let you store any waveform in memory: it helps you make comparisons between several setups or portions of your audio project very easily. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow<br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time oscilloscope: visualize and compare the waveform of several audio tracks on the same screen.</li><li>Waveform display with loop, flow and trigger modes.</li><li>Histogram display.</li><li>Dual channel XY phasescope view (Lissajous) for easy phase \ncancelation and mono compatibility issues detection on multiple tracks \nor within an effect chain.</li><li>Latency compensation capability to align waveforms.</li><li>Choose a name for each curve for easier sharing.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities.</li><li>Save the curves for easy A/B comparison.</li><li>Left-Right or Mid-Side operation modes</li><li>Unique data sharing technology with multi-core processors support.</li><li>Opacity control for the user interface.</li></ul><br /><h3>Blue Cat\'s PatchWork </h3>Blue Cat\'s PatchWork is a universal plug-ins patchbay that can host up to 64 VST, VST3 or Audio Unit plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack\'s matrix. All plug-ins can also communicate with each other or with the host application using the virtual MIDI ports offered by the plug-in. For each plug-in slot, latency compensation, presets management, undo/redo integration, audio i/o selection and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.<br /> Also, sub plug-ins can be automated or controlled with external control surfaces using Blue Cat\'s PatchWork parameters mapping capabilities. This product is available as an audio plug-in (effect or a virtual instrument) and standalone application, so that it can used alone or inserted on any type of track in your favorite DAW, with up to 16 audio channels. Input and output level meters are also available to monitor the signal that is dispatched to inserted plug-ins, including side chain and aux channels.<br /><br />\n<h4>Features</h4>\n<ul><li>Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.</li><li>Available as an effect, virtual instrument or standalone application.</li><li>Build your own effects chains: up to 8 \"pre\" and \"post\" plug-ins slots to chain plug-ins in series.</li><li>Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.</li><li>Host up to 8 virtual instruments in parallel and mix them within the plug-in.</li><li>Global Dry/Wet control (\"Mix\").</li><li>Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.</li><li>Flexible MIDI routing: connect sub plug-ins together or with the host application.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel.</li><li>External side chain and multiple outputs support.</li><li>Link pre and post gains for automatic gain compensation.</li><li>Cut, Copy and paste plug-ins with their settings between slots.</li><li>Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.</li><li>Input and output levels monitoring.</li><li>Plug-ins Latency compensation.</li><li>Supports VST Shell plug-ins.</li><li>Integrated undo/redo.</li><li>Fully customizable user interface, with multiple sizes.</li></ul><br /><h3>Blue Cat\'s Plug\'n Script</h3>Blue Cat\'s Plug\'n Script is a scripting plug-in that can be programmed to quickly build custom audio and MIDI effects or virtual instruments, without quitting your favorite DAW software. With this plug-in, you can write your own effects with very little knowledge about programming: no need to invest time and money to learn all these plug-in formats, they are all supported here already! If you do not care about programming, Blue Cat\'s Plug\'n Script can also be used as a regular processor with existing scripts or to get someone else write this very particular effect you have been searching for years and cannot find anywhere. It is also possible for audio software companies to use this plug-in to quickly prototype algorithms and reduce the time required to develop audio products: writing and testing scripts is lightning fast! This plug-in has been in our lab for several years and has been used to prototype lots of our existing plug-ins. It supports both scripts distributed as source code and pre-compiled binary scripts. For source scripts, it uses the high performance AngelScript scripting engine, originally developed for video games, with a JIT compiler that helps compiling scripts into machine code for optimal performance. Starting with version 2, the plug-in also supports native (compiled) code and can load binary scripts built from C or C++ (or any language that can export C functions), using the same interface as the angelscript version. The syntax of the AngelScript language is close to Java, C#, C++ or JavaScript, making it very easy to learn. It is also convenient to reuse your scripts into native code, or integrate code snippets found on the web into your script. Also, switching between angelscript and binary versions of the same script is very easy, requiring very few changes. The plug-in includes dozens of audio and MIDI processing scripts as well as several virtual instruments and utilities to enhance your workflow. They can be used as is, or as examples to get started to write your own scripts. User scripts can be shared in the scripts repository, which also includes the factory scripts and native projects for reference.<br /><br />Note: on Mac, the factory native scripts require Mac OSX 10.7 or newer.<br /><br />\n<h4>Features</h4><ul><li>Audio and MIDI scripting plug-in.</li><li>Build your own Audio and MIDI effects or virtual instruments.</li><li>Simple scripting syntax, using either the AngelScript language (similar to C++, Java or javascript) or C/C++ for native code.</li><li>Native binary scripts support (compiled C or C++).</li><li>The user interface adapts to scripts automatically. Build your own using Blue Cat\'s KUIML language.</li><li>Up to 48 input parameters and 32 outputs, with full MIDI and automation control.</li><li>Use your favorite Integrated Development Environment (IDE) for editing.</li><li>Integrated JIT (Just In Time) compiler for optimal performance (scripts are not interpreted but compiled).</li><li>Includes\n 55 scripts with source code and 132 presets for sound synthesis, MIDI \nFX, audio FX (comp, gate, tremolo echo, filters, looper...), waveform \ngeneration, file playback/recording and more.</li><li>Side chain input and auxiliary outputs support.</li><li>Surround support (up to 8 audio channels). </li></ul><br /><h3>Blue Cat\'s Remote Control </h3> Blue Cat\'s Remote Control is a set of plug-ins which let you control and monitor in real time several MIDI controllable plug-ins or devices from a single customizable user interface: the user interface of your favorite DirectX or VST plugin does not satisfy you? Your favorite hardware device is too complicated to control? Your project contains hundreds of plug-ins and you would like to control them all from a single user interface? You want undo/redo for all your modifications? This product was designed for you. The package includes 3 plug-ins: Remote Control 16, 32 and 64, which have the ability to manage up to 16, 32 or 64 parameters. You can assign a MIDI channel and CC number to each controller, customize its response curve. You can as well choose a skin that suits your needs for every instance of the remote control (several skins are included in the package, see the screenshots), or create your own (see the Skins section): this is the best way to create your own user interface to control your entire Digital Audio Workstation (DAW) the way you have chosen. If you have a very specific project and you do not have time to spend on our Skinning Language, Blue Cat Audio can also create custom skins for you: see our Consulting page for more information. Another way to use the product is for MIDI control remapping and transform: assign an input parameter a given MIDI CC, and assign the associated output parameter to another MIDI CC with different response curve parameters: the plug-in will remap the controller to the new CC and channel with a new response curve. <br /><br />\n<h4>Features</h4>\n<ul><li>Virtual MIDI control surface and monitoring tool.</li><li>Control or monitor in real time any MIDI-controllable plug-in or external MIDI device.</li><li>Customize the controls response curve with advanced settings.</li><li>Create your own Digital Workstation controller thanks to Blue Cat\'s Skinning Language.</li><li>MIDI learn.</li><li>Full automation support.</li><li>DirectX and VST formats.</li><li>Undo/Redo.</li><li>Load and Save presets in a host independent format.</li></ul><br /><h3>Blue Cat\'s StereoScope Multi</h3>Blue Cat\'s StereoScope Multi is a unique tool to compare the stereo image of several tracks in real time. It is the ideal solution for mixing: you can actually see which part of the stereo field every single instrument uses. It can also be used to analyze an effect chain and see how audio effects influence the stereo image of your content. This plug-in is based on the same stereo analysis algorithms as Blue Cat\'s StereoScope Pro analysis plug-in, and the instant, peak or average responses of several audio tracks can be displayed on the same graph (the plug-in supports up to 16 curves). The same zooming capabilities and coordinates display let you exactly measure the characteristics of the stereo image for each audio track. The advanced routing capabilities let you define different settings for each track, and thus adapt the parameters for each audio signal you want to analyze. Our multiple tracks audio analysis tutorial shows you how to use this multitrack analysis feature. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time stereo field analyzer: visualize and \ncompare the stereo image of several audio tracks on the same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between curves for easy response curve measurement.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>Easy phase cancellation and mono compatibility issues detection on multiple tracks or within an effect chain.</li><li>Instant, peak and average curves display for each track.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><ul></ul>'),(2894,75,1,483,'<h2>Blue Cat Audio Crafters Pack</h2>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The Ultimate Creative Toolkit</span></span><br /><br />Blue Cat\'s Crafters Pack is the ultimate audio toolkit to design your own custom toolbox:<br /><br />Write your own effects or virtual instruments with Blue Cat\'s Plug\'n Script, create custom MIDI controllers with Blue Cat\'s Remote Control, and connect everything together with Blue Cat\'s PatchWork, as a plug-in or standalone application.<br /><br />With Blue Cat\'s MB-7 Mixer, create your own multiband processors by applying plug-ins of your choice (including your own!) to distinct frequency bands.<br /><br />The \"Multi\" analysis plug-ins series are also included, to help you during the creation process: analyze and match existing gear, or check how your processing chains are impacting the signal.<br /><br />If you really care about having tools that adapt to your own workflow, or if you are a programmer and want to speed up your development process, check it out: Blue Cat\'s Crafters Pack will unleash your creativity!<br /><br /><h2>Bundle Includes:</h2>\n<h3>Blue Cat\'s DP Meter Pro</h3>Blue Cat\'s DP Meter Pro (DPMP) is a unique audio analysis tool: it \ncombines very flexible and customizable audio meters with advanced side \nchaining control capabilities thanks to its MIDI and automation outputs.\n The metering capabilities of the DPMP plug-in let you control and \nmonitor audio signals exactly the way you want: almost every aspect of \nthe peak, RMS and crest factor meters can be customized. It proposes \nfive different scales by default, including Bob Katz\'s popular K-System \nscales (K-12, K-14, K-20), and you can create your own.  Large colored \nstatistics displays following your own scales are included for an \noverview of a track, while histograms give you a precise measurement of \nthe dynamic range of the track. The graphs show the evolution of the \naudio envelopes over time, and the mid-side switch lets you verify mono \ncompatibility problems and check the \"stereoness\" of your audio sources \nvery easily. Whether you are working with mono, stereo or surround \ntracks, this plug-in will fit into your workflow. All envelopes (peak, \nRMS, crest factor...) can be reused for additional monitoring or side \nchaining purposes: combined together, reversed, modified and recorded as\n automation curves or sent as MIDI CC messages, they can control other \neffects in real time. The DP Meter Pro Tutorials explain how to use \nthese unique capabilities in your favorite host. Possibilities are \nendless, from voice over and ducking to side chain compression, multiple\n tracks monitoring or dynamic stereo enhancement. It is also possible to\n control external MIDI hardware (such a synths, MIDI effects), video \neffects or lighting systems with an audio signal.<br /><br />\n<h4>Features</h4><ul><li>Multichannel peak, RMS & crest factor meter.</li><li>True dynamic range measurement with levels histograms.</li><li>Instant, average and maximum audio levels.</li><li>Modular user interface to fit into your workflow, with multiple screen sizes.</li><li>Total control over the metering characteristics, including attack/release shape.</li><li>Bob Katz\'s K-System scales support (K-12 / K-14 / K-20 and custom)</li><li>Mono, stereo, mid-side or surround analysis.</li><li>Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.</li><li>Control in real time any MIDI-compatible plug-in or external MIDI \ndevice with the generated envelopes thanks to the plugin\'s MIDI CC \noutput. See the <a href=\"http://www.bluecataudio.com/Tutorials\" title=\"\">Tutorials</a> section for more examples.</li><li>Manage the shape of the output envelope: record reversed envelope, \nchange amount of signal, and offset the generated envelope. This lets \nyou use the plug-in for side chain ducking, compression and much more.</li><li>Easy \'stereoness\' and phase cancelation measurement.</li></ul> <br /><h3>Blue Cat\'s Dynamics </h3>Blue Cat\'s Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior. The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to. The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor. An additional brick wall limiter and clipper protects the output for complete control over the dynamics response. Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.  The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application. All these features can be controlled from a fully configurable and \"skinnable\" user interface, or from any external controller.<br />The package includes a mono and a stereo version for optimal CPU usage.<br /><br /><h4>Features</h4><ul><li>Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.</li><li>Total control over the processor: continuous peak/RMS and Opto/VCA \nmodes selection, peak envelope shape control, depth control to limit the\n gain range.</li><li>Total control over the signal: dry/wet control for parallel compression, input and side chain filters.</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or clipper.</li><li>Optimal monitoring: dynamics response, envelopes and gain reduction \nreal time display with zooming capability. The main compression \ninformation can be recorded as automation curves.</li><li>Best quality: up to 4x oversampling for the best sounding quality.</li><li>Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.</li><li>Fully configurable user interface for optimal experience.</li><li>No latency.</li></ul>\n <br />\n<h3>Blue Cat\'s FreqAnalyst Multi</h3>\nBlue Cat\'s FreqAnalyst Multi is a unique multiple tracks real time \nspectrum analyzer: it lets you visualize the spectral content of several\n audio tracks on the same screen with extreme smoothness and high \nresolution, for both time and frequency. It is the ideal solution for \nmixing: you can use it as a frequency overlap detector and actually see \nwhich part of the spectrum every single instrument uses. It is now also \npossible to easily compare the spectrum of several instances (for EQ \nmatching or response curve measurement) thanks to the new \'Diff\' view \nwhich displays the difference between several curves. Just like \nwith Blue Cat\'s FreqAnalyst Pro plug-in, the frequency analysis can be \nfine tuned in details, and three modes are offered for each channel: \ninstant, peak or average response of several audio tracks can be \ndisplayed on the same graph (the plugin supports up to 16 curves). \nZooming capabilities and coordinates display let you exactly measure the\n characteristics of the spectrum for each audio track. Thanks to the \nadvanced routing capabilities you can define different settings for each\n track and thus adapt the analysis for each audio signal you want to \nanalyze. Our multiple tracks tutorial shows you how simple multiple \ntracks spectrum analysis can be. The four memory slots let you \nstore any curve in memory: it helps you make comparisons between several\n setups or portions of your audio project very easily. Thanks to \nincluded window opacity management feature and advanced layout \ncustomization capabilities, you can adapt the plug-in user interface to \nyour personal needs and enhance your workflow. It is also possible to \ncreate a completely custom user interface using Blue Cat\'s skinning \nlanguage. <br /><br />\n<h4>Features</h4>\n<ul>\n	<li>64-bit compliant (AAX / AU / VST)              </li><li>Mono, stereo or mid/side multiple tracks real time spectrum \nanalyzer: visualize and compare the spectrum of several audio tracks on \nthe same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between spectra for easy EQ matching and response curve measurement.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum view with zooming and precise measurement capabilities as well as note info display.</li><li>Multiple display sizes</li><li>Instant, peak and average curves display for each track.</li><li>Choose a name for each curve for easier sharing.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul>\n<br /><br /><h3>Blue Cat\'s MB-7 Mixer</h3>Blue Cat\'s MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the \"stereoness\" and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST, VST3 and Audio Unit host: you can process each band independently with your favorite VST, VST3 or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several competing tracks. And as usual with Blue Cat Audio, the plug-in provides comprehensive visual feedback to let you know what\'s exactly going on: for each channel, monitor the spectrum, the in/out levels and the frequency response. Thanks to its advanced MIDI and automation input capabilities, when combined with our other plug-ins, Blue Cat\'s MB-7 Mixer is capable of advanced side-chaining features that really unveils its potential. Check out our MB-7 Mixer Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><br /><h3>Blue Cat\'s Oscilloscope Multi</h3>Blue Cat\'s Oscilloscope Multi is a unique multiple tracks real time waveform renderer and comparator: it lets you visualize the content of several audio tracks on the same screen and compare them thanks to its X-Y view. The plugin offers stereo or mid-side channels waveform extraction as well as several synchronization modes. The zooming and precise measurement capabilities let you analyze the waveforms in details, and the XY phase scope view will help you track phase issues within an effect chain or while recording with multiple microphones. The additional histogram display complements the toolset to check the distribution of the values in the waveform and get an idea of the average peak level. The four memory slots let you store any waveform in memory: it helps you make comparisons between several setups or portions of your audio project very easily. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow<br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time oscilloscope: visualize and compare the waveform of several audio tracks on the same screen.</li><li>Waveform display with loop, flow and trigger modes.</li><li>Histogram display.</li><li>Dual channel XY phasescope view (Lissajous) for easy phase \ncancelation and mono compatibility issues detection on multiple tracks \nor within an effect chain.</li><li>Latency compensation capability to align waveforms.</li><li>Choose a name for each curve for easier sharing.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities.</li><li>Save the curves for easy A/B comparison.</li><li>Left-Right or Mid-Side operation modes</li><li>Unique data sharing technology with multi-core processors support.</li><li>Opacity control for the user interface.</li></ul><br /><h3>Blue Cat\'s PatchWork </h3>Blue Cat\'s PatchWork is a universal plug-ins patchbay that can host up to 64 VST, VST3 or Audio Unit plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack\'s matrix. All plug-ins can also communicate with each other or with the host application using the virtual MIDI ports offered by the plug-in. For each plug-in slot, latency compensation, presets management, undo/redo integration, audio i/o selection and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.<br /> Also, sub plug-ins can be automated or controlled with external control surfaces using Blue Cat\'s PatchWork parameters mapping capabilities. This product is available as an audio plug-in (effect or a virtual instrument) and standalone application, so that it can used alone or inserted on any type of track in your favorite DAW, with up to 16 audio channels. Input and output level meters are also available to monitor the signal that is dispatched to inserted plug-ins, including side chain and aux channels.<br /><br />\n<h4>Features</h4>\n<ul><li>Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.</li><li>Available as an effect, virtual instrument or standalone application.</li><li>Build your own effects chains: up to 8 \"pre\" and \"post\" plug-ins slots to chain plug-ins in series.</li><li>Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.</li><li>Host up to 8 virtual instruments in parallel and mix them within the plug-in.</li><li>Global Dry/Wet control (\"Mix\").</li><li>Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.</li><li>Flexible MIDI routing: connect sub plug-ins together or with the host application.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel.</li><li>External side chain and multiple outputs support.</li><li>Link pre and post gains for automatic gain compensation.</li><li>Cut, Copy and paste plug-ins with their settings between slots.</li><li>Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.</li><li>Input and output levels monitoring.</li><li>Plug-ins Latency compensation.</li><li>Supports VST Shell plug-ins.</li><li>Integrated undo/redo.</li><li>Fully customizable user interface, with multiple sizes.</li></ul><br /><h3>Blue Cat\'s Plug\'n Script</h3>Blue Cat\'s Plug\'n Script is a scripting plug-in that can be programmed to quickly build custom audio and MIDI effects or virtual instruments, without quitting your favorite DAW software. With this plug-in, you can write your own effects with very little knowledge about programming: no need to invest time and money to learn all these plug-in formats, they are all supported here already! If you do not care about programming, Blue Cat\'s Plug\'n Script can also be used as a regular processor with existing scripts or to get someone else write this very particular effect you have been searching for years and cannot find anywhere. It is also possible for audio software companies to use this plug-in to quickly prototype algorithms and reduce the time required to develop audio products: writing and testing scripts is lightning fast! This plug-in has been in our lab for several years and has been used to prototype lots of our existing plug-ins. It supports both scripts distributed as source code and pre-compiled binary scripts. For source scripts, it uses the high performance AngelScript scripting engine, originally developed for video games, with a JIT compiler that helps compiling scripts into machine code for optimal performance. Starting with version 2, the plug-in also supports native (compiled) code and can load binary scripts built from C or C++ (or any language that can export C functions), using the same interface as the angelscript version. The syntax of the AngelScript language is close to Java, C#, C++ or JavaScript, making it very easy to learn. It is also convenient to reuse your scripts into native code, or integrate code snippets found on the web into your script. Also, switching between angelscript and binary versions of the same script is very easy, requiring very few changes. The plug-in includes dozens of audio and MIDI processing scripts as well as several virtual instruments and utilities to enhance your workflow. They can be used as is, or as examples to get started to write your own scripts. User scripts can be shared in the scripts repository, which also includes the factory scripts and native projects for reference.<br /><br />Note: on Mac, the factory native scripts require Mac OSX 10.7 or newer.<br /><br />\n<h4>Features</h4><ul><li>Audio and MIDI scripting plug-in.</li><li>Build your own Audio and MIDI effects or virtual instruments.</li><li>Simple scripting syntax, using either the AngelScript language (similar to C++, Java or javascript) or C/C++ for native code.</li><li>Native binary scripts support (compiled C or C++).</li><li>The user interface adapts to scripts automatically. Build your own using Blue Cat\'s KUIML language.</li><li>Up to 48 input parameters and 32 outputs, with full MIDI and automation control.</li><li>Use your favorite Integrated Development Environment (IDE) for editing.</li><li>Integrated JIT (Just In Time) compiler for optimal performance (scripts are not interpreted but compiled).</li><li>Includes\n 55 scripts with source code and 132 presets for sound synthesis, MIDI \nFX, audio FX (comp, gate, tremolo echo, filters, looper...), waveform \ngeneration, file playback/recording and more.</li><li>Side chain input and auxiliary outputs support.</li><li>Surround support (up to 8 audio channels). </li></ul><br /><h3>Blue Cat\'s Remote Control </h3> Blue Cat\'s Remote Control is a set of plug-ins which let you control and monitor in real time several MIDI controllable plug-ins or devices from a single customizable user interface: the user interface of your favorite DirectX or VST plugin does not satisfy you? Your favorite hardware device is too complicated to control? Your project contains hundreds of plug-ins and you would like to control them all from a single user interface? You want undo/redo for all your modifications? This product was designed for you. The package includes 3 plug-ins: Remote Control 16, 32 and 64, which have the ability to manage up to 16, 32 or 64 parameters. You can assign a MIDI channel and CC number to each controller, customize its response curve. You can as well choose a skin that suits your needs for every instance of the remote control (several skins are included in the package, see the screenshots), or create your own (see the Skins section): this is the best way to create your own user interface to control your entire Digital Audio Workstation (DAW) the way you have chosen. If you have a very specific project and you do not have time to spend on our Skinning Language, Blue Cat Audio can also create custom skins for you: see our Consulting page for more information. Another way to use the product is for MIDI control remapping and transform: assign an input parameter a given MIDI CC, and assign the associated output parameter to another MIDI CC with different response curve parameters: the plug-in will remap the controller to the new CC and channel with a new response curve. <br /><br />\n<h4>Features</h4>\n<ul><li>Virtual MIDI control surface and monitoring tool.</li><li>Control or monitor in real time any MIDI-controllable plug-in or external MIDI device.</li><li>Customize the controls response curve with advanced settings.</li><li>Create your own Digital Workstation controller thanks to Blue Cat\'s Skinning Language.</li><li>MIDI learn.</li><li>Full automation support.</li><li>DirectX and VST formats.</li><li>Undo/Redo.</li><li>Load and Save presets in a host independent format.</li></ul><br /><h3>Blue Cat\'s StereoScope Multi</h3>Blue Cat\'s StereoScope Multi is a unique tool to compare the stereo image of several tracks in real time. It is the ideal solution for mixing: you can actually see which part of the stereo field every single instrument uses. It can also be used to analyze an effect chain and see how audio effects influence the stereo image of your content. This plug-in is based on the same stereo analysis algorithms as Blue Cat\'s StereoScope Pro analysis plug-in, and the instant, peak or average responses of several audio tracks can be displayed on the same graph (the plug-in supports up to 16 curves). The same zooming capabilities and coordinates display let you exactly measure the characteristics of the stereo image for each audio track. The advanced routing capabilities let you define different settings for each track, and thus adapt the parameters for each audio signal you want to analyze. Our multiple tracks audio analysis tutorial shows you how to use this multitrack analysis feature. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiple tracks real time stereo field analyzer: visualize and \ncompare the stereo image of several audio tracks on the same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between curves for easy response curve measurement.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>Easy phase cancellation and mono compatibility issues detection on multiple tracks or within an effect chain.</li><li>Instant, peak and average curves display for each track.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><ul></ul>'),(2895,85,0,483,'Blue Cat Audio Crafters Pack'),(2896,85,1,483,'Blue Cat Audio Crafters Pack'),(2897,76,0,483,''),(2898,76,1,483,''),(2899,75,0,484,'<h2>Blue Cat Audio Energy Pack</h2>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The complete software collection</span></span><br /><br />Want to bring energy and dynamics to your tracks? Looking for a complete wideband, multi-band and side chain dynamics processing solution? It\'s here! This bundle of plug-ins includes our best tools to manage the dynamics of your audio tracks: Blue Cat\'s DP Meter Pro monitors the levels and offers unique ducking capabilities thanks to its side chain features. Blue Cat\'s Dynamics includes all you need for broadband dynamics processing, while Blue Cat\'s MB-5 Dynamix takes care of multiband effects. Blue Cat\'s MB-7 Mixer is the perfect companion for these dynamics processors: it will let you create powerful multiband side chain effects. Finally, Blue Cat\'s Protector\'s simple yet efficient limiting capabilities completes the bundle. All these plug-ins offer unique side chaining capabilities using MIDI or automation control. They can thus be used for a wide range of dynamics-based side chain effects.<br /><h2>Bundle Includes:</h2>\n<h3>Blue Cat\'s DP Meter Pro</h3>Blue Cat\'s DP Meter Pro (DPMP) is a unique audio analysis tool: it \ncombines very flexible and customizable audio meters with advanced side \nchaining control capabilities thanks to its MIDI and automation outputs.\n The metering capabilities of the DPMP plug-in let you control and \nmonitor audio signals exactly the way you want: almost every aspect of \nthe peak, RMS and crest factor meters can be customized. It proposes \nfive different scales by default, including Bob Katz\'s popular K-System \nscales (K-12, K-14, K-20), and you can create your own.  Large colored \nstatistics displays following your own scales are included for an \noverview of a track, while histograms give you a precise measurement of \nthe dynamic range of the track. The graphs show the evolution of the \naudio envelopes over time, and the mid-side switch lets you verify mono \ncompatibility problems and check the \"stereoness\" of your audio sources \nvery easily. Whether you are working with mono, stereo or surround \ntracks, this plug-in will fit into your workflow. All envelopes (peak, \nRMS, crest factor...) can be reused for additional monitoring or side \nchaining purposes: combined together, reversed, modified and recorded as\n automation curves or sent as MIDI CC messages, they can control other \neffects in real time. The DP Meter Pro Tutorials explain how to use \nthese unique capabilities in your favorite host. Possibilities are \nendless, from voice over and ducking to side chain compression, multiple\n tracks monitoring or dynamic stereo enhancement. It is also possible to\n control external MIDI hardware (such a synths, MIDI effects), video \neffects or lighting systems with an audio signal.<br /><br />\n<h4>Features</h4><ul><li>Multichannel peak, RMS & crest factor meter.</li><li>True dynamic range measurement with levels histograms.</li><li>Instant, average and maximum audio levels.</li><li>Modular user interface to fit into your workflow, with multiple screen sizes.</li><li>Total control over the metering characteristics, including attack/release shape.</li><li>Bob Katz\'s K-System scales support (K-12 / K-14 / K-20 and custom)</li><li>Mono, stereo, mid-side or surround analysis.</li><li>Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.</li><li>Control in real time any MIDI-compatible plug-in or external MIDI \ndevice with the generated envelopes thanks to the plugin\'s MIDI CC \noutput. See the <a href=\"http://www.bluecataudio.com/Tutorials\" title=\"\">Tutorials</a> section for more examples.</li><li>Manage the shape of the output envelope: record reversed envelope, \nchange amount of signal, and offset the generated envelope. This lets \nyou use the plug-in for side chain ducking, compression and much more.</li><li>Easy \'stereoness\' and phase cancelation measurement.</li></ul> <br /><h3>Blue Cat\'s Dynamics </h3>Blue Cat\'s Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior. The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to. The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor. An additional brick wall limiter and clipper protects the output for complete control over the dynamics response. Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.  The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application. All these features can be controlled from a fully configurable and \"skinnable\" user interface, or from any external controller.<br />The package includes a mono and a stereo version for optimal CPU usage.<br /><br /><h4>Features</h4><ul><li>Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.</li><li>Total control over the processor: continuous peak/RMS and Opto/VCA \nmodes selection, peak envelope shape control, depth control to limit the\n gain range.</li><li>Total control over the signal: dry/wet control for parallel compression, input and side chain filters.</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or clipper.</li><li>Optimal monitoring: dynamics response, envelopes and gain reduction \nreal time display with zooming capability. The main compression \ninformation can be recorded as automation curves.</li><li>Best quality: up to 4x oversampling for the best sounding quality.</li><li>Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.</li><li>Fully configurable user interface for optimal experience.</li><li>No latency.</li></ul>\n <br /><h3>Blue Cat\'s MB-5 Dynamix </h3>Blue Cat\'s MB-5 Dynamix is an extremely powerful all-in-one multiband dynamics processor: it can be used as a multiband compressor, limiter, gate, expander, waveshaper or all combined at once, on any part of the spectrum. The unique dynamics processing section of the Blue Cat\'s Dynamics plug-in has been streamlined and integrated in this plug-in to process each one of the 5 bands separately. The plug-in provides unique envelope detection capabilities that let one band trigger the dynamics response on others (internal side-chain). Combined with the advanced stereo features including mid/side processing and independent channels activation, it gives you full control over the dynamics of the signal for a wide range of effects. An additional brick wall limiter/clipper protects the output for complete control over the dynamics response. The plug-in provides comprehensive visual feedback to let you know what\'s exactly going on at every step of the dynamics processor: for each channel, monitor the spectrum, the in/out levels, dynamics response, compression ratio and in/out level of each band... The user interface has been designed to streamline the workflow, and despite the wide range of functionalities offered by the plug-in, it is extremely easy to use. Inter-bands controls (copy/paste, link...) lets you create complex treatments with a few clicks. Thanks to its advanced MIDI and automation output capabilities, Blue Cat\'s MB-5 Dynamix is capable of advanced side-chaining features: you can control other plug-ins with the output of the dynamics processing stage for simple side chain dynamics effects or more advanced signal-dependent effects. Check out our MB-5 Dynamix Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Full featured multiband dynamics processor: compressor, gate, limiter, expander, waveshaper.</li><li>Up to 5 bands, with crossover filters from 6 to 60 dB/Oct for optimal separation.</li><li>Unique envelope routing capability for cross-band dynamics effects (one band may trigger another).</li><li>Dry/wet control for parallel processing (\"New York Compression\").</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or waveshaper.</li><li>Complete Visual feedback with real time response curves and levels display.</li><li>Easy copy/paste settings between bands.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Plug-in window transparency management.</li><li>No latency.</li></ul><br /><h3>Blue Cat\'s MB-7 Mixer</h3>Blue Cat\'s MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the \"stereoness\" and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST, VST3 and Audio Unit host: you can process each band independently with your favorite VST, VST3 or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several competing tracks. And as usual with Blue Cat Audio, the plug-in provides comprehensive visual feedback to let you know what\'s exactly going on: for each channel, monitor the spectrum, the in/out levels and the frequency response. Thanks to its advanced MIDI and automation input capabilities, when combined with our other plug-ins, Blue Cat\'s MB-7 Mixer is capable of advanced side-chaining features that really unveils its potential. Check out our MB-7 Mixer Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><br /><h3>Blue Cat\'s Protector </h3>Blue Cat\'s Protector is a 0 dB stereo brickwall limiter with adjustable dynamics response. It will typically find its place on the master bus of your DAW to protect your audio output from overshoot, limit the general volume and improve the perceived loudness, thanks to a very transparent frequency response. Despite its very simple set of controls, it offers a wide range of sounds and it is also suitable as a track limiter for more creative effects such as distortion, pumping or heavy limiting. Its large colorful meters and its custom dynamics histogram provide premium visual feedback and make it the perfect tool to monitor and control the dynamics on your master buss. You can also check in real time the loudness boost obtained with the limiter. Beyond its powerful dynamics processing features, and like most of our plug-ins, Blue Cat\'s Protector also offers a powerful side chain capability thanks to its MIDI CC output. This unique technique not only lets you do side chain limiting but also parameters modulation: control any parameter of any plugin to create powerful side chain effects in real time. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><ul></ul>'),(2900,75,1,484,'<h2>Blue Cat Audio Energy Pack</h2>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The complete software collection</span></span><br /><br />Want to bring energy and dynamics to your tracks? Looking for a complete wideband, multi-band and side chain dynamics processing solution? It\'s here! This bundle of plug-ins includes our best tools to manage the dynamics of your audio tracks: Blue Cat\'s DP Meter Pro monitors the levels and offers unique ducking capabilities thanks to its side chain features. Blue Cat\'s Dynamics includes all you need for broadband dynamics processing, while Blue Cat\'s MB-5 Dynamix takes care of multiband effects. Blue Cat\'s MB-7 Mixer is the perfect companion for these dynamics processors: it will let you create powerful multiband side chain effects. Finally, Blue Cat\'s Protector\'s simple yet efficient limiting capabilities completes the bundle. All these plug-ins offer unique side chaining capabilities using MIDI or automation control. They can thus be used for a wide range of dynamics-based side chain effects.<br /><h2>Bundle Includes:</h2>\n<h3>Blue Cat\'s DP Meter Pro</h3>Blue Cat\'s DP Meter Pro (DPMP) is a unique audio analysis tool: it \ncombines very flexible and customizable audio meters with advanced side \nchaining control capabilities thanks to its MIDI and automation outputs.\n The metering capabilities of the DPMP plug-in let you control and \nmonitor audio signals exactly the way you want: almost every aspect of \nthe peak, RMS and crest factor meters can be customized. It proposes \nfive different scales by default, including Bob Katz\'s popular K-System \nscales (K-12, K-14, K-20), and you can create your own.  Large colored \nstatistics displays following your own scales are included for an \noverview of a track, while histograms give you a precise measurement of \nthe dynamic range of the track. The graphs show the evolution of the \naudio envelopes over time, and the mid-side switch lets you verify mono \ncompatibility problems and check the \"stereoness\" of your audio sources \nvery easily. Whether you are working with mono, stereo or surround \ntracks, this plug-in will fit into your workflow. All envelopes (peak, \nRMS, crest factor...) can be reused for additional monitoring or side \nchaining purposes: combined together, reversed, modified and recorded as\n automation curves or sent as MIDI CC messages, they can control other \neffects in real time. The DP Meter Pro Tutorials explain how to use \nthese unique capabilities in your favorite host. Possibilities are \nendless, from voice over and ducking to side chain compression, multiple\n tracks monitoring or dynamic stereo enhancement. It is also possible to\n control external MIDI hardware (such a synths, MIDI effects), video \neffects or lighting systems with an audio signal.<br /><br />\n<h4>Features</h4><ul><li>Multichannel peak, RMS & crest factor meter.</li><li>True dynamic range measurement with levels histograms.</li><li>Instant, average and maximum audio levels.</li><li>Modular user interface to fit into your workflow, with multiple screen sizes.</li><li>Total control over the metering characteristics, including attack/release shape.</li><li>Bob Katz\'s K-System scales support (K-12 / K-14 / K-20 and custom)</li><li>Mono, stereo, mid-side or surround analysis.</li><li>Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.</li><li>Control in real time any MIDI-compatible plug-in or external MIDI \ndevice with the generated envelopes thanks to the plugin\'s MIDI CC \noutput. See the <a href=\"http://www.bluecataudio.com/Tutorials\" title=\"\">Tutorials</a> section for more examples.</li><li>Manage the shape of the output envelope: record reversed envelope, \nchange amount of signal, and offset the generated envelope. This lets \nyou use the plug-in for side chain ducking, compression and much more.</li><li>Easy \'stereoness\' and phase cancelation measurement.</li></ul> <br /><h3>Blue Cat\'s Dynamics </h3>Blue Cat\'s Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior. The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to. The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor. An additional brick wall limiter and clipper protects the output for complete control over the dynamics response. Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.  The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application. All these features can be controlled from a fully configurable and \"skinnable\" user interface, or from any external controller.<br />The package includes a mono and a stereo version for optimal CPU usage.<br /><br /><h4>Features</h4><ul><li>Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.</li><li>Total control over the processor: continuous peak/RMS and Opto/VCA \nmodes selection, peak envelope shape control, depth control to limit the\n gain range.</li><li>Total control over the signal: dry/wet control for parallel compression, input and side chain filters.</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or clipper.</li><li>Optimal monitoring: dynamics response, envelopes and gain reduction \nreal time display with zooming capability. The main compression \ninformation can be recorded as automation curves.</li><li>Best quality: up to 4x oversampling for the best sounding quality.</li><li>Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.</li><li>Fully configurable user interface for optimal experience.</li><li>No latency.</li></ul>\n <br /><h3>Blue Cat\'s MB-5 Dynamix </h3>Blue Cat\'s MB-5 Dynamix is an extremely powerful all-in-one multiband dynamics processor: it can be used as a multiband compressor, limiter, gate, expander, waveshaper or all combined at once, on any part of the spectrum. The unique dynamics processing section of the Blue Cat\'s Dynamics plug-in has been streamlined and integrated in this plug-in to process each one of the 5 bands separately. The plug-in provides unique envelope detection capabilities that let one band trigger the dynamics response on others (internal side-chain). Combined with the advanced stereo features including mid/side processing and independent channels activation, it gives you full control over the dynamics of the signal for a wide range of effects. An additional brick wall limiter/clipper protects the output for complete control over the dynamics response. The plug-in provides comprehensive visual feedback to let you know what\'s exactly going on at every step of the dynamics processor: for each channel, monitor the spectrum, the in/out levels, dynamics response, compression ratio and in/out level of each band... The user interface has been designed to streamline the workflow, and despite the wide range of functionalities offered by the plug-in, it is extremely easy to use. Inter-bands controls (copy/paste, link...) lets you create complex treatments with a few clicks. Thanks to its advanced MIDI and automation output capabilities, Blue Cat\'s MB-5 Dynamix is capable of advanced side-chaining features: you can control other plug-ins with the output of the dynamics processing stage for simple side chain dynamics effects or more advanced signal-dependent effects. Check out our MB-5 Dynamix Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Full featured multiband dynamics processor: compressor, gate, limiter, expander, waveshaper.</li><li>Up to 5 bands, with crossover filters from 6 to 60 dB/Oct for optimal separation.</li><li>Unique envelope routing capability for cross-band dynamics effects (one band may trigger another).</li><li>Dry/wet control for parallel processing (\"New York Compression\").</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or waveshaper.</li><li>Complete Visual feedback with real time response curves and levels display.</li><li>Easy copy/paste settings between bands.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Plug-in window transparency management.</li><li>No latency.</li></ul><br /><h3>Blue Cat\'s MB-7 Mixer</h3>Blue Cat\'s MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the \"stereoness\" and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST, VST3 and Audio Unit host: you can process each band independently with your favorite VST, VST3 or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several competing tracks. And as usual with Blue Cat Audio, the plug-in provides comprehensive visual feedback to let you know what\'s exactly going on: for each channel, monitor the spectrum, the in/out levels and the frequency response. Thanks to its advanced MIDI and automation input capabilities, when combined with our other plug-ins, Blue Cat\'s MB-7 Mixer is capable of advanced side-chaining features that really unveils its potential. Check out our MB-7 Mixer Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><br /><h3>Blue Cat\'s Protector </h3>Blue Cat\'s Protector is a 0 dB stereo brickwall limiter with adjustable dynamics response. It will typically find its place on the master bus of your DAW to protect your audio output from overshoot, limit the general volume and improve the perceived loudness, thanks to a very transparent frequency response. Despite its very simple set of controls, it offers a wide range of sounds and it is also suitable as a track limiter for more creative effects such as distortion, pumping or heavy limiting. Its large colorful meters and its custom dynamics histogram provide premium visual feedback and make it the perfect tool to monitor and control the dynamics on your master buss. You can also check in real time the loudness boost obtained with the limiter. Beyond its powerful dynamics processing features, and like most of our plug-ins, Blue Cat\'s Protector also offers a powerful side chain capability thanks to its MIDI CC output. This unique technique not only lets you do side chain limiting but also parameters modulation: control any parameter of any plugin to create powerful side chain effects in real time. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><ul></ul>'),(2901,85,0,484,'Blue Cat Audio Energy Pack'),(2902,85,1,484,'Blue Cat Audio Energy Pack'),(2903,76,0,484,''),(2904,76,1,484,''),(2905,75,0,485,'<h2>Blue Cat Audio Master Pack</h2>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The best value for mixing and mastering</span></span><br /><br />All you need to finalize your mixes or master your audio tracks is here: visualize, monitor and verify the content of your tracks with ultimate precision thanks to Blue Cat\'s DP Meter Pro, Blue Cat\'s FreqAnalyst Pro and Blue Cat\'s StereoScope Pro. Adjust the spectrum with Blue Cat\'s Liny EQ and Blue Cat\'s Parametr\'EQ, improve your tracks\' dynamics with Blue Cat\'s Dynamics and maximize the loudness of the track with Blue Cat\'s Protector. Last but not least, Blue Cat\'s MB-5 Dynamix will let you finalize the dynamics and spectral balance.<br /><br /><h2>Bundle Includes:</h2>\n<h3>Blue Cat\'s DP Meter Pro</h3>Blue Cat\'s DP Meter Pro (DPMP) is a unique audio analysis tool: it \ncombines very flexible and customizable audio meters with advanced side \nchaining control capabilities thanks to its MIDI and automation outputs.\n The metering capabilities of the DPMP plug-in let you control and \nmonitor audio signals exactly the way you want: almost every aspect of \nthe peak, RMS and crest factor meters can be customized. It proposes \nfive different scales by default, including Bob Katz\'s popular K-System \nscales (K-12, K-14, K-20), and you can create your own.  Large colored \nstatistics displays following your own scales are included for an \noverview of a track, while histograms give you a precise measurement of \nthe dynamic range of the track. The graphs show the evolution of the \naudio envelopes over time, and the mid-side switch lets you verify mono \ncompatibility problems and check the \"stereoness\" of your audio sources \nvery easily. Whether you are working with mono, stereo or surround \ntracks, this plug-in will fit into your workflow. All envelopes (peak, \nRMS, crest factor...) can be reused for additional monitoring or side \nchaining purposes: combined together, reversed, modified and recorded as\n automation curves or sent as MIDI CC messages, they can control other \neffects in real time. The DP Meter Pro Tutorials explain how to use \nthese unique capabilities in your favorite host. Possibilities are \nendless, from voice over and ducking to side chain compression, multiple\n tracks monitoring or dynamic stereo enhancement. It is also possible to\n control external MIDI hardware (such a synths, MIDI effects), video \neffects or lighting systems with an audio signal.<br /><br />\n<h4>Features</h4><ul><li>Multichannel peak, RMS & crest factor meter.</li><li>True dynamic range measurement with levels histograms.</li><li>Instant, average and maximum audio levels.</li><li>Modular user interface to fit into your workflow, with multiple screen sizes.</li><li>Total control over the metering characteristics, including attack/release shape.</li><li>Bob Katz\'s K-System scales support (K-12 / K-14 / K-20 and custom)</li><li>Mono, stereo, mid-side or surround analysis.</li><li>Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.</li><li>Control in real time any MIDI-compatible plug-in or external MIDI \ndevice with the generated envelopes thanks to the plugin\'s MIDI CC \noutput. See the <a href=\"http://www.bluecataudio.com/Tutorials\" title=\"\">Tutorials</a> section for more examples.</li><li>Manage the shape of the output envelope: record reversed envelope, \nchange amount of signal, and offset the generated envelope. This lets \nyou use the plug-in for side chain ducking, compression and much more.</li><li>Easy \'stereoness\' and phase cancelation measurement.</li></ul> <br /><h3>Blue Cat\'s Dynamics </h3>Blue Cat\'s Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior. The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to. The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor. An additional brick wall limiter and clipper protects the output for complete control over the dynamics response. Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.  The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application. All these features can be controlled from a fully configurable and \"skinnable\" user interface, or from any external controller.<br />The package includes a mono and a stereo version for optimal CPU usage.<br /><br /><h4>Features</h4><ul><li>Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.</li><li>Total control over the processor: continuous peak/RMS and Opto/VCA \nmodes selection, peak envelope shape control, depth control to limit the\n gain range.</li><li>Total control over the signal: dry/wet control for parallel compression, input and side chain filters.</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or clipper.</li><li>Optimal monitoring: dynamics response, envelopes and gain reduction \nreal time display with zooming capability. The main compression \ninformation can be recorded as automation curves.</li><li>Best quality: up to 4x oversampling for the best sounding quality.</li><li>Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.</li><li>Fully configurable user interface for optimal experience.</li><li>No latency.</li></ul>\n <br />\n<h3>Blue Cat\'s FreqAnalyst Multi</h3>\nBlue Cat\'s FreqAnalyst Multi is a unique multiple tracks real time \nspectrum analyzer: it lets you visualize the spectral content of several\n audio tracks on the same screen with extreme smoothness and high \nresolution, for both time and frequency. It is the ideal solution for \nmixing: you can use it as a frequency overlap detector and actually see \nwhich part of the spectrum every single instrument uses. It is now also \npossible to easily compare the spectrum of several instances (for EQ \nmatching or response curve measurement) thanks to the new \'Diff\' view \nwhich displays the difference between several curves. Just like \nwith Blue Cat\'s FreqAnalyst Pro plug-in, the frequency analysis can be \nfine tuned in details, and three modes are offered for each channel: \ninstant, peak or average response of several audio tracks can be \ndisplayed on the same graph (the plugin supports up to 16 curves). \nZooming capabilities and coordinates display let you exactly measure the\n characteristics of the spectrum for each audio track. Thanks to the \nadvanced routing capabilities you can define different settings for each\n track and thus adapt the analysis for each audio signal you want to \nanalyze. Our multiple tracks tutorial shows you how simple multiple \ntracks spectrum analysis can be. The four memory slots let you \nstore any curve in memory: it helps you make comparisons between several\n setups or portions of your audio project very easily. Thanks to \nincluded window opacity management feature and advanced layout \ncustomization capabilities, you can adapt the plug-in user interface to \nyour personal needs and enhance your workflow. It is also possible to \ncreate a completely custom user interface using Blue Cat\'s skinning \nlanguage. <br /><br />\n<h4>Features</h4>\n<ul>\n	<li>64-bit compliant (AAX / AU / VST)              </li><li>Mono, stereo or mid/side multiple tracks real time spectrum \nanalyzer: visualize and compare the spectrum of several audio tracks on \nthe same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between spectra for easy EQ matching and response curve measurement.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum view with zooming and precise measurement capabilities as well as note info display.</li><li>Multiple display sizes</li><li>Instant, peak and average curves display for each track.</li><li>Choose a name for each curve for easier sharing.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul>\n<br />\n<h3>Blue Cat\'s FreqAnalyst Pro</h3>\nBlue Cat\'s FreqAnalyst Pro is a real time spectrum analyzer with advanced functionalities. It uses the same smooth algorithms as its little brother (Blue Cat\'s FreqAnalyst free plug-in): it has been designed to provide extreme smoothness and high resolution for both time and frequency. The frequency analysis can be fine tuned in details: manage its precision and rate, apply an offset or slope to the measured spectrum. Two thresholding systems are available, and the time response can be changed thanks to the attack and release parameters. Three modes are offered for each channel: instant, peak or average response can be displayed on the same graph. Zooming capabilities and coordinates display let you exactly measure the characteristics of the spectrum. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. A spectrogram view has been added so that you can monitor the evolution of the spectrum over time either in 2D or 3D (3D waterfall mode). All channels are of course available in this view, with exact coordinates display and zooming capabilities. Like many of our other professional analysis tools, this plug-in also provides output parameters that you can use to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum frequencies and the energy center of the spectrum, expressed in Hertz or as MIDI note value. With the transformation parameters (offset, amount and reverse), you can customize the generation of these parameters and monitor the modifications on the value graphs. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to this unique functionality, you can now control any effect with the pitch of the audio signal: imagine a filter on an instrument controlled by the pitch of another instrument, compression depending on the pitch of the signal... Anything is possible. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4><ul><li>Mono, stereo or mid/side real time spectrum analyzer.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum and spectrogram views.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities, with note info display.</li><li>3D waterfall view with full 3D control.</li><li>Solid or wireframe 3D surface display.</li><li>Instant, peak and average curves display for each channel.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><br />\n<h3>Blue Cat\'s Liny EQ </h3> Blue Cat\'s Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds). Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow. The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow. Thanks to its ability to update the EQ curve continuously using MIDI or automation and its additionnal \"Mix\" control, dynamic equalization tasks can be performed easily when used together with any of our control generation plug-ins.<br /><br />\n<h4>Features</h4>\n<ul><li>Linear phase graphic equalizer</li><li>very short latency (less than 3 ms: 128 samples at 44,1 kHz), with minimal pre-ringing artefacts.</li><li>customizable range (+/- 40 dB).</li><li>Exact EQ curve display.</li><li>Four EQ shapes.</li><li>Automatic gain compensation.</li><li>Real time spectrum analyzer display.</li><li>High resolution color and greyscale spectrogram display.</li><li>High resolution color peak meter.</li><li>Single and dual channel versions.</li><li>Left/right or mid/side processing for spectral stereo widening or narrowing.</li><li>Advanced channels linking capabilities.</li><li>Multiple display sizes.</li><li>Highly customizable user interface: display what you need, the way you need.</li></ul><br /><h3>Blue Cat\'s MB-5 Dynamix </h3>Blue Cat\'s MB-5 Dynamix is an extremely powerful all-in-one multiband dynamics processor: it can be used as a multiband compressor, limiter, gate, expander, waveshaper or all combined at once, on any part of the spectrum. The unique dynamics processing section of the Blue Cat\'s Dynamics plug-in has been streamlined and integrated in this plug-in to process each one of the 5 bands separately. The plug-in provides unique envelope detection capabilities that let one band trigger the dynamics response on others (internal side-chain). Combined with the advanced stereo features including mid/side processing and independent channels activation, it gives you full control over the dynamics of the signal for a wide range of effects. An additional brick wall limiter/clipper protects the output for complete control over the dynamics response. The plug-in provides comprehensive visual feedback to let you know what\'s exactly going on at every step of the dynamics processor: for each channel, monitor the spectrum, the in/out levels, dynamics response, compression ratio and in/out level of each band... The user interface has been designed to streamline the workflow, and despite the wide range of functionalities offered by the plug-in, it is extremely easy to use. Inter-bands controls (copy/paste, link...) lets you create complex treatments with a few clicks. Thanks to its advanced MIDI and automation output capabilities, Blue Cat\'s MB-5 Dynamix is capable of advanced side-chaining features: you can control other plug-ins with the output of the dynamics processing stage for simple side chain dynamics effects or more advanced signal-dependent effects. Check out our MB-5 Dynamix Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Full featured multiband dynamics processor: compressor, gate, limiter, expander, waveshaper.</li><li>Up to 5 bands, with crossover filters from 6 to 60 dB/Oct for optimal separation.</li><li>Unique envelope routing capability for cross-band dynamics effects (one band may trigger another).</li><li>Dry/wet control for parallel processing (\"New York Compression\").</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or waveshaper.</li><li>Complete Visual feedback with real time response curves and levels display.</li><li>Easy copy/paste settings between bands.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Plug-in window transparency management.</li><li>No latency.</li></ul><br /><h3> Blue Cat\'s Parametr\'EQ</h3> Blue Cat\'s Parametr\'EQ is a 7 bands parametric equalizer combining the advantages of both the digital and analog worlds. Its special non-linear and oversampling features let you easily simulate the compression and distortion that may occur in an analog EQ or on the contrary obtain a very clean and transparent digital EQ. The plug-in includes a low shelf/low cut filter, a high shelf/high cut filter and 5 boost/cut band filters. An optional brickwall limiter has been added to the output to protect your ears and monitors. Its wide range of gain (+/-40 dB per band) and bandwidth (one hundredth to five octaves) makes it suitable for any equalization task, especially with the extra zooming capability that lets you define your own range for the user interface. The included skins let you choose the layout that best suits your needs, and you can completely customize the user interface thanks to Blue Cat\'s Skinning language support. The graph displays the computed frequency response of the plug-in, so that you can exactly know how your signal is processed. This is not an approximated or \"ideal\" response curve based on the controls of the user interface, but the exact computed frequency response of the filter, which makes this plug-in a true WYSIWYG (What You See Is What You Get) equalizer. Thanks to the included Smooth Update technology, every single parameter of this equalizer can be automated in your favorite sequencer or controlled by MIDI in real time (MIDI learn included). You will get an absolutely zipper-free continuous time-varying equalization. Filters activation and bypass functions are now totally smooth and won\'t damage your ears or speakers. Last but not least, this equalizer has absolutely no latency, which make it perfect for real time applications.  <br /><br /><h3>Blue Cat\'s PatchWork </h3>Blue Cat\'s PatchWork is a universal plug-ins patchbay that can host up to 64 VST, VST3 or Audio Unit plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack\'s matrix. All plug-ins can also communicate with each other or with the host application using the virtual MIDI ports offered by the plug-in. For each plug-in slot, latency compensation, presets management, undo/redo integration, audio i/o selection and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.<br /> Also, sub plug-ins can be automated or controlled with external control surfaces using Blue Cat\'s PatchWork parameters mapping capabilities. This product is available as an audio plug-in (effect or a virtual instrument) and standalone application, so that it can used alone or inserted on any type of track in your favorite DAW, with up to 16 audio channels. Input and output level meters are also available to monitor the signal that is dispatched to inserted plug-ins, including side chain and aux channels.<br /><br />\n<h4>Features</h4>\n<ul><li>Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.</li><li>Available as an effect, virtual instrument or standalone application.</li><li>Build your own effects chains: up to 8 \"pre\" and \"post\" plug-ins slots to chain plug-ins in series.</li><li>Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.</li><li>Host up to 8 virtual instruments in parallel and mix them within the plug-in.</li><li>Global Dry/Wet control (\"Mix\").</li><li>Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.</li><li>Flexible MIDI routing: connect sub plug-ins together or with the host application.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel.</li><li>External side chain and multiple outputs support.</li><li>Link pre and post gains for automatic gain compensation.</li><li>Cut, Copy and paste plug-ins with their settings between slots.</li><li>Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.</li><li>Input and output levels monitoring.</li><li>Plug-ins Latency compensation.</li><li>Supports VST Shell plug-ins.</li><li>Integrated undo/redo.</li><li>Fully customizable user interface, with multiple sizes.</li></ul><br /><h3>Blue Cat\'s Protector </h3>Blue Cat\'s Protector is a 0 dB stereo brickwall limiter with adjustable dynamics response. It will typically find its place on the master bus of your DAW to protect your audio output from overshoot, limit the general volume and improve the perceived loudness, thanks to a very transparent frequency response. Despite its very simple set of controls, it offers a wide range of sounds and it is also suitable as a track limiter for more creative effects such as distortion, pumping or heavy limiting. Its large colorful meters and its custom dynamics histogram provide premium visual feedback and make it the perfect tool to monitor and control the dynamics on your master buss. You can also check in real time the loudness boost obtained with the limiter. Beyond its powerful dynamics processing features, and like most of our plug-ins, Blue Cat\'s Protector also offers a powerful side chain capability thanks to its MIDI CC output. This unique technique not only lets you do side chain limiting but also parameters modulation: control any parameter of any plugin to create powerful side chain effects in real time. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><br /><h3>Blue Cat\'s StereoScope Pro</h3>Blue Cat\'s StereoScope Pro is a real time stereo field analyzer with multiple views and MIDI/automation output capabilities. It is a powerful help to analyze how the audio signal is spread in the stereo field, and you can easily detect potential phase and mono compatibilities issues. The stereo analysis can be controlled in details, and the precise measurements capabilities combined with the zoomable displays let you monitor what is exactly happening. Choose your preferred view for your needs: real time stereo field display, evolution of the stereo image over time (2D or 3D) or output parameters that explicitly describe the average position and extent of the audio signal in the stereo field. The 3D waterfall view lets you see in details from your preferred viewpoint the evolution of the stereo image over time. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. You can compare your mix with other commercial hits! Like our other professional analysis tools, the output parameters of this plug-in can be used to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum positions in the stereo field and the perceived position based on the audio energy spread in the stereo image. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow: work faster and more efficiently. <br /><br />\n<h4>Features</h4>\n<ul><li>Real time stereo image analyzer.</li><li>Three detailed views: stereo image, \"stereogram\" (evolution of the image over time) and output parameters.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>3D waterfall view with full 3D control.</li><li>solid or wireframe 3D surface display.</li><li>Integrated correlation meter.</li><li>Instant, peak and average stereo image curves display.</li><li>Easy phase cancellation and mono compatibility issues detection.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><ul></ul>'),(2906,75,1,485,'<h2>Blue Cat Audio Master Pack</h2>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The best value for mixing and mastering</span></span><br /><br />All you need to finalize your mixes or master your audio tracks is here: visualize, monitor and verify the content of your tracks with ultimate precision thanks to Blue Cat\'s DP Meter Pro, Blue Cat\'s FreqAnalyst Pro and Blue Cat\'s StereoScope Pro. Adjust the spectrum with Blue Cat\'s Liny EQ and Blue Cat\'s Parametr\'EQ, improve your tracks\' dynamics with Blue Cat\'s Dynamics and maximize the loudness of the track with Blue Cat\'s Protector. Last but not least, Blue Cat\'s MB-5 Dynamix will let you finalize the dynamics and spectral balance.<br /><br /><h2>Bundle Includes:</h2>\n<h3>Blue Cat\'s DP Meter Pro</h3>Blue Cat\'s DP Meter Pro (DPMP) is a unique audio analysis tool: it \ncombines very flexible and customizable audio meters with advanced side \nchaining control capabilities thanks to its MIDI and automation outputs.\n The metering capabilities of the DPMP plug-in let you control and \nmonitor audio signals exactly the way you want: almost every aspect of \nthe peak, RMS and crest factor meters can be customized. It proposes \nfive different scales by default, including Bob Katz\'s popular K-System \nscales (K-12, K-14, K-20), and you can create your own.  Large colored \nstatistics displays following your own scales are included for an \noverview of a track, while histograms give you a precise measurement of \nthe dynamic range of the track. The graphs show the evolution of the \naudio envelopes over time, and the mid-side switch lets you verify mono \ncompatibility problems and check the \"stereoness\" of your audio sources \nvery easily. Whether you are working with mono, stereo or surround \ntracks, this plug-in will fit into your workflow. All envelopes (peak, \nRMS, crest factor...) can be reused for additional monitoring or side \nchaining purposes: combined together, reversed, modified and recorded as\n automation curves or sent as MIDI CC messages, they can control other \neffects in real time. The DP Meter Pro Tutorials explain how to use \nthese unique capabilities in your favorite host. Possibilities are \nendless, from voice over and ducking to side chain compression, multiple\n tracks monitoring or dynamic stereo enhancement. It is also possible to\n control external MIDI hardware (such a synths, MIDI effects), video \neffects or lighting systems with an audio signal.<br /><br />\n<h4>Features</h4><ul><li>Multichannel peak, RMS & crest factor meter.</li><li>True dynamic range measurement with levels histograms.</li><li>Instant, average and maximum audio levels.</li><li>Modular user interface to fit into your workflow, with multiple screen sizes.</li><li>Total control over the metering characteristics, including attack/release shape.</li><li>Bob Katz\'s K-System scales support (K-12 / K-14 / K-20 and custom)</li><li>Mono, stereo, mid-side or surround analysis.</li><li>Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.</li><li>Control in real time any MIDI-compatible plug-in or external MIDI \ndevice with the generated envelopes thanks to the plugin\'s MIDI CC \noutput. See the <a href=\"http://www.bluecataudio.com/Tutorials\" title=\"\">Tutorials</a> section for more examples.</li><li>Manage the shape of the output envelope: record reversed envelope, \nchange amount of signal, and offset the generated envelope. This lets \nyou use the plug-in for side chain ducking, compression and much more.</li><li>Easy \'stereoness\' and phase cancelation measurement.</li></ul> <br /><h3>Blue Cat\'s Dynamics </h3>Blue Cat\'s Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior. The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to. The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor. An additional brick wall limiter and clipper protects the output for complete control over the dynamics response. Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.  The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application. All these features can be controlled from a fully configurable and \"skinnable\" user interface, or from any external controller.<br />The package includes a mono and a stereo version for optimal CPU usage.<br /><br /><h4>Features</h4><ul><li>Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.</li><li>Total control over the processor: continuous peak/RMS and Opto/VCA \nmodes selection, peak envelope shape control, depth control to limit the\n gain range.</li><li>Total control over the signal: dry/wet control for parallel compression, input and side chain filters.</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or clipper.</li><li>Optimal monitoring: dynamics response, envelopes and gain reduction \nreal time display with zooming capability. The main compression \ninformation can be recorded as automation curves.</li><li>Best quality: up to 4x oversampling for the best sounding quality.</li><li>Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.</li><li>Fully configurable user interface for optimal experience.</li><li>No latency.</li></ul>\n <br />\n<h3>Blue Cat\'s FreqAnalyst Multi</h3>\nBlue Cat\'s FreqAnalyst Multi is a unique multiple tracks real time \nspectrum analyzer: it lets you visualize the spectral content of several\n audio tracks on the same screen with extreme smoothness and high \nresolution, for both time and frequency. It is the ideal solution for \nmixing: you can use it as a frequency overlap detector and actually see \nwhich part of the spectrum every single instrument uses. It is now also \npossible to easily compare the spectrum of several instances (for EQ \nmatching or response curve measurement) thanks to the new \'Diff\' view \nwhich displays the difference between several curves. Just like \nwith Blue Cat\'s FreqAnalyst Pro plug-in, the frequency analysis can be \nfine tuned in details, and three modes are offered for each channel: \ninstant, peak or average response of several audio tracks can be \ndisplayed on the same graph (the plugin supports up to 16 curves). \nZooming capabilities and coordinates display let you exactly measure the\n characteristics of the spectrum for each audio track. Thanks to the \nadvanced routing capabilities you can define different settings for each\n track and thus adapt the analysis for each audio signal you want to \nanalyze. Our multiple tracks tutorial shows you how simple multiple \ntracks spectrum analysis can be. The four memory slots let you \nstore any curve in memory: it helps you make comparisons between several\n setups or portions of your audio project very easily. Thanks to \nincluded window opacity management feature and advanced layout \ncustomization capabilities, you can adapt the plug-in user interface to \nyour personal needs and enhance your workflow. It is also possible to \ncreate a completely custom user interface using Blue Cat\'s skinning \nlanguage. <br /><br />\n<h4>Features</h4>\n<ul>\n	<li>64-bit compliant (AAX / AU / VST)              </li><li>Mono, stereo or mid/side multiple tracks real time spectrum \nanalyzer: visualize and compare the spectrum of several audio tracks on \nthe same screen.</li><li>Unique data sharing technology with multi-core processors support.</li><li>Compute and display the difference between spectra for easy EQ matching and response curve measurement.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum view with zooming and precise measurement capabilities as well as note info display.</li><li>Multiple display sizes</li><li>Instant, peak and average curves display for each track.</li><li>Choose a name for each curve for easier sharing.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul>\n<br />\n<h3>Blue Cat\'s FreqAnalyst Pro</h3>\nBlue Cat\'s FreqAnalyst Pro is a real time spectrum analyzer with advanced functionalities. It uses the same smooth algorithms as its little brother (Blue Cat\'s FreqAnalyst free plug-in): it has been designed to provide extreme smoothness and high resolution for both time and frequency. The frequency analysis can be fine tuned in details: manage its precision and rate, apply an offset or slope to the measured spectrum. Two thresholding systems are available, and the time response can be changed thanks to the attack and release parameters. Three modes are offered for each channel: instant, peak or average response can be displayed on the same graph. Zooming capabilities and coordinates display let you exactly measure the characteristics of the spectrum. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. A spectrogram view has been added so that you can monitor the evolution of the spectrum over time either in 2D or 3D (3D waterfall mode). All channels are of course available in this view, with exact coordinates display and zooming capabilities. Like many of our other professional analysis tools, this plug-in also provides output parameters that you can use to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum frequencies and the energy center of the spectrum, expressed in Hertz or as MIDI note value. With the transformation parameters (offset, amount and reverse), you can customize the generation of these parameters and monitor the modifications on the value graphs. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to this unique functionality, you can now control any effect with the pitch of the audio signal: imagine a filter on an instrument controlled by the pitch of another instrument, compression depending on the pitch of the signal... Anything is possible. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow. <br /><br />\n<h4>Features</h4><ul><li>Mono, stereo or mid/side real time spectrum analyzer.</li><li>Total control over the analysis parameters, with slope and offset correction.</li><li>Smart interpolation algorithm for extreme display smoothness.</li><li>Spectrum and spectrogram views.</li><li>Animated zoom for all displays.</li><li>Precise measurement capabilities, with note info display.</li><li>3D waterfall view with full 3D control.</li><li>Solid or wireframe 3D surface display.</li><li>Instant, peak and average curves display for each channel.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><br />\n<h3>Blue Cat\'s Liny EQ </h3> Blue Cat\'s Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds). Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow. The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow. Thanks to its ability to update the EQ curve continuously using MIDI or automation and its additionnal \"Mix\" control, dynamic equalization tasks can be performed easily when used together with any of our control generation plug-ins.<br /><br />\n<h4>Features</h4>\n<ul><li>Linear phase graphic equalizer</li><li>very short latency (less than 3 ms: 128 samples at 44,1 kHz), with minimal pre-ringing artefacts.</li><li>customizable range (+/- 40 dB).</li><li>Exact EQ curve display.</li><li>Four EQ shapes.</li><li>Automatic gain compensation.</li><li>Real time spectrum analyzer display.</li><li>High resolution color and greyscale spectrogram display.</li><li>High resolution color peak meter.</li><li>Single and dual channel versions.</li><li>Left/right or mid/side processing for spectral stereo widening or narrowing.</li><li>Advanced channels linking capabilities.</li><li>Multiple display sizes.</li><li>Highly customizable user interface: display what you need, the way you need.</li></ul><br /><h3>Blue Cat\'s MB-5 Dynamix </h3>Blue Cat\'s MB-5 Dynamix is an extremely powerful all-in-one multiband dynamics processor: it can be used as a multiband compressor, limiter, gate, expander, waveshaper or all combined at once, on any part of the spectrum. The unique dynamics processing section of the Blue Cat\'s Dynamics plug-in has been streamlined and integrated in this plug-in to process each one of the 5 bands separately. The plug-in provides unique envelope detection capabilities that let one band trigger the dynamics response on others (internal side-chain). Combined with the advanced stereo features including mid/side processing and independent channels activation, it gives you full control over the dynamics of the signal for a wide range of effects. An additional brick wall limiter/clipper protects the output for complete control over the dynamics response. The plug-in provides comprehensive visual feedback to let you know what\'s exactly going on at every step of the dynamics processor: for each channel, monitor the spectrum, the in/out levels, dynamics response, compression ratio and in/out level of each band... The user interface has been designed to streamline the workflow, and despite the wide range of functionalities offered by the plug-in, it is extremely easy to use. Inter-bands controls (copy/paste, link...) lets you create complex treatments with a few clicks. Thanks to its advanced MIDI and automation output capabilities, Blue Cat\'s MB-5 Dynamix is capable of advanced side-chaining features: you can control other plug-ins with the output of the dynamics processing stage for simple side chain dynamics effects or more advanced signal-dependent effects. Check out our MB-5 Dynamix Tutorials for more details. <br /><br />\n<h4>Features</h4>\n<ul><li>Full featured multiband dynamics processor: compressor, gate, limiter, expander, waveshaper.</li><li>Up to 5 bands, with crossover filters from 6 to 60 dB/Oct for optimal separation.</li><li>Unique envelope routing capability for cross-band dynamics effects (one band may trigger another).</li><li>Dry/wet control for parallel processing (\"New York Compression\").</li><li>Stereo or mid-side processing with multiple channels linking options.</li><li>Post brickwall limiter or waveshaper.</li><li>Complete Visual feedback with real time response curves and levels display.</li><li>Easy copy/paste settings between bands.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Plug-in window transparency management.</li><li>No latency.</li></ul><br /><h3> Blue Cat\'s Parametr\'EQ</h3> Blue Cat\'s Parametr\'EQ is a 7 bands parametric equalizer combining the advantages of both the digital and analog worlds. Its special non-linear and oversampling features let you easily simulate the compression and distortion that may occur in an analog EQ or on the contrary obtain a very clean and transparent digital EQ. The plug-in includes a low shelf/low cut filter, a high shelf/high cut filter and 5 boost/cut band filters. An optional brickwall limiter has been added to the output to protect your ears and monitors. Its wide range of gain (+/-40 dB per band) and bandwidth (one hundredth to five octaves) makes it suitable for any equalization task, especially with the extra zooming capability that lets you define your own range for the user interface. The included skins let you choose the layout that best suits your needs, and you can completely customize the user interface thanks to Blue Cat\'s Skinning language support. The graph displays the computed frequency response of the plug-in, so that you can exactly know how your signal is processed. This is not an approximated or \"ideal\" response curve based on the controls of the user interface, but the exact computed frequency response of the filter, which makes this plug-in a true WYSIWYG (What You See Is What You Get) equalizer. Thanks to the included Smooth Update technology, every single parameter of this equalizer can be automated in your favorite sequencer or controlled by MIDI in real time (MIDI learn included). You will get an absolutely zipper-free continuous time-varying equalization. Filters activation and bypass functions are now totally smooth and won\'t damage your ears or speakers. Last but not least, this equalizer has absolutely no latency, which make it perfect for real time applications.  <br /><br /><h3>Blue Cat\'s PatchWork </h3>Blue Cat\'s PatchWork is a universal plug-ins patchbay that can host up to 64 VST, VST3 or Audio Unit plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack\'s matrix. All plug-ins can also communicate with each other or with the host application using the virtual MIDI ports offered by the plug-in. For each plug-in slot, latency compensation, presets management, undo/redo integration, audio i/o selection and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.<br /> Also, sub plug-ins can be automated or controlled with external control surfaces using Blue Cat\'s PatchWork parameters mapping capabilities. This product is available as an audio plug-in (effect or a virtual instrument) and standalone application, so that it can used alone or inserted on any type of track in your favorite DAW, with up to 16 audio channels. Input and output level meters are also available to monitor the signal that is dispatched to inserted plug-ins, including side chain and aux channels.<br /><br />\n<h4>Features</h4>\n<ul><li>Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.</li><li>Available as an effect, virtual instrument or standalone application.</li><li>Build your own effects chains: up to 8 \"pre\" and \"post\" plug-ins slots to chain plug-ins in series.</li><li>Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.</li><li>Host up to 8 virtual instruments in parallel and mix them within the plug-in.</li><li>Global Dry/Wet control (\"Mix\").</li><li>Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.</li><li>Flexible MIDI routing: connect sub plug-ins together or with the host application.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel.</li><li>External side chain and multiple outputs support.</li><li>Link pre and post gains for automatic gain compensation.</li><li>Cut, Copy and paste plug-ins with their settings between slots.</li><li>Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.</li><li>Input and output levels monitoring.</li><li>Plug-ins Latency compensation.</li><li>Supports VST Shell plug-ins.</li><li>Integrated undo/redo.</li><li>Fully customizable user interface, with multiple sizes.</li></ul><br /><h3>Blue Cat\'s Protector </h3>Blue Cat\'s Protector is a 0 dB stereo brickwall limiter with adjustable dynamics response. It will typically find its place on the master bus of your DAW to protect your audio output from overshoot, limit the general volume and improve the perceived loudness, thanks to a very transparent frequency response. Despite its very simple set of controls, it offers a wide range of sounds and it is also suitable as a track limiter for more creative effects such as distortion, pumping or heavy limiting. Its large colorful meters and its custom dynamics histogram provide premium visual feedback and make it the perfect tool to monitor and control the dynamics on your master buss. You can also check in real time the loudness boost obtained with the limiter. Beyond its powerful dynamics processing features, and like most of our plug-ins, Blue Cat\'s Protector also offers a powerful side chain capability thanks to its MIDI CC output. This unique technique not only lets you do side chain limiting but also parameters modulation: control any parameter of any plugin to create powerful side chain effects in real time. <br /><br />\n<h4>Features</h4>\n<ul><li>Multiband mixing console: adjust the levels, panning and \"stereoness\" of each band separately.</li><li>Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.</li><li>External side chain support for sub plug-ins on each band.</li><li>Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.</li><li>Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.</li><li>Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.</li><li>Multiple instances linking: group bands within a single instance or \nbetween multiple instances of the plug-in. Modify the spectrum on \nmultiple tracks with a single slider.</li><li>Bypass, mute, solo on every band.</li><li>Mono switch on master for mono compatibility check.</li><li>Dual Mode: independent left and right or mid and side channels control.</li><li>Complete visual feedback with real time response curves, spectrogram, and levels display for each band.</li><li>Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.</li><li>Fully customizable modular user interface, with multiple sizes.</li><li>No additional latency.</li></ul><br /><h3>Blue Cat\'s StereoScope Pro</h3>Blue Cat\'s StereoScope Pro is a real time stereo field analyzer with multiple views and MIDI/automation output capabilities. It is a powerful help to analyze how the audio signal is spread in the stereo field, and you can easily detect potential phase and mono compatibilities issues. The stereo analysis can be controlled in details, and the precise measurements capabilities combined with the zoomable displays let you monitor what is exactly happening. Choose your preferred view for your needs: real time stereo field display, evolution of the stereo image over time (2D or 3D) or output parameters that explicitly describe the average position and extent of the audio signal in the stereo field. The 3D waterfall view lets you see in details from your preferred viewpoint the evolution of the stereo image over time. The four memory slots let you store any curve in memory: it helps you make comparisons between several tracks or effects setup very easily. You can compare your mix with other commercial hits! Like our other professional analysis tools, the output parameters of this plug-in can be used to control other effects in real time: the generated automation envelopes or MIDI CC messages include the minimum and maximum positions in the stereo field and the perceived position based on the audio energy spread in the stereo image. Check the DP Meter Pro Tutorials to see how to use this capability within your favorite host. Thanks to Blue Cat\'s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow: work faster and more efficiently. <br /><br />\n<h4>Features</h4>\n<ul><li>Real time stereo image analyzer.</li><li>Three detailed views: stereo image, \"stereogram\" (evolution of the image over time) and output parameters.</li><li>Animated zoom for all views.</li><li>Precise measurement capabilities.</li><li>3D waterfall view with full 3D control.</li><li>solid or wireframe 3D surface display.</li><li>Integrated correlation meter.</li><li>Instant, peak and average stereo image curves display.</li><li>Easy phase cancellation and mono compatibility issues detection.</li><li>Save the curves for easy A/B comparison.</li><li>Opacity control for the user interface.</li><li>Custom absolute and relative threshold control.</li></ul><ul></ul>'),(2907,85,0,485,'Blue Cat Audio Master Pack'),(2908,85,1,485,'Blue Cat Audio Master Pack'),(2909,76,0,485,''),(2910,76,1,485,''),(2911,75,0,486,'<h1>Bittree Patch32A Dante Patchbay</h1><i>\nDante Audio-over-IP enabled Patchbay, with 16 TT patchable inputs and outputs, redundant Dante Ports and redundant power supply. Standalone bow with 4 rubber feet, can be rackmounted with optional rack ears (PSRME15). </i><br /><br />The Bittree Patch32A Dante enabled patchbay eliminates the complexity of analog and Dante audio patching in broadcast and professional AV infrastructures. Providing a ramp to instantly move 16 channels of analog audio onto and off of Dante networks, the Patch32A serves as a natural bridge between legacy audio equipment and IP-based systems using Audinate’s popular Dante media networking technology – including the Dante platform’s recently-added AES67 and SMPTE ST-2110 interoperability. The Patch32A minimizes cabling, conversion equipment and associated costs for broadcasters, recording studios, post-production facilities and commercial AV environments including houses of worship, performance venues, large corporate offices and higher education campuses.\n<br /><br />\nThe 1.5RU Patch32A features TT patching connections for analog I/O (16x16), redundant DC power inputs, external word clock I/O, network status, and multi-level, LED audio VU metering. The patchbay supports 24-bit audio sampling at rates from 44.1 to 192 kHz, with high-quality analog-to-digital conversions that maximize signal integrity and audio fidelity. The unit can interface with Dante Virtual Soundcard, more than 1600 third-party Dante-enabled devices, and almost any analog component in the same system, including audio distribution equipment, digital audio workstations (DAWs), digital signal processors (DSPs), mixing consoles, multi-track recorders and video routers.\n<br /><br /><h3>Bittree Patch32A Features</h3><ul><li><span style=\"background-color: initial;\">Stand-alone desktop Dante patchbay with 4 rubber feet (optional rack ear kit available)</span></li><li>7\" (17.78 cm) deep fully enclosed chassis</li><li>Bittree\'s renown double full frame TT jacks</li><li>16 TT patchable inputs and outputs</li><li>16 input and 16 outputs to Dante network (AES67 ready)</li><li>Redundant power inlets</li><li>Redundant Dante network ports</li><li>Supports 44.1 to 192K sample rate at 24-bit</li><li>Jumper selectable input and output levels (18dBu, 24dBu or 10dbV)</li><li>Front panel VU and status indicators</li><li>TT Jacks 16</li><li>0 DBFS Reference Levels 18dBu, 24dBu, -10dbV (jumper selectable)</li><li>Frequency Response 20Hz - 20 kHz +/- 0.25 dB</li></ul>'),(2912,75,1,486,'<h1>Bittree Patch32A Dante Patchbay</h1><i>\nDante Audio-over-IP enabled Patchbay, with 16 TT patchable inputs and outputs, redundant Dante Ports and redundant power supply. Standalone bow with 4 rubber feet, can be rackmounted with optional rack ears (PSRME15). </i><br /><br />The Bittree Patch32A Dante enabled patchbay eliminates the complexity of analog and Dante audio patching in broadcast and professional AV infrastructures. Providing a ramp to instantly move 16 channels of analog audio onto and off of Dante networks, the Patch32A serves as a natural bridge between legacy audio equipment and IP-based systems using Audinate’s popular Dante media networking technology – including the Dante platform’s recently-added AES67 and SMPTE ST-2110 interoperability. The Patch32A minimizes cabling, conversion equipment and associated costs for broadcasters, recording studios, post-production facilities and commercial AV environments including houses of worship, performance venues, large corporate offices and higher education campuses.\n<br /><br />\nThe 1.5RU Patch32A features TT patching connections for analog I/O (16x16), redundant DC power inputs, external word clock I/O, network status, and multi-level, LED audio VU metering. The patchbay supports 24-bit audio sampling at rates from 44.1 to 192 kHz, with high-quality analog-to-digital conversions that maximize signal integrity and audio fidelity. The unit can interface with Dante Virtual Soundcard, more than 1600 third-party Dante-enabled devices, and almost any analog component in the same system, including audio distribution equipment, digital audio workstations (DAWs), digital signal processors (DSPs), mixing consoles, multi-track recorders and video routers.\n<br /><br /><h3>Bittree Patch32A Features</h3><ul><li><span style=\"background-color: initial;\">Stand-alone desktop Dante patchbay with 4 rubber feet (optional rack ear kit available)</span></li><li>7\" (17.78 cm) deep fully enclosed chassis</li><li>Bittree\'s renown double full frame TT jacks</li><li>16 TT patchable inputs and outputs</li><li>16 input and 16 outputs to Dante network (AES67 ready)</li><li>Redundant power inlets</li><li>Redundant Dante network ports</li><li>Supports 44.1 to 192K sample rate at 24-bit</li><li>Jumper selectable input and output levels (18dBu, 24dBu or 10dbV)</li><li>Front panel VU and status indicators</li><li>TT Jacks 16</li><li>0 DBFS Reference Levels 18dBu, 24dBu, -10dbV (jumper selectable)</li><li>Frequency Response 20Hz - 20 kHz +/- 0.25 dB</li></ul>'),(2913,85,0,486,'Bittree Patch32A Dante Patchbay'),(2914,85,1,486,'Bittree Patch32A Dante Patchbay'),(2915,76,0,486,''),(2916,76,1,486,''),(2917,75,0,487,'<h2>Blackmagic Design DeckLink 4K Extreme 12G</h2>\n<span style=\"font-size:16px; font-style:italic;\">PCIe capture and playback </span><i>dual link 12G-SDI connections that work with SD, HD and Ultra HD even in Ultra HD 60p, as well as full frame DCI 4K at 4096 x 2160 resolution up to 25p!</i><br /><br />Blackmagic Design DeckLink 4K Extreme 12G is an advanced digital cinema capture card featuring full frame DCI 4K input and output via 12G-SDI! You get dual link multi rate 12G-SDI connections that work with SD, HD and Ultra HD even in Ultra HD 60p, as well as full frame DCI 4K at 4096 x 2160 resolution up to 25p! Capture 10-bit YUV or full color bandwidth 12-bit RGB. Includes AES/EBU audio, up, down and cross conversion, plus built in 3D stereoscopic output at full bandwidth 4:4:4:4 RGB! No other capture and playback card supports more video formats and video connections!<br /><br />\n<h3>About DeckLink</h3>\nDeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility!\n<br /><br />\n<h3>Perfect for Post Production</h3>\nWork with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and color correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors.\n<br /><br />\n<h3>Highest Quality Connections</h3>\nEvery DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme includes Dual Link 3G/6G-SDI, HDMI, analog video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analog audio in and out. DeckLink Studio 4K includes 6G-SDI, HDMI 1.4b, analog component, S-Video, composite video, 2 channels of AES/EBU audio and 4 channels of balanced analog audio in and out. You also get a down converted SD output. Decklink SDI 4K is perfect for high quality 10 bit SDI use only. All models include black burst/tri-sync reference and serial deck control. All models switch between SD and HD, while the DeckLink 4K Extreme, DeckLink Studio 4K and DeckLink SDI 4K models include 6G-SDI and HDMI 4K connections for Ultra HD and 4K.\n<br /><br />\n<h3>Unrivaled Video Quality</h3>\nDeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior color correction and more! Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression.\n<br /><br />\n<h3>Advanced Technology</h3>\nGet the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher color resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve color correction!'),(2918,75,1,487,'<h2>Blackmagic Design DeckLink 4K Extreme 12G</h2>\n<span style=\"font-size:16px; font-style:italic;\">PCIe capture and playback </span><i>dual link 12G-SDI connections that work with SD, HD and Ultra HD even in Ultra HD 60p, as well as full frame DCI 4K at 4096 x 2160 resolution up to 25p!</i><br /><br />Blackmagic Design DeckLink 4K Extreme 12G is an advanced digital cinema capture card featuring full frame DCI 4K input and output via 12G-SDI! You get dual link multi rate 12G-SDI connections that work with SD, HD and Ultra HD even in Ultra HD 60p, as well as full frame DCI 4K at 4096 x 2160 resolution up to 25p! Capture 10-bit YUV or full color bandwidth 12-bit RGB. Includes AES/EBU audio, up, down and cross conversion, plus built in 3D stereoscopic output at full bandwidth 4:4:4:4 RGB! No other capture and playback card supports more video formats and video connections!<br /><br />\n<h3>About DeckLink</h3>\nDeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility!\n<br /><br />\n<h3>Perfect for Post Production</h3>\nWork with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and color correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors.\n<br /><br />\n<h3>Highest Quality Connections</h3>\nEvery DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme includes Dual Link 3G/6G-SDI, HDMI, analog video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analog audio in and out. DeckLink Studio 4K includes 6G-SDI, HDMI 1.4b, analog component, S-Video, composite video, 2 channels of AES/EBU audio and 4 channels of balanced analog audio in and out. You also get a down converted SD output. Decklink SDI 4K is perfect for high quality 10 bit SDI use only. All models include black burst/tri-sync reference and serial deck control. All models switch between SD and HD, while the DeckLink 4K Extreme, DeckLink Studio 4K and DeckLink SDI 4K models include 6G-SDI and HDMI 4K connections for Ultra HD and 4K.\n<br /><br />\n<h3>Unrivaled Video Quality</h3>\nDeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior color correction and more! Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression.\n<br /><br />\n<h3>Advanced Technology</h3>\nGet the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher color resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve color correction!'),(2919,85,0,487,'Blackmagic Design DeckLink 4K Extreme 12G'),(2920,85,1,487,'Blackmagic Design DeckLink 4K Extreme 12G'),(2921,76,0,487,''),(2922,76,1,487,''),(2923,75,0,488,'<h1>Blackmagic Design DeckLink Duo 2 Video Interface Card</h1>\n<i>PCIe card featuring independent four channel capture and playback in SDI/HD-SDI.</i><br /><br />Blackmagic Design DeckLink Duo 2 features 4 independent 3G-SDI connections. DeckLink Duo 2 is a PCI Express capture and playback card that supports SDI formats in SD and HD up to 1080p60! You get the flexibility of 4 separate capture or playback cards in one! Plus, it’s completely customizable so it’s perfect for media play-out systems, multi screen digital signage servers, real time multi channel capture systems and more!<br /><br />\n<h3>About DeckLink</h3>\nDeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility!\n<br /><br />\n<h3>Perfect for Post Production</h3>\nWork with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and color correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors.\n<br /><br />\n<h3>Highest Quality Connections</h3>\nEvery DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme includes Dual Link 3G/6G-SDI, HDMI, analog video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analog audio in and out. DeckLink Studio 4K includes 6G-SDI, HDMI 1.4b, analog component, S-Video, composite video, 2 channels of AES/EBU audio and 4 channels of balanced analog audio in and out. You also get a down converted SD output. Decklink SDI 4K is perfect for high quality 10 bit SDI use only. All models include black burst/tri-sync reference and serial deck control. All models switch between SD and HD, while the DeckLink 4K Extreme, DeckLink Studio 4K and DeckLink SDI 4K models include 6G-SDI and HDMI 4K connections for Ultra HD and 4K.\n<br /><br />\n<h3>Unrivaled Video Quality</h3>\nDeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior color correction and more! Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression.\n<br /><br />\n<h3>Advanced Technology</h3>\nGet the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher color resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve color correction!'),(2924,75,1,488,'<h1>Blackmagic Design DeckLink Duo 2 Video Interface Card</h1>\n<i>PCIe card featuring independent four channel capture and playback in SDI/HD-SDI.</i><br /><br />Blackmagic Design DeckLink Duo 2 features 4 independent 3G-SDI connections. DeckLink Duo 2 is a PCI Express capture and playback card that supports SDI formats in SD and HD up to 1080p60! You get the flexibility of 4 separate capture or playback cards in one! Plus, it’s completely customizable so it’s perfect for media play-out systems, multi screen digital signage servers, real time multi channel capture systems and more!<br /><br />\n<h3>About DeckLink</h3>\nDeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility!\n<br /><br />\n<h3>Perfect for Post Production</h3>\nWork with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and color correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors.\n<br /><br />\n<h3>Highest Quality Connections</h3>\nEvery DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme includes Dual Link 3G/6G-SDI, HDMI, analog video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analog audio in and out. DeckLink Studio 4K includes 6G-SDI, HDMI 1.4b, analog component, S-Video, composite video, 2 channels of AES/EBU audio and 4 channels of balanced analog audio in and out. You also get a down converted SD output. Decklink SDI 4K is perfect for high quality 10 bit SDI use only. All models include black burst/tri-sync reference and serial deck control. All models switch between SD and HD, while the DeckLink 4K Extreme, DeckLink Studio 4K and DeckLink SDI 4K models include 6G-SDI and HDMI 4K connections for Ultra HD and 4K.\n<br /><br />\n<h3>Unrivaled Video Quality</h3>\nDeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior color correction and more! Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression.\n<br /><br />\n<h3>Advanced Technology</h3>\nGet the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher color resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve color correction!'),(2925,85,0,488,'Blackmagic DeckLink Duo 2 Video Interface Card'),(2926,85,1,488,'Blackmagic DeckLink Duo 2 Video Interface Card'),(2927,76,0,488,''),(2928,76,1,488,''),(2929,75,0,489,'<h1>Blackmagic Design DeckLink Quad 2 Video Interface Card</h1>\n<span style=\"font-size:16px; font-style:italic;\">PCIe card featuring independent eight channel capture and playback in SDI/HD-SDI.</span><br /><br />\nBlackmagic Design DeckLink Quad 2 features 8 independent SDI capture and playback channels in a single card! Fully compatible with the previous 4 channel model, this new model also allows 4 independent capture and playback channels but now also includes 4 extra channels that developers can use for configuring the card in any combination of up to 8 capture or 8 playback channels. This means DeckLink Quad 2 allows each of the 8 3G-SDI BNC connectors to switch direction between capture or playback in SD and HD up to 1080p60 and as a complete independent channel.<br /><br />\n<h3>About DeckLink</h3>\nDeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility!\n<br /><br />\n<h3>Perfect for Post Production</h3>\nWork with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and color correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors.\n<br /><br />\n<h3>Highest Quality Connections</h3>\nEvery DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme includes Dual Link 3G/6G-SDI, HDMI, analog video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analog audio in and out. DeckLink Studio 4K includes 6G-SDI, HDMI 1.4b, analog component, S-Video, composite video, 2 channels of AES/EBU audio and 4 channels of balanced analog audio in and out. You also get a down converted SD output. Decklink SDI 4K is perfect for high quality 10 bit SDI use only. All models include black burst/tri-sync reference and serial deck control. All models switch between SD and HD, while the DeckLink 4K Extreme, DeckLink Studio 4K and DeckLink SDI 4K models include 6G-SDI and HDMI 4K connections for Ultra HD and 4K.\n<br /><br />\n<h3>Unrivaled Video Quality</h3>\nDeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior color correction and more! Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression.\n<br /><br />\n<h3>Advanced Technology</h3>\nGet the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher color resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve color correction!'),(2930,75,1,489,'<h1>Blackmagic Design DeckLink Quad 2 Video Interface Card</h1>\n<span style=\"font-size:16px; font-style:italic;\">PCIe card featuring independent eight channel capture and playback in SDI/HD-SDI.</span><br /><br />\nBlackmagic Design DeckLink Quad 2 features 8 independent SDI capture and playback channels in a single card! Fully compatible with the previous 4 channel model, this new model also allows 4 independent capture and playback channels but now also includes 4 extra channels that developers can use for configuring the card in any combination of up to 8 capture or 8 playback channels. This means DeckLink Quad 2 allows each of the 8 3G-SDI BNC connectors to switch direction between capture or playback in SD and HD up to 1080p60 and as a complete independent channel.<br /><br />\n<h3>About DeckLink</h3>\nDeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility!\n<br /><br />\n<h3>Perfect for Post Production</h3>\nWork with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and color correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors.\n<br /><br />\n<h3>Highest Quality Connections</h3>\nEvery DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme includes Dual Link 3G/6G-SDI, HDMI, analog video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analog audio in and out. DeckLink Studio 4K includes 6G-SDI, HDMI 1.4b, analog component, S-Video, composite video, 2 channels of AES/EBU audio and 4 channels of balanced analog audio in and out. You also get a down converted SD output. Decklink SDI 4K is perfect for high quality 10 bit SDI use only. All models include black burst/tri-sync reference and serial deck control. All models switch between SD and HD, while the DeckLink 4K Extreme, DeckLink Studio 4K and DeckLink SDI 4K models include 6G-SDI and HDMI 4K connections for Ultra HD and 4K.\n<br /><br />\n<h3>Unrivaled Video Quality</h3>\nDeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior color correction and more! Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression.\n<br /><br />\n<h3>Advanced Technology</h3>\nGet the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher color resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve color correction!'),(2931,85,0,489,'Blackmagic Design DeckLink Quad 2'),(2932,85,1,489,'Blackmagic Design DeckLink Quad 2'),(2933,76,0,489,''),(2934,76,1,489,''),(2935,75,0,490,'<h2>Blackmagic Design DeckLink SDI 4K</h2>\n<font size=\"3\"><i>Capture and playback with 6G-SDI for SD, HD, 2K and Ultra HD.</i></font><br /><br />\nBlackmagic Design DeckLink SDI 4K is perfect when you need an SDI only solution but demand the highest quality SDI capture and playback. You get incredible quality 6G-SDI on any PCI Express Mac, Windows or Linux computer. DeckLink SDI 4K is the world’s smallest and most affordable multi rate SD/HD and Ultra HD SDI video card that lets you connect to any SD, HD-SDI, 2K and Ultra HD equipment. You also get RS-422 deck control, internal keying and reference input for a complete solution for editing, paint, design and more.<br /><br />\n<h3>About DeckLink</h3>\nDeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility!\n<br /><br />\n<h3>Perfect for Post Production</h3>\nWork with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and color correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors.\n<br /><br />\n<h3>Highest Quality Connections</h3>\nEvery DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme includes Dual Link 3G/6G-SDI, HDMI, analog video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analog audio in and out. DeckLink Studio 4K includes 6G-SDI, HDMI 1.4b, analog component, S-Video, composite video, 2 channels of AES/EBU audio and 4 channels of balanced analog audio in and out. You also get a down converted SD output. Decklink SDI 4K is perfect for high quality 10 bit SDI use only. All models include black burst/tri-sync reference and serial deck control. All models switch between SD and HD, while the DeckLink 4K Extreme, DeckLink Studio 4K and DeckLink SDI 4K models include 6G-SDI and HDMI 4K connections for Ultra HD and 4K.\n<br /><br />\n<h3>Unrivaled Video Quality</h3>\nDeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior color correction and more! Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression.\n<br /><br />\n<h3>Advanced Technology</h3>\nGet the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher color resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve color correction!'),(2936,75,1,490,'<h2>Blackmagic Design DeckLink SDI 4K</h2>\n<font size=\"3\"><i>Capture and playback with 6G-SDI for SD, HD, 2K and Ultra HD.</i></font><br /><br />\nBlackmagic Design DeckLink SDI 4K is perfect when you need an SDI only solution but demand the highest quality SDI capture and playback. You get incredible quality 6G-SDI on any PCI Express Mac, Windows or Linux computer. DeckLink SDI 4K is the world’s smallest and most affordable multi rate SD/HD and Ultra HD SDI video card that lets you connect to any SD, HD-SDI, 2K and Ultra HD equipment. You also get RS-422 deck control, internal keying and reference input for a complete solution for editing, paint, design and more.<br /><br />\n<h3>About DeckLink</h3>\nDeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility!\n<br /><br />\n<h3>Perfect for Post Production</h3>\nWork with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and color correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors.\n<br /><br />\n<h3>Highest Quality Connections</h3>\nEvery DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme includes Dual Link 3G/6G-SDI, HDMI, analog video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analog audio in and out. DeckLink Studio 4K includes 6G-SDI, HDMI 1.4b, analog component, S-Video, composite video, 2 channels of AES/EBU audio and 4 channels of balanced analog audio in and out. You also get a down converted SD output. Decklink SDI 4K is perfect for high quality 10 bit SDI use only. All models include black burst/tri-sync reference and serial deck control. All models switch between SD and HD, while the DeckLink 4K Extreme, DeckLink Studio 4K and DeckLink SDI 4K models include 6G-SDI and HDMI 4K connections for Ultra HD and 4K.\n<br /><br />\n<h3>Unrivaled Video Quality</h3>\nDeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior color correction and more! Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression.\n<br /><br />\n<h3>Advanced Technology</h3>\nGet the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher color resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve color correction!'),(2937,85,0,490,'Blackmagic Design DeckLink SDI 4K'),(2938,85,1,490,'Blackmagic Design DeckLink SDI 4K'),(2939,76,0,490,''),(2940,76,1,490,''),(2941,75,0,491,'<h2>Blackmagic Design DeckLink Studio 4K</h2>\n<font size=\"3\"><i>Capture and playback 6G-SDI, HDMI 4K and analog in SD, HD and Ultra HD.</i></font><br /><br />\nBlackmagic Design DeckLink Studio 4K is the perfect video interface card if you work with a wide range of analog video and audio gear, and need to move seamlessly between SD, HD, 2K and Ultra HD. DeckLink Studio 4K includes a massive number of analog and digital video connections including SD/HD/Ultra HD 6G-SDI, HDMI 1.4b, SD/HD component, composite, S-video, 4 ch balanced analog audio, 2 ch AES/EBU switchable to 6 ch out, Black Burst and Tri-Sync reference input, RS-422 deck control connections, keying in SD and a hardware down converter. Perform editing, paint and broadcast design and more with the ultimate future proof design!<br /><br />\n<h3>About DeckLink</h3>\nDeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility!\n<br /><br />\n<h3>Perfect for Post Production</h3>\nWork with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and color correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors.\n<br /><br />\n<h3>Highest Quality Connections</h3>\nEvery DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme includes Dual Link 3G/6G-SDI, HDMI, analog video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analog audio in and out. DeckLink Studio 4K includes 6G-SDI, HDMI 1.4b, analog component, S-Video, composite video, 2 channels of AES/EBU audio and 4 channels of balanced analog audio in and out. You also get a down converted SD output. Decklink SDI 4K is perfect for high quality 10 bit SDI use only. All models include black burst/tri-sync reference and serial deck control. All models switch between SD and HD, while the DeckLink 4K Extreme, DeckLink Studio 4K and DeckLink SDI 4K models include 6G-SDI and HDMI 4K connections for Ultra HD and 4K.\n<br /><br />\n<h3>Unrivaled Video Quality</h3>\nDeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior color correction and more! Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression.\n<br /><br />\n<h3>Advanced Technology</h3>\nGet the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher color resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve color correction!'),(2942,75,1,491,'<h2>Blackmagic Design DeckLink Studio 4K</h2>\n<font size=\"3\"><i>Capture and playback 6G-SDI, HDMI 4K and analog in SD, HD and Ultra HD.</i></font><br /><br />\nBlackmagic Design DeckLink Studio 4K is the perfect video interface card if you work with a wide range of analog video and audio gear, and need to move seamlessly between SD, HD, 2K and Ultra HD. DeckLink Studio 4K includes a massive number of analog and digital video connections including SD/HD/Ultra HD 6G-SDI, HDMI 1.4b, SD/HD component, composite, S-video, 4 ch balanced analog audio, 2 ch AES/EBU switchable to 6 ch out, Black Burst and Tri-Sync reference input, RS-422 deck control connections, keying in SD and a hardware down converter. Perform editing, paint and broadcast design and more with the ultimate future proof design!<br /><br />\n<h3>About DeckLink</h3>\nDeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility!\n<br /><br />\n<h3>Perfect for Post Production</h3>\nWork with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and color correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors.\n<br /><br />\n<h3>Highest Quality Connections</h3>\nEvery DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme includes Dual Link 3G/6G-SDI, HDMI, analog video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analog audio in and out. DeckLink Studio 4K includes 6G-SDI, HDMI 1.4b, analog component, S-Video, composite video, 2 channels of AES/EBU audio and 4 channels of balanced analog audio in and out. You also get a down converted SD output. Decklink SDI 4K is perfect for high quality 10 bit SDI use only. All models include black burst/tri-sync reference and serial deck control. All models switch between SD and HD, while the DeckLink 4K Extreme, DeckLink Studio 4K and DeckLink SDI 4K models include 6G-SDI and HDMI 4K connections for Ultra HD and 4K.\n<br /><br />\n<h3>Unrivaled Video Quality</h3>\nDeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior color correction and more! Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression.\n<br /><br />\n<h3>Advanced Technology</h3>\nGet the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher color resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve color correction!'),(2943,85,0,491,'Blackmagic Design DeckLink Studio 4K'),(2944,85,1,491,'Blackmagic Design DeckLink Studio 4K'),(2945,76,0,491,''),(2946,76,1,491,''),(2947,75,0,492,'<h1>Blackmagic Design Intensity Pro 4K | PCIe Card</h1><i>\nIncredible quality capture and playback in SD, HD and Ultra HD for your HDMI, YUV, S-Video and NTSC/PAL devices!</i><br /><br />\nThe BlackMagic Design Intensity Pro 4K PCIe card is the easiest and highest quality way to capture video on your computer! Intensity Pro 4K has all the same great features of the original Intensity Pro capture card but now you also get Ultra HD and 1080p60 high frame rate support! Now you can capture Ultra HD images at up to 30 frames per second or 1080HD at an incredible 60 frames per second! You can save files with or without compression and use it with the most popular Mac and Windows video software. Intensity Pro 4K also includes DaVinci Resolve so you get a full capture and playback solution along with professional video editing and color grading, without having to buy any extra software!\n<br /><br />\n<h3>Intensity Pro 4K Features</h3>\n<ul>\n<li>Capture and playback in up to Ultra HD 2160 at 30 fps</li>\n<li>Capture 1080p content at up to 60 fps, excellent for gameplay walk-throughs and more</li>\n<li>Capture directly to your compatible NLE or Mac, PC, Linux computer</li>\n<li>Save in compressed or uncompressed formats with the included Media Express software</li>\n<li>Output to HDTVs for more accurate color correction and client-reviews</li>\n<li>Connect your cameras for live streaming, video conferencing, presentations, and more</li>\n<li>Included analog breakout cable lets you capture from VHS and DVD players</li>\n<li>Manage all your media in the included Media Express software</li>\n<ul></ul></ul>'),(2948,75,1,492,'<h1>Blackmagic Design Intensity Pro 4K | PCIe Card</h1><i>\nIncredible quality capture and playback in SD, HD and Ultra HD for your HDMI, YUV, S-Video and NTSC/PAL devices!</i><br /><br />\nThe BlackMagic Design Intensity Pro 4K PCIe card is the easiest and highest quality way to capture video on your computer! Intensity Pro 4K has all the same great features of the original Intensity Pro capture card but now you also get Ultra HD and 1080p60 high frame rate support! Now you can capture Ultra HD images at up to 30 frames per second or 1080HD at an incredible 60 frames per second! You can save files with or without compression and use it with the most popular Mac and Windows video software. Intensity Pro 4K also includes DaVinci Resolve so you get a full capture and playback solution along with professional video editing and color grading, without having to buy any extra software!\n<br /><br />\n<h3>Intensity Pro 4K Features</h3>\n<ul>\n<li>Capture and playback in up to Ultra HD 2160 at 30 fps</li>\n<li>Capture 1080p content at up to 60 fps, excellent for gameplay walk-throughs and more</li>\n<li>Capture directly to your compatible NLE or Mac, PC, Linux computer</li>\n<li>Save in compressed or uncompressed formats with the included Media Express software</li>\n<li>Output to HDTVs for more accurate color correction and client-reviews</li>\n<li>Connect your cameras for live streaming, video conferencing, presentations, and more</li>\n<li>Included analog breakout cable lets you capture from VHS and DVD players</li>\n<li>Manage all your media in the included Media Express software</li>\n<ul></ul></ul>'),(2949,85,0,492,'Blackmagic Design Intensity Pro 4K'),(2950,85,1,492,'Blackmagic Design Intensity Pro 4K'),(2951,76,0,492,''),(2952,76,1,492,''),(2953,75,0,493,'<h1><span style=\"background-color: initial;\">Blackmagic Design </span>Intensity Shuttle for USB 3.0</h1>\n<span style=\"font-size:16px; font-style:italic;\">Incredible 10-bit HDMI and analog video editing in SD and HD</span><br /><br />\nIntensity Shuttle for USB 3.0, the world’s first 10 bit HD/SD editing solution for USB 3.0 computers! Simply plug in Intensity Shuttle and get access to incredible quality 10 bit HDMI, analog component, composite and S-Video capture and playback. Intensity Shuttle’s innovative design is compact and portable, plus you can plug inline with your cables because input connections are on one side, and output connections on the other! Intensity Shuttle powers from the USB 3.0 connection so you don’t need cumbersome power supplies. Intensity Shuttle comes ready with advanced video technology such as HDMI and 1080p electronics, so it will grow as faster high performance USB 3.0 computers are released in the future!<br /><br />\n<h3>Incredible quality HDMI capture and playback!</h3>\nIntensity lets you capture and playback in the most incredible quality HDMI and component analog video in both SD and HD. Smash the quality barrier for your video work because Intensity is not only the highest quality, but also affordable! Intensity features all the video connections you need to connect to video cameras, set-top boxes, game consoles, large screen TVs and projectors. Intensity is available in a choice of models featuring PCI Express, USB 3.0 or lightning fast Thunderbolt™ technology!\n<br /><br />\n<h3>Highest Quality Video</h3>\nMost consumer video cameras compress HD video to fit longer recordings on to tape and discs. For video editing compressed media needs to be decoded to play back each frame of video and this puts additional strain on your computer\'s CPU and limits real time editing effects. Capturing directly with Intensity bypasses camera compression by recording directly from the camera\'s image sensor, so a low cost consumer camera can be used to capture full HD resolution video in broadcast quality!\n<h3>Professional Video Standards</h3>\nIntensity offers the flexibility of working with compressed and uncompressed video in standard definition PAL/NTSC up to full 1080HD video. Now it’s possible to capture live game play, archive family movies and create amazing videos in full broadcast quality video! Blackmagic Design’s Media Express software is included for a complete capture and playback solution without the need for any additional software.\n<br /><br />\n<h3>True HDMI Digital Connections</h3>\nIntensity features the highest quality HDMI input and output connections. HDMI is the worldwide standard for connecting digital consumer video equipment like cameras, set-top boxes and disk recorders. Intensity\'s HDMI output is perfect for monitoring full HD, HDV and even DV editing projects on the latest big screen TVs and HD video projectors! HDMI includes your audio, so you can connect to your TV with a single cable!\n<br /><br />\n<h3>Highest Quality Analog Connections</h3>\nIntensity Shuttle has built-in HDMI and analog video and audio connections, with all inputs on one side \nand all outputs on the other. The analog connections for Intensity Pro and Intensity Extreme are provided with a \nbreakout cable that is included with each model.\n<br /><br />\n<h3>Uncompressed or Compressed Video</h3>\nHDV and DV use heavy compression. This increases the load on your computer\'s CPU as editing software decodes the video just to display each frame. Working with uncompressed video leaves the CPU free for real time effects and your system will feel snappy and fast to use. As uncompressed HD requires a fast disk array, Intensity also works with compressed video that\'s higher quality than HDV. You can also use popular editing software codecs like Apple ProRes and Avid DNxHD.\n<br /><br />\n<h3>Full HD Resolution</h3>\nIntensity captures full HD images with 1920 x 1080 pixels for every video frame. HDV reduces the image size to 1440 pixels wide due to the limitations of camera storage and the data transfer speed of FireWire. Modern video cameras have built-in HDMI output and you can directly capture from the camera\'s image sensor. Now you can get professional quality images from low cost cameras and record the image sensor\'s full quality before any compression is applied.\n<br /><br />\n<h3>DVD and Blu-Ray Authoring</h3>\nDVD and Blu-Ray Discs created from uncompressed media are much higher quality and look amazing! Intensity can create QuickTime™ and AVI video files that are fully compatible with editing and DVD authoring software. Use popular software like Encore® to produce incredible looking DVDs and Blu-Ray discs for you to keep forever!\n<br /><br />\n<h3>Live Streaming</h3>\nImprove the quality of internet video streaming by starting with a clean uncompressed video source! Compressing to streaming standards from already compressed video will dramatically reduce quality and it will take more computer processing resources. Intensity works with all leading streaming software so you can capture video in the highest possible quality before applying a single form of compression that suits delivery over the web!\n<br /><br />\n<h3>Use the software you love!</h3>\nIntensity works with the software you love to use! Use DirectShow™ and QuickTime™ software, or the World\'s most popular editing software such as Media Composer™, Final Cut Pro™ and Adobe® Premiere Pro® CC. You also get Photoshop® CC plug-ins to grab and output frames, plus real time preview in After Effects® CC and Nuke™. No other cards support more software on Windows, Mac OS X or Linux, so you have the freedom to work with your favorite tools!'),(2954,75,1,493,'<h1><span style=\"background-color: initial;\">Blackmagic Design </span>Intensity Shuttle for USB 3.0</h1>\n<span style=\"font-size:16px; font-style:italic;\">Incredible 10-bit HDMI and analog video editing in SD and HD</span><br /><br />\nIntensity Shuttle for USB 3.0, the world’s first 10 bit HD/SD editing solution for USB 3.0 computers! Simply plug in Intensity Shuttle and get access to incredible quality 10 bit HDMI, analog component, composite and S-Video capture and playback. Intensity Shuttle’s innovative design is compact and portable, plus you can plug inline with your cables because input connections are on one side, and output connections on the other! Intensity Shuttle powers from the USB 3.0 connection so you don’t need cumbersome power supplies. Intensity Shuttle comes ready with advanced video technology such as HDMI and 1080p electronics, so it will grow as faster high performance USB 3.0 computers are released in the future!<br /><br />\n<h3>Incredible quality HDMI capture and playback!</h3>\nIntensity lets you capture and playback in the most incredible quality HDMI and component analog video in both SD and HD. Smash the quality barrier for your video work because Intensity is not only the highest quality, but also affordable! Intensity features all the video connections you need to connect to video cameras, set-top boxes, game consoles, large screen TVs and projectors. Intensity is available in a choice of models featuring PCI Express, USB 3.0 or lightning fast Thunderbolt™ technology!\n<br /><br />\n<h3>Highest Quality Video</h3>\nMost consumer video cameras compress HD video to fit longer recordings on to tape and discs. For video editing compressed media needs to be decoded to play back each frame of video and this puts additional strain on your computer\'s CPU and limits real time editing effects. Capturing directly with Intensity bypasses camera compression by recording directly from the camera\'s image sensor, so a low cost consumer camera can be used to capture full HD resolution video in broadcast quality!\n<h3>Professional Video Standards</h3>\nIntensity offers the flexibility of working with compressed and uncompressed video in standard definition PAL/NTSC up to full 1080HD video. Now it’s possible to capture live game play, archive family movies and create amazing videos in full broadcast quality video! Blackmagic Design’s Media Express software is included for a complete capture and playback solution without the need for any additional software.\n<br /><br />\n<h3>True HDMI Digital Connections</h3>\nIntensity features the highest quality HDMI input and output connections. HDMI is the worldwide standard for connecting digital consumer video equipment like cameras, set-top boxes and disk recorders. Intensity\'s HDMI output is perfect for monitoring full HD, HDV and even DV editing projects on the latest big screen TVs and HD video projectors! HDMI includes your audio, so you can connect to your TV with a single cable!\n<br /><br />\n<h3>Highest Quality Analog Connections</h3>\nIntensity Shuttle has built-in HDMI and analog video and audio connections, with all inputs on one side \nand all outputs on the other. The analog connections for Intensity Pro and Intensity Extreme are provided with a \nbreakout cable that is included with each model.\n<br /><br />\n<h3>Uncompressed or Compressed Video</h3>\nHDV and DV use heavy compression. This increases the load on your computer\'s CPU as editing software decodes the video just to display each frame. Working with uncompressed video leaves the CPU free for real time effects and your system will feel snappy and fast to use. As uncompressed HD requires a fast disk array, Intensity also works with compressed video that\'s higher quality than HDV. You can also use popular editing software codecs like Apple ProRes and Avid DNxHD.\n<br /><br />\n<h3>Full HD Resolution</h3>\nIntensity captures full HD images with 1920 x 1080 pixels for every video frame. HDV reduces the image size to 1440 pixels wide due to the limitations of camera storage and the data transfer speed of FireWire. Modern video cameras have built-in HDMI output and you can directly capture from the camera\'s image sensor. Now you can get professional quality images from low cost cameras and record the image sensor\'s full quality before any compression is applied.\n<br /><br />\n<h3>DVD and Blu-Ray Authoring</h3>\nDVD and Blu-Ray Discs created from uncompressed media are much higher quality and look amazing! Intensity can create QuickTime™ and AVI video files that are fully compatible with editing and DVD authoring software. Use popular software like Encore® to produce incredible looking DVDs and Blu-Ray discs for you to keep forever!\n<br /><br />\n<h3>Live Streaming</h3>\nImprove the quality of internet video streaming by starting with a clean uncompressed video source! Compressing to streaming standards from already compressed video will dramatically reduce quality and it will take more computer processing resources. Intensity works with all leading streaming software so you can capture video in the highest possible quality before applying a single form of compression that suits delivery over the web!\n<br /><br />\n<h3>Use the software you love!</h3>\nIntensity works with the software you love to use! Use DirectShow™ and QuickTime™ software, or the World\'s most popular editing software such as Media Composer™, Final Cut Pro™ and Adobe® Premiere Pro® CC. You also get Photoshop® CC plug-ins to grab and output frames, plus real time preview in After Effects® CC and Nuke™. No other cards support more software on Windows, Mac OS X or Linux, so you have the freedom to work with your favorite tools!'),(2955,85,0,493,'Blackmagic Intensity Shuttle for USB 3.0'),(2956,85,1,493,'Blackmagic Intensity Shuttle for USB 3.0'),(2957,76,0,493,''),(2958,76,1,493,''),(2959,75,0,494,'<h1>Blackmagic Design Intensity Shuttle for Thunderbolt</h1>\n<span style=\"font-size:16px; font-style:italic;\">Incredible 10-bit HDMI and analog video editing in SD and HD</span><br /><br />\nIntensity Shuttle is now available with incredibly fast Thunderbolt™ technology. Capture and playback the highest quality SD and HD video in full 10-bit quality, with HDMI, analog component, composite and S-Video connections. Intensity Shuttle’s innovative design is compact and portable, plus you can plug inline with your cables because input connections are on one side, and output connections on the other! Intensity Shuttle is powered over the Thunderbolt™ cable so you don’t need cumbersome power supplies. Intensity Shuttle uses the same high quality electronics as Blackmagic Design\'s high end capture and playback solutions.<br /><br />\n<h3>Incredible quality HDMI capture and playback!</h3>\nIntensity lets you capture and playback in the most incredible quality HDMI and component analog video in both SD and HD. Smash the quality barrier for your video work because Intensity is not only the highest quality, but also affordable! Intensity features all the video connections you need to connect to video cameras, set-top boxes, game consoles, large screen TVs and projectors. Intensity is available in a choice of models featuring PCI Express, USB 3.0 or lightning fast Thunderbolt™ technology!\n<br /><br />\n<h3>Highest Quality Video</h3>\nMost consumer video cameras compress HD video to fit longer recordings on to tape and discs. For video editing compressed media needs to be decoded to play back each frame of video and this puts additional strain on your computer\'s CPU and limits real time editing effects. Capturing directly with Intensity bypasses camera compression by recording directly from the camera\'s image sensor, so a low cost consumer camera can be used to capture full HD resolution video in broadcast quality!\n<h3>Professional Video Standards</h3>\nIntensity offers the flexibility of working with compressed and uncompressed video in standard definition PAL/NTSC up to full 1080HD video. Now it’s possible to capture live game play, archive family movies and create amazing videos in full broadcast quality video! Blackmagic Design’s Media Express software is included for a complete capture and playback solution without the need for any additional software.\n<br /><br />\n<h3>True HDMI Digital Connections</h3>\nIntensity features the highest quality HDMI input and output connections. HDMI is the worldwide standard for connecting digital consumer video equipment like cameras, set-top boxes and disk recorders. Intensity\'s HDMI output is perfect for monitoring full HD, HDV and even DV editing projects on the latest big screen TVs and HD video projectors! HDMI includes your audio, so you can connect to your TV with a single cable!\n<br /><br />\n<h3>Highest Quality Analog Connections</h3>\nIntensity Shuttle has built-in HDMI and analog video and audio connections, with all inputs on one side \nand all outputs on the other. The analog connections for Intensity Pro and Intensity Extreme are provided with a \nbreakout cable that is included with each model.\n<br /><br />\n<h3>Uncompressed or Compressed Video</h3>\nHDV and DV use heavy compression. This increases the load on your computer\'s CPU as editing software decodes the video just to display each frame. Working with uncompressed video leaves the CPU free for real time effects and your system will feel snappy and fast to use. As uncompressed HD requires a fast disk array, Intensity also works with compressed video that\'s higher quality than HDV. You can also use popular editing software codecs like Apple ProRes and Avid DNxHD.\n<br /><br />\n<h3>Full HD Resolution</h3>\nIntensity captures full HD images with 1920 x 1080 pixels for every video frame. HDV reduces the image size to 1440 pixels wide due to the limitations of camera storage and the data transfer speed of FireWire. Modern video cameras have built-in HDMI output and you can directly capture from the camera\'s image sensor. Now you can get professional quality images from low cost cameras and record the image sensor\'s full quality before any compression is applied.\n<br /><br />\n<h3>DVD and Blu-Ray Authoring</h3>\nDVD and Blu-Ray Discs created from uncompressed media are much higher quality and look amazing! Intensity can create QuickTime™ and AVI video files that are fully compatible with editing and DVD authoring software. Use popular software like Encore® to produce incredible looking DVDs and Blu-Ray discs for you to keep forever!\n<br /><br />\n<h3>Live Streaming</h3>\nImprove the quality of internet video streaming by starting with a clean uncompressed video source! Compressing to streaming standards from already compressed video will dramatically reduce quality and it will take more computer processing resources. Intensity works with all leading streaming software so you can capture video in the highest possible quality before applying a single form of compression that suits delivery over the web!\n<br /><br />\n<h3>Use the software you love!</h3>\nIntensity works with the software you love to use! Use DirectShow™ and QuickTime™ software, or the World\'s most popular editing software such as Media Composer™, Final Cut Pro™ and Adobe® Premiere Pro® CC. You also get Photoshop® CC plug-ins to grab and output frames, plus real time preview in After Effects® CC and Nuke™. No other cards support more software on Windows, Mac OS X or Linux, so you have the freedom to work with your favorite tools!'),(2960,75,1,494,'<h1>Blackmagic Design Intensity Shuttle for Thunderbolt</h1>\n<span style=\"font-size:16px; font-style:italic;\">Incredible 10-bit HDMI and analog video editing in SD and HD</span><br /><br />\nIntensity Shuttle is now available with incredibly fast Thunderbolt™ technology. Capture and playback the highest quality SD and HD video in full 10-bit quality, with HDMI, analog component, composite and S-Video connections. Intensity Shuttle’s innovative design is compact and portable, plus you can plug inline with your cables because input connections are on one side, and output connections on the other! Intensity Shuttle is powered over the Thunderbolt™ cable so you don’t need cumbersome power supplies. Intensity Shuttle uses the same high quality electronics as Blackmagic Design\'s high end capture and playback solutions.<br /><br />\n<h3>Incredible quality HDMI capture and playback!</h3>\nIntensity lets you capture and playback in the most incredible quality HDMI and component analog video in both SD and HD. Smash the quality barrier for your video work because Intensity is not only the highest quality, but also affordable! Intensity features all the video connections you need to connect to video cameras, set-top boxes, game consoles, large screen TVs and projectors. Intensity is available in a choice of models featuring PCI Express, USB 3.0 or lightning fast Thunderbolt™ technology!\n<br /><br />\n<h3>Highest Quality Video</h3>\nMost consumer video cameras compress HD video to fit longer recordings on to tape and discs. For video editing compressed media needs to be decoded to play back each frame of video and this puts additional strain on your computer\'s CPU and limits real time editing effects. Capturing directly with Intensity bypasses camera compression by recording directly from the camera\'s image sensor, so a low cost consumer camera can be used to capture full HD resolution video in broadcast quality!\n<h3>Professional Video Standards</h3>\nIntensity offers the flexibility of working with compressed and uncompressed video in standard definition PAL/NTSC up to full 1080HD video. Now it’s possible to capture live game play, archive family movies and create amazing videos in full broadcast quality video! Blackmagic Design’s Media Express software is included for a complete capture and playback solution without the need for any additional software.\n<br /><br />\n<h3>True HDMI Digital Connections</h3>\nIntensity features the highest quality HDMI input and output connections. HDMI is the worldwide standard for connecting digital consumer video equipment like cameras, set-top boxes and disk recorders. Intensity\'s HDMI output is perfect for monitoring full HD, HDV and even DV editing projects on the latest big screen TVs and HD video projectors! HDMI includes your audio, so you can connect to your TV with a single cable!\n<br /><br />\n<h3>Highest Quality Analog Connections</h3>\nIntensity Shuttle has built-in HDMI and analog video and audio connections, with all inputs on one side \nand all outputs on the other. The analog connections for Intensity Pro and Intensity Extreme are provided with a \nbreakout cable that is included with each model.\n<br /><br />\n<h3>Uncompressed or Compressed Video</h3>\nHDV and DV use heavy compression. This increases the load on your computer\'s CPU as editing software decodes the video just to display each frame. Working with uncompressed video leaves the CPU free for real time effects and your system will feel snappy and fast to use. As uncompressed HD requires a fast disk array, Intensity also works with compressed video that\'s higher quality than HDV. You can also use popular editing software codecs like Apple ProRes and Avid DNxHD.\n<br /><br />\n<h3>Full HD Resolution</h3>\nIntensity captures full HD images with 1920 x 1080 pixels for every video frame. HDV reduces the image size to 1440 pixels wide due to the limitations of camera storage and the data transfer speed of FireWire. Modern video cameras have built-in HDMI output and you can directly capture from the camera\'s image sensor. Now you can get professional quality images from low cost cameras and record the image sensor\'s full quality before any compression is applied.\n<br /><br />\n<h3>DVD and Blu-Ray Authoring</h3>\nDVD and Blu-Ray Discs created from uncompressed media are much higher quality and look amazing! Intensity can create QuickTime™ and AVI video files that are fully compatible with editing and DVD authoring software. Use popular software like Encore® to produce incredible looking DVDs and Blu-Ray discs for you to keep forever!\n<br /><br />\n<h3>Live Streaming</h3>\nImprove the quality of internet video streaming by starting with a clean uncompressed video source! Compressing to streaming standards from already compressed video will dramatically reduce quality and it will take more computer processing resources. Intensity works with all leading streaming software so you can capture video in the highest possible quality before applying a single form of compression that suits delivery over the web!\n<br /><br />\n<h3>Use the software you love!</h3>\nIntensity works with the software you love to use! Use DirectShow™ and QuickTime™ software, or the World\'s most popular editing software such as Media Composer™, Final Cut Pro™ and Adobe® Premiere Pro® CC. You also get Photoshop® CC plug-ins to grab and output frames, plus real time preview in After Effects® CC and Nuke™. No other cards support more software on Windows, Mac OS X or Linux, so you have the freedom to work with your favorite tools!'),(2961,85,0,494,'Blackmagic Intensity Shuttle for Thunderbolt'),(2962,85,1,494,'Blackmagic Intensity Shuttle for Thunderbolt'),(2963,76,0,494,''),(2964,76,1,494,''),(2965,75,0,495,'<h1>Blackmagic Design UltraStudio 4K Extreme 3</h1>\n<i>Incredibly powerful capture and playback in a 2 rack unit break out box design. Includes every connection possible including 12G‑SDI, HDMI, YUV/composite video, analog/digital audio and much more!</i><br /><br />The Blackmagic Design UltraStudio 4K Extreme 3 is the world’s most advanced capture and playback solution for PCI Express and Thunderbolt computers! It features incredibly fast 40Gb/s Thunderbolt 3, advanced 12G‑SDI and HDMI 2.0 connections for working at up to 60 frames per second with deep color, 12‑bit RGB, support for HDR workflows via HDMI 2.0a and extremely large 4K frame sizes. Featuring the widest range of analog and digital connections, UltraStudio 4K Extreme 3 is compatible with virtually any camera, deck, router or display. There’s even an extremely powerful hardware encoder built-in that supports realtime H.265 encoding!<br /><br />Connections include SDI, HDMI and analog video and audio with broadcast quality 10‑bit YUV and 12-bit RGB in Apple ProRes and uncompressed file formats. UltraStudio is designed to work with popular video software on Mac, Windows and Linux such as DaVinci Resolve, Avid Media Composer, Adobe Premiere Pro, Final Cut Pro and many more.<br /><br />\n<h3>Advanced Connections</h3>\n<div>\n	<span style=\"background-color: initial;\">All UltraStudio capture and playback devices have broadcast quality audio and video connections along with regular computer connections that enable advanced workflows. The dual link 3G-SDI connections on UltraStudio HD Mini can be used as fill and key outputs for sending animated broadcast graphics with alpha channel out to ATEM live production switchers. UltraStudio 4K Mini has a USB-C connection so it can be used as a hub for connecting peripherals such as a keyboard to your computer. Plus, it features an SD card slot on the front so you can edit directly from camera media cards. UltraStudio 4K Extreme 3 even has 2 optical fiber cages for connecting over massive distances and a PCIe expansion slot that lets you connect it to a Windows or Linux system via PCIe card.</span>\n</div>\n<br />\n<h3>Push Button Control</h3>\n<div>\n	When you\'re working fast you need to change settings fast. UltraStudio 4K models feature input selection buttons on the front panel. You can capture SDI video with embedded audio, or you can choose different inputs, such as analog audio, to capture them from separate inputs. The built in LCD lets you see what input is selected and will switch to show you the output during playback. This is vital in broadcast environments where you need to be able to confirm video playback quickly. You can even add push button control and an LCD screen to the front panel of UltraStudio HD Mini by simply installing a Teranex Mini Smart Panel.\n</div>\n<br />\n<h3>DaVinci Resolve</h3>\n<div>\n	DaVinci Resolve for Mac, Windows and Linux is the world’s most advanced color correction software solution compatible with high performance GPU cards, DaVinci Resolve control panels or off the shelf control panels such as the DaVinci Resolve Micro, Mini and Advanced panels. It includes 32‑bit float YRGB processing for all effects, power windows, tracking, primaries and secondaries and 3D object tracking. It\'s a great first color correction solution when you are working heavily in SD, HD, Ultra HD and 4K DCI. UltraStudio 4K models have been developed to be the perfect solution for DaVinci color grading and have been designed to perfectly match the powerful features in the latest DaVinci Resolve!\n</div>\n<br />'),(2966,75,1,495,'<h1>Blackmagic Design UltraStudio 4K Extreme 3</h1>\n<i>Incredibly powerful capture and playback in a 2 rack unit break out box design. Includes every connection possible including 12G‑SDI, HDMI, YUV/composite video, analog/digital audio and much more!</i><br /><br />The Blackmagic Design UltraStudio 4K Extreme 3 is the world’s most advanced capture and playback solution for PCI Express and Thunderbolt computers! It features incredibly fast 40Gb/s Thunderbolt 3, advanced 12G‑SDI and HDMI 2.0 connections for working at up to 60 frames per second with deep color, 12‑bit RGB, support for HDR workflows via HDMI 2.0a and extremely large 4K frame sizes. Featuring the widest range of analog and digital connections, UltraStudio 4K Extreme 3 is compatible with virtually any camera, deck, router or display. There’s even an extremely powerful hardware encoder built-in that supports realtime H.265 encoding!<br /><br />Connections include SDI, HDMI and analog video and audio with broadcast quality 10‑bit YUV and 12-bit RGB in Apple ProRes and uncompressed file formats. UltraStudio is designed to work with popular video software on Mac, Windows and Linux such as DaVinci Resolve, Avid Media Composer, Adobe Premiere Pro, Final Cut Pro and many more.<br /><br />\n<h3>Advanced Connections</h3>\n<div>\n	<span style=\"background-color: initial;\">All UltraStudio capture and playback devices have broadcast quality audio and video connections along with regular computer connections that enable advanced workflows. The dual link 3G-SDI connections on UltraStudio HD Mini can be used as fill and key outputs for sending animated broadcast graphics with alpha channel out to ATEM live production switchers. UltraStudio 4K Mini has a USB-C connection so it can be used as a hub for connecting peripherals such as a keyboard to your computer. Plus, it features an SD card slot on the front so you can edit directly from camera media cards. UltraStudio 4K Extreme 3 even has 2 optical fiber cages for connecting over massive distances and a PCIe expansion slot that lets you connect it to a Windows or Linux system via PCIe card.</span>\n</div>\n<br />\n<h3>Push Button Control</h3>\n<div>\n	When you\'re working fast you need to change settings fast. UltraStudio 4K models feature input selection buttons on the front panel. You can capture SDI video with embedded audio, or you can choose different inputs, such as analog audio, to capture them from separate inputs. The built in LCD lets you see what input is selected and will switch to show you the output during playback. This is vital in broadcast environments where you need to be able to confirm video playback quickly. You can even add push button control and an LCD screen to the front panel of UltraStudio HD Mini by simply installing a Teranex Mini Smart Panel.\n</div>\n<br />\n<h3>DaVinci Resolve</h3>\n<div>\n	DaVinci Resolve for Mac, Windows and Linux is the world’s most advanced color correction software solution compatible with high performance GPU cards, DaVinci Resolve control panels or off the shelf control panels such as the DaVinci Resolve Micro, Mini and Advanced panels. It includes 32‑bit float YRGB processing for all effects, power windows, tracking, primaries and secondaries and 3D object tracking. It\'s a great first color correction solution when you are working heavily in SD, HD, Ultra HD and 4K DCI. UltraStudio 4K models have been developed to be the perfect solution for DaVinci color grading and have been designed to perfectly match the powerful features in the latest DaVinci Resolve!\n</div>\n<br />'),(2967,85,0,495,'Blackmagic Design UltraStudio 4K Extreme 3'),(2968,85,1,495,'Blackmagic Design UltraStudio 4K Extreme 3'),(2969,76,0,495,''),(2970,76,1,495,''),(2971,75,0,496,'<h1>Blue Microphones Bottle Custom Shop</h1>\n<span style=\"font-size:16px; font-style:italic;\">Limited edition, custom colored versions of Blue\'s flagship tube condenser microphone. Blue Bottle features a custom transformer and interchangeable capsule system. Includes B6 capsule, power supply, multi-pin cable and custom SKB flight case.</span><br /><br /><div>The Bottle Custom Shop models offer <span style=\"background-color: initial;\">a rare opportunity to own a limited edition Bottle. These stunning microphones </span><span style=\"background-color: initial;\">are designed to be the visual and sonic cornerstone of a studio. Custom Shop </span><span style=\"background-color: initial;\">Bottles feature a variety of special finishes, from metallic, glossy hot rod colors </span><span style=\"background-color: initial;\">to textured, hammer-tone and matte options. <br /><br /><b>Choose from 6 new limited edition </b></span><span style=\"background-color: initial;\"><b>custom shop colors.</b></span></div><ul style=\"\"><li>Textured Matte Black</li><li>Hammer-Tone Blue </li><li>Glassy Green</li><li>Textured Matte Lilac </li><li>Hot rod Orange</li><li>Raspberry Beret</li></ul><span style=\"background-color: initial;\"><br /></span>The Blue Bottle tube condenser microphone combines low noise and superb transient response integrated with a system of interchangeable capsules, the Bottle Caps. In an instant, the bayonet-mounted Bottle Caps can be exchanged to provide different tonal characteristics and pickup patterns while the included power supply remains on. The Class A discrete amplifier circuit of the Bottle is a thoroughly modern homage to the past, with a design utilizing a single hand-selected EF86 pentode vacuum tube in triode mode. The Bottle is the definition of craftsmanship, with hand-assembled custom components found throughout. With eight different Bottle Caps to choose from, the Bottle provides the ultimate recording experience for any application.<br /><br />\n<h3>Blue Bottle Features:</h3>\n<ul>\n	<li>Included B6 Bottle Cap provides larger-than-life vocal and instrument sound</li>\n	<li>Compatible with all interchangeable Bottle Caps</li>\n	<li>Fully discrete Class A tube circuit with EF86 vacuum tube</li>\n	<li>Quick-change bayonet capsule mount</li>\n	<li>Power Stream Tube Mic power supply with variable capsule-sensitivity dial</li>\n	<li>Laser-cut SKB® carry case</li>\n</ul>\n<br />\n<h3>Blue Interchangeable Bottle Cap System</h3>\nBottle features a series of interchangeable Bottle Caps that delivers distinct pickup patterns and tonal characteristics to suit any instrument or recording style. Simply swap between capsules to experiment with new sounds or layer tracks for lush sonic textures, instantly. Big vocal sounds. Vintage and modern sounds. Delicate, accurate reproduction. Different patterns. All in a single microphone.\n<br /><br />\n<h3>Designed and Manufactured in the USA with Premium Components</h3>\nBottle features fully discrete Class A tube circuitry powered by a hand-selected EF86 pentode vacuum tube in triode mode for distinctive warmth and saturation. The hand-wound transformer is made of silver wire around nickel plates, delivering unmatched precision and accuracy.\n<br /><br />\n<h3>B6 Large-Diaphragm Dual-Backplate Cardioid Capsule Included</h3>\nEvery Bottle comes with our signature B6 large-diaphragm dual-backplate cardioid capsule. It delivers larger-than-life sound with enhanced lows and extended highs perfect for recording vocals, percussion, and guitars. And you can easily modify your tone by swapping the B6 for any Bottle Cap to achieve any sound imaginable.\n<br /><br />\n<h3>The Blue Bottle is the premiere tube condenser mic and with its interchangeable capsules you get an entire mic locker in one mic.</h3>'),(2972,75,1,496,'<h1>Blue Microphones Bottle Custom Shop</h1>\n<span style=\"font-size:16px; font-style:italic;\">Limited edition, custom colored versions of Blue\'s flagship tube condenser microphone. Blue Bottle features a custom transformer and interchangeable capsule system. Includes B6 capsule, power supply, multi-pin cable and custom SKB flight case.</span><br /><br /><div>The Bottle Custom Shop models offer <span style=\"background-color: initial;\">a rare opportunity to own a limited edition Bottle. These stunning microphones </span><span style=\"background-color: initial;\">are designed to be the visual and sonic cornerstone of a studio. Custom Shop </span><span style=\"background-color: initial;\">Bottles feature a variety of special finishes, from metallic, glossy hot rod colors </span><span style=\"background-color: initial;\">to textured, hammer-tone and matte options. <br /><br /><b>Choose from 6 new limited edition </b></span><span style=\"background-color: initial;\"><b>custom shop colors.</b></span></div><ul style=\"\"><li>Textured Matte Black</li><li>Hammer-Tone Blue </li><li>Glassy Green</li><li>Textured Matte Lilac </li><li>Hot rod Orange</li><li>Raspberry Beret</li></ul><span style=\"background-color: initial;\"><br /></span>The Blue Bottle tube condenser microphone combines low noise and superb transient response integrated with a system of interchangeable capsules, the Bottle Caps. In an instant, the bayonet-mounted Bottle Caps can be exchanged to provide different tonal characteristics and pickup patterns while the included power supply remains on. The Class A discrete amplifier circuit of the Bottle is a thoroughly modern homage to the past, with a design utilizing a single hand-selected EF86 pentode vacuum tube in triode mode. The Bottle is the definition of craftsmanship, with hand-assembled custom components found throughout. With eight different Bottle Caps to choose from, the Bottle provides the ultimate recording experience for any application.<br /><br />\n<h3>Blue Bottle Features:</h3>\n<ul>\n	<li>Included B6 Bottle Cap provides larger-than-life vocal and instrument sound</li>\n	<li>Compatible with all interchangeable Bottle Caps</li>\n	<li>Fully discrete Class A tube circuit with EF86 vacuum tube</li>\n	<li>Quick-change bayonet capsule mount</li>\n	<li>Power Stream Tube Mic power supply with variable capsule-sensitivity dial</li>\n	<li>Laser-cut SKB® carry case</li>\n</ul>\n<br />\n<h3>Blue Interchangeable Bottle Cap System</h3>\nBottle features a series of interchangeable Bottle Caps that delivers distinct pickup patterns and tonal characteristics to suit any instrument or recording style. Simply swap between capsules to experiment with new sounds or layer tracks for lush sonic textures, instantly. Big vocal sounds. Vintage and modern sounds. Delicate, accurate reproduction. Different patterns. All in a single microphone.\n<br /><br />\n<h3>Designed and Manufactured in the USA with Premium Components</h3>\nBottle features fully discrete Class A tube circuitry powered by a hand-selected EF86 pentode vacuum tube in triode mode for distinctive warmth and saturation. The hand-wound transformer is made of silver wire around nickel plates, delivering unmatched precision and accuracy.\n<br /><br />\n<h3>B6 Large-Diaphragm Dual-Backplate Cardioid Capsule Included</h3>\nEvery Bottle comes with our signature B6 large-diaphragm dual-backplate cardioid capsule. It delivers larger-than-life sound with enhanced lows and extended highs perfect for recording vocals, percussion, and guitars. And you can easily modify your tone by swapping the B6 for any Bottle Cap to achieve any sound imaginable.\n<br /><br />\n<h3>The Blue Bottle is the premiere tube condenser mic and with its interchangeable capsules you get an entire mic locker in one mic.</h3>'),(2973,85,0,496,'Blue Microphones Bottle Custom Shop'),(2974,85,1,496,'Blue Microphones Bottle Custom Shop'),(2975,76,0,496,''),(2976,76,1,496,''),(2977,75,0,497,'<h1>Blue Microphones Baby Bottle SL Condenser Microphone</h1><i>\nLarge Diaphragm Studio Condenser Microphone Delivering Classic Warmth & Prescence.</i><br /><br />\nThe Blue Baby Bottle SL is a cardioid condenser microphone that delivers classic sound and incredible versatility. With a richly present midrange, smooth top end, and neutral bottom, Baby Bottle SL is reminiscent of the world’s finest vintage microphones. Featuring a high-pass filter and -20dB pad, Baby Bottle SL excels at adding a rich, classic vibe to nearly any sound source.<br /><br />\n\n<h3>Blue Baby Bottle SL Features</h3>\n<ul>\n<li>Warm, classic sonic signature that flatters an array of voices and instruments</li>\n<li>High output with richly detailed frequency response</li>\n<li>High-pass filter and -20dB pad for ultimate versatility</li>\n<li>Works great with home studio USB audio interfaces</li>\n</ul><br />\n\n<h3>Improving Upon the Original Baby Bottle</h3>\nBuilding on the success of the original Baby Bottle, the SL model features refined sonics, a new streamlined build and versatile switches to capture the true character of your voice and bring classic mojo to acoustic guitars and other instruments. Baby Bottle SL is designed from top to bottom to inspire unforgettable performances.<br /><br />\n\n<h3>Hand-Tuned Diaphragm</h3>\nThe soul and swagger of Baby Bottle SL all starts with Blue’s proprietary, hand-tuned capsule. The robust, gold-sputtered Mylar diaphragm features a machined brass backplate design that creates the signature warmth and presence Baby Bottle SL is known for. And custom Class-A discreet circuitry makes it the quietest mic in its class.<br /><br />\n\n<h3>High-Pass Filter and -20dB Pad Built In</h3>\nBaby Bottle SL features a new switchable 100 Hz high-pass filter and -20dB pad to keep your sound pure regardless of vocal type, instrument or environment. Whether recording belting vocalists, loud guitar amps, drums and brass or capturing delicate vocals, strings or piano, Baby Bottle SL has the versatility to capture timeless tracks.<br /><br />'),(2978,75,1,497,'<h1>Blue Microphones Baby Bottle SL Condenser Microphone</h1><i>\nLarge Diaphragm Studio Condenser Microphone Delivering Classic Warmth & Prescence.</i><br /><br />\nThe Blue Baby Bottle SL is a cardioid condenser microphone that delivers classic sound and incredible versatility. With a richly present midrange, smooth top end, and neutral bottom, Baby Bottle SL is reminiscent of the world’s finest vintage microphones. Featuring a high-pass filter and -20dB pad, Baby Bottle SL excels at adding a rich, classic vibe to nearly any sound source.<br /><br />\n\n<h3>Blue Baby Bottle SL Features</h3>\n<ul>\n<li>Warm, classic sonic signature that flatters an array of voices and instruments</li>\n<li>High output with richly detailed frequency response</li>\n<li>High-pass filter and -20dB pad for ultimate versatility</li>\n<li>Works great with home studio USB audio interfaces</li>\n</ul><br />\n\n<h3>Improving Upon the Original Baby Bottle</h3>\nBuilding on the success of the original Baby Bottle, the SL model features refined sonics, a new streamlined build and versatile switches to capture the true character of your voice and bring classic mojo to acoustic guitars and other instruments. Baby Bottle SL is designed from top to bottom to inspire unforgettable performances.<br /><br />\n\n<h3>Hand-Tuned Diaphragm</h3>\nThe soul and swagger of Baby Bottle SL all starts with Blue’s proprietary, hand-tuned capsule. The robust, gold-sputtered Mylar diaphragm features a machined brass backplate design that creates the signature warmth and presence Baby Bottle SL is known for. And custom Class-A discreet circuitry makes it the quietest mic in its class.<br /><br />\n\n<h3>High-Pass Filter and -20dB Pad Built In</h3>\nBaby Bottle SL features a new switchable 100 Hz high-pass filter and -20dB pad to keep your sound pure regardless of vocal type, instrument or environment. Whether recording belting vocalists, loud guitar amps, drums and brass or capturing delicate vocals, strings or piano, Baby Bottle SL has the versatility to capture timeless tracks.<br /><br />'),(2979,85,0,497,'Blue Microphones Baby Bottle Condenser Microphone'),(2980,85,1,497,'Blue Microphones Baby Bottle Condenser Microphone'),(2981,76,0,497,''),(2982,76,1,497,''),(2983,75,0,498,'<h1>Blue Microphones Blueberry Large Diaphragm Condenser Microphone</h1>\nThe Blue Blueberry is a pressure-gradient cardioid condenser microphone that allows your voice and instruments to sit in front of the mix. Its handcrafted capsule and custom components provide shimmering high-end and smooth midrange with a commanding intimate presence that’s ideal for anything from vocals and acoustic guitar to strings and brass.\n<br /><br />\n<h3>Blue Blueberry Features</h3>\n<ul>\n	<li>Proprietary Blue single-membrane large diaphragm capsule</li>\n	<li>Commanding, intimate presence for vocals and instruments</li>\n	<li>Fast transient response and high-SPL handling</li>\n	<li>Blue heritage of premium audio and innovative design</li>\n</ul>\n<br />\n<h3>Signature Sound For Every Instrument</h3>\nBlueberry’s commanding sonic signature and high SPL handling make it ideal for all sorts of instruments. Capture guitar amps, drums, and brass with precision and clarity. Achieve warm, transparent tone for acoustic guitars and strings. Blueberry’s natural intimate presence even lets your most delicate sounds cut through the mix. All with minimized proximity effect.<br /><br />\n\n<h3>Designed, Assembled and Tubed in the USA</h3>\nBlueberry is designed and assembled with hand-tuned precision right here in the USA. Everything from the single-membrane large diaphragm capsule to the custom-built brass back plate adds to Blueberry’s superior audio and superb transient response.<br /><br />\n\n<h3>Blend Vintage and Moderns Sounds</h3>\nBlueberry blends the intimacy of vintage tube vocal mics with the response of the best solid-state technology. These characteristics combined with a proprietary transformer output provide Blueberry with a signature sound all its own. It’s the ultimate blend of vintage and modern.'),(2984,75,1,498,'<h1>Blue Microphones Blueberry Large Diaphragm Condenser Microphone</h1>\nThe Blue Blueberry is a pressure-gradient cardioid condenser microphone that allows your voice and instruments to sit in front of the mix. Its handcrafted capsule and custom components provide shimmering high-end and smooth midrange with a commanding intimate presence that’s ideal for anything from vocals and acoustic guitar to strings and brass.\n<br /><br />\n<h3>Blue Blueberry Features</h3>\n<ul>\n	<li>Proprietary Blue single-membrane large diaphragm capsule</li>\n	<li>Commanding, intimate presence for vocals and instruments</li>\n	<li>Fast transient response and high-SPL handling</li>\n	<li>Blue heritage of premium audio and innovative design</li>\n</ul>\n<br />\n<h3>Signature Sound For Every Instrument</h3>\nBlueberry’s commanding sonic signature and high SPL handling make it ideal for all sorts of instruments. Capture guitar amps, drums, and brass with precision and clarity. Achieve warm, transparent tone for acoustic guitars and strings. Blueberry’s natural intimate presence even lets your most delicate sounds cut through the mix. All with minimized proximity effect.<br /><br />\n\n<h3>Designed, Assembled and Tubed in the USA</h3>\nBlueberry is designed and assembled with hand-tuned precision right here in the USA. Everything from the single-membrane large diaphragm capsule to the custom-built brass back plate adds to Blueberry’s superior audio and superb transient response.<br /><br />\n\n<h3>Blend Vintage and Moderns Sounds</h3>\nBlueberry blends the intimacy of vintage tube vocal mics with the response of the best solid-state technology. These characteristics combined with a proprietary transformer output provide Blueberry with a signature sound all its own. It’s the ultimate blend of vintage and modern.'),(2985,85,0,498,'Blue Microphones Blueberry Large Diaphragm Condenser Microphone'),(2986,85,1,498,'Blue Microphones Blueberry Large Diaphragm Condenser Microphone'),(2987,76,0,498,''),(2988,76,1,498,''),(2989,75,0,499,'<h1>Blue Microphones Bluebird SL Condenser Microphone</h1>\n<i>Large Diaphragm Studio Condenser Microphone Delivering Modern, Crystal-Clear Sound.</i><br /><br />\nThe Blue Bluebird SL delivers pristine, highly versatile sound that makes every detail of your performance come to life. With a high-pass filter and -20dB pad, Bluebird SL is ideal for capturing standout vocal performances, expressing the true tone of guitars, piano and more with extended upper clarity, smooth mids and rich lows. Next stop, top-flight sound.<br /><br /><h3>Bluebird SL Features</h3><ul><li><span style=\"background-color: initial;\">Extended upper clarity with smooth mid frequencies for any voice or instrument</span></li><li>Hand-built proprietary large-diaphragm cardioid capsule for full, open sound</li><li>High-pass filter and -20dB pad for ultimate versatility</li><li>Works great with home studio USB audio interfaces</li></ul><br />\n\n<h3>Improving on the Original Bluebird</h3>\nWith the original Bluebird microphone, Blue set a new standard for modern recording mics. Bluebird SL advances that legacy with refined sonics and versatile switches to capture exceptionally clear and powerful sound that makes ears perk up and listen. Add in an updated design to inspire your best performances, and what you get is a best-selling Essential Series condenser mic.<br /><br />\n\n\n<h3>Hand-Built Capsule</h3>\nEvery component of Bluebird SL is specially designed to deliver modern, crystal-clear tone. The hand-built capsule utilizes a fine, gold-sputtered Mylar diaphragm that delivers superior resonance at higher frequencies to help vocals cut through the mix. The sculpted rear backplate ensures balanced sound across the entire frequency spectrum. And discreet Class-A circuitry maximizes the accuracy of your sound.<br /><br />\n\n<h3>High-Pass Filter and -20dB pad Biult In</h3>\nBluebird SL is a one-of-a-kind mic for every kind of performance. The new onboard switchable 100Hz high-pass filter and -20dB pad give you the flexibility to track a wide variety of sound sources with nuance and power. Use Bluebird SL to capture a singer’s unique vocal character in stunning detail, achieve full-frequency guitar recordings and more.<br /><br />'),(2990,75,1,499,'<h1>Blue Microphones Bluebird SL Condenser Microphone</h1>\n<i>Large Diaphragm Studio Condenser Microphone Delivering Modern, Crystal-Clear Sound.</i><br /><br />\nThe Blue Bluebird SL delivers pristine, highly versatile sound that makes every detail of your performance come to life. With a high-pass filter and -20dB pad, Bluebird SL is ideal for capturing standout vocal performances, expressing the true tone of guitars, piano and more with extended upper clarity, smooth mids and rich lows. Next stop, top-flight sound.<br /><br /><h3>Bluebird SL Features</h3><ul><li><span style=\"background-color: initial;\">Extended upper clarity with smooth mid frequencies for any voice or instrument</span></li><li>Hand-built proprietary large-diaphragm cardioid capsule for full, open sound</li><li>High-pass filter and -20dB pad for ultimate versatility</li><li>Works great with home studio USB audio interfaces</li></ul><br />\n\n<h3>Improving on the Original Bluebird</h3>\nWith the original Bluebird microphone, Blue set a new standard for modern recording mics. Bluebird SL advances that legacy with refined sonics and versatile switches to capture exceptionally clear and powerful sound that makes ears perk up and listen. Add in an updated design to inspire your best performances, and what you get is a best-selling Essential Series condenser mic.<br /><br />\n\n\n<h3>Hand-Built Capsule</h3>\nEvery component of Bluebird SL is specially designed to deliver modern, crystal-clear tone. The hand-built capsule utilizes a fine, gold-sputtered Mylar diaphragm that delivers superior resonance at higher frequencies to help vocals cut through the mix. The sculpted rear backplate ensures balanced sound across the entire frequency spectrum. And discreet Class-A circuitry maximizes the accuracy of your sound.<br /><br />\n\n<h3>High-Pass Filter and -20dB pad Biult In</h3>\nBluebird SL is a one-of-a-kind mic for every kind of performance. The new onboard switchable 100Hz high-pass filter and -20dB pad give you the flexibility to track a wide variety of sound sources with nuance and power. Use Bluebird SL to capture a singer’s unique vocal character in stunning detail, achieve full-frequency guitar recordings and more.<br /><br />'),(2991,85,0,499,'Blue Microphones Bluebird SL Condenser Microphone'),(2992,85,1,499,'Blue Microphones Bluebird SL Condenser Microphone'),(2993,76,0,499,''),(2994,76,1,499,''),(2995,75,0,500,'<h1>Blue Microphones Bottle - Tube Condenser Mic</h1>\n<span style=\"font-size:16px; font-style:italic;\">Blue\'s flagship tube condenser microphone with custom transformer and interchangeable capsule system. Includes B6 capsule, power supply, multi-pin cable and custom SKB flight case.</span><br /><br />\nThe Blue Bottle tube condenser microphone combines low noise and superb transient response integrated with a system of interchangeable capsules, the Bottle Caps. In an instant, the bayonet-mounted Bottle Caps can be exchanged to provide different tonal characteristics and pickup patterns while the included power supply remains on. The Class A discrete amplifier circuit of the Bottle is a thoroughly modern homage to the past, with a design utilizing a single hand-selected EF86 pentode vacuum tube in triode mode. The Bottle is the definition of craftsmanship, with hand-assembled custom components found throughout. With eight different Bottle Caps to choose from, the Bottle provides the ultimate recording experience for any application. <br /><br />Bottle is designed and hand-built in the USA, and delivers Blue\'s heritage for superior studio-grade audio and inspiring design.<br /><br />\n<h3>Blue Bottle Features:</h3>\n<ul>\n	<li>Included B6 Bottle Cap provides larger-than-life vocal and instrument sound</li>\n	<li>Compatible with all interchangeable Bottle Caps</li>\n	<li>Fully discrete Class A tube circuit with EF86 vacuum tube</li>\n	<li>Quick-change bayonet capsule mount</li>\n	<li>Power Stream Tube Mic power supply with variable capsule-sensitivity dial</li>\n	<li>Laser-cut SKB® carry case</li>\n</ul><br />\n<h3>Includes B6 Bottle Cap - <span style=\"background-color: initial;\">Cardioid Large Diaphragm Dual Backplate</span></h3><div>“Larger than life” sound with enhanced lows and high frequency presence. <span style=\"background-color: initial;\">Influenced by elite vintage tube mics, B6 was developed to deliver powerfully rich tones without any of the drawbacks of its predecessors. B6 eschews high- and low-pass filters to yield an even smoother, more robust tone. It’s further enhanced by custom ceramic tensioning rings that eliminate the dreaded dropout of those earlier designs. The capsule also features a gold sputtered film for increased punch in the higher and lower frequencies—giving the B6 its very modern sound.<br /><br /></span>Yields robust lead and background vocals, voiceovers, percussion, piano, vibraphone, accordion, clean electric guitar, jazz guitar, and distant miking of acoustic or resonator guitar.</div>\n<h3></h3><h3>Blue Interchangeable Bottle Cap System</h3>\nBottle features a series of interchangeable Bottle Caps that delivers distinct pickup patterns and tonal characteristics to suit any instrument or recording style. Simply swap between capsules to experiment with new sounds or layer tracks for lush sonic textures, instantly. Big vocal sounds. Vintage and modern sounds. Delicate, accurate reproduction. Different patterns. All in a single microphone.\n<br /><br />\n<h3>Designed and Manufactured in the USA with Premium Components</h3>\nBottle features fully discrete Class A tube circuitry powered by a hand-selected EF86 pentode vacuum tube in triode mode for distinctive warmth and saturation. The hand-wound transformer is made of silver wire around nickel plates, delivering unmatched precision and accuracy.\n<br /><br />\n<h3>B6 Large-Diaphragm Dual-Backplate Cardioid Capsule Included</h3>\nEvery Bottle comes with Blue\'s signature B6 large-diaphragm dual-backplate cardioid capsule. It delivers larger-than-life sound with enhanced lows and extended highs perfect for recording vocals, percussion, and guitars. And you can easily modify your tone by swapping the B6 for any Bottle Cap to achieve any sound imaginable.\n<br /><br />\n<h3>The Blue Bottle is the premiere tube condenser mic and with its interchangeable capsules you get an entire mic locker in one mic.</h3>'),(2996,75,1,500,'<h1>Blue Microphones Bottle - Tube Condenser Mic</h1>\n<span style=\"font-size:16px; font-style:italic;\">Blue\'s flagship tube condenser microphone with custom transformer and interchangeable capsule system. Includes B6 capsule, power supply, multi-pin cable and custom SKB flight case.</span><br /><br />\nThe Blue Bottle tube condenser microphone combines low noise and superb transient response integrated with a system of interchangeable capsules, the Bottle Caps. In an instant, the bayonet-mounted Bottle Caps can be exchanged to provide different tonal characteristics and pickup patterns while the included power supply remains on. The Class A discrete amplifier circuit of the Bottle is a thoroughly modern homage to the past, with a design utilizing a single hand-selected EF86 pentode vacuum tube in triode mode. The Bottle is the definition of craftsmanship, with hand-assembled custom components found throughout. With eight different Bottle Caps to choose from, the Bottle provides the ultimate recording experience for any application. <br /><br />Bottle is designed and hand-built in the USA, and delivers Blue\'s heritage for superior studio-grade audio and inspiring design.<br /><br />\n<h3>Blue Bottle Features:</h3>\n<ul>\n	<li>Included B6 Bottle Cap provides larger-than-life vocal and instrument sound</li>\n	<li>Compatible with all interchangeable Bottle Caps</li>\n	<li>Fully discrete Class A tube circuit with EF86 vacuum tube</li>\n	<li>Quick-change bayonet capsule mount</li>\n	<li>Power Stream Tube Mic power supply with variable capsule-sensitivity dial</li>\n	<li>Laser-cut SKB® carry case</li>\n</ul><br />\n<h3>Includes B6 Bottle Cap - <span style=\"background-color: initial;\">Cardioid Large Diaphragm Dual Backplate</span></h3><div>“Larger than life” sound with enhanced lows and high frequency presence. <span style=\"background-color: initial;\">Influenced by elite vintage tube mics, B6 was developed to deliver powerfully rich tones without any of the drawbacks of its predecessors. B6 eschews high- and low-pass filters to yield an even smoother, more robust tone. It’s further enhanced by custom ceramic tensioning rings that eliminate the dreaded dropout of those earlier designs. The capsule also features a gold sputtered film for increased punch in the higher and lower frequencies—giving the B6 its very modern sound.<br /><br /></span>Yields robust lead and background vocals, voiceovers, percussion, piano, vibraphone, accordion, clean electric guitar, jazz guitar, and distant miking of acoustic or resonator guitar.</div>\n<h3></h3><h3>Blue Interchangeable Bottle Cap System</h3>\nBottle features a series of interchangeable Bottle Caps that delivers distinct pickup patterns and tonal characteristics to suit any instrument or recording style. Simply swap between capsules to experiment with new sounds or layer tracks for lush sonic textures, instantly. Big vocal sounds. Vintage and modern sounds. Delicate, accurate reproduction. Different patterns. All in a single microphone.\n<br /><br />\n<h3>Designed and Manufactured in the USA with Premium Components</h3>\nBottle features fully discrete Class A tube circuitry powered by a hand-selected EF86 pentode vacuum tube in triode mode for distinctive warmth and saturation. The hand-wound transformer is made of silver wire around nickel plates, delivering unmatched precision and accuracy.\n<br /><br />\n<h3>B6 Large-Diaphragm Dual-Backplate Cardioid Capsule Included</h3>\nEvery Bottle comes with Blue\'s signature B6 large-diaphragm dual-backplate cardioid capsule. It delivers larger-than-life sound with enhanced lows and extended highs perfect for recording vocals, percussion, and guitars. And you can easily modify your tone by swapping the B6 for any Bottle Cap to achieve any sound imaginable.\n<br /><br />\n<h3>The Blue Bottle is the premiere tube condenser mic and with its interchangeable capsules you get an entire mic locker in one mic.</h3>'),(2997,85,0,500,'Blue Microphones Bottle - Tube Condenser Microphone'),(2998,85,1,500,'Blue Microphones Bottle - Tube Condenser Microphone'),(2999,76,0,500,''),(3000,76,1,500,''),(3001,75,0,501,'<h1>Blue Microphones Bottle Caps Kit - 8 Capsules</h1>\nB0, B1, B2, B3, B4, B5, B7, B8 Bottle Caps housed in a custom Flight Case\n<br /><br />\nThe Blue Mics Bottle Cap Kit takes the acclaimed Blue Bottle and Bottle Rocket Stage One microphones to even greater sonic heights. This innovative collection of eight interchangeable capsules adds an amazing array of tonal characteristics and pickup patterns to your Blue Bottle or Bottle Rocket Stage Once mic. The Bottle Cap Kit delivers a level of performance and versatility that is simply not achievable with any other microphone, anywhere. Get the most out of an already incredible microphone with the Blue Bottle Cap Kit.<br /><br />\n<h3>Bottle Caps Kit Includes:</h3>\n<ul>\n	<li>B0 - Cardioid Large Diaphragm</li>\n	<li>B1 - Cardioid Small Diaphragm</li>\n	<li>B2 - Figure Eight Large Diaphragm</li>\n	<li>B3 - Cardioid Mid-Size Diaphragm</li>\n	<li>B4  - Perspex Sphere Pressure Omni Small Diaphragm</li>\n	<li>B5 - Pressure Omni Large Diaphragm</li>\n	<li>B7 - Cardioid Large Diaphragm Single Backplate</li>\n	<li>B8 - Large Diaphragm Cardioid Condenser</li>\n</ul>'),(3002,75,1,501,'<h1>Blue Microphones Bottle Caps Kit - 8 Capsules</h1>\nB0, B1, B2, B3, B4, B5, B7, B8 Bottle Caps housed in a custom Flight Case\n<br /><br />\nThe Blue Mics Bottle Cap Kit takes the acclaimed Blue Bottle and Bottle Rocket Stage One microphones to even greater sonic heights. This innovative collection of eight interchangeable capsules adds an amazing array of tonal characteristics and pickup patterns to your Blue Bottle or Bottle Rocket Stage Once mic. The Bottle Cap Kit delivers a level of performance and versatility that is simply not achievable with any other microphone, anywhere. Get the most out of an already incredible microphone with the Blue Bottle Cap Kit.<br /><br />\n<h3>Bottle Caps Kit Includes:</h3>\n<ul>\n	<li>B0 - Cardioid Large Diaphragm</li>\n	<li>B1 - Cardioid Small Diaphragm</li>\n	<li>B2 - Figure Eight Large Diaphragm</li>\n	<li>B3 - Cardioid Mid-Size Diaphragm</li>\n	<li>B4  - Perspex Sphere Pressure Omni Small Diaphragm</li>\n	<li>B5 - Pressure Omni Large Diaphragm</li>\n	<li>B7 - Cardioid Large Diaphragm Single Backplate</li>\n	<li>B8 - Large Diaphragm Cardioid Condenser</li>\n</ul>'),(3003,85,0,501,'Blue Microphones Bottle Caps Kit - 8 Capsules'),(3004,85,1,501,'Blue Microphones Bottle Caps Kit - 8 Capsules'),(3005,76,0,501,''),(3006,76,1,501,''),(3007,75,0,502,'<h1>Blue Microphones Bottle Mic Locker</h1>\n<span style=\"font-size:16px; font-style:italic;\">Blue\'s flagship tube condenser microphone with custom transformer and interchangeable capsule system. Includes B0, B6, B7, and B8 capsules, power supply, multi-pin cable and custom SKB carry case.</span><br /><br />\nThe Blue Bottle Mic Locker is a complete tube mic locker system featuring the legendary Blue Bottle tube microphone, a variable sensitivity power supply, and 4 stunning Blue Bottle Caps. Bottle Mic Locker provides the ultimate artisanal blend of modern and vintage textures. Walk into recording sessions with an incredible collection of tube mics, all housed in a custom-designed SKB® hard-shell case. Bottle Mic Locker gives you the power to choose the perfect mic sounds for unforgettable performances.<br /><br />\n<h3>Blue Bottle Features:</h3>\n<ul>\n	<li>Included B0, B6, B7, and B8 Bottle Caps provide unmatched tonal variation</li>\n	<li>Fully discrete Class A tube circuit with EF86 vacuum tube</li>\n	<li>Quick-change bayonet capsule mount</li>\n	<li>Power Stream Tube Mic power supply with variable capsule-sensitivity dial</li>\n	<li>Laser-cut SKB® carry case</li>\n</ul>\n<br />\n<h3>Four Iconic Mic Capsules Included</h3>\nThe Bottle Mic Locker includes four Bottle Caps, each delivering its own sonic inspiration. The B0 gives you a superior bright, silky tone perfect for vocals. The B6 offers crisp “modern presence” for larger-than-life vocals, piano, percussion, and more. Go back in time with the B7 for big vintage tube tones. And the B8 provides excellent detail for a wide range of recording applications.<br /><br />\n<h3>Versatile Design - Blue Interchangeable Bottle Cap System</h3>\nIf you’re thinking about investing in a new mic, consider the creative power and flexibility that the Bottle Mic Locker brings to your studio. Shoot out all four capsules to find the right sound, layer tracks with different capsules for richer, larger-than-life mixes, and explore new tones for your instruments—all with one portable package. The system comes housed in a road-ready SKB® hard-shell case complete with microphone, four capsules and power supply. And with a whole family of additional Bottle Caps to choose from, you can always expand your capsule collection for endless inspiration.<br /><br />\n<h3>Designed and Manufactured in the USA with Premium Components</h3>\nBottle features fully discrete Class A tube circuitry powered by a hand-selected EF86 pentode vacuum tube in triode mode for distinctive warmth and saturation. The hand-wound transformer is made of silver wire around nickel plates, delivering unmatched precision and accuracy.\n<br /><br />\n<h3>The Blue Bottle Mic Locker is the premiere tube condenser mic and with its interchangeable capsules you get an entire mic locker in one mic.</h3>'),(3008,75,1,502,'<h1>Blue Microphones Bottle Mic Locker</h1>\n<span style=\"font-size:16px; font-style:italic;\">Blue\'s flagship tube condenser microphone with custom transformer and interchangeable capsule system. Includes B0, B6, B7, and B8 capsules, power supply, multi-pin cable and custom SKB carry case.</span><br /><br />\nThe Blue Bottle Mic Locker is a complete tube mic locker system featuring the legendary Blue Bottle tube microphone, a variable sensitivity power supply, and 4 stunning Blue Bottle Caps. Bottle Mic Locker provides the ultimate artisanal blend of modern and vintage textures. Walk into recording sessions with an incredible collection of tube mics, all housed in a custom-designed SKB® hard-shell case. Bottle Mic Locker gives you the power to choose the perfect mic sounds for unforgettable performances.<br /><br />\n<h3>Blue Bottle Features:</h3>\n<ul>\n	<li>Included B0, B6, B7, and B8 Bottle Caps provide unmatched tonal variation</li>\n	<li>Fully discrete Class A tube circuit with EF86 vacuum tube</li>\n	<li>Quick-change bayonet capsule mount</li>\n	<li>Power Stream Tube Mic power supply with variable capsule-sensitivity dial</li>\n	<li>Laser-cut SKB® carry case</li>\n</ul>\n<br />\n<h3>Four Iconic Mic Capsules Included</h3>\nThe Bottle Mic Locker includes four Bottle Caps, each delivering its own sonic inspiration. The B0 gives you a superior bright, silky tone perfect for vocals. The B6 offers crisp “modern presence” for larger-than-life vocals, piano, percussion, and more. Go back in time with the B7 for big vintage tube tones. And the B8 provides excellent detail for a wide range of recording applications.<br /><br />\n<h3>Versatile Design - Blue Interchangeable Bottle Cap System</h3>\nIf you’re thinking about investing in a new mic, consider the creative power and flexibility that the Bottle Mic Locker brings to your studio. Shoot out all four capsules to find the right sound, layer tracks with different capsules for richer, larger-than-life mixes, and explore new tones for your instruments—all with one portable package. The system comes housed in a road-ready SKB® hard-shell case complete with microphone, four capsules and power supply. And with a whole family of additional Bottle Caps to choose from, you can always expand your capsule collection for endless inspiration.<br /><br />\n<h3>Designed and Manufactured in the USA with Premium Components</h3>\nBottle features fully discrete Class A tube circuitry powered by a hand-selected EF86 pentode vacuum tube in triode mode for distinctive warmth and saturation. The hand-wound transformer is made of silver wire around nickel plates, delivering unmatched precision and accuracy.\n<br /><br />\n<h3>The Blue Bottle Mic Locker is the premiere tube condenser mic and with its interchangeable capsules you get an entire mic locker in one mic.</h3>'),(3009,85,0,502,'Blue Microphones Bottle Mic Locker'),(3010,85,1,502,'Blue Microphones Bottle Mic Locker'),(3011,76,0,502,''),(3012,76,1,502,''),(3013,75,0,503,'<h1>Blue Microphones Bottle Rocket Stage One FET Condenser Microphone</h1>\n<i>\nStudio FET Condenser Mic with Interchangeable Capsules</i><br /><br />The Blue Bottle Rocket Stage One is Blue\'s most accessible Class A discrete solid state mic, which also supports Blue\'s Bottle Caps interchangeable capsule system. Precision-designed and hand-assembled, the Stage One is crafted for a lifetime of use. Compared to similar microphones, the Stage One has a very low self noise specification (&lt; 7.5 dB) and a very high output level (+12dBV), making it the perfect choice for today’s high sample rate/deep word length digital platforms. Instead of integrated circuits (chips), the Stage One employs a transformless Class A discrete amplifier circuit to ensure the most accurate and noise-free signal possible, with minimal distortion and coloration. The Stage One is an ideal microphone for recording virtually any sound source.<br /><br /><h3>Bottle Rocket Stage One Features</h3><ul><li><span style=\"background-color: initial;\">Crystal-clear sound quality and superb detail with legendary B8 Bottle Cap</span></li><li>Compatible with all interchangeable Bottle Caps</li><li>Low self-noise (&lt;7.5dB)and high output level (+12dBV)</li><li>Class A Discrete solid-state electronics</li><li>Includes shock mount and wood storage box</li></ul><div></div>\n<h3>B8 Bottle Cap Included</h3>\nBottle Rocket Stage One includes the B8 large-diaphragm cardioid condenser Bottle Cap. Its mission: total recording versatility. The B8 capsule is a hotrod version of one of the world’s most legendary condenser capsules. But unlike it’s predecessor, which was lacking in mids, B8 is tuned for a lush midrange with a gorgeous lift around 5kHz and a smooth cut around 8kHz. It’s perfect for capturing a wide variety of sound sources with stunning detail—including lead vocals, electric and acoustic guitars, drums, percussion, horns and strings.\n<br /><br />\n<h3>All the Right Stuff</h3>\nBottle Rocket Stage One is designed and hand-built in the USA for a lifetime of use. It features very low self-noise (&lt;7.5dB), exceptionally high output (+12dBV), and a proprietary transformerless Class A FET circuit that delivers the most accurate, noise-free signal available. It even comes with a spider mount and flight case.\n<br /><br />\n<h3>Bottle Caps Interchangeable Capsules</h3>\nBottle Caps are a system of interchangeable capsules that provide a variety of tonal ranges, characters, diaphragm sizes and polar patterns for total recording versatility. Big vocal sounds. Vintage and modern sounds. Delicate, accurate reproduction. Different patterns. All in a single microphone. And the quick-change connection makes experimenting with new sounds fast and easy.\n<br /><br />'),(3014,75,1,503,'<h1>Blue Microphones Bottle Rocket Stage One FET Condenser Microphone</h1>\n<i>\nStudio FET Condenser Mic with Interchangeable Capsules</i><br /><br />The Blue Bottle Rocket Stage One is Blue\'s most accessible Class A discrete solid state mic, which also supports Blue\'s Bottle Caps interchangeable capsule system. Precision-designed and hand-assembled, the Stage One is crafted for a lifetime of use. Compared to similar microphones, the Stage One has a very low self noise specification (&lt; 7.5 dB) and a very high output level (+12dBV), making it the perfect choice for today’s high sample rate/deep word length digital platforms. Instead of integrated circuits (chips), the Stage One employs a transformless Class A discrete amplifier circuit to ensure the most accurate and noise-free signal possible, with minimal distortion and coloration. The Stage One is an ideal microphone for recording virtually any sound source.<br /><br /><h3>Bottle Rocket Stage One Features</h3><ul><li><span style=\"background-color: initial;\">Crystal-clear sound quality and superb detail with legendary B8 Bottle Cap</span></li><li>Compatible with all interchangeable Bottle Caps</li><li>Low self-noise (&lt;7.5dB)and high output level (+12dBV)</li><li>Class A Discrete solid-state electronics</li><li>Includes shock mount and wood storage box</li></ul><div></div>\n<h3>B8 Bottle Cap Included</h3>\nBottle Rocket Stage One includes the B8 large-diaphragm cardioid condenser Bottle Cap. Its mission: total recording versatility. The B8 capsule is a hotrod version of one of the world’s most legendary condenser capsules. But unlike it’s predecessor, which was lacking in mids, B8 is tuned for a lush midrange with a gorgeous lift around 5kHz and a smooth cut around 8kHz. It’s perfect for capturing a wide variety of sound sources with stunning detail—including lead vocals, electric and acoustic guitars, drums, percussion, horns and strings.\n<br /><br />\n<h3>All the Right Stuff</h3>\nBottle Rocket Stage One is designed and hand-built in the USA for a lifetime of use. It features very low self-noise (&lt;7.5dB), exceptionally high output (+12dBV), and a proprietary transformerless Class A FET circuit that delivers the most accurate, noise-free signal available. It even comes with a spider mount and flight case.\n<br /><br />\n<h3>Bottle Caps Interchangeable Capsules</h3>\nBottle Caps are a system of interchangeable capsules that provide a variety of tonal ranges, characters, diaphragm sizes and polar patterns for total recording versatility. Big vocal sounds. Vintage and modern sounds. Delicate, accurate reproduction. Different patterns. All in a single microphone. And the quick-change connection makes experimenting with new sounds fast and easy.\n<br /><br />'),(3015,85,0,503,'Blue Microphones Bottle Rocket Stage One Condenser Microphone'),(3016,85,1,503,'Blue Microphones Bottle Rocket Stage One Condenser Microphone'),(3017,76,0,503,''),(3018,76,1,503,''),(3019,75,0,504,'<h1>Blue Microphones Dragonfly Condenser Microphone</h1>\n<i>\nLarge Diaphragm Studio Condenser Microphone with Rotating Capsule\n</i><br /><br />\nThe Blue Dragonfly is a handcrafted Class A large-diaphragm condenser microphone that gently accentuates the silky highs and defined bottom end of extended range instruments to thicken thin sound sources. Featuring an innovative rotating head design, Dragonfly lets you make pinpoint adjustments and capture your instrument’s true tone. It’s ideal for vocals, drum overheads, acoustic guitar, piano and more. With a fast, maneuverable, and precision-engineered design, Dragonfly is a whole new classification of microphone.<br /><br />\n<h3>Blue Dragonfly Features:</h3>\n<ul>\n	<li>Innovative rotating head for precise mic placement</li>\n	<li>Large-diaphragm capsule for tracking vocals and extended range instruments</li>\n	<li>Superbly detailed sonic signature and enhanced frequency response</li>\n	<li>Custom shockmount and wood storage box</li>\n</ul>\n<br />\n<h3>Detailed and Silky Tone</h3>\nDragonfly’s superbly detailed sound comes from its silky and extended high end, contoured midrange and enhanced low end. These three tonal aspects make the Dragonfly microphone uniquely suited for tracking vocals, acoustic guitar, drum overheads and other high-frequency instruments. Dragonfly also excels in recording difficult sound sources like brass and woodwinds.\n<br />\n<br />\n<h3>Rotating Head</h3>\nYears of evolution—and meticulous design—resulted in Dragonfly’s unique rotating head. Simply turn the head to experiment with mic placement, make adjustments on the fly, and record in all the spots you’ve never been able to reach with traditional mics.\n<br /><br />\n<b>Some Examples:\n</b>\n<ul>\n	<li>Rotate the capsule between the 12th fret and sound hole of an acoustic guitar to dial in perfectly balanced sound\n	</li>\n	<li>\n	Find the sweet spot of drums, percussion or any instrument in seconds</li>\n	<li>\n	Set perfect playing positions for brass, woodwind and orchestral instruments</li>\n</ul>\n<br />'),(3020,75,1,504,'<h1>Blue Microphones Dragonfly Condenser Microphone</h1>\n<i>\nLarge Diaphragm Studio Condenser Microphone with Rotating Capsule\n</i><br /><br />\nThe Blue Dragonfly is a handcrafted Class A large-diaphragm condenser microphone that gently accentuates the silky highs and defined bottom end of extended range instruments to thicken thin sound sources. Featuring an innovative rotating head design, Dragonfly lets you make pinpoint adjustments and capture your instrument’s true tone. It’s ideal for vocals, drum overheads, acoustic guitar, piano and more. With a fast, maneuverable, and precision-engineered design, Dragonfly is a whole new classification of microphone.<br /><br />\n<h3>Blue Dragonfly Features:</h3>\n<ul>\n	<li>Innovative rotating head for precise mic placement</li>\n	<li>Large-diaphragm capsule for tracking vocals and extended range instruments</li>\n	<li>Superbly detailed sonic signature and enhanced frequency response</li>\n	<li>Custom shockmount and wood storage box</li>\n</ul>\n<br />\n<h3>Detailed and Silky Tone</h3>\nDragonfly’s superbly detailed sound comes from its silky and extended high end, contoured midrange and enhanced low end. These three tonal aspects make the Dragonfly microphone uniquely suited for tracking vocals, acoustic guitar, drum overheads and other high-frequency instruments. Dragonfly also excels in recording difficult sound sources like brass and woodwinds.\n<br />\n<br />\n<h3>Rotating Head</h3>\nYears of evolution—and meticulous design—resulted in Dragonfly’s unique rotating head. Simply turn the head to experiment with mic placement, make adjustments on the fly, and record in all the spots you’ve never been able to reach with traditional mics.\n<br /><br />\n<b>Some Examples:\n</b>\n<ul>\n	<li>Rotate the capsule between the 12th fret and sound hole of an acoustic guitar to dial in perfectly balanced sound\n	</li>\n	<li>\n	Find the sweet spot of drums, percussion or any instrument in seconds</li>\n	<li>\n	Set perfect playing positions for brass, woodwind and orchestral instruments</li>\n</ul>\n<br />'),(3021,85,0,504,'Blue Microphones Dragonfly Condenser Microphone'),(3022,85,1,504,'Blue Microphones Dragonfly Condenser Microphone'),(3023,76,0,504,''),(3024,76,1,504,''),(3025,75,0,505,'<h1>Blue Microphones Kiwi Multi Pattern FET Condenser Microphone</h1><i>\nMulti Pattern FET Studio Condenser Microphone\n</i><br /><br />\nThe Blue Kiwi is Blue\'s flagship multi-pattern FET microphone, and defines the pinnacle of modern vocal and instrument recording. Born from Blue\'s legacy of inimitable design and innovation, Kiwi delivers a world-class vocal sound to inspire once-in-a-lifetime performances. Nine selectable polar patterns provide unlimited creative freedom for any recording session. And the sound—shimmery, elegant top end with articulate midrange and full-bodied low end—has Kiwi winning out against the most revered vintage mics when it comes to capturing world-class vocal tracks.<br /><br />\n<h3>Blue Kiwi Features</h3>\n<ul>\n	<li>Multi-pattern B6 Bottle Cap for capturing once-in-a-lifetime performances</li>\n	<li>Acoustically matched, custom-mounted 26.3mm large dual-diaphragm capsule</li>\n	<li>9 unique polar patterns for ultimate recording versatility</li>\n	<li>Proprietary transformerless, Class A FET circuitry for pure signal path</li>\n	<li>Legendary Blue Heritage</li>\n</ul><br />\n<h3>Full Spectrum Performance</h3>\nPrecision engineered, hand-built, and beautifully crafted, Kiwi delivers unmatched results for every recording session. It combines the low noise and superb transient response of our proprietary FET circuitry with smooth midrange, and crisp, airy high end that flatters vocals, guitars, piano and other lead instruments. The result is full and articulate sound that sits forward in the mix, but is silky rather than aggressive. Kiwi even captures the difficult resonance of female vocals in vibrant detail.\n<br /><br />\n<h3>9 Polar Patterns</h3>\nWith nine distinct polar patterns to choose from, Kiwi’s tone can be adapted to any recording environment and application. Capture the ultimate “big” vocal performance. Record multiple vocalists at once. Experiment with unconventional vocal treatments, or capture a present vocal and room sound simultaneously. Each pattern allows you to fine-tune the timbre and directionality of the Kiwi for endless creative options. Just toggle between Cardioid, Omni, Figure of 8, and everything in between to find which pattern best suits your application.\n<br /><br />'),(3026,75,1,505,'<h1>Blue Microphones Kiwi Multi Pattern FET Condenser Microphone</h1><i>\nMulti Pattern FET Studio Condenser Microphone\n</i><br /><br />\nThe Blue Kiwi is Blue\'s flagship multi-pattern FET microphone, and defines the pinnacle of modern vocal and instrument recording. Born from Blue\'s legacy of inimitable design and innovation, Kiwi delivers a world-class vocal sound to inspire once-in-a-lifetime performances. Nine selectable polar patterns provide unlimited creative freedom for any recording session. And the sound—shimmery, elegant top end with articulate midrange and full-bodied low end—has Kiwi winning out against the most revered vintage mics when it comes to capturing world-class vocal tracks.<br /><br />\n<h3>Blue Kiwi Features</h3>\n<ul>\n	<li>Multi-pattern B6 Bottle Cap for capturing once-in-a-lifetime performances</li>\n	<li>Acoustically matched, custom-mounted 26.3mm large dual-diaphragm capsule</li>\n	<li>9 unique polar patterns for ultimate recording versatility</li>\n	<li>Proprietary transformerless, Class A FET circuitry for pure signal path</li>\n	<li>Legendary Blue Heritage</li>\n</ul><br />\n<h3>Full Spectrum Performance</h3>\nPrecision engineered, hand-built, and beautifully crafted, Kiwi delivers unmatched results for every recording session. It combines the low noise and superb transient response of our proprietary FET circuitry with smooth midrange, and crisp, airy high end that flatters vocals, guitars, piano and other lead instruments. The result is full and articulate sound that sits forward in the mix, but is silky rather than aggressive. Kiwi even captures the difficult resonance of female vocals in vibrant detail.\n<br /><br />\n<h3>9 Polar Patterns</h3>\nWith nine distinct polar patterns to choose from, Kiwi’s tone can be adapted to any recording environment and application. Capture the ultimate “big” vocal performance. Record multiple vocalists at once. Experiment with unconventional vocal treatments, or capture a present vocal and room sound simultaneously. Each pattern allows you to fine-tune the timbre and directionality of the Kiwi for endless creative options. Just toggle between Cardioid, Omni, Figure of 8, and everything in between to find which pattern best suits your application.\n<br /><br />'),(3027,85,0,505,'Blue Microphones Kiwi Multi Pattern FET Condenser Microphone'),(3028,85,1,505,'Blue Microphones Kiwi Multi Pattern FET Condenser Microphone'),(3029,76,0,505,''),(3030,76,1,505,''),(3031,75,0,506,'<h1>Blue Microphones Mouse Large Diaphragm Condenser Microphone</h1>\nLarge-diaphragm Condenser Microphone With Rotating Head for Vocals, Bass, Kick Drum and Broadcast\n<br /><br />\nThe Blue Mouse is a powerful handcrafted microphone that delivers larger-than-life results for bottom-heavy instruments and voices. It features a unique rotating capsule design that adds versatility and allows you to discover all the tonal possibilities of your vocals or instruments. Get ready for a truly unique sonic experience.<br /><br />\n<h3>Blue Mouse Features</h3>\n<ul>\n	<li>Innovative rotating head lets you find the tonal sweet spot fast</li>\n	<li>Extended low-range frequency response</li>\n	<li>Integrated suspension shockmount</li>\n	<li>Blue heritage of superior performance and design</li>\n	<li>Included cherry wood storage box</li>\n</ul>\n<h3>Lowest of the Lows</h3>\nMouse excels at capturing the booming lows of bass guitar cabs, kick drums, lower-register vocals, and anything else that could split the world in two. It even accentuates the lows of voices and instruments that could use a lift in the bass department. Mouse’s smooth mid-range response and crystalline high end delivers robust, full-range tone that’s perfect for guitars, drums and broadcasting. And with minimal proximity effect, you’ll never have to worry about your frequencies being muddy or out of proportion.\n<br /><br />\n<h3>Head-Turning Flexibility</h3>\nCapture new tonal character from your voice and instruments with Mouse’s rotating head. This unique design lets you place the mic capsule at an angle that best suits your tone and style. You can even pinpoint your instrument’s recording sweet spot by sweeping the capsule between positions on your amp, kick drum or bass cab. Transform your tone with a turn.\n<br /><br />\n<h3>Custom Blue Capsule</h3>\nIt all starts with a hand-built large diaphragm capsule that’s sputtered with a mixture of pure gold and aluminum, and tensioned to our hand-built brass backplates. The Class A discrete circuitry and onboard transformer deliver premium quality and an inimitable sonic characteristic. Mouse also features hand-selected electronics for a pure and transparent signal path. It even comes with an integrated suspension shockmount to eliminate mic rumble, and a cherry wood storage box for safekeeping.\n<br /><br />\n<h3>Cornerstone Dum Mic</h3>\nThe Mouse’s extended frequency response and powerful bottom end make it an ideal mic for recording kick drums, floor toms, and hand drums. And with its innovative rotating head, you can position the capsule at any angle to dial in the perfect tone. Add in a pair of Hummingbird mics to capture drum overheads, and you have a mic kit that delivers full, lustrous recordings. It’s an unlikely zoological pairing, but sounds great in the studio!<br /><br />'),(3032,75,1,506,'<h1>Blue Microphones Mouse Large Diaphragm Condenser Microphone</h1>\nLarge-diaphragm Condenser Microphone With Rotating Head for Vocals, Bass, Kick Drum and Broadcast\n<br /><br />\nThe Blue Mouse is a powerful handcrafted microphone that delivers larger-than-life results for bottom-heavy instruments and voices. It features a unique rotating capsule design that adds versatility and allows you to discover all the tonal possibilities of your vocals or instruments. Get ready for a truly unique sonic experience.<br /><br />\n<h3>Blue Mouse Features</h3>\n<ul>\n	<li>Innovative rotating head lets you find the tonal sweet spot fast</li>\n	<li>Extended low-range frequency response</li>\n	<li>Integrated suspension shockmount</li>\n	<li>Blue heritage of superior performance and design</li>\n	<li>Included cherry wood storage box</li>\n</ul>\n<h3>Lowest of the Lows</h3>\nMouse excels at capturing the booming lows of bass guitar cabs, kick drums, lower-register vocals, and anything else that could split the world in two. It even accentuates the lows of voices and instruments that could use a lift in the bass department. Mouse’s smooth mid-range response and crystalline high end delivers robust, full-range tone that’s perfect for guitars, drums and broadcasting. And with minimal proximity effect, you’ll never have to worry about your frequencies being muddy or out of proportion.\n<br /><br />\n<h3>Head-Turning Flexibility</h3>\nCapture new tonal character from your voice and instruments with Mouse’s rotating head. This unique design lets you place the mic capsule at an angle that best suits your tone and style. You can even pinpoint your instrument’s recording sweet spot by sweeping the capsule between positions on your amp, kick drum or bass cab. Transform your tone with a turn.\n<br /><br />\n<h3>Custom Blue Capsule</h3>\nIt all starts with a hand-built large diaphragm capsule that’s sputtered with a mixture of pure gold and aluminum, and tensioned to our hand-built brass backplates. The Class A discrete circuitry and onboard transformer deliver premium quality and an inimitable sonic characteristic. Mouse also features hand-selected electronics for a pure and transparent signal path. It even comes with an integrated suspension shockmount to eliminate mic rumble, and a cherry wood storage box for safekeeping.\n<br /><br />\n<h3>Cornerstone Dum Mic</h3>\nThe Mouse’s extended frequency response and powerful bottom end make it an ideal mic for recording kick drums, floor toms, and hand drums. And with its innovative rotating head, you can position the capsule at any angle to dial in the perfect tone. Add in a pair of Hummingbird mics to capture drum overheads, and you have a mic kit that delivers full, lustrous recordings. It’s an unlikely zoological pairing, but sounds great in the studio!<br /><br />'),(3033,85,0,506,'Blue Microphones Mouse Large Diaphragm Condenser Microphone'),(3034,85,1,506,'Blue Microphones Mouse Large Diaphragm Condenser Microphone'),(3035,76,0,506,''),(3036,76,1,506,''),(3037,75,0,507,'<h1>Blue Microphones Snowball USB Microphone</h1>\n<i>\nClassic Studio-Quality USB Microphone</i><br /><br />\nCapture studio-quality audio for podcasting, YouTube™ videos, game streaming, Skype™ calls and music, with Blue Snowball—the world’s most popular family of USB microphones. Snowball and Snowball iCE feature industry-leading Blue condenser capsule technology to deliver natural sound directly to your desktop. And the simple USB connection and plug-and-play operation means you don’t need any extra gear—just plug right in and start recording and streaming in amazing quality.<br /><br />\n<h3>Blue Snowball features</h3>\n<ul>\n<li>Unique two-condenser-capsule design for capturing vocals, music, podcasts, gaming and more  </li>\n<li>Cardioid, omni, and cardioid with pad pickup options                                        </li>\n<li>Includes fully adjustable metal mic stand and USB cable                                     </li>\n<li>Plug and play with Mac and PC                                                               </li>\n<li>Available in textured white, gloss black and chrome                                         </li>\n<ul><br />\n<h3>Record Studio-quality Vocals, Instruments, Podcasts and More</h3>\nSnowball USB microphones bring the same Blue heritage that powers the world’s most elite studios and artists to your home setup, so you can achieve studio-quality sound on your desktop with ease. Snowball iCE sports a single high-quality condenser capsule for recording vocals and Snowball utilizes a unique dual capsule design to ensure rich, detailed sound for any project.<br /><br />\n\n<h3>It Doesn’t get any Easier</h3>\nWant to get studio-quality audio quickly and easily? Done. The Snowball family’s excellent sound quality and easy operation make them the industry-standard USB microphones for podcasting and desktop recording. And rightly so—with Snowball and Snowball iCE, you can record and stream stunningly detailed audio as soon as you rip open the packaging and plug it into to your Mac or PC. It’s as easy as…well…rolling a snowball, and you don’t have to wear goofy mittens to use it.<br /><br />\n\n\n<h3>From Video Games to Conference Calls</h3>\nSnowball USB microphones are perfect for streaming live audio in stunning quality. Take your Twitch channel to the professional level with pristine audio. Host VoIP and conference calls without missing a single detail. Every Snowball computer microphone delivers precisely what you need to get the most out of your projects.<br /><br />\n\n<h3>Capture a Variety of Sources</h3>\nThe Snowball USB microphone is perfect for recording and streaming on your desktop. It gives you the flexibility and versatility to capture music, podcasts, game streams, YouTube videos and more in stunning sound quality. You get three pickup settings—cardioid, omni, and cardioid with -10dB pad—to accommodate any recording situation.<br /><br /></ul></ul>'),(3038,75,1,507,'<h1>Blue Microphones Snowball USB Microphone</h1>\n<i>\nClassic Studio-Quality USB Microphone</i><br /><br />\nCapture studio-quality audio for podcasting, YouTube™ videos, game streaming, Skype™ calls and music, with Blue Snowball—the world’s most popular family of USB microphones. Snowball and Snowball iCE feature industry-leading Blue condenser capsule technology to deliver natural sound directly to your desktop. And the simple USB connection and plug-and-play operation means you don’t need any extra gear—just plug right in and start recording and streaming in amazing quality.<br /><br />\n<h3>Blue Snowball features</h3>\n<ul>\n<li>Unique two-condenser-capsule design for capturing vocals, music, podcasts, gaming and more  </li>\n<li>Cardioid, omni, and cardioid with pad pickup options                                        </li>\n<li>Includes fully adjustable metal mic stand and USB cable                                     </li>\n<li>Plug and play with Mac and PC                                                               </li>\n<li>Available in textured white, gloss black and chrome                                         </li>\n<ul><br />\n<h3>Record Studio-quality Vocals, Instruments, Podcasts and More</h3>\nSnowball USB microphones bring the same Blue heritage that powers the world’s most elite studios and artists to your home setup, so you can achieve studio-quality sound on your desktop with ease. Snowball iCE sports a single high-quality condenser capsule for recording vocals and Snowball utilizes a unique dual capsule design to ensure rich, detailed sound for any project.<br /><br />\n\n<h3>It Doesn’t get any Easier</h3>\nWant to get studio-quality audio quickly and easily? Done. The Snowball family’s excellent sound quality and easy operation make them the industry-standard USB microphones for podcasting and desktop recording. And rightly so—with Snowball and Snowball iCE, you can record and stream stunningly detailed audio as soon as you rip open the packaging and plug it into to your Mac or PC. It’s as easy as…well…rolling a snowball, and you don’t have to wear goofy mittens to use it.<br /><br />\n\n\n<h3>From Video Games to Conference Calls</h3>\nSnowball USB microphones are perfect for streaming live audio in stunning quality. Take your Twitch channel to the professional level with pristine audio. Host VoIP and conference calls without missing a single detail. Every Snowball computer microphone delivers precisely what you need to get the most out of your projects.<br /><br />\n\n<h3>Capture a Variety of Sources</h3>\nThe Snowball USB microphone is perfect for recording and streaming on your desktop. It gives you the flexibility and versatility to capture music, podcasts, game streams, YouTube videos and more in stunning sound quality. You get three pickup settings—cardioid, omni, and cardioid with -10dB pad—to accommodate any recording situation.<br /><br /></ul></ul>'),(3039,85,0,507,'Blue Microphones Snowball USB Microphone, USB mic, Blue Snowball'),(3040,85,1,507,'Blue Microphones Snowball USB Microphone, USB mic, Blue Snowball'),(3041,76,0,507,''),(3042,76,1,507,''),(3043,75,0,508,'<h2>Blue Microphones Hummingbird Adjustable Small-Diaphragm Condenser Microphone</h2>\nThe Blue Microphones Hummingbird is a versatile, precision-engineered Class A small-diaphragm microphone that unlocks the tonal nuances of your instruments so you can capture the best recordings possible. With a 180 degree rotating head, Hummingbird fits into tight spaces and can nimbly change positions where others can’t. Featuring a precisely tuned diaphragm based on the acclaimed B1 capsule from Blue’s flagship Bottle microphone, Hummingbird is ultra-responsive and delivers extended frequency response. Hummingbird is the perfect studio and stage solution for drum overheads, acoustic guitar, piano, percussion, or any other instrument with fast transients and rich overtones.<br /><br />\n\n<h3>Blue Microphones Hummingbird Features</h3>\n<ul>\n<li>180° rotating head for precise mic placement</li>\n<li>Cardioid condenser based on the B1 capsule from the heralded Blue Bottle</li>\n<li>Exceptional sonic accuracy and extended frequency response</li>\n<li>Ultra-fast transient response and high-SPL handling in the studio and on stage </li>\n</ul><br />\n\n\n<h3>Mic Placement Is Everything</h3>\nDiscover new tonal colors of your instrument by simply rotating Hummingbird’s head. The unique 180° pivoting head allows you to place the mic at any angle—without having to adjust the mic stand—and capture the sound most mics would leave behind. Give Hummingbird a turn, and take your recordings from good to great.<br /><br />\n<ul>\n<li>Sweep the capsule between the 12th fret and sound hole of an acoustic guitar to dial in the perfect guitar sound, all without having to get up out of your chair.</li>\n<li>Rotate the capsule between the edge of the snare drum and the center of the drumhead to get the perfect snare sound, all without having to adjust the mic stand. </li>\n<li>Pivot the heads of a pair of Hummingbird overheads to dial in the perfect stereo image over a set of drums, percussion, or upright piano.                        </li>\n</ul><br />\n\n<h3>Premium Blue Capsule</h3>\nHummingbird boasts a premium capsule based on the Blue B1—part of our acclaimed interchangeable Bottle Caps series. Hummingbird’s precisely tuned cardioid capsule is ultraresponsive and provides extended high-frequency response—making it perfect for recording any instrument with quick attacks and rich tonal characteristics.<br /><br />\n\n<h3>Take Your Sound To New Heights</h3>\nThe superb dynamic range, balanced character and sparkling high end of the Hummingbird is perfect for reproducing the sharp attacks and tonal characteristics of a wide range of  Blue Microphones | 5706 Corsa Ave #102, Westlake Village, CA 91362 | 818-879-5200 instruments including drums, acoustic guitars, strings and world instruments. And with no IC’s in the signal path, Hummingbird delivers maximum sonic detail with the lowest possible noise floor. With excellent off-axis rejection, Hummingbird is the perfect choice for close-miking drums or percussion while minimizing sound from surrounding instruments.<br /><br />\n\n<h3>Drums - From A Bird\'s Eye View</h3>\nThe Hummingbird’s agility, sonic precision, and ability to handle high sound pressure levels make it an ideal mic for recording drums. With a 180° pivoting head, Hummingbird makes it easier to get great overhead sounds, and it can fit into tight snare drum or rack tom spaces and get the perfect angle on the drumheads—a difficult task with other condenser microphones. <br /><br />'),(3044,75,1,508,'<h2>Blue Microphones Hummingbird Adjustable Small-Diaphragm Condenser Microphone</h2>\nThe Blue Microphones Hummingbird is a versatile, precision-engineered Class A small-diaphragm microphone that unlocks the tonal nuances of your instruments so you can capture the best recordings possible. With a 180 degree rotating head, Hummingbird fits into tight spaces and can nimbly change positions where others can’t. Featuring a precisely tuned diaphragm based on the acclaimed B1 capsule from Blue’s flagship Bottle microphone, Hummingbird is ultra-responsive and delivers extended frequency response. Hummingbird is the perfect studio and stage solution for drum overheads, acoustic guitar, piano, percussion, or any other instrument with fast transients and rich overtones.<br /><br />\n\n<h3>Blue Microphones Hummingbird Features</h3>\n<ul>\n<li>180° rotating head for precise mic placement</li>\n<li>Cardioid condenser based on the B1 capsule from the heralded Blue Bottle</li>\n<li>Exceptional sonic accuracy and extended frequency response</li>\n<li>Ultra-fast transient response and high-SPL handling in the studio and on stage </li>\n</ul><br />\n\n\n<h3>Mic Placement Is Everything</h3>\nDiscover new tonal colors of your instrument by simply rotating Hummingbird’s head. The unique 180° pivoting head allows you to place the mic at any angle—without having to adjust the mic stand—and capture the sound most mics would leave behind. Give Hummingbird a turn, and take your recordings from good to great.<br /><br />\n<ul>\n<li>Sweep the capsule between the 12th fret and sound hole of an acoustic guitar to dial in the perfect guitar sound, all without having to get up out of your chair.</li>\n<li>Rotate the capsule between the edge of the snare drum and the center of the drumhead to get the perfect snare sound, all without having to adjust the mic stand. </li>\n<li>Pivot the heads of a pair of Hummingbird overheads to dial in the perfect stereo image over a set of drums, percussion, or upright piano.                        </li>\n</ul><br />\n\n<h3>Premium Blue Capsule</h3>\nHummingbird boasts a premium capsule based on the Blue B1—part of our acclaimed interchangeable Bottle Caps series. Hummingbird’s precisely tuned cardioid capsule is ultraresponsive and provides extended high-frequency response—making it perfect for recording any instrument with quick attacks and rich tonal characteristics.<br /><br />\n\n<h3>Take Your Sound To New Heights</h3>\nThe superb dynamic range, balanced character and sparkling high end of the Hummingbird is perfect for reproducing the sharp attacks and tonal characteristics of a wide range of  Blue Microphones | 5706 Corsa Ave #102, Westlake Village, CA 91362 | 818-879-5200 instruments including drums, acoustic guitars, strings and world instruments. And with no IC’s in the signal path, Hummingbird delivers maximum sonic detail with the lowest possible noise floor. With excellent off-axis rejection, Hummingbird is the perfect choice for close-miking drums or percussion while minimizing sound from surrounding instruments.<br /><br />\n\n<h3>Drums - From A Bird\'s Eye View</h3>\nThe Hummingbird’s agility, sonic precision, and ability to handle high sound pressure levels make it an ideal mic for recording drums. With a 180° pivoting head, Hummingbird makes it easier to get great overhead sounds, and it can fit into tight snare drum or rack tom spaces and get the perfect angle on the drumheads—a difficult task with other condenser microphones. <br /><br />'),(3045,85,0,508,'Blue Microphones Hummingbird Adjustable Small-Diaphragm Condenser Microphone'),(3046,85,1,508,'Blue Microphones Hummingbird Adjustable Small-Diaphragm Condenser Microphone'),(3047,76,0,508,''),(3048,76,1,508,''),(3049,75,0,509,'Complete the Circuit\n\nSimplicity of design. Purity of sound. Robbie is Blue\'s Class-A discrete tube microphone and instrument preamplifier. All of the technical quality and design innovation that goes into their line of award-winning microphones has been engineered into making Robbie the finest tube preamp available today. With no ICs and only the highest-quality discrete components from input to output, Robbie is one of the quietest (-131 dB EIN @ 50 ohms) and most detailed (THD 0.006%) tube preamps available today. It features audiophile-grade ultra low noise metal film resistors and polystyrene capacitors, and provides the user with the best of both worlds: an electronically-balanced, fully discrete input stage, tube gain stage (ECC88 twin triode), and an electronically-balanced solid-state output stage. There is no switching crossover distortion anywhere in the completely balanced audio signal path. And if that\'s not enough, Robbie achieves and amazing 34dB headroom before clipping! Designed from the ground up, this limited production mic pre is like nothing else commercially available today.'),(3050,75,1,509,'Complete the Circuit\n\nSimplicity of design. Purity of sound. Robbie is Blue\'s Class-A discrete tube microphone and instrument preamplifier. All of the technical quality and design innovation that goes into their line of award-winning microphones has been engineered into making Robbie the finest tube preamp available today. With no ICs and only the highest-quality discrete components from input to output, Robbie is one of the quietest (-131 dB EIN @ 50 ohms) and most detailed (THD 0.006%) tube preamps available today. It features audiophile-grade ultra low noise metal film resistors and polystyrene capacitors, and provides the user with the best of both worlds: an electronically-balanced, fully discrete input stage, tube gain stage (ECC88 twin triode), and an electronically-balanced solid-state output stage. There is no switching crossover distortion anywhere in the completely balanced audio signal path. And if that\'s not enough, Robbie achieves and amazing 34dB headroom before clipping! Designed from the ground up, this limited production mic pre is like nothing else commercially available today.'),(3051,85,0,509,'Blue Microphones Robbie Mic Preamp'),(3052,85,1,509,'Blue Microphones Robbie Mic Preamp'),(3053,76,0,509,''),(3054,76,1,509,''),(3055,75,0,510,'<h2>Used Bock Audio 151 Tube Condenser Microphone</h2><i>Get as close to the the sound of the Bock Audio 251 as possible, for about 30% less.<br /><br /></i><i><b>The item pictured has sold, but we constantly have new models coming in. Call or Chat for Availability!<br /></b></i><br />The Bock Audio 151\'s upscale brother, the BOCK  251, is treasured by users for its extraordinary up close cardioid performance on premier voices and its distance performance on piano, ensembles and orchestras. Many of our customers have asked for a vocal mic only version at reduced cost and this drove development of the BOCK 151. The 151 is a microphone designed to sound as close as possible to the flagship BOCK 251 up close but cost 30% less.<br /><br />\n\n<h3>WHAT MAKES IT DIFFERENT? </h3>\nThe BOCK 151 Microphone uses a proprietary BOCK hand made German capsule, a proprietary BOCK hand wound vintage style audio transformer, a NOS tube in the mic amplifier and a BOCK hand built custom outboard power supply. The BOCK 151 adds a unique \"brite/normal\" switch which delivers two sounds in one mic. “Bright” allows unfiltered extended high frequency response that defines a modern high end condenser; “normal” offers a less bright, more vintage style high frequency response more forgiving to sibilant singers and or voices that need a darker treatment. <br /><br />\n\nThe BOCK 151 offers enduring qualities impossible to fully describe in writing. While Chinese condensers try to impress with lots of top and bottom end on first listen, they lack midrange so critical in defining a great vocal. The BOCK 151 built-in midrange presence curve, so important in “cutting through” a dense mix, is impossible to obtain through EQ. Time has proven this vocal sound must come from the mic itself. The unique BOCK AUDIO \"brite/normal\" switch adds long term versatility. The high frequency response is extended but never gets harsh or gritty. The BOCK 151 Proximity Effect (bass gets stronger with closeness) is naturally powerful without being too boomy or bottom heavy. Midrange is smooth and does not require post EQ. Best of all, the BOCK 151 has a way of lifting the singer’s vocal to a higher level when they hear themselves for the first time on this great microphone. The BOCK 151 is perhaps the biggest bargain in lead vocal microphones available on the market.. <br /><br />\n\n<h3>HOW DO I USE IT? </h3>\nThe BOCK 151 primary use will undoubtedly be female and male vocals. Use a pop filter and get up close for that intimate “big vocal” sound. A few inches away, the proximity effect recedes and the mic gets flatter in response. At distance, the BOCK 151 is amazing on instruments and ensembles. In front of a drum set it sounds like you are standing there; on stringed instruments it captures the transients and complex harmonic structure that spell the difference between good and great.<br /><br />System Includes 6 pin Tuchel cable, AC cable, wood box, and spider shock mount.<span style=\"color: rgb(0, 0, 0); font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;\"><br /></span><br /><br />\n\n<h3>Technical advantages the 151:</h3>\n<ul>\n<li>Brite/ Normal switch for amazing versatility</li>\n<li>Works well for all vocal or instrumental use</li>\n<li>Tuned to work in a variety of studio situations</li>\n<li>Transformer balanced output</li>\n<li>Handpicked, individually tested capsule</li>\n<li>Select “New Old Stock” EF732 tube is readily available</li>\n<li>Low noise, low distortion </li>\n</ul>'),(3056,75,1,510,'<h2>Used Bock Audio 151 Tube Condenser Microphone</h2><i>Get as close to the the sound of the Bock Audio 251 as possible, for about 30% less.<br /><br /></i><i><b>The item pictured has sold, but we constantly have new models coming in. Call or Chat for Availability!<br /></b></i><br />The Bock Audio 151\'s upscale brother, the BOCK  251, is treasured by users for its extraordinary up close cardioid performance on premier voices and its distance performance on piano, ensembles and orchestras. Many of our customers have asked for a vocal mic only version at reduced cost and this drove development of the BOCK 151. The 151 is a microphone designed to sound as close as possible to the flagship BOCK 251 up close but cost 30% less.<br /><br />\n\n<h3>WHAT MAKES IT DIFFERENT? </h3>\nThe BOCK 151 Microphone uses a proprietary BOCK hand made German capsule, a proprietary BOCK hand wound vintage style audio transformer, a NOS tube in the mic amplifier and a BOCK hand built custom outboard power supply. The BOCK 151 adds a unique \"brite/normal\" switch which delivers two sounds in one mic. “Bright” allows unfiltered extended high frequency response that defines a modern high end condenser; “normal” offers a less bright, more vintage style high frequency response more forgiving to sibilant singers and or voices that need a darker treatment. <br /><br />\n\nThe BOCK 151 offers enduring qualities impossible to fully describe in writing. While Chinese condensers try to impress with lots of top and bottom end on first listen, they lack midrange so critical in defining a great vocal. The BOCK 151 built-in midrange presence curve, so important in “cutting through” a dense mix, is impossible to obtain through EQ. Time has proven this vocal sound must come from the mic itself. The unique BOCK AUDIO \"brite/normal\" switch adds long term versatility. The high frequency response is extended but never gets harsh or gritty. The BOCK 151 Proximity Effect (bass gets stronger with closeness) is naturally powerful without being too boomy or bottom heavy. Midrange is smooth and does not require post EQ. Best of all, the BOCK 151 has a way of lifting the singer’s vocal to a higher level when they hear themselves for the first time on this great microphone. The BOCK 151 is perhaps the biggest bargain in lead vocal microphones available on the market.. <br /><br />\n\n<h3>HOW DO I USE IT? </h3>\nThe BOCK 151 primary use will undoubtedly be female and male vocals. Use a pop filter and get up close for that intimate “big vocal” sound. A few inches away, the proximity effect recedes and the mic gets flatter in response. At distance, the BOCK 151 is amazing on instruments and ensembles. In front of a drum set it sounds like you are standing there; on stringed instruments it captures the transients and complex harmonic structure that spell the difference between good and great.<br /><br />System Includes 6 pin Tuchel cable, AC cable, wood box, and spider shock mount.<span style=\"color: rgb(0, 0, 0); font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;\"><br /></span><br /><br />\n\n<h3>Technical advantages the 151:</h3>\n<ul>\n<li>Brite/ Normal switch for amazing versatility</li>\n<li>Works well for all vocal or instrumental use</li>\n<li>Tuned to work in a variety of studio situations</li>\n<li>Transformer balanced output</li>\n<li>Handpicked, individually tested capsule</li>\n<li>Select “New Old Stock” EF732 tube is readily available</li>\n<li>Low noise, low distortion </li>\n</ul>'),(3057,85,0,510,'Used Bock Audio 151 Tube Condenser Microphone'),(3058,85,1,510,'Used Bock Audio 151 Tube Condenser Microphone'),(3059,76,0,510,''),(3060,76,1,510,''),(3061,75,0,511,'<h1>Bock Audio 251 Condenser Microphone</h1>\nThe vintage 251 is THE vocal sound people ask for, but the original (vintage) versions are 50+ years old and sound very different from one another. Repairing, rebuilding and “nursing” original 251’s along has been David Bock’s work spanning over 30 years. The risk for a modern studio or end user to depend on a vintage mic on a daily basis is increasingly problematic. \n<br/><br/>\nThe BOCK 251 is David Bock’s answer to the vintage mic dilemma of getting “that sound” without the headaches. It is a premier lead microphone for premier voices. It is built to last and provide the studio and user with many years of daily, high end performance. <br/><br/>\n<h3>WHAT MAKES IT DIFFERENT? </h3>\nThe BOCK 251 provides the user with absolute confidence that this is the mic you put in the most critical situations. The BOCK 251 uses a proprietary hand made German capsule, a proprietary hand wound multi sectioned audio transformer, a NOS tube in the mic amplifier, a hand built outboard power supply and a custom low capacitance audio cable. This is one of the best overall mic packages available on the market at any price. The BOCK 251 is the ideal microphone to choose when there is a variety of applications that must met with absolute top recording quality. With frequency response that extends well beyond the normal range of typical studio microphones, the BOCK 251 sets new standards. \n<br/><br/>\nFor vocals, the BOCK 251 instantly delivers that huge vocal sound you have wanted for years. It sounds equally impressive on females and males. It will capture the most intimate and subtle details of a vocal yet maintain integrity at high SPL’s. It holds up track after track, “sitting on top” in extremely dense mixes without EQ. <br/><br/>\nFor instruments, the BOCK 251 offers very high end performance on critical stringed instruments, orchestras, choirs and small ensembles. The outstanding transient response reveals elusive harmonic details that spell the difference between good and great in your recordings.<br/><br/>\n<h3>HOW DO I USE IT? </h3>\nThe BOCK 251 cardioid pattern shuts off the back of the capsule to deliver extraordinary vocals when worked very close. It is recommended to use a pop filter on less experienced vocalists to enable closer working distances to take advantage of the magical proximity effect. There is no low frequency filtering used on a BOCK 251 so you will hear low frequency content you\'ve never heard before. \n<br/><br/>\nAt distance, the BOCK 251 delivers a level of definition that is amazing. The high end does not fade with distance like so many other condensers and the power and depth of the low end response is a joy to hear. The omni and Figure 8 patterns prove useful in these non-voice applications.'),(3062,75,1,511,'<h1>Bock Audio 251 Condenser Microphone</h1>\nThe vintage 251 is THE vocal sound people ask for, but the original (vintage) versions are 50+ years old and sound very different from one another. Repairing, rebuilding and “nursing” original 251’s along has been David Bock’s work spanning over 30 years. The risk for a modern studio or end user to depend on a vintage mic on a daily basis is increasingly problematic. \n<br/><br/>\nThe BOCK 251 is David Bock’s answer to the vintage mic dilemma of getting “that sound” without the headaches. It is a premier lead microphone for premier voices. It is built to last and provide the studio and user with many years of daily, high end performance. <br/><br/>\n<h3>WHAT MAKES IT DIFFERENT? </h3>\nThe BOCK 251 provides the user with absolute confidence that this is the mic you put in the most critical situations. The BOCK 251 uses a proprietary hand made German capsule, a proprietary hand wound multi sectioned audio transformer, a NOS tube in the mic amplifier, a hand built outboard power supply and a custom low capacitance audio cable. This is one of the best overall mic packages available on the market at any price. The BOCK 251 is the ideal microphone to choose when there is a variety of applications that must met with absolute top recording quality. With frequency response that extends well beyond the normal range of typical studio microphones, the BOCK 251 sets new standards. \n<br/><br/>\nFor vocals, the BOCK 251 instantly delivers that huge vocal sound you have wanted for years. It sounds equally impressive on females and males. It will capture the most intimate and subtle details of a vocal yet maintain integrity at high SPL’s. It holds up track after track, “sitting on top” in extremely dense mixes without EQ. <br/><br/>\nFor instruments, the BOCK 251 offers very high end performance on critical stringed instruments, orchestras, choirs and small ensembles. The outstanding transient response reveals elusive harmonic details that spell the difference between good and great in your recordings.<br/><br/>\n<h3>HOW DO I USE IT? </h3>\nThe BOCK 251 cardioid pattern shuts off the back of the capsule to deliver extraordinary vocals when worked very close. It is recommended to use a pop filter on less experienced vocalists to enable closer working distances to take advantage of the magical proximity effect. There is no low frequency filtering used on a BOCK 251 so you will hear low frequency content you\'ve never heard before. \n<br/><br/>\nAt distance, the BOCK 251 delivers a level of definition that is amazing. The high end does not fade with distance like so many other condensers and the power and depth of the low end response is a joy to hear. The omni and Figure 8 patterns prove useful in these non-voice applications.'),(3063,85,0,511,'Bock Audio 251 Condenser Microphone'),(3064,85,1,511,'Bock Audio 251 Condenser Microphone'),(3065,76,0,511,''),(3066,76,1,511,''),(3067,75,0,512,'<h1>Bock Audio 47 Condenser Microphone</h1>\nBock Audio is known for its for using modern methods and readily available components to build microphones with a sound akin to the great microphones of the past. The Bock 47 continues in that mode by using the Power Supply and Amplifier from the flagship 5ZERO7 microphone and combining a custom made k47 type capsule to bring the performance of the original 50\'s era German tube 47 in an all new Bock 47. Additionally, the Bock 47 is a cardioid only mic, as the original was used nearly exclusively in cardioid. Included comes a remote power supply and professional spider type shock mount as well as a special custom 20ft cable between the mic & power supply.\n<br/><br/>\n<h3>WHAT MAKES IT DIFFERENT?</h3>\n	For about half what you\'d expect to pay for a vintage original, with replacement parts and \"new-old-stock\" tubes that are readily available,Bock Audio 47 Condenser Microphone the Bock 47 enables a range of sounds and tonal characters previously not available through any other means. The Bock 47 embodies all the most important characteristics of the original while offering consistency, reliability and long term serviceability that is a requirement for today.\n<br/><br/>\n<h3>HOW TO USE THE BOCK 47?</h3>\n	The 47s primary use will likely be male or female lead vocals due to its signature proximity effect. The original 47 had proximity effect behavior that was part of its sound and why it defined \"big vocals\". With up to +12dB of boost at 100Hz when used at 1 inch working distance, the 47 signature was \"the sound\" of many great artists such as Frank Sinatra. Led Zeppelin 1 used a 47 on nearly every vocal track. Tuesday Night Music Club and Sheryl Crow was a classic application of a 47 for vocals. The key application was then and still is close worked vocals, male or female.\n<br/><br/>\nTube 47\'s were never really flat even at distance (beyond 18inches) due to its signature head grille sound. Brass instruments were a favorite 47 application (the classic jazz signature of the most famous records from the 1950\'s) and small ensembles (of nearly any instrumentation) saw the 47 as the \"go to\" mic. Cello and violin at short distance gain intimacy and acoustic or electric bass will find a perfect warm tone without muffling using the Bock 47. Individual drums or drum kits will have astounding impact with no overt artificial high end found when using some small diaphragm mics. Solo performers who sing while playing acoustic guitars may be recorded with just this one microphone.\n<br/><br/>'),(3068,75,1,512,'<h1>Bock Audio 47 Condenser Microphone</h1>\nBock Audio is known for its for using modern methods and readily available components to build microphones with a sound akin to the great microphones of the past. The Bock 47 continues in that mode by using the Power Supply and Amplifier from the flagship 5ZERO7 microphone and combining a custom made k47 type capsule to bring the performance of the original 50\'s era German tube 47 in an all new Bock 47. Additionally, the Bock 47 is a cardioid only mic, as the original was used nearly exclusively in cardioid. Included comes a remote power supply and professional spider type shock mount as well as a special custom 20ft cable between the mic & power supply.\n<br/><br/>\n<h3>WHAT MAKES IT DIFFERENT?</h3>\n	For about half what you\'d expect to pay for a vintage original, with replacement parts and \"new-old-stock\" tubes that are readily available,Bock Audio 47 Condenser Microphone the Bock 47 enables a range of sounds and tonal characters previously not available through any other means. The Bock 47 embodies all the most important characteristics of the original while offering consistency, reliability and long term serviceability that is a requirement for today.\n<br/><br/>\n<h3>HOW TO USE THE BOCK 47?</h3>\n	The 47s primary use will likely be male or female lead vocals due to its signature proximity effect. The original 47 had proximity effect behavior that was part of its sound and why it defined \"big vocals\". With up to +12dB of boost at 100Hz when used at 1 inch working distance, the 47 signature was \"the sound\" of many great artists such as Frank Sinatra. Led Zeppelin 1 used a 47 on nearly every vocal track. Tuesday Night Music Club and Sheryl Crow was a classic application of a 47 for vocals. The key application was then and still is close worked vocals, male or female.\n<br/><br/>\nTube 47\'s were never really flat even at distance (beyond 18inches) due to its signature head grille sound. Brass instruments were a favorite 47 application (the classic jazz signature of the most famous records from the 1950\'s) and small ensembles (of nearly any instrumentation) saw the 47 as the \"go to\" mic. Cello and violin at short distance gain intimacy and acoustic or electric bass will find a perfect warm tone without muffling using the Bock 47. Individual drums or drum kits will have astounding impact with no overt artificial high end found when using some small diaphragm mics. Solo performers who sing while playing acoustic guitars may be recorded with just this one microphone.\n<br/><br/>'),(3069,85,0,512,'Bock Audio 47 Condenser Microphone'),(3070,85,1,512,'Bock Audio 47 Condenser Microphone'),(3071,76,0,512,''),(3072,76,1,512,''),(3073,75,0,513,'<h1>Bock Audio 507 Condenser Microphone</h1>\nThe Bock Audio 507 Condenser Microphone is a new approach in high end microphone design for it combines new and old: a brand new unique and patent pending elliptical capsule married to a vintage inspired mic amplifier and power supply. Designed to be the ultimate in studio vocal microphones, the 507 compares favorably to the best vocal microphones, past and present.\n<br /><br />\n<h3>WHAT MAKES IT DIFFERENT?</h3>\nThe new Bock/Cardas elliptical capsule design strives to resolve the chronic in-band resonance issues of both large and small diaphragm microphones. Round capsules have a relatively low frequency in band resonance, typically around 1K. Small diaphragm mics usually have a much higher in band resonance, typically about 15K or higher. The elliptical capsule offers the best of both, avoiding the constant distance \"edge to center\" of round capsules, reducing in band resonances dramatically and expanding the application possibilities. The ZERO capsule also has many conventional attributes such as the time tested 6 micron gold sputtered diaphragm used in the BOCK 251 and edge termination design. The capsule is hand built in very small quantities in Germany. \n<br /><br />\nThe 5-ZERO-7 also offers many other unique features. A large body microphone, it uses a 3 layer headgrille to prevent moisture (and therefore dirt) from becoming a continuing issue in the sound and long term life of the capsule and microphone. A unique tube mic amplifier was designed of very high gain, vintage 47 inspired, with David Bock hand selected parts. No negative feedback or filtering is used in this microphone to affect sound in any way. An extraordinary US handmade BOCK design four section transformer is employed to complete the audio path. <br /><br />\nThe custom BOCK power supply is designed just for this microphone and combines the best of the old with new and modern parts. It is a special inductor based design, something not seen in modern production microphones today. It offers the best combination of long term power, low noise floor and high end mic sonic performance.<br /><br />\n<h3>HOW DO I USE IT?</h3>\nThe 5-ZERO-7 microphone itself is a large body type, to give singers and artists a familiar feel in the studio to vintage mics they know and love. The fixed cardioid nature of the microphone guarantees it will always be in its most popular setting without switches and other devices to decrease long term reliability. The microphone sounds very big, utilizing a carefully crafted proximity effect for that extra deep intimacy preferred by artists and engineers alike. This sound is expected to be especially popular on male vocalists but will be expected to outperform most other mics on females as well. There will be a wide variety of color available with distance, so this will increase it’s flexibility. You will find that the 5-ZERO-7 brings something new to voices, something unavailable in any other microphone, past or present, at any price. \nThe Bock/Cardas Elliptical capsule can be fine tuned to more specific applications such as orchestra, etc.\n<br /><br />'),(3074,75,1,513,'<h1>Bock Audio 507 Condenser Microphone</h1>\nThe Bock Audio 507 Condenser Microphone is a new approach in high end microphone design for it combines new and old: a brand new unique and patent pending elliptical capsule married to a vintage inspired mic amplifier and power supply. Designed to be the ultimate in studio vocal microphones, the 507 compares favorably to the best vocal microphones, past and present.\n<br /><br />\n<h3>WHAT MAKES IT DIFFERENT?</h3>\nThe new Bock/Cardas elliptical capsule design strives to resolve the chronic in-band resonance issues of both large and small diaphragm microphones. Round capsules have a relatively low frequency in band resonance, typically around 1K. Small diaphragm mics usually have a much higher in band resonance, typically about 15K or higher. The elliptical capsule offers the best of both, avoiding the constant distance \"edge to center\" of round capsules, reducing in band resonances dramatically and expanding the application possibilities. The ZERO capsule also has many conventional attributes such as the time tested 6 micron gold sputtered diaphragm used in the BOCK 251 and edge termination design. The capsule is hand built in very small quantities in Germany. \n<br /><br />\nThe 5-ZERO-7 also offers many other unique features. A large body microphone, it uses a 3 layer headgrille to prevent moisture (and therefore dirt) from becoming a continuing issue in the sound and long term life of the capsule and microphone. A unique tube mic amplifier was designed of very high gain, vintage 47 inspired, with David Bock hand selected parts. No negative feedback or filtering is used in this microphone to affect sound in any way. An extraordinary US handmade BOCK design four section transformer is employed to complete the audio path. <br /><br />\nThe custom BOCK power supply is designed just for this microphone and combines the best of the old with new and modern parts. It is a special inductor based design, something not seen in modern production microphones today. It offers the best combination of long term power, low noise floor and high end mic sonic performance.<br /><br />\n<h3>HOW DO I USE IT?</h3>\nThe 5-ZERO-7 microphone itself is a large body type, to give singers and artists a familiar feel in the studio to vintage mics they know and love. The fixed cardioid nature of the microphone guarantees it will always be in its most popular setting without switches and other devices to decrease long term reliability. The microphone sounds very big, utilizing a carefully crafted proximity effect for that extra deep intimacy preferred by artists and engineers alike. This sound is expected to be especially popular on male vocalists but will be expected to outperform most other mics on females as well. There will be a wide variety of color available with distance, so this will increase it’s flexibility. You will find that the 5-ZERO-7 brings something new to voices, something unavailable in any other microphone, past or present, at any price. \nThe Bock/Cardas Elliptical capsule can be fine tuned to more specific applications such as orchestra, etc.\n<br /><br />'),(3075,85,0,513,'Bock Audio 5ZERO7 Condenser Microphone'),(3076,85,1,513,'Bock Audio 5ZERO7 Condenser Microphone'),(3077,76,0,513,''),(3078,76,1,513,''),(3079,75,0,514,'<h1>Bock Audio iFet Condenser Microphone</h1>\nThe iFet is a phantom powered FET condenser mic designed to capture the high SPL handling and sound of the classic fet47. The unique sonic signature of this mic is not easily replaced by modern microphone alternatives. To increase the value and versatility of the iFet, Bock added a second set of FET electronics for a second “sound”, accessed via a switch.\n<br/><br/>\n<h3>WHAT MAKES IT DIFFERENT?</h3>\nThe iFet has two different sets of electronics (mic amplifiers) sharing a K47 type capsule and large core specially designed Bock output transformer. These two “modes” of the Bock iFet offer two distinctly different sounds in one mic: the ideal FET mic for kick drums and a classic FET vocal mic for a wide variety of voices.\n<br/><br/>\n•The “I” mode employs a classic high SPL Class A discrete electronic package (one FET and four transistors) with improved HF and LF extension. The goal of the Bock iFet is to deliver the essential dynamic characteristics of the classic high SPL FET mic but offer a better top end and deeper bass than was possible in vintage days.<br/><br/>\n•The \"V\" vocal mode is a Class A adaption of a km84 circuit offering a simpler single path (one FET) and a warmer more intimate vocal sound. This amp has 4dB more sensitivity for lower SPL sources such as vocals. This is a beautiful sounding vocal mic!<br/><br/>\n<h3>HOW DO I USE IT?</h3>\nAlways mute the mic when switching between V or I modes to avoid hearing a loud POP. Switching the mode means you are simultaneously switching the input and output of the mic’s dual set of electronics!\n<br/><br/>\nFor vocals or lower SPL sources, start with the \"V\" mode and use the proximity effect to taste. Bock’s V mode offers a classic vocal mic sound that’s \"warmer\" and not overly bright.<br/><br/>\nFor kick drums and other high SPL sources, try the \"I\" mode. This classic FET sound may be used close up on a kick drum, snare drum, toms, bass amp, or super-loud vocalist.<br/><br/>'),(3080,75,1,514,'<h1>Bock Audio iFet Condenser Microphone</h1>\nThe iFet is a phantom powered FET condenser mic designed to capture the high SPL handling and sound of the classic fet47. The unique sonic signature of this mic is not easily replaced by modern microphone alternatives. To increase the value and versatility of the iFet, Bock added a second set of FET electronics for a second “sound”, accessed via a switch.\n<br/><br/>\n<h3>WHAT MAKES IT DIFFERENT?</h3>\nThe iFet has two different sets of electronics (mic amplifiers) sharing a K47 type capsule and large core specially designed Bock output transformer. These two “modes” of the Bock iFet offer two distinctly different sounds in one mic: the ideal FET mic for kick drums and a classic FET vocal mic for a wide variety of voices.\n<br/><br/>\n•The “I” mode employs a classic high SPL Class A discrete electronic package (one FET and four transistors) with improved HF and LF extension. The goal of the Bock iFet is to deliver the essential dynamic characteristics of the classic high SPL FET mic but offer a better top end and deeper bass than was possible in vintage days.<br/><br/>\n•The \"V\" vocal mode is a Class A adaption of a km84 circuit offering a simpler single path (one FET) and a warmer more intimate vocal sound. This amp has 4dB more sensitivity for lower SPL sources such as vocals. This is a beautiful sounding vocal mic!<br/><br/>\n<h3>HOW DO I USE IT?</h3>\nAlways mute the mic when switching between V or I modes to avoid hearing a loud POP. Switching the mode means you are simultaneously switching the input and output of the mic’s dual set of electronics!\n<br/><br/>\nFor vocals or lower SPL sources, start with the \"V\" mode and use the proximity effect to taste. Bock’s V mode offers a classic vocal mic sound that’s \"warmer\" and not overly bright.<br/><br/>\nFor kick drums and other high SPL sources, try the \"I\" mode. This classic FET sound may be used close up on a kick drum, snare drum, toms, bass amp, or super-loud vocalist.<br/><br/>'),(3081,85,0,514,'Bock Audio iFet Condenser Microphone'),(3082,85,1,514,'Bock Audio iFet Condenser Microphone'),(3083,76,0,514,''),(3084,76,1,514,''),(3085,75,0,515,'<h1>Brauner Phanthera Condenser Microphone</h1>\nThe Phanthera is the impressive proof that a phantom powered non-tube microphone can sound amazingly close to a real tube microphone. With the Phanthera, Brauner expanded its product portfolio to include a reference quality microphone which could stand beside the sound characteristics of the coveted tube models VMA and VMX. The results speak for themselves.\n<br /><br />\nExperience vocal recordings with an intensity and liveliness never heard before. The particular sound of a sonic event is highlighted in a subtle manner. Totally unobtrusively, almost imperceptibly, it creates finely elaborate and highly nuanced sonic details. Narration recordings also have clear gains in proximity and plasticity. So you instantly have a result with convincing quality without time-consuming postproduction. Instrumental recordings with the Phanthera stand out due to the enormous detail resolution and first-class transient response.<br /><br />\nThe Phanthera clearly represents a further milestone in the art of microphones.'),(3086,75,1,515,'<h1>Brauner Phanthera Condenser Microphone</h1>\nThe Phanthera is the impressive proof that a phantom powered non-tube microphone can sound amazingly close to a real tube microphone. With the Phanthera, Brauner expanded its product portfolio to include a reference quality microphone which could stand beside the sound characteristics of the coveted tube models VMA and VMX. The results speak for themselves.\n<br /><br />\nExperience vocal recordings with an intensity and liveliness never heard before. The particular sound of a sonic event is highlighted in a subtle manner. Totally unobtrusively, almost imperceptibly, it creates finely elaborate and highly nuanced sonic details. Narration recordings also have clear gains in proximity and plasticity. So you instantly have a result with convincing quality without time-consuming postproduction. Instrumental recordings with the Phanthera stand out due to the enormous detail resolution and first-class transient response.<br /><br />\nThe Phanthera clearly represents a further milestone in the art of microphones.'),(3087,85,0,515,'Brauner Phanthera Condenser Microphone'),(3088,85,1,515,'Brauner Phanthera Condenser Microphone'),(3089,76,0,515,''),(3090,76,1,515,''),(3091,75,0,516,'<h1>Brauner Phanthera V Condenser Microphone</h1>\nThe Brauner Phanthera V condesner microphone impresses with the same qualities as its cardioid only counterpart, bringing along a lively and intense sound quality and highlighting the sonic aspects of the source material in a subtle manner. In addition to the cardioid directivity, it also allows to record in omni or bidirectional mode with a simple switch and thus adapting it to different recording situations. Using the omnidirectional characteristics, ambience as well as soloists or even big orchestras are captured true-to-life because the sonic environment is also authentically reproduced.<br /><br />\nFor simultaneous stereo recording with a second microphone in XY or MS configuration bidirectional characteristics are available. An additional switchable attenuator reduces the output level of the microphone by 10 dB, providing further valuable dynamic range where necessary. This makes the Phanthera V a versatile professional tool for almost every recording situation.<br /><br />'),(3092,75,1,516,'<h1>Brauner Phanthera V Condenser Microphone</h1>\nThe Brauner Phanthera V condesner microphone impresses with the same qualities as its cardioid only counterpart, bringing along a lively and intense sound quality and highlighting the sonic aspects of the source material in a subtle manner. In addition to the cardioid directivity, it also allows to record in omni or bidirectional mode with a simple switch and thus adapting it to different recording situations. Using the omnidirectional characteristics, ambience as well as soloists or even big orchestras are captured true-to-life because the sonic environment is also authentically reproduced.<br /><br />\nFor simultaneous stereo recording with a second microphone in XY or MS configuration bidirectional characteristics are available. An additional switchable attenuator reduces the output level of the microphone by 10 dB, providing further valuable dynamic range where necessary. This makes the Phanthera V a versatile professional tool for almost every recording situation.<br /><br />'),(3093,85,0,516,'Brauner Phanthera V Condenser Microphone'),(3094,85,1,516,'Brauner Phanthera V Condenser Microphone'),(3095,76,0,516,''),(3096,76,1,516,''),(3097,75,0,517,'<h1>Brauner Phantom Classic Condenser Microphone</h1>\n\nThe Brauner Phantom Classic condenser microphone, like its predecessor the Phantom C (Cardioid), embodies reduction to the absolutely essential without compromise in performance.<br><br>\nThe design philosophy of this large diaphragm FET microphone - which works purely in cardioid characteristic, guarantees a sound quality otherwise found only in our tube microphones. Its capsule is based on the ideal of the VM1 giving the Phantom C a very natural and pristine sound character.<br><br>\nThe Phantom’s success was most recently augmented through the release of the limited edition Phantom AE (anniversary edition). This edition was released to mark the occasion of the company’s 10-year anniversary and was comprised of 1000 nickel colored as well as 1000 black microphones. After the paramount success of the limited Phantom anniversary series, we now deliver the legitimate successor of the Phantom C with the Phantom Classic.<br><br>'),(3098,75,1,517,'<h1>Brauner Phantom Classic Condenser Microphone</h1>\n\nThe Brauner Phantom Classic condenser microphone, like its predecessor the Phantom C (Cardioid), embodies reduction to the absolutely essential without compromise in performance.<br><br>\nThe design philosophy of this large diaphragm FET microphone - which works purely in cardioid characteristic, guarantees a sound quality otherwise found only in our tube microphones. Its capsule is based on the ideal of the VM1 giving the Phantom C a very natural and pristine sound character.<br><br>\nThe Phantom’s success was most recently augmented through the release of the limited edition Phantom AE (anniversary edition). This edition was released to mark the occasion of the company’s 10-year anniversary and was comprised of 1000 nickel colored as well as 1000 black microphones. After the paramount success of the limited Phantom anniversary series, we now deliver the legitimate successor of the Phantom C with the Phantom Classic.<br><br>'),(3099,85,0,517,'Brauner Phantom Classic Condenser Microphone'),(3100,85,1,517,'Brauner Phantom Classic Condenser Microphone'),(3101,76,0,517,''),(3102,76,1,517,''),(3103,75,0,518,'<h1>Brauner Phantom V Condenser Microphone</h1>\n\nThe Brauner Phantom V (variable) is a phantom powered large diaphragm FET microphone was the next logical development step in keeping with our product philosophy. It was developed based on the circuit design of the VM1 and also utilizes its capsule as well.<br /><br />\nSmall differences can mean a lot in a recording environment, whether it is the freedom to choose the most suitable directional characteristic (omnidirectional, cardioid or bi-directional), or to expand the dynamic range by 10 dB in case it becomes louder than expected.<br /><br />\nStepping aside and leaving the limelight to others, allowing the necessary room for the sound event to fully unfold and become a sound experience. The Phantom V is a microphone in the best Brauner tradition.<br /><br />\nIf you are looking for a unique microphone with its own unique character, look no further than the Phantom V. As the first of Brauner’s phantom powered microphones, the Phantom V offers maximum application flexibility and is therefore useful in a variety of situations.<br /><br />'),(3104,75,1,518,'<h1>Brauner Phantom V Condenser Microphone</h1>\n\nThe Brauner Phantom V (variable) is a phantom powered large diaphragm FET microphone was the next logical development step in keeping with our product philosophy. It was developed based on the circuit design of the VM1 and also utilizes its capsule as well.<br /><br />\nSmall differences can mean a lot in a recording environment, whether it is the freedom to choose the most suitable directional characteristic (omnidirectional, cardioid or bi-directional), or to expand the dynamic range by 10 dB in case it becomes louder than expected.<br /><br />\nStepping aside and leaving the limelight to others, allowing the necessary room for the sound event to fully unfold and become a sound experience. The Phantom V is a microphone in the best Brauner tradition.<br /><br />\nIf you are looking for a unique microphone with its own unique character, look no further than the Phantom V. As the first of Brauner’s phantom powered microphones, the Phantom V offers maximum application flexibility and is therefore useful in a variety of situations.<br /><br />'),(3105,85,0,518,'Brauner Phantom V Condenser Microphone'),(3106,85,1,518,'Brauner Phantom V Condenser Microphone'),(3107,76,0,518,''),(3108,76,1,518,''),(3109,75,0,519,'<h1>Brauner Valvet Condenser Microphone</h1>\n\nThe Brauner Valvet is a tube microphone based on the already legendary VM1, which provides a unique, finely balanced character.Our objective with the Valvet was to create a tube microphone that would be ideally suited to be used as a spot microphone through small construction and the use of a newly developed microphone suspension. <br /><br />\nThe Valvet produces excellent recordings even under difficult acoustic conditions due to its directional characteristics, leaning slightly towards hyper-cardioid while maintaining a high level of back rejection. In omni though, it becomes the perfect choice for ambience recordings. In 1999, the Valvet received the SSAIR Award for best microphone in its category as the VM1 did the year before.<br /><br />\nThe Valvet, boasting the same naturalness and openness as the VM1, produces recordings with wonderful spatial qualities and pleasing proximity and warmth. The Valvet uses the most common directional characteristics - omni and cardioid - and has a phase reverse switch for the use with non-standard pre-amplifiers.<br /><br />'),(3110,75,1,519,'<h1>Brauner Valvet Condenser Microphone</h1>\n\nThe Brauner Valvet is a tube microphone based on the already legendary VM1, which provides a unique, finely balanced character.Our objective with the Valvet was to create a tube microphone that would be ideally suited to be used as a spot microphone through small construction and the use of a newly developed microphone suspension. <br /><br />\nThe Valvet produces excellent recordings even under difficult acoustic conditions due to its directional characteristics, leaning slightly towards hyper-cardioid while maintaining a high level of back rejection. In omni though, it becomes the perfect choice for ambience recordings. In 1999, the Valvet received the SSAIR Award for best microphone in its category as the VM1 did the year before.<br /><br />\nThe Valvet, boasting the same naturalness and openness as the VM1, produces recordings with wonderful spatial qualities and pleasing proximity and warmth. The Valvet uses the most common directional characteristics - omni and cardioid - and has a phase reverse switch for the use with non-standard pre-amplifiers.<br /><br />'),(3111,85,0,519,'Brauner Valvet Condenser Microphone'),(3112,85,1,519,'Brauner Valvet Condenser Microphone'),(3113,76,0,519,''),(3114,76,1,519,''),(3115,75,0,520,'<h1>Brauner Valvet X Condenser Microphone</h1>\n\nThe Valvet X condenser microphone is a dedicated cardioid only microphone which really unites these precious attributes within a microphone unparalleled in its class and pricepoint.<br /><br />\nThe Valvet X offers all of the german craftsmenship and technical perfection that made Brauner Microphones world famous. Only finest materials make it into a Brauner. Our engineers sculptured the sonic character of the Valvet X in great detail, performing hours of extensive listening tests to yield a result that will definitely floor you. Its pristine and silky black finish also makes it a real eyecatcher. If you\'re looking for the real thing - here you go!<br /><br />'),(3116,75,1,520,'<h1>Brauner Valvet X Condenser Microphone</h1>\n\nThe Valvet X condenser microphone is a dedicated cardioid only microphone which really unites these precious attributes within a microphone unparalleled in its class and pricepoint.<br /><br />\nThe Valvet X offers all of the german craftsmenship and technical perfection that made Brauner Microphones world famous. Only finest materials make it into a Brauner. Our engineers sculptured the sonic character of the Valvet X in great detail, performing hours of extensive listening tests to yield a result that will definitely floor you. Its pristine and silky black finish also makes it a real eyecatcher. If you\'re looking for the real thing - here you go!<br /><br />'),(3117,85,0,520,'Brauner Valvet X Condenser Microphone'),(3118,85,1,520,'Brauner Valvet X Condenser Microphone'),(3119,76,0,520,''),(3120,76,1,520,''),(3121,75,0,521,'<h1>Brauner VM1 Condenser Microphone</h1>\n\nThe VM1 was the fulfillment of Dirk Brauner’s dream to build his vision of the perfect sounding tube microphone. A microphone that captures the spirit of the classic vintage tube microphones and at the same time, meets the high technical standards of today’s modern microphones. The VM1 was awarded the SSAIR Award in 1998, marking the beginning of a tradition of excellence in design philosophy, engineering and precision.<br><br>\nIn our humble opinion, no other microphone has played a greater role in the renaissance of the tube microphone. As the archetype of all Brauner microphones it continues to serve as the inspiration for all Brauner products. The VM1 has a completely natural, modern sound with the highest resolution of sonic detail. Its transparent open character is predestined for vocal and instrumental recordings and is the first choice microphone of top artists and sound engineers all over the world.<br><br>\nThe power supply of the VM1 allows infinite adjustments of the directional characteristics as well as a 10 dB reduction through a switchable attenuator.<br><br>'),(3122,75,1,521,'<h1>Brauner VM1 Condenser Microphone</h1>\n\nThe VM1 was the fulfillment of Dirk Brauner’s dream to build his vision of the perfect sounding tube microphone. A microphone that captures the spirit of the classic vintage tube microphones and at the same time, meets the high technical standards of today’s modern microphones. The VM1 was awarded the SSAIR Award in 1998, marking the beginning of a tradition of excellence in design philosophy, engineering and precision.<br><br>\nIn our humble opinion, no other microphone has played a greater role in the renaissance of the tube microphone. As the archetype of all Brauner microphones it continues to serve as the inspiration for all Brauner products. The VM1 has a completely natural, modern sound with the highest resolution of sonic detail. Its transparent open character is predestined for vocal and instrumental recordings and is the first choice microphone of top artists and sound engineers all over the world.<br><br>\nThe power supply of the VM1 allows infinite adjustments of the directional characteristics as well as a 10 dB reduction through a switchable attenuator.<br><br>'),(3123,85,0,521,'Brauner VM1 Condenser Microphone'),(3124,85,1,521,'Brauner VM1 Condenser Microphone'),(3125,76,0,521,''),(3126,76,1,521,''),(3127,75,0,522,'<h1>Brauner VM1 Pure Cardioid Condenser Microphone</h1>\n\nThe \"pure cardioid\" series was started in late 2008 when we released the Valvet X pure cardioid which also completed the charming sounding microphones with a counterpart to the natural sounding Valvet. Just in time for the Musikmesse fair 2009 we are now going to release \"pure cardioid\" models of VM1 and VMX microphones.<br><br>\nContinuing the \"pure cardioid\" series we distill the essence of our successful tube microphones VM1 and VMX into two new models with a cardioid pattern only. Keeping the well-known high-class look & feel, these two new microphones show their exceptional qualities in solo recordings and achieve an even better self noise due to their fixed pattern. Their attractive price appeals to home studio enthusiasts all the way to the most demanding audio purists who do not require the variable patterns offered in the classic VM1 or VMX, and simultaneously make no compromises in sound quality.<br><br>\nAll \"pure cardioid\" microphones are shipped in a sturdy aluminium case with power supply, VOVOX TubeLink cable and an elastic suspension.<br><br>'),(3128,75,1,522,'<h1>Brauner VM1 Pure Cardioid Condenser Microphone</h1>\n\nThe \"pure cardioid\" series was started in late 2008 when we released the Valvet X pure cardioid which also completed the charming sounding microphones with a counterpart to the natural sounding Valvet. Just in time for the Musikmesse fair 2009 we are now going to release \"pure cardioid\" models of VM1 and VMX microphones.<br><br>\nContinuing the \"pure cardioid\" series we distill the essence of our successful tube microphones VM1 and VMX into two new models with a cardioid pattern only. Keeping the well-known high-class look & feel, these two new microphones show their exceptional qualities in solo recordings and achieve an even better self noise due to their fixed pattern. Their attractive price appeals to home studio enthusiasts all the way to the most demanding audio purists who do not require the variable patterns offered in the classic VM1 or VMX, and simultaneously make no compromises in sound quality.<br><br>\nAll \"pure cardioid\" microphones are shipped in a sturdy aluminium case with power supply, VOVOX TubeLink cable and an elastic suspension.<br><br>'),(3129,85,0,522,'Brauner VM1 Pure Cardioid Condenser Microphone'),(3130,85,1,522,'Brauner VM1 Pure Cardioid Condenser Microphone'),(3131,76,0,522,''),(3132,76,1,522,''),(3133,75,0,523,'<h1>Brauner VM1S Condenser Microphone</h1>\nThe VM1S is the stereo version of the VM1. It is currently, without doubt, the most intricate of all Brauner microphones. It unites two identical VM1 microphones, precisely matched to each other, in a single housing. It is a design that answers every wish of a stereo microphone. The VM1S enables control of the directional characteristics of both microphones even though they are in the same housing.\n<br /><br />\nThis unique approach allows independent usage of each microphone, through separate internal power supplies thus enabling the VM1S to be used as a single microphone. Moreover, when used in stereo mode the highest possible crosstalk rejection is also achieved. The range of its applications is therefore extremely wide. Whether it is used as the main microphone in classic MS or XY configurations, or as a stereo microphone for the recording of a soloist, choir or instrumental soloist, the VM1S is equally up to the task.<br /><br />\nExperience the finest tonal details, more naturally and alive than you ever have before. Experience one of the world’s greatest microphone legends in stereo!<br />'),(3134,75,1,523,'<h1>Brauner VM1S Condenser Microphone</h1>\nThe VM1S is the stereo version of the VM1. It is currently, without doubt, the most intricate of all Brauner microphones. It unites two identical VM1 microphones, precisely matched to each other, in a single housing. It is a design that answers every wish of a stereo microphone. The VM1S enables control of the directional characteristics of both microphones even though they are in the same housing.\n<br /><br />\nThis unique approach allows independent usage of each microphone, through separate internal power supplies thus enabling the VM1S to be used as a single microphone. Moreover, when used in stereo mode the highest possible crosstalk rejection is also achieved. The range of its applications is therefore extremely wide. Whether it is used as the main microphone in classic MS or XY configurations, or as a stereo microphone for the recording of a soloist, choir or instrumental soloist, the VM1S is equally up to the task.<br /><br />\nExperience the finest tonal details, more naturally and alive than you ever have before. Experience one of the world’s greatest microphone legends in stereo!<br />'),(3135,85,0,523,'Brauner VM1S Condenser Microphone'),(3136,85,1,523,'Brauner VM1S Condenser Microphone'),(3137,76,0,523,''),(3138,76,1,523,''),(3139,75,0,524,'<h1>Brauner VMA Condenser Microphone</h1>\n\nMore realism or rather more character in the reproduction? Normally a question such as this implies a choice between two completely different microphones. This question is no problem for the VMA, it unites these two basic sound characters in one. Through simple switching, you can select between the very natural transparent sound of the VM1 or the markedly full character sound of the VMX, thus you actually have two different Brauner microphones in one single body enabling in essence the sound of a VM1 or a VMX.<br><br>\nIn the development of the VMA, valuable feedback and input on the tonal qualities of the microphone from some of the world’s most highly regarded sound engineers was incorporated. The VMA thereby represents the essence of more than 10 years experience with our flagship model, the VM1. Paired with the possibility of switching to the VMX mode, the VMA is an outstanding achievement in tube microphone design. The adjustments of the directional characteristics, as in the VM1, are infinite and therefore enable superior flexibility.<br><br>\nThe VMA marks a milestone in modern microphone technology.<br><br>'),(3140,75,1,524,'<h1>Brauner VMA Condenser Microphone</h1>\n\nMore realism or rather more character in the reproduction? Normally a question such as this implies a choice between two completely different microphones. This question is no problem for the VMA, it unites these two basic sound characters in one. Through simple switching, you can select between the very natural transparent sound of the VM1 or the markedly full character sound of the VMX, thus you actually have two different Brauner microphones in one single body enabling in essence the sound of a VM1 or a VMX.<br><br>\nIn the development of the VMA, valuable feedback and input on the tonal qualities of the microphone from some of the world’s most highly regarded sound engineers was incorporated. The VMA thereby represents the essence of more than 10 years experience with our flagship model, the VM1. Paired with the possibility of switching to the VMX mode, the VMA is an outstanding achievement in tube microphone design. The adjustments of the directional characteristics, as in the VM1, are infinite and therefore enable superior flexibility.<br><br>\nThe VMA marks a milestone in modern microphone technology.<br><br>'),(3141,85,0,524,'Brauner VMA Condenser Microphone'),(3142,85,1,524,'Brauner VMA Condenser Microphone'),(3143,76,0,524,''),(3144,76,1,524,''),(3145,75,0,525,'<h1>Brauner VMX Condenser Microphone</h1>\n\nWhereas the VM1 represents the natural sounding part of the VMA (which combines two microphones in one), the VMX offers the full character sound of the VMA in a single microphone and yields highest detailed resolution with a soft and silky top end. Slight accentuation of the low mid and bottom end as well as a soft upper mid range grant this reference quality tube microphone a unique and completely charming sonic character.<br><br>\nThe VMX excels in vocal and narration recordings through its well-balanced tonal appearance and pleasant proximity. It adds its own character without recognizably tainting the sound source. The VMX is also eminently suitable for instrumental recordings, through the reproduction of the finest details; giving string instruments for example the noticeable appearance of vicinity and warmth. Maximum flexibility in the fine-tuning of the respective recording is achieved through the possibility of infinitely adjustable directional characteristics.<br><br>'),(3146,75,1,525,'<h1>Brauner VMX Condenser Microphone</h1>\n\nWhereas the VM1 represents the natural sounding part of the VMA (which combines two microphones in one), the VMX offers the full character sound of the VMA in a single microphone and yields highest detailed resolution with a soft and silky top end. Slight accentuation of the low mid and bottom end as well as a soft upper mid range grant this reference quality tube microphone a unique and completely charming sonic character.<br><br>\nThe VMX excels in vocal and narration recordings through its well-balanced tonal appearance and pleasant proximity. It adds its own character without recognizably tainting the sound source. The VMX is also eminently suitable for instrumental recordings, through the reproduction of the finest details; giving string instruments for example the noticeable appearance of vicinity and warmth. Maximum flexibility in the fine-tuning of the respective recording is achieved through the possibility of infinitely adjustable directional characteristics.<br><br>'),(3147,85,0,525,'Brauner VMX Condenser Microphone'),(3148,85,1,525,'Brauner VMX Condenser Microphone'),(3149,76,0,525,''),(3150,76,1,525,''),(3151,75,0,526,'<h1>Brauner VMX Pure Cardioid Condenser Microphone</h1>\nThe \"pure cardioid\" series was started in late 2008 when we released the Valvet X pure cardioid which also completed the charming sounding microphones with a counterpart to the natural sounding Valvet. Just in time for the Musikmesse fair 2009 we are now going to release \"pure cardioid\" models of VM1 and VMX microphones.\n<br /><br />\nContinuing the \"pure cardioid\" series we distill the essence of our successful tube microphones VM1 and VMX into two new models with a cardioid pattern only. Keeping the well-known high-class look & feel, these two new microphones show their exceptional qualities in solo recordings and achieve an even better self noise due to their fixed pattern. Their attractive price appeals to home studio enthusiasts all the way to the most demanding audio purists who do not require the variable patterns offered in the classic VM1 or VMX, and simultaneously make no compromises in sound quality.<br /><br />\nAll \"pure cardioid\" microphones are shipped in a sturdy aluminium case with power supply, VOVOX TubeLink cable and an elastic suspension.<br /><br />'),(3152,75,1,526,'<h1>Brauner VMX Pure Cardioid Condenser Microphone</h1>\nThe \"pure cardioid\" series was started in late 2008 when we released the Valvet X pure cardioid which also completed the charming sounding microphones with a counterpart to the natural sounding Valvet. Just in time for the Musikmesse fair 2009 we are now going to release \"pure cardioid\" models of VM1 and VMX microphones.\n<br /><br />\nContinuing the \"pure cardioid\" series we distill the essence of our successful tube microphones VM1 and VMX into two new models with a cardioid pattern only. Keeping the well-known high-class look & feel, these two new microphones show their exceptional qualities in solo recordings and achieve an even better self noise due to their fixed pattern. Their attractive price appeals to home studio enthusiasts all the way to the most demanding audio purists who do not require the variable patterns offered in the classic VM1 or VMX, and simultaneously make no compromises in sound quality.<br /><br />\nAll \"pure cardioid\" microphones are shipped in a sturdy aluminium case with power supply, VOVOX TubeLink cable and an elastic suspension.<br /><br />'),(3153,85,0,526,'Brauner VMX Pure Cardioid Condenser Microphone'),(3154,85,1,526,'Brauner VMX Pure Cardioid Condenser Microphone'),(3155,76,0,526,''),(3156,76,1,526,''),(3157,75,0,527,'The new Bricasti Design Model 10 remote console is a dedicated hardware remote controller for use with the M7 stereo reverb processor. Following the same design criteria as the M7, the M10 casing is manufactured and milled from solid anodized aluminum, for an enduring design and long life. The M10 is also designed to be simple to use, and easy to interface; utilizing a standard RS422 serial interface. In application, it can be very useful when using more than one M7 or when there is a need to be more in the sweet spot when making adjustments in a large mixing environment.'),(3158,75,1,527,'The new Bricasti Design Model 10 remote console is a dedicated hardware remote controller for use with the M7 stereo reverb processor. Following the same design criteria as the M7, the M10 casing is manufactured and milled from solid anodized aluminum, for an enduring design and long life. The M10 is also designed to be simple to use, and easy to interface; utilizing a standard RS422 serial interface. In application, it can be very useful when using more than one M7 or when there is a need to be more in the sweet spot when making adjustments in a large mixing environment.'),(3159,85,0,527,'Bricasti Model 10 Reverb Remote Console'),(3160,85,1,527,'Bricasti Model 10 Reverb Remote Console'),(3161,76,0,527,''),(3162,76,1,527,''),(3163,75,0,528,'The new Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, and is intended to be used in conjunction with the M10 Remote Console. As it is necessary to have an M10 for control, the M7M is made available bundled together with the M10 in several different configurations, with one or more M7Ms, and is offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup without duplicating unnecessary user interface controls. Pictured is our System 1, the M10 with one M7M that can be used as a stand alone product or added to your M7, adding more processing and remote capabilities to your studio.'),(3164,75,1,528,'The new Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, and is intended to be used in conjunction with the M10 Remote Console. As it is necessary to have an M10 for control, the M7M is made available bundled together with the M10 in several different configurations, with one or more M7Ms, and is offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup without duplicating unnecessary user interface controls. Pictured is our System 1, the M10 with one M7M that can be used as a stand alone product or added to your M7, adding more processing and remote capabilities to your studio.'),(3165,85,0,528,'Bricasti Model 7 Mainframe Stereo Reverb Processor'),(3166,85,1,528,'Bricasti Model 7 Mainframe Stereo Reverb Processor'),(3167,76,0,528,''),(3168,76,1,528,''),(3169,75,0,529,'The Bricasti Design Model 7 provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation. A modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of it\'s kind. An exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future. Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.'),(3170,75,1,529,'The Bricasti Design Model 7 provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation. A modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of it\'s kind. An exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future. Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.'),(3171,85,0,529,'Bricasti Model 7 Stereo Reverb Processor'),(3172,85,1,529,'Bricasti Model 7 Stereo Reverb Processor'),(3173,76,0,529,''),(3174,76,1,529,''),(3175,75,0,530,'The new Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, and is intended to be used in conjunction with the M10 Remote Console. As it is necessary to have an M10 for control, the M7M is made available bundled together with the M10 in several different configurations, with one or more M7Ms, and is offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup without duplicating unnecessary user interface controls. Pictured is the System 2, the M10 with (2) two M7Ms, adding more processing and remote capabilities to your studio.'),(3176,75,1,530,'The new Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, and is intended to be used in conjunction with the M10 Remote Console. As it is necessary to have an M10 for control, the M7M is made available bundled together with the M10 in several different configurations, with one or more M7Ms, and is offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup without duplicating unnecessary user interface controls. Pictured is the System 2, the M10 with (2) two M7Ms, adding more processing and remote capabilities to your studio.'),(3177,85,0,530,'Bricasti System 2 Reverb System'),(3178,85,1,530,'Bricasti System 2 Reverb System'),(3179,76,0,530,''),(3180,76,1,530,''),(3181,75,0,531,'The new Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, and is intended to be used in conjunction with the M10 Remote Console. As it is necessary to have an M10 for control, the M7M is made available bundled together with the M10 in several different configurations, with one or more M7Ms, and is offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup without duplicating unnecessary user interface controls. Pictured is the System 3, the M10 with (3) three M7Ms, adding more processing and remote capabilities to your studio.'),(3182,75,1,531,'The new Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, and is intended to be used in conjunction with the M10 Remote Console. As it is necessary to have an M10 for control, the M7M is made available bundled together with the M10 in several different configurations, with one or more M7Ms, and is offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup without duplicating unnecessary user interface controls. Pictured is the System 3, the M10 with (3) three M7Ms, adding more processing and remote capabilities to your studio.'),(3183,85,0,531,'Bricasti System 3 Reverb System'),(3184,85,1,531,'Bricasti System 3 Reverb System'),(3185,76,0,531,''),(3186,76,1,531,''),(3187,75,0,532,'The new Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, and is intended to be used in conjunction with the M10 Remote Console. As it is necessary to have an M10 for control, the M7M is made available bundled together with the M10 in several different configurations, with one or more M7Ms, and is offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup without duplicating unnecessary user interface controls. Pictured is the System 4, the M10 with (4) four M7Ms, adding more processing and remote capabilities to your studio.'),(3188,75,1,532,'The new Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, and is intended to be used in conjunction with the M10 Remote Console. As it is necessary to have an M10 for control, the M7M is made available bundled together with the M10 in several different configurations, with one or more M7Ms, and is offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup without duplicating unnecessary user interface controls. Pictured is the System 4, the M10 with (4) four M7Ms, adding more processing and remote capabilities to your studio.'),(3189,85,0,532,'Bricasti System 4 Reverb System'),(3190,85,1,532,'Bricasti System 4 Reverb System'),(3191,76,0,532,''),(3192,76,1,532,''),(3193,75,0,533,'<h1>Burl Audio B1 500 Series Mic Pre</h1>\n<div>\n	<i>The Burl B1 500 series mic pre features Burl\'s proprietary BX3 input transformer and BX2 nickel output transformer</i>\n</div>\n<br />\n<div>\n	<div>\n		Step Back – Here come the B1 and B1D… Introducing the B1 and B1D MICROPHONE PRE AMPS from BURL AUDIO. Based on the API 500 series form factor, the B1 is meant to compliment the B2 BOMBER ADC and the B80 MOTHERSHIP and will give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 MIC PRE delivers warmth with depth and clarity. <br /><br />The B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1 amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\n	</div>\n	<div>\n		<br />The B1 and B1D come complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 was rigorously tested with the popular Royer R-121 in the low impedance setting, and we think it sounds pretty f***ing bitchin’’ on guitar amps.\n	</div>\n	<div>\n		<br />The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon. Use the B1’s 1/4” instrument/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there. Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that’s about all you will need.\n	</div>\n</div>\n<br />\n<h3>Burl B1 Mic Pre Features</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">BURL custom BX3 input transformer</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">BURL custom BX2 nickel </span>output transformer</li>\n	<li><span style=\"letter-spacing: 0px;\">audiophile, discrete, class-A, direct-coupled, capacitor free circuit path</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">stepped gain control</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">independent output level control</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">70 dB gain</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">impedance select</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">1/4” front panel DI input</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">30 dB pad for hot signals and balanced line level input</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">phantom power</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">phase reverse</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">tri-colored gain level indication</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">Love and Thunder!</span></li>\n</ul>\n<br />\n<h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3>'),(3194,75,1,533,'<h1>Burl Audio B1 500 Series Mic Pre</h1>\n<div>\n	<i>The Burl B1 500 series mic pre features Burl\'s proprietary BX3 input transformer and BX2 nickel output transformer</i>\n</div>\n<br />\n<div>\n	<div>\n		Step Back – Here come the B1 and B1D… Introducing the B1 and B1D MICROPHONE PRE AMPS from BURL AUDIO. Based on the API 500 series form factor, the B1 is meant to compliment the B2 BOMBER ADC and the B80 MOTHERSHIP and will give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 MIC PRE delivers warmth with depth and clarity. <br /><br />The B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1 amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\n	</div>\n	<div>\n		<br />The B1 and B1D come complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 was rigorously tested with the popular Royer R-121 in the low impedance setting, and we think it sounds pretty f***ing bitchin’’ on guitar amps.\n	</div>\n	<div>\n		<br />The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon. Use the B1’s 1/4” instrument/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there. Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that’s about all you will need.\n	</div>\n</div>\n<br />\n<h3>Burl B1 Mic Pre Features</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px;\">BURL custom BX3 input transformer</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">BURL custom BX2 nickel </span>output transformer</li>\n	<li><span style=\"letter-spacing: 0px;\">audiophile, discrete, class-A, direct-coupled, capacitor free circuit path</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">stepped gain control</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">independent output level control</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">70 dB gain</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">impedance select</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">1/4” front panel DI input</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">30 dB pad for hot signals and balanced line level input</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">phantom power</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">phase reverse</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">tri-colored gain level indication</span></li>\n	<li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">Love and Thunder!</span></li>\n</ul>\n<br />\n<h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3>'),(3195,85,0,533,'Burl Audio B1 Microphone Pre Amp'),(3196,85,1,533,'Burl Audio B1 Microphone Pre Amp'),(3197,76,0,533,''),(3198,76,1,533,''),(3199,75,0,534,'<h1>Burl Audio B16 Mothership 16-Channel Configurable AD/DA Interface</h1>\n<div>\n	<i>The B16 Mothership bridges the analog to digital gap.</i>\n</div>\n<br />\n<div>\n	<div>\n		The Burl Audio B16 Mothership is a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog, class-A circuitry. The result is not only heard, it is felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source.\n		<br /><br />Using a card based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 daughter card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4.\n	</div>\n	<div>\n		<br />For anyone who has yearned for a Mothership in a smaller format, this is a dream come true. A typical setup is an 8 in, 8 out system, but it can also be configured as a 16 input tracking system, or a 16-output portable mix rig. If needed, you can also use either the BAES4 card with 4 channels of AES in and out per card, or the BCLK card, which distributes 8 word clock outputs per card.\n	</div>\n	<div>\n		<br />Digital interconnect is also completely configurable, and controlled by a swappable Motherboard. Burl Audio offers four digital Motherboards, the BMB1 (Digi-Link) , BMB2 (MADI), BMB3 (Dante), and BMB4 (SoundGrid). The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools.  The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with Dante enabled DAWs and any Dante enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SoundGrid device, as well as low latency for a complete digital audio-networking solution.\n	</div>\n	<div>\n		<br />The B80 Mothership is the result of over 20 years of tireless research and development. The no compromise, no BS design strategy is immediately apparent in the build quality. The B80 Mothership takes care of virtually any music, broadcast or film recording situation, revolutionizing pro audio as we know it. In this digital era, many yearn for the tone of records past, and analog tape is becoming a lost art.\n	</div>\n</div>\n<br />\n<h3>Burl B16 Mothership Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">2U main chassis</span>\n		</li><li>6 Motherboard Interface options</li>\n	<ul>\n		<li>BMB1 (DigiLink) motherboard</li>\n		<li>BMB2 (MADI) motherboard</li>\n		<li>BMB3 (Dante) motherboard</li>\n		<li>BMB4 (SoundGrid) Motherboard</li>\n		<li>BMB5 (USB) Motherboard</li>\n		<li>BMB6 (AES/EBU) Motherboard</li>\n	</ul>\n	\n	<li>1 BNC Word Clock In</li>\n	<li>2 BNC Word Clock Out</li>\n	<li>2 daughter card slots</li>\n	<li>AD/DA, AES and BCLK</li>\n</ul>\n<br />\n<h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3>'),(3200,75,1,534,'<h1>Burl Audio B16 Mothership 16-Channel Configurable AD/DA Interface</h1>\n<div>\n	<i>The B16 Mothership bridges the analog to digital gap.</i>\n</div>\n<br />\n<div>\n	<div>\n		The Burl Audio B16 Mothership is a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog, class-A circuitry. The result is not only heard, it is felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source.\n		<br /><br />Using a card based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 daughter card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4.\n	</div>\n	<div>\n		<br />For anyone who has yearned for a Mothership in a smaller format, this is a dream come true. A typical setup is an 8 in, 8 out system, but it can also be configured as a 16 input tracking system, or a 16-output portable mix rig. If needed, you can also use either the BAES4 card with 4 channels of AES in and out per card, or the BCLK card, which distributes 8 word clock outputs per card.\n	</div>\n	<div>\n		<br />Digital interconnect is also completely configurable, and controlled by a swappable Motherboard. Burl Audio offers four digital Motherboards, the BMB1 (Digi-Link) , BMB2 (MADI), BMB3 (Dante), and BMB4 (SoundGrid). The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools.  The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with Dante enabled DAWs and any Dante enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SoundGrid device, as well as low latency for a complete digital audio-networking solution.\n	</div>\n	<div>\n		<br />The B80 Mothership is the result of over 20 years of tireless research and development. The no compromise, no BS design strategy is immediately apparent in the build quality. The B80 Mothership takes care of virtually any music, broadcast or film recording situation, revolutionizing pro audio as we know it. In this digital era, many yearn for the tone of records past, and analog tape is becoming a lost art.\n	</div>\n</div>\n<br />\n<h3>Burl B16 Mothership Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">2U main chassis</span>\n		</li><li>6 Motherboard Interface options</li>\n	<ul>\n		<li>BMB1 (DigiLink) motherboard</li>\n		<li>BMB2 (MADI) motherboard</li>\n		<li>BMB3 (Dante) motherboard</li>\n		<li>BMB4 (SoundGrid) Motherboard</li>\n		<li>BMB5 (USB) Motherboard</li>\n		<li>BMB6 (AES/EBU) Motherboard</li>\n	</ul>\n	\n	<li>1 BNC Word Clock In</li>\n	<li>2 BNC Word Clock Out</li>\n	<li>2 daughter card slots</li>\n	<li>AD/DA, AES and BCLK</li>\n</ul>\n<br />\n<h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3>'),(3201,85,0,534,'Burl Audio B16 Mothership 16-Channel Configurable AD/DA Interface'),(3202,85,1,534,'Burl Audio B16 Mothership 16-Channel Configurable AD/DA Interface'),(3203,76,0,534,''),(3204,76,1,534,''),(3205,75,0,535,'<h1>Burl Audio B1D Microphone Pre Amp</h1>\n<div><i>The Burl B1D 500 series mic pre features Burl\'s proprietary BX3 input transformer and BX4 iron output transformer</i></div><br /><div><div>Step Back – Here come the B1 and B1D… Introducing the B1 and B1D MICROPHONE PRE AMPS from BURL AUDIO. Based on the API 500 series form factor, the B1 is meant to compliment the B2 BOMBER ADC and the B80 MOTHERSHIP and will give you multi-channel pleasure. With the proprietary BX3 input transformer and BX4 iron output transformer, the B1 MIC PRE delivers warmth with depth and clarity. <br /><br />The B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1 amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.</div><div><br />The B1 and B1D come complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 was rigorously tested with the popular Royer R-121 in the low impedance setting, and we think it sounds pretty f***ing bitchin’’ on guitar amps. </div><div><br />The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon. Use the B1’s 1/4” instrument/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there. Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that’s about all you will need.</div></div><br />\n<h3>Burl B1D Mic Pre Features</h3><ul><li><span style=\"letter-spacing: 0px;\">BURL custom BX3 input transformer</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">BURL custom </span>BX4 iron output transformer</li><li><span style=\"letter-spacing: 0px;\">audiophile, discrete, class-A, direct-coupled, capacitor free circuit path</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">stepped gain control</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">independent output level control</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">70 dB gain</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">impedance select</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">1/4” front panel DI input</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">30 dB pad for hot signals and balanced line level input</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">phantom power</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">phase reverse</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">tri-colored gain level indication</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">Love and Thunder!</span></li></ul><br /><h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3>'),(3206,75,1,535,'<h1>Burl Audio B1D Microphone Pre Amp</h1>\n<div><i>The Burl B1D 500 series mic pre features Burl\'s proprietary BX3 input transformer and BX4 iron output transformer</i></div><br /><div><div>Step Back – Here come the B1 and B1D… Introducing the B1 and B1D MICROPHONE PRE AMPS from BURL AUDIO. Based on the API 500 series form factor, the B1 is meant to compliment the B2 BOMBER ADC and the B80 MOTHERSHIP and will give you multi-channel pleasure. With the proprietary BX3 input transformer and BX4 iron output transformer, the B1 MIC PRE delivers warmth with depth and clarity. <br /><br />The B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1 amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.</div><div><br />The B1 and B1D come complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 was rigorously tested with the popular Royer R-121 in the low impedance setting, and we think it sounds pretty f***ing bitchin’’ on guitar amps. </div><div><br />The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon. Use the B1’s 1/4” instrument/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there. Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that’s about all you will need.</div></div><br />\n<h3>Burl B1D Mic Pre Features</h3><ul><li><span style=\"letter-spacing: 0px;\">BURL custom BX3 input transformer</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">BURL custom </span>BX4 iron output transformer</li><li><span style=\"letter-spacing: 0px;\">audiophile, discrete, class-A, direct-coupled, capacitor free circuit path</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">stepped gain control</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">independent output level control</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">70 dB gain</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">impedance select</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">1/4” front panel DI input</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">30 dB pad for hot signals and balanced line level input</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">phantom power</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">phase reverse</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">tri-colored gain level indication</span></li><li><span style=\"letter-spacing: 0px;\"></span><span style=\"letter-spacing: 0px;\">Love and Thunder!</span></li></ul><br /><h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3>'),(3207,85,0,535,'Burl Audio B1D Microphone Pre Amp'),(3208,85,1,535,'Burl Audio B1D Microphone Pre Amp'),(3209,76,0,535,''),(3210,76,1,535,''),(3211,75,0,536,'<h1>Burl Audio B2 Bomber ADC </h1>\n<i>The Ultimate Analog to Digital Converter to give analog warmth to digital recording, the Burl B2 Bomber ADC.</i><br /><br /><span style=\"background-color: initial;\">\n	The Burl B2 Bomber ADC<span style=\"background-color: initial;\"> is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We\'ve all tried using tube Mic Pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.<br /><br />\n	Burl has solved this problem by designing an analog audio path that is complimentary to your Mic Pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the Burl Audio BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.\n<br /><br />\n	Using a B2 Bomber in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.\n<br /><br />\n	The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 Bomber hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 Bomber ADC, the most significant piece of gear in your studio.\n<br /><br />\n<h3>B2 Bomber ADC Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">44.1k Hz to 192k Hz, 24 bit, 2 channel ADC</span></li>\n	<li>Proprietary, high definition, BURL Audio BX1 transformer input</li>\n	<li>All class A, discrete transistors signal path with zero feedback, zero caps</li>\n	<li>Audiophile quality 6 position attenuator with standard headroom settings</li>\n	<li>High definition metering with simultaneous RMS and peak indication</li>\n	<li>2 AES, SPDIF and Toslink output</li>\n	<li>BNC word clock input with two outputs of extremely low jitter clock</li>\n	<li>Frequency response at 48kHz sample rate is 12Hz to 22kHz, +/- 0.1dB</li>\n	<li>Frequency response at 96kHz sample rate is 15Hz to 46kHz, +/- 0.1dB</li>\n	<li>Frequency response at 192kHz sample rate is 18Hz to 94kHz, +/- 0.1dB</li>\n	<li>120dB Dynamic Range (A- weighted), 117dB (no weighting)</li>\n	<li>-100dB THD+N (+4dBU = -18dBFS)</li>\n	<li>-94dB THD+N (+21dBU = -1dBFs)</li>\n	<li>Rugged, Made in USA design</li>\n</ul>\n<br />\n<h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3></span></span>'),(3212,75,1,536,'<h1>Burl Audio B2 Bomber ADC </h1>\n<i>The Ultimate Analog to Digital Converter to give analog warmth to digital recording, the Burl B2 Bomber ADC.</i><br /><br /><span style=\"background-color: initial;\">\n	The Burl B2 Bomber ADC<span style=\"background-color: initial;\"> is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We\'ve all tried using tube Mic Pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.<br /><br />\n	Burl has solved this problem by designing an analog audio path that is complimentary to your Mic Pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the Burl Audio BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.\n<br /><br />\n	Using a B2 Bomber in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.\n<br /><br />\n	The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 Bomber hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 Bomber ADC, the most significant piece of gear in your studio.\n<br /><br />\n<h3>B2 Bomber ADC Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">44.1k Hz to 192k Hz, 24 bit, 2 channel ADC</span></li>\n	<li>Proprietary, high definition, BURL Audio BX1 transformer input</li>\n	<li>All class A, discrete transistors signal path with zero feedback, zero caps</li>\n	<li>Audiophile quality 6 position attenuator with standard headroom settings</li>\n	<li>High definition metering with simultaneous RMS and peak indication</li>\n	<li>2 AES, SPDIF and Toslink output</li>\n	<li>BNC word clock input with two outputs of extremely low jitter clock</li>\n	<li>Frequency response at 48kHz sample rate is 12Hz to 22kHz, +/- 0.1dB</li>\n	<li>Frequency response at 96kHz sample rate is 15Hz to 46kHz, +/- 0.1dB</li>\n	<li>Frequency response at 192kHz sample rate is 18Hz to 94kHz, +/- 0.1dB</li>\n	<li>120dB Dynamic Range (A- weighted), 117dB (no weighting)</li>\n	<li>-100dB THD+N (+4dBU = -18dBFS)</li>\n	<li>-94dB THD+N (+21dBU = -1dBFs)</li>\n	<li>Rugged, Made in USA design</li>\n</ul>\n<br />\n<h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3></span></span>'),(3213,85,0,536,'BURL AUDIO B2 Bomber AD Converter'),(3214,85,1,536,'BURL AUDIO B2 Bomber AD Converter'),(3215,76,0,536,''),(3216,76,1,536,''),(3217,75,0,537,'<h1>Burl Audio B2 Bomber ADC with Dante</h1>\n<i>The Ultimate Analog to Digital Converter</i><i> to give analog warmth to digital recording</i><i>, the Burl B2 Bomber ADC, now featuring Dante connectivity.</i><br /><br /><span style=\"background-color: initial;\">\n	The B2 Bomber ADC Analog to Digital Converter is <span style=\"background-color: initial;\">designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We\'ve all tried using tube Mic Pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.</span>\n<br /><br />\n	Burl has solved this problem by designing an analog audio path that is complimentary to your Mic Pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the Burl Audio BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.\n<br /><br />\n	Using a B2 Bomber in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.\n<br /><br />\n	The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 Bomber hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 Bomber ADC, the most significant piece of gear in your studio.\n<br /><br />\n<h3>B2 Bomber ADC Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">44.1k Hz to 192k Hz, 24 bit, 2 channel ADC</span></li>\n	<li>Proprietary, high definition, BURL Audio BX1 transformer input</li>\n	<li>All class A, discrete transistors signal path with zero feedback, zero caps</li>\n	<li>Audiophile quality 6 position attenuator with standard headroom settings</li>\n	<li>High definition metering with simultaneous RMS and peak indication</li>\n	<li>Dante, 2 AES, SPDIF and Toslink output</li>\n	<li>BNC word clock input with two outputs of extremely low jitter clock</li>\n	<li>Frequency response at 48kHz sample rate is 12Hz to 22kHz, +/- 0.1dB</li>\n	<li>Frequency response at 96kHz sample rate is 15Hz to 46kHz, +/- 0.1dB</li>\n	<li>Frequency response at 192kHz sample rate is 18Hz to 94kHz, +/- 0.1dB</li>\n	<li>120dB Dynamic Range (A- weighted), 117dB (no weighting)</li>\n	<li>-100dB THD+N (+4dBU = -18dBFS)</li>\n	<li>-94dB THD+N (+21dBU = -1dBFs)</li>\n	<li>Rugged, Made in USA design</li>\n</ul>\n<br />\n<h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3></span>'),(3218,75,1,537,'<h1>Burl Audio B2 Bomber ADC with Dante</h1>\n<i>The Ultimate Analog to Digital Converter</i><i> to give analog warmth to digital recording</i><i>, the Burl B2 Bomber ADC, now featuring Dante connectivity.</i><br /><br /><span style=\"background-color: initial;\">\n	The B2 Bomber ADC Analog to Digital Converter is <span style=\"background-color: initial;\">designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We\'ve all tried using tube Mic Pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.</span>\n<br /><br />\n	Burl has solved this problem by designing an analog audio path that is complimentary to your Mic Pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the Burl Audio BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.\n<br /><br />\n	Using a B2 Bomber in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.\n<br /><br />\n	The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 Bomber hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 Bomber ADC, the most significant piece of gear in your studio.\n<br /><br />\n<h3>B2 Bomber ADC Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">44.1k Hz to 192k Hz, 24 bit, 2 channel ADC</span></li>\n	<li>Proprietary, high definition, BURL Audio BX1 transformer input</li>\n	<li>All class A, discrete transistors signal path with zero feedback, zero caps</li>\n	<li>Audiophile quality 6 position attenuator with standard headroom settings</li>\n	<li>High definition metering with simultaneous RMS and peak indication</li>\n	<li>Dante, 2 AES, SPDIF and Toslink output</li>\n	<li>BNC word clock input with two outputs of extremely low jitter clock</li>\n	<li>Frequency response at 48kHz sample rate is 12Hz to 22kHz, +/- 0.1dB</li>\n	<li>Frequency response at 96kHz sample rate is 15Hz to 46kHz, +/- 0.1dB</li>\n	<li>Frequency response at 192kHz sample rate is 18Hz to 94kHz, +/- 0.1dB</li>\n	<li>120dB Dynamic Range (A- weighted), 117dB (no weighting)</li>\n	<li>-100dB THD+N (+4dBU = -18dBFS)</li>\n	<li>-94dB THD+N (+21dBU = -1dBFs)</li>\n	<li>Rugged, Made in USA design</li>\n</ul>\n<br />\n<h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3></span>'),(3219,85,0,537,'Burl Audio B2 Bomber ADC Analog/Digital Converter with Dante'),(3220,85,1,537,'Burl Audio B2 Bomber ADC Analog/Digital Converter with Dante'),(3221,76,0,537,''),(3222,76,1,537,''),(3223,75,0,538,'<h1>Burl Audio B2 Bomber DAC</h1>\n<i>THE B2 BOMBER DIGITAL / ANALOG CONVERTER</i><br /><br /><span style=\"background-color: initial;\">The Burl B2 Bomber DAC digital to analog converter is the result of tireless research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 Bomber DAC delivers sonic purity and dynamics thus far unheard of.</span><span style=\"background-color: initial;\"><div><span style=\"background-color: initial;\"><br />As a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!</span></div></span><br />\n<h3>B2 Bomber DAC Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">44.1k Hz to 192k Hz, 24 bit, 2 channel DAC</span></li><li>Proprietary custom design BOPA1, all discrete op-amps</li><li>Passive filters</li><li>All class-A</li><li>Zero capacitor signal path</li><li>Audiophile quality 6 position attenuator with standard headroom settings</li><li>High definition metering with simultaneous RMS and peak indication</li><li> 2 AES, SPDIF and Toslink input</li><li>BNC word clock input with two outputs of extremely low jitter clock</li><li>Frequency response at 48kHz sample rate is 10Hz to 22kHz, +/- 0.1dB</li><li>Frequency response at 96kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -0.3 dB @ 40kHz</li><li>Frequency response at 192kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -1.5 dB @ 90kHz</li><li>115dB Dynamic Range</li><li>-96dB THD+N, full scale output = +22dBU</li><li><span style=\"background-color: initial; letter-spacing: 0px;\">Rugged, Made in USA design</span></li></ul><br /><h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3>'),(3224,75,1,538,'<h1>Burl Audio B2 Bomber DAC</h1>\n<i>THE B2 BOMBER DIGITAL / ANALOG CONVERTER</i><br /><br /><span style=\"background-color: initial;\">The Burl B2 Bomber DAC digital to analog converter is the result of tireless research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 Bomber DAC delivers sonic purity and dynamics thus far unheard of.</span><span style=\"background-color: initial;\"><div><span style=\"background-color: initial;\"><br />As a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!</span></div></span><br />\n<h3>B2 Bomber DAC Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">44.1k Hz to 192k Hz, 24 bit, 2 channel DAC</span></li><li>Proprietary custom design BOPA1, all discrete op-amps</li><li>Passive filters</li><li>All class-A</li><li>Zero capacitor signal path</li><li>Audiophile quality 6 position attenuator with standard headroom settings</li><li>High definition metering with simultaneous RMS and peak indication</li><li> 2 AES, SPDIF and Toslink input</li><li>BNC word clock input with two outputs of extremely low jitter clock</li><li>Frequency response at 48kHz sample rate is 10Hz to 22kHz, +/- 0.1dB</li><li>Frequency response at 96kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -0.3 dB @ 40kHz</li><li>Frequency response at 192kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -1.5 dB @ 90kHz</li><li>115dB Dynamic Range</li><li>-96dB THD+N, full scale output = +22dBU</li><li><span style=\"background-color: initial; letter-spacing: 0px;\">Rugged, Made in USA design</span></li></ul><br /><h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3>'),(3225,85,0,538,'Burl Audio B2 Bomber DAC Digital/Analog Converter'),(3226,85,1,538,'Burl Audio B2 Bomber DAC Digital/Analog Converter'),(3227,76,0,538,''),(3228,76,1,538,''),(3229,75,0,539,'<h1>Burl Audio B2 Bomber DAC with Dante</h1>\n<i>THE B2 BOMBER DIGITAL / ANALOG CONVERTER</i><br /><br /><span style=\"background-color: initial;\">The Burl B2 Bomber DAC digital to analog converter is the result of tireless research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 Bomber DAC delivers sonic purity and dynamics thus far unheard of.</span><span style=\"background-color: initial;\"><div><span style=\"background-color: initial;\"><br />As a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!</span></div></span><br />\n<h3>B2 Bomber DAC Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">44.1k Hz to 192k Hz, 24 bit, 2 channel DAC</span></li><li>Proprietary custom design BOPA1, all discrete op-amps</li><li>Passive filters</li><li>All class-A</li><li>Zero capacitor signal path</li><li>Audiophile quality 6 position attenuator with standard headroom settings</li><li>High definition metering with simultaneous RMS and peak indication</li><li>Dante, 2 AES, SPDIF and Toslink input</li><li>BNC word clock input with two outputs of extremely low jitter clock</li><li>Frequency response at 48kHz sample rate is 10Hz to 22kHz, +/- 0.1dB</li><li>Frequency response at 96kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -0.3 dB @ 40kHz</li><li>Frequency response at 192kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -1.5 dB @ 90kHz</li><li>115dB Dynamic Range</li><li>-96dB THD+N, full scale output = +22dBU</li><li>Rugged, Made in USA design</li></ul><br /><h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3>'),(3230,75,1,539,'<h1>Burl Audio B2 Bomber DAC with Dante</h1>\n<i>THE B2 BOMBER DIGITAL / ANALOG CONVERTER</i><br /><br /><span style=\"background-color: initial;\">The Burl B2 Bomber DAC digital to analog converter is the result of tireless research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 Bomber DAC delivers sonic purity and dynamics thus far unheard of.</span><span style=\"background-color: initial;\"><div><span style=\"background-color: initial;\"><br />As a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!</span></div></span><br />\n<h3>B2 Bomber DAC Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">44.1k Hz to 192k Hz, 24 bit, 2 channel DAC</span></li><li>Proprietary custom design BOPA1, all discrete op-amps</li><li>Passive filters</li><li>All class-A</li><li>Zero capacitor signal path</li><li>Audiophile quality 6 position attenuator with standard headroom settings</li><li>High definition metering with simultaneous RMS and peak indication</li><li>Dante, 2 AES, SPDIF and Toslink input</li><li>BNC word clock input with two outputs of extremely low jitter clock</li><li>Frequency response at 48kHz sample rate is 10Hz to 22kHz, +/- 0.1dB</li><li>Frequency response at 96kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -0.3 dB @ 40kHz</li><li>Frequency response at 192kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -1.5 dB @ 90kHz</li><li>115dB Dynamic Range</li><li>-96dB THD+N, full scale output = +22dBU</li><li>Rugged, Made in USA design</li></ul><br /><h3>BURL AUDIO’s gear is designed in a commercial recording studio, by professional recording engineers, for recording engineers.. Call or Chat RSPE Audio for more information.</h3>'),(3231,85,0,539,'Burl Audio B2 Bomber DAC Digital/Analog Converter with Dante'),(3232,85,1,539,'Burl Audio B2 Bomber DAC Digital/Analog Converter with Dante'),(3233,76,0,539,''),(3234,76,1,539,''),(3235,75,0,540,'<h1>Burl Audio B26 Orca Control Room Monitor</h1>\n<i>The Burl B26 ORCA is an all-analog monitor controller featuring <span style=\"background-color: initial;\">3 stereo mix inputs, 2 stereo tape return inputs, RCA stereo input, and </span><span style=\"background-color: initial;\">2 stereo speaker outputs.</span><br /></i><br /><div>The Burl Audio B26 ORCA Control Room Monitor <span style=\"background-color: initial;\">utilizes the same analog, all discrete circuit path philosophy as other BURL AUDIO products with an emphasis on the ultimate in sonic transparency and 3D stereo imaging.</span></div><div>Now with BURL NextGen Analog circuitry, the B26 ORCA sounds better than ever. Featuring the NEW BOPA10 and BOPA8 op amps, the B26 will deliver tighter bass and higher definition throughout the audio spectrum. Instruments and mixes have a more 3D sound, with wider stereo image and even more depth while preserving the original shape and harmonic balance of the source. If you thought the current BURL Audio products sounded great, these new analog designs are sure to blow your mind.</div><br />\n<h3>Burl B26 Orca Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Direct coupled, discrete, class-A signal path</span></li><li>3 stereo mix inputs, 2 stereo tape return inputs, RCA stereo input</li><li>2 stereo speaker outputs</li><li>Audiophile 0.1% matched resistor, stepped attenuator for control room level</li><li>Independent studio/phones send and level</li><li>External meter output</li><li>Control room and studio headphone outputs</li><li>BURL NextGen Analog circuit</li></ul><br />'),(3236,75,1,540,'<h1>Burl Audio B26 Orca Control Room Monitor</h1>\n<i>The Burl B26 ORCA is an all-analog monitor controller featuring <span style=\"background-color: initial;\">3 stereo mix inputs, 2 stereo tape return inputs, RCA stereo input, and </span><span style=\"background-color: initial;\">2 stereo speaker outputs.</span><br /></i><br /><div>The Burl Audio B26 ORCA Control Room Monitor <span style=\"background-color: initial;\">utilizes the same analog, all discrete circuit path philosophy as other BURL AUDIO products with an emphasis on the ultimate in sonic transparency and 3D stereo imaging.</span></div><div>Now with BURL NextGen Analog circuitry, the B26 ORCA sounds better than ever. Featuring the NEW BOPA10 and BOPA8 op amps, the B26 will deliver tighter bass and higher definition throughout the audio spectrum. Instruments and mixes have a more 3D sound, with wider stereo image and even more depth while preserving the original shape and harmonic balance of the source. If you thought the current BURL Audio products sounded great, these new analog designs are sure to blow your mind.</div><br />\n<h3>Burl B26 Orca Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Direct coupled, discrete, class-A signal path</span></li><li>3 stereo mix inputs, 2 stereo tape return inputs, RCA stereo input</li><li>2 stereo speaker outputs</li><li>Audiophile 0.1% matched resistor, stepped attenuator for control room level</li><li>Independent studio/phones send and level</li><li>External meter output</li><li>Control room and studio headphone outputs</li><li>BURL NextGen Analog circuit</li></ul><br />'),(3237,85,0,540,'Burl Audio B26 Orca Control Room Monitor'),(3238,85,1,540,'Burl Audio B26 Orca Control Room Monitor'),(3239,76,0,540,''),(3240,76,1,540,''),