(5635,75,0,940,'<h1>iZotope RX Post Production Suite 5</h1>\n<i>RX Post Production Suite 5 is the flagship of the RX line and features iZotope’s most powerful tools for audio post production—RX 8 Advanced, Dialogue Match, Neutron 3, Nectar 3, and more.</i>\n<br />\n<br />\niZotope RX Post Production Suite 5 comes packed with industry standard tools and plug-ins to help deliver pristine, professional audio. It includes the flagship RX 8 Advanced repair suite, modern vocal editing and mixing tools like Nectar 3 and Melodyne 5 essential, and versatile mixing tools like Neutron 3 Advanced. It also includes essential, world-class reverb tools like Dialogue Match, Symphony 3D, and Stratus 3D. Helpful utility tools like Insight 2, Relay, RX Loudness Control, and Tonal Balance Control 2 round out a complete arsenal of post production power.<br /><br />\n\n<h2>RX Post Production Suite 5 includes:</h2>\n<h3>RX 8 Advanced</h3>\n<span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">Designed specifically for the demanding needs of post production professionals, RX 8 </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">Advanced continues to be the industry standard audio repair tool used on movies and TV shows </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">to restore damaged, noisy audio to pristine condition. Get full control over your audio whether </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">repairing noisy streaming dialogue with Spectral Recovery, processing production audio for your </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">entire project with the newly improved Batch Processor, or rescuing production dialogue with a </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">myriad of voice-based processing modules—all with multichannel support up Dolby Atmos </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">7.1.2.</span>\n<br /><br />\n<h3>iZotope Dialogue Match</h3>\n<div>\n	<b>Match sonic profiles for dialogue and ADR</b>\n</div>\n<div>\n	The makers of RX bring you the next indispensable tool for post production. Keep your audience in the moment with seamlessly congruent dialogue recordings. Dialogue Match is a Pro Tools AudioSuite plug-in that analyzes dialogue recordings to extract a sonic profile containing reverb, EQ, and ambience data. It can then apply the profile to any other dialogue track to give your scene audio fast and easy environmental consistency. \n	<br /><br /><b>Dialogue Match Features</b>\n</div>\n<ul style=\"letter-spacing: normal;\">\n	<li>Match EQ, reverb, and ambience recording characteristics from a boom to lavalier.</li>\n	<li>Automatically match ADR to production audio</li>\n	<li>Quickly match localized audio to the original language</li>\n	<li>Save and load global snapshots and reference profiles</li>\n</ul>\n<br />\n<h3>Insight 2</h3>\nInsight 2 is a trusted component of award-winning post production and music studios, and it helps you achieve that pro sound. This comprehensive metering and audio analysis plug-in is perfect for any post production, music, or broadcast application. It is perfect for visualizing changes made during mixing and mastering, troubleshooting problematic mixes, monitoring the intelligibility of your dialogue, and ensuring compliance with broadcast loudness standards. Keep an eye as well as an ear on your mix at all times with Insight 2. \n<br /><br />\n<h3>Neutron 3 Advanced</h3>\nAchieve a clear, well-balanced mix with Neutron’s innovative mixing and analysis tools. Control every aspect of your music, from the visual soundstage of your tracks to the tonal balance of your mix—all with iZotope’s award-winning digital signal processing. Work faster than ever with better performance, new interactive visualizations, and Mix Assistant, which automatically sets levels across your session.\n<br /><br />\n<h3>RX Loudness Control</h3>\nDeliver high-quality broadcast audio that conforms to global loudness specifications, all via an intuitive, easy-to-use interface. RX Loudness Control works faster than real-time to ensure your audio mixes are delivered within the appropriate loudness standards. Efficiently analyze and render your mix to comply with any of the global loudness standards, then instantly create a .CSV loudness report.\n<br /><br />\n<h3>Stratus 3D</h3>\nCreate immersive surround environments with unrivaled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, Stratus 3D gives you just the right amount of depth and dimension.\n<br /><br />\n<h3>Symphony 3D</h3>\nThe lush, colorful reverb engine of Symphony gets a 24-channel upgrade in Symphony 3D. Symphony 3D delivers a rich, character-filled reverb tone for any post production project in immersive multichannel formats.\n<br /><br />'),(5636,75,1,940,'<h1>iZotope RX Post Production Suite 5</h1>\n<i>RX Post Production Suite 5 is the flagship of the RX line and features iZotope’s most powerful tools for audio post production—RX 8 Advanced, Dialogue Match, Neutron 3, Nectar 3, and more.</i>\n<br />\n<br />\niZotope RX Post Production Suite 5 comes packed with industry standard tools and plug-ins to help deliver pristine, professional audio. It includes the flagship RX 8 Advanced repair suite, modern vocal editing and mixing tools like Nectar 3 and Melodyne 5 essential, and versatile mixing tools like Neutron 3 Advanced. It also includes essential, world-class reverb tools like Dialogue Match, Symphony 3D, and Stratus 3D. Helpful utility tools like Insight 2, Relay, RX Loudness Control, and Tonal Balance Control 2 round out a complete arsenal of post production power.<br /><br />\n\n<h2>RX Post Production Suite 5 includes:</h2>\n<h3>RX 8 Advanced</h3>\n<span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">Designed specifically for the demanding needs of post production professionals, RX 8 </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">Advanced continues to be the industry standard audio repair tool used on movies and TV shows </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">to restore damaged, noisy audio to pristine condition. Get full control over your audio whether </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">repairing noisy streaming dialogue with Spectral Recovery, processing production audio for your </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">entire project with the newly improved Batch Processor, or rescuing production dialogue with a </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">myriad of voice-based processing modules—all with multichannel support up Dolby Atmos </span><span style=\"background-color: initial; font-size: 16px; font-weight: 400; color: rgb(48, 56, 71);\">7.1.2.</span>\n<br /><br />\n<h3>iZotope Dialogue Match</h3>\n<div>\n	<b>Match sonic profiles for dialogue and ADR</b>\n</div>\n<div>\n	The makers of RX bring you the next indispensable tool for post production. Keep your audience in the moment with seamlessly congruent dialogue recordings. Dialogue Match is a Pro Tools AudioSuite plug-in that analyzes dialogue recordings to extract a sonic profile containing reverb, EQ, and ambience data. It can then apply the profile to any other dialogue track to give your scene audio fast and easy environmental consistency. \n	<br /><br /><b>Dialogue Match Features</b>\n</div>\n<ul style=\"letter-spacing: normal;\">\n	<li>Match EQ, reverb, and ambience recording characteristics from a boom to lavalier.</li>\n	<li>Automatically match ADR to production audio</li>\n	<li>Quickly match localized audio to the original language</li>\n	<li>Save and load global snapshots and reference profiles</li>\n</ul>\n<br />\n<h3>Insight 2</h3>\nInsight 2 is a trusted component of award-winning post production and music studios, and it helps you achieve that pro sound. This comprehensive metering and audio analysis plug-in is perfect for any post production, music, or broadcast application. It is perfect for visualizing changes made during mixing and mastering, troubleshooting problematic mixes, monitoring the intelligibility of your dialogue, and ensuring compliance with broadcast loudness standards. Keep an eye as well as an ear on your mix at all times with Insight 2. \n<br /><br />\n<h3>Neutron 3 Advanced</h3>\nAchieve a clear, well-balanced mix with Neutron’s innovative mixing and analysis tools. Control every aspect of your music, from the visual soundstage of your tracks to the tonal balance of your mix—all with iZotope’s award-winning digital signal processing. Work faster than ever with better performance, new interactive visualizations, and Mix Assistant, which automatically sets levels across your session.\n<br /><br />\n<h3>RX Loudness Control</h3>\nDeliver high-quality broadcast audio that conforms to global loudness specifications, all via an intuitive, easy-to-use interface. RX Loudness Control works faster than real-time to ensure your audio mixes are delivered within the appropriate loudness standards. Efficiently analyze and render your mix to comply with any of the global loudness standards, then instantly create a .CSV loudness report.\n<br /><br />\n<h3>Stratus 3D</h3>\nCreate immersive surround environments with unrivaled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, Stratus 3D gives you just the right amount of depth and dimension.\n<br /><br />\n<h3>Symphony 3D</h3>\nThe lush, colorful reverb engine of Symphony gets a 24-channel upgrade in Symphony 3D. Symphony 3D delivers a rich, character-filled reverb tone for any post production project in immersive multichannel formats.\n<br /><br />'),(5637,85,0,940,''),(5638,85,1,940,''),(5639,76,0,940,''),(5640,76,1,940,''),(5641,75,0,941,'<h1>iZotope RX 7 Advanced Reverb Bundle</h1>\n<i>RX 7 Advanced Reverb Bundle includes RX 7 Advanced to repair damaged audio, Dialogue Match to create cohesiveness between dialogue takes, and Stratus to add realistic reverb to your productions.</i><br /><br />iZotope RX 7 Advanced Reverb Bundle delivers intelligent software for touching up production audio, achieving dialogue cohesiveness, and adding realistic depth to your scenes. With RX 7 Advanced to repair and polish damaged audio, Dialogue Match to integrate your actors’ performances into the scene with revolutionary sonic profile matching technology, and Stratus to add natural multichannel reflections for authentic, audio productions, RX 7 Advanced Reverb Bundle has everything you need to add space and consistency to your next surround project in less time than ever. Prepare to change your approach to audio post production forever.<br /><br />\n<h2>iZotope RX 7 Advanced Reverb Bundle Includes:</h2>\n<ul>\n</ul>\n<h3>RX 7 Advanced</h3>\n<div style=\"\">\n	<font color=\"#303847\"><span style=\"font-size: 16px;\"><b>The industry standard in audio repair</b></span></font>\n</div>\nDesigned specifically for the demanding needs of post production professionals, RX 7 Advanced continues to be the industry-standard audio repair tool used on movies and TV shows to restore damaged, noisy audio to pristine condition. Get full control over your audio whether you’re repairing noisy dialogue with Dialogue Isolate, reshaping the performance of a line with Dialogue Contour, removing reverb on dialogue recordings with Dialogue De-reverb, or rebalancing music stems with Music Rebalance—all with multichannel support up to Dolby Atmos 7.1.2.\n<br /><br />\n<h3>iZotope Dialogue Match</h3>\n<div>\n	<b>Match sonic profiles for dialogue and ADR</b>\n</div>\n<div>\n	The makers of RX bring you the next indispensable tool for post production. Keep your audience in the moment with seamlessly congruent dialogue recordings. Dialogue Match is a Pro Tools AudioSuite plug-in that analyzes dialogue recordings to extract a sonic profile containing reverb, EQ, and ambience data. It can then apply the profile to any other dialogue track to give your scene audio fast and easy environmental consistency.\n	<br /><br /><b><span style=\"background-color: initial;\">Dialogue Match Features</span></b>\n</div>\n<ul>\n	<li>Match EQ, reverb, and ambience recording characteristics from a boom to lavalier.</li>\n	<li>Automatically match ADR to production audio</li>\n	<li>Quickly match localized audio to the original language</li>\n	<li>Save and load global snapshots and reference profiles</li>\n</ul>\n<br />\n<h3>Exponential Audio Stratus</h3>\n<div>\n	<b>Natural surround reverb for post production</b>\n</div>\n<div>\n	Create natural surround environments with unrivaled reverb clarity. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, Stratus gives you just the right amount of depth and dimension.\n</div>\n<br />'),(5642,75,1,941,'<h1>iZotope RX 7 Advanced Reverb Bundle</h1>\n<i>RX 7 Advanced Reverb Bundle includes RX 7 Advanced to repair damaged audio, Dialogue Match to create cohesiveness between dialogue takes, and Stratus to add realistic reverb to your productions.</i><br /><br />iZotope RX 7 Advanced Reverb Bundle delivers intelligent software for touching up production audio, achieving dialogue cohesiveness, and adding realistic depth to your scenes. With RX 7 Advanced to repair and polish damaged audio, Dialogue Match to integrate your actors’ performances into the scene with revolutionary sonic profile matching technology, and Stratus to add natural multichannel reflections for authentic, audio productions, RX 7 Advanced Reverb Bundle has everything you need to add space and consistency to your next surround project in less time than ever. Prepare to change your approach to audio post production forever.<br /><br />\n<h2>iZotope RX 7 Advanced Reverb Bundle Includes:</h2>\n<ul>\n</ul>\n<h3>RX 7 Advanced</h3>\n<div style=\"\">\n	<font color=\"#303847\"><span style=\"font-size: 16px;\"><b>The industry standard in audio repair</b></span></font>\n</div>\nDesigned specifically for the demanding needs of post production professionals, RX 7 Advanced continues to be the industry-standard audio repair tool used on movies and TV shows to restore damaged, noisy audio to pristine condition. Get full control over your audio whether you’re repairing noisy dialogue with Dialogue Isolate, reshaping the performance of a line with Dialogue Contour, removing reverb on dialogue recordings with Dialogue De-reverb, or rebalancing music stems with Music Rebalance—all with multichannel support up to Dolby Atmos 7.1.2.\n<br /><br />\n<h3>iZotope Dialogue Match</h3>\n<div>\n	<b>Match sonic profiles for dialogue and ADR</b>\n</div>\n<div>\n	The makers of RX bring you the next indispensable tool for post production. Keep your audience in the moment with seamlessly congruent dialogue recordings. Dialogue Match is a Pro Tools AudioSuite plug-in that analyzes dialogue recordings to extract a sonic profile containing reverb, EQ, and ambience data. It can then apply the profile to any other dialogue track to give your scene audio fast and easy environmental consistency.\n	<br /><br /><b><span style=\"background-color: initial;\">Dialogue Match Features</span></b>\n</div>\n<ul>\n	<li>Match EQ, reverb, and ambience recording characteristics from a boom to lavalier.</li>\n	<li>Automatically match ADR to production audio</li>\n	<li>Quickly match localized audio to the original language</li>\n	<li>Save and load global snapshots and reference profiles</li>\n</ul>\n<br />\n<h3>Exponential Audio Stratus</h3>\n<div>\n	<b>Natural surround reverb for post production</b>\n</div>\n<div>\n	Create natural surround environments with unrivaled reverb clarity. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, Stratus gives you just the right amount of depth and dimension.\n</div>\n<br />'),(5643,85,0,941,'iZotope RX 7 Advanced Reverb Bundle'),(5644,85,1,941,'iZotope RX 7 Advanced Reverb Bundle'),(5645,76,0,941,''),(5646,76,1,941,''),(5647,75,0,942,'<h1>iZotope Spire Studio Mobile Recording Interface</h1>\n<i>All-In-One Mobile Recording Studio featuring a built-in studio mic, 2 inputs, automatic Soundcheck, and 4 hour battery.</i><br /><br />\n	iZotope Spire Studio is an all-in-one wireless recording solution that will have you recording studio-quality audio in seconds. Edit, mix, and share your recorded songs instantly via a built-in Wi-Fi connection between Spire Studio and the free, Spire app for iOS and Android. Whether capturing a moment of inspiration or collaborating with bandmates, Spire delivers a new kind of recording experience.\n<br /><br />\n	<h3>All-In-One</h3>\n		With a built-in wireless connection to your phone and a four-hour, rechargeable battery, Spire Studio has everything you need to make the world your recording studio.\n<br /><br />\n	<h3>Simple</h3>\n		Capture your ideas whenever inspiration strikes with no set up time. When you\'re ready, easily export your music to collaborate with bandmates, continue working on your computer, or share your recordings directly to social media.\n<br /><br />\n	<h3>Professional Quality</h3>\n		Spire Studio includes a built-in, studio-quality microphone and Grace Design preamps so you can plug in your instruments and mics with pristine clarity. Adding iZoptope\'s studio-quality effects creates a professional recording experience that other portable recording devices don\'t offer.\n<br /><br />\n<h3>iZotope Spire Studio Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Studio quality omni-directional condenser microphone built-in</span></li><li>8-track 48kHz/24-bit digital multitrack recorder</li><li>2 XLR/TS combo inputs</li><li>2 headphone 1/8″ outputs</li><li>2 Grace Design mic preamps with +48 V phantom power</li><li>6 hours of recording time</li><li>Rechargeable lithium-ion battery with over four hours of continuous use</li><li>Works with 64-bit iOS devices running iOS 10 or higher, or Android devices running Android version 7 and up</li>\n</ul>\n<br />'),(5648,75,1,942,'<h1>iZotope Spire Studio Mobile Recording Interface</h1>\n<i>All-In-One Mobile Recording Studio featuring a built-in studio mic, 2 inputs, automatic Soundcheck, and 4 hour battery.</i><br /><br />\n	iZotope Spire Studio is an all-in-one wireless recording solution that will have you recording studio-quality audio in seconds. Edit, mix, and share your recorded songs instantly via a built-in Wi-Fi connection between Spire Studio and the free, Spire app for iOS and Android. Whether capturing a moment of inspiration or collaborating with bandmates, Spire delivers a new kind of recording experience.\n<br /><br />\n	<h3>All-In-One</h3>\n		With a built-in wireless connection to your phone and a four-hour, rechargeable battery, Spire Studio has everything you need to make the world your recording studio.\n<br /><br />\n	<h3>Simple</h3>\n		Capture your ideas whenever inspiration strikes with no set up time. When you\'re ready, easily export your music to collaborate with bandmates, continue working on your computer, or share your recordings directly to social media.\n<br /><br />\n	<h3>Professional Quality</h3>\n		Spire Studio includes a built-in, studio-quality microphone and Grace Design preamps so you can plug in your instruments and mics with pristine clarity. Adding iZoptope\'s studio-quality effects creates a professional recording experience that other portable recording devices don\'t offer.\n<br /><br />\n<h3>iZotope Spire Studio Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Studio quality omni-directional condenser microphone built-in</span></li><li>8-track 48kHz/24-bit digital multitrack recorder</li><li>2 XLR/TS combo inputs</li><li>2 headphone 1/8″ outputs</li><li>2 Grace Design mic preamps with +48 V phantom power</li><li>6 hours of recording time</li><li>Rechargeable lithium-ion battery with over four hours of continuous use</li><li>Works with 64-bit iOS devices running iOS 10 or higher, or Android devices running Android version 7 and up</li>\n</ul>\n<br />'),(5649,85,0,942,'iZotope Spire Studio Mobile Recording Interface'),(5650,85,1,942,'iZotope Spire Studio Mobile Recording Interface'),(5651,76,0,942,''),(5652,76,1,942,''),(5653,75,0,943,'<h1>iZotope Tonal Balance Bundle</h1>\n<i>Tonal Balance Bundle brings powerful iZotope plug-in like Ozone 9 Advanced, Neutron 3 Advanced, Nectar 3, and the improved Tonal Balance Control into one interconnected workflow.<br /></i><br />\niZotope Tonal Balance Bundle brings mixing and mastering into one interconnected workflow that will help you achieve a professional, polished sound. Use tools that talk to each other and assist you in every step of the workflow, from achieving an initial level balance to adding the final finishing touch to your finished product. Tackle any track with an arsenal of hi-tech processors to idenfity and sculpt your instruments, instantly clean up your low end, and more. Wrap up your next session with fluid, forward thinking tools to guide you toward your best-sounding music yet.<br /><br />\n<h3> Tonal Balance Bundle Includes</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Neutron 3 Advanced</span></li><li><ul>\n		<li>Eight individual component plug-ins </li>\n		<li>Neutron 3 Visual Mixer</li>\n	</ul>\n	</li>\n	<li>Nectar 3\n	<ul>\n		<li>Celemony Melodyne 4 essential</li>\n		<li>RX 7 Breath Control</li>\n	</ul>\n	</li>\n	<li>Ozone 9 Advanced\n	<ul>\n		<li>Includes 12 individual component plug-ins</li>\n		<li>Includes Standalone application</li>\n	</ul>\n	</li>\n	<li>Tonal Balance Control</li>\n	<li>iZotope Relay</li>\n</ul>\n<br />\n<h3>Tonal Balance Control Plug-In</h3>\n<div>\n	<span style=\"background-color: initial;\">The Tonal Balance Control plug-in is the fastest way to locate and fix frequencies in your mix that may be out of balance, so your audio can sound great in any listening environment. View high, mid, and low frequency areas against targets based on genre, or your own uploaded reference tracks. Use Broad or Fine view modes to identify problems both large and small, and solo frequencies to hear what instruments are contributing the most to your overall balance. Adjust the gain on any iZotope plug-in directly from the Tonal Balance window while viewing the changes against your reference target, and know when your music is ready for release. Experience professional tonal balance in a fluid, resizable environment that will give you a new perspective on your sound.</span>\n</div>\n<br />\n<h3>One fluid process</h3>\nThe plug-ins in the Tonal Balance Bundle talk to each other to guide you through your session from start to finish. Make every track heard with the Masking Meter and the Unmask tools in Neutron and Nectar, and fix clashing frequencies between instruments and vocals. Intuitively arrange your sounds in a visual environment with Visual Mixer, and control gain, width, and pan of any Neutron, Nectar, or Relay plug-in in your session. Use Tonal Balance Control to correct instrument balance using EQ and gain on any Neutron or Nectar instance, while comparing your overall master to a reference curve. With plug-in communication as the connective tissue of your mix, feel more confident than ever that your music will sound the way you intend, with your focus at the forefront<br /><br />\n<h3>Assistance with control</h3>\nThe Tonal Balance bundle offers audio Assistants for every step of the workflow, helping you get the best sounding mix you\'ve ever had, in less time than ever before. Use Neutron’s Mix Assistant to achieve a rough mix in seconds by intelligently balancing the levels of your tracks. Bring your vocal to the forefront of the mix with Vocal Assistant, featuring an Unmask mode that clears away competing frequencies on other tracks. Use Neutron’s Track Enhance to add professional clarity and polish to your instrument tracks and make them sound more like themselves. And when you’re done with your tracks, use Master Assistant for instant analog warmth and vibe, with automatic loudness targets to prepare your tracks for streaming or CD. Finish your next session with intelligent processing that assists you from mixing to mastering and every step in between. \n<br /><br /><br />'),(5654,75,1,943,'<h1>iZotope Tonal Balance Bundle</h1>\n<i>Tonal Balance Bundle brings powerful iZotope plug-in like Ozone 9 Advanced, Neutron 3 Advanced, Nectar 3, and the improved Tonal Balance Control into one interconnected workflow.<br /></i><br />\niZotope Tonal Balance Bundle brings mixing and mastering into one interconnected workflow that will help you achieve a professional, polished sound. Use tools that talk to each other and assist you in every step of the workflow, from achieving an initial level balance to adding the final finishing touch to your finished product. Tackle any track with an arsenal of hi-tech processors to idenfity and sculpt your instruments, instantly clean up your low end, and more. Wrap up your next session with fluid, forward thinking tools to guide you toward your best-sounding music yet.<br /><br />\n<h3> Tonal Balance Bundle Includes</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Neutron 3 Advanced</span></li><li><ul>\n		<li>Eight individual component plug-ins </li>\n		<li>Neutron 3 Visual Mixer</li>\n	</ul>\n	</li>\n	<li>Nectar 3\n	<ul>\n		<li>Celemony Melodyne 4 essential</li>\n		<li>RX 7 Breath Control</li>\n	</ul>\n	</li>\n	<li>Ozone 9 Advanced\n	<ul>\n		<li>Includes 12 individual component plug-ins</li>\n		<li>Includes Standalone application</li>\n	</ul>\n	</li>\n	<li>Tonal Balance Control</li>\n	<li>iZotope Relay</li>\n</ul>\n<br />\n<h3>Tonal Balance Control Plug-In</h3>\n<div>\n	<span style=\"background-color: initial;\">The Tonal Balance Control plug-in is the fastest way to locate and fix frequencies in your mix that may be out of balance, so your audio can sound great in any listening environment. View high, mid, and low frequency areas against targets based on genre, or your own uploaded reference tracks. Use Broad or Fine view modes to identify problems both large and small, and solo frequencies to hear what instruments are contributing the most to your overall balance. Adjust the gain on any iZotope plug-in directly from the Tonal Balance window while viewing the changes against your reference target, and know when your music is ready for release. Experience professional tonal balance in a fluid, resizable environment that will give you a new perspective on your sound.</span>\n</div>\n<br />\n<h3>One fluid process</h3>\nThe plug-ins in the Tonal Balance Bundle talk to each other to guide you through your session from start to finish. Make every track heard with the Masking Meter and the Unmask tools in Neutron and Nectar, and fix clashing frequencies between instruments and vocals. Intuitively arrange your sounds in a visual environment with Visual Mixer, and control gain, width, and pan of any Neutron, Nectar, or Relay plug-in in your session. Use Tonal Balance Control to correct instrument balance using EQ and gain on any Neutron or Nectar instance, while comparing your overall master to a reference curve. With plug-in communication as the connective tissue of your mix, feel more confident than ever that your music will sound the way you intend, with your focus at the forefront<br /><br />\n<h3>Assistance with control</h3>\nThe Tonal Balance bundle offers audio Assistants for every step of the workflow, helping you get the best sounding mix you\'ve ever had, in less time than ever before. Use Neutron’s Mix Assistant to achieve a rough mix in seconds by intelligently balancing the levels of your tracks. Bring your vocal to the forefront of the mix with Vocal Assistant, featuring an Unmask mode that clears away competing frequencies on other tracks. Use Neutron’s Track Enhance to add professional clarity and polish to your instrument tracks and make them sound more like themselves. And when you’re done with your tracks, use Master Assistant for instant analog warmth and vibe, with automatic loudness targets to prepare your tracks for streaming or CD. Finish your next session with intelligent processing that assists you from mixing to mastering and every step in between. \n<br /><br /><br />'),(5655,85,0,943,'iZotope Tonal Balance Bundle'),(5656,85,1,943,'iZotope Tonal Balance Bundle'),(5657,76,0,943,''),(5658,76,1,943,''),(5659,75,0,944,'<h1>iZotope VocalSynth 2</h1>\n<span style=\"font-size:16px; font-style:italic;\">Immersive vocal effects plug-in with 5 stompbox style effects to take your vocals to the next level.</span><br /><br />\niZotope VocalSynth 2 is an immersive vocal effects plug-in that adapts and evolves with your unique style and opens up a world of vocal possibilities. Color and shape vocals with five blendable eccentric-must-haves and stompbox-style studio effects. A one-stop for past, present, and future vocal sounds, VocalSynth 2 features a Vocoder, Compuvox, Polyvox, Talkbox, and Biovox: a brand new effect based on the sonic qualities of the human vocal tract.<br /><br />\n<h3>Vocalsynth 2 Key features</h3>\n<ul>\n	<li>Biovox : Using scientific modeling of a human vocal tract, adjust human vocal characteristics like nasality, vowel shapes, and formants for a smooth, textural vocal treatment to any audio signal.</li>\n	<li>Stompbox-style effects: VocalSynth 2’s effects include two brand new pedal-style effects: Chorus and Ring Mod with a unique tremolo effect. Now drag to re-order all seven effects including an improved Shred with sequencer as well as Distort, Filter, Transform, and Delay.</li>\n	<li>3 ways to play : VocalSynth 2 is built to be flexible, giving you three ways to interact and create: Auto Mode, MIDI Mode, and Sidechain Mode.</li>\n	<li>Inter-plugin communication : Use VocalSynth 2 within Neutron 2’s Visual Mixer and Masking Meter, as well as Tonal Balance Control for a bird’s eye view of your music production at all times.</li>\n	<li>Extensive sonic enhancements to the Vocoder module as well as Talkbox, Polyvox, and Compuvox that improve usability, CPU utilization, and sound quality.</li>\n</ul>\n<br />\n<h3>The evolution of vocals</h3>\nElevate your vocal productions with the music production’s most unique plug-in experience for vocals. Quickly get old school sounds you need or create a new school of vocal sounds. Get lost in layers, textures, effects, blending, and morphing in an experimental vocal playground and finally find that secret something that makes your vocals stand out. Choose and meld five unique vocal tools or pick from hundreds of presets for quick impact.\n<br /><br />\n<h3>Killer sounds out of the box</h3>\nWe’ve completely redesigned VocalSynth to get you a better sound, faster than ever. Through meticulous design we’ve made improvements to every aspect of VocalSynth including: expanding the Vocoder for a more faithful sound, packing more power into Shred, optimizing CPU, adding more control within each module, and much more. We’ve also added brand new presets that take full advantage of all VocalSynth has to offer, so you can get up and running right out of the box.\n<br /><br />\n<h3>Biovox: Vocals down to a science</h3>\nCreate and manipulate your biological imprint with a brand new vocal effect. Using scientific modeling of a human vocal tract, adjust human vocal characteristics like nasality, vowel shapes, and formants for a smooth, textural vocal treatment to any audio signal. Use surgically to adapt\n<br /><br />\ntakes to better fit your production or apply as a creative effect to make a vocal more present, breathy, or totally mangle it!<br /><br />\n<h3>Stompbox playground</h3>\nFurther enhance your production with a custom drag-and-drop vocal effects chain featuring seven experimental effects including a new and improved Shred, Ring Mod, Chorus, Distort, Filter, Transform, and Delay. Add a little extra something special for a perfect cocktail of vocal effects.\n<br /><br />\n<h3>Three ways to play</h3>\nVocalSynth 2 is built to be flexible, giving you three ways to interact and create. In Auto mode, get up and running on any track and apply effects and presets instantly. In MIDI mode, play and automate your production’s effects, harmonies, and other parameters with MIDI input or from any MIDI controller. In Sidechain mode, use any audio signal to drive VocalSynth 2 effects to expand creative horizons.\n<br /><br />\n<h3>Inter-plugin communication</h3>\nVocalSynth 2 works within the ecosystem of iZotope products. Like Neutron, Ozone, and Tonal Balance Control, VocalSynth 2 features inter-plugin communication, allowing seamless integration with essential tools for music production and analysis. VocalSynth 2 can be seen within Neutron 2’s Visual Mixer and Masking Meter and also within Tonal Balance Control, allowing you to interact and get visual feedback in real time.\n<br /><br />'),(5660,75,1,944,'<h1>iZotope VocalSynth 2</h1>\n<span style=\"font-size:16px; font-style:italic;\">Immersive vocal effects plug-in with 5 stompbox style effects to take your vocals to the next level.</span><br /><br />\niZotope VocalSynth 2 is an immersive vocal effects plug-in that adapts and evolves with your unique style and opens up a world of vocal possibilities. Color and shape vocals with five blendable eccentric-must-haves and stompbox-style studio effects. A one-stop for past, present, and future vocal sounds, VocalSynth 2 features a Vocoder, Compuvox, Polyvox, Talkbox, and Biovox: a brand new effect based on the sonic qualities of the human vocal tract.<br /><br />\n<h3>Vocalsynth 2 Key features</h3>\n<ul>\n	<li>Biovox : Using scientific modeling of a human vocal tract, adjust human vocal characteristics like nasality, vowel shapes, and formants for a smooth, textural vocal treatment to any audio signal.</li>\n	<li>Stompbox-style effects: VocalSynth 2’s effects include two brand new pedal-style effects: Chorus and Ring Mod with a unique tremolo effect. Now drag to re-order all seven effects including an improved Shred with sequencer as well as Distort, Filter, Transform, and Delay.</li>\n	<li>3 ways to play : VocalSynth 2 is built to be flexible, giving you three ways to interact and create: Auto Mode, MIDI Mode, and Sidechain Mode.</li>\n	<li>Inter-plugin communication : Use VocalSynth 2 within Neutron 2’s Visual Mixer and Masking Meter, as well as Tonal Balance Control for a bird’s eye view of your music production at all times.</li>\n	<li>Extensive sonic enhancements to the Vocoder module as well as Talkbox, Polyvox, and Compuvox that improve usability, CPU utilization, and sound quality.</li>\n</ul>\n<br />\n<h3>The evolution of vocals</h3>\nElevate your vocal productions with the music production’s most unique plug-in experience for vocals. Quickly get old school sounds you need or create a new school of vocal sounds. Get lost in layers, textures, effects, blending, and morphing in an experimental vocal playground and finally find that secret something that makes your vocals stand out. Choose and meld five unique vocal tools or pick from hundreds of presets for quick impact.\n<br /><br />\n<h3>Killer sounds out of the box</h3>\nWe’ve completely redesigned VocalSynth to get you a better sound, faster than ever. Through meticulous design we’ve made improvements to every aspect of VocalSynth including: expanding the Vocoder for a more faithful sound, packing more power into Shred, optimizing CPU, adding more control within each module, and much more. We’ve also added brand new presets that take full advantage of all VocalSynth has to offer, so you can get up and running right out of the box.\n<br /><br />\n<h3>Biovox: Vocals down to a science</h3>\nCreate and manipulate your biological imprint with a brand new vocal effect. Using scientific modeling of a human vocal tract, adjust human vocal characteristics like nasality, vowel shapes, and formants for a smooth, textural vocal treatment to any audio signal. Use surgically to adapt\n<br /><br />\ntakes to better fit your production or apply as a creative effect to make a vocal more present, breathy, or totally mangle it!<br /><br />\n<h3>Stompbox playground</h3>\nFurther enhance your production with a custom drag-and-drop vocal effects chain featuring seven experimental effects including a new and improved Shred, Ring Mod, Chorus, Distort, Filter, Transform, and Delay. Add a little extra something special for a perfect cocktail of vocal effects.\n<br /><br />\n<h3>Three ways to play</h3>\nVocalSynth 2 is built to be flexible, giving you three ways to interact and create. In Auto mode, get up and running on any track and apply effects and presets instantly. In MIDI mode, play and automate your production’s effects, harmonies, and other parameters with MIDI input or from any MIDI controller. In Sidechain mode, use any audio signal to drive VocalSynth 2 effects to expand creative horizons.\n<br /><br />\n<h3>Inter-plugin communication</h3>\nVocalSynth 2 works within the ecosystem of iZotope products. Like Neutron, Ozone, and Tonal Balance Control, VocalSynth 2 features inter-plugin communication, allowing seamless integration with essential tools for music production and analysis. VocalSynth 2 can be seen within Neutron 2’s Visual Mixer and Masking Meter and also within Tonal Balance Control, allowing you to interact and get visual feedback in real time.\n<br /><br />'),(5661,85,0,944,'iZotope VocalSynth 2'),(5662,85,1,944,'iZotope VocalSynth 2'),(5663,76,0,944,''),(5664,76,1,944,''),(5665,75,0,945,'<h1>JBL 305P MKII</h1>\n<i>Powered Two-Way Studio Monitor with 5\" Woofer and 1\" Tweeter Featuring JBL Image Control Waveguide</i><br /><br />\nThe JBL 305P MkII compact powered studio monitor makes legendary JBL performance available to every studio. With the revolutionary JBL Image Control Waveguide and refined transducers, JBL 305P MkII offers stunning detail, precise imaging, a wide sweet spot and impressive dynamic range that enhances the critical listening capabilities of any modern workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors, and sporting a sleek, modern design, JBL 305P MkII delivers outstanding performance and an enjoyable mix experience at an accessible price. <br /><br />\n<h3>JBL 305P MKII Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Patented Image Control Waveguide for detailed imaging and a broad, room-friendly sweet spot</span></li>\n	<li>Next-generation JBL transducers for optimized transient response and improved linearity</li>\n	<li>Patented Slip Stream™ low-frequency port for superior bass performance at all playback levels</li>\n	<li>Dual integrated, custom Class-D amplifiers provide 82 watts of power for high output and dynamic range</li>\n	<li>New Boundary EQ settings compensate for low frequency variants introduced by the environment</li>\n	<li>HF Trim switch adjusts high-frequency output to room acoustics or personal preferences</li>\n	<li>Flexible connectivity with balanced XLR and 1/4\" TRS inputs, +4dBu / -10dBV input-sensitivity switch and adjustable volume control</li>\n	<li>Engineered to JBL Linear Spatial Reference design criteria for outstanding accuracy in any working space</li>\n	<li>Strenuous JBL 100-hour full-power test ensures years of reliability</li>\n	<li>Sleek, modern design provides a visual upgrade to any studio</li>\n</ul>\n<br />\n<h3>Why MkII?</h3>\nSince their release, word has spread on the quality and value found in the original JBL 3 Series, resulting in wide adoption from hobbyists to high-end professionals working in music, film, post, and broadcast production worldwide. With such an obvious hit, you might ask, \"Why update now?\" On every project at JBL, there’s always a handful of features or improvements that the engineering team can’t squeeze in before going to production. 3 Series was no different. When the opportunity presented itself, JBL decided to make those final improvements to the transducers, add a frequently-requested feature, and apply the latest manufacturing learnings. The result—a new edition of this popular studio monitor that retains the best qualities of the original, but now looks better, sounds better, and provides transparent sound in even more production environments.\n<br /><br />\n<h3>Patented Image Control Waveguide</h3>\nReveal impressive detail, ambience and depth in your mixes thanks to the groundbreaking JBL Image Control Waveguide. Originally developed for JBL’s flagship M2 Master Reference Monitor, this patented innovation ensures an acoustically seamless transition between the low- and high-frequency transducers and provides an immersive soundstage with precise imaging. Offering a broad sweet spot and neutral frequency response, JBL 305P MkII delivers a crystal-clear representation of your mix—revealing subtle details, even when listening off-axis.\n<br /><br />\n<h3>Your Mix is Only as Good as Your Monitors</h3>\nTo help you make the best mix decisions, JBL equipped the 305P MkII with acclaimed 3 Series transducers that now perform even better. Hear deep, accurate and tightly controlled bass thanks to a long-throw 5\" woofer and the patented JBL Slip Stream™ low-frequency port. Enjoy soaring, immaculately detailed highs via the woven-composite 1\" Neodymium tweeter. JBL engineers took things to the next level with faster HF transient response through fine-tuned ferrofluid damping, and greater low frequency linearity and lower harmonic distortion courtesy of an enhanced woofer design. The result is a studio monitor you can trust—with unmatched peak handling, stunning dynamics and neutral frequency response that’s unbeatable in its class.\n<br /><br />\n<h3>Big Sound Out of the Box</h3>\nJBL 305P MkII is ready for the most demanding production styles right out of the box. Dual integrated Class D power amplifiers, custom designed by JBL for each transducer, give you generous dynamic range for any project. From music production and podcasting to cinematic sound design or daily vlogging, enjoy the output and power you need to hear exceptional detail at any volume—even at peak SPLs. Simply plug in, power on, and start creating.\n<br /><br />\n<h3>Tailored Sound to Fit Your Studio</h3>\nThe dimensions and acoustics of a room can have a major effect on sonic accuracy, and that’s why JBL 305P MkII lets you adjust the response to fit your studio. The new Boundary EQ attenuates the low-end boost that can occur when you place monitors directly on the desktop or near walls. The 3-position HF Trim switch allows you to adjust the high-frequency response of the 305P MkII to tailor it to room acoustics or personal tastes.\n<br /><br />\n<h3>Flexible Connectivity</h3>\nOffering both balanced XLR and 1/4\" TRS inputs, and adjustable +4dBu/-10dBV input sensitivity, the 305P MkII offers flexible, professional connectivity options to provide easy setup while maintaining your signal integrity.\n<br /><br />\n<h3>70 Years of Expertise</h3>\nThe design of the 305P MkII leverages over 70 years of JBL acoustic expertise to create a refined studio monitor at an outstanding value. While other manufacturers use off-the-shelf components and make subjective decisions about the sound, JBL builds speakers that squeeze every ounce of performance from each component to deliver efficient, accurate sound reproduction. 305P MkII is designed to JBL’s Linear Spatial Reference criteria—a series of 72 individual measurements taken 360 degrees around the speaker to ensure a faithful reproduction of your mix, whatever your listening environment. \n<br /><br />\n<h3>JBL Professional Reliability</h3>\nJBL Professional studio monitors are designed for reliable performance, even when projects push your gear to the limit. Before being approved for production, 3 Series monitors must first pass JBL’s strenuous Power Test. Each model is required to perform flawlessly at maximum volume for an unheard-of 100 hours—without failure. As a result, you can depend on 305P MkII monitors to deliver consistently excellent sound reproduction for years to come.  \n<br /><br />'),(5666,75,1,945,'<h1>JBL 305P MKII</h1>\n<i>Powered Two-Way Studio Monitor with 5\" Woofer and 1\" Tweeter Featuring JBL Image Control Waveguide</i><br /><br />\nThe JBL 305P MkII compact powered studio monitor makes legendary JBL performance available to every studio. With the revolutionary JBL Image Control Waveguide and refined transducers, JBL 305P MkII offers stunning detail, precise imaging, a wide sweet spot and impressive dynamic range that enhances the critical listening capabilities of any modern workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors, and sporting a sleek, modern design, JBL 305P MkII delivers outstanding performance and an enjoyable mix experience at an accessible price. <br /><br />\n<h3>JBL 305P MKII Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Patented Image Control Waveguide for detailed imaging and a broad, room-friendly sweet spot</span></li>\n	<li>Next-generation JBL transducers for optimized transient response and improved linearity</li>\n	<li>Patented Slip Stream™ low-frequency port for superior bass performance at all playback levels</li>\n	<li>Dual integrated, custom Class-D amplifiers provide 82 watts of power for high output and dynamic range</li>\n	<li>New Boundary EQ settings compensate for low frequency variants introduced by the environment</li>\n	<li>HF Trim switch adjusts high-frequency output to room acoustics or personal preferences</li>\n	<li>Flexible connectivity with balanced XLR and 1/4\" TRS inputs, +4dBu / -10dBV input-sensitivity switch and adjustable volume control</li>\n	<li>Engineered to JBL Linear Spatial Reference design criteria for outstanding accuracy in any working space</li>\n	<li>Strenuous JBL 100-hour full-power test ensures years of reliability</li>\n	<li>Sleek, modern design provides a visual upgrade to any studio</li>\n</ul>\n<br />\n<h3>Why MkII?</h3>\nSince their release, word has spread on the quality and value found in the original JBL 3 Series, resulting in wide adoption from hobbyists to high-end professionals working in music, film, post, and broadcast production worldwide. With such an obvious hit, you might ask, \"Why update now?\" On every project at JBL, there’s always a handful of features or improvements that the engineering team can’t squeeze in before going to production. 3 Series was no different. When the opportunity presented itself, JBL decided to make those final improvements to the transducers, add a frequently-requested feature, and apply the latest manufacturing learnings. The result—a new edition of this popular studio monitor that retains the best qualities of the original, but now looks better, sounds better, and provides transparent sound in even more production environments.\n<br /><br />\n<h3>Patented Image Control Waveguide</h3>\nReveal impressive detail, ambience and depth in your mixes thanks to the groundbreaking JBL Image Control Waveguide. Originally developed for JBL’s flagship M2 Master Reference Monitor, this patented innovation ensures an acoustically seamless transition between the low- and high-frequency transducers and provides an immersive soundstage with precise imaging. Offering a broad sweet spot and neutral frequency response, JBL 305P MkII delivers a crystal-clear representation of your mix—revealing subtle details, even when listening off-axis.\n<br /><br />\n<h3>Your Mix is Only as Good as Your Monitors</h3>\nTo help you make the best mix decisions, JBL equipped the 305P MkII with acclaimed 3 Series transducers that now perform even better. Hear deep, accurate and tightly controlled bass thanks to a long-throw 5\" woofer and the patented JBL Slip Stream™ low-frequency port. Enjoy soaring, immaculately detailed highs via the woven-composite 1\" Neodymium tweeter. JBL engineers took things to the next level with faster HF transient response through fine-tuned ferrofluid damping, and greater low frequency linearity and lower harmonic distortion courtesy of an enhanced woofer design. The result is a studio monitor you can trust—with unmatched peak handling, stunning dynamics and neutral frequency response that’s unbeatable in its class.\n<br /><br />\n<h3>Big Sound Out of the Box</h3>\nJBL 305P MkII is ready for the most demanding production styles right out of the box. Dual integrated Class D power amplifiers, custom designed by JBL for each transducer, give you generous dynamic range for any project. From music production and podcasting to cinematic sound design or daily vlogging, enjoy the output and power you need to hear exceptional detail at any volume—even at peak SPLs. Simply plug in, power on, and start creating.\n<br /><br />\n<h3>Tailored Sound to Fit Your Studio</h3>\nThe dimensions and acoustics of a room can have a major effect on sonic accuracy, and that’s why JBL 305P MkII lets you adjust the response to fit your studio. The new Boundary EQ attenuates the low-end boost that can occur when you place monitors directly on the desktop or near walls. The 3-position HF Trim switch allows you to adjust the high-frequency response of the 305P MkII to tailor it to room acoustics or personal tastes.\n<br /><br />\n<h3>Flexible Connectivity</h3>\nOffering both balanced XLR and 1/4\" TRS inputs, and adjustable +4dBu/-10dBV input sensitivity, the 305P MkII offers flexible, professional connectivity options to provide easy setup while maintaining your signal integrity.\n<br /><br />\n<h3>70 Years of Expertise</h3>\nThe design of the 305P MkII leverages over 70 years of JBL acoustic expertise to create a refined studio monitor at an outstanding value. While other manufacturers use off-the-shelf components and make subjective decisions about the sound, JBL builds speakers that squeeze every ounce of performance from each component to deliver efficient, accurate sound reproduction. 305P MkII is designed to JBL’s Linear Spatial Reference criteria—a series of 72 individual measurements taken 360 degrees around the speaker to ensure a faithful reproduction of your mix, whatever your listening environment. \n<br /><br />\n<h3>JBL Professional Reliability</h3>\nJBL Professional studio monitors are designed for reliable performance, even when projects push your gear to the limit. Before being approved for production, 3 Series monitors must first pass JBL’s strenuous Power Test. Each model is required to perform flawlessly at maximum volume for an unheard-of 100 hours—without failure. As a result, you can depend on 305P MkII monitors to deliver consistently excellent sound reproduction for years to come.  \n<br /><br />'),(5667,85,0,945,'JBL 305P MKII 5\" Two-Way Powered Studio Monitor'),(5668,85,1,945,'JBL 305P MKII 5\" Two-Way Powered Studio Monitor'),(5669,76,0,945,''),(5670,76,1,945,''),(5671,75,0,946,'<h1>JBL 306P MKII</h1>\n<i>Powered Two-Way Studio Monitor with 6\" Woofer and 1\" Tweeter Featuring JBL Image Control Waveguide</i><br /><br />\nThe JBL 306P MkII compact powered studio monitor makes legendary JBL performance available to every studio. With the revolutionary JBL Image Control Waveguide and refined transducers, JBL 306P MkII offers stunning detail, precise imaging, a wide sweet spot and impressive dynamic range that enhances the critical listening capabilities of any modern workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors, and sporting a sleek, modern design, JBL 306P MkII delivers outstanding performance and an enjoyable mix experience at an accessible price. <br /><br />\n<h3>JBL 306P MKII Features</h3>\n<ul>\n	<li>Patented Image Control Waveguide for detailed imaging and a broad, room-friendly sweet spot</li>\n	<li>Next-generation JBL transducers for optimized transient response and improved linearity</li>\n	<li>Patented Slip Stream™ low-frequency port for superior bass performance at all playback levels</li>\n	<li>Dual integrated, custom Class-D amplifiers provide 112 watts of power for high output and dynamic range</li>\n	<li>New Boundary EQ settings compensate for low frequency variants introduced by the environment</li>\n	<li>HF Trim switch adjusts high-frequency output to room acoustics or personal preferences</li>\n	<li>Flexible connectivity with balanced XLR and 1/4\" TRS inputs, +4dBu / -10dBV input-sensitivity switch and adjustable volume control</li>\n	<li>Engineered to JBL Linear Spatial Reference design criteria for outstanding accuracy in any working space</li>\n	<li>Strenuous JBL 100-hour full-power test ensures years of reliability</li>\n	<li>Sleek, modern design provides a visual upgrade to any studio</li>\n</ul>\n<br />\n<h3>Why MkII?</h3>\nSince their release, word has spread on the quality and value found in the original JBL 3 Series, resulting in wide adoption from hobbyists to high-end professionals working in music, film, post, and broadcast production worldwide. With such an obvious hit, you might ask, \"Why update now?\" On every project at JBL, there’s always a handful of features or improvements that the engineering team can’t squeeze in before going to production. 3 Series was no different. When the opportunity presented itself, JBL decided to make those final improvements to the transducers, add a frequently-requested feature, and apply the latest manufacturing learnings. The result—a new edition of this popular studio monitor that retains the best qualities of the original, but now looks better, sounds better, and provides transparent sound in even more production environments.\n<br /><br />\n<h3>Patented Image Control Waveguide</h3>\nReveal impressive detail, ambience and depth in your mixes thanks to the groundbreaking JBL Image Control Waveguide. Originally developed for JBL’s flagship M2 Master Reference Monitor, this patented innovation ensures an acoustically seamless transition between the low- and high-frequency transducers and provides an immersive soundstage with precise imaging. Offering a broad sweet spot and neutral frequency response, JBL 306P MkII delivers a crystal-clear representation of your mix—revealing subtle details, even when listening off-axis.\n<br /><br />\n<h3>Your Mix is Only as Good as Your Monitors</h3>\nTo help you make the best mix decisions, JBL equipped the 306P MkII with acclaimed 3 Series transducers that now perform even better. Hear deep, accurate and tightly controlled bass thanks to a long-throw 6\" woofer and the patented JBL Slip Stream™ low-frequency port. Enjoy soaring, immaculately detailed highs via the woven-composite 1\" Neodymium tweeter. JBL engineers took things to the next level with faster HF transient response through fine-tuned ferrofluid damping, and greater low frequency linearity and lower harmonic distortion courtesy of an enhanced woofer design. The result is a studio monitor you can trust—with unmatched peak handling, stunning dynamics and neutral frequency response that’s unbeatable in its class.\n<br /><br />\n<h3>Big Sound Out of the Box</h3>\nJBL 306P MkII is ready for the most demanding production styles right out of the box. Dual integrated Class D power amplifiers, custom designed by JBL for each transducer, give you generous dynamic range for any project. From music production and podcasting to cinematic sound design or daily vlogging, enjoy the output and power you need to hear exceptional detail at any volume—even at peak SPLs. Simply plug in, power on, and start creating.\n<br /><br />\n<h3>Tailored Sound to Fit Your Studio</h3>\nThe dimensions and acoustics of a room can have a major effect on sonic accuracy, and that’s why JBL 306P MkII lets you adjust the response to fit your studio. The new Boundary EQ attenuates the low-end boost that can occur when you place monitors directly on the desktop or near walls. The 3-position HF Trim switch allows you to adjust the high-frequency response of the 306P MkII to tailor it to room acoustics or personal tastes.\n<br /><br />\n<h3>Flexible Connectivity</h3>\nOffering both balanced XLR and 1/4\" TRS inputs, and adjustable +4dBu/-10dBV input sensitivity, the 306P MkII offers flexible, professional connectivity options to provide easy setup while maintaining your signal integrity.\n<br /><br />\n<h3>70 Years of Expertise</h3>\nThe design of the 306P MkII leverages over 70 years of JBL acoustic expertise to create a refined studio monitor at an outstanding value. While other manufacturers use off-the-shelf components and make subjective decisions about the sound, JBL builds speakers that squeeze every ounce of performance from each component to deliver efficient, accurate sound reproduction. 306P MkII is designed to JBL’s Linear Spatial Reference criteria—a series of 72 individual measurements taken 360 degrees around the speaker to ensure a faithful reproduction of your mix, whatever your listening environment. \n<br /><br />\n<h3>JBL Professional Reliability</h3>\nJBL Professional studio monitors are designed for reliable performance, even when projects push your gear to the limit. Before being approved for production, 3 Series monitors must first pass JBL’s strenuous Power Test. Each model is required to perform flawlessly at maximum volume for an unheard-of 100 hours—without failure. As a result, you can depend on 306P MkII monitors to deliver consistently excellent sound reproduction for years to come.  \n<br /><br />'),(5672,75,1,946,'<h1>JBL 306P MKII</h1>\n<i>Powered Two-Way Studio Monitor with 6\" Woofer and 1\" Tweeter Featuring JBL Image Control Waveguide</i><br /><br />\nThe JBL 306P MkII compact powered studio monitor makes legendary JBL performance available to every studio. With the revolutionary JBL Image Control Waveguide and refined transducers, JBL 306P MkII offers stunning detail, precise imaging, a wide sweet spot and impressive dynamic range that enhances the critical listening capabilities of any modern workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors, and sporting a sleek, modern design, JBL 306P MkII delivers outstanding performance and an enjoyable mix experience at an accessible price. <br /><br />\n<h3>JBL 306P MKII Features</h3>\n<ul>\n	<li>Patented Image Control Waveguide for detailed imaging and a broad, room-friendly sweet spot</li>\n	<li>Next-generation JBL transducers for optimized transient response and improved linearity</li>\n	<li>Patented Slip Stream™ low-frequency port for superior bass performance at all playback levels</li>\n	<li>Dual integrated, custom Class-D amplifiers provide 112 watts of power for high output and dynamic range</li>\n	<li>New Boundary EQ settings compensate for low frequency variants introduced by the environment</li>\n	<li>HF Trim switch adjusts high-frequency output to room acoustics or personal preferences</li>\n	<li>Flexible connectivity with balanced XLR and 1/4\" TRS inputs, +4dBu / -10dBV input-sensitivity switch and adjustable volume control</li>\n	<li>Engineered to JBL Linear Spatial Reference design criteria for outstanding accuracy in any working space</li>\n	<li>Strenuous JBL 100-hour full-power test ensures years of reliability</li>\n	<li>Sleek, modern design provides a visual upgrade to any studio</li>\n</ul>\n<br />\n<h3>Why MkII?</h3>\nSince their release, word has spread on the quality and value found in the original JBL 3 Series, resulting in wide adoption from hobbyists to high-end professionals working in music, film, post, and broadcast production worldwide. With such an obvious hit, you might ask, \"Why update now?\" On every project at JBL, there’s always a handful of features or improvements that the engineering team can’t squeeze in before going to production. 3 Series was no different. When the opportunity presented itself, JBL decided to make those final improvements to the transducers, add a frequently-requested feature, and apply the latest manufacturing learnings. The result—a new edition of this popular studio monitor that retains the best qualities of the original, but now looks better, sounds better, and provides transparent sound in even more production environments.\n<br /><br />\n<h3>Patented Image Control Waveguide</h3>\nReveal impressive detail, ambience and depth in your mixes thanks to the groundbreaking JBL Image Control Waveguide. Originally developed for JBL’s flagship M2 Master Reference Monitor, this patented innovation ensures an acoustically seamless transition between the low- and high-frequency transducers and provides an immersive soundstage with precise imaging. Offering a broad sweet spot and neutral frequency response, JBL 306P MkII delivers a crystal-clear representation of your mix—revealing subtle details, even when listening off-axis.\n<br /><br />\n<h3>Your Mix is Only as Good as Your Monitors</h3>\nTo help you make the best mix decisions, JBL equipped the 306P MkII with acclaimed 3 Series transducers that now perform even better. Hear deep, accurate and tightly controlled bass thanks to a long-throw 6\" woofer and the patented JBL Slip Stream™ low-frequency port. Enjoy soaring, immaculately detailed highs via the woven-composite 1\" Neodymium tweeter. JBL engineers took things to the next level with faster HF transient response through fine-tuned ferrofluid damping, and greater low frequency linearity and lower harmonic distortion courtesy of an enhanced woofer design. The result is a studio monitor you can trust—with unmatched peak handling, stunning dynamics and neutral frequency response that’s unbeatable in its class.\n<br /><br />\n<h3>Big Sound Out of the Box</h3>\nJBL 306P MkII is ready for the most demanding production styles right out of the box. Dual integrated Class D power amplifiers, custom designed by JBL for each transducer, give you generous dynamic range for any project. From music production and podcasting to cinematic sound design or daily vlogging, enjoy the output and power you need to hear exceptional detail at any volume—even at peak SPLs. Simply plug in, power on, and start creating.\n<br /><br />\n<h3>Tailored Sound to Fit Your Studio</h3>\nThe dimensions and acoustics of a room can have a major effect on sonic accuracy, and that’s why JBL 306P MkII lets you adjust the response to fit your studio. The new Boundary EQ attenuates the low-end boost that can occur when you place monitors directly on the desktop or near walls. The 3-position HF Trim switch allows you to adjust the high-frequency response of the 306P MkII to tailor it to room acoustics or personal tastes.\n<br /><br />\n<h3>Flexible Connectivity</h3>\nOffering both balanced XLR and 1/4\" TRS inputs, and adjustable +4dBu/-10dBV input sensitivity, the 306P MkII offers flexible, professional connectivity options to provide easy setup while maintaining your signal integrity.\n<br /><br />\n<h3>70 Years of Expertise</h3>\nThe design of the 306P MkII leverages over 70 years of JBL acoustic expertise to create a refined studio monitor at an outstanding value. While other manufacturers use off-the-shelf components and make subjective decisions about the sound, JBL builds speakers that squeeze every ounce of performance from each component to deliver efficient, accurate sound reproduction. 306P MkII is designed to JBL’s Linear Spatial Reference criteria—a series of 72 individual measurements taken 360 degrees around the speaker to ensure a faithful reproduction of your mix, whatever your listening environment. \n<br /><br />\n<h3>JBL Professional Reliability</h3>\nJBL Professional studio monitors are designed for reliable performance, even when projects push your gear to the limit. Before being approved for production, 3 Series monitors must first pass JBL’s strenuous Power Test. Each model is required to perform flawlessly at maximum volume for an unheard-of 100 hours—without failure. As a result, you can depend on 306P MkII monitors to deliver consistently excellent sound reproduction for years to come.  \n<br /><br />'),(5673,85,0,946,'JBL 306P MKII 6\" Two-Way Powered Studio Monitor'),(5674,85,1,946,'JBL 306P MKII 6\" Two-Way Powered Studio Monitor'),(5675,76,0,946,''),(5676,76,1,946,''),(5677,75,0,947,'<h1>JBL 308P MKII</h1>\n<i>Powered Two-Way Studio Monitor with 8\" Woofer and 1\" Tweeter Featuring JBL Image Control Waveguide</i><br /><br />\nThe JBL 308P MkII compact powered studio monitor makes legendary JBL performance available to every studio. With the revolutionary JBL Image Control Waveguide and refined transducers, JBL 308P MkII offers stunning detail, precise imaging, a wide sweet spot and impressive dynamic range that enhances the critical listening capabilities of any modern workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors, and sporting a sleek, modern design, JBL 308P MkII delivers outstanding performance and an enjoyable mix experience at an accessible price. <br /><br />\n<h3>JBL 308P MKII Features</h3>\n<ul>\n	<li>Patented Image Control Waveguide for detailed imaging and a broad, room-friendly sweet spot</li>\n	<li>Next-generation JBL transducers for optimized transient response and improved linearity</li>\n	<li>Patented Slip Stream™ low-frequency port for superior bass performance at all playback levels</li>\n	<li>Dual integrated, custom Class-D amplifiers provide 112 watts of power for high output and dynamic range</li>\n	<li>New Boundary EQ settings compensate for low frequency variants introduced by the environment</li>\n	<li>HF Trim switch adjusts high-frequency output to room acoustics or personal preferences</li>\n	<li>Flexible connectivity with balanced XLR and 1/4\" TRS inputs, +4dBu / -10dBV input-sensitivity switch and adjustable volume control</li>\n	<li>Engineered to JBL Linear Spatial Reference design criteria for outstanding accuracy in any working space</li>\n	<li>Strenuous JBL 100-hour full-power test ensures years of reliability</li>\n	<li>Sleek, modern design provides a visual upgrade to any studio</li>\n</ul>\n<br />\n<h3>Why MkII?</h3>\nSince their release, word has spread on the quality and value found in the original JBL 3 Series, resulting in wide adoption from hobbyists to high-end professionals working in music, film, post, and broadcast production worldwide. With such an obvious hit, you might ask, \"Why update now?\" On every project at JBL, there’s always a handful of features or improvements that the engineering team can’t squeeze in before going to production. 3 Series was no different. When the opportunity presented itself, JBL decided to make those final improvements to the transducers, add a frequently-requested feature, and apply the latest manufacturing learnings. The result—a new edition of this popular studio monitor that retains the best qualities of the original, but now looks better, sounds better, and provides transparent sound in even more production environments.\n<br /><br />\n<h3>Patented Image Control Waveguide</h3>\nReveal impressive detail, ambience and depth in your mixes thanks to the groundbreaking JBL Image Control Waveguide. Originally developed for JBL’s flagship M2 Master Reference Monitor, this patented innovation ensures an acoustically seamless transition between the low- and high-frequency transducers and provides an immersive soundstage with precise imaging. Offering a broad sweet spot and neutral frequency response, JBL 308P MkII delivers a crystal-clear representation of your mix—revealing subtle details, even when listening off-axis.\n<br /><br />\n<h3>Your Mix is Only as Good as Your Monitors</h3>\nTo help you make the best mix decisions, JBL equipped the 308P MkII with acclaimed 3 Series transducers that now perform even better. Hear deep, accurate and tightly controlled bass thanks to a long-throw 8\" woofer and the patented JBL Slip Stream™ low-frequency port. Enjoy soaring, immaculately detailed highs via the woven-composite 1\" Neodymium tweeter. JBL engineers took things to the next level with faster HF transient response through fine-tuned ferrofluid damping, and greater low frequency linearity and lower harmonic distortion courtesy of an enhanced woofer design. The result is a studio monitor you can trust—with unmatched peak handling, stunning dynamics and neutral frequency response that’s unbeatable in its class.\n<br /><br />\n<h3>Big Sound Out of the Box</h3>\nJBL 308P MkII is ready for the most demanding production styles right out of the box. Dual integrated Class D power amplifiers, custom designed by JBL for each transducer, give you generous dynamic range for any project. From music production and podcasting to cinematic sound design or daily vlogging, enjoy the output and power you need to hear exceptional detail at any volume—even at peak SPLs. Simply plug in, power on, and start creating.\n<br /><br />\n<h3>Tailored Sound to Fit Your Studio</h3>\nThe dimensions and acoustics of a room can have a major effect on sonic accuracy, and that’s why JBL 308P MkII lets you adjust the response to fit your studio. The new Boundary EQ attenuates the low-end boost that can occur when you place monitors directly on the desktop or near walls. The 3-position HF Trim switch allows you to adjust the high-frequency response of the 308P MkII to tailor it to room acoustics or personal tastes.\n<br /><br />\n<h3>Flexible Connectivity</h3>\nOffering both balanced XLR and 1/4\" TRS inputs, and adjustable +4dBu/-10dBV input sensitivity, the 308P MkII offers flexible, professional connectivity options to provide easy setup while maintaining your signal integrity.\n<br /><br />\n<h3>70 Years of Expertise</h3>\nThe design of the 308P MkII leverages over 70 years of JBL acoustic expertise to create a refined studio monitor at an outstanding value. While other manufacturers use off-the-shelf components and make subjective decisions about the sound, JBL builds speakers that squeeze every ounce of performance from each component to deliver efficient, accurate sound reproduction. 308P MkII is designed to JBL’s Linear Spatial Reference criteria—a series of 72 individual measurements taken 360 degrees around the speaker to ensure a faithful reproduction of your mix, whatever your listening environment. \n<br /><br />\n<h3>JBL Professional Reliability</h3>\nJBL Professional studio monitors are designed for reliable performance, even when projects push your gear to the limit. Before being approved for production, 3 Series monitors must first pass JBL’s strenuous Power Test. Each model is required to perform flawlessly at maximum volume for an unheard-of 100 hours—without failure. As a result, you can depend on 308P MkII monitors to deliver consistently excellent sound reproduction for years to come.  \n<br /><br />'),(5678,75,1,947,'<h1>JBL 308P MKII</h1>\n<i>Powered Two-Way Studio Monitor with 8\" Woofer and 1\" Tweeter Featuring JBL Image Control Waveguide</i><br /><br />\nThe JBL 308P MkII compact powered studio monitor makes legendary JBL performance available to every studio. With the revolutionary JBL Image Control Waveguide and refined transducers, JBL 308P MkII offers stunning detail, precise imaging, a wide sweet spot and impressive dynamic range that enhances the critical listening capabilities of any modern workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors, and sporting a sleek, modern design, JBL 308P MkII delivers outstanding performance and an enjoyable mix experience at an accessible price. <br /><br />\n<h3>JBL 308P MKII Features</h3>\n<ul>\n	<li>Patented Image Control Waveguide for detailed imaging and a broad, room-friendly sweet spot</li>\n	<li>Next-generation JBL transducers for optimized transient response and improved linearity</li>\n	<li>Patented Slip Stream™ low-frequency port for superior bass performance at all playback levels</li>\n	<li>Dual integrated, custom Class-D amplifiers provide 112 watts of power for high output and dynamic range</li>\n	<li>New Boundary EQ settings compensate for low frequency variants introduced by the environment</li>\n	<li>HF Trim switch adjusts high-frequency output to room acoustics or personal preferences</li>\n	<li>Flexible connectivity with balanced XLR and 1/4\" TRS inputs, +4dBu / -10dBV input-sensitivity switch and adjustable volume control</li>\n	<li>Engineered to JBL Linear Spatial Reference design criteria for outstanding accuracy in any working space</li>\n	<li>Strenuous JBL 100-hour full-power test ensures years of reliability</li>\n	<li>Sleek, modern design provides a visual upgrade to any studio</li>\n</ul>\n<br />\n<h3>Why MkII?</h3>\nSince their release, word has spread on the quality and value found in the original JBL 3 Series, resulting in wide adoption from hobbyists to high-end professionals working in music, film, post, and broadcast production worldwide. With such an obvious hit, you might ask, \"Why update now?\" On every project at JBL, there’s always a handful of features or improvements that the engineering team can’t squeeze in before going to production. 3 Series was no different. When the opportunity presented itself, JBL decided to make those final improvements to the transducers, add a frequently-requested feature, and apply the latest manufacturing learnings. The result—a new edition of this popular studio monitor that retains the best qualities of the original, but now looks better, sounds better, and provides transparent sound in even more production environments.\n<br /><br />\n<h3>Patented Image Control Waveguide</h3>\nReveal impressive detail, ambience and depth in your mixes thanks to the groundbreaking JBL Image Control Waveguide. Originally developed for JBL’s flagship M2 Master Reference Monitor, this patented innovation ensures an acoustically seamless transition between the low- and high-frequency transducers and provides an immersive soundstage with precise imaging. Offering a broad sweet spot and neutral frequency response, JBL 308P MkII delivers a crystal-clear representation of your mix—revealing subtle details, even when listening off-axis.\n<br /><br />\n<h3>Your Mix is Only as Good as Your Monitors</h3>\nTo help you make the best mix decisions, JBL equipped the 308P MkII with acclaimed 3 Series transducers that now perform even better. Hear deep, accurate and tightly controlled bass thanks to a long-throw 8\" woofer and the patented JBL Slip Stream™ low-frequency port. Enjoy soaring, immaculately detailed highs via the woven-composite 1\" Neodymium tweeter. JBL engineers took things to the next level with faster HF transient response through fine-tuned ferrofluid damping, and greater low frequency linearity and lower harmonic distortion courtesy of an enhanced woofer design. The result is a studio monitor you can trust—with unmatched peak handling, stunning dynamics and neutral frequency response that’s unbeatable in its class.\n<br /><br />\n<h3>Big Sound Out of the Box</h3>\nJBL 308P MkII is ready for the most demanding production styles right out of the box. Dual integrated Class D power amplifiers, custom designed by JBL for each transducer, give you generous dynamic range for any project. From music production and podcasting to cinematic sound design or daily vlogging, enjoy the output and power you need to hear exceptional detail at any volume—even at peak SPLs. Simply plug in, power on, and start creating.\n<br /><br />\n<h3>Tailored Sound to Fit Your Studio</h3>\nThe dimensions and acoustics of a room can have a major effect on sonic accuracy, and that’s why JBL 308P MkII lets you adjust the response to fit your studio. The new Boundary EQ attenuates the low-end boost that can occur when you place monitors directly on the desktop or near walls. The 3-position HF Trim switch allows you to adjust the high-frequency response of the 308P MkII to tailor it to room acoustics or personal tastes.\n<br /><br />\n<h3>Flexible Connectivity</h3>\nOffering both balanced XLR and 1/4\" TRS inputs, and adjustable +4dBu/-10dBV input sensitivity, the 308P MkII offers flexible, professional connectivity options to provide easy setup while maintaining your signal integrity.\n<br /><br />\n<h3>70 Years of Expertise</h3>\nThe design of the 308P MkII leverages over 70 years of JBL acoustic expertise to create a refined studio monitor at an outstanding value. While other manufacturers use off-the-shelf components and make subjective decisions about the sound, JBL builds speakers that squeeze every ounce of performance from each component to deliver efficient, accurate sound reproduction. 308P MkII is designed to JBL’s Linear Spatial Reference criteria—a series of 72 individual measurements taken 360 degrees around the speaker to ensure a faithful reproduction of your mix, whatever your listening environment. \n<br /><br />\n<h3>JBL Professional Reliability</h3>\nJBL Professional studio monitors are designed for reliable performance, even when projects push your gear to the limit. Before being approved for production, 3 Series monitors must first pass JBL’s strenuous Power Test. Each model is required to perform flawlessly at maximum volume for an unheard-of 100 hours—without failure. As a result, you can depend on 308P MkII monitors to deliver consistently excellent sound reproduction for years to come.  \n<br /><br />'),(5679,85,0,947,'JBL 308P MKII 8\" Two-Way Powered Studio Monitor'),(5680,85,1,947,'JBL 308P MKII 8\" Two-Way Powered Studio Monitor'),(5681,76,0,947,''),(5682,76,1,947,'');
INSERT INTO `catalog_product_entity_text` VALUES (5683,75,0,948,'<h2>JBL 705i - 5\" Master Reference Monitor</h2>\n	The JBL 705i Studio Monitors are passive reference monitors that provide a powerful and flexible monitoring solution for music, post and broadcast production. Primarily designed for multi-channel monitoring in post rooms, broadcast facilities and trucks, \n<span style=\"background-color: initial;\">7 Series Studio Monitors deliver detailed imaging, extended frequency response and remarkable output from compact enclosures thanks in part to a 5\" LF Driver and JBL\'s Patent Pending Image Control Waveguide. Centrally amplified and tuned, and easily installed, 705i Studio Monitors are the heart of an elegant, scalable system for broadcast and post facilities working in immersive audio formats.<br /><br />705i Studio Monitors integrate with the Intonato 24 Monitor Management Tuning System, which provides intuitive remote control and calibration.<br /><br />\n<h3>JBL 705i Key Features</h3>\n<ul>\n	<li>Next Generation Systems for Post and Broadcast Production in Control Rooms and Trucks</li>\n	<li>Next Generation Driver Technology for greater dynamic range and superior frequency response</li>\n	<li>Patent Pending Image Control Waveguide</li>\n	<li>Compact, Install Friendly Enclosures\n	</li><li>Power with a single amplifier channel or bi-amplify</li>\n	<li>Easily integrate into multi-channel systems featuring centralized amplification, and BSS BLU link Networked Audio</li>\n	<li>Balanced analog inputs with \"Phoenix\" type connectors</li>\n	\n</ul>\n<br />\n<h3>Patent Pending Image Control Waveguide</h3>\nFirst introduced in the JBL M2 Master Reference Monitor, the Image Control Wave Guide technology allows\n<ul>\n	<li>A seamless crossover and uncolored response in the critical dialog range.</li>\n	<li>Neutral off-axis response for greater accuracy and room-to-room consistency</li>\n	<li>Detailed imaging and a coherent transition between screen channels, surrounds and overhead speakers. </li>\n</ul><br />\n\n<h3>Next Generation Driver Technology</h3>\nMeeting the dynamic range and extended frequency response requirements of today’s production formats, 7 Series incorporates JBL next generation “Super Drivers.”\n<ul>\n	<li>The new 2409H High Frequency transducer incorporates an innovative low-mass annular diaphragm that delivers smooth response beyond 40 kHz, with extraordinary output and very low distortion.</li>\n</ul><br />\n\n<h3>JBL developed custom low frequency transducers for remarkable performance of the 7 Series</h3>\nNew 725G and 728G 5” and 8” high-excursion low frequency drivers in the 705i and 708i deliver continuously high output with minimal power compression and low frequency response into the 30Hz range.<br /><br /></span>'),(5684,75,1,948,'<h2>JBL 705i - 5\" Master Reference Monitor</h2>\n	The JBL 705i Studio Monitors are passive reference monitors that provide a powerful and flexible monitoring solution for music, post and broadcast production. Primarily designed for multi-channel monitoring in post rooms, broadcast facilities and trucks, \n<span style=\"background-color: initial;\">7 Series Studio Monitors deliver detailed imaging, extended frequency response and remarkable output from compact enclosures thanks in part to a 5\" LF Driver and JBL\'s Patent Pending Image Control Waveguide. Centrally amplified and tuned, and easily installed, 705i Studio Monitors are the heart of an elegant, scalable system for broadcast and post facilities working in immersive audio formats.<br /><br />705i Studio Monitors integrate with the Intonato 24 Monitor Management Tuning System, which provides intuitive remote control and calibration.<br /><br />\n<h3>JBL 705i Key Features</h3>\n<ul>\n	<li>Next Generation Systems for Post and Broadcast Production in Control Rooms and Trucks</li>\n	<li>Next Generation Driver Technology for greater dynamic range and superior frequency response</li>\n	<li>Patent Pending Image Control Waveguide</li>\n	<li>Compact, Install Friendly Enclosures\n	</li><li>Power with a single amplifier channel or bi-amplify</li>\n	<li>Easily integrate into multi-channel systems featuring centralized amplification, and BSS BLU link Networked Audio</li>\n	<li>Balanced analog inputs with \"Phoenix\" type connectors</li>\n	\n</ul>\n<br />\n<h3>Patent Pending Image Control Waveguide</h3>\nFirst introduced in the JBL M2 Master Reference Monitor, the Image Control Wave Guide technology allows\n<ul>\n	<li>A seamless crossover and uncolored response in the critical dialog range.</li>\n	<li>Neutral off-axis response for greater accuracy and room-to-room consistency</li>\n	<li>Detailed imaging and a coherent transition between screen channels, surrounds and overhead speakers. </li>\n</ul><br />\n\n<h3>Next Generation Driver Technology</h3>\nMeeting the dynamic range and extended frequency response requirements of today’s production formats, 7 Series incorporates JBL next generation “Super Drivers.”\n<ul>\n	<li>The new 2409H High Frequency transducer incorporates an innovative low-mass annular diaphragm that delivers smooth response beyond 40 kHz, with extraordinary output and very low distortion.</li>\n</ul><br />\n\n<h3>JBL developed custom low frequency transducers for remarkable performance of the 7 Series</h3>\nNew 725G and 728G 5” and 8” high-excursion low frequency drivers in the 705i and 708i deliver continuously high output with minimal power compression and low frequency response into the 30Hz range.<br /><br /></span>'),(5685,85,0,948,''),(5686,85,1,948,''),(5687,76,0,948,''),(5688,76,1,948,''),(5689,75,0,949,'<h2>JBL 705P - 5\" Bi-Amplified Master Reference Monitor</h2>\n<span style=\"background-color: initial;\">The JBL 705P Active Reference Monitor is a self-powered reference monitor designed for critical music recording, film post and broadcast production applications. The 705P leverages new patent-pending 5\" LF driver, renowned Image Control Waveguide, and built-in Floating Point DSP to deliver extraordinary output, stunning detail, an expansive soundstage, and greater accuracy in a broad range of rooms. 705P delivers several times the output of other comparably-sized studio monitors, providing significantly greater dynamic range and greater working distances.<br /><br />705Pi Studio Monitors integrate with the Intonato 24 Monitor Management Tuning System, which provides intuitive remote control and calibration.<br /><br />\n<h3>JBL 705P Key Features</h3>\n<ul>\n	<li>Next-generation JBL driver technology</li>\n	<li>Patent-pending JBL Image Control Waveguide</li>\n	<li>Integrated dual amplification system with internal floating-point DSP</li>\n	<li>Comprehensive room EQ and delay controls</li>\n	<li>Compact enclosures for easy placement and installation</li>\n	<li>JBL 725G low-frequency transducer delivers low-distortion and high SPL</li>\n	<li>JBL 2409H high-frequency transducer with low-mass annular diaphragm</li>\n	<li>JBL-designed patent-pending Image Control Waveguide</li>\n	<li>2-channel Class-D amplifier HF 250W / LF 250W</li>\n	<li>192 kHz, 32-bit floating point processing</li>\n	<li>12 bands of Room EQ, 8 bands of User EQ</li>\n	<li>6 factory presets, 6 user-defined presets</li>\n	<li>18 milliseconds of Room Delay, 150 milliseconds of AV Sync Delay</li>\n	<li>1 x XLR-1/4\" balanced combination analog audio input</li>\n	<li>1 x XLR AES3 format digital input with 1 x XLR pass-through output</li>\n	<li>Digital input accepts sample rates of up to 192 kHz</li>\n	<li>User-enabled sample rate converters</li>\n	<li>RJ-45 network connection for Harman HiQnet connectivity</li>\n	<li>Rear-panel multi-function controls and LCD display allow selection of input sensitivity, input trim, Room EQ, User EQ, Room Delay, AV Sync Delay</li>\n	<li>Top and bottom mounting points; birch plywood cabinets reinforced for safe mounting</li>\n	<li>Protective steel grilles</li>\n	\n</ul>\n<br />\n\n<h3>Next Generation Driver Technology</h3>\nJBL 705P leverages next-generation JBL driver technologies to deliver greater dynamic range and superior frequency response. The 2409H high-frequency compression driver incorporates an innovative low-mass annular diaphragm to deliver smooth response beyond 36 kHz, with very low distortion. The 725G low-frequency transducer provides 14mm peak-to-peak excursion with greater linearity, delivering exceptional low-frequency output below 39 Hz. These proprietary drivers allow the 705P to deliver two to three times the output of existing studio monitors.<br /><br />\n \n\n<h3>Patent Pending Image Control Waveguide</h3>\nFirst introduced in the JBL M2 Master Reference Monitor, the JBL patent-pending, Image Control Waveguide ensures accuracy and neutrality while providing a wide sweet spot with increased sonic detail. By enabling an acoustically seamless transition between the low- frequency and high-frequency transducers, the waveguide provides a detailed soundstage and accurate imaging across the entire frequency spectrum. The smooth, on- and off-axis frequency response allows the JBL 705P to deliver neutral response across a wide listening area in a broad range of rooms. <br /><br />\n \n\n<h3>Integrated Dual Amplification System</h3>\nJBL 705P features a built-in dual amplification system that’s optimized for its high-output drivers. A 250W amp powers the 2409H high-frequency transducer and a 250W amp is dedicated to the 725G low-frequency transducer. This combination provides exceptional output and allows for greater listening distances, making them ideal for post production or mastering environments.<br /><br />\n \n\n<h3>Comprehensive EQ and Delay</h3>\nAlthough the 705P design yields exceptional neutrality in any room, the speaker also features onboard room equalization, so you can compensate for the adverse effects of room acoustics and enjoy the most accurate sound reproduction in any listening environment. In addition to twelve bands of Room EQ, eight bands of User EQ allow for customized response curves such as the X-Curve, and compensation for “screen-loss” when placed behind a perforated cinema screen. User-enabled digital delay allows virtual alignment of speakers relative to the listening position, while additional AV Synchronization delay is available to compensate for latency in video displays. <br /><br />\n \n\n<h3>Compact Form Factor</h3>\n7 Series Powered monitors were developed with the modern control room in mind. A compact two-way design minimizes interference with video displays and sight lines, while still providing output that is comparable to larger speakers. The reinforced enclosure includes bottom and rear mounting points, allowing wall and ceiling mounting in either vertical or horizontal orientations. <br /><br />\n \n\n<h3>Digital Integration</h3>\nJBL 705P features analog and digital inputs and sample rate converters. AES/EBU digital inputs allow connectivity with a broad range of production hardware, including digital audio workstations (DAW), mixing consoles and digital playback hardware with sample rates of up to 192 kHz. Internal sample rate converters can be enabled to allow connection to digital signals with uncommon sample rates. <br /><br /></span>'),(5690,75,1,949,'<h2>JBL 705P - 5\" Bi-Amplified Master Reference Monitor</h2>\n<span style=\"background-color: initial;\">The JBL 705P Active Reference Monitor is a self-powered reference monitor designed for critical music recording, film post and broadcast production applications. The 705P leverages new patent-pending 5\" LF driver, renowned Image Control Waveguide, and built-in Floating Point DSP to deliver extraordinary output, stunning detail, an expansive soundstage, and greater accuracy in a broad range of rooms. 705P delivers several times the output of other comparably-sized studio monitors, providing significantly greater dynamic range and greater working distances.<br /><br />705Pi Studio Monitors integrate with the Intonato 24 Monitor Management Tuning System, which provides intuitive remote control and calibration.<br /><br />\n<h3>JBL 705P Key Features</h3>\n<ul>\n	<li>Next-generation JBL driver technology</li>\n	<li>Patent-pending JBL Image Control Waveguide</li>\n	<li>Integrated dual amplification system with internal floating-point DSP</li>\n	<li>Comprehensive room EQ and delay controls</li>\n	<li>Compact enclosures for easy placement and installation</li>\n	<li>JBL 725G low-frequency transducer delivers low-distortion and high SPL</li>\n	<li>JBL 2409H high-frequency transducer with low-mass annular diaphragm</li>\n	<li>JBL-designed patent-pending Image Control Waveguide</li>\n	<li>2-channel Class-D amplifier HF 250W / LF 250W</li>\n	<li>192 kHz, 32-bit floating point processing</li>\n	<li>12 bands of Room EQ, 8 bands of User EQ</li>\n	<li>6 factory presets, 6 user-defined presets</li>\n	<li>18 milliseconds of Room Delay, 150 milliseconds of AV Sync Delay</li>\n	<li>1 x XLR-1/4\" balanced combination analog audio input</li>\n	<li>1 x XLR AES3 format digital input with 1 x XLR pass-through output</li>\n	<li>Digital input accepts sample rates of up to 192 kHz</li>\n	<li>User-enabled sample rate converters</li>\n	<li>RJ-45 network connection for Harman HiQnet connectivity</li>\n	<li>Rear-panel multi-function controls and LCD display allow selection of input sensitivity, input trim, Room EQ, User EQ, Room Delay, AV Sync Delay</li>\n	<li>Top and bottom mounting points; birch plywood cabinets reinforced for safe mounting</li>\n	<li>Protective steel grilles</li>\n	\n</ul>\n<br />\n\n<h3>Next Generation Driver Technology</h3>\nJBL 705P leverages next-generation JBL driver technologies to deliver greater dynamic range and superior frequency response. The 2409H high-frequency compression driver incorporates an innovative low-mass annular diaphragm to deliver smooth response beyond 36 kHz, with very low distortion. The 725G low-frequency transducer provides 14mm peak-to-peak excursion with greater linearity, delivering exceptional low-frequency output below 39 Hz. These proprietary drivers allow the 705P to deliver two to three times the output of existing studio monitors.<br /><br />\n \n\n<h3>Patent Pending Image Control Waveguide</h3>\nFirst introduced in the JBL M2 Master Reference Monitor, the JBL patent-pending, Image Control Waveguide ensures accuracy and neutrality while providing a wide sweet spot with increased sonic detail. By enabling an acoustically seamless transition between the low- frequency and high-frequency transducers, the waveguide provides a detailed soundstage and accurate imaging across the entire frequency spectrum. The smooth, on- and off-axis frequency response allows the JBL 705P to deliver neutral response across a wide listening area in a broad range of rooms. <br /><br />\n \n\n<h3>Integrated Dual Amplification System</h3>\nJBL 705P features a built-in dual amplification system that’s optimized for its high-output drivers. A 250W amp powers the 2409H high-frequency transducer and a 250W amp is dedicated to the 725G low-frequency transducer. This combination provides exceptional output and allows for greater listening distances, making them ideal for post production or mastering environments.<br /><br />\n \n\n<h3>Comprehensive EQ and Delay</h3>\nAlthough the 705P design yields exceptional neutrality in any room, the speaker also features onboard room equalization, so you can compensate for the adverse effects of room acoustics and enjoy the most accurate sound reproduction in any listening environment. In addition to twelve bands of Room EQ, eight bands of User EQ allow for customized response curves such as the X-Curve, and compensation for “screen-loss” when placed behind a perforated cinema screen. User-enabled digital delay allows virtual alignment of speakers relative to the listening position, while additional AV Synchronization delay is available to compensate for latency in video displays. <br /><br />\n \n\n<h3>Compact Form Factor</h3>\n7 Series Powered monitors were developed with the modern control room in mind. A compact two-way design minimizes interference with video displays and sight lines, while still providing output that is comparable to larger speakers. The reinforced enclosure includes bottom and rear mounting points, allowing wall and ceiling mounting in either vertical or horizontal orientations. <br /><br />\n \n\n<h3>Digital Integration</h3>\nJBL 705P features analog and digital inputs and sample rate converters. AES/EBU digital inputs allow connectivity with a broad range of production hardware, including digital audio workstations (DAW), mixing consoles and digital playback hardware with sample rates of up to 192 kHz. Internal sample rate converters can be enabled to allow connection to digital signals with uncommon sample rates. <br /><br /></span>'),(5691,85,0,949,''),(5692,85,1,949,''),(5693,76,0,949,''),(5694,76,1,949,''),(5695,75,0,950,'<h2>JBL 708i - 8\" Master Reference Monitor</h2>\n	The JBL 708i Studio Monitors are passive reference monitors that provide a powerful and flexible monitoring solution for music, post and broadcast production. Primarily designed for multi-channel monitoring in post rooms, broadcast facilities and trucks, \n<span style=\"background-color: initial;\">7 Series Studio Monitors deliver detailed imaging, extended frequency response and remarkable output from compact enclosures thanks in part to a 8\" LF Driver and JBL\'s Patent Pending Image Control Waveguide. Centrally amplified and tuned, and easily installed, 708i Studio Monitors are the heart of an elegant, scalable system for broadcast and post facilities working in immersive audio formats.<br /><br />708i Studio Monitors integrate with the Intonato 24 Monitor Management Tuning System, which provides intuitive remote control and calibration.<br /><br />\n<h3>JBL 708i Key Features</h3>\n<ul>\n	<li>Next Generation Systems for Post and Broadcast Production in Control Rooms and Trucks</li>\n	<li>Next Generation Driver Technology for greater dynamic range and superior frequency response</li>\n	<li>Patent Pending Image Control Waveguide</li>\n	<li>Compact, Install Friendly Enclosures\n	</li><li>Power with a single amplifier channel or bi-amplify</li>\n	<li>Easily integrate into multi-channel systems featuring centralized amplification, and BSS BLU link Networked Audio</li>\n	<li>Balanced analog inputs with \"Phoenix\" type connectors</li>\n	\n</ul>\n<br />\n<h3>Patent Pending Image Control Waveguide</h3>\nFirst introduced in the JBL M2 Master Reference Monitor, the Image Control Wave Guide technology allows\n<ul>\n	<li>A seamless crossover and uncolored response in the critical dialog range.</li>\n	<li>Neutral off-axis response for greater accuracy and room-to-room consistency</li>\n	<li>Detailed imaging and a coherent transition between screen channels, surrounds and overhead speakers. </li>\n</ul><br />\n\n<h3>Next Generation Driver Technology</h3>\nMeeting the dynamic range and extended frequency response requirements of today’s production formats, 7 Series incorporates JBL next generation “Super Drivers.”\n<ul>\n	<li>The new 2409H High Frequency transducer incorporates an innovative low-mass annular diaphragm that delivers smooth response beyond 40 kHz, with extraordinary output and very low distortion.</li>\n</ul><br />\n\n<h3>JBL developed custom low frequency transducers for remarkable performance of the 7 Series</h3>\nNew 725G and 728G 5” and 8” high-excursion low frequency drivers in the 705i and 708i deliver continuously high output with minimal power compression and low frequency response into the 30Hz range.<br /><br /></span>'),(5696,75,1,950,'<h2>JBL 708i - 8\" Master Reference Monitor</h2>\n	The JBL 708i Studio Monitors are passive reference monitors that provide a powerful and flexible monitoring solution for music, post and broadcast production. Primarily designed for multi-channel monitoring in post rooms, broadcast facilities and trucks, \n<span style=\"background-color: initial;\">7 Series Studio Monitors deliver detailed imaging, extended frequency response and remarkable output from compact enclosures thanks in part to a 8\" LF Driver and JBL\'s Patent Pending Image Control Waveguide. Centrally amplified and tuned, and easily installed, 708i Studio Monitors are the heart of an elegant, scalable system for broadcast and post facilities working in immersive audio formats.<br /><br />708i Studio Monitors integrate with the Intonato 24 Monitor Management Tuning System, which provides intuitive remote control and calibration.<br /><br />\n<h3>JBL 708i Key Features</h3>\n<ul>\n	<li>Next Generation Systems for Post and Broadcast Production in Control Rooms and Trucks</li>\n	<li>Next Generation Driver Technology for greater dynamic range and superior frequency response</li>\n	<li>Patent Pending Image Control Waveguide</li>\n	<li>Compact, Install Friendly Enclosures\n	</li><li>Power with a single amplifier channel or bi-amplify</li>\n	<li>Easily integrate into multi-channel systems featuring centralized amplification, and BSS BLU link Networked Audio</li>\n	<li>Balanced analog inputs with \"Phoenix\" type connectors</li>\n	\n</ul>\n<br />\n<h3>Patent Pending Image Control Waveguide</h3>\nFirst introduced in the JBL M2 Master Reference Monitor, the Image Control Wave Guide technology allows\n<ul>\n	<li>A seamless crossover and uncolored response in the critical dialog range.</li>\n	<li>Neutral off-axis response for greater accuracy and room-to-room consistency</li>\n	<li>Detailed imaging and a coherent transition between screen channels, surrounds and overhead speakers. </li>\n</ul><br />\n\n<h3>Next Generation Driver Technology</h3>\nMeeting the dynamic range and extended frequency response requirements of today’s production formats, 7 Series incorporates JBL next generation “Super Drivers.”\n<ul>\n	<li>The new 2409H High Frequency transducer incorporates an innovative low-mass annular diaphragm that delivers smooth response beyond 40 kHz, with extraordinary output and very low distortion.</li>\n</ul><br />\n\n<h3>JBL developed custom low frequency transducers for remarkable performance of the 7 Series</h3>\nNew 725G and 728G 5” and 8” high-excursion low frequency drivers in the 705i and 708i deliver continuously high output with minimal power compression and low frequency response into the 30Hz range.<br /><br /></span>'),(5697,85,0,950,''),(5698,85,1,950,''),(5699,76,0,950,''),(5700,76,1,950,''),(5701,75,0,951,'<h2>JBL 708P - 8\" Bi-Amplified Master Reference Monitor</h2>\n	The JBL \n<span style=\"background-color: initial;\">708P Active Reference Monitor is a self-powered reference monitor designed for critical music recording, film post and broadcast production applications. The 708P leverages new patent-pending 8\" LF driver, renowned Image Control Waveguide, and built-in Floating Point DSP to deliver extraordinary output, stunning detail, an expansive soundstage, and greater accuracy in a broad range of rooms. 708P delivers several times the output of other comparably-sized studio monitors, providing significantly greater dynamic range and greater working distances.<br /><br />708P Studio Monitors integrate with the Intonato 24 Monitor Management Tuning System, which provides intuitive remote control and calibration.<br /><br />\n<h3>JBL 708P Key Features</h3>\n<ul>\n	<li>Next-generation JBL driver technology</li>\n	<li>Patent-pending Image Control Waveguide</li>\n	<li>Integrated dual amplification system with internal floating-point DSP</li>\n	<li>Comprehensive room EQ and delay controls</li>\n	<li>Compact enclosures for easy placement and installation</li>\n	<li>JBL 728G low-frequency transducer with patented Differential Drive® allows extended low frequency with low distortion and high SPL</li>\n	<li>JBL 2409H high-frequency transducer with low-mass annular diaphragm</li>\n	<li>JBL-designed patent-pending Image Control Waveguide</li>\n	<li>2-channel Class-D amplifier HF 250W / LF 250W</li>\n	<li>192 kHz 32-bit floating point processing</li>\n	<li>12 bands of Room EQ, 8 Bands of User EQ</li>\n	<li>6 factory presets, 6 user-defined presets</li>\n	<li>18 milliseconds of Room Delay, 150 milliseconds of AV Sync Delay</li>\n	<li>1 x XLR-1/4\" balanced combination analog audio input</li>\n	<li>1 x XLR AES3 format digital input with 1 x XLR pass-through output</li>\n	<li>Digital input will accept sample rates of up to 192 kHz</li>\n	<li>User enabled sample rate converters</li>\n	<li>RJ-45 network connection for Harman HiQnet connectivity</li>\n	<li>Rear-panel multi-function controls and LCD display allow selection of ofinput sensitivity, input trim, Room EQ, User EQ, Room Delay, AV Sync Delay</li>\n	<li>Integrated handles</li>\n	<li>Top and bottom mounting points; birch plywood cabinets reinforced for safe mounting</li>\n	<li>Protective steel grilles</li>\n	\n</ul>\n<br />\n<h3>Next Generation Driver Technology</h3>\nJBL 708P leverages JBL patents and next-gen driver technologies to provide unparalleled output with greater dynamic range and extended frequency response in demanding production applications. The JBL 2409H high-frequency compression driver incorporates an innovative low- mass annular diaphragm to deliver smooth response beyond 36 kHz, with extraordinary output and very low distortion. The 728G low-frequency transducer leverages JBL patented Differential Drive technology to reduce power compression for greater sustained output and extended, linear low-frequency performance below 35 kHz. These proprietary drivers allow the 708P to deliver two to three times the output of existing studio monitors.<br /><br />\n \n\n<h3>Patent Pending Image Control Waveguide</h3>\nFirst introduced in the JBL M2 Master Reference Monitor, the JBL Image Control Waveguide ensures accuracy and neutrality while providing a wide sweet spot with increased sonic detail. By enabling an acoustically seamless transition between the woofer and high-frequency transducer, the waveguide provides a detailed soundstage and accurate imaging across the entire frequency spectrum. Smooth, neutral on- and off-axis frequency response allows the JBL 708P to “hear the same story” regardless of listening position and room. <br /><br />\n \n\n<h3>Integrated Dual Amplification System</h3>\nJBL 708P features a built-in dual amplification system that’s optimized for its high-output drivers. A 250W amp powers the 2409H high-frequency transducer and a 250W amp is dedicated to the 725G low-frequency transducer. This combination delivers unparalleled output and detail at greater listening distances, making them ideal for post production or mastering environments.<br /><br />\n \n\n<h3>Comprehensive EQ and Delay</h3>\nAlthough the 708P design yields exceptional neutrality in any room, the monitor also features onboard room equalization, so you can compensate for the adverse effects of room acoustics and enjoy the most accurate sound reproduction in any listening environment. In addition to twelve bands of Room EQ, eight bands of User EQ allow customized response curves such as the X-Curve, and compensation for “screen-loss” when placed behind a perforated cinema screen. User-enabled digital delay allows virtual alignment of speakers relative to the listening position, while additional “AV Synchronization” delay is available to compensate for latency in video displays. <br /><br />\n \n\n<h3>Compact Form Factor</h3>\n7 Series Powered monitors were developed with the modern control room in mind. A compact two-way design minimizes interference with video displays and sight lines, while still providing output that is comparable to larger speakers. The reinforced enclosure includes bottom and rear mounting points, allowing wall and ceiling mounting in either vertical or horizontal orientations. <br /><br />\n \n\n<h3>Digital Integration</h3>\n708P features analog and digital inputs and sample rate converters. AES/EBU digital inputs allow connectivity with a broad range of production hardware, including digital audio workstations (DAW), mixing consoles and digital playback hardware with sample rates of up to 192 kHz. Internal sample rate converters can be enabled to allow connection to digital signals with uncommon sample rates. <br /><br /></span>'),(5702,75,1,951,'<h2>JBL 708P - 8\" Bi-Amplified Master Reference Monitor</h2>\n	The JBL \n<span style=\"background-color: initial;\">708P Active Reference Monitor is a self-powered reference monitor designed for critical music recording, film post and broadcast production applications. The 708P leverages new patent-pending 8\" LF driver, renowned Image Control Waveguide, and built-in Floating Point DSP to deliver extraordinary output, stunning detail, an expansive soundstage, and greater accuracy in a broad range of rooms. 708P delivers several times the output of other comparably-sized studio monitors, providing significantly greater dynamic range and greater working distances.<br /><br />708P Studio Monitors integrate with the Intonato 24 Monitor Management Tuning System, which provides intuitive remote control and calibration.<br /><br />\n<h3>JBL 708P Key Features</h3>\n<ul>\n	<li>Next-generation JBL driver technology</li>\n	<li>Patent-pending Image Control Waveguide</li>\n	<li>Integrated dual amplification system with internal floating-point DSP</li>\n	<li>Comprehensive room EQ and delay controls</li>\n	<li>Compact enclosures for easy placement and installation</li>\n	<li>JBL 728G low-frequency transducer with patented Differential Drive® allows extended low frequency with low distortion and high SPL</li>\n	<li>JBL 2409H high-frequency transducer with low-mass annular diaphragm</li>\n	<li>JBL-designed patent-pending Image Control Waveguide</li>\n	<li>2-channel Class-D amplifier HF 250W / LF 250W</li>\n	<li>192 kHz 32-bit floating point processing</li>\n	<li>12 bands of Room EQ, 8 Bands of User EQ</li>\n	<li>6 factory presets, 6 user-defined presets</li>\n	<li>18 milliseconds of Room Delay, 150 milliseconds of AV Sync Delay</li>\n	<li>1 x XLR-1/4\" balanced combination analog audio input</li>\n	<li>1 x XLR AES3 format digital input with 1 x XLR pass-through output</li>\n	<li>Digital input will accept sample rates of up to 192 kHz</li>\n	<li>User enabled sample rate converters</li>\n	<li>RJ-45 network connection for Harman HiQnet connectivity</li>\n	<li>Rear-panel multi-function controls and LCD display allow selection of ofinput sensitivity, input trim, Room EQ, User EQ, Room Delay, AV Sync Delay</li>\n	<li>Integrated handles</li>\n	<li>Top and bottom mounting points; birch plywood cabinets reinforced for safe mounting</li>\n	<li>Protective steel grilles</li>\n	\n</ul>\n<br />\n<h3>Next Generation Driver Technology</h3>\nJBL 708P leverages JBL patents and next-gen driver technologies to provide unparalleled output with greater dynamic range and extended frequency response in demanding production applications. The JBL 2409H high-frequency compression driver incorporates an innovative low- mass annular diaphragm to deliver smooth response beyond 36 kHz, with extraordinary output and very low distortion. The 728G low-frequency transducer leverages JBL patented Differential Drive technology to reduce power compression for greater sustained output and extended, linear low-frequency performance below 35 kHz. These proprietary drivers allow the 708P to deliver two to three times the output of existing studio monitors.<br /><br />\n \n\n<h3>Patent Pending Image Control Waveguide</h3>\nFirst introduced in the JBL M2 Master Reference Monitor, the JBL Image Control Waveguide ensures accuracy and neutrality while providing a wide sweet spot with increased sonic detail. By enabling an acoustically seamless transition between the woofer and high-frequency transducer, the waveguide provides a detailed soundstage and accurate imaging across the entire frequency spectrum. Smooth, neutral on- and off-axis frequency response allows the JBL 708P to “hear the same story” regardless of listening position and room. <br /><br />\n \n\n<h3>Integrated Dual Amplification System</h3>\nJBL 708P features a built-in dual amplification system that’s optimized for its high-output drivers. A 250W amp powers the 2409H high-frequency transducer and a 250W amp is dedicated to the 725G low-frequency transducer. This combination delivers unparalleled output and detail at greater listening distances, making them ideal for post production or mastering environments.<br /><br />\n \n\n<h3>Comprehensive EQ and Delay</h3>\nAlthough the 708P design yields exceptional neutrality in any room, the monitor also features onboard room equalization, so you can compensate for the adverse effects of room acoustics and enjoy the most accurate sound reproduction in any listening environment. In addition to twelve bands of Room EQ, eight bands of User EQ allow customized response curves such as the X-Curve, and compensation for “screen-loss” when placed behind a perforated cinema screen. User-enabled digital delay allows virtual alignment of speakers relative to the listening position, while additional “AV Synchronization” delay is available to compensate for latency in video displays. <br /><br />\n \n\n<h3>Compact Form Factor</h3>\n7 Series Powered monitors were developed with the modern control room in mind. A compact two-way design minimizes interference with video displays and sight lines, while still providing output that is comparable to larger speakers. The reinforced enclosure includes bottom and rear mounting points, allowing wall and ceiling mounting in either vertical or horizontal orientations. <br /><br />\n \n\n<h3>Digital Integration</h3>\n708P features analog and digital inputs and sample rate converters. AES/EBU digital inputs allow connectivity with a broad range of production hardware, including digital audio workstations (DAW), mixing consoles and digital playback hardware with sample rates of up to 192 kHz. Internal sample rate converters can be enabled to allow connection to digital signals with uncommon sample rates. <br /><br /></span>'),(5703,85,0,951,''),(5704,85,1,951,''),(5705,76,0,951,''),(5706,76,1,951,''),(5707,75,0,952,'<h1>JBL Intonato 24 - 24-Channel Studio Monitor Controller System</h1>\n<i>The JBL Intonato 24 is an extremely powerful, 24-channel studio monitor controller system with 24 analog in/out, internal routing/mixing and integrated room tuning</i><span style=\"font-size: 16px;\"><i>. <br/></i></span><br/>The JBL Intonato 24 Studio Monitor Controller and Management Tuning System provides easy setup, automated calibration and comprehensive control of professional monitoring systems. Housed in a 2U rack-mount enclosure, Intonato 24 precisely calibrates and controls up to 24 speakers configured as stereo, surround or immersive audio systems. You can create and instantly recall customized routing of up to 24 analog, digital and networked audio sources. Included software and an optional Desktop Controller put the system’s powerful monitoring features at your fingertips. Intonato 24 delivers the benefits of a precisely calibrated system, and takes control room monitoring to the next level. Intonato, from the Latin verb Intonare meaning “tuned,” “matched,” “in tune,” describes a primary attribute of all speakers in the ideal control room monitoring environment. Compatible with all professional studio monitors.<br/><br/>\n<h3>Intonato 24Top Features:</h3>\n<ul>\n	<li>Input connections for 24 analog, AES /EBU Inputs; Output connections include 24 analog outputs</li>\n	<li>Up to 256 channels of networked audio in HARMAN BLU link or Dante format (with optional BLUDAN interface). </li>\n	<li><span style=\"background-color: initial;\">Automated speaker calibration with included microphone. 12 bands of room EQ, Delay, and Level per speaker.</span></li>\n	<li>8-Band User EQ per speaker.</li>\n	<li>Variable audio/video sync delay</li>\n	<li>Stereo aux out with dedicated level control, EQ and talk back system</li>\n	<li>User-Configureable internal router/mixer</li>\n	<li>Low Noise Fan</li>\n</ul>\n<br/>\n<b>The JBL Intonato 24 is the perfect solution to power up to 24 channels of powered speaker, allowing you to mix in Dolby Atmos, or have multiple speaker options. Call or Chat with a RSPE representative to learn more.</b>'),(5708,75,1,952,'<h1>JBL Intonato 24 - 24-Channel Studio Monitor Controller System</h1>\n<i>The JBL Intonato 24 is an extremely powerful, 24-channel studio monitor controller system with 24 analog in/out, internal routing/mixing and integrated room tuning</i><span style=\"font-size: 16px;\"><i>. <br/></i></span><br/>The JBL Intonato 24 Studio Monitor Controller and Management Tuning System provides easy setup, automated calibration and comprehensive control of professional monitoring systems. Housed in a 2U rack-mount enclosure, Intonato 24 precisely calibrates and controls up to 24 speakers configured as stereo, surround or immersive audio systems. You can create and instantly recall customized routing of up to 24 analog, digital and networked audio sources. Included software and an optional Desktop Controller put the system’s powerful monitoring features at your fingertips. Intonato 24 delivers the benefits of a precisely calibrated system, and takes control room monitoring to the next level. Intonato, from the Latin verb Intonare meaning “tuned,” “matched,” “in tune,” describes a primary attribute of all speakers in the ideal control room monitoring environment. Compatible with all professional studio monitors.<br/><br/>\n<h3>Intonato 24Top Features:</h3>\n<ul>\n	<li>Input connections for 24 analog, AES /EBU Inputs; Output connections include 24 analog outputs</li>\n	<li>Up to 256 channels of networked audio in HARMAN BLU link or Dante format (with optional BLUDAN interface). </li>\n	<li><span style=\"background-color: initial;\">Automated speaker calibration with included microphone. 12 bands of room EQ, Delay, and Level per speaker.</span></li>\n	<li>8-Band User EQ per speaker.</li>\n	<li>Variable audio/video sync delay</li>\n	<li>Stereo aux out with dedicated level control, EQ and talk back system</li>\n	<li>User-Configureable internal router/mixer</li>\n	<li>Low Noise Fan</li>\n</ul>\n<br/>\n<b>The JBL Intonato 24 is the perfect solution to power up to 24 channels of powered speaker, allowing you to mix in Dolby Atmos, or have multiple speaker options. Call or Chat with a RSPE representative to learn more.</b>'),(5709,85,0,952,''),(5710,85,1,952,''),(5711,76,0,952,''),(5712,76,1,952,''),(5713,75,0,953,'<h1>JBL Intonato Desktop Controller</h1>\n<font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\"><i>The JBL Intonato Desktop Controller for Intonato 24 Monitor Management System. </i></span></font><br /><br />\nThe JBL Intonato Desktop Controller is an intuitive and ergonomic hardware-based remote control for the powerful JBL Intonato 24 Monitor Management Tuning System. Featuring a small footprint and rugged, high-quality construction, the controller provides tactile access to the key functions of Intonato 24. Ease of use is the hallmark of its design, from the conveniently laid out controls to the informative multi-color LCD displays. As simple to set up as it is to use, the Intonato Desktop Controller adds convenience and flexibility to any Intonato 24 system.<br /><br />\n<h3>Intonato Desktop Controller Top Features:</h3>\n<ul>\n	<li>Connects to Intonato 24 with a single ethernet cable (POE)</li>\n	<li>Solo and Mute Controls</li>\n	<li>Scene recall for quick selection of input source, monitor output and fold-down mixes</li>\n	<li><span style=\"background-color: initial;\">SPL readout</span></li>\n</ul>\n<br />\n<b>The JBL Intonato Desktop Controller gives you easy remote access to all the parameters of the Intonato 24 Monitor Controller. Call or Chat with a RSPE representative to learn more.</b>'),(5714,75,1,953,'<h1>JBL Intonato Desktop Controller</h1>\n<font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\"><i>The JBL Intonato Desktop Controller for Intonato 24 Monitor Management System. </i></span></font><br /><br />\nThe JBL Intonato Desktop Controller is an intuitive and ergonomic hardware-based remote control for the powerful JBL Intonato 24 Monitor Management Tuning System. Featuring a small footprint and rugged, high-quality construction, the controller provides tactile access to the key functions of Intonato 24. Ease of use is the hallmark of its design, from the conveniently laid out controls to the informative multi-color LCD displays. As simple to set up as it is to use, the Intonato Desktop Controller adds convenience and flexibility to any Intonato 24 system.<br /><br />\n<h3>Intonato Desktop Controller Top Features:</h3>\n<ul>\n	<li>Connects to Intonato 24 with a single ethernet cable (POE)</li>\n	<li>Solo and Mute Controls</li>\n	<li>Scene recall for quick selection of input source, monitor output and fold-down mixes</li>\n	<li><span style=\"background-color: initial;\">SPL readout</span></li>\n</ul>\n<br />\n<b>The JBL Intonato Desktop Controller gives you easy remote access to all the parameters of the Intonato 24 Monitor Controller. Call or Chat with a RSPE representative to learn more.</b>'),(5715,85,0,953,''),(5716,85,1,953,''),(5717,76,0,953,''),(5718,76,1,953,''),(5719,75,0,954,'The JRX112Mi is an economical, suspendable, twelve-inch, two-way speaker system designed for installation where ground stacking or pole mounting is impractical or undesirable.'),(5720,75,1,954,'The JRX112Mi is an economical, suspendable, twelve-inch, two-way speaker system designed for installation where ground stacking or pole mounting is impractical or undesirable.'),(5721,85,0,954,'JRX112MI 12 in. Two-Way Loudspeaker System'),(5722,85,1,954,'JRX112MI 12 in. Two-Way Loudspeaker System'),(5723,76,0,954,''),(5724,76,1,954,''),(5725,75,0,955,'This trapezoidal, 15\" speaker system is at home in live sound, dance music and speech reinforcement.'),(5726,75,1,955,'This trapezoidal, 15\" speaker system is at home in live sound, dance music and speech reinforcement.'),(5727,85,0,955,'JRX115 Two-Way Sound Reinforcement Loudspeaker System'),(5728,85,1,955,'JRX115 Two-Way Sound Reinforcement Loudspeaker System'),(5729,76,0,955,''),(5730,76,1,955,''),(5731,75,0,956,'The JRX115i is an economical, suspendable, fifteen-inch, two-way speaker system designed for installation where ground stacking or pole mounting is impractical or undesirable.'),(5732,75,1,956,'The JRX115i is an economical, suspendable, fifteen-inch, two-way speaker system designed for installation where ground stacking or pole mounting is impractical or undesirable.'),(5733,85,0,956,'JRX115I 15 in. Two-Way Loudspeaker System'),(5734,85,1,956,'JRX115I 15 in. Two-Way Loudspeaker System'),(5735,76,0,956,''),(5736,76,1,956,''),(5737,75,0,957,'The JRX118S is driven by a massive JBL 18\" woofer with a cast frame and 3\" voice-coil.'),(5738,75,1,957,'The JRX118S is driven by a massive JBL 18\" woofer with a cast frame and 3\" voice-coil.'),(5739,85,0,957,'JRX 118S 18 in. Compact Subwoofer'),(5740,85,1,957,'JRX 118S 18 in. Compact Subwoofer'),(5741,76,0,957,''),(5742,76,1,957,''),(5743,75,0,958,'For those who prefer the simplicity of a self-powered subwoofer, there\'s the JRX118SP.'),(5744,75,1,958,'For those who prefer the simplicity of a self-powered subwoofer, there\'s the JRX118SP.'),(5745,85,0,958,'JRX118SP 18 in. Powered Subwoofer'),(5746,85,1,958,'JRX118SP 18 in. Powered Subwoofer'),(5747,76,0,958,''),(5748,76,1,958,''),(5749,75,0,959,'The JRX125 is a portable, dual fifteen-inch, two-way speaker system designed specifically for applications in live music performance and music playback.'),(5750,75,1,959,'The JRX125 is a portable, dual fifteen-inch, two-way speaker system designed specifically for applications in live music performance and music playback.'),(5751,85,0,959,'JRX125 Dual 15 in. Two-Way Sound Reinforcement Loudspeaker System'),(5752,85,1,959,'JRX125 Dual 15 in. Two-Way Sound Reinforcement Loudspeaker System'),(5753,76,0,959,''),(5754,76,1,959,''),(5755,75,0,960,'The JRX212M is a portable, twelve-inch, two-way speaker system designed specifically for live performance stage monitoring applications.'),(5756,75,1,960,'The JRX212M is a portable, twelve-inch, two-way speaker system designed specifically for live performance stage monitoring applications.'),(5757,85,0,960,'JRX212M 12 in. Two-Way Stage Monitor Loudspeaker System'),(5758,85,1,960,'JRX212M 12 in. Two-Way Stage Monitor Loudspeaker System'),(5759,76,0,960,''),(5760,76,1,960,''),(5761,75,0,961,'<h1>JBL LSR310S</h1>\n<i>Powered Studio Subwoofer Featuring 10\" Downfiring Driver and JBL Patented Slip Stream Port For Deep, Dynamic Bass Response</i><br /><br />The JBL LSR310S subwoofer incorporates JBL’s patented Slip Stream™ Port working in concert with a custom 10\" down-firing driver and a 200 Watt amplifier to add deep, powerful bass to any studio monitor system. A JBL first, the XLF Extended Low Frequency setting lets you hear your tracks with the augmented bass tuning used in today’s dance clubs.\n<br /><br />\n<h3>JBL Patented Slip Stream™ Port</h3>\nThis patented JBL port design works in concert with the LSR310S low frequency driver for deep, dynamic bass response at all playback levels. The double-flared shape of the port is precisely calculated to optimize low-frequency extension.\n<br /><br />\n<h3>XLF Extended Low Frequency Setting</h3>\nA JBL first, the XLF setting activates a specially-engineered tuning that emulates the ample bass tuning used in today\'s dance clubs. When producing a dance track, the XLF setting will inspire you and bring a bit of the club to your control from. For inspiration to the max, position the LSR310S in the nearest corner of your room and activate the XLF setting.\n<br /><br />\n<h3>Custom 10\" Down-Firing High Excursion Low Frequency Driver</h3>\nJBL Transducers are legendary for their performance. The custom-designed driver in the LSR310S exemplifies JBL engineering prowess, delivering deep low frequency response into the 20 Hz region, and 113 dB peak output, for long periods at full rated power with no risk of failure.\n<br /><br />\n<h3>Professional Balanced Inputs and Outputs</h3>\nWith balanced XLR and 1/4\" inputs and XLR outpus you can add the LSR310S to any studio monitor system to extend its low frequency performance or use it as the \".1\" LFE Channel in a surround sound system.\n<br /><br />\n<h3>Selectable Input Sensitivity</h3>\nThe -10dBV/+4 dBu sensitivity switch ensures compatibility with a broad range of signal sources, allowing you to connect the LSR310S to high-output professional equipment without any danger of input overload.\n<br /><br />\n<h3>Three Crossover Settings</h3>\nThe 80 Hz setting is recommended for use with the LSR305, LSR308 or any studio monitors. The External setting allows use of an outboard crossover.\n<br /><br />\n<h3>Volume Control</h3>\nSimple and effective, the LSR310S volume control has detents that make it easy to balance the LSR310S in your studio monitor system.\n<br /><br />'),(5762,75,1,961,'<h1>JBL LSR310S</h1>\n<i>Powered Studio Subwoofer Featuring 10\" Downfiring Driver and JBL Patented Slip Stream Port For Deep, Dynamic Bass Response</i><br /><br />The JBL LSR310S subwoofer incorporates JBL’s patented Slip Stream™ Port working in concert with a custom 10\" down-firing driver and a 200 Watt amplifier to add deep, powerful bass to any studio monitor system. A JBL first, the XLF Extended Low Frequency setting lets you hear your tracks with the augmented bass tuning used in today’s dance clubs.\n<br /><br />\n<h3>JBL Patented Slip Stream™ Port</h3>\nThis patented JBL port design works in concert with the LSR310S low frequency driver for deep, dynamic bass response at all playback levels. The double-flared shape of the port is precisely calculated to optimize low-frequency extension.\n<br /><br />\n<h3>XLF Extended Low Frequency Setting</h3>\nA JBL first, the XLF setting activates a specially-engineered tuning that emulates the ample bass tuning used in today\'s dance clubs. When producing a dance track, the XLF setting will inspire you and bring a bit of the club to your control from. For inspiration to the max, position the LSR310S in the nearest corner of your room and activate the XLF setting.\n<br /><br />\n<h3>Custom 10\" Down-Firing High Excursion Low Frequency Driver</h3>\nJBL Transducers are legendary for their performance. The custom-designed driver in the LSR310S exemplifies JBL engineering prowess, delivering deep low frequency response into the 20 Hz region, and 113 dB peak output, for long periods at full rated power with no risk of failure.\n<br /><br />\n<h3>Professional Balanced Inputs and Outputs</h3>\nWith balanced XLR and 1/4\" inputs and XLR outpus you can add the LSR310S to any studio monitor system to extend its low frequency performance or use it as the \".1\" LFE Channel in a surround sound system.\n<br /><br />\n<h3>Selectable Input Sensitivity</h3>\nThe -10dBV/+4 dBu sensitivity switch ensures compatibility with a broad range of signal sources, allowing you to connect the LSR310S to high-output professional equipment without any danger of input overload.\n<br /><br />\n<h3>Three Crossover Settings</h3>\nThe 80 Hz setting is recommended for use with the LSR305, LSR308 or any studio monitors. The External setting allows use of an outboard crossover.\n<br /><br />\n<h3>Volume Control</h3>\nSimple and effective, the LSR310S volume control has detents that make it easy to balance the LSR310S in your studio monitor system.\n<br /><br />'),(5763,85,0,961,'JBL LSR310S 10\" Powered Studio Subwoofer'),(5764,85,1,961,'JBL LSR310S 10\" Powered Studio Subwoofer'),(5765,76,0,961,''),(5766,76,1,961,''),(5767,75,0,962,'<h2>JBL LSR6312SP Powered Studio Subwoofer System</h2>\n\nThe LSR6312SP powered subwoofer is based on a 12\" woofer with JBL\'s patented Differential Drive® and 250 Watts of power. THX® pm3 Approved. METAlliance® Certified. <br /><br />\n\n<h3>Mix in Any Room</h3>\nIf control rooms had no walls, mixing would be a pleasure. Unfortunately, problems in the room dramatically color what you hear at the mix position. Walls and corners can affect response. And standing waves at the mix position can lead you to misjudge bass content. As a result, a speaker which measures flat in an anechoic chamber may “tell you a different story” in the room. The new JBL LSR6300 series goes beyond “accurate” all the way to “stunning” by incorporating features which reduce the effect of problems in the room. We start with patented JBL transducer and network technologies that provide ultra-flat response and exceptional dynamic capability. Then we incorporate features which help to overcome the contributions of the room. So even if you work in a small home studio, you’ll have clear sound at the mix position. Of course, all models are THX® pm3™ approved for use in the most demanding production environments. With the new JBL LSR6300 series, mixing is a pleasure.\n\n<h3>Five Building Blocks To Clear Sound</h3>\nIt takes more than an accurate speaker system to have accurate response at the mix position. The key to accuracy is tackling the effect of boundaries, standing waves and reflections. In developing the LSR6300 series, JBL examined each problem in the environment and created the perfect solution. Even if you work in a small control room, an LSR6300 system will provide smooth accurate response at the mixer’s chair.<br /><br />\n\n<h4>LSR (Linear Spatial Reference Technology)</h4>\nLinear Spatial Reference Technology ensures that our speakers sound flat at the mix position. The exact geometry of the wave guide, the interaction of the woofer and tweeter, and the network are designed to provide an accurate listening window of +/- 30 degree horizontal, +/- 15 degree vertical. As a result, the reflected sound which reaches the mix position is smooth and accurate.<br /><br />\n\n<h4>RMC™ (Room Mode Correction)</h4>\nThe LSR6328P and LSR6312SP Subwoofer are equipped with RMC – JBL’s ingenious method of zeroing-out bass problems at the mix position caused by room modes. A built-in 1/10th octave parametric equalizer allows you to correct problems below 100 Hz. The RMC Calibration Kit gives you everything you need to identify problematic room modes and tune your system. The LSR6325P-1 and LSR6332 enjoy the benefits of RMC when used in a system with the LSR6312SP Subwoofer.<br /><br />\n\n<h4>Built-in Boundary Compensation</h4>\nWith the advent of multi-channel production, trying to find a place for more speakers, and space limitations, may demand the positioning of the speaker be compromised. JBL’s powered models include boundary compensation switches that can be used to offset the increase in bass-response, which occurs when the speaker is placed near a wall, in a corner or on a work surface. Simply set the switch which corresponds to your condition and flat response is restored.<br /><br />\n\n<h4>Mounting Option</h4>\nSince wall mounting gives more options for speaker placement, each speaker in the LSR line is ready to mount. Enclosures are reinforced and mounting points are provided for use with readily available, industry-standard mounting brackets. Mounting hardware specs are available at www.jblpro.com/LSR<br /><br />\n\n<h4>Handles</h4>\nIf you move your LSR6328P speakers from one environment to another, you’ll appreciate its comfortable integrated handles, which allow you to easily position the loudspeaker and optimize its performance.\n\n<h3>LSR6300 Line</h3>\nThe JBL LSR6300 professional loudspeakers supply the accuracy and performance needed in demanding music, post audio and broadcast applications. Each model provides ultra-flat response, extraordinary-SPL capability, and technology to optimize performance in any size production environment. All models are shielded, ready for mounting and THX® pm3™ approved.<br /><br />\n\n<h3>The JBL Tradition Continues</h3>\nJBL Professional is the leader in loudspeaker technology since 1946. The JBL Professional campus in Northridge, California is home to the science and resources which fuel JBL excellence. JBL is one of only a handful of U.S loudspeaker companies which manufactures transducer components in-house. The use of in-house designed and produced components ensures product consistency and long-term reliability. JBL holds patents on unique speaker technologies, many of which are applied in the LSR line. We have invested heavily in the tools to measure and evaluate product in development. These tools allow us to discover opportunities for better performance, cost savings, and ensure that every product which hits the market meets our exacting criteria. The anechoic chamber is an essential tool for performance measurement. Without it, all you can do is predict. While anechoic chambers are very expensive and some manufacturers have none of their own, JBL has many anechoic chambers on its campus. Since position in the room influences the perception of the speaker, critical A/B comparison evaluations require that every speaker being judged is positioned in exactly the same spot in the room. Since no solution exists which allows rapid swapping of pairs of speakers, JBL manufactured the only known Speaker Shuffler, a computer-operated device capable of physically swapping pairs of speakers in the space of 3 seconds. JBL’s technical staff is second-to-none. Our engineers are respected by their peers in the industry and have won technical awards and honors from the Academy of Motion Pictures Arts and Sciences and from the Audio Engineering Society for designs which have advanced the professional audio industry. Because JBL Professional systems are first call in cinema applications, and used by the world’s top dubbing stages, you can be sure the program created using the new LSR6300 systems will translate perfectly to the screen.<br /><br />\n\n<h3>Differential Drive® Technology</h3>\nThe LSR6300 line incorporates the single most significant advance in monitor history: JBL’s patented Differential Drive Technology.* Providing unparalleled performance, the woofer permanently dispels the notion that better linearity, higher power handling and greater dynamic accuracy are somehow unobtainable. JBL’s Differential Drive uses two drive coils with twice the thermal surface area of traditional speakers. As a result, LSR systems provide higher peak output with less power compression. This reduces spectral shift that causes monitors to sound different when driven at different power levels, a long-standing obstacle in monitoring technology. By reducing the negative thermal-related effects, LSR monitors sound the same at low, medium and high levels.<br /><br />\n\n<h3>Composite High Frequency Device</h3>\nUsing patented technology, the 1” magnetically shielded dome high frequency device incorporates titanium and composite materials to improve transient response and reduce distortion. The result: By\nreducing distortion in the lower operating range where the human ear is most sensitive, listener fatigue is dramatically reduced.<br /><br />\n\n<h3>C500G Midrange Transducer</h3>\nThe midrange is a 2” neodymium motor with a 5-inch woven Kevlar™ cone. The powerful motor structure was chosen to support the low crossover point to the woofer. In order to achieve the goal of accurate spatial response, the crossover points are located at 250 Hz and 2.2 kHz. These transition points match the directivity characteristics of the three transducers for optimum spatial response. The result: Absolute pinpoint accuracy.<br /><br />\n\n<h3>Elliptical Oblate Speroidal (EOS) Waveguide</h3>\nDesigned for a targeted listening window of +/- 30 degrees horizontally and +/- 15 degrees vertically, the EOS provides smooth response through the entire listening window within 1.5 dB of the on-axis response. The result: The listener, even far off-axis, can hear an accurate representation of the on-axis response.<br /><br />\n\n<h3>Dynamic Braking</h3>\nLSR6300 low frequency transducers* are equipped with an electromagnetic braking coil that reduces the effects of extreme excursion with high transient material. This causes more linear compliance resulting in lower distortion, more accurate reproduction and increased reliability.<br /><br />'),(5768,75,1,962,'<h2>JBL LSR6312SP Powered Studio Subwoofer System</h2>\n\nThe LSR6312SP powered subwoofer is based on a 12\" woofer with JBL\'s patented Differential Drive® and 250 Watts of power. THX® pm3 Approved. METAlliance® Certified. <br /><br />\n\n<h3>Mix in Any Room</h3>\nIf control rooms had no walls, mixing would be a pleasure. Unfortunately, problems in the room dramatically color what you hear at the mix position. Walls and corners can affect response. And standing waves at the mix position can lead you to misjudge bass content. As a result, a speaker which measures flat in an anechoic chamber may “tell you a different story” in the room. The new JBL LSR6300 series goes beyond “accurate” all the way to “stunning” by incorporating features which reduce the effect of problems in the room. We start with patented JBL transducer and network technologies that provide ultra-flat response and exceptional dynamic capability. Then we incorporate features which help to overcome the contributions of the room. So even if you work in a small home studio, you’ll have clear sound at the mix position. Of course, all models are THX® pm3™ approved for use in the most demanding production environments. With the new JBL LSR6300 series, mixing is a pleasure.\n\n<h3>Five Building Blocks To Clear Sound</h3>\nIt takes more than an accurate speaker system to have accurate response at the mix position. The key to accuracy is tackling the effect of boundaries, standing waves and reflections. In developing the LSR6300 series, JBL examined each problem in the environment and created the perfect solution. Even if you work in a small control room, an LSR6300 system will provide smooth accurate response at the mixer’s chair.<br /><br />\n\n<h4>LSR (Linear Spatial Reference Technology)</h4>\nLinear Spatial Reference Technology ensures that our speakers sound flat at the mix position. The exact geometry of the wave guide, the interaction of the woofer and tweeter, and the network are designed to provide an accurate listening window of +/- 30 degree horizontal, +/- 15 degree vertical. As a result, the reflected sound which reaches the mix position is smooth and accurate.<br /><br />\n\n<h4>RMC™ (Room Mode Correction)</h4>\nThe LSR6328P and LSR6312SP Subwoofer are equipped with RMC – JBL’s ingenious method of zeroing-out bass problems at the mix position caused by room modes. A built-in 1/10th octave parametric equalizer allows you to correct problems below 100 Hz. The RMC Calibration Kit gives you everything you need to identify problematic room modes and tune your system. The LSR6325P-1 and LSR6332 enjoy the benefits of RMC when used in a system with the LSR6312SP Subwoofer.<br /><br />\n\n<h4>Built-in Boundary Compensation</h4>\nWith the advent of multi-channel production, trying to find a place for more speakers, and space limitations, may demand the positioning of the speaker be compromised. JBL’s powered models include boundary compensation switches that can be used to offset the increase in bass-response, which occurs when the speaker is placed near a wall, in a corner or on a work surface. Simply set the switch which corresponds to your condition and flat response is restored.<br /><br />\n\n<h4>Mounting Option</h4>\nSince wall mounting gives more options for speaker placement, each speaker in the LSR line is ready to mount. Enclosures are reinforced and mounting points are provided for use with readily available, industry-standard mounting brackets. Mounting hardware specs are available at www.jblpro.com/LSR<br /><br />\n\n<h4>Handles</h4>\nIf you move your LSR6328P speakers from one environment to another, you’ll appreciate its comfortable integrated handles, which allow you to easily position the loudspeaker and optimize its performance.\n\n<h3>LSR6300 Line</h3>\nThe JBL LSR6300 professional loudspeakers supply the accuracy and performance needed in demanding music, post audio and broadcast applications. Each model provides ultra-flat response, extraordinary-SPL capability, and technology to optimize performance in any size production environment. All models are shielded, ready for mounting and THX® pm3™ approved.<br /><br />\n\n<h3>The JBL Tradition Continues</h3>\nJBL Professional is the leader in loudspeaker technology since 1946. The JBL Professional campus in Northridge, California is home to the science and resources which fuel JBL excellence. JBL is one of only a handful of U.S loudspeaker companies which manufactures transducer components in-house. The use of in-house designed and produced components ensures product consistency and long-term reliability. JBL holds patents on unique speaker technologies, many of which are applied in the LSR line. We have invested heavily in the tools to measure and evaluate product in development. These tools allow us to discover opportunities for better performance, cost savings, and ensure that every product which hits the market meets our exacting criteria. The anechoic chamber is an essential tool for performance measurement. Without it, all you can do is predict. While anechoic chambers are very expensive and some manufacturers have none of their own, JBL has many anechoic chambers on its campus. Since position in the room influences the perception of the speaker, critical A/B comparison evaluations require that every speaker being judged is positioned in exactly the same spot in the room. Since no solution exists which allows rapid swapping of pairs of speakers, JBL manufactured the only known Speaker Shuffler, a computer-operated device capable of physically swapping pairs of speakers in the space of 3 seconds. JBL’s technical staff is second-to-none. Our engineers are respected by their peers in the industry and have won technical awards and honors from the Academy of Motion Pictures Arts and Sciences and from the Audio Engineering Society for designs which have advanced the professional audio industry. Because JBL Professional systems are first call in cinema applications, and used by the world’s top dubbing stages, you can be sure the program created using the new LSR6300 systems will translate perfectly to the screen.<br /><br />\n\n<h3>Differential Drive® Technology</h3>\nThe LSR6300 line incorporates the single most significant advance in monitor history: JBL’s patented Differential Drive Technology.* Providing unparalleled performance, the woofer permanently dispels the notion that better linearity, higher power handling and greater dynamic accuracy are somehow unobtainable. JBL’s Differential Drive uses two drive coils with twice the thermal surface area of traditional speakers. As a result, LSR systems provide higher peak output with less power compression. This reduces spectral shift that causes monitors to sound different when driven at different power levels, a long-standing obstacle in monitoring technology. By reducing the negative thermal-related effects, LSR monitors sound the same at low, medium and high levels.<br /><br />\n\n<h3>Composite High Frequency Device</h3>\nUsing patented technology, the 1” magnetically shielded dome high frequency device incorporates titanium and composite materials to improve transient response and reduce distortion. The result: By\nreducing distortion in the lower operating range where the human ear is most sensitive, listener fatigue is dramatically reduced.<br /><br />\n\n<h3>C500G Midrange Transducer</h3>\nThe midrange is a 2” neodymium motor with a 5-inch woven Kevlar™ cone. The powerful motor structure was chosen to support the low crossover point to the woofer. In order to achieve the goal of accurate spatial response, the crossover points are located at 250 Hz and 2.2 kHz. These transition points match the directivity characteristics of the three transducers for optimum spatial response. The result: Absolute pinpoint accuracy.<br /><br />\n\n<h3>Elliptical Oblate Speroidal (EOS) Waveguide</h3>\nDesigned for a targeted listening window of +/- 30 degrees horizontally and +/- 15 degrees vertically, the EOS provides smooth response through the entire listening window within 1.5 dB of the on-axis response. The result: The listener, even far off-axis, can hear an accurate representation of the on-axis response.<br /><br />\n\n<h3>Dynamic Braking</h3>\nLSR6300 low frequency transducers* are equipped with an electromagnetic braking coil that reduces the effects of extreme excursion with high transient material. This causes more linear compliance resulting in lower distortion, more accurate reproduction and increased reliability.<br /><br />'),(5769,85,0,962,'LSR6312SP Powered Studio Subwoofer System'),(5770,85,1,962,'LSR6312SP Powered Studio Subwoofer System'),(5771,76,0,962,''),(5772,76,1,962,''),(5773,75,0,963,'<h1>JBL LSR6325P Linear Spatial Reference Bi-Amplified Studio Monitor</h1>\nThe JBL LSR6325P is a compact, powered studio monitor that provides exceptional performance for use in applications where accuracy is a must, but space is limited. THX® pm3 Approved.\n<br/><br/>\n<h3>Mix in Any Room</h3>\nIf control rooms had no walls, mixing would be a pleasure. Unfortunately, problems in the room dramatically color what you hear at the mix position. Walls and corners can affect response. And standing waves at the mix position can lead you to misjudge bass content. As a result, a speaker which measures flat in an anechoic chamber may “tell you a different story” in the room. The new JBL LSR6300 series goes beyond “accurate” all the way to “stunning” by incorporating features which reduce the effect of problems in the room. We start with patented JBL transducer and network technologies that provide ultra-flat response and exceptional dynamic capability. Then we incorporate features which help to overcome the contributions of the room. So even if you work in a small home studio, you’ll have clear sound at the mix position. Of course, all models are THX® pm3™ approved for use in the most demanding production environments. With the new JBL LSR6300 series, mixing is a pleasure.\n<br/><br/>\n<h3>Five Building Blocks To Clear Sound</h3>\nIt takes more than an accurate speaker system to have accurate response at the mix position. The key to accuracy is tackling the effect of boundaries, standing waves and reflections. In developing the LSR6300 series, JBL examined each problem in the environment and created the perfect solution. Even if you work in a small control room, an LSR6300 system will provide smooth accurate response at the mixer’s chair.\n<br/><br/>\n<h4>LSR (Linear Spatial Reference Technology)</h4>\nLinear Spatial Reference Technology ensures that our speakers sound flat at the mix position. The exact geometry of the wave guide, the interaction of the woofer and tweeter, and the network are designed to provide an accurate listening window of +/- 30 degree horizontal, +/- 15 degree vertical. As a result, the reflected sound which reaches the mix position is smooth and accurate.\n<br/><br/>\n<h4>RMC™ (Room Mode Correction)</h4>\nThe LSR6328P and LSR6312SP Subwoofer are equipped with RMC – JBL’s ingenious method of zeroing-out bass problems at the mix position caused by room modes. A built-in 1/10th octave parametric equalizer allows you to correct problems below 100 Hz. The RMC Calibration Kit gives you everything you need to identify problematic room modes and tune your system. The LSR6325P-1 and LSR6332 enjoy the benefits of RMC when used in a system with the LSR6312SP Subwoofer.\n<br/><br/>\n<h4>Built-in Boundary Compensation</h4>\nWith the advent of multi-channel production, trying to find a place for more speakers, and space limitations, may demand the positioning of the speaker be compromised. JBL’s powered models include boundary compensation switches that can be used to offset the increase in bass-response, which occurs when the speaker is placed near a wall, in a corner or on a work surface. Simply set the switch which corresponds to your condition and flat response is restored.\n<br/><br/>\n<h4>Mounting Option</h4>\nSince wall mounting gives more options for speaker placement, each speaker in the LSR line is ready to mount. Enclosures are reinforced and mounting points are provided for use with readily available, industry-standard mounting brackets. Mounting hardware specs are available at www.jblpro.com/LSR\n<br/><br/>\n<h4>Handles</h4>\nIf you move your LSR6328P speakers from one environment to another, you’ll appreciate its comfortable integrated handles, which allow you to easily position the loudspeaker and optimize its performance.<br/><br/>\n<h3>LSR6300 Line</h3>\nThe JBL LSR6300 professional loudspeakers supply the accuracy and performance needed in demanding music, post audio and broadcast applications. Each model provides ultra-flat response, extraordinary-SPL capability, and technology to optimize performance in any size production environment. All models are shielded, ready for mounting and THX® pm3™ approved.\n<br/><br/>\n<h3>The JBL Tradition Continues</h3>\nJBL Professional is the leader in loudspeaker technology since 1946. The JBL Professional campus in Northridge, California is home to the science and resources which fuel JBL excellence. JBL is one of only a handful of U.S loudspeaker companies which manufactures transducer components in-house. The use of in-house designed and produced components ensures product consistency and long-term reliability. JBL holds patents on unique speaker technologies, many of which are applied in the LSR line. We have invested heavily in the tools to measure and evaluate product in development. These tools allow us to discover opportunities for better performance, cost savings, and ensure that every product which hits the market meets our exacting criteria. The anechoic chamber is an essential tool for performance measurement. Without it, all you can do is predict. While anechoic chambers are very expensive and some manufacturers have none of their own, JBL has many anechoic chambers on its campus. Since position in the room influences the perception of the speaker, critical A/B comparison evaluations require that every speaker being judged is positioned in exactly the same spot in the room. Since no solution exists which allows rapid swapping of pairs of speakers, JBL manufactured the only known Speaker Shuffler, a computer-operated device capable of physically swapping pairs of speakers in the space of 3 seconds. JBL’s technical staff is second-to-none. Our engineers are respected by their peers in the industry and have won technical awards and honors from the Academy of Motion Pictures Arts and Sciences and from the Audio Engineering Society for designs which have advanced the professional audio industry. Because JBL Professional systems are first call in cinema applications, and used by the world’s top dubbing stages, you can be sure the program created using the new LSR6300 systems will translate perfectly to the screen.\n<br/><br/>\n<h3>Differential Drive® Technology</h3>\nThe LSR6300 line incorporates the single most significant advance in monitor history: JBL’s patented Differential Drive Technology.* Providing unparalleled performance, the woofer permanently dispels the notion that better linearity, higher power handling and greater dynamic accuracy are somehow unobtainable. JBL’s Differential Drive uses two drive coils with twice the thermal surface area of traditional speakers. As a result, LSR systems provide higher peak output with less power compression. This reduces spectral shift that causes monitors to sound different when driven at different power levels, a long-standing obstacle in monitoring technology. By reducing the negative thermal-related effects, LSR monitors sound the same at low, medium and high levels.\n<br/><br/>\n<h3>Composite High Frequency Device</h3>\nUsing patented technology, the 1” magnetically shielded dome high frequency device incorporates titanium and composite materials to improve transient response and reduce distortion. The result: By\nreducing distortion in the lower operating range where the human ear is most sensitive, listener fatigue is dramatically reduced.\n<br/><br/>\n<h3>C500G Midrange Transducer</h3>\nThe midrange is a 2” neodymium motor with a 5-inch woven Kevlar™ cone. The powerful motor structure was chosen to support the low crossover point to the woofer. In order to achieve the goal of accurate spatial response, the crossover points are located at 250 Hz and 2.2 kHz. These transition points match the directivity characteristics of the three transducers for optimum spatial response. The result: Absolute pinpoint accuracy.\n<br/><br/>\n<h3>Elliptical Oblate Speroidal (EOS) Waveguide</h3>\nDesigned for a targeted listening window of +/- 30 degrees horizontally and +/- 15 degrees vertically, the EOS provides smooth response through the entire listening window within 1.5 dB of the on-axis response. The result: The listener, even far off-axis, can hear an accurate representation of the on-axis response.\n<br/><br/>\n<h3>Dynamic Braking</h3>\nLSR6300 low frequency transducers* are equipped with an electromagnetic braking coil that reduces the effects of extreme excursion with high transient material. This causes more linear compliance resulting in lower distortion, more accurate reproduction and increased reliability.\n<br/><br/>'),(5774,75,1,963,'<h1>JBL LSR6325P Linear Spatial Reference Bi-Amplified Studio Monitor</h1>\nThe JBL LSR6325P is a compact, powered studio monitor that provides exceptional performance for use in applications where accuracy is a must, but space is limited. THX® pm3 Approved.\n<br/><br/>\n<h3>Mix in Any Room</h3>\nIf control rooms had no walls, mixing would be a pleasure. Unfortunately, problems in the room dramatically color what you hear at the mix position. Walls and corners can affect response. And standing waves at the mix position can lead you to misjudge bass content. As a result, a speaker which measures flat in an anechoic chamber may “tell you a different story” in the room. The new JBL LSR6300 series goes beyond “accurate” all the way to “stunning” by incorporating features which reduce the effect of problems in the room. We start with patented JBL transducer and network technologies that provide ultra-flat response and exceptional dynamic capability. Then we incorporate features which help to overcome the contributions of the room. So even if you work in a small home studio, you’ll have clear sound at the mix position. Of course, all models are THX® pm3™ approved for use in the most demanding production environments. With the new JBL LSR6300 series, mixing is a pleasure.\n<br/><br/>\n<h3>Five Building Blocks To Clear Sound</h3>\nIt takes more than an accurate speaker system to have accurate response at the mix position. The key to accuracy is tackling the effect of boundaries, standing waves and reflections. In developing the LSR6300 series, JBL examined each problem in the environment and created the perfect solution. Even if you work in a small control room, an LSR6300 system will provide smooth accurate response at the mixer’s chair.\n<br/><br/>\n<h4>LSR (Linear Spatial Reference Technology)</h4>\nLinear Spatial Reference Technology ensures that our speakers sound flat at the mix position. The exact geometry of the wave guide, the interaction of the woofer and tweeter, and the network are designed to provide an accurate listening window of +/- 30 degree horizontal, +/- 15 degree vertical. As a result, the reflected sound which reaches the mix position is smooth and accurate.\n<br/><br/>\n<h4>RMC™ (Room Mode Correction)</h4>\nThe LSR6328P and LSR6312SP Subwoofer are equipped with RMC – JBL’s ingenious method of zeroing-out bass problems at the mix position caused by room modes. A built-in 1/10th octave parametric equalizer allows you to correct problems below 100 Hz. The RMC Calibration Kit gives you everything you need to identify problematic room modes and tune your system. The LSR6325P-1 and LSR6332 enjoy the benefits of RMC when used in a system with the LSR6312SP Subwoofer.\n<br/><br/>\n<h4>Built-in Boundary Compensation</h4>\nWith the advent of multi-channel production, trying to find a place for more speakers, and space limitations, may demand the positioning of the speaker be compromised. JBL’s powered models include boundary compensation switches that can be used to offset the increase in bass-response, which occurs when the speaker is placed near a wall, in a corner or on a work surface. Simply set the switch which corresponds to your condition and flat response is restored.\n<br/><br/>\n<h4>Mounting Option</h4>\nSince wall mounting gives more options for speaker placement, each speaker in the LSR line is ready to mount. Enclosures are reinforced and mounting points are provided for use with readily available, industry-standard mounting brackets. Mounting hardware specs are available at www.jblpro.com/LSR\n<br/><br/>\n<h4>Handles</h4>\nIf you move your LSR6328P speakers from one environment to another, you’ll appreciate its comfortable integrated handles, which allow you to easily position the loudspeaker and optimize its performance.<br/><br/>\n<h3>LSR6300 Line</h3>\nThe JBL LSR6300 professional loudspeakers supply the accuracy and performance needed in demanding music, post audio and broadcast applications. Each model provides ultra-flat response, extraordinary-SPL capability, and technology to optimize performance in any size production environment. All models are shielded, ready for mounting and THX® pm3™ approved.\n<br/><br/>\n<h3>The JBL Tradition Continues</h3>\nJBL Professional is the leader in loudspeaker technology since 1946. The JBL Professional campus in Northridge, California is home to the science and resources which fuel JBL excellence. JBL is one of only a handful of U.S loudspeaker companies which manufactures transducer components in-house. The use of in-house designed and produced components ensures product consistency and long-term reliability. JBL holds patents on unique speaker technologies, many of which are applied in the LSR line. We have invested heavily in the tools to measure and evaluate product in development. These tools allow us to discover opportunities for better performance, cost savings, and ensure that every product which hits the market meets our exacting criteria. The anechoic chamber is an essential tool for performance measurement. Without it, all you can do is predict. While anechoic chambers are very expensive and some manufacturers have none of their own, JBL has many anechoic chambers on its campus. Since position in the room influences the perception of the speaker, critical A/B comparison evaluations require that every speaker being judged is positioned in exactly the same spot in the room. Since no solution exists which allows rapid swapping of pairs of speakers, JBL manufactured the only known Speaker Shuffler, a computer-operated device capable of physically swapping pairs of speakers in the space of 3 seconds. JBL’s technical staff is second-to-none. Our engineers are respected by their peers in the industry and have won technical awards and honors from the Academy of Motion Pictures Arts and Sciences and from the Audio Engineering Society for designs which have advanced the professional audio industry. Because JBL Professional systems are first call in cinema applications, and used by the world’s top dubbing stages, you can be sure the program created using the new LSR6300 systems will translate perfectly to the screen.\n<br/><br/>\n<h3>Differential Drive® Technology</h3>\nThe LSR6300 line incorporates the single most significant advance in monitor history: JBL’s patented Differential Drive Technology.* Providing unparalleled performance, the woofer permanently dispels the notion that better linearity, higher power handling and greater dynamic accuracy are somehow unobtainable. JBL’s Differential Drive uses two drive coils with twice the thermal surface area of traditional speakers. As a result, LSR systems provide higher peak output with less power compression. This reduces spectral shift that causes monitors to sound different when driven at different power levels, a long-standing obstacle in monitoring technology. By reducing the negative thermal-related effects, LSR monitors sound the same at low, medium and high levels.\n<br/><br/>\n<h3>Composite High Frequency Device</h3>\nUsing patented technology, the 1” magnetically shielded dome high frequency device incorporates titanium and composite materials to improve transient response and reduce distortion. The result: By\nreducing distortion in the lower operating range where the human ear is most sensitive, listener fatigue is dramatically reduced.\n<br/><br/>\n<h3>C500G Midrange Transducer</h3>\nThe midrange is a 2” neodymium motor with a 5-inch woven Kevlar™ cone. The powerful motor structure was chosen to support the low crossover point to the woofer. In order to achieve the goal of accurate spatial response, the crossover points are located at 250 Hz and 2.2 kHz. These transition points match the directivity characteristics of the three transducers for optimum spatial response. The result: Absolute pinpoint accuracy.\n<br/><br/>\n<h3>Elliptical Oblate Speroidal (EOS) Waveguide</h3>\nDesigned for a targeted listening window of +/- 30 degrees horizontally and +/- 15 degrees vertically, the EOS provides smooth response through the entire listening window within 1.5 dB of the on-axis response. The result: The listener, even far off-axis, can hear an accurate representation of the on-axis response.\n<br/><br/>\n<h3>Dynamic Braking</h3>\nLSR6300 low frequency transducers* are equipped with an electromagnetic braking coil that reduces the effects of extreme excursion with high transient material. This causes more linear compliance resulting in lower distortion, more accurate reproduction and increased reliability.\n<br/><br/>'),(5775,85,0,963,'LSR6325P-1 Linear Spatial Reference Bi-Amplified Studio Monitor'),(5776,85,1,963,'LSR6325P-1 Linear Spatial Reference Bi-Amplified Studio Monitor'),(5777,76,0,963,''),(5778,76,1,963,''),(5779,75,0,964,'<h2>JBL LSR6332 Linear Spatial Reference Studio Monitor System</h2>\nThe LSR6332 incorporates a 12\" Differential Drive® dual coil woofer, 5\" Kevlar™ midrange speaker and 1\" titanium composite tweeter. THX® pm3 Approved.\n<br /><br />\n<h3>Mix in Any Room</h3>\nIf control rooms had no walls, mixing would be a pleasure. Unfortunately, problems in the room dramatically color what you hear at the mix position. Walls and corners can affect response. And standing waves at the mix position can lead you to misjudge bass content. As a result, a speaker which measures flat in an anechoic chamber may “tell you a different story” in the room. The new JBL LSR6300 series goes beyond “accurate” all the way to “stunning” by incorporating features which reduce the effect of problems in the room. We start with patented JBL transducer and network technologies that provide ultra-flat response and exceptional dynamic capability. Then we incorporate features which help to overcome the contributions of the room. So even if you work in a small home studio, you’ll have clear sound at the mix position. Of course, all models are THX® pm3™ approved for use in the most demanding production environments. With the new JBL LSR6300 series, mixing is a pleasure.\n<h3>Five Building Blocks To Clear Sound</h3>\nIt takes more than an accurate speaker system to have accurate response at the mix position. The key to accuracy is tackling the effect of boundaries, standing waves and reflections. In developing the LSR6300 series, JBL examined each problem in the environment and created the perfect solution. Even if you work in a small control room, an LSR6300 system will provide smooth accurate response at the mixer’s chair.\n<br /><br />\n<h4>LSR (Linear Spatial Reference Technology)</h4>\nLinear Spatial Reference Technology ensures that our speakers sound flat at the mix position. The exact geometry of the wave guide, the interaction of the woofer and tweeter, and the network are designed to provide an accurate listening window of +/- 30 degree horizontal, +/- 15 degree vertical. As a result, the reflected sound which reaches the mix position is smooth and accurate.\n<br /><br />\n<h4>RMC™ (Room Mode Correction)</h4>\nThe LSR6328P and LSR6312SP Subwoofer are equipped with RMC – JBL’s ingenious method of zeroing-out bass problems at the mix position caused by room modes. A built-in 1/10th octave parametric equalizer allows you to correct problems below 100 Hz. The RMC Calibration Kit gives you everything you need to identify problematic room modes and tune your system. The LSR6325P-1 and LSR6332 enjoy the benefits of RMC when used in a system with the LSR6312SP Subwoofer.\n<br /><br />\n<h4>Built-in Boundary Compensation</h4>\nWith the advent of multi-channel production, trying to find a place for more speakers, and space limitations, may demand the positioning of the speaker be compromised. JBL’s powered models include boundary compensation switches that can be used to offset the increase in bass-response, which occurs when the speaker is placed near a wall, in a corner or on a work surface. Simply set the switch which corresponds to your condition and flat response is restored.\n<br /><br />\n<h4>Mounting Option</h4>\nSince wall mounting gives more options for speaker placement, each speaker in the LSR line is ready to mount. Enclosures are reinforced and mounting points are provided for use with readily available, industry-standard mounting brackets. Mounting hardware specs are available at www.jblpro.com/LSR\n<br /><br />\n<h4>Handles</h4>\nIf you move your LSR6328P speakers from one environment to another, you’ll appreciate its comfortable integrated handles, which allow you to easily position the loudspeaker and optimize its performance.\n<h3>LSR6300 Line</h3>\nThe JBL LSR6300 professional loudspeakers supply the accuracy and performance needed in demanding music, post audio and broadcast applications. Each model provides ultra-flat response, extraordinary-SPL capability, and technology to optimize performance in any size production environment. All models are shielded, ready for mounting and THX® pm3™ approved.\n<br /><br />\n<h3>The JBL Tradition Continues</h3>\nJBL Professional is the leader in loudspeaker technology since 1946. The JBL Professional campus in Northridge, California is home to the science and resources which fuel JBL excellence. JBL is one of only a handful of U.S loudspeaker companies which manufactures transducer components in-house. The use of in-house designed and produced components ensures product consistency and long-term reliability. JBL holds patents on unique speaker technologies, many of which are applied in the LSR line. We have invested heavily in the tools to measure and evaluate product in development. These tools allow us to discover opportunities for better performance, cost savings, and ensure that every product which hits the market meets our exacting criteria. The anechoic chamber is an essential tool for performance measurement. Without it, all you can do is predict. While anechoic chambers are very expensive and some manufacturers have none of their own, JBL has many anechoic chambers on its campus. Since position in the room influences the perception of the speaker, critical A/B comparison evaluations require that every speaker being judged is positioned in exactly the same spot in the room. Since no solution exists which allows rapid swapping of pairs of speakers, JBL manufactured the only known Speaker Shuffler, a computer-operated device capable of physically swapping pairs of speakers in the space of 3 seconds. JBL’s technical staff is second-to-none. Our engineers are respected by their peers in the industry and have won technical awards and honors from the Academy of Motion Pictures Arts and Sciences and from the Audio Engineering Society for designs which have advanced the professional audio industry. Because JBL Professional systems are first call in cinema applications, and used by the world’s top dubbing stages, you can be sure the program created using the new LSR6300 systems will translate perfectly to the screen.\n<br /><br />\n<h3>Differential Drive® Technology</h3>\nThe LSR6300 line incorporates the single most significant advance in monitor history: JBL’s patented Differential Drive Technology.* Providing unparalleled performance, the woofer permanently dispels the notion that better linearity, higher power handling and greater dynamic accuracy are somehow unobtainable. JBL’s Differential Drive uses two drive coils with twice the thermal surface area of traditional speakers. As a result, LSR systems provide higher peak output with less power compression. This reduces spectral shift that causes monitors to sound different when driven at different power levels, a long-standing obstacle in monitoring technology. By reducing the negative thermal-related effects, LSR monitors sound the same at low, medium and high levels.\n<br /><br />\n<h3>Composite High Frequency Device</h3>\nUsing patented technology, the 1” magnetically shielded dome high frequency device incorporates titanium and composite materials to improve transient response and reduce distortion. The result: By\nreducing distortion in the lower operating range where the human ear is most sensitive, listener fatigue is dramatically reduced.\n<br /><br />\n<h3>C500G Midrange Transducer</h3>\nThe midrange is a 2” neodymium motor with a 5-inch woven Kevlar™ cone. The powerful motor structure was chosen to support the low crossover point to the woofer. In order to achieve the goal of accurate spatial response, the crossover points are located at 250 Hz and 2.2 kHz. These transition points match the directivity characteristics of the three transducers for optimum spatial response. The result: Absolute pinpoint accuracy.\n<br /><br />\n<h3>Elliptical Oblate Speroidal (EOS) Waveguide</h3>\nDesigned for a targeted listening window of +/- 30 degrees horizontally and +/- 15 degrees vertically, the EOS provides smooth response through the entire listening window within 1.5 dB of the on-axis response. The result: The listener, even far off-axis, can hear an accurate representation of the on-axis response.\n<br /><br />\n<h3>Dynamic Braking</h3>\nLSR6300 low frequency transducers* are equipped with an electromagnetic braking coil that reduces the effects of extreme excursion with high transient material. This causes more linear compliance resulting in lower distortion, more accurate reproduction and increased reliability.\n<br /><br />'),(5780,75,1,964,'<h2>JBL LSR6332 Linear Spatial Reference Studio Monitor System</h2>\nThe LSR6332 incorporates a 12\" Differential Drive® dual coil woofer, 5\" Kevlar™ midrange speaker and 1\" titanium composite tweeter. THX® pm3 Approved.\n<br /><br />\n<h3>Mix in Any Room</h3>\nIf control rooms had no walls, mixing would be a pleasure. Unfortunately, problems in the room dramatically color what you hear at the mix position. Walls and corners can affect response. And standing waves at the mix position can lead you to misjudge bass content. As a result, a speaker which measures flat in an anechoic chamber may “tell you a different story” in the room. The new JBL LSR6300 series goes beyond “accurate” all the way to “stunning” by incorporating features which reduce the effect of problems in the room. We start with patented JBL transducer and network technologies that provide ultra-flat response and exceptional dynamic capability. Then we incorporate features which help to overcome the contributions of the room. So even if you work in a small home studio, you’ll have clear sound at the mix position. Of course, all models are THX® pm3™ approved for use in the most demanding production environments. With the new JBL LSR6300 series, mixing is a pleasure.\n<h3>Five Building Blocks To Clear Sound</h3>\nIt takes more than an accurate speaker system to have accurate response at the mix position. The key to accuracy is tackling the effect of boundaries, standing waves and reflections. In developing the LSR6300 series, JBL examined each problem in the environment and created the perfect solution. Even if you work in a small control room, an LSR6300 system will provide smooth accurate response at the mixer’s chair.\n<br /><br />\n<h4>LSR (Linear Spatial Reference Technology)</h4>\nLinear Spatial Reference Technology ensures that our speakers sound flat at the mix position. The exact geometry of the wave guide, the interaction of the woofer and tweeter, and the network are designed to provide an accurate listening window of +/- 30 degree horizontal, +/- 15 degree vertical. As a result, the reflected sound which reaches the mix position is smooth and accurate.\n<br /><br />\n<h4>RMC™ (Room Mode Correction)</h4>\nThe LSR6328P and LSR6312SP Subwoofer are equipped with RMC – JBL’s ingenious method of zeroing-out bass problems at the mix position caused by room modes. A built-in 1/10th octave parametric equalizer allows you to correct problems below 100 Hz. The RMC Calibration Kit gives you everything you need to identify problematic room modes and tune your system. The LSR6325P-1 and LSR6332 enjoy the benefits of RMC when used in a system with the LSR6312SP Subwoofer.\n<br /><br />\n<h4>Built-in Boundary Compensation</h4>\nWith the advent of multi-channel production, trying to find a place for more speakers, and space limitations, may demand the positioning of the speaker be compromised. JBL’s powered models include boundary compensation switches that can be used to offset the increase in bass-response, which occurs when the speaker is placed near a wall, in a corner or on a work surface. Simply set the switch which corresponds to your condition and flat response is restored.\n<br /><br />\n<h4>Mounting Option</h4>\nSince wall mounting gives more options for speaker placement, each speaker in the LSR line is ready to mount. Enclosures are reinforced and mounting points are provided for use with readily available, industry-standard mounting brackets. Mounting hardware specs are available at www.jblpro.com/LSR\n<br /><br />\n<h4>Handles</h4>\nIf you move your LSR6328P speakers from one environment to another, you’ll appreciate its comfortable integrated handles, which allow you to easily position the loudspeaker and optimize its performance.\n<h3>LSR6300 Line</h3>\nThe JBL LSR6300 professional loudspeakers supply the accuracy and performance needed in demanding music, post audio and broadcast applications. Each model provides ultra-flat response, extraordinary-SPL capability, and technology to optimize performance in any size production environment. All models are shielded, ready for mounting and THX® pm3™ approved.\n<br /><br />\n<h3>The JBL Tradition Continues</h3>\nJBL Professional is the leader in loudspeaker technology since 1946. The JBL Professional campus in Northridge, California is home to the science and resources which fuel JBL excellence. JBL is one of only a handful of U.S loudspeaker companies which manufactures transducer components in-house. The use of in-house designed and produced components ensures product consistency and long-term reliability. JBL holds patents on unique speaker technologies, many of which are applied in the LSR line. We have invested heavily in the tools to measure and evaluate product in development. These tools allow us to discover opportunities for better performance, cost savings, and ensure that every product which hits the market meets our exacting criteria. The anechoic chamber is an essential tool for performance measurement. Without it, all you can do is predict. While anechoic chambers are very expensive and some manufacturers have none of their own, JBL has many anechoic chambers on its campus. Since position in the room influences the perception of the speaker, critical A/B comparison evaluations require that every speaker being judged is positioned in exactly the same spot in the room. Since no solution exists which allows rapid swapping of pairs of speakers, JBL manufactured the only known Speaker Shuffler, a computer-operated device capable of physically swapping pairs of speakers in the space of 3 seconds. JBL’s technical staff is second-to-none. Our engineers are respected by their peers in the industry and have won technical awards and honors from the Academy of Motion Pictures Arts and Sciences and from the Audio Engineering Society for designs which have advanced the professional audio industry. Because JBL Professional systems are first call in cinema applications, and used by the world’s top dubbing stages, you can be sure the program created using the new LSR6300 systems will translate perfectly to the screen.\n<br /><br />\n<h3>Differential Drive® Technology</h3>\nThe LSR6300 line incorporates the single most significant advance in monitor history: JBL’s patented Differential Drive Technology.* Providing unparalleled performance, the woofer permanently dispels the notion that better linearity, higher power handling and greater dynamic accuracy are somehow unobtainable. JBL’s Differential Drive uses two drive coils with twice the thermal surface area of traditional speakers. As a result, LSR systems provide higher peak output with less power compression. This reduces spectral shift that causes monitors to sound different when driven at different power levels, a long-standing obstacle in monitoring technology. By reducing the negative thermal-related effects, LSR monitors sound the same at low, medium and high levels.\n<br /><br />\n<h3>Composite High Frequency Device</h3>\nUsing patented technology, the 1” magnetically shielded dome high frequency device incorporates titanium and composite materials to improve transient response and reduce distortion. The result: By\nreducing distortion in the lower operating range where the human ear is most sensitive, listener fatigue is dramatically reduced.\n<br /><br />\n<h3>C500G Midrange Transducer</h3>\nThe midrange is a 2” neodymium motor with a 5-inch woven Kevlar™ cone. The powerful motor structure was chosen to support the low crossover point to the woofer. In order to achieve the goal of accurate spatial response, the crossover points are located at 250 Hz and 2.2 kHz. These transition points match the directivity characteristics of the three transducers for optimum spatial response. The result: Absolute pinpoint accuracy.\n<br /><br />\n<h3>Elliptical Oblate Speroidal (EOS) Waveguide</h3>\nDesigned for a targeted listening window of +/- 30 degrees horizontally and +/- 15 degrees vertically, the EOS provides smooth response through the entire listening window within 1.5 dB of the on-axis response. The result: The listener, even far off-axis, can hear an accurate representation of the on-axis response.\n<br /><br />\n<h3>Dynamic Braking</h3>\nLSR6300 low frequency transducers* are equipped with an electromagnetic braking coil that reduces the effects of extreme excursion with high transient material. This causes more linear compliance resulting in lower distortion, more accurate reproduction and increased reliability.\n<br /><br />'),(5781,85,0,964,'LSR6332 Linear Spatial Reference Studio Monitor System'),(5782,85,1,964,'LSR6332 Linear Spatial Reference Studio Monitor System'),(5783,76,0,964,''),(5784,76,1,964,''),(5785,75,0,965,'Addressing the growing need for high dynamic range and reference-monitor accuracy in a broad range of studios, JBL has developed the M2 Master Reference Monitor: A Free-Standing, 2-Way System that can be placed in any environment to provide an exceptionally accurate monitoring experience. Leveraging a new generation of JBL high-output, ultra-low distortion transducers, the M2 provides in-room frequency response of 20 Hz to 40 kHz, and an extraordinary 123 dB maximum SPL to meet the demanding music, cinema and broadcast production requirements for impactful dynamic range.'),(5786,75,1,965,'Addressing the growing need for high dynamic range and reference-monitor accuracy in a broad range of studios, JBL has developed the M2 Master Reference Monitor: A Free-Standing, 2-Way System that can be placed in any environment to provide an exceptionally accurate monitoring experience. Leveraging a new generation of JBL high-output, ultra-low distortion transducers, the M2 provides in-room frequency response of 20 Hz to 40 kHz, and an extraordinary 123 dB maximum SPL to meet the demanding music, cinema and broadcast production requirements for impactful dynamic range.'),(5787,85,0,965,'JBL M2 Master Reference Monitor'),(5788,85,1,965,'JBL M2 Master Reference Monitor'),(5789,76,0,965,''),(5790,76,1,965,''),(5791,75,0,966,'The VRX915M is a dedicated, compact and lightweight 15\" two way touring-class floor monitor, with only a 375 mm (14.75 in) stage height and JBL’s latest neodymium-magnet transducers.'),(5792,75,1,966,'The VRX915M is a dedicated, compact and lightweight 15\" two way touring-class floor monitor, with only a 375 mm (14.75 in) stage height and JBL’s latest neodymium-magnet transducers.'),(5793,85,0,966,'JBL VRX915M 15 in. Two-Way Stage Monitor'),(5794,85,1,966,'JBL VRX915M 15 in. Two-Way Stage Monitor'),(5795,76,0,966,''),(5796,76,1,966,''),(5797,75,0,967,'The VRX915S is a compact, high power suspendable subwoofer system containing a 2265G-1 neodymium magnet, patented Differential Drive®, 15\" woofer in a front-loaded, vented enclosure.\n\nApplications:\n\n    Live performance systems.\n    Mobile and fixed DJ systems.\n    Sound system rental and tour.\n    Permanent installations.'),(5798,75,1,967,'The VRX915S is a compact, high power suspendable subwoofer system containing a 2265G-1 neodymium magnet, patented Differential Drive®, 15\" woofer in a front-loaded, vented enclosure.\n\nApplications:\n\n    Live performance systems.\n    Mobile and fixed DJ systems.\n    Sound system rental and tour.\n    Permanent installations.'),(5799,85,0,967,'JBL VRX915S 15 in. Bass Reflex Subwoofer'),(5800,85,1,967,'JBL VRX915S 15 in. Bass Reflex Subwoofer'),(5801,76,0,967,''),(5802,76,1,967,''),(5803,75,0,968,'The VRX918S is a compact, high power suspendable subwoofer system containing a 2268H neodymium magnet, patented Differential Drive®, 18\" woofer in a front-loaded, vented enclosure.'),(5804,75,1,968,'The VRX918S is a compact, high power suspendable subwoofer system containing a 2268H neodymium magnet, patented Differential Drive®, 18\" woofer in a front-loaded, vented enclosure.'),(5805,85,0,968,'JBL VRX918S 18 in. High Power Flying Subwoofer'),(5806,85,1,968,'JBL VRX918S 18 in. High Power Flying Subwoofer'),(5807,76,0,968,''),(5808,76,1,968,''),(5809,75,0,969,'The VRX918SP is a powered, suspendable subwoofer system containing a 2268FF neodymium magnet, patented Differential Drive®, 18\" woofer in a front-loaded, vented enclosure. The VRX918SP was designed specifically for use in arrays with the VRX932LAP Line Array speaker and VRX-AF Array Frame. In addition it may also be used in arrays consisting entirely of VRX918SP subwoofers.'),(5810,75,1,969,'The VRX918SP is a powered, suspendable subwoofer system containing a 2268FF neodymium magnet, patented Differential Drive®, 18\" woofer in a front-loaded, vented enclosure. The VRX918SP was designed specifically for use in arrays with the VRX932LAP Line Array speaker and VRX-AF Array Frame. In addition it may also be used in arrays consisting entirely of VRX918SP subwoofers.'),(5811,85,0,969,''),(5812,85,1,969,''),(5813,76,0,969,''),(5814,76,1,969,''),(5815,75,0,970,'The VRX928LA is a lightweight (28 lb / 13 kg) compact 8\" two-way linearray speaker system designed for use in arrays of up to six units.'),(5816,75,1,970,'The VRX928LA is a lightweight (28 lb / 13 kg) compact 8\" two-way linearray speaker system designed for use in arrays of up to six units.'),(5817,85,0,970,'VRX928LA 8 in. Two-Way Line Array Loudspeaker System'),(5818,85,1,970,'VRX928LA 8 in. Two-Way Line Array Loudspeaker System'),(5819,76,0,970,''),(5820,76,1,970,''),(5821,75,0,971,'The VRX932LA-1 is a light-weight (46 lb / 21 kg) compact 12\" two-way line array speaker system designed for use in arrays of up to six units.'),(5822,75,1,971,'The VRX932LA-1 is a light-weight (46 lb / 21 kg) compact 12\" two-way line array speaker system designed for use in arrays of up to six units.'),(5823,85,0,971,'VRX932LA-1 12 in. Two-Way Line Array Loudspeaker System'),(5824,85,1,971,'VRX932LA-1 12 in. Two-Way Line Array Loudspeaker System'),(5825,76,0,971,''),(5826,76,1,971,''),(5827,75,0,972,'The VRX932LAP is a powered, lightweight, compact 12\" two-way line-array speaker system designed for use in arrays of up to five units. VRX932LAP is the ideal choice when line-array performance is needed but the venue size doesn\'t call for the very long-throw characteristics of larger line-arrays and a fast and easy setup is vital.'),(5828,75,1,972,'The VRX932LAP is a powered, lightweight, compact 12\" two-way line-array speaker system designed for use in arrays of up to five units. VRX932LAP is the ideal choice when line-array performance is needed but the venue size doesn\'t call for the very long-throw characteristics of larger line-arrays and a fast and easy setup is vital.'),(5829,85,0,972,'VRX932LAP 12 in. Two-Way Powered Line Array Loudspeaker System'),(5830,85,1,972,'VRX932LAP 12 in. Two-Way Powered Line Array Loudspeaker System'),(5831,76,0,972,''),(5832,76,1,972,''),(5833,75,0,973,'<h1>JCF The Latte 2-Channel A/D - D/A Microphone Preamp</h1>\n<i>Two channel A/D and D/A converter. Two channel mic pre-amp. Tape machine repro electronics. High quality sample-rate conversion. Smooth taste.</i><br /><br />\nThe JCF Audio LATTE is a two channel analog to digital and digital to analog converter for audio. Using the LATTE’s D/A electronics block, the LATTE also works as a two channel microphone pre-amplifier. The A/D section is capable of concurrently capturing this signal to feed your favorite workstation. The LATTE can even serve as a very high quality digital sample rate conversion device. Love the sound of old tape machine electronics? The LATTE has the ability to reproduce audio from a low impedance head on your favorite 15 or 30 ips tape machine as well. Much like the fixins for your coffee, you can configure the LATTE any way you want, and it will always finish smooth.<br /><br />\n<h3>JCF Latte Features:</h3>\n<ul>\n	<li>Two AES compatible transformer coupled outputs (mono configurable)</li>\n	<li>Two AES compatible transformer coupled inputs for synchronization reference and data input for both sections</li>\n	<li>Line level +4 dBu analog outputs, Cinemag Transformer coupled (+27.5dBu max output level into 600Ω)</li>\n	<li>Concurrent jumper configurable auxiliary output (+22.5 dBu max output level – line amp, +6.7 dBu max output level – preamp)</li>\n	<li>Completely user-configurable line input block (Actively balanced, unbalanced)</li>\n	<li>Multi-turn trimmers for precise control of A/D input level</li>\n	<li>Multi-turn trimmers for precise control of A/D offset calibration</li>\n	<li>Stylish blue D/A receiver locked indicator</li>\n	<li>Power supply configurable for 120vac / 60Hz or 240vac / 50Hz operation</li>\n	<li>Very low leakage, caged flat pack power transformers for high isolation and low field</li>\n	<li>Unique power supply isolation used throughout</li>\n	<li>&lt;.01 ms total latency A/D section @ 192k</li>\n	<li>Cascade function allows easy digital capture of D/A, Mic pre, or Tape playback</li>\n	<li>Four position selectable pad to optimize drive of carefully crafted Cinemag mic input transformer</li>\n	<li>Independently selectable phantom power</li>\n	<li>2 ch. optical inputs and outputs</li>\n	<li>Flexible and independent clocking arrangement</li>\n</ul>'),(5834,75,1,973,'<h1>JCF The Latte 2-Channel A/D - D/A Microphone Preamp</h1>\n<i>Two channel A/D and D/A converter. Two channel mic pre-amp. Tape machine repro electronics. High quality sample-rate conversion. Smooth taste.</i><br /><br />\nThe JCF Audio LATTE is a two channel analog to digital and digital to analog converter for audio. Using the LATTE’s D/A electronics block, the LATTE also works as a two channel microphone pre-amplifier. The A/D section is capable of concurrently capturing this signal to feed your favorite workstation. The LATTE can even serve as a very high quality digital sample rate conversion device. Love the sound of old tape machine electronics? The LATTE has the ability to reproduce audio from a low impedance head on your favorite 15 or 30 ips tape machine as well. Much like the fixins for your coffee, you can configure the LATTE any way you want, and it will always finish smooth.<br /><br />\n<h3>JCF Latte Features:</h3>\n<ul>\n	<li>Two AES compatible transformer coupled outputs (mono configurable)</li>\n	<li>Two AES compatible transformer coupled inputs for synchronization reference and data input for both sections</li>\n	<li>Line level +4 dBu analog outputs, Cinemag Transformer coupled (+27.5dBu max output level into 600Ω)</li>\n	<li>Concurrent jumper configurable auxiliary output (+22.5 dBu max output level – line amp, +6.7 dBu max output level – preamp)</li>\n	<li>Completely user-configurable line input block (Actively balanced, unbalanced)</li>\n	<li>Multi-turn trimmers for precise control of A/D input level</li>\n	<li>Multi-turn trimmers for precise control of A/D offset calibration</li>\n	<li>Stylish blue D/A receiver locked indicator</li>\n	<li>Power supply configurable for 120vac / 60Hz or 240vac / 50Hz operation</li>\n	<li>Very low leakage, caged flat pack power transformers for high isolation and low field</li>\n	<li>Unique power supply isolation used throughout</li>\n	<li>&lt;.01 ms total latency A/D section @ 192k</li>\n	<li>Cascade function allows easy digital capture of D/A, Mic pre, or Tape playback</li>\n	<li>Four position selectable pad to optimize drive of carefully crafted Cinemag mic input transformer</li>\n	<li>Independently selectable phantom power</li>\n	<li>2 ch. optical inputs and outputs</li>\n	<li>Flexible and independent clocking arrangement</li>\n</ul>'),(5835,85,0,973,'JCF The Latte 2-Channel A/D - D/A Microphone Preamp'),(5836,85,1,973,'JCF The Latte 2-Channel A/D - D/A Microphone Preamp'),(5837,76,0,973,''),(5838,76,1,973,''),(5839,75,0,974,'<h1>JCF Audio The LEVR 500 Series Active Summing Module</h1>\n<i>\nActive summing module for 500 Series format. Affordable, active, non-exclusive alternative to passive summing. Brings unparalleled musicality and resolution to your bus.</i><br /><br />The JCF Audio – LEVR is an active summing module for the popular 500 Series format and by drawing from the discrete playbook it expands greatly on the language audio summing.<br /><br />\nThe LEVR offers an affordable, active, non-exclusive alternative to passive summing users which other solutions do not.<br /><br />\nDue to it’s elegant design and low parts count, the LEVR will bring unparalleled musicality and resolution to your bus.<br /><br /><h3>JCF LEVR Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Time-proven amplifier blocks</span></li>\n	<li>Common 500 Series Modular Form Factor</li>\n	<li>High quality capacitors used throughout</li>\n	<li>~9dB Front Panel Gain Adjust</li>\n	<li>Low Power Consumption</li>\n	<li>Opt. floating output with Cinemag CMOQ-2S</li>\n	<li>Drive and punch of push-pull circuitry with</li>\n	<li>the stability of single element inputs.</li>\n	<li>Does not preclude use of passive-to-pre setups</li>\n	<li>Two courtesy parallel front panel inputs</li>\n	<li>1 year limited warranty</li>\n</ul>\n<span style=\"background-color: initial;\"></span>\n<div>\n	<br />\n</div>'),(5840,75,1,974,'<h1>JCF Audio The LEVR 500 Series Active Summing Module</h1>\n<i>\nActive summing module for 500 Series format. Affordable, active, non-exclusive alternative to passive summing. Brings unparalleled musicality and resolution to your bus.</i><br /><br />The JCF Audio – LEVR is an active summing module for the popular 500 Series format and by drawing from the discrete playbook it expands greatly on the language audio summing.<br /><br />\nThe LEVR offers an affordable, active, non-exclusive alternative to passive summing users which other solutions do not.<br /><br />\nDue to it’s elegant design and low parts count, the LEVR will bring unparalleled musicality and resolution to your bus.<br /><br /><h3>JCF LEVR Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Time-proven amplifier blocks</span></li>\n	<li>Common 500 Series Modular Form Factor</li>\n	<li>High quality capacitors used throughout</li>\n	<li>~9dB Front Panel Gain Adjust</li>\n	<li>Low Power Consumption</li>\n	<li>Opt. floating output with Cinemag CMOQ-2S</li>\n	<li>Drive and punch of push-pull circuitry with</li>\n	<li>the stability of single element inputs.</li>\n	<li>Does not preclude use of passive-to-pre setups</li>\n	<li>Two courtesy parallel front panel inputs</li>\n	<li>1 year limited warranty</li>\n</ul>\n<span style=\"background-color: initial;\"></span>\n<div>\n	<br />\n</div>'),(5841,85,0,974,'JCF Audio The LEVR 500 Series Active Summing Module'),(5842,85,1,974,'JCF Audio The LEVR 500 Series Active Summing Module'),(5843,76,0,974,''),(5844,76,1,974,''),(5845,75,0,975,'<h2>JLCooper Electronics Surround Panner For Yamaha Nuage</h2>\n<font size=\"3\"><i>High quality surround panner that integrates perfectly with your Nuendo based Yamaha Nuage System</i></font><br /><br />\n<div>\n	JLCooper\'s Nuage Surround Panner combines a high-quality, three axis joystick with five touch-sensitive, push-button, rotary encoders, nine illuminated buttons and a three digit LED display for indicating track number. The controller is extremely easy to connect, thanks to its own built in 10/100 ethernet interface.\n	<br />\n</div><br />\n<div>\n	With it\'s custom software plug-in for Steinberg Nuendo (Mac and Windows), the panner is specifically designed to mount directly into the Yamaha/Steinberg \n	<a href=\"http://www.rspeaudio.com/Yamaha-Nuage-Workspace-Small-p/ymh-nuage-wrk-sml.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Nuage Console expansion chassis</a>.\n</div>\n<div>\n	<br />\n</div>\n<h3>Supercharge your Post Production Yamaha Nuage System with JLCooper\'s Surround Panner. Call or chat online with an RSPE representative to configure your perfect Nuage system. </h3>'),(5846,75,1,975,'<h2>JLCooper Electronics Surround Panner For Yamaha Nuage</h2>\n<font size=\"3\"><i>High quality surround panner that integrates perfectly with your Nuendo based Yamaha Nuage System</i></font><br /><br />\n<div>\n	JLCooper\'s Nuage Surround Panner combines a high-quality, three axis joystick with five touch-sensitive, push-button, rotary encoders, nine illuminated buttons and a three digit LED display for indicating track number. The controller is extremely easy to connect, thanks to its own built in 10/100 ethernet interface.\n	<br />\n</div><br />\n<div>\n	With it\'s custom software plug-in for Steinberg Nuendo (Mac and Windows), the panner is specifically designed to mount directly into the Yamaha/Steinberg \n	<a href=\"http://www.rspeaudio.com/Yamaha-Nuage-Workspace-Small-p/ymh-nuage-wrk-sml.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Nuage Console expansion chassis</a>.\n</div>\n<div>\n	<br />\n</div>\n<h3>Supercharge your Post Production Yamaha Nuage System with JLCooper\'s Surround Panner. Call or chat online with an RSPE representative to configure your perfect Nuage system. </h3>'),(5847,85,0,975,'JLCooper Electronics Nuage Surround Panner'),(5848,85,1,975,'JLCooper Electronics Nuage Surround Panner'),(5849,76,0,975,''),(5850,76,1,975,''),(5851,75,0,976,'<h1>Josephson Engineering C42 Cardioid FET Pencil Condenser Microphone </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering C42 is a general purpose cardioid microphone, useful for most studio and stage pickup applications where a neutral pickup is best, at an affordable price</span><br /><br />The Josephson Engineering C42 is an all-purpose cardioid condenser microphone suitable for multiple recording applications including spot miking acoustic and amplified instruments, drums and drum overheads, ensemble and choir pickups, concert recording, sound effects and vocals. Standard C42 microphones are satin machined stainless steel for years of rugged use. <br /><br />C42 electronics feature a selected discrete FET driving a fully balanced symmetrical transformerless discrete class-A output stage. The output impedance is low enough that very long cable runs may be used without signal degradation. Although the microphone is specified for full P48 phantom power, it will function with phantom power as low as 24 volts, with some limitation in maximum SPL. <br /><br />A stereo kit, the C42MP, includes a matched pair of C42 microphones in matte black chrome finish and a protective hard shell case, with a pair of shockmounts.<br /><br />'),(5852,75,1,976,'<h1>Josephson Engineering C42 Cardioid FET Pencil Condenser Microphone </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering C42 is a general purpose cardioid microphone, useful for most studio and stage pickup applications where a neutral pickup is best, at an affordable price</span><br /><br />The Josephson Engineering C42 is an all-purpose cardioid condenser microphone suitable for multiple recording applications including spot miking acoustic and amplified instruments, drums and drum overheads, ensemble and choir pickups, concert recording, sound effects and vocals. Standard C42 microphones are satin machined stainless steel for years of rugged use. <br /><br />C42 electronics feature a selected discrete FET driving a fully balanced symmetrical transformerless discrete class-A output stage. The output impedance is low enough that very long cable runs may be used without signal degradation. Although the microphone is specified for full P48 phantom power, it will function with phantom power as low as 24 volts, with some limitation in maximum SPL. <br /><br />A stereo kit, the C42MP, includes a matched pair of C42 microphones in matte black chrome finish and a protective hard shell case, with a pair of shockmounts.<br /><br />'),(5853,85,0,976,'Josephson Engineering C42 Cardioid FET Pencil Condenser Microphone'),(5854,85,1,976,'Josephson Engineering C42 Cardioid FET Pencil Condenser Microphone'),(5855,76,0,976,''),(5856,76,1,976,''),(5857,75,0,977,'<h1>Josephson Engineering C617 Omni Condenser Microphone with MK221 Capsule </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering </span>e22S <i>is high voltage metal diaphragm omni powerful microphone that provides extremely detailed and clean sound.<br /></i><br />The\n Josephson Engineering  C617 is the second generation of our high voltage metal diaphragm omnidirectional microphone, suitable for the most critical sound recording and measurement applications. It operates from standard P48 phantom power yet provides full 200 volt polarize potential for a lab grade standard “half inch” microphone capsule. The C617SET is supplied with a Microtech Gefell MK221 capsule. The dynamic range is dependent on the inherent noise of the microphone capsule and the limits of P48 phantom power. The Josephson cascode FET front end circuitry introduced in the C606 is further refined in the C617, combined with our traditional balanced bipolar class-A symmetrical output stage. <br /><br />For music recording, the Josephson balanced symmetrical circuitry together with a sub-micron thickness metal diaphragm capsule translate to the purest, most open sound possible. Pickup of sound pressure alone results in no proximity effect, very low sensitivity to wind noise, and phase accuracy that cannot be obtained with directional microphones. Spot-miking applications or overall stereo pickups using spaced pairs take on a new level of detail and precision not possible with other types. The small capsule size results in a nearly perfect omnidirectional pattern for accurate pickup of the whole acoustic environment. <br />'),(5858,75,1,977,'<h1>Josephson Engineering C617 Omni Condenser Microphone with MK221 Capsule </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering </span>e22S <i>is high voltage metal diaphragm omni powerful microphone that provides extremely detailed and clean sound.<br /></i><br />The\n Josephson Engineering  C617 is the second generation of our high voltage metal diaphragm omnidirectional microphone, suitable for the most critical sound recording and measurement applications. It operates from standard P48 phantom power yet provides full 200 volt polarize potential for a lab grade standard “half inch” microphone capsule. The C617SET is supplied with a Microtech Gefell MK221 capsule. The dynamic range is dependent on the inherent noise of the microphone capsule and the limits of P48 phantom power. The Josephson cascode FET front end circuitry introduced in the C606 is further refined in the C617, combined with our traditional balanced bipolar class-A symmetrical output stage. <br /><br />For music recording, the Josephson balanced symmetrical circuitry together with a sub-micron thickness metal diaphragm capsule translate to the purest, most open sound possible. Pickup of sound pressure alone results in no proximity effect, very low sensitivity to wind noise, and phase accuracy that cannot be obtained with directional microphones. Spot-miking applications or overall stereo pickups using spaced pairs take on a new level of detail and precision not possible with other types. The small capsule size results in a nearly perfect omnidirectional pattern for accurate pickup of the whole acoustic environment. <br />'),(5859,85,0,977,'Josephson Engineering C617 Omni Condenser Microphone with MK221 Capsule'),(5860,85,1,977,'Josephson Engineering C617 Omni Condenser Microphone with MK221 Capsule'),(5861,76,0,977,''),(5862,76,1,977,''),(5863,75,0,978,'<h1>Josephson Engineering C700A Multi-Pattern Dual-Capsule Condenser Microphone</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering C700A has the same capabilities, without the side-facing capsule, for mono pickups in any pattern.<br /></span><br />The Josephson Engineering\'s Series Seven microphones provide unprecedented flexibility, as the directional <br />pattern of the mic can be adjusted in use, during or after recording. C700 microphones include omni/pressure and fi<br />gure-8/gradient capsules, each with a discrete output. The signals can be recorded on separate tracks, so the pattern can <br />be selected in mixdown. Pattern control is only one advantage of this technique. Applying different equalization or dynamic control to the capsule signals makes entirely different mic characteristics – for instance the warmth of a gradient mic used close up for vocals might be combined with the transparency of a pressure mic in the highs, by rolling off the high frequencies in the gradient signal and the lows in the pressure signal before they are combined. <br /><br />The C700A includes two capsules in one housing, a 16mm omni element similar to the KA11 capsule in the Series Six, and a 26mm figure-8 capsule. Completely neutral electronics, using the same cascode FET input, class-A active balanced output circuit found in the Series Six, are provided for each signal. Any directional pattern from omni to figure-8 may be selected by controlling the ratio of pressure to gradient signals. <br /><br />The C700S microphone has three capsules; an additional side-facing figure-8 capsule is added to the two in the C700A. Any coincident stereo pickup can be derived from mixing these three signals together, and like the C700A, the signals can be recorded individually and all aspects of image width and pattern control may be adjusted in the mixdown. With the three capsule signals, any number of microphone outputs may be created, each one pointed anywhere in the plane around the microphone. The capsule assembly in the Series Seven is internally shock mounted, so that the mic may be attached directly to a stand through its yoke mount without any external accessories.  <br />'),(5864,75,1,978,'<h1>Josephson Engineering C700A Multi-Pattern Dual-Capsule Condenser Microphone</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering C700A has the same capabilities, without the side-facing capsule, for mono pickups in any pattern.<br /></span><br />The Josephson Engineering\'s Series Seven microphones provide unprecedented flexibility, as the directional <br />pattern of the mic can be adjusted in use, during or after recording. C700 microphones include omni/pressure and fi<br />gure-8/gradient capsules, each with a discrete output. The signals can be recorded on separate tracks, so the pattern can <br />be selected in mixdown. Pattern control is only one advantage of this technique. Applying different equalization or dynamic control to the capsule signals makes entirely different mic characteristics – for instance the warmth of a gradient mic used close up for vocals might be combined with the transparency of a pressure mic in the highs, by rolling off the high frequencies in the gradient signal and the lows in the pressure signal before they are combined. <br /><br />The C700A includes two capsules in one housing, a 16mm omni element similar to the KA11 capsule in the Series Six, and a 26mm figure-8 capsule. Completely neutral electronics, using the same cascode FET input, class-A active balanced output circuit found in the Series Six, are provided for each signal. Any directional pattern from omni to figure-8 may be selected by controlling the ratio of pressure to gradient signals. <br /><br />The C700S microphone has three capsules; an additional side-facing figure-8 capsule is added to the two in the C700A. Any coincident stereo pickup can be derived from mixing these three signals together, and like the C700A, the signals can be recorded individually and all aspects of image width and pattern control may be adjusted in the mixdown. With the three capsule signals, any number of microphone outputs may be created, each one pointed anywhere in the plane around the microphone. The capsule assembly in the Series Seven is internally shock mounted, so that the mic may be attached directly to a stand through its yoke mount without any external accessories.  <br />'),(5865,85,0,978,'Josephson Engineering  C700A Multi-Pattern Dual-Capsule Condenser Microphone'),(5866,85,1,978,'Josephson Engineering  C700A Multi-Pattern Dual-Capsule Condenser Microphone'),(5867,76,0,978,''),(5868,76,1,978,''),(5869,75,0,979,'<h1>Josephson Engineering C700S Multi-Pattern Stereo Condenser Microphone</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering C700S C700S allows any number of patterns to be derived for any single-point stereo or surround pickup.<br /></span><br />The Josephson Engineering\'s Series Seven microphones provide unprecedented flexibility, as the directional <br />pattern of the mic can be adjusted in use, during or after recording. C700 microphones include omni/pressure and fi<br />gure-8/gradient capsules, each with a discrete output. The signals can be recorded on separate tracks, so the pattern can <br />be selected in mixdown. Pattern control is only one advantage of this technique. Applying different equalization or dynamic control to the capsule signals makes entirely different mic characteristics – for instance the warmth of a gradient mic used close up for vocals might be combined with the transparency of a pressure mic in the highs, by rolling off the high frequencies in the gradient signal and the lows in the pressure signal before they are combined. <br /><br />The C700S microphone has three capsules; an additional side-facing \nfigure-8 capsule is added to the two in the C700A. Any coincident stereo\n pickup can be derived from mixing these three signals together, and \nlike the C700A, the signals can be recorded individually and all aspects\n of image width and pattern control may be adjusted in the mixdown. With\n the three capsule signals, any number of microphone outputs may be \ncreated, each one pointed anywhere in the plane around the microphone. \nThe capsule assembly in the Series Seven is internally shock mounted, so\n that the mic may be attached directly to a stand through its yoke mount\n without any external accessories.  <br /><br />The C700A includes two capsules in one housing, a 16mm omni element similar to the KA11 capsule in the Series Six, and a 26mm figure-8 capsule. Completely neutral electronics, using the same cascode FET input, class-A active balanced output circuit found in the Series Six, are provided for each signal. Any directional pattern from omni to figure-8 may be selected by controlling the ratio of pressure to gradient signals. <br /><br /><br />'),(5870,75,1,979,'<h1>Josephson Engineering C700S Multi-Pattern Stereo Condenser Microphone</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering C700S C700S allows any number of patterns to be derived for any single-point stereo or surround pickup.<br /></span><br />The Josephson Engineering\'s Series Seven microphones provide unprecedented flexibility, as the directional <br />pattern of the mic can be adjusted in use, during or after recording. C700 microphones include omni/pressure and fi<br />gure-8/gradient capsules, each with a discrete output. The signals can be recorded on separate tracks, so the pattern can <br />be selected in mixdown. Pattern control is only one advantage of this technique. Applying different equalization or dynamic control to the capsule signals makes entirely different mic characteristics – for instance the warmth of a gradient mic used close up for vocals might be combined with the transparency of a pressure mic in the highs, by rolling off the high frequencies in the gradient signal and the lows in the pressure signal before they are combined. <br /><br />The C700S microphone has three capsules; an additional side-facing \nfigure-8 capsule is added to the two in the C700A. Any coincident stereo\n pickup can be derived from mixing these three signals together, and \nlike the C700A, the signals can be recorded individually and all aspects\n of image width and pattern control may be adjusted in the mixdown. With\n the three capsule signals, any number of microphone outputs may be \ncreated, each one pointed anywhere in the plane around the microphone. \nThe capsule assembly in the Series Seven is internally shock mounted, so\n that the mic may be attached directly to a stand through its yoke mount\n without any external accessories.  <br /><br />The C700A includes two capsules in one housing, a 16mm omni element similar to the KA11 capsule in the Series Six, and a 26mm figure-8 capsule. Completely neutral electronics, using the same cascode FET input, class-A active balanced output circuit found in the Series Six, are provided for each signal. Any directional pattern from omni to figure-8 may be selected by controlling the ratio of pressure to gradient signals. <br /><br /><br />'),(5871,85,0,979,'Josephson Engineering  C700A Multi-Pattern Stereo Condenser Microphone'),(5872,85,1,979,'Josephson Engineering  C700A Multi-Pattern Stereo Condenser Microphone'),(5873,76,0,979,''),(5874,76,1,979,''),(5875,75,0,980,'<h1>Josephson Engineering C705 FET Condenser Studio Microphone </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering C705 is a substantial and stylish-looking mic with a gold-sputtered diaphragm that remains the same, although the C705 has a fixed cardioid pattern.</span><br /><br />The Josephson Engineering C705 is a versatile studio microphone using a large diameter, center-supported single diaphragm cardioid capsule derived from our C715, and the discrete FET cascode input circuit and symmetrical balanced transformerless output circuit of the C716. The capsule, using a 5 micron gold-metallized diaphragm and precision machined internal surfaces, provides a smooth and very extended high end, and the enhanced proximity effect characteristic of single-diaphragm mics. This combination provides a new range of control for vocal pickup without sibilance, with a variety of tone colors possible by careful selection of distance and angle to the microphone. It’s also excellent for detailed instrument pickup without the harshness typical of many large-diaphragm mics, and works well with a variety of preamps and input stages, due to its low output impedance.<br /><br />The housing is made of case-hardened steel with a unique offset grille support structure that greatly reduces internal reflections. The entire capsule assembly is internally shockmounted, so the microphone can be attached directly to a stand through its yoke mount. The black finish from the hardening process is very rugged for long life in studio and stage applications.<br /><br />The design of the C705 includes the best parts of several Josephson microphones, at a lower cost due to using a cardioid-only capsule, a steel housing with a rugged industrial finish rather than a cosmetic plated finish on brass, and an output connector on the microphone body rather than an attached output cable. <br />'),(5876,75,1,980,'<h1>Josephson Engineering C705 FET Condenser Studio Microphone </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering C705 is a substantial and stylish-looking mic with a gold-sputtered diaphragm that remains the same, although the C705 has a fixed cardioid pattern.</span><br /><br />The Josephson Engineering C705 is a versatile studio microphone using a large diameter, center-supported single diaphragm cardioid capsule derived from our C715, and the discrete FET cascode input circuit and symmetrical balanced transformerless output circuit of the C716. The capsule, using a 5 micron gold-metallized diaphragm and precision machined internal surfaces, provides a smooth and very extended high end, and the enhanced proximity effect characteristic of single-diaphragm mics. This combination provides a new range of control for vocal pickup without sibilance, with a variety of tone colors possible by careful selection of distance and angle to the microphone. It’s also excellent for detailed instrument pickup without the harshness typical of many large-diaphragm mics, and works well with a variety of preamps and input stages, due to its low output impedance.<br /><br />The housing is made of case-hardened steel with a unique offset grille support structure that greatly reduces internal reflections. The entire capsule assembly is internally shockmounted, so the microphone can be attached directly to a stand through its yoke mount. The black finish from the hardening process is very rugged for long life in studio and stage applications.<br /><br />The design of the C705 includes the best parts of several Josephson microphones, at a lower cost due to using a cardioid-only capsule, a steel housing with a rugged industrial finish rather than a cosmetic plated finish on brass, and an output connector on the microphone body rather than an attached output cable. <br />'),(5877,85,0,980,'Josephson Engineering C705 FET Condenser Studio Microphone'),(5878,85,1,980,'Josephson Engineering C705 FET Condenser Studio Microphone'),(5879,76,0,980,''),(5880,76,1,980,''),(5881,75,0,981,'<h1>Josephson Engineering C715 Multi-Pattern Condenser Microphone </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering\'s C715 is a large-diaphragm, multipattern FET condenser with several innovative features.</span><br /><br />The Josephson Engineering Series Seven microphones provide unprecedented flexibility in studio pickups with a variety of directional patterns. The Josephson C715 uses a unique single large diaphragm capsule with an adjustable vent allowing cardioid or omni operation, and includes a new, patented metal foam housing for minimum acoustic coloration due to the elimination of many internal reflecting surfaces.<br /><br />The C715 features the new single-sided capsule with a 5 micron evaporated gold diaphragm. The backplate has an adjustable vent, reached through an opening in the back of the grille, that allows the mic to be adjusted from cardioid to omni. The single diaphragm capsule has a particularly smooth sound, usable for many studio applications where some conventional dual diaphragm mics are too harsh or bright.<br /><br />The internal circuitry uses a class-A cascode FET front end, driving a large nickel core Lundahl output transformer for compatibilty with a wide range of preamps and consoles. The internal high voltage linear supply generates capsule polarization voltage without using a switching oscillator, for very low noise.<br /><br />The capsule assembly in the C715 is internally shock mounted so that the mic may be attached directly to a stand through its rugged yoke mount, without using any external accessories.<br /><br />'),(5882,75,1,981,'<h1>Josephson Engineering C715 Multi-Pattern Condenser Microphone </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering\'s C715 is a large-diaphragm, multipattern FET condenser with several innovative features.</span><br /><br />The Josephson Engineering Series Seven microphones provide unprecedented flexibility in studio pickups with a variety of directional patterns. The Josephson C715 uses a unique single large diaphragm capsule with an adjustable vent allowing cardioid or omni operation, and includes a new, patented metal foam housing for minimum acoustic coloration due to the elimination of many internal reflecting surfaces.<br /><br />The C715 features the new single-sided capsule with a 5 micron evaporated gold diaphragm. The backplate has an adjustable vent, reached through an opening in the back of the grille, that allows the mic to be adjusted from cardioid to omni. The single diaphragm capsule has a particularly smooth sound, usable for many studio applications where some conventional dual diaphragm mics are too harsh or bright.<br /><br />The internal circuitry uses a class-A cascode FET front end, driving a large nickel core Lundahl output transformer for compatibilty with a wide range of preamps and consoles. The internal high voltage linear supply generates capsule polarization voltage without using a switching oscillator, for very low noise.<br /><br />The capsule assembly in the C715 is internally shock mounted so that the mic may be attached directly to a stand through its rugged yoke mount, without using any external accessories.<br /><br />'),(5883,85,0,981,'Josephson Engineering C715 Multi-Pattern Condenser Microphone'),(5884,85,1,981,'Josephson Engineering C715 Multi-Pattern Condenser Microphone'),(5885,76,0,981,''),(5886,76,1,981,''),(5887,75,0,982,'<h1>Josephson Engineering C716 Cardioid Condenser Microphone </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering\'s C716 is the long-awaited addition to Josephson Engineering\'s acclaimed Series Seven family of mics. </span><br /><br />The Josephson Engineering  Series Seven microphones provide unprecedented flexibility in studio pickups with a variety of directional patterns. The Josephson C716 dual-diaphragm capsule is optimized for cardioid, and is ideal for vocal pickups and instrumentals where a warm, natural sound is needed with minimum acoustic coloration. Off-axis response is particularly smooth, yielding excellent results in a variety of acoustic environments.<br /><br />The C716 features a cardioid version of the large dual-diaphragm capsule used in Josephson’s C700 series, with a 5 micron evaporated gold diaphragm. The head grille uses Josephson’s patented hard metal foam structure welded to the housing tube, instead of wire mesh or perforated metal. No other structure is needed, so internal reflections are randomized for clean, detailed sound pickup. The entire housing, circuit board, capsule and all its internal parts are made by Josephson in the USA. The microphone features a hard matte black chrome finish for durability in studio use.<br /><br />The internal circuitry uses a class-A FET front end with active balanced transformer-less output using discrete large-geometry devices like those in the Josephson C700 and C617. The internal high voltage linear supply generates capsule polarization voltage without using any digital devices or oscillators, for very low noise.<br /><br />The capsule assembly in the C716 is internally shock mounted so that the mic may be attached directly to a stand through its rugged yoke mount, without using any external accessories.<br />'),(5888,75,1,982,'<h1>Josephson Engineering C716 Cardioid Condenser Microphone </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering\'s C716 is the long-awaited addition to Josephson Engineering\'s acclaimed Series Seven family of mics. </span><br /><br />The Josephson Engineering  Series Seven microphones provide unprecedented flexibility in studio pickups with a variety of directional patterns. The Josephson C716 dual-diaphragm capsule is optimized for cardioid, and is ideal for vocal pickups and instrumentals where a warm, natural sound is needed with minimum acoustic coloration. Off-axis response is particularly smooth, yielding excellent results in a variety of acoustic environments.<br /><br />The C716 features a cardioid version of the large dual-diaphragm capsule used in Josephson’s C700 series, with a 5 micron evaporated gold diaphragm. The head grille uses Josephson’s patented hard metal foam structure welded to the housing tube, instead of wire mesh or perforated metal. No other structure is needed, so internal reflections are randomized for clean, detailed sound pickup. The entire housing, circuit board, capsule and all its internal parts are made by Josephson in the USA. The microphone features a hard matte black chrome finish for durability in studio use.<br /><br />The internal circuitry uses a class-A FET front end with active balanced transformer-less output using discrete large-geometry devices like those in the Josephson C700 and C617. The internal high voltage linear supply generates capsule polarization voltage without using any digital devices or oscillators, for very low noise.<br /><br />The capsule assembly in the C716 is internally shock mounted so that the mic may be attached directly to a stand through its rugged yoke mount, without using any external accessories.<br />'),(5889,85,0,982,'Josephson Engineering C716 Cardioid Condenser Microphone'),(5890,85,1,982,'Josephson Engineering C716 Cardioid Condenser Microphone'),(5891,76,0,982,''),(5892,76,1,982,''),(5893,75,0,983,'<h1>Josephson Engineering C725 Dual Diaphragm Hybrid Condenser Microphone </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering C725 is well suited to capturing detail in vocals, as well as for instrument recording. <br /></span><br />The Josephson Engineering C725 provides classic studio microphone performance using  a hybrid of vacuum tube and solid state technology, and our advanced dual-diaphragm capsule used on the C700 and C716 microphones. A separate high voltage regulated power supply is provided, with five switchable directional patterns and a unique warm/cool selector to optimize the signal path. The C725 is suitable for detailed vocal and instrument pickup. <br /><br />The head grille uses Josephson’s patented aluminum foam, fused to the housing for physical and electrical protection, with only an ultrafine highly open mesh used for contamination protection. No other structure is needed, so internal reflections are random and minimal, allowing clean, detailed sound pickup. The capsule assembly is internally shockmounted so the microphone can be attached directly to a stand through its yoke mount. The C725 features a satin nickel finish for durability in studio use.<br /><br />The internal circuitry is related to other Josephson mics, with a cascode topology for best linearity. Instead of two FETs to build the cascode, in the C725 the voltage-gain section uses a custom low-noise FET, while the current gain stage uses a new production pentode vacuum tube. This allows the low noise of the FET along with the dynamic characteristics of the vacuum tube.  The output is provided through a custom nickel-core transformer, which has independent windings for output and gain control.<br /><br />The PS725 power supply allows operation on 100 to 240 voltmains supplies and allows selection of five directional patterns and two signal/dynamics-characteristics. The “sun” setting operates at full gain, with a high sensitivity of 40 mV/Pa, and the warmth characteristic of many vacuum tube mics. In the “moon” setting, a small amount of negative feedback is provided from a dedicated winding of the output transformer back to the front end of the amplifier. This reduces the sensitivity by 12 dB, to 10 mV/Pa, and linearizes the circuit to provide a more neutral sound at high levels.  Switching between the two modes is<br />accomplished with a precision reed relay inside the microphone.Five separate power supply sections are used: a preregulator for the vacuum tube filament along with a final regulator inside the microphone so that filament voltage is not changed by cable length, two low noise supplies for the high voltage regulator, and a precision shunt regulator for the vacuum tube plate and<br />polarization voltages. The cable is a highly flexible five-pair type terminating in a “large Tuchel” 12-contact connector.<br />It may be extended up to 50 meters. The C725 is supplied in a rugged, fitted carrying case with the power supply, line cord and<br />protection sleeve.<br />'),(5894,75,1,983,'<h1>Josephson Engineering C725 Dual Diaphragm Hybrid Condenser Microphone </h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering C725 is well suited to capturing detail in vocals, as well as for instrument recording. <br /></span><br />The Josephson Engineering C725 provides classic studio microphone performance using  a hybrid of vacuum tube and solid state technology, and our advanced dual-diaphragm capsule used on the C700 and C716 microphones. A separate high voltage regulated power supply is provided, with five switchable directional patterns and a unique warm/cool selector to optimize the signal path. The C725 is suitable for detailed vocal and instrument pickup. <br /><br />The head grille uses Josephson’s patented aluminum foam, fused to the housing for physical and electrical protection, with only an ultrafine highly open mesh used for contamination protection. No other structure is needed, so internal reflections are random and minimal, allowing clean, detailed sound pickup. The capsule assembly is internally shockmounted so the microphone can be attached directly to a stand through its yoke mount. The C725 features a satin nickel finish for durability in studio use.<br /><br />The internal circuitry is related to other Josephson mics, with a cascode topology for best linearity. Instead of two FETs to build the cascode, in the C725 the voltage-gain section uses a custom low-noise FET, while the current gain stage uses a new production pentode vacuum tube. This allows the low noise of the FET along with the dynamic characteristics of the vacuum tube.  The output is provided through a custom nickel-core transformer, which has independent windings for output and gain control.<br /><br />The PS725 power supply allows operation on 100 to 240 voltmains supplies and allows selection of five directional patterns and two signal/dynamics-characteristics. The “sun” setting operates at full gain, with a high sensitivity of 40 mV/Pa, and the warmth characteristic of many vacuum tube mics. In the “moon” setting, a small amount of negative feedback is provided from a dedicated winding of the output transformer back to the front end of the amplifier. This reduces the sensitivity by 12 dB, to 10 mV/Pa, and linearizes the circuit to provide a more neutral sound at high levels.  Switching between the two modes is<br />accomplished with a precision reed relay inside the microphone.Five separate power supply sections are used: a preregulator for the vacuum tube filament along with a final regulator inside the microphone so that filament voltage is not changed by cable length, two low noise supplies for the high voltage regulator, and a precision shunt regulator for the vacuum tube plate and<br />polarization voltages. The cable is a highly flexible five-pair type terminating in a “large Tuchel” 12-contact connector.<br />It may be extended up to 50 meters. The C725 is supplied in a rugged, fitted carrying case with the power supply, line cord and<br />protection sleeve.<br />'),(5895,85,0,983,'Josephson Engineering C725  Dual Diaphragm Hybrid Condenser Microphone'),(5896,85,1,983,'Josephson Engineering C725  Dual Diaphragm Hybrid Condenser Microphone'),(5897,76,0,983,''),(5898,76,1,983,''),(5899,75,0,984,'<h1>Josephson Engineering e22S Side-Address Cardioid Condenser Microphone</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering </span>e22S has become a standard in studios worldwide where precise \nclose-range pickup is needed for drums, acoustic and amplified \ninstruments.<br /><br />The\n Josephson Engineering  e22S side-address cardioid was designed to meet \nthe needs of noted recording engineer Steve Albini. The physical profile\n allows unobtrusive placement, even with tight percussion layouts. \nUnique among studio condenser microphones, the e22S capsule geometry is \noptimized for spot miking performance. The circuit uses a cascode \ndiscrete FET front end, combined with a custom Lundahl output \ntransformer. The electronics were designed to interface easily with \neither transformer or direct coupled mic preamps. The e22S has low \nself-noise, so it delivers low level detail, and handles high sound \npressure levels for minimal distortion on extremely loud passages. The \nmicrophone housing is very rugged, with a precision machined, satin \nblack chrome finish. <br /><br /><i>“The specific need addressed by the e22S\n was drum kit recording, and the mics are used in that capacity nearly \nevery day, but once they were in our hands, they quickly became a \nfavorite mic for many instruments, including acoustic guitar, mandolin, \nbanjo, guitar amplifiers, organ and horns. The e22S is easily the most \nversatile microphone in our cabinet.  <br /><br />“On loud sounds like drums\n and guitar cabinets, the 609 head amplifier delivers a crisp, clear \nsignal that is free of distortion, at a level that doesn\'t require an \nexternal pad.” </i><br /> —Steve Albini<br />'),(5900,75,1,984,'<h1>Josephson Engineering e22S Side-Address Cardioid Condenser Microphone</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Josephson Engineering </span>e22S has become a standard in studios worldwide where precise \nclose-range pickup is needed for drums, acoustic and amplified \ninstruments.<br /><br />The\n Josephson Engineering  e22S side-address cardioid was designed to meet \nthe needs of noted recording engineer Steve Albini. The physical profile\n allows unobtrusive placement, even with tight percussion layouts. \nUnique among studio condenser microphones, the e22S capsule geometry is \noptimized for spot miking performance. The circuit uses a cascode \ndiscrete FET front end, combined with a custom Lundahl output \ntransformer. The electronics were designed to interface easily with \neither transformer or direct coupled mic preamps. The e22S has low \nself-noise, so it delivers low level detail, and handles high sound \npressure levels for minimal distortion on extremely loud passages. The \nmicrophone housing is very rugged, with a precision machined, satin \nblack chrome finish. <br /><br /><i>“The specific need addressed by the e22S\n was drum kit recording, and the mics are used in that capacity nearly \nevery day, but once they were in our hands, they quickly became a \nfavorite mic for many instruments, including acoustic guitar, mandolin, \nbanjo, guitar amplifiers, organ and horns. The e22S is easily the most \nversatile microphone in our cabinet.  <br /><br />“On loud sounds like drums\n and guitar cabinets, the 609 head amplifier delivers a crisp, clear \nsignal that is free of distortion, at a level that doesn\'t require an \nexternal pad.” </i><br /> —Steve Albini<br />'),(5901,85,0,984,'Josephson Engineering e22S Side-Address Cardioid Condenser Microphone'),(5902,85,1,984,'Josephson Engineering e22S Side-Address Cardioid Condenser Microphone'),(5903,76,0,984,''),(5904,76,1,984,''),(5905,75,0,985,'<h2>BH1 Dual Capsule Condenser Microphone</h2>\n\nThe Black Hole Series microphone, which is a truly fantastic vocal mic, is an extremely versatile mic great for every application. Unbelievable clarity, definition, smoothness and feel make the Black Hole the microphone of choice for many top industry professionals.<br><br>\n\nThe Black Hole is handy and compact, with an extremely original aesthetic design. Its features a new damper system and patented variable sputtering diaphragm, with specially mixed alloy coating. Its three polar patterns make the BH1 a very versatile microphone.<br><br>\n\n <h3>BH1 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC2 capsule</li>\n<li>Class A discrete electronics</li>\n<li>0.4% component selection tolerance</li>\n<li>3 polar patterns: cardioid, gure of 8, omni</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included standard shock-mount/stand-holder</li>\n<li>Optional BH|SPK shock-pop kit</li>\n</ul>'),(5906,75,1,985,'<h2>BH1 Dual Capsule Condenser Microphone</h2>\n\nThe Black Hole Series microphone, which is a truly fantastic vocal mic, is an extremely versatile mic great for every application. Unbelievable clarity, definition, smoothness and feel make the Black Hole the microphone of choice for many top industry professionals.<br><br>\n\nThe Black Hole is handy and compact, with an extremely original aesthetic design. Its features a new damper system and patented variable sputtering diaphragm, with specially mixed alloy coating. Its three polar patterns make the BH1 a very versatile microphone.<br><br>\n\n <h3>BH1 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC2 capsule</li>\n<li>Class A discrete electronics</li>\n<li>0.4% component selection tolerance</li>\n<li>3 polar patterns: cardioid, gure of 8, omni</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included standard shock-mount/stand-holder</li>\n<li>Optional BH|SPK shock-pop kit</li>\n</ul>'),(5907,85,0,985,'JZ Black Hole - BH1 Dual Capsule Condenser Microphone'),(5908,85,1,985,'JZ Black Hole - BH1 Dual Capsule Condenser Microphone'),(5909,76,0,985,''),(5910,76,1,985,''),(5911,75,0,986,'<h2>BH1S Dual Capsule Condenser Microphone with -10 & -20db PAD</h2>\n\nThe Black Hole Series microphone, which is a truly fantastic vocal mic, is an extremely versatile mic great for every application. Unbelievable clarity, definition, smoothness and feel make the Black Hole the microphone of choice for many top industry professionals.<br /><br />\n\nThe Black Hole is handy and compact, with an extremely original aesthetic design. Its features a new damper system and patented variable sputtering diaphragm, with specially mixed alloy coating. Its three polar patterns and -10dB and -20dB PAD make the BH1S the most versatile microphone from the JZ product line.<br /><br />\n\n <h3>BH1S Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC2 capsule</li>\n<li>Class A discrete electronics</li>\n<li>0.4% component selection tolerance</li>\n<li>3 polar patterns: cardioid, gure of 8, omni</li>\n<li>-10 and -20dB PAD</li>\n<li>Lifetime warranty</li>\n</ul><br />\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included standard shock-mount/stand-holder</li>\n<li>Optional BH|SPK shock-pop kit</li>\n</ul>'),(5912,75,1,986,'<h2>BH1S Dual Capsule Condenser Microphone with -10 & -20db PAD</h2>\n\nThe Black Hole Series microphone, which is a truly fantastic vocal mic, is an extremely versatile mic great for every application. Unbelievable clarity, definition, smoothness and feel make the Black Hole the microphone of choice for many top industry professionals.<br /><br />\n\nThe Black Hole is handy and compact, with an extremely original aesthetic design. Its features a new damper system and patented variable sputtering diaphragm, with specially mixed alloy coating. Its three polar patterns and -10dB and -20dB PAD make the BH1S the most versatile microphone from the JZ product line.<br /><br />\n\n <h3>BH1S Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC2 capsule</li>\n<li>Class A discrete electronics</li>\n<li>0.4% component selection tolerance</li>\n<li>3 polar patterns: cardioid, gure of 8, omni</li>\n<li>-10 and -20dB PAD</li>\n<li>Lifetime warranty</li>\n</ul><br />\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included standard shock-mount/stand-holder</li>\n<li>Optional BH|SPK shock-pop kit</li>\n</ul>'),(5913,85,0,986,'JZ Black Hole - BH1S Dual Capsule Condenser Microphone'),(5914,85,1,986,'JZ Black Hole - BH1S Dual Capsule Condenser Microphone'),(5915,76,0,986,''),(5916,76,1,986,''),(5917,75,0,987,'<h2>BH2 Fixed Cardioid Condenser Microphone</h2>\n\nThe Black Hole Series microphone, which is a truly fantastic vocal mic, is an extremely versatile mic great for every application. Unbelievable clarity, definition, smoothness and feel make the Black Hole the microphone of choice for many top industry professionals.<br><br>\n\nThe Black Hole is handy and compact, with an extremely original aesthetic design. The BH2 is a fixed cardioid condenser microphone with one large, true electrostatic capsule inside the compact head. It features a new damper system and patented variable sputtering diaphragm, with specially mixed alloy coating.<br><br>\n\n <h3>BH2 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC2 capsule</li>\n<li>Class A discrete electronics</li>\n<li>0.4% component selection tolerance</li>\n<li>Fixed cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included standard shock-mount/stand-holder</li>\n<li>Optional BH|SPK shock-pop kit</li>\n</ul>'),(5918,75,1,987,'<h2>BH2 Fixed Cardioid Condenser Microphone</h2>\n\nThe Black Hole Series microphone, which is a truly fantastic vocal mic, is an extremely versatile mic great for every application. Unbelievable clarity, definition, smoothness and feel make the Black Hole the microphone of choice for many top industry professionals.<br><br>\n\nThe Black Hole is handy and compact, with an extremely original aesthetic design. The BH2 is a fixed cardioid condenser microphone with one large, true electrostatic capsule inside the compact head. It features a new damper system and patented variable sputtering diaphragm, with specially mixed alloy coating.<br><br>\n\n <h3>BH2 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC2 capsule</li>\n<li>Class A discrete electronics</li>\n<li>0.4% component selection tolerance</li>\n<li>Fixed cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included standard shock-mount/stand-holder</li>\n<li>Optional BH|SPK shock-pop kit</li>\n</ul>'),(5919,85,0,987,'JZ Black Hole - BH2 Fixed Cardioid Condenser Microphone'),(5920,85,1,987,'JZ Black Hole - BH2 Fixed Cardioid Condenser Microphone'),(5921,76,0,987,''),(5922,76,1,987,''),(5923,75,0,988,'<h2>BT-201 Studio Condenser Microphone w/Cardioid Head</h2>\n\nBT201|1 is a small diaphragm cardioid condenser microphone, offering optional choice of 3 capsules that satisfy the demands of all common studio and live applications - omni, open cardioid and open cardioid -20db option capsules. Matched pair is available to provide balanced stereo recordings.<br><br>\n\n <h3>BT-201 Features</h3>\n<ul>\n<li>Small diaphragm condenser microphone</li>\n<li>GDC Capsule with 13mm active diaphragm</li>\n<li>1.5 % component selection tolerance</li>\n<li>Class A discrete electronics</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case</li>\n</ul>'),(5924,75,1,988,'<h2>BT-201 Studio Condenser Microphone w/Cardioid Head</h2>\n\nBT201|1 is a small diaphragm cardioid condenser microphone, offering optional choice of 3 capsules that satisfy the demands of all common studio and live applications - omni, open cardioid and open cardioid -20db option capsules. Matched pair is available to provide balanced stereo recordings.<br><br>\n\n <h3>BT-201 Features</h3>\n<ul>\n<li>Small diaphragm condenser microphone</li>\n<li>GDC Capsule with 13mm active diaphragm</li>\n<li>1.5 % component selection tolerance</li>\n<li>Class A discrete electronics</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case</li>\n</ul>'),(5925,85,0,988,'JZ BT-201 Studio Condenser Microphone w/Cardioid Head'),(5926,85,1,988,'JZ BT-201 Studio Condenser Microphone w/Cardioid Head'),(5927,76,0,988,''),(5928,76,1,988,''),(5929,75,0,989,'<h2>BT-201|3 Studio Condenser Microphone w/ 3 capsules</h2>\n\nBT201|3 is a small diaphragm cardioid condenser microphone, including 3 capsules that satisfy the demands of all common studio and live applications - omni, open cardioid and open cardioid -20db option capsules. Matched pair is available to provide balanced stereo recordings.<br><br>\n\n <h3>BT-201 Features</h3>\n<ul>\n<li>Small diaphragm condenser microphone</li>\n<li>GDC Capsule with 13mm active diaphragm</li>\n<li>1.5 % component selection tolerance</li>\n<li>Class A discrete electronics</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case</li>\n</ul>'),(5930,75,1,989,'<h2>BT-201|3 Studio Condenser Microphone w/ 3 capsules</h2>\n\nBT201|3 is a small diaphragm cardioid condenser microphone, including 3 capsules that satisfy the demands of all common studio and live applications - omni, open cardioid and open cardioid -20db option capsules. Matched pair is available to provide balanced stereo recordings.<br><br>\n\n <h3>BT-201 Features</h3>\n<ul>\n<li>Small diaphragm condenser microphone</li>\n<li>GDC Capsule with 13mm active diaphragm</li>\n<li>1.5 % component selection tolerance</li>\n<li>Class A discrete electronics</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case</li>\n</ul>'),(5931,85,0,989,'JZ BT-201|3 Studio Condenser Microphone w/ 3 capsules'),(5932,85,1,989,'JZ BT-201|3 Studio Condenser Microphone w/ 3 capsules'),(5933,76,0,989,''),(5934,76,1,989,''),(5935,75,0,990,'<h2>BT-301 Cardioid Studio Condenser Microphone</h2>\n\nThe JZ BT301 mic is an unusually shaped cardoid, mid-sized capsule microphone which gives great results in almost any application. It is the ideal for strummed string instruments, upright piano, cello, contrabass, violin, hand percussion and similar applications, finding its place any higher end mic locker.\n\nThe JZ BT301 is a perfect microphone for serious acoustic applications. Its GDC3 capsule provides the user with clear, powerful capture of most arco and plucked string instruments, amplified or natural. Its clever body shape ensures minimal rear axis interference to the cardiod polar response<br /><br />\n\n <h3>BT-301 Features</h3>\n<ul>\n<li>Mid-sized diaphragm condenser microphone</li>\n<li>GDC3 Capsule with 21mm active diaphragm</li>\n<li>Class A discrete electronics</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br />\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case</li>\n</ul>'),(5936,75,1,990,'<h2>BT-301 Cardioid Studio Condenser Microphone</h2>\n\nThe JZ BT301 mic is an unusually shaped cardoid, mid-sized capsule microphone which gives great results in almost any application. It is the ideal for strummed string instruments, upright piano, cello, contrabass, violin, hand percussion and similar applications, finding its place any higher end mic locker.\n\nThe JZ BT301 is a perfect microphone for serious acoustic applications. Its GDC3 capsule provides the user with clear, powerful capture of most arco and plucked string instruments, amplified or natural. Its clever body shape ensures minimal rear axis interference to the cardiod polar response<br /><br />\n\n <h3>BT-301 Features</h3>\n<ul>\n<li>Mid-sized diaphragm condenser microphone</li>\n<li>GDC3 Capsule with 21mm active diaphragm</li>\n<li>Class A discrete electronics</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br />\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case</li>\n</ul>'),(5937,85,0,990,'JZ BT-301 Cardioid Studio Condenser Microphone'),(5938,85,1,990,'JZ BT-301 Cardioid Studio Condenser Microphone'),(5939,76,0,990,''),(5940,76,1,990,''),(5941,75,0,991,'<h2>J1 Large Diaphragm Condenser Microphone</h2>\n\nAfter the huge success of Vintage V11 microphone, JZ Microphones decided to expand its product range with a budget-friendly series named simply – J, its first product being the J1. Although targeted to more budget oriented bedroom studios, the J1 is still completely handcrafted in Latvia, EU under the supervision of Juris Zarins. The J1 features a simple, yet elegant design and the set includes a shockmount. A Wire mesh grill covers the JZ Microphones patented Golden Drop technology capsule with a 21mm active diaphragm. Whether you\'re in a home studio or need a budget-friendly mic to travel with, the J1 will give you great sound, reliability, and craftsmanship at an affordable price.<br><br>\n\n <h3>J1 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC Capsule with 21mm active diaphragm</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included shockmount</li>\n</ul>'),(5942,75,1,991,'<h2>J1 Large Diaphragm Condenser Microphone</h2>\n\nAfter the huge success of Vintage V11 microphone, JZ Microphones decided to expand its product range with a budget-friendly series named simply – J, its first product being the J1. Although targeted to more budget oriented bedroom studios, the J1 is still completely handcrafted in Latvia, EU under the supervision of Juris Zarins. The J1 features a simple, yet elegant design and the set includes a shockmount. A Wire mesh grill covers the JZ Microphones patented Golden Drop technology capsule with a 21mm active diaphragm. Whether you\'re in a home studio or need a budget-friendly mic to travel with, the J1 will give you great sound, reliability, and craftsmanship at an affordable price.<br><br>\n\n <h3>J1 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC Capsule with 21mm active diaphragm</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included shockmount</li>\n</ul>'),(5943,85,0,991,'JZ J1 Large Diaphragm Condenser Microphone'),(5944,85,1,991,'JZ J1 Large Diaphragm Condenser Microphone'),(5945,76,0,991,''),(5946,76,1,991,''),(5947,75,0,992,'<h1>JZ Microphones Pop Filter</h1>\nJZ|PF is universal pop filter for use with any microphone.  JZ|PF specific industrial design keeps the frequencies  unaffected. The compact shape and unique waveform  of the mesh reduces unwanted reverberations, and kills the  pops and blows eff­ectively like no other pop filter on the market  for the price.\n<br /><br />JZ|PF has 45 cm gooseneck for easy positioning and  ergonomic attachment that allows you to attach the pop filter to a mic stand  fast and easily.'),(5948,75,1,992,'<h1>JZ Microphones Pop Filter</h1>\nJZ|PF is universal pop filter for use with any microphone.  JZ|PF specific industrial design keeps the frequencies  unaffected. The compact shape and unique waveform  of the mesh reduces unwanted reverberations, and kills the  pops and blows eff­ectively like no other pop filter on the market  for the price.\n<br /><br />JZ|PF has 45 cm gooseneck for easy positioning and  ergonomic attachment that allows you to attach the pop filter to a mic stand  fast and easily.'),(5949,85,0,992,'JZ Microphones Pop Filter, pop screen, pop blocker, pop stopper'),(5950,85,1,992,'JZ Microphones Pop Filter, pop screen, pop blocker, pop stopper'),(5951,76,0,992,''),(5952,76,1,992,''),(5953,75,0,993,'<h2>Vintage 11 Large Diaphragm Condenser Microphone</h2>\n\nThe V11 is a turning point for the praised Vintage series. It features an absolutely new microphone design that follows the JZ traditions and qualities, but unlike other Vintage series mics, it is not a version or replica of a classic and legendary microphone like the U47, U67 or C12. The number 11 stands for 2011, as reference year when this instant-classic was created. The Vintage 11 is designed for everyone who loves recording in the highest quality possible but on a budget-friendly price<br><br>\n\n <h3>Vintage 11 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC11 Capsule</li>\n<li>Class A discrete electronics</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included adjustable swivel-mount</li>\n</ul>'),(5954,75,1,993,'<h2>Vintage 11 Large Diaphragm Condenser Microphone</h2>\n\nThe V11 is a turning point for the praised Vintage series. It features an absolutely new microphone design that follows the JZ traditions and qualities, but unlike other Vintage series mics, it is not a version or replica of a classic and legendary microphone like the U47, U67 or C12. The number 11 stands for 2011, as reference year when this instant-classic was created. The Vintage 11 is designed for everyone who loves recording in the highest quality possible but on a budget-friendly price<br><br>\n\n <h3>Vintage 11 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC11 Capsule</li>\n<li>Class A discrete electronics</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included adjustable swivel-mount</li>\n</ul>'),(5955,85,0,993,'JZ Vintage 11 Large Diaphragm Condenser Microphone'),(5956,85,1,993,'JZ Vintage 11 Large Diaphragm Condenser Microphone'),(5957,76,0,993,''),(5958,76,1,993,''),(5959,75,0,994,'<h2>Vintage 12 Large Diaphragm Condenser Microphone</h2>\n\nThe AKG C12 is considered one of the best tube condenser microphones ever, it has been an inspiration for many other manufacturers and its CK12 capsule is still one the best microphone capsules ever built. JZ Microphones now offers their version of the C12 - the new Vintage 12.  Following the success of V47 & V67, JZ Microphones have adopted the best qualities of the C12 and added their signature sound by using Golden Drop Technology for their GDC12 capsule and replacing tubes with modern transistors. The Vintage 12 still has the same signature design as the other Vintage series mics, the inner shock-mounting system, adjustable swivel mount and two layer mesh.<br><br>\n\nEvery Vintage series microphones beautifully captures both male and female vocals, acoustic instruments, electric guitars, bass drum, and drum overheads, they are also great as room mics etc. The Vintage 12 microphone is perfectly suited for every application where C12 mics are used.<br><br>\n\n <h3>Vintage 12 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC12 Capsule</li>\n<li>Class A discrete electronics</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included adjustable swivel-mount</li>\n</ul>'),(5960,75,1,994,'<h2>Vintage 12 Large Diaphragm Condenser Microphone</h2>\n\nThe AKG C12 is considered one of the best tube condenser microphones ever, it has been an inspiration for many other manufacturers and its CK12 capsule is still one the best microphone capsules ever built. JZ Microphones now offers their version of the C12 - the new Vintage 12.  Following the success of V47 & V67, JZ Microphones have adopted the best qualities of the C12 and added their signature sound by using Golden Drop Technology for their GDC12 capsule and replacing tubes with modern transistors. The Vintage 12 still has the same signature design as the other Vintage series mics, the inner shock-mounting system, adjustable swivel mount and two layer mesh.<br><br>\n\nEvery Vintage series microphones beautifully captures both male and female vocals, acoustic instruments, electric guitars, bass drum, and drum overheads, they are also great as room mics etc. The Vintage 12 microphone is perfectly suited for every application where C12 mics are used.<br><br>\n\n <h3>Vintage 12 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC12 Capsule</li>\n<li>Class A discrete electronics</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included adjustable swivel-mount</li>\n</ul>'),(5961,85,0,994,'JZ Vintage 12 Large Diaphragm Condenser Microphone'),(5962,85,1,994,'JZ Vintage 12 Large Diaphragm Condenser Microphone'),(5963,76,0,994,''),(5964,76,1,994,''),(5965,75,0,995,'<h2>Vintage 47 Large Diaphragm Condenser Microphone</h2>\n\nThe U 47 is still considered to be one of the finest microphones ever made, so JZ Microphones decided to create their own version. With some added ideas & improvements they came up with the JZ Vintage 47 series microphone. The heart of the Vintage 47 microphone is Golden Drop 47 Capsule (GDC47). This mic comes equipped with an innovative inner shock-mounting system and adjustable swivel mount. The Vintage 47 is a handcrafted and tested microphone that has the perfect functionality and feel of the legendary U 47 at an amazing price point and availability.<br><br>\n\nEvery Vintage series microphones beautifully captures both male and female vocals, acoustic instruments, electric guitars, bass drum, and drum overheads, they are also great as room mics etc. Vintage 47 and 67 microphones perfectly suit every application where U47 and U67 type mics are used.<br><br>\n\n <h3>Vintage 47 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC47 Capsule</li>\n<li>Class A discrete electronics</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included adjustable swivel-mount</li>\n</ul>'),(5966,75,1,995,'<h2>Vintage 47 Large Diaphragm Condenser Microphone</h2>\n\nThe U 47 is still considered to be one of the finest microphones ever made, so JZ Microphones decided to create their own version. With some added ideas & improvements they came up with the JZ Vintage 47 series microphone. The heart of the Vintage 47 microphone is Golden Drop 47 Capsule (GDC47). This mic comes equipped with an innovative inner shock-mounting system and adjustable swivel mount. The Vintage 47 is a handcrafted and tested microphone that has the perfect functionality and feel of the legendary U 47 at an amazing price point and availability.<br><br>\n\nEvery Vintage series microphones beautifully captures both male and female vocals, acoustic instruments, electric guitars, bass drum, and drum overheads, they are also great as room mics etc. Vintage 47 and 67 microphones perfectly suit every application where U47 and U67 type mics are used.<br><br>\n\n <h3>Vintage 47 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC47 Capsule</li>\n<li>Class A discrete electronics</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included adjustable swivel-mount</li>\n</ul>'),(5967,85,0,995,'JZ Vintage 47 Large Diaphragm Condenser Microphone'),(5968,85,1,995,'JZ Vintage 47 Large Diaphragm Condenser Microphone'),(5969,76,0,995,''),(5970,76,1,995,''),(5971,75,0,996,'<h2>Vintage 67 Large Diaphragm Condenser Microphone</h2>\n\nThe U 67 is still considered to be one of the finest microphones ever made, so JZ Microphones decided to create their own version. With some added ideas & improvements they came up with the JZ Vintage 67 series microphone. The heart of the Vintage 67 microphone is Golden Drop 67 Capsule (GDC67). This mic comes equipped with an innovative inner shock-mounting system and adjustable swivel mount. The Vintage 67 is a handcrafted and tested microphone that has the perfect functionality and feel of the legendary U 67 at an amazing price point and availability.<br><br>\n\nEvery Vintage series microphones beautifully captures both male and female vocals, acoustic instruments, electric guitars, bass drum, and drum overheads, they are also great as room mics etc. Vintage 47 and 67 microphones perfectly suit every application where U47 and U67 type mics are used.<br><br>\n\n <h3>Vintage 67 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC67 Capsule</li>\n<li>Class A discrete electronics</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included adjustable swivel-mount</li>\n</ul>'),(5972,75,1,996,'<h2>Vintage 67 Large Diaphragm Condenser Microphone</h2>\n\nThe U 67 is still considered to be one of the finest microphones ever made, so JZ Microphones decided to create their own version. With some added ideas & improvements they came up with the JZ Vintage 67 series microphone. The heart of the Vintage 67 microphone is Golden Drop 67 Capsule (GDC67). This mic comes equipped with an innovative inner shock-mounting system and adjustable swivel mount. The Vintage 67 is a handcrafted and tested microphone that has the perfect functionality and feel of the legendary U 67 at an amazing price point and availability.<br><br>\n\nEvery Vintage series microphones beautifully captures both male and female vocals, acoustic instruments, electric guitars, bass drum, and drum overheads, they are also great as room mics etc. Vintage 47 and 67 microphones perfectly suit every application where U47 and U67 type mics are used.<br><br>\n\n <h3>Vintage 67 Features</h3>\n<ul>\n<li>Large diaphragm condenser microphone</li>\n<li>GDC67 Capsule</li>\n<li>Class A discrete electronics</li>\n<li>1.5 % component selection tolerance</li>\n<li>Cardioid polar pattern</li>\n<li>5 Year warranty</li>\n</ul><br>\n<h3>Accessories</h3>\n<ul>\n<li>Included handcrafted wooden case </li>\n<li>Included adjustable swivel-mount</li>\n</ul>'),(5973,85,0,996,'JZ Vintage 67 Large Diaphragm Condenser Microphone'),(5974,85,1,996,'JZ Vintage 67 Large Diaphragm Condenser Microphone'),(5975,76,0,996,''),(5976,76,1,996,''),(5977,75,0,997,'<h1>Kemper Profiler Powerhead - Guitar Amp Head and Effects Processor </h1>\n<i>The leading-edge digital guitar amplifier and all-in-one effects processor.</i><br /><br />\nThe Kemper Profiler PowerHead adds a built in 600 Watt power amp to the Kemper Profiler concept and turns the former recording solution into the most versatile guitar amplification system ever. Utilizing the Kemper CabDriver mode, guitarists now have the choice of playing through regular guitar cabinets or full range monitor systems. This makes the Kemper Profiler PowerHead the complete solution for the studio, the rehearsal room and the stage.\n<br /><br />\nThe 600 Watts Class D amplifier is carefully selected for the guitar amplification system to guarantee utmost performance. After extensive listening tests, a lot of measuring and looking thoroughly at the typical sonic behavior of power amps for guitar amplification on the market it became clear that only the best components are capable of delivering impressive results.\n<br /><br />\nThe Amplifier delivers 600 Watts at 8 Ohm, 300 Watts at 16 Ohm, does not heat up (temperature can be monitored on display) and is lightweight. The size of the Kemper Profiler remains exactly the same, the backside is completely covered now.\n<br /><br />\n\n<h3>Kemper Profiler</h3>Hailed as a game-changer by guitarists the world over, the PROFILER™ is the first digital guitar amp to really nail the full and dynamic sound of a guitar or bass amp. This is made possible by a radical, patented technology and concept which we call \"PROFILING™\".\n<br /><br />\nFor decades, the electric guitarist has been shackled to the tube amplifier as the only means of achieving \"that sound\". This magical combination is by no means ideal - the challenge to achieve a consistent sound from the practice room to the studio, and especially to the stage, continues to frustrate guitarists, just as it has since the early 1940s.<br /><br />\n<h3>The Best Amp Tones in the World</h3>\nFeel like you don\'t have any tube amps worth PROFILING? No problem!\nThe PROFILER ships with hundreds of amps and Rigs pre-installed, created by professional musicians and engineers from some of the world’s top studios. In addition, you can access and explore another couple hundred Rigs that come bundled in our free Rig Manager software. This premier selection of factory Rigs grants you access to the rarest and finest amps on the planet.\n<br /><br />\nWe are constantly refining, updating and extending our free-to-use libraries by fine-tuning the existing catalog and by adding brand new, licensed content. Our goal is to allow our users to explore the full spectrum of guitar culture and heritage, which is why we have strived to create the widest range of PROFILEs in every possible genre.\n<br /><br />\n<span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3><span>The Kemper Profiler is a must-have for guitar player who are serious about their tone. </span>Call or chat with\n a RSPE representative today for more information.\n</h3>\n</span></span></span>'),(5978,75,1,997,'<h1>Kemper Profiler Powerhead - Guitar Amp Head and Effects Processor </h1>\n<i>The leading-edge digital guitar amplifier and all-in-one effects processor.</i><br /><br />\nThe Kemper Profiler PowerHead adds a built in 600 Watt power amp to the Kemper Profiler concept and turns the former recording solution into the most versatile guitar amplification system ever. Utilizing the Kemper CabDriver mode, guitarists now have the choice of playing through regular guitar cabinets or full range monitor systems. This makes the Kemper Profiler PowerHead the complete solution for the studio, the rehearsal room and the stage.\n<br /><br />\nThe 600 Watts Class D amplifier is carefully selected for the guitar amplification system to guarantee utmost performance. After extensive listening tests, a lot of measuring and looking thoroughly at the typical sonic behavior of power amps for guitar amplification on the market it became clear that only the best components are capable of delivering impressive results.\n<br /><br />\nThe Amplifier delivers 600 Watts at 8 Ohm, 300 Watts at 16 Ohm, does not heat up (temperature can be monitored on display) and is lightweight. The size of the Kemper Profiler remains exactly the same, the backside is completely covered now.\n<br /><br />\n\n<h3>Kemper Profiler</h3>Hailed as a game-changer by guitarists the world over, the PROFILER™ is the first digital guitar amp to really nail the full and dynamic sound of a guitar or bass amp. This is made possible by a radical, patented technology and concept which we call \"PROFILING™\".\n<br /><br />\nFor decades, the electric guitarist has been shackled to the tube amplifier as the only means of achieving \"that sound\". This magical combination is by no means ideal - the challenge to achieve a consistent sound from the practice room to the studio, and especially to the stage, continues to frustrate guitarists, just as it has since the early 1940s.<br /><br />\n<h3>The Best Amp Tones in the World</h3>\nFeel like you don\'t have any tube amps worth PROFILING? No problem!\nThe PROFILER ships with hundreds of amps and Rigs pre-installed, created by professional musicians and engineers from some of the world’s top studios. In addition, you can access and explore another couple hundred Rigs that come bundled in our free Rig Manager software. This premier selection of factory Rigs grants you access to the rarest and finest amps on the planet.\n<br /><br />\nWe are constantly refining, updating and extending our free-to-use libraries by fine-tuning the existing catalog and by adding brand new, licensed content. Our goal is to allow our users to explore the full spectrum of guitar culture and heritage, which is why we have strived to create the widest range of PROFILEs in every possible genre.\n<br /><br />\n<span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3><span>The Kemper Profiler is a must-have for guitar player who are serious about their tone. </span>Call or chat with\n a RSPE representative today for more information.\n</h3>\n</span></span></span>'),(5979,85,0,997,'Kemper Profiler Powerhead - Guitar Amp Head and Effects Processor'),(5980,85,1,997,'Kemper Profiler Powerhead - Guitar Amp Head and Effects Processor'),(5981,76,0,997,''),(5982,76,1,997,''),(5983,75,0,998,'<h2>Kii THREE Pro DSP Studio Monitor - (Pair)</h2>\n<i>Kii breaks the sonic mold for compact studio monitors by combining drive units on the front, rear, and sides with a 4 way DSP crossover and filter.</i><br /><br />The Kii THREE contains six \nchannels of DSP, D/A conversion and power amplification. Few companies \ncould pull off such a densely packed design with truly world class \nperformance electronics. But then again, few active speakers are \ndesigned by people who have previously turned high end power \namplification and digital conversion around.\n<br /><br />Each side panel of \nthe THREE holds a 3x250W power amplifier board, designed by Bruno \nPutzeys using the latest iteration of the Ncore class D technology which\n he invented for Hypex. Unique to the implementation used in the Kii \nTHREE is a combined voltage/current control loop that goes beyond merely\n a better amp – it actively improves the distortion performance of the \ndrive units which contributes significantly to the extreme resolution of\n the speaker.\n<br /><br />Naturally, this means that the performance of the \nAD/DA conversion has to match that of the amps. This task fell to Bart \nvan der Laan who has a long track record designing DSP and converter \nboards for high-end professional audio equipment. Kii Audio’s \nimplementation is a runaway success: a complete pass through the AD/DA \ncircuitry of the THREE’s signal processing board is entirely inaudible, a\n feat not duplicated by the most expensive audiophile standalone units.\n<br /><br />Alongside\n the Active Wave Focusing filters the DSP is responsible for keeping the\n drive units within their safe operating range by gently adapting the \nfilters instead of brutally limiting the signal, allowing the THREE to \nplay significantly louder and cleaner than much bigger traditional \ndesigns.\n<br /><br />On the input side there is a choice of analogue, digital\n inputs. All digital inputs are up-sampled and reclocked using Kii’s own\n jitter rejection algorithm that guarantees actual “bits is bits” audio \nperformance for any digital source.\n<br /><br />The electronics package alone\n sets a milestone. What it does in concert with the unique acoustic \ndesign defies imagination. You have to hear it to realize the magnitude \nof the revolution the Kii THREE represents.\n<br /><br />Kii’s mission for the THREE was to break the sonic mould of compact \nspeakers. Powerful small speakers with deep bass have been around for a \nwhile now but none so far sounded like a big speaker. The THREE is built\n to fix that.<br />\n<p>\n	Basic acoustics tells us that a classic box speaker only directs \nsound towards the listeners from the midrange up while bass frequencies \nare radiated all around. The frequency where this change happens depends\n on the size of the box front (the “baffle”). The smaller the baffle, \nthe higher the frequency at which bass is still radiated all around \ninstead of directed towards the listener.\n</p>\n<p>\n	That in short is why big speakers have so far delivered much more \nprecise timing and detail in the bass and low mids than small speakers: \nthe room gets less chance to interfere. And that is what Kii has now \nmanaged to make a compact speaker do.\n</p>\n<br />\n<h3>Kii THREE unique features:</h3>\n<ul>\n	<li><span style=\"font-size: 12px;\"><strong><span style=\"font-size: 16px;\">XLR Input</span></strong><span style=\"font-size: 16px;\"> - this can provide either analog or digital Input depending how the select switch is set</span></span></li>\n	<li><span style=\"font-size: 16px;\"><span style=\"font-size: 12px;\"><strong><inline style=\"font-size: 16px;\">Select switch</span></strong><span style=\"font-size: 16px;\"> (3 positions) - chooses between AES left channel / Analog / AES right channel Input</span></span></inline></li>\n	<li><b>KiiLink Digital Thru on CAT5</b> - used to connect the two speakers when using a single AES Input<br /><span style=\"font-size: 16px;\"><inline style=\"font-size: 16px;\"><strong><inline style=\"font-size: 16px;\"></span></strong></inline></inline></li>\n	<li><span style=\"font-size: 16px;\"><inline style=\"font-size: 16px;\"><span style=\"font-size: 12px;\"><strong><inline style=\"font-size: 16px;\">KiiLink Digital Input on CAT5</span></strong><span style=\"font-size: 16px;\"> - used to connect the two speakers & future Kii products</span></span></inline></inline></li>\n	<li><span style=\"font-size: 16px;\"><inline style=\"font-size: 16px;\"><span style=\"font-size: 12px;\"><inline style=\"font-size: 16px;\"><strong>Boundary switch</strong> - can be set to 16 positions between free / wall / corner to optimize setup</span></span></inline></inline></li>\n	<li><span style=\"font-size: 16px;\"><span style=\"font-size: 12px;\"><inline style=\"font-size: 16px;\"><strong>Contour switch</strong> - provides flat setting + 14 different preset EQ curves to match the listeners taste</span></span></inline></li>\n	<li><span style=\"font-size: 12px;\"><span style=\"font-size: 16px;\"><strong>Mains Power Connector</strong> - plug in your power cable and go, the Kii Three has no power switch</span></span></li>\n</ul>\n<br />\n<h3>The Active Wave Focusing Solution</h3>\n<p>\n	A loop hole in acoustics says that small directive speakers are \npossible - if you have enough drivers and you feed them the exact right \nsignal. The THREE has a total of 6 (six) ways, front, side and rear, \nworking together to throw the sound in one direction only without \nrelying on a baffle. The THREE’s ability to direct bass is comparable \nto, but much better controlled than that of a traditional speaker \nseveral meters wide.\n</p>\n<p style=\"text-align: left;\">\n</p>\n<h3>What do Active Wave Focusing filters do?</h3>\n<p>\n	Active Wave Focusing filters mark a complete departure from the \nclassical crossover filter. Instead of just splitting the spectrum into \nbands, it forces the specially positioned drive units to create a \ncompletely coherent wave front that is only emitted forward and behaves \nas though all of it came from the midrange driver.\n</p>\n<p>\n	With classical crossover filters, loudspeakers can only have a time \naligned impulse response on the main axis. The animations on the right \nshow the wave front as it’s built up by a typical modern three-way \nspeaker with side-firing woofers. This example is crossed over at 250Hz,\n time aligned and phase equalized. Indeed the wave traveling towards \nthe listener is coherent. Towards the sides and the rear the picture \nbreaks down and the impulse is completely smeared. Also, low frequencies\n get emitted in all directions. In a real room (bottom animation) the \nsound that escapes toward the back will strike the wall behind the \nspeaker and reflect towards the listener, who actually hears the speaker\n twice: once from the front and a bit later from the rear. Moving the \nspeaker out into the room doesn\'t help. The overall bass balance looks \nbetter but the impulse response gets worse as the reflection now comes \neven later.\n</p>\n<p>\n	The animations on the right show how the Active Wave Focusing method \nretains full time alignment all around the speaker and how the presence \nof the rear wall has no impact. Sonically, the effect is a very even, \nunusually detailed bass. Even in problematic rooms, a drum kick has that\n visceral thud that previously only very big or in-wall speakers could \nachieve.\n</p>\n<br />\n<h3>The Kii THREE was designed with the acoustical challenges of todays\n studio setups in mind. For more information, call or chat with an RSPE \nrepresentative today. \n</h3>\n<br />'),(5984,75,1,998,'<h2>Kii THREE Pro DSP Studio Monitor - (Pair)</h2>\n<i>Kii breaks the sonic mold for compact studio monitors by combining drive units on the front, rear, and sides with a 4 way DSP crossover and filter.</i><br /><br />The Kii THREE contains six \nchannels of DSP, D/A conversion and power amplification. Few companies \ncould pull off such a densely packed design with truly world class \nperformance electronics. But then again, few active speakers are \ndesigned by people who have previously turned high end power \namplification and digital conversion around.\n<br /><br />Each side panel of \nthe THREE holds a 3x250W power amplifier board, designed by Bruno \nPutzeys using the latest iteration of the Ncore class D technology which\n he invented for Hypex. Unique to the implementation used in the Kii \nTHREE is a combined voltage/current control loop that goes beyond merely\n a better amp – it actively improves the distortion performance of the \ndrive units which contributes significantly to the extreme resolution of\n the speaker.\n<br /><br />Naturally, this means that the performance of the \nAD/DA conversion has to match that of the amps. This task fell to Bart \nvan der Laan who has a long track record designing DSP and converter \nboards for high-end professional audio equipment. Kii Audio’s \nimplementation is a runaway success: a complete pass through the AD/DA \ncircuitry of the THREE’s signal processing board is entirely inaudible, a\n feat not duplicated by the most expensive audiophile standalone units.\n<br /><br />Alongside\n the Active Wave Focusing filters the DSP is responsible for keeping the\n drive units within their safe operating range by gently adapting the \nfilters instead of brutally limiting the signal, allowing the THREE to \nplay significantly louder and cleaner than much bigger traditional \ndesigns.\n<br /><br />On the input side there is a choice of analogue, digital\n inputs. All digital inputs are up-sampled and reclocked using Kii’s own\n jitter rejection algorithm that guarantees actual “bits is bits” audio \nperformance for any digital source.\n<br /><br />The electronics package alone\n sets a milestone. What it does in concert with the unique acoustic \ndesign defies imagination. You have to hear it to realize the magnitude \nof the revolution the Kii THREE represents.\n<br /><br />Kii’s mission for the THREE was to break the sonic mould of compact \nspeakers. Powerful small speakers with deep bass have been around for a \nwhile now but none so far sounded like a big speaker. The THREE is built\n to fix that.<br />\n<p>\n	Basic acoustics tells us that a classic box speaker only directs \nsound towards the listeners from the midrange up while bass frequencies \nare radiated all around. The frequency where this change happens depends\n on the size of the box front (the “baffle”). The smaller the baffle, \nthe higher the frequency at which bass is still radiated all around \ninstead of directed towards the listener.\n</p>\n<p>\n	That in short is why big speakers have so far delivered much more \nprecise timing and detail in the bass and low mids than small speakers: \nthe room gets less chance to interfere. And that is what Kii has now \nmanaged to make a compact speaker do.\n</p>\n<br />\n<h3>Kii THREE unique features:</h3>\n<ul>\n	<li><span style=\"font-size: 12px;\"><strong><span style=\"font-size: 16px;\">XLR Input</span></strong><span style=\"font-size: 16px;\"> - this can provide either analog or digital Input depending how the select switch is set</span></span></li>\n	<li><span style=\"font-size: 16px;\"><span style=\"font-size: 12px;\"><strong><inline style=\"font-size: 16px;\">Select switch</span></strong><span style=\"font-size: 16px;\"> (3 positions) - chooses between AES left channel / Analog / AES right channel Input</span></span></inline></li>\n	<li><b>KiiLink Digital Thru on CAT5</b> - used to connect the two speakers when using a single AES Input<br /><span style=\"font-size: 16px;\"><inline style=\"font-size: 16px;\"><strong><inline style=\"font-size: 16px;\"></span></strong></inline></inline></li>\n	<li><span style=\"font-size: 16px;\"><inline style=\"font-size: 16px;\"><span style=\"font-size: 12px;\"><strong><inline style=\"font-size: 16px;\">KiiLink Digital Input on CAT5</span></strong><span style=\"font-size: 16px;\"> - used to connect the two speakers & future Kii products</span></span></inline></inline></li>\n	<li><span style=\"font-size: 16px;\"><inline style=\"font-size: 16px;\"><span style=\"font-size: 12px;\"><inline style=\"font-size: 16px;\"><strong>Boundary switch</strong> - can be set to 16 positions between free / wall / corner to optimize setup</span></span></inline></inline></li>\n	<li><span style=\"font-size: 16px;\"><span style=\"font-size: 12px;\"><inline style=\"font-size: 16px;\"><strong>Contour switch</strong> - provides flat setting + 14 different preset EQ curves to match the listeners taste</span></span></inline></li>\n	<li><span style=\"font-size: 12px;\"><span style=\"font-size: 16px;\"><strong>Mains Power Connector</strong> - plug in your power cable and go, the Kii Three has no power switch</span></span></li>\n</ul>\n<br />\n<h3>The Active Wave Focusing Solution</h3>\n<p>\n	A loop hole in acoustics says that small directive speakers are \npossible - if you have enough drivers and you feed them the exact right \nsignal. The THREE has a total of 6 (six) ways, front, side and rear, \nworking together to throw the sound in one direction only without \nrelying on a baffle. The THREE’s ability to direct bass is comparable \nto, but much better controlled than that of a traditional speaker \nseveral meters wide.\n</p>\n<p style=\"text-align: left;\">\n</p>\n<h3>What do Active Wave Focusing filters do?</h3>\n<p>\n	Active Wave Focusing filters mark a complete departure from the \nclassical crossover filter. Instead of just splitting the spectrum into \nbands, it forces the specially positioned drive units to create a \ncompletely coherent wave front that is only emitted forward and behaves \nas though all of it came from the midrange driver.\n</p>\n<p>\n	With classical crossover filters, loudspeakers can only have a time \naligned impulse response on the main axis. The animations on the right \nshow the wave front as it’s built up by a typical modern three-way \nspeaker with side-firing woofers. This example is crossed over at 250Hz,\n time aligned and phase equalized. Indeed the wave traveling towards \nthe listener is coherent. Towards the sides and the rear the picture \nbreaks down and the impulse is completely smeared. Also, low frequencies\n get emitted in all directions. In a real room (bottom animation) the \nsound that escapes toward the back will strike the wall behind the \nspeaker and reflect towards the listener, who actually hears the speaker\n twice: once from the front and a bit later from the rear. Moving the \nspeaker out into the room doesn\'t help. The overall bass balance looks \nbetter but the impulse response gets worse as the reflection now comes \neven later.\n</p>\n<p>\n	The animations on the right show how the Active Wave Focusing method \nretains full time alignment all around the speaker and how the presence \nof the rear wall has no impact. Sonically, the effect is a very even, \nunusually detailed bass. Even in problematic rooms, a drum kick has that\n visceral thud that previously only very big or in-wall speakers could \nachieve.\n</p>\n<br />\n<h3>The Kii THREE was designed with the acoustical challenges of todays\n studio setups in mind. For more information, call or chat with an RSPE \nrepresentative today. \n</h3>\n<br />'),(5985,85,0,998,''),(5986,85,1,998,''),(5987,76,0,998,''),(5988,76,1,998,''),(5989,75,0,999,'<h1>Krotos Audio Dehumaniser Simple Monsters</h1>\n<i><span style=\"font-size: 16px;\">5 powerful vocal processing parameters allow you to create astonishing creature sounds in seconds, using your voice.</span></i><br /><br /> Dehumaniser Simple Monsters is a powerful vocal processing tool perfect for a range of vocal effects, from monsters to robots and many more. Using Dehumaniser 2’s engine, Krotos have distilled its many parameters down to five main monster voice elements, offering incredible flexibility while streamlining your voice effects creation workflow. These five elements, controlled with sliders, interact and influence each other dynamically. Set the overall feel with the size, age and character parameters while using wildness and fury to shape your monster’s personality.<br /><br />Perfect for audio professionals, students or anyone looking for advanced sound design at great value, this versatile tool makes a strong addition to any post-production project. The plugin’s simplicity and integration with TouchOSC makes it quickly adaptable to live environments as well, such as voiceover sessions, theatre performances or Halloween attractions.<br /><br />\n<h3>Dehumaniser Simple Monsters Features</h3>\n<h4>Exciting new parameters and choice of interface</h4>\n<ul>\n	<li><span style=\"background-color: initial;\">5 dynamic parameters and a sample scrubbing function allow you to quickly and easily design sounds for any sort of monster</span></li>\n	<li>Pick between a slider layout or X/Y Pads interface</li>\n	<li>Assign elements to each axis to explore the processing differently, coaxing unpredictable results from the plugin, or maximize responsiveness during performance</li>\n</ul><br />\n<h4>Wireless Control with the TouchOSC remote</h4>\n<ul style=\"\">\n	<li>Free yourself from the confines of your desk with our new TouchOSC integration for iOS – a modular OSC and MIDI control surface for an iPad</li><li>Work from inside the booth, the comfort of a sofa or wherever inspiration strikes you – all that’s needed is a local Wi-Fi connection</li><li>Use our template or design your own using our integrated OSC commands (TouchOSC license not included. Must be purchased from Apple App Store or Google Play store)</li>\n</ul><br />\n<h4>Presets to get you started</h4>\n<ul style=\"\">\n	<li>Organized into ‘Dialogue’, ‘Sci-fi’ and ‘Growls and Roars’ libraries, our presets were built with your creative needs in mind</li><li>Whether you’re making a gremlin or a god, our presets are designed to provide inspiration and cut setup time out of your workflow</li>\n</ul>\n<br />\n<h3>Dehumaniser Simple Monsters takes five parameters from Dehumanizer\'s engine to create an affordable and simple, yet powerful vocal processing tool.  Call or chat online with an RSPE representative to learn more.</h3>'),(5990,75,1,999,'<h1>Krotos Audio Dehumaniser Simple Monsters</h1>\n<i><span style=\"font-size: 16px;\">5 powerful vocal processing parameters allow you to create astonishing creature sounds in seconds, using your voice.</span></i><br /><br /> Dehumaniser Simple Monsters is a powerful vocal processing tool perfect for a range of vocal effects, from monsters to robots and many more. Using Dehumaniser 2’s engine, Krotos have distilled its many parameters down to five main monster voice elements, offering incredible flexibility while streamlining your voice effects creation workflow. These five elements, controlled with sliders, interact and influence each other dynamically. Set the overall feel with the size, age and character parameters while using wildness and fury to shape your monster’s personality.<br /><br />Perfect for audio professionals, students or anyone looking for advanced sound design at great value, this versatile tool makes a strong addition to any post-production project. The plugin’s simplicity and integration with TouchOSC makes it quickly adaptable to live environments as well, such as voiceover sessions, theatre performances or Halloween attractions.<br /><br />\n<h3>Dehumaniser Simple Monsters Features</h3>\n<h4>Exciting new parameters and choice of interface</h4>\n<ul>\n	<li><span style=\"background-color: initial;\">5 dynamic parameters and a sample scrubbing function allow you to quickly and easily design sounds for any sort of monster</span></li>\n	<li>Pick between a slider layout or X/Y Pads interface</li>\n	<li>Assign elements to each axis to explore the processing differently, coaxing unpredictable results from the plugin, or maximize responsiveness during performance</li>\n</ul><br />\n<h4>Wireless Control with the TouchOSC remote</h4>\n<ul style=\"\">\n	<li>Free yourself from the confines of your desk with our new TouchOSC integration for iOS – a modular OSC and MIDI control surface for an iPad</li><li>Work from inside the booth, the comfort of a sofa or wherever inspiration strikes you – all that’s needed is a local Wi-Fi connection</li><li>Use our template or design your own using our integrated OSC commands (TouchOSC license not included. Must be purchased from Apple App Store or Google Play store)</li>\n</ul><br />\n<h4>Presets to get you started</h4>\n<ul style=\"\">\n	<li>Organized into ‘Dialogue’, ‘Sci-fi’ and ‘Growls and Roars’ libraries, our presets were built with your creative needs in mind</li><li>Whether you’re making a gremlin or a god, our presets are designed to provide inspiration and cut setup time out of your workflow</li>\n</ul>\n<br />\n<h3>Dehumaniser Simple Monsters takes five parameters from Dehumanizer\'s engine to create an affordable and simple, yet powerful vocal processing tool.  Call or chat online with an RSPE representative to learn more.</h3>'),(5991,85,0,999,'Krotos Audio Dehumaniser Simple Monsters'),(5992,85,1,999,'Krotos Audio Dehumaniser Simple Monsters'),(5993,76,0,999,''),(5994,76,1,999,''),(5995,75,0,1000,'<h2>Krotos Audio Dehumaniser II</h2><i><span style=\"font-size: 16px;\">Connect a microphone to your sound interface or use your computer’s built-in microphone to create astonishing creature sounds in seconds, using your voice.</span></i><br /><br />Dehumaniser II’s sound engine has been completely redesigned, with improved algorithms and optimisation for DAWs. It also includes new effects like Flanger Chorus and Ring Modulators. Now, not only will your monsters and demons come to life in real-time, but aliens, robots, music tracks and sound effects are waiting for you too. Redesigned. Optimised for DAWs. Modular node-based system. Now as a VST / AU / AAX plugin<br /><br />\n<h3>Dehumaniser II key features:</h3>\n<ul></ul>\n<ul><li>Re-written from the ground up, with improved algorithms for all modules and dramatically improved performance</li><li>Use Dehumaniser II in your sessions in industry-standard DAWs \nincluding Pro Tools, Logic, Reaper, Live, Cubase and Digital Performer</li><li>Perform live, directly in your session to HD video</li><li>Run multiple instances of Dehumaniser II on different tracks or buses</li><li>Automate hundreds of parameters for unprecedented control over your processing and workflow</li><li>Midi control, assign and recall</li><li>New processing modules, including Flanger Chorus and Ring Modulation.</li><li>Gate, EQ and Limiters per module (including input and output)</li><li>Speech is also far more intelligible than in previous versions</li><li>Custom ‘drawer’ macro system per node</li><li>Envelope-follow based on pitch or noise content as well as amplitude, per module in your custom system!</li><li>Use multiples of the same module to create complex settings</li></ul><ul></ul>\n<ul>\n</ul>\n<br />\n<h2>Truly modular, node-based system</h2>This new system gives the user control and influence over the architecture of the signal-flow<ul><li>Create serial and parallel signal paths with a click of a button</li><li>Design complex and dynamic inter-connecting systems of processing quickly and easily for unique sound design setups</li><li>Recall these routings as presets</li><li>Clearly see the layout, gain structure and architecture of complex, dynamic audio routings</li><li>Switch between routing and mix view on the lower panel</li><li>Use up to two instances of each node; use multiple pitch shifters, granular processors, spectral or convolution processes or more in complex serial or parallel signal paths</li><li>Mute, Bypass and Solo per node</li><li>Assign and create macros per module using our new collapsible ‘drawer’ system</li><li>Create dynamic systems and settings which are truly performable; bring your sound design to life!</li></ul><br />\n\n<h3>Fully iLok compatible</h3><ul><li>Activate and manage your license online with an iLok account</li><li>Move your copy of Dehumaniser II between studios and sessions with ease</li><li>An internet connection is required at the time of activation</li><li>An iLok 2 is required for dongle use</li></ul><span style=\"font-size: 14px;\"><br /></span><h3><i><span style=\"font-size: 14px;\">****Price subject to change due to International Exchange Rate****</span></i></h3>\n\n<h3>Dehumaniser is vocal processing software allowing for the production of creature / monster sounds, efficiently in real-time. It produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3>'),(5996,75,1,1000,'<h2>Krotos Audio Dehumaniser II</h2><i><span style=\"font-size: 16px;\">Connect a microphone to your sound interface or use your computer’s built-in microphone to create astonishing creature sounds in seconds, using your voice.</span></i><br /><br />Dehumaniser II’s sound engine has been completely redesigned, with improved algorithms and optimisation for DAWs. It also includes new effects like Flanger Chorus and Ring Modulators. Now, not only will your monsters and demons come to life in real-time, but aliens, robots, music tracks and sound effects are waiting for you too. Redesigned. Optimised for DAWs. Modular node-based system. Now as a VST / AU / AAX plugin<br /><br />\n<h3>Dehumaniser II key features:</h3>\n<ul></ul>\n<ul><li>Re-written from the ground up, with improved algorithms for all modules and dramatically improved performance</li><li>Use Dehumaniser II in your sessions in industry-standard DAWs \nincluding Pro Tools, Logic, Reaper, Live, Cubase and Digital Performer</li><li>Perform live, directly in your session to HD video</li><li>Run multiple instances of Dehumaniser II on different tracks or buses</li><li>Automate hundreds of parameters for unprecedented control over your processing and workflow</li><li>Midi control, assign and recall</li><li>New processing modules, including Flanger Chorus and Ring Modulation.</li><li>Gate, EQ and Limiters per module (including input and output)</li><li>Speech is also far more intelligible than in previous versions</li><li>Custom ‘drawer’ macro system per node</li><li>Envelope-follow based on pitch or noise content as well as amplitude, per module in your custom system!</li><li>Use multiples of the same module to create complex settings</li></ul><ul></ul>\n<ul>\n</ul>\n<br />\n<h2>Truly modular, node-based system</h2>This new system gives the user control and influence over the architecture of the signal-flow<ul><li>Create serial and parallel signal paths with a click of a button</li><li>Design complex and dynamic inter-connecting systems of processing quickly and easily for unique sound design setups</li><li>Recall these routings as presets</li><li>Clearly see the layout, gain structure and architecture of complex, dynamic audio routings</li><li>Switch between routing and mix view on the lower panel</li><li>Use up to two instances of each node; use multiple pitch shifters, granular processors, spectral or convolution processes or more in complex serial or parallel signal paths</li><li>Mute, Bypass and Solo per node</li><li>Assign and create macros per module using our new collapsible ‘drawer’ system</li><li>Create dynamic systems and settings which are truly performable; bring your sound design to life!</li></ul><br />\n\n<h3>Fully iLok compatible</h3><ul><li>Activate and manage your license online with an iLok account</li><li>Move your copy of Dehumaniser II between studios and sessions with ease</li><li>An internet connection is required at the time of activation</li><li>An iLok 2 is required for dongle use</li></ul><span style=\"font-size: 14px;\"><br /></span><h3><i><span style=\"font-size: 14px;\">****Price subject to change due to International Exchange Rate****</span></i></h3>\n\n<h3>Dehumaniser is vocal processing software allowing for the production of creature / monster sounds, efficiently in real-time. It produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3>'),(5997,85,0,1000,'Krotos Audio Dehumaniser II'),(5998,85,1,1000,'Krotos Audio Dehumaniser II'),(5999,76,0,1000,''),(6000,76,1,1000,''),(6001,75,0,1001,'<h2>Krotos Audio Igniter </h2>\n<i>The Krotos Audio Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease.</i><br /><br />\n<div>\n	<div>\n		<div>\n			Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.\n		</div>\n		<div>\n			<br />\n		</div>\n		<div>\n			Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 614 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.\n		</div>\n	</div>\n	<div>\n		<span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">Igniter Features:</span>\n	</div>\n</div>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Start Your Engines.</h3>\nSelect from over 20 high-quality performable vehicles including sports cars, motorbikes, planes, helicopters, space craft and other engine sounds; then process them as part of a powerful, hybrid work flow using Granular, Synth, One Shot or Loop modules.<br /><br />\n<h3 style=\"background-color: rgb(255, 255, 255);\">Live Life In The Automation Fast Lane.</h3>\nDesign detailed, non-linear behaviour, assign multiple hybrid LFO/macros with complex envelopes and use our powerful drag-and-drop modulator system for dynamic, real-time performance of any of Igniter’s 600+ parameters. Create complex one-shot systems using our unique triggering system (also ideal for impacts, mechanical devices, robotics, sweeteners and more), Automatic or Manual gearbox configurations with steady RPMs and MIDI for testing timings, performing, automating or editing different engine, moving or evolving material.<br /><br />\n<h3 style=\"background-color: rgb(255, 255, 255);\">Break Your Sound Design Speed Limit.</h3>\nGet creative with Igniter’s dedicated FX bus for parallel processing, 10 in-built FX per module and easily perform or automate movement using up to 5 discrete layers of pan, doppler and reverb (with a collection of Impulse Responses) all from one master controller. Route the output of each module back to your DAW for mixing and rendering layers or export whole files into your game engine or audio middleware solution.<br /><br />\n<h3>Kronos Audio produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3>'),(6002,75,1,1001,'<h2>Krotos Audio Igniter </h2>\n<i>The Krotos Audio Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease.</i><br /><br />\n<div>\n	<div>\n		<div>\n			Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.\n		</div>\n		<div>\n			<br />\n		</div>\n		<div>\n			Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 614 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.\n		</div>\n	</div>\n	<div>\n		<span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">Igniter Features:</span>\n	</div>\n</div>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Start Your Engines.</h3>\nSelect from over 20 high-quality performable vehicles including sports cars, motorbikes, planes, helicopters, space craft and other engine sounds; then process them as part of a powerful, hybrid work flow using Granular, Synth, One Shot or Loop modules.<br /><br />\n<h3 style=\"background-color: rgb(255, 255, 255);\">Live Life In The Automation Fast Lane.</h3>\nDesign detailed, non-linear behaviour, assign multiple hybrid LFO/macros with complex envelopes and use our powerful drag-and-drop modulator system for dynamic, real-time performance of any of Igniter’s 600+ parameters. Create complex one-shot systems using our unique triggering system (also ideal for impacts, mechanical devices, robotics, sweeteners and more), Automatic or Manual gearbox configurations with steady RPMs and MIDI for testing timings, performing, automating or editing different engine, moving or evolving material.<br /><br />\n<h3 style=\"background-color: rgb(255, 255, 255);\">Break Your Sound Design Speed Limit.</h3>\nGet creative with Igniter’s dedicated FX bus for parallel processing, 10 in-built FX per module and easily perform or automate movement using up to 5 discrete layers of pan, doppler and reverb (with a collection of Impulse Responses) all from one master controller. Route the output of each module back to your DAW for mixing and rendering layers or export whole files into your game engine or audio middleware solution.<br /><br />\n<h3>Kronos Audio produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3>'),(6003,85,0,1001,'Krotos Audio Igniter'),(6004,85,1,1001,'Krotos Audio Igniter'),(6005,76,0,1001,''),(6006,76,1,1001,''),(6007,75,0,1002,'<h2>Krotos Audio Igniter Full Tank</h2><i>The Krotos Audio Igniter Full Tank is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease<br /></i><br /><div><div>Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease and at unbeatable value. Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.  </div><div>Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 1,943 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.  </div><div>For vehicle sound effects fanatics, Igniter Full Tank comes with 75GB of additional library content including onboard recordings, ramps & static rev bands, Foley sounds, skids, slides and much more!  <br /><br />Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination. Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 1,943 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.<br /><br /><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">Igniter Full Tank Features:</span></div></div><h3 style=\"background-color: rgb(255, 255, 255);\">Start Your Engines.</h3>Select from over 20 high-quality performable vehicles including sports cars, motorbikes, planes, helicopters, space craft and other engine sounds; then process them as part of a powerful, hybrid work flow using Granular, Synth, One Shot or Loop modules.<br /><br /><h3 style=\"background-color: rgb(255, 255, 255);\">Live Life In The Automation Fast Lane.</h3>Design detailed, non-linear behaviour, assign multiple hybrid LFO/macros with complex envelopes and use our powerful drag-and-drop modulator system for dynamic, real-time performance of any of Igniter’s 600+ parameters. Create complex one-shot systems using our unique triggering system (also ideal for impacts, mechanical devices, robotics, sweeteners and more), Automatic or Manual gearbox configurations with steady RPMs and MIDI for testing timings, performing, automating or editing different engine, moving or evolving material.<br /><br /><h3 style=\"background-color: rgb(255, 255, 255);\">Break Your Sound Design Speed Limit.</h3>Get creative with Igniter’s dedicated FX bus for parallel processing, 10 in-built FX per module and easily perform or automate movement using up to 5 discrete layers of pan, doppler and reverb (with a collection of Impulse Responses) all from one master controller. Route the output of each module back to your DAW for mixing and rendering layers or export whole files into your game engine or audio middleware solution.<br /><br /><h3>Kronos Audio produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3>'),(6008,75,1,1002,'<h2>Krotos Audio Igniter Full Tank</h2><i>The Krotos Audio Igniter Full Tank is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease<br /></i><br /><div><div>Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease and at unbeatable value. Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.  </div><div>Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 1,943 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.  </div><div>For vehicle sound effects fanatics, Igniter Full Tank comes with 75GB of additional library content including onboard recordings, ramps & static rev bands, Foley sounds, skids, slides and much more!  <br /><br />Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination. Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 1,943 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.<br /><br /><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">Igniter Full Tank Features:</span></div></div><h3 style=\"background-color: rgb(255, 255, 255);\">Start Your Engines.</h3>Select from over 20 high-quality performable vehicles including sports cars, motorbikes, planes, helicopters, space craft and other engine sounds; then process them as part of a powerful, hybrid work flow using Granular, Synth, One Shot or Loop modules.<br /><br /><h3 style=\"background-color: rgb(255, 255, 255);\">Live Life In The Automation Fast Lane.</h3>Design detailed, non-linear behaviour, assign multiple hybrid LFO/macros with complex envelopes and use our powerful drag-and-drop modulator system for dynamic, real-time performance of any of Igniter’s 600+ parameters. Create complex one-shot systems using our unique triggering system (also ideal for impacts, mechanical devices, robotics, sweeteners and more), Automatic or Manual gearbox configurations with steady RPMs and MIDI for testing timings, performing, automating or editing different engine, moving or evolving material.<br /><br /><h3 style=\"background-color: rgb(255, 255, 255);\">Break Your Sound Design Speed Limit.</h3>Get creative with Igniter’s dedicated FX bus for parallel processing, 10 in-built FX per module and easily perform or automate movement using up to 5 discrete layers of pan, doppler and reverb (with a collection of Impulse Responses) all from one master controller. Route the output of each module back to your DAW for mixing and rendering layers or export whole files into your game engine or audio middleware solution.<br /><br /><h3>Kronos Audio produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3>'),(6009,85,0,1002,'Krotos Audio Dehumaniser II'),(6010,85,1,1002,'Krotos Audio Dehumaniser II'),(6011,76,0,1002,''),(6012,76,1,1002,''),(6013,75,0,1003,'<h1>Krotos Audio Reformer Pro</h1>\n<i>Krotos Reformer Pro allows sound designers, producers, musicians and performers to design, automate and perform any sound in real-time, like never before.<br /></i><br />\n<div>\n	The Reformer Pro is a unique and one-of-a-kind plugin will save you massive amounts of time when designing any sound effect and aims to inject more fun into the process. Perform your sfx libraries in real-time via a microphone, controller or instrument, quickly and easily add textures, replace any sound and discover inspirational new ways to maximize your sound design workflow.\n</div>\n<div>\n	Reformer Pro also utilizes the world’s first Dynamic Input technology, taking procedural, sample-based audio processing to new heights and into previously unexplored territory.\n</div>\n<h2 id=\"software-included\" style=\"box-sizing: border-box; color: rgb(255, 255, 255); width: 457.484px; margin-bottom: 0.3em; text-rendering: optimizeSpeed; line-height: 1.3; font-size: 24px; font-family: Poppins, sans-serif; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; -webkit-box-decoration-break: clone; color: rgb(0, 0, 0);\"><span style=\"box-sizing: border-box; font-weight: bolder;\">Reformer Pro:</span></span></h2>\n<ul>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Turn your sound libraries into a performable sound palette</h3>\n<ul>\n	<li><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">Switch between an audio input and Dynamic Input for different ways of interacting with your own libraries</span></li>\n	<li><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">Use a microphone, automation or midi to control your libraries</span></li>\n	<li><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">Perform impacts and add extra definition using our unique Transient Engine</span></li>\n	<li><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">Trigger transients directly, based on frequency via velocity-sensitive midi input</span></li>\n	<li><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">Add variation quickly and easil</span><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">y</span></li>\n</ul>\n<div>\n	<span style=\"color: rgb(22, 25, 22); font-family: &quot;Poppins Semibold&quot;, Poppins, sans-serif; font-size: 24px; font-variant-ligatures: normal; font-weight: 600; orphans: 2; widows: 2;\">Use high-quality libraries</span>\n</div>\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li><span style=\"font-size: medium; orphans: 2; widows: 2; letter-spacing: 0px;\">Reformer Pro ships with our fantastic Krotos Bundle, that’s over 3.8 GB of high-fidelity sounds waiting for you at start-up. Libraries include: Bengal Tiger, Electronic, Leather Foley, our Fruit & Veg Collection, Gun Foley and more</span></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Looking for even more variety? All Reformer libraries are compatible with Reformer Pro. </font></li>\n</ul>\n<font color=\"#000000\" size=\"5\"><span style=\"caret-color: rgb(0, 0, 0);\"><b>Blend and control up to four libraries in real-time with the X/Y pad</b></span></font><br />\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li><span style=\"font-size: medium; orphans: 2; widows: 2; letter-spacing: 0px;\">Perform to picture in real-time and achieve seamlessly synced, sculpted results</span></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Render single shots or set up automation to create audio that evolves with your scene</font></li>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Set individual parameters for each library</h3>\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li><span style=\"font-size: medium; orphans: 2; widows: 2; letter-spacing: 0px;\">Choose response times for each library using the parameter bar</span></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Tweak playback speed and volume to refine results</font></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Select or mute any sound within any Library</font></li>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Perform sound libraries like instruments in real-time</h3>\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li><span style=\"font-size: medium; orphans: 2; widows: 2; letter-spacing: 0px;\">Analyse your own libraries, packs, and collections for use in Reformer Pro with our Analysis Tool</span></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Include up to 1 GB of samples in every Reformer Pro library that you create</font></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Draw from a broad and diverse library or aim for consistency and focus with micro libraries</font></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Analyse at the sample rate that’s ideal for you</font></li>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Replace or add texture to pre-recorded audio in your DAW</h3>\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li><span style=\"font-size: medium; orphans: 2; widows: 2; letter-spacing: 0px;\">Create constantly evolving sounds using ‘continuous mode’ – perfect for environmental effects or electronic textures</span></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Combine with Extended Library View for a comprehensive range of results from a single library</font></li>\n</ul>\n<span style=\"font-variant-ligatures: normal; orphans: 2; widows: 2;\">\n<h3 style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; background-color: rgb(255, 255, 255);\">Kronos Audio produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3>\n</span>'),(6014,75,1,1003,'<h1>Krotos Audio Reformer Pro</h1>\n<i>Krotos Reformer Pro allows sound designers, producers, musicians and performers to design, automate and perform any sound in real-time, like never before.<br /></i><br />\n<div>\n	The Reformer Pro is a unique and one-of-a-kind plugin will save you massive amounts of time when designing any sound effect and aims to inject more fun into the process. Perform your sfx libraries in real-time via a microphone, controller or instrument, quickly and easily add textures, replace any sound and discover inspirational new ways to maximize your sound design workflow.\n</div>\n<div>\n	Reformer Pro also utilizes the world’s first Dynamic Input technology, taking procedural, sample-based audio processing to new heights and into previously unexplored territory.\n</div>\n<h2 id=\"software-included\" style=\"box-sizing: border-box; color: rgb(255, 255, 255); width: 457.484px; margin-bottom: 0.3em; text-rendering: optimizeSpeed; line-height: 1.3; font-size: 24px; font-family: Poppins, sans-serif; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; -webkit-box-decoration-break: clone; color: rgb(0, 0, 0);\"><span style=\"box-sizing: border-box; font-weight: bolder;\">Reformer Pro:</span></span></h2>\n<ul>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Turn your sound libraries into a performable sound palette</h3>\n<ul>\n	<li><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">Switch between an audio input and Dynamic Input for different ways of interacting with your own libraries</span></li>\n	<li><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">Use a microphone, automation or midi to control your libraries</span></li>\n	<li><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">Perform impacts and add extra definition using our unique Transient Engine</span></li>\n	<li><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">Trigger transients directly, based on frequency via velocity-sensitive midi input</span></li>\n	<li><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">Add variation quickly and easil</span><span style=\"font-size: medium; letter-spacing: 0px; orphans: 2; widows: 2;\">y</span></li>\n</ul>\n<div>\n	<span style=\"color: rgb(22, 25, 22); font-family: &quot;Poppins Semibold&quot;, Poppins, sans-serif; font-size: 24px; font-variant-ligatures: normal; font-weight: 600; orphans: 2; widows: 2;\">Use high-quality libraries</span>\n</div>\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li><span style=\"font-size: medium; orphans: 2; widows: 2; letter-spacing: 0px;\">Reformer Pro ships with our fantastic Krotos Bundle, that’s over 3.8 GB of high-fidelity sounds waiting for you at start-up. Libraries include: Bengal Tiger, Electronic, Leather Foley, our Fruit & Veg Collection, Gun Foley and more</span></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Looking for even more variety? All Reformer libraries are compatible with Reformer Pro. </font></li>\n</ul>\n<font color=\"#000000\" size=\"5\"><span style=\"caret-color: rgb(0, 0, 0);\"><b>Blend and control up to four libraries in real-time with the X/Y pad</b></span></font><br />\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li><span style=\"font-size: medium; orphans: 2; widows: 2; letter-spacing: 0px;\">Perform to picture in real-time and achieve seamlessly synced, sculpted results</span></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Render single shots or set up automation to create audio that evolves with your scene</font></li>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Set individual parameters for each library</h3>\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li><span style=\"font-size: medium; orphans: 2; widows: 2; letter-spacing: 0px;\">Choose response times for each library using the parameter bar</span></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Tweak playback speed and volume to refine results</font></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Select or mute any sound within any Library</font></li>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Perform sound libraries like instruments in real-time</h3>\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li><span style=\"font-size: medium; orphans: 2; widows: 2; letter-spacing: 0px;\">Analyse your own libraries, packs, and collections for use in Reformer Pro with our Analysis Tool</span></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Include up to 1 GB of samples in every Reformer Pro library that you create</font></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Draw from a broad and diverse library or aim for consistency and focus with micro libraries</font></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Analyse at the sample rate that’s ideal for you</font></li>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Replace or add texture to pre-recorded audio in your DAW</h3>\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li><span style=\"font-size: medium; orphans: 2; widows: 2; letter-spacing: 0px;\">Create constantly evolving sounds using ‘continuous mode’ – perfect for environmental effects or electronic textures</span></li>\n	<li style=\"orphans: 2; widows: 2;\"><font size=\"3\">Combine with Extended Library View for a comprehensive range of results from a single library</font></li>\n</ul>\n<span style=\"font-variant-ligatures: normal; orphans: 2; widows: 2;\">\n<h3 style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; background-color: rgb(255, 255, 255);\">Kronos Audio produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3>\n</span>'),(6015,85,0,1003,'Krotos Audio Reformer Pro'),(6016,85,1,1003,'Krotos Audio Reformer Pro'),(6017,76,0,1003,''),(6018,76,1,1003,''),(6019,75,0,1004,'<h2>Krotos Audio Sound Design Bundle</h2><i>The Sound Design Bundle combines three of our flagship products together into one essential sound design package at amazing value.</i><br /><br /><div>The Sound Design Bundle offers flexible, creative and efficient workflows for sound design, audio post-production and game audio applications, the Sound Design Bundle enables you to design creatures, animals, weapons, Foley and other unique sound effects – advancing creativity and shortening the critical path from your imagination to the final mix.</div><div>The Sound Design Bundle includes Dehumaniser 2, Reformer Pro, Weaponiser Fully Loaded and the Krotos Bundle 1 – all in one discounted package. . <br /></div><h2 id=\"software-included\" style=\"box-sizing: border-box; color: rgb(255, 255, 255); width: 457.484px; margin-bottom: 0.3em; text-rendering: optimizeSpeed; line-height: 1.3; font-size: 24px; font-family: Poppins, sans-serif; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; -webkit-box-decoration-break: clone; color: rgb(0, 0, 0);\"><span style=\"box-sizing: border-box; font-weight: bolder;\">Software Included:</span></span></h2><ul></ul>\n<ul>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Dehumaniser 2</h3>\n<h2><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(0, 0, 0);\">Weaponiser is an all-in-one solution for layering and weapon sound design, featuring a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis.</span></p></h2><h3 style=\"background-color: rgb(255, 255, 255);\">Weaponiser Fully Loaded</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: medium; orphans: 2; widows: 2;\">Weaponiser is an all-in-one solution for layering and weapon sound design, featuring a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis.<br /></span><br /><h3 style=\"background-color: rgb(255, 255, 255);\">Reformer Pro</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\">Reformer Pro allows you to design, automate and perform any sound effects in real-time, like never before – utilising the world’s first Dynamic Input.<br /></span><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\"><br /><h2 id=\"libraries-included\" style=\"box-sizing: border-box; color: rgb(255, 255, 255); width: 457.484px; margin-bottom: 0.3em; text-rendering: optimizeSpeed; line-height: 1.3; font-size: 24px; font-family: Poppins, sans-serif; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; -webkit-box-decoration-break: clone; color: rgb(0, 0, 0);\"><span style=\"box-sizing: border-box; font-weight: bolder;\">Libraries Included:</span></span><span style=\"color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-weight: 400;\"></span></h2></span><h3 style=\"background-color: rgb(255, 255, 255);\">Kronos Bundle 1</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\"><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(128, 128, 128);\"> 3.82 GB | 1199 files </span></p><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(0, 0, 0);\">The Krotos Bundle 1 library is an amazing collection of 1199 high-quality sound effects for use with Reformer Pro, offering everything you need to explore Reformer Pro to its fullest potential.</span></p><h3 style=\"background-color: rgb(255, 255, 255);\">Kronos Audio produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3></span>'),(6020,75,1,1004,'<h2>Krotos Audio Sound Design Bundle</h2><i>The Sound Design Bundle combines three of our flagship products together into one essential sound design package at amazing value.</i><br /><br /><div>The Sound Design Bundle offers flexible, creative and efficient workflows for sound design, audio post-production and game audio applications, the Sound Design Bundle enables you to design creatures, animals, weapons, Foley and other unique sound effects – advancing creativity and shortening the critical path from your imagination to the final mix.</div><div>The Sound Design Bundle includes Dehumaniser 2, Reformer Pro, Weaponiser Fully Loaded and the Krotos Bundle 1 – all in one discounted package. . <br /></div><h2 id=\"software-included\" style=\"box-sizing: border-box; color: rgb(255, 255, 255); width: 457.484px; margin-bottom: 0.3em; text-rendering: optimizeSpeed; line-height: 1.3; font-size: 24px; font-family: Poppins, sans-serif; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; -webkit-box-decoration-break: clone; color: rgb(0, 0, 0);\"><span style=\"box-sizing: border-box; font-weight: bolder;\">Software Included:</span></span></h2><ul></ul>\n<ul>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Dehumaniser 2</h3>\n<h2><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(0, 0, 0);\">Weaponiser is an all-in-one solution for layering and weapon sound design, featuring a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis.</span></p></h2><h3 style=\"background-color: rgb(255, 255, 255);\">Weaponiser Fully Loaded</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: medium; orphans: 2; widows: 2;\">Weaponiser is an all-in-one solution for layering and weapon sound design, featuring a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis.<br /></span><br /><h3 style=\"background-color: rgb(255, 255, 255);\">Reformer Pro</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\">Reformer Pro allows you to design, automate and perform any sound effects in real-time, like never before – utilising the world’s first Dynamic Input.<br /></span><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\"><br /><h2 id=\"libraries-included\" style=\"box-sizing: border-box; color: rgb(255, 255, 255); width: 457.484px; margin-bottom: 0.3em; text-rendering: optimizeSpeed; line-height: 1.3; font-size: 24px; font-family: Poppins, sans-serif; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; -webkit-box-decoration-break: clone; color: rgb(0, 0, 0);\"><span style=\"box-sizing: border-box; font-weight: bolder;\">Libraries Included:</span></span><span style=\"color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-weight: 400;\"></span></h2></span><h3 style=\"background-color: rgb(255, 255, 255);\">Kronos Bundle 1</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\"><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(128, 128, 128);\"> 3.82 GB | 1199 files </span></p><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(0, 0, 0);\">The Krotos Bundle 1 library is an amazing collection of 1199 high-quality sound effects for use with Reformer Pro, offering everything you need to explore Reformer Pro to its fullest potential.</span></p><h3 style=\"background-color: rgb(255, 255, 255);\">Kronos Audio produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3></span>'),(6021,85,0,1004,'Krotos Audio Sound Design Bundle'),(6022,85,1,1004,'Krotos Audio Sound Design Bundle'),(6023,76,0,1004,''),(6024,76,1,1004,''),(6025,75,0,1005,'<h2>Krotos Audio Sound Design Bundle 2</h2><i>The Krotos Audio Sound Design Bundle 2 is the most powerful sound design solution available.</i><br /><br /><div>The Sound Design Bundle 2 combines our four flagship products with three huge sound effects libraries – bundled together into one essential package at amazing value.</div><div>Offering flexible, creative and efficient workflows for sound design, audio post-production and game audio applications, the Sound Design Bundle 2 enables you to design creatures, animals, weapons, vehicles, footsteps, Foley and other unique sound effects – advancing creativity and shortening the critical path from your imagination to the final mix.</div><div>The Sound Design Bundle 2 includes the full Krotos product line: Dehumaniser 2, Reformer Pro, Weaponiser Fully Loaded, Igniter Full Tank, Krotos Bundle 1, Battle Bundle and the Footsteps Bundle – all in one discounted package. <br /></div><h2 id=\"software-included\" style=\"box-sizing: border-box; color: rgb(255, 255, 255); width: 457.484px; margin-bottom: 0.3em; text-rendering: optimizeSpeed; line-height: 1.3; font-size: 24px; font-family: Poppins, sans-serif; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; -webkit-box-decoration-break: clone; color: rgb(0, 0, 0);\"><span style=\"box-sizing: border-box; font-weight: bolder;\">Software Included:</span></span></h2><ul></ul>\n<ul>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Dehumaniser 2</h3>\n<h2><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(0, 0, 0);\">Weaponiser is an all-in-one solution for layering and weapon sound design, featuring a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis.</span></p></h2><h3 style=\"background-color: rgb(255, 255, 255);\">Weaponiser Fully Loaded</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: medium; orphans: 2; widows: 2;\">Weaponiser is an all-in-one solution for layering and weapon sound design, featuring a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis.<br /></span><br /><h3 style=\"background-color: rgb(255, 255, 255);\">Reformer Pro</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\">Reformer Pro allows you to design, automate and perform any sound effects in real-time, like never before – utilising the world’s first Dynamic Input.<br /></span><h3 style=\"background-color: rgb(255, 255, 255);\">Igniter Full Tank</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\">Igniter is the new industry standard for creating any real-world or sci-fi vehicle sounds with ease – a complete system that brings a dynamic and performable approach to vehicle sound design for the first time.<br /><br /><h2 id=\"libraries-included\" style=\"box-sizing: border-box; color: rgb(255, 255, 255); width: 457.484px; margin-bottom: 0.3em; text-rendering: optimizeSpeed; line-height: 1.3; font-size: 24px; font-family: Poppins, sans-serif; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; -webkit-box-decoration-break: clone; color: rgb(0, 0, 0);\"><span style=\"box-sizing: border-box; font-weight: bolder;\">Libraries Included:</span></span><span style=\"color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-weight: 400;\"></span></h2></span><h3 style=\"background-color: rgb(255, 255, 255);\">Kronos Bundle 1</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\"><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(128, 128, 128);\"> 3.82 GB | 1199 files </span></p><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(0, 0, 0);\">The Krotos Bundle 1 library is an amazing collection of 1199 high-quality sound effects for use with Reformer Pro, offering everything you need to explore Reformer Pro to its fullest potential.</span></p><h3 style=\"background-color: rgb(255, 255, 255);\">Battle Bundle</h3><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(128, 128, 128);\">2.75 GB | 5854 files | 85 Presets</span></p>The Weaponiser Battle Bundle features 5854 high-quality combat sounds – from sword attacks and rapiers to chainmail, shields, metal, hand-to-hand combat, body falls and impacts.<br /></span><h3 style=\"background-color: rgb(255, 255, 255); caret-color: rgb(0, 0, 0); orphans: 2; widows: 2;\">Footsteps Bundle</h3><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(128, 128, 128);\">699MB | 1885 files | 81 Presets</span></p><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(0, 0, 0);\">The Weaponiser Footsteps Bundle features a comprehensive collection of 1885 dynamic shoe, step and surface assets for flexible and responsive footstep sound design.</span></p><h3>Kronos Audio produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3>'),(6026,75,1,1005,'<h2>Krotos Audio Sound Design Bundle 2</h2><i>The Krotos Audio Sound Design Bundle 2 is the most powerful sound design solution available.</i><br /><br /><div>The Sound Design Bundle 2 combines our four flagship products with three huge sound effects libraries – bundled together into one essential package at amazing value.</div><div>Offering flexible, creative and efficient workflows for sound design, audio post-production and game audio applications, the Sound Design Bundle 2 enables you to design creatures, animals, weapons, vehicles, footsteps, Foley and other unique sound effects – advancing creativity and shortening the critical path from your imagination to the final mix.</div><div>The Sound Design Bundle 2 includes the full Krotos product line: Dehumaniser 2, Reformer Pro, Weaponiser Fully Loaded, Igniter Full Tank, Krotos Bundle 1, Battle Bundle and the Footsteps Bundle – all in one discounted package. <br /></div><h2 id=\"software-included\" style=\"box-sizing: border-box; color: rgb(255, 255, 255); width: 457.484px; margin-bottom: 0.3em; text-rendering: optimizeSpeed; line-height: 1.3; font-size: 24px; font-family: Poppins, sans-serif; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; -webkit-box-decoration-break: clone; color: rgb(0, 0, 0);\"><span style=\"box-sizing: border-box; font-weight: bolder;\">Software Included:</span></span></h2><ul></ul>\n<ul>\n</ul>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Dehumaniser 2</h3>\n<h2><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(0, 0, 0);\">Weaponiser is an all-in-one solution for layering and weapon sound design, featuring a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis.</span></p></h2><h3 style=\"background-color: rgb(255, 255, 255);\">Weaponiser Fully Loaded</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: medium; orphans: 2; widows: 2;\">Weaponiser is an all-in-one solution for layering and weapon sound design, featuring a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis.<br /></span><br /><h3 style=\"background-color: rgb(255, 255, 255);\">Reformer Pro</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\">Reformer Pro allows you to design, automate and perform any sound effects in real-time, like never before – utilising the world’s first Dynamic Input.<br /></span><h3 style=\"background-color: rgb(255, 255, 255);\">Igniter Full Tank</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\">Igniter is the new industry standard for creating any real-world or sci-fi vehicle sounds with ease – a complete system that brings a dynamic and performable approach to vehicle sound design for the first time.<br /><br /><h2 id=\"libraries-included\" style=\"box-sizing: border-box; color: rgb(255, 255, 255); width: 457.484px; margin-bottom: 0.3em; text-rendering: optimizeSpeed; line-height: 1.3; font-size: 24px; font-family: Poppins, sans-serif; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; -webkit-box-decoration-break: clone; color: rgb(0, 0, 0);\"><span style=\"box-sizing: border-box; font-weight: bolder;\">Libraries Included:</span></span><span style=\"color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-weight: 400;\"></span></h2></span><h3 style=\"background-color: rgb(255, 255, 255);\">Kronos Bundle 1</h3><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2;\"><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(128, 128, 128);\"> 3.82 GB | 1199 files </span></p><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(0, 0, 0);\">The Krotos Bundle 1 library is an amazing collection of 1199 high-quality sound effects for use with Reformer Pro, offering everything you need to explore Reformer Pro to its fullest potential.</span></p><h3 style=\"background-color: rgb(255, 255, 255);\">Battle Bundle</h3><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(128, 128, 128);\">2.75 GB | 5854 files | 85 Presets</span></p>The Weaponiser Battle Bundle features 5854 high-quality combat sounds – from sword attacks and rapiers to chainmail, shields, metal, hand-to-hand combat, body falls and impacts.<br /></span><h3 style=\"background-color: rgb(255, 255, 255); caret-color: rgb(0, 0, 0); orphans: 2; widows: 2;\">Footsteps Bundle</h3><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(128, 128, 128);\">699MB | 1885 files | 81 Presets</span></p><p style=\"letter-spacing: normal; box-sizing: border-box; margin-bottom: 1.3em; color: rgb(241, 241, 241); font-family: &quot;Titillium Web&quot;, sans-serif; font-size: medium; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);\"><span style=\"box-sizing: border-box; color: rgb(0, 0, 0);\">The Weaponiser Footsteps Bundle features a comprehensive collection of 1885 dynamic shoe, step and surface assets for flexible and responsive footstep sound design.</span></p><h3>Kronos Audio produces studio–quality sounds through multiple layers of sound manipulation techniques.  Call or chat online with an RSPE representative to learn more.</h3>'),(6027,85,0,1005,'Krotos Audio Sound Design Bundle 2'),(6028,85,1,1005,'Krotos Audio Sound Design Bundle 2'),(6029,76,0,1005,''),(6030,76,1,1005,''),(6031,75,0,1006,'<h2>Krotos Audio Weaponiser Basic</h2>\n<i><span style=\"font-size: 16px;\">The all-in-one audio plug-in for weapon sound effects and sound design featuring over 952 weapon sounds and assets.</span></i><br /><br />Krotos Audio Weaponiser is an all-in-one solution for weapon sound design; providing a powerful and efficient workflow, a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis and unparalleled sound quality – making it the ultimate ‘go to’ tool-kit for creating dynamic assets.<br /><br />Weaponiser Basic features a library of 512 professionally recorded weapons, carefully designed presets with high-end, real-time synthesis and unparalleled sound quality – making it the ultimate ‘go to’ tool-kit for creating dynamic assets.\n<br /><br />\n	Weaponiser Basic offers a total of 952 assets, 515 edited Weapon recordings, 4 weapons, 398 Sweeteners and 39 IRs and 70 presets.\n<br /><br />\n	Advanced sound design. VST/AU/AAX Plugin. <br /><br /><h3>Fully iLok compatible</h3>\n<ul>\n	<li>Activate and manage your license online with an iLok account</li>\n	<li>Move your copy of Dehumaniser II between studios and sessions with ease</li>\n	<li>An internet connection is required at the time of activation</li>\n	<li>An iLok 2 is required for dongle use</li>\n</ul>\n<inline style=\"font-size: 14px;\"><br /></inline>\n<h3><i><inline style=\"font-size: 14px;\">****Price subject to change due to International Exchange Rate****</inline></i></h3>\n<h3>Weaponiser is a must for sound designers looking for realistic, or even futuristic weapon sounds. Call or chat online with an RSPE representative to learn more.</h3>'),(6032,75,1,1006,'<h2>Krotos Audio Weaponiser Basic</h2>\n<i><span style=\"font-size: 16px;\">The all-in-one audio plug-in for weapon sound effects and sound design featuring over 952 weapon sounds and assets.</span></i><br /><br />Krotos Audio Weaponiser is an all-in-one solution for weapon sound design; providing a powerful and efficient workflow, a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis and unparalleled sound quality – making it the ultimate ‘go to’ tool-kit for creating dynamic assets.<br /><br />Weaponiser Basic features a library of 512 professionally recorded weapons, carefully designed presets with high-end, real-time synthesis and unparalleled sound quality – making it the ultimate ‘go to’ tool-kit for creating dynamic assets.\n<br /><br />\n	Weaponiser Basic offers a total of 952 assets, 515 edited Weapon recordings, 4 weapons, 398 Sweeteners and 39 IRs and 70 presets.\n<br /><br />\n	Advanced sound design. VST/AU/AAX Plugin. <br /><br /><h3>Fully iLok compatible</h3>\n<ul>\n	<li>Activate and manage your license online with an iLok account</li>\n	<li>Move your copy of Dehumaniser II between studios and sessions with ease</li>\n	<li>An internet connection is required at the time of activation</li>\n	<li>An iLok 2 is required for dongle use</li>\n</ul>\n<inline style=\"font-size: 14px;\"><br /></inline>\n<h3><i><inline style=\"font-size: 14px;\">****Price subject to change due to International Exchange Rate****</inline></i></h3>\n<h3>Weaponiser is a must for sound designers looking for realistic, or even futuristic weapon sounds. Call or chat online with an RSPE representative to learn more.</h3>'),(6033,85,0,1006,''),(6034,85,1,1006,''),(6035,76,0,1006,''),(6036,76,1,1006,''),(6037,75,0,1007,'<h2>Krotos Audio Weaponiser Fully Loaded</h2>\n<i><span style=\"font-size: 16px;\">The all-in-one audio plug-in for weapon sound effects and sound design featuring over 2288 weapon sounds and assets.</span></i><br /><br />Krotos Audio Weaponiser is an all-in-one solution for weapon sound design; providing a powerful and efficient workflow, a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis and unparalleled sound quality – making it the ultimate ‘go to’ tool-kit for creating dynamic assets.<br /><br />Weaponiser Fully Loaded extends the power of Weaponiser Basic by offering our most comprehensive library of professionally recorded weapon sounds.\n<br /><br />\n	Weaponiser Fully Loaded offers a total of 2288 assets, 1596 edited Weapon recordings, 13 weapons, 692 sweeteners and 39 IRs and 135 presets.\n<br /><br />\n	Beat makers and music producers can also access our collection of drum presets to layer up and customise their own loops and kits.\n<br /><br />\nAdvanced sound design. VST/AU/AAX Plugin. <br /><br />\n<h3>Fully iLok compatible</h3>\n<ul>\n	<li>Activate and manage your license online with an iLok account</li>\n	<li>Move your copy of Dehumaniser II between studios and sessions with ease</li>\n	<li>An internet connection is required at the time of activation</li>\n	<li>An iLok 2 is required for dongle use</li>\n</ul>\n<inline style=\"font-size: 14px;\"><br /></inline>\n<h3><i><inline style=\"font-size: 14px;\">****Price subject to change due to International Exchange Rate****</inline></i></h3>\n<h3>Weaponiser Fully Loaded is the ultimate solution for sound designers looking for to create the best weapon sounds. Call or chat online with an RSPE representative to learn more.</h3>'),(6038,75,1,1007,'<h2>Krotos Audio Weaponiser Fully Loaded</h2>\n<i><span style=\"font-size: 16px;\">The all-in-one audio plug-in for weapon sound effects and sound design featuring over 2288 weapon sounds and assets.</span></i><br /><br />Krotos Audio Weaponiser is an all-in-one solution for weapon sound design; providing a powerful and efficient workflow, a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis and unparalleled sound quality – making it the ultimate ‘go to’ tool-kit for creating dynamic assets.<br /><br />Weaponiser Fully Loaded extends the power of Weaponiser Basic by offering our most comprehensive library of professionally recorded weapon sounds.\n<br /><br />\n	Weaponiser Fully Loaded offers a total of 2288 assets, 1596 edited Weapon recordings, 13 weapons, 692 sweeteners and 39 IRs and 135 presets.\n<br /><br />\n	Beat makers and music producers can also access our collection of drum presets to layer up and customise their own loops and kits.\n<br /><br />\nAdvanced sound design. VST/AU/AAX Plugin. <br /><br />\n<h3>Fully iLok compatible</h3>\n<ul>\n	<li>Activate and manage your license online with an iLok account</li>\n	<li>Move your copy of Dehumaniser II between studios and sessions with ease</li>\n	<li>An internet connection is required at the time of activation</li>\n	<li>An iLok 2 is required for dongle use</li>\n</ul>\n<inline style=\"font-size: 14px;\"><br /></inline>\n<h3><i><inline style=\"font-size: 14px;\">****Price subject to change due to International Exchange Rate****</inline></i></h3>\n<h3>Weaponiser Fully Loaded is the ultimate solution for sound designers looking for to create the best weapon sounds. Call or chat online with an RSPE representative to learn more.</h3>'),(6039,85,0,1007,''),(6040,85,1,1007,''),(6041,76,0,1007,''),(6042,76,1,1007,''),(6043,75,0,1008,'<h1>LaChapell Audio 500CS 500 Series Channel Strip</h1>\n<i>Two space 500 Series channel strip with Transformerless Solid-State Preamp, full 3-Band EQ and VCA Compressor</i><br /><br />\nThe LaChapell 500CS is a complete 500 series channel strip. Featuring a pristine transformerless solid state preamp, high and low pass filters, full 3-band EQ and VCA compressor in one unit, the 500CS is essentially a 500 series preamp, 500 series EQ and 500 series compressor all in one unit.\n<br /><br />\nEach “half” of the unit can function independently for maximum value and versatility. Track with the preamp, eq and compressor together, then switch to independent mode to use the eq and compressor as an outboard 500 series eq and 500 series compressor.\n<br /><br />\n<h3>LaChapell 500CS Features:</h3>\n<ul style=\"letter-spacing: normal;\">\n	<li>Solid State Preamplifier</li>\n	<li>Mastering Quality 3 Band EQ with High Pass Filter and Low Pass Filter</li>\n	<li>VCA Compressor</li>\n	<li>Hi-Z Input on front panel</li>\n	<li>Module split and effect bypass option</li>\n	<li>Multifunction analog VU meter</li>\n</ul><br />\n<h3>Complete 500 Series Channel Strip</h3>\nThe LaChapell 500CS Channel Strip is a two bay 500 series preamp, 500 series EQ and 500 series compressor in one two bay unit\n<br /><br />\n\n<h3>Mastering Quality Eq    </h3>\nA three band EQ with additional High and Low Pass Filters give flexibility to your tracking and mixing. The transparent mastering grade EQ was designed to minimize phase interactions. It works in series with the preamp, or as a separate 500 series EQ.\n<br /><br />\n\n<h3>Front Panel Hi-z</h3>\nThe front panel Hi-Z input allows the 500CS to be used as an instrument preamplifier. When a 1/4″ jack is inserted into the Hi-Z input, the 500CS switches into instrument mode.\n<br /><br />\n\n<h3>500 Series Compressor  </h3>\nThe two knob 500 series compressor (VCA style) on the LaChapell 500CS gives you ratio and threshold controls for flexible but forgiving compression. Select between fast or slow attack and release, and hard and soft knee settings with dip switches on back panel.<br /><br />\n\n\n<h3>Two in one Split Module Operation </h3>\nThe 500CS Channel Strip works in series or independently. Use as a 500 series channel strip, or press the Module Split button to use the 500CS as a 500 series preamp in one bay and a 500 seres eq and 500 series compressor in the other bay. Each section can be bypassed also so that you can use just the EQ, or just the compressor.<br /><br />\n\n\n<h3>Multifunction Vu   </h3>\nAn analog VU with function selector gives you great feedback as to what the 500CS is doing. The selector switch allows you to monitor the preamp output, the gain reduction of the 500 series compressor or the master output level.ed tube can provide, or pristine cleans from the solid state side. Or… blend the two for the ultimate in versatility for your project studio, home or professional studio.<br /><br />'),(6044,75,1,1008,'<h1>LaChapell Audio 500CS 500 Series Channel Strip</h1>\n<i>Two space 500 Series channel strip with Transformerless Solid-State Preamp, full 3-Band EQ and VCA Compressor</i><br /><br />\nThe LaChapell 500CS is a complete 500 series channel strip. Featuring a pristine transformerless solid state preamp, high and low pass filters, full 3-band EQ and VCA compressor in one unit, the 500CS is essentially a 500 series preamp, 500 series EQ and 500 series compressor all in one unit.\n<br /><br />\nEach “half” of the unit can function independently for maximum value and versatility. Track with the preamp, eq and compressor together, then switch to independent mode to use the eq and compressor as an outboard 500 series eq and 500 series compressor.\n<br /><br />\n<h3>LaChapell 500CS Features:</h3>\n<ul style=\"letter-spacing: normal;\">\n	<li>Solid State Preamplifier</li>\n	<li>Mastering Quality 3 Band EQ with High Pass Filter and Low Pass Filter</li>\n	<li>VCA Compressor</li>\n	<li>Hi-Z Input on front panel</li>\n	<li>Module split and effect bypass option</li>\n	<li>Multifunction analog VU meter</li>\n</ul><br />\n<h3>Complete 500 Series Channel Strip</h3>\nThe LaChapell 500CS Channel Strip is a two bay 500 series preamp, 500 series EQ and 500 series compressor in one two bay unit\n<br /><br />\n\n<h3>Mastering Quality Eq    </h3>\nA three band EQ with additional High and Low Pass Filters give flexibility to your tracking and mixing. The transparent mastering grade EQ was designed to minimize phase interactions. It works in series with the preamp, or as a separate 500 series EQ.\n<br /><br />\n\n<h3>Front Panel Hi-z</h3>\nThe front panel Hi-Z input allows the 500CS to be used as an instrument preamplifier. When a 1/4″ jack is inserted into the Hi-Z input, the 500CS switches into instrument mode.\n<br /><br />\n\n<h3>500 Series Compressor  </h3>\nThe two knob 500 series compressor (VCA style) on the LaChapell 500CS gives you ratio and threshold controls for flexible but forgiving compression. Select between fast or slow attack and release, and hard and soft knee settings with dip switches on back panel.<br /><br />\n\n\n<h3>Two in one Split Module Operation </h3>\nThe 500CS Channel Strip works in series or independently. Use as a 500 series channel strip, or press the Module Split button to use the 500CS as a 500 series preamp in one bay and a 500 seres eq and 500 series compressor in the other bay. Each section can be bypassed also so that you can use just the EQ, or just the compressor.<br /><br />\n\n\n<h3>Multifunction Vu   </h3>\nAn analog VU with function selector gives you great feedback as to what the 500CS is doing. The selector switch allows you to monitor the preamp output, the gain reduction of the 500 series compressor or the master output level.ed tube can provide, or pristine cleans from the solid state side. Or… blend the two for the ultimate in versatility for your project studio, home or professional studio.<br /><br />'),(6045,85,0,1008,'LaChapell Audio 500CS 500 Series Channel Strip'),(6046,85,1,1008,'LaChapell Audio 500CS 500 Series Channel Strip'),(6047,76,0,1008,''),(6048,76,1,1008,''),(6049,75,0,1009,'<h1>LaChapell Audio 500DT 500 Series Dual Topology Preamp</h1>\n<i>Extremely versatile mic preamp, based on the legendary 583S, that features both a Truetube™ powered full sized 12AX7 vacuum tube preamp AND a solid state preamp, in a 500 Series format.</i><br /><br />\nLaChapell 500DT dual topology preamp is a 500 series microphone preamp that features two separate topologies or amplification paths for unprecedented versatility and value for project studios, home studios, or professional recording studios.\n<br /><br />\nThe 500DT is both a tube mic preamp and a solid state preamp in one 500 series module. When the blend knob is fully to the tube preamp side, the signal will pass through a custom transformer before being amplified by a TrueTube™ powered 12AX7 vacuum tube. TrueTube is LaChapell Audio’s proprietary method of supplying a full 250V to the vacuum tube so you get loads of vintage clean tube gain (or drive it a bit harder to get some grit and bite).\n<br /><br />\nWhen the blend knob is turned fully to the opamp side, the signal passes directly to a solid state microphone preamplifier. This input is transformerless and will provide clean gain with exceptionally low noise. Placing the blend control anywhere between the two extremes will “blend” the two topologies for a near infinite variety of tonal options.\n<br />\n<br />\n<h3>LaChapell 500DT Features:</h3>\n<ul style=\"\">\n	<li style=\"letter-spacing: normal;\">Versatile tube AND solid state mic preamp in the 500 series format based on the legendary 583S</li>\n	<li style=\"letter-spacing: normal;\">TrueTube 250V Power</li>\n	<li>Hi-Z input on front panel with auto switching</li>\n	<li>Dual gain knobs for extreme flexibility and control</li>\n	<li>Blend knob lets you go full vacuum tube, full solid state, or anywhere in between</li>\n</ul>\n\n<h3>Vacuum Tube and Solid State Preamp</h3>\nTwo mic preamps in one. With both a Truetube™ powered full sized 12AX7 vacuum tube preamp and a solid state preamp, the 500DT Dual Topology preamp is exceptionally versatile. Blend between the tube and solid state sides to mix the two sounds.<br /><br />\n\n\n<h3>500 Series mic Preamp</h3>\nAn extremely versatile tube and solid state mic preamp in the 500 series format based on the legendary 583S priced for project studios, home studios, and value conscious professional recording studios.<br /><br />\n\n\n<h3>TrueTube™ 250v Power    </h3>\nTrueTube™ technology supplies both the plate and filament of the 12AX7 vacuum tube with the proper voltages they need to access the full characteristics of the tube. Other tube preamp designs cannot supply the needed 250V and don’t have the headroom or harmonics that characterize that classic tube sound.<br /><br />\n\n\n<h3>Front Panel Hi-z Input </h3>\nThe front panel Hi-Z input allows the 500DT to be used as an instrument preamplifier. When a 1/4″ jack is inserted into the Hi-Z input, the 500DT switches into instrument mode, bypassing the input transformer so the instrument accesses the preamp directly.<br /><br />\n\n\n<h3>Dual Gain Knobs </h3>\nThe Dual Drive knobs on the LaChapell 500DT provide an incredible array of tonal options. Increasing the input gain will drive the input stage harder, resulting in more tube harmonics when using the tube preamp side of the dual topology (and even some distortion if thats what you’re after). An emphasis on the output knob cleans up the signal for high headroom and clean tones.\n<br /><br />\n\n<h3>Blend Knob    </h3>\nThe blend knob lets you go full vacuum tube, or full solid state. Get that rich harmonic warmth that only a properly powered tube can provide, or pristine cleans from the solid state side. Or… blend the two for the ultimate in versatility for your project studio, home or professional studio.<br /><br />'),(6050,75,1,1009,'<h1>LaChapell Audio 500DT 500 Series Dual Topology Preamp</h1>\n<i>Extremely versatile mic preamp, based on the legendary 583S, that features both a Truetube™ powered full sized 12AX7 vacuum tube preamp AND a solid state preamp, in a 500 Series format.</i><br /><br />\nLaChapell 500DT dual topology preamp is a 500 series microphone preamp that features two separate topologies or amplification paths for unprecedented versatility and value for project studios, home studios, or professional recording studios.\n<br /><br />\nThe 500DT is both a tube mic preamp and a solid state preamp in one 500 series module. When the blend knob is fully to the tube preamp side, the signal will pass through a custom transformer before being amplified by a TrueTube™ powered 12AX7 vacuum tube. TrueTube is LaChapell Audio’s proprietary method of supplying a full 250V to the vacuum tube so you get loads of vintage clean tube gain (or drive it a bit harder to get some grit and bite).\n<br /><br />\nWhen the blend knob is turned fully to the opamp side, the signal passes directly to a solid state microphone preamplifier. This input is transformerless and will provide clean gain with exceptionally low noise. Placing the blend control anywhere between the two extremes will “blend” the two topologies for a near infinite variety of tonal options.\n<br />\n<br />\n<h3>LaChapell 500DT Features:</h3>\n<ul style=\"\">\n	<li style=\"letter-spacing: normal;\">Versatile tube AND solid state mic preamp in the 500 series format based on the legendary 583S</li>\n	<li style=\"letter-spacing: normal;\">TrueTube 250V Power</li>\n	<li>Hi-Z input on front panel with auto switching</li>\n	<li>Dual gain knobs for extreme flexibility and control</li>\n	<li>Blend knob lets you go full vacuum tube, full solid state, or anywhere in between</li>\n</ul>\n\n<h3>Vacuum Tube and Solid State Preamp</h3>\nTwo mic preamps in one. With both a Truetube™ powered full sized 12AX7 vacuum tube preamp and a solid state preamp, the 500DT Dual Topology preamp is exceptionally versatile. Blend between the tube and solid state sides to mix the two sounds.<br /><br />\n\n\n<h3>500 Series mic Preamp</h3>\nAn extremely versatile tube and solid state mic preamp in the 500 series format based on the legendary 583S priced for project studios, home studios, and value conscious professional recording studios.<br /><br />\n\n\n<h3>TrueTube™ 250v Power    </h3>\nTrueTube™ technology supplies both the plate and filament of the 12AX7 vacuum tube with the proper voltages they need to access the full characteristics of the tube. Other tube preamp designs cannot supply the needed 250V and don’t have the headroom or harmonics that characterize that classic tube sound.<br /><br />\n\n\n<h3>Front Panel Hi-z Input </h3>\nThe front panel Hi-Z input allows the 500DT to be used as an instrument preamplifier. When a 1/4″ jack is inserted into the Hi-Z input, the 500DT switches into instrument mode, bypassing the input transformer so the instrument accesses the preamp directly.<br /><br />\n\n\n<h3>Dual Gain Knobs </h3>\nThe Dual Drive knobs on the LaChapell 500DT provide an incredible array of tonal options. Increasing the input gain will drive the input stage harder, resulting in more tube harmonics when using the tube preamp side of the dual topology (and even some distortion if thats what you’re after). An emphasis on the output knob cleans up the signal for high headroom and clean tones.\n<br /><br />\n\n<h3>Blend Knob    </h3>\nThe blend knob lets you go full vacuum tube, or full solid state. Get that rich harmonic warmth that only a properly powered tube can provide, or pristine cleans from the solid state side. Or… blend the two for the ultimate in versatility for your project studio, home or professional studio.<br /><br />'),(6051,85,0,1009,'LaChapell Audio 500DT 500 Series Dual Topology Preamp'),(6052,85,1,1009,'LaChapell Audio 500DT 500 Series Dual Topology Preamp'),(6053,76,0,1009,''),(6054,76,1,1009,''),(6055,75,0,1010,'<h1>LaChapell Audio 500TDI 500 Series Tube Direct Box</h1>\n<i>The first properly powered vacuum tube DI for the 500 series format that\'s incredibly versatile, it ranges from clean to gritty, perfect for bass, keys, or other line level sources.</i><br /><br />\nThe LaChapell 500TDI is a 500 series tube direct box (tube DI) that ranges from pristine clean to loads of character. It can be focused and articulate with crisp distinguished notes, or meaty with growl and harmonic overtones. Using the tube-drive and level knobs, dial in the perfect tone for your bass or other instrument.\n<br /><br />\nThe 500TDI Tube DI features LaChapell Audio’s TrueTube™ technology which provides proper operating voltage to the 12DW7 tube. Most tube modules for the 500 series use a starved plate design which does not give the tube the full voltage it needs to get the tube sound recognized as “classic tube tone.” A Cinemag transformer adds some weight and warmth to the output.\n<br /><br />\nThe front panel of the 500TDI tube direct box has two inputs. The top input is a high impedance input while the bottom input can be used as a through OR a lower impedance input for more tone options.\n<br /><br />\n<br />\n<h3>LaChapell 500TDI Features:</h3>\n<ul style=\"letter-spacing: normal;\">\n	<li>First 500 Series tube DI</li>\n	<li>TrueTube 250V power</li>\n	<li>Two front panel input options</li>\n	<li>Dual drive knobs for separate input and output drive</li>\n	<li>Built-in high pass filter</li>\n	<li>Boutique quality Cinemag output transformer</li>\n</ul>\n<br />\n\n<h2><span style=\"background-color: initial; font-size: 24px;\">First 500 Series Tube DI</span></h2>\nThe 500TDI is the first properly powered vacuum tube DI for the 500 series format. Incredibly versatile, it ranges from clean to gritty, perfect for bass, keys, or other line level sources.<br /><br />\n\n<h3>TrueTube™ 250V Power</h3>\nAs with all LaChapell Audio 500 series modules with tubes, the 500TDI fully powers the vacuum tube with TrueTube™ technology. Providing a full 250V without stressing or straining the power supply, the 12DW7 vacuum tube in the 500TDI operates as a tube should — Great headroom and rich harmonics with a pleasant overdrive when necessary.\n<br /><br />\n<h3>Two Front Panel Input Options</h3>\nThe front panel 1/4″ jacks provide even more versatility. The bottom jack is a through output, but ALSO can be used as an input. Each jack offers a slightly different sound.\n<br /><br />\n\n<h3>Dual Drive Knobs</h3>\nSeparate input and output drive knobs provide you with a wide range of sonic options. Go heavy on the output knob for clean tones or lean on the input to get rich tube harmonics.\n<br /><br />\n\n<h3>High Pass Filter</h3>\nThe built-in high pass filter on the 500TDI is… well.. A high pass filter.\n<br /><br />\n\n<h3>Boutique Quality Transformer</h3>\nThe 500TDI is boutique throughout. A Cinemag output transformer has been carefully selected to perfectly complement the signal path.<br /><br />'),(6056,75,1,1010,'<h1>LaChapell Audio 500TDI 500 Series Tube Direct Box</h1>\n<i>The first properly powered vacuum tube DI for the 500 series format that\'s incredibly versatile, it ranges from clean to gritty, perfect for bass, keys, or other line level sources.</i><br /><br />\nThe LaChapell 500TDI is a 500 series tube direct box (tube DI) that ranges from pristine clean to loads of character. It can be focused and articulate with crisp distinguished notes, or meaty with growl and harmonic overtones. Using the tube-drive and level knobs, dial in the perfect tone for your bass or other instrument.\n<br /><br />\nThe 500TDI Tube DI features LaChapell Audio’s TrueTube™ technology which provides proper operating voltage to the 12DW7 tube. Most tube modules for the 500 series use a starved plate design which does not give the tube the full voltage it needs to get the tube sound recognized as “classic tube tone.” A Cinemag transformer adds some weight and warmth to the output.\n<br /><br />\nThe front panel of the 500TDI tube direct box has two inputs. The top input is a high impedance input while the bottom input can be used as a through OR a lower impedance input for more tone options.\n<br /><br />\n<br />\n<h3>LaChapell 500TDI Features:</h3>\n<ul style=\"letter-spacing: normal;\">\n	<li>First 500 Series tube DI</li>\n	<li>TrueTube 250V power</li>\n	<li>Two front panel input options</li>\n	<li>Dual drive knobs for separate input and output drive</li>\n	<li>Built-in high pass filter</li>\n	<li>Boutique quality Cinemag output transformer</li>\n</ul>\n<br />\n\n<h2><span style=\"background-color: initial; font-size: 24px;\">First 500 Series Tube DI</span></h2>\nThe 500TDI is the first properly powered vacuum tube DI for the 500 series format. Incredibly versatile, it ranges from clean to gritty, perfect for bass, keys, or other line level sources.<br /><br />\n\n<h3>TrueTube™ 250V Power</h3>\nAs with all LaChapell Audio 500 series modules with tubes, the 500TDI fully powers the vacuum tube with TrueTube™ technology. Providing a full 250V without stressing or straining the power supply, the 12DW7 vacuum tube in the 500TDI operates as a tube should — Great headroom and rich harmonics with a pleasant overdrive when necessary.\n<br /><br />\n<h3>Two Front Panel Input Options</h3>\nThe front panel 1/4″ jacks provide even more versatility. The bottom jack is a through output, but ALSO can be used as an input. Each jack offers a slightly different sound.\n<br /><br />\n\n<h3>Dual Drive Knobs</h3>\nSeparate input and output drive knobs provide you with a wide range of sonic options. Go heavy on the output knob for clean tones or lean on the input to get rich tube harmonics.\n<br /><br />\n\n<h3>High Pass Filter</h3>\nThe built-in high pass filter on the 500TDI is… well.. A high pass filter.\n<br /><br />\n\n<h3>Boutique Quality Transformer</h3>\nThe 500TDI is boutique throughout. A Cinemag output transformer has been carefully selected to perfectly complement the signal path.<br /><br />'),(6057,85,0,1010,'LaChapell Audio 500TDI 500 Series Tube Direct Box'),(6058,85,1,1010,'LaChapell Audio 500TDI 500 Series Tube Direct Box'),(6059,76,0,1010,''),(6060,76,1,1010,''),(6061,75,0,1011,'<h1>LaChapell Audio 503 - 500 Series EQ</h1>\n<span style=\"font-size:16px; font-style:italic;\">Highly musical transformerless equalizer for the 500-series format </span><br/><br/>\nAfter numerous customer requests, LaChapell Audio now offers the EQ section of the <a href=\"http://www.rspeaudio.com/LaChapell-Model-583e-Tube-Mic-Preamp-with-EQ-p/lchpl-m583e.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">583e</a> 500-series preamp as a separate module. Not content to simply separate the 583e EQ section out into a single 500-series EQ module, LaChapell made some improvements that make the Model 503 a standalone EQ powerhouse that deserves a spot in the frame right next to your vintage EQs. When it comes to EQ design of the LaChapell 503, the amount of thought and dedication that went into shaping its tonal characteristics become readily apparent. The Model 503’s specifications are intentionally designed to please the ear. And while LaChapell’s design philosophy may preclude the notion of EQ design that one size fits all, you will find the LaChapell Model 503 to be one of the sweetest and most musical equalizers around—you\'ll look for reasons to use it on everything.<br/><br/>\n<h3>LaChapell Model 503 unique features:</h3>\n<ul>\n	<li>Transformerless design provides low distortion signature and minimal phase deviation</li>\n</ul>\n<br/>\n<h3>LaChapell Model 503 key features:</h3>\n<ul>\n	<li>3-band EQ with overall trim control   </li>\n	<li>Cut/Boost range increased to +/- 12dB </li>\n	<li>Low pass filter at 5kHz and 10kHz     </li>\n	<li>High pass filter at 50Hz and 150Hz    </li>\n	<li>±6dB overall trim gain stage</li>\n</ul>\n<div>\n	<span style=\"background-color: initial; color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\"><br/>INSIDE THE BOX — LaChapell Model 503 EQ</span>\n</div>\nThe Model 503, like its counterpart found on the 583e, offers very low distortion signature and minimal phase deviation; it is an extremely clear and transparent EQ design. No matter how much boost or cut you apply to any frequency band, it’s impossible to make the Model 503 sound bad. Also based on user feedback, LaChapell increased boost and cut from ±8dB on the 583e to ±12dB on the Model 503 EQ. LaChapell also added some capabilities to the Model 503 not found on the 583e, including a low-pass filter at 5kHz and 10kHz; a high-pass filter at 50Hz and 150Hz; plus a ±6dB overall trim gain stage. Perhaps the greatest feature of Model 503 is its ability to make anything it touches sound better—as though you found the perfect piece of air for your mics every time. The LaChapell Model 503 EQ is one of those rare studio tools that not only makes an engineer’s job easier, but also gives you wizard status in the eyes and ears of your happy clients. \n<br/><br/>\n<h3>OUTSIDE THE BOX — LaChapell Model 503 EQs</h3>\nWith LaChapell’s signature elegance and boat-anchor build quality, the stylish oxblood front panel of the Model 503 EQ has a ±6dB overall trim control to make gain staging easy. The trim control also has a center detent at 0dB to bring you back to unity gain. The Model 503 has three EQ bands: Low frequency ranges from 30Hz to 400Hz; Midrange from 325Hz to 5kHz; and High frequency ranging from 2.2kHz to 20kHz. While the frequencies do overlap, boosting 5kHZ on the mid band sounds different than boosting 5kHz in the high band—adding to the musicality and versatility of this deceptively simple design. \n<br/><br/>\nEach frequency band on the Model 503 EQ has a gain control that is differently colored (white) than the frequency select knobs (black), which makes it easy to find the right knob for adjustment. The Model 503 also has 3-position switches for high-pass and low-pass filters. For the high-pass filter, the bottom position selects 50Hz; mid position is off, and top position selects 150Hz. The low-pass filter operates the same way, switching between 5kHz and 10kHz. The EQ In/Out switch is a translucent plastic with red and green LEDs that indicate power (red) initially and then turns green when the EQ is switched into the circuit. <br/><br/>\n<h3>LaChapell Model 503 EQ controls:</h3>\n<ul>\n	<li>LF: 30Hz - 400Hz; Cut/Boost ±12dB   </li>\n	<li>Mid: 325Hz – 5kHz; Cut/Boost ±12dB  </li>\n	<li>HF: 2.2kHz – 20kHz; Cut/Boost ±12dB </li>\n	<li>Low pass filter at 5kHz and 10kHz   </li>\n	<li>High pass filter at 50Hz and 150Hz  </li>\n	<li>± 6dB overall trim gain stage       </li>\n</ul>\n<br/>\n<h3>About LaChapell Audio</h3>\nScott LaChapell manufactures a purposely limited range of handcrafted products, such that each model will fit your recording studio like a fine leather glove.  LaChapell has designed a line of mic preamps that will give your recording the rich sonic characteristics that can only be coaxed out of a tube circuit.  These all-tube designs feature a gain structure that allow you to obtain a sound ranging from pristine and transparent to warm vintage, with just a twist of an input and output knob.  What makes the LaChapell tone so unique and musical (from a technical and philosophical point of view)?\n<br/><br/>\nAside from the obligatory obsession that you will find from most \"boutique\" builders when it comes to component selection, you will undoubtedly appreciate the fact that you can also request a Telefunken or Amprex tube as a way to get even more flexibility from his products.<br/><br/>\nAdd to that what is probably the coolest lighted LED toggle switches that you can find on any piece of outboard equipment and of interesting note, LaChapell rack mount gear uses hand-wound transformers to create a power supply that has a true 250V DC rail, which provides the best possible performance from tube circuits.<br/><br/>\n<h3>If you’re one of the many professional engineers who requested the EQ section of the LaChapell 583e to be offered as a separate 500-series EQ module, or simply want one of the most musically useful EQs ever built, your wishes have been answered with the LaChapell Model 503 EQ. For more information, call or chat with an RSPE representative today. </h3>\n<br/>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n</div>\n<p style=\"letter-spacing: normal;\">\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>'),(6062,75,1,1011,'<h1>LaChapell Audio 503 - 500 Series EQ</h1>\n<span style=\"font-size:16px; font-style:italic;\">Highly musical transformerless equalizer for the 500-series format </span><br/><br/>\nAfter numerous customer requests, LaChapell Audio now offers the EQ section of the <a href=\"http://www.rspeaudio.com/LaChapell-Model-583e-Tube-Mic-Preamp-with-EQ-p/lchpl-m583e.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">583e</a> 500-series preamp as a separate module. Not content to simply separate the 583e EQ section out into a single 500-series EQ module, LaChapell made some improvements that make the Model 503 a standalone EQ powerhouse that deserves a spot in the frame right next to your vintage EQs. When it comes to EQ design of the LaChapell 503, the amount of thought and dedication that went into shaping its tonal characteristics become readily apparent. The Model 503’s specifications are intentionally designed to please the ear. And while LaChapell’s design philosophy may preclude the notion of EQ design that one size fits all, you will find the LaChapell Model 503 to be one of the sweetest and most musical equalizers around—you\'ll look for reasons to use it on everything.<br/><br/>\n<h3>LaChapell Model 503 unique features:</h3>\n<ul>\n	<li>Transformerless design provides low distortion signature and minimal phase deviation</li>\n</ul>\n<br/>\n<h3>LaChapell Model 503 key features:</h3>\n<ul>\n	<li>3-band EQ with overall trim control   </li>\n	<li>Cut/Boost range increased to +/- 12dB </li>\n	<li>Low pass filter at 5kHz and 10kHz     </li>\n	<li>High pass filter at 50Hz and 150Hz    </li>\n	<li>±6dB overall trim gain stage</li>\n</ul>\n<div>\n	<span style=\"background-color: initial; color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\"><br/>INSIDE THE BOX — LaChapell Model 503 EQ</span>\n</div>\nThe Model 503, like its counterpart found on the 583e, offers very low distortion signature and minimal phase deviation; it is an extremely clear and transparent EQ design. No matter how much boost or cut you apply to any frequency band, it’s impossible to make the Model 503 sound bad. Also based on user feedback, LaChapell increased boost and cut from ±8dB on the 583e to ±12dB on the Model 503 EQ. LaChapell also added some capabilities to the Model 503 not found on the 583e, including a low-pass filter at 5kHz and 10kHz; a high-pass filter at 50Hz and 150Hz; plus a ±6dB overall trim gain stage. Perhaps the greatest feature of Model 503 is its ability to make anything it touches sound better—as though you found the perfect piece of air for your mics every time. The LaChapell Model 503 EQ is one of those rare studio tools that not only makes an engineer’s job easier, but also gives you wizard status in the eyes and ears of your happy clients. \n<br/><br/>\n<h3>OUTSIDE THE BOX — LaChapell Model 503 EQs</h3>\nWith LaChapell’s signature elegance and boat-anchor build quality, the stylish oxblood front panel of the Model 503 EQ has a ±6dB overall trim control to make gain staging easy. The trim control also has a center detent at 0dB to bring you back to unity gain. The Model 503 has three EQ bands: Low frequency ranges from 30Hz to 400Hz; Midrange from 325Hz to 5kHz; and High frequency ranging from 2.2kHz to 20kHz. While the frequencies do overlap, boosting 5kHZ on the mid band sounds different than boosting 5kHz in the high band—adding to the musicality and versatility of this deceptively simple design. \n<br/><br/>\nEach frequency band on the Model 503 EQ has a gain control that is differently colored (white) than the frequency select knobs (black), which makes it easy to find the right knob for adjustment. The Model 503 also has 3-position switches for high-pass and low-pass filters. For the high-pass filter, the bottom position selects 50Hz; mid position is off, and top position selects 150Hz. The low-pass filter operates the same way, switching between 5kHz and 10kHz. The EQ In/Out switch is a translucent plastic with red and green LEDs that indicate power (red) initially and then turns green when the EQ is switched into the circuit. <br/><br/>\n<h3>LaChapell Model 503 EQ controls:</h3>\n<ul>\n	<li>LF: 30Hz - 400Hz; Cut/Boost ±12dB   </li>\n	<li>Mid: 325Hz – 5kHz; Cut/Boost ±12dB  </li>\n	<li>HF: 2.2kHz – 20kHz; Cut/Boost ±12dB </li>\n	<li>Low pass filter at 5kHz and 10kHz   </li>\n	<li>High pass filter at 50Hz and 150Hz  </li>\n	<li>± 6dB overall trim gain stage       </li>\n</ul>\n<br/>\n<h3>About LaChapell Audio</h3>\nScott LaChapell manufactures a purposely limited range of handcrafted products, such that each model will fit your recording studio like a fine leather glove.  LaChapell has designed a line of mic preamps that will give your recording the rich sonic characteristics that can only be coaxed out of a tube circuit.  These all-tube designs feature a gain structure that allow you to obtain a sound ranging from pristine and transparent to warm vintage, with just a twist of an input and output knob.  What makes the LaChapell tone so unique and musical (from a technical and philosophical point of view)?\n<br/><br/>\nAside from the obligatory obsession that you will find from most \"boutique\" builders when it comes to component selection, you will undoubtedly appreciate the fact that you can also request a Telefunken or Amprex tube as a way to get even more flexibility from his products.<br/><br/>\nAdd to that what is probably the coolest lighted LED toggle switches that you can find on any piece of outboard equipment and of interesting note, LaChapell rack mount gear uses hand-wound transformers to create a power supply that has a true 250V DC rail, which provides the best possible performance from tube circuits.<br/><br/>\n<h3>If you’re one of the many professional engineers who requested the EQ section of the LaChapell 583e to be offered as a separate 500-series EQ module, or simply want one of the most musically useful EQs ever built, your wishes have been answered with the LaChapell Model 503 EQ. For more information, call or chat with an RSPE representative today. </h3>\n<br/>\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n</div>\n<p style=\"letter-spacing: normal;\">\n	Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>'),(6063,85,0,1011,'LaChapell Audio 503 - 500 Series EQ'),(6064,85,1,1011,'LaChapell Audio 503 - 500 Series EQ'),(6065,76,0,1011,''),(6066,76,1,1011,''),(6067,75,0,1012,'<h1>LaChapell Audio 583E 500-series Tube Mic Preamp with EQ</h1>\n<span style=\"font-size:16px; font-style:italic;\">Boutique-quality, transformerless vacuum-tube preamp with independent EQ for the 500 format </span><br /><br />\nMore than just a LaChapell 583s preamp with EQ, the 583e is more than the sum of its parts. The 583e’s preamp and EQ sections can be operated independently or together, which means that one of two rack spaces the LaChapell 583e module takes up in your 500-series lunchbox does more than bring you one of the best-sounding tube preamps in the business. Big, spacious, full of air, the LaChapell 583e preamp also features an ultra-clean, transformerless three-band EQ section with fully sweeping frequency controls and cut/boost. The equalizer section of the 583e can run as an integrated EQ (serving the preamplifier) or separate as its own autonomous module independent of the preamplifier. The LaChapell 583e is like having a LaChapell <a href=\"https://www.rspeaudio.com/LaChapell-583S-MKII-p/lachapell-583s-mkii.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">583s</a> and <a href=\"https://www.rspeaudio.com/LaChapell-503-p/lachapell-503.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Model 503 EQ</a> (with a little something extra) in only two rack spaces. <br /><br />\n<h3>LaChapell 583e unique features:</h3>\n<ul>\n	<li>EQ section can operate independently of preamp</li>\n	<li>Center-chassis mounted tube prevents heat transfer to other 500 modules in power rack</li>\n	<li>Swappable tubes for sonic variation </li>\n</ul>\n<br />\n<h3>LaChapell 583e key features:</h3>\n<ul>\n	<li>True vacuum tube amplifier </li>\n	<li>Fully variable input/output control </li>\n	<li>Robust construction </li>\n	<li>Transformerless Hi-Z input </li>\n	<li>Premium components </li>\n	<li>80% nickel output transformer </li>\n	<li>Clean, attractive layout </li>\n</ul>\n<div>\n	<br />\n</div>\n<h3>INSIDE THE BOX — LaChapell 583e</h3>\nThe Model 583e features the same amplifier stage found on the LaChapell 583s, including the Jensen JT-115k input transformer coupled with an ultra-clean transformerless three-band EQ section with fully sweeping frequency controls and cut/boost settings of +/- 8dB. The EQ can run as an integrated equalizer serving the preamplifier or separate as its own autonomous module where both units run independently.\n<br /><br />\nBased on LaChapell’s popular 992EG, the 583e is quickly becoming the next must-have preamp for those looking to add that extra warmth and character to their lunchbox collection found only within the thermionic realm. Scott LaChapell’s initial design approach was simple: identify and extract the key design elements of the 992EG that directly contributes to its’ sound signature, and then inject that into the 583e. <br /><br />\nThe LaChapell 583e module features single-ended vacuum tube preamplifiers designed for use in the “500 series” format. The microphone input configuration is based on the 992EG and consists of an input transformer with a turns-ratio of 1:10 and one ECC83/12AX7 vacuum tube. The instrument input stage is transformerless with the signal essentially going straight to the grid of the tube. The output stage utilizes premium Burr-Brown and THAT Corporation line drivers along with an 80% nickel alloy core transformer to generate a balanced line-level output signal. The Model 583e features an ultra-clean transformerless three-band EQ section with fully sweeping frequency controls and cut/boost settings of +/- 8dB. The EQ can run as an integrated EQ (serving the preamplifier) or separate as its own autonomous module apart from the preamplifier. <br /><br />\nAnother exciting feature on the 583s is easy tube access; allowing you the ability to experiment with vintage premium tubes! The stock tube for the 583e is the JJ ECC803; a great tube with loads of character. But, you might find yourself preferring a vintage Telefunken ECC83 for female vocals or, a 1960’s RCA 12AX7 black plate for acoustic guitar. The point here is to allow you every possible avenue to refine and tailor your signal to be the best for whatever you may be tracking. No other 500 series preamp allows this level of sonic flexibility.*<br /><br />\nThe 583e is also built to be a “good neighbor” to your other 500 series modules. The 583e dissipates roughly 3 watts, not enough to generate heat that would cause any worry, now or in the future. The tube itself is intentionally located in the center of the chassis with generous vent holes in the PCB, There is also a large cut-out on top of the chassis allowing additional ventilation (and access to swap out or play with different tubes). Also, the API Lunchbox™ itself has sufficient top ventilation. <br /><br />\nThe tube in the 583e generates roughly the same amount of heat as any tube microphone would. The 583 benefits in cooling over tube mics due to its larger housing, versus a slender tubular body. The point here is that if you\'re not concerned about your mic over-heating, don\'t worry about the 583 over-heating either.<br /><br />\nWith the exception of the tube access opening, the 583e preamp/EQ has an enclosed chassis, which helps direct cooling and prevents any unwanted interference. In operation, the user has individual control over the input and output gain stages via fully variable potentiometers. This, like its 992 older brother, provides total flexibility to explore the 583e’s broad sonic pallet. Additional functions include four illuminated NKK toggle switches for 48V, 20db input pad, polarity reverse, and input select. <br /><br />\n<em>* Note: The 583’s standard tube is the JJ ECC803. However, there are many different ECC83/12AX7 variants that are virtually identical and can be used in either 583 modules. These include: ECC803, E83CC, CV4004, 6057, M8137, C492, 7025 and the 5751 (you will notice a slight drop in gain when using the 5751). </em><br /><br />\n<h3>OUTSIDE THE BOX — LaChapell 583e</h3>\n<ul>\n	<li><strong>Input:</strong> Drives more or less current into the tube stage </li>\n	<li><strong>Output:</strong> Drives more or less current into the cleaner output stage \n	</li>\n	<li><strong>48V:</strong> Supplies 48 volts of DC current for condenser microphones </li>\n	<li><strong>Pad:</strong> Reduces microphone input signal by 20dB </li>\n	<li><strong>Polarity:</strong> Reverses the polarity of the output signal \n	</li>\n	<li><strong>Input:</strong> Activates Hi-Z or microphone input jacks </li>\n	<li><strong>High:</strong> Frequency sweep range: 2.5kHz to 20kHz </li>\n	<li><strong>Mid:</strong> Frequency sweep range: 325Hz to 5kHz </li>\n	<li><strong>Low:</strong> Frequency sweep range: 30Hz to 400Hz. Each frequency band has a cut/boost potential of ±8dB </li>\n	<li><strong>PRE + EQ:</strong> In this mode, the EQ section is internally routed to serve the preamp’s output signal; effected signal is sent out the left bay output jack </li>\n	<li><strong>Independent EQ:</strong> In this mode, the EQ section is available as a completely independent module. The corresponding rear right side connections are now active allowing you to use the EQ on any external souse while the preamp remains available on the left bay</li>\n</ul>\n<br />\n<h3>About LaChapell</h3>\nScott LaChapell manufactures a purposely limited range of handcrafted products, such that each model will fit your recording studio like a fine leather glove.  LaChapell has designed a line of mic preamps that will give your recording the rich sonic characteristics that can only be coaxed out of a tube circuit.  These all-tube designs feature a gain structure that allow you to obtain a sound ranging from pristine and transparent to warm vintage, with just a twist of an input and output knob.  What makes the LaChapell tone so unique and musical (from a technical and philosophical point of view)?\n<br /><br />\nAside from the obligatory obsession that you will find from most \"boutique\" builders when it comes to component selection, you will undoubtedly appreciate the fact that you can also request a Telefunken or Amprex tube as a way to get even more flexibility from his products.<br /><br />\nAdd to that what is probably the coolest lighted LED toggle switches that you can find on any piece of outboard equipment and of interesting note, LaChapell rack mount gear uses hand-wound transformers to create a power supply that has a true 250V DC rail, which provides the best possible performance from tube circuits.<br /><br />\n<h3>If you’re ready for the kind of mojo that can only come from thermionic devices, put a LaChapell 583e in your 500-series lunchbox. For more information, call or chat with an RSPE representative today. </h3>\n<br />\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p style=\"letter-spacing: normal;\">\n	Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>'),(6068,75,1,1012,'<h1>LaChapell Audio 583E 500-series Tube Mic Preamp with EQ</h1>\n<span style=\"font-size:16px; font-style:italic;\">Boutique-quality, transformerless vacuum-tube preamp with independent EQ for the 500 format </span><br /><br />\nMore than just a LaChapell 583s preamp with EQ, the 583e is more than the sum of its parts. The 583e’s preamp and EQ sections can be operated independently or together, which means that one of two rack spaces the LaChapell 583e module takes up in your 500-series lunchbox does more than bring you one of the best-sounding tube preamps in the business. Big, spacious, full of air, the LaChapell 583e preamp also features an ultra-clean, transformerless three-band EQ section with fully sweeping frequency controls and cut/boost. The equalizer section of the 583e can run as an integrated EQ (serving the preamplifier) or separate as its own autonomous module independent of the preamplifier. The LaChapell 583e is like having a LaChapell <a href=\"https://www.rspeaudio.com/LaChapell-583S-MKII-p/lachapell-583s-mkii.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">583s</a> and <a href=\"https://www.rspeaudio.com/LaChapell-503-p/lachapell-503.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Model 503 EQ</a> (with a little something extra) in only two rack spaces. <br /><br />\n<h3>LaChapell 583e unique features:</h3>\n<ul>\n	<li>EQ section can operate independently of preamp</li>\n	<li>Center-chassis mounted tube prevents heat transfer to other 500 modules in power rack</li>\n	<li>Swappable tubes for sonic variation </li>\n</ul>\n<br />\n<h3>LaChapell 583e key features:</h3>\n<ul>\n	<li>True vacuum tube amplifier </li>\n	<li>Fully variable input/output control </li>\n	<li>Robust construction </li>\n	<li>Transformerless Hi-Z input </li>\n	<li>Premium components </li>\n	<li>80% nickel output transformer </li>\n	<li>Clean, attractive layout </li>\n</ul>\n<div>\n	<br />\n</div>\n<h3>INSIDE THE BOX — LaChapell 583e</h3>\nThe Model 583e features the same amplifier stage found on the LaChapell 583s, including the Jensen JT-115k input transformer coupled with an ultra-clean transformerless three-band EQ section with fully sweeping frequency controls and cut/boost settings of +/- 8dB. The EQ can run as an integrated equalizer serving the preamplifier or separate as its own autonomous module where both units run independently.\n<br /><br />\nBased on LaChapell’s popular 992EG, the 583e is quickly becoming the next must-have preamp for those looking to add that extra warmth and character to their lunchbox collection found only within the thermionic realm. Scott LaChapell’s initial design approach was simple: identify and extract the key design elements of the 992EG that directly contributes to its’ sound signature, and then inject that into the 583e. <br /><br />\nThe LaChapell 583e module features single-ended vacuum tube preamplifiers designed for use in the “500 series” format. The microphone input configuration is based on the 992EG and consists of an input transformer with a turns-ratio of 1:10 and one ECC83/12AX7 vacuum tube. The instrument input stage is transformerless with the signal essentially going straight to the grid of the tube. The output stage utilizes premium Burr-Brown and THAT Corporation line drivers along with an 80% nickel alloy core transformer to generate a balanced line-level output signal. The Model 583e features an ultra-clean transformerless three-band EQ section with fully sweeping frequency controls and cut/boost settings of +/- 8dB. The EQ can run as an integrated EQ (serving the preamplifier) or separate as its own autonomous module apart from the preamplifier. <br /><br />\nAnother exciting feature on the 583s is easy tube access; allowing you the ability to experiment with vintage premium tubes! The stock tube for the 583e is the JJ ECC803; a great tube with loads of character. But, you might find yourself preferring a vintage Telefunken ECC83 for female vocals or, a 1960’s RCA 12AX7 black plate for acoustic guitar. The point here is to allow you every possible avenue to refine and tailor your signal to be the best for whatever you may be tracking. No other 500 series preamp allows this level of sonic flexibility.*<br /><br />\nThe 583e is also built to be a “good neighbor” to your other 500 series modules. The 583e dissipates roughly 3 watts, not enough to generate heat that would cause any worry, now or in the future. The tube itself is intentionally located in the center of the chassis with generous vent holes in the PCB, There is also a large cut-out on top of the chassis allowing additional ventilation (and access to swap out or play with different tubes). Also, the API Lunchbox™ itself has sufficient top ventilation. <br /><br />\nThe tube in the 583e generates roughly the same amount of heat as any tube microphone would. The 583 benefits in cooling over tube mics due to its larger housing, versus a slender tubular body. The point here is that if you\'re not concerned about your mic over-heating, don\'t worry about the 583 over-heating either.<br /><br />\nWith the exception of the tube access opening, the 583e preamp/EQ has an enclosed chassis, which helps direct cooling and prevents any unwanted interference. In operation, the user has individual control over the input and output gain stages via fully variable potentiometers. This, like its 992 older brother, provides total flexibility to explore the 583e’s broad sonic pallet. Additional functions include four illuminated NKK toggle switches for 48V, 20db input pad, polarity reverse, and input select. <br /><br />\n<em>* Note: The 583’s standard tube is the JJ ECC803. However, there are many different ECC83/12AX7 variants that are virtually identical and can be used in either 583 modules. These include: ECC803, E83CC, CV4004, 6057, M8137, C492, 7025 and the 5751 (you will notice a slight drop in gain when using the 5751). </em><br /><br />\n<h3>OUTSIDE THE BOX — LaChapell 583e</h3>\n<ul>\n	<li><strong>Input:</strong> Drives more or less current into the tube stage </li>\n	<li><strong>Output:</strong> Drives more or less current into the cleaner output stage \n	</li>\n	<li><strong>48V:</strong> Supplies 48 volts of DC current for condenser microphones </li>\n	<li><strong>Pad:</strong> Reduces microphone input signal by 20dB </li>\n	<li><strong>Polarity:</strong> Reverses the polarity of the output signal \n	</li>\n	<li><strong>Input:</strong> Activates Hi-Z or microphone input jacks </li>\n	<li><strong>High:</strong> Frequency sweep range: 2.5kHz to 20kHz </li>\n	<li><strong>Mid:</strong> Frequency sweep range: 325Hz to 5kHz </li>\n	<li><strong>Low:</strong> Frequency sweep range: 30Hz to 400Hz. Each frequency band has a cut/boost potential of ±8dB </li>\n	<li><strong>PRE + EQ:</strong> In this mode, the EQ section is internally routed to serve the preamp’s output signal; effected signal is sent out the left bay output jack </li>\n	<li><strong>Independent EQ:</strong> In this mode, the EQ section is available as a completely independent module. The corresponding rear right side connections are now active allowing you to use the EQ on any external souse while the preamp remains available on the left bay</li>\n</ul>\n<br />\n<h3>About LaChapell</h3>\nScott LaChapell manufactures a purposely limited range of handcrafted products, such that each model will fit your recording studio like a fine leather glove.  LaChapell has designed a line of mic preamps that will give your recording the rich sonic characteristics that can only be coaxed out of a tube circuit.  These all-tube designs feature a gain structure that allow you to obtain a sound ranging from pristine and transparent to warm vintage, with just a twist of an input and output knob.  What makes the LaChapell tone so unique and musical (from a technical and philosophical point of view)?\n<br /><br />\nAside from the obligatory obsession that you will find from most \"boutique\" builders when it comes to component selection, you will undoubtedly appreciate the fact that you can also request a Telefunken or Amprex tube as a way to get even more flexibility from his products.<br /><br />\nAdd to that what is probably the coolest lighted LED toggle switches that you can find on any piece of outboard equipment and of interesting note, LaChapell rack mount gear uses hand-wound transformers to create a power supply that has a true 250V DC rail, which provides the best possible performance from tube circuits.<br /><br />\n<h3>If you’re ready for the kind of mojo that can only come from thermionic devices, put a LaChapell 583e in your 500-series lunchbox. For more information, call or chat with an RSPE representative today. </h3>\n<br />\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p style=\"letter-spacing: normal;\">\n	Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>'),(6069,85,0,1012,'LaChapell Audio 583E 500-series Tube Mic Preamp with EQ'),(6070,85,1,1012,'LaChapell Audio 583E 500-series Tube Mic Preamp with EQ'),(6071,76,0,1012,''),(6072,76,1,1012,''),(6073,75,0,1013,'<h1>LaChapell Audio 583S MKII 500-series Tube Mic Preamp</h1>\n<span style=\"font-size:16px; font-style:italic;\">The world’s first 500 series vacuum tube preamplifier featuring TrueTube 250V Power to </span><i>supply the needed 250V fot proper headroom and harmonics that characterize that classic tube sound.</i><br /><br />\nThe LaChapell Audio 583S mk2 is the latest example of the legendary 583 vacuum tube preamplifier for the 500 series format. The 583s was the first ever tube mic preamp for the 500 series. It is extremely versatile, allowing a wide range of sonic options from clean to harmonically rich. It’s great for use on almost any source with almost any mic.<br /><br />\n\nEvery component on the LaChapell 583S MK2 was carefully selected for sonic perfection from the Cinemag input transformer to the Jensen output transformer.\n<br /><br />\n	With dual drive knobs to separately drive the input and output, the 583S provides total flexibility to explore a broad sonic palette enhancing its versatility for all of your recordings. Leaning on the input stage, the 583S MK2 delivers vintage style tube warmth. The more you drive the input, the more harmonics are introduced. Backing off on the input but increasing the output results in gorgeous clean tones with some weight provided by the Cinemag and Jensens transformers.\n<br /><br />\n	An essential 500 series module for the modern professional and project recording studio!<br />\n<br /><br />\n<h3>LaChapell 583S Features:</h3>\n<ul style=\"\">\n	<li>First 500 series tube preamp</li>\n	<li>Only 500 series tube preamp with TrueTube™ voltage</li>\n	<li>Cinemag and Jensen transformers</li>\n	<li>Hi-Z input on front panel</li>\n	<li>Dual gain knobs for extreme flexibility and control</li>\n</ul>\n<br />\n<h3>Power Supply</h3>\nThe 583S mk2, was built to meet API/VPR certification requirements. Using multiple internal DC/DC converters, the 583’s 12AX7 tube enjoys proper power for both plate (250 volts) and filament (12 volts). Unlike some other tube preamps for the 500 series, we do not starve the tube of voltages in any way. And, since this all occurs within the 583 module, there is no worry of harming your 500 series power supply. The 583S mk2 is also built to be a “good neighbor” to your other 500 series modules. With the exception of the tube access opening, the 583s has an enclosed chassis, which helps direct cooling and prevents any unwanted interference.\n<br /><br />\n<h3>Components</h3>\nThe 583s mk2 features the CineMag CMMI-10 microphone input transformer and Jensen’s best line output transformer; the JT-11. Typical preamplifier features are available as well including 48v, a 20 dB pad and polarity reverse. The mk2 also sports an auto-switching, transformer-less Hi-Z input for instruments.\n<br /><br />\n<h3>Controls</h3>\nIn operation, the user has individual control over the input and output gain stages via 41-position potentiometers. This, like its 992 older brother, provides total flexibility to explore the 583s’ broad sonic pallet; enhancing its versatility for all of your recordings. The new mk2 also includes a convenient handle for easy insertion and removal.\n<br /><br />\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n		Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>'),(6074,75,1,1013,'<h1>LaChapell Audio 583S MKII 500-series Tube Mic Preamp</h1>\n<span style=\"font-size:16px; font-style:italic;\">The world’s first 500 series vacuum tube preamplifier featuring TrueTube 250V Power to </span><i>supply the needed 250V fot proper headroom and harmonics that characterize that classic tube sound.</i><br /><br />\nThe LaChapell Audio 583S mk2 is the latest example of the legendary 583 vacuum tube preamplifier for the 500 series format. The 583s was the first ever tube mic preamp for the 500 series. It is extremely versatile, allowing a wide range of sonic options from clean to harmonically rich. It’s great for use on almost any source with almost any mic.<br /><br />\n\nEvery component on the LaChapell 583S MK2 was carefully selected for sonic perfection from the Cinemag input transformer to the Jensen output transformer.\n<br /><br />\n	With dual drive knobs to separately drive the input and output, the 583S provides total flexibility to explore a broad sonic palette enhancing its versatility for all of your recordings. Leaning on the input stage, the 583S MK2 delivers vintage style tube warmth. The more you drive the input, the more harmonics are introduced. Backing off on the input but increasing the output results in gorgeous clean tones with some weight provided by the Cinemag and Jensens transformers.\n<br /><br />\n	An essential 500 series module for the modern professional and project recording studio!<br />\n<br /><br />\n<h3>LaChapell 583S Features:</h3>\n<ul style=\"\">\n	<li>First 500 series tube preamp</li>\n	<li>Only 500 series tube preamp with TrueTube™ voltage</li>\n	<li>Cinemag and Jensen transformers</li>\n	<li>Hi-Z input on front panel</li>\n	<li>Dual gain knobs for extreme flexibility and control</li>\n</ul>\n<br />\n<h3>Power Supply</h3>\nThe 583S mk2, was built to meet API/VPR certification requirements. Using multiple internal DC/DC converters, the 583’s 12AX7 tube enjoys proper power for both plate (250 volts) and filament (12 volts). Unlike some other tube preamps for the 500 series, we do not starve the tube of voltages in any way. And, since this all occurs within the 583 module, there is no worry of harming your 500 series power supply. The 583S mk2 is also built to be a “good neighbor” to your other 500 series modules. With the exception of the tube access opening, the 583s has an enclosed chassis, which helps direct cooling and prevents any unwanted interference.\n<br /><br />\n<h3>Components</h3>\nThe 583s mk2 features the CineMag CMMI-10 microphone input transformer and Jensen’s best line output transformer; the JT-11. Typical preamplifier features are available as well including 48v, a 20 dB pad and polarity reverse. The mk2 also sports an auto-switching, transformer-less Hi-Z input for instruments.\n<br /><br />\n<h3>Controls</h3>\nIn operation, the user has individual control over the input and output gain stages via 41-position potentiometers. This, like its 992 older brother, provides total flexibility to explore the 583s’ broad sonic pallet; enhancing its versatility for all of your recordings. The new mk2 also includes a convenient handle for easy insertion and removal.\n<br /><br />\n<div>\n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n	<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n</div>\n<p>\n		Don’t forget to check out \n	<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n</p>'),(6075,85,0,1013,'LaChapell Audio 583S MKII 500-series Tube Mic Preamp'),(6076,85,1,1013,'LaChapell Audio 583S MKII 500-series Tube Mic Preamp'),(6077,76,0,1013,''),(6078,76,1,1013,''),(6079,75,0,1014,'<h1>LaChapell Audio 983M Tube Mic Preamp</h1>\n<i>\nHalf Rack Single Channel Tube Mic Pre with TRUE48 Dynamic Phantom Power</i><br /><br />\n\nThe LaChapell Audio 983M is a half rack sized single channel tube preamp that is perfect for small studios, podcast studios, voice overs, and session musicians. Along with the 983S MK2, the 983M is the first preamp to feature True48™, a phantom power supply that provides a consistent 48V for phantom powered mics. Current 48V supplies dip in voltage as the source load changes (such as periods of high transients on many mics). True48 evens out the voltage supply, giving mics greater headroom, quicker transient recovery and a smoother less distorted response. \n<br /><br />\nThe LaChapell 983M is capable of stunning clean tones and harmonically rich driven tones. Exceptional on nearly any source, the 983M features high and low pass filters with selectable roll-off frequencies, channel mute, front panel Hi-Z input, pad and polarity switches.\n<br /><br />\n<h3>LaChapell 983M Features:</h3>\n<ul>\n	<li>Half Rack, single channel of tube amplification</li>\n	<li>True48 phantom power supply</li>\n	<li>1 x 12AX7 / ECC83 Vacuum tube</li>\n	<li>Cinemag and Jensen transformers</li>\n	<li>Hi-Z input on front panel with auto switching</li>\n	<li>Dual gain knobs for extreme flexibility and control</li><li>Optional Rack Ear Kits sold separately </li>\n</ul>'),(6080,75,1,1014,'<h1>LaChapell Audio 983M Tube Mic Preamp</h1>\n<i>\nHalf Rack Single Channel Tube Mic Pre with TRUE48 Dynamic Phantom Power</i><br /><br />\n\nThe LaChapell Audio 983M is a half rack sized single channel tube preamp that is perfect for small studios, podcast studios, voice overs, and session musicians. Along with the 983S MK2, the 983M is the first preamp to feature True48™, a phantom power supply that provides a consistent 48V for phantom powered mics. Current 48V supplies dip in voltage as the source load changes (such as periods of high transients on many mics). True48 evens out the voltage supply, giving mics greater headroom, quicker transient recovery and a smoother less distorted response. \n<br /><br />\nThe LaChapell 983M is capable of stunning clean tones and harmonically rich driven tones. Exceptional on nearly any source, the 983M features high and low pass filters with selectable roll-off frequencies, channel mute, front panel Hi-Z input, pad and polarity switches.\n<br /><br />\n<h3>LaChapell 983M Features:</h3>\n<ul>\n	<li>Half Rack, single channel of tube amplification</li>\n	<li>True48 phantom power supply</li>\n	<li>1 x 12AX7 / ECC83 Vacuum tube</li>\n	<li>Cinemag and Jensen transformers</li>\n	<li>Hi-Z input on front panel with auto switching</li>\n	<li>Dual gain knobs for extreme flexibility and control</li><li>Optional Rack Ear Kits sold separately </li>\n</ul>'),(6081,85,0,1014,'LaChapell Audio 983M Tube Mic Preamp'),(6082,85,1,1014,'LaChapell Audio 983M Tube Mic Preamp'),(6083,76,0,1014,''),(6084,76,1,1014,''),(6085,75,0,1015,'<h1>LaChapell Audio 983S MK2 Two Channel Tube Preamp</h1><i>\nTwo Channel Tube Mic Pre with TRUE48 Dynamic Phantom Power</i><br /><br />The LaChapell 983S MK2 is a two channel tube mic pre featuring the innovative True48™ dynamic phantom power supply. True48  improves the performance of your condenser mics. Current 48V supplies dip in voltage as the source load changes (such as periods of high transients on many mics). True48 evens out the voltage supply, giving mics greater headroom, quicker transient recovery and a smoother less distorted response.\n<br /><br />\nEach channel on the LaChapell 983S MK2 features a Cinemag input transformer, an ECC83/12AX7 vacuum tube, Jensen output transformer and Burr Brown & THAT Corporation line drivers. Each component in signal path is of the highest quality, carefully selected to sound beautiful and last long.\n<br /><br />\nThis mic pre is capable of stunning clean tones and harmonically rich driven tones. Exceptional on nearly any source, the 983S MK2 features high and low pass filters with selectable roll-off frequencies, channel mute, front panel Hi-Z input, pad and polarity switches.\n<br /><br />\n<h3>LaChapell 983S Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Two channels of tube pre-amplifcation</span></li>\n	<li>True48 phantom power supply</li>\n	<li>2 Vacuum tubes</li>\n	<li>Cinemag and Jensen transformers</li>\n	<li>Hi-Z input on front panel with auto switching</li>\n	<li>Dual gain knobs for extreme flexibility and control</li>\n</ul>'),(6086,75,1,1015,'<h1>LaChapell Audio 983S MK2 Two Channel Tube Preamp</h1><i>\nTwo Channel Tube Mic Pre with TRUE48 Dynamic Phantom Power</i><br /><br />The LaChapell 983S MK2 is a two channel tube mic pre featuring the innovative True48™ dynamic phantom power supply. True48  improves the performance of your condenser mics. Current 48V supplies dip in voltage as the source load changes (such as periods of high transients on many mics). True48 evens out the voltage supply, giving mics greater headroom, quicker transient recovery and a smoother less distorted response.\n<br /><br />\nEach channel on the LaChapell 983S MK2 features a Cinemag input transformer, an ECC83/12AX7 vacuum tube, Jensen output transformer and Burr Brown & THAT Corporation line drivers. Each component in signal path is of the highest quality, carefully selected to sound beautiful and last long.\n<br /><br />\nThis mic pre is capable of stunning clean tones and harmonically rich driven tones. Exceptional on nearly any source, the 983S MK2 features high and low pass filters with selectable roll-off frequencies, channel mute, front panel Hi-Z input, pad and polarity switches.\n<br /><br />\n<h3>LaChapell 983S Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Two channels of tube pre-amplifcation</span></li>\n	<li>True48 phantom power supply</li>\n	<li>2 Vacuum tubes</li>\n	<li>Cinemag and Jensen transformers</li>\n	<li>Hi-Z input on front panel with auto switching</li>\n	<li>Dual gain knobs for extreme flexibility and control</li>\n</ul>'),(6087,85,0,1015,'LaChapell Audio 983S MK2 Two Channel Tube Preamp'),(6088,85,1,1015,'LaChapell Audio 983S MK2 Two Channel Tube Preamp'),(6089,76,0,1015,''),(6090,76,1,1015,''),(6091,75,0,1016,'<h1>LaChapell Audio 992EG Tube Mic Preamp</h1><i>\nTwo Channel Tube Microphone Preamp featuring 8 total vacuum tubes for a warm melodic character.<br /></i><br />The LaChapell Audio Model 992EG is a two channel fully balanced tube mic preamp and instrument input amplifier. Meticulously hand assembled, every aspect of the 992 speaks to our dedication to quality of sound and solid, robust construction. From the Cinemag and Jensen transformers to the knobs and switches, the 992EG is gorgeous inside and out.\n<br /><br />\n	With a total of eight vacuum tubes (2x 12AX7/ECC83 input stage and 2x 12AU7/ECC82 output stage tubes per channel), the 992EG tube mic preamp is known for its warm melodic character and rich low-end response.\n<br /><br />\n	What makes the 992 such a powerful preamplifier is the level of control the user has over both the input and output stages. Separate input and output knobs allow the user to throttle gain in or out of either the input stage (for loads of character) or the output stage (for a more clear, transparent response). This makes the 992 one of the most flexible preamplifiers available in today’s recording studio market.\n<br /><br />\n<h3>LaChapell 992EG Features:</h3>\n<ul>\n	<li>Two channels of tube pre-amplifcation</li>\n	<li>8 Vacuum tubes</li>\n	<li>Cinemag and Jensen transformers</li>\n	<li>Hi-Z input on front panel with auto switching</li>\n	<li>Dual gain knobs for extreme flexibility and control</li>\n</ul>'),(6092,75,1,1016,'<h1>LaChapell Audio 992EG Tube Mic Preamp</h1><i>\nTwo Channel Tube Microphone Preamp featuring 8 total vacuum tubes for a warm melodic character.<br /></i><br />The LaChapell Audio Model 992EG is a two channel fully balanced tube mic preamp and instrument input amplifier. Meticulously hand assembled, every aspect of the 992 speaks to our dedication to quality of sound and solid, robust construction. From the Cinemag and Jensen transformers to the knobs and switches, the 992EG is gorgeous inside and out.\n<br /><br />\n	With a total of eight vacuum tubes (2x 12AX7/ECC83 input stage and 2x 12AU7/ECC82 output stage tubes per channel), the 992EG tube mic preamp is known for its warm melodic character and rich low-end response.\n<br /><br />\n	What makes the 992 such a powerful preamplifier is the level of control the user has over both the input and output stages. Separate input and output knobs allow the user to throttle gain in or out of either the input stage (for loads of character) or the output stage (for a more clear, transparent response). This makes the 992 one of the most flexible preamplifiers available in today’s recording studio market.\n<br /><br />\n<h3>LaChapell 992EG Features:</h3>\n<ul>\n	<li>Two channels of tube pre-amplifcation</li>\n	<li>8 Vacuum tubes</li>\n	<li>Cinemag and Jensen transformers</li>\n	<li>Hi-Z input on front panel with auto switching</li>\n	<li>Dual gain knobs for extreme flexibility and control</li>\n</ul>'),(6093,85,0,1016,'LaChapell Audio 992EG Tube Mic Preamp'),(6094,85,1,1016,'LaChapell Audio 992EG Tube Mic Preamp'),(6095,76,0,1016,''),(6096,76,1,1016,''),(6097,75,0,1017,'The FC-357 Clarion blends classic and modern FET sound. It features a uniquely tuned frequency response that produces the smooth natural character found in classic FET condenser microphones with a touch of smooth modern airiness.\n\nThe FC-357 Clarion features our custom designed 28.25mm dual diaphragm capsule that accurately captures your source. The electronics include a low-noise FET and custom-wound output transformer that work together to provide you with an authentic and classic sound with a modern touch.\n\nThe FC-357 Clarion has the features you need to achieve the sound you want. The unique three-position attenuation and gain switch offers you powerful recording options with no adverse distortion. The +10dB gain switch, which boosts the microphone\'s output, makes it less dependent on preamps to achieve excellent sound.'),(6098,75,1,1017,'The FC-357 Clarion blends classic and modern FET sound. It features a uniquely tuned frequency response that produces the smooth natural character found in classic FET condenser microphones with a touch of smooth modern airiness.\n\nThe FC-357 Clarion features our custom designed 28.25mm dual diaphragm capsule that accurately captures your source. The electronics include a low-noise FET and custom-wound output transformer that work together to provide you with an authentic and classic sound with a modern touch.\n\nThe FC-357 Clarion has the features you need to achieve the sound you want. The unique three-position attenuation and gain switch offers you powerful recording options with no adverse distortion. The +10dB gain switch, which boosts the microphone\'s output, makes it less dependent on preamps to achieve excellent sound.'),(6099,85,0,1017,'Lauten Audio Clarion FC-357 Condenser Microphone'),(6100,85,1,1017,'Lauten Audio Clarion FC-357 Condenser Microphone'),(6101,76,0,1017,''),(6102,76,1,1017,''),(6103,75,0,1018,'The Atlantis FC-387 is a multi-pattern and multi-voicing large diaphragm FET studio condenser microphone. This microphone is for recordists looking for an extremely diverse, unique and modern FET sound. It offers full and rich, low and mid-range frequencies as well as smooth and unique high-mid and high frequencies no matter which voicing setting is selected. <div><br /></div><div><span style=\"font-weight: bold;\">Multi-voicing capabilities</span></div><div>\n\nThe voicing switch makes the Atlantis an extremely diverse microphone. The options are F (Forward), N (Neutral) and G (Gentle). Forward offers a very open response and very modern, revealing sound. Neutral is a more even response with slight de-emphasis on mid and high frequencies for a more classic sound. Gentle offers the ability to tame harsh, bright or very forward sources or for a very vintage sound. Eeach voicing setting has a unique frequency response; it’s like getting three microphones in one. \n</div><div><br /></div><div>The multi-voicing feature is an extremely powerful option when recording vocals and many other sources. No need to swap out different microphones or EQ on the way in; simply flip the switch on the rear, compare the various timbre qualities and start recording. <div><br /></div><div><span style=\"font-weight: bold;\">Unique 3-way Gain Switch</span></div><div>The Atlantis also features Lauten\'s unique three-position attenuation and gain switch. The +10dB gain switch, which boosts the microphone\'s output, makes it less dependent on preamps to achieve excellent sound. This is an excellent option when you want to hear more of the microphones internal character rather than the preamp. The -10dB Pad gives you the option to record very loud sources adding even more options to this extremely diverse microphone.</div></div>'),(6104,75,1,1018,'The Atlantis FC-387 is a multi-pattern and multi-voicing large diaphragm FET studio condenser microphone. This microphone is for recordists looking for an extremely diverse, unique and modern FET sound. It offers full and rich, low and mid-range frequencies as well as smooth and unique high-mid and high frequencies no matter which voicing setting is selected. <div><br /></div><div><span style=\"font-weight: bold;\">Multi-voicing capabilities</span></div><div>\n\nThe voicing switch makes the Atlantis an extremely diverse microphone. The options are F (Forward), N (Neutral) and G (Gentle). Forward offers a very open response and very modern, revealing sound. Neutral is a more even response with slight de-emphasis on mid and high frequencies for a more classic sound. Gentle offers the ability to tame harsh, bright or very forward sources or for a very vintage sound. Eeach voicing setting has a unique frequency response; it’s like getting three microphones in one. \n</div><div><br /></div><div>The multi-voicing feature is an extremely powerful option when recording vocals and many other sources. No need to swap out different microphones or EQ on the way in; simply flip the switch on the rear, compare the various timbre qualities and start recording. <div><br /></div><div><span style=\"font-weight: bold;\">Unique 3-way Gain Switch</span></div><div>The Atlantis also features Lauten\'s unique three-position attenuation and gain switch. The +10dB gain switch, which boosts the microphone\'s output, makes it less dependent on preamps to achieve excellent sound. This is an excellent option when you want to hear more of the microphones internal character rather than the preamp. The -10dB Pad gives you the option to record very loud sources adding even more options to this extremely diverse microphone.</div></div>'),(6105,85,0,1018,'Lauten Audio Atlantis FC-387 Condenser Microphone'),(6106,85,1,1018,'Lauten Audio Atlantis FC-387 Condenser Microphone'),(6107,76,0,1018,''),(6108,76,1,1018,''),(6109,75,0,1019,'<h2>Lauten Audio Oceanus LT-381 Condenser Microphone</h2><p>\n	Clear the air for big revealing sound. Visually stunning, the LT-381 Oceanus is a fantastic vocal mic. It\'s an original high-performance transformer-less tube condenser microphone that produces full and detailed recordings.</p><p>\n	Lauten\'s new 31.25mm dual-diaphragm capsule captures minute details of the sound source.  A Lauten Audio original design, the Oceanus capsule is one of largest in the microphone world, making it part of the unique Oceanus sound.</p><p>\n	Internally the LT-381 Oceanus is a innovative blend of classic and modern day components. This microphone contains one of the most unique circuit topologies of any microphone on the market today. It utilizes a NOS military-grade pentode tube with a carefully selected operating point as the input and gain stage, and a transformer-less tube output stage. Finally, our unique vacuum tube isolation chamber reduces component temperatures as well as noise.</p><h3>Capture Minute Details!</h3><ul>\n	<li>Extra large dual-diaphragm capsule captures minute details of the sound source.</li>	<li>Unique circuit topology and body design increases clarity, adds subtle tube character.</li>	<li>Transformerless design minimizes feedback and signal loss</li>	<li>Unique signal path eliminates harshness</li></ul><h3>Optimal performance features</h3><ul>\n	<li>Variable Polar Pattern Selector\n	<ul>\n		<li>Omnidirectional, cardioid and figure-8 – Six intermediate positions</li>		<li>Achieve many sound characteristics</li>	</ul></li>	<li>External Power Supply\n	<ul>\n		<li>Rugged vintage styling</li>		<li>Houses polar pattern selector</li>		<li>Consistent voltage for optimal performance.</li>	</ul></li>	<li>Vibration Reduction & Isolation\n	<ul>\n		<li>Custom shock mount</li>		<li>Capsule is internally shock mounted.</li>		<li>Custom heavy-duty shock mount </li>		<li>Steel construction</li>	</ul></li></ul><h3>Innovative blend of classic and modern day components.</h3><ul>\n	<li>Custom 31.25mm dual-diaphragm capsule\n	<ul>\n		<li>Side terminated</li>		<li>Custom spec, tension, dampening, spacing</li>	</ul></li>	<li>One of the most unique circuit topologies\n	<ul>\n		<li>Pentode tube, phase splitter (FET), triode tube</li>	</ul></li>	<li>NOS military-grade pentode gain stage</li>	<li>Transformerless tube output stage.\n	<ul>\n		<li>No bad distortion</li>		<li>No signal loss</li>	</ul></li>	<li>Unique vacuum tube isolation chamber\n	<ul>\n		<li>Reduces component temperature as well as noise.</li>	</ul></li></ul><h3>Accessories</h3><ul>\n	<li>Heavy duty shock mount Heavy duty shock mount\n	<ul>\n		<li>Custom made for Oceanus </li>		<li>Steel construction</li>		<li>High resilient bands</li>	</ul></li>	<li>Sustainably farmed bamboo box</li>	<li>Premium Gotham cable Premium Gotham cable</li>	<li>Deluxe flight case Deluxe flight case</li>	<li>Vintage style power Vintage style power supply</li></ul>'),(6110,75,1,1019,'<h2>Lauten Audio Oceanus LT-381 Condenser Microphone</h2><p>\n	Clear the air for big revealing sound. Visually stunning, the LT-381 Oceanus is a fantastic vocal mic. It\'s an original high-performance transformer-less tube condenser microphone that produces full and detailed recordings.</p><p>\n	Lauten\'s new 31.25mm dual-diaphragm capsule captures minute details of the sound source.  A Lauten Audio original design, the Oceanus capsule is one of largest in the microphone world, making it part of the unique Oceanus sound.</p><p>\n	Internally the LT-381 Oceanus is a innovative blend of classic and modern day components. This microphone contains one of the most unique circuit topologies of any microphone on the market today. It utilizes a NOS military-grade pentode tube with a carefully selected operating point as the input and gain stage, and a transformer-less tube output stage. Finally, our unique vacuum tube isolation chamber reduces component temperatures as well as noise.</p><h3>Capture Minute Details!</h3><ul>\n	<li>Extra large dual-diaphragm capsule captures minute details of the sound source.</li>	<li>Unique circuit topology and body design increases clarity, adds subtle tube character.</li>	<li>Transformerless design minimizes feedback and signal loss</li>	<li>Unique signal path eliminates harshness</li></ul><h3>Optimal performance features</h3><ul>\n	<li>Variable Polar Pattern Selector\n	<ul>\n		<li>Omnidirectional, cardioid and figure-8 – Six intermediate positions</li>		<li>Achieve many sound characteristics</li>	</ul></li>	<li>External Power Supply\n	<ul>\n		<li>Rugged vintage styling</li>		<li>Houses polar pattern selector</li>		<li>Consistent voltage for optimal performance.</li>	</ul></li>	<li>Vibration Reduction & Isolation\n	<ul>\n		<li>Custom shock mount</li>		<li>Capsule is internally shock mounted.</li>		<li>Custom heavy-duty shock mount </li>		<li>Steel construction</li>	</ul></li></ul><h3>Innovative blend of classic and modern day components.</h3><ul>\n	<li>Custom 31.25mm dual-diaphragm capsule\n	<ul>\n		<li>Side terminated</li>		<li>Custom spec, tension, dampening, spacing</li>	</ul></li>	<li>One of the most unique circuit topologies\n	<ul>\n		<li>Pentode tube, phase splitter (FET), triode tube</li>	</ul></li>	<li>NOS military-grade pentode gain stage</li>	<li>Transformerless tube output stage.\n	<ul>\n		<li>No bad distortion</li>		<li>No signal loss</li>	</ul></li>	<li>Unique vacuum tube isolation chamber\n	<ul>\n		<li>Reduces component temperature as well as noise.</li>	</ul></li></ul><h3>Accessories</h3><ul>\n	<li>Heavy duty shock mount Heavy duty shock mount\n	<ul>\n		<li>Custom made for Oceanus </li>		<li>Steel construction</li>		<li>High resilient bands</li>	</ul></li>	<li>Sustainably farmed bamboo box</li>	<li>Premium Gotham cable Premium Gotham cable</li>	<li>Deluxe flight case Deluxe flight case</li>	<li>Vintage style power Vintage style power supply</li></ul>'),(6111,85,0,1019,'Lauten Audio Oceanus LT-381 Condenser Microphone'),(6112,85,1,1019,'Lauten Audio Oceanus LT-381 Condenser Microphone'),(6113,76,0,1019,''),(6114,76,1,1019,''),(6115,75,0,1020,'<h2>Lauten Audio Eden LT-386 Multi-voicing Vacuum Tube Condenser Microphone</h2>\n<p>\n	The Lauten Eden LT-386 is a large diaphragm tube microphone that uses Multi-Voice proprietary technology, which allows for choosing between cardioid, omnidirectional and Figure-8 polar patterns. The LT-386 is for discerning recordists in search of the most diverse and useful studio vacuum tube microphone. It offers a unique blend of classic and modern design theory which exhibits a smooth, rich low and mid-range as well as high mid and high timbre reminiscent of premier classic vacuum tube microphones. From its attached, semi-permanent, suspension mount, to its three different switches housed on the microphone itself, Eden offers an endless palette of sound.\n</p>\n<p>\n	<span style=\"background-color: initial;\">The Eden hosts a Lauten modified dual-diaphragm 31.21mm capsule, a US transformer on the output, an EF86 or pentode equivalent tube, a nickel plated head and a semi-permanent shockmount.</span>\n</p>\n<h3>Lauten Eden Key Features</h3>\n<ul>\n	<li>Large diaphragm condenser microphone </li>\n	<li>Double membrane (diameter ~ 31 mm) </li>\n	<li>Polar patterns: cardioid, figure eight or ball </li>\n	<li>High-pass filter can be activated (two cutoff frequencies selectable) </li>\n	<li>3 voicings adjustable Tube: EF86 or equivalent</li>\n</ul>\n<br />\n<h3>Pattern switching on the microphone</h3>\nThe polar pattern switch gives recordists the option of choosing between Cardioid, Omnidirectional or Figure-8 polar patterns. Having the pattern switch on the microphone, rather than the power supply, allows you or the artist to quickly and easily make your selection. Although not as common today, we were inspired by the most admired classics when we decided to put this feature on the microphone itself.<br /><br />\n\n<h3>Vocal and Kick-drum shaping high-pass filters</h3>\nNext up we have our unique 2-stage, high-pass filters we call “Kick-shaper” and “Vocal-shaper”. These filters are uniquely tuned to shape the low-end for two of the most commons trouble areas. In its default position there is no high-pass. Stage one, or the middle position, is the “Kick-shaper”; as you can probably guess, this was specifically designed for kick-drums. With its very steep cut of the low-end, it removes excess boominess that might actually take away from a big sounding kick. But feel free to try it on toms, vocals, guitars etc.  Moving the switch to stage 2, or the bottom position, is the “Vocal-shaper” which is designed to clean up your vocal tracks for an amazingly smooth and classic sound. Of course, it will be useful for many more sources as well.<br /><br />\n\n<h3>Proprietary Multi-voicing technology</h3>\nMulti-voicing is a process that can only be achieved in the microphone itself. This is Lauten Audio’s proprietary technology that uses three separate signal paths for unique frequency shaping. The multi-voicing functions in Eden are specifically designed and tuned for this microphone and are not the same as the Atlantis. But for consistency we kept the same names; Forward, Neutral and Gentle. The Gentle position provides maximum control of bright or peaky sources or to achieve a very warm, vintage vibe. Select one of the high-pass filters and you’ll think you have a completely different microphone. Neutral offers a nice even response with good control over S’s, and starts moving more toward a modern microphone but still wrapped in a vintage vibe. Lastly Forward opens up the microphone for that familiar “air” of classic microphones from the past with our own modern touch that Lauten Audio is known for.<br /><br />\n\n<h3>Lauten Eden in Summary</h3>\nThe polar-pattern, high-pass filter, and Multi-voicing functions make for a vacuum tube microphone like never before. Put it in figure-8, use the kick-shaper (first stage high-pass) and forward mode, or cardioid, vocal-shaper (second stage high-pass), and gentle, it’s almost an endless palette of options.<br /><br />'),(6116,75,1,1020,'<h2>Lauten Audio Eden LT-386 Multi-voicing Vacuum Tube Condenser Microphone</h2>\n<p>\n	The Lauten Eden LT-386 is a large diaphragm tube microphone that uses Multi-Voice proprietary technology, which allows for choosing between cardioid, omnidirectional and Figure-8 polar patterns. The LT-386 is for discerning recordists in search of the most diverse and useful studio vacuum tube microphone. It offers a unique blend of classic and modern design theory which exhibits a smooth, rich low and mid-range as well as high mid and high timbre reminiscent of premier classic vacuum tube microphones. From its attached, semi-permanent, suspension mount, to its three different switches housed on the microphone itself, Eden offers an endless palette of sound.\n</p>\n<p>\n	<span style=\"background-color: initial;\">The Eden hosts a Lauten modified dual-diaphragm 31.21mm capsule, a US transformer on the output, an EF86 or pentode equivalent tube, a nickel plated head and a semi-permanent shockmount.</span>\n</p>\n<h3>Lauten Eden Key Features</h3>\n<ul>\n	<li>Large diaphragm condenser microphone </li>\n	<li>Double membrane (diameter ~ 31 mm) </li>\n	<li>Polar patterns: cardioid, figure eight or ball </li>\n	<li>High-pass filter can be activated (two cutoff frequencies selectable) </li>\n	<li>3 voicings adjustable Tube: EF86 or equivalent</li>\n</ul>\n<br />\n<h3>Pattern switching on the microphone</h3>\nThe polar pattern switch gives recordists the option of choosing between Cardioid, Omnidirectional or Figure-8 polar patterns. Having the pattern switch on the microphone, rather than the power supply, allows you or the artist to quickly and easily make your selection. Although not as common today, we were inspired by the most admired classics when we decided to put this feature on the microphone itself.<br /><br />\n\n<h3>Vocal and Kick-drum shaping high-pass filters</h3>\nNext up we have our unique 2-stage, high-pass filters we call “Kick-shaper” and “Vocal-shaper”. These filters are uniquely tuned to shape the low-end for two of the most commons trouble areas. In its default position there is no high-pass. Stage one, or the middle position, is the “Kick-shaper”; as you can probably guess, this was specifically designed for kick-drums. With its very steep cut of the low-end, it removes excess boominess that might actually take away from a big sounding kick. But feel free to try it on toms, vocals, guitars etc.  Moving the switch to stage 2, or the bottom position, is the “Vocal-shaper” which is designed to clean up your vocal tracks for an amazingly smooth and classic sound. Of course, it will be useful for many more sources as well.<br /><br />\n\n<h3>Proprietary Multi-voicing technology</h3>\nMulti-voicing is a process that can only be achieved in the microphone itself. This is Lauten Audio’s proprietary technology that uses three separate signal paths for unique frequency shaping. The multi-voicing functions in Eden are specifically designed and tuned for this microphone and are not the same as the Atlantis. But for consistency we kept the same names; Forward, Neutral and Gentle. The Gentle position provides maximum control of bright or peaky sources or to achieve a very warm, vintage vibe. Select one of the high-pass filters and you’ll think you have a completely different microphone. Neutral offers a nice even response with good control over S’s, and starts moving more toward a modern microphone but still wrapped in a vintage vibe. Lastly Forward opens up the microphone for that familiar “air” of classic microphones from the past with our own modern touch that Lauten Audio is known for.<br /><br />\n\n<h3>Lauten Eden in Summary</h3>\nThe polar-pattern, high-pass filter, and Multi-voicing functions make for a vacuum tube microphone like never before. Put it in figure-8, use the kick-shaper (first stage high-pass) and forward mode, or cardioid, vocal-shaper (second stage high-pass), and gentle, it’s almost an endless palette of options.<br /><br />'),(6117,85,0,1020,'Lauten Audio Eden LT-386 Multi-voicing Vacuum Tube Condenser Microphone'),(6118,85,1,1020,'Lauten Audio Eden LT-386 Multi-voicing Vacuum Tube Condenser Microphone'),(6119,76,0,1020,''),(6120,76,1,1020,''),(6121,75,0,1021,'<h2>Lauten Audio Series Black LA-120 FET Condenser Microphone Pair</h2>\n<span style=\"font-size:16px; font-style:italic;\">Professional Small Diaphragm FET Studio Condeser Microphones</span><br /><br />\nThe Lauten Audio Series Black LA-120 small diaphragm FET condenser microphone pair is a professional and versatile pair of microphones for instrument recording. At its core the LA-120 features a U.S. made ultra-low-noise JFET amplifier, interchangeable 17mm pressure gradient condenser cardioid and omni-directional capsules, 50 and 150Hz low-cut filters, 10 and 15kHz high-cut filters, and electronically balanced output. The low-cut filters help reduce boomy lows or low-end room rumble; the high-cut filters help tame bright rooms and sources. These features help you achieve excellent recordings regardless of your skill level.\n<br /><br />\n<h3>Features at a glance</h3>\n<ul>\n	<li>Professional level classic inspired instrument condenser microphones</li>\n	<li>Ideal for capturing vibrant character and transients</li>\n	<li>Intelligent features get you great recordings with ease</li>\n	<li>Interchangeable cardioid and omni-directional capsules</li>\n	<li>50 and 150Hz low-cut & 10 and 15kHz high-cut filters</li>\n	<li>Ultra-low-noise USA JFET amplifier for superior solid-state sound</li>\n</ul>\n<br />\n<h3>Serious instrument recording</h3>\n<ul>\n</ul>\nGet ready to enter the world of professional studio instrument microphones. It’s time for you to let the Series Black LA-120 lead the way into that professional tone you’ve been looking for. Designed for the budding the recordist, the LA-120 is the best entry into professional quality recordings with a pair of professional studio instrument condenser microphones. We’ve built them for ease of use and affordable for anyone to get serious about their sound.\n<br /><br />\n<h3>Independent filters clean your tone</h3>\n<ul>\n</ul>\n<div>\n	<span style=\"background-color: initial;\">The high and low cut filters make solving common problems in home, basement or bedroom recording environments easy. The LA-120 features two independent filters located on the microphone with easy to engage switches. If the room or source is boomy, or you have low-end rumble from outside sources like road noise, furnace, air conditioner etc., turn on the low-cut filters and eliminate the problem. Want to get away from the “harsh” tone you hear about? Then use the high-cut filters to roll-off highs and tame your source. What’s even cooler is you can use both filters at the same time making these microphones extremely versatile and your solution to problems before the recording hits your hard drive.</span>\n</div>\n<br />\n<h3>Incredible price performance ratio</h3>\nMake no mistake, the LA-120’s are professional level, vintage inspired, instrument condenser microphones. They feature swappable 17mm cardioid and omni-directional capsules, ultra-low-noise USA JFET amplifiers and balanced outputs. They are also built with quality polypropylene capacitors and resistors, components often found in much more expensive microphones. We have utilized our many years of experience to create the best performance for the price of any small diaphragm true-condenser FET microphones. Any budding engineer is sure to be pleased with their performance.\n<br /><br />\n<h3>Equipped and ready for recording</h3>\n<div>\n	The LA-120’s come equipped as a pair, with two hard mount clips, an omni-directional and cardioid capsule for each mic, foam wind screens, and a wood style box.\n</div>\n<ul>\n</ul>'),(6122,75,1,1021,'<h2>Lauten Audio Series Black LA-120 FET Condenser Microphone Pair</h2>\n<span style=\"font-size:16px; font-style:italic;\">Professional Small Diaphragm FET Studio Condeser Microphones</span><br /><br />\nThe Lauten Audio Series Black LA-120 small diaphragm FET condenser microphone pair is a professional and versatile pair of microphones for instrument recording. At its core the LA-120 features a U.S. made ultra-low-noise JFET amplifier, interchangeable 17mm pressure gradient condenser cardioid and omni-directional capsules, 50 and 150Hz low-cut filters, 10 and 15kHz high-cut filters, and electronically balanced output. The low-cut filters help reduce boomy lows or low-end room rumble; the high-cut filters help tame bright rooms and sources. These features help you achieve excellent recordings regardless of your skill level.\n<br /><br />\n<h3>Features at a glance</h3>\n<ul>\n	<li>Professional level classic inspired instrument condenser microphones</li>\n	<li>Ideal for capturing vibrant character and transients</li>\n	<li>Intelligent features get you great recordings with ease</li>\n	<li>Interchangeable cardioid and omni-directional capsules</li>\n	<li>50 and 150Hz low-cut & 10 and 15kHz high-cut filters</li>\n	<li>Ultra-low-noise USA JFET amplifier for superior solid-state sound</li>\n</ul>\n<br />\n<h3>Serious instrument recording</h3>\n<ul>\n</ul>\nGet ready to enter the world of professional studio instrument microphones. It’s time for you to let the Series Black LA-120 lead the way into that professional tone you’ve been looking for. Designed for the budding the recordist, the LA-120 is the best entry into professional quality recordings with a pair of professional studio instrument condenser microphones. We’ve built them for ease of use and affordable for anyone to get serious about their sound.\n<br /><br />\n<h3>Independent filters clean your tone</h3>\n<ul>\n</ul>\n<div>\n	<span style=\"background-color: initial;\">The high and low cut filters make solving common problems in home, basement or bedroom recording environments easy. The LA-120 features two independent filters located on the microphone with easy to engage switches. If the room or source is boomy, or you have low-end rumble from outside sources like road noise, furnace, air conditioner etc., turn on the low-cut filters and eliminate the problem. Want to get away from the “harsh” tone you hear about? Then use the high-cut filters to roll-off highs and tame your source. What’s even cooler is you can use both filters at the same time making these microphones extremely versatile and your solution to problems before the recording hits your hard drive.</span>\n</div>\n<br />\n<h3>Incredible price performance ratio</h3>\nMake no mistake, the LA-120’s are professional level, vintage inspired, instrument condenser microphones. They feature swappable 17mm cardioid and omni-directional capsules, ultra-low-noise USA JFET amplifiers and balanced outputs. They are also built with quality polypropylene capacitors and resistors, components often found in much more expensive microphones. We have utilized our many years of experience to create the best performance for the price of any small diaphragm true-condenser FET microphones. Any budding engineer is sure to be pleased with their performance.\n<br /><br />\n<h3>Equipped and ready for recording</h3>\n<div>\n	The LA-120’s come equipped as a pair, with two hard mount clips, an omni-directional and cardioid capsule for each mic, foam wind screens, and a wood style box.\n</div>\n<ul>\n</ul>'),(6123,85,0,1021,'Lauten Audio Series Black LA-120 FET Condenser Microphone Pair'),(6124,85,1,1021,'Lauten Audio Series Black LA-120 FET Condenser Microphone Pair'),(6125,76,0,1021,''),(6126,76,1,1021,''),(6127,75,0,1022,'<h2>Lauten Audio Series Black LA-220 FET Condenser Microphone</h2>\n<i>Professional Large Diaphragm FET Studio Condenser Microphone</i><br /><br />\nThe Lauten Audio Series Black LA-220 large diaphragm FET studio condenser microphone is a professional and versatile microphone for studio vocal and instrument recording. At its core the LA-220 features a U.S. made ultra-low-noise JFET amplifier, a 1″ pressure gradient true-condenser capsule with cardioid polar pattern, independent 120 Hz low-cut and 12 kHz high-cut filters, and a transformer balanced output. The low-cut filter helps reduce boomy lows or low-end room rumble; the high-cut filter helps to tame bright rooms and sources. These features help you to achieve excellent recordings regardless of your skill level.<br /><br />\n<h3>Features at a glance</h3>\n<ul>\n	<li>Professional level vocal and instrument condenser microphone</li><li>Ideal for creating vibrant modern vocals</li><li>High-cut filter tames bright sources</li><li>Low-cut filter removes room rumble and muddiness</li><li>Ultra-low-noise USA JFET amplifier for superior solid-state sound</li><li>Vintage inspired transformer balanced output</li>\n</ul>\n<br />\n<h3>Serious professional sound</h3><div>Get ready to enter the world of professional studio microphones. It’s time for you to let the Series Black LA-220 lead the way into that professional tone you’ve been looking for. Designed for the budding the recordist, the LA-220 is the best entry into professional quality recordings with a professional studio microphone. We’ve made it easy to use and affordable for anyone to get serious about their sound.</div><br />\n<h3>Independent filters clean your tone</h3>\n<ul>\n</ul>\n<div><div><span style=\"background-color: initial;\">The high and low cut filters make solving common problems in home, basement or bedroom recording environments easy. The LA-220 features two independent filters located on the microphone and easy to engage via switches located on the front. If the room or source is boomy, or you have low-end rumble from outside sources like road noise, furnace, air conditioner etc., turn on the low-cut filter and eliminate the problem. Want to get away from the “harsh” tone you hear about? Then use the high-cut to roll-off above 12k and tame your source. What’s even cooler is you can use both filters at the same time making this microphone extremely versatile and your solution to problems before the recording hits your hard drive.</span></div></div>\n<br />\n<h3>Incredible price performance ratio</h3><div><span style=\"background-color: initial;\">Make no mistake, the LA-220 is a professional level condenser microphone. Inside is a large, 1-inch pressure gradient true-condenser capsule and ultra-low-noise USA JFET amplifier. It also contains high quality polypropylene capacitors and resistor, components found in much more expensive microphones. We have utilized our many years of experience to create the best price to performance ratio of any large diaphragm FET microphone. Any engineer is sure to be pleased with their results.</span></div><br />\n<h3>Equipped and ready for recording</h3><div><div>The LA-220 comes equipped with a spider shock mount to isolate the microphone from vibrations such as a tapping foot or outside rumble from street noise.</div></div>\n<ul>\n</ul>'),(6128,75,1,1022,'<h2>Lauten Audio Series Black LA-220 FET Condenser Microphone</h2>\n<i>Professional Large Diaphragm FET Studio Condenser Microphone</i><br /><br />\nThe Lauten Audio Series Black LA-220 large diaphragm FET studio condenser microphone is a professional and versatile microphone for studio vocal and instrument recording. At its core the LA-220 features a U.S. made ultra-low-noise JFET amplifier, a 1″ pressure gradient true-condenser capsule with cardioid polar pattern, independent 120 Hz low-cut and 12 kHz high-cut filters, and a transformer balanced output. The low-cut filter helps reduce boomy lows or low-end room rumble; the high-cut filter helps to tame bright rooms and sources. These features help you to achieve excellent recordings regardless of your skill level.<br /><br />\n<h3>Features at a glance</h3>\n<ul>\n	<li>Professional level vocal and instrument condenser microphone</li><li>Ideal for creating vibrant modern vocals</li><li>High-cut filter tames bright sources</li><li>Low-cut filter removes room rumble and muddiness</li><li>Ultra-low-noise USA JFET amplifier for superior solid-state sound</li><li>Vintage inspired transformer balanced output</li>\n</ul>\n<br />\n<h3>Serious professional sound</h3><div>Get ready to enter the world of professional studio microphones. It’s time for you to let the Series Black LA-220 lead the way into that professional tone you’ve been looking for. Designed for the budding the recordist, the LA-220 is the best entry into professional quality recordings with a professional studio microphone. We’ve made it easy to use and affordable for anyone to get serious about their sound.</div><br />\n<h3>Independent filters clean your tone</h3>\n<ul>\n</ul>\n<div><div><span style=\"background-color: initial;\">The high and low cut filters make solving common problems in home, basement or bedroom recording environments easy. The LA-220 features two independent filters located on the microphone and easy to engage via switches located on the front. If the room or source is boomy, or you have low-end rumble from outside sources like road noise, furnace, air conditioner etc., turn on the low-cut filter and eliminate the problem. Want to get away from the “harsh” tone you hear about? Then use the high-cut to roll-off above 12k and tame your source. What’s even cooler is you can use both filters at the same time making this microphone extremely versatile and your solution to problems before the recording hits your hard drive.</span></div></div>\n<br />\n<h3>Incredible price performance ratio</h3><div><span style=\"background-color: initial;\">Make no mistake, the LA-220 is a professional level condenser microphone. Inside is a large, 1-inch pressure gradient true-condenser capsule and ultra-low-noise USA JFET amplifier. It also contains high quality polypropylene capacitors and resistor, components found in much more expensive microphones. We have utilized our many years of experience to create the best price to performance ratio of any large diaphragm FET microphone. Any engineer is sure to be pleased with their results.</span></div><br />\n<h3>Equipped and ready for recording</h3><div><div>The LA-220 comes equipped with a spider shock mount to isolate the microphone from vibrations such as a tapping foot or outside rumble from street noise.</div></div>\n<ul>\n</ul>'),(6129,85,0,1022,'Lauten Audio Series Black LA-220 FET Condenser Microphone'),(6130,85,1,1022,'Lauten Audio Series Black LA-220 FET Condenser Microphone'),(6131,76,0,1022,''),(6132,76,1,1022,''),(6133,75,0,1023,'<h2>Lauten Audio Series Black LA-320 Condenser Microphone</h2>\n<span style=\"font-size:16px; font-style:italic;\">Professional Large Diaphragm Vacuum Tube Condenser Microphone</span><br /><br />\nThe Lauten Audio Series Black LA-320 large diaphragm vacuum tube condenser microphone is a professional and versatile microphone for studio vocal and instrument recording. The LA-320 features a 1-inch pressure gradient true-condenser capsule, cardioid polar pattern, dual-triode vacuum tube, transformer balanced output, independent high and low cut filters, custom dedicated power supply, tube microphone cable, spider shock mount and hard case.<br /><br />The microphone features two independent filters located on the microphone and easy to engage via switches. If the room or source is boomy, or you have low-end rumble from outside noise, turn on the low-cut filter and eliminate much of the problem. You can also use the high-cut to roll-off above 12k and help tame a bright room with lots of reflections, or a bright source. What makes it even more useful is you can use both filters at the same time resolving many problems before the recording hits your hard drive.<br /><br />\n<h3>Features at a glance</h3>\n<ul>\n	<li>Designed for budding engineers and home recordists</li>\n	<li> Intelligent features get you great recordings with ease</li>\n	<li>High-cut filter tames bright rooms and sources</li>\n	<li>Low-cut filter takes away room rumble and muddiness</li>\n	<li>Dual-triode vacuum tube and 1” capsule reminiscent of classic German mics</li>\n	<li>Vintage inspired transformer balanced output</li>\n</ul>\n<br />\n<h3>Independent filters clean your tone</h3>\n<ul>\n</ul>\nThe high and low cut filters make solving common problems in home, \nbasement or bedroom recording environments easy. The LA-320 features two\n independent filters located on the microphone and easy to engage via \nswitches located on the front of the microphone. If the room or source \nis boomy, or you have low-end rumble from outside sources like road \nnoise, furnace, air conditioner etc., turn on the low-cut filter and \neliminate the problem. Use the high-cut to roll-off above 12k and tame a\n bright room or a bright source. What’s even cooler is you can use both \nfilters at the same time resolving many problems before the recording \nhits your hard drive.\n<br /><br />\n<h3>Incredible price performance ratio</h3>\n<ul>\n</ul>\nInside the LA-320 is a 1 inch pressure gradient true-condenser capsule and dual-triode vacuum tube inspired by those used in classic German microphones. Don’t be fooled by the affordability, the LA-320 features high quality components often found in much more expensive microphones. We have used our years of experience to create the best performance for the price of any large diaphragm vacuum tube microphone. Any budding engineer is sure to be pleased with the microphone.<br /><br />\n<h3>Fully equipped and ready for recording</h3>\nThe LA-320 comes fully equipped to get you recording with great results \nfast. Each microphone includes a classic inspired spider shock mount to \nisolate the microphone from vibrations, a quality 5-pin tube microphone \ncable, custom, stable, dedicated power supply with a selectable mains \nvoltage for use in all countries (100, 115v, 230v etc.), and a durable \nhard case to keep your microphone safe and clean when not in use.\n<br /><br />\n<h3>Technical Specifications</h3>\n<ul>\n	<li>1 inch dual large diaphragm pressure gradient transducer microphone.</li>\n	<li>Polar Patterns:  Cardioid</li>\n	<li>Circuit:  Vacuum tube with transformer balanced output</li>\n	<li>Frequency Range:   20Hz-20KHz</li>\n	<li>Dynamic Range:  120dB minimum</li>\n	<li>Impedance:  &lt; 200 ohms</li>\n	<li>Max. SPL:  0.5%THD@1000Hz: 130dB</li>\n	<li>Self-noise Level:  &lt;17dB-A</li>\n	<li>Sensitivity:  14mV/Pa (@ 1 kHz, 74dB SPL)</li>\n	<li>Special Features:  Selectable, independent 120Hz low-cut & 12 kHz high-cut filters</li>\n	<li>Connector:  5-pin XLR (PSU to microphone) and 3-pin XLR (PSU to Preamp)</li>\n	<li>Power Requirement:    Custom power supply (Switchable 100v to 240v compatible range)</li>\n</ul>'),(6134,75,1,1023,'<h2>Lauten Audio Series Black LA-320 Condenser Microphone</h2>\n<span style=\"font-size:16px; font-style:italic;\">Professional Large Diaphragm Vacuum Tube Condenser Microphone</span><br /><br />\nThe Lauten Audio Series Black LA-320 large diaphragm vacuum tube condenser microphone is a professional and versatile microphone for studio vocal and instrument recording. The LA-320 features a 1-inch pressure gradient true-condenser capsule, cardioid polar pattern, dual-triode vacuum tube, transformer balanced output, independent high and low cut filters, custom dedicated power supply, tube microphone cable, spider shock mount and hard case.<br /><br />The microphone features two independent filters located on the microphone and easy to engage via switches. If the room or source is boomy, or you have low-end rumble from outside noise, turn on the low-cut filter and eliminate much of the problem. You can also use the high-cut to roll-off above 12k and help tame a bright room with lots of reflections, or a bright source. What makes it even more useful is you can use both filters at the same time resolving many problems before the recording hits your hard drive.<br /><br />\n<h3>Features at a glance</h3>\n<ul>\n	<li>Designed for budding engineers and home recordists</li>\n	<li> Intelligent features get you great recordings with ease</li>\n	<li>High-cut filter tames bright rooms and sources</li>\n	<li>Low-cut filter takes away room rumble and muddiness</li>\n	<li>Dual-triode vacuum tube and 1” capsule reminiscent of classic German mics</li>\n	<li>Vintage inspired transformer balanced output</li>\n</ul>\n<br />\n<h3>Independent filters clean your tone</h3>\n<ul>\n</ul>\nThe high and low cut filters make solving common problems in home, \nbasement or bedroom recording environments easy. The LA-320 features two\n independent filters located on the microphone and easy to engage via \nswitches located on the front of the microphone. If the room or source \nis boomy, or you have low-end rumble from outside sources like road \nnoise, furnace, air conditioner etc., turn on the low-cut filter and \neliminate the problem. Use the high-cut to roll-off above 12k and tame a\n bright room or a bright source. What’s even cooler is you can use both \nfilters at the same time resolving many problems before the recording \nhits your hard drive.\n<br /><br />\n<h3>Incredible price performance ratio</h3>\n<ul>\n</ul>\nInside the LA-320 is a 1 inch pressure gradient true-condenser capsule and dual-triode vacuum tube inspired by those used in classic German microphones. Don’t be fooled by the affordability, the LA-320 features high quality components often found in much more expensive microphones. We have used our years of experience to create the best performance for the price of any large diaphragm vacuum tube microphone. Any budding engineer is sure to be pleased with the microphone.<br /><br />\n<h3>Fully equipped and ready for recording</h3>\nThe LA-320 comes fully equipped to get you recording with great results \nfast. Each microphone includes a classic inspired spider shock mount to \nisolate the microphone from vibrations, a quality 5-pin tube microphone \ncable, custom, stable, dedicated power supply with a selectable mains \nvoltage for use in all countries (100, 115v, 230v etc.), and a durable \nhard case to keep your microphone safe and clean when not in use.\n<br /><br />\n<h3>Technical Specifications</h3>\n<ul>\n	<li>1 inch dual large diaphragm pressure gradient transducer microphone.</li>\n	<li>Polar Patterns:  Cardioid</li>\n	<li>Circuit:  Vacuum tube with transformer balanced output</li>\n	<li>Frequency Range:   20Hz-20KHz</li>\n	<li>Dynamic Range:  120dB minimum</li>\n	<li>Impedance:  &lt; 200 ohms</li>\n	<li>Max. SPL:  0.5%THD@1000Hz: 130dB</li>\n	<li>Self-noise Level:  &lt;17dB-A</li>\n	<li>Sensitivity:  14mV/Pa (@ 1 kHz, 74dB SPL)</li>\n	<li>Special Features:  Selectable, independent 120Hz low-cut & 12 kHz high-cut filters</li>\n	<li>Connector:  5-pin XLR (PSU to microphone) and 3-pin XLR (PSU to Preamp)</li>\n	<li>Power Requirement:    Custom power supply (Switchable 100v to 240v compatible range)</li>\n</ul>'),(6135,85,0,1023,'Lauten Audio Series Black LA-320 Condenser Microphone'),(6136,85,1,1023,'Lauten Audio Series Black LA-320 Condenser Microphone'),(6137,76,0,1023,''),(6138,76,1,1023,''),(6139,75,0,1024,'LXP Native Reverb Plug-in Bundle\nVST / Audio Unit / RTAS Software Reverb Plug-in\n\nYou’ve just wrapped up tracking with artists that are on the brink of breaking into the game. You start mixing when you realize you are craving more, the ability to envelope your mix with that magical space that delivers the clarity, depth and fullness that can only be created when recording in a major studio. So you turn to the most trusted name in reverb to achieve the ultimate sound. Lexicon’s LXP Native Reverb Bundle provides your music with an engaging aura that brings it to life by placing it in the perfect resonant space.\n\nLexicon processors have become staples in the recording studio, on stage productions, as well as in every top post-production facility. Now Lexicon has complemented the finest hardware processors with the best software plug-ins available. The LXP Native Reverb Bundle offers four algorithm based plug-ins along with over 220 of the most versatile and finely-crafted studio presets that are sure to change the way you color your mix, forever.\nFeatures at a Glance\n\nLXP Reverb Plug-In 7 Unique Plug-ins\n4 classic Lexicon reverb plug-ins\nOver 220 finely-crafted studio presets\nIntuitive user-interface provides easy access to key parameters\nMulti-platform compatibility (Windows 7, Vista, XP; Mac OS X 10.4, 10.5, 10.6)\nGraphical real-time display illustrating the frequency stages of each algorithm\nFormats that work seamlessly in any VST, Audio Unit or RTAS compatible DAW\nFull parameter control and automation\nGraphical real-time display illustrates the reverb tail, frequency content and impulse response\nPresets can be stored in a DAW-independent format that can easily be transferred to a different DAW\nInput and output meters for quick assessment of audio levels\niLok authorized\n\nLXP User Interface\n\nLXP Reverb Plug-In Multiband Notch Filter\n\nEach algorithm can be run in mono, stereo or mono in/stereo out and the Input and Output Meters allow you to verify signal levels at a glance. The most noticeable feature, however, is center screen in a multi-dimensional realtime display. With three animated screens to choose from, all showing different frequency stages of the algorithm to help you shape your sound.\n\nLXP Reverb Plug-In Frequency\n\nWith a wide array of adjustable parameters, you have the option to take the preset as it’s carefully been crafted, or make further adjustments and save it off once you’ve compared it with the original. You even have the ability to load that preset into a different DAW.\n\nLXP Reverb Plug-In Impulse\n\nThe LXP Native Reverb Bundle is a fully functional cross-platform plug-in solution. It has been designed with flexibility to fit into the hardware/software platform of your choice.'),(6140,75,1,1024,'LXP Native Reverb Plug-in Bundle\nVST / Audio Unit / RTAS Software Reverb Plug-in\n\nYou’ve just wrapped up tracking with artists that are on the brink of breaking into the game. You start mixing when you realize you are craving more, the ability to envelope your mix with that magical space that delivers the clarity, depth and fullness that can only be created when recording in a major studio. So you turn to the most trusted name in reverb to achieve the ultimate sound. Lexicon’s LXP Native Reverb Bundle provides your music with an engaging aura that brings it to life by placing it in the perfect resonant space.\n\nLexicon processors have become staples in the recording studio, on stage productions, as well as in every top post-production facility. Now Lexicon has complemented the finest hardware processors with the best software plug-ins available. The LXP Native Reverb Bundle offers four algorithm based plug-ins along with over 220 of the most versatile and finely-crafted studio presets that are sure to change the way you color your mix, forever.\nFeatures at a Glance\n\nLXP Reverb Plug-In 7 Unique Plug-ins\n4 classic Lexicon reverb plug-ins\nOver 220 finely-crafted studio presets\nIntuitive user-interface provides easy access to key parameters\nMulti-platform compatibility (Windows 7, Vista, XP; Mac OS X 10.4, 10.5, 10.6)\nGraphical real-time display illustrating the frequency stages of each algorithm\nFormats that work seamlessly in any VST, Audio Unit or RTAS compatible DAW\nFull parameter control and automation\nGraphical real-time display illustrates the reverb tail, frequency content and impulse response\nPresets can be stored in a DAW-independent format that can easily be transferred to a different DAW\nInput and output meters for quick assessment of audio levels\niLok authorized\n\nLXP User Interface\n\nLXP Reverb Plug-In Multiband Notch Filter\n\nEach algorithm can be run in mono, stereo or mono in/stereo out and the Input and Output Meters allow you to verify signal levels at a glance. The most noticeable feature, however, is center screen in a multi-dimensional realtime display. With three animated screens to choose from, all showing different frequency stages of the algorithm to help you shape your sound.\n\nLXP Reverb Plug-In Frequency\n\nWith a wide array of adjustable parameters, you have the option to take the preset as it’s carefully been crafted, or make further adjustments and save it off once you’ve compared it with the original. You even have the ability to load that preset into a different DAW.\n\nLXP Reverb Plug-In Impulse\n\nThe LXP Native Reverb Bundle is a fully functional cross-platform plug-in solution. It has been designed with flexibility to fit into the hardware/software platform of your choice.'),(6141,85,0,1024,'Lexicon LXP Native Reverb Plug-in Bundle'),(6142,85,1,1024,'Lexicon LXP Native Reverb Plug-in Bundle'),(6143,76,0,1024,''),(6144,76,1,1024,''),(6145,75,0,1025,'For over 35 years Lexicon has been recognized as the golden standard of digital reverb and effects processing and has continuously introduced leading edge technology for the audio industry. Lexicon has again rocked the audio industry with a complete collection of the finest reverb plug-ins available. The PCM Native Reverb Plug-In Bundle is the ultimate reverb plug-in for creating professional, inspirational mixes within popular DAWs like Pro Tools, Logic, and any other VST, Audio Unit, or RTAS compatible platform.\n\nWith all the flexibility you would expect from a native plug-in.\n\nEach algorithm can be run in either mono, stereo, or a combination of the two. We’ve taken the time to add Input and Output Meters in addition to a graphical EQ section for easy adjustment of both early and late reflections. The most noticeable feature, however, is center screen in a multi-dimensional realtime display. There are three screens to choose from, all showing different frequency stages of the algorithm to help you shape your sound.\n\nThe user interface displays nine of the most logical parameters for customization, it also enables you to transition deeper into the algorithm to edit the full matrix of parameters. Compare your custom preset to the original and save it off once you have the perfect sound. You’ll also have the ability to load that preset into a different DAW.\n\nThe wealth of algorithms and presets will enable you to envelop your vocals and instruments with the musical ambiance of panoramically wonderful spaces. The PCM Native Reverb Bundle is a complete collection of the finest reverbs, now with all the flexibility of a multi-platform native software plug-in.'),(6146,75,1,1025,'For over 35 years Lexicon has been recognized as the golden standard of digital reverb and effects processing and has continuously introduced leading edge technology for the audio industry. Lexicon has again rocked the audio industry with a complete collection of the finest reverb plug-ins available. The PCM Native Reverb Plug-In Bundle is the ultimate reverb plug-in for creating professional, inspirational mixes within popular DAWs like Pro Tools, Logic, and any other VST, Audio Unit, or RTAS compatible platform.\n\nWith all the flexibility you would expect from a native plug-in.\n\nEach algorithm can be run in either mono, stereo, or a combination of the two. We’ve taken the time to add Input and Output Meters in addition to a graphical EQ section for easy adjustment of both early and late reflections. The most noticeable feature, however, is center screen in a multi-dimensional realtime display. There are three screens to choose from, all showing different frequency stages of the algorithm to help you shape your sound.\n\nThe user interface displays nine of the most logical parameters for customization, it also enables you to transition deeper into the algorithm to edit the full matrix of parameters. Compare your custom preset to the original and save it off once you have the perfect sound. You’ll also have the ability to load that preset into a different DAW.\n\nThe wealth of algorithms and presets will enable you to envelop your vocals and instruments with the musical ambiance of panoramically wonderful spaces. The PCM Native Reverb Bundle is a complete collection of the finest reverbs, now with all the flexibility of a multi-platform native software plug-in.'),(6147,85,0,1025,'Lexicon PCM Native Reverb Plug-in Bundle'),(6148,85,1,1025,'Lexicon PCM Native Reverb Plug-in Bundle'),(6149,76,0,1025,''),(6150,76,1,1025,''),(6151,75,0,1026,'Sound Extraordinary on Stage and in the Studio\nWith 4 decades of experience, Lexicon is regarded as the gold standard in digital audio processing. Building on the legendary design of the venerable PCM81 and PCM91, and the breakthrough technology of the PCM96, the PCM92 represents the most advanced reverb and effects processor in its class.\n\nThis powerhouse processor utilizes the latest DSP technology and the finest collection of classic Lexicon algorithms to offer the ultimate audio processor for live sound and studio applications. The PCM92 delivers 28 mono and stereo reverbs, delays, and modulation effects, flexible routing configurations, and a comprehensive collection of over 1200 finely-crafted presets, including recognizable classics from our immense library of sounds.'),(6152,75,1,1026,'Sound Extraordinary on Stage and in the Studio\nWith 4 decades of experience, Lexicon is regarded as the gold standard in digital audio processing. Building on the legendary design of the venerable PCM81 and PCM91, and the breakthrough technology of the PCM96, the PCM92 represents the most advanced reverb and effects processor in its class.\n\nThis powerhouse processor utilizes the latest DSP technology and the finest collection of classic Lexicon algorithms to offer the ultimate audio processor for live sound and studio applications. The PCM92 delivers 28 mono and stereo reverbs, delays, and modulation effects, flexible routing configurations, and a comprehensive collection of over 1200 finely-crafted presets, including recognizable classics from our immense library of sounds.'),(6153,85,0,1026,'Lexicon PCM92 Reverb and Effects Processor'),(6154,85,1,1026,'Lexicon PCM92 Reverb and Effects Processor'),(6155,76,0,1026,''),(6156,76,1,1026,''),(6157,75,0,1027,'An artful blend of heritage and innovation, the PCM96 Stereo Reverb/Effects Processor delivers 28 new and legendary Lexicon reverbs, delays and modulation effects straight into your DAW.\n\nAppearing for the first time are new Room and Hall algorithms, plus an assortment of new mono reverbs and effects. With decades of legacy products to pull from, the PCM96 also includes the finest collection of factory presets available in a stereo processor – over 1200 and growing – including some recognizable classics from our immense library of sounds.\n\nThe PCM96 gives new capabilities to our traditional reverbs by adding multimode filters at several spots in the audio flow. This allows more exact shaping of the reverb while still maintaining the distinctive Lexicon sound. All reverbs also have an \"Infinite\" switch that allows the reverb to run forever, a useful feature for creating unusual backgrounds and sound effects.\n\nLexicon\'s new Room algorithm provides a more flexible alternative to convolution type reverbs. Reflection patterns can be easily selected, scaled and equalized – all while simultaneously passing audio. They can be instantly reversed or combined with a traditional reverb to extend the decay or bring a stronger sense of “liveness” to the space.\n\nWith two channels XLR analog and two channels XLR AES/EBU digital I/O, along with MIDI, Ethernet and Firewire connectivity, the PCM96 easily fits into a variety of recording and live sound environments. In any application, the PCM96 delivers the versatility and sound that is unmistakably Lexicon.'),(6158,75,1,1027,'An artful blend of heritage and innovation, the PCM96 Stereo Reverb/Effects Processor delivers 28 new and legendary Lexicon reverbs, delays and modulation effects straight into your DAW.\n\nAppearing for the first time are new Room and Hall algorithms, plus an assortment of new mono reverbs and effects. With decades of legacy products to pull from, the PCM96 also includes the finest collection of factory presets available in a stereo processor – over 1200 and growing – including some recognizable classics from our immense library of sounds.\n\nThe PCM96 gives new capabilities to our traditional reverbs by adding multimode filters at several spots in the audio flow. This allows more exact shaping of the reverb while still maintaining the distinctive Lexicon sound. All reverbs also have an \"Infinite\" switch that allows the reverb to run forever, a useful feature for creating unusual backgrounds and sound effects.\n\nLexicon\'s new Room algorithm provides a more flexible alternative to convolution type reverbs. Reflection patterns can be easily selected, scaled and equalized – all while simultaneously passing audio. They can be instantly reversed or combined with a traditional reverb to extend the decay or bring a stronger sense of “liveness” to the space.\n\nWith two channels XLR analog and two channels XLR AES/EBU digital I/O, along with MIDI, Ethernet and Firewire connectivity, the PCM96 easily fits into a variety of recording and live sound environments. In any application, the PCM96 delivers the versatility and sound that is unmistakably Lexicon.'),(6159,85,0,1027,'Lexicon PCM96 Stereo Reverb/Effects Processor'),(6160,85,1,1027,'Lexicon PCM96 Stereo Reverb/Effects Processor'),(6161,76,0,1027,''),(6162,76,1,1027,''),(6163,75,0,1028,'Building on the success of the PCM96, the new PCM96 Surround offers more presets, more configuration options, and more inputs and outputs. The PCM96 Surround gives you industry standard reverbs and effects, with tremendous flexibility. Use the PCM96 Surround as a plug-in with your DAW, or keep it connected to your mixing board. Either way, you have a multitude of configuration options to choose from, without having to move any cables.\n\nThe PCM96 Surround is availble with either 6 XLR Stereo AES inputs and outputs, or 2 DB25 6-channel analog I/O and 1 DB25 6-channel digital I/O. Both versions also feature MIDI, Wordclock, Ethernet, and FireWire®.'),(6164,75,1,1028,'Building on the success of the PCM96, the new PCM96 Surround offers more presets, more configuration options, and more inputs and outputs. The PCM96 Surround gives you industry standard reverbs and effects, with tremendous flexibility. Use the PCM96 Surround as a plug-in with your DAW, or keep it connected to your mixing board. Either way, you have a multitude of configuration options to choose from, without having to move any cables.\n\nThe PCM96 Surround is availble with either 6 XLR Stereo AES inputs and outputs, or 2 DB25 6-channel analog I/O and 1 DB25 6-channel digital I/O. Both versions also feature MIDI, Wordclock, Ethernet, and FireWire®.'),(6165,85,0,1028,'Lexicon PCM96 Surround Parallel Stereo and Surround Reverb/Effects Processor w/ Analog & Digital I/O'),(6166,85,1,1028,'Lexicon PCM96 Surround Parallel Stereo and Surround Reverb/Effects Processor w/ Analog & Digital I/O'),(6167,76,0,1028,''),(6168,76,1,1028,''),(6169,75,0,1029,'Building on the success of the PCM96, the new PCM96 Surround offers more presets, more configuration options, and more inputs and outputs. The PCM96 Surround gives you industry standard reverbs and effects, with tremendous flexibility. Use the PCM96 Surround as a plug-in with your DAW, or keep it connected to your mixing board. Either way, you have a multitude of configuration options to choose from, without having to move any cables.\n\nThe PCM96 Surround is availble with either 6 XLR Stereo AES inputs and outputs, or 2 DB25 6-channel analog I/O and 1 DB25 6-channel digital I/O. Both versions also feature MIDI, Wordclock, Ethernet, and FireWire®.'),(6170,75,1,1029,'Building on the success of the PCM96, the new PCM96 Surround offers more presets, more configuration options, and more inputs and outputs. The PCM96 Surround gives you industry standard reverbs and effects, with tremendous flexibility. Use the PCM96 Surround as a plug-in with your DAW, or keep it connected to your mixing board. Either way, you have a multitude of configuration options to choose from, without having to move any cables.\n\nThe PCM96 Surround is availble with either 6 XLR Stereo AES inputs and outputs, or 2 DB25 6-channel analog I/O and 1 DB25 6-channel digital I/O. Both versions also feature MIDI, Wordclock, Ethernet, and FireWire®.'),(6171,85,0,1029,'Lexicon PCM96 Surround (digital) Parallel Stereo and Surround Reverb/Effects Processor w/ Digital I/O'),(6172,85,1,1029,'Lexicon PCM96 Surround (digital) Parallel Stereo and Surround Reverb/Effects Processor w/ Digital I/O'),(6173,76,0,1029,''),(6174,76,1,1029,''),(6175,75,0,1030,'<h1>Lexicon 480L Digital Reverb with LARC Remote Control</h1>\n\n<span style=\"font-size: 16px; font-style: italic;\">Used Lexicon 480L - In perfect working condition, fully tested by our service tech. Item shows signs of wear (scratches & scuffs) but in very good condition for its age. Comes with LARC, cables and Lexicon 480L program cartridge.</span><br /><br />\n\nFor over a decade, the Lexicon 480L Digital Effects System has been the standard by which all other signal processors are measured. The 480L remains a clear product of choice among top producers for the most discerning clients.<br /><br />\n \nThe most realistic reverb available and stunning effects that maintain the harmonic integrity of the incoming signal through to output.<br /><br />\n \nThe 480L Digital Effects System embodies Lexicon\'s relentless pursuit of the state-of-the-art. Top producers and engineers the world over rely upon its extensive sonic capabilities and processing power. Since its inception, the 480L has been used on more gold and platinum recordings, as well as top-grossing film soundtracks, than any other system of its kind. Moreover, Lexicon processing is used by over 80% of all record companies for mixing and mastering.<br /><br />The 480L has 21 Banks of 10 Presets each containing the widest variety available of premier quality algorithms, including the classic 480 Halls, and Rooms, Brick Wall, Silica Beads,and 40 Voice Effects (like the classic Vocal Whispers), Digital Compression, Stereo Adjust mastering, 3 second stereo or 6 second mono Sampler, Prime Time III, Mix Finish, Doppler and Pitch Effects, Plates, Random Halls, Rooms and Ambience (the smallest room size now extends down to 2 square meters).<br /><br />\n\n<h3>Lexicon 480L Features:</h3>\n• Modular multi-machine architecture- Capable of simultaneous usage by two LARCs (Lexicon Alphanumeric Remote Control) sharing a single mainframe.<br /><br />\n \n• The most realistic reverb available and stunning effects that maintain the harmonic integrity of the incoming signal through to the output.<br /><br />\n \n• With resident software, the 480L has 21 Banks of 10 Presets each containing the widest variety available of premier quality algorithms, including the classic 480 Halls, and Rooms, Brick Wall, Silica Beads,and 40 Voice Effects (like the classic Vocal Whispers), Digital Compression, Stereo Adjust mastering, 3 second stereo or 6 second mono Sampler, Prime Time III, Mix Finish, Doppler and Pitch Effects, Plates, Random Halls, Rooms and Ambience (the smallest room size now extends down to 2 square meters). <br /><br />\n \n• The optional Classic Cart provides the sought after sounds of Lexicon\'s 224XL, including the Concert Hall, Rich Plate, 6-Voice Chorus and Multiband Delays algorithms.<br /><br />\n \n• 2-in/4-out stereo processing, the 480 is capable of running two uncompromised stereo programs in Cascade or two mono in/stereo out in the Split Modes<br /><br />\n \n• The powerful LARC (Lexicon Alphanumeric Remote Control) is standard, enabling the mainframe to be located in a machine room.<br /><br />\n \n• Full Dynamic MIDI implementation allows for simple program change messages or automated effects when using a SysEx recording device. MIDI Bulk Dumps provide instant recall via consoles capable of SysEx automation.'),(6176,75,1,1030,'<h1>Lexicon 480L Digital Reverb with LARC Remote Control</h1>\n\n<span style=\"font-size: 16px; font-style: italic;\">Used Lexicon 480L - In perfect working condition, fully tested by our service tech. Item shows signs of wear (scratches & scuffs) but in very good condition for its age. Comes with LARC, cables and Lexicon 480L program cartridge.</span><br /><br />\n\nFor over a decade, the Lexicon 480L Digital Effects System has been the standard by which all other signal processors are measured. The 480L remains a clear product of choice among top producers for the most discerning clients.<br /><br />\n \nThe most realistic reverb available and stunning effects that maintain the harmonic integrity of the incoming signal through to output.<br /><br />\n \nThe 480L Digital Effects System embodies Lexicon\'s relentless pursuit of the state-of-the-art. Top producers and engineers the world over rely upon its extensive sonic capabilities and processing power. Since its inception, the 480L has been used on more gold and platinum recordings, as well as top-grossing film soundtracks, than any other system of its kind. Moreover, Lexicon processing is used by over 80% of all record companies for mixing and mastering.<br /><br />The 480L has 21 Banks of 10 Presets each containing the widest variety available of premier quality algorithms, including the classic 480 Halls, and Rooms, Brick Wall, Silica Beads,and 40 Voice Effects (like the classic Vocal Whispers), Digital Compression, Stereo Adjust mastering, 3 second stereo or 6 second mono Sampler, Prime Time III, Mix Finish, Doppler and Pitch Effects, Plates, Random Halls, Rooms and Ambience (the smallest room size now extends down to 2 square meters).<br /><br />\n\n<h3>Lexicon 480L Features:</h3>\n• Modular multi-machine architecture- Capable of simultaneous usage by two LARCs (Lexicon Alphanumeric Remote Control) sharing a single mainframe.<br /><br />\n \n• The most realistic reverb available and stunning effects that maintain the harmonic integrity of the incoming signal through to the output.<br /><br />\n \n• With resident software, the 480L has 21 Banks of 10 Presets each containing the widest variety available of premier quality algorithms, including the classic 480 Halls, and Rooms, Brick Wall, Silica Beads,and 40 Voice Effects (like the classic Vocal Whispers), Digital Compression, Stereo Adjust mastering, 3 second stereo or 6 second mono Sampler, Prime Time III, Mix Finish, Doppler and Pitch Effects, Plates, Random Halls, Rooms and Ambience (the smallest room size now extends down to 2 square meters). <br /><br />\n \n• The optional Classic Cart provides the sought after sounds of Lexicon\'s 224XL, including the Concert Hall, Rich Plate, 6-Voice Chorus and Multiband Delays algorithms.<br /><br />\n \n• 2-in/4-out stereo processing, the 480 is capable of running two uncompromised stereo programs in Cascade or two mono in/stereo out in the Split Modes<br /><br />\n \n• The powerful LARC (Lexicon Alphanumeric Remote Control) is standard, enabling the mainframe to be located in a machine room.<br /><br />\n \n• Full Dynamic MIDI implementation allows for simple program change messages or automated effects when using a SysEx recording device. MIDI Bulk Dumps provide instant recall via consoles capable of SysEx automation.'),(6177,85,0,1030,''),(6178,85,1,1030,''),(6179,76,0,1030,''),(6180,76,1,1030,''),(6181,75,0,1031,'<img class=\"spacer\" src=\"http://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" /><span id=\"product_description\" itemprop=\"description\">\n<h1 class=\"product-page-header\" itemprop=\"name\">Little Labs IBP Analog Phase Alignment Tool</h1>\n<span style=\"font-size: 16px; font-style: italic;\"></span></span><br /><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The Ultimate Phase Tool- Puts You In Phase When The Polarity Button Won\'t<br /></span></span><br />\n\n								The Little Labs IBP Phase Alignment Tool was designed to help engineers effectively eliminate the \nundesirable hollow sound when combining out-of-phase and partially \nout-of-phase audio signals. The IBP will allow engineers to put an audio\n signal in phase, when the mixing desk\'s polarity button will not. \nWhether combining direct and miked signals, drum kit tom-tom mics, \nmultiple split-guitar amps, top and bottom snare, or the classic \nacoustic guitar and vocal mic phase problem, audio signals will be put \nin phase quickly and easily with the Little Labs IBP analog \nphase-alignment tool.\n								<br /><br />\n								<h3>Little Labs IBP Features</h3>\n\n								<ul>\n									<li>Real time all analog phase sweep between zero and one hundred and eighty degrees... and everything in-between.</li>\n									<li>Allows\n mics to be placed where they sound best individually, compromising mic \nplacement due to phase problems is not necessary when using the ibp.\n									</li>\n									<li>+4dB XLR balanced input and outputs.</li>\n									<li>Internal super quality active transformer isolated line level direct box.</li>\n									<li>Re-amp capability for bringing +4dB line level signal to guitar level.</li>\n									<li>Buffered instrument level output for driving long guitar cable.</li>\n									<li>Allows splitting between two instrument amps with transformer isolation and phase sweep.</li>\n									<li>Rack mountable 4 IBPs fit in a1U 19 standard rack space.</li>\n									<li>Extremely high quality construction. Made in the U.S.A. </li>\n								</ul>\n								<br />\n<h3>About Little Labs</h3>\nSince 1988 Little Labs has created audio tools for use in the pro audio industry, to aid the audio engineer in his quest for sonic pleasure for himself and his clients. Little Labs products specialize in addressing previously un-addressed audio applications, empowering the audio engineer with new tools, allowing new techniques to explore deeper into the control of sound.\n<br /><br />\n<h3>The Little Labs IBP is the quick, easy answer to correct out of phase audio signals. Contact a RSPE Sales representative to add the Little Labs IBP to your recording studio today.</h3></span>'),(6182,75,1,1031,'<img class=\"spacer\" src=\"http://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" /><span id=\"product_description\" itemprop=\"description\">\n<h1 class=\"product-page-header\" itemprop=\"name\">Little Labs IBP Analog Phase Alignment Tool</h1>\n<span style=\"font-size: 16px; font-style: italic;\"></span></span><br /><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The Ultimate Phase Tool- Puts You In Phase When The Polarity Button Won\'t<br /></span></span><br />\n\n								The Little Labs IBP Phase Alignment Tool was designed to help engineers effectively eliminate the \nundesirable hollow sound when combining out-of-phase and partially \nout-of-phase audio signals. The IBP will allow engineers to put an audio\n signal in phase, when the mixing desk\'s polarity button will not. \nWhether combining direct and miked signals, drum kit tom-tom mics, \nmultiple split-guitar amps, top and bottom snare, or the classic \nacoustic guitar and vocal mic phase problem, audio signals will be put \nin phase quickly and easily with the Little Labs IBP analog \nphase-alignment tool.\n								<br /><br />\n								<h3>Little Labs IBP Features</h3>\n\n								<ul>\n									<li>Real time all analog phase sweep between zero and one hundred and eighty degrees... and everything in-between.</li>\n									<li>Allows\n mics to be placed where they sound best individually, compromising mic \nplacement due to phase problems is not necessary when using the ibp.\n									</li>\n									<li>+4dB XLR balanced input and outputs.</li>\n									<li>Internal super quality active transformer isolated line level direct box.</li>\n									<li>Re-amp capability for bringing +4dB line level signal to guitar level.</li>\n									<li>Buffered instrument level output for driving long guitar cable.</li>\n									<li>Allows splitting between two instrument amps with transformer isolation and phase sweep.</li>\n									<li>Rack mountable 4 IBPs fit in a1U 19 standard rack space.</li>\n									<li>Extremely high quality construction. Made in the U.S.A. </li>\n								</ul>\n								<br />\n<h3>About Little Labs</h3>\nSince 1988 Little Labs has created audio tools for use in the pro audio industry, to aid the audio engineer in his quest for sonic pleasure for himself and his clients. Little Labs products specialize in addressing previously un-addressed audio applications, empowering the audio engineer with new tools, allowing new techniques to explore deeper into the control of sound.\n<br /><br />\n<h3>The Little Labs IBP is the quick, easy answer to correct out of phase audio signals. Contact a RSPE Sales representative to add the Little Labs IBP to your recording studio today.</h3></span>'),(6183,85,0,1031,'Little Labs IBP Analog Phase Alignment Tool'),(6184,85,1,1031,'Little Labs IBP Analog Phase Alignment Tool'),(6185,76,0,1031,''),(6186,76,1,1031,''),(6187,75,0,1032,'<img class=\"spacer\" src=\"http://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" /><span id=\"product_description\" itemprop=\"description\">\n<h1 class=\"product-page-header\" itemprop=\"name\">Little Labs IBP Junior Analog Phase Alignment Tool</h1>\n<span style=\"font-size: 16px; font-style: italic;\"></span></span><br /><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The Ultimate Phase Tool- Puts You In Phase When The Polarity Button Won\'t<br /></span></span><br /><br />\nThe Little Labs IBP Junior Phase Alignment Tool is the new, economical, basic version of the Little Labs \nIBP Analog Phase Alignment Tool. The Little Labs family of IBPs \n(In-between Phase) easily eliminate the undesirable hollow sound when \ncombining out-of-phase and partially out-of-phase audio signals. \nDesigned as a phase problem solving device, the IBP Analog Phase \nAlignment Tool has quickly become popular among audio engineers as not \nonly a fix it tool but as a controlling audio phase creative, tonal \ncolor tool. Whether combining direct and miked signals, acoustic guitar \nand vocal mics, drum kit tom-tom mics, or multiple split-guitar amps, \naudio signals phase can be quickly and easily controlled with the Little\n Labs IBP Junior Analog Phase Alignment Tool.\n<br /><br />\n<h3>Little Labs IBP Junior Features</h3>\n</span>\n<ul>\n	<li>Real time all analog phase sweep between zero and one hundred and eighty degrees... and everything in-between. </li>\n	<li>Allows\n mics to be placed where they sound best individually, compromising mic \nplacement due to phase problems is not necessary when using the ibp.\n	</li>\n	<li>+4dB XLR balanced input and outputs.</li>\n	<li>Rack mountable 4 IBPs fit in a 1U 19 standard rack space. </li>\n	<li>Extremely high quality construction. Made in the U.S.A.</li>\n</ul>\n<br />\n<h3>About Little Labs</h3>\nSince 1988 Little Labs has created audio tools for use in the pro audio industry, to aid the audio engineer in his quest for sonic pleasure for himself and his clients. Little Labs products specialize in addressing previously un-addressed audio applications, empowering the audio engineer with new tools, allowing new techniques to explore deeper into the control of sound.\n<br /><br />\n\n<h3>The Little Labs IBP Junior is the economical, quick, easy answer to correct out of phase audio signals. Contact a RSPE Sales representative to add the Little Labs IBP Junior to your recording studio today.</h3>'),(6188,75,1,1032,'<img class=\"spacer\" src=\"http://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" /><span id=\"product_description\" itemprop=\"description\">\n<h1 class=\"product-page-header\" itemprop=\"name\">Little Labs IBP Junior Analog Phase Alignment Tool</h1>\n<span style=\"font-size: 16px; font-style: italic;\"></span></span><br /><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">The Ultimate Phase Tool- Puts You In Phase When The Polarity Button Won\'t<br /></span></span><br /><br />\nThe Little Labs IBP Junior Phase Alignment Tool is the new, economical, basic version of the Little Labs \nIBP Analog Phase Alignment Tool. The Little Labs family of IBPs \n(In-between Phase) easily eliminate the undesirable hollow sound when \ncombining out-of-phase and partially out-of-phase audio signals. \nDesigned as a phase problem solving device, the IBP Analog Phase \nAlignment Tool has quickly become popular among audio engineers as not \nonly a fix it tool but as a controlling audio phase creative, tonal \ncolor tool. Whether combining direct and miked signals, acoustic guitar \nand vocal mics, drum kit tom-tom mics, or multiple split-guitar amps, \naudio signals phase can be quickly and easily controlled with the Little\n Labs IBP Junior Analog Phase Alignment Tool.\n<br /><br />\n<h3>Little Labs IBP Junior Features</h3>\n</span>\n<ul>\n	<li>Real time all analog phase sweep between zero and one hundred and eighty degrees... and everything in-between. </li>\n	<li>Allows\n mics to be placed where they sound best individually, compromising mic \nplacement due to phase problems is not necessary when using the ibp.\n	</li>\n	<li>+4dB XLR balanced input and outputs.</li>\n	<li>Rack mountable 4 IBPs fit in a 1U 19 standard rack space. </li>\n	<li>Extremely high quality construction. Made in the U.S.A.</li>\n</ul>\n<br />\n<h3>About Little Labs</h3>\nSince 1988 Little Labs has created audio tools for use in the pro audio industry, to aid the audio engineer in his quest for sonic pleasure for himself and his clients. Little Labs products specialize in addressing previously un-addressed audio applications, empowering the audio engineer with new tools, allowing new techniques to explore deeper into the control of sound.\n<br /><br />\n\n<h3>The Little Labs IBP Junior is the economical, quick, easy answer to correct out of phase audio signals. Contact a RSPE Sales representative to add the Little Labs IBP Junior to your recording studio today.</h3>'),(6189,85,0,1032,'Little Labs IBP Junior Analog Phase Alignment Tool'),(6190,85,1,1032,'Little Labs IBP Junior Analog Phase Alignment Tool'),(6191,76,0,1032,''),(6192,76,1,1032,''),(6193,75,0,1033,'<img class=\"spacer\" src=\"http://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" />\n<span id=\"product_description\" itemprop=\"description\">\n<h3>Little Labs PCP Instrument Distro 3.0</h3>\n<span style=\"font-size: 16px; font-style: italic;\">An Engineer\'s Toolbox For Electric Guitars, Bass and Vintage Effects</span><br /><br />\n<p>\n									A one-in three-out guitar splitter (five when using the multi and line\n driver) featuring transformer isolated guitar level/impedance outputs  \nwith phase reverse, ground lift, and level adjust on each output.\n</p>\n<p>\n									An audiophile direct box and guitar cable line driver designed with the same circuit topology as the Little Labs Multi Z DI.\n</p>\nThree professional-level to guitar impedance-level interfaces for re-amping\n<br /><br /><span id=\"product_description\" itemprop=\"description\">\n<h3>PCP Instrument Distro 3.0 Features</h3>\n</span>\n<ul>\n	<li>Engineer\'s Toolbox for Electric Guitar, Bass and Vintage Effects</li>\n	<li>1 In / 3 Out Guitar Splitter</li>\n	<li>Direct Box and Guitar Cable Line Driver</li>\n	<li>Interfaces for Re-Amping</li>\n	<li>Multi-Function Connectivity Solution</li>\n</ul>\n<br />\n<h3>About Little Labs</h3>\nSince 1988 Little Labs has created audio tools for use in the pro audio industry, to aid the audio engineer in his quest for sonic pleasure for himself and his clients. Little Labs products specialize in addressing previously un-addressed audio applications, empowering the audio engineer with new tools, allowing new techniques to explore deeper into the control of sound.\n<br /><br />\n<h3>The Little Labs PCP features an audiophile direct box and splitter, making it the perfect tool for guitars and bass. Contact a RSPE Sales representative to add the Little Labs PCP<span style=\"background-color: initial;\"> to your recording studio today.</span></h3>\n</span>'),(6194,75,1,1033,'<img class=\"spacer\" src=\"http://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" />\n<span id=\"product_description\" itemprop=\"description\">\n<h3>Little Labs PCP Instrument Distro 3.0</h3>\n<span style=\"font-size: 16px; font-style: italic;\">An Engineer\'s Toolbox For Electric Guitars, Bass and Vintage Effects</span><br /><br />\n<p>\n									A one-in three-out guitar splitter (five when using the multi and line\n driver) featuring transformer isolated guitar level/impedance outputs  \nwith phase reverse, ground lift, and level adjust on each output.\n</p>\n<p>\n									An audiophile direct box and guitar cable line driver designed with the same circuit topology as the Little Labs Multi Z DI.\n</p>\nThree professional-level to guitar impedance-level interfaces for re-amping\n<br /><br /><span id=\"product_description\" itemprop=\"description\">\n<h3>PCP Instrument Distro 3.0 Features</h3>\n</span>\n<ul>\n	<li>Engineer\'s Toolbox for Electric Guitar, Bass and Vintage Effects</li>\n	<li>1 In / 3 Out Guitar Splitter</li>\n	<li>Direct Box and Guitar Cable Line Driver</li>\n	<li>Interfaces for Re-Amping</li>\n	<li>Multi-Function Connectivity Solution</li>\n</ul>\n<br />\n<h3>About Little Labs</h3>\nSince 1988 Little Labs has created audio tools for use in the pro audio industry, to aid the audio engineer in his quest for sonic pleasure for himself and his clients. Little Labs products specialize in addressing previously un-addressed audio applications, empowering the audio engineer with new tools, allowing new techniques to explore deeper into the control of sound.\n<br /><br />\n<h3>The Little Labs PCP features an audiophile direct box and splitter, making it the perfect tool for guitars and bass. Contact a RSPE Sales representative to add the Little Labs PCP<span style=\"background-color: initial;\"> to your recording studio today.</span></h3>\n</span>'),(6195,85,0,1033,'Little Labs PCP Instrument Distro 3.0'),(6196,85,1,1033,'Little Labs PCP Instrument Distro 3.0'),(6197,76,0,1033,''),(6198,76,1,1033,''),(6199,75,0,1034,'<img class=\"spacer\" src=\"http://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\"/>\n<span id=\"product_description\" itemprop=\"description\">\n<h3>Little Labs Pepper Instrument Blender and Re-Amp</h3>\n<span style=\"font-size: 16px; font-style: italic;\">Blend multiple effects and processes easily and seamlessly</span><br/><br/>\n								The \n								<font color=\"#000000\">Pepper</font>  is a central hub \nof connectivity for engineers/guitarists’, interfacing pro gear and \nguitar gear, either direction, seamlessly. Interfaces instruments with \npedals, pro gear, guitar amps, mic preamps and line level gear, all at \nonce. The Pepper will tidy up your signal path while keeping everything \nconnected. Use the pro level insert for easily turning pro gear into a \npedal, or insert your DAW on the pro insert for accurate, instant, easy \nre-amping. Parallel process your pedals or pro gear inserts with your \ndry instrument signal. The Pepper, the best sounding, ultimate analog  \ninstrument interface, connectivity never sounded so good! \n								<br/><br/><span id=\"product_description\" itemprop=\"description\">\n								<h3>Pepper Features</h3>\n								</span><span id=\"product_description\" itemprop=\"description\"></span><span id=\"product_description\" itemprop=\"description\"></span>\n								<div id=\"lmno-features\" class=\"cushycms\">\n									<div class=\"cushycms\" id=\"std-features\">\n										<ul class=\"features\">\n											<li>State of the art analog circuitry and vintage UTC style transformers </li>\n											<li>Pedal and Pro level hard bypass inserts with foot pedal control</li>\n											<li>Mu metal shielded for high performance Live and Studio use</li>\n											<li>Outputs include transformer coupled mic level DI AND instrument level, balanced transformer-less line level out</li>\n											<li>Parallel Audio blending between pedal and or pro effects, and dry signal</li>\n											<li>Adjustable instrument input load impedance, as well as load off for sensitive passive and piezo pick ups</li>\n										</ul>\n										<br/>\n										<h3>About Little Labs</h3>\nSince 1988 Little Labs has created audio tools for use in the pro audio industry, to aid the audio engineer in his quest for sonic pleasure for himself and his clients. Little Labs products specialize in addressing previously un-addressed audio applications, empowering the audio engineer with new tools, allowing new techniques to explore deeper into the control of sound.\n										<br/><br/>\n										<h3>The Little Labs Pepper allows you to interface and blend multiple instruments and effects, all at once. Contact a RSPE Sales representative to add the Little Labs Pepper to your recording studio today.</h3>'),(6200,75,1,1034,'<img class=\"spacer\" src=\"http://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\"/>\n<span id=\"product_description\" itemprop=\"description\">\n<h3>Little Labs Pepper Instrument Blender and Re-Amp</h3>\n<span style=\"font-size: 16px; font-style: italic;\">Blend multiple effects and processes easily and seamlessly</span><br/><br/>\n								The \n								<font color=\"#000000\">Pepper</font>  is a central hub \nof connectivity for engineers/guitarists’, interfacing pro gear and \nguitar gear, either direction, seamlessly. Interfaces instruments with \npedals, pro gear, guitar amps, mic preamps and line level gear, all at \nonce. The Pepper will tidy up your signal path while keeping everything \nconnected. Use the pro level insert for easily turning pro gear into a \npedal, or insert your DAW on the pro insert for accurate, instant, easy \nre-amping. Parallel process your pedals or pro gear inserts with your \ndry instrument signal. The Pepper, the best sounding, ultimate analog  \ninstrument interface, connectivity never sounded so good! \n								<br/><br/><span id=\"product_description\" itemprop=\"description\">\n								<h3>Pepper Features</h3>\n								</span><span id=\"product_description\" itemprop=\"description\"></span><span id=\"product_description\" itemprop=\"description\"></span>\n								<div id=\"lmno-features\" class=\"cushycms\">\n									<div class=\"cushycms\" id=\"std-features\">\n										<ul class=\"features\">\n											<li>State of the art analog circuitry and vintage UTC style transformers </li>\n											<li>Pedal and Pro level hard bypass inserts with foot pedal control</li>\n											<li>Mu metal shielded for high performance Live and Studio use</li>\n											<li>Outputs include transformer coupled mic level DI AND instrument level, balanced transformer-less line level out</li>\n											<li>Parallel Audio blending between pedal and or pro effects, and dry signal</li>\n											<li>Adjustable instrument input load impedance, as well as load off for sensitive passive and piezo pick ups</li>\n										</ul>\n										<br/>\n										<h3>About Little Labs</h3>\nSince 1988 Little Labs has created audio tools for use in the pro audio industry, to aid the audio engineer in his quest for sonic pleasure for himself and his clients. Little Labs products specialize in addressing previously un-addressed audio applications, empowering the audio engineer with new tools, allowing new techniques to explore deeper into the control of sound.\n										<br/><br/>\n										<h3>The Little Labs Pepper allows you to interface and blend multiple instruments and effects, all at once. Contact a RSPE Sales representative to add the Little Labs Pepper to your recording studio today.</h3>'),(6201,85,0,1034,'Little Labs Pepper Instrument Blender and Re-Amp'),(6202,85,1,1034,'Little Labs Pepper Instrument Blender and Re-Amp'),(6203,76,0,1034,''),(6204,76,1,1034,''),(6205,75,0,1035,'<img class=\"spacer\" src=\"http://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" />\n<span id=\"product_description\" itemprop=\"description\">\n<h3>Little Labs Redcloud 8810U8ERS Balanced Attenuator Pack</h3>\n<span style=\"font-size: 16px; font-style: italic;\">Compact 8-Channel Attenuator Pack</span><br /><br />\n								<p>\n									Continuing in the tradition of creating unique and useful tools for the pro audio engineer, Little Labs introduces the <font color=\"#000000\">Redcloud 8810U8ERS</font>\n									balanced attenuator pack. Born out of necessity for recording engineer\n Don Smith, aka Redcloud (Rolling Stones, Tom Petty, Stevie Nicks), who \nliked lots of gain on his mic pre amps but needed a simple flexible way \nto attenuate the post mic pre signal.\n								</p>\nUses include, simple analog faders pre or post pro tools, volume \ncontrols for multiple speaker systems, or any job that needs a stereo or\n mono rotary attenuator. Plug it into your db25 modular patch bay and \npatch it in anywhere you need high quality passive attenuation (more \nplaces than you might initially think). The Redcloud 8810U8ERS will be a\n must have accessory in any engineers tool box!\n								<br /><br /><span id=\"product_description\" itemprop=\"description\">\n								<h3><span id=\"product_description\" itemprop=\"description\">\n								<h3>Redcloud 8810U8ERS Balanced Attenuator Features</h3></span></h3></span>\n								<ul>\n									<li>    8 rotary balanced faders</li>\n									<li>    db25 standard analog I/O</li>\n									<li>    Stereo or mono selectable</li>\n									<li>    Tracks left to right accurately</li>\n									<li>    Passive 5k ohm impedance</li>\n									<li>    Pre pro tool attenuation</li>\n									<li>    Post mic pre attenuation</li>\n									<li>    Stepped volume controls</li>\n									<li>    Up to 32 faders in a 1u rack</li>\n								</ul>\n<br />\n										<h3>About Little Labs</h3>\nSince 1988 Little Labs has created audio tools for use in the pro audio industry, to aid the audio engineer in his quest for sonic pleasure for himself and his clients. Little Labs products specialize in addressing previously un-addressed audio applications, empowering the audio engineer with new tools, allowing new techniques to explore deeper into the control of sound.\n										<br /><br />\n										<h3>The Little Labs Redcloud 8810U8ERS<span style=\"background-color: initial;\"> gives engineers a simple, flexible way to attenuate the post mic pre signal. Contact a RSPE Sales representative to add the Little Labs </span>Redcloud 8810U8ERS<span style=\"background-color: initial;\"> to your recording studio today.</span></h3></span>'),(6206,75,1,1035,'<img class=\"spacer\" src=\"http://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" />\n<span id=\"product_description\" itemprop=\"description\">\n<h3>Little Labs Redcloud 8810U8ERS Balanced Attenuator Pack</h3>\n<span style=\"font-size: 16px; font-style: italic;\">Compact 8-Channel Attenuator Pack</span><br /><br />\n								<p>\n									Continuing in the tradition of creating unique and useful tools for the pro audio engineer, Little Labs introduces the <font color=\"#000000\">Redcloud 8810U8ERS</font>\n									balanced attenuator pack. Born out of necessity for recording engineer\n Don Smith, aka Redcloud (Rolling Stones, Tom Petty, Stevie Nicks), who \nliked lots of gain on his mic pre amps but needed a simple flexible way \nto attenuate the post mic pre signal.\n								</p>\nUses include, simple analog faders pre or post pro tools, volume \ncontrols for multiple speaker systems, or any job that needs a stereo or\n mono rotary attenuator. Plug it into your db25 modular patch bay and \npatch it in anywhere you need high quality passive attenuation (more \nplaces than you might initially think). The Redcloud 8810U8ERS will be a\n must have accessory in any engineers tool box!\n								<br /><br /><span id=\"product_description\" itemprop=\"description\">\n								<h3><span id=\"product_description\" itemprop=\"description\">\n								<h3>Redcloud 8810U8ERS Balanced Attenuator Features</h3></span></h3></span>\n								<ul>\n									<li>    8 rotary balanced faders</li>\n									<li>    db25 standard analog I/O</li>\n									<li>    Stereo or mono selectable</li>\n									<li>    Tracks left to right accurately</li>\n									<li>    Passive 5k ohm impedance</li>\n									<li>    Pre pro tool attenuation</li>\n									<li>    Post mic pre attenuation</li>\n									<li>    Stepped volume controls</li>\n									<li>    Up to 32 faders in a 1u rack</li>\n								</ul>\n<br />\n										<h3>About Little Labs</h3>\nSince 1988 Little Labs has created audio tools for use in the pro audio industry, to aid the audio engineer in his quest for sonic pleasure for himself and his clients. Little Labs products specialize in addressing previously un-addressed audio applications, empowering the audio engineer with new tools, allowing new techniques to explore deeper into the control of sound.\n										<br /><br />\n										<h3>The Little Labs Redcloud 8810U8ERS<span style=\"background-color: initial;\"> gives engineers a simple, flexible way to attenuate the post mic pre signal. Contact a RSPE Sales representative to add the Little Labs </span>Redcloud 8810U8ERS<span style=\"background-color: initial;\"> to your recording studio today.</span></h3></span>'),(6207,85,0,1035,'Little Labs Redcloud 8810U8ERS Balanced Attenuator Pack'),(6208,85,1,1035,'Little Labs Redcloud 8810U8ERS Balanced Attenuator Pack'),(6209,76,0,1035,''),(6210,76,1,1035,''),