(12212,75,1,2036,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br />Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br />Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br />Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br />Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br />Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br /><hr /><br />\n\n<h1>Apollo FireWire Audio Interface w/ QUAD Processing</h1>\nApollo FireWire is one of the world’s most popular professional audio interfaces — delivering the sound, feel, and flow of analog recording to music creators everywhere.  A perfect centerpiece for studios running original Mac Pro towers and Windows 7 machines, this 18 x 24 FireWire 800-equipped interface features analog design based on UA’s 50-year heritage, along with gold-standard Apollo A/D and D/A conversion for impeccable audio resolution.\n<br /><br />\nApollo FireWire further distinguishes itself with Realtime UAD-2 Processing and Unison™ technology, letting you record with near-zero latency through the full range of UAD plug-ins from Neve, Studer, Manley, Lexicon, and more — including new mic preamp emulations from Neve, API and Universal Audio.* <br /><br />\nWith its elegant workflow and world-class audio quality, Apollo FireWire is the perfect interface for music producers seeking classic analog sound. <br /><br />\n<h3>Key Features</h3>\n<ul>\n	<li>Worldwide standard in professional A/D and D/A conversion for music production</li>\n	<li>Onboard UAD-2 QUAD Core DSP allows Realtime UAD Processing — record through plug-ins from Neve, Lexicon, Studer, Marshall, Ampex, and more*</li>\n	<li>4 Unison-enabled mic preamps for tracking through preamp emulations from Neve, API, and Universal Audio*</li>\n	<li>18 x 24 FireWire audio interface for Mac and Windows 7</li>\n	<li>Cascade two Apollos for 16 analog I/O and 12 digital I/O</li>\n	<li>Includes “Realtime Analog Classics Plus” UAD plug-in bundle with 610-B Tube Preamp & EQ, Raw Distortion, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, legacy LA-2A, 1176, and Fairchild compressors, Pultec EQs, and more</li>\n	<li>Upgradeable to Thunderbolt via Thunderbolt 2 Option Card (Mac)</li>\n	<li>World class UA analog design, superior components, and premium build quality</li>\n</ul>\n<br />\n<h3>The Gold Standard in 24-bit/192 kHz Sound Quality</h3>\nDesigned to play a central role in studios running original Mac Pro towers or Windows 7 machines, Apollo FireWire delivers an uncompromising approach to audio quality. Building upon decades of UA hardware heritage, it offers extremely high-resolution sound, with the lowest THD and highest dynamic range in its class. Apollo FireWire’s four premium mic preamps and converters translates into recordings with astounding accuracy and depth — whether you’re tracking and overdubbing, or mixing and mastering. \n<br /><br />\n<h3>Realtime UAD Plug-In Processing for Tracking, Mixing, and Mastering</h3>\nWhile Apollo FireWire’s “natural” sound is exceedingly open and transparent, it can quickly deliver a wide range of classic analog tones and color via its Realtime UAD Processing. Featuring powerful onboard QUAD processing, Apollo FireWire’s DSP Acceleration allows for recording through UAD Powered Plug-Ins — with as low as sub-2ms latency, regardless of buffer settings — letting you monitor and “print” audio with classic analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more.* \n<br /><br />\nThe Apollo FireWire’s bundled “Realtime Analog Classics Plus” suite of UAD plug-ins gives you the UA 610-B Tube Preamp & EQ, Raw Distortion, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, legacy LA-2A, 1176, and Fairchild compressors, Pultec EQs, and more, so you have a rack full of bonafide audio classics, right out of the box.<br /><br />\nBetter still, Apollo FireWire’s UAD plug-ins are also available during mixing and mastering, so you can use UAD plug-ins (VST, RTAS, AU, AAX 64) throughout the creative process.<br /><br />\n<h3>Unison™ Technology</h3>\nA Universal Audio breakthrough, Apollo FireWire’s Unison technology gives you the tone of the world\'s most sought-after tube and solid state mic preamps — including their all-important impedance, gain stage “sweet spots,” and component-level circuit behaviors. Based on unprecedented hardware-software integration between Apollo’s mic preamps and its onboard UAD plug-in processing, Unison lets you record through stunning emulations like the bundled UA 610-B Tube Preamp plug-in, or exclusive preamp emulations from API and Neve. \n<br /><br />\n<h3>Elegant Hardware Design and Workflow</h3>\nOne key feature of Apollo FireWire isn’t really a “feature” at all. It’s the numerous design details that give you a fast, natural workflow — and better results. There are physical front-panel controls for all the most commonly used features, including Preamp and Monitor level knobs, channel selection, mic pad and low cut, phantom power, and dual headphone outs with independent level control. Smart Hi-Z inputs on the front panel detect when you\'ve connected your guitar or bass. Sonically, Apollo\'s Monitor outputs are digitally controlled analog, so you don\'t lose audio resolution when you adjust gain. \n<br /><br />\n<h3>The UA Apollo Firewire gives the power of Apollo to studios running original Mac Pro towers or Windows 7 machines. For more information, call or chat with an RSPE representative.</h3>'),(12213,85,0,2036,'Universal Audio Apollo FireWire Audio Interface w/ QUAD Processing'),(12214,85,1,2036,'Universal Audio Apollo FireWire Audio Interface w/ QUAD Processing'),(12215,76,0,2036,''),(12216,76,1,2036,''),(12217,75,0,2037,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br/>Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br/>Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br/>Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br/>Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br/>Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br/><hr/><br/>\n\n<h1>Universal Audio Apollo x16 Heritage Edition - Thunderbolt 3 Audio Interface</h1>\n<i>16 Channels of Elite Audio Conversion, HEXA Core Processing and Surround Sound Monitoring. Now includes \"Heritage Edition\" Plug-in Bundle featuring $2,490 worth of UAD plug-ins!<br/></i><br/>\nThe Universal Audio Apollo x16, The flagship of the Apollo x line, allows music producers, project, and post-production studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.<br/><br/>\nBuilt upon UA’s 60-year heritage of audio craftsmanship, this 18 x 20 interface boasts the widest dynamic range (133 dB) and lowest THD+N (-129 dB), of any integrated audio interface on the market. Plus, with all-new HEXA Core processing, you’ll get 50% more DSP for running acclaimed UAD Powered Plug-Ins in real time. <br/><br/>\nIn addition to its elite-class audio conversion, Apollo x16 features selectable operating level for compatibility with professional +24 dBu gear, as well as an integrated monitor controller and built-in talkback mic.<br/><br/>\n<h3>Apollo x16 Key Features</h3>\n<ul>\n	<li>\n	18 x 20 Thunderbolt 3 audio interface with class-leading\n     24-bit/192 KHz conversion\n	</li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">HEXA Core Realtime UAD Processing for tracking through\n     UAD plug-ins at near-zero latency, regardless of audio buffer size\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Surround monitor controller up to 7.1 format</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Includes “Realtime Analog Classics Plus” UAD plug-in\n     bundle featuring UA 610-B Tube Preamp; Legacy Pultec EQ, LA-2A, and 1176\n     compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">UAD-2 HEXA Core processing onboard for additional mixing\n     horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs\n	</span></li>\n	<li> <span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Combine up to 4 Thunderbolt-equipped Apollos and 6 total\n     UAD devices; backward-compatible with Thunderbolt 1 and 2 via optional\n     adapter\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Selectable +24 dBu operation for easy compatibility with\n     professional mixing consoles and tape machines\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Convenient front panel monitoring functions including\n     Alt Speakers, Talkback mic, and assignable Dim or Mono\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Uncompromising UA analog design, superior components,\n     and premium build quality\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</span><span style=\"font-size: 12pt; font-family: Arial; color: black; background: white none repeat scroll 0% 0%;\"></span></li>\n</ul>\n<br/>\n<h3>Elite-Class A/D and D/A Conversion </h3>\nWith thousands of chart-topping songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interface’s class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path. \n<br/><br/>With 133 dB dynamic range and THD+N of -129 dB, the Apollo x16’s open, natural sound quality bests every interface in its class — regardless of price — and is the perfect starting point for applying UAD processing.  <br/><br/>\n<h3>Realtime UAD HEXA Core Processing</h3>\nApollo x16 features new HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW. \n<br/><br/>From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug-ins provide.<br/><br/>\n<h3>A Full Suite of Classic Analog Processing Onboard</h3>\nOf course, a hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x16 includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, Pultec EQs, and many more.\n<br/><br/>\n<h3>Access the World of UAD Powered Plug-Ins</h3>\nGoing beyond the included Realtime Analog Classics Plus plug-ins, Apollo x16 lets you tap into the full UAD Powered Plug-In library of name-brand vintage EQs, compressors, reverbs, tape machines, channel strips, and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU. \n<br/><br/>With exclusive emulations from SSL, Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,** it’s like having a studio full of iconic analog gear, in a single rack space. And unlike competing interfaces, these award-winning DSP-powered plug-ins are also available in your DAW for mixing.<br/><br/>\n<h3>Surround Sound Monitoring* and +24 dBu Operation</h3>\nWith comprehensive surround monitoring support for formats up to 7.1, Apollo x16 is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x16 offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.  \n<br/><br/>\n<h3>Build a Networked Studio System Over Thunderbolt</h3>\nApollo x16 offers 18 x 20 simultaneous inputs/outputs (16 x 16 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices — adding fast, high-bandwidth I/O and DSP as your studio grows. \n<br/><br/>\n<h3>With its professional connectivity the UA Apollo x16 sets a new \nstandard in high-resolution recording with classic analog sound. For \nmore information, call or chat with an RSPE representative.\n</h3>'),(12218,75,1,2037,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br/>Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br/>Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br/>Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br/>Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br/>Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br/><hr/><br/>\n\n<h1>Universal Audio Apollo x16 Heritage Edition - Thunderbolt 3 Audio Interface</h1>\n<i>16 Channels of Elite Audio Conversion, HEXA Core Processing and Surround Sound Monitoring. Now includes \"Heritage Edition\" Plug-in Bundle featuring $2,490 worth of UAD plug-ins!<br/></i><br/>\nThe Universal Audio Apollo x16, The flagship of the Apollo x line, allows music producers, project, and post-production studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.<br/><br/>\nBuilt upon UA’s 60-year heritage of audio craftsmanship, this 18 x 20 interface boasts the widest dynamic range (133 dB) and lowest THD+N (-129 dB), of any integrated audio interface on the market. Plus, with all-new HEXA Core processing, you’ll get 50% more DSP for running acclaimed UAD Powered Plug-Ins in real time. <br/><br/>\nIn addition to its elite-class audio conversion, Apollo x16 features selectable operating level for compatibility with professional +24 dBu gear, as well as an integrated monitor controller and built-in talkback mic.<br/><br/>\n<h3>Apollo x16 Key Features</h3>\n<ul>\n	<li>\n	18 x 20 Thunderbolt 3 audio interface with class-leading\n     24-bit/192 KHz conversion\n	</li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">HEXA Core Realtime UAD Processing for tracking through\n     UAD plug-ins at near-zero latency, regardless of audio buffer size\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Surround monitor controller up to 7.1 format</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Includes “Realtime Analog Classics Plus” UAD plug-in\n     bundle featuring UA 610-B Tube Preamp; Legacy Pultec EQ, LA-2A, and 1176\n     compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">UAD-2 HEXA Core processing onboard for additional mixing\n     horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs\n	</span></li>\n	<li> <span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Combine up to 4 Thunderbolt-equipped Apollos and 6 total\n     UAD devices; backward-compatible with Thunderbolt 1 and 2 via optional\n     adapter\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Selectable +24 dBu operation for easy compatibility with\n     professional mixing consoles and tape machines\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Convenient front panel monitoring functions including\n     Alt Speakers, Talkback mic, and assignable Dim or Mono\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Uncompromising UA analog design, superior components,\n     and premium build quality\n	</span></li>\n	<li><span style=\"font-size: 12pt; background: white none repeat scroll 0% 0%;\">Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</span><span style=\"font-size: 12pt; font-family: Arial; color: black; background: white none repeat scroll 0% 0%;\"></span></li>\n</ul>\n<br/>\n<h3>Elite-Class A/D and D/A Conversion </h3>\nWith thousands of chart-topping songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interface’s class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path. \n<br/><br/>With 133 dB dynamic range and THD+N of -129 dB, the Apollo x16’s open, natural sound quality bests every interface in its class — regardless of price — and is the perfect starting point for applying UAD processing.  <br/><br/>\n<h3>Realtime UAD HEXA Core Processing</h3>\nApollo x16 features new HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW. \n<br/><br/>From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug-ins provide.<br/><br/>\n<h3>A Full Suite of Classic Analog Processing Onboard</h3>\nOf course, a hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x16 includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, Pultec EQs, and many more.\n<br/><br/>\n<h3>Access the World of UAD Powered Plug-Ins</h3>\nGoing beyond the included Realtime Analog Classics Plus plug-ins, Apollo x16 lets you tap into the full UAD Powered Plug-In library of name-brand vintage EQs, compressors, reverbs, tape machines, channel strips, and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU. \n<br/><br/>With exclusive emulations from SSL, Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,** it’s like having a studio full of iconic analog gear, in a single rack space. And unlike competing interfaces, these award-winning DSP-powered plug-ins are also available in your DAW for mixing.<br/><br/>\n<h3>Surround Sound Monitoring* and +24 dBu Operation</h3>\nWith comprehensive surround monitoring support for formats up to 7.1, Apollo x16 is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x16 offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.  \n<br/><br/>\n<h3>Build a Networked Studio System Over Thunderbolt</h3>\nApollo x16 offers 18 x 20 simultaneous inputs/outputs (16 x 16 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices — adding fast, high-bandwidth I/O and DSP as your studio grows. \n<br/><br/>\n<h3>With its professional connectivity the UA Apollo x16 sets a new \nstandard in high-resolution recording with classic analog sound. For \nmore information, call or chat with an RSPE representative.\n</h3>'),(12219,85,0,2037,'Universal Audio Apollo x16 Thunderbolt 3 Audio Interface'),(12220,85,1,2037,'Universal Audio Apollo x16 Thunderbolt 3 Audio Interface'),(12221,76,0,2037,''),(12222,76,1,2037,''),(12223,75,0,2038,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br/>Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br/>Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br/>Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br/>Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br/>Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br/><hr/><br/>\n\n<h1>Universal Audio Apollo x6 Heritage Edition - Thunderbolt 3 Audio Interface</h1>\n<i>6 Channels of Elite Audio Conversion with Two Unison Mic Preamps, New HEXA Core Processing and Surround Sound Monitoring. Now includes \"Heritage Edition\" Plug-in Bundle featuring $2,490 worth of UAD plug-ins!<br/></i><br/>\nUniversal Audio Apollo x6 allows music producers and post-production studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 5.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.<br/><br/>\nBuilt upon UA’s 60-year heritage of audio craftsmanship, this 16 x 22 interface distinguishes itself with two Unison™-enabled mic preamps, providing authentic emulations of preamps from Neve, API, Manley, Helios, SSL, and more, plus all-new HEXA Core processing  — yielding 50% more DSP for running UAD Powered Plug-Ins in real time. <br/><br/>\nIn addition to its elite-class audio conversion, Apollo x6 features selectable operating level for compatibility with professional +24 dBu gear, as well as an integrated monitor controller and built-in talkback mic.<br/><br/>\n<h3>Apollo x6 Key Features</h3>\n<ul>\n	<li>16 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion </li>\n	<li>Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size</li>\n	<li>Record through 2 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, Manley, SSL, and more**</li>\n	<li>Surround monitor controller up to 5.1 format</li>\n	<li>Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp Legacy Pultec EQ, LA-2A, and 1176 compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more</li>\n	<li>UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs</li>\n	<li>Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 via optional adapter  </li>\n	<li>Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines</li>\n	<li>Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono</li>\n	<li>Uncompromising UA analog design, superior components, and premium build quality</li>\n	<li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers </li>\n</ul>\n<br/>\n<h3>Elite-Class A/D and D/A Conversion </h3>\nWith thousands of chart-topping songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path. \n<br/><br/>With 129 dB dynamic range and -118 dB THD+N, Apollo x6’s open, natural sound quality rivals any dedicated high-end converter on the market — regardless of price — and is the perfect starting point for applying UAD processing.  <br/><br/>\n<h3>Realtime UAD HEXA Core Processing</h3>\nApollo x6 features HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW. \n<br/><br/>From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug-ins provide.<br/><br/>\n<h3>Unison™ Technology: The Genuine Sound of Neve, API, & Manley Preamps</h3>\nPerfect for electronic musicians and post production professionals who don’t require tons of mic inputs, Apollo x6 features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, and Universal Audio.** A Universal Audio exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware. \n<br/><br/>The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard Realtime UAD Processing. <br/><br/>\n<h3>A Full Suite of Classic Analog Processing </h3>\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x6 includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, the Unison-enabled UA 610-B Tube Preamp & EQ, and guitar and bass amps from Marshall and Ampeg.\n<br/><br/>\n<h3>Access the World of UAD Powered Plug-Ins</h3>\nGoing beyond the included Realtime Analog Classics Plus plug-ins, Apollo x6 lets you tap into the full UAD Powered Plug-In library of name-brand vintage EQs, compressors, reverbs, tape machines, channel strips, and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU. \n<br/><br/>With exclusive emulations from Neve, Studer, Manley, API, Ampex, SSL, Lexicon, Fender, and more,** it’s like having a studio full of iconic analog gear, in a single rack space. And unlike competing interfaces, these award-winning DSP-powered plug-ins are also available in your DAW for mixing.<br/><br/>\n<h3>Surround Sound Monitoring* and +24 dBu Operation</h3>\nWith comprehensive 5.1 surround monitoring support, Apollo x6 is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x6 offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment. \n<br/><br/>\n<h3>Build a Networked Studio System Over Thunderbolt</h3>\nApollo x6 offers 16 x 22 simultaneous inputs/outputs (6 x 6 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices — adding fast, high-bandwidth I/O and DSP as your studio grows. \n<br/><br/>\n<h3>With its professional connectivity the UA Apollo x6 sets a new \nstandard in high-resolution recording with classic analog sound. For \nmore information, call or chat with an RSPE representative.\n</h3>'),(12224,75,1,2038,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br/>Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br/>Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br/>Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br/>Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br/>Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br/><hr/><br/>\n\n<h1>Universal Audio Apollo x6 Heritage Edition - Thunderbolt 3 Audio Interface</h1>\n<i>6 Channels of Elite Audio Conversion with Two Unison Mic Preamps, New HEXA Core Processing and Surround Sound Monitoring. Now includes \"Heritage Edition\" Plug-in Bundle featuring $2,490 worth of UAD plug-ins!<br/></i><br/>\nUniversal Audio Apollo x6 allows music producers and post-production studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 5.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.<br/><br/>\nBuilt upon UA’s 60-year heritage of audio craftsmanship, this 16 x 22 interface distinguishes itself with two Unison™-enabled mic preamps, providing authentic emulations of preamps from Neve, API, Manley, Helios, SSL, and more, plus all-new HEXA Core processing  — yielding 50% more DSP for running UAD Powered Plug-Ins in real time. <br/><br/>\nIn addition to its elite-class audio conversion, Apollo x6 features selectable operating level for compatibility with professional +24 dBu gear, as well as an integrated monitor controller and built-in talkback mic.<br/><br/>\n<h3>Apollo x6 Key Features</h3>\n<ul>\n	<li>16 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion </li>\n	<li>Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size</li>\n	<li>Record through 2 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, Manley, SSL, and more**</li>\n	<li>Surround monitor controller up to 5.1 format</li>\n	<li>Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp Legacy Pultec EQ, LA-2A, and 1176 compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more</li>\n	<li>UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs</li>\n	<li>Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 via optional adapter  </li>\n	<li>Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines</li>\n	<li>Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono</li>\n	<li>Uncompromising UA analog design, superior components, and premium build quality</li>\n	<li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers </li>\n</ul>\n<br/>\n<h3>Elite-Class A/D and D/A Conversion </h3>\nWith thousands of chart-topping songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path. \n<br/><br/>With 129 dB dynamic range and -118 dB THD+N, Apollo x6’s open, natural sound quality rivals any dedicated high-end converter on the market — regardless of price — and is the perfect starting point for applying UAD processing.  <br/><br/>\n<h3>Realtime UAD HEXA Core Processing</h3>\nApollo x6 features HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW. \n<br/><br/>From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug-ins provide.<br/><br/>\n<h3>Unison™ Technology: The Genuine Sound of Neve, API, & Manley Preamps</h3>\nPerfect for electronic musicians and post production professionals who don’t require tons of mic inputs, Apollo x6 features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, and Universal Audio.** A Universal Audio exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware. \n<br/><br/>The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard Realtime UAD Processing. <br/><br/>\n<h3>A Full Suite of Classic Analog Processing </h3>\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x6 includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, the Unison-enabled UA 610-B Tube Preamp & EQ, and guitar and bass amps from Marshall and Ampeg.\n<br/><br/>\n<h3>Access the World of UAD Powered Plug-Ins</h3>\nGoing beyond the included Realtime Analog Classics Plus plug-ins, Apollo x6 lets you tap into the full UAD Powered Plug-In library of name-brand vintage EQs, compressors, reverbs, tape machines, channel strips, and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU. \n<br/><br/>With exclusive emulations from Neve, Studer, Manley, API, Ampex, SSL, Lexicon, Fender, and more,** it’s like having a studio full of iconic analog gear, in a single rack space. And unlike competing interfaces, these award-winning DSP-powered plug-ins are also available in your DAW for mixing.<br/><br/>\n<h3>Surround Sound Monitoring* and +24 dBu Operation</h3>\nWith comprehensive 5.1 surround monitoring support, Apollo x6 is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x6 offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment. \n<br/><br/>\n<h3>Build a Networked Studio System Over Thunderbolt</h3>\nApollo x6 offers 16 x 22 simultaneous inputs/outputs (6 x 6 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices — adding fast, high-bandwidth I/O and DSP as your studio grows. \n<br/><br/>\n<h3>With its professional connectivity the UA Apollo x6 sets a new \nstandard in high-resolution recording with classic analog sound. For \nmore information, call or chat with an RSPE representative.\n</h3>'),(12225,85,0,2038,'Universal Audio Apollo x6 Thunderbolt 3 Audio Interface'),(12226,85,1,2038,'Universal Audio Apollo x6 Thunderbolt 3 Audio Interface'),(12227,76,0,2038,''),(12228,76,1,2038,''),(12229,75,0,2039,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br/>Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br/>Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br/>Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br/>Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br/>Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br/><hr/><br/>\n\n<h1>Universal Audio Apollo x8 Heritage Edition - Thunderbolt 3 Audio Interface</h1>\n<i>8 Channels of Elite Audio Conversion with Four Unison Mic Preamps, New HEXA Core Processing and Surround Sound Monitoring. Now includes \"Heritage Edition\" Plug-in Bundle featuring $2,490 worth of UAD plug-ins!<br/></i><br/>\nUniversal Audio Apollo x8 allows music producers, project, and post-production studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.<br/><br/>\nBuilt upon UA’s 60-year heritage of audio craftsmanship, this 18 x 24 interface distinguishes itself with four Unison™-enabled mic preamps, providing authentic emulations of preamps from Neve, API, Manley, Helios, SSL and more, plus all-new HEXA Core processing  — yielding 50% more DSP for running UAD Powered Plug-Ins in real time. <br/><br/>\nIn addition to its elite-class audio conversion, Apollo x8 features selectable operating level for compatibility with professional +24 dBu gear, as well as an integrated monitor controller and built-in talkback mic.<br/><br/>\n<h3>Apollo x8 Key Features</h3>\n<ul>\n	<li>\n	18 x 24 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion</li>\n	<li>Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size</li>\n	<li>Record\n through 4 Unison-enabled mic/line preamps — giving you fully authentic \npreamp emulations from Neve, API, Manley, SSL, and more**\n	</li>\n	<li>Surround monitor controller up to 7.1 format</li>\n	<li>Includes\n “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B \nTube Preamp; Legacy Pultec EQ, LA-2A, and UAD HEXA Core processing \nonboard for additional mixing horsepower for Pro Tools, Logic, Cubase, \nAbleton, and other major DAWs\n	</li>\n	<li>Combine up to 4 \nThunderbolt-equipped Apollos and 6 total UAD devices; \nbackward-compatible with Thunderbolt 1 and 2 via optional adapter \n	</li>\n	<li>Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines</li>\n	<li>Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono</li>\n	<li>Uncompromising UA analog design, superior components, and premium build quality</li>\n	<li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers </li>\n</ul>\n<br/>\n<h3>Elite-Class A/D and D/A Conversion </h3>\nWith thousands of \nchart-topping songs and hundreds of Grammy-winning albums under their \nbelt, Apollo interfaces are no strangers to tracking stellar-sounding \nrecords. To improve on the previous generation Apollo interface’s \nclass-leading audio conversion, UA engineers obsessively auditioned the \nlatest A/D and D/A converters — ultimately pairing elite-class \n24-bit/192 kHz converters with all-new analog circuitry for an \nultra-pristine signal path. \n<br/><br/>With 129 dB dynamic range and -118 \ndB TD+N, Apollo x8’s open, natural sound quality rivals any dedicated \nhigh-end converter on the market — regardless of price — and is the \nperfect starting point for applying UAD processing.  \n<br/><br/>\n<h3>Realtime UAD HEXA Core Processing</h3>\nApollo x8 features new HEXA \nCore processing, with six DSP chips and 50% more UAD plug-in processing \npower than previous Apollos. This lets you run more UAD plug-ins, \nwhether you’re tracking in real time with channel strips from Neve, \nManley, or API, or running high UAD plug-in counts when mixing in your \nDAW. \n<br/><br/>From the tube warmth of Pultec EQs on guitars to the \nmusical tube limiting of the LA-2A on vocals, or the pump of a genuine \n1176 or Fairchild 670 tube compressor on drums, your recordings will \ntake a giant leap forward with a rich, three-dimensional analog sound \nthat UAD plug-ins provide.\n<br/><br/>\n<h3>Unison™ Technology: The Genuine Sound of Neve, API, & Manley Preamps</h3>\nPerfect\n for musicians, engineers, producers, and sound designers, Apollo x8 \nfeatures four Unison-enabled mic preamps, letting you track through \nexacting mic preamp emulations from Neve, API, Manley, SSL, and \nUniversal Audio.** A Universal Audio exclusive, Unison technology nails \nthe tone of these sought-after tube and solid state mic pres — including\n their input impedance, gain stage “sweet spots,” and the \ncomponent-level circuit behaviors of the original hardware. \n<br/><br/>The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard Realtime UAD processing. <br/><br/>\n<h3>A Full Suite of Classic Analog Processing Onboard</h3>\nOf course, a \nhallmark feature of Apollo is its Realtime UAD Processing, letting you \nrun the full library of UAD plug-ins with near-zero latency. Apollo x8 \nincludes the Realtime Analog Classics Plus plug-in bundle, so you can \nrecord and mix with the world’s only authentic Teletronix LA-2A, 1176LN,\n and Fairchild compressors, the Unison-enabled UA 610-B Tube Preamp \n& EQ, and guitar and bass amps from Marshall and Ampeg.\n<br/><br/>\n<h3>Access the World of UAD Powered Plug-Ins</h3>\nGoing\n beyond the included Realtime Analog Classics Plus plug-ins, Apollo x8 \nlets you tap into the full UAD Powered Plug-In library of name-brand \nvintage EQs, compressors, reverbs, tape machines, channel strips, and \nmore — at near-zero latency, regardless of your audio software’s buffer \nsize and without taxing your computer’s CPU. \n<br/><br/>With exclusive \nemulations from SSL, Neve, Studer, Manley, API, Ampex, Lexicon, Fender, \nand more,** it’s like having a studio full of iconic analog gear, in a \nsingle rack space. And unlike competing interfaces, these award-winning \nDSP-powered plug-ins are also available in your DAW for mixing.\n<br/><br/>\n<h3>Surround Sound Monitoring* and +24 dBu Operation</h3>\nWith\n comprehensive surround monitoring support for formats up to 7.1, Apollo\n x8 is a boon for engineers and producers working on audio and music for\n video games, television, and the web. In addition, Apollo x8 offers \nselectable +24 dBu operation for out-of-the-box compatibility with \nprofessional mixing consoles and other high-end pro audio equipment. \n<br/><br/>\n<h3>Build a Networked Studio System Over Thunderbolt</h3>\nApollo\n x8 offers 18 x 24 simultaneous inputs/outputs (8 x 8 analog I/O) and \ntwo built-in Thunderbolt 3 ports, which are backwards-compatible with \nThunderbolt 1 and 2 Macs via adapter (sold separately). This allows \nusers of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio \ninterfaces to easily combine up to four Apollos and six total UAD-2 \ndevices — adding fast, high-bandwidth I/O and DSP as your studio grows. \n<br/><br/>\n<h3>With its professional connectivity the UA Apollo x8 sets a new \nstandard in high-resolution recording with classic analog sound. For \nmore information, call or chat with an RSPE representative.\n</h3>'),(12230,75,1,2039,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br/>Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br/>Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br/>Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br/>Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br/>Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br/><hr/><br/>\n\n<h1>Universal Audio Apollo x8 Heritage Edition - Thunderbolt 3 Audio Interface</h1>\n<i>8 Channels of Elite Audio Conversion with Four Unison Mic Preamps, New HEXA Core Processing and Surround Sound Monitoring. Now includes \"Heritage Edition\" Plug-in Bundle featuring $2,490 worth of UAD plug-ins!<br/></i><br/>\nUniversal Audio Apollo x8 allows music producers, project, and post-production studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.<br/><br/>\nBuilt upon UA’s 60-year heritage of audio craftsmanship, this 18 x 24 interface distinguishes itself with four Unison™-enabled mic preamps, providing authentic emulations of preamps from Neve, API, Manley, Helios, SSL and more, plus all-new HEXA Core processing  — yielding 50% more DSP for running UAD Powered Plug-Ins in real time. <br/><br/>\nIn addition to its elite-class audio conversion, Apollo x8 features selectable operating level for compatibility with professional +24 dBu gear, as well as an integrated monitor controller and built-in talkback mic.<br/><br/>\n<h3>Apollo x8 Key Features</h3>\n<ul>\n	<li>\n	18 x 24 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion</li>\n	<li>Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size</li>\n	<li>Record\n through 4 Unison-enabled mic/line preamps — giving you fully authentic \npreamp emulations from Neve, API, Manley, SSL, and more**\n	</li>\n	<li>Surround monitor controller up to 7.1 format</li>\n	<li>Includes\n “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B \nTube Preamp; Legacy Pultec EQ, LA-2A, and UAD HEXA Core processing \nonboard for additional mixing horsepower for Pro Tools, Logic, Cubase, \nAbleton, and other major DAWs\n	</li>\n	<li>Combine up to 4 \nThunderbolt-equipped Apollos and 6 total UAD devices; \nbackward-compatible with Thunderbolt 1 and 2 via optional adapter \n	</li>\n	<li>Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines</li>\n	<li>Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono</li>\n	<li>Uncompromising UA analog design, superior components, and premium build quality</li>\n	<li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers </li>\n</ul>\n<br/>\n<h3>Elite-Class A/D and D/A Conversion </h3>\nWith thousands of \nchart-topping songs and hundreds of Grammy-winning albums under their \nbelt, Apollo interfaces are no strangers to tracking stellar-sounding \nrecords. To improve on the previous generation Apollo interface’s \nclass-leading audio conversion, UA engineers obsessively auditioned the \nlatest A/D and D/A converters — ultimately pairing elite-class \n24-bit/192 kHz converters with all-new analog circuitry for an \nultra-pristine signal path. \n<br/><br/>With 129 dB dynamic range and -118 \ndB TD+N, Apollo x8’s open, natural sound quality rivals any dedicated \nhigh-end converter on the market — regardless of price — and is the \nperfect starting point for applying UAD processing.  \n<br/><br/>\n<h3>Realtime UAD HEXA Core Processing</h3>\nApollo x8 features new HEXA \nCore processing, with six DSP chips and 50% more UAD plug-in processing \npower than previous Apollos. This lets you run more UAD plug-ins, \nwhether you’re tracking in real time with channel strips from Neve, \nManley, or API, or running high UAD plug-in counts when mixing in your \nDAW. \n<br/><br/>From the tube warmth of Pultec EQs on guitars to the \nmusical tube limiting of the LA-2A on vocals, or the pump of a genuine \n1176 or Fairchild 670 tube compressor on drums, your recordings will \ntake a giant leap forward with a rich, three-dimensional analog sound \nthat UAD plug-ins provide.\n<br/><br/>\n<h3>Unison™ Technology: The Genuine Sound of Neve, API, & Manley Preamps</h3>\nPerfect\n for musicians, engineers, producers, and sound designers, Apollo x8 \nfeatures four Unison-enabled mic preamps, letting you track through \nexacting mic preamp emulations from Neve, API, Manley, SSL, and \nUniversal Audio.** A Universal Audio exclusive, Unison technology nails \nthe tone of these sought-after tube and solid state mic pres — including\n their input impedance, gain stage “sweet spots,” and the \ncomponent-level circuit behaviors of the original hardware. \n<br/><br/>The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard Realtime UAD processing. <br/><br/>\n<h3>A Full Suite of Classic Analog Processing Onboard</h3>\nOf course, a \nhallmark feature of Apollo is its Realtime UAD Processing, letting you \nrun the full library of UAD plug-ins with near-zero latency. Apollo x8 \nincludes the Realtime Analog Classics Plus plug-in bundle, so you can \nrecord and mix with the world’s only authentic Teletronix LA-2A, 1176LN,\n and Fairchild compressors, the Unison-enabled UA 610-B Tube Preamp \n& EQ, and guitar and bass amps from Marshall and Ampeg.\n<br/><br/>\n<h3>Access the World of UAD Powered Plug-Ins</h3>\nGoing\n beyond the included Realtime Analog Classics Plus plug-ins, Apollo x8 \nlets you tap into the full UAD Powered Plug-In library of name-brand \nvintage EQs, compressors, reverbs, tape machines, channel strips, and \nmore — at near-zero latency, regardless of your audio software’s buffer \nsize and without taxing your computer’s CPU. \n<br/><br/>With exclusive \nemulations from SSL, Neve, Studer, Manley, API, Ampex, Lexicon, Fender, \nand more,** it’s like having a studio full of iconic analog gear, in a \nsingle rack space. And unlike competing interfaces, these award-winning \nDSP-powered plug-ins are also available in your DAW for mixing.\n<br/><br/>\n<h3>Surround Sound Monitoring* and +24 dBu Operation</h3>\nWith\n comprehensive surround monitoring support for formats up to 7.1, Apollo\n x8 is a boon for engineers and producers working on audio and music for\n video games, television, and the web. In addition, Apollo x8 offers \nselectable +24 dBu operation for out-of-the-box compatibility with \nprofessional mixing consoles and other high-end pro audio equipment. \n<br/><br/>\n<h3>Build a Networked Studio System Over Thunderbolt</h3>\nApollo\n x8 offers 18 x 24 simultaneous inputs/outputs (8 x 8 analog I/O) and \ntwo built-in Thunderbolt 3 ports, which are backwards-compatible with \nThunderbolt 1 and 2 Macs via adapter (sold separately). This allows \nusers of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio \ninterfaces to easily combine up to four Apollos and six total UAD-2 \ndevices — adding fast, high-bandwidth I/O and DSP as your studio grows. \n<br/><br/>\n<h3>With its professional connectivity the UA Apollo x8 sets a new \nstandard in high-resolution recording with classic analog sound. For \nmore information, call or chat with an RSPE representative.\n</h3>'),(12231,85,0,2039,'Universal Audio Apollo x8 Thunderbolt 3 Audio Interface'),(12232,85,1,2039,'Universal Audio Apollo x8 Thunderbolt 3 Audio Interface'),(12233,76,0,2039,''),(12234,76,1,2039,''),(12235,75,0,2040,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br/>Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br/>Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br/>Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br/>Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br/>Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br/><hr/><br/>\n\n<h1>Universal Audio Apollo x8p Heritage Edition - Thunderbolt 3 Audio Interface</h1>\n<i>8 Channels of Elite Audio Conversion with new HEXA Core processing and Surround Sound Monitoring. Now includes \"Heritage Edition\" Plug-in Bundle featuring $2,490 worth of UAD plug-ins!<br/></i><br/>\nUniversal Audio <span style=\"background-color: initial;\">Apollo x8p allows music engineers, producers, and project studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.<br/><br/>\nBuilt upon UA’s 60-year heritage of audio craftsmanship, this 16 x 22 interface distinguishes itself with eight Unison™-enabled mic preamps, providing authentic emulations of preamps from Neve, API, Manley, Helios, SSL and more, plus all-new HEXA Core processing  — yielding 50% more DSP for running UAD Powered Plug-Ins in real time. <br/><br/>\nIn addition to its elite-class audio conversion, Apollo x8p features selectable operating level for compatibility with professional +24 dBu gear, as well as an integrated monitor controller and built-in talkback mic.<br/><br/>\n<h3>Apollo x8p Key Features</h3>\n<ul>\n	<li>18 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion </li>\n	<li>Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size</li>\n	<li>Record through 2 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, Manley, SSL, and more**</li>\n	<li>Surround monitor controller up to 7.1 format</li>\n	<li>Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp Legacy Pultec EQ, LA-2A, and 1176 compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more</li>\n	<li>UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs</li>\n	<li>Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 via optional adapter  </li>\n	<li>Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines</li>\n	<li>Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono</li>\n	<li>Uncompromising UA analog design, superior components, and premium build quality</li>\n	<li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers </li>\n</ul>\n<br/>\n<h3>Elite-Class A/D and D/A Conversion </h3>\nWith thousands of chart-topping songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path. \n<br/><br/>With 129 dB dynamic range and -118 THD+N, the Apollo x8p’s open, natural sound quality rivals any dedicated high-end converter on the market — regardless of price — and is the perfect starting point for applying UAD processing.  <br/><br/>\n<h3>Realtime UAD HEXA Core Processing</h3>\nApollo x8p features new HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW. \n<br/><br/>From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug-ins provide.<br/><br/>\n<h3>Unison™ Technology: The Genuine Sound of Neve, API, & Manley Preamps</h3>\nPerfect for engineers, producers, and project studio owners, Apollo x8p features eight Unison-enabled mic preamps, letting you track large projects through exacting mic preamp emulations from Neve, API, Manley, SSL, and Universal Audio.** A Universal Audio exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware. \n<br/><br/>The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard Realtime UAD Processing.<br/><br/>\n<h3>A Full Suite of Classic Analog Processing Onboard</h3>\nOf course, a hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x8p includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, the Unison-enabled UA 610-B Tube Preamp & EQ, and guitar and bass amps from Marshall and Ampeg.\n<br/>\n<h3>Access the World of UAD Powered Plug-Ins</h3>\nGoing\n beyond the included Realtime Analog Classics Plus plug-ins, Apollo x8 \nlets you tap into the full UAD Powered Plug-In library of name-brand \nvintage EQs, compressors, reverbs, tape machines, channel strips, and \nmore — at near-zero latency, regardless of your audio software’s buffer \nsize and without taxing your computer’s CPU. \n<br/><br/>With exclusive \nemulations from SSL, Neve, Studer, Manley, API, Ampex, Lexicon, Fender, \nand more,** it’s like having a studio full of iconic analog gear, in a \nsingle rack space. And unlike competing interfaces, these award-winning \nDSP-powered plug-ins are also available in your DAW for mixing.\n<br/><br/>\n<h3>Surround Sound Monitoring* and +24 dBu Operation</h3>\nWith\n comprehensive surround monitoring support for formats up to 7.1, Apollo\n x8 is a boon for engineers and producers working on audio and music for\n video games, television, and the web. In addition, Apollo x8 offers \nselectable +24 dBu operation for out-of-the-box compatibility with \nprofessional mixing consoles and other high-end pro audio equipment. \n<br/><br/>\n<h3>Build a Networked Studio System Over Thunderbolt</h3>\nApollo\n x8 offers 18 x 24 simultaneous inputs/outputs (8 x 8 analog I/O) and \ntwo built-in Thunderbolt 3 ports, which are backwards-compatible with \nThunderbolt 1 and 2 Macs via adapter (sold separately). This allows \nusers of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio \ninterfaces to easily combine up to four Apollos and six total UAD-2 \ndevices — adding fast, high-bandwidth I/O and DSP as your studio grows. \n<br/><br/>\n<h3>With its professional connectivity the UA Apollo x6 sets a new \nstandard in high-resolution recording with classic analog sound. For \nmore information, call or chat with an RSPE representative.\n</h3>\n</span>'),(12236,75,1,2040,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br/>Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br/>Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br/>Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br/>Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br/>Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br/><hr/><br/>\n\n<h1>Universal Audio Apollo x8p Heritage Edition - Thunderbolt 3 Audio Interface</h1>\n<i>8 Channels of Elite Audio Conversion with new HEXA Core processing and Surround Sound Monitoring. Now includes \"Heritage Edition\" Plug-in Bundle featuring $2,490 worth of UAD plug-ins!<br/></i><br/>\nUniversal Audio <span style=\"background-color: initial;\">Apollo x8p allows music engineers, producers, and project studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.<br/><br/>\nBuilt upon UA’s 60-year heritage of audio craftsmanship, this 16 x 22 interface distinguishes itself with eight Unison™-enabled mic preamps, providing authentic emulations of preamps from Neve, API, Manley, Helios, SSL and more, plus all-new HEXA Core processing  — yielding 50% more DSP for running UAD Powered Plug-Ins in real time. <br/><br/>\nIn addition to its elite-class audio conversion, Apollo x8p features selectable operating level for compatibility with professional +24 dBu gear, as well as an integrated monitor controller and built-in talkback mic.<br/><br/>\n<h3>Apollo x8p Key Features</h3>\n<ul>\n	<li>18 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion </li>\n	<li>Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size</li>\n	<li>Record through 2 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, Manley, SSL, and more**</li>\n	<li>Surround monitor controller up to 7.1 format</li>\n	<li>Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp Legacy Pultec EQ, LA-2A, and 1176 compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more</li>\n	<li>UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs</li>\n	<li>Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 via optional adapter  </li>\n	<li>Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines</li>\n	<li>Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono</li>\n	<li>Uncompromising UA analog design, superior components, and premium build quality</li>\n	<li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers </li>\n</ul>\n<br/>\n<h3>Elite-Class A/D and D/A Conversion </h3>\nWith thousands of chart-topping songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path. \n<br/><br/>With 129 dB dynamic range and -118 THD+N, the Apollo x8p’s open, natural sound quality rivals any dedicated high-end converter on the market — regardless of price — and is the perfect starting point for applying UAD processing.  <br/><br/>\n<h3>Realtime UAD HEXA Core Processing</h3>\nApollo x8p features new HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW. \n<br/><br/>From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug-ins provide.<br/><br/>\n<h3>Unison™ Technology: The Genuine Sound of Neve, API, & Manley Preamps</h3>\nPerfect for engineers, producers, and project studio owners, Apollo x8p features eight Unison-enabled mic preamps, letting you track large projects through exacting mic preamp emulations from Neve, API, Manley, SSL, and Universal Audio.** A Universal Audio exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware. \n<br/><br/>The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard Realtime UAD Processing.<br/><br/>\n<h3>A Full Suite of Classic Analog Processing Onboard</h3>\nOf course, a hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x8p includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, the Unison-enabled UA 610-B Tube Preamp & EQ, and guitar and bass amps from Marshall and Ampeg.\n<br/>\n<h3>Access the World of UAD Powered Plug-Ins</h3>\nGoing\n beyond the included Realtime Analog Classics Plus plug-ins, Apollo x8 \nlets you tap into the full UAD Powered Plug-In library of name-brand \nvintage EQs, compressors, reverbs, tape machines, channel strips, and \nmore — at near-zero latency, regardless of your audio software’s buffer \nsize and without taxing your computer’s CPU. \n<br/><br/>With exclusive \nemulations from SSL, Neve, Studer, Manley, API, Ampex, Lexicon, Fender, \nand more,** it’s like having a studio full of iconic analog gear, in a \nsingle rack space. And unlike competing interfaces, these award-winning \nDSP-powered plug-ins are also available in your DAW for mixing.\n<br/><br/>\n<h3>Surround Sound Monitoring* and +24 dBu Operation</h3>\nWith\n comprehensive surround monitoring support for formats up to 7.1, Apollo\n x8 is a boon for engineers and producers working on audio and music for\n video games, television, and the web. In addition, Apollo x8 offers \nselectable +24 dBu operation for out-of-the-box compatibility with \nprofessional mixing consoles and other high-end pro audio equipment. \n<br/><br/>\n<h3>Build a Networked Studio System Over Thunderbolt</h3>\nApollo\n x8 offers 18 x 24 simultaneous inputs/outputs (8 x 8 analog I/O) and \ntwo built-in Thunderbolt 3 ports, which are backwards-compatible with \nThunderbolt 1 and 2 Macs via adapter (sold separately). This allows \nusers of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio \ninterfaces to easily combine up to four Apollos and six total UAD-2 \ndevices — adding fast, high-bandwidth I/O and DSP as your studio grows. \n<br/><br/>\n<h3>With its professional connectivity the UA Apollo x6 sets a new \nstandard in high-resolution recording with classic analog sound. For \nmore information, call or chat with an RSPE representative.\n</h3>\n</span>'),(12237,85,0,2040,'Universal Audio Apollo x8p Thunderbolt 3 Audio Interface'),(12238,85,1,2040,'Universal Audio Apollo x8p Thunderbolt 3 Audio Interface'),(12239,76,0,2040,''),(12240,76,1,2040,''),(12241,75,0,2041,'<h1>Universal Audio Teletronix LA-2A Classic Leveling Amplifier</h1><i>Tube-Amplified T4 Electro-Optical Classic Compressor. A modern recreation built to the original design of the classic Teletronix LA-2A.</i><br /><br />The Universal Audio LA-2A is a true recreation of the revered Teletronix LA-2A, immediately acknowledged for its smooth, natural compression characteristics. A unique tube-driven electro-optical attenuator system allows instantaneous gain reduction with no increase in harmonic distortion — an accomplishment at the time, still appreciated today. This faithful Universal Audio reissue marks the rebirth of the Teletronix LA-2A. Painstaking care has been taken to ensure that every new LA-2A provides the performance characteristics of the original. Each unit is point-to-point hand-wired and built in Scotts Valley, California, with every component carefully evaluated for authenticity. As a result, today’s LA-2A will bring the same legendary compression characteristics of the original to all of your recordings.<br /><br />\nEach unit is hand-built and hand-wired in-house at UA with each component being carefully evaluated for authenticity. No expense has been spared to guarantee that this LA-2A will bring that classic sound to your recording. Demand the original. Accept no copy.<br /><h3><br />UA LA-2A Features</h3><ul><li><span style=\"background-color: initial;\">True to the original in design, manufacturing and performance</span></li><li>Lag free, distortion free optical attenuator system</li><li>Distortion less than 0.5% THD</li><li>0 to 40 dB gain limiting</li><li>Balanced stereo interconnection</li><li>Frequency response 1 dB, 30 to 15,000 cps</li><li>Output level of 10 dBm and 40 dB gain</li><li>Low noise – less than 70 dB below ±10 dBm output</li><li>Hand-built in USA; backed by 1-Year limited warranty</li></ul><br />'),(12242,75,1,2041,'<h1>Universal Audio Teletronix LA-2A Classic Leveling Amplifier</h1><i>Tube-Amplified T4 Electro-Optical Classic Compressor. A modern recreation built to the original design of the classic Teletronix LA-2A.</i><br /><br />The Universal Audio LA-2A is a true recreation of the revered Teletronix LA-2A, immediately acknowledged for its smooth, natural compression characteristics. A unique tube-driven electro-optical attenuator system allows instantaneous gain reduction with no increase in harmonic distortion — an accomplishment at the time, still appreciated today. This faithful Universal Audio reissue marks the rebirth of the Teletronix LA-2A. Painstaking care has been taken to ensure that every new LA-2A provides the performance characteristics of the original. Each unit is point-to-point hand-wired and built in Scotts Valley, California, with every component carefully evaluated for authenticity. As a result, today’s LA-2A will bring the same legendary compression characteristics of the original to all of your recordings.<br /><br />\nEach unit is hand-built and hand-wired in-house at UA with each component being carefully evaluated for authenticity. No expense has been spared to guarantee that this LA-2A will bring that classic sound to your recording. Demand the original. Accept no copy.<br /><h3><br />UA LA-2A Features</h3><ul><li><span style=\"background-color: initial;\">True to the original in design, manufacturing and performance</span></li><li>Lag free, distortion free optical attenuator system</li><li>Distortion less than 0.5% THD</li><li>0 to 40 dB gain limiting</li><li>Balanced stereo interconnection</li><li>Frequency response 1 dB, 30 to 15,000 cps</li><li>Output level of 10 dBm and 40 dB gain</li><li>Low noise – less than 70 dB below ±10 dBm output</li><li>Hand-built in USA; backed by 1-Year limited warranty</li></ul><br />'),(12243,85,0,2041,'Universal Audio Teletronix LA-2A Classic Leveling Amplifier'),(12244,85,1,2041,'Universal Audio Teletronix LA-2A Classic Leveling Amplifier'),(12245,76,0,2041,''),(12246,76,1,2041,''),(12247,75,0,2042,'<h1>Universal Audio LA-610 MkII Classic Tube Recording Channel</h1><i>\nA Classic Tube Microphone Preamp & LA-2A-Style Compressor in a Single Unit<br /></i><br />\nThe Universal Audio LA-610 MkII combines an all-tube, vintage mic preamp design — heard on classic albums ranging from The Beach Boys’ Pet Sounds to Van Halen I — with authentic Teletronix T4 opto-compression circuitry. This classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.<br /><br />\n\nThe LA-610 MkII also boasts much lower noise specs versus vintage models. Elegant and highly popular “Black on Black” cosmetics complete the package. For the serious project studio looking to get the UA sonic experience, the LA-610 MkII offers tone, quality and character at an accessible price.<br /><br />\n\nThe LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60\'s. Noted for their musical character and warmth, innumerous classics by artists ranging from Sinatra to Van Halen have been recorded using these preamps. After the preamp section, the LA-610 MkII offers the T4 optical compressor. The simple operation and program-dependent nature of the LA-610 T4 compressor provides the same extremely musical control that has made the LA-2A such a well-loved classic for more than 40 years. The electro-optical detector, or \"T4 cell,” is the heart and soul of the Teletronix LA-2A. Its unique combination of electro-luminescent panel and photo-resistors are the crucial circuit components, giving the compressor its signature sound.<br /><br /><h3>LA-610 MkII Features</h3><ul><li>All-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console</li><li>Authentic Teletronix LA-2A-style T4 opto-compressor section</li><li>MkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply</li><li>Mic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”</li><li>High and Low frequency shelving EQ</li><li>Complete vintage channel strip at groundbreaking price within project studio reach</li><li>UA build quality and heritage, audiophile components, hand-assembled in the USA</li><li>Backed by 1-Year limited warranty</li></ul><br />'),(12248,75,1,2042,'<h1>Universal Audio LA-610 MkII Classic Tube Recording Channel</h1><i>\nA Classic Tube Microphone Preamp & LA-2A-Style Compressor in a Single Unit<br /></i><br />\nThe Universal Audio LA-610 MkII combines an all-tube, vintage mic preamp design — heard on classic albums ranging from The Beach Boys’ Pet Sounds to Van Halen I — with authentic Teletronix T4 opto-compression circuitry. This classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.<br /><br />\n\nThe LA-610 MkII also boasts much lower noise specs versus vintage models. Elegant and highly popular “Black on Black” cosmetics complete the package. For the serious project studio looking to get the UA sonic experience, the LA-610 MkII offers tone, quality and character at an accessible price.<br /><br />\n\nThe LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60\'s. Noted for their musical character and warmth, innumerous classics by artists ranging from Sinatra to Van Halen have been recorded using these preamps. After the preamp section, the LA-610 MkII offers the T4 optical compressor. The simple operation and program-dependent nature of the LA-610 T4 compressor provides the same extremely musical control that has made the LA-2A such a well-loved classic for more than 40 years. The electro-optical detector, or \"T4 cell,” is the heart and soul of the Teletronix LA-2A. Its unique combination of electro-luminescent panel and photo-resistors are the crucial circuit components, giving the compressor its signature sound.<br /><br /><h3>LA-610 MkII Features</h3><ul><li>All-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console</li><li>Authentic Teletronix LA-2A-style T4 opto-compressor section</li><li>MkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply</li><li>Mic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”</li><li>High and Low frequency shelving EQ</li><li>Complete vintage channel strip at groundbreaking price within project studio reach</li><li>UA build quality and heritage, audiophile components, hand-assembled in the USA</li><li>Backed by 1-Year limited warranty</li></ul><br />'),(12249,85,0,2042,'Universal Audio LA-610 MkII Classic Tube Recording Channel'),(12250,85,1,2042,'Universal Audio LA-610 MkII Classic Tube Recording Channel'),(12251,76,0,2042,''),(12252,76,1,2042,''),(12253,75,0,2043,'<h1>Universal Audio OX Amp Top Box </h1>\n<i>Get Legendary Studio Tones from your Tube Amp — Anywhere, at Any Volume.</i><br /><br />\nUniversal Audio OX Amp Top Box is a premium reactive load box and guitar recording system, giving you perfectly studio-miked amp sounds from your favorite tube amp. OX lets you play and record your amp in its sweet spots — from huge clean tones and edge-of-breakup to fully cranked — at any volume level, and with mic, room, and speaker cabinet emulations at the turn of a knob. <br /><br />\nFeaturing Universal Audio’s breakthrough Dynamic Speaker Modeling, OX is the first system to accurately emulate speaker drive, breakup, and cone cry — making it the world’s finest speaker attenuator and guitar amp recording solution.<br /><br />\n<h3>UA OX Amp Top Box Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Premium, no-compromise analog reactive load box and guitar recording system for tube guitar amps</span></li><li>Instant album-quality mic and speaker cabinet tones via front-panel “RIG” control</li><li>Get record-ready sounds quickly with expertly-placed virtual mics — no miking needed</li><li>Five finely-tuned amp attenuation levels — from off to whisper quiet to full band volume</li><li>UA Dynamic Speaker Modeling emulates speaker breakup and cone cry</li><li>Choose from 22 speaker cabs, six cabinet mics, and six room mics</li><li>Studio mixer with 2 independent close mics, and stereo room & mic modeling</li><li>Hands-free toggling of OX\'s studio-grade EQ, compression, delay, and reverb with up to three external footswitches</li><li>Selectable 4, 8, and 16-ohm operation</li><li>Front-panel Headphone out for silent practice with cranked tones</li><li>Balanced TRS line outs and S/PDIF digital outs for stereo recording</li><li>Pair with OX app (Windows 10, iPad, or Mac) over Wi-Fi for editing and saving presets</li>\n</ul>\n<br />\n<h3>The World’s Best Reactive Load Box</h3>\nWith decades of analog hardware engineering expertise, Universal Audio’s dream team of engineers set out to design a reactive load box that retains the tone, dynamics, and feel of your tube amp — no matter how much it’s attenuated. The goal was for your tube amp to “see” OX as an actual speaker — with continuously variable impedance and response — so you don’t lose a drop of tone or playing dynamics.\n<br /><br />\n<h3>A Complete Guitar Recording System</h3>\nOX’s front-panel, six-position RIG control allows you to quickly choose from complete setups — including emulated speaker cabinets, close mics, ambient room mics, and up to four simultaneous studio effects. OX is also the only guitar recording system to offer a complete selection of expertly placed room mics, giving you the authentic experience of pushing air while recording your cranked amp in a world-class tracking room. OX Amp Top Box 6 Welcome to OX Amp Top Box!\n<br /><br />\n<h3>Dynamic Speaker Modeling</h3>\nUA’s groundbreaking Dynamic Speaker Modeling faithfully emulates speaker breakup, drive, and cone cry — an essential ingredient to authentic tube amp tones. Using the Speaker Breakup knob in the OX app, you can control the harmonics and sonic complexity that occurs only at certain frequencies and volume levels on various speakers — far beyond a static Impulse Response system — giving you the same sonic phenomenon that occurs with a real speaker cabinet.\n<br /><br />\n<h3>A Beautiful Software App</h3>\nMost guitar products do digital awkwardly. They’re ugly and hard to understand. The OX software app, on the other hand, offers slick, intuitive control over all of OX’s RIG settings via Wi-Fi — letting you tweak, store and recall hundreds of presets from your iPad and Mac/Windows computer. You can then save your six favorite tones onto OX’s front-panel RIG knob for instant recall in the studio or at a gig.\n<br /><br />\n<h3>The Right Connections</h3>\nNot only does OX Amp Top Box feature a front-panel headphone jack for silent practice with your cranked tube amp, it also sports a bevy of connections for all kinds of recording and live workflows. Stereo S/PDIF digital outputs via RCA and optical TOSLINK, as well as balanced TRS stereo line outputs with front panel level control, give you the necessary connections for studio monitors, DAW, or live mixing console inputs.\n<br /><br />'),(12254,75,1,2043,'<h1>Universal Audio OX Amp Top Box </h1>\n<i>Get Legendary Studio Tones from your Tube Amp — Anywhere, at Any Volume.</i><br /><br />\nUniversal Audio OX Amp Top Box is a premium reactive load box and guitar recording system, giving you perfectly studio-miked amp sounds from your favorite tube amp. OX lets you play and record your amp in its sweet spots — from huge clean tones and edge-of-breakup to fully cranked — at any volume level, and with mic, room, and speaker cabinet emulations at the turn of a knob. <br /><br />\nFeaturing Universal Audio’s breakthrough Dynamic Speaker Modeling, OX is the first system to accurately emulate speaker drive, breakup, and cone cry — making it the world’s finest speaker attenuator and guitar amp recording solution.<br /><br />\n<h3>UA OX Amp Top Box Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Premium, no-compromise analog reactive load box and guitar recording system for tube guitar amps</span></li><li>Instant album-quality mic and speaker cabinet tones via front-panel “RIG” control</li><li>Get record-ready sounds quickly with expertly-placed virtual mics — no miking needed</li><li>Five finely-tuned amp attenuation levels — from off to whisper quiet to full band volume</li><li>UA Dynamic Speaker Modeling emulates speaker breakup and cone cry</li><li>Choose from 22 speaker cabs, six cabinet mics, and six room mics</li><li>Studio mixer with 2 independent close mics, and stereo room & mic modeling</li><li>Hands-free toggling of OX\'s studio-grade EQ, compression, delay, and reverb with up to three external footswitches</li><li>Selectable 4, 8, and 16-ohm operation</li><li>Front-panel Headphone out for silent practice with cranked tones</li><li>Balanced TRS line outs and S/PDIF digital outs for stereo recording</li><li>Pair with OX app (Windows 10, iPad, or Mac) over Wi-Fi for editing and saving presets</li>\n</ul>\n<br />\n<h3>The World’s Best Reactive Load Box</h3>\nWith decades of analog hardware engineering expertise, Universal Audio’s dream team of engineers set out to design a reactive load box that retains the tone, dynamics, and feel of your tube amp — no matter how much it’s attenuated. The goal was for your tube amp to “see” OX as an actual speaker — with continuously variable impedance and response — so you don’t lose a drop of tone or playing dynamics.\n<br /><br />\n<h3>A Complete Guitar Recording System</h3>\nOX’s front-panel, six-position RIG control allows you to quickly choose from complete setups — including emulated speaker cabinets, close mics, ambient room mics, and up to four simultaneous studio effects. OX is also the only guitar recording system to offer a complete selection of expertly placed room mics, giving you the authentic experience of pushing air while recording your cranked amp in a world-class tracking room. OX Amp Top Box 6 Welcome to OX Amp Top Box!\n<br /><br />\n<h3>Dynamic Speaker Modeling</h3>\nUA’s groundbreaking Dynamic Speaker Modeling faithfully emulates speaker breakup, drive, and cone cry — an essential ingredient to authentic tube amp tones. Using the Speaker Breakup knob in the OX app, you can control the harmonics and sonic complexity that occurs only at certain frequencies and volume levels on various speakers — far beyond a static Impulse Response system — giving you the same sonic phenomenon that occurs with a real speaker cabinet.\n<br /><br />\n<h3>A Beautiful Software App</h3>\nMost guitar products do digital awkwardly. They’re ugly and hard to understand. The OX software app, on the other hand, offers slick, intuitive control over all of OX’s RIG settings via Wi-Fi — letting you tweak, store and recall hundreds of presets from your iPad and Mac/Windows computer. You can then save your six favorite tones onto OX’s front-panel RIG knob for instant recall in the studio or at a gig.\n<br /><br />\n<h3>The Right Connections</h3>\nNot only does OX Amp Top Box feature a front-panel headphone jack for silent practice with your cranked tube amp, it also sports a bevy of connections for all kinds of recording and live workflows. Stereo S/PDIF digital outputs via RCA and optical TOSLINK, as well as balanced TRS stereo line outputs with front panel level control, give you the necessary connections for studio monitors, DAW, or live mixing console inputs.\n<br /><br />'),(12255,85,0,2043,'Universal Audio OX Amp Top Box'),(12256,85,1,2043,'Universal Audio OX Amp Top Box'),(12257,76,0,2043,''),(12258,76,1,2043,''),(12259,75,0,2044,'<h1>Universal Audio SOLO/610 Classic Tube Preamp and DI Box</h1>\nThe Universal Audio SOLO/610 delivers the classic Putnam 610 tube console sound in a rugged, highly versatile mic preamp design. This unit provides the silky, vintage warmth of the original console’s mic amp design, and will flatter any microphone or instrument with its signature sound. Thanks to its convenient form factor, the SOLO/610 can be conveniently used in the control room or the recording room, on stage, or on a desktop. Functionally lean but sonically mean, the SOLO/610 maintains the character of the 610 console — at a price every serious project studio can afford.<br /><br />\nThe SOLO/610 offers Mic and DI inputs, and features Gain and Level control for a wide variety of clean to colored tones. Unlike its predecessors, the SOLO/610 has continuous Gain control with even greater range, allowing for more precise gain structuring — doubling as input signal padding. The SOLO/610 has all the essential features like 48v Phantom Power, Lo-Cut filtering, Phase Reverse and flexible dual impedance selection for both Mic and DI inputs. The SOLO/610 includes essential DI features like Thru use in conjunction with an amplifier, plus Ground Lift and a versatile Mic/Line level output switch.<br /><br /><h3>UA SOLO/610 Features</h3><ul><li><span style=\"background-color: initial;\">Classic Putnam 610 console mic preamplifier and DI</span></li><li>Legendary all-tube sound, at a project studio price</li><li>Gain, Level, and Impedance selection for maximum tonal variety</li><li>Portable design for studio, desktop or stage</li><li>Rugged construction-steel chassis</li><li>DI features include Thru and Mic/Line level output</li><li>Hand-built in USA; backed by 1-year limited warranty</li></ul>'),(12260,75,1,2044,'<h1>Universal Audio SOLO/610 Classic Tube Preamp and DI Box</h1>\nThe Universal Audio SOLO/610 delivers the classic Putnam 610 tube console sound in a rugged, highly versatile mic preamp design. This unit provides the silky, vintage warmth of the original console’s mic amp design, and will flatter any microphone or instrument with its signature sound. Thanks to its convenient form factor, the SOLO/610 can be conveniently used in the control room or the recording room, on stage, or on a desktop. Functionally lean but sonically mean, the SOLO/610 maintains the character of the 610 console — at a price every serious project studio can afford.<br /><br />\nThe SOLO/610 offers Mic and DI inputs, and features Gain and Level control for a wide variety of clean to colored tones. Unlike its predecessors, the SOLO/610 has continuous Gain control with even greater range, allowing for more precise gain structuring — doubling as input signal padding. The SOLO/610 has all the essential features like 48v Phantom Power, Lo-Cut filtering, Phase Reverse and flexible dual impedance selection for both Mic and DI inputs. The SOLO/610 includes essential DI features like Thru use in conjunction with an amplifier, plus Ground Lift and a versatile Mic/Line level output switch.<br /><br /><h3>UA SOLO/610 Features</h3><ul><li><span style=\"background-color: initial;\">Classic Putnam 610 console mic preamplifier and DI</span></li><li>Legendary all-tube sound, at a project studio price</li><li>Gain, Level, and Impedance selection for maximum tonal variety</li><li>Portable design for studio, desktop or stage</li><li>Rugged construction-steel chassis</li><li>DI features include Thru and Mic/Line level output</li><li>Hand-built in USA; backed by 1-year limited warranty</li></ul>'),(12261,85,0,2044,'Universal Audio SOLO/610 Classic Tube Preamp and DI Box'),(12262,85,1,2044,'Universal Audio SOLO/610 Classic Tube Preamp and DI Box'),(12263,76,0,2044,''),(12264,76,1,2044,''),(12265,75,0,2045,'Studio Series Professional Microphone Boom Stand with Adjustable Counter Weight, Quarter-turn Clutch and Rollerblade-style Caster Wheels.\n\nThe MC-125 professional studio boom stand\'s larger-diameter base and locking, rollerblade-style wheels provide a low center of gravity and extra stability. Smoothly raise or lower height from 52\" to 83\" with a reliable clutch. The long boom telescopes from 35\" to 61\" and features a friction-free clutch arm extension. Also includes a unique, easy-adjust 5.75-lb. counterweight for a stable microphone placement. And the threaded shaft and boom sections provide quick set up and tear down for easy transport and storage. The MC-125 is in a class all its own.'),(12266,75,1,2045,'Studio Series Professional Microphone Boom Stand with Adjustable Counter Weight, Quarter-turn Clutch and Rollerblade-style Caster Wheels.\n\nThe MC-125 professional studio boom stand\'s larger-diameter base and locking, rollerblade-style wheels provide a low center of gravity and extra stability. Smoothly raise or lower height from 52\" to 83\" with a reliable clutch. The long boom telescopes from 35\" to 61\" and features a friction-free clutch arm extension. Also includes a unique, easy-adjust 5.75-lb. counterweight for a stable microphone placement. And the threaded shaft and boom sections provide quick set up and tear down for easy transport and storage. The MC-125 is in a class all its own.'),(12267,85,0,2045,'Ultimate Support MC-125 Professional Studio Boom Stand, Black'),(12268,85,1,2045,'Ultimate Support MC-125 Professional Studio Boom Stand, Black'),(12269,76,0,2045,''),(12270,76,1,2045,''),(12271,75,0,2046,'The new MS MKII Series studio reference monitor stands from Ultimate Support offer unparalleled innovation and strength for professional, project, and home studios alike. The MS-80 is a desktop monitor stand that features non-slip, high-density acoustic foam and an angle-adjustable base that allows the end user to fine tune the sweet spot. The MS-90 is a column monitor stand that offers internal cable management channels and 6000 Series aluminum construction while the MS-100 is essentially a combination of the two!'),(12272,75,1,2046,'The new MS MKII Series studio reference monitor stands from Ultimate Support offer unparalleled innovation and strength for professional, project, and home studios alike. The MS-80 is a desktop monitor stand that features non-slip, high-density acoustic foam and an angle-adjustable base that allows the end user to fine tune the sweet spot. The MS-90 is a column monitor stand that offers internal cable management channels and 6000 Series aluminum construction while the MS-100 is essentially a combination of the two!'),(12273,85,0,2046,'Ultimate Support MS-80B Adjustable Angle Pad'),(12274,85,1,2046,'Ultimate Support MS-80B Adjustable Angle Pad'),(12275,76,0,2046,''),(12276,76,1,2046,''),(12277,75,0,2047,'Second Generation Column Studio Monitor Stands with Built-in Acoustic Isolation – Black or Red, 45” or 36”, sold in pairs.\n\nThe new MS MKII Series studio reference monitor stands from Ultimate Support offer unparalleled innovation and strength for professional, project, and home studios alike. The MS-80 is a desktop monitor stand that features non-slip, high-density acoustic foam and an angle-adjustable base that allows the end user to fine tune the sweet spot. The MS-90 is a column monitor stand that offers internal cable management channels and 6000 Series aluminum construction while the MS-100 is essentially a combination of the two!'),(12278,75,1,2047,'Second Generation Column Studio Monitor Stands with Built-in Acoustic Isolation – Black or Red, 45” or 36”, sold in pairs.\n\nThe new MS MKII Series studio reference monitor stands from Ultimate Support offer unparalleled innovation and strength for professional, project, and home studios alike. The MS-80 is a desktop monitor stand that features non-slip, high-density acoustic foam and an angle-adjustable base that allows the end user to fine tune the sweet spot. The MS-90 is a column monitor stand that offers internal cable management channels and 6000 Series aluminum construction while the MS-100 is essentially a combination of the two!'),(12279,85,0,2047,'Ultimate Support MS90-45 Speaker Stands'),(12280,85,1,2047,'Ultimate Support MS90-45 Speaker Stands'),(12281,76,0,2047,''),(12282,76,1,2047,''),(12283,75,0,2048,'Pro Series Microphone Stand with Patented Quarter-turn Clutch and Oversized Steel Tubing - Tripod Base/Standard Height/Telescoping Boom.\n\nThe Pro Series microphone stands from Ultimate Support are designed for the gigging musician, working engineer, and professional venue. They are the workhorse of the Ultimate Support line of microphone stands featuring field-replaceable parts that are strong and durable, an easy-to-use, comfortable clutch, and a scratch-resistant finish that will not rust. The Pro Series mic stands are available with tripod, weighted, and stackable bases; short, and regular heights; and, with or without telescoping or fixed-length boom arms. There\'s a Pro Series mic stand for all needs!'),(12284,75,1,2048,'Pro Series Microphone Stand with Patented Quarter-turn Clutch and Oversized Steel Tubing - Tripod Base/Standard Height/Telescoping Boom.\n\nThe Pro Series microphone stands from Ultimate Support are designed for the gigging musician, working engineer, and professional venue. They are the workhorse of the Ultimate Support line of microphone stands featuring field-replaceable parts that are strong and durable, an easy-to-use, comfortable clutch, and a scratch-resistant finish that will not rust. The Pro Series mic stands are available with tripod, weighted, and stackable bases; short, and regular heights; and, with or without telescoping or fixed-length boom arms. There\'s a Pro Series mic stand for all needs!'),(12285,85,0,2048,'Ultimate Support Pro-T-T Package - tripod base/telescoping boom, standard height (lifetime warranty incl)'),(12286,85,1,2048,'Ultimate Support Pro-T-T Package - tripod base/telescoping boom, standard height (lifetime warranty incl)'),(12287,76,0,2048,''),(12288,76,1,2048,''),(12289,75,0,2049,'<h2>Vanguard Audio Labs V1+Lolli Pencil Condenser Microphone Kit</h2>\n<p>\n</p>\n<i><inline style=\"font-size: 18px;\">The Vanguard V1 Pencil Microphone with V34C lollipop capsule, 4 22mm capsules, and shock mount. The most versatile condenser in the land! </inline></i><br /><br />\nThe Vanguard Audio Labs V1S+LOLLI is a multi-capsule pencil condenser microphone system designed to be a versatile, reliable, professional tool for any recording engineer, studio, producer, or artist. Ten total custom-voiced capsules – in both small- and large-diaphragm formats, and with multiple pickup patterns – allow for a cornucopia of tonal variations for virtually any sound source or recording situation. With a “straight-wire” circuit design, premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1S+LOLLI will be your new “go-to” microphone pair for stereo recording.\n<br /><br />\n<h2>What\'s Inside</h2><b>\nVanguard V1 Microphone</b> – packed with high-end componentry including an ultra-quality precision-biased JFET, a custom-wound transformer, premium capacitors, and cryogenic treatment throughout. A “straight-wire” design philosophy means there’s only four components between the capsule and the output.<br /><br /><b>\n\nFour 22mm Capsules</b> – these interchangeable capsules give you unmatched flexibility – cardioid, wide cardioid, hypercardioid, and omnidirectional. Ultra-sensitive 4-micron diaphragms, an anti-comb-filtering front design, and precision-machined backplates give wide consistency across each capsule.<br /><br /><b>\n\nV34C “LOLLI” Removable Multi-Pattern Large-Diaphragm Capsule Head</b> – the world’s first interchangeable large-diaphragm multi-pattern head. Our custom-voiced 34mm edge-terminated 3-micron diaphragm dual-capsule assembly housed in a precision-machined aircraft-grade aluminum body. Switchable between omni and cardioid…and aesthetically gorgeous to boot.<br /><br /><b>\n\nVSSM Shockmount </b>– the best pencil shockmount in the ‘verse. Heavy-duty cast zinc partners with high-impact ABS to create a shockmount that stays where it’s supposed to. Aerospace-grade suspension rings keep the rumble out (no hair scrunchies here!), and a windowed design allows you to easily access switches without changing the your mic placement.<br /><br /><b>\n\nPinewood Storage Case</b> – because your microphones should stay safe in luxury. We’ve carved individual capsule pockets into a block of solid pine, and custom-cut foam for your mics to stay cozy and secure…whether they’re on the road or in your studio.<br /><br />\n<h3>Vanguard V11 Features</h3>\n<h4>Capsule & Electronics</h4>\n<ul>\n	<li>4 small-diaphragm 22mm capsule assemblies – cardioid, hypercardioid, omnidirectional, wide cardioid</li>\n	<li>Transformer-balanced solid-state circuit</li>\n	<li>Ultra low-noise high-quality hand-biased JFET and other premium-grade components</li>\n	<li>Deep-cycle cryogenic treatment of critical signal & power path components</li>\n	<li>Transformer-balanced output – custom-wound humbucking dual-bobbin transformer</li>\n	<li>Works via 48V phantom power</li>\n</ul>\n<br />\n<h4>Construction</h4>\n<ul>\n	<li>Heavy-duty brass, aircraft-grade aluminum, steel, and zinc construction</li>\n	<li>Each V1 comes with its own laser-engraved serial number</li>\n	<li>Over-spec componentry</li>\n	<li>Deep-gloss Pinot Noir finish</li>\n	<li>Polished nickel trim</li>\n	<li>Precision-cast Vanguard badge</li>\n	<li>Final Assembly & 100% Quality Control in California, USA</li>\n	<li>5-Year Warranty</li>\n</ul>\n<br />\n<h4>Accessories Included</h4>\n<ul>\n	<li>22mm removable capsule – Cardioid</li>\n	<li>22mm removable capsule – Hypercardioid</li>\n	<li>22mm removable capsule – Omnidirectional</li>\n	<li>22mm removable capsule – Wide Cardioid</li>\n	<li>VSSM small shockmount</li>\n	<li>Padded pinewood microphone storage box</li>\n</ul>\n<br />\n<h2>DESIGN</h2>\nThe VANGUARD V1 is designed and precision-built in limited quantities to “no-compromise” standards, with final assembly and 100% testing taking place here in Southern California. Vanguard Audio Labs spent more than three years designing, developing, and refining the V1.\n<br /><br />\nVanguard\'s small-diaphragm capsules begin with a 16mm 4µm gold-sputtered Mylar diaphragm, carefully positioned in front of a precision-machined, custom-voiced backplate. The housing is engineered to bring the diaphragm as close as possible to the front of the capsule housing, preventing comb filtering.<br /><br />\nThe capsule is coupled to a transformer-balanced solid-state circuit that matches the unique musical properties of the capsules and is loaded with premium-grade, over-spec components sourced from manufacturers all over the world. Vanguard cryogenically treat critical components in the signal & power paths, including an ultra-high-grade hand-biased FET. The circuit is designed with an “In = Out” philosophy, with only four components present in the signal path.<br /><br />\nAesthetically, a microphone should look at least half as good as it sounds. The precision-machined brass body is coated with Vanguard\'s signature Pinot Noir hue, finished with a deep, lustrous gloss, and accented by polished nickel trim and a precision-cast Vanguard badge. Your V1’s serial number is laser-engraved on the lower rear of the microphone.<br /><br />\nThe V1 was designed by a team of experts with more than 65 years of combined experience and vetted by award-winning engineers and producers.<br /><br />\n<h2 style=\"font-size: 14px;\">QUALITY</h2>\nThe V1 was designed in the USA, and undergoes final assembly in sunny Southern California. Vanguard perform 100% quality control – every single part of your V1 kit undergoes a series of stringent audio and visual tests here in Southern California before being hand-packed. Vanguard precision-bias each high-grade JFET by hand on a calibrated analog oscilloscope (a Tektronix 465B, for you fellow EE geeks).\n<br /><br />\nEvery part of the V1 was designed to be robust and reliable. Wherever possible, the circuitry is over-spec’ed. Deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, and zinc are part of the heavy-duty construction.\n<br /><br />\nYou want your recording tools to be reliable, durable, and rugged, and so do we! Every Vanguard microphone is backed by a FIVE-YEAR WARRANTY.\n<br /><br />'),(12290,75,1,2049,'<h2>Vanguard Audio Labs V1+Lolli Pencil Condenser Microphone Kit</h2>\n<p>\n</p>\n<i><inline style=\"font-size: 18px;\">The Vanguard V1 Pencil Microphone with V34C lollipop capsule, 4 22mm capsules, and shock mount. The most versatile condenser in the land! </inline></i><br /><br />\nThe Vanguard Audio Labs V1S+LOLLI is a multi-capsule pencil condenser microphone system designed to be a versatile, reliable, professional tool for any recording engineer, studio, producer, or artist. Ten total custom-voiced capsules – in both small- and large-diaphragm formats, and with multiple pickup patterns – allow for a cornucopia of tonal variations for virtually any sound source or recording situation. With a “straight-wire” circuit design, premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1S+LOLLI will be your new “go-to” microphone pair for stereo recording.\n<br /><br />\n<h2>What\'s Inside</h2><b>\nVanguard V1 Microphone</b> – packed with high-end componentry including an ultra-quality precision-biased JFET, a custom-wound transformer, premium capacitors, and cryogenic treatment throughout. A “straight-wire” design philosophy means there’s only four components between the capsule and the output.<br /><br /><b>\n\nFour 22mm Capsules</b> – these interchangeable capsules give you unmatched flexibility – cardioid, wide cardioid, hypercardioid, and omnidirectional. Ultra-sensitive 4-micron diaphragms, an anti-comb-filtering front design, and precision-machined backplates give wide consistency across each capsule.<br /><br /><b>\n\nV34C “LOLLI” Removable Multi-Pattern Large-Diaphragm Capsule Head</b> – the world’s first interchangeable large-diaphragm multi-pattern head. Our custom-voiced 34mm edge-terminated 3-micron diaphragm dual-capsule assembly housed in a precision-machined aircraft-grade aluminum body. Switchable between omni and cardioid…and aesthetically gorgeous to boot.<br /><br /><b>\n\nVSSM Shockmount </b>– the best pencil shockmount in the ‘verse. Heavy-duty cast zinc partners with high-impact ABS to create a shockmount that stays where it’s supposed to. Aerospace-grade suspension rings keep the rumble out (no hair scrunchies here!), and a windowed design allows you to easily access switches without changing the your mic placement.<br /><br /><b>\n\nPinewood Storage Case</b> – because your microphones should stay safe in luxury. We’ve carved individual capsule pockets into a block of solid pine, and custom-cut foam for your mics to stay cozy and secure…whether they’re on the road or in your studio.<br /><br />\n<h3>Vanguard V11 Features</h3>\n<h4>Capsule & Electronics</h4>\n<ul>\n	<li>4 small-diaphragm 22mm capsule assemblies – cardioid, hypercardioid, omnidirectional, wide cardioid</li>\n	<li>Transformer-balanced solid-state circuit</li>\n	<li>Ultra low-noise high-quality hand-biased JFET and other premium-grade components</li>\n	<li>Deep-cycle cryogenic treatment of critical signal & power path components</li>\n	<li>Transformer-balanced output – custom-wound humbucking dual-bobbin transformer</li>\n	<li>Works via 48V phantom power</li>\n</ul>\n<br />\n<h4>Construction</h4>\n<ul>\n	<li>Heavy-duty brass, aircraft-grade aluminum, steel, and zinc construction</li>\n	<li>Each V1 comes with its own laser-engraved serial number</li>\n	<li>Over-spec componentry</li>\n	<li>Deep-gloss Pinot Noir finish</li>\n	<li>Polished nickel trim</li>\n	<li>Precision-cast Vanguard badge</li>\n	<li>Final Assembly & 100% Quality Control in California, USA</li>\n	<li>5-Year Warranty</li>\n</ul>\n<br />\n<h4>Accessories Included</h4>\n<ul>\n	<li>22mm removable capsule – Cardioid</li>\n	<li>22mm removable capsule – Hypercardioid</li>\n	<li>22mm removable capsule – Omnidirectional</li>\n	<li>22mm removable capsule – Wide Cardioid</li>\n	<li>VSSM small shockmount</li>\n	<li>Padded pinewood microphone storage box</li>\n</ul>\n<br />\n<h2>DESIGN</h2>\nThe VANGUARD V1 is designed and precision-built in limited quantities to “no-compromise” standards, with final assembly and 100% testing taking place here in Southern California. Vanguard Audio Labs spent more than three years designing, developing, and refining the V1.\n<br /><br />\nVanguard\'s small-diaphragm capsules begin with a 16mm 4µm gold-sputtered Mylar diaphragm, carefully positioned in front of a precision-machined, custom-voiced backplate. The housing is engineered to bring the diaphragm as close as possible to the front of the capsule housing, preventing comb filtering.<br /><br />\nThe capsule is coupled to a transformer-balanced solid-state circuit that matches the unique musical properties of the capsules and is loaded with premium-grade, over-spec components sourced from manufacturers all over the world. Vanguard cryogenically treat critical components in the signal & power paths, including an ultra-high-grade hand-biased FET. The circuit is designed with an “In = Out” philosophy, with only four components present in the signal path.<br /><br />\nAesthetically, a microphone should look at least half as good as it sounds. The precision-machined brass body is coated with Vanguard\'s signature Pinot Noir hue, finished with a deep, lustrous gloss, and accented by polished nickel trim and a precision-cast Vanguard badge. Your V1’s serial number is laser-engraved on the lower rear of the microphone.<br /><br />\nThe V1 was designed by a team of experts with more than 65 years of combined experience and vetted by award-winning engineers and producers.<br /><br />\n<h2 style=\"font-size: 14px;\">QUALITY</h2>\nThe V1 was designed in the USA, and undergoes final assembly in sunny Southern California. Vanguard perform 100% quality control – every single part of your V1 kit undergoes a series of stringent audio and visual tests here in Southern California before being hand-packed. Vanguard precision-bias each high-grade JFET by hand on a calibrated analog oscilloscope (a Tektronix 465B, for you fellow EE geeks).\n<br /><br />\nEvery part of the V1 was designed to be robust and reliable. Wherever possible, the circuitry is over-spec’ed. Deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, and zinc are part of the heavy-duty construction.\n<br /><br />\nYou want your recording tools to be reliable, durable, and rugged, and so do we! Every Vanguard microphone is backed by a FIVE-YEAR WARRANTY.\n<br /><br />'),(12291,85,0,2049,'Vanguard Audio Labs V1+Lolli Pencil Condenser Microphone Kit'),(12292,85,1,2049,'Vanguard Audio Labs V1+Lolli Pencil Condenser Microphone Kit'),(12293,76,0,2049,''),(12294,76,1,2049,''),(12295,75,0,2050,'<h2>Vanguard Audio Labs V1 Pencil Condenser Microphone</h2>\n<p>\n</p>\n<i><inline style=\"font-size: 18px;\">The Vanguard V1 Pencil Microphone with 4 capsules, and shock mount. The most versatile condenser in the land! </inline></i><br /><br />The Vanguard Audio Labs V1 is a multi-capsule FET pencil condenser microphone. V1 is designed to be a versatile, reliable, professional tool for any recording engineer, studio, producer, or artist. 4 total custom-voiced capsules and with multiple pickup patterns – allow for a cornucopia of tonal variations for virtually any sound source or recording situation. With a “straight-wire” circuit design, premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a heavy-duty VSSM shockmount, the V1 will be your new studio workhorse.<br /><br />\n<h2>What\'s Inside</h2>\n<b>Vanguard V1 Microphone</b> – packed with high-end componentry including an ultra-quality precision-biased JFET, a custom-wound transformer, premium capacitors, and cryogenic treatment throughout. A “straight-wire” design philosophy means there’s only four components between the capsule and the output. <br /><br /><b>Four 22mm Capsules </b>– these interchangeable capsules give you unmatched flexibility – cardioid, wide cardioid, hypercardioid, and omnidirectional. Ultra-sensitive 4-micron diaphragms, an anti-comb-filtering front design, and precision-machined backplates give wide consistency across each capsule. <br /><br /><b>VSSM Shockmount </b>– the best pencil shockmount in the ‘verse. Heavy-duty cast zinc partners with high-impact ABS to create a shockmount that stays where it’s supposed to. Aerospace-grade suspension rings keep the rumble out (no hair scrunchies here!), and a windowed design allows you to easily access switches without changing the your mic placement. <br /><br /><b>Pinewood Storage Case</b> – because your microphones should stay safe in luxury. We’ve carved individual capsule pockets into a block of solid pine, and custom-cut foam for your mics to stay cozy and secure…whether they’re on the road or in your studio. <br /><br />\n<h3>Vanguard V11 Features</h3>\n<h4>Capsule & Electronics</h4>\n<ul>\n	<li>4 small-diaphragm 22mm capsule assemblies – cardioid, hypercardioid, omnidirectional, wide cardioid</li>\n	<li>Transformer-balanced solid-state circuit</li>\n	<li>Ultra low-noise high-quality hand-biased JFET and other premium-grade components</li>\n	<li>Deep-cycle cryogenic treatment of critical signal & power path components</li>\n	<li>Transformer-balanced output – custom-wound humbucking dual-bobbin transformer</li>\n	<li>Works via 48V phantom power</li>\n</ul>\n<br />\n<h4>Construction</h4>\n<ul>\n	<li>Heavy-duty brass, aircraft-grade aluminum, steel, and zinc construction</li>\n	<li>Each V1 comes with its own laser-engraved serial number</li>\n	<li>Over-spec componentry</li>\n	<li>Deep-gloss Pinot Noir finish</li>\n	<li>Polished nickel trim</li>\n	<li>Precision-cast Vanguard badge</li>\n	<li>Final Assembly & 100% Quality Control in California, USA</li>\n	<li>5-Year Warranty</li>\n</ul>\n<br />\n<h4>Accessories Included</h4>\n<ul>\n	<li>22mm removable capsule – Cardioid</li>\n	<li>22mm removable capsule – Hypercardioid</li>\n	<li>22mm removable capsule – Omnidirectional</li>\n	<li>22mm removable capsule – Wide Cardioid</li>\n	<li>VSSM small shockmount</li>\n	<li>Padded pinewood microphone storage box</li>\n</ul>\n<br />\n<h2>DESIGN</h2>\nThe VANGUARD V1 is designed and precision-built in limited quantities to “no-compromise” standards, with final assembly and 100% testing taking place here in Southern California. Vanguard Audio Labs spent more than three years designing, developing, and refining the V1.\n<br /><br />\nVanguard\'s small-diaphragm capsules begin with a 16mm 4µm gold-sputtered Mylar diaphragm, carefully positioned in front of a precision-machined, custom-voiced backplate. The housing is engineered to bring the diaphragm as close as possible to the front of the capsule housing, preventing comb filtering.<br /><br />\nThe capsule is coupled to a transformer-balanced solid-state circuit that matches the unique musical properties of the capsules and is loaded with premium-grade, over-spec components sourced from manufacturers all over the world. Vanguard cryogenically treat critical components in the signal & power paths, including an ultra-high-grade hand-biased FET. The circuit is designed with an “In = Out” philosophy, with only four components present in the signal path.<br /><br />\nAesthetically, a microphone should look at least half as good as it sounds. The precision-machined brass body is coated with Vanguard\'s signature Pinot Noir hue, finished with a deep, lustrous gloss, and accented by polished nickel trim and a precision-cast Vanguard badge. Your V1’s serial number is laser-engraved on the lower rear of the microphone.<br /><br />\nThe V1 was designed by a team of experts with more than 65 years of combined experience and vetted by award-winning engineers and producers.<br /><br />\n<h2 style=\"font-size: 14px;\">QUALITY</h2>\nThe V1 was designed in the USA, and undergoes final assembly in sunny Southern California. Vanguard perform 100% quality control – every single part of your V1 kit undergoes a series of stringent audio and visual tests here in Southern California before being hand-packed. Vanguard precision-bias each high-grade JFET by hand on a calibrated analog oscilloscope (a Tektronix 465B, for you fellow EE geeks).\n<br /><br />\nEvery part of the V1 was designed to be robust and reliable. Wherever possible, the circuitry is over-spec’ed. Deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, and zinc are part of the heavy-duty construction.\n<br /><br />\nYou want your recording tools to be reliable, durable, and rugged, and so do we! Every Vanguard microphone is backed by a FIVE-YEAR WARRANTY.\n<br /><br />'),(12296,75,1,2050,'<h2>Vanguard Audio Labs V1 Pencil Condenser Microphone</h2>\n<p>\n</p>\n<i><inline style=\"font-size: 18px;\">The Vanguard V1 Pencil Microphone with 4 capsules, and shock mount. The most versatile condenser in the land! </inline></i><br /><br />The Vanguard Audio Labs V1 is a multi-capsule FET pencil condenser microphone. V1 is designed to be a versatile, reliable, professional tool for any recording engineer, studio, producer, or artist. 4 total custom-voiced capsules and with multiple pickup patterns – allow for a cornucopia of tonal variations for virtually any sound source or recording situation. With a “straight-wire” circuit design, premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a heavy-duty VSSM shockmount, the V1 will be your new studio workhorse.<br /><br />\n<h2>What\'s Inside</h2>\n<b>Vanguard V1 Microphone</b> – packed with high-end componentry including an ultra-quality precision-biased JFET, a custom-wound transformer, premium capacitors, and cryogenic treatment throughout. A “straight-wire” design philosophy means there’s only four components between the capsule and the output. <br /><br /><b>Four 22mm Capsules </b>– these interchangeable capsules give you unmatched flexibility – cardioid, wide cardioid, hypercardioid, and omnidirectional. Ultra-sensitive 4-micron diaphragms, an anti-comb-filtering front design, and precision-machined backplates give wide consistency across each capsule. <br /><br /><b>VSSM Shockmount </b>– the best pencil shockmount in the ‘verse. Heavy-duty cast zinc partners with high-impact ABS to create a shockmount that stays where it’s supposed to. Aerospace-grade suspension rings keep the rumble out (no hair scrunchies here!), and a windowed design allows you to easily access switches without changing the your mic placement. <br /><br /><b>Pinewood Storage Case</b> – because your microphones should stay safe in luxury. We’ve carved individual capsule pockets into a block of solid pine, and custom-cut foam for your mics to stay cozy and secure…whether they’re on the road or in your studio. <br /><br />\n<h3>Vanguard V11 Features</h3>\n<h4>Capsule & Electronics</h4>\n<ul>\n	<li>4 small-diaphragm 22mm capsule assemblies – cardioid, hypercardioid, omnidirectional, wide cardioid</li>\n	<li>Transformer-balanced solid-state circuit</li>\n	<li>Ultra low-noise high-quality hand-biased JFET and other premium-grade components</li>\n	<li>Deep-cycle cryogenic treatment of critical signal & power path components</li>\n	<li>Transformer-balanced output – custom-wound humbucking dual-bobbin transformer</li>\n	<li>Works via 48V phantom power</li>\n</ul>\n<br />\n<h4>Construction</h4>\n<ul>\n	<li>Heavy-duty brass, aircraft-grade aluminum, steel, and zinc construction</li>\n	<li>Each V1 comes with its own laser-engraved serial number</li>\n	<li>Over-spec componentry</li>\n	<li>Deep-gloss Pinot Noir finish</li>\n	<li>Polished nickel trim</li>\n	<li>Precision-cast Vanguard badge</li>\n	<li>Final Assembly & 100% Quality Control in California, USA</li>\n	<li>5-Year Warranty</li>\n</ul>\n<br />\n<h4>Accessories Included</h4>\n<ul>\n	<li>22mm removable capsule – Cardioid</li>\n	<li>22mm removable capsule – Hypercardioid</li>\n	<li>22mm removable capsule – Omnidirectional</li>\n	<li>22mm removable capsule – Wide Cardioid</li>\n	<li>VSSM small shockmount</li>\n	<li>Padded pinewood microphone storage box</li>\n</ul>\n<br />\n<h2>DESIGN</h2>\nThe VANGUARD V1 is designed and precision-built in limited quantities to “no-compromise” standards, with final assembly and 100% testing taking place here in Southern California. Vanguard Audio Labs spent more than three years designing, developing, and refining the V1.\n<br /><br />\nVanguard\'s small-diaphragm capsules begin with a 16mm 4µm gold-sputtered Mylar diaphragm, carefully positioned in front of a precision-machined, custom-voiced backplate. The housing is engineered to bring the diaphragm as close as possible to the front of the capsule housing, preventing comb filtering.<br /><br />\nThe capsule is coupled to a transformer-balanced solid-state circuit that matches the unique musical properties of the capsules and is loaded with premium-grade, over-spec components sourced from manufacturers all over the world. Vanguard cryogenically treat critical components in the signal & power paths, including an ultra-high-grade hand-biased FET. The circuit is designed with an “In = Out” philosophy, with only four components present in the signal path.<br /><br />\nAesthetically, a microphone should look at least half as good as it sounds. The precision-machined brass body is coated with Vanguard\'s signature Pinot Noir hue, finished with a deep, lustrous gloss, and accented by polished nickel trim and a precision-cast Vanguard badge. Your V1’s serial number is laser-engraved on the lower rear of the microphone.<br /><br />\nThe V1 was designed by a team of experts with more than 65 years of combined experience and vetted by award-winning engineers and producers.<br /><br />\n<h2 style=\"font-size: 14px;\">QUALITY</h2>\nThe V1 was designed in the USA, and undergoes final assembly in sunny Southern California. Vanguard perform 100% quality control – every single part of your V1 kit undergoes a series of stringent audio and visual tests here in Southern California before being hand-packed. Vanguard precision-bias each high-grade JFET by hand on a calibrated analog oscilloscope (a Tektronix 465B, for you fellow EE geeks).\n<br /><br />\nEvery part of the V1 was designed to be robust and reliable. Wherever possible, the circuitry is over-spec’ed. Deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, and zinc are part of the heavy-duty construction.\n<br /><br />\nYou want your recording tools to be reliable, durable, and rugged, and so do we! Every Vanguard microphone is backed by a FIVE-YEAR WARRANTY.\n<br /><br />'),(12297,85,0,2050,'Vanguard Audio Labs V1 Pencil Condenser Microphone'),(12298,85,1,2050,'Vanguard Audio Labs V1 Pencil Condenser Microphone'),(12299,76,0,2050,''),(12300,76,1,2050,''),(12301,75,0,2051,'<h1>Vanguard Audio Labs V13 Tube Condenser Microphone</h1>\n<i><inline style=\"\"><span style=\"font-size: 18px;\">A Large Diaphragm Tube Condenser Mic with 9 Selectable Polar Patterns, Vanguard V13 gives you classic vintage tube mic sound at an affordable price.</span></inline></i><br /><br /><div>The Vanguard Audio Labs V13 is a large-diaphragm tube condenser microphone that provides the vintage warmth and smooth detail found in iconic vintage microphones at a fraction of the cost.  The Vanguard V13 features 9 selectable polar-patterns and an edge-terminated, custom-voiced 34-mm gold-sputtered 3-micron thick, dual-diaphragm capsule. </div><br />\n<h3>Vanguard V13 Features</h3>\n<ul>\n	<li>Custom-voiced, edge-terminated 34mm dual-capsule assembly with 3µm gold-sputtered Mylar diaphragms</li>\n	<li>9 polar patterns (selectable at power supply)</li>\n	<li>Vacuum tube analog circuitry with premium-grade components</li>\n	<li>Hand-selected European vacuum tube</li>\n	<li>Deep-cycle cryogenic treatment of critical signal path components</li>\n	<li>Transformer-coupled output – humbucking, shielded, dual-bobbin transformer</li>\n	<li>-10dB pad and low-frequency rolloff toggle switches</li>\n	<li>Robust power supply design for ultra-low noise floor</li>\n	<li>Heavy-duty brass, aluminum, steel, and zinc metal construction</li>\n	<li>5-Year Warranty</li>\n</ul>\n<br />\n<h2>PERFORMANCE</h2>\nVanguard Audio Labs designed the V13 with the character of yesteryear’s iconic vintage tube microphones in mind, while also utilizing the latest technology to ensure that every nuance and detail of the performance is faithfully captured. They specifically engineered the V13 with warm, full lows, a precise and detailed midrange, and buttery-smooth high end. The result is a microphone that unifies warmth with clarity, depth with detail, and character with precision.\n<br /><br />The V13 is particularly forgiving when it comes to vocal style and timbre. Oftentimes, microphones can be a bit choosy when it comes to how they mesh with different vocalists, but Vanguard Audio Labs  have found that the V13 sounds great with almost any vocal complexion. Tested on both male and female vocalists in a diversity of ranges, styles, and genres, Vanguard Audio Labs  found that the V13 was usually the top option, despite being matched against microphones several times its cost.<br /><br />One important design objective was maintaining a low noise floor – no small feat when working with vacuum tube circuitry. When tested against several $5000 European tube microphones, the V13 had the lowest noise floor by a significant margin.<br /><br />After hundreds of hours of listening and testing dozens of design variations with world-class engineers, the V13 is a top-shelf microphone with an incredibly low noise-floor. This is truly a professional, world-class microphone.<br /><br />\n<h2>DESIGN</h2>\nThe VANGUARD V13 is very different from other mics in its price range. It is designed and precision-built in limited quantities to “no-compromise” standards.\n<br /><br />Vanguard Audio Labs started with an extra-large 34mm edge-terminated, gold-sputtered 3µm Mylar dual-capsule assembly and custom-voiced it with a proprietary hand-tuning process, placing it in an open-weave headbasket for a natural sound with low internal reflections.They then designed a circuit that matches the unique musical properties of their capsules and loaded it with premium-grade, over-spec components sourced from manufacturers around the world. <br /><br />Vanguard Audio Labs  cryogenically treated critical components in the signal path, including a hand-selected European vacuum tube. They placed the low-frequency roll-off and -10dB pad toggle switches on the rear of the microphone, where they are easily accessible to the engineer. Vanguard  topped off the electronics with an ultra-linear, fully shielded, custom-wound, dual-bobbin humbucking transformer for the output stage to drive long cable runs.<br /><br />Aesthetically, the precision-machined brass body is coated with Vanguard Audio Labs\'  signature Pinot Noir, finished with a deep, lustrous gloss, and accented by polished nickel trim and a precision-cast Vanguard badge. Machined into the rear of the microphone is a cooling vent to prolong tube life. Your V13’s serial number is laser-engraved on the lower rear of the microphone.<br /><br />The V13 was designed by a team of experts with more than 65 years of experience and vetted by world-famous award-winning engineers and producers.<br /><br />\n\n<h2>QUALITY</h2>\nThe V13 was designed in the USA, and undergoes final assembly in sunny Southern California. Vanguard Audio Labs  perform 100% quality control – every single microphone undergoes a series of stringent audio and visual tests here in Southern California before being hand-packed.\n<br /><br />Every part of the V13 was designed to be robust and reliable. Wherever possible, components were over-specced. The deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, aluminum, and zinc are part of the heavy-duty construction.<br /><br />\n\n<h2>ACCESSORIES</h2>\nWhen you buy a V13, you also get a VLSM Heavy-Duty Shockmount. Vanguard Audio Labs  wanted to rethink the standard “spider-style” shockmount of old, and designed the VLSM with a few nifty features. First is the open front, which allows you to position the microphone as close to the source as necessary. Second, Vanguard Audio Labs  install aerospace-grade suspension rings that won’t break, sag, crack, or stretch over time. This shockmount was designed to fit any microphone with M22x1 threading, so you also can use it with a number of microphones from other manufacturers.\n<br /><br />\n\nThe V13 also comes with the PS-13 power supply, which allows you to select any of 9 available polar patterns on your microphone. Vanguard Audio Labs  encourage you to experiment with the different polar patterns, as each one changes the character and frequency response of the microphone. The PS-13 can operate worldwide on 110-240V mains outlets via a switch on the rear of the power supply.<br /><br />\n\nWhen not in use, your V13 should be stored in its padded pinewood box.<br /><br />\n\nThe black aluminum locking carrying case with the V13 keeps your microphone, cables, and power supply in one place, and includes a slot for a spare vacuum tube. 12AX7, 12AT7, and 12AY7 tube types will work with the V13 microphone. Folks who experiment sonically with NOS tubes can feel safe using these tube types.The Lauten Audio Series Black LA-320 large diaphragm vacuum tube condenser microphone is the first microphone in a new line dubbed “Series Black”. The LA-320 features a 1-inch pressure gradient true-condenser capsule, cardioid polar pattern, dual-triode vacuum tube, transformer balanced output, independent high and low cut filters, custom dedicated power supply, tube microphone cable, spider shock mount and hard case.<br /><br />\n\nThe microphone features two independent filters located on the microphone and easy to engage via switches. If the room or source is boomy, or you have low-end rumble from outside noise, turn on the low-cut filter and eliminate much of the problem. You can also use the high-cut to roll-off above 12k and help tame a bright room with lots of reflections, or a bright source. What makes it even more useful is you can use both filters at the same time resolving many problems before the recording hits your hard drive.<br /><br />\n\n<h3>What\'s Included in the Box:</h3>\n<ul>\n	<li>Vanguard V13 Microphone (obviously)</li>\n	<li>PS-13 Power Supply</li>\n	<li>VLSM Large Shockmount</li>\n	<li>Padded Pinewood Microphone Storage Box</li>\n	<li>Locking Aluminum Carrying Case</li>\n	<li>7-Pin Braided Microphone Cable</li>\n	<li>Power Cable</li>\n</ul>'),(12302,75,1,2051,'<h1>Vanguard Audio Labs V13 Tube Condenser Microphone</h1>\n<i><inline style=\"\"><span style=\"font-size: 18px;\">A Large Diaphragm Tube Condenser Mic with 9 Selectable Polar Patterns, Vanguard V13 gives you classic vintage tube mic sound at an affordable price.</span></inline></i><br /><br /><div>The Vanguard Audio Labs V13 is a large-diaphragm tube condenser microphone that provides the vintage warmth and smooth detail found in iconic vintage microphones at a fraction of the cost.  The Vanguard V13 features 9 selectable polar-patterns and an edge-terminated, custom-voiced 34-mm gold-sputtered 3-micron thick, dual-diaphragm capsule. </div><br />\n<h3>Vanguard V13 Features</h3>\n<ul>\n	<li>Custom-voiced, edge-terminated 34mm dual-capsule assembly with 3µm gold-sputtered Mylar diaphragms</li>\n	<li>9 polar patterns (selectable at power supply)</li>\n	<li>Vacuum tube analog circuitry with premium-grade components</li>\n	<li>Hand-selected European vacuum tube</li>\n	<li>Deep-cycle cryogenic treatment of critical signal path components</li>\n	<li>Transformer-coupled output – humbucking, shielded, dual-bobbin transformer</li>\n	<li>-10dB pad and low-frequency rolloff toggle switches</li>\n	<li>Robust power supply design for ultra-low noise floor</li>\n	<li>Heavy-duty brass, aluminum, steel, and zinc metal construction</li>\n	<li>5-Year Warranty</li>\n</ul>\n<br />\n<h2>PERFORMANCE</h2>\nVanguard Audio Labs designed the V13 with the character of yesteryear’s iconic vintage tube microphones in mind, while also utilizing the latest technology to ensure that every nuance and detail of the performance is faithfully captured. They specifically engineered the V13 with warm, full lows, a precise and detailed midrange, and buttery-smooth high end. The result is a microphone that unifies warmth with clarity, depth with detail, and character with precision.\n<br /><br />The V13 is particularly forgiving when it comes to vocal style and timbre. Oftentimes, microphones can be a bit choosy when it comes to how they mesh with different vocalists, but Vanguard Audio Labs  have found that the V13 sounds great with almost any vocal complexion. Tested on both male and female vocalists in a diversity of ranges, styles, and genres, Vanguard Audio Labs  found that the V13 was usually the top option, despite being matched against microphones several times its cost.<br /><br />One important design objective was maintaining a low noise floor – no small feat when working with vacuum tube circuitry. When tested against several $5000 European tube microphones, the V13 had the lowest noise floor by a significant margin.<br /><br />After hundreds of hours of listening and testing dozens of design variations with world-class engineers, the V13 is a top-shelf microphone with an incredibly low noise-floor. This is truly a professional, world-class microphone.<br /><br />\n<h2>DESIGN</h2>\nThe VANGUARD V13 is very different from other mics in its price range. It is designed and precision-built in limited quantities to “no-compromise” standards.\n<br /><br />Vanguard Audio Labs started with an extra-large 34mm edge-terminated, gold-sputtered 3µm Mylar dual-capsule assembly and custom-voiced it with a proprietary hand-tuning process, placing it in an open-weave headbasket for a natural sound with low internal reflections.They then designed a circuit that matches the unique musical properties of their capsules and loaded it with premium-grade, over-spec components sourced from manufacturers around the world. <br /><br />Vanguard Audio Labs  cryogenically treated critical components in the signal path, including a hand-selected European vacuum tube. They placed the low-frequency roll-off and -10dB pad toggle switches on the rear of the microphone, where they are easily accessible to the engineer. Vanguard  topped off the electronics with an ultra-linear, fully shielded, custom-wound, dual-bobbin humbucking transformer for the output stage to drive long cable runs.<br /><br />Aesthetically, the precision-machined brass body is coated with Vanguard Audio Labs\'  signature Pinot Noir, finished with a deep, lustrous gloss, and accented by polished nickel trim and a precision-cast Vanguard badge. Machined into the rear of the microphone is a cooling vent to prolong tube life. Your V13’s serial number is laser-engraved on the lower rear of the microphone.<br /><br />The V13 was designed by a team of experts with more than 65 years of experience and vetted by world-famous award-winning engineers and producers.<br /><br />\n\n<h2>QUALITY</h2>\nThe V13 was designed in the USA, and undergoes final assembly in sunny Southern California. Vanguard Audio Labs  perform 100% quality control – every single microphone undergoes a series of stringent audio and visual tests here in Southern California before being hand-packed.\n<br /><br />Every part of the V13 was designed to be robust and reliable. Wherever possible, components were over-specced. The deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, aluminum, and zinc are part of the heavy-duty construction.<br /><br />\n\n<h2>ACCESSORIES</h2>\nWhen you buy a V13, you also get a VLSM Heavy-Duty Shockmount. Vanguard Audio Labs  wanted to rethink the standard “spider-style” shockmount of old, and designed the VLSM with a few nifty features. First is the open front, which allows you to position the microphone as close to the source as necessary. Second, Vanguard Audio Labs  install aerospace-grade suspension rings that won’t break, sag, crack, or stretch over time. This shockmount was designed to fit any microphone with M22x1 threading, so you also can use it with a number of microphones from other manufacturers.\n<br /><br />\n\nThe V13 also comes with the PS-13 power supply, which allows you to select any of 9 available polar patterns on your microphone. Vanguard Audio Labs  encourage you to experiment with the different polar patterns, as each one changes the character and frequency response of the microphone. The PS-13 can operate worldwide on 110-240V mains outlets via a switch on the rear of the power supply.<br /><br />\n\nWhen not in use, your V13 should be stored in its padded pinewood box.<br /><br />\n\nThe black aluminum locking carrying case with the V13 keeps your microphone, cables, and power supply in one place, and includes a slot for a spare vacuum tube. 12AX7, 12AT7, and 12AY7 tube types will work with the V13 microphone. Folks who experiment sonically with NOS tubes can feel safe using these tube types.The Lauten Audio Series Black LA-320 large diaphragm vacuum tube condenser microphone is the first microphone in a new line dubbed “Series Black”. The LA-320 features a 1-inch pressure gradient true-condenser capsule, cardioid polar pattern, dual-triode vacuum tube, transformer balanced output, independent high and low cut filters, custom dedicated power supply, tube microphone cable, spider shock mount and hard case.<br /><br />\n\nThe microphone features two independent filters located on the microphone and easy to engage via switches. If the room or source is boomy, or you have low-end rumble from outside noise, turn on the low-cut filter and eliminate much of the problem. You can also use the high-cut to roll-off above 12k and help tame a bright room with lots of reflections, or a bright source. What makes it even more useful is you can use both filters at the same time resolving many problems before the recording hits your hard drive.<br /><br />\n\n<h3>What\'s Included in the Box:</h3>\n<ul>\n	<li>Vanguard V13 Microphone (obviously)</li>\n	<li>PS-13 Power Supply</li>\n	<li>VLSM Large Shockmount</li>\n	<li>Padded Pinewood Microphone Storage Box</li>\n	<li>Locking Aluminum Carrying Case</li>\n	<li>7-Pin Braided Microphone Cable</li>\n	<li>Power Cable</li>\n</ul>'),(12303,85,0,2051,'Vanguard Audio Labs V13 Tube Condenser Microphone'),(12304,85,1,2051,'Vanguard Audio Labs V13 Tube Condenser Microphone'),(12305,76,0,2051,''),(12306,76,1,2051,''),(12307,75,0,2052,'<h1>Vanguard V1S+Lolli Stereo Multi-Capsule Pencil Condenser Kit</h1>\n<i><inline style=\"font-size: 18px;\">V1S+Lolli is a matched pair of Vanguard V1 Pencil Microphones with V34C lollipop capsules, 8 22mm capsules, and pair shock mounts.</inline></i><br /><br />\nThe Vanguard Audio Labs V1S+LOLLI is a multi-capsule pencil condenser microphone system designed to be a versatile, reliable, professional tool for any recording engineer, studio, producer, or artist. Ten total custom-voiced capsules – in both small- and large-diaphragm formats, and with multiple pickup patterns – allow for a cornucopia of tonal variations for virtually any sound source or recording situation. With a “straight-wire” circuit design, premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1S+LOLLI will be your new “go-to” microphone pair for stereo recording.\n<br /><br />\n<h2>What\'s Inside</h2><b>\nTwo Vanguard V1 Microphones</b> – packed with high-end componentry including an ultra-quality precision-biased JFET, a custom-wound transformer, premium capacitors, and cryogenic treatment throughout. A “straight-wire” design philosophy means there’s only four components between the capsule and the output.\n<br /><br /><b>\nEight 22mm Capsules</b> – these interchangeable capsules give you unmatched flexibility – two each of cardioid, wide cardioid, hypercardioid, and omnidirectional patterns. Ultra-sensitive 4-micron diaphragms, an anti-comb-filtering front design, and precision-machined backplates give wide consistency across each capsule.\n<br /><br /><b>\nTwo V34C “LOLLI” Removable Multi-Pattern Large-Diaphragm Capsule Heads</b> – Vanguard\'s patent-pending interchangeable large-diaphragm multi-pattern head. Our custom-voiced 34mm edge-terminated 3-micron diaphragm dual-capsule assembly housed in a precision-machined aircraft-grade aluminum body. Switchable between omni and cardioid…and aesthetically gorgeous to boot.\n<br /><br /><b>\nTwo VSSM Shockmounts</b> – the best pencil shockmount in the ‘verse. Heavy-duty cast zinc partners with high-impact ABS to create a shockmount that stays where it’s supposed to. Aerospace-grade suspension rings keep the rumble out (no hair scrunchies here!), and a windowed design allows you to easily access switches without changing the your mic placement.\n<br /><br /><b>\nStereo Microphone Bar</b> – Easily set up X/Y, ORTF, or other stereo mic’ing configurations.\n<br /><br /><b>\nPinewood Storage Case</b> – because your microphones should stay safe in luxury. We’ve carved individual capsule pockets into a block of solid pine, and custom-cut foam for your mics to stay cozy and secure…whether they’re on the road or in your studio.\n<br /><br />\n<h3>Vanguard V1S+Lolli Features</h3>\n<ul>\n	<li>Eight small-diaphragm 22mm capsules – cardioid, hypercardioid, omnidirectional, wide cardioid (pairs)</li><li>Two Large-diaphragm V34C “Lolli” multi-pattern capsule assembly – switchable between cardioid & omni</li><li>Transformer-balanced solid-state circuit with premium-grade over-spec circuitry</li><li>Low-noise ultra-grade hand-biased JFET and other premium components</li><li>Deep-cycle cryogenic treatment of critical signal & power path components</li><li>Transformer-balanced output – custom-wound humbucking dual-bobbin transformer</li><li>Works via 48V phantom power</li><li>Heavy-duty brass, steel, and zinc construction</li><li>Each V1 microphone comes with its own laser-engraved serial number</li><li>Over-spec componentry</li><li>Deep-gloss Pinot Noir finish</li><li>Polished nickel trim</li><li>Precision-cast Vanguard badge</li><li>Final Assembly & 100% Quality Control in California, USA</li><li>5-Year Warranty</li>\n</ul>\n<ul>\n</ul>\n<br />\n<h4>Accessories Included</h4>\n<ul>\n	<li>22mm removable capsule – Cardioid (pair)</li><li>22mm removable capsule – Hypercardioid (pair)</li><li>22mm removable capsule – Omnidirectional (pair)</li><li>22mm removable capsule – Wide Cardioid (pair)</li><li>V34C “Lolli” removable multi-pattern capsule assembly (pair)</li><li>VSSM small shockmount (pair)</li><li>Padded pinewood microphone storage box</li><li>Stereo microphone bar</li>\n</ul>'),(12308,75,1,2052,'<h1>Vanguard V1S+Lolli Stereo Multi-Capsule Pencil Condenser Kit</h1>\n<i><inline style=\"font-size: 18px;\">V1S+Lolli is a matched pair of Vanguard V1 Pencil Microphones with V34C lollipop capsules, 8 22mm capsules, and pair shock mounts.</inline></i><br /><br />\nThe Vanguard Audio Labs V1S+LOLLI is a multi-capsule pencil condenser microphone system designed to be a versatile, reliable, professional tool for any recording engineer, studio, producer, or artist. Ten total custom-voiced capsules – in both small- and large-diaphragm formats, and with multiple pickup patterns – allow for a cornucopia of tonal variations for virtually any sound source or recording situation. With a “straight-wire” circuit design, premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1S+LOLLI will be your new “go-to” microphone pair for stereo recording.\n<br /><br />\n<h2>What\'s Inside</h2><b>\nTwo Vanguard V1 Microphones</b> – packed with high-end componentry including an ultra-quality precision-biased JFET, a custom-wound transformer, premium capacitors, and cryogenic treatment throughout. A “straight-wire” design philosophy means there’s only four components between the capsule and the output.\n<br /><br /><b>\nEight 22mm Capsules</b> – these interchangeable capsules give you unmatched flexibility – two each of cardioid, wide cardioid, hypercardioid, and omnidirectional patterns. Ultra-sensitive 4-micron diaphragms, an anti-comb-filtering front design, and precision-machined backplates give wide consistency across each capsule.\n<br /><br /><b>\nTwo V34C “LOLLI” Removable Multi-Pattern Large-Diaphragm Capsule Heads</b> – Vanguard\'s patent-pending interchangeable large-diaphragm multi-pattern head. Our custom-voiced 34mm edge-terminated 3-micron diaphragm dual-capsule assembly housed in a precision-machined aircraft-grade aluminum body. Switchable between omni and cardioid…and aesthetically gorgeous to boot.\n<br /><br /><b>\nTwo VSSM Shockmounts</b> – the best pencil shockmount in the ‘verse. Heavy-duty cast zinc partners with high-impact ABS to create a shockmount that stays where it’s supposed to. Aerospace-grade suspension rings keep the rumble out (no hair scrunchies here!), and a windowed design allows you to easily access switches without changing the your mic placement.\n<br /><br /><b>\nStereo Microphone Bar</b> – Easily set up X/Y, ORTF, or other stereo mic’ing configurations.\n<br /><br /><b>\nPinewood Storage Case</b> – because your microphones should stay safe in luxury. We’ve carved individual capsule pockets into a block of solid pine, and custom-cut foam for your mics to stay cozy and secure…whether they’re on the road or in your studio.\n<br /><br />\n<h3>Vanguard V1S+Lolli Features</h3>\n<ul>\n	<li>Eight small-diaphragm 22mm capsules – cardioid, hypercardioid, omnidirectional, wide cardioid (pairs)</li><li>Two Large-diaphragm V34C “Lolli” multi-pattern capsule assembly – switchable between cardioid & omni</li><li>Transformer-balanced solid-state circuit with premium-grade over-spec circuitry</li><li>Low-noise ultra-grade hand-biased JFET and other premium components</li><li>Deep-cycle cryogenic treatment of critical signal & power path components</li><li>Transformer-balanced output – custom-wound humbucking dual-bobbin transformer</li><li>Works via 48V phantom power</li><li>Heavy-duty brass, steel, and zinc construction</li><li>Each V1 microphone comes with its own laser-engraved serial number</li><li>Over-spec componentry</li><li>Deep-gloss Pinot Noir finish</li><li>Polished nickel trim</li><li>Precision-cast Vanguard badge</li><li>Final Assembly & 100% Quality Control in California, USA</li><li>5-Year Warranty</li>\n</ul>\n<ul>\n</ul>\n<br />\n<h4>Accessories Included</h4>\n<ul>\n	<li>22mm removable capsule – Cardioid (pair)</li><li>22mm removable capsule – Hypercardioid (pair)</li><li>22mm removable capsule – Omnidirectional (pair)</li><li>22mm removable capsule – Wide Cardioid (pair)</li><li>V34C “Lolli” removable multi-pattern capsule assembly (pair)</li><li>VSSM small shockmount (pair)</li><li>Padded pinewood microphone storage box</li><li>Stereo microphone bar</li>\n</ul>'),(12309,85,0,2052,'Vanguard V1S+Lolli Stereo Multi-Capsule Pencil Condenser Kit'),(12310,85,1,2052,'Vanguard V1S+Lolli Stereo Multi-Capsule Pencil Condenser Kit'),(12311,76,0,2052,''),(12312,76,1,2052,''),(12313,75,0,2053,'<h2>Vanguard Audio Labs V1S Stereo Multi-Capsule Pencil Condenser Kit</h2>\n<p>\n</p>\n<i><inline style=\"font-size: 18px;\">Vanguard V1S is a matched pair of V1 Pencil Microphones with 4 capsules per mic and shock mounts. The most versatile condensers in the land! </inline></i><br /><br />The Vanguard V1S is a matched pair of multi-capsule FET pencil condenser microphones.Lovingly crafted by experts, it is designed to be a versatile, reliable, professional tool for any recording engineer, studio, producer, or artist. With a “straight-wire” circuit design, premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1S will be your new “go-to” set of pencil condensers.<br /><br />\n<h2>What\'s Inside</h2><b>\nTwo Vanguard V1 Microphones</b> – packed with high-end componentry including an ultra-quality precision-biased JFET, a custom-wound transformer, premium capacitors, and cryogenic treatment throughout. A “straight-wire” design philosophy means there’s only four components between the capsule and the output.\n<br /><br /><b>\nEight 22mm Capsules </b>– these interchangeable capsules give you unmatched flexibility – two each of cardioid, wide cardioid, hypercardioid, and omnidirectional patterns. Ultra-sensitive 4-micron diaphragms, an anti-comb-filtering front design, and precision-machined backplates give wide consistency across each capsule.\n<br /><br /><b>\nTwo VSSM Shockmounts</b> – the best pencil shockmount in the ‘verse. Heavy-duty cast zinc partners with high-impact ABS to create a shockmount that stays where it’s supposed to. Aerospace-grade suspension rings keep the rumble out (no hair scrunchies here!), and a windowed design allows you to easily access switches without changing the your mic placement.\n<br /><br /><b>\nStereo Microphone Bar</b> – Easily set up X/Y, ORTF, or other stereo mic’ing configurations.\n<br /><br /><b>\nPinewood Storage Case</b> – because your microphones should stay safe in luxury. We’ve carved individual capsule pockets into a block of solid pine, and custom-cut foam for your mics to stay cozy and secure…whether they’re on the road or in your studio.\n\n<br /><br />\n<h3>Vanguard V1S Features</h3>\n<ul>\n	<li>Eight small-diaphragm 22mm capsules – cardioid, hypercardioid, omnidirectional, wide cardioid (pairs)</li>\n	<li>Transformer-balanced solid-state circuit with premium-grade over-spec circutiry</li>\n	<li>Ultra low-noise high-quality hand-biased JFET and other premium-grade components</li>\n	<li>Deep-cycle cryogenic treatment of critical signal & power path components</li>\n	<li>Transformer-balanced output – custom-wound humbucking dual-bobbin transformer</li>\n	<li>Works via 48V phantom power</li><li>Heavy-duty brass, steel, and zinc construction</li><li>Each V1 comes with its own laser-engraved serial number</li><li>Over-spec componentry</li><li>Deep-gloss Pinot Noir finish</li><li>Polished nickel trim</li><li>Precision-cast Vanguard badge</li><li>Final Assembly & 100% Quality Control in California, USA</li><li>5-Year Warranty</li>\n</ul>\n<ul>\n</ul>\n<br />\n<h4>Accessories Included</h4>\n<ul>\n	<li>22mm removable capsule – Cardioid</li>\n	<li>22mm removable capsule – Hypercardioid</li>\n	<li>22mm removable capsule – Omnidirectional</li>\n	<li>22mm removable capsule – Wide Cardioid</li>\n	<li>VSSM small shockmount</li>\n	<li>Padded pinewood microphone storage box</li>\n</ul>'),(12314,75,1,2053,'<h2>Vanguard Audio Labs V1S Stereo Multi-Capsule Pencil Condenser Kit</h2>\n<p>\n</p>\n<i><inline style=\"font-size: 18px;\">Vanguard V1S is a matched pair of V1 Pencil Microphones with 4 capsules per mic and shock mounts. The most versatile condensers in the land! </inline></i><br /><br />The Vanguard V1S is a matched pair of multi-capsule FET pencil condenser microphones.Lovingly crafted by experts, it is designed to be a versatile, reliable, professional tool for any recording engineer, studio, producer, or artist. With a “straight-wire” circuit design, premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1S will be your new “go-to” set of pencil condensers.<br /><br />\n<h2>What\'s Inside</h2><b>\nTwo Vanguard V1 Microphones</b> – packed with high-end componentry including an ultra-quality precision-biased JFET, a custom-wound transformer, premium capacitors, and cryogenic treatment throughout. A “straight-wire” design philosophy means there’s only four components between the capsule and the output.\n<br /><br /><b>\nEight 22mm Capsules </b>– these interchangeable capsules give you unmatched flexibility – two each of cardioid, wide cardioid, hypercardioid, and omnidirectional patterns. Ultra-sensitive 4-micron diaphragms, an anti-comb-filtering front design, and precision-machined backplates give wide consistency across each capsule.\n<br /><br /><b>\nTwo VSSM Shockmounts</b> – the best pencil shockmount in the ‘verse. Heavy-duty cast zinc partners with high-impact ABS to create a shockmount that stays where it’s supposed to. Aerospace-grade suspension rings keep the rumble out (no hair scrunchies here!), and a windowed design allows you to easily access switches without changing the your mic placement.\n<br /><br /><b>\nStereo Microphone Bar</b> – Easily set up X/Y, ORTF, or other stereo mic’ing configurations.\n<br /><br /><b>\nPinewood Storage Case</b> – because your microphones should stay safe in luxury. We’ve carved individual capsule pockets into a block of solid pine, and custom-cut foam for your mics to stay cozy and secure…whether they’re on the road or in your studio.\n\n<br /><br />\n<h3>Vanguard V1S Features</h3>\n<ul>\n	<li>Eight small-diaphragm 22mm capsules – cardioid, hypercardioid, omnidirectional, wide cardioid (pairs)</li>\n	<li>Transformer-balanced solid-state circuit with premium-grade over-spec circutiry</li>\n	<li>Ultra low-noise high-quality hand-biased JFET and other premium-grade components</li>\n	<li>Deep-cycle cryogenic treatment of critical signal & power path components</li>\n	<li>Transformer-balanced output – custom-wound humbucking dual-bobbin transformer</li>\n	<li>Works via 48V phantom power</li><li>Heavy-duty brass, steel, and zinc construction</li><li>Each V1 comes with its own laser-engraved serial number</li><li>Over-spec componentry</li><li>Deep-gloss Pinot Noir finish</li><li>Polished nickel trim</li><li>Precision-cast Vanguard badge</li><li>Final Assembly & 100% Quality Control in California, USA</li><li>5-Year Warranty</li>\n</ul>\n<ul>\n</ul>\n<br />\n<h4>Accessories Included</h4>\n<ul>\n	<li>22mm removable capsule – Cardioid</li>\n	<li>22mm removable capsule – Hypercardioid</li>\n	<li>22mm removable capsule – Omnidirectional</li>\n	<li>22mm removable capsule – Wide Cardioid</li>\n	<li>VSSM small shockmount</li>\n	<li>Padded pinewood microphone storage box</li>\n</ul>'),(12315,85,0,2053,'Vanguard V1S Stereo Multi-Capsule Pencil Condenser Kit'),(12316,85,1,2053,'Vanguard V1S Stereo Multi-Capsule Pencil Condenser Kit'),(12317,76,0,2053,''),(12318,76,1,2053,''),(12319,75,0,2054,'<h1>Vanguard V4 Multi-Pattern FET Condenser Microphone</h1>\n\n<i><inline style=\"\"><span style=\"font-size: 18px;\">A large diaphragm condenser microphone featuring an edge-terminated 34mm dual-capsule assembly with 3µm gold-sputtered Mylar diaphragms and 3 selectable polar-patterns</span></inline></i><br /><br />The Vanguard V4 is a large-diaphragm multi-pattern FET condenser microphone designed to be a versatile, reliable, professional recording tool that breaks the usual “bang-for-your-buck” curve. V4 features vanguard\'s acclaimed edge-terminated ultra-thin custom-voiced capsule, a pad/rolloff option, primo cryogenically-treated componentry, and the best shockmount in all the land. The V4 is made to be your go-to workhorse microphone at a price that won’t break the bank.<br /><br />\n<h3>Vanguard V4 Features</h3><ul><li>Custom-voiced, edge-terminated 34mm dual-capsule assembly with 3µm gold-sputtered Mylar diaphragms</li><li>3 selectable polar patterns – Cardioid, Figure-8, Omnidirectional</li><li>-10dB/100Hz Rolloff</li><li>Electronically-balanced solid-state circuitry loaded with premium-grade components</li><li>Ultra-low-noise JFET design</li><li>Deep-cycle cryogenic treatment of critical signal & power path components</li><li>Heavy-duty brass, aluminum, steel, and zinc construction</li><li>Open-weave headbasket for low internal reflections and “open-air” voicing</li><li>Each V4 comes with its own laser-engraved serial number</li><li>Over-spec componentry</li><li>Deep-gloss Pinot Noir finish</li><li>Polished nickel trim</li><li>Precision-cast Vanguard badge</li><li>Final Assembly & 100% Quality Control in California, USA</li><li>5-Year Warranty</li></ul><inline><br />\n<h3>Vanguard V4 Inludes:</h3>\n<ul style=\"text-align: justify;\">\n	<li>Vanguard V4 Microphone (obviously)</li>\n	<li>VLSM Large Shockmount</li>\n	<li>Padded Pinewood Microphone Storage Box</li><li>Aluminum Carrying Case</li>\n</ul>\n</inline>'),(12320,75,1,2054,'<h1>Vanguard V4 Multi-Pattern FET Condenser Microphone</h1>\n\n<i><inline style=\"\"><span style=\"font-size: 18px;\">A large diaphragm condenser microphone featuring an edge-terminated 34mm dual-capsule assembly with 3µm gold-sputtered Mylar diaphragms and 3 selectable polar-patterns</span></inline></i><br /><br />The Vanguard V4 is a large-diaphragm multi-pattern FET condenser microphone designed to be a versatile, reliable, professional recording tool that breaks the usual “bang-for-your-buck” curve. V4 features vanguard\'s acclaimed edge-terminated ultra-thin custom-voiced capsule, a pad/rolloff option, primo cryogenically-treated componentry, and the best shockmount in all the land. The V4 is made to be your go-to workhorse microphone at a price that won’t break the bank.<br /><br />\n<h3>Vanguard V4 Features</h3><ul><li>Custom-voiced, edge-terminated 34mm dual-capsule assembly with 3µm gold-sputtered Mylar diaphragms</li><li>3 selectable polar patterns – Cardioid, Figure-8, Omnidirectional</li><li>-10dB/100Hz Rolloff</li><li>Electronically-balanced solid-state circuitry loaded with premium-grade components</li><li>Ultra-low-noise JFET design</li><li>Deep-cycle cryogenic treatment of critical signal & power path components</li><li>Heavy-duty brass, aluminum, steel, and zinc construction</li><li>Open-weave headbasket for low internal reflections and “open-air” voicing</li><li>Each V4 comes with its own laser-engraved serial number</li><li>Over-spec componentry</li><li>Deep-gloss Pinot Noir finish</li><li>Polished nickel trim</li><li>Precision-cast Vanguard badge</li><li>Final Assembly & 100% Quality Control in California, USA</li><li>5-Year Warranty</li></ul><inline><br />\n<h3>Vanguard V4 Inludes:</h3>\n<ul style=\"text-align: justify;\">\n	<li>Vanguard V4 Microphone (obviously)</li>\n	<li>VLSM Large Shockmount</li>\n	<li>Padded Pinewood Microphone Storage Box</li><li>Aluminum Carrying Case</li>\n</ul>\n</inline>'),(12321,85,0,2054,'Vanguard V4 Multi-Pattern FET Condenser Microphone'),(12322,85,1,2054,'Vanguard V4 Multi-Pattern FET Condenser Microphone'),(12323,76,0,2054,''),(12324,76,1,2054,''),(12325,75,0,2055,'<h1>Vanguard Audio Labs V44S Stereo FET Condenser Microphone</h1>\n\n<i><span style=\"font-size: 18px;\">A large diaphragm stereo condensor microphone featuring twin 34mm capsules and 3 selectable polar-patterns</span></i><br /><br />The Vanguard V44S is a stereo large-diaphragm multi-pattern FET condenser microphone that offers the classic, warm tone of a vintage mic with the convenience of modern technology. It is designed to be a versatile, reliable, and professional tool at an affordable price. <br /><br />With a pair of coincident twin custom-voiced multi-pattern capsules, you can utilitize X/Y, Mid-Side, Blumlein, and other less conventional stereo microphone techniques in a single microphone. With an all-new detented heavy-duty rotation mechanism, versatile splitter box, premium cryogenically-treated FET circuitry, and a VLSM shockmount, the V44S is the first and last stereo microphone you’ll ever need to reach for.<br /><br />\n<h3>Vanguard V44S Features</h3>\n<ul>\n	<li>Twin custom-voiced, edge-terminated 34mm dual-capsule assembly with 3µm gold-sputtered Mylar diaphragms</li>\n	<li>3 independently selectable polar patterns per capsule</li>\n	<li>Electronically-balanced solid-state circuitry loaded with premium-grade components</li>\n	<li>Ultra-low-noise JFET design</li>\n	<li>Deep-cycle cryogenic treatment of critical signal & power path components</li>\n	<li>90º rotatable top capsule with 15º detents</li>\n	<li>Versatile splitter box for mobile & live recording conditions</li>\n	<li>Robust power supply design for ultra-low noise floor</li>\n	<li>Heavy-duty brass, aluminum, steel, and zinc metal construction</li>\n	<li>5-Year Warranty</li>\n</ul>\n<br />\n<h2>PERFORMANCE</h2>\nVanguard Audio Labs designed the V44S with the character of classic stereo microphones in mind, while also utilizing modern technology & design to meet the demands of today’s recording professionals. An ultra-thin 3µm edge-terminated capsule diaphragms are extraordinarily sensitive, ensuring that every nuance and detail of the performance is faithfully captured.\n<br /><br />\nBoth custom-voiced capsules are independently switchable between cardioid, omnidirectional, and figure-8 pickup patterns, enabling X/Y, Mid-Side, and Blumlein stereo mic’ing within one microphone, as well as less conventional stereo techniques.<br /><br />\nOne of the biggest frustrations of stereo microphones is the flaws of current and past headbasket rotation assemblies. Too often, the current designs are fragile and prone to noisy operation, breakage, and signal loss. We designed a heavy-duty, punched-steel rotation mechanism which detents every 15 degrees for reliable, durable operation.\n<br /><br />\nThe included splitter box contains an additional phase-reversed top capsule output, which is perfect for less-than-ideal recording conditions such as concert taping. This allows mid-side recording with no additional mixer patching.\n<br /><br />\nAfter hundreds of hours of listening and testing exhaustive design variations with world-class engineers, we can confidently say that this microphone will vastly exceed the performance of other stereo microphones in its price range, and rival the performance of stereo microphones costing several times more.\n<br /><br />\n<h2>DESIGN</h2>\nThe VANGUARD V44S is very different from other microphones in its price range. It is designed and precision-built in limited quantities to “no-compromise” standards, with final assembly and 100% testing taking place here in Southern California.\n<br /><br />\nVanguard started with twin extra-large 34mm edge-terminated, gold-sputtered 3µm Mylar dual-capsule assemblies and custom-voiced them with a proprietary hand-tuning process, placing each capsule in an open-weave headbasket for a natural sound with low internal reflections. The top headbasket rotates up to 90 degrees, with detents every 15 degrees for repeatability of settings.\n<br /><br />\nVanguard then designed a transformerless solid-state circuit that matches the unique musical properties of their capsules and loaded it with premium-grade, over-spec components sourced from manufacturers around the world. They cryogenically treated critical components in the signal & power paths, including an ultra-high-grade FET.\n<br /><br />\nAesthetically, the precision-machined brass body is coated in Vanguard\'s signature Pinot Noir, finished with a deep, lustrous gloss, and accented by polished nickel trim and a precision-cast Vanguard badge. Your V44S’s serial number is laser-engraved on the lower rear of the microphone.\n<br /><br />\nThe V44S was designed by a team of experts with more than 65 years of experience and vetted by award-winning engineers and producers.\n<br />\n<br /><span>\n<h2>QUALITY</h2>\nThe V13 was designed in the USA, and undergoes final assembly in sunny Southern California. Vanguard Audio Labs  perform 100% quality control – every single microphone undergoes a series of stringent audio and visual tests here in Southern California before being hand-packed.\n<br /><br />Every part of the V13 was designed to be robust and reliable. Wherever possible, components were over-specced. The deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, aluminum, and zinc are part of the heavy-duty construction.\n<br /><br />\n<h3>What\'s Included in the Box:</h3>\n<ul style=\"text-align: justify;\">\n	<li>Vanguard V44S Microphone (obviously)</li>\n	<li>VLSM Large Shockmount</li>\n	<li>V44S Splitter Box</li>\n	<li>5-Pin Heavy-Duty Microphone Cable</li>\n	<li>Removable windscreen</li>\n	<li>Padded Pinewood Microphone Storage Box</li>\n	<li>Locking Aluminum Carrying Case</li>\n</ul>\n</span>'),(12326,75,1,2055,'<h1>Vanguard Audio Labs V44S Stereo FET Condenser Microphone</h1>\n\n<i><span style=\"font-size: 18px;\">A large diaphragm stereo condensor microphone featuring twin 34mm capsules and 3 selectable polar-patterns</span></i><br /><br />The Vanguard V44S is a stereo large-diaphragm multi-pattern FET condenser microphone that offers the classic, warm tone of a vintage mic with the convenience of modern technology. It is designed to be a versatile, reliable, and professional tool at an affordable price. <br /><br />With a pair of coincident twin custom-voiced multi-pattern capsules, you can utilitize X/Y, Mid-Side, Blumlein, and other less conventional stereo microphone techniques in a single microphone. With an all-new detented heavy-duty rotation mechanism, versatile splitter box, premium cryogenically-treated FET circuitry, and a VLSM shockmount, the V44S is the first and last stereo microphone you’ll ever need to reach for.<br /><br />\n<h3>Vanguard V44S Features</h3>\n<ul>\n	<li>Twin custom-voiced, edge-terminated 34mm dual-capsule assembly with 3µm gold-sputtered Mylar diaphragms</li>\n	<li>3 independently selectable polar patterns per capsule</li>\n	<li>Electronically-balanced solid-state circuitry loaded with premium-grade components</li>\n	<li>Ultra-low-noise JFET design</li>\n	<li>Deep-cycle cryogenic treatment of critical signal & power path components</li>\n	<li>90º rotatable top capsule with 15º detents</li>\n	<li>Versatile splitter box for mobile & live recording conditions</li>\n	<li>Robust power supply design for ultra-low noise floor</li>\n	<li>Heavy-duty brass, aluminum, steel, and zinc metal construction</li>\n	<li>5-Year Warranty</li>\n</ul>\n<br />\n<h2>PERFORMANCE</h2>\nVanguard Audio Labs designed the V44S with the character of classic stereo microphones in mind, while also utilizing modern technology & design to meet the demands of today’s recording professionals. An ultra-thin 3µm edge-terminated capsule diaphragms are extraordinarily sensitive, ensuring that every nuance and detail of the performance is faithfully captured.\n<br /><br />\nBoth custom-voiced capsules are independently switchable between cardioid, omnidirectional, and figure-8 pickup patterns, enabling X/Y, Mid-Side, and Blumlein stereo mic’ing within one microphone, as well as less conventional stereo techniques.<br /><br />\nOne of the biggest frustrations of stereo microphones is the flaws of current and past headbasket rotation assemblies. Too often, the current designs are fragile and prone to noisy operation, breakage, and signal loss. We designed a heavy-duty, punched-steel rotation mechanism which detents every 15 degrees for reliable, durable operation.\n<br /><br />\nThe included splitter box contains an additional phase-reversed top capsule output, which is perfect for less-than-ideal recording conditions such as concert taping. This allows mid-side recording with no additional mixer patching.\n<br /><br />\nAfter hundreds of hours of listening and testing exhaustive design variations with world-class engineers, we can confidently say that this microphone will vastly exceed the performance of other stereo microphones in its price range, and rival the performance of stereo microphones costing several times more.\n<br /><br />\n<h2>DESIGN</h2>\nThe VANGUARD V44S is very different from other microphones in its price range. It is designed and precision-built in limited quantities to “no-compromise” standards, with final assembly and 100% testing taking place here in Southern California.\n<br /><br />\nVanguard started with twin extra-large 34mm edge-terminated, gold-sputtered 3µm Mylar dual-capsule assemblies and custom-voiced them with a proprietary hand-tuning process, placing each capsule in an open-weave headbasket for a natural sound with low internal reflections. The top headbasket rotates up to 90 degrees, with detents every 15 degrees for repeatability of settings.\n<br /><br />\nVanguard then designed a transformerless solid-state circuit that matches the unique musical properties of their capsules and loaded it with premium-grade, over-spec components sourced from manufacturers around the world. They cryogenically treated critical components in the signal & power paths, including an ultra-high-grade FET.\n<br /><br />\nAesthetically, the precision-machined brass body is coated in Vanguard\'s signature Pinot Noir, finished with a deep, lustrous gloss, and accented by polished nickel trim and a precision-cast Vanguard badge. Your V44S’s serial number is laser-engraved on the lower rear of the microphone.\n<br /><br />\nThe V44S was designed by a team of experts with more than 65 years of experience and vetted by award-winning engineers and producers.\n<br />\n<br /><span>\n<h2>QUALITY</h2>\nThe V13 was designed in the USA, and undergoes final assembly in sunny Southern California. Vanguard Audio Labs  perform 100% quality control – every single microphone undergoes a series of stringent audio and visual tests here in Southern California before being hand-packed.\n<br /><br />Every part of the V13 was designed to be robust and reliable. Wherever possible, components were over-specced. The deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, aluminum, and zinc are part of the heavy-duty construction.\n<br /><br />\n<h3>What\'s Included in the Box:</h3>\n<ul style=\"text-align: justify;\">\n	<li>Vanguard V44S Microphone (obviously)</li>\n	<li>VLSM Large Shockmount</li>\n	<li>V44S Splitter Box</li>\n	<li>5-Pin Heavy-Duty Microphone Cable</li>\n	<li>Removable windscreen</li>\n	<li>Padded Pinewood Microphone Storage Box</li>\n	<li>Locking Aluminum Carrying Case</li>\n</ul>\n</span>'),(12327,85,0,2055,'Vanguard Audio Labs V44S Stereo FET Condenser Microphone'),(12328,85,1,2055,'Vanguard Audio Labs V44S Stereo FET Condenser Microphone'),(12329,76,0,2055,''),(12330,76,1,2055,''),(12331,75,0,2056,'<h2>Non-Lethal Applications Video Slave 4 Pro</h2>\r\n<i>Video Slave 3 Pro gives you seamless playback of movies in sync to MIDI Timecode, compatible with all major DAWs and video codecs.</i><br /><br />Non-Lethal Applications Video Slave 4 Pro extends Video Slave 4\'s feature set with even more functionality, including support for files stored in MXF containers (Op 1A and Op Atom) as well as for AJA devices and the Syphon framework. Video Slave 4 Pro also enables 4K play-out through Blackmagic and AJA devices. Video Slave 4 Pro is the perfect companion for post-production facilities and live production engineers.<br /><br />\r\n<h3>Video Slave 4 Pro key features:</h3>\r\n<ul>\r\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Synchronized movie playback - works with all major DAWs</span></li>\r\n	<li>Custom playback engine with GPU-supported rendering - works with all common video codecs</li>\r\n	<li>Support for movies in the MXF container (Op1A and OpAtom)</li>\r\n	<li>Video Device Support with Unrivaled Flexibility supports a range of Blackmagic/AJA devices with output resolutions up to 4K</li>\r\n	<li>Customizable Movie Export allows you to select output options of video and audio codec, include or remove audio tracks, and export range.</li>\r\n	<li>Flexible Overlays, enabling the superimposition of all types of visual cues over the picture</li>\r\n	<li>Professional audio capabilities allow Video Slave to playback all audio tracks a movie contains with up to 8 channels per track</li>\r\n	<li>Powerful Video Slave timeline can contain several timelines, and each timeline can hold several video and audio tracks</li>\r\n</ul>\r\n<br />\r\n<hr />\r\n<h2>Video Slave 4 Features in Depth</h2>\r\n<h3> Video Slave Standard vs Pro</h3>\r\n<img src=\"/v/vspfiles/assets/images/video-slave-4-comparison.png\" alt=\"Video Slave 4 Standard vs Pro comparison\" /><br /><br />\r\n<h3>Synchronized Playback works with Pro Tools, Logic Pro and all Major DAWS</h3>\r\nVideo Slave offers seamless playback of movies in sync to MIDI Timecode. It works with all major DAWs including Pro Tools, Logic Pro X, Nuendo, Cubase and Studio One - or any other device that can generate timecode as a source.\r\n<br /><br />\r\nVideo Slave\'s sync engine provides stunningly fast locking times and tight sync guaranteed: in many cases, it\'s better than using the video engine built into your DAW.<br /><br />\r\n<h3>Playback Engine with GPU-supported Rendering</h3><div>Leverage the power of Video Slave to playback all today\'s commonly used codecs including Pro Res, H.264, and AVC Intra. The supported container types include QuickTime, MXF and others.</div><div><br /></div><div>Stop wasting time transcoding movie clips to a format preferred by your DAW. Simply drop the video clip into Video Slave, and it does the rest.</div><div><br /></div><div>Video Slave 4 gives exceptional video playback, and saves you valuable time.</div><br />\r\n<h3>Extensive Video Device Support with Unrivaled Flexibility</h3>\r\n	Don\'t be tied to simple playback through your computer monitor. Video Slave supports a wide range of video hardware devices from Blackmagic Design and AJA. It also supports the Syphon framework which allows you to share video frames with other applications easily.\r\n<br /><br />\r\n	Video Slave will present the video on all attached devices as well as the inbuilt player view at the same time and will ensure that all the displays are in perfect sync. And if you\'re using a projector, Video Slave offers a handy projection delay compensation.\r\n<br /><br />\r\n<h3>Customizable Movie Export</h3>\r\nAn essential part of any workflow is the ability to export movies for different scenarios. Ever needed to export a movie with an added piece of music for the director? Alternatively, export a video with your programmed visual cues to send to the scoring stage?\r\n<br /><br />\r\nNow you can with Video Slave\'s flexible movie exporting features. Video Slave 4 offers you the flexibility to select output options of video and audio codec, include or remove audio tracks, and export range.<br /><br />\r\n<h3>Overlays to transform your daily work</h3>\r\nVideo Slave provides flexible overlays, enabling the superimposition of all types of visual cues over the picture - useful in a whole range of scenarios. From simple on/off overlays for timecode or feet and frames to timed overlays for streamers, markers, and flutters. Timed overlays can be programmed directly within Video Slave, but also triggered directly from your DAW or other MIDI-compatible equipment such as a keyboard or trigger pads.\r\n<br /><br />\r\n<h3>Professional audio capabilities</h3>\r\nVideo Slave will playback all audio tracks a movie contains with up to 8 channels per track. Additionally, you can create audio tracks and drag audio files to them the same way you can in your DAW. Video Slave will draw audio waveforms and offer all audio-related features you are used to on your workstation such as flexible output routing and standard audio controls such as solo, mute, volume and pan on an individual track basis.\r\n<br /><br />\r\n<h3>Ease your workflow with timelines</h3>\r\nNo matter if you\'re working on a reel-based feature film, commercials or a whole season of a TV or web series, Video Slave\'s timeline feature has you covered!\r\n<br /><br />\r\nA project in Video Slave can contain several timelines, and each timeline can hold several video and audio tracks. Use one movie per timeline or all reels of a film, use several video tracks in one timeline or only one and instead use separate timelines - whatever aids your workflow. Edit video and audio regions to easily insert a rendered scene or have one timeline for a reel-wise and another for a tied version of the same film for presentation purposes - all in the same project and with minimal effort.<br /><br />\r\n<h3>Take control of your video and streamline your workflow with Non-Lethal Applications Video Slave 4. Call or chat online with an RSPE representative to learn more. </h3>'),(12332,75,1,2056,'<h2>Non-Lethal Applications Video Slave 4 Pro</h2>\n<i>Video Slave 3 Pro gives you seamless playback of movies in sync to MIDI Timecode, compatible with all major DAWs and video codecs.</i><br /><br />Non-Lethal Applications Video Slave 4 Pro extends Video Slave 4\'s feature set with even more functionality, including support for files stored in MXF containers (Op 1A and Op Atom) as well as for AJA devices and the Syphon framework. Video Slave 4 Pro also enables 4K play-out through Blackmagic and AJA devices. Video Slave 4 Pro is the perfect companion for post-production facilities and live production engineers.<br /><br />\n<h3>Video Slave 4 Pro key features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Synchronized movie playback - works with all major DAWs</span></li>\n	<li>Custom playback engine with GPU-supported rendering - works with all common video codecs</li>\n	<li>Support for movies in the MXF container (Op1A and OpAtom)</li>\n	<li>Video Device Support with Unrivaled Flexibility supports a range of Blackmagic/AJA devices with output resolutions up to 4K</li>\n	<li>Customizable Movie Export allows you to select output options of video and audio codec, include or remove audio tracks, and export range.</li>\n	<li>Flexible Overlays, enabling the superimposition of all types of visual cues over the picture</li>\n	<li>Professional audio capabilities allow Video Slave to playback all audio tracks a movie contains with up to 8 channels per track</li>\n	<li>Powerful Video Slave timeline can contain several timelines, and each timeline can hold several video and audio tracks</li>\n</ul>\n<br />\n<hr />\n<h2>Video Slave 4 Features in Depth</h2>\n<h3> Video Slave Standard vs Pro</h3>\n<img src=\"/v/vspfiles/assets/images/video-slave-4-comparison.png\" alt=\"Video Slave 4 Standard vs Pro comparison\" /><br /><br />\n<h3>Synchronized Playback works with Pro Tools, Logic Pro and all Major DAWS</h3>\nVideo Slave offers seamless playback of movies in sync to MIDI Timecode. It works with all major DAWs including Pro Tools, Logic Pro X, Nuendo, Cubase and Studio One - or any other device that can generate timecode as a source.\n<br /><br />\nVideo Slave\'s sync engine provides stunningly fast locking times and tight sync guaranteed: in many cases, it\'s better than using the video engine built into your DAW.<br /><br />\n<h3>Playback Engine with GPU-supported Rendering</h3><div>Leverage the power of Video Slave to playback all today\'s commonly used codecs including Pro Res, H.264, and AVC Intra. The supported container types include QuickTime, MXF and others.</div><div><br /></div><div>Stop wasting time transcoding movie clips to a format preferred by your DAW. Simply drop the video clip into Video Slave, and it does the rest.</div><div><br /></div><div>Video Slave 4 gives exceptional video playback, and saves you valuable time.</div><br />\n<h3>Extensive Video Device Support with Unrivaled Flexibility</h3>\n	Don\'t be tied to simple playback through your computer monitor. Video Slave supports a wide range of video hardware devices from Blackmagic Design and AJA. It also supports the Syphon framework which allows you to share video frames with other applications easily.\n<br /><br />\n	Video Slave will present the video on all attached devices as well as the inbuilt player view at the same time and will ensure that all the displays are in perfect sync. And if you\'re using a projector, Video Slave offers a handy projection delay compensation.\n<br /><br />\n<h3>Customizable Movie Export</h3>\nAn essential part of any workflow is the ability to export movies for different scenarios. Ever needed to export a movie with an added piece of music for the director? Alternatively, export a video with your programmed visual cues to send to the scoring stage?\n<br /><br />\nNow you can with Video Slave\'s flexible movie exporting features. Video Slave 4 offers you the flexibility to select output options of video and audio codec, include or remove audio tracks, and export range.<br /><br />\n<h3>Overlays to transform your daily work</h3>\nVideo Slave provides flexible overlays, enabling the superimposition of all types of visual cues over the picture - useful in a whole range of scenarios. From simple on/off overlays for timecode or feet and frames to timed overlays for streamers, markers, and flutters. Timed overlays can be programmed directly within Video Slave, but also triggered directly from your DAW or other MIDI-compatible equipment such as a keyboard or trigger pads.\n<br /><br />\n<h3>Professional audio capabilities</h3>\nVideo Slave will playback all audio tracks a movie contains with up to 8 channels per track. Additionally, you can create audio tracks and drag audio files to them the same way you can in your DAW. Video Slave will draw audio waveforms and offer all audio-related features you are used to on your workstation such as flexible output routing and standard audio controls such as solo, mute, volume and pan on an individual track basis.\n<br /><br />\n<h3>Ease your workflow with timelines</h3>\nNo matter if you\'re working on a reel-based feature film, commercials or a whole season of a TV or web series, Video Slave\'s timeline feature has you covered!\n<br /><br />\nA project in Video Slave can contain several timelines, and each timeline can hold several video and audio tracks. Use one movie per timeline or all reels of a film, use several video tracks in one timeline or only one and instead use separate timelines - whatever aids your workflow. Edit video and audio regions to easily insert a rendered scene or have one timeline for a reel-wise and another for a tied version of the same film for presentation purposes - all in the same project and with minimal effort.<br /><br />\n<h3>Take control of your video and streamline your workflow with Non-Lethal Applications Video Slave 4. Call or chat online with an RSPE representative to learn more. </h3>'),(12333,85,0,2056,''),(12334,85,1,2056,''),(12335,76,0,2056,''),(12336,76,1,2056,''),(12337,75,0,2057,'<h1>Non-Lethal Applications Video Slave 4</h1>\n<i>Video Slave 4 is a state-of-the-art synchronized video player that gives you seamless playback of movies in sync to MIDI Timecode, compatible with all major DAWs and video codecs.</i><br /><br />Non-Lethal Applications Video Slave 4 is the industry standard application for synchronized movie playback for your DAW. Let your DAW handle the audio and use Video Slave do what it is best at and do all the heavy lifting with video effortlessly. Our video engine supports a wide range of video codecs and containers so you don\'t need to worry about platform-specific video anymore and can focus on the creative process. Video Slave\'s feature set is designed for composers and audio professionals alike.<br /><br />\n<h3>Video Slave 4 key features:</h3>\n<ul>\n	<li>Synchronized movie playback - works with all major DAWs</li>\n	<li>Custom playback engine with GPU-supported rendering - works with all common video codecs</li>\n	<li>Video Device Support with Unrivaled Flexibility supports a range of Blackmagic Design devices including their DeckLink, UltraStudio and Intensity products.</li>\n	<li>Customizable Movie Export allows you to select output options of video and audio codec, include or remove audio tracks, and export range.</li>\n	<li>Flexible Overlays, enabling the superimposition of all types of visual cues over the picture</li>\n	<li>Professional audio capabilities allow Video Slave to playback all audio tracks a movie contains with up to 8 channels per track</li>\n	<li>Powerful Video Slave timeline can contain several timelines, and each timeline can hold several video and audio tracks</li>\n</ul>\n<br />\n<hr />\n<h2>Video Slave 4 Features in Depth</h2>\n<h3> Video Slave Standard vs Pro</h3>\n<img src=\"/v/vspfiles/assets/images/video-slave-4-comparison.png\" alt=\"Video Slave 4 Standard vs Pro comparison\" /><br /><br />\n<h3>Synchronized Playback works with Pro Tools, Logic Pro and all Major DAWS</h3>\nVideo Slave offers seamless playback of movies in sync to MIDI Timecode. It works with all major DAWs including Pro Tools, Logic Pro X, Nuendo, Cubase and Studio One - or any other device that can generate timecode as a source.\n<br /><br />\nVideo Slave\'s sync engine provides stunningly fast locking times and tight sync guaranteed: in many cases, it\'s better than using the video engine built into your DAW.<br /><br />\n<h3>Playback Engine with GPU-supported Rendering</h3>\nLeverage the power of Video Slave to playback all today\'s commonly used codecs including ProRes, H.264, and AVC Intra. The supported container types include QuickTime and others.\n<br /><br />\nStop wasting time transcoding movie clips to a format preferred by your DAW. Just drop the video clip into Video Slave, and it does the rest.<br /><br />\nVideo Slave 4 gives exceptional video playback and saves you valuable time.<br /><br />\n<h3>Extensive Video Device Support with Unrivaled Flexibility</h3>\nDon\'t be tied to simple playback through your computer monitor. Video Slave also supports a range of Blackmagic Design devices including their DeckLink, UltraStudio and Intensity products.\n<br /><br />\nVideo Slave displays the video on all attached devices as well as the inbuilt player view at the same time and ensures that all the displays are in perfect sync. Also, if you\'re using a projector, Video Slave offers a handy projection delay compensation.<br /><br />\n<h3>Customizable Movie Export</h3>\nAn essential part of any workflow is the ability to export movies for different scenarios. Ever needed to export a movie with an added piece of music for the director? Alternatively, export a video with your programmed visual cues to send to the scoring stage?\n<br /><br />\nNow you can with Video Slave\'s flexible movie exporting features. Video Slave 4 offers you the flexibility to select output options of video and audio codec, include or remove audio tracks, and export range.<br /><br />\n<h3>Overlays to transform your daily work</h3>\nVideo Slave provides flexible overlays, enabling the superimposition of all types of visual cues over the picture - useful in a whole range of scenarios. From simple on/off overlays for timecode or feet and frames to timed overlays for streamers, markers, and flutters. Timed overlays can be programmed directly within Video Slave, but also triggered directly from your DAW or other MIDI-compatible equipment such as a keyboard or trigger pads.\n<br /><br />\n<h3>Professional audio capabilities</h3>\nVideo Slave will playback all audio tracks a movie contains with up to 8 channels per track. Additionally, you can create audio tracks and drag audio files to them the same way you can in your DAW. Video Slave will draw audio waveforms and offer all audio-related features you are used to on your workstation such as flexible output routing and standard audio controls such as solo, mute, volume and pan on an individual track basis.\n<br /><br />\n<h3>Ease your workflow with timelines</h3>\nNo matter if you\'re working on a reel-based feature film, commercials or a whole season of a TV or web series, Video Slave\'s timeline feature has you covered!\n<br /><br />\nA project in Video Slave can contain several timelines, and each timeline can hold several video and audio tracks. Use one movie per timeline or all reels of a film, use several video tracks in one timeline or only one and instead use separate timelines - whatever aids your workflow. Edit video and audio regions to easily insert a rendered scene or have one timeline for a reel-wise and another for a tied version of the same film for presentation purposes - all in the same project and with minimal effort.<br /><br />\n<h3>Take control of your video and streamline your workflow with Non-Lethal Applications Video Slave 4. Call or chat online with an RSPE representative to learn more. </h3>'),(12338,75,1,2057,'<h1>Non-Lethal Applications Video Slave 4</h1>\n<i>Video Slave 4 is a state-of-the-art synchronized video player that gives you seamless playback of movies in sync to MIDI Timecode, compatible with all major DAWs and video codecs.</i><br /><br />Non-Lethal Applications Video Slave 4 is the industry standard application for synchronized movie playback for your DAW. Let your DAW handle the audio and use Video Slave do what it is best at and do all the heavy lifting with video effortlessly. Our video engine supports a wide range of video codecs and containers so you don\'t need to worry about platform-specific video anymore and can focus on the creative process. Video Slave\'s feature set is designed for composers and audio professionals alike.<br /><br />\n<h3>Video Slave 4 key features:</h3>\n<ul>\n	<li>Synchronized movie playback - works with all major DAWs</li>\n	<li>Custom playback engine with GPU-supported rendering - works with all common video codecs</li>\n	<li>Video Device Support with Unrivaled Flexibility supports a range of Blackmagic Design devices including their DeckLink, UltraStudio and Intensity products.</li>\n	<li>Customizable Movie Export allows you to select output options of video and audio codec, include or remove audio tracks, and export range.</li>\n	<li>Flexible Overlays, enabling the superimposition of all types of visual cues over the picture</li>\n	<li>Professional audio capabilities allow Video Slave to playback all audio tracks a movie contains with up to 8 channels per track</li>\n	<li>Powerful Video Slave timeline can contain several timelines, and each timeline can hold several video and audio tracks</li>\n</ul>\n<br />\n<hr />\n<h2>Video Slave 4 Features in Depth</h2>\n<h3> Video Slave Standard vs Pro</h3>\n<img src=\"/v/vspfiles/assets/images/video-slave-4-comparison.png\" alt=\"Video Slave 4 Standard vs Pro comparison\" /><br /><br />\n<h3>Synchronized Playback works with Pro Tools, Logic Pro and all Major DAWS</h3>\nVideo Slave offers seamless playback of movies in sync to MIDI Timecode. It works with all major DAWs including Pro Tools, Logic Pro X, Nuendo, Cubase and Studio One - or any other device that can generate timecode as a source.\n<br /><br />\nVideo Slave\'s sync engine provides stunningly fast locking times and tight sync guaranteed: in many cases, it\'s better than using the video engine built into your DAW.<br /><br />\n<h3>Playback Engine with GPU-supported Rendering</h3>\nLeverage the power of Video Slave to playback all today\'s commonly used codecs including ProRes, H.264, and AVC Intra. The supported container types include QuickTime and others.\n<br /><br />\nStop wasting time transcoding movie clips to a format preferred by your DAW. Just drop the video clip into Video Slave, and it does the rest.<br /><br />\nVideo Slave 4 gives exceptional video playback and saves you valuable time.<br /><br />\n<h3>Extensive Video Device Support with Unrivaled Flexibility</h3>\nDon\'t be tied to simple playback through your computer monitor. Video Slave also supports a range of Blackmagic Design devices including their DeckLink, UltraStudio and Intensity products.\n<br /><br />\nVideo Slave displays the video on all attached devices as well as the inbuilt player view at the same time and ensures that all the displays are in perfect sync. Also, if you\'re using a projector, Video Slave offers a handy projection delay compensation.<br /><br />\n<h3>Customizable Movie Export</h3>\nAn essential part of any workflow is the ability to export movies for different scenarios. Ever needed to export a movie with an added piece of music for the director? Alternatively, export a video with your programmed visual cues to send to the scoring stage?\n<br /><br />\nNow you can with Video Slave\'s flexible movie exporting features. Video Slave 4 offers you the flexibility to select output options of video and audio codec, include or remove audio tracks, and export range.<br /><br />\n<h3>Overlays to transform your daily work</h3>\nVideo Slave provides flexible overlays, enabling the superimposition of all types of visual cues over the picture - useful in a whole range of scenarios. From simple on/off overlays for timecode or feet and frames to timed overlays for streamers, markers, and flutters. Timed overlays can be programmed directly within Video Slave, but also triggered directly from your DAW or other MIDI-compatible equipment such as a keyboard or trigger pads.\n<br /><br />\n<h3>Professional audio capabilities</h3>\nVideo Slave will playback all audio tracks a movie contains with up to 8 channels per track. Additionally, you can create audio tracks and drag audio files to them the same way you can in your DAW. Video Slave will draw audio waveforms and offer all audio-related features you are used to on your workstation such as flexible output routing and standard audio controls such as solo, mute, volume and pan on an individual track basis.\n<br /><br />\n<h3>Ease your workflow with timelines</h3>\nNo matter if you\'re working on a reel-based feature film, commercials or a whole season of a TV or web series, Video Slave\'s timeline feature has you covered!\n<br /><br />\nA project in Video Slave can contain several timelines, and each timeline can hold several video and audio tracks. Use one movie per timeline or all reels of a film, use several video tracks in one timeline or only one and instead use separate timelines - whatever aids your workflow. Edit video and audio regions to easily insert a rendered scene or have one timeline for a reel-wise and another for a tied version of the same film for presentation purposes - all in the same project and with minimal effort.<br /><br />\n<h3>Take control of your video and streamline your workflow with Non-Lethal Applications Video Slave 4. Call or chat online with an RSPE representative to learn more. </h3>'),(12339,85,0,2057,''),(12340,85,1,2057,''),(12341,76,0,2057,''),(12342,76,1,2057,''),(12343,75,0,2058,'The Vintech Audio Model 273 is a stereo set of class A, all discrete, transformer balanced microphone preamplifiers with \"essential eq\" on each channel. The mic pre\'s are based on the classic Neve 1073 module.'),(12344,75,1,2058,'The Vintech Audio Model 273 is a stereo set of class A, all discrete, transformer balanced microphone preamplifiers with \"essential eq\" on each channel. The mic pre\'s are based on the classic Neve 1073 module.'),(12345,85,0,2058,'Vintech Audio Model 273 Microphone Preamp'),(12346,85,1,2058,'Vintech Audio Model 273 Microphone Preamp'),(12347,76,0,2058,''),(12348,76,1,2058,''),(12349,75,0,2059,'The Vintech Audio 473 features four 1073 style microphone preamplifiers with \"essential eq\" on every channel. We call the high and low shelving eq adjustments \"essential\" because they really help to enhance certain instruments and impart a certain magic to the sound like a vintage Neve 1073.\nFrequency choices are 3.2k and 12k for the highs and 60hz and 220hz on the low shelving but can be special ordered at other practical frequencies. Each channel also offers an input sensitivity adjustment allowing up to 70db of gain, an input impedance switch, a mic-line switch, an instrument input and\nswitches for phantom power, phase reverse and eq on or off.'),(12350,75,1,2059,'The Vintech Audio 473 features four 1073 style microphone preamplifiers with \"essential eq\" on every channel. We call the high and low shelving eq adjustments \"essential\" because they really help to enhance certain instruments and impart a certain magic to the sound like a vintage Neve 1073.\nFrequency choices are 3.2k and 12k for the highs and 60hz and 220hz on the low shelving but can be special ordered at other practical frequencies. Each channel also offers an input sensitivity adjustment allowing up to 70db of gain, an input impedance switch, a mic-line switch, an instrument input and\nswitches for phantom power, phase reverse and eq on or off.'),(12351,85,0,2059,'Vintech Audio Model 473 Microphone Preamp'),(12352,85,1,2059,'Vintech Audio Model 473 Microphone Preamp'),(12353,76,0,2059,''),(12354,76,1,2059,''),(12355,75,0,2060,'The Vintech Audio 609CA is a transformer balanced stereo compressor/limiter with with class A, all discrete output amplifiers. The compression and limiting circuitry is based on the classic Neve 33609, while the output amplifiers are more similar to the Neve 2254.'),(12356,75,1,2060,'The Vintech Audio 609CA is a transformer balanced stereo compressor/limiter with with class A, all discrete output amplifiers. The compression and limiting circuitry is based on the classic Neve 33609, while the output amplifiers are more similar to the Neve 2254.'),(12357,85,0,2060,'Vintech Audio 609CA Compressor/Limiter'),(12358,85,1,2060,'Vintech Audio 609CA Compressor/Limiter'),(12359,76,0,2060,''),(12360,76,1,2060,''),(12361,75,0,2061,'The VA573 is a class A, all discrete, transformer balanced microphone preamplifier. It is based on the classic Neve 1073 module. The 573 also features an all new discrete high impedance D.I. that goes through the input transformer. The unit is also capable of accepting line level sources via a switch on the front panel.<br /><br />\nThis unit contains no IC\'s and no surface mount components. It is made at the Vintech Audio shop here in the USA.<br /><br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(12362,75,1,2061,'The VA573 is a class A, all discrete, transformer balanced microphone preamplifier. It is based on the classic Neve 1073 module. The 573 also features an all new discrete high impedance D.I. that goes through the input transformer. The unit is also capable of accepting line level sources via a switch on the front panel.<br /><br />\nThis unit contains no IC\'s and no surface mount components. It is made at the Vintech Audio shop here in the USA.<br /><br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(12363,85,0,2061,'Vintech Audio VA573 500 Series Mic Pre'),(12364,85,1,2061,'Vintech Audio VA573 500 Series Mic Pre'),(12365,76,0,2061,''),(12366,76,1,2061,''),(12367,75,0,2062,'The Vintech X73 is a class A, all discrete, transformer balanced microphone preamplifier with equalizer. It is built with the same circuit design and components as the classic Neve 1073 module.'),(12368,75,1,2062,'The Vintech X73 is a class A, all discrete, transformer balanced microphone preamplifier with equalizer. It is built with the same circuit design and components as the classic Neve 1073 module.'),(12369,85,0,2062,'Vintech Audio X73 Microphone Preamp'),(12370,85,1,2062,'Vintech Audio X73 Microphone Preamp'),(12371,76,0,2062,''),(12372,76,1,2062,''),(12373,75,0,2063,'Possibly the best value in the business! The X73i is a class A, all discrete, transformer balanced microphone preamplifier with equalizer both based on the classic Neve 1073 module. It is constructed utilizing modern manufacturing techniques which allow us to offer this product at an incredible value. Now practically anyone can record with the classic sound of vintage modules without having to deal with inflated vintage prices.\n \nThe X73i features the same class A mic pre as the X73 with all of the same eq parameters plus additional mid range frequencies, selectable input impedance, 1/4 inch D.I. on front panel, transformer balanced mic and line inputs, phase reverse, phantom power switch, eq switch, 70db of gain, quality Grayhill rotary switches, custom machined aluminum knobs, plus many other features.'),(12374,75,1,2063,'Possibly the best value in the business! The X73i is a class A, all discrete, transformer balanced microphone preamplifier with equalizer both based on the classic Neve 1073 module. It is constructed utilizing modern manufacturing techniques which allow us to offer this product at an incredible value. Now practically anyone can record with the classic sound of vintage modules without having to deal with inflated vintage prices.\n \nThe X73i features the same class A mic pre as the X73 with all of the same eq parameters plus additional mid range frequencies, selectable input impedance, 1/4 inch D.I. on front panel, transformer balanced mic and line inputs, phase reverse, phantom power switch, eq switch, 70db of gain, quality Grayhill rotary switches, custom machined aluminum knobs, plus many other features.'),(12375,85,0,2063,'Vintech Audio X73i Microphone Preamp'),(12376,85,1,2063,'Vintech Audio X73i Microphone Preamp'),(12377,76,0,2063,''),(12378,76,1,2063,''),(12379,75,0,2064,'While many people love the classic Neve 1081 module because of it\'s versatile equalizer section, many feel that it\'s use of class AB amplifiers causes it to lack that certain \"magic\" associated with the class A amplifiers found in the Neve 1073 module. \n\nOur new \"X81 Class A\" features the same great microphone preamplifier as our X73, but with a more comprehensive four band equalizer with \"Q\" adjustments on the two mid range frequencies. We utilize the same class A amplifier designs found in the Neve 1073 module throughout our X81 Class A. \n\nThe equalizer section features ten low mid frequency points, 10 hi mid frequencies, 5 frequecy choices on both the low and high shelving adjustments. There is also a high pass filter, a D.I. and an ouput strength meter.'),(12380,75,1,2064,'While many people love the classic Neve 1081 module because of it\'s versatile equalizer section, many feel that it\'s use of class AB amplifiers causes it to lack that certain \"magic\" associated with the class A amplifiers found in the Neve 1073 module. \n\nOur new \"X81 Class A\" features the same great microphone preamplifier as our X73, but with a more comprehensive four band equalizer with \"Q\" adjustments on the two mid range frequencies. We utilize the same class A amplifier designs found in the Neve 1073 module throughout our X81 Class A. \n\nThe equalizer section features ten low mid frequency points, 10 hi mid frequencies, 5 frequecy choices on both the low and high shelving adjustments. There is also a high pass filter, a D.I. and an ouput strength meter.'),(12381,85,0,2064,'Vintech Audio X81 Class A Microphone Preamp'),(12382,85,1,2064,'Vintech Audio X81 Class A Microphone Preamp'),(12383,76,0,2064,''),(12384,76,1,2064,''),(12385,75,0,2065,'<h1 class=\"product__name\" style=\"-webkit-tap-highlight-color: transparent; font-stretch: condensed; font-size: 32px; line-height: 1; font-family: \'Sweetwater Condensed\', \'Arial Narrow\', \'Trebuchet MS\', sans-serif; margin-bottom: 7px; color: rgb(46, 45, 43); max-height: none; letter-spacing: normal; background-color: rgb(255, 255, 255);\"><span itemprop=\"brand\" itemscope=\"itemscope\" itemtype=\"https://schema.org/Organization\" style=\"-webkit-tap-highlight-color: transparent;\">WaveArts</span> <span itemprop=\"name\" style=\"-webkit-tap-highlight-color: transparent;\">Dialog 2 Plug-in</span></h1><br />WaveArts Dialog 2 Plug-in combines in one plug-in all the processing needed to clean up, adjust, and sweeten recordings of the spoken voice. It is perfect for voice-over, film/tv recordings on location or sound stage, and broadcast.\n\nDialog includes brickwall filters, de-hum and de-buzz processing, broadband noise reduction, de-ploding, de-essing, 10-band equalization, compression, and limiting. Separate presets for each section allow you to get results fast.\n\nThe brickwall filters have variable rolloff slopes and can be used to cutoff low or high frequency ranges. The de-hum processor uses notch filters to eliminate 10 harmonics of either 50 Hz or 60 Hz hum. The de-buzz processor squelches nasty line frequency buzzes. The de-noise processor is the stellar sounding MR Noise algorithm with a simplified interface. De-plode and de-ess are custom processors; use de-plode to tame plosive sounds and use de-ess to adjust the amount of sibiliants. The EQ section is the powerful and easy to use TrackPlug equalizer, with 10 bands of equalization, 11 different filter types to choose from, and a variety of presets. The compressor is the TrackPlug Vintage compressor, with presets tailored to voice processing.'),(12386,75,1,2065,'<h1 class=\"product__name\" style=\"-webkit-tap-highlight-color: transparent; font-stretch: condensed; font-size: 32px; line-height: 1; font-family: \'Sweetwater Condensed\', \'Arial Narrow\', \'Trebuchet MS\', sans-serif; margin-bottom: 7px; color: rgb(46, 45, 43); max-height: none; letter-spacing: normal; background-color: rgb(255, 255, 255);\"><span itemprop=\"brand\" itemscope=\"itemscope\" itemtype=\"https://schema.org/Organization\" style=\"-webkit-tap-highlight-color: transparent;\">WaveArts</span> <span itemprop=\"name\" style=\"-webkit-tap-highlight-color: transparent;\">Dialog 2 Plug-in</span></h1><br />WaveArts Dialog 2 Plug-in combines in one plug-in all the processing needed to clean up, adjust, and sweeten recordings of the spoken voice. It is perfect for voice-over, film/tv recordings on location or sound stage, and broadcast.\n\nDialog includes brickwall filters, de-hum and de-buzz processing, broadband noise reduction, de-ploding, de-essing, 10-band equalization, compression, and limiting. Separate presets for each section allow you to get results fast.\n\nThe brickwall filters have variable rolloff slopes and can be used to cutoff low or high frequency ranges. The de-hum processor uses notch filters to eliminate 10 harmonics of either 50 Hz or 60 Hz hum. The de-buzz processor squelches nasty line frequency buzzes. The de-noise processor is the stellar sounding MR Noise algorithm with a simplified interface. De-plode and de-ess are custom processors; use de-plode to tame plosive sounds and use de-ess to adjust the amount of sibiliants. The EQ section is the powerful and easy to use TrackPlug equalizer, with 10 bands of equalization, 11 different filter types to choose from, and a variety of presets. The compressor is the TrackPlug Vintage compressor, with presets tailored to voice processing.'),(12387,85,0,2065,'WaveArts Dialog 2 Plug-in'),(12388,85,1,2065,'WaveArts Dialog 2 Plug-in'),(12389,76,0,2065,''),(12390,76,1,2065,''),(12391,75,0,2066,'FinalPlug is a professional peak limiter/volume maximizer with extensive bit depth truncation and dither options, making it ideally suited for a final mix. Tame the peaks a bit, or really squeeze all the volume you can out of it.\n\nThe FinalPlug interface could hardly be simpler. Select a desired output ceiling level, say -0.1 dB, and then adjust the threshold level. As you decrease the threshold you increase the volume.\n\nThe peak limiter section works by looking ahead 1.5 milliseconds. When a input peak is detected that will exceed the desired output ceiling, the gain is quickly ducked to let the peak pass, then the gain is restored relatively slowly according to the release time control. During rapidly changing program material with frequent peaks, a faster release time will achieve better results. During slowly changing material, slower release times prevent excessive modulation distortion. FinalPlug’s auto release feature analyzes the input signal to determine peakiness, and selects the optimum release time for the program material.\n\nThe truncate/dither section is usually used for CD mastering, where truncation to 16 bits can create audible quantization distortion. By adding special dither noise, the quantization distortion can be eliminated, and the dither noise can be spectrally shaped to move it to frequency ranges where it is less audible. FinalPlug contains a comprehensive noise shaping section which reproduces a variety of commonly used noise shapes.'),(12392,75,1,2066,'FinalPlug is a professional peak limiter/volume maximizer with extensive bit depth truncation and dither options, making it ideally suited for a final mix. Tame the peaks a bit, or really squeeze all the volume you can out of it.\n\nThe FinalPlug interface could hardly be simpler. Select a desired output ceiling level, say -0.1 dB, and then adjust the threshold level. As you decrease the threshold you increase the volume.\n\nThe peak limiter section works by looking ahead 1.5 milliseconds. When a input peak is detected that will exceed the desired output ceiling, the gain is quickly ducked to let the peak pass, then the gain is restored relatively slowly according to the release time control. During rapidly changing program material with frequent peaks, a faster release time will achieve better results. During slowly changing material, slower release times prevent excessive modulation distortion. FinalPlug’s auto release feature analyzes the input signal to determine peakiness, and selects the optimum release time for the program material.\n\nThe truncate/dither section is usually used for CD mastering, where truncation to 16 bits can create audible quantization distortion. By adding special dither noise, the quantization distortion can be eliminated, and the dither noise can be spectrally shaped to move it to frequency ranges where it is less audible. FinalPlug contains a comprehensive noise shaping section which reproduces a variety of commonly used noise shapes.'),(12393,85,0,2066,'WaveArts FinalPlug Plug-in'),(12394,85,1,2066,'WaveArts FinalPlug Plug-in'),(12395,76,0,2066,''),(12396,76,1,2066,''),(12397,75,0,2067,'MultiDynamics is a powerful multi-band dynamics processor useful for mastering, track processing, sound design, and noise reduction. MultiDynamics provides up to 6 bands with independent compression or expansion per band. MultiDynamics has an elegant and ingenious user interface that makes it easy to edit bands and to visualize and hear what is happening.\n\nMultiband dynamics processing combines the techniques of equalization and single band dynamics processing. A simple application of multiband dynamics is to apply compression or expansion to a specific frequency range. It is also possible to think of multiband dynamics as applying equalization which is dependent on the level of the input sound. So one can set up an EQ curve for low volumes and set another EQ curve for high volumes.\n\nAnother use of multiband dynamics is noise reduction. One can set up multiple bands to do noise gating, by setting the gain to decrease when the signal falls below threshold. Also, multiband dynamics applied to solo instrument sounds can be used for sound design. It is possible to split up the sound into different frequency ranges, apply compression to some and expansion to others, and dramatically change the character of the original sound.'),(12398,75,1,2067,'MultiDynamics is a powerful multi-band dynamics processor useful for mastering, track processing, sound design, and noise reduction. MultiDynamics provides up to 6 bands with independent compression or expansion per band. MultiDynamics has an elegant and ingenious user interface that makes it easy to edit bands and to visualize and hear what is happening.\n\nMultiband dynamics processing combines the techniques of equalization and single band dynamics processing. A simple application of multiband dynamics is to apply compression or expansion to a specific frequency range. It is also possible to think of multiband dynamics as applying equalization which is dependent on the level of the input sound. So one can set up an EQ curve for low volumes and set another EQ curve for high volumes.\n\nAnother use of multiband dynamics is noise reduction. One can set up multiple bands to do noise gating, by setting the gain to decrease when the signal falls below threshold. Also, multiband dynamics applied to solo instrument sounds can be used for sound design. It is possible to split up the sound into different frequency ranges, apply compression to some and expansion to others, and dramatically change the character of the original sound.'),(12399,85,0,2067,'WaveArts MultiDynamics Plug-in'),(12400,85,1,2067,'WaveArts MultiDynamics Plug-in'),(12401,76,0,2067,''),(12402,76,1,2067,''),(12403,75,0,2068,'Master Restoration Suite is a comprehensive set of restoration plug-ins for cleaning up tape, vinyl, and acoustic recordings. The tools give extremely high quality results with minimal tweaking, hence they sound great and are easy to use.'),(12404,75,1,2068,'Master Restoration Suite is a comprehensive set of restoration plug-ins for cleaning up tape, vinyl, and acoustic recordings. The tools give extremely high quality results with minimal tweaking, hence they sound great and are easy to use.'),(12405,85,0,2068,'WaveArts Master Restoration Suite'),(12406,85,1,2068,'WaveArts Master Restoration Suite'),(12407,76,0,2068,''),(12408,76,1,2068,''),(12409,75,0,2069,'<h1 class=\"product__name\" style=\"-webkit-tap-highlight-color: transparent; font-stretch: condensed; font-size: 32px; line-height: 1; font-family: \'Sweetwater Condensed\', \'Arial Narrow\', \'Trebuchet MS\', sans-serif; margin-bottom: 7px; color: rgb(46, 45, 43); max-height: none; letter-spacing: normal; background-color: rgb(255, 255, 255);\"><span itemprop=\"brand\" itemscope=\"itemscope\" itemtype=\"https://schema.org/Organization\" style=\"-webkit-tap-highlight-color: transparent;\">WaveArts</span> <span itemprop=\"name\" style=\"-webkit-tap-highlight-color: transparent;\">PowerSuite 6 Plug-in Bundle</span></h1><br />Mixing and Mastering essential plug in pack, TrackPlug6, MasterVerb 6, FinalPlug 6, MultiDynamics6 and Panorama6.\n\nWaveArts critically acclaimed audio plug-ins are now the top of their class, featuring outstanding sound quality, exceptional CPU efficiency, stunning visual interface design, world class customer support, and tremendous value for the money.\n\nThese new v6 plug-ins cover the essential aspects of sound design, tracking, mixing and mastering. They are available in various bundle configurations and individually, so you can choose the combination that best suits your audio needs.\n\nThese plug-ins run within any Mac OS X (AU/VST/MAS/RTAS) or Windows (DX/VST/RTAS) based music production or audio editing application. The Mac RTAS and AU versions of our version 6 plug-ins are also Universal Binaries.'),(12410,75,1,2069,'<h1 class=\"product__name\" style=\"-webkit-tap-highlight-color: transparent; font-stretch: condensed; font-size: 32px; line-height: 1; font-family: \'Sweetwater Condensed\', \'Arial Narrow\', \'Trebuchet MS\', sans-serif; margin-bottom: 7px; color: rgb(46, 45, 43); max-height: none; letter-spacing: normal; background-color: rgb(255, 255, 255);\"><span itemprop=\"brand\" itemscope=\"itemscope\" itemtype=\"https://schema.org/Organization\" style=\"-webkit-tap-highlight-color: transparent;\">WaveArts</span> <span itemprop=\"name\" style=\"-webkit-tap-highlight-color: transparent;\">PowerSuite 6 Plug-in Bundle</span></h1><br />Mixing and Mastering essential plug in pack, TrackPlug6, MasterVerb 6, FinalPlug 6, MultiDynamics6 and Panorama6.\n\nWaveArts critically acclaimed audio plug-ins are now the top of their class, featuring outstanding sound quality, exceptional CPU efficiency, stunning visual interface design, world class customer support, and tremendous value for the money.\n\nThese new v6 plug-ins cover the essential aspects of sound design, tracking, mixing and mastering. They are available in various bundle configurations and individually, so you can choose the combination that best suits your audio needs.\n\nThese plug-ins run within any Mac OS X (AU/VST/MAS/RTAS) or Windows (DX/VST/RTAS) based music production or audio editing application. The Mac RTAS and AU versions of our version 6 plug-ins are also Universal Binaries.'),(12411,85,0,2069,'WaveArts Power Suite 6'),(12412,85,1,2069,'WaveArts Power Suite 6'),(12413,76,0,2069,''),(12414,76,1,2069,''),(12415,75,0,2070,'TrackPlug 5 is our most popular plug-in, an all-in-one channel strip which features a 10-band EQ, brickwall filters, spectrum analyzer, dual multi-mode compressors, gate/expander, extensive sidechain options, and a peak limiter. It also boasts Wave Arts’ outstanding sound quality and impressive CPU efficiency.\n\nTrackPlug’s interface has been meticulously designed for visual clarity and ease of use. For example, the EQ interface lets you add a new EQ band by double-clicking, then you drag the control point to change frequency and height, right-click (shift-click on Mac) to change width. Right-clicking on a meter or display axis gives a popup menu of display ranges. Right-click a knob drag to get fine tune adjustment, double-click a knob to revert to default value. And so on.\n\nOur preset manager lets you A/B compare two different presets or undo the last change. TrackPlug also features preset managers per section so for example you can quickly combine an EQ preset with a compressor preset. Super handy.\n\nLike all Wave Arts’ plugs, TrackPlug only consumes CPU for features that are enabled, so if you just need a few bands of EQ and some compression, TrackPlug has a negligible CPU load. Even with everything turned on, TrackPlug is very light on CPU. We’ve had users report using over 100 TrackPlugs in a single project.\n\nThe applications for TrackPlug are virtually endless: shape the tone of an instrument, fix sonic problems, bring dynamics under control, clean up noise problems, add some punch or vintage warmth to a track, de-ess a vocal track, and much more… The outstanding user interface puts the power of TrackPlug under your control.'),(12416,75,1,2070,'TrackPlug 5 is our most popular plug-in, an all-in-one channel strip which features a 10-band EQ, brickwall filters, spectrum analyzer, dual multi-mode compressors, gate/expander, extensive sidechain options, and a peak limiter. It also boasts Wave Arts’ outstanding sound quality and impressive CPU efficiency.\n\nTrackPlug’s interface has been meticulously designed for visual clarity and ease of use. For example, the EQ interface lets you add a new EQ band by double-clicking, then you drag the control point to change frequency and height, right-click (shift-click on Mac) to change width. Right-clicking on a meter or display axis gives a popup menu of display ranges. Right-click a knob drag to get fine tune adjustment, double-click a knob to revert to default value. And so on.\n\nOur preset manager lets you A/B compare two different presets or undo the last change. TrackPlug also features preset managers per section so for example you can quickly combine an EQ preset with a compressor preset. Super handy.\n\nLike all Wave Arts’ plugs, TrackPlug only consumes CPU for features that are enabled, so if you just need a few bands of EQ and some compression, TrackPlug has a negligible CPU load. Even with everything turned on, TrackPlug is very light on CPU. We’ve had users report using over 100 TrackPlugs in a single project.\n\nThe applications for TrackPlug are virtually endless: shape the tone of an instrument, fix sonic problems, bring dynamics under control, clean up noise problems, add some punch or vintage warmth to a track, de-ess a vocal track, and much more… The outstanding user interface puts the power of TrackPlug under your control.'),(12417,85,0,2070,'WaveArts Track Plug Plug-in'),(12418,85,1,2070,'WaveArts Track Plug Plug-in'),(12419,76,0,2070,''),(12420,76,1,2070,''),(12421,75,0,2071,'Tube Saturator is the world’s most accurate real time tube amp plug-in. Unlike other tube simulators, which use radically simplified models, Tube Saturator uses state of the art circuit simulation technology to capture every nuance of an analog circuit. With circuit simulation, the analog schematic (consisting of the individual resistors, capacitors, tubes, and so on) completely defines the signal processing. The schematic is converted into a system of non-linear differential equations which is solved at each sampling period, in realtime. That’s mathematical talk for “it sounds exactly like the analog circuit”.\n\nThe circuit simulation technology is extremely CPU intensive, and hence we are only able to simulate very simple circuits at this time. A fast computer is highly recommended to run the plug-in. Tube Saturator is in fact a basic circuit consisting of a Baxandall type three-band EQ feeding two 12AX7 triode preamp stages. It’s similar to preamp stages you’d find in a guitar amp, but it is by no means a complete guitar amplifier model— that would be way too expensive to simulate even with today’s fast CPUs. However, it is extremely accurate, and hence you can get the same distortion and tonal characteristics that you’d expect from a real tube preamp.\n\nUse Tube Saturator to add a bit of analog warmth to recordings, or increase the drive for some distortion. You can use it as a saturating peak limiter too.\n\nIncreasing the Drive control increases the (digital) input gain while decreasing the (digital) output gain, so you can easily adjust distortion levels. The FAT switch changes the bias circuit of the first preamp stage to increase gain.'),(12422,75,1,2071,'Tube Saturator is the world’s most accurate real time tube amp plug-in. Unlike other tube simulators, which use radically simplified models, Tube Saturator uses state of the art circuit simulation technology to capture every nuance of an analog circuit. With circuit simulation, the analog schematic (consisting of the individual resistors, capacitors, tubes, and so on) completely defines the signal processing. The schematic is converted into a system of non-linear differential equations which is solved at each sampling period, in realtime. That’s mathematical talk for “it sounds exactly like the analog circuit”.\n\nThe circuit simulation technology is extremely CPU intensive, and hence we are only able to simulate very simple circuits at this time. A fast computer is highly recommended to run the plug-in. Tube Saturator is in fact a basic circuit consisting of a Baxandall type three-band EQ feeding two 12AX7 triode preamp stages. It’s similar to preamp stages you’d find in a guitar amp, but it is by no means a complete guitar amplifier model— that would be way too expensive to simulate even with today’s fast CPUs. However, it is extremely accurate, and hence you can get the same distortion and tonal characteristics that you’d expect from a real tube preamp.\n\nUse Tube Saturator to add a bit of analog warmth to recordings, or increase the drive for some distortion. You can use it as a saturating peak limiter too.\n\nIncreasing the Drive control increases the (digital) input gain while decreasing the (digital) output gain, so you can easily adjust distortion levels. The FAT switch changes the bias circuit of the first preamp stage to increase gain.'),(12423,85,0,2071,'WaveArts Tube Saturator Plug-in'),(12424,85,1,2071,'WaveArts Tube Saturator Plug-in'),(12425,76,0,2071,''),(12426,76,1,2071,''),(12427,75,0,2072,'<h1>Waves 360 Surround Tools Plug-in</h1>\nWhen sound engineers for major motion pictures need a comprehensive set of processors for mixing 5.1 Surround sound, they turn to Waves 360° Surround Tools. Conceived and created especially for Surround production, 360° Surround Tools includes compression, limiting, reverb, spatial enhancement, and much more. For the creation of sophisticated, accurate Surround mixes for today’s multi-channel listening environments, absolutely nothing compares.\n<br/><br/>\n<h3>Waves 360 Surround Tools Features</h3>\n<ul>\n	<li>14 cutting-edge audio plugins for 5.1 surround mixing</li>\n	<li>Includes compression, limiting, reverb, spatial enhancement, upmixing and more</li>\n	<li>Engineered especially for today’s multi-channel listening environments</li>\n</ul>'),(12428,75,1,2072,'<h1>Waves 360 Surround Tools Plug-in</h1>\nWhen sound engineers for major motion pictures need a comprehensive set of processors for mixing 5.1 Surround sound, they turn to Waves 360° Surround Tools. Conceived and created especially for Surround production, 360° Surround Tools includes compression, limiting, reverb, spatial enhancement, and much more. For the creation of sophisticated, accurate Surround mixes for today’s multi-channel listening environments, absolutely nothing compares.\n<br/><br/>\n<h3>Waves 360 Surround Tools Features</h3>\n<ul>\n	<li>14 cutting-edge audio plugins for 5.1 surround mixing</li>\n	<li>Includes compression, limiting, reverb, spatial enhancement, upmixing and more</li>\n	<li>Engineered especially for today’s multi-channel listening environments</li>\n</ul>'),(12429,85,0,2072,'Waves 360 Surround Tools Plug-in'),(12430,85,1,2072,'Waves 360 Surround Tools Plug-in'),(12431,76,0,2072,''),(12432,76,1,2072,''),(12433,75,0,2073,'<h1>Waves Abbey Road Chambers Plug-in</h1>\n<i>From beautiful natural chamber reverb to surging delay cascades, the rich sounds of the legendary Abbey Road Studio Two echo chamber are now at your fingertips, complete with Abbey Road’s long-lost S.T.E.E.D. setup. \n</i><br /><br />\nThe Waves Abbey Road Chambers plugin recreates a defining part of the studios’ legendary sonic signature – the echo chamber used by Abbey Road’s pop engineers to create exciting reverbs, delays and other unique spatial effects on countless classic recordings by the Beatles and beyond. \n<br /><br />\nDeveloped together with Abbey Road Studios, Waves’ Abbey Road Chambers puts you at the controls of the Studio Two echo chamber, complete with the original valve Neumann KM53 microphones and Altec 605 speaker, as used on almost every pop recording done at Abbey Road during the 60’s. \n<br /><br />\nAbbey Road Chambers also gives you an additional set of the original filters going into the chamber – EMI’s RS106 hi/low pass filter and the EMI RS127 Presence EQ – to further sculpt the perfect chamber sound. \n<br /><br />\nAlso featured is a complete recreation of Abbey Road Studios’ original S.T.E.E.D. (Send. Tape. Echo. Echo. Delay.) setup – a system designed to extend the chamber’s natural sonic palette into new territories, by splitting the signal and creating a feedback loop from the studio’s REDD console, through a dedicated tape delay, via RS106 and RS127 filters, and then to the chamber and back. \n<br /><br />\nAs a bonus, the plugin also includes two additional legendary spaces: Abbey Road’s famed Mirror Room, and the Stone Room from Olympic Studios, London. \n<br /><br />\nAbbey Road Chambers is designed in a modular fashion: You can send your tracks just to the chamber, or you can isolate just the S.T.E.E.D. effect, or you can combine both for the full range of sonic possibilities opened by the original Abbey Road setup. \n<br /><br />\nFrom natural chamber reverb, to authentic tape delay, to complex hybrid effects – the door to the one-of-a-kind vintage acoustics of the Abbey Road chambers is finally open.<br /><br />\n<h3>Abbey Road Chambers Features</h3>\n<ul>\n	<li>True-to-life capture of Abbey Road’s legendary Studio Two echo chamber</li><li>Created in collaboration with Abbey Road Studios</li><li>Shape effects from natural chamber reverb, to authentic tape delay, to complex hybrid effects</li><li>Complete modeling of Abbey Road’s original S.T.E.E.D. setup</li><li>Dedicated EMI RS106 and EMI RS127 EQs to further sculpt the chamber effect</li><li>Your choice of additional spaces: Abbey Road’s Mirror Room and Olympic Studios’ Stone Room</li><li>Choose classic or modern speakers, including Abbey Road\'s original Altec 605</li><li>Choose vintage or modern microphones, including Abbey Road’s original Neumann KM53</li><li>Variable mic and speaker positions</li><li>Artist presets by Dave Pensado, Jacquire King, Guy Massey and many more</li></ul>'),(12434,75,1,2073,'<h1>Waves Abbey Road Chambers Plug-in</h1>\n<i>From beautiful natural chamber reverb to surging delay cascades, the rich sounds of the legendary Abbey Road Studio Two echo chamber are now at your fingertips, complete with Abbey Road’s long-lost S.T.E.E.D. setup. \n</i><br /><br />\nThe Waves Abbey Road Chambers plugin recreates a defining part of the studios’ legendary sonic signature – the echo chamber used by Abbey Road’s pop engineers to create exciting reverbs, delays and other unique spatial effects on countless classic recordings by the Beatles and beyond. \n<br /><br />\nDeveloped together with Abbey Road Studios, Waves’ Abbey Road Chambers puts you at the controls of the Studio Two echo chamber, complete with the original valve Neumann KM53 microphones and Altec 605 speaker, as used on almost every pop recording done at Abbey Road during the 60’s. \n<br /><br />\nAbbey Road Chambers also gives you an additional set of the original filters going into the chamber – EMI’s RS106 hi/low pass filter and the EMI RS127 Presence EQ – to further sculpt the perfect chamber sound. \n<br /><br />\nAlso featured is a complete recreation of Abbey Road Studios’ original S.T.E.E.D. (Send. Tape. Echo. Echo. Delay.) setup – a system designed to extend the chamber’s natural sonic palette into new territories, by splitting the signal and creating a feedback loop from the studio’s REDD console, through a dedicated tape delay, via RS106 and RS127 filters, and then to the chamber and back. \n<br /><br />\nAs a bonus, the plugin also includes two additional legendary spaces: Abbey Road’s famed Mirror Room, and the Stone Room from Olympic Studios, London. \n<br /><br />\nAbbey Road Chambers is designed in a modular fashion: You can send your tracks just to the chamber, or you can isolate just the S.T.E.E.D. effect, or you can combine both for the full range of sonic possibilities opened by the original Abbey Road setup. \n<br /><br />\nFrom natural chamber reverb, to authentic tape delay, to complex hybrid effects – the door to the one-of-a-kind vintage acoustics of the Abbey Road chambers is finally open.<br /><br />\n<h3>Abbey Road Chambers Features</h3>\n<ul>\n	<li>True-to-life capture of Abbey Road’s legendary Studio Two echo chamber</li><li>Created in collaboration with Abbey Road Studios</li><li>Shape effects from natural chamber reverb, to authentic tape delay, to complex hybrid effects</li><li>Complete modeling of Abbey Road’s original S.T.E.E.D. setup</li><li>Dedicated EMI RS106 and EMI RS127 EQs to further sculpt the chamber effect</li><li>Your choice of additional spaces: Abbey Road’s Mirror Room and Olympic Studios’ Stone Room</li><li>Choose classic or modern speakers, including Abbey Road\'s original Altec 605</li><li>Choose vintage or modern microphones, including Abbey Road’s original Neumann KM53</li><li>Variable mic and speaker positions</li><li>Artist presets by Dave Pensado, Jacquire King, Guy Massey and many more</li></ul>'),(12435,85,0,2073,'Waves Abbey Road Chambers Plug-in'),(12436,85,1,2073,'Waves Abbey Road Chambers Plug-in'),(12437,76,0,2073,''),(12438,76,1,2073,''),(12439,75,0,2074,'<h1>Waves Abbey Road Plugin Collection</h1>\nWaves’ Abbey Road Collection, developed with Abbey Road Studios, features a lineup of outstanding plugins that meticulously model the fabled studios’ legendary microphones, consoles, tape machines and signature effects, as heard on countless historic recordings and pop masterpieces. Get the authentic, raw analog Abbey Road sound while mixing entirely in the box!\n<br/><br/>\n<h3>Waves Abbey Road Plugin Collection Includes</h3>\n<li>REDD Consoles</li>\n<li>RS56 Passive EQ (‘the Curve Bender’)</li>\n<li>J37 Tape</li>\n<li>King’s Microphones</li>\n<li>Reel ADT</li>'),(12440,75,1,2074,'<h1>Waves Abbey Road Plugin Collection</h1>\nWaves’ Abbey Road Collection, developed with Abbey Road Studios, features a lineup of outstanding plugins that meticulously model the fabled studios’ legendary microphones, consoles, tape machines and signature effects, as heard on countless historic recordings and pop masterpieces. Get the authentic, raw analog Abbey Road sound while mixing entirely in the box!\n<br/><br/>\n<h3>Waves Abbey Road Plugin Collection Includes</h3>\n<li>REDD Consoles</li>\n<li>RS56 Passive EQ (‘the Curve Bender’)</li>\n<li>J37 Tape</li>\n<li>King’s Microphones</li>\n<li>Reel ADT</li>'),(12441,85,0,2074,'Waves Abbey Road Plugin Collection'),(12442,85,1,2074,'Waves Abbey Road Plugin Collection'),(12443,76,0,2074,''),(12444,76,1,2074,''),(12445,75,0,2075,'<h1>Waves Abbey Road TG Mastering Chain Plug-in</h1>\n<i>A modular mastering chain plugin modeled after the EMI TG12410 Transfer Console used in all Abbey Road\'s mastering suites since the early \'70s to this day. Use the Abbey Road TG Mastering Chain to create custom processing chains with a flexible flow and the TG magic on the master bus, or on individual tracks/groups in a mixing session.</i><br /><br />\n	The distinct solid-state transistor-based sound of the TG12410 has proven itself time and again over many decades. Whether it\'s used for mastering as a complete console, or for mixing with only select modules, the TG brings nothing less than magic — the same magic heard on albums like Pink Floyd\'s The Dark Side of the Moon, Nirvana\'s In Utero, Radiohead\'s OK Computer and Ed Sheeran\'s \"+\". Thanks to this Waves/Abbey Road collaboration, the TG12410 is available outside of Abbey Road Studios and you can now bring the very same magic to your own productions.\n<br /><br />\n	Just like the original console, the TG Mastering Chain plugin is made out of modules (or cassettes):\n\n<ol>\n	<li>TG12411 Input Module</li>\n	<li>TG12412 Tone Module (EQ)</li>\n	<li>TG12413 Compressor/Limiter Module</li>\n	<li>TG12414 Filter Module</li>\n	<li>TG12416 V.A.L (Spread) Module (stereo component only) incorporated into the Output Module.</li>\n</ol>\n<br />\n	<br />Modules can be interchanged (except for input/output modules) and switched on/off to allow for a flexible processing flow and creating custom chains. Individual modules can be used on different tracks and group buses in a mixing session, as well as on the master bus in mastering sessions.\n<br /><br />\n	The compressor/limiter module offers two flavors — Original and Modern — and is coupled with 48 dB/Oct linear-phase sidechain filters to help you take complete control over your sound.\n<br /><br />\n	Original — aggressive and \"dirty\" just like the \'70s and exactly how we modeled it.Modern — an original Waves and Abbey Road design based on the TG topology, that will help you get pristine sound with higher levels of perceived loudness.\n<br /><br />\n	Alongside the TG Mastering Chain is the Meter Bridge component (separate plugin), offering a new approach to metering. Open one Meter Bridge component on any channel and get access (via drop-down) to all Abbey Road TG Mastering Chain instances in the session. Get a clear reading of VU, PPM, Phase and Peak at a glance, and stay focused on the music.\n<br /><br />\n	With different processing modes (Stereo/Duo/MS) and monitoring modes (Stereo/Mono/L/R/M/S), the Abbey Road TG Mastering Chain plugin is truly a powerful tool. Use it in the studio or for live sound with a dedicated Live component.\n<br /><br />\n<h3>Abbey Road TG Mastering Chain Features</h3>\n<ul>\n	<li>Integral part of the Abbey Road sound since the early 1970s to the present day</li>\n	<li>5 modules that can be used independently</li>\n	<li>Use in mastering or in mixing sessions</li>\n	<li>48 dB/Oct linear-phase sidechain filters</li>\n	<li>Meter Bridge component provides a new approach to metering</li>\n	<li>More than just the original sound (with a new compressor design, SC filters and the meter bridge)</li>\n	<li>Stereo/Duo/MS processing modes</li>\n	<li>Stereo/Mono/L/R/M/S monitoring modes</li>\n	<li>Live component</li>\n</ul>'),(12446,75,1,2075,'<h1>Waves Abbey Road TG Mastering Chain Plug-in</h1>\n<i>A modular mastering chain plugin modeled after the EMI TG12410 Transfer Console used in all Abbey Road\'s mastering suites since the early \'70s to this day. Use the Abbey Road TG Mastering Chain to create custom processing chains with a flexible flow and the TG magic on the master bus, or on individual tracks/groups in a mixing session.</i><br /><br />\n	The distinct solid-state transistor-based sound of the TG12410 has proven itself time and again over many decades. Whether it\'s used for mastering as a complete console, or for mixing with only select modules, the TG brings nothing less than magic — the same magic heard on albums like Pink Floyd\'s The Dark Side of the Moon, Nirvana\'s In Utero, Radiohead\'s OK Computer and Ed Sheeran\'s \"+\". Thanks to this Waves/Abbey Road collaboration, the TG12410 is available outside of Abbey Road Studios and you can now bring the very same magic to your own productions.\n<br /><br />\n	Just like the original console, the TG Mastering Chain plugin is made out of modules (or cassettes):\n\n<ol>\n	<li>TG12411 Input Module</li>\n	<li>TG12412 Tone Module (EQ)</li>\n	<li>TG12413 Compressor/Limiter Module</li>\n	<li>TG12414 Filter Module</li>\n	<li>TG12416 V.A.L (Spread) Module (stereo component only) incorporated into the Output Module.</li>\n</ol>\n<br />\n	<br />Modules can be interchanged (except for input/output modules) and switched on/off to allow for a flexible processing flow and creating custom chains. Individual modules can be used on different tracks and group buses in a mixing session, as well as on the master bus in mastering sessions.\n<br /><br />\n	The compressor/limiter module offers two flavors — Original and Modern — and is coupled with 48 dB/Oct linear-phase sidechain filters to help you take complete control over your sound.\n<br /><br />\n	Original — aggressive and \"dirty\" just like the \'70s and exactly how we modeled it.Modern — an original Waves and Abbey Road design based on the TG topology, that will help you get pristine sound with higher levels of perceived loudness.\n<br /><br />\n	Alongside the TG Mastering Chain is the Meter Bridge component (separate plugin), offering a new approach to metering. Open one Meter Bridge component on any channel and get access (via drop-down) to all Abbey Road TG Mastering Chain instances in the session. Get a clear reading of VU, PPM, Phase and Peak at a glance, and stay focused on the music.\n<br /><br />\n	With different processing modes (Stereo/Duo/MS) and monitoring modes (Stereo/Mono/L/R/M/S), the Abbey Road TG Mastering Chain plugin is truly a powerful tool. Use it in the studio or for live sound with a dedicated Live component.\n<br /><br />\n<h3>Abbey Road TG Mastering Chain Features</h3>\n<ul>\n	<li>Integral part of the Abbey Road sound since the early 1970s to the present day</li>\n	<li>5 modules that can be used independently</li>\n	<li>Use in mastering or in mixing sessions</li>\n	<li>48 dB/Oct linear-phase sidechain filters</li>\n	<li>Meter Bridge component provides a new approach to metering</li>\n	<li>More than just the original sound (with a new compressor design, SC filters and the meter bridge)</li>\n	<li>Stereo/Duo/MS processing modes</li>\n	<li>Stereo/Mono/L/R/M/S monitoring modes</li>\n	<li>Live component</li>\n</ul>'),(12447,85,0,2075,'Waves Abbey Road TG Mastering Chain Plug-in'),(12448,85,1,2075,'Waves Abbey Road TG Mastering Chain Plug-in'),(12449,76,0,2075,''),(12450,76,1,2075,''),(12451,75,0,2076,'<h1>Waves Aphex Vintage Aural Exciter Plug-in</h1>\nThe Waves Aphex Vintage Aural Exciter® plugin, modeled on one of only a few tube-powered units ever made, delivers all the unique character of the rare original hardware unit, with all the advantages of mixing in the box.\n<br/><br/>\nWhen it was originally introduced in the mid-1970s, the Aphex Aural Exciter brought its distinctive sound to select sessions by leading recording artists, traveling from studio to studio as an exclusive (and expensive) rental unit.\n<br/><br/>\nA true groundbreaker, the original Aural Exciter was highly regarded for its ability to increase and enhance presence, brightness, and vibrancy on vocal and instrumental tracks alike. It was even credited as a \"session player\" on best-selling albums by the likes of Jackson Browne, Linda Ronstadt and James Taylor, engineered by Val Garay, who worked closely with us on the development of the plugin.<br/><br/>'),(12452,75,1,2076,'<h1>Waves Aphex Vintage Aural Exciter Plug-in</h1>\nThe Waves Aphex Vintage Aural Exciter® plugin, modeled on one of only a few tube-powered units ever made, delivers all the unique character of the rare original hardware unit, with all the advantages of mixing in the box.\n<br/><br/>\nWhen it was originally introduced in the mid-1970s, the Aphex Aural Exciter brought its distinctive sound to select sessions by leading recording artists, traveling from studio to studio as an exclusive (and expensive) rental unit.\n<br/><br/>\nA true groundbreaker, the original Aural Exciter was highly regarded for its ability to increase and enhance presence, brightness, and vibrancy on vocal and instrumental tracks alike. It was even credited as a \"session player\" on best-selling albums by the likes of Jackson Browne, Linda Ronstadt and James Taylor, engineered by Val Garay, who worked closely with us on the development of the plugin.<br/><br/>'),(12453,85,0,2076,'Waves Aphex Vintage Aural Exciter Plug-in'),(12454,85,1,2076,'Waves Aphex Vintage Aural Exciter Plug-in'),(12455,76,0,2076,''),(12456,76,1,2076,''),(12457,75,0,2077,'<h1>Waves API Collection Plugin Bundle</h1>\nThe Waves API Collection plugin bundle, developed in association with Automated Processes Incorporated, are modeled after renowned API modules, used on countless hit records throughout the years. The API Collection captures every nuance of the analog modules\' unique sonic signatures. Plus, it brings with it the reliability and recallability of mixing in the box.\n<br/><br/>\nThe API Collection features four precision processors based on renowned API modules:\n<ul>\n	<li>550A 3-Band Equalizer</li>\n	<li>550B 4-Band Equalizer</li>\n	<li>560 Graphic Equalizer</li>\n	<li>2500 Stereo</li>\n</ul>'),(12458,75,1,2077,'<h1>Waves API Collection Plugin Bundle</h1>\nThe Waves API Collection plugin bundle, developed in association with Automated Processes Incorporated, are modeled after renowned API modules, used on countless hit records throughout the years. The API Collection captures every nuance of the analog modules\' unique sonic signatures. Plus, it brings with it the reliability and recallability of mixing in the box.\n<br/><br/>\nThe API Collection features four precision processors based on renowned API modules:\n<ul>\n	<li>550A 3-Band Equalizer</li>\n	<li>550B 4-Band Equalizer</li>\n	<li>560 Graphic Equalizer</li>\n	<li>2500 Stereo</li>\n</ul>'),(12459,85,0,2077,'Waves API Collection Plugin Bundle'),(12460,85,1,2077,'Waves API Collection Plugin Bundle'),(12461,76,0,2077,''),(12462,76,1,2077,''),(12463,75,0,2078,'<h1>Waves Broadcast and Production Plug-ins</h1>\nFrom major television networks to Hollywood soundstages, Broadcast & Production is the collection audio professionals turn to when they want to give their projects the finishing touches of power and perfection. With 18 state-of-the-art tools for audio restoration, mixing, mastering, and more, B&P gives you everything you need to take it to the airwaves.'),(12464,75,1,2078,'<h1>Waves Broadcast and Production Plug-ins</h1>\nFrom major television networks to Hollywood soundstages, Broadcast & Production is the collection audio professionals turn to when they want to give their projects the finishing touches of power and perfection. With 18 state-of-the-art tools for audio restoration, mixing, mastering, and more, B&P gives you everything you need to take it to the airwaves.'),(12465,85,0,2078,'Waves Broadcast and Production Plug-ins'),(12466,85,1,2078,'Waves Broadcast and Production Plug-ins'),(12467,76,0,2078,''),(12468,76,1,2078,''),(12469,75,0,2079,'<h1>Waves Butch Vig Vocals Plug-in</h1>\nWaves Butch Vig Vocal Plug-in, designed for those looking for a creative approach to shaping vocals, features intuitive EQ controls, a compressor and a de-esser, and several tools for coloring your sound in numerous shades, including Tube and Solid State saturation, a unique Focus knob, and other inspiring features, all carefully crafted by Butch himself to help you realize your vocal vision.\n<br/><br/>\nWith instantly hyped vocals that cut through the mix and a sound that is dripping with character, Butch Vig Vocals now gives everyone the opportunity to work with the sound of a true rock innovator.<br/><br/>\nWidely considered one of the most influential rock producers of recent decades, Butch Vig helped spawn an entirely new rock genre. From Nirvana and Smashing Pumpkins to Foo Fighters, Green Day and his own band Garbage, Butch Vig has contributed his signature sound to some of the most legendary albums of the modern rock era.<br/><br/>\nOne of the defining elements of the “Butch Vig Sound” is Vig’s unique vocal stamp. The celebrated producer ushered in the sound of distorted vocals in a beautifully musical way, and this feature is an integral part of the sound that the Butch Vig Vocals plugin faithfully recreates.<br/><br/>\n<ul>\n	<li>Created in collaboration with Grammy®-winning producer Butch Vig</li>\n	<li>Butch Vig’s signature vocal sound in a single plugin3-band EQ with a distinct frequency character</li>\n	<li>LoCut, HiCut and MidDip filters for removing unwanted frequencies</li>\n	<li>Compressor and de-esser</li>\n	<li>Tube and Solid State saturation with LoCut and HiCut controls and a blend option</li>\n	<li>Unique Focus control for focusing on the 1 and 2 kHz range</li>\n</ul>'),(12470,75,1,2079,'<h1>Waves Butch Vig Vocals Plug-in</h1>\nWaves Butch Vig Vocal Plug-in, designed for those looking for a creative approach to shaping vocals, features intuitive EQ controls, a compressor and a de-esser, and several tools for coloring your sound in numerous shades, including Tube and Solid State saturation, a unique Focus knob, and other inspiring features, all carefully crafted by Butch himself to help you realize your vocal vision.\n<br/><br/>\nWith instantly hyped vocals that cut through the mix and a sound that is dripping with character, Butch Vig Vocals now gives everyone the opportunity to work with the sound of a true rock innovator.<br/><br/>\nWidely considered one of the most influential rock producers of recent decades, Butch Vig helped spawn an entirely new rock genre. From Nirvana and Smashing Pumpkins to Foo Fighters, Green Day and his own band Garbage, Butch Vig has contributed his signature sound to some of the most legendary albums of the modern rock era.<br/><br/>\nOne of the defining elements of the “Butch Vig Sound” is Vig’s unique vocal stamp. The celebrated producer ushered in the sound of distorted vocals in a beautifully musical way, and this feature is an integral part of the sound that the Butch Vig Vocals plugin faithfully recreates.<br/><br/>\n<ul>\n	<li>Created in collaboration with Grammy®-winning producer Butch Vig</li>\n	<li>Butch Vig’s signature vocal sound in a single plugin3-band EQ with a distinct frequency character</li>\n	<li>LoCut, HiCut and MidDip filters for removing unwanted frequencies</li>\n	<li>Compressor and de-esser</li>\n	<li>Tube and Solid State saturation with LoCut and HiCut controls and a blend option</li>\n	<li>Unique Focus control for focusing on the 1 and 2 kHz range</li>\n</ul>'),(12471,85,0,2079,'Waves Butch Vig Vocals Plug-in'),(12472,85,1,2079,'Waves Butch Vig Vocals Plug-in'),(12473,76,0,2079,''),(12474,76,1,2079,''),(12475,75,0,2080,'<h1>Waves Center Stereo Enhancer Plugin for mastering</h1>\nIdeal for final mixes and mastering, Waves Center is an innovative processor that separates phantom Center content from Side (L/R) content. With Center, you can zero in on the phantom center and bring out or bring down the vocals without affecting everything else. Perfect for post-production engineers and DJs as well, Center lets you reposition, isolate, and even eliminate elements of your mix.\n<br/><br/>\n<ul>\n	<li>Mastering plugin</li>\n	<li>Change lead vocal levels during mastering</li>\n	<li>Add high-end sparkle to side content without affecting center information like vocal, kick, and snare</li>\n	<li>Accentuate or tame the overheads in your drum submix</li>\n	<li>Bring out just the kick and snare in a drum loop</li>\n	<li>Enhance the room ambience on stereo percussion tracks</li>\n	<li>Add punch to the kick and snare in an already mixed trackIn post production, focus dialogue captured with stereo microphones</li>\n	<li>Lower vocals in songs for Karaoke versions</li>\n</ul>'),(12476,75,1,2080,'<h1>Waves Center Stereo Enhancer Plugin for mastering</h1>\nIdeal for final mixes and mastering, Waves Center is an innovative processor that separates phantom Center content from Side (L/R) content. With Center, you can zero in on the phantom center and bring out or bring down the vocals without affecting everything else. Perfect for post-production engineers and DJs as well, Center lets you reposition, isolate, and even eliminate elements of your mix.\n<br/><br/>\n<ul>\n	<li>Mastering plugin</li>\n	<li>Change lead vocal levels during mastering</li>\n	<li>Add high-end sparkle to side content without affecting center information like vocal, kick, and snare</li>\n	<li>Accentuate or tame the overheads in your drum submix</li>\n	<li>Bring out just the kick and snare in a drum loop</li>\n	<li>Enhance the room ambience on stereo percussion tracks</li>\n	<li>Add punch to the kick and snare in an already mixed trackIn post production, focus dialogue captured with stereo microphones</li>\n	<li>Lower vocals in songs for Karaoke versions</li>\n</ul>'),(12477,85,0,2080,'Waves Center Stereo Enhancer Plug-in'),(12478,85,1,2080,'Waves Center Stereo Enhancer Plug-in'),(12479,76,0,2080,''),(12480,76,1,2080,''),(12481,75,0,2081,'<h1>Waves Chris Lord-Alge Signature Series Plugins</h1>The Chris Lord-Alge Signature Series is 6 easy-to-use audio plugins for mixing vocals, guitars, bass, drums and more, created with Grammy®-winning mixing engineer Chris Lord-Alge (Green Day, U2).<br /><br />They call him Lord of the Mix.<br /><br />For over 20 years, Chris Lord-Alge has been the mixing engineer of choice for rock & roll royalty: Foo Fighters, Green Day, U2, Nine Inch Nails, Alanis Morissette, Bon Jovi, Santana, Goo Goo Dolls, Dave Matthews Band and countless others.<br /><br />Now you can easily apply his tried-and-true mixing chains to your music, to boost the sound of your vocals and instruments.<br /><br />\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Six all-in-one multi-effect processing chains</li><li>Created in collaboration with Grammy® award-winning mixer Chris Lord-Alge</li><li>Dedicated plugins for vocals, guitars, bass, drums and more</li></ul></div><ul></ul>'),(12482,75,1,2081,'<h1>Waves Chris Lord-Alge Signature Series Plugins</h1>The Chris Lord-Alge Signature Series is 6 easy-to-use audio plugins for mixing vocals, guitars, bass, drums and more, created with Grammy®-winning mixing engineer Chris Lord-Alge (Green Day, U2).<br /><br />They call him Lord of the Mix.<br /><br />For over 20 years, Chris Lord-Alge has been the mixing engineer of choice for rock & roll royalty: Foo Fighters, Green Day, U2, Nine Inch Nails, Alanis Morissette, Bon Jovi, Santana, Goo Goo Dolls, Dave Matthews Band and countless others.<br /><br />Now you can easily apply his tried-and-true mixing chains to your music, to boost the sound of your vocals and instruments.<br /><br />\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Six all-in-one multi-effect processing chains</li><li>Created in collaboration with Grammy® award-winning mixer Chris Lord-Alge</li><li>Dedicated plugins for vocals, guitars, bass, drums and more</li></ul></div><ul></ul>'),(12483,85,0,2081,'Waves Chris Lord-Alge Signature Series Plugins'),(12484,85,1,2081,'Waves Chris Lord-Alge Signature Series Plugins'),(12485,76,0,2081,''),(12486,76,1,2081,''),(12487,75,0,2082,'<h1>Waves CLA Classic Compressors</h1>\nThe Waves CLA Classic Compressors Pulg-in Bundle brings Waves and Chris Lord-Alge together to bring you impeccable models of four classic compressors. Using his extensive knowledge from a career spanning almost three decades, Lord-Alge creates impeccable sounding plug-ins of analog gear considered true classics by audio engineers the world over.\n<br/><br/>Green Day. U2. Dave Matthews Band. Tim McGraw. Brian Setzer. Peter Frampton. Tina Turner. Rod Stewart. Steve Winwood. James Brown. Grandmaster Flash & the Furious Five. And many others. Now you too can get the Chris Lord-Alge sound with Waves CLA Classic Compressor.<br/><br/>\n<h3>CLA Classic Compressors Features</h3>\n<ul>\n	<li>Four modeled plugins based on classic compressors</li>\n	<li>Created in collaboration with Grammy® award-winning mixer Chris Lord-Alge</li>\n	<li>Includes CLA-2A, CLA-3A, CLA-76 Blacky & CLA-76 Bluey</li>\n</ul>'),(12488,75,1,2082,'<h1>Waves CLA Classic Compressors</h1>\nThe Waves CLA Classic Compressors Pulg-in Bundle brings Waves and Chris Lord-Alge together to bring you impeccable models of four classic compressors. Using his extensive knowledge from a career spanning almost three decades, Lord-Alge creates impeccable sounding plug-ins of analog gear considered true classics by audio engineers the world over.\n<br/><br/>Green Day. U2. Dave Matthews Band. Tim McGraw. Brian Setzer. Peter Frampton. Tina Turner. Rod Stewart. Steve Winwood. James Brown. Grandmaster Flash & the Furious Five. And many others. Now you too can get the Chris Lord-Alge sound with Waves CLA Classic Compressor.<br/><br/>\n<h3>CLA Classic Compressors Features</h3>\n<ul>\n	<li>Four modeled plugins based on classic compressors</li>\n	<li>Created in collaboration with Grammy® award-winning mixer Chris Lord-Alge</li>\n	<li>Includes CLA-2A, CLA-3A, CLA-76 Blacky & CLA-76 Bluey</li>\n</ul>'),(12489,85,0,2082,'Waves CLA Classic Compressors'),(12490,85,1,2082,'Waves CLA Classic Compressors'),(12491,76,0,2082,''),(12492,76,1,2082,''),(12493,75,0,2083,'<h1>Waves Content Creator Audio Toolkit</h1>The Waves Content Creator \nAudio Toolkit brings superior sound quality to your podcasts, videos and\n live streams. Use the industry’s best pro-level tools to solve common \naudio problems (background noise, lifeless voiceovers, uneven levels) \nquickly and easily, and meet the loudness standards of all major content\n platforms.<br /><br />Poor audio quality is a major reason viewers and \nlisteners abandon videos, podcasts and live streams. Don’t treat audio \nas an afterthought – improve the audio quality of your content with the \nmost popular tools in the industry.<br /><br />The Waves Content Creator \nAudio Toolkit includes 4 intuitive plugins that tackle the most common \nchallenges facing content creators today:<br /><br />\n<div class=\"item-features\"><ul class=\"list-arrows\"><li>Bring superior audio quality to your podcasts, videos, and live streams</li><li>4 easy-to-use pro-level tools for instant results</li><li>Compatible with major audio and video editing software</li><li>Remove background noise easily & efficiently</li><li>Boost & brighten dull voice recordings</li><li>Smooth out the levels of multiple sources (host, guests, music) automatically</li><li>Meet the loudness standards of major content platforms</li><li>Includes presets for voice & music-under-voice</li><li>Includes loudness presets for Spotify, YouTube, Apple Podcasts, Apple Music</li></ul></div>\n<br />\n<h3>Content Creator Audio Toolkit Includes:</h3>\n<ul><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/ns1-noise-suppressor\" title=\"NS1 Automatic Noise Suppressor\">NS1 Automatic Noise Suppressor</a> for removing distracting background noise</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/greg-wells-voicecentric\" title=\"Greg Wells VoiceCentric\">Greg Wells VoiceCentric</a>\n an intuitive, hugely effective tool that combines EQ, compression and \nde-essing into one smart control, to dramatically improve the quality of\n voice recordings</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/playlist-rider\" title=\"Playlist Rider\">Playlist Rider</a>\n for automatically smoothing out the levels of multiple audio sources \n(host, guest, music, etc.) in the same podcast, live stream or video</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/wlm-loudness-meter\" title=\"WLM Plus Loudness Meter\">WLM Plus Loudness Meter</a> to deliver the right loudness levels for YouTube, Spotify, Apple Podcasts and other major platforms</li></ul><p class=\"box\">In\n literally seconds, you can achieve superior audio quality that will \ndrive more engagement for your content – courtesy of Waves’ \nindustry-standard plugins, used in major recording and post-production \nstudios all over the globe.</p>'),(12494,75,1,2083,'<h1>Waves Content Creator Audio Toolkit</h1>The Waves Content Creator \nAudio Toolkit brings superior sound quality to your podcasts, videos and\n live streams. Use the industry’s best pro-level tools to solve common \naudio problems (background noise, lifeless voiceovers, uneven levels) \nquickly and easily, and meet the loudness standards of all major content\n platforms.<br /><br />Poor audio quality is a major reason viewers and \nlisteners abandon videos, podcasts and live streams. Don’t treat audio \nas an afterthought – improve the audio quality of your content with the \nmost popular tools in the industry.<br /><br />The Waves Content Creator \nAudio Toolkit includes 4 intuitive plugins that tackle the most common \nchallenges facing content creators today:<br /><br />\n<div class=\"item-features\"><ul class=\"list-arrows\"><li>Bring superior audio quality to your podcasts, videos, and live streams</li><li>4 easy-to-use pro-level tools for instant results</li><li>Compatible with major audio and video editing software</li><li>Remove background noise easily & efficiently</li><li>Boost & brighten dull voice recordings</li><li>Smooth out the levels of multiple sources (host, guests, music) automatically</li><li>Meet the loudness standards of major content platforms</li><li>Includes presets for voice & music-under-voice</li><li>Includes loudness presets for Spotify, YouTube, Apple Podcasts, Apple Music</li></ul></div>\n<br />\n<h3>Content Creator Audio Toolkit Includes:</h3>\n<ul><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/ns1-noise-suppressor\" title=\"NS1 Automatic Noise Suppressor\">NS1 Automatic Noise Suppressor</a> for removing distracting background noise</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/greg-wells-voicecentric\" title=\"Greg Wells VoiceCentric\">Greg Wells VoiceCentric</a>\n an intuitive, hugely effective tool that combines EQ, compression and \nde-essing into one smart control, to dramatically improve the quality of\n voice recordings</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/playlist-rider\" title=\"Playlist Rider\">Playlist Rider</a>\n for automatically smoothing out the levels of multiple audio sources \n(host, guest, music, etc.) in the same podcast, live stream or video</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/wlm-loudness-meter\" title=\"WLM Plus Loudness Meter\">WLM Plus Loudness Meter</a> to deliver the right loudness levels for YouTube, Spotify, Apple Podcasts and other major platforms</li></ul><p class=\"box\">In\n literally seconds, you can achieve superior audio quality that will \ndrive more engagement for your content – courtesy of Waves’ \nindustry-standard plugins, used in major recording and post-production \nstudios all over the globe.</p>'),(12495,85,0,2083,'Waves Content Creator Audio Toolkit'),(12496,85,1,2083,'Waves Content Creator Audio Toolkit'),(12497,76,0,2083,''),(12498,76,1,2083,''),(12499,75,0,2084,'<h1>Waves Dave Audé EMP Toolbox</h1><br />Waves Dave Audé EMP Toolbox consists of six cutting-edge plugins for electronic music production, hand-picked by Grammy®-winning producer, DJ and remixer Dave Audé.<br /><br />There\'s mixing, there\'s remixing and then there\'s Dave Audé, the Grammy®-winning electronic music producer trusted by the world’s most demanding artists to turn their hits into super-hits. Rihanna, Lady Gaga, Beyoncé, Katy Perry, Madonna, Coldplay, Celine Dion, Chris Brown, U2 and Selena Gomez. All have graced the Billboard charts, and all have had #1 Dance singles remixed by Dave Audé. To date, Dave has over 100 Billboard #1’s under his belt.<br /><br />In order to meet the standard of excellence set by his A-list clients, Dave Audé puts his trust in Waves dynamics, effects and mastering tools. Hand-picked by Dave himself, the Dave Audé EMP Toolbox contains six cutting-edge Waves audio processors he uses most in his mixing and mastering sessions, including the highly intuitive Element synthesizer plugin. Must-have plugins for any electronic music producer, these processors are as powerful as they are creative, and can shape your mixes in any direction you wish to take. <br /><br /><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Six cutting-edge plugins for electronic music production</li><li>Hand-picked by Grammy<sup>®</sup>-winning producer/DJ/remixer Dave Audé, based on the plugins he uses most</li><li>Includes the Element 2.0 Virtual Analog Synth, dynamics and effects for mixing and mastering</li></ul></div></div>'),(12500,75,1,2084,'<h1>Waves Dave Audé EMP Toolbox</h1><br />Waves Dave Audé EMP Toolbox consists of six cutting-edge plugins for electronic music production, hand-picked by Grammy®-winning producer, DJ and remixer Dave Audé.<br /><br />There\'s mixing, there\'s remixing and then there\'s Dave Audé, the Grammy®-winning electronic music producer trusted by the world’s most demanding artists to turn their hits into super-hits. Rihanna, Lady Gaga, Beyoncé, Katy Perry, Madonna, Coldplay, Celine Dion, Chris Brown, U2 and Selena Gomez. All have graced the Billboard charts, and all have had #1 Dance singles remixed by Dave Audé. To date, Dave has over 100 Billboard #1’s under his belt.<br /><br />In order to meet the standard of excellence set by his A-list clients, Dave Audé puts his trust in Waves dynamics, effects and mastering tools. Hand-picked by Dave himself, the Dave Audé EMP Toolbox contains six cutting-edge Waves audio processors he uses most in his mixing and mastering sessions, including the highly intuitive Element synthesizer plugin. Must-have plugins for any electronic music producer, these processors are as powerful as they are creative, and can shape your mixes in any direction you wish to take. <br /><br /><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Six cutting-edge plugins for electronic music production</li><li>Hand-picked by Grammy<sup>®</sup>-winning producer/DJ/remixer Dave Audé, based on the plugins he uses most</li><li>Includes the Element 2.0 Virtual Analog Synth, dynamics and effects for mixing and mastering</li></ul></div></div>'),(12501,85,0,2084,'Waves Dave Audé EMP Toolbox'),(12502,85,1,2084,'Waves Dave Audé EMP Toolbox'),(12503,76,0,2084,''),(12504,76,1,2084,''),(12505,75,0,2085,'<h1>Waves Dave Audé Producer Pack</h1><br />Waves Dave Audé Producer Pack consists of Eight plugins hand-picked by Grammy®-winning music producer Dave Audé (Rihanna, Selena Gomez, Lady Gaga, Sting), featuring a versatile selection of virtual instruments, effects and mixing tools for your music production needs.<br /><br />With more #1 dance club hits than any other producer on the Billboard charts, Dave Audé is one of the music industry’s most in-demand producers. He’s put together a diverse collection of premium instruments, plus vocal and drum mixing essentials, to give your tracks that industry sheen and polish.<br /><br />Jam-packed with precision sample libraries and effects to light up your creativity, this pack is perfect whether you’re just starting out or are looking to expand an existing collection of production tools.<br /><br />Here’s what the Dave Audé Producer Pack includes, and why:<br /><br />    Codex Wavetable Synth: “If you’re producing anything that sounds new and modern, you need this synth. If you want to sound original and not use the same sounds and patches as everyone else, then you need to dive head first into this one.\"<br />    Sibilance: “Everyone needs this transparent, easy-to-use de-esser in their arsenal – essential for anyone producing or mixing any type of vocal.”<br />    Smack Attack: “Another essential tool for any modern producer. At the end of a mix, use this to pop up missing percussion tracks – I use it on loops to soften up kick or snare drums that might be fighting with the main drums in the mix.”<br />    OneKnob Pumper: “Who really has time to set up sidechains? That’s why this auto-sidechaining plugin is used in all my sessions to get the bass and kick pumping together. Quick, easy automatic ducking effect – with just one knob.”<br />    Electric Grand 80 Piano: “This is a beautiful piano from my favorite era – the 80s.”<br />    Electric 88 Piano: “A great-sounding 70s Rhodes-style piano; ultra-dope with fuzz or distortion-type effects.”<br />    Electric 200 Piano: “This Wurlitzer-type piano will be your go-to when you’re looking for that Beach Boys/Supertramp-type sound. It suits anything from retro 60s, 70s and 80s to modern pop and R&B.”<br />    Bass Slapper: “I don’t play bass guitar, but I do play piano! This is as close to a real bass as you’re gonna get. My favorite thing about it is being able to move the fretboard; and the FX are a big bonus.”<br /><br /><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>8 industry-standard instruments and plugins for music producers</li><li>Hand-picked by Grammy-award winning producer/DJ/remixer Dave Audé</li><li>Includes\n 5 premium synth, piano & bass instruments, plus 3 plugins for \nautomatic kick/bass sidechaining, vocal de-essing & drum shaping</li><li>All instruments are NKS-ready for NI Komplete Kontrol and Maschine</li><li>All instruments include high-definition & standard sample librarie</li></ul></div></div>'),(12506,75,1,2085,'<h1>Waves Dave Audé Producer Pack</h1><br />Waves Dave Audé Producer Pack consists of Eight plugins hand-picked by Grammy®-winning music producer Dave Audé (Rihanna, Selena Gomez, Lady Gaga, Sting), featuring a versatile selection of virtual instruments, effects and mixing tools for your music production needs.<br /><br />With more #1 dance club hits than any other producer on the Billboard charts, Dave Audé is one of the music industry’s most in-demand producers. He’s put together a diverse collection of premium instruments, plus vocal and drum mixing essentials, to give your tracks that industry sheen and polish.<br /><br />Jam-packed with precision sample libraries and effects to light up your creativity, this pack is perfect whether you’re just starting out or are looking to expand an existing collection of production tools.<br /><br />Here’s what the Dave Audé Producer Pack includes, and why:<br /><br />    Codex Wavetable Synth: “If you’re producing anything that sounds new and modern, you need this synth. If you want to sound original and not use the same sounds and patches as everyone else, then you need to dive head first into this one.\"<br />    Sibilance: “Everyone needs this transparent, easy-to-use de-esser in their arsenal – essential for anyone producing or mixing any type of vocal.”<br />    Smack Attack: “Another essential tool for any modern producer. At the end of a mix, use this to pop up missing percussion tracks – I use it on loops to soften up kick or snare drums that might be fighting with the main drums in the mix.”<br />    OneKnob Pumper: “Who really has time to set up sidechains? That’s why this auto-sidechaining plugin is used in all my sessions to get the bass and kick pumping together. Quick, easy automatic ducking effect – with just one knob.”<br />    Electric Grand 80 Piano: “This is a beautiful piano from my favorite era – the 80s.”<br />    Electric 88 Piano: “A great-sounding 70s Rhodes-style piano; ultra-dope with fuzz or distortion-type effects.”<br />    Electric 200 Piano: “This Wurlitzer-type piano will be your go-to when you’re looking for that Beach Boys/Supertramp-type sound. It suits anything from retro 60s, 70s and 80s to modern pop and R&B.”<br />    Bass Slapper: “I don’t play bass guitar, but I do play piano! This is as close to a real bass as you’re gonna get. My favorite thing about it is being able to move the fretboard; and the FX are a big bonus.”<br /><br /><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>8 industry-standard instruments and plugins for music producers</li><li>Hand-picked by Grammy-award winning producer/DJ/remixer Dave Audé</li><li>Includes\n 5 premium synth, piano & bass instruments, plus 3 plugins for \nautomatic kick/bass sidechaining, vocal de-essing & drum shaping</li><li>All instruments are NKS-ready for NI Komplete Kontrol and Maschine</li><li>All instruments include high-definition & standard sample librarie</li></ul></div></div>'),(12507,85,0,2085,'Waves Dave Producer Pack'),(12508,85,1,2085,'Waves Dave Producer Pack'),(12509,76,0,2085,''),(12510,76,1,2085,''),(12511,75,0,2086,'<h1>Waves Dave Clarke EMP Toolbox</h1><br />Waves Dave Clarke EMP Toolbox was chosen exclusively by Dave himself, the Dave Clarke EMP Toolbox contains\n seven of these supreme sound-crafting processors – the ones he uses \nregularly in his mixing and mastering sessions. With this collection of \nplugins, electronic music producers of any style will find what they \nneed to give their mixes a professional lift. And if techno or electro \nis your trade, you are sure to find inspiration in this hand-picked \nsuite.<br /><br />Declared “The Baron of Techno” by legendary BBC Radio presenter John Peel, Dave Clarke has been amongst the top tier of global techno DJs and producers of the past two decades. He is one of the few artists able to command the respect of demanding listeners everywhere, from massive outdoor festivals such as Tommorowland to the grittiest clubs of the underground scene. In addition to producing his own brand of hard-spun beats, Dave is also a devoted fan and pioneer of electronic music, with an uncanny ability to put together a perfect mix of tracks by his peers, earning him widespread popularity as a radio DJ with his long-running radio show “White Noise.”<br /><br />When Dave leaves the radio studio and enters the recording studio, he puts on a different hat and relies on a different set of tools. Waves’ equalizers, effects, metering tools and tape saturation plugins form the basis of the Dave Clarke sound and of the pumping techno trails heard on remixes for the likes of Depeche Mode, The Chemical Brothers, John Foxx, I am Kloot, and Louisahhh!!! & Maelstrom, to name just a few from his 25-year career.<br /><br /><div class=\"item-features\"><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Seven sound-crafting plugins for electronic music production</li><li>Hand-picked by Dave Clarke himself based on the plugins he uses most</li><li>Includes EQs, tape saturation, metering and effects for mixing and mastering</li></ul></div></div></div>'),(12512,75,1,2086,'<h1>Waves Dave Clarke EMP Toolbox</h1><br />Waves Dave Clarke EMP Toolbox was chosen exclusively by Dave himself, the Dave Clarke EMP Toolbox contains\n seven of these supreme sound-crafting processors – the ones he uses \nregularly in his mixing and mastering sessions. With this collection of \nplugins, electronic music producers of any style will find what they \nneed to give their mixes a professional lift. And if techno or electro \nis your trade, you are sure to find inspiration in this hand-picked \nsuite.<br /><br />Declared “The Baron of Techno” by legendary BBC Radio presenter John Peel, Dave Clarke has been amongst the top tier of global techno DJs and producers of the past two decades. He is one of the few artists able to command the respect of demanding listeners everywhere, from massive outdoor festivals such as Tommorowland to the grittiest clubs of the underground scene. In addition to producing his own brand of hard-spun beats, Dave is also a devoted fan and pioneer of electronic music, with an uncanny ability to put together a perfect mix of tracks by his peers, earning him widespread popularity as a radio DJ with his long-running radio show “White Noise.”<br /><br />When Dave leaves the radio studio and enters the recording studio, he puts on a different hat and relies on a different set of tools. Waves’ equalizers, effects, metering tools and tape saturation plugins form the basis of the Dave Clarke sound and of the pumping techno trails heard on remixes for the likes of Depeche Mode, The Chemical Brothers, John Foxx, I am Kloot, and Louisahhh!!! & Maelstrom, to name just a few from his 25-year career.<br /><br /><div class=\"item-features\"><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Seven sound-crafting plugins for electronic music production</li><li>Hand-picked by Dave Clarke himself based on the plugins he uses most</li><li>Includes EQs, tape saturation, metering and effects for mixing and mastering</li></ul></div></div></div>'),(12513,85,0,2086,'Waves Dave Clarke EMP Toolbox'),(12514,85,1,2086,'Waves Dave Clarke EMP Toolbox'),(12515,76,0,2086,''),(12516,76,1,2086,''),(12517,75,0,2087,'<h1>Waves Diamond Bundle</h1>\nThe Waves Diamond Bundle contains over 65 audio mixing and mastering plugins, from dynamics, EQ and reverb to pitch correction, spatial imaging and beyond. A must-have for every serious studio.\n<br/><br/>\nA comprehensive collection of audio processing tools, Diamond brings unparalleled signal processing power to your studio, for tracking, mixing, mastering, creative sound design, and audio restoration.\n<br/><br/>\nDiamond includes all the plugins found in our Platinum, Restoration, and Transform bundles, as well as V-Comp, L3 Multimaximizer, NLS Non-Linear Summer, and more.\n<br/><br/>\n<h3>Waves Diamond Features</h3>\n<ul>\n	<li>Over 65 powerful audio plugins</li>\n	<li>For mixing, mastering, live sound, restoration and more</li>\n	<li>Includes vintage hardware models, compressors, equalizers, delays, reverbs, harmonic enhancement, bass enhancement and much more</li>\n</ul>\n<br/>\n<h3>Waves Diamond Bundle Includes:</h3>\n<ul style=\" columns: 3; -webkit-columns: 3; -moz-columns: 3;\">\n	<li>AudioTrack</li>\n	<li>C1 Compressor</li>\n	<li>C4 Multiband Compressor</li>\n	<li>Center</li>\n	<li>DeEsser</li>\n	<li>Doppler</li>\n	<li>Doubler</li>\n	<li>eMo F2 Filter</li>\n	<li>eMo Generator</li>\n	<li>eMo Q4 Equalizer</li>\n	<li>Enigma</li>\n	<li>GTR3 Amps</li>\n	<li>GTR3 Stomps</li>\n	<li>GTR3 ToolRack</li>\n	<li>GTR3 Tuner</li>\n	<li>H-Comp Hybrid Compressor</li>\n	<li>H-Delay Hybrid Delay</li>\n	<li>IR-L Convolution Reverb</li>\n	<li>L1 Ultramaximizer</li>\n	<li>L2 Ultramaximizer</li>\n	<li>L3 Multimaximizer</li>\n	<li>L3 Ultramaximizer</li>\n	<li>L3-LL Multimaximizer</li>\n	<li>L3-LL Ultramaximizer</li>\n	<li>Linear Phase EQ</li>\n	<li>Linear Phase Multiband Compressor</li>\n	<li>MaxxBass</li>\n	<li>MaxxVolume</li>\n	<li>MetaFlanger</li>\n	<li>MondoMod</li>\n	<li>Morphoder</li>\n	<li>MV2</li>\n	<li>NLS Non-Linear Summer</li>\n	<li>OneKnob Driver</li>\n	<li>OneKnob Filter</li>\n	<li>PAZ Analyzer</li>\n	<li>PS22 Stereo maker</li>\n	<li>PuigTec EQs</li>\n	<li>Q10 Equalizer</li>\n	<li>Q-Clone</li>\n	<li>Renaissance Axx</li>\n	<li>Renaissance Bass</li>\n	<li>Renaissance Channel</li>\n	<li>Renaissance Compressor</li>\n	<li>Renaissance DeEsser</li>\n	<li>Renaissance Equalizer</li>\n	<li>Renaissance Reverb</li>\n	<li>Renaissance Vox</li>\n	<li>S1 Setereo Imager</li>\n	<li>SoundShifter</li>\n	<li>SuperTap</li>\n	<li>Trans-X</li>\n	<li>TrueVerb</li>\n	<li>UltraPitch</li>\n	<li>V-Comp</li>\n	<li>V-EQ3</li>\n	<li>V-0EQ4</li>\n	<li>Vitamin Sonic Enhancer</li>\n	<li>Wavers Tune LT</li>\n	<li>WLM Plus Loudness Meter</li>\n	<li>X-Click</li>\n	<li>X-Crackle</li>\n	<li>X-Hum</li>\n	<li>X-Noise</li>\n	<li>Z-Noise</li>\n</ul>'),(12518,75,1,2087,'<h1>Waves Diamond Bundle</h1>\nThe Waves Diamond Bundle contains over 65 audio mixing and mastering plugins, from dynamics, EQ and reverb to pitch correction, spatial imaging and beyond. A must-have for every serious studio.\n<br/><br/>\nA comprehensive collection of audio processing tools, Diamond brings unparalleled signal processing power to your studio, for tracking, mixing, mastering, creative sound design, and audio restoration.\n<br/><br/>\nDiamond includes all the plugins found in our Platinum, Restoration, and Transform bundles, as well as V-Comp, L3 Multimaximizer, NLS Non-Linear Summer, and more.\n<br/><br/>\n<h3>Waves Diamond Features</h3>\n<ul>\n	<li>Over 65 powerful audio plugins</li>\n	<li>For mixing, mastering, live sound, restoration and more</li>\n	<li>Includes vintage hardware models, compressors, equalizers, delays, reverbs, harmonic enhancement, bass enhancement and much more</li>\n</ul>\n<br/>\n<h3>Waves Diamond Bundle Includes:</h3>\n<ul style=\" columns: 3; -webkit-columns: 3; -moz-columns: 3;\">\n	<li>AudioTrack</li>\n	<li>C1 Compressor</li>\n	<li>C4 Multiband Compressor</li>\n	<li>Center</li>\n	<li>DeEsser</li>\n	<li>Doppler</li>\n	<li>Doubler</li>\n	<li>eMo F2 Filter</li>\n	<li>eMo Generator</li>\n	<li>eMo Q4 Equalizer</li>\n	<li>Enigma</li>\n	<li>GTR3 Amps</li>\n	<li>GTR3 Stomps</li>\n	<li>GTR3 ToolRack</li>\n	<li>GTR3 Tuner</li>\n	<li>H-Comp Hybrid Compressor</li>\n	<li>H-Delay Hybrid Delay</li>\n	<li>IR-L Convolution Reverb</li>\n	<li>L1 Ultramaximizer</li>\n	<li>L2 Ultramaximizer</li>\n	<li>L3 Multimaximizer</li>\n	<li>L3 Ultramaximizer</li>\n	<li>L3-LL Multimaximizer</li>\n	<li>L3-LL Ultramaximizer</li>\n	<li>Linear Phase EQ</li>\n	<li>Linear Phase Multiband Compressor</li>\n	<li>MaxxBass</li>\n	<li>MaxxVolume</li>\n	<li>MetaFlanger</li>\n	<li>MondoMod</li>\n	<li>Morphoder</li>\n	<li>MV2</li>\n	<li>NLS Non-Linear Summer</li>\n	<li>OneKnob Driver</li>\n	<li>OneKnob Filter</li>\n	<li>PAZ Analyzer</li>\n	<li>PS22 Stereo maker</li>\n	<li>PuigTec EQs</li>\n	<li>Q10 Equalizer</li>\n	<li>Q-Clone</li>\n	<li>Renaissance Axx</li>\n	<li>Renaissance Bass</li>\n	<li>Renaissance Channel</li>\n	<li>Renaissance Compressor</li>\n	<li>Renaissance DeEsser</li>\n	<li>Renaissance Equalizer</li>\n	<li>Renaissance Reverb</li>\n	<li>Renaissance Vox</li>\n	<li>S1 Setereo Imager</li>\n	<li>SoundShifter</li>\n	<li>SuperTap</li>\n	<li>Trans-X</li>\n	<li>TrueVerb</li>\n	<li>UltraPitch</li>\n	<li>V-Comp</li>\n	<li>V-EQ3</li>\n	<li>V-0EQ4</li>\n	<li>Vitamin Sonic Enhancer</li>\n	<li>Wavers Tune LT</li>\n	<li>WLM Plus Loudness Meter</li>\n	<li>X-Click</li>\n	<li>X-Crackle</li>\n	<li>X-Hum</li>\n	<li>X-Noise</li>\n	<li>Z-Noise</li>\n</ul>'),(12519,85,0,2087,'Waves Diamond Bundle'),(12520,85,1,2087,'Waves Diamond Bundle'),(12521,76,0,2087,''),(12522,76,1,2087,''),(12523,75,0,2088,'<h1>Waves DORROUGH Surround Plug-in</h1>\nThe Waves Dorrough Meter Collection (Stereo) features models of Dorrough’s most popular loudness meters: 280D/240D, 380D/340D, and 40AES/EBU. Developed in association with Dorrough Electronics, these meters provide precision loudness monitoring for all stereo audio scenarios. Whether used as input meters to attain optimal recording levels, as group/auxiliary meters to achieve optimal group loudness, or as master output meters, the Waves Dorrough meters do it all.\n<br/><br/>\n<ul>\n	<li>Modeled stereo meter plugin</li>\n	<li>Developed in association with Dorrough Electronics</li>\n	<li>Super-fast peak response</li>\n	<li>Sum and difference energies for optimal stereo-to-mono compatibility</li>\n	<li>Left/right phase correlation</li>\n	<li>Displays number of \'overs\'</li>\n	<li>Displays relationship between peak and average levels</li>\n</ul>'),(12524,75,1,2088,'<h1>Waves DORROUGH Surround Plug-in</h1>\nThe Waves Dorrough Meter Collection (Stereo) features models of Dorrough’s most popular loudness meters: 280D/240D, 380D/340D, and 40AES/EBU. Developed in association with Dorrough Electronics, these meters provide precision loudness monitoring for all stereo audio scenarios. Whether used as input meters to attain optimal recording levels, as group/auxiliary meters to achieve optimal group loudness, or as master output meters, the Waves Dorrough meters do it all.\n<br/><br/>\n<ul>\n	<li>Modeled stereo meter plugin</li>\n	<li>Developed in association with Dorrough Electronics</li>\n	<li>Super-fast peak response</li>\n	<li>Sum and difference energies for optimal stereo-to-mono compatibility</li>\n	<li>Left/right phase correlation</li>\n	<li>Displays number of \'overs\'</li>\n	<li>Displays relationship between peak and average levels</li>\n</ul>'),(12525,85,0,2088,'Waves DORROUGH Stereo Meter Plug-in'),(12526,85,1,2088,'Waves DORROUGH Stereo Meter Plug-in'),(12527,76,0,2088,''),(12528,76,1,2088,''),(12529,75,0,2089,'<h1>Waves DORROUGH Surround Meter Plug-in</h1>\nWaves Dorrough Surround includes customized meters engineered especially for surround production environments, as well as all meters included in the Stereo edition of the Waves Dorrough Meter Collection.\n<br/><br/>\nWaves Dorrough meters display both average and peak levels in a single readout, making them the only meters which actually let you see the density of your sound.<br/><br/>\n<ul>\n	<li>Modeled surround sound meter plugin</li>\n	<li>Developed in association with Dorrough Electronics</li>\n	<li>Super-fast peak response</li>\n	<li>Displays number of ‘overs’5.0 and 5.1 components</li>\n	<li>DTS , ITU/SMPTE, Film/Dolby Digital modes</li>\n</ul>'),(12530,75,1,2089,'<h1>Waves DORROUGH Surround Meter Plug-in</h1>\nWaves Dorrough Surround includes customized meters engineered especially for surround production environments, as well as all meters included in the Stereo edition of the Waves Dorrough Meter Collection.\n<br/><br/>\nWaves Dorrough meters display both average and peak levels in a single readout, making them the only meters which actually let you see the density of your sound.<br/><br/>\n<ul>\n	<li>Modeled surround sound meter plugin</li>\n	<li>Developed in association with Dorrough Electronics</li>\n	<li>Super-fast peak response</li>\n	<li>Displays number of ‘overs’5.0 and 5.1 components</li>\n	<li>DTS , ITU/SMPTE, Film/Dolby Digital modes</li>\n</ul>'),(12531,85,0,2089,'Waves DORROUGH Surround Meter Plug-in'),(12532,85,1,2089,'Waves DORROUGH Surround Meter Plug-in'),(12533,76,0,2089,''),(12534,76,1,2089,''),(12535,75,0,2090,'<h1>Waves DTS Neural Surround Collection</h1>\n<div>Waves DTS Neural Surround Collection was developed under license from DTS®: three plugins for upmixing stereo sources, downmixing 5.1 and 7.1 surround audio, and converting mono content to stereo.<br /><br />The DTS Neural™ Surround Collection is designed for live sports and music broadcasts, internet streaming, and post-production for television and film. The three included plugins—DTS Neural™ Surround UpMix, DTS Neural™ Surround DownMix and DTS Neural™ Mono2Stereo—provide real-time processing for upmixing stereo sources to surround, downmixing surround sources to stereo, and converting mono content to stereo with full spectral accuracy.<br /><br />Together, these plugins provide a discrete-sounding, end-to-end surround delivery system for any live broadcast or post-production situation.<br /><br />The DTS Neural Surround plugins are the ultimate software replacements for the legacy hardware components that many broadcast facilities, OB vans and post-production studios currently use. Upgrade now to a modern system that seamlessly complements your most sophisticated production workflow.<br /><br />\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Developed under license from DTS</li><li>Real-time conversion of stereo audio to surround, surround to stereo, and mono to stereo</li><li>Includes DTS Neural Surround UpMix, DTS Neural Surround DownMix, and DTS Neural Mono2Stereo</li><li>The industry standard for television and radio broadcasting and film/TV post-production</li><li>Plug and play! Easy to integrate and use immediately</li><li>Streamlined interfaces</li><li>SoundGrid-compatible</li><li>Compatible with all popular DAWs/hosts</li><li>All plugins also included in <a href=\"https://www.waves.com/bundles/broadcast-surround-suite\" class=\"blue9-link\">Broadcast and Surround Suite</a></li></ul></div><ul></ul>'),(12536,75,1,2090,'<h1>Waves DTS Neural Surround Collection</h1>\n<div>Waves DTS Neural Surround Collection was developed under license from DTS®: three plugins for upmixing stereo sources, downmixing 5.1 and 7.1 surround audio, and converting mono content to stereo.<br /><br />The DTS Neural™ Surround Collection is designed for live sports and music broadcasts, internet streaming, and post-production for television and film. The three included plugins—DTS Neural™ Surround UpMix, DTS Neural™ Surround DownMix and DTS Neural™ Mono2Stereo—provide real-time processing for upmixing stereo sources to surround, downmixing surround sources to stereo, and converting mono content to stereo with full spectral accuracy.<br /><br />Together, these plugins provide a discrete-sounding, end-to-end surround delivery system for any live broadcast or post-production situation.<br /><br />The DTS Neural Surround plugins are the ultimate software replacements for the legacy hardware components that many broadcast facilities, OB vans and post-production studios currently use. Upgrade now to a modern system that seamlessly complements your most sophisticated production workflow.<br /><br />\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Developed under license from DTS</li><li>Real-time conversion of stereo audio to surround, surround to stereo, and mono to stereo</li><li>Includes DTS Neural Surround UpMix, DTS Neural Surround DownMix, and DTS Neural Mono2Stereo</li><li>The industry standard for television and radio broadcasting and film/TV post-production</li><li>Plug and play! Easy to integrate and use immediately</li><li>Streamlined interfaces</li><li>SoundGrid-compatible</li><li>Compatible with all popular DAWs/hosts</li><li>All plugins also included in <a href=\"https://www.waves.com/bundles/broadcast-surround-suite\" class=\"blue9-link\">Broadcast and Surround Suite</a></li></ul></div><ul></ul>'),(12537,85,0,2090,'Waves DTS Neural Surround Collection'),(12538,85,1,2090,'Waves DTS Neural Surround Collection'),(12539,76,0,2090,''),(12540,76,1,2090,''),(12541,75,0,2091,'<h1>Waves Dugan Automixer + Dugan Speech Plug-in</h1>The Waves Dugan Automixer + Dugan Speech Plug-in makes mixing multiple microphones easy: 2 plugins for auto-mixing several mics in real time, one for the eMotion LV1 mixer, one for other live consoles (via SuperRack).<br /><br />Dugan Speech and Dugan Automixer are the definitive solution for broadcast news panels, radio and TV talk shows, houses of prayer, motion picture dialog recording, discussion panels, and any other situation involving numerous microphones and participants.<br /><br />In this high-value package, you get the Dugan Speech plugin for integrated use inside the eMotion LV1 mixing console, and the Dugan Automixer plugin for use with other major consoles via the SuperRack plugin host. Developed with pro audio inventor Dan Dugan, both Dugan plugins are powered by his patented voice-activated process.<br /><br />The Dugan plugins save you the need to manually ride faders while trying to keep up with several people talking. They can auto-mix up to 64 channels simultaneously and make perfectly matched crossfades, without compression or noise gates that would cause unwanted artifacts. They also reduce noise, feedback and comb filtering from neighboring microphones, ensuring consistent overall gain even when numerous speakers are talking simultaneously.<br /><br />\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Official Dugan plugins developed in association with Dan Dugan</li><li>Includes <a class=\"blue9-link\" href=\"https://www.waves.com/plugins/dugan-speech\">Dugan Speech</a> for the eMotion LV1 console and SuperRack for other mixing consoles + <a class=\"blue9-link\" href=\"https://www.waves.com/plugins/dugan-automixer\">Dugan Automixer</a> (for other mixing consoles via MultiRack only)</li><li>Auto-mix up to 64 live microphones in real time</li><li>No need to ride faders manually</li><li>Ideal for scenarios involving several participants and microphones</li><li>Automatically reduces noise and feedback</li><li>Ensures consistent overall gain</li><li>Perfectly matched transparent crossfades</li></ul></div><ul></ul>'),(12542,75,1,2091,'<h1>Waves Dugan Automixer + Dugan Speech Plug-in</h1>The Waves Dugan Automixer + Dugan Speech Plug-in makes mixing multiple microphones easy: 2 plugins for auto-mixing several mics in real time, one for the eMotion LV1 mixer, one for other live consoles (via SuperRack).<br /><br />Dugan Speech and Dugan Automixer are the definitive solution for broadcast news panels, radio and TV talk shows, houses of prayer, motion picture dialog recording, discussion panels, and any other situation involving numerous microphones and participants.<br /><br />In this high-value package, you get the Dugan Speech plugin for integrated use inside the eMotion LV1 mixing console, and the Dugan Automixer plugin for use with other major consoles via the SuperRack plugin host. Developed with pro audio inventor Dan Dugan, both Dugan plugins are powered by his patented voice-activated process.<br /><br />The Dugan plugins save you the need to manually ride faders while trying to keep up with several people talking. They can auto-mix up to 64 channels simultaneously and make perfectly matched crossfades, without compression or noise gates that would cause unwanted artifacts. They also reduce noise, feedback and comb filtering from neighboring microphones, ensuring consistent overall gain even when numerous speakers are talking simultaneously.<br /><br />\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Official Dugan plugins developed in association with Dan Dugan</li><li>Includes <a class=\"blue9-link\" href=\"https://www.waves.com/plugins/dugan-speech\">Dugan Speech</a> for the eMotion LV1 console and SuperRack for other mixing consoles + <a class=\"blue9-link\" href=\"https://www.waves.com/plugins/dugan-automixer\">Dugan Automixer</a> (for other mixing consoles via MultiRack only)</li><li>Auto-mix up to 64 live microphones in real time</li><li>No need to ride faders manually</li><li>Ideal for scenarios involving several participants and microphones</li><li>Automatically reduces noise and feedback</li><li>Ensures consistent overall gain</li><li>Perfectly matched transparent crossfades</li></ul></div><ul></ul>'),(12543,85,0,2091,'Waves Dugan Automixer + Dugan Speech Plug-in'),(12544,85,1,2091,'Waves Dugan Automixer + Dugan Speech Plug-in'),(12545,76,0,2091,''),(12546,76,1,2091,''),(12547,75,0,2092,'<h1>Waves Eddie Kramer Signature Series Plug-in Bundle</h1>When The Beatles recorded “All You Need Is Love”, the man behind the board was Eddie Kramer.<br /><br />When Jimi Hendrix recorded “Purple Haze”, the man behind the board was Eddie Kramer.<br /><br />When Led Zeppelin recorded “Whole Lotta Love”, the man behind the board was Eddie Kramer.<br /><br />When you’re ready to make some music history of your own, get Eddie Kramer behind the board.<br /><br />\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Five custom multi-effect processing chains</li><li>Created in collaboration with legendary producer/engineer Eddie Kramer</li><li>Dedicated plugins for vocals, guitars, bass, drums and more</li></ul></div><ul></ul>'),(12548,75,1,2092,'<h1>Waves Eddie Kramer Signature Series Plug-in Bundle</h1>When The Beatles recorded “All You Need Is Love”, the man behind the board was Eddie Kramer.<br /><br />When Jimi Hendrix recorded “Purple Haze”, the man behind the board was Eddie Kramer.<br /><br />When Led Zeppelin recorded “Whole Lotta Love”, the man behind the board was Eddie Kramer.<br /><br />When you’re ready to make some music history of your own, get Eddie Kramer behind the board.<br /><br />\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Five custom multi-effect processing chains</li><li>Created in collaboration with legendary producer/engineer Eddie Kramer</li><li>Dedicated plugins for vocals, guitars, bass, drums and more</li></ul></div><ul></ul>'),(12549,85,0,2092,'Waves Eddie Kramer Signature Series Plug-in Bundle'),(12550,85,1,2092,'Waves Eddie Kramer Signature Series Plug-in Bundle'),(12551,76,0,2092,''),(12552,76,1,2092,''),(12553,75,0,2093,'<h1>Waves eMo D5 Dynamics Plug-in</h1>\nThe Waves Waves eMo D5 Dynamics Plug-in is a state-of-the-art dynamics plug-in that features 5 different dynamics processors in one!\n<br/><br/>\n<h3>Waves Features</h3>\n<ul>\n	<li>Five state-of-the-art dynamics processors in one plugin                          </li>\n	<li>Gate and Compressor with dedicated HP/LP filters and an external sidechain option</li>\n	<li>Smooth Limiter with zero latency and sharp attack                                </li>\n	<li>Comprehensive DeEsser with pre/post-Compressor routing                           </li>\n	<li>C-weighted Leveler with an adjustable range                                      </li>\n	<li>Zero latency                                                                     </li>\n	<li>Low CPU consumption                                                              </li>\n	<li>Combined gain reduction meter for the Leveler, Compressor and Limiter            </li>\n	<li>Fully compatible with touchscreens                                               </li>\n</ul>\n<br/>\n<h3>5-in-1 Multi-Dynamics with Parallel Detection</h3>\nThe first plugin to use Waves’ groundbreaking Parallel Detection technology, Waves eMo D5 delivers the power of five state-of-the-art dynamics processors—Gate, Leveler, DeEsser, Compressor and Limiter—in one easy-to-use interface.\n<br/><br/>\n<h3>Maximum Clarity</h3>\nThanks to Waves’ Parallel Detection technology, each of the five processors responds to the original signal and to each of the other processed signals simultaneously. This lets you instantly control the total dynamic change introduced by the different processors, ensuring that your final sound achieves maximum clarity without over-compression.\n<br/><br/>\neMo D5 also provides a combined gain reduction meter for the Leveler, Compressor and Limiter, making it even easier to monitor and control your levels.<br/><br/>\n<h3>Maximum Efficiency</h3>\neMo D5 is a Swiss army knife for your dynamics. With its single-page GUI, you’ll be able to set up a dynamically balanced mix with maximum efficiency, saving tremendous amounts of time by not having to open and tweak different dynamic plugins.\n<br/><br/>\n<h3>Use It Anywhere</h3>\nWith its zero latency, low CPU consumption and pure sound quality, eMo D5 is a natural for both live and studio engineers.\n<br/><br/>'),(12554,75,1,2093,'<h1>Waves eMo D5 Dynamics Plug-in</h1>\nThe Waves Waves eMo D5 Dynamics Plug-in is a state-of-the-art dynamics plug-in that features 5 different dynamics processors in one!\n<br/><br/>\n<h3>Waves Features</h3>\n<ul>\n	<li>Five state-of-the-art dynamics processors in one plugin                          </li>\n	<li>Gate and Compressor with dedicated HP/LP filters and an external sidechain option</li>\n	<li>Smooth Limiter with zero latency and sharp attack                                </li>\n	<li>Comprehensive DeEsser with pre/post-Compressor routing                           </li>\n	<li>C-weighted Leveler with an adjustable range                                      </li>\n	<li>Zero latency                                                                     </li>\n	<li>Low CPU consumption                                                              </li>\n	<li>Combined gain reduction meter for the Leveler, Compressor and Limiter            </li>\n	<li>Fully compatible with touchscreens                                               </li>\n</ul>\n<br/>\n<h3>5-in-1 Multi-Dynamics with Parallel Detection</h3>\nThe first plugin to use Waves’ groundbreaking Parallel Detection technology, Waves eMo D5 delivers the power of five state-of-the-art dynamics processors—Gate, Leveler, DeEsser, Compressor and Limiter—in one easy-to-use interface.\n<br/><br/>\n<h3>Maximum Clarity</h3>\nThanks to Waves’ Parallel Detection technology, each of the five processors responds to the original signal and to each of the other processed signals simultaneously. This lets you instantly control the total dynamic change introduced by the different processors, ensuring that your final sound achieves maximum clarity without over-compression.\n<br/><br/>\neMo D5 also provides a combined gain reduction meter for the Leveler, Compressor and Limiter, making it even easier to monitor and control your levels.<br/><br/>\n<h3>Maximum Efficiency</h3>\neMo D5 is a Swiss army knife for your dynamics. With its single-page GUI, you’ll be able to set up a dynamically balanced mix with maximum efficiency, saving tremendous amounts of time by not having to open and tweak different dynamic plugins.\n<br/><br/>\n<h3>Use It Anywhere</h3>\nWith its zero latency, low CPU consumption and pure sound quality, eMo D5 is a natural for both live and studio engineers.\n<br/><br/>'),(12555,85,0,2093,'Waves eMo D5 Dynamics Plug-in'),(12556,85,1,2093,'Waves eMo D5 Dynamics Plug-in'),(12557,76,0,2093,''),(12558,76,1,2093,''),(12559,75,0,2094,'<h1>Waves Essentials Plug-ins</h1>The Essentials bundle includes over 30 SoundGrid-compatible plugins for live sound, including EQ, compression, reverb, delay, vocal tools, bass extension, limiting, level maximization and more.<br /><br /><div class=\"item-features\"><ul class=\"list-arrows\"><li>Over 30 plugins for the SoundGrid® platform</li><li>Designed for all SoundGrid-enabled consoles</li><li>Includes EQ, compression, reverb, vocal tools, limiting, level maximization and more</li></ul></div>'),(12560,75,1,2094,'<h1>Waves Essentials Plug-ins</h1>The Essentials bundle includes over 30 SoundGrid-compatible plugins for live sound, including EQ, compression, reverb, delay, vocal tools, bass extension, limiting, level maximization and more.<br /><br /><div class=\"item-features\"><ul class=\"list-arrows\"><li>Over 30 plugins for the SoundGrid® platform</li><li>Designed for all SoundGrid-enabled consoles</li><li>Includes EQ, compression, reverb, vocal tools, limiting, level maximization and more</li></ul></div>'),(12561,85,0,2094,'Waves Essentials Plug-ins'),(12562,85,1,2094,'Waves Essentials Plug-ins'),(12563,76,0,2094,''),(12564,76,1,2094,''),(12565,75,0,2095,'<h1>Waves F6 Floating-Band Dynamic EQ</h1>\n	Waves F6 Floating-Band Dynamic EQ is the ultimate problem-solving EQ, F6 can be used for diverse equalization, compression, expansion and de-essing processes, whether you’re mixing or mastering, in the studio or live. Each of the six floating bands features advanced EQ and dynamic controls that let you zero in on any problem spot – and treat it only when the problem arises.\n<br /><br />\nRather than treating a frequency one time and leaving it there for the entire track, F6’s EQ settings are sensitive to the dynamics of your track. This way you can select not only by how much, but also precisely when a specific frequency will be boosted or cut, compressed or expanded.\n<br /><br />\nTake vocals for example: A singer’s tone changes throughout a performance depending on their position to the microphone. An EQ setting that works well when the singer is close to the mic and singing softly will not be as effective when the singer backs up and starts belting. F6 moves in time with the singer, kicking in when the vocal level crosses a certain threshold that you’ve set – and laying off when it falls below that threshold.\n<br /><br />\nWith the F6, you can EQ more precisely, with filters that can be as narrow or as wide as you like, free-floating bands that can overlap, variable EQ shapes, and threshold-sensitive EQ settings. F6 is ideal for isolating specific problems on individual tracks and fixing them transparently only when they pop out. The plugin’s advanced mid-side processing capabilities give you even greater ability to carve out EQ space in a busy mix, so you can breathe more life into your mixes.\n<br /><br />\nThe F6 dynamic EQ also includes a feature-rich, FFT-based real-time frequency spectrum analyzer, easily accessible from the main plugin interface. Analyzer features include adjustable resolution, adjustable reaction speed, RMS vs. peak response, pre-EQ, post-EQ and sidechain options, frequency, note and amplitude display based on cursor position, and diverse L/R monitoring options.\n<br /><br />\nMusic is dynamic. The intensity of any piece of music constantly rises and falls. With the F6 dynamic EQ plugin, you finally have the perfect EQ tool to match this dynamic variation.\n<br /><br />\n<h3>Waves F6 Key Features</h3>\n<ul>\n	<li>Precision EQ triggered by a built-in dynamic processor</li>\n	<li>6 floating bands that can be placed anywhere in the spectrum</li>\n	<li>Powerful EQ and compression/expansion controls per band</li>\n	<li>Advanced sidechaining, parallel compression and mid-side processingHigh and low pass filters; bell and notch EQ shapes</li>\n	<li>Each band features a solo/sidechain monitor</li>\n	<li>Touch-compatible</li>\n	<li>Zero latency and low CPU consumption</li>\n	<li>FFT-based real-time spectrum analyzer, easily accessible from the main GUI</li>\n	<li>Equally effective for studio and live mixing</li>\n</ul>'),(12566,75,1,2095,'<h1>Waves F6 Floating-Band Dynamic EQ</h1>\n	Waves F6 Floating-Band Dynamic EQ is the ultimate problem-solving EQ, F6 can be used for diverse equalization, compression, expansion and de-essing processes, whether you’re mixing or mastering, in the studio or live. Each of the six floating bands features advanced EQ and dynamic controls that let you zero in on any problem spot – and treat it only when the problem arises.\n<br /><br />\nRather than treating a frequency one time and leaving it there for the entire track, F6’s EQ settings are sensitive to the dynamics of your track. This way you can select not only by how much, but also precisely when a specific frequency will be boosted or cut, compressed or expanded.\n<br /><br />\nTake vocals for example: A singer’s tone changes throughout a performance depending on their position to the microphone. An EQ setting that works well when the singer is close to the mic and singing softly will not be as effective when the singer backs up and starts belting. F6 moves in time with the singer, kicking in when the vocal level crosses a certain threshold that you’ve set – and laying off when it falls below that threshold.\n<br /><br />\nWith the F6, you can EQ more precisely, with filters that can be as narrow or as wide as you like, free-floating bands that can overlap, variable EQ shapes, and threshold-sensitive EQ settings. F6 is ideal for isolating specific problems on individual tracks and fixing them transparently only when they pop out. The plugin’s advanced mid-side processing capabilities give you even greater ability to carve out EQ space in a busy mix, so you can breathe more life into your mixes.\n<br /><br />\nThe F6 dynamic EQ also includes a feature-rich, FFT-based real-time frequency spectrum analyzer, easily accessible from the main plugin interface. Analyzer features include adjustable resolution, adjustable reaction speed, RMS vs. peak response, pre-EQ, post-EQ and sidechain options, frequency, note and amplitude display based on cursor position, and diverse L/R monitoring options.\n<br /><br />\nMusic is dynamic. The intensity of any piece of music constantly rises and falls. With the F6 dynamic EQ plugin, you finally have the perfect EQ tool to match this dynamic variation.\n<br /><br />\n<h3>Waves F6 Key Features</h3>\n<ul>\n	<li>Precision EQ triggered by a built-in dynamic processor</li>\n	<li>6 floating bands that can be placed anywhere in the spectrum</li>\n	<li>Powerful EQ and compression/expansion controls per band</li>\n	<li>Advanced sidechaining, parallel compression and mid-side processingHigh and low pass filters; bell and notch EQ shapes</li>\n	<li>Each band features a solo/sidechain monitor</li>\n	<li>Touch-compatible</li>\n	<li>Zero latency and low CPU consumption</li>\n	<li>FFT-based real-time spectrum analyzer, easily accessible from the main GUI</li>\n	<li>Equally effective for studio and live mixing</li>\n</ul>'),(12567,85,0,2095,'Waves F6 Floating-Band Dynamic EQ'),(12568,85,1,2095,'Waves F6 Floating-Band Dynamic EQ'),(12569,76,0,2095,''),(12570,76,1,2095,''),(12571,75,0,2096,'<h1>Waves Forensics Package Plug-ins</h1>The Essentials bundle includes over 30 SoundGrid-compatible plugins for live sound, including EQ, compression, reverb, delay, vocal tools, bass extension, limiting, level maximization and more.<br /><br /><div class=\"item-features\"><ul class=\"list-arrows\"><li>Over 30 plugins for the SoundGrid® platform</li><li>Designed for all SoundGrid-enabled consoles</li><li>Includes EQ, compression, reverb, vocal tools, limiting, level maximization and more</li></ul></div>'),(12572,75,1,2096,'<h1>Waves Forensics Package Plug-ins</h1>The Essentials bundle includes over 30 SoundGrid-compatible plugins for live sound, including EQ, compression, reverb, delay, vocal tools, bass extension, limiting, level maximization and more.<br /><br /><div class=\"item-features\"><ul class=\"list-arrows\"><li>Over 30 plugins for the SoundGrid® platform</li><li>Designed for all SoundGrid-enabled consoles</li><li>Includes EQ, compression, reverb, vocal tools, limiting, level maximization and more</li></ul></div>'),(12573,85,0,2096,'Waves Forensics Package Plug-ins'),(12574,85,1,2096,'Waves Forensics Package Plug-ins'),(12575,76,0,2096,''),(12576,76,1,2096,''),(12577,75,0,2097,'<h1>Waves Genesis Plug-ins</h1>Waves Genesis is a collection of four must-have plugins for live sound. \nPerfect for venues of all sizes, Genesis is Native, TDM and SoundGrid® \ncompatible, and covers all your essential processing needs. Genesis \nincludes the C4 Multiband Compressor for dynamic equalization and \ntone-shaping; Renaissance DeEsser to control sibilant “ess” and “shh” \nsounds; Renaissance Reverb for space and atmosphere; and H-Delay to \ncreate depth and movement. Together, these four plugins form the basis \nof an expandable, forward-thinking performance system that is ready to \ngrow and evolve with you and your needs.<br /><br /><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Four must-have plugins for live sound</li><li>Includes C4 Multiband Compressor, Renaissance DeEsser, Renaissance Reverb & H-Delay</li><li>Native, TDM / Venue and SoundGrid® compatible</li><li>All plugins also included in <a href=\"https://www.waves.com/bundles/essentials\" class=\"blue9-link\">Essentials</a></li></ul></div></div>'),(12578,75,1,2097,'<h1>Waves Genesis Plug-ins</h1>Waves Genesis is a collection of four must-have plugins for live sound. \nPerfect for venues of all sizes, Genesis is Native, TDM and SoundGrid® \ncompatible, and covers all your essential processing needs. Genesis \nincludes the C4 Multiband Compressor for dynamic equalization and \ntone-shaping; Renaissance DeEsser to control sibilant “ess” and “shh” \nsounds; Renaissance Reverb for space and atmosphere; and H-Delay to \ncreate depth and movement. Together, these four plugins form the basis \nof an expandable, forward-thinking performance system that is ready to \ngrow and evolve with you and your needs.<br /><br /><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Four must-have plugins for live sound</li><li>Includes C4 Multiband Compressor, Renaissance DeEsser, Renaissance Reverb & H-Delay</li><li>Native, TDM / Venue and SoundGrid® compatible</li><li>All plugins also included in <a href=\"https://www.waves.com/bundles/essentials\" class=\"blue9-link\">Essentials</a></li></ul></div></div>'),(12579,85,0,2097,'Waves Forensics Package Plug-ins'),(12580,85,1,2097,'Waves Forensics Package Plug-ins'),(12581,76,0,2097,''),(12582,76,1,2097,''),(12583,75,0,2098,'<h1>Waves Gold Bundle</h1>\nWaves Gold Bundle is the industry’s most popular plugin bundle and features over 40 of Waves\' most popular plug-ins for mixing and mastering! Gold brings a wealth of plug-in power to your studio, including many of Waves\' most sought-after plugins, such as the legendary L1 Ultramaximizer, C4 Multiband Compressor, H-Comp, and H-Delay, as well as key newer additions such as Vitamin Sonic Enhancer. With compression, EQ, reverb, and more, Waves Gold contains all the essentials you need to take your mixes to the next level.\n<br /><br />\n<ul>\n	<li>Over 40 essential audio plugins for mixing and mastering</li>\n	<li>Great introduction to the world of Waves</li>\n	<li>Includes compressors, equalizers, reverbs, effects and more</li>\n</ul>\n<br />\n<h3>Waves Gold Plug-in Bundle Includes:</h3>\n<ul>\n<li>AudioTrack</li>\n<li>C1 Compressor            </li>\n<li>C4 Multiband Compressor  </li>\n<li>DeEsser                  </li>\n<li>Doppler                  </li>\n<li>Doubler                  </li>\n<li>Eddie Kramer Drum Channel</li>\n<li>Electric Grand 80 Piano  </li>\n<li>eMo F2 Filter            </li>\n<li>eMo Generator            </li>\n<li>eMo Q4 Equalizer         </li>\n<li>Enigma                   </li>\n<li>GTR3 Amps                </li>\n<li>GTR3 Stomps              </li>\n<li>GTR3 ToolRack            </li>\n<li>GTR3 Tuner               </li>\n<li>H-Comp Hybrid Compressor </li>\n<li>H-Delay Hybrid Delay     </li>\n<li>IR-L Convolution Reverb  </li>\n<li>L1 Ultramaximizer        </li>\n<li>MaxxBass                 </li>\n<li>MetaFlanger              </li>\n<li>MondoMod                 </li>\n<li>MV2                      </li>\n<li>PAZ Analyzer             </li>\n<li>PS22 Stereo Maker        </li>\n<li>Q10 Equalizer            </li>\n<li>Renaissance Axx          </li>\n<li>Renaissance Compressor   </li>\n<li>Renaissance Equalizer    </li>\n<li>Renaissance Reverb       </li>\n<li>S1 Stereo Imager         </li>\n<li>SuperTap                 </li>\n<li>TrueVerb                 </li>\n<li>UltraPitch               </li>\n<li>V-Comp                   </li>\n<li>V-EQ3                    </li>\n<li>V-EQ4                    </li>\n<li>Vitamin Sonic Enhancer   </li>\n<li>VU Meter                 </li>\n<li>Waves Tune LT            </li>\n</ul>'),(12584,75,1,2098,'<h1>Waves Gold Bundle</h1>\nWaves Gold Bundle is the industry’s most popular plugin bundle and features over 40 of Waves\' most popular plug-ins for mixing and mastering! Gold brings a wealth of plug-in power to your studio, including many of Waves\' most sought-after plugins, such as the legendary L1 Ultramaximizer, C4 Multiband Compressor, H-Comp, and H-Delay, as well as key newer additions such as Vitamin Sonic Enhancer. With compression, EQ, reverb, and more, Waves Gold contains all the essentials you need to take your mixes to the next level.\n<br /><br />\n<ul>\n	<li>Over 40 essential audio plugins for mixing and mastering</li>\n	<li>Great introduction to the world of Waves</li>\n	<li>Includes compressors, equalizers, reverbs, effects and more</li>\n</ul>\n<br />\n<h3>Waves Gold Plug-in Bundle Includes:</h3>\n<ul>\n<li>AudioTrack</li>\n<li>C1 Compressor            </li>\n<li>C4 Multiband Compressor  </li>\n<li>DeEsser                  </li>\n<li>Doppler                  </li>\n<li>Doubler                  </li>\n<li>Eddie Kramer Drum Channel</li>\n<li>Electric Grand 80 Piano  </li>\n<li>eMo F2 Filter            </li>\n<li>eMo Generator            </li>\n<li>eMo Q4 Equalizer         </li>\n<li>Enigma                   </li>\n<li>GTR3 Amps                </li>\n<li>GTR3 Stomps              </li>\n<li>GTR3 ToolRack            </li>\n<li>GTR3 Tuner               </li>\n<li>H-Comp Hybrid Compressor </li>\n<li>H-Delay Hybrid Delay     </li>\n<li>IR-L Convolution Reverb  </li>\n<li>L1 Ultramaximizer        </li>\n<li>MaxxBass                 </li>\n<li>MetaFlanger              </li>\n<li>MondoMod                 </li>\n<li>MV2                      </li>\n<li>PAZ Analyzer             </li>\n<li>PS22 Stereo Maker        </li>\n<li>Q10 Equalizer            </li>\n<li>Renaissance Axx          </li>\n<li>Renaissance Compressor   </li>\n<li>Renaissance Equalizer    </li>\n<li>Renaissance Reverb       </li>\n<li>S1 Stereo Imager         </li>\n<li>SuperTap                 </li>\n<li>TrueVerb                 </li>\n<li>UltraPitch               </li>\n<li>V-Comp                   </li>\n<li>V-EQ3                    </li>\n<li>V-EQ4                    </li>\n<li>Vitamin Sonic Enhancer   </li>\n<li>VU Meter                 </li>\n<li>Waves Tune LT            </li>\n</ul>'),(12585,85,0,2098,'Waves Gold Bundle'),(12586,85,1,2098,'Waves Gold Bundle'),(12587,76,0,2098,''),(12588,76,1,2098,''),(12589,75,0,2099,'<h1>Waves Grand Masters Collection Plug-in Bundle</h1>\nGrand Masters is a complete set of precision processors that give you the mastering muscle you need for subtle or surgical manipulation of your mixes. Including the completeMasters bundle (L2,LinEQ,LinMB) plus ten new plug-ins, the Grand Masters expands upon the legacy of the original, delivering the world’s first truly all-inclusive mastering toolset in one collection.\n<br/><br/>\n<ul>\n	<li>The world’s first all-inclusive mastering collection</li>\n	<li>Includes the L3-16 Multimaximizer, Dorrough Meters Collection and much more</li>\n	<li>For subtle or surgical manipulation of your mixes</li>\n</ul>'),(12590,75,1,2099,'<h1>Waves Grand Masters Collection Plug-in Bundle</h1>\nGrand Masters is a complete set of precision processors that give you the mastering muscle you need for subtle or surgical manipulation of your mixes. Including the completeMasters bundle (L2,LinEQ,LinMB) plus ten new plug-ins, the Grand Masters expands upon the legacy of the original, delivering the world’s first truly all-inclusive mastering toolset in one collection.\n<br/><br/>\n<ul>\n	<li>The world’s first all-inclusive mastering collection</li>\n	<li>Includes the L3-16 Multimaximizer, Dorrough Meters Collection and much more</li>\n	<li>For subtle or surgical manipulation of your mixes</li>\n</ul>'),(12591,85,0,2099,'Waves Grand Masters Collection Plug-in Bundle'),(12592,85,1,2099,'Waves Grand Masters Collection Plug-in Bundle'),(12593,76,0,2099,''),(12594,76,1,2099,''),(12595,75,0,2100,'<h1>Waves Greg Wells MixCentric Plug-in </h1>\nThe Greg Wells MixCentric plugin is a quick, intuitive, solution for finalizing your mix. Using EQ, compression and harmonic distortion to process your master buss or groups, Greg Wells MixCentric enhances and balances the tonality of your mix. Combined with your limiter of choice, it brings your mix up to par with fully mastered and released material.\n<br/><br/>\n<div class=\"item-features\">\n	<ul class=\"list-arrows\">\n		<li>Created with multiple GRAMMY-nominated producer, songwriter & \nmixing engineer Greg Wells (Adele, Katy Perry, OneRepublic, Mika, Twenty\n One Pilots)\n		</li>\n		<li>Insert MixCentric on the master buss and quickly finalize your mix</li>\n		<li>Combine MixCentric with your limiter<a class=\"blue9-link\" href=\"http://www.waves.com/plugins/limiters\" title=\"Limiters\"></a> of choice, and bring your mix up to par with fully mastered tracks</li>\n		<li>User-friendly interface</li>\n	</ul>\n</div>'),(12596,75,1,2100,'<h1>Waves Greg Wells MixCentric Plug-in </h1>\nThe Greg Wells MixCentric plugin is a quick, intuitive, solution for finalizing your mix. Using EQ, compression and harmonic distortion to process your master buss or groups, Greg Wells MixCentric enhances and balances the tonality of your mix. Combined with your limiter of choice, it brings your mix up to par with fully mastered and released material.\n<br/><br/>\n<div class=\"item-features\">\n	<ul class=\"list-arrows\">\n		<li>Created with multiple GRAMMY-nominated producer, songwriter & \nmixing engineer Greg Wells (Adele, Katy Perry, OneRepublic, Mika, Twenty\n One Pilots)\n		</li>\n		<li>Insert MixCentric on the master buss and quickly finalize your mix</li>\n		<li>Combine MixCentric with your limiter<a class=\"blue9-link\" href=\"http://www.waves.com/plugins/limiters\" title=\"Limiters\"></a> of choice, and bring your mix up to par with fully mastered tracks</li>\n		<li>User-friendly interface</li>\n	</ul>\n</div>'),(12597,85,0,2100,'Waves Greg Wells MixCentric Plug-in'),(12598,85,1,2100,'Waves Greg Wells MixCentric Plug-in'),(12599,76,0,2100,''),(12600,76,1,2100,''),(12601,75,0,2101,'<h1>Waves Greg Wells PianoCentric Plug-in </h1>\nThe PianoCentric plugin makes mixing piano that much easier by giving \nyou direct access to the customized tools, signal flow and piano \nprocessing techniques perfected by Greg Wells. The piano can be a tricky instrument to mix due to its wide frequency \nrange and varying dynamics. No one knows this better than multiple \nGRAMMY®-nominated producer, songwriter, musician and mixing engineer \nGreg Wells (Adele, Katy Perry, Mika, One Republic, Twenty One Pilots), \nwho has songs on over 85 million units sold, and who is himself an \naccomplished pianist and piano aficionado.\n<br/><br/>\n<div class=\"item-features\">\n	<div class=\"item-features\">\n		<ul class=\"list-arrows\">\n			<li>Created with producer, songwriter & mixing engineer Greg Wells (Adele, Katy Perry, OneRepublic)</li>\n			<li>Get a mix-ready piano sound in seconds</li>\n			<li>Diverse results ranging from beautifully rich tones to lo-fi processing</li>\n			<li>Includes Greg’s customized Delay and Doubler</li>\n			<li>User-friendly interface</li>\n		</ul>\n	</div>\n</div>'),(12602,75,1,2101,'<h1>Waves Greg Wells PianoCentric Plug-in </h1>\nThe PianoCentric plugin makes mixing piano that much easier by giving \nyou direct access to the customized tools, signal flow and piano \nprocessing techniques perfected by Greg Wells. The piano can be a tricky instrument to mix due to its wide frequency \nrange and varying dynamics. No one knows this better than multiple \nGRAMMY®-nominated producer, songwriter, musician and mixing engineer \nGreg Wells (Adele, Katy Perry, Mika, One Republic, Twenty One Pilots), \nwho has songs on over 85 million units sold, and who is himself an \naccomplished pianist and piano aficionado.\n<br/><br/>\n<div class=\"item-features\">\n	<div class=\"item-features\">\n		<ul class=\"list-arrows\">\n			<li>Created with producer, songwriter & mixing engineer Greg Wells (Adele, Katy Perry, OneRepublic)</li>\n			<li>Get a mix-ready piano sound in seconds</li>\n			<li>Diverse results ranging from beautifully rich tones to lo-fi processing</li>\n			<li>Includes Greg’s customized Delay and Doubler</li>\n			<li>User-friendly interface</li>\n		</ul>\n	</div>\n</div>'),(12603,85,0,2101,'Waves Greg Wells PianoCentric Plug-in'),(12604,85,1,2101,'Waves Greg Wells PianoCentric Plug-in'),(12605,76,0,2101,''),(12606,76,1,2101,''),(12607,75,0,2102,'<h1>Waves Greg Wells Signature Series Plug-in </h1>\nMultiple GRAMMY®-nominated producer, songwriter and mixing engineer Greg\n Wells is one of the leading hitmakers of our time, with songs on over \n85 million units sold. Created in collaboration with Greg himself, this \nplugin collection is a dream come true for aspiring music makers looking\n to achieve a first-rate mix in seconds.\n<br/><br/>The collection includes four plugins:<br/><br/>\n<ul>\n	<li>Greg Wells VoiceCentric, giving you instant access to Greg’s signature vocal sound.</li>\n	<li>Greg Wells MixCentric, a plugin that helps you finalize your mix, enhance its tonality, and – combined with your limiter of choice – bring it up to par with fully mastered material.</li>\n	<li>Greg Wells ToneCentric, for adding rich analog tone to your individual tracks or full mix.</li>\n	<li>Greg Wells PianoCentric, a quick solution for shaping your piano and keyboard recordings, with options varying from gorgeous full-range piano to lo-fi filtered sounds.</li>\n</ul>'),(12608,75,1,2102,'<h1>Waves Greg Wells Signature Series Plug-in </h1>\nMultiple GRAMMY®-nominated producer, songwriter and mixing engineer Greg\n Wells is one of the leading hitmakers of our time, with songs on over \n85 million units sold. Created in collaboration with Greg himself, this \nplugin collection is a dream come true for aspiring music makers looking\n to achieve a first-rate mix in seconds.\n<br/><br/>The collection includes four plugins:<br/><br/>\n<ul>\n	<li>Greg Wells VoiceCentric, giving you instant access to Greg’s signature vocal sound.</li>\n	<li>Greg Wells MixCentric, a plugin that helps you finalize your mix, enhance its tonality, and – combined with your limiter of choice – bring it up to par with fully mastered material.</li>\n	<li>Greg Wells ToneCentric, for adding rich analog tone to your individual tracks or full mix.</li>\n	<li>Greg Wells PianoCentric, a quick solution for shaping your piano and keyboard recordings, with options varying from gorgeous full-range piano to lo-fi filtered sounds.</li>\n</ul>'),(12609,85,0,2102,'Waves Greg Wells Signature Series Plug-in'),(12610,85,1,2102,'Waves Greg Wells Signature Series Plug-in'),(12611,76,0,2102,''),(12612,76,1,2102,''),(12613,75,0,2103,'<h1>Waves Greg Wells VoiceCentric Plug-in</h1>\nGreg Wells VoiceCentric is a user-friendly plugin featuring one main \ncontrol and three additional controls for Wells’ customized Delay, \nDoubler and Reverb settings. Designed for those looking for an A-level \nmixed vocal sound, this plugin gives you instant access to Greg Wells’ \nsignature sound – a world-class solution for vocal processing.\n<br/><br/><br/>\n<div class=\"item-features\">\n	<ul class=\"list-arrows\">\n		<li>Created in collaboration with producer and mixing engineer Greg Wells (Adele, Katy Perry, OneRepublic, Mika)</li>\n		<li>Get an A-level vocal sound in seconds</li>\n		<li>Includes Greg’s customized Delay, Reverb and Doubler</li>\n	</ul>\n</div>'),(12614,75,1,2103,'<h1>Waves Greg Wells VoiceCentric Plug-in</h1>\nGreg Wells VoiceCentric is a user-friendly plugin featuring one main \ncontrol and three additional controls for Wells’ customized Delay, \nDoubler and Reverb settings. Designed for those looking for an A-level \nmixed vocal sound, this plugin gives you instant access to Greg Wells’ \nsignature sound – a world-class solution for vocal processing.\n<br/><br/><br/>\n<div class=\"item-features\">\n	<ul class=\"list-arrows\">\n		<li>Created in collaboration with producer and mixing engineer Greg Wells (Adele, Katy Perry, OneRepublic, Mika)</li>\n		<li>Get an A-level vocal sound in seconds</li>\n		<li>Includes Greg’s customized Delay, Reverb and Doubler</li>\n	</ul>\n</div>'),(12615,85,0,2103,'Waves Greg Wells VoiceCentric Plug-in'),(12616,85,1,2103,'Waves Greg Wells VoiceCentric Plug-in'),(12617,76,0,2103,''),(12618,76,1,2103,''),(12619,75,0,2104,'<h1>Waves GTR3 Plug-in</h1>\nWaves GTR3 captured the finest vintage and contemporary amps from Fender®, Marshall®, Mesa/Boogie®, Vox®, and more, using revolutionary sampling techniques that go way beyond standard modeling. The result is the most amazing guitar tones you will ever hear coming out of your computer. And with GTR3’s host-free Standalone ToolRack, all you need to do is plug in…and play!\n<br/><br/>\nWhether you’re laying down tracks in the studio or playing live onstage, GTR3 is the only guitar processor you’ll ever need. Native or TDM, Mac or PC, with or without a host, anytime, anywhere, you’re ready to rock.'),(12620,75,1,2104,'<h1>Waves GTR3 Plug-in</h1>\nWaves GTR3 captured the finest vintage and contemporary amps from Fender®, Marshall®, Mesa/Boogie®, Vox®, and more, using revolutionary sampling techniques that go way beyond standard modeling. The result is the most amazing guitar tones you will ever hear coming out of your computer. And with GTR3’s host-free Standalone ToolRack, all you need to do is plug in…and play!\n<br/><br/>\nWhether you’re laying down tracks in the studio or playing live onstage, GTR3 is the only guitar processor you’ll ever need. Native or TDM, Mac or PC, with or without a host, anytime, anywhere, you’re ready to rock.'),(12621,85,0,2104,'Waves GTR3 Plug-in'),(12622,85,1,2104,'Waves GTR3 Plug-in'),(12623,76,0,2104,''),(12624,76,1,2104,''),(12625,75,0,2105,'<h1>Waves GTR Solo Plug-in</h1>\n<div>\n	Waves GTR Solo delivers the sound of real amps, cabs, stomps, and mics—in your computer. Just plug in, fire it up, and experience precision models of amplifiers by Fender®, Marshall®, Vox® and others. Then take it to the next level with awesome distortion, modulation, and ambient effects. These are the same GTR sounds top guitarists, producers, and engineers are using on their most important tracks.\n</div>\n<div>\n	<br/>\n</div>\n<div>\n	Your guitar. Your computer. And GTR Solo. It’s all you need to take the lead.\n</div>'),(12626,75,1,2105,'<h1>Waves GTR Solo Plug-in</h1>\n<div>\n	Waves GTR Solo delivers the sound of real amps, cabs, stomps, and mics—in your computer. Just plug in, fire it up, and experience precision models of amplifiers by Fender®, Marshall®, Vox® and others. Then take it to the next level with awesome distortion, modulation, and ambient effects. These are the same GTR sounds top guitarists, producers, and engineers are using on their most important tracks.\n</div>\n<div>\n	<br/>\n</div>\n<div>\n	Your guitar. Your computer. And GTR Solo. It’s all you need to take the lead.\n</div>'),(12627,85,0,2105,'Waves GTR Solo Plug-in'),(12628,85,1,2105,'Waves GTR Solo Plug-in'),(12629,76,0,2105,''),(12630,76,1,2105,''),(12631,75,0,2106,'<h1>Waves H-Series Plug-in Bundle</h1>\n<div>Waves’ Hybrid plugins model the original behavior of diverse analog gear and boost it with the precision and limitless creative possibilities of digital control. The H-Series combines all of Waves’ Hybrid plugins in one package:<br /><br />H-Reverb: Beautiful-sounding FIR reverb with smooth reverb tails; resonant filter sweeps; EQ and dynamics module for compression, ducking and de-essing; ADA analog modeling and drive control; full buildup timing and shaping; pre-delay BPM sync<br /><br />H-Delay: Versatile delay, from old-school filtering, flanging and phasing to ping-pong delay and tempo-sync with modulation; up to 3500 ms delay time; analog character and LoFi modes; infinite feedback support; LFO-controlled pitch modulation<br /><br />H-EQ: EQ filters based on the finest US and UK mixing consoles, with seven filter types per band; asymmetrical bell filter; MS matrix mode; real-time frequency spectrum analyzer; keyboard graphic control<br /><br />H-Comp: Compressor with analog-modeled release behavior; wet/dry mix control for easy parallel compression; transient pass-through punch control; BPM-synced release; analog character modes; output limiter/clipper modes</div>\n<div>\n	<br />\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>All of Waves’ Hybrid plugins in one package</li><li>Authentic analog character combined with rich digital possibilities</li><li>Supreme sound quality and elegant user interfaces</li><li><b>H-Reverb:</b> Pioneering FIR reverb with rich, natural-sounding tails</li><li><b>H-Delay:</b> Super-versatile delay, from old-school to cutting-edge</li><li><b>H-EQ:</b> Vintage and modern EQs inspired by top mixing consoles</li><li><b>H-Comp:</b> Combines the behavior of analog transformers, tubes and transistors with the precision of a plugin compressor</li></ul></div><ul></ul>'),(12632,75,1,2106,'<h1>Waves H-Series Plug-in Bundle</h1>\n<div>Waves’ Hybrid plugins model the original behavior of diverse analog gear and boost it with the precision and limitless creative possibilities of digital control. The H-Series combines all of Waves’ Hybrid plugins in one package:<br /><br />H-Reverb: Beautiful-sounding FIR reverb with smooth reverb tails; resonant filter sweeps; EQ and dynamics module for compression, ducking and de-essing; ADA analog modeling and drive control; full buildup timing and shaping; pre-delay BPM sync<br /><br />H-Delay: Versatile delay, from old-school filtering, flanging and phasing to ping-pong delay and tempo-sync with modulation; up to 3500 ms delay time; analog character and LoFi modes; infinite feedback support; LFO-controlled pitch modulation<br /><br />H-EQ: EQ filters based on the finest US and UK mixing consoles, with seven filter types per band; asymmetrical bell filter; MS matrix mode; real-time frequency spectrum analyzer; keyboard graphic control<br /><br />H-Comp: Compressor with analog-modeled release behavior; wet/dry mix control for easy parallel compression; transient pass-through punch control; BPM-synced release; analog character modes; output limiter/clipper modes</div>\n<div>\n	<br />\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>All of Waves’ Hybrid plugins in one package</li><li>Authentic analog character combined with rich digital possibilities</li><li>Supreme sound quality and elegant user interfaces</li><li><b>H-Reverb:</b> Pioneering FIR reverb with rich, natural-sounding tails</li><li><b>H-Delay:</b> Super-versatile delay, from old-school to cutting-edge</li><li><b>H-EQ:</b> Vintage and modern EQs inspired by top mixing consoles</li><li><b>H-Comp:</b> Combines the behavior of analog transformers, tubes and transistors with the precision of a plugin compressor</li></ul></div><ul></ul>'),(12633,85,0,2106,'Waves H-Series Plug-in Bundle'),(12634,85,1,2106,'Waves H-Series Plug-in Bundle'),(12635,76,0,2106,''),(12636,76,1,2106,''),(12637,75,0,2107,'<h1>Waves Horizon Plug-in Bundle</h1>\nAs a music production professional, there are certain things you just can’t live without: A good room. Good mics. Good monitors. Good music. And Waves.\n<br/><br/>\nYou need versatile mixing tools that bring out the best of each and every performance. You need the warm, incomparable sound of vintage compressors for punch and power. You need precision-modeled EQs that add color and character. And you need state-of-the-art mastering processors to give your projects that final shimmer and shine..<br/><br/>\nYou need Waves Horizon.<br/><br/>\n<ul>\n	<li>Over 65 state-of-the-art audio plugins</li>\n	<li>For music production professionals</li>\n	<li>Includes CLA Classic Compressors, Kramer Tape, Tubes & Transistors, JJP Analog Legends, L3-16 Multimaximizer, V-Series, H-Delay, H-Comp, Vocal Rider and more</li>\n</ul>'),(12638,75,1,2107,'<h1>Waves Horizon Plug-in Bundle</h1>\nAs a music production professional, there are certain things you just can’t live without: A good room. Good mics. Good monitors. Good music. And Waves.\n<br/><br/>\nYou need versatile mixing tools that bring out the best of each and every performance. You need the warm, incomparable sound of vintage compressors for punch and power. You need precision-modeled EQs that add color and character. And you need state-of-the-art mastering processors to give your projects that final shimmer and shine..<br/><br/>\nYou need Waves Horizon.<br/><br/>\n<ul>\n	<li>Over 65 state-of-the-art audio plugins</li>\n	<li>For music production professionals</li>\n	<li>Includes CLA Classic Compressors, Kramer Tape, Tubes & Transistors, JJP Analog Legends, L3-16 Multimaximizer, V-Series, H-Delay, H-Comp, Vocal Rider and more</li>\n</ul>'),(12639,85,0,2107,'Waves Horizon Plug-in Bundle'),(12640,85,1,2107,'Waves Horizon Plug-in Bundle'),(12641,76,0,2107,''),(12642,76,1,2107,''),(12643,75,0,2108,'<h2>Waves Inspire Virtual Instruments Collection Plug-in Bundle</h2>\nThe Waves Inspire Virtual Instruments Collection Plug-in Bundle features 12 instruments for producers, composers & musicians, in the studio or live. Includes the groundbreaking OVox Vocal Synthesis plugin, plus iconic acoustic & electric pianos, bass instruments, synths and more.<br /><br />Whether you are a producer, composer, songwriter, beatmaker or professional musician, when inspiration hits you, this collection serves you a hand-picked palette of classic keyboard instruments, innovative synths, and moving bass sounds.<br /><br /><ul class=\"list-arrows\"><li>12 state-of-the-art virtual instruments</li><li>Cutting-edge synths, legendary pianos and keys, bass sounds & more</li><li>Can be used as plugins or standalone instruments</li><li>NKS-ready for NI Komplete Kontrol and Maschine (NKS support for OVox coming soon)</li><li>Includes both high-definition and standard sample libraries</li></ul><ul></ul>\n<br /><br />\n<h3>Inspire Virtual Instruments Collection Includes</h3>\n<ul style=\" columns: 3;  -webkit-columns: 3;  -moz-columns: 3;\"></ul><br /><ul class=\"list-arrows\"><li><a href=\"https://www.waves.com/plugins/ovox-vocal-resynthesis\" class=\"blue9-link\" title=\"OVox Vocal ReSynthesis\">OVox Vocal ReSynthesis</a>:\n Next-generation voice-controlled synth and vocal effects processor, for\n an endless palette of vocal morphing, tuning, harmonizing, vocoder \n& talkbox effects.</li><li><a href=\"https://www.waves.com/plugins/grand-rhapsody-piano\" class=\"blue9-link\">Grand Rhapsody Piano</a>:\n Faithful model of the majestic Fazioli F228 grand piano housed at \nLondon’s Metropolis Studios – the very piano played on Grammy-winning \nhits such as Adele’s “Hello.”</li><li><a href=\"https://www.waves.com/plugins/electric-88-piano\" class=\"blue9-link\">Electric 88 Piano</a>:\n “Top of the class for Fender Rhodes VIs,” with all the soul-moving \nsweetness and character of the original vintage 88-key instrument.</li><li><a href=\"https://www.waves.com/plugins/electric-200-piano\" class=\"blue9-link\">Electric 200 Piano</a>: Meticulously sampled from an original 200A-model to deliver that classic Wurly sound.</li><li><a href=\"https://www.waves.com/plugins/electric-grand-80-piano\" class=\"blue9-link\">Electric Grand 80 Piano</a>: The era-defining polish and brilliant tones of the original hybrid electric-acoustic CP-80 model piano.</li><li><a href=\"https://www.waves.com/plugins/clavinet\" class=\"blue9-link\">Clavinet</a>:\n One of the funkiest keyboards ever created – the D6-model Clavinet, \ndelivering the percussive playability, feel and expression of the \noriginal funkified icon.</li><li><a href=\"https://www.waves.com/plugins/flow-motion-fm-synth\" class=\"blue9-link\">Flow Motion FM Synth</a>:\n Hybrid FM synth with an intuitive graphic modulation matrix, rich \npresets, and an innovative snapshot sequencer for endless sound design \ncapabilities.</li><li><a href=\"https://www.waves.com/plugins/element\" class=\"blue9-link\">Element 2.0 Virtual Analog Synth</a>: Analog-style polyphonic synth designed to deliver the warmth and depth of hardware synth classics.</li><li><a href=\"https://www.waves.com/plugins/codex\" class=\"blue9-link\">Codex Wavetable Synth</a>:\n Cutting-edge polyphonic wavetable synthesizer designed to create sounds\n that range from warm acoustic and analog emulations to \nnever-before-heard intricate and evolving textures.</li><li><a href=\"https://www.waves.com/plugins/morphoder\" class=\"blue9-link\">Morphoder</a>: The classic sound of the original Vocoder synthesizer for classic robotic vocal effects.</li><li><a href=\"https://www.waves.com/plugins/bass-slapper\" class=\"blue9-link\">Bass Slapper</a>:\n The most elaborate and realistic-sounding slap bass virtual instrument \never created, letting you pull off the nuances of a seasoned bass player\n right on your keyboard.</li><li><a href=\"https://www.waves.com/plugins/bass-fingers\" class=\"blue9-link\">Bass Fingers</a>:\n Includes the largest fingerstyle bass sample library ever created, \nadapting to what you do on your keyboard — giving you the same \nmechanics, variations and dynamics a seasoned bass player would play \nnaturally across the fretboard.</li></ul><ul style=\" columns: 3;  -webkit-columns: 3;  -moz-columns: 3;\"></ul>'),(12644,75,1,2108,'<h2>Waves Inspire Virtual Instruments Collection Plug-in Bundle</h2>\nThe Waves Inspire Virtual Instruments Collection Plug-in Bundle features 12 instruments for producers, composers & musicians, in the studio or live. Includes the groundbreaking OVox Vocal Synthesis plugin, plus iconic acoustic & electric pianos, bass instruments, synths and more.<br /><br />Whether you are a producer, composer, songwriter, beatmaker or professional musician, when inspiration hits you, this collection serves you a hand-picked palette of classic keyboard instruments, innovative synths, and moving bass sounds.<br /><br /><ul class=\"list-arrows\"><li>12 state-of-the-art virtual instruments</li><li>Cutting-edge synths, legendary pianos and keys, bass sounds & more</li><li>Can be used as plugins or standalone instruments</li><li>NKS-ready for NI Komplete Kontrol and Maschine (NKS support for OVox coming soon)</li><li>Includes both high-definition and standard sample libraries</li></ul><ul></ul>\n<br /><br />\n<h3>Inspire Virtual Instruments Collection Includes</h3>\n<ul style=\" columns: 3;  -webkit-columns: 3;  -moz-columns: 3;\"></ul><br /><ul class=\"list-arrows\"><li><a href=\"https://www.waves.com/plugins/ovox-vocal-resynthesis\" class=\"blue9-link\" title=\"OVox Vocal ReSynthesis\">OVox Vocal ReSynthesis</a>:\n Next-generation voice-controlled synth and vocal effects processor, for\n an endless palette of vocal morphing, tuning, harmonizing, vocoder \n& talkbox effects.</li><li><a href=\"https://www.waves.com/plugins/grand-rhapsody-piano\" class=\"blue9-link\">Grand Rhapsody Piano</a>:\n Faithful model of the majestic Fazioli F228 grand piano housed at \nLondon’s Metropolis Studios – the very piano played on Grammy-winning \nhits such as Adele’s “Hello.”</li><li><a href=\"https://www.waves.com/plugins/electric-88-piano\" class=\"blue9-link\">Electric 88 Piano</a>:\n “Top of the class for Fender Rhodes VIs,” with all the soul-moving \nsweetness and character of the original vintage 88-key instrument.</li><li><a href=\"https://www.waves.com/plugins/electric-200-piano\" class=\"blue9-link\">Electric 200 Piano</a>: Meticulously sampled from an original 200A-model to deliver that classic Wurly sound.</li><li><a href=\"https://www.waves.com/plugins/electric-grand-80-piano\" class=\"blue9-link\">Electric Grand 80 Piano</a>: The era-defining polish and brilliant tones of the original hybrid electric-acoustic CP-80 model piano.</li><li><a href=\"https://www.waves.com/plugins/clavinet\" class=\"blue9-link\">Clavinet</a>:\n One of the funkiest keyboards ever created – the D6-model Clavinet, \ndelivering the percussive playability, feel and expression of the \noriginal funkified icon.</li><li><a href=\"https://www.waves.com/plugins/flow-motion-fm-synth\" class=\"blue9-link\">Flow Motion FM Synth</a>:\n Hybrid FM synth with an intuitive graphic modulation matrix, rich \npresets, and an innovative snapshot sequencer for endless sound design \ncapabilities.</li><li><a href=\"https://www.waves.com/plugins/element\" class=\"blue9-link\">Element 2.0 Virtual Analog Synth</a>: Analog-style polyphonic synth designed to deliver the warmth and depth of hardware synth classics.</li><li><a href=\"https://www.waves.com/plugins/codex\" class=\"blue9-link\">Codex Wavetable Synth</a>:\n Cutting-edge polyphonic wavetable synthesizer designed to create sounds\n that range from warm acoustic and analog emulations to \nnever-before-heard intricate and evolving textures.</li><li><a href=\"https://www.waves.com/plugins/morphoder\" class=\"blue9-link\">Morphoder</a>: The classic sound of the original Vocoder synthesizer for classic robotic vocal effects.</li><li><a href=\"https://www.waves.com/plugins/bass-slapper\" class=\"blue9-link\">Bass Slapper</a>:\n The most elaborate and realistic-sounding slap bass virtual instrument \never created, letting you pull off the nuances of a seasoned bass player\n right on your keyboard.</li><li><a href=\"https://www.waves.com/plugins/bass-fingers\" class=\"blue9-link\">Bass Fingers</a>:\n Includes the largest fingerstyle bass sample library ever created, \nadapting to what you do on your keyboard — giving you the same \nmechanics, variations and dynamics a seasoned bass player would play \nnaturally across the fretboard.</li></ul><ul style=\" columns: 3;  -webkit-columns: 3;  -moz-columns: 3;\"></ul>'),(12645,85,0,2108,'Waves Inspire Virtual Instruments Collection Plug-in Bundle'),(12646,85,1,2108,'Waves Inspire Virtual Instruments Collection Plug-in Bundle'),(12647,76,0,2108,''),(12648,76,1,2108,''),(12649,75,0,2109,'<h1>Waves Jack Joseph Signature Collection Plug-In Bundle</h1>\nThe Waves Waves Jack Joseph Signature Collection Plug-In Bundle includes everything from U2 to Pussycat Dolls, from Mary J. Blige to Black Eyed Peas, from Snow Patrol and Counting Crows to Sheryl Crow and Jellyfish, from Goo Goo Dolls and Panic at the Disco! to Beck and The Rolling Stones, from John Mayer and Keith Urban to Green Day and Lady Gaga…<br /><br />Iconic GRAMMY® award -winning producer/engineer Jack Joseph Puig and his personal palette of tones, shades, and hues have illuminated and empowered a kaleidoscope of projects that have spanned commercial record making. His vivid and vibrant productions have defined and redefined the sound of contemporary pop, rock, country, and urban music, time and time again.<br /><br /><div class=\"item-features\"><ul class=\"list-arrows\"><li>Six custom multi-effect processing chains</li><li>Created in collaboration with producer/engineer Jack Joseph Puig</li><li>Dedicated plugins for vocals, guitars, bass, drums and more</li></ul></div>'),(12650,75,1,2109,'<h1>Waves Jack Joseph Signature Collection Plug-In Bundle</h1>\nThe Waves Waves Jack Joseph Signature Collection Plug-In Bundle includes everything from U2 to Pussycat Dolls, from Mary J. Blige to Black Eyed Peas, from Snow Patrol and Counting Crows to Sheryl Crow and Jellyfish, from Goo Goo Dolls and Panic at the Disco! to Beck and The Rolling Stones, from John Mayer and Keith Urban to Green Day and Lady Gaga…<br /><br />Iconic GRAMMY® award -winning producer/engineer Jack Joseph Puig and his personal palette of tones, shades, and hues have illuminated and empowered a kaleidoscope of projects that have spanned commercial record making. His vivid and vibrant productions have defined and redefined the sound of contemporary pop, rock, country, and urban music, time and time again.<br /><br /><div class=\"item-features\"><ul class=\"list-arrows\"><li>Six custom multi-effect processing chains</li><li>Created in collaboration with producer/engineer Jack Joseph Puig</li><li>Dedicated plugins for vocals, guitars, bass, drums and more</li></ul></div>'),(12651,85,0,2109,'Waves Jack Joseph Signature Collection Plug-In Bundle'),(12652,85,1,2109,'Waves Jack Joseph Signature Collection Plug-In Bundle'),(12653,76,0,2109,''),(12654,76,1,2109,''),(12655,75,0,2110,'<h1>Waves JJP Analog Legends Plugin Bundle</h1>\nThe Waves JJP Analog Legends Plugin Bundle contains four audio plugin models of legendary analog hardware, including the The Fairchild 670, the Pultec EQP-1A, and the Pultec MEQ-5. Get the raw analog sound of  the most sought-after pieces of gear in audio history, while mixing comfortably in the box!\n<br/><br/>\nJack Joseph Puig is among the most sought-after producers and mixing engineers in the music industry. When JJP requires the perfect sound, he turns to these studio legends. Now, Waves has precision-modeled these rare pieces and captured every detail of their rich harmonic complexity.<br/><br/>\n<ul>\n	<li>Four audio plugin models of legendary analog hardware</li>\n	<li>Based on the Fairchild 660 & 670, Pultec EQP-1A and Pultec MEQ-5</li>\n	<li>Created in collaboration with producer/engineer Jack Joseph Puig</li>\n</ul>'),(12656,75,1,2110,'<h1>Waves JJP Analog Legends Plugin Bundle</h1>\nThe Waves JJP Analog Legends Plugin Bundle contains four audio plugin models of legendary analog hardware, including the The Fairchild 670, the Pultec EQP-1A, and the Pultec MEQ-5. Get the raw analog sound of  the most sought-after pieces of gear in audio history, while mixing comfortably in the box!\n<br/><br/>\nJack Joseph Puig is among the most sought-after producers and mixing engineers in the music industry. When JJP requires the perfect sound, he turns to these studio legends. Now, Waves has precision-modeled these rare pieces and captured every detail of their rich harmonic complexity.<br/><br/>\n<ul>\n	<li>Four audio plugin models of legendary analog hardware</li>\n	<li>Based on the Fairchild 660 & 670, Pultec EQP-1A and Pultec MEQ-5</li>\n	<li>Created in collaboration with producer/engineer Jack Joseph Puig</li>\n</ul>'),(12657,85,0,2110,'Waves JJP Analog Legends Plugin Bundle'),(12658,85,1,2110,'Waves JJP Analog Legends Plugin Bundle'),(12659,76,0,2110,''),(12660,76,1,2110,''),(12661,75,0,2111,'<h1>Waves Abbey Road The King\'s Microphones Plug-in</h1>\nUsed exclusively by the royal family for speeches on momentous occasions, each of these three priceless microphones dating back to the 1920s and 1930s was tailored and tuned especially for its specific user: King George V, King George VI, and Queen Elizabeth. Beautifully designed and decorated with gold, silver, and chrome adornments bearing the royal coats of arms, each is a one-of-a-kind aesthetic masterpiece with its own distinctive sonic character. The King’s Microphones plugin offers stunningly accurate recreations of the originals’ unique frequency responses, with three proximity settings for each.\n<br/><br/>\nDiscovered deep within the vaults of EMI outside London by Peter Cobbin, senior recording engineer at Abbey Road Studios, the microphones were used to record music and dialogue for the film, the first time they had been used by anyone outside the royal family. Cobbin, who worked closely with Waves on the development of the plugin, commented, It was exciting to know we had the very microphone used by King George VI, the central character of this film, and I thought how appropriate and inspiring it would be to have the microphones present at our recording sessions. The royal microphones are works of highly-skilled craftsmanship.'),(12662,75,1,2111,'<h1>Waves Abbey Road The King\'s Microphones Plug-in</h1>\nUsed exclusively by the royal family for speeches on momentous occasions, each of these three priceless microphones dating back to the 1920s and 1930s was tailored and tuned especially for its specific user: King George V, King George VI, and Queen Elizabeth. Beautifully designed and decorated with gold, silver, and chrome adornments bearing the royal coats of arms, each is a one-of-a-kind aesthetic masterpiece with its own distinctive sonic character. The King’s Microphones plugin offers stunningly accurate recreations of the originals’ unique frequency responses, with three proximity settings for each.\n<br/><br/>\nDiscovered deep within the vaults of EMI outside London by Peter Cobbin, senior recording engineer at Abbey Road Studios, the microphones were used to record music and dialogue for the film, the first time they had been used by anyone outside the royal family. Cobbin, who worked closely with Waves on the development of the plugin, commented, It was exciting to know we had the very microphone used by King George VI, the central character of this film, and I thought how appropriate and inspiring it would be to have the microphones present at our recording sessions. The royal microphones are works of highly-skilled craftsmanship.'),(12663,85,0,2111,'Waves Abbey Road The King\'s Microphones Plug-in'),(12664,85,1,2111,'Waves Abbey Road The King\'s Microphones Plug-in'),(12665,76,0,2111,''),(12666,76,1,2111,''),(12667,75,0,2112,'<h1>Waves Pro Show Plug-ins Bundle</h1><div class=\"item-description\"><div class=\"read-more-content\"><div class=\"txt\" id=\"plugin-intro-text\">Waves Pro Show  gives you 50\n live sound plugins that will help you recreate the excitement of studio\n mixes – live on stage. Includes precision tools for EQ, reverb, \ndynamics and more.<br /><br />From live sound essentials like \nequalization, compression, delay and reverb, to diverse tools for \ngating, limiting, de-essing and doubling; from precision plugins \ndesigned specifically for vocal processing, to faithful plugin models of\n vintage hardware gear – the Live bundle gives you what you need to \ncreate live mixes that are both pristine and powerful.</div></div></div><div class=\"item-features\"><ul class=\"list-arrows\"><li>50 audio plugins for mixing live sound</li><li>Includes state-of-the-art EQs, compressors, reverbs, delays, gates, limiters, vintage hardware models and more</li><li>All the processing power you need to bring studio sound to the stage</li><li>All plugins also included in <a href=\"https://www.waves.com/bundles/pro-show\" class=\"blue9-link\">Pro Show</a></li></ul></div>'),(12668,75,1,2112,'<h1>Waves Pro Show Plug-ins Bundle</h1><div class=\"item-description\"><div class=\"read-more-content\"><div class=\"txt\" id=\"plugin-intro-text\">Waves Pro Show  gives you 50\n live sound plugins that will help you recreate the excitement of studio\n mixes – live on stage. Includes precision tools for EQ, reverb, \ndynamics and more.<br /><br />From live sound essentials like \nequalization, compression, delay and reverb, to diverse tools for \ngating, limiting, de-essing and doubling; from precision plugins \ndesigned specifically for vocal processing, to faithful plugin models of\n vintage hardware gear – the Live bundle gives you what you need to \ncreate live mixes that are both pristine and powerful.</div></div></div><div class=\"item-features\"><ul class=\"list-arrows\"><li>50 audio plugins for mixing live sound</li><li>Includes state-of-the-art EQs, compressors, reverbs, delays, gates, limiters, vintage hardware models and more</li><li>All the processing power you need to bring studio sound to the stage</li><li>All plugins also included in <a href=\"https://www.waves.com/bundles/pro-show\" class=\"blue9-link\">Pro Show</a></li></ul></div>'),(12669,85,0,2112,'Waves Live Plug-ins Bundle'),(12670,85,1,2112,'Waves Live Plug-ins Bundle'),(12671,76,0,2112,''),(12672,76,1,2112,''),(12673,75,0,2113,'<h1>Waves Lo Air Plug-in</h1>\nFor years, sound design and post production professionals have been waiting for a subharmonic synthesizer plugin that delivers the earthshaking sound of hardware. The wait is over.\n<br/><br/>\nMore than just a subharmonic generator, LoAir features adjustable frequency and low-pass filter controls to shape your ultra low-end. Plus, it’s the only subharmonic plugin available which lets you process polyphonic content, as well as create an LFE track from stereo or 5.0 sources.<br/><br/>\n<ul>\n	<li>Create 5.1 mixes from 5.0 mixes, including 5.0 effects libraries and 5.0 movies</li>\n	<li>Increase dramatic subs to existing 5.1 mixes and sound effects, for monster footsteps, massive explosions, and spaceships</li>\n	<li>Add ground-trembling lows to sub synths, big basses, and kicks in your music mixes</li>\n	<li>Add weight, drama, and depth</li>\n	<li>Enhance existing subharmonics</li>\n	<li>Processes polyphonic source material</li>\n</ul>'),(12674,75,1,2113,'<h1>Waves Lo Air Plug-in</h1>\nFor years, sound design and post production professionals have been waiting for a subharmonic synthesizer plugin that delivers the earthshaking sound of hardware. The wait is over.\n<br/><br/>\nMore than just a subharmonic generator, LoAir features adjustable frequency and low-pass filter controls to shape your ultra low-end. Plus, it’s the only subharmonic plugin available which lets you process polyphonic content, as well as create an LFE track from stereo or 5.0 sources.<br/><br/>\n<ul>\n	<li>Create 5.1 mixes from 5.0 mixes, including 5.0 effects libraries and 5.0 movies</li>\n	<li>Increase dramatic subs to existing 5.1 mixes and sound effects, for monster footsteps, massive explosions, and spaceships</li>\n	<li>Add ground-trembling lows to sub synths, big basses, and kicks in your music mixes</li>\n	<li>Add weight, drama, and depth</li>\n	<li>Enhance existing subharmonics</li>\n	<li>Processes polyphonic source material</li>\n</ul>'),(12675,85,0,2113,'Waves Lo Air Plug-in'),(12676,85,1,2113,'Waves Lo Air Plug-in'),(12677,76,0,2113,''),(12678,76,1,2113,''),(12679,75,0,2114,'<h1>Waves Manny Marroquin Signature Collection Plug-In Bundle</h1>\nFour-time GRAMMY® award-winning mixing engineer Manny Marroquin takes the Waves Signature Series to a new level with six hybrid plugins that bring his unique workflow to your studio. Alongside his personalized versions of tried-and-true favorites like EQ, reverb, delay and distortion, Manny introduces the innovative new Tone Shaper and Triple D plugins which are destined to become mixing essentials as well. Combining inspiration from his impressive collection of unique and boutique hardware, together with the fruits of his imagination, the Manny Marroquin Signature Series gives you direct access to the same tools Manny uses to mix hit after hit after hit.\n<br/><br/>\n<ul>\n	<li>Created in collaboration with Manny Marroquin (Rihanna, Bruno Mars, Alicia Keys, Linkin Park)</li>\n	<li>EQ, Delay, Reverb, Tone Shaper, Triple D & Distortion plugins</li>\n	<li>Personalized hybrid processors inspired by Manny\'s own workflow</li>\n</ul>\n<br/>\n<h3>Manny Marroquin Signature Collection Includes:</h3>\n<ul>\n	<li>Manny Marroquin Delay</li>\n	<li>Manny Marroquin Distortion</li>\n	<li>Manny Marroquin EQ</li>\n	<li>Manny Marroquin Reverb</li>\n	<li>Manny Marroquin Tone Shaper</li>\n	<li>Manny Marroquin Triple D</li>\n</ul>'),(12680,75,1,2114,'<h1>Waves Manny Marroquin Signature Collection Plug-In Bundle</h1>\nFour-time GRAMMY® award-winning mixing engineer Manny Marroquin takes the Waves Signature Series to a new level with six hybrid plugins that bring his unique workflow to your studio. Alongside his personalized versions of tried-and-true favorites like EQ, reverb, delay and distortion, Manny introduces the innovative new Tone Shaper and Triple D plugins which are destined to become mixing essentials as well. Combining inspiration from his impressive collection of unique and boutique hardware, together with the fruits of his imagination, the Manny Marroquin Signature Series gives you direct access to the same tools Manny uses to mix hit after hit after hit.\n<br/><br/>\n<ul>\n	<li>Created in collaboration with Manny Marroquin (Rihanna, Bruno Mars, Alicia Keys, Linkin Park)</li>\n	<li>EQ, Delay, Reverb, Tone Shaper, Triple D & Distortion plugins</li>\n	<li>Personalized hybrid processors inspired by Manny\'s own workflow</li>\n</ul>\n<br/>\n<h3>Manny Marroquin Signature Collection Includes:</h3>\n<ul>\n	<li>Manny Marroquin Delay</li>\n	<li>Manny Marroquin Distortion</li>\n	<li>Manny Marroquin EQ</li>\n	<li>Manny Marroquin Reverb</li>\n	<li>Manny Marroquin Tone Shaper</li>\n	<li>Manny Marroquin Triple D</li>\n</ul>'),(12681,85,0,2114,'Waves Manny Marroquin Signature Collection Plug-In Bundle'),(12682,85,1,2114,'Waves Manny Marroquin Signature Collection Plug-In Bundle'),(12683,76,0,2114,''),(12684,76,1,2114,''),(12685,75,0,2115,'<h1>Waves Masters Plug-in Bundle</h1>\nYour tracking is complete and your mixes are good to go. Now let Masters give your recording that competitive edge. With linear phase filters for breathtaking transparency and Waves IDR Increased Digital Resolution, you’re guaranteed maximum sound, translucent and clear. If you want to hear what these processors can do, just turn on Top 40 radio. Whatever you hear ― chances are, it was mixed and mastered using Masters.\n<br/><br/>\n<ul>\n	<li>Three state-of-the-art mastering plugins</li>\n	<li>Includes L2 Ultramaximizer, Linear Phase Equalizer and Linear Phase Multiband Compressor</li>\n	<li>Give your recordings the finishing touches of power & perfection</li>\n</ul>'),(12686,75,1,2115,'<h1>Waves Masters Plug-in Bundle</h1>\nYour tracking is complete and your mixes are good to go. Now let Masters give your recording that competitive edge. With linear phase filters for breathtaking transparency and Waves IDR Increased Digital Resolution, you’re guaranteed maximum sound, translucent and clear. If you want to hear what these processors can do, just turn on Top 40 radio. Whatever you hear ― chances are, it was mixed and mastered using Masters.\n<br/><br/>\n<ul>\n	<li>Three state-of-the-art mastering plugins</li>\n	<li>Includes L2 Ultramaximizer, Linear Phase Equalizer and Linear Phase Multiband Compressor</li>\n	<li>Give your recordings the finishing touches of power & perfection</li>\n</ul>'),(12687,85,0,2115,'Waves Masters Plug-in Bundle'),(12688,85,1,2115,'Waves Masters Plug-in Bundle'),(12689,76,0,2115,''),(12690,76,1,2115,''),(12691,75,0,2116,'<h2>Waves Mercury Plug-in Bundle</h2>\nThe Waves Mercury Plug-in Bundle features more Waves in one package than ever before! With over 165 stellar processors and over 400 component plug-ins, Mercury has everything you need to make your mixes sound great!\n<br /><br />\nFrom time-domain effects to equalizers, from dynamics control to noise reduction, from guitar sound modeling to the sound of classic analog components, there has never been such a comprehensive collection as this. The Mercury Collection offers more effects, more channel components, more mixdown tools, more processors than ever before in one place.<br /><br />\nFinally-the world of Waves in one massive collection.<br /><br />\n<ul>\n	<li>Over 165 stellar audio plugins</li>\n	<li>One massive collection</li>\n	<li>Upgrades available from all bundles</li>\n</ul>\n<br /><br />\n<h3>Mercury Bundle Includes</h3>\n<ul style=\" columns: 3;  -webkit-columns: 3;  -moz-columns: 3;\">\n<li>Aphex Vintage Aural Exciter   </li>\n<li>API 2500                      </li>\n<li>API 550                       </li>\n<li>API 560                       </li>\n<li>AudioTrack                    </li>\n<li>Bass Rider                    </li>\n<li>Brauer Motion                 </li>\n<li>BSS DPR-402                   </li>\n<li>Butch Vig Vocals              </li>\n<li>C1 Compressor                 </li>\n<li>C360 Surround Compressor      </li>\n<li>C4 Multiband Compressor       </li>\n<li>C6 Multiband Compressor       </li>\n<li>Center                        </li>\n<li>CLA Bass                      </li>\n<li>CLA Drums                     </li>\n<li>CLA Effects                   </li>\n<li>CLA Guitars                   </li>\n<li>CLA MixDown                   </li>\n<li>CLA Unplugged                 </li>\n<li>CLA Vocals                    </li>\n<li>CLA-2A Compressor / Limiter   </li>\n<li>CLA-3A Compressor / Limiter   </li>\n<li>CLA-76 Compressor / Limiter   </li>\n<li>Cobalt Saphira                </li>\n<li>Codex Wavetable Synth         </li>\n<li>dbx® 160 Compressor / Limiter </li>\n<li>DeBreath                      </li>\n<li>DeEsser                       </li>\n<li>Doppler                       </li>\n<li>Dorrough Stereo               </li>\n<li>Dorrough Surround             </li>\n<li>Doubler                       </li>\n<li>Eddie Kramer Bass Channel     </li>\n<li>Eddie Kramer Drum Channel     </li>\n<li>Eddie Kramer Effects Channel  </li>\n<li>Eddie Kramer Guitar Channel   </li>\n<li>Eddie Kramer Vocal Channel    </li>\n<li>Electric Grand 80 Piano       </li>\n<li>Element 2.0 Virtual Analog Synth</li>\n<li>eMo D5 Dynamics               </li>\n<li>eMo F2 Filter                 </li>\n<li>eMo Generator                 </li>\n<li>eMo Q4 Equalizer              </li>\n<li>Enigma                        </li>\n<li>F6 Floating-Band Dynamic EQ   </li>\n<li>GEQ Graphic Equalizer         </li>\n<li>Greg Wells MixCentric         </li>\n<li>Greg Wells PianoCentric       </li>\n<li>Greg Wells ToneCentric        </li>\n<li>Greg Wells VoiceCentric       </li>\n<li>GTR3 Amps                     </li>\n<li>GTR3 Stomps                   </li>\n<li>GTR3 ToolRack                 </li>\n<li>GTR3 Tuner                    </li>\n<li>H-Comp Hybrid Compressor      </li>\n<li>H-Delay Hybrid Delay          </li>\n<li>H-EQ Hybrid Equalizer         </li>\n<li>H-Reverb Hybrid Reverb        </li>\n<li>IDR360 Bit Re-Quantizer       </li>\n<li>InPhase                       </li>\n<li>InPhase LT                    </li>\n<li>IR1 Convolution Reverb        </li>\n<li>IR360 Convolution Reverb      </li>\n<li>IR-L Convolution Reverb       </li>\n<li>IR-Live Convolution Reverb    </li>\n<li>JJP Bass                      </li>\n<li>JJP Cymbals & Percussion      </li>\n<li>JJP Drums                     </li>\n<li>JJP Guitars                   </li>\n<li>JJP Strings & Keys            </li>\n<li>JJP Vocals                    </li>\n<li>Kramer HLS Channel            </li>\n<li>Kramer Master Tape            </li>\n<li>Kramer PIE Compressor         </li>\n<li>L1 Ultramaximizer             </li>\n<li>L2 Ultramaximizer             </li>\n<li>L3 Multimaximizer             </li>\n<li>L3 Ultramaximizer             </li>\n<li>L3-16 Multimaximizer          </li>\n<li>L360 Surround Limiter         </li>\n<li>L3-LL Multimaximizer          </li>\n<li>L3-LL Ultramaximizer          </li>\n<li>LFE360 Low-Pass Filter        </li>\n<li>Linear Phase EQ               </li>\n<li>Linear Phase Multiband Compres</li>sor\n<li>LoAir                         </li>\n<li>M360 Surround Manager & Mixdow</li>n\n<li>Manny Marroquin Delay         </li>\n<li>Manny Marroquin Distortion    </li>\n<li>Manny Marroquin EQ            </li>\n<li>Manny Marroquin Reverb        </li>\n<li>Manny Marroquin Tone Shaper   </li>\n<li>Manny Marroquin Triple D      </li>\n<li>Maserati ACG                  </li>\n<li>Maserati B72                  </li>\n<li>Maserati DRM                  </li>\n<li>Maserati GRP                  </li>\n<li>Maserati GTi                  </li>\n<li>Maserati HMX                  </li>\n<li>Maserati VX1                  </li>\n<li>MaxxBass                      </li>\n<li>MaxxVolume                    </li>\n<li>MetaFilter                    </li>\n<li>MetaFlanger                   </li>\n<li>MondoMod                      </li>\n<li>Morphoder                     </li>\n<li>MV2                           </li>\n<li>MV360                         </li>\n<li>NLS Non-Linear Summer         </li>\n<li>NS1 Noise Suppressor          </li>\n<li>OneKnob Brighter              </li>\n<li>OneKnob Driver                </li>\n<li>OneKnob Filter                </li>\n<li>OneKnob Louder                </li>\n<li>OneKnob Phatter               </li>\n<li>OneKnob Pressure              </li>\n<li>OneKnob Pumper                </li>\n<li>OneKnob Wetter                </li>\n<li>PAZ Analyzer                  </li>\n<li>Primary Source Expander       </li>\n<li>PRS SuperModels               </li>\n<li>PS22 Stereo Maker             </li>\n<li>PuigChild Compressor          </li>\n<li>PuigTec EQs                   </li>\n<li>Q10 Equalizer                 </li>\n<li>Q-Clone                       </li>\n<li>R360 Surround Reverb          </li>\n<li>Renaissance Axx               </li>\n<li>Renaissance Bass              </li>\n<li>Renaissance Channel           </li>\n<li>Renaissance Compressor        </li>\n<li>Renaissance DeEsser           </li>\n<li>Renaissance Equalizer         </li>\n<li>Renaissance Reverb            </li>\n<li>Renaissance Vox               </li>\n<li>S1 Stereo Imager              </li>\n<li>S360 Surround Imager & Panner </li>\n<li>Scheps 73                     </li>\n<li>Scheps Omni Channel           </li>\n<li>Scheps Parallel Particles     </li>\n<li>Smack Attack                  </li>\n<li>SoundShifter                  </li>\n<li>Sub Align                     </li>\n<li>SuperTap                      </li>\n<li>Torque                        </li>\n<li>Trans-X                       </li>\n<li>TrueVerb                      </li>\n<li>UltraPitch                    </li>\n<li>UM225 / UM226                 </li>\n<li>V-Comp                        </li>\n<li>V-EQ3                         </li>\n<li>V-EQ4                         </li>\n<li>Vitamin Sonic Enhancer        </li>\n<li>Vocal Rider                   </li>\n<li>VU Meter                      </li>\n<li>W43 Noise Reduction Plugin    </li>\n<li>Waves Tune                    </li>\n<li>Waves Tune LT                 </li>\n<li>Waves Tune Real-Time          </li>\n<li>WLM Plus Loudness Meter       </li>\n<li>WNS Noise Suppressor          </li>\n<li>X-Click                       </li>\n<li>X-Crackle                     </li>\n<li>X-FDBK                        </li>\n<li>X-Hum                         </li>\n<li>X-Noise                       </li>\n<li>Z-Noise                       </li>\n</ul>'),(12692,75,1,2116,'<h2>Waves Mercury Plug-in Bundle</h2>\nThe Waves Mercury Plug-in Bundle features more Waves in one package than ever before! With over 165 stellar processors and over 400 component plug-ins, Mercury has everything you need to make your mixes sound great!\n<br /><br />\nFrom time-domain effects to equalizers, from dynamics control to noise reduction, from guitar sound modeling to the sound of classic analog components, there has never been such a comprehensive collection as this. The Mercury Collection offers more effects, more channel components, more mixdown tools, more processors than ever before in one place.<br /><br />\nFinally-the world of Waves in one massive collection.<br /><br />\n<ul>\n	<li>Over 165 stellar audio plugins</li>\n	<li>One massive collection</li>\n	<li>Upgrades available from all bundles</li>\n</ul>\n<br /><br />\n<h3>Mercury Bundle Includes</h3>\n<ul style=\" columns: 3;  -webkit-columns: 3;  -moz-columns: 3;\">\n<li>Aphex Vintage Aural Exciter   </li>\n<li>API 2500                      </li>\n<li>API 550                       </li>\n<li>API 560                       </li>\n<li>AudioTrack                    </li>\n<li>Bass Rider                    </li>\n<li>Brauer Motion                 </li>\n<li>BSS DPR-402                   </li>\n<li>Butch Vig Vocals              </li>\n<li>C1 Compressor                 </li>\n<li>C360 Surround Compressor      </li>\n<li>C4 Multiband Compressor       </li>\n<li>C6 Multiband Compressor       </li>\n<li>Center                        </li>\n<li>CLA Bass                      </li>\n<li>CLA Drums                     </li>\n<li>CLA Effects                   </li>\n<li>CLA Guitars                   </li>\n<li>CLA MixDown                   </li>\n<li>CLA Unplugged                 </li>\n<li>CLA Vocals                    </li>\n<li>CLA-2A Compressor / Limiter   </li>\n<li>CLA-3A Compressor / Limiter   </li>\n<li>CLA-76 Compressor / Limiter   </li>\n<li>Cobalt Saphira                </li>\n<li>Codex Wavetable Synth         </li>\n<li>dbx® 160 Compressor / Limiter </li>\n<li>DeBreath                      </li>\n<li>DeEsser                       </li>\n<li>Doppler                       </li>\n<li>Dorrough Stereo               </li>\n<li>Dorrough Surround             </li>\n<li>Doubler                       </li>\n<li>Eddie Kramer Bass Channel     </li>\n<li>Eddie Kramer Drum Channel     </li>\n<li>Eddie Kramer Effects Channel  </li>\n<li>Eddie Kramer Guitar Channel   </li>\n<li>Eddie Kramer Vocal Channel    </li>\n<li>Electric Grand 80 Piano       </li>\n<li>Element 2.0 Virtual Analog Synth</li>\n<li>eMo D5 Dynamics               </li>\n<li>eMo F2 Filter                 </li>\n<li>eMo Generator                 </li>\n<li>eMo Q4 Equalizer              </li>\n<li>Enigma                        </li>\n<li>F6 Floating-Band Dynamic EQ   </li>\n<li>GEQ Graphic Equalizer         </li>\n<li>Greg Wells MixCentric         </li>\n<li>Greg Wells PianoCentric       </li>\n<li>Greg Wells ToneCentric        </li>\n<li>Greg Wells VoiceCentric       </li>\n<li>GTR3 Amps                     </li>\n<li>GTR3 Stomps                   </li>\n<li>GTR3 ToolRack                 </li>\n<li>GTR3 Tuner                    </li>\n<li>H-Comp Hybrid Compressor      </li>\n<li>H-Delay Hybrid Delay          </li>\n<li>H-EQ Hybrid Equalizer         </li>\n<li>H-Reverb Hybrid Reverb        </li>\n<li>IDR360 Bit Re-Quantizer       </li>\n<li>InPhase                       </li>\n<li>InPhase LT                    </li>\n<li>IR1 Convolution Reverb        </li>\n<li>IR360 Convolution Reverb      </li>\n<li>IR-L Convolution Reverb       </li>\n<li>IR-Live Convolution Reverb    </li>\n<li>JJP Bass                      </li>\n<li>JJP Cymbals & Percussion      </li>\n<li>JJP Drums                     </li>\n<li>JJP Guitars                   </li>\n<li>JJP Strings & Keys            </li>\n<li>JJP Vocals                    </li>\n<li>Kramer HLS Channel            </li>\n<li>Kramer Master Tape            </li>\n<li>Kramer PIE Compressor         </li>\n<li>L1 Ultramaximizer             </li>\n<li>L2 Ultramaximizer             </li>\n<li>L3 Multimaximizer             </li>\n<li>L3 Ultramaximizer             </li>\n<li>L3-16 Multimaximizer          </li>\n<li>L360 Surround Limiter         </li>\n<li>L3-LL Multimaximizer          </li>\n<li>L3-LL Ultramaximizer          </li>\n<li>LFE360 Low-Pass Filter        </li>\n<li>Linear Phase EQ               </li>\n<li>Linear Phase Multiband Compres</li>sor\n<li>LoAir                         </li>\n<li>M360 Surround Manager & Mixdow</li>n\n<li>Manny Marroquin Delay         </li>\n<li>Manny Marroquin Distortion    </li>\n<li>Manny Marroquin EQ            </li>\n<li>Manny Marroquin Reverb        </li>\n<li>Manny Marroquin Tone Shaper   </li>\n<li>Manny Marroquin Triple D      </li>\n<li>Maserati ACG                  </li>\n<li>Maserati B72                  </li>\n<li>Maserati DRM                  </li>\n<li>Maserati GRP                  </li>\n<li>Maserati GTi                  </li>\n<li>Maserati HMX                  </li>\n<li>Maserati VX1                  </li>\n<li>MaxxBass                      </li>\n<li>MaxxVolume                    </li>\n<li>MetaFilter                    </li>\n<li>MetaFlanger                   </li>\n<li>MondoMod                      </li>\n<li>Morphoder                     </li>\n<li>MV2                           </li>\n<li>MV360                         </li>\n<li>NLS Non-Linear Summer         </li>\n<li>NS1 Noise Suppressor          </li>\n<li>OneKnob Brighter              </li>\n<li>OneKnob Driver                </li>\n<li>OneKnob Filter                </li>\n<li>OneKnob Louder                </li>\n<li>OneKnob Phatter               </li>\n<li>OneKnob Pressure              </li>\n<li>OneKnob Pumper                </li>\n<li>OneKnob Wetter                </li>\n<li>PAZ Analyzer                  </li>\n<li>Primary Source Expander       </li>\n<li>PRS SuperModels               </li>\n<li>PS22 Stereo Maker             </li>\n<li>PuigChild Compressor          </li>\n<li>PuigTec EQs                   </li>\n<li>Q10 Equalizer                 </li>\n<li>Q-Clone                       </li>\n<li>R360 Surround Reverb          </li>\n<li>Renaissance Axx               </li>\n<li>Renaissance Bass              </li>\n<li>Renaissance Channel           </li>\n<li>Renaissance Compressor        </li>\n<li>Renaissance DeEsser           </li>\n<li>Renaissance Equalizer         </li>\n<li>Renaissance Reverb            </li>\n<li>Renaissance Vox               </li>\n<li>S1 Stereo Imager              </li>\n<li>S360 Surround Imager & Panner </li>\n<li>Scheps 73                     </li>\n<li>Scheps Omni Channel           </li>\n<li>Scheps Parallel Particles     </li>\n<li>Smack Attack                  </li>\n<li>SoundShifter                  </li>\n<li>Sub Align                     </li>\n<li>SuperTap                      </li>\n<li>Torque                        </li>\n<li>Trans-X                       </li>\n<li>TrueVerb                      </li>\n<li>UltraPitch                    </li>\n<li>UM225 / UM226                 </li>\n<li>V-Comp                        </li>\n<li>V-EQ3                         </li>\n<li>V-EQ4                         </li>\n<li>Vitamin Sonic Enhancer        </li>\n<li>Vocal Rider                   </li>\n<li>VU Meter                      </li>\n<li>W43 Noise Reduction Plugin    </li>\n<li>Waves Tune                    </li>\n<li>Waves Tune LT                 </li>\n<li>Waves Tune Real-Time          </li>\n<li>WLM Plus Loudness Meter       </li>\n<li>WNS Noise Suppressor          </li>\n<li>X-Click                       </li>\n<li>X-Crackle                     </li>\n<li>X-FDBK                        </li>\n<li>X-Hum                         </li>\n<li>X-Noise                       </li>\n<li>Z-Noise                       </li>\n</ul>'),(12693,85,0,2116,'Waves Mercury Plug-in Bundle'),(12694,85,1,2116,'Waves Mercury Plug-in Bundle'),(12695,76,0,2116,''),(12696,76,1,2116,''),(12697,75,0,2117,'<h1>Waves Morgan Page EMP ToolBox</h1><br />Waves Morgan Page EMP ToolBox was hand-picked by Morgan himself, the Morgan Page EMP Toolbox contains nine\n powerful Waves audio processors he uses most in his mixing and \nmastering sessions, ideal for electronic music producers of every shade \nof the spectrum.<br /><br />Whether he\'s remixing for superstars or putting out his own GRAMMY®-nominated singles, few artists are as adept as Morgan Page when straddling the line between electronic dance beats and pop sensibilities. From chart-topping powerhouses like Katy Perry and Madonna to industry darlings Tegan & Sara and Icona Pop, Morgan Page has been called upon by every brand of hit-maker to paint their songs with new colors and sounds for the club scene.<br /><br />As in any medium, electronic musicians need a palette to work from that can deliver equal parts creative inspiration and technical refinement. That\'s why Morgan Page relies on Waves EQs, dynamics and effects as his primary set of production tools. <br /><br /><div class=\"item-features\"><ul class=\"list-arrows\"><li>Nine powerful plugins for electronic music production</li><li>Hand-picked by Morgan himself based on the plugins he uses most</li><li>Includes EQs, dynamics and effects for mixing and mastering</li></ul></div>'),(12698,75,1,2117,'<h1>Waves Morgan Page EMP ToolBox</h1><br />Waves Morgan Page EMP ToolBox was hand-picked by Morgan himself, the Morgan Page EMP Toolbox contains nine\n powerful Waves audio processors he uses most in his mixing and \nmastering sessions, ideal for electronic music producers of every shade \nof the spectrum.<br /><br />Whether he\'s remixing for superstars or putting out his own GRAMMY®-nominated singles, few artists are as adept as Morgan Page when straddling the line between electronic dance beats and pop sensibilities. From chart-topping powerhouses like Katy Perry and Madonna to industry darlings Tegan & Sara and Icona Pop, Morgan Page has been called upon by every brand of hit-maker to paint their songs with new colors and sounds for the club scene.<br /><br />As in any medium, electronic musicians need a palette to work from that can deliver equal parts creative inspiration and technical refinement. That\'s why Morgan Page relies on Waves EQs, dynamics and effects as his primary set of production tools. <br /><br /><div class=\"item-features\"><ul class=\"list-arrows\"><li>Nine powerful plugins for electronic music production</li><li>Hand-picked by Morgan himself based on the plugins he uses most</li><li>Includes EQs, dynamics and effects for mixing and mastering</li></ul></div>'),(12699,85,0,2117,'Waves Morgan Page EMP ToolBox'),(12700,85,1,2117,'Waves Morgan Page EMP ToolBox'),(12701,76,0,2117,''),(12702,76,1,2117,''),(12703,75,0,2118,'<h1>Waves Musicians 1 Plug-in</h1>\nWhat makes a hit sound so good? If it’s on the Billboard charts, chances are it was tracked, mixed, and mastered using Waves. Musicians 1 is an outstanding collection containing several of our most coveted processors. Look at what you get: delay, chorus, phasing, flanging, compression, gating, limiting, double-tracking, level maximization, and more. Let Musicians 1 open your ears to new worlds of sound.<br/><br/>\n<ul>\n	<li>Five essential audio plugins</li>\n	<li>Includes compression, chorus, delay, double-tracking, level maximization and more</li>\n	<li>The same high-quality plugins used by top professionals</li>\n</ul>'),(12704,75,1,2118,'<h1>Waves Musicians 1 Plug-in</h1>\nWhat makes a hit sound so good? If it’s on the Billboard charts, chances are it was tracked, mixed, and mastered using Waves. Musicians 1 is an outstanding collection containing several of our most coveted processors. Look at what you get: delay, chorus, phasing, flanging, compression, gating, limiting, double-tracking, level maximization, and more. Let Musicians 1 open your ears to new worlds of sound.<br/><br/>\n<ul>\n	<li>Five essential audio plugins</li>\n	<li>Includes compression, chorus, delay, double-tracking, level maximization and more</li>\n	<li>The same high-quality plugins used by top professionals</li>\n</ul>'),(12705,85,0,2118,'Waves Musicians 1 Plug-in'),(12706,85,1,2118,'Waves Musicians 1 Plug-in'),(12707,76,0,2118,''),(12708,76,1,2118,''),(12709,75,0,2119,'<h1>Waves Musicians 2 Plug-in</h1>\nWhen the world’s top producers, engineers, sound designers, and recording artists need perfect sound, they turn to Waves for all their mixing, and mastering needs. Now, you can too—with Musicians 2. Including our popular Renaissance EQ and Renaissance Compressor plus delay, doubling, and more, Musicians 2 gives you a tremendous amount of bang for the buck.\n<br/><br/>\n<ul>\n	<li>Six indispensable audio plugins</li>\n	<li>Includes EQ, compression, double-tracking, delay, level maximization and more</li>\n	<li>As used on hit records, major motion pictures, and popular video games</li>\n</ul>'),(12710,75,1,2119,'<h1>Waves Musicians 2 Plug-in</h1>\nWhen the world’s top producers, engineers, sound designers, and recording artists need perfect sound, they turn to Waves for all their mixing, and mastering needs. Now, you can too—with Musicians 2. Including our popular Renaissance EQ and Renaissance Compressor plus delay, doubling, and more, Musicians 2 gives you a tremendous amount of bang for the buck.\n<br/><br/>\n<ul>\n	<li>Six indispensable audio plugins</li>\n	<li>Includes EQ, compression, double-tracking, delay, level maximization and more</li>\n	<li>As used on hit records, major motion pictures, and popular video games</li>\n</ul>'),(12711,85,0,2119,'Waves Musicians 2 Plug-in'),(12712,85,1,2119,'Waves Musicians 2 Plug-in'),(12713,76,0,2119,''),(12714,76,1,2119,''),(12715,75,0,2120,'<h2>Waves OneKnob Series Plug-in Bundle</h2>\nThe Waves OneKnob Series Plug-in Bundle produces classic sounds quickly and powerfully with these 8 single-knob plugins, including filter, reverb, distortion, compression, bass boost, treble boost, auto-sidechaining and brick-wall limiting effects.<br /><br />As musicians, producers and mixers, we never know when inspiration will strike. And when it does, we want to bring that sound we have in our head into reality as soon as possible.<br /><br />The Waves OneKnob Series is designed for this purpose. Its wide array of plugins allows you to achieve classic studio tones and effects in an accurate, efficient manner, so you can focus on the music and not get caught up on the technicalities. <br /><br />    8 powerful, intuitive plugins each controlled by a single knob<br />    Includes filter, reverb, distortion, compression, bass boost, treble boost, brick-wall limiting and auto-sidechaining/pumping effects<br />    Easy-to-use, delivering high-quality, quick results<br /><br />\n<h3>OneKnob Series Bundle Includes</h3>\n<ul style=\" columns: 3;  -webkit-columns: 3;  -moz-columns: 3;\"><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-brighter\" title=\"OneKnob Brighter\">OneKnob Brighter</a>, an intelligent treble booster, perfect for brightening up a track to make it cut through the mix.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-phatter\" title=\"OneKnob Phatter\">OneKnob Phatter</a>, a bass booster that adds bottom-end, weight and body to bass, keys, kick drums and vocals alike, thickening them in the mix.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-filter\" title=\"OneKnob Filter\">OneKnob Filter</a>,\n for the mixing room and DJ booth, a powerful sweepable filter with \nswitchable resonance modes, perfect for full mixes, loops, analog synths\n and more.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-pressure\" title=\"OneKnob Pressure\">OneKnob Pressure</a>,\n a versatile dynamics processor, ideal for percussive sources like loops\n and drum busses achieving everything from light parallel-style \ncompression to heavy squashing.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-louder\" title=\"OneKnob Louder\">OneKnob Louder</a>,\n a combination of peak limiting and low-level compression with automatic\n makeup effectively making tracks louder, increasing RMS by up to 24 dB.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-driver\" title=\"OneKnob Driver\">OneKnob Driver</a>,\n inspired by famous guitar overdrive pedals. Capable of light overdrive \nto full-on distortion, and sounds great on guitars, vocals, synths, \ndrums and more.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-pumper\" title=\"OneKnob Pumper\">OneKnob Pumper</a>,\n designed for achieving an instant ducking effect simulating sidechain \ncompression, ideal for making your entire mix and individual tracks pump\n with the beat.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-wetter\" title=\"OneKnob Wetter\">OneKnob Wetter</a>,\n instant ambience and reverb for vocals, drums and more. From short, \nbright ambiences that are felt more than heard, to longer, darker reverb\n spaces, quickly create a perfect atmosphere.</li></ul>'),(12716,75,1,2120,'<h2>Waves OneKnob Series Plug-in Bundle</h2>\nThe Waves OneKnob Series Plug-in Bundle produces classic sounds quickly and powerfully with these 8 single-knob plugins, including filter, reverb, distortion, compression, bass boost, treble boost, auto-sidechaining and brick-wall limiting effects.<br /><br />As musicians, producers and mixers, we never know when inspiration will strike. And when it does, we want to bring that sound we have in our head into reality as soon as possible.<br /><br />The Waves OneKnob Series is designed for this purpose. Its wide array of plugins allows you to achieve classic studio tones and effects in an accurate, efficient manner, so you can focus on the music and not get caught up on the technicalities. <br /><br />    8 powerful, intuitive plugins each controlled by a single knob<br />    Includes filter, reverb, distortion, compression, bass boost, treble boost, brick-wall limiting and auto-sidechaining/pumping effects<br />    Easy-to-use, delivering high-quality, quick results<br /><br />\n<h3>OneKnob Series Bundle Includes</h3>\n<ul style=\" columns: 3;  -webkit-columns: 3;  -moz-columns: 3;\"><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-brighter\" title=\"OneKnob Brighter\">OneKnob Brighter</a>, an intelligent treble booster, perfect for brightening up a track to make it cut through the mix.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-phatter\" title=\"OneKnob Phatter\">OneKnob Phatter</a>, a bass booster that adds bottom-end, weight and body to bass, keys, kick drums and vocals alike, thickening them in the mix.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-filter\" title=\"OneKnob Filter\">OneKnob Filter</a>,\n for the mixing room and DJ booth, a powerful sweepable filter with \nswitchable resonance modes, perfect for full mixes, loops, analog synths\n and more.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-pressure\" title=\"OneKnob Pressure\">OneKnob Pressure</a>,\n a versatile dynamics processor, ideal for percussive sources like loops\n and drum busses achieving everything from light parallel-style \ncompression to heavy squashing.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-louder\" title=\"OneKnob Louder\">OneKnob Louder</a>,\n a combination of peak limiting and low-level compression with automatic\n makeup effectively making tracks louder, increasing RMS by up to 24 dB.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-driver\" title=\"OneKnob Driver\">OneKnob Driver</a>,\n inspired by famous guitar overdrive pedals. Capable of light overdrive \nto full-on distortion, and sounds great on guitars, vocals, synths, \ndrums and more.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-pumper\" title=\"OneKnob Pumper\">OneKnob Pumper</a>,\n designed for achieving an instant ducking effect simulating sidechain \ncompression, ideal for making your entire mix and individual tracks pump\n with the beat.</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/oneknob-wetter\" title=\"OneKnob Wetter\">OneKnob Wetter</a>,\n instant ambience and reverb for vocals, drums and more. From short, \nbright ambiences that are felt more than heard, to longer, darker reverb\n spaces, quickly create a perfect atmosphere.</li></ul>'),(12717,85,0,2120,'Waves OneKnob Series Plug-in Bundle'),(12718,85,1,2120,'Waves OneKnob Series Plug-in Bundle'),(12719,76,0,2120,''),(12720,76,1,2120,''),(12721,75,0,2121,'<h1>Waves Pianos and Keys Plug-in</h1>Waves Pianos and Keys Plug-in collection: A hand-picked suite of the electric and acoustic keys that have defined pop, rock, funk, soul and R&B, faithfully sampled and revived.<br /><br />There’s a certain magic about the resonance and immersion of an open-lid concert grand piano; about the action and vibe of a vintage electric keyboard. Waves’ precision sampling technology reawakens the classic textures and tones of the legendary instruments that have defined rock, pop, funk, soul, and R&B, putting them directly at your fingertips.<br /><br />The pianos and keys in this collection capture every articulation, hammer-hitting tone and string-striking mechanic of the highly-coveted originals. Whether you’re a professional keyboard player, a songwriter or a producer playing in the studio or live on stage, you will enjoy the true feel, expression and rich dynamic response of these authentic instruments.<br /><br /><ul class=\"list-arrows\"><li>Waves\' iconic pianos and keys in one collection</li><li>State-of-the-art performance by the Waves Sample Engine (WSE)</li><li>Global Tune, Velocity & FX controls</li><li>Can be played as plugins or as standalone instruments</li><li>MIDI-assignable</li><li>NKS-ready for NI Komplete Kontrol and Maschine</li></ul><br />\n<h3>Waves Pianos and Keys Plug-in Features</h3>\n<ul><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/grand-rhapsody-piano\">Grand Rhapsody Piano</a>:\n Faithfully sampled from the Fazioli F228 grand piano at London’s \nMetropolis Studios, using 8 pairs of first-class condenser, dynamic \n& ribbon microphones</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/electric-88-piano\">Electric 88 Piano</a>:\n Captures all the soul and sweetness of two authentic, road-worn 88-key \nsuitcase pianos; “Top of the class for Fender Rhodes VI’s” (master \nkeyboardist Jason Miles)</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/electric-200-piano\">Electric 200 Pianos</a>: Sampled from an original 200A-model electric piano to revive that classic, gritty, fat and majestic Wurly sound”</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/electric-grand-80-piano\">Electric Grand 80 Piano</a>: Delivering the era-defining polish and brilliant tones of the original hybrid electric-acoustic CP-80 model piano</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/clavinet\">Clavinet</a>:\n Faithfully sampled from an original D6-model Clavinet made famous by \nStevie Wonder capturing every articulation of the original funkified \nicon</li></ul>'),(12722,75,1,2121,'<h1>Waves Pianos and Keys Plug-in</h1>Waves Pianos and Keys Plug-in collection: A hand-picked suite of the electric and acoustic keys that have defined pop, rock, funk, soul and R&B, faithfully sampled and revived.<br /><br />There’s a certain magic about the resonance and immersion of an open-lid concert grand piano; about the action and vibe of a vintage electric keyboard. Waves’ precision sampling technology reawakens the classic textures and tones of the legendary instruments that have defined rock, pop, funk, soul, and R&B, putting them directly at your fingertips.<br /><br />The pianos and keys in this collection capture every articulation, hammer-hitting tone and string-striking mechanic of the highly-coveted originals. Whether you’re a professional keyboard player, a songwriter or a producer playing in the studio or live on stage, you will enjoy the true feel, expression and rich dynamic response of these authentic instruments.<br /><br /><ul class=\"list-arrows\"><li>Waves\' iconic pianos and keys in one collection</li><li>State-of-the-art performance by the Waves Sample Engine (WSE)</li><li>Global Tune, Velocity & FX controls</li><li>Can be played as plugins or as standalone instruments</li><li>MIDI-assignable</li><li>NKS-ready for NI Komplete Kontrol and Maschine</li></ul><br />\n<h3>Waves Pianos and Keys Plug-in Features</h3>\n<ul><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/grand-rhapsody-piano\">Grand Rhapsody Piano</a>:\n Faithfully sampled from the Fazioli F228 grand piano at London’s \nMetropolis Studios, using 8 pairs of first-class condenser, dynamic \n& ribbon microphones</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/electric-88-piano\">Electric 88 Piano</a>:\n Captures all the soul and sweetness of two authentic, road-worn 88-key \nsuitcase pianos; “Top of the class for Fender Rhodes VI’s” (master \nkeyboardist Jason Miles)</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/electric-200-piano\">Electric 200 Pianos</a>: Sampled from an original 200A-model electric piano to revive that classic, gritty, fat and majestic Wurly sound”</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/electric-grand-80-piano\">Electric Grand 80 Piano</a>: Delivering the era-defining polish and brilliant tones of the original hybrid electric-acoustic CP-80 model piano</li><li><a class=\"blue9-link\" href=\"https://www.waves.com/plugins/clavinet\">Clavinet</a>:\n Faithfully sampled from an original D6-model Clavinet made famous by \nStevie Wonder capturing every articulation of the original funkified \nicon</li></ul>'),(12723,85,0,2121,'Waves Pianos and Keys Plug-in'),(12724,85,1,2121,'Waves Pianos and Keys Plug-in'),(12725,76,0,2121,''),(12726,76,1,2121,''),(12727,75,0,2122,'<h1>Waves Platinum Plug-in Bundle</h1>\nWaves Platinum Plug-in Bundle is an extraordinary collection of over 50 powerful Waves audio plugins. Platinum features everything from  dynamics, equalization and reverb to pitch correction, spatial imaging, harmonic enhancement and beyond, making it ideal for sound design, mixing, mastering and more. Featuring all the plugins found in Waves Gold, Masters, and Renaissance Maxx bundles, plus L3 Ultramaximizer, the PuigTec EQs and more, Platinum is a powerful production arsenal for any studio.\n<br /><br />\n<ul>\n	<li>Over 50 industry-standard audio plugins</li>\n	<li>Comprehensive mixing and mastering package</li>\n	<li>Includes L2 Ultramaximizer, PuigTec EQs, H-Delay and more</li>\n</ul><br />\n<h3>Waves Platinum Includes:</h3>\n<ul>\n<li>AudioTrack                        </li>\n<li>C1 Compressor                     </li>\n<li>C4 Multiband Compressor           </li>\n<li>DeEsser                           </li>\n<li>Doppler                           </li>\n<li>Doubler                           </li>\n<li>Eddie Kramer Drum Channel         </li>\n<li>Electric Grand 80 Piano           </li>\n<li>eMo F2 Filter                     </li>\n<li>eMo Generator                     </li>\n<li>eMo Q4 Equalizer                  </li>\n<li>Enigma                            </li>\n<li>GTR3 Amps                         </li>\n<li>GTR3 Stomps                       </li>\n<li>GTR3 ToolRack                     </li>\n<li>GTR3 Tuner                        </li>\n<li>H-Comp Hybrid Compressor          </li>\n<li>H-Delay Hybrid Delay              </li>\n<li>IR-L Convolution Reverb           </li>\n<li>L1 Ultramaximizer                 </li>\n<li>L2 Ultramaximizer                 </li>\n<li>L3 Ultramaximizer                 </li>\n<li>L3-LL Ultramaximizer              </li>\n<li>Linear Phase EQ                   </li>\n<li>Linear Phase Multiband Compressor </li>\n<li>MaxxBass                          </li>\n<li>MaxxVolume                        </li>\n<li>MetaFlanger                       </li>\n<li>MondoMod                          </li>\n<li>MV2                               </li>\n<li>OneKnob Driver                    </li>\n<li>PAZ Analyzer                      </li>\n<li>PS22 Stereo Maker                 </li>\n<li>PuigTec EQs                       </li>\n<li>Q10 Equalizer                     </li>\n<li>Renaissance Axx                   </li>\n<li>Renaissance Bass                  </li>\n<li>Renaissance Channel               </li>\n<li>Renaissance Compressor            </li>\n<li>Renaissance DeEsser               </li>\n<li>Renaissance Equalizer             </li>\n<li>Renaissance Reverb                </li>\n<li>Renaissance Vox                   </li>\n<li>S1 Stereo Imager                  </li>\n<li>SuperTap                          </li>\n<li>TrueVerb                          </li>\n<li>UltraPitch                        </li>\n<li>V-Comp                            </li>\n<li>V-EQ3                             </li>\n<li>V-EQ4                             </li>\n<li>Vitamin Sonic Enhancer            </li>\n<li>VU Meter                          </li>\n<li>Waves Tune LT                     </li>\n</ul>'),(12728,75,1,2122,'<h1>Waves Platinum Plug-in Bundle</h1>\nWaves Platinum Plug-in Bundle is an extraordinary collection of over 50 powerful Waves audio plugins. Platinum features everything from  dynamics, equalization and reverb to pitch correction, spatial imaging, harmonic enhancement and beyond, making it ideal for sound design, mixing, mastering and more. Featuring all the plugins found in Waves Gold, Masters, and Renaissance Maxx bundles, plus L3 Ultramaximizer, the PuigTec EQs and more, Platinum is a powerful production arsenal for any studio.\n<br /><br />\n<ul>\n	<li>Over 50 industry-standard audio plugins</li>\n	<li>Comprehensive mixing and mastering package</li>\n	<li>Includes L2 Ultramaximizer, PuigTec EQs, H-Delay and more</li>\n</ul><br />\n<h3>Waves Platinum Includes:</h3>\n<ul>\n<li>AudioTrack                        </li>\n<li>C1 Compressor                     </li>\n<li>C4 Multiband Compressor           </li>\n<li>DeEsser                           </li>\n<li>Doppler                           </li>\n<li>Doubler                           </li>\n<li>Eddie Kramer Drum Channel         </li>\n<li>Electric Grand 80 Piano           </li>\n<li>eMo F2 Filter                     </li>\n<li>eMo Generator                     </li>\n<li>eMo Q4 Equalizer                  </li>\n<li>Enigma                            </li>\n<li>GTR3 Amps                         </li>\n<li>GTR3 Stomps                       </li>\n<li>GTR3 ToolRack                     </li>\n<li>GTR3 Tuner                        </li>\n<li>H-Comp Hybrid Compressor          </li>\n<li>H-Delay Hybrid Delay              </li>\n<li>IR-L Convolution Reverb           </li>\n<li>L1 Ultramaximizer                 </li>\n<li>L2 Ultramaximizer                 </li>\n<li>L3 Ultramaximizer                 </li>\n<li>L3-LL Ultramaximizer              </li>\n<li>Linear Phase EQ                   </li>\n<li>Linear Phase Multiband Compressor </li>\n<li>MaxxBass                          </li>\n<li>MaxxVolume                        </li>\n<li>MetaFlanger                       </li>\n<li>MondoMod                          </li>\n<li>MV2                               </li>\n<li>OneKnob Driver                    </li>\n<li>PAZ Analyzer                      </li>\n<li>PS22 Stereo Maker                 </li>\n<li>PuigTec EQs                       </li>\n<li>Q10 Equalizer                     </li>\n<li>Renaissance Axx                   </li>\n<li>Renaissance Bass                  </li>\n<li>Renaissance Channel               </li>\n<li>Renaissance Compressor            </li>\n<li>Renaissance DeEsser               </li>\n<li>Renaissance Equalizer             </li>\n<li>Renaissance Reverb                </li>\n<li>Renaissance Vox                   </li>\n<li>S1 Stereo Imager                  </li>\n<li>SuperTap                          </li>\n<li>TrueVerb                          </li>\n<li>UltraPitch                        </li>\n<li>V-Comp                            </li>\n<li>V-EQ3                             </li>\n<li>V-EQ4                             </li>\n<li>Vitamin Sonic Enhancer            </li>\n<li>VU Meter                          </li>\n<li>Waves Tune LT                     </li>\n</ul>'),(12729,85,0,2122,'Waves Platinum Plug-in Bundle'),(12730,85,1,2122,'Waves Platinum Plug-in Bundle'),(12731,76,0,2122,''),(12732,76,1,2122,''),(12733,75,0,2123,'<h1>Waves Power Pack Plug-in Bundle</h1>\nWith everything from reverb, delay, and equalization to compression, limiting, and level maximization, Power Pack is a perfect introduction to the Waves experience. Whether you are just getting started or you are expanding your production palette, Power Pack gives you the processing power you and your mixes just can’t do without.\n<br/><br/>\n<ul>\n	<li>10 essential plugins for mixing and mastering</li>\n	<li>A powerful introduction to the Waves experience</li>\n	<li>Includes compression, EQ, reverb, delay, level maximization and more</li>\n</ul>'),(12734,75,1,2123,'<h1>Waves Power Pack Plug-in Bundle</h1>\nWith everything from reverb, delay, and equalization to compression, limiting, and level maximization, Power Pack is a perfect introduction to the Waves experience. Whether you are just getting started or you are expanding your production palette, Power Pack gives you the processing power you and your mixes just can’t do without.\n<br/><br/>\n<ul>\n	<li>10 essential plugins for mixing and mastering</li>\n	<li>A powerful introduction to the Waves experience</li>\n	<li>Includes compression, EQ, reverb, delay, level maximization and more</li>\n</ul>'),(12735,85,0,2123,'Waves Power Pack Plug-in Bundle'),(12736,85,1,2123,'Waves Power Pack Plug-in Bundle'),(12737,76,0,2123,''),(12738,76,1,2123,''),(12739,75,0,2124,'<h1>Waves Pro Show Plug-ins Bundle</h1>Featuring dual licenses for dual engine mirroring support, SD7 Pro Show \nincludes the entire Pro Show bundle, with over 120 SoundGrid-compatible \nplugins for live mixing with DiGiCo SD7 consoles.<br /><br /><div class=\"item-features\"><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Over 120 SoundGrid®-compatible plugins for DiGiCo SD7 consoles</li><li>Includes dual licenses for dual engine mirroring support</li><li>Features the API and SSL 4000 Collections, CLA Classic Compressors, JJP Analog Legends and more.</li></ul></div></div></div>'),(12740,75,1,2124,'<h1>Waves Pro Show Plug-ins Bundle</h1>Featuring dual licenses for dual engine mirroring support, SD7 Pro Show \nincludes the entire Pro Show bundle, with over 120 SoundGrid-compatible \nplugins for live mixing with DiGiCo SD7 consoles.<br /><br /><div class=\"item-features\"><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Over 120 SoundGrid®-compatible plugins for DiGiCo SD7 consoles</li><li>Includes dual licenses for dual engine mirroring support</li><li>Features the API and SSL 4000 Collections, CLA Classic Compressors, JJP Analog Legends and more.</li></ul></div></div></div>'),(12741,85,0,2124,'Waves Pro Show Plug-ins Bundle'),(12742,85,1,2124,'Waves Pro Show Plug-ins Bundle'),(12743,76,0,2124,''),(12744,76,1,2124,''),(12745,75,0,2125,'<h1>Waves Renaissance Maxx Plug-in Bundle</h1>\nIn the digital production environment, rich, warm sound is the holy grail. Renaissance Maxx delivers the warmth of vintage analog hardware with the flexibility and precision control of digital software. This is the classic Waves sound, heard on countless hit records and major motion pictures worldwide.<br/><br/>\n<ul>\n	<li>10 classic Waves plugins, heard on countless hit records</li>\n	<li>The warmth of analog, the precision of digital</li>\n	<li><span style=\"background-color: initial;\">Includes compressors, EQ, reverbs, bass enhancement and more</span></li>\n</ul>'),(12746,75,1,2125,'<h1>Waves Renaissance Maxx Plug-in Bundle</h1>\nIn the digital production environment, rich, warm sound is the holy grail. Renaissance Maxx delivers the warmth of vintage analog hardware with the flexibility and precision control of digital software. This is the classic Waves sound, heard on countless hit records and major motion pictures worldwide.<br/><br/>\n<ul>\n	<li>10 classic Waves plugins, heard on countless hit records</li>\n	<li>The warmth of analog, the precision of digital</li>\n	<li><span style=\"background-color: initial;\">Includes compressors, EQ, reverbs, bass enhancement and more</span></li>\n</ul>'),(12747,85,0,2125,'Waves Renaissance Maxx Plug-in Bundle'),(12748,85,1,2125,'Waves Renaissance Maxx Plug-in Bundle'),(12749,76,0,2125,''),(12750,76,1,2125,''),(12751,75,0,2126,'<h1>Waves Restoration Plug-in Bundle</h1>\n<div>\n	With five intuitive state-of-the-art noise reduction tools, Restoration includes everything you need to revive damaged recordings. Whether you are rejuvenating old vinyl and shellac discs, protecting archival and field recordings, or fixing deteriorating film and television soundtracks, Restoration is the solution.\n</div>\n<div>\n</div>\n<ul>\n	<li>Five intuitive audio plugins for noise reduction</li>\n	<li>Everything you need to revive damaged recordings</li>\n	<li>Includes Z-Noise, X-Noise, X-Hum, X-Click, and X-Crackle</li>\n</ul>'),(12752,75,1,2126,'<h1>Waves Restoration Plug-in Bundle</h1>\n<div>\n	With five intuitive state-of-the-art noise reduction tools, Restoration includes everything you need to revive damaged recordings. Whether you are rejuvenating old vinyl and shellac discs, protecting archival and field recordings, or fixing deteriorating film and television soundtracks, Restoration is the solution.\n</div>\n<div>\n</div>\n<ul>\n	<li>Five intuitive audio plugins for noise reduction</li>\n	<li>Everything you need to revive damaged recordings</li>\n	<li>Includes Z-Noise, X-Noise, X-Hum, X-Click, and X-Crackle</li>\n</ul>'),(12753,85,0,2126,'Waves Restoration Plug-in Bundle'),(12754,85,1,2126,'Waves Restoration Plug-in Bundle'),(12755,76,0,2126,''),(12756,76,1,2126,''),(12757,75,0,2127,'<h1>Waves SD7 Pro Show Plug-ins</h1>Featuring dual licenses for dual engine mirroring support, SD7 Pro Show \nincludes the entire Pro Show bundle, with over 120 SoundGrid-compatible \nplugins for live mixing with DiGiCo SD7 consoles.<br /><br /><div class=\"item-features\"><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Over 120 SoundGrid®-compatible plugins for DiGiCo SD7 consoles</li><li>Includes dual licenses for dual engine mirroring support</li><li>Features the API and SSL 4000 Collections, CLA Classic Compressors, JJP Analog Legends and more.</li></ul></div></div></div>'),(12758,75,1,2127,'<h1>Waves SD7 Pro Show Plug-ins</h1>Featuring dual licenses for dual engine mirroring support, SD7 Pro Show \nincludes the entire Pro Show bundle, with over 120 SoundGrid-compatible \nplugins for live mixing with DiGiCo SD7 consoles.<br /><br /><div class=\"item-features\"><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Over 120 SoundGrid®-compatible plugins for DiGiCo SD7 consoles</li><li>Includes dual licenses for dual engine mirroring support</li><li>Features the API and SSL 4000 Collections, CLA Classic Compressors, JJP Analog Legends and more.</li></ul></div></div></div>'),(12759,85,0,2127,'Waves SD7 Pro Show Plug-ins'),(12760,85,1,2127,'Waves SD7 Pro Show Plug-ins'),(12761,76,0,2127,''),(12762,76,1,2127,''),(12763,75,0,2128,'<h1>Waves Signature Series Bass and Drums Plugin Collection</h1>\n<div>Waves Signature Series Bass & Drums Collection, with nine custom processing chains created in collaboration with Chris Lord-Alge (Green Day, Nickelback, Creed, Daughtry, All American Rejects, Sum 41, Foo Fighters), Eddie Kramer (Jimi Hendrix, Led Zeppelin, The Rolling Stones, Kiss, David Bowie, Peter Frampton), Jack Joseph Puig (John Mayer, Lady Gaga, Snow Patrol, Counting Crows, Jellyfish, Goo Goo Dolls) and Tony Maserati (Tupac Shakur, Notorious BIG, Alicia Keys, Black Eyed Peas, Jason Mraz, Colbie Caillat). Over their years of experience, producing and mixing the world’s most successful recording artists, each has developed an extensive personal palette of processing techniques, which are encapsulated in their Signature Series plugins. These are their go-to bass and drum chains; now they can be yours.<br /><br />\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Nine multi-effect plugins for bass and drums</li><li>Created in collaboration with Chris Lord-Alge, Eddie Kramer, Jack Joseph Puig and Tony Maserati</li><li>Bring the sounds of top producers and engineers to your studio</li></ul></div></div><ul></ul>'),(12764,75,1,2128,'<h1>Waves Signature Series Bass and Drums Plugin Collection</h1>\n<div>Waves Signature Series Bass & Drums Collection, with nine custom processing chains created in collaboration with Chris Lord-Alge (Green Day, Nickelback, Creed, Daughtry, All American Rejects, Sum 41, Foo Fighters), Eddie Kramer (Jimi Hendrix, Led Zeppelin, The Rolling Stones, Kiss, David Bowie, Peter Frampton), Jack Joseph Puig (John Mayer, Lady Gaga, Snow Patrol, Counting Crows, Jellyfish, Goo Goo Dolls) and Tony Maserati (Tupac Shakur, Notorious BIG, Alicia Keys, Black Eyed Peas, Jason Mraz, Colbie Caillat). Over their years of experience, producing and mixing the world’s most successful recording artists, each has developed an extensive personal palette of processing techniques, which are encapsulated in their Signature Series plugins. These are their go-to bass and drum chains; now they can be yours.<br /><br />\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Nine multi-effect plugins for bass and drums</li><li>Created in collaboration with Chris Lord-Alge, Eddie Kramer, Jack Joseph Puig and Tony Maserati</li><li>Bring the sounds of top producers and engineers to your studio</li></ul></div></div><ul></ul>'),(12765,85,0,2128,'Waves Signature Series Bass and Drums Plugin Collection'),(12766,85,1,2128,'Waves Signature Series Bass and Drums Plugin Collection'),(12767,76,0,2128,''),(12768,76,1,2128,''),(12769,75,0,2129,'<h1>Waves Signature Series Vocals Plug-in Bundle</h1>\n<div>The Waves Signature Series Vocals Plug-in Bundle has 4 multi-effect plugins for mixing vocals, custom-made by the studio masters who recorded and mixed Led Zeppelin, Foo Fighters, Lady Gaga, U2 and Beyoncé.<br /><br />The Signature Series Vocal Collection brings together four custom vocal mixing chains, designed by leading producer/engineers Chris Lord-Alge (Bruce Springsteen, Green Day, Foo Fighters), Eddie Kramer (Jimi Hendrix, Led Zeppelin, Kiss), Jack Joseph Puig (U2, The Rolling Stones, Lady Gaga) and Tony Maserati (Beyoncé, Jay-Z, Black Eyed Peas).<br /><br />Through their years of experience producing and mixing the world’s biggest recording artists, each of these masters has developed an extensive palette of personal processing techniques, which are encapsulated in their Signature Series plugins.<br /><br />These are their go-to vocal chains; now they can be yours.</div>\n\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Four all-in-one multi-effect vocal plugins</li><li>Created in collaboration with Chris Lord-Alge, Eddie Kramer, Jack Joseph Puig and Tony Maserati</li><li>Bring the sounds of the leading engineers and producers to your studio</li></ul></div></div><ul></ul>'),(12770,75,1,2129,'<h1>Waves Signature Series Vocals Plug-in Bundle</h1>\n<div>The Waves Signature Series Vocals Plug-in Bundle has 4 multi-effect plugins for mixing vocals, custom-made by the studio masters who recorded and mixed Led Zeppelin, Foo Fighters, Lady Gaga, U2 and Beyoncé.<br /><br />The Signature Series Vocal Collection brings together four custom vocal mixing chains, designed by leading producer/engineers Chris Lord-Alge (Bruce Springsteen, Green Day, Foo Fighters), Eddie Kramer (Jimi Hendrix, Led Zeppelin, Kiss), Jack Joseph Puig (U2, The Rolling Stones, Lady Gaga) and Tony Maserati (Beyoncé, Jay-Z, Black Eyed Peas).<br /><br />Through their years of experience producing and mixing the world’s biggest recording artists, each of these masters has developed an extensive palette of personal processing techniques, which are encapsulated in their Signature Series plugins.<br /><br />These are their go-to vocal chains; now they can be yours.</div>\n\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Four all-in-one multi-effect vocal plugins</li><li>Created in collaboration with Chris Lord-Alge, Eddie Kramer, Jack Joseph Puig and Tony Maserati</li><li>Bring the sounds of the leading engineers and producers to your studio</li></ul></div></div><ul></ul>'),(12771,85,0,2129,'Waves Signature Series Vocals Plug-in Bundle'),(12772,85,1,2129,'Waves Signature Series Vocals Plug-in Bundle'),(12773,76,0,2129,''),(12774,76,1,2129,''),(12775,75,0,2130,'<h1>Waves Silver Plug-in Bundle</h1>\n<div>\n	Waves Silver Plug-in Bundle is an affordable collection designed with personal production studios in mind and <span style=\"background-color: initial;\">features 16 essential plug-ins for reverb, compression, equalization, level maximization, and more.  </span><span style=\"background-color: initial;\">Maybe you’ve got some tunes up online, and you’re starting to attract some real attention. Or your band is packing the clubs, and you’re ready to lay down some serious tracks—but you’re not ready to lay down serious bucks. W</span>hen it’s time to go pro, its time to go Silver.\n</div>\n<div>\n	<br/>\n</div>\n<div>\n</div>\n<ul>\n	<li>16 professional audio plugins for mixing, mastering and more</li>\n	<li>Affordable collection designed for personal production studios</li>\n	<li>Includes reverbs, compressors, equalizers, level maximizer and effects</li>\n</ul>'),(12776,75,1,2130,'<h1>Waves Silver Plug-in Bundle</h1>\n<div>\n	Waves Silver Plug-in Bundle is an affordable collection designed with personal production studios in mind and <span style=\"background-color: initial;\">features 16 essential plug-ins for reverb, compression, equalization, level maximization, and more.  </span><span style=\"background-color: initial;\">Maybe you’ve got some tunes up online, and you’re starting to attract some real attention. Or your band is packing the clubs, and you’re ready to lay down some serious tracks—but you’re not ready to lay down serious bucks. W</span>hen it’s time to go pro, its time to go Silver.\n</div>\n<div>\n	<br/>\n</div>\n<div>\n</div>\n<ul>\n	<li>16 professional audio plugins for mixing, mastering and more</li>\n	<li>Affordable collection designed for personal production studios</li>\n	<li>Includes reverbs, compressors, equalizers, level maximizer and effects</li>\n</ul>'),(12777,85,0,2130,'Waves Silver Plug-in Bundle'),(12778,85,1,2130,'Waves Silver Plug-in Bundle'),(12779,76,0,2130,''),(12780,76,1,2130,''),(12781,75,0,2131,'<h1>Waves Sound Design Suite</h1>\n<div>Waves Sound Design Suite has over 35 plugins hand-picked especially for sound designers and post production facilities, the Waves Sound Design Suite is a comprehensive and cost-effective collection of audio plugins that provides all the essentials—without breaking the bank. And to be sure we included the perfect plugins for sound design, Waves worked closely with two of the hardest-working pros in the business: movie maven Scott Martin Gershin (Star Trek, Hellboy 2, Chronicles of Riddick, American Beauty) and game guru Charles Deenen (Need for Speed, Fast & Furious 1 and 2).<br /><br />From conventional effects to creative sonic textures, the Sound Design Suite covers all your bases. With compression, EQ, pitch shifting, level maximization and more, you get everything needed to mold, modulate and mangle your sound.<br /><br />If you’ve been looking for an all-in-one, off-the-shelf audio processing solution, the Waves Sound Design Suite is it—no more mixing and matching plugins from different bundles.<br /><br />Whether you work in TV , movies, or games, the Waves Sound Design \nSuite gives you essential sound-shaping tools, for endless sound design \npossibilities.<br />\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Over 35 plugins for sound design and post production</li><li>Everything needed to mold, modulate and mangle your sound</li><li>All-in-one, off-the-shelf audio processing solution</li></ul></div><ul></ul>'),(12782,75,1,2131,'<h1>Waves Sound Design Suite</h1>\n<div>Waves Sound Design Suite has over 35 plugins hand-picked especially for sound designers and post production facilities, the Waves Sound Design Suite is a comprehensive and cost-effective collection of audio plugins that provides all the essentials—without breaking the bank. And to be sure we included the perfect plugins for sound design, Waves worked closely with two of the hardest-working pros in the business: movie maven Scott Martin Gershin (Star Trek, Hellboy 2, Chronicles of Riddick, American Beauty) and game guru Charles Deenen (Need for Speed, Fast & Furious 1 and 2).<br /><br />From conventional effects to creative sonic textures, the Sound Design Suite covers all your bases. With compression, EQ, pitch shifting, level maximization and more, you get everything needed to mold, modulate and mangle your sound.<br /><br />If you’ve been looking for an all-in-one, off-the-shelf audio processing solution, the Waves Sound Design Suite is it—no more mixing and matching plugins from different bundles.<br /><br />Whether you work in TV , movies, or games, the Waves Sound Design \nSuite gives you essential sound-shaping tools, for endless sound design \npossibilities.<br />\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Over 35 plugins for sound design and post production</li><li>Everything needed to mold, modulate and mangle your sound</li><li>All-in-one, off-the-shelf audio processing solution</li></ul></div><ul></ul>'),(12783,85,0,2131,'Waves Sound Design Suite'),(12784,85,1,2131,'Waves Sound Design Suite'),(12785,76,0,2131,''),(12786,76,1,2131,''),(12787,75,0,2132,'<h1>Waves SSL 4000 Collection</h1>The SSL 4000 Collection includes four plugins meticulously modeled on the legendary SSL 4000 mixing consoles: SSL E-Channel, G-Channel, G-Equalizer and G-Master Buss Compressor.<br /><br />These plugins sound so close to the original consoles, even experts who work with SSL boards day in and day out can’t tell the difference. With the EQ and dynamics of the vintage SSL mixers at your fingertips, you can now give your mixes the SSL sound of the big studios.<br /><br />Founded in the U.K. in 1969, Solid State Logic currently has over 3,000 SSL consoles in active use around the world. SSL’s reputation for hit-making sound is unsurpassed, having been used on hit recordings by Beyoncé, Bruce Springsteen, Taylor Swift, Madonna, the Rolling Stones, Sia and hundreds of others. Of all these consoles, the SSL 4000 may be the most famous. With the Waves SSL 4000 Collection, the classic SSL 4000 sound can now be yours.<br /><br />\n<h3>SSL 4000 Plug-in Bundle Includes:</h3>\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Four plugins modeled on the legendary SSL 4000 mixing consoles</li><li>Includes the EQ and dynamics sections of the SSL 4000 E and G series consoles</li><li>Developed under license from Solid State Logic</li><li>Includes presets from Grammy®-winning producers & engineers: Chris Lord-Alge, Dave Pensado, Steve Lillywhite and many more</li><li>All plugins also included in Studio Classics Collection </li></ul></div><ul></ul>'),(12788,75,1,2132,'<h1>Waves SSL 4000 Collection</h1>The SSL 4000 Collection includes four plugins meticulously modeled on the legendary SSL 4000 mixing consoles: SSL E-Channel, G-Channel, G-Equalizer and G-Master Buss Compressor.<br /><br />These plugins sound so close to the original consoles, even experts who work with SSL boards day in and day out can’t tell the difference. With the EQ and dynamics of the vintage SSL mixers at your fingertips, you can now give your mixes the SSL sound of the big studios.<br /><br />Founded in the U.K. in 1969, Solid State Logic currently has over 3,000 SSL consoles in active use around the world. SSL’s reputation for hit-making sound is unsurpassed, having been used on hit recordings by Beyoncé, Bruce Springsteen, Taylor Swift, Madonna, the Rolling Stones, Sia and hundreds of others. Of all these consoles, the SSL 4000 may be the most famous. With the Waves SSL 4000 Collection, the classic SSL 4000 sound can now be yours.<br /><br />\n<h3>SSL 4000 Plug-in Bundle Includes:</h3>\n<ul></ul><div class=\"item-features\"><ul class=\"list-arrows\"><li>Four plugins modeled on the legendary SSL 4000 mixing consoles</li><li>Includes the EQ and dynamics sections of the SSL 4000 E and G series consoles</li><li>Developed under license from Solid State Logic</li><li>Includes presets from Grammy®-winning producers & engineers: Chris Lord-Alge, Dave Pensado, Steve Lillywhite and many more</li><li>All plugins also included in Studio Classics Collection </li></ul></div><ul></ul>'),(12789,85,0,2132,'Waves SSL 4000 Collection'),(12790,85,1,2132,'Waves SSL 4000 Collection'),(12791,76,0,2132,''),(12792,76,1,2132,''),(12793,75,0,2133,'<h1>Waves SSL 4000 Collection Plug-in Bundle</h1>\n<div>\n	Developed under license from Solid State Logic, the SSL 4000 Collection includes four meticulously modeled plugins based on the legendary SSL 4000 Series: the SSL E-Channel, the SSL G-Master Buss Compressor, the SSL G-Equalizer and the G-Channel.<br/><br/>These plugins sound so close to the original consoles, even experts who work with SSL boards day in and day out can’t tell the difference.\n</div>\n<div>\n</div>\n<ul>\n	<li>Four plugins meticulously modeled on the legendary SSL 4000 Series</li>\n	<li>Developed under license from Solid State Logic</li>\n	<li>Includes presets from Grammy® award-winning mixer Chris Lord-Alge</li>\n</ul>'),(12794,75,1,2133,'<h1>Waves SSL 4000 Collection Plug-in Bundle</h1>\n<div>\n	Developed under license from Solid State Logic, the SSL 4000 Collection includes four meticulously modeled plugins based on the legendary SSL 4000 Series: the SSL E-Channel, the SSL G-Master Buss Compressor, the SSL G-Equalizer and the G-Channel.<br/><br/>These plugins sound so close to the original consoles, even experts who work with SSL boards day in and day out can’t tell the difference.\n</div>\n<div>\n</div>\n<ul>\n	<li>Four plugins meticulously modeled on the legendary SSL 4000 Series</li>\n	<li>Developed under license from Solid State Logic</li>\n	<li>Includes presets from Grammy® award-winning mixer Chris Lord-Alge</li>\n</ul>'),(12795,85,0,2133,'Waves SSL 4000 Collection Plug-in Bundle'),(12796,85,1,2133,'Waves SSL 4000 Collection Plug-in Bundle'),(12797,76,0,2133,''),(12798,76,1,2133,''),(12799,75,0,2134,'<h1>Waves Studio Classics Collection</h1>\nWhen it comes to audio hardware modeling, Waves sets the standard to which others aspire. Our plugins don’t just mimic components and circuit schematics; they recreate every last nuance of actual hardware behavior.\n<br/><br/>\nNow, Waves has captured the most respected recording consoles in the world.<br/><br/>\nThe big budget studio sound.<br/>\nThe consoles that made music history.<br/>\nTogether, in one collection.<br/><br/>\n<h3>Studio Classics Key Features</h3>\n<ul>\n	<li>11 meticulously-modeled audio plugins</li>\n	<li>Based on the gear that helped make recording history</li>\n	<li>Includes SSL 4000 Collection, V-Series and The API Collection</li>\n</ul>\n<br/>\n<h3>SSL 4000 Collection</h3>\nFounded in 1969 in the UK, Solid State Logic currently has over 3,000 SSL systems in active use around the world. SSL’s reputation for hit-making sound is unsurpassed, having been used on number one records by artists such as Sting, Whitney Houston, Blur, Phil Collins, and hundreds of others.\n<br/><br/>\nOf all these consoles, the Solid State Logic SL4000 is perhaps the most famous, having literally defined the music of the \'80s and beyond. The SL4000 was the first widely adopted board with Total Recall automation. In 1981, the SSL4000 even received the Queen\'s Award for Export Achievement.<br/><br/>\n<h3>V-Series</h3>\nIn the 1970s, engineers knew that there was nothing quite like the sound of the 1066, 1073, 1081, and 2254, heard on so many monster hits of that celebrated era. Modules like the 1073 and the 1081 were studio mainstays, and were considered indispensible tools for top 40 singles and those epic albums of the classic rock heyday.\n<br/><br/>\nEach especially suited for a particular recording, mixing, or mastering task, these four units represented the state of the art in their time, and engineers have sought to recreate that sound ever since.<br/><br/>\n<h3>The API Collection</h3>\nFrom its beginnings in 1968, the API sound quickly became the favorite of recording and broadcast engineers. There are currently over 700 API consoles around the world, including the three major U.S. television networks. Over thirty years later, many of these consoles are still in daily use in some of the most prestigious recording and broadcast facilities in the world.\n<br/><br/>\nThe API 550A, 550B, and 560 equalizers are the go-to units for many classic contemporary hits from artists as wide-ranging as Heart, Avril LaVigne, and the Red Hot Chili Peppers.'),(12800,75,1,2134,'<h1>Waves Studio Classics Collection</h1>\nWhen it comes to audio hardware modeling, Waves sets the standard to which others aspire. Our plugins don’t just mimic components and circuit schematics; they recreate every last nuance of actual hardware behavior.\n<br/><br/>\nNow, Waves has captured the most respected recording consoles in the world.<br/><br/>\nThe big budget studio sound.<br/>\nThe consoles that made music history.<br/>\nTogether, in one collection.<br/><br/>\n<h3>Studio Classics Key Features</h3>\n<ul>\n	<li>11 meticulously-modeled audio plugins</li>\n	<li>Based on the gear that helped make recording history</li>\n	<li>Includes SSL 4000 Collection, V-Series and The API Collection</li>\n</ul>\n<br/>\n<h3>SSL 4000 Collection</h3>\nFounded in 1969 in the UK, Solid State Logic currently has over 3,000 SSL systems in active use around the world. SSL’s reputation for hit-making sound is unsurpassed, having been used on number one records by artists such as Sting, Whitney Houston, Blur, Phil Collins, and hundreds of others.\n<br/><br/>\nOf all these consoles, the Solid State Logic SL4000 is perhaps the most famous, having literally defined the music of the \'80s and beyond. The SL4000 was the first widely adopted board with Total Recall automation. In 1981, the SSL4000 even received the Queen\'s Award for Export Achievement.<br/><br/>\n<h3>V-Series</h3>\nIn the 1970s, engineers knew that there was nothing quite like the sound of the 1066, 1073, 1081, and 2254, heard on so many monster hits of that celebrated era. Modules like the 1073 and the 1081 were studio mainstays, and were considered indispensible tools for top 40 singles and those epic albums of the classic rock heyday.\n<br/><br/>\nEach especially suited for a particular recording, mixing, or mastering task, these four units represented the state of the art in their time, and engineers have sought to recreate that sound ever since.<br/><br/>\n<h3>The API Collection</h3>\nFrom its beginnings in 1968, the API sound quickly became the favorite of recording and broadcast engineers. There are currently over 700 API consoles around the world, including the three major U.S. television networks. Over thirty years later, many of these consoles are still in daily use in some of the most prestigious recording and broadcast facilities in the world.\n<br/><br/>\nThe API 550A, 550B, and 560 equalizers are the go-to units for many classic contemporary hits from artists as wide-ranging as Heart, Avril LaVigne, and the Red Hot Chili Peppers.'),(12801,85,0,2134,'Waves Classic Studio Collection'),(12802,85,1,2134,'Waves Classic Studio Collection'),(12803,76,0,2134,''),(12804,76,1,2134,''),(12805,75,0,2135,'<h1>Waves Tape, Tubes & Transistors Plugin Bundle</h1>Waves Tape, Tubes & Transistors Plugin Bundle was developed in association with Eddie Kramer, Tape, Tubes & \nTransistors features three meticulously-modeled vintage plugins: Kramer \nMaster Tape, HLS Channel, and PIE Compressor. Together, they recreate \nEddie’s golden audio chain, which he used to record musical icons like \nJimi Hendrix, Led Zeppelin, and The Beatles. Now, the legendary sound of\n London\'s Olympic Studios can be yours—with Tape, Tubes & \nTransistors.<br /><br />\n<div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Three meticulously-modeled plugins</li><li>Recreates the golden recording chain used by Eddie Kramer at London\'s Olympic Studios</li><li>Includes Kramer Master Tape, HLS Channel and PIE Compressor</li></ul></div></div>'),(12806,75,1,2135,'<h1>Waves Tape, Tubes & Transistors Plugin Bundle</h1>Waves Tape, Tubes & Transistors Plugin Bundle was developed in association with Eddie Kramer, Tape, Tubes & \nTransistors features three meticulously-modeled vintage plugins: Kramer \nMaster Tape, HLS Channel, and PIE Compressor. Together, they recreate \nEddie’s golden audio chain, which he used to record musical icons like \nJimi Hendrix, Led Zeppelin, and The Beatles. Now, the legendary sound of\n London\'s Olympic Studios can be yours—with Tape, Tubes & \nTransistors.<br /><br />\n<div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Three meticulously-modeled plugins</li><li>Recreates the golden recording chain used by Eddie Kramer at London\'s Olympic Studios</li><li>Includes Kramer Master Tape, HLS Channel and PIE Compressor</li></ul></div></div>'),(12807,85,0,2135,'Waves Tape, Tubes & Transistors Plugin Bundle'),(12808,85,1,2135,'Waves Tape, Tubes & Transistors Plugin Bundle'),(12809,76,0,2135,''),(12810,76,1,2135,''),(12811,75,0,2136,'<h1>Waves Tony Maserati Signature Collection Plug-In Bundle</h1>\nThe Waves Tony Maserati Signature Collection, designed with Multi-Platinum mixing engineer Tony Maserati, takes the Waves Signature Series to a new level with seven plugins that bring his unique sound to your studio. When you’re ready for the hit sound, get on the fast track with Maserati’s custom-built high performance processing chains.<br/><br/>\n<ul>\n	<li>Seven all-in-one multi-effect processing chains</li>\n	<li>Created in collaboration with multi-Platinum mixer Tony Maserati</li>\n	<li>Dedicated plugins for vocals, guitars, bass, drums and more</li>\n</ul>\n<h3>Tony Maserati Signature Collection Includes:</h3>\n<ul>\n	<li>Maserati ACG</li>\n	<li>Maserati B72</li>\n	<li>Maserati DRM</li>\n	<li>Maserati GRP</li>\n	<li>Maserati GTi</li>\n	<li>Maserati HMX</li>\n	<li>Maserati VX1</li>\n</ul>'),(12812,75,1,2136,'<h1>Waves Tony Maserati Signature Collection Plug-In Bundle</h1>\nThe Waves Tony Maserati Signature Collection, designed with Multi-Platinum mixing engineer Tony Maserati, takes the Waves Signature Series to a new level with seven plugins that bring his unique sound to your studio. When you’re ready for the hit sound, get on the fast track with Maserati’s custom-built high performance processing chains.<br/><br/>\n<ul>\n	<li>Seven all-in-one multi-effect processing chains</li>\n	<li>Created in collaboration with multi-Platinum mixer Tony Maserati</li>\n	<li>Dedicated plugins for vocals, guitars, bass, drums and more</li>\n</ul>\n<h3>Tony Maserati Signature Collection Includes:</h3>\n<ul>\n	<li>Maserati ACG</li>\n	<li>Maserati B72</li>\n	<li>Maserati DRM</li>\n	<li>Maserati GRP</li>\n	<li>Maserati GTi</li>\n	<li>Maserati HMX</li>\n	<li>Maserati VX1</li>\n</ul>'),(12813,85,0,2136,'Waves Tony Maserati Signature Collection Plug-In Bundle'),(12814,85,1,2136,'Waves Tony Maserati Signature Collection Plug-In Bundle'),(12815,76,0,2136,''),(12816,76,1,2136,''),(12817,75,0,2137,'<h1>Waves TRACT System Calibration + Smaart Di v2</h1>\n<div>Waves TRACT System Calibration + Smaart Di v2, get any sound system balanced and ready for mixing, quickly and easily. This bundle includes the TRACT plugin and Rational Acoustics’ Smaart Di v2 audio analysis software: the essential tools you need to accurately EQ and time-align your sound system.<br /><br />Since all sound systems behave differently in each environment, we need to calibrate our system before mixing; in a live setting, this is known as tuning the PA. However, access to a venue’s system processors is often limited and there’s limited time before sound check. On these occasions especially, TRACT will be invaluable.<br /><br />The TRACT plugin calculates a corrective FIR EQ curve and time alignment corrections to calibrate your system, using data measured by Smaart Di v2 or Smaart v8. The plugin lets you take and merge up to 8 measurement snapshots of your system, create a reference curve as the basis for EQ corrections, and quickly generate a corrective FIR EQ curve. Once the FIR EQ is created, you can manipulate its frequency and amplitude ranges, as well as supplement it with 8 bands of IIR EQ filters.<br /><br />This bundle also includes Rational Acoustics’ industry-standard Smaart Di v2 audio analysis software. Smaart Di v2 features a dual-channel iteration of Smaart’s trusted Spectrum and Transfer Function engines, relied upon by audio professionals around the world.<br /><br />TRACT’s minimal phase FIR component runs at very low latency and with low phase distortion, and includes a linear-phase FIR component. You can use it live with any console (via Waves MultiRack), with the eMotion LV1 live mixer, or you can run it within any major DAW.<br /><br />With TRACT and Smaart Di v2, you can quickly get any sound system to sound its best, providing a well-balanced foundation for happy mixing.<br />\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>All-in-one software solution to quickly tune a sound system</li><li>Includes TRACT EQ auto-correction/time-alignment tool and Smaart Di v2 audio analysis software</li><li>Designed for live and studio use</li><li>TRACT runs in <a class=\"blue9-link\" href=\"https://www.waves.com/mixers-racks/multirack\" title=\"MultiRack\">MultiRack</a>, <a class=\"blue9-link\" href=\"https://www.waves.com/mixers-racks/emotion-lv1\" title=\"eMotion LV1 mixer\">eMotion LV1</a>, or any major DAW</li><li>Create a corrective FIR EQ curve to balance your system’s EQ</li><li>Capture and merge up to 8 snapshots of measured response signals</li><li>TRACT includes minimal-phase FIR and linear-phase FIR components</li><li>8 bands of industry-standard IIR EQ filters</li><li>Easily calculate and add delay to time-align a sound system</li><li>Sub zoom gives you a closer look at the crossover point while phase-aligning subs</li><li>TRACT can be used on its own as a high-quality 8-band equalizer</li></ul></div></div></div><ul></ul>'),(12818,75,1,2137,'<h1>Waves TRACT System Calibration + Smaart Di v2</h1>\n<div>Waves TRACT System Calibration + Smaart Di v2, get any sound system balanced and ready for mixing, quickly and easily. This bundle includes the TRACT plugin and Rational Acoustics’ Smaart Di v2 audio analysis software: the essential tools you need to accurately EQ and time-align your sound system.<br /><br />Since all sound systems behave differently in each environment, we need to calibrate our system before mixing; in a live setting, this is known as tuning the PA. However, access to a venue’s system processors is often limited and there’s limited time before sound check. On these occasions especially, TRACT will be invaluable.<br /><br />The TRACT plugin calculates a corrective FIR EQ curve and time alignment corrections to calibrate your system, using data measured by Smaart Di v2 or Smaart v8. The plugin lets you take and merge up to 8 measurement snapshots of your system, create a reference curve as the basis for EQ corrections, and quickly generate a corrective FIR EQ curve. Once the FIR EQ is created, you can manipulate its frequency and amplitude ranges, as well as supplement it with 8 bands of IIR EQ filters.<br /><br />This bundle also includes Rational Acoustics’ industry-standard Smaart Di v2 audio analysis software. Smaart Di v2 features a dual-channel iteration of Smaart’s trusted Spectrum and Transfer Function engines, relied upon by audio professionals around the world.<br /><br />TRACT’s minimal phase FIR component runs at very low latency and with low phase distortion, and includes a linear-phase FIR component. You can use it live with any console (via Waves MultiRack), with the eMotion LV1 live mixer, or you can run it within any major DAW.<br /><br />With TRACT and Smaart Di v2, you can quickly get any sound system to sound its best, providing a well-balanced foundation for happy mixing.<br />\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>All-in-one software solution to quickly tune a sound system</li><li>Includes TRACT EQ auto-correction/time-alignment tool and Smaart Di v2 audio analysis software</li><li>Designed for live and studio use</li><li>TRACT runs in <a class=\"blue9-link\" href=\"https://www.waves.com/mixers-racks/multirack\" title=\"MultiRack\">MultiRack</a>, <a class=\"blue9-link\" href=\"https://www.waves.com/mixers-racks/emotion-lv1\" title=\"eMotion LV1 mixer\">eMotion LV1</a>, or any major DAW</li><li>Create a corrective FIR EQ curve to balance your system’s EQ</li><li>Capture and merge up to 8 snapshots of measured response signals</li><li>TRACT includes minimal-phase FIR and linear-phase FIR components</li><li>8 bands of industry-standard IIR EQ filters</li><li>Easily calculate and add delay to time-align a sound system</li><li>Sub zoom gives you a closer look at the crossover point while phase-aligning subs</li><li>TRACT can be used on its own as a high-quality 8-band equalizer</li></ul></div></div></div><ul></ul>'),(12819,85,0,2137,'Waves TRACT System Calibration + Smaart Di v2'),(12820,85,1,2137,'Waves TRACT System Calibration + Smaart Di v2'),(12821,76,0,2137,''),(12822,76,1,2137,''),(12823,75,0,2138,'<h1>Waves Transform Plug-in Bundle</h1>\n<div>\n	You want to push the envelope. Take creative control. And twist your sound inside out like never before. You need Transform, five state-of-the-art processors that let you stretch and manipulate time, pitch, dimension, and punch. <br/><br/>Get ready for sonic metamorphosis. Get ready for Transform.<br/><br/>\n</div>\n<div>\n</div>\n<ul>\n	<li>Five innovative audio plugins</li>\n	<li>Stretch and manipulate time, pitch, dimension, dynamics, and punch</li>\n	<li>Includes Trans-X, SoundShifter, Morphoder, Doubler, and Renaissance Axx</li>\n</ul>'),(12824,75,1,2138,'<h1>Waves Transform Plug-in Bundle</h1>\n<div>\n	You want to push the envelope. Take creative control. And twist your sound inside out like never before. You need Transform, five state-of-the-art processors that let you stretch and manipulate time, pitch, dimension, and punch. <br/><br/>Get ready for sonic metamorphosis. Get ready for Transform.<br/><br/>\n</div>\n<div>\n</div>\n<ul>\n	<li>Five innovative audio plugins</li>\n	<li>Stretch and manipulate time, pitch, dimension, dynamics, and punch</li>\n	<li>Includes Trans-X, SoundShifter, Morphoder, Doubler, and Renaissance Axx</li>\n</ul>'),(12825,85,0,2138,'Waves Transform Plug-in Bundle'),(12826,85,1,2138,'Waves Transform Plug-in Bundle'),(12827,76,0,2138,''),(12828,76,1,2138,''),(12829,75,0,2139,'<h1>Waves V-Series Plug-in Bundle</h1>Waves V-Series consits of three \nstate-of-the-art, vintage-modeled EQ and compression plugins, bringing \nthe big-budget sound of the world\'s most prestigious recording studios \nto your DAW.<br /><br />The legendary console sound, sought after by \nengineers and mixers around the world for over half a century, is now at\n your fingertips in the V-Series bundle. The original units are known \nfor their unique, transformer-driven sound which, when pushed, imparts a\n rich and “big” analog vibe to recordings – a tone that shaped \ngenerations of popular music.<br /><br />The V-Series includes three plugins: two EQs and one compressor.<br /><br />The\n V-EQ3 is an accurate emulation of the 1066 and 1073 console EQs with \nClass A circuit designs, while the V-EQ4 is modeled after the 1081 \nmodel’s Class AB design. Both EQs provide distinctively rich tonal color\n to any music being run through them, even when using very slight EQ \nmoves. The two models boast a unique ability to enhance the mid-range, \nadd high-end sparkle, and give “body” to the source.<br /><br />The V-Comp \nis modeled after the discrete Class A circuit design of the classic 2254\n console compressor. Using time constants and a fixed nominal output \ngain, the creamy tone of the unit is a known classic for gluing mixes \ntogether and providing a thick and “round” sound to recordings.<br /><br />\n<div class=\"item-features\"><ul class=\"list-arrows\"><li>Three state-of-the-art vintage models</li><li>Based on the legendary 1066, 1073, 1081 and 2254 modules</li><li>The big budget sound—at your fingertips</li><li>All plugins also included in <a href=\"https://www.waves.com/bundles/gold\" class=\"blue9-link\">Gold</a></li></ul></div>'),(12830,75,1,2139,'<h1>Waves V-Series Plug-in Bundle</h1>Waves V-Series consits of three \nstate-of-the-art, vintage-modeled EQ and compression plugins, bringing \nthe big-budget sound of the world\'s most prestigious recording studios \nto your DAW.<br /><br />The legendary console sound, sought after by \nengineers and mixers around the world for over half a century, is now at\n your fingertips in the V-Series bundle. The original units are known \nfor their unique, transformer-driven sound which, when pushed, imparts a\n rich and “big” analog vibe to recordings – a tone that shaped \ngenerations of popular music.<br /><br />The V-Series includes three plugins: two EQs and one compressor.<br /><br />The\n V-EQ3 is an accurate emulation of the 1066 and 1073 console EQs with \nClass A circuit designs, while the V-EQ4 is modeled after the 1081 \nmodel’s Class AB design. Both EQs provide distinctively rich tonal color\n to any music being run through them, even when using very slight EQ \nmoves. The two models boast a unique ability to enhance the mid-range, \nadd high-end sparkle, and give “body” to the source.<br /><br />The V-Comp \nis modeled after the discrete Class A circuit design of the classic 2254\n console compressor. Using time constants and a fixed nominal output \ngain, the creamy tone of the unit is a known classic for gluing mixes \ntogether and providing a thick and “round” sound to recordings.<br /><br />\n<div class=\"item-features\"><ul class=\"list-arrows\"><li>Three state-of-the-art vintage models</li><li>Based on the legendary 1066, 1073, 1081 and 2254 modules</li><li>The big budget sound—at your fingertips</li><li>All plugins also included in <a href=\"https://www.waves.com/bundles/gold\" class=\"blue9-link\">Gold</a></li></ul></div>'),(12831,85,0,2139,'Waves V-Series Plugin Bundle'),(12832,85,1,2139,'Waves V-Series Plugin Bundle'),(12833,76,0,2139,''),(12834,76,1,2139,''),(12835,75,0,2140,'<h1>Waves Video Design Suite</h1>\n<div>Waves Video Design Suite lets p0rofessional video editors know that first impressions are lasting \nimpressions. With producers and clients focused on every frame, even \nyour rough cuts have to win them over. That means when you hit play, \nwhat comes out of your speakers has to be every bit as good as what’s up\n on the screen. <br /><br /> With the Waves Video Sound Suite of audio \nplugins, now you can sound as good as you look, quickly and easily. \nUsing the same plugins as the industry’s leading movie and game audio \nprofessionals, you can do it all: Reduce noise. Clean up and enhance \ndialog. Smooth out and maximize volume. Re-create room acoustics and \nmore. <br /><br /> Video Sound Suite integrates seamlessly into Avid Media \nComposer 5, Apple Soundtrack Pro, and Sony Vegas. Because they’re \nreal-time plugins, it’s no longer necessary to render or create new \nfiles for every audio adjustment, and making audio changes weeks or \nmonths later is a breeze.\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Six essential audio plugins</li><li>For professional and aspiring video editors alike</li><li>Plugins integrate seamlessly into all major video editing software</li></ul></div></div><ul></ul>'),(12836,75,1,2140,'<h1>Waves Video Design Suite</h1>\n<div>Waves Video Design Suite lets p0rofessional video editors know that first impressions are lasting \nimpressions. With producers and clients focused on every frame, even \nyour rough cuts have to win them over. That means when you hit play, \nwhat comes out of your speakers has to be every bit as good as what’s up\n on the screen. <br /><br /> With the Waves Video Sound Suite of audio \nplugins, now you can sound as good as you look, quickly and easily. \nUsing the same plugins as the industry’s leading movie and game audio \nprofessionals, you can do it all: Reduce noise. Clean up and enhance \ndialog. Smooth out and maximize volume. Re-create room acoustics and \nmore. <br /><br /> Video Sound Suite integrates seamlessly into Avid Media \nComposer 5, Apple Soundtrack Pro, and Sony Vegas. Because they’re \nreal-time plugins, it’s no longer necessary to render or create new \nfiles for every audio adjustment, and making audio changes weeks or \nmonths later is a breeze.\n</div>\n<div>\n</div>\n<ul></ul><div class=\"item-features\"><div class=\"item-features\"><ul class=\"list-arrows\"><li>Six essential audio plugins</li><li>For professional and aspiring video editors alike</li><li>Plugins integrate seamlessly into all major video editing software</li></ul></div></div><ul></ul>'),(12837,85,0,2140,'Waves Video Sound Suite'),(12838,85,1,2140,'Waves Video Sound Suite'),(12839,76,0,2140,''),(12840,76,1,2140,''),(12841,75,0,2141,'<h1>Waves Vocal Plug-in Bundle</h1>\n<div>\n	Ask any producer or engineer. They’ll tell you the most important part of any record is the vocal. It’s got to be powerful. It’s got to be commanding. It’s got to be just right. Waves Vocal bundle is the ultimate vocal toolkit, made up of 6 powerful plugins, including Waves Tune for pitch correction and transformation, and DeBreath, which removes unwanted breath sounds—automatically.<br/><br/>\n</div>\n<div>\n</div>\n<ul>\n	<li>Six powerful vocal plugins</li>\n	<li>For pitch correction, breath reduction, dynamics, de-essing, and doubling</li>\n	<li>Includes Waves Tune, DeBreath, Renaissance Channel and more</li>\n</ul>\n<h2></h2>'),(12842,75,1,2141,'<h1>Waves Vocal Plug-in Bundle</h1>\n<div>\n	Ask any producer or engineer. They’ll tell you the most important part of any record is the vocal. It’s got to be powerful. It’s got to be commanding. It’s got to be just right. Waves Vocal bundle is the ultimate vocal toolkit, made up of 6 powerful plugins, including Waves Tune for pitch correction and transformation, and DeBreath, which removes unwanted breath sounds—automatically.<br/><br/>\n</div>\n<div>\n</div>\n<ul>\n	<li>Six powerful vocal plugins</li>\n	<li>For pitch correction, breath reduction, dynamics, de-essing, and doubling</li>\n	<li>Includes Waves Tune, DeBreath, Renaissance Channel and more</li>\n</ul>\n<h2></h2>'),(12843,85,0,2141,'Waves Vocal Plug-in Bundle'),(12844,85,1,2141,'Waves Vocal Plug-in Bundle'),(12845,76,0,2141,''),(12846,76,1,2141,''),(12847,75,0,2142,'<h1></h1>\n<h1>Waves Vocal Rider</h1>\n	Waves Vocal Rider is a true timesaver, this plugin adjusts your vocal levels automatically, saving you the need to draw each level change in your DAW or manually ride faders.\n<br /><br />\nAll you need to do is set the target range of the vocal level in relation to the rest of the mix. Then, Vocal Rider compensates for all deviations from the target, intelligently raising or lowering the vocal gain, instantly. And unlike compression, Vocal Rider adds absolutely no coloring to the vocal track.<br /><br />\nVocal Rider also has a Live component with an exclusive Spill control to differentiate the vocal from background instrumentation and noise, for better tracking and performance\n<br />\n<br />\n<h3>Vocal Rider Key Features</h3>\n<ul>\n	<li>Keep steady vocal & dialog levels automatically</li>\n	<li>Save time by automating the vocal riding part of the mixing process</li>\n	<li>Write the automatic riding to an automation track for fine tuning</li>\n	<li>Real-Time means no latency and no pre-scan needed</li>\n	<li>Dedicated Vocal Rider Live component</li>\n</ul>\n<br />'),(12848,75,1,2142,'<h1></h1>\n<h1>Waves Vocal Rider</h1>\n	Waves Vocal Rider is a true timesaver, this plugin adjusts your vocal levels automatically, saving you the need to draw each level change in your DAW or manually ride faders.\n<br /><br />\nAll you need to do is set the target range of the vocal level in relation to the rest of the mix. Then, Vocal Rider compensates for all deviations from the target, intelligently raising or lowering the vocal gain, instantly. And unlike compression, Vocal Rider adds absolutely no coloring to the vocal track.<br /><br />\nVocal Rider also has a Live component with an exclusive Spill control to differentiate the vocal from background instrumentation and noise, for better tracking and performance\n<br />\n<br />\n<h3>Vocal Rider Key Features</h3>\n<ul>\n	<li>Keep steady vocal & dialog levels automatically</li>\n	<li>Save time by automating the vocal riding part of the mixing process</li>\n	<li>Write the automatic riding to an automation track for fine tuning</li>\n	<li>Real-Time means no latency and no pre-scan needed</li>\n	<li>Dedicated Vocal Rider Live component</li>\n</ul>\n<br />'),(12849,85,0,2142,'Waves Vocal Rider'),(12850,85,1,2142,'Waves Vocal Rider'),(12851,76,0,2142,''),(12852,76,1,2142,''),(12853,75,0,2143,'<h1>Waves W43 Noise Reduction Plug-in</h1>\n	Ambient noise: Hiss. Hum. Traffic. Wind. Air conditioning. They can all wreak havoc on dialog tracks. With Waves W43, they’re a thing of the past.\n<br/><br/>\nInspired by the renowned CAT 43, the W43 noise reduction plugin builds upon the legacy of the popular unit that’s been a post production favorite for decades. With four fixed frequency bands, the W43 is an affordable, easy-to-use plugin which delivers high quality, minimal artifact noise reduction like the original hardware, while adding all the advantages of software.<br/><br/>\nWorking post professionals know you can never have too many noise suppression tools, since different technologies excel at different tasks. With the W43 in your tool set, you’ll be ready for any noisy dialog that comes your way.<br/><br/>\n<ul>\n	<li>Affordable and easy-to-use</li>\n	<li>Zero latency for perfect picture sync</li>\n	<li>Multiple simultaneous instances</li>\n</ul>'),(12854,75,1,2143,'<h1>Waves W43 Noise Reduction Plug-in</h1>\n	Ambient noise: Hiss. Hum. Traffic. Wind. Air conditioning. They can all wreak havoc on dialog tracks. With Waves W43, they’re a thing of the past.\n<br/><br/>\nInspired by the renowned CAT 43, the W43 noise reduction plugin builds upon the legacy of the popular unit that’s been a post production favorite for decades. With four fixed frequency bands, the W43 is an affordable, easy-to-use plugin which delivers high quality, minimal artifact noise reduction like the original hardware, while adding all the advantages of software.<br/><br/>\nWorking post professionals know you can never have too many noise suppression tools, since different technologies excel at different tasks. With the W43 in your tool set, you’ll be ready for any noisy dialog that comes your way.<br/><br/>\n<ul>\n	<li>Affordable and easy-to-use</li>\n	<li>Zero latency for perfect picture sync</li>\n	<li>Multiple simultaneous instances</li>\n</ul>'),(12855,85,0,2143,'Waves W43 Noise Reduction Plug-in'),(12856,85,1,2143,'Waves W43 Noise Reduction Plug-in'),(12857,76,0,2143,''),(12858,76,1,2143,''),(12859,75,0,2144,'<h1>Waves WNS Noise Suppressor Plug-in</h1>\nWaves WNS  Noise Suppressor is a real-time noise reduction plugin for cleaning dialog tracks suitable for both indoor and location recordings with constant or modulating environment noise. WNS was precision-engineered to reduce noise from dialog, narration, voiceovers and broadcast, with minimal artifacts. WNS features six adjustable bands and a large graphic display which helps you identify problem frequencies, plus an exclusive “Suggest” feature which uses cutting-edge technology to analyze signal noise, then automatically adjust the plugin parameters to provide an optimized starting point.<br/><br/>\nDesigned from the ground up especially for Post professionals, the workflow, approach, and interface of the WNS will be immediately familiar to Post engineers. WNS offers all the flexibility, portability, power, and precision of software, like true Pro Tools integration, multiple simultaneous instances, and full automation.'),(12860,75,1,2144,'<h1>Waves WNS Noise Suppressor Plug-in</h1>\nWaves WNS  Noise Suppressor is a real-time noise reduction plugin for cleaning dialog tracks suitable for both indoor and location recordings with constant or modulating environment noise. WNS was precision-engineered to reduce noise from dialog, narration, voiceovers and broadcast, with minimal artifacts. WNS features six adjustable bands and a large graphic display which helps you identify problem frequencies, plus an exclusive “Suggest” feature which uses cutting-edge technology to analyze signal noise, then automatically adjust the plugin parameters to provide an optimized starting point.<br/><br/>\nDesigned from the ground up especially for Post professionals, the workflow, approach, and interface of the WNS will be immediately familiar to Post engineers. WNS offers all the flexibility, portability, power, and precision of software, like true Pro Tools integration, multiple simultaneous instances, and full automation.'),(12861,85,0,2144,'Waves WNS  Noise Suppressor Plug-in'),(12862,85,1,2144,'Waves WNS  Noise Suppressor Plug-in'),(12863,76,0,2144,''),(12864,76,1,2144,''),(12865,75,0,2145,'<h2>Yamaha MMP1 Studio Monitor Management System </h2>\n<i>Powerful 40 x 36 channel monitor management system that can handle stereo, 5.1, and 7.1, while also providing plenty of capacity for the rapidly growing array of immersive audio formats such as Dolby Atmos. </i><br /><br />\n	The Yamaha MMP1 Studio Monitor Management System offers all essential audio processing functionality for DAW-based production environments in one streamlined, versatile, great-sounding, space-saving unit that provides efficient overall system management at surprisingly low cost. The heart of the MMP1 is the 40x36 Monitor Matrix to monitor source mixing that supports formats from Stereo to Immersive audio, including Dolby Atmos, Auro-3D and NHK 22.2. Other features include eight cue outputs, two talkback systems, cough mute, cough mute override, and studio speaker auto-mute. A 32x32 speaker management matrix with crossover filters for bass management on all channels follows the monitor matrix, allowing greater freedom and flexibility rather than just providing a limited selection of preset patterns. Both Finite (FIR) and Infinite (IIR) filters are provided for precise bass management, and to maintain flat phase response characteristics between channels for optimum sonic clarity and imaging. Time alignment delay and EQ are also included for comprehensive speaker output control.\n<br /><br />\n	The powerful matrix mixers, functionality, flexible signal routing, and stunning sonic quality provided by the MMP1 make it easy to set up ideal monitor environments for a diverse range of applications.\n<br />\n<br />\n<h3>Yamaha MMP1 Key Features</h3>\n<ul>\n	<li>Comprehensive monitor control with up to 32 channels of monitor processing to handle stereo, 5.1 channel, 7.1 channel, Dolby Atmos, and other Immersive Sound formats</li>\n	<li>Flexible Bass Management using standard or FIR crossover filters can be flexibly configured within a 32 x 32 channel speaker matrix.</li>\n	<li>Outstanding Speaker Management Precision with time alignment delay, EQ, and other final-stage audio output adjustment tools are provided on all channels.</li>\n	<li>Full-featured Channel Processing with Eight channel strips feature four types of EQ, VCM vintage compressors, and more, for extensive processing capability in a remarkably compact space.</li>\n	<li>Post-production Recording Support featuring an ample selection of talkback, cue, and GPI functions, and commentary functions to provide extended voice-over recording support.</li>\n	\n</ul>\n<br />\n<h3>MMP1 40 x 36 Monitor Matrix</h3><div>The heart of the MMP1 is a 40 x 36 channel monitor matrix* that can handle stereo, 5.1 channel, and 7.1 channel formats with ease, while also providing plenty of capacity for the rapidly growing array of immersive audio formats such as Dolby Atmos. To accommodate the widest possible range of installations, the MMP1 includes eight cue outputs and eight studio speaker outputs, with two talkback systems that function with those outputs. Comprehensive, integrated management of monitoring, cue, and talkback functions allows this powerful matrix to efficiently connect and route all essential audio throughout the studio.  <br /><br /><i><span style=\"background-color: initial;\">* (32 inputs + 8 DSP channel inputs) x (32 outputs + stereo downmix outputs + stereo headphone outputs) @44.1, 48, 88.2, and 96 kHz. 20 x 20 channels @176.4 kHz and 192 kHz.</span></i></div><br />\n<h3>Flexible Bass Management</h3><div>Bass management is a widely used, effective solution for low-frequency control in surround sound monitoring environments, but fixed bass management systems do not provide the flexibility required for the huge variety of speaker arrangements and mix routing configurations employed for immersive audio production. Unlike systems that simply provide a limited selection of speaker layout presets, the MMP1 has a dedicated, freely-configurable 32 x 32 channel* speaker matrix with crossover filters for bass management on all channels, providing extraordinary bass management flexibility for just about any studio environment.<br /><br /><span style=\"background-color: initial;\">Precision linear-phase FIR filters are available in addition to standard IIR filters, allowing phase interference between the main and LFE channels to be reduced to an absolute minimum for clear, well-defined sound and imaging.<br /><br /><i></i></span><span style=\"background-color: initial;\"><i>* 32 x 32 channels @44.1, 48, 88.2, and 96 kHz. 16 x 16 channels @176.4 kHz and 192 kHz.</i></span></div><br />\n<h3>Outstanding Speaker Management Precision</h3>\nThe monitoring environment support provided by the MMP1 is complete in every detail, from inputs to final stage sonic adjustment. Time alignment delays, 6-band room EQ, and trims are provided on every one of the 32 monitor speaker output channels. This allows full, unabridged optimization of the monitor sound field for any format from stereo to the most complex multi-channel configurations.<br /><br />\n<h3>Full-featured Channel Strips with VCM Vintage Compression</h3>\nDesigned for maximum integration and efficiency, the MMP1’s eight channel strips each include trim, delay, phase invert, filter, EQ, compression, and insert facilities. Everything needed for high-quality voice-over recording and other production tasks is built in, so the need for outboard processors and complex internal DAW routing is minimized.<br /><br />The compressor built into each channel strip is Yamaha’s acclaimed Comp260, a faithful VCM (Virtual Circuit Modeling) simulation of a prized analog compressor from the 1970s. Comp260 meticulously recreates the response and sound of the original VCA and RMS level detection circuitry.  <br /><br />\n<h3>Designed with Post-production Recording in Mind</h3>In addition to eight cue outputs and eight studio speaker outputs, with two talkback systems that function with those outputs, the MMP1 offers a commentary function that allows smooth communication with artists and voiceover talent. Artists in the booth can be provided with a separate “cough mute” controller connected to the MMP1 GPI interface. Cough mute status is visible via the MMP1 Editor in the control room, and when the cough mute function is “off” and the microphone is live, the booth monitor speakers are automatically muted to prevent feedback. A number of other details add up to flexible, efficient postproduction recording support.<br /><br />\n<h3>Nuage System Integration</h3>\nThe MMP1 can be controlled directly from the monitor section of Yamaha’s NUAGE DAW system. Monitor source selection, levels, downmix and dimmer switching, talkback, and other functions can be controlled directly from physical controls on a Nuage Master or Nuage Fader unit. And because these functions can be accessed even when there is no computer or DAW online, monitor section operation is as direct and immediate as on a mixing console.<br /><br />Nuage is a complete system comprising the \n<a href=\"http://www.rspeaudio.com/Yamaha-Nuage-Fader-p/ymh-nuage-fdr.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Nuage Fader controller</a>; <a href=\"http://www.rspeaudio.com/Yamaha-Nuage-Master-p/ymh-nuage-mstr.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Nuage Master section</a>; <a href=\"http://www.rspeaudio.com/Yamaha-Nuage-Dante-Accelerator-Card-p/ymh-nuage-dante.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Dante network card</a>; SyncStation; and Nuendo software.<br /><br />\n<h3>Supercharge your studio with the powerful all-in-one studio monitor management system and audio interface that is the Yamaha MMP1. Call or chat online with an RSPE representative for more information on the Yamaha MMP1. </h3>'),(12866,75,1,2145,'<h2>Yamaha MMP1 Studio Monitor Management System </h2>\n<i>Powerful 40 x 36 channel monitor management system that can handle stereo, 5.1, and 7.1, while also providing plenty of capacity for the rapidly growing array of immersive audio formats such as Dolby Atmos. </i><br /><br />\n	The Yamaha MMP1 Studio Monitor Management System offers all essential audio processing functionality for DAW-based production environments in one streamlined, versatile, great-sounding, space-saving unit that provides efficient overall system management at surprisingly low cost. The heart of the MMP1 is the 40x36 Monitor Matrix to monitor source mixing that supports formats from Stereo to Immersive audio, including Dolby Atmos, Auro-3D and NHK 22.2. Other features include eight cue outputs, two talkback systems, cough mute, cough mute override, and studio speaker auto-mute. A 32x32 speaker management matrix with crossover filters for bass management on all channels follows the monitor matrix, allowing greater freedom and flexibility rather than just providing a limited selection of preset patterns. Both Finite (FIR) and Infinite (IIR) filters are provided for precise bass management, and to maintain flat phase response characteristics between channels for optimum sonic clarity and imaging. Time alignment delay and EQ are also included for comprehensive speaker output control.\n<br /><br />\n	The powerful matrix mixers, functionality, flexible signal routing, and stunning sonic quality provided by the MMP1 make it easy to set up ideal monitor environments for a diverse range of applications.\n<br />\n<br />\n<h3>Yamaha MMP1 Key Features</h3>\n<ul>\n	<li>Comprehensive monitor control with up to 32 channels of monitor processing to handle stereo, 5.1 channel, 7.1 channel, Dolby Atmos, and other Immersive Sound formats</li>\n	<li>Flexible Bass Management using standard or FIR crossover filters can be flexibly configured within a 32 x 32 channel speaker matrix.</li>\n	<li>Outstanding Speaker Management Precision with time alignment delay, EQ, and other final-stage audio output adjustment tools are provided on all channels.</li>\n	<li>Full-featured Channel Processing with Eight channel strips feature four types of EQ, VCM vintage compressors, and more, for extensive processing capability in a remarkably compact space.</li>\n	<li>Post-production Recording Support featuring an ample selection of talkback, cue, and GPI functions, and commentary functions to provide extended voice-over recording support.</li>\n	\n</ul>\n<br />\n<h3>MMP1 40 x 36 Monitor Matrix</h3><div>The heart of the MMP1 is a 40 x 36 channel monitor matrix* that can handle stereo, 5.1 channel, and 7.1 channel formats with ease, while also providing plenty of capacity for the rapidly growing array of immersive audio formats such as Dolby Atmos. To accommodate the widest possible range of installations, the MMP1 includes eight cue outputs and eight studio speaker outputs, with two talkback systems that function with those outputs. Comprehensive, integrated management of monitoring, cue, and talkback functions allows this powerful matrix to efficiently connect and route all essential audio throughout the studio.  <br /><br /><i><span style=\"background-color: initial;\">* (32 inputs + 8 DSP channel inputs) x (32 outputs + stereo downmix outputs + stereo headphone outputs) @44.1, 48, 88.2, and 96 kHz. 20 x 20 channels @176.4 kHz and 192 kHz.</span></i></div><br />\n<h3>Flexible Bass Management</h3><div>Bass management is a widely used, effective solution for low-frequency control in surround sound monitoring environments, but fixed bass management systems do not provide the flexibility required for the huge variety of speaker arrangements and mix routing configurations employed for immersive audio production. Unlike systems that simply provide a limited selection of speaker layout presets, the MMP1 has a dedicated, freely-configurable 32 x 32 channel* speaker matrix with crossover filters for bass management on all channels, providing extraordinary bass management flexibility for just about any studio environment.<br /><br /><span style=\"background-color: initial;\">Precision linear-phase FIR filters are available in addition to standard IIR filters, allowing phase interference between the main and LFE channels to be reduced to an absolute minimum for clear, well-defined sound and imaging.<br /><br /><i></i></span><span style=\"background-color: initial;\"><i>* 32 x 32 channels @44.1, 48, 88.2, and 96 kHz. 16 x 16 channels @176.4 kHz and 192 kHz.</i></span></div><br />\n<h3>Outstanding Speaker Management Precision</h3>\nThe monitoring environment support provided by the MMP1 is complete in every detail, from inputs to final stage sonic adjustment. Time alignment delays, 6-band room EQ, and trims are provided on every one of the 32 monitor speaker output channels. This allows full, unabridged optimization of the monitor sound field for any format from stereo to the most complex multi-channel configurations.<br /><br />\n<h3>Full-featured Channel Strips with VCM Vintage Compression</h3>\nDesigned for maximum integration and efficiency, the MMP1’s eight channel strips each include trim, delay, phase invert, filter, EQ, compression, and insert facilities. Everything needed for high-quality voice-over recording and other production tasks is built in, so the need for outboard processors and complex internal DAW routing is minimized.<br /><br />The compressor built into each channel strip is Yamaha’s acclaimed Comp260, a faithful VCM (Virtual Circuit Modeling) simulation of a prized analog compressor from the 1970s. Comp260 meticulously recreates the response and sound of the original VCA and RMS level detection circuitry.  <br /><br />\n<h3>Designed with Post-production Recording in Mind</h3>In addition to eight cue outputs and eight studio speaker outputs, with two talkback systems that function with those outputs, the MMP1 offers a commentary function that allows smooth communication with artists and voiceover talent. Artists in the booth can be provided with a separate “cough mute” controller connected to the MMP1 GPI interface. Cough mute status is visible via the MMP1 Editor in the control room, and when the cough mute function is “off” and the microphone is live, the booth monitor speakers are automatically muted to prevent feedback. A number of other details add up to flexible, efficient postproduction recording support.<br /><br />\n<h3>Nuage System Integration</h3>\nThe MMP1 can be controlled directly from the monitor section of Yamaha’s NUAGE DAW system. Monitor source selection, levels, downmix and dimmer switching, talkback, and other functions can be controlled directly from physical controls on a Nuage Master or Nuage Fader unit. And because these functions can be accessed even when there is no computer or DAW online, monitor section operation is as direct and immediate as on a mixing console.<br /><br />Nuage is a complete system comprising the \n<a href=\"http://www.rspeaudio.com/Yamaha-Nuage-Fader-p/ymh-nuage-fdr.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Nuage Fader controller</a>; <a href=\"http://www.rspeaudio.com/Yamaha-Nuage-Master-p/ymh-nuage-mstr.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Nuage Master section</a>; <a href=\"http://www.rspeaudio.com/Yamaha-Nuage-Dante-Accelerator-Card-p/ymh-nuage-dante.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Dante network card</a>; SyncStation; and Nuendo software.<br /><br />\n<h3>Supercharge your studio with the powerful all-in-one studio monitor management system and audio interface that is the Yamaha MMP1. Call or chat online with an RSPE representative for more information on the Yamaha MMP1. </h3>'),(12867,85,0,2145,'Yamaha MMP1 Studio Monitor Management System'),(12868,85,1,2145,'Yamaha MMP1 Studio Monitor Management System'),(12869,76,0,2145,''),(12870,76,1,2145,''),(12871,75,0,2146,'A winning combination of superior sound quality, convenient mixing control, and reliability has made the Yamaha EMX Series the top choice for bands, personal studios, houses of worship, corporate and educational facilities. Compact packages, versatile input capabilities, plentiful power and top-quality, built-in signal processing are standard equipment. Yamaha brings a new member to its EMX family with the Winter NAMM introduction of the EMX5014C.\n\nLike others in the EMX family, the EMX5014C is a fully integrated mixer offering a range of features to mix, process, and deliver your sound with maximum quality and creative control. Equipped with ultra lightweight amplifier circuits, power is the priority of the 500-watt per channel multi-mode stereo power section.\n\nA total of 14 input channels accommodate mics, instruments and playback gear with a selection of mono mic/line and stereo line inputs. Connections include XLR, TRS 1/4-in. phone, and RCA. A power mode switch allows the two amplifier channels to be used with the stereo outputs, drive main speakers and separate monitor mixes, while power amp mode selector switches allow the user to configure the amp channels to suit a range of applications.\n\nMIX, PROCESS AND DELIVER WITH THE EMX5014C\nFor sound shaping and feedback control, the EMX5014C includes 3-band EQ on each input channel, a stereo 9-band graphic EQ on the main stereo output. Each channel also contains a Feedback Channel Locator (FCL) indicator that pinpoints the input channel creating the problem. Additionally, channels 1 thru 6 provide single knob compressors. This Yamaha exclusive feature is great for controlling unruly vocals or tightening up a bass guitar.\n\nOnboard signal processing includes a selection of 16 professional-grade programs (reverb, echo, chorus, flanger, phaser, drum ambiance and distortion) from Yamaha\'s renowned SPX series processor products. In addition, onboard proprietary YSProcessing tailors the signal for optimum use with Yamaha\'s Club Series loudspeakers.\n\nThe EMX5014C is housed in a lightweight (under 24 lb.) standard mixer format that can be used as a stand-alone unit or rack mounted with the optional RK5014 kit for space-saving convenience.'),(12872,75,1,2146,'A winning combination of superior sound quality, convenient mixing control, and reliability has made the Yamaha EMX Series the top choice for bands, personal studios, houses of worship, corporate and educational facilities. Compact packages, versatile input capabilities, plentiful power and top-quality, built-in signal processing are standard equipment. Yamaha brings a new member to its EMX family with the Winter NAMM introduction of the EMX5014C.\n\nLike others in the EMX family, the EMX5014C is a fully integrated mixer offering a range of features to mix, process, and deliver your sound with maximum quality and creative control. Equipped with ultra lightweight amplifier circuits, power is the priority of the 500-watt per channel multi-mode stereo power section.\n\nA total of 14 input channels accommodate mics, instruments and playback gear with a selection of mono mic/line and stereo line inputs. Connections include XLR, TRS 1/4-in. phone, and RCA. A power mode switch allows the two amplifier channels to be used with the stereo outputs, drive main speakers and separate monitor mixes, while power amp mode selector switches allow the user to configure the amp channels to suit a range of applications.\n\nMIX, PROCESS AND DELIVER WITH THE EMX5014C\nFor sound shaping and feedback control, the EMX5014C includes 3-band EQ on each input channel, a stereo 9-band graphic EQ on the main stereo output. Each channel also contains a Feedback Channel Locator (FCL) indicator that pinpoints the input channel creating the problem. Additionally, channels 1 thru 6 provide single knob compressors. This Yamaha exclusive feature is great for controlling unruly vocals or tightening up a bass guitar.\n\nOnboard signal processing includes a selection of 16 professional-grade programs (reverb, echo, chorus, flanger, phaser, drum ambiance and distortion) from Yamaha\'s renowned SPX series processor products. In addition, onboard proprietary YSProcessing tailors the signal for optimum use with Yamaha\'s Club Series loudspeakers.\n\nThe EMX5014C is housed in a lightweight (under 24 lb.) standard mixer format that can be used as a stand-alone unit or rack mounted with the optional RK5014 kit for space-saving convenience.'),(12873,85,0,2146,'Yamaha EMX5014C'),(12874,85,1,2146,'Yamaha EMX5014C'),(12875,76,0,2146,''),(12876,76,1,2146,''),(12877,75,0,2147,'For larger venues and audiences, or if you plan to use it for outdoor sound, the EMX512SC with a pair of whopping 500-watt amplifiers to ensure that your music or message comes across with full impact.\n\nEMX-Series Powered Mixiers\nIntegrated Solutions for Superior Live Sound\n \nExperienced musicians, performers, speakers, and club operators know the importance of a high-quality sound system with the right features and performance to deliver their sound. Where portability and convenience are important criteria, a system based on a high-performance Yamaha EMXseries powered mixer is definitely the way to go. In one integrated, portable unit you have a mixer to combine and balance your microphone, instrument, and line sources, effects to refine and polish your sound, and power to drive the main speakers and even monitor speakers as well. But that\'s nowhere near the whole story - Yamaha EMX-series Powered Mixers offer a range of features that let you mix, process, and deliver your sound with maximum quality and creative control ... and, of course, that unrivalled Yamaha sound.\nFeatures for Superior Sound and Convenience\n\nGreat Yamaha Sound\nYamaha is a leader in the field of professional live sound for a very good reason: we deliver the sound and performance that the pros demand. The EMX-series powered mixers are no exception. They\'re built at the same standards of sonic performance and rugged reliability that makes Yamaha the first choice for live sound applications from schools to stadiums around the globe.\n\nOne-knob Compression on Mono Channels(EMX312SC & EMX512SC)\nAll four monaural mic/line channels on the EMX312SC and EMX512SC feature built-in compressors that can help to bring vocals to the front of the mix, give your guitars extra smoothness and presence, deliver more authoritative bass sound, and generally refine your mixes in a multitude of ways. These one-knob compressors are simple to use, too. There\'s no need to juggle multiple attack, threshold, makeup gain, and other controls - just set the COMP control for the amount of compression you need.\n\nSPX Digital Effects\nThe EMX212S, EMX312SC, and EMX512SC all feature a selection of 16 top-quality Yamaha SPX effects - including reverb, echo, chorus, flanger, phaser, and even distortion - that can add the final touch to your live presentation. Yamaha SPX digital effects are widely recognized as being some of the finest available, and the effects provided in the EMX mixers live up to that reputation.\n\nBuilt-in Graphic EQ\nGraphic equalizers are provided for both the main and monitor channels, so you can effectively control feedback or tailor the sound to match the room and program material.\n\nStand-by Mode\nWhen you\'re done with a set simply engage the stand-by mode to mute all mono channels while leaving the 2-track inputs active for background music playback while you\'re taking your break.\n\nFeedback Channel Locating (FCL) System\nFCL System indicator LEDs at the top of each channel light if the corresponding channel goes into feedback, so you won\'t have to fumble around searching for the channel that needs adjustment.\n\n12 Inputs\nAll three mixers in this series offer a total of 12 input channels - four for monaural microphone (incl. Phantom Power) or line input, plus four pairs that can function either as monaural microphone inputs or stereo line inputs - providing you with a versatile mix of input capabilities for a wide range of applications. If you need only microphone inputs you can use up to eight mic channels. Or if, for example, you want to play recorded background music during breaks (that\'s one stereo channel), and you have a keyboard player with a stereo-output keyboard (that\'s one more stereo channel), you still have six mic/line inputs. If you use all four stereo pairs to handle stereo line sources you have four channels available for mono mic or line input. This is a very versatile system that can adapt to your needs.\n\nHigh Power For Main and Monitor Speakers\nThese powered mixers certainly don\'t skimp on power. From the EMX212S with 200 watts per channel to the EMX512SC with a solid 500 watts per channel, there\'s a power configuration to suit any application and venue. All models also feature a power mode switch that lets you use the two power channels as a stereo amplifier, or you can use one of the channels for the main speaker(s) and the other to drive monitors with a separate monitor mix set up via the channel MONITOR controls.\n\nYamaha Speaker Processing\nYamaha Club-series speakers are fine performers in their own right, but with Yamaha Speaker Processing you get extra-smooth highs and enhanced low-frequency output.\n\nDurable, Lightweight Design\nThe EMX powered mixers offer the ideal combination of outstanding sound performance and easy handling. They\'re lightweight only 10 kilograms (22lbs.) and feature conveniently located handles for maximum carrying comfort. They\'re also built tough to withstand the rigors of use on the road.'),(12878,75,1,2147,'For larger venues and audiences, or if you plan to use it for outdoor sound, the EMX512SC with a pair of whopping 500-watt amplifiers to ensure that your music or message comes across with full impact.\n\nEMX-Series Powered Mixiers\nIntegrated Solutions for Superior Live Sound\n \nExperienced musicians, performers, speakers, and club operators know the importance of a high-quality sound system with the right features and performance to deliver their sound. Where portability and convenience are important criteria, a system based on a high-performance Yamaha EMXseries powered mixer is definitely the way to go. In one integrated, portable unit you have a mixer to combine and balance your microphone, instrument, and line sources, effects to refine and polish your sound, and power to drive the main speakers and even monitor speakers as well. But that\'s nowhere near the whole story - Yamaha EMX-series Powered Mixers offer a range of features that let you mix, process, and deliver your sound with maximum quality and creative control ... and, of course, that unrivalled Yamaha sound.\nFeatures for Superior Sound and Convenience\n\nGreat Yamaha Sound\nYamaha is a leader in the field of professional live sound for a very good reason: we deliver the sound and performance that the pros demand. The EMX-series powered mixers are no exception. They\'re built at the same standards of sonic performance and rugged reliability that makes Yamaha the first choice for live sound applications from schools to stadiums around the globe.\n\nOne-knob Compression on Mono Channels(EMX312SC & EMX512SC)\nAll four monaural mic/line channels on the EMX312SC and EMX512SC feature built-in compressors that can help to bring vocals to the front of the mix, give your guitars extra smoothness and presence, deliver more authoritative bass sound, and generally refine your mixes in a multitude of ways. These one-knob compressors are simple to use, too. There\'s no need to juggle multiple attack, threshold, makeup gain, and other controls - just set the COMP control for the amount of compression you need.\n\nSPX Digital Effects\nThe EMX212S, EMX312SC, and EMX512SC all feature a selection of 16 top-quality Yamaha SPX effects - including reverb, echo, chorus, flanger, phaser, and even distortion - that can add the final touch to your live presentation. Yamaha SPX digital effects are widely recognized as being some of the finest available, and the effects provided in the EMX mixers live up to that reputation.\n\nBuilt-in Graphic EQ\nGraphic equalizers are provided for both the main and monitor channels, so you can effectively control feedback or tailor the sound to match the room and program material.\n\nStand-by Mode\nWhen you\'re done with a set simply engage the stand-by mode to mute all mono channels while leaving the 2-track inputs active for background music playback while you\'re taking your break.\n\nFeedback Channel Locating (FCL) System\nFCL System indicator LEDs at the top of each channel light if the corresponding channel goes into feedback, so you won\'t have to fumble around searching for the channel that needs adjustment.\n\n12 Inputs\nAll three mixers in this series offer a total of 12 input channels - four for monaural microphone (incl. Phantom Power) or line input, plus four pairs that can function either as monaural microphone inputs or stereo line inputs - providing you with a versatile mix of input capabilities for a wide range of applications. If you need only microphone inputs you can use up to eight mic channels. Or if, for example, you want to play recorded background music during breaks (that\'s one stereo channel), and you have a keyboard player with a stereo-output keyboard (that\'s one more stereo channel), you still have six mic/line inputs. If you use all four stereo pairs to handle stereo line sources you have four channels available for mono mic or line input. This is a very versatile system that can adapt to your needs.\n\nHigh Power For Main and Monitor Speakers\nThese powered mixers certainly don\'t skimp on power. From the EMX212S with 200 watts per channel to the EMX512SC with a solid 500 watts per channel, there\'s a power configuration to suit any application and venue. All models also feature a power mode switch that lets you use the two power channels as a stereo amplifier, or you can use one of the channels for the main speaker(s) and the other to drive monitors with a separate monitor mix set up via the channel MONITOR controls.\n\nYamaha Speaker Processing\nYamaha Club-series speakers are fine performers in their own right, but with Yamaha Speaker Processing you get extra-smooth highs and enhanced low-frequency output.\n\nDurable, Lightweight Design\nThe EMX powered mixers offer the ideal combination of outstanding sound performance and easy handling. They\'re lightweight only 10 kilograms (22lbs.) and feature conveniently located handles for maximum carrying comfort. They\'re also built tough to withstand the rigors of use on the road.'),(12879,85,0,2147,'Yamaha EMX512SC Powered Mixer'),(12880,85,1,2147,'Yamaha EMX512SC Powered Mixer'),(12881,76,0,2147,''),(12882,76,1,2147,''),(12883,75,0,2148,'<h2>Yamaha Nuage Dante Accelerator Card</h2>\n\n<span style=\"font-size:16px; font-style:italic;\">Ultra-low latency, high channel counts of high-resolution audio, and rock-solid stability </span><br><br>\n\nThe Dante Accelerator Card is hardware/software network protocol that delivers uncompressed, multi-channel, ultra low-latency digital audio over standard Ethernet networks. A significant improvement over previous audio-via-Ethernet technologies, such as CobraNet and EtherSound, Dante has the ability to pass through network routers and provide native gigabit support, as well as higher channel count, lower latency, and automatic configuration. Developed by Audinate, a Sydney Australia-based company, whose innovations were being carefully tracked by Yamaha, The Dante network protocol provides several advantages that go beyond latency and channel count, such as the ability to use existing IT infrastructure without having to add new audio lines. <br><br>\n\n\n<h3>Dante Accelerator Card benefits </h3>\n<ul>\n<li>High-performance hardware implementation                </li>\n<li>256 channels of uncompressed digital audio              </li>\n<li>Ultra-Low latency                                       </li>\n<li>24-bit/44.1 / 48 / 88.2 / 96 / 192kHz audio             </li>\n<li>Gigabit Ethernet interface                              </li>\n<li>High-quality, built-in word clock                       </li>\n<li>Standard PCI Express card format                        </li>\n<li>Mac OSX and Windows driver support                      </li>\n<li>Standard sound card interface to software applications  </li>\n<li>Interconnect with other Dante-enabled audio equipment   </li>\n<li>Supports network Quality of Service                     </li>\n<li>AVB (audio-video bridging) ready                        </li>\n</ul>\n<br>\nThe Nuage development team was adamant about designing near-zero latency into the system to allow artists to deliver their utmost in creativity and performance—hence their decision to make Dante the nerve center of Nuage. <br><br>\n\nWhen implemented in a Nuage system, the Dante Accelerator Card itself has a latency of 150 microseconds and can transmit 256 channels of 24-bit/96kHz audio (128 in/128 out simultaneously). At higher resolutions up to 192kHz, it provides 64 bi-directional channels, which is four times the resolution available via MADI optical for the same simultaneous I/O channel count. Small wonder why Yamaha chose to base Nuage audio transmission on Dante, especially when you take into account the number of tracks typically found in feature film production. <br><br>\n\n\nInstalled in the computer running your Nuendo DAW, Dante provides a distinct performance advantage when communicating with Nuage I/O units. The Dante Accelerator card also features a secondary port that can be used to provide redundant connections for failsafe reliability. Thanks to Dante, monitoring latency is near zero for performance-friendly monitoring while recording, even when multiple I/O units are used with cascaded monitor buses. At 48kHz (using lowest buffer setting), latency from input through Dante to Nuendo 6, back through Dante to output is less than 3ms. <br><br>\n\n<h3>Audio transmission via network</h3>\nCreating a flexible, scalable system doesn’t end with knobs and faders. You must take into account the physical idiosyncrasies of the facility you’re setting up in or moving into. That’s where Nuage’s use of the Dante networking protocol really shines. These days, it’s not uncommon to have to share rooms in a multipurpose facility. With Dante, a different Nuage I/O unit could be in rooms 1 and 5, for example, and without patching, you can access either interface via network. Dante can also use the standard IT infrastructure built into a studio. Or, in the case of an office or home turned into a studio, you can actually use existing connections (no need to add new audio lines), while maintaining undiminished audio transmission quality throughout. Dante’s network-centric, audio-independent approach allows perfectly synchronized playback across different audio channels, devices, and networks, even over multiple network switches. Only Yamaha’s Nuage offers this kind of outstanding flexibility.<br><br>\n\n<h3>Dammit Jim, I’m a mixer, not a code monkey!</h3>\nTo minimize time spent on system configuration, Dante makes networking a true plug-and-play process, allowing automatic device discovery and system configuration. (Dante-enabled devices will automatically setup their network configuration and present themselves and their channels on the network, reducing complicated, error-prone set-up procedures. Instead of manufacturer-designated ID numbers, networked devices and their input and output signals can be named to make sense to the user. Beyond that, Dante is not restricted to allowing configuration and transmission of audio channels alone. Dante also provides mechanisms to send or receive control signals and monitoring information across the Dante IP network, including device-specific messages and control signals specified and developed by a particular manufacturer. <br><br>\n\n<h3>Network Quality of Service support</h3>\nQuality of Service (QoS) is a name for a set of technologies that provide cost-effective management of network traffic, designed to enhance user experience in both home and enterprise environments. QoS technologies allow you to measure bandwidth, detect changing network conditions (such as congestion or availability of bandwidth), and prioritize or throttle traffic. For example, QoS can be applied to prioritize traffic for latency-sensitive applications (such as audio or video), and to control the impact of latency-insensitive traffic (such as bulk data transfers).<br><br>\n\n<h3>Audio Video Bridging (AVB)</h3>\nHistorically, audio and video (AV) equipment connections were one-way, analog, and point-to-point. The same held true for digital standards, such as S/PDIF for audio, and the serial digital interface (SDI) for video. The result of all this single-purpose connection in professional applications was large, complex, and confusing masses of cables, a.k.a. spaghetti.  (That tangle of cables is how multi-platinum producer, Michael Wagener, came to name his studio, “Wireworld.”)  <br><br>\n\nAudio Video Bridging is a technical standard developed by the Institute of Electrical and Electronics Engineers (IEEE). The goal was to \"provide the specifications that will allow time-synchronized, low-latency streaming services through IEEE 802 networks\". These consist of: Timing and Synchronization for Time-Sensitive Applications (gPTP), Stream Reservation Protocol (SRP), Forwarding and Queuing for Time-Sensitive Streams (FQTSS), and Audio Video Bridging Systems. The ultimate goal of course, was to reduce the tangle of wires necessary to connect the worlds of audio and video. Another reason Yamaha chose Dante to be the nerve center of a Nuage audio postproduction system. <br><br>\n\n<h3>Network Audio plus flexible modular design</h3>\nNuage offers outstanding system flexibility and scalability via modular architecture that lets you combine the ideal components to support your specific needs, plus network audio that allows you to match available infrastructure and installation requirements—while maintaining undiminished audio transmission quality throughout. <br><br>\n\n<h3>For more information on the remarkable Yamaha Nuage postproduction console and its components, call or chat online with an RSPE representative.</h3>'),(12884,75,1,2148,'<h2>Yamaha Nuage Dante Accelerator Card</h2>\n\n<span style=\"font-size:16px; font-style:italic;\">Ultra-low latency, high channel counts of high-resolution audio, and rock-solid stability </span><br><br>\n\nThe Dante Accelerator Card is hardware/software network protocol that delivers uncompressed, multi-channel, ultra low-latency digital audio over standard Ethernet networks. A significant improvement over previous audio-via-Ethernet technologies, such as CobraNet and EtherSound, Dante has the ability to pass through network routers and provide native gigabit support, as well as higher channel count, lower latency, and automatic configuration. Developed by Audinate, a Sydney Australia-based company, whose innovations were being carefully tracked by Yamaha, The Dante network protocol provides several advantages that go beyond latency and channel count, such as the ability to use existing IT infrastructure without having to add new audio lines. <br><br>\n\n\n<h3>Dante Accelerator Card benefits </h3>\n<ul>\n<li>High-performance hardware implementation                </li>\n<li>256 channels of uncompressed digital audio              </li>\n<li>Ultra-Low latency                                       </li>\n<li>24-bit/44.1 / 48 / 88.2 / 96 / 192kHz audio             </li>\n<li>Gigabit Ethernet interface                              </li>\n<li>High-quality, built-in word clock                       </li>\n<li>Standard PCI Express card format                        </li>\n<li>Mac OSX and Windows driver support                      </li>\n<li>Standard sound card interface to software applications  </li>\n<li>Interconnect with other Dante-enabled audio equipment   </li>\n<li>Supports network Quality of Service                     </li>\n<li>AVB (audio-video bridging) ready                        </li>\n</ul>\n<br>\nThe Nuage development team was adamant about designing near-zero latency into the system to allow artists to deliver their utmost in creativity and performance—hence their decision to make Dante the nerve center of Nuage. <br><br>\n\nWhen implemented in a Nuage system, the Dante Accelerator Card itself has a latency of 150 microseconds and can transmit 256 channels of 24-bit/96kHz audio (128 in/128 out simultaneously). At higher resolutions up to 192kHz, it provides 64 bi-directional channels, which is four times the resolution available via MADI optical for the same simultaneous I/O channel count. Small wonder why Yamaha chose to base Nuage audio transmission on Dante, especially when you take into account the number of tracks typically found in feature film production. <br><br>\n\n\nInstalled in the computer running your Nuendo DAW, Dante provides a distinct performance advantage when communicating with Nuage I/O units. The Dante Accelerator card also features a secondary port that can be used to provide redundant connections for failsafe reliability. Thanks to Dante, monitoring latency is near zero for performance-friendly monitoring while recording, even when multiple I/O units are used with cascaded monitor buses. At 48kHz (using lowest buffer setting), latency from input through Dante to Nuendo 6, back through Dante to output is less than 3ms. <br><br>\n\n<h3>Audio transmission via network</h3>\nCreating a flexible, scalable system doesn’t end with knobs and faders. You must take into account the physical idiosyncrasies of the facility you’re setting up in or moving into. That’s where Nuage’s use of the Dante networking protocol really shines. These days, it’s not uncommon to have to share rooms in a multipurpose facility. With Dante, a different Nuage I/O unit could be in rooms 1 and 5, for example, and without patching, you can access either interface via network. Dante can also use the standard IT infrastructure built into a studio. Or, in the case of an office or home turned into a studio, you can actually use existing connections (no need to add new audio lines), while maintaining undiminished audio transmission quality throughout. Dante’s network-centric, audio-independent approach allows perfectly synchronized playback across different audio channels, devices, and networks, even over multiple network switches. Only Yamaha’s Nuage offers this kind of outstanding flexibility.<br><br>\n\n<h3>Dammit Jim, I’m a mixer, not a code monkey!</h3>\nTo minimize time spent on system configuration, Dante makes networking a true plug-and-play process, allowing automatic device discovery and system configuration. (Dante-enabled devices will automatically setup their network configuration and present themselves and their channels on the network, reducing complicated, error-prone set-up procedures. Instead of manufacturer-designated ID numbers, networked devices and their input and output signals can be named to make sense to the user. Beyond that, Dante is not restricted to allowing configuration and transmission of audio channels alone. Dante also provides mechanisms to send or receive control signals and monitoring information across the Dante IP network, including device-specific messages and control signals specified and developed by a particular manufacturer. <br><br>\n\n<h3>Network Quality of Service support</h3>\nQuality of Service (QoS) is a name for a set of technologies that provide cost-effective management of network traffic, designed to enhance user experience in both home and enterprise environments. QoS technologies allow you to measure bandwidth, detect changing network conditions (such as congestion or availability of bandwidth), and prioritize or throttle traffic. For example, QoS can be applied to prioritize traffic for latency-sensitive applications (such as audio or video), and to control the impact of latency-insensitive traffic (such as bulk data transfers).<br><br>\n\n<h3>Audio Video Bridging (AVB)</h3>\nHistorically, audio and video (AV) equipment connections were one-way, analog, and point-to-point. The same held true for digital standards, such as S/PDIF for audio, and the serial digital interface (SDI) for video. The result of all this single-purpose connection in professional applications was large, complex, and confusing masses of cables, a.k.a. spaghetti.  (That tangle of cables is how multi-platinum producer, Michael Wagener, came to name his studio, “Wireworld.”)  <br><br>\n\nAudio Video Bridging is a technical standard developed by the Institute of Electrical and Electronics Engineers (IEEE). The goal was to \"provide the specifications that will allow time-synchronized, low-latency streaming services through IEEE 802 networks\". These consist of: Timing and Synchronization for Time-Sensitive Applications (gPTP), Stream Reservation Protocol (SRP), Forwarding and Queuing for Time-Sensitive Streams (FQTSS), and Audio Video Bridging Systems. The ultimate goal of course, was to reduce the tangle of wires necessary to connect the worlds of audio and video. Another reason Yamaha chose Dante to be the nerve center of a Nuage audio postproduction system. <br><br>\n\n<h3>Network Audio plus flexible modular design</h3>\nNuage offers outstanding system flexibility and scalability via modular architecture that lets you combine the ideal components to support your specific needs, plus network audio that allows you to match available infrastructure and installation requirements—while maintaining undiminished audio transmission quality throughout. <br><br>\n\n<h3>For more information on the remarkable Yamaha Nuage postproduction console and its components, call or chat online with an RSPE representative.</h3>'),(12885,85,0,2148,'Yamaha Nuage Dante Accelerator Card'),(12886,85,1,2148,'Yamaha Nuage Dante Accelerator Card'),(12887,76,0,2148,''),(12888,76,1,2148,''),