<h2>Sonnox Mastering Bundle - Native</h2>
The Sonnox Mastering Bundle is a hand picked selection of Sonnox's top Plug-Ins focused on getting the very most from your 2-bus and the files you subsequently deliver.
<br /><br />
Sculpt tone with pinpoint accuracy, control dynamic range transparently and achieve maximum loudness, density and presence without sacrificing transient detail. Then deliver your music, with full confidence that it conforms to industry accredited true peak levels and that encoded distribution versions won’t be rejected.
<br /><br />
<h2>Bundle Includes:</h2>
<h3>Oxford EQ</h3>
The renowned Oxford EQ is based on the original EQ section of the Sony OXF-R3 large format digital mixing console. It is a 5-band EQ with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The Oxford EQ also features four different EQ curves that cover a broad array of styles, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. The Oxford EQ truly is four equalizers in one plug-in and will provide all the EQ you’ll ever need!
<br />
<h4>Features</h4>
<ul>
	<li>64-bit compliant (AAX / AU / VST)            </li>
	<li>5 band fully parametric EQ                   </li>
	<li>Variable HF & LF filters up to 36dB/Octave   </li>
	<li>Algorithm taken directly from the Sony OXF-R3</li>
	<li>Four different EQ types in one plug-in       </li>
	<li>Fully de-cramped HF response                 </li>
	<li>A / B switches (automatable)                 </li>
	<li>Ultra low noise and distortion               </li>
</ul>
<br />
<h3>Oxford Dynamics</h3>
The Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.
<br />
<h4>Features</h4>
<ul>
	<li>64-bit compliant (AAX / AU / VST)                               </li>
	<li>The dynamics section from Sony OXF-R3 console                   </li>
	<li>Separate sections for Compressor, Gate, Expander, Limiter       </li>
	<li>2-Band side chain EQ (with audition function)                   </li>
	<li>Warmth control for extra presence and tube-like warmth          </li>
	<li>Three different compressor types (linear and exponential curves)</li>
	<li>Variable soft knee compressor                                   </li>
	<li>Separate 5.1 bus compressor (where supported)                   </li>
	<li>Ultra low noise and distortion                                  </li>
</ul>
<br />
<h3>Oxford Inflator</h3>
<div>
	The Inflator is a unique process that can provide an increase in the apparent loudness of almost any program, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to program material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems.
</div>
<div>
	<br />
</div>
<div>
	Use the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes.
	<br />
</div>
<h4>Features</h4>
<ul>
	<li><span style="background-color: initial; letter-spacing: 0px;">64-bit compliant (AAX / AU / VST)</span></li>
	<li>Adds presence and tube-like warmth</li>
	<li>Increases perceived loudness of any material</li>
	<li>Provides virtual headroom above digital maximum</li>
	<li>Direct and band-split modes</li>
</ul>
<br />
<h3>Oxford Limiter</h3>
The Oxford Limiter has been developed from decades of professional audio experience to provide a very high degree of quality and facility in programme loudness control and limiting functions. By employing highly accurate logarithmic side chain processing, along with innovative adaptive timing functionality using look ahead signal acquisition, the limiter provides exemplary performance, whether one is seeking general transparent level control, programme loudness maximisation or heavily applied artistic sound effects. 
<br /><br />
Unique processing in the form of the Enhance function provides the sample value limiting needed to reliably avoid overloads in digital workstation environments and allows unprecedented volume and punch to be applied to programme beyond that available from conventional limiting functions. <br /><br />
Comprehensive metering is provided which displays not only conventional peak sample value, but additionally allows the user to monitor the true validity of the programme in order to avoid the generation of damaging reconstruction overloads in the target equipment which are often invisible during production (sometimes termed 'inter sample peaks'). <br /><br />
A further function allows the user to dynamically correct for reconstruction overloads in real time, thereby achieving maximum possible modulation levels without the risks of producing illegal signals often associated with compression and limiting.<br /><br />
Comprehensive dithering functionality with selectable and variable depth noise shaping ensures first class mastering output quality in either 24 bit or 16 bit modes.<br />
<h4>Features</h4>
<ul>
	<li>64-bit compliant (AAX / AU / VST)                                                            </li>
	<li>Enhance section to increase perceived loudness                                         </li>
	<li>Reconstruction meter shows ‘actual’ signal rather than sampled signal                  </li>
	<li>Auto compensate feature corrects recon errors without losing overall programme loudness</li>
	<li>Attack, release and variable soft knee controls                                        </li>
	<li>Comprehensive dither and noise shaping                                                 </li>
	<li>Complete with many factory presets                                                     </li>
</ul>
<br />
<h3>Fraunhofer Pro-Codec Plug-in</h3>
<div>
	The revolutionary Sonnox Fraunhofer Pro-Codec allows real-time auditioning and comparison of a variety of audio codecs. It has a display that helps analyse codec-induced clipping and noise, and enables real-time compensation for clipping.
</div>
<div>
	The Pro-Codec's extensive monitoring tools and built-in encoding/decoding features enable mixes to be optimised for specific target formats, ensuring maximum fidelity for final encoding and distribution.
</div>
<div>
	<br />
</div>
<div>
	Integrated into the plug-in are Fraunhofer's own AAC and mp3 codecs, including MPEG Surround and multi-channel AAC formats for surround mixing, as well as Apple's iTunes+ codec for mixing directly for the Mastered for iTunes programme. (Mac version only).
</div>
<div>
	<br />
</div>
<div>
	The software now includes a stand-alone Manager application, which enables batch processing of multiple files and includes a full metadata editor.
</div>
<h4>Features</h4>
<ul>
	<li><span style="background-color: initial; letter-spacing: 0px;">64-bit compliant (AAX / AU / VST)</span></li>
	<li>Supported Codecs:
	<ul>
		<li>mp3, Apple AAC iTunes+ [Mac only], AAC-LC, HE-AAC, and HE-AAC v2</li>
		<li>MPEG Surround, AAC-LC multi-channel, HE-AAC multi-channel</li>
		<li>HD-AAC</li>
	</ul>
	</li>
</ul>
<ul>
</ul>