(4202,75,1,701,'<h1>EastWest Voices Of Opera</h1>\n<i>A powerful sample-based collection of opera vocals featuring soprano Larisa Martinez and tenor Carlton Moe, pristinely recorded at EastWest Studios.</i><br /><br />\n	EastWest Voices of Opera is a sensational virtual instrument featuring the pristine vocals of soprano Larisa Martinez (Andrea Bocelli) and tenor Carlton Moe (Phantom of the Opera).\n<br /><br />\n	Voices of Opera is perfect for any composer looking to add a pristine operatic sound and fits in perfectly with EastWest\'s recent slate of award-winning vocal products HOLLYWOOD CHOIRS, VOICES OF THE EMPIRE, and VOICES OF SOUL.\n<br /><br />\nVoices Of Opera is a 40 GB collection of 229 multi-sampled vocal instruments across various categories, including:\n<ul>\n	<li><b>Sustain: </b>10 vocal instruments for both Soprano and Tenor consisting of single syllable vowels - Ah, Ee, Eh, Oh, Oo</li>\n	<li><b>Staccato:</b> 32 vocal instruments with a variety of short, single syllables. For Soprano: Bra, Cher, Ci, Don, Fa, Goh, Joh, Ki, Kom, Lu, Na, Oo, Prey, Ra, Te, Toh, Voh. For Tenor: Bra, Cher, Ci, Don, Fa, Goh, Joh, Ki, Kon, Lu, Na, Oo, Prey, Te, Toh, Voh.</li>\n	<li><b>Legato:</b> 4 vocal instruments that playback true legato intervals up to an octave in either direction when playing in a legato fashion (connected notes) and a sustain sample layer when playing in a non-legato fashion (separation between notes). For both Soprano and Tenor, there is Ah Legato and Oh Legato.</li>\n	<li><b>Combo:</b> 8 vocal instruments that combine multiple articulations into a single instrument and use either the Mod Wheel or Round Robin programming techniques to determine how each play back. These include Sustain MOD, Legato MOD, and Staccato Combo RR.</li>\n	<li><b>Words: </b>42 vocal instruments with performances of specific Italian words mapped chromatically across the keyboard. For both Soprano and Tenor, these include: Addio, Amore, Bravissimo, Cara, Caro, Cielo, Dolore, Donna, Ella, Fiore, Fortuna, Forza, Gloria, Insieme, Mai, Morte, Nobilta, Potere, Sacro, Signore, Vincero.</li>\n	<li><b>Phrases:</b> 36 full phrases and 84 sub-phrases from popular opera arias from the works of Verdi, Puccini, Mozart, Rossini, Bizet and more. There are 43 phrases and sub-phrases for Soprano, 40 phrases and sub-phrases for Tenor, and 37 Duet phrases and sub-phrases. Phrases were recorded in multiple keys. Sub-phrases, which are separate parts that make up a full phrase, can be switched using the Mod Wheel.</li>\n	<li><b>Keyswitch:</b> 9 instruments that combine multiple articulations into a single instrument and uses keyswitches to activate the desired articulation.</li>\n</ul>\n<br />\n<h3>World-Renowned Singers</h3>\n<h4>Larisa Martinez</h4>\nLarisa Martinez has established a strong and unique presence in the classical performance world. She’s currently performing with opera titan Andrea Bocelli as his principal soprano on his world tour. She is a winner of the Metropolitan Opera National Council Audition PR district 2016, where she also received the Angel Ramos Foundation Award and Audience Prize. She earned raved reviews as Musetta in Loft Opera’s critically acclaimed production of La Bohéme and for her other leading roles in Verdi’s Rigoletto, Gounod’s Roméo et Juliette, Rossini’s Adina, Floyd’s Susannah, and Donizetti’s Don Pasquale and Lucia di Lammermoor.<br /><br />\n\n<h4>Carlton Moe</h4>\nHeralded by the New York Times as an \"ardent tenor,\" Carlton Moe is currently performing as Ubaldo Piangi in Andrew Lloyd Webber’s Phantom of the Opera, the longest running show on Broadway. His opera credits include Lakmé (Gerald), I Capuletti e I Montecchi (Tebaldo), The Mother of Us All (John Adams), Ernest Bloch\'s Macbeth (Malcolm), and Roméo et Juliette (Tybalt). He has also performed as a soloist in major works such as Verdi’s Requiem, Beethoven’s 9th Symphony, Mozart’s Requiem, and Handel’s Messiah.<br /><br />\n\n\"I have always loved opera\", said co-producer Doug Rogers \"at its best, it can send shivers down your spine. And that\'s what happened when I saw Andrea Bocelli and Larisa Martinez performing together at the Hollywood Bowl. Larisa agreed to work with us on VOICES OF OPERA. The recording sessions were sensational. She has the voice of an angel, her pitch is perfect, her range and vocal power unsurpassed. Then the opportunity arose to add tenor Carlton Moe (Phantom of the Opera) to the project. He just has this incredibly rich tone. It was truly a labor of love.\"<br /><br />\n\n<h3>Pristine Recording Techniques</h3>\nThe same pristine recording techniques that make all of our products sound so rich and detailed went into the recording of Voices of Opera. Choose and create your own mix from multiple mic positions including Front, Rear, and Room. The Front mic is a Telefunken 251, a famous vocal mic that captures incredible warmth and detail. For the duet phrases, a Neumann U67 was added to fully capture the sound of both singers. The Rear includes a pair of vintage Cole 4038s that add more depth and space. The Room mix includes a Decca tree made up of Neumann M50s and a pair of AKG C12 outriggers, replicating the mic set-up of a classical stage. These are all rare vintage tube mics. All recordings were made at EastWest Studios, our world famous recording studios known for producing more Grammy nominations than any other studio in the world, 121 in the last 7 years.<br /><br />\n<h3>VOICES OF OPERA is a must-have collection to add some vocal magic to your next project or add a unique texture to any style of music. Call or Chat with an RSPE Specialist to learn more.</h3>'),(4203,85,0,701,'EastWest Voices Of Opera Virtual Instrument'),(4204,85,1,701,'EastWest Voices Of Opera Virtual Instrument'),(4205,76,0,701,''),(4206,76,1,701,''),(4207,75,0,702,'<h1>EastWest Voices Of Soul</h1>\n<i>A powerful sample-based collection of solo and backing vocal performances that give you an extensive blend of funk, soul, reggae, southern blues, gospel, r&b, jazz, and a bit of latin soul.</i><br /><br />\nEastwest Voices Of Soul is a powerhouse vocal product of soulful perfection that will be your new secret weapon, perfect for any music requiring solo vocals or backing vocal harmonies using chords.<br /><br />\nEastWest recorded VOICES OF SOUL with C.C. White, who has sung with many of the greatest and most iconic names in the music industry. Her voice is a thrilling blend of Funk, Soul, Reggae, Southern Blues, Gospel, R&B, Jazz, with a bit of Latin flair. From soft and angelic to powerful and earth shattering, her voice effortlessly captivates and enthralls audiences.<br /><br />\nVOICES OF SOUL was produced by Doug Rogers and Nick Phoenix, the most awarded producers in the sounds industry, and includes a collection of expressive, soulful multi-sampled vocal instruments with hundreds of expressive phrases in every key and highly realistic true legato transitions. Composers can switch between multiple articulations on the fly with Combo instruments and play chords to create vocal harmonies with Mod Xfade Chords instruments.<br /><br />\nVOICES OF SOUL features vocals across a variety of categories, including:\n<ul>\n	<li>SUSTAIN contains a variety of single syllable vocal instrument types, including Ah, Doo, Ee, Eh, Ha, Hm, Ho, Ho Expressive, Hoo, La, Mm, Oh, Oh Expressive, Oo, So Expressive, Wo, Wo Expressive. Most contain multiple velocity-sensitive dynamic layers, and a few contain additional “expressive” versions.</li>\n	<li>LEGATO contains instruments that playback true legato intervals when playing notes in a connected fashion (legato) for every interval up to an octave in either direction, and sustain layers that playback when playing disconnected (separated).</li>\n	<li>COMBO MOD contains instruments that combine multiple articulations and use the Mod Wheel (MOD) or Velocity Sensitivity (VS) to determine which playback.</li>\n	<li>COMBO RR contains instruments that combine multiple articulations by using Round Robin programming to cycle through articulations.</li>\n	<li>MOD XFADE CHORDS contains polyphonic, single syllable vocal instruments that use the Mod Wheel (CC1) to crossfade between dynamic layers.</li>\n	<li>PHRASES contains over 600 phrases and adlibs sung in a soulful style, spread out across 12 instruments, one for each of the 12 root note positions.</li>\n	<li>KEYSWITCH contains instruments that combine multiple articulations into a single instrument, and use keyswitches to activate the desired articulation.</li>\n	<li>PHRASES KS FX PRESETS contains the phrases keyswitch instruments saved with a variety of FX Rack presets. The FX Rack includes the SSL Channel Strip and Bus Compressor, OhmForce Ohmicide, and EastWest EP-1 Delay, ADT, Amp Simulator and Convolution Reverb.</li>\n</ul>'),(4208,75,1,702,'<h1>EastWest Voices Of Soul</h1>\n<i>A powerful sample-based collection of solo and backing vocal performances that give you an extensive blend of funk, soul, reggae, southern blues, gospel, r&b, jazz, and a bit of latin soul.</i><br /><br />\nEastwest Voices Of Soul is a powerhouse vocal product of soulful perfection that will be your new secret weapon, perfect for any music requiring solo vocals or backing vocal harmonies using chords.<br /><br />\nEastWest recorded VOICES OF SOUL with C.C. White, who has sung with many of the greatest and most iconic names in the music industry. Her voice is a thrilling blend of Funk, Soul, Reggae, Southern Blues, Gospel, R&B, Jazz, with a bit of Latin flair. From soft and angelic to powerful and earth shattering, her voice effortlessly captivates and enthralls audiences.<br /><br />\nVOICES OF SOUL was produced by Doug Rogers and Nick Phoenix, the most awarded producers in the sounds industry, and includes a collection of expressive, soulful multi-sampled vocal instruments with hundreds of expressive phrases in every key and highly realistic true legato transitions. Composers can switch between multiple articulations on the fly with Combo instruments and play chords to create vocal harmonies with Mod Xfade Chords instruments.<br /><br />\nVOICES OF SOUL features vocals across a variety of categories, including:\n<ul>\n	<li>SUSTAIN contains a variety of single syllable vocal instrument types, including Ah, Doo, Ee, Eh, Ha, Hm, Ho, Ho Expressive, Hoo, La, Mm, Oh, Oh Expressive, Oo, So Expressive, Wo, Wo Expressive. Most contain multiple velocity-sensitive dynamic layers, and a few contain additional “expressive” versions.</li>\n	<li>LEGATO contains instruments that playback true legato intervals when playing notes in a connected fashion (legato) for every interval up to an octave in either direction, and sustain layers that playback when playing disconnected (separated).</li>\n	<li>COMBO MOD contains instruments that combine multiple articulations and use the Mod Wheel (MOD) or Velocity Sensitivity (VS) to determine which playback.</li>\n	<li>COMBO RR contains instruments that combine multiple articulations by using Round Robin programming to cycle through articulations.</li>\n	<li>MOD XFADE CHORDS contains polyphonic, single syllable vocal instruments that use the Mod Wheel (CC1) to crossfade between dynamic layers.</li>\n	<li>PHRASES contains over 600 phrases and adlibs sung in a soulful style, spread out across 12 instruments, one for each of the 12 root note positions.</li>\n	<li>KEYSWITCH contains instruments that combine multiple articulations into a single instrument, and use keyswitches to activate the desired articulation.</li>\n	<li>PHRASES KS FX PRESETS contains the phrases keyswitch instruments saved with a variety of FX Rack presets. The FX Rack includes the SSL Channel Strip and Bus Compressor, OhmForce Ohmicide, and EastWest EP-1 Delay, ADT, Amp Simulator and Convolution Reverb.</li>\n</ul>'),(4209,85,0,702,'EastWest Voices Of Soul'),(4210,85,1,702,'EastWest Voices Of Soul'),(4211,76,0,702,''),(4212,76,1,702,''),(4213,75,0,703,'<h1>EastWest Voices of Passion</h1>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">Voices of Passion contains samples of five really good solo female singers from around the world: Syria, India, Bulgaria, Wales, and America.<br/><br/></span></span> VOICES OF PASSION is a tool designed to use vocal samples as the foundation for creating new instruments, and includes female vocals from Wales, Syria, India, Bulgaria and America. It includes ethereal, passionate, flowing, mysterious, wailing and whispering vocals for Film, TV and Game composers as well as songwriters, new age artists and zen horticulturists. Altos and Sopranos. VOICES OF PASSION is not designed to replace a live singer in your studio.<br/><br/>VOICES OF PASSION features 5 stunning female artists singing vowels, words, morphing vowels, effects, phrases, calls, whispers and breath noises. This is the first virtual instrument created specifically for use in the film/TV/game genre. This is also the first virtual instrument or sample library created specifically for use in ambient or new age music.<br/><br/>VOICES OF PASSION is the first virtual instrument to feature true legato intervals (American and Wales only). The Middle Eastern and Indian phrases are presented in a construction kit format allowing users to create very long consistent performances. Mod-wheel controls entry point on ethnic phrases. <br/><br/>\n<h3>Voices of Passion Key Features</h3>\n<ul class=\"fancy-bulleted-list\">\n	<li>Produced by Nick Phoenix <a href=\"http://www.twostepsfromhell.com\"><u></u></a></li>\n	<li>Over 7 GBs of vocals</li>\n	<li>Female Vocalists from Wales, Syria, India, Bulgaria and America</li>\n	<li>All singers recorded with great attention paid towards pitch</li>\n	<li>Oo, oh and ah true legato intervals (American and Wales only)</li>\n	<li>Over 1000 ethnic phrases with a great deal of passion</li>\n	<li>Phrase generator for Welsh vocals</li>\n	<li>Expressive samples, non vibrato, delayed vibrato</li>\n	<li>Ethereal style, breathy vocals</li>\n	<li>New Age vocal performances, staccato and swells</li>\n	<li>PLAY features allow for very quick and intuitive sound loading and organization</li>\n	<li>All singers recorded with a Telefunken Elam 251 and a RCA 44 ribbon mic for tonal variation</li>\n</ul>\n<br/>\n<h2>EASTWEST has led the industry for more than 27 \nyears and provides professionals with the very best music creation tools\n available. Call or chat with a RSPE representative today.\n</h2>\n<span style=\"font-family: Tahoma;\"></span>'),(4214,75,1,703,'<h1>EastWest Voices of Passion</h1>\n<span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">Voices of Passion contains samples of five really good solo female singers from around the world: Syria, India, Bulgaria, Wales, and America.<br/><br/></span></span> VOICES OF PASSION is a tool designed to use vocal samples as the foundation for creating new instruments, and includes female vocals from Wales, Syria, India, Bulgaria and America. It includes ethereal, passionate, flowing, mysterious, wailing and whispering vocals for Film, TV and Game composers as well as songwriters, new age artists and zen horticulturists. Altos and Sopranos. VOICES OF PASSION is not designed to replace a live singer in your studio.<br/><br/>VOICES OF PASSION features 5 stunning female artists singing vowels, words, morphing vowels, effects, phrases, calls, whispers and breath noises. This is the first virtual instrument created specifically for use in the film/TV/game genre. This is also the first virtual instrument or sample library created specifically for use in ambient or new age music.<br/><br/>VOICES OF PASSION is the first virtual instrument to feature true legato intervals (American and Wales only). The Middle Eastern and Indian phrases are presented in a construction kit format allowing users to create very long consistent performances. Mod-wheel controls entry point on ethnic phrases. <br/><br/>\n<h3>Voices of Passion Key Features</h3>\n<ul class=\"fancy-bulleted-list\">\n	<li>Produced by Nick Phoenix <a href=\"http://www.twostepsfromhell.com\"><u></u></a></li>\n	<li>Over 7 GBs of vocals</li>\n	<li>Female Vocalists from Wales, Syria, India, Bulgaria and America</li>\n	<li>All singers recorded with great attention paid towards pitch</li>\n	<li>Oo, oh and ah true legato intervals (American and Wales only)</li>\n	<li>Over 1000 ethnic phrases with a great deal of passion</li>\n	<li>Phrase generator for Welsh vocals</li>\n	<li>Expressive samples, non vibrato, delayed vibrato</li>\n	<li>Ethereal style, breathy vocals</li>\n	<li>New Age vocal performances, staccato and swells</li>\n	<li>PLAY features allow for very quick and intuitive sound loading and organization</li>\n	<li>All singers recorded with a Telefunken Elam 251 and a RCA 44 ribbon mic for tonal variation</li>\n</ul>\n<br/>\n<h2>EASTWEST has led the industry for more than 27 \nyears and provides professionals with the very best music creation tools\n available. Call or chat with a RSPE representative today.\n</h2>\n<span style=\"font-family: Tahoma;\"></span>'),(4215,85,0,703,'EastWest Voices of Passion'),(4216,85,1,703,'EastWest Voices of Passion'),(4217,76,0,703,''),(4218,76,1,703,''),(4219,75,0,704,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs DocDerrEsser - 1 EL-RX and 1 EL-DS installed into EL500 Rack</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The EL-Rx DocDerr and EL-DS DerrEsser with Horizontal EL500 Rack combines a multi-purpose tone enhancement module and a multi-function dynamic filtering device; pre-installed in the EL500 rack.</span></span><br /><br /><p>\nThe DocDerr offers six different sections of digitally controlled analog\n processing. A low-noise preamp capable of working with line level or \ninstrument level signals is followed by four sections of EQ combining a \ntwo-position, high-pass filter with three parametric bands, each with \nits own set of carefully tuned frequency presets. By adjusting an \ninternal jumper, the DocDerr offers a high quality instrument preamp \nwith 16 dB of gain for acoustic guitar, bass, synths, and exotic plucked\n instruments. The dynamics section offers compression and a musical tape\n emulation circuit that softens and tames high frequencies and transient\n spikes. The Mix knob allows the user to blend the uncompressed signal \nwith the compressed and saturated signal. The DocDerr is well suited for\n tracking, fine-tuning tracks during mixing, and studio-quality tone \ncontrol.</p><p>\nThe DerrEsser is an effective, level insensitive de-esser device that \nadjusts the high frequency gain on overly trebly or spiky vocals or \nother sources in an extremely musical manner. However, unlike other \nde-essers, the device allows for multiple use of its circuitry. In the \nDS mode (HF Limit OFF), the threshold can be set to tame harsh sibilance\n that results from an overly bright singer or from EQ\'ing to make a \nvocal sound aggressive and clear. The DS threshold is not level \ndependent, and compares the amount of high frequency content to the low \nfrequency content, so adjusting the overall level does not affect the \nthreshold. It features VCA technology for glitch, distortion, and \nnoise-free operation. The corner frequency is user adjustable with a \nhigh performance active crossover. The HF Limit mode essentially acts as\n a high frequency compressor. If there is enough high-frequency content \nto exceed the threshold, then gain reduction occurs. It is level \nsensitive, but responds much more to high frequencies and functions more\n of a general high-frequency smoothing device.</p><p>The Highpass \nmode uses a LISTEN function, where the user can employ the filter \ncircuitry inside the DerrEsser to process their audio. With the LISTEN \nbutton in, and the HP/LP switch out, the user will be hearing the high \nfrequencies controlled by the dynamic/compression circuits. The corner \nfrequency is adjustable by the frequency knob. The Lowpass mode also \nuses the LISTEN function, but with the HP/LP button in, the user is now \nlistening to the low frequencies, those not affected by the VCA and \ndynamic/compression circuits. This is a 12 dB per octave filter whose \ncorner frequency can again be adjusted by the frequency knob.<br />\n<br />\nThe EL500 rack features a quiet power supply and offers both XLR and \n1/4\" rear panel inputs and outputs. In addition, a 1/4\" instrument \npreamp/direct box input is on the front panel, which will automatically \nswitch the left 500 module\'s input to this front 1/4\" jack once \nsomething is plugged into it. Switches to link compressors and engage a \n48V phantom supply are also provided. The DocDerr DerrEsser ships with a\n guitar adapter cable and a standard IEC power cord.</p>\n			\n		\n		\n\n		\n\n	\n\n	\n		\n\n		\n		      <div class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\">\n				    \n				               <dl data-tickertarget=\"ov-ft-2\" class=\"js-featureSectionDL\"><dt class=\"featureTitle\">DocDerr Module </dt><dd class=\"c28\">\n\n										\n												<ul><li>Super low-noise line input, or instrument preamp, \nwith famous Empirical Labs compression. Six digitally controlled analog \nsections of processing</li><li>Four sections of Equalization: One High Pass and 3 parametric bands</li><li>Empirical\n Labs first compressor in the API 500 format. It is an aggressive \ncompressor that follows the EQ, tailored to acoustic instruments, and \nplucked attacks, but good on just about anything. Great for vocals and \nbass</li><li>Complex compressor envelope generator. Fast, yet musically saturates at high gain reduction. Program dependent release</li><li>Saturation\n circuitry that scrunches the highs and allows hotter levels like tape. \nUses filtering combined with germanium clip circuitry to soften loud \nhigh frequencies</li><li>Mix control to allow user to blend an \nun-compressed EQ’d signal back in with the compressed saturated signal. \nWhen on 0, only the EQ’d signal is put out</li><li>Adapter is provided for free, allowing a guitar, bass, etc to be plugged straight into the rear of your API powered rack</li><li>DC coupled input and outputs</li><li>Selectable single-ended or differential output. Differential out adds 6 dB gain</li><li>Traditional and digitally controlled analog combined in new topology</li><li>A\n “BAD!” Hard Clip Indicator LED that lets user know it\'s within 1 dB of \nhard clipping. It monitors most every section for internal clipping</li><li>High\n Quality Components: All metal film and Roederstein resistors in the \naudio path - top quality components, most being high temperature \nmilitary spec parts</li><li>NOTE: With all the processing, the DocDerr \ndraws slightly more current than the API 500 spec, but has worked \nperfectly in all racks tested. Six have been tested in the API Lunchbox \nand other racks, without overloading the power supply</li><li>User modifiable elements, including the Compressor</li><li>Built and calibrated in USA</li></ul>\n										  \n										 </dd></dl>\n\n				         \n				    \n				               <dl data-tickertarget=\"ov-ft-3\" class=\"js-featureSectionDL\"><dt class=\"featureTitle\">DerrEsser </dt><dd class=\"c28\">\n\n										\n												<ul><li>High performance analog De-esser</li><li>HF Lim \nMode, as well as standard De-Ess – High Frequency limiting with a \ntailored soft knee. The Dynamic Section can be used for De-essing or \nsmooth high frequency softening</li><li>A “BAD!” Hard Clip Indicator LED\n lets user know it\'s within 1 dB of hard clipping. It monitors several \nsections within the DerrEsser for possible clipping</li><li>Unity Gain in and out – 6 dB of gain available</li><li>Foolproof operation - it\'s almost impossible to clip or get a bad sound</li><li>Industry standard API 500 Series Rack compatible</li><li>True bypass</li><li>High reliability parts and military grade switches and relays</li><li>Hand built and calibrated in USA</li></ul>\n										  \n										 </dd></dl>\n\n				         \n				    \n				               <dl data-tickertarget=\"ov-ft-4\" class=\"js-featureSectionDL\"><dt class=\"featureTitle\">EL500 Rack </dt><dd class=\"c28\">\n\n										\n												<ul><li>Unique Flush Mount system for durability & looks</li><li>Super quiet ±16V supplies</li><li>More than 280mA available on both supplies</li><li>48V Phantom supply with 35mA of current</li><li>Link Switch to stereo-link two compressors</li><li>Built in DI “Inst In” (Instrument In) for high impedance inputs built into front panel</li><li>\"Inst In\" THD is less than .0006%</li><li>A\n performing musician can use the \"Inst In\" combined with his favorite \nmodules, using the high quality preamp on this front panel jack</li><li>Auto-Sense on “Inst In” jack</li><li>XLR & 1/4\" Inputs and Outputs. A total of 9 input and output connectors</li><li>Front panel Link-Switch for stereo linking dynamic devices such as compressors/limiters/gates</li><li>Power Consumption: 14W maximum; 9W typical with modules installed</li></ul>\n										  \n										 </dd></dl>\n\n				         \n				    \n				    \n		      </div><br class=\"Apple-interchange-newline\" /><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today.</h3>'),(4220,75,1,704,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs DocDerrEsser - 1 EL-RX and 1 EL-DS installed into EL500 Rack</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The EL-Rx DocDerr and EL-DS DerrEsser with Horizontal EL500 Rack combines a multi-purpose tone enhancement module and a multi-function dynamic filtering device; pre-installed in the EL500 rack.</span></span><br /><br /><p>\nThe DocDerr offers six different sections of digitally controlled analog\n processing. A low-noise preamp capable of working with line level or \ninstrument level signals is followed by four sections of EQ combining a \ntwo-position, high-pass filter with three parametric bands, each with \nits own set of carefully tuned frequency presets. By adjusting an \ninternal jumper, the DocDerr offers a high quality instrument preamp \nwith 16 dB of gain for acoustic guitar, bass, synths, and exotic plucked\n instruments. The dynamics section offers compression and a musical tape\n emulation circuit that softens and tames high frequencies and transient\n spikes. The Mix knob allows the user to blend the uncompressed signal \nwith the compressed and saturated signal. The DocDerr is well suited for\n tracking, fine-tuning tracks during mixing, and studio-quality tone \ncontrol.</p><p>\nThe DerrEsser is an effective, level insensitive de-esser device that \nadjusts the high frequency gain on overly trebly or spiky vocals or \nother sources in an extremely musical manner. However, unlike other \nde-essers, the device allows for multiple use of its circuitry. In the \nDS mode (HF Limit OFF), the threshold can be set to tame harsh sibilance\n that results from an overly bright singer or from EQ\'ing to make a \nvocal sound aggressive and clear. The DS threshold is not level \ndependent, and compares the amount of high frequency content to the low \nfrequency content, so adjusting the overall level does not affect the \nthreshold. It features VCA technology for glitch, distortion, and \nnoise-free operation. The corner frequency is user adjustable with a \nhigh performance active crossover. The HF Limit mode essentially acts as\n a high frequency compressor. If there is enough high-frequency content \nto exceed the threshold, then gain reduction occurs. It is level \nsensitive, but responds much more to high frequencies and functions more\n of a general high-frequency smoothing device.</p><p>The Highpass \nmode uses a LISTEN function, where the user can employ the filter \ncircuitry inside the DerrEsser to process their audio. With the LISTEN \nbutton in, and the HP/LP switch out, the user will be hearing the high \nfrequencies controlled by the dynamic/compression circuits. The corner \nfrequency is adjustable by the frequency knob. The Lowpass mode also \nuses the LISTEN function, but with the HP/LP button in, the user is now \nlistening to the low frequencies, those not affected by the VCA and \ndynamic/compression circuits. This is a 12 dB per octave filter whose \ncorner frequency can again be adjusted by the frequency knob.<br />\n<br />\nThe EL500 rack features a quiet power supply and offers both XLR and \n1/4\" rear panel inputs and outputs. In addition, a 1/4\" instrument \npreamp/direct box input is on the front panel, which will automatically \nswitch the left 500 module\'s input to this front 1/4\" jack once \nsomething is plugged into it. Switches to link compressors and engage a \n48V phantom supply are also provided. The DocDerr DerrEsser ships with a\n guitar adapter cable and a standard IEC power cord.</p>\n			\n		\n		\n\n		\n\n	\n\n	\n		\n\n		\n		      <div class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\">\n				    \n				               <dl data-tickertarget=\"ov-ft-2\" class=\"js-featureSectionDL\"><dt class=\"featureTitle\">DocDerr Module </dt><dd class=\"c28\">\n\n										\n												<ul><li>Super low-noise line input, or instrument preamp, \nwith famous Empirical Labs compression. Six digitally controlled analog \nsections of processing</li><li>Four sections of Equalization: One High Pass and 3 parametric bands</li><li>Empirical\n Labs first compressor in the API 500 format. It is an aggressive \ncompressor that follows the EQ, tailored to acoustic instruments, and \nplucked attacks, but good on just about anything. Great for vocals and \nbass</li><li>Complex compressor envelope generator. Fast, yet musically saturates at high gain reduction. Program dependent release</li><li>Saturation\n circuitry that scrunches the highs and allows hotter levels like tape. \nUses filtering combined with germanium clip circuitry to soften loud \nhigh frequencies</li><li>Mix control to allow user to blend an \nun-compressed EQ’d signal back in with the compressed saturated signal. \nWhen on 0, only the EQ’d signal is put out</li><li>Adapter is provided for free, allowing a guitar, bass, etc to be plugged straight into the rear of your API powered rack</li><li>DC coupled input and outputs</li><li>Selectable single-ended or differential output. Differential out adds 6 dB gain</li><li>Traditional and digitally controlled analog combined in new topology</li><li>A\n “BAD!” Hard Clip Indicator LED that lets user know it\'s within 1 dB of \nhard clipping. It monitors most every section for internal clipping</li><li>High\n Quality Components: All metal film and Roederstein resistors in the \naudio path - top quality components, most being high temperature \nmilitary spec parts</li><li>NOTE: With all the processing, the DocDerr \ndraws slightly more current than the API 500 spec, but has worked \nperfectly in all racks tested. Six have been tested in the API Lunchbox \nand other racks, without overloading the power supply</li><li>User modifiable elements, including the Compressor</li><li>Built and calibrated in USA</li></ul>\n										  \n										 </dd></dl>\n\n				         \n				    \n				               <dl data-tickertarget=\"ov-ft-3\" class=\"js-featureSectionDL\"><dt class=\"featureTitle\">DerrEsser </dt><dd class=\"c28\">\n\n										\n												<ul><li>High performance analog De-esser</li><li>HF Lim \nMode, as well as standard De-Ess – High Frequency limiting with a \ntailored soft knee. The Dynamic Section can be used for De-essing or \nsmooth high frequency softening</li><li>A “BAD!” Hard Clip Indicator LED\n lets user know it\'s within 1 dB of hard clipping. It monitors several \nsections within the DerrEsser for possible clipping</li><li>Unity Gain in and out – 6 dB of gain available</li><li>Foolproof operation - it\'s almost impossible to clip or get a bad sound</li><li>Industry standard API 500 Series Rack compatible</li><li>True bypass</li><li>High reliability parts and military grade switches and relays</li><li>Hand built and calibrated in USA</li></ul>\n										  \n										 </dd></dl>\n\n				         \n				    \n				               <dl data-tickertarget=\"ov-ft-4\" class=\"js-featureSectionDL\"><dt class=\"featureTitle\">EL500 Rack </dt><dd class=\"c28\">\n\n										\n												<ul><li>Unique Flush Mount system for durability & looks</li><li>Super quiet ±16V supplies</li><li>More than 280mA available on both supplies</li><li>48V Phantom supply with 35mA of current</li><li>Link Switch to stereo-link two compressors</li><li>Built in DI “Inst In” (Instrument In) for high impedance inputs built into front panel</li><li>\"Inst In\" THD is less than .0006%</li><li>A\n performing musician can use the \"Inst In\" combined with his favorite \nmodules, using the high quality preamp on this front panel jack</li><li>Auto-Sense on “Inst In” jack</li><li>XLR & 1/4\" Inputs and Outputs. A total of 9 input and output connectors</li><li>Front panel Link-Switch for stereo linking dynamic devices such as compressors/limiters/gates</li><li>Power Consumption: 14W maximum; 9W typical with modules installed</li></ul>\n										  \n										 </dd></dl>\n\n				         \n				    \n				    \n		      </div><br class=\"Apple-interchange-newline\" /><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today.</h3>'),(4221,85,0,704,'Empirical Labs DocDerrEsser - 1 EL-RX and 1 EL-DS installed into EL500 Rack'),(4222,85,1,704,'Empirical Labs DocDerrEsser - 1 EL-RX and 1 EL-DS installed into EL500 Rack'),(4223,76,0,704,''),(4224,76,1,704,''),(4225,75,0,705,'<img class=\"spacer\" src=\"https://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" />\n                 \n                  \n                     \n                      \n              \n                            <span id=\"product_description\" itemprop=\"description\">\n<h2>Empirical Labs DS Duo - 2 ELDS-H DerrEssers installed in EL500 Rack</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The DS Duo - 2 ELDS-H DerrEssers is the first entry by ELI into the 500 series format, the DerrEsser is a multi function dynamic filtering device. Available in vertical or horizontal versions.  <br /></span></span><br />The DS Duo - 2 ELDS-H DerrEssers is a perfect fit for the EL500 powered rack. In its basic “DS” mode, it is an effective, level insensitive “de-esser” - a device that will adjust the high frequency gain on overly trebly or spiky vocals or other sources in an extremely musical manner.  However, unlike other de-essers, the device allows for multiple use of its powerful circuitry.<br /><br />\nDS MODE - (Bypass Button IN, all other buttons OUT). As a de-esser in the DS mode (HF Limit OFF),  the threshold can be set to tame harsh S’s (sibilants) that result from an overly bright singer or from EQ’ing to make a vocal sound aggressive and clear.  The DS threshold is not level dependent, and compares the amount of high frequency content to the low frequency content, so adjusting the overall level does NOT affect the threshold.  Easy to set and forget. Great care was taken to ensure this DS section meets the Empirical Labs reputation for originality and ease of use. We use the latest technology VCA, specially selected for glitch free, distortion free, and noise free performance. The time constants were carefully selected and the corner frequency is user adjustable with a high performance active crossover.<br /><br />\nHF LIMIT - (Bypass Button IN, HF LIM IN, all other buttons OUT). In this mode, the DerrEsser essentially acts as a high frequency compressor. If there is enough high frequency content to exceed the threshold, then gain reduction occurs. It IS level sensitive, but responds much more to high frequencies. This mode is more of a general high frequency smoothing device, and is probably the first carefully tailored soft knee HF limiter in existence.<br /><br />\nHIGHPASS - (Bypass Button IN, Listen IN, HP/LP OUT, HF LIM doesn’t matter). By using the “LISTEN” Function, the user can employ the superb filter circuitry inside the DerrEsser to process their audio. With the LISTEN button IN, and the HP/LP switch OUT, the user will be hearing the high frequencies that are being controlled with the dynamic/compression circuits. The corner frequency is adjustable by the Frequency knob.<br /><br />\nLOWPASS - (Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn’t matter). With the LISTEN button IN, and the HP/LP button IN, the user is now listening to the low frequencies, those not affected by the VCA and dynamic/compression circuits. This is a 12 dB per octave filter whose corner frequency can again be adjusted by the Frequency knob.<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.<br /><br />\nWhen ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit.  On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them.  Also, only XLR ins and outs were provided to the user, limiting the device’s applications. <br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart of the unit is a super quiet power supply - over 30 dB quieter than some supplies we’ve seen - that will ensure optimal performance from any compatible device.<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system. <br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers.  Switches to link compressors and engage a 48V phantom supply are also provided.<br /><br />\nWhether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.<br /><br /><span id=\"product_description\" itemprop=\"description\"><h3>Empirical Labs DS Duo - 2 ELDS-H DerrEssers unique features:</h3></span><br /><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              <ul><li>Freq. Response is 3 Hz to 120 kHz (-3dB points).</li><li>Dynamic\n Range - 115 dB from maximum output (.5%THD soft clipping) to minimum \noutput. Transformerless noise floor typically – 93dBu.</li><li>Distortion Ranges between .0035% and .01% depending on mode and settings.</li><li>DC coupled Input and Outputs</li><li>High quality audio caps used internally.</li><li>Input Balanced, Output single ended but with balanced impedance.  Pin 2 hot</li><li>Input Impedance is 20k Ohm. Output impedance is less than 51 ohms.</li><li>D-S Dynamics Time Constants - Attack time is less than 1mS. Release .04 sec, fixed internally.</li><li>Power Consumption – 8 Watts max. 4 Watts Typical</li></ul>\n              </div><br class=\"Apple-interchange-newline\" /><div><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\">\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	<br /><br /><span id=\"product_description\" itemprop=\"description\"></span></p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3><p></p>\n</div>'),(4226,75,1,705,'<img class=\"spacer\" src=\"https://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" />\n                 \n                  \n                     \n                      \n              \n                            <span id=\"product_description\" itemprop=\"description\">\n<h2>Empirical Labs DS Duo - 2 ELDS-H DerrEssers installed in EL500 Rack</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The DS Duo - 2 ELDS-H DerrEssers is the first entry by ELI into the 500 series format, the DerrEsser is a multi function dynamic filtering device. Available in vertical or horizontal versions.  <br /></span></span><br />The DS Duo - 2 ELDS-H DerrEssers is a perfect fit for the EL500 powered rack. In its basic “DS” mode, it is an effective, level insensitive “de-esser” - a device that will adjust the high frequency gain on overly trebly or spiky vocals or other sources in an extremely musical manner.  However, unlike other de-essers, the device allows for multiple use of its powerful circuitry.<br /><br />\nDS MODE - (Bypass Button IN, all other buttons OUT). As a de-esser in the DS mode (HF Limit OFF),  the threshold can be set to tame harsh S’s (sibilants) that result from an overly bright singer or from EQ’ing to make a vocal sound aggressive and clear.  The DS threshold is not level dependent, and compares the amount of high frequency content to the low frequency content, so adjusting the overall level does NOT affect the threshold.  Easy to set and forget. Great care was taken to ensure this DS section meets the Empirical Labs reputation for originality and ease of use. We use the latest technology VCA, specially selected for glitch free, distortion free, and noise free performance. The time constants were carefully selected and the corner frequency is user adjustable with a high performance active crossover.<br /><br />\nHF LIMIT - (Bypass Button IN, HF LIM IN, all other buttons OUT). In this mode, the DerrEsser essentially acts as a high frequency compressor. If there is enough high frequency content to exceed the threshold, then gain reduction occurs. It IS level sensitive, but responds much more to high frequencies. This mode is more of a general high frequency smoothing device, and is probably the first carefully tailored soft knee HF limiter in existence.<br /><br />\nHIGHPASS - (Bypass Button IN, Listen IN, HP/LP OUT, HF LIM doesn’t matter). By using the “LISTEN” Function, the user can employ the superb filter circuitry inside the DerrEsser to process their audio. With the LISTEN button IN, and the HP/LP switch OUT, the user will be hearing the high frequencies that are being controlled with the dynamic/compression circuits. The corner frequency is adjustable by the Frequency knob.<br /><br />\nLOWPASS - (Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn’t matter). With the LISTEN button IN, and the HP/LP button IN, the user is now listening to the low frequencies, those not affected by the VCA and dynamic/compression circuits. This is a 12 dB per octave filter whose corner frequency can again be adjusted by the Frequency knob.<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.<br /><br />\nWhen ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit.  On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them.  Also, only XLR ins and outs were provided to the user, limiting the device’s applications. <br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart of the unit is a super quiet power supply - over 30 dB quieter than some supplies we’ve seen - that will ensure optimal performance from any compatible device.<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system. <br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers.  Switches to link compressors and engage a 48V phantom supply are also provided.<br /><br />\nWhether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.<br /><br /><span id=\"product_description\" itemprop=\"description\"><h3>Empirical Labs DS Duo - 2 ELDS-H DerrEssers unique features:</h3></span><br /><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              <ul><li>Freq. Response is 3 Hz to 120 kHz (-3dB points).</li><li>Dynamic\n Range - 115 dB from maximum output (.5%THD soft clipping) to minimum \noutput. Transformerless noise floor typically – 93dBu.</li><li>Distortion Ranges between .0035% and .01% depending on mode and settings.</li><li>DC coupled Input and Outputs</li><li>High quality audio caps used internally.</li><li>Input Balanced, Output single ended but with balanced impedance.  Pin 2 hot</li><li>Input Impedance is 20k Ohm. Output impedance is less than 51 ohms.</li><li>D-S Dynamics Time Constants - Attack time is less than 1mS. Release .04 sec, fixed internally.</li><li>Power Consumption – 8 Watts max. 4 Watts Typical</li></ul>\n              </div><br class=\"Apple-interchange-newline\" /><div><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\">\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	<br /><br /><span id=\"product_description\" itemprop=\"description\"></span></p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3><p></p>\n</div>'),(4227,85,0,705,'Empirical Labs DS Duo - 2 ELDS-H DerrEssers installed in EL500 Rack'),(4228,85,1,705,'Empirical Labs DS Duo - 2 ELDS-H DerrEssers installed in EL500 Rack'),(4229,76,0,705,''),(4230,76,1,705,''),(4231,75,0,706,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs DS Plus - 1 ELDS-H DerrEsser Installed in EL500 Rack</h2></span><div><div><p><span id=\"product_description\" itemprop=\"description\">\n<i><span style=\"font-size: 16px;\">The Empirical Labs DS Plus - 1 ELDS-H DerrEsser is </span></i></span><i>unlike other de-essers, the device allows for multiple use of its \npowerful circuitry.\n</i><br /><br />The first entry by ELI into the 500 series format, the DerrEsser is a \nmulti function dynamic filtering device. Available in vertical or \nhorizontal versions.  A perfect fit for our EL500 powered rack. In its \nbasic “DS” mode, it is an effective, level insensitive “de-esser” - a \ndevice that will adjust the high frequency gain on overly trebly or \nspiky vocals or other sources in an extremely musical manner.  <br /><br />\nDS MODE - (Bypass Button IN, all other buttons OUT). As a de-esser in \nthe DS mode (HF Limit OFF),  the threshold can be set to tame harsh S’s \n(sibilants) that result from an overly bright singer or from EQ’ing to \nmake a vocal sound aggressive and clear.  The DS threshold is not level \ndependant, and compares the amount of high frequency content to the low \nfrequency content, so adjusting the overall level does NOT affect the \nthreshold.  Easy to set and forget. Great care was taken to ensure this \nDS section meets the Empirical Labs reputation for originality and ease \nof use. We use the latest technology VCA, specially selected for glitch \nfree, distortion free, and noise free performance. The time constants \nwere carefully selected and the corner frequency is user adjustable with\n a high performance active crossover.\n<br /><br />\nHF LIMIT - (Bypass Button IN, HF LIM IN, all other buttons OUT). In this\n mode, the DerrEsser essentially acts as a high frequency compressor. If\n there is enough high frequency content to exceed the threshold, then \ngain reduction occurs. It IS level sensitive, but responds much more to \nhigh frequencies. This mode is more of a general high frequency \nsmoothing device, and is probably the first carefully tailored soft knee\n HF limiter in existence.\n<br /><br />\nHIGHPASS - (Bypass Button IN, Listen IN, HP/LP OUT, HF LIM doesn’t \nmatter). By using the “LISTEN” Function, the user can employ the superb \nfilter circuitry inside the DerrEsser to process their audio. With the \nLISTEN button IN, and the HP/LP switch OUT, the user will be hearing the\n high frequencies that are being controlled with the dynamic/compression\n circuits. The corner frequency is adjustable by the Frequency knob.\n<br /><br />\nLOWPASS - (Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn’t \nmatter). With the LISTEN button IN, and the HP/LP button IN, the user is\n now listening to the low frequencies, those not affected by the VCA and\n dynamic/compression circuits. This is a 12 dB per octave filter whose \ncorner frequency can again be adjusted by the Frequency knob.\n<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their\n smaller physical size let you get a lot of performance out of a smaller\n space, they tend to cost less than their larger counterparts, and – the\n best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making our own 500 series products, we looked at the \npower supplies on the market and couldn’t help but notice a need for a \nbetter single height dual module rack unit.  On other single height rack\n units, the modules protrude from the front panel, and don’t look sturdy\n or attractive. Power supplies were often noisy, frequently reducing the\n performance of any module mounted in them.  Also, only XLR ins and outs\n were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart \nof the unit is a super quiet power supply - over 30 dB quieter than some\n supplies we’ve seen - that will ensure optimal performance from any \ncompatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a\n much more professional look and feel. The EL500 offers both XLR and \nphone rear panel inputs and outputs to allow it to interface perfectly \nwith any system. \n<br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the \nfront panel, which will automatically switch the left 500 module’s input\n to this front phone jack once something is plugged into it – a feature \nwe’re sure will prove to be extremely useful. In fact, it has become the\n first call bass DI for many engineers.  Switches to link compressors \nand engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re \nsomething you’re thinking about adding to your arsenal, the EL500 rack \nwill make any 500 series compatible module perform ideally and interface\n effortlessly into just about any audio application.\n<br /><br /><b><inline style=\"font-size: 20px;\">Empirical Labs EL/Rx-H DocDerr Key Features</inline></b></p><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              <ul><li>Freq. Response is 3 Hz to 120 kHz (-3dB points)</li><li>Dynamic Range - 115 dB from maximum output (.5%THD soft clipping) to minimum output</li><li>Transformerless noise floor typically – 93dBu</li><li>Distortion Ranges between .0035% and .01% depending on mode and settings</li><li> \nDC coupled Input and Outputs\n \nHigh quality audio caps used internally</li><li> \nInput Balanced, Output single ended but with balanced impedance</li><li> Pin 2 hot\n \nInput Impedance is 20k Ohm</li><li>Output impedance is less than 51 ohms</li><li> \nD-S Dynamics Time Constants - Attack time is less than 1mS</li><li>Release .04 sec, fixed internally</li><li> \nPower Consumption – 8 Watts max. 4 Watts Typical</li></ul>\n              </div><p><br class=\"Apple-interchange-newline\" /></p><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3></div><p></p>\n</div>'),(4232,75,1,706,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs DS Plus - 1 ELDS-H DerrEsser Installed in EL500 Rack</h2></span><div><div><p><span id=\"product_description\" itemprop=\"description\">\n<i><span style=\"font-size: 16px;\">The Empirical Labs DS Plus - 1 ELDS-H DerrEsser is </span></i></span><i>unlike other de-essers, the device allows for multiple use of its \npowerful circuitry.\n</i><br /><br />The first entry by ELI into the 500 series format, the DerrEsser is a \nmulti function dynamic filtering device. Available in vertical or \nhorizontal versions.  A perfect fit for our EL500 powered rack. In its \nbasic “DS” mode, it is an effective, level insensitive “de-esser” - a \ndevice that will adjust the high frequency gain on overly trebly or \nspiky vocals or other sources in an extremely musical manner.  <br /><br />\nDS MODE - (Bypass Button IN, all other buttons OUT). As a de-esser in \nthe DS mode (HF Limit OFF),  the threshold can be set to tame harsh S’s \n(sibilants) that result from an overly bright singer or from EQ’ing to \nmake a vocal sound aggressive and clear.  The DS threshold is not level \ndependant, and compares the amount of high frequency content to the low \nfrequency content, so adjusting the overall level does NOT affect the \nthreshold.  Easy to set and forget. Great care was taken to ensure this \nDS section meets the Empirical Labs reputation for originality and ease \nof use. We use the latest technology VCA, specially selected for glitch \nfree, distortion free, and noise free performance. The time constants \nwere carefully selected and the corner frequency is user adjustable with\n a high performance active crossover.\n<br /><br />\nHF LIMIT - (Bypass Button IN, HF LIM IN, all other buttons OUT). In this\n mode, the DerrEsser essentially acts as a high frequency compressor. If\n there is enough high frequency content to exceed the threshold, then \ngain reduction occurs. It IS level sensitive, but responds much more to \nhigh frequencies. This mode is more of a general high frequency \nsmoothing device, and is probably the first carefully tailored soft knee\n HF limiter in existence.\n<br /><br />\nHIGHPASS - (Bypass Button IN, Listen IN, HP/LP OUT, HF LIM doesn’t \nmatter). By using the “LISTEN” Function, the user can employ the superb \nfilter circuitry inside the DerrEsser to process their audio. With the \nLISTEN button IN, and the HP/LP switch OUT, the user will be hearing the\n high frequencies that are being controlled with the dynamic/compression\n circuits. The corner frequency is adjustable by the Frequency knob.\n<br /><br />\nLOWPASS - (Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn’t \nmatter). With the LISTEN button IN, and the HP/LP button IN, the user is\n now listening to the low frequencies, those not affected by the VCA and\n dynamic/compression circuits. This is a 12 dB per octave filter whose \ncorner frequency can again be adjusted by the Frequency knob.\n<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their\n smaller physical size let you get a lot of performance out of a smaller\n space, they tend to cost less than their larger counterparts, and – the\n best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making our own 500 series products, we looked at the \npower supplies on the market and couldn’t help but notice a need for a \nbetter single height dual module rack unit.  On other single height rack\n units, the modules protrude from the front panel, and don’t look sturdy\n or attractive. Power supplies were often noisy, frequently reducing the\n performance of any module mounted in them.  Also, only XLR ins and outs\n were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart \nof the unit is a super quiet power supply - over 30 dB quieter than some\n supplies we’ve seen - that will ensure optimal performance from any \ncompatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a\n much more professional look and feel. The EL500 offers both XLR and \nphone rear panel inputs and outputs to allow it to interface perfectly \nwith any system. \n<br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the \nfront panel, which will automatically switch the left 500 module’s input\n to this front phone jack once something is plugged into it – a feature \nwe’re sure will prove to be extremely useful. In fact, it has become the\n first call bass DI for many engineers.  Switches to link compressors \nand engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re \nsomething you’re thinking about adding to your arsenal, the EL500 rack \nwill make any 500 series compatible module perform ideally and interface\n effortlessly into just about any audio application.\n<br /><br /><b><inline style=\"font-size: 20px;\">Empirical Labs EL/Rx-H DocDerr Key Features</inline></b></p><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              <ul><li>Freq. Response is 3 Hz to 120 kHz (-3dB points)</li><li>Dynamic Range - 115 dB from maximum output (.5%THD soft clipping) to minimum output</li><li>Transformerless noise floor typically – 93dBu</li><li>Distortion Ranges between .0035% and .01% depending on mode and settings</li><li> \nDC coupled Input and Outputs\n \nHigh quality audio caps used internally</li><li> \nInput Balanced, Output single ended but with balanced impedance</li><li> Pin 2 hot\n \nInput Impedance is 20k Ohm</li><li>Output impedance is less than 51 ohms</li><li> \nD-S Dynamics Time Constants - Attack time is less than 1mS</li><li>Release .04 sec, fixed internally</li><li> \nPower Consumption – 8 Watts max. 4 Watts Typical</li></ul>\n              </div><p><br class=\"Apple-interchange-newline\" /></p><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3></div><p></p>\n</div>'),(4233,85,0,706,'Empirical Labs DS Plus - 1 ELDS-H DerrEsser Installed in EL500 Rack'),(4234,85,1,706,'Empirical Labs DS Plus - 1 ELDS-H DerrEsser Installed in EL500 Rack'),(4235,76,0,706,''),(4236,76,1,706,''),(4237,75,0,707,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs EL/Rx-H DocDerr</h2></span><div><p><span id=\"product_description\" itemprop=\"description\">\n<span style=\"font-size: 16px; font-style: italic;\">The Empirical Labs EL/Rx-H DocDerr is an extremely low-noise preamp capable of working with line level or instrument level signals<br /></span></span><br />The Empirical Labs EL/Rx-H DocDerr is a \n500 series multi-purpose tone enhancement module that houses six \ndifferent sections of digitally controlled analog processing.  With over\n two years of meticulous development and testing behind it, the DocDerr \nprovides an unprecedented combination of power and musicality in a \ncompact, easy to use format. Empirical Labs\' first compressor in the API\n 500 format.\n<br /><br />\nThe Empirical Labs EL/Rx-H DocDerr is an extremely low-noise preamp capable of working with line level or \ninstrument level signals, is followed by four sections of EQ combining a\n two position high pass filter with three parametric bands, each with \nits own set of carefully tuned frequency presets.  An internal jumper \ncan turn the DocDerr into an unparralled instrument preamp with 16dB of \ngain, ideal for acoustic guitar, bass, synths, exotic plucked \ninstruments, etc.\n<br /><br />\nThe versatile EQ is followed by a unique dynamics section which offers \nrenowned Empirical Labs compression at an unprecedented price, and an \nextremely musical tape emulation circuit that softens and tames high \nfrequencies and transient spikes.  We believe it’s the best single knob \n“knee” compression available in this format.\n<br /><br />\nOne of the pivotal features of the DocDerr is the “Mix” knob which \nallows the user to blend the uncompressed EQ’s signal with the \ncompressed and saturated signal.  This parallel compression technique, \nused by top recording and mixing engineers for many years unlocks a \nwhole world of sonic possibilities.\n<br /><br />\nLike all ELI 500 series modules, the EL-Rx is available with either \nhorizontal or vertically oriented front panel configurations, and is \n“Linkable” for using our famous compression on stereo sources.\n<br /><br />\nThe DocDerr is ideal for tracking, for fine-tuning tracks during mixing,\n or as a killer solution for the gigging \"acoustic\" musician in search \nof studio quality tone control. It is indeed a Tone Doctor…err… DocDerr.\n<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their\n smaller physical size let you get a lot of performance out of a smaller\n space, they tend to cost less than their larger counterparts, and – the\n best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making our own 500 series products, we looked at the \npower supplies on the market and couldn’t help but notice a need for a \nbetter single height dual module rack unit.  On other single height rack\n units, the modules protrude from the front panel, and don’t look sturdy\n or attractive. Power supplies were often noisy, frequently reducing the\n performance of any module mounted in them.  Also, only XLR ins and outs\n were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart \nof the unit is a super quiet power supply - over 30 dB quieter than some\n supplies we\'ve seen - that will ensure optimal performance from any \ncompatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a\n much more professional look and feel. The EL500 offers both XLR and \nphone rear panel inputs and outputs to allow it to interface perfectly \nwith any system. \n<br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the \nfront panel, which will automatically switch the left 500 module’s input\n to this front phone jack once something is plugged into it – a feature \nwe’re sure will prove to be extremely useful. In fact, it has become the\n first call bass DI for many engineers.  Switches to link compressors \nand engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re \nsomething you’re thinking about adding to your arsenal, the EL500 rack \nwill make any 500 series compatible module perform ideally and interface\n effortlessly into just about any audio application.\n<br /><br /><span id=\"product_description\" itemprop=\"description\"></span></p><h2><span style=\"font-size: 20px;\">Empirical Labs EL/Rx-H DocDerr Key Features</span></h2><p></p><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              <ul><li>Six digitally controlled sections of analog processing</li><li>Frequency response - 3 Hz to 180 kHz on eq section (-3dB points).</li><li>Dynamic\n range - 120 dB from maximum output (.5%THD soft   clipping) to minimum \noutput.   Noise floor with Mix on 0 is typically   – 91dBu.</li><li>Distortion range - between .0006% and 10% at 1KHz, depending   on mode and settings.</li><li>Maximum Input before hard clipping - +22dBm,  “ Line In” mode.   Maximum Output (Mix at 0) - +28.5dBm</li><li>Compressor\n Dynamics Time Constants - Attack time is around 1mS.  Release .2 sec, \nfixed internally. Stereo Linkable for stereo tracks.  With the EL500 \npowered rack, the push of a button enables linking.</li><li>Input \nImpedance - 120k Ohm, Instrument In Mode, output impedance is less than \n75 ohms.  20K input impedance in balanced Line in mode.</li><li>Guitar adaptor cable included</li></ul>\n              </div><p><br class=\"Apple-interchange-newline\" /></p><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3></div>'),(4238,75,1,707,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs EL/Rx-H DocDerr</h2></span><div><p><span id=\"product_description\" itemprop=\"description\">\n<span style=\"font-size: 16px; font-style: italic;\">The Empirical Labs EL/Rx-H DocDerr is an extremely low-noise preamp capable of working with line level or instrument level signals<br /></span></span><br />The Empirical Labs EL/Rx-H DocDerr is a \n500 series multi-purpose tone enhancement module that houses six \ndifferent sections of digitally controlled analog processing.  With over\n two years of meticulous development and testing behind it, the DocDerr \nprovides an unprecedented combination of power and musicality in a \ncompact, easy to use format. Empirical Labs\' first compressor in the API\n 500 format.\n<br /><br />\nThe Empirical Labs EL/Rx-H DocDerr is an extremely low-noise preamp capable of working with line level or \ninstrument level signals, is followed by four sections of EQ combining a\n two position high pass filter with three parametric bands, each with \nits own set of carefully tuned frequency presets.  An internal jumper \ncan turn the DocDerr into an unparralled instrument preamp with 16dB of \ngain, ideal for acoustic guitar, bass, synths, exotic plucked \ninstruments, etc.\n<br /><br />\nThe versatile EQ is followed by a unique dynamics section which offers \nrenowned Empirical Labs compression at an unprecedented price, and an \nextremely musical tape emulation circuit that softens and tames high \nfrequencies and transient spikes.  We believe it’s the best single knob \n“knee” compression available in this format.\n<br /><br />\nOne of the pivotal features of the DocDerr is the “Mix” knob which \nallows the user to blend the uncompressed EQ’s signal with the \ncompressed and saturated signal.  This parallel compression technique, \nused by top recording and mixing engineers for many years unlocks a \nwhole world of sonic possibilities.\n<br /><br />\nLike all ELI 500 series modules, the EL-Rx is available with either \nhorizontal or vertically oriented front panel configurations, and is \n“Linkable” for using our famous compression on stereo sources.\n<br /><br />\nThe DocDerr is ideal for tracking, for fine-tuning tracks during mixing,\n or as a killer solution for the gigging \"acoustic\" musician in search \nof studio quality tone control. It is indeed a Tone Doctor…err… DocDerr.\n<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their\n smaller physical size let you get a lot of performance out of a smaller\n space, they tend to cost less than their larger counterparts, and – the\n best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making our own 500 series products, we looked at the \npower supplies on the market and couldn’t help but notice a need for a \nbetter single height dual module rack unit.  On other single height rack\n units, the modules protrude from the front panel, and don’t look sturdy\n or attractive. Power supplies were often noisy, frequently reducing the\n performance of any module mounted in them.  Also, only XLR ins and outs\n were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart \nof the unit is a super quiet power supply - over 30 dB quieter than some\n supplies we\'ve seen - that will ensure optimal performance from any \ncompatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a\n much more professional look and feel. The EL500 offers both XLR and \nphone rear panel inputs and outputs to allow it to interface perfectly \nwith any system. \n<br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the \nfront panel, which will automatically switch the left 500 module’s input\n to this front phone jack once something is plugged into it – a feature \nwe’re sure will prove to be extremely useful. In fact, it has become the\n first call bass DI for many engineers.  Switches to link compressors \nand engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re \nsomething you’re thinking about adding to your arsenal, the EL500 rack \nwill make any 500 series compatible module perform ideally and interface\n effortlessly into just about any audio application.\n<br /><br /><span id=\"product_description\" itemprop=\"description\"></span></p><h2><span style=\"font-size: 20px;\">Empirical Labs EL/Rx-H DocDerr Key Features</span></h2><p></p><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              <ul><li>Six digitally controlled sections of analog processing</li><li>Frequency response - 3 Hz to 180 kHz on eq section (-3dB points).</li><li>Dynamic\n range - 120 dB from maximum output (.5%THD soft   clipping) to minimum \noutput.   Noise floor with Mix on 0 is typically   – 91dBu.</li><li>Distortion range - between .0006% and 10% at 1KHz, depending   on mode and settings.</li><li>Maximum Input before hard clipping - +22dBm,  “ Line In” mode.   Maximum Output (Mix at 0) - +28.5dBm</li><li>Compressor\n Dynamics Time Constants - Attack time is around 1mS.  Release .2 sec, \nfixed internally. Stereo Linkable for stereo tracks.  With the EL500 \npowered rack, the push of a button enables linking.</li><li>Input \nImpedance - 120k Ohm, Instrument In Mode, output impedance is less than \n75 ohms.  20K input impedance in balanced Line in mode.</li><li>Guitar adaptor cable included</li></ul>\n              </div><p><br class=\"Apple-interchange-newline\" /></p><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3></div>'),(4239,85,0,707,'Empirical Labs EL/Rx-H DocDerr'),(4240,85,1,707,'Empirical Labs EL/Rx-H DocDerr'),(4241,76,0,707,''),(4242,76,1,707,''),(4243,75,0,708,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs EL/Rx-V DocDerr</h2></span><p><span id=\"product_description\" itemprop=\"description\">\n<span style=\"font-size: 16px; font-style: italic;\">The Empirical Labs EL/Rx-V DocDerr </span></span><span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">is an extremely low-noise preamp capable of working with line level or instrument level signals, </span></span><br /><br />The Empirical Labs EL/Rx-V DocDerr is a 500 series multi-purpose tone enhancement module that houses six different sections of digitally controlled analog processing. With over two years of meticulous development and testing behind it, the DocDerr provides an unprecedented combination of power and musicality in a compact, easy to use format. Empirical Labs\' first compressor in the API 500 format.  An internal jumper can turn the DocDerr into an unparralled instrument preamp with 16dB of gain, ideal for acoustic guitar, bass, synths, exotic plucked instruments, etc.<br /><br />The versatile EQ is followed by a unique dynamics section which offers renowned Empirical Labs compression at an unprecedented price, and an extremely musical tape emulation circuit that softens and tames high frequencies and transient spikes. We believe it’s the best single knob “knee” compression available in this format.<br /><br />One of the pivotal features of the DocDerr is the “Mix” knob which allows the user to blend the uncompressed EQ’s signal with the compressed and saturated signal. This parallel compression technique, used by top recording and mixing engineers for many years unlocks a whole world of sonic possibilities.<br /><br />Like all ELI 500 series modules, the EL-Rx is available with either horizontal or vertically oriented front panel configurations, and is “Linkable” for using our famous compression on stereo sources.<br /><br />The DocDerr is ideal for tracking, for fine-tuning tracks during mixing, or as a killer solution for the gigging \"acoustic\" musician in search of studio quality tone control. It is indeed a Tone Doctor…err… DocDerr.<br /><br />As far as value, it’s hard to beat 500 Series compatible modules. Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.<br /><br />When ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit. On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them. Also, only XLR ins and outs were provided to the user, limiting the device’s applications.<br /><br />The Empirical Labs EL500 rack eliminates these obstacles. At the heart of the unit is a super quiet power supply - over 30 dB quieter than some supplies we\'ve seen - that will ensure optimal performance from any compatible device.<br /><br />All 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system.<br /><br />In addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers. Switches to link compressors and engage a 48V phantom supply are also provided.<br /><br />Whether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.<br /><br /><span id=\"product_description\" itemprop=\"description\"></span></p><h2><span style=\"font-size: 20px;\">Empirical Labs EL/Rx-V DocDerr Key Features:</span></h2><p></p><ul><li>Six digitally controlled sections of analog processing</li><li>Frequency response - 3 Hz to 180 kHz on eq section (-3dB points).</li><li>Dynamic\n range - 120 dB from maximum output (.5%THD soft   clipping) to minimum \noutput.   Noise floor with Mix on 0 is typically   – 91dBu.</li><li>Distortion range - between .0006% and 10% at 1KHz, depending   on mode and settings.</li><li>Maximum Input before hard clipping - +22dBm,  “ Line In” mode.   Maximum Output (Mix at 0) - +28.5dBm</li><li>Compressor\n Dynamics Time Constants - Attack time is around 1mS.  Release .2 sec, \nfixed internally. Stereo Linkable for stereo tracks.  With the EL500 \npowered rack, the push of a button enables linking.</li><li>Input \nImpedance - 120k Ohm, Instrument In Mode, output impedance is less than \n75 ohms.  20K input impedance in balanced Line in mode.</li><li>Guitar adaptor cable included</li></ul><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              </div><p></p><div><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" /><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3></div><p></p>');
INSERT INTO `catalog_product_entity_text` VALUES (4244,75,1,708,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs EL/Rx-V DocDerr</h2></span><p><span id=\"product_description\" itemprop=\"description\">\n<span style=\"font-size: 16px; font-style: italic;\">The Empirical Labs EL/Rx-V DocDerr </span></span><span id=\"product_description\" itemprop=\"description\"><span style=\"font-size: 16px; font-style: italic;\">is an extremely low-noise preamp capable of working with line level or instrument level signals, </span></span><br /><br />The Empirical Labs EL/Rx-V DocDerr is a 500 series multi-purpose tone enhancement module that houses six different sections of digitally controlled analog processing. With over two years of meticulous development and testing behind it, the DocDerr provides an unprecedented combination of power and musicality in a compact, easy to use format. Empirical Labs\' first compressor in the API 500 format.  An internal jumper can turn the DocDerr into an unparralled instrument preamp with 16dB of gain, ideal for acoustic guitar, bass, synths, exotic plucked instruments, etc.<br /><br />The versatile EQ is followed by a unique dynamics section which offers renowned Empirical Labs compression at an unprecedented price, and an extremely musical tape emulation circuit that softens and tames high frequencies and transient spikes. We believe it’s the best single knob “knee” compression available in this format.<br /><br />One of the pivotal features of the DocDerr is the “Mix” knob which allows the user to blend the uncompressed EQ’s signal with the compressed and saturated signal. This parallel compression technique, used by top recording and mixing engineers for many years unlocks a whole world of sonic possibilities.<br /><br />Like all ELI 500 series modules, the EL-Rx is available with either horizontal or vertically oriented front panel configurations, and is “Linkable” for using our famous compression on stereo sources.<br /><br />The DocDerr is ideal for tracking, for fine-tuning tracks during mixing, or as a killer solution for the gigging \"acoustic\" musician in search of studio quality tone control. It is indeed a Tone Doctor…err… DocDerr.<br /><br />As far as value, it’s hard to beat 500 Series compatible modules. Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.<br /><br />When ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit. On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them. Also, only XLR ins and outs were provided to the user, limiting the device’s applications.<br /><br />The Empirical Labs EL500 rack eliminates these obstacles. At the heart of the unit is a super quiet power supply - over 30 dB quieter than some supplies we\'ve seen - that will ensure optimal performance from any compatible device.<br /><br />All 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system.<br /><br />In addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers. Switches to link compressors and engage a 48V phantom supply are also provided.<br /><br />Whether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.<br /><br /><span id=\"product_description\" itemprop=\"description\"></span></p><h2><span style=\"font-size: 20px;\">Empirical Labs EL/Rx-V DocDerr Key Features:</span></h2><p></p><ul><li>Six digitally controlled sections of analog processing</li><li>Frequency response - 3 Hz to 180 kHz on eq section (-3dB points).</li><li>Dynamic\n range - 120 dB from maximum output (.5%THD soft   clipping) to minimum \noutput.   Noise floor with Mix on 0 is typically   – 91dBu.</li><li>Distortion range - between .0006% and 10% at 1KHz, depending   on mode and settings.</li><li>Maximum Input before hard clipping - +22dBm,  “ Line In” mode.   Maximum Output (Mix at 0) - +28.5dBm</li><li>Compressor\n Dynamics Time Constants - Attack time is around 1mS.  Release .2 sec, \nfixed internally. Stereo Linkable for stereo tracks.  With the EL500 \npowered rack, the push of a button enables linking.</li><li>Input \nImpedance - 120k Ohm, Instrument In Mode, output impedance is less than \n75 ohms.  20K input impedance in balanced Line in mode.</li><li>Guitar adaptor cable included</li></ul><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              </div><p></p><div><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" /><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3></div><p></p>'),(4245,85,0,708,'Empirical Labs EL/Rx-V DocDerr'),(4246,85,1,708,'Empirical Labs EL/Rx-V DocDerr'),(4247,76,0,708,''),(4248,76,1,708,''),(4249,75,0,709,'<img class=\"spacer\" src=\"https://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" />\n                 \n                  \n                     \n                      \n              \n                            <span id=\"product_description\" itemprop=\"description\">\n<h2>Empirical Labs EL500 Rack</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system.  <br /></span></span><br />As far as value the Empirical Labs EL500  it’s hard to beat, and is compatible with other 500 Series modules.  Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making their own 500 series products, they looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit.  On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them.  Also, only XLR ins and outs were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart of the unit is a super quiet power supply - over 30 dB quieter than some other supplies - that will ensure optimal performance from any compatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. <br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers.  Switches to link compressors and engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.\n<br /><br /><span id=\"product_description\" itemprop=\"description\"><h3>Empirical Labs EL500 Rack unique features:</h3></span><br /><ul><li>Unique Flush Mount system for durability & looks. </li><li>Super Quiet ± 16Volt Supplies. Perhaps quietest available. </li><li>More than 280mA available on both supplies. </li><li>48 volt Phantom supply. 35 mA of current. </li><li>Link Switch to Stereo Link two Compressors. </li><li>Built in “Inst In” (Instrument In) for high impedance inputs built into front panel.  Direct box built right in! </li><li>“Inst In” THD is less than .0006%. </li><li>A\n performing musician can use the INST IN combined with his favorite \nmodules, using the super quality preamp on this front panel jack. </li><li>Auto-Sense on “Inst In” jack </li><li>XLR & Phone Plug Inputs and Outputs.  A total of 9 input and output connectors. </li><li>Front panel Link Switch for Stereo linking dynamic devices such as compressors/limiters/gates. </li><li>Power Consumption – 14 Watts max.  9 Watts Typical with modules installed.</li></ul>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.<br /><br /><span id=\"product_description\" itemprop=\"description\"></span></p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3><p></p>\n</div>'),(4250,75,1,709,'<img class=\"spacer\" src=\"https://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" />\n                 \n                  \n                     \n                      \n              \n                            <span id=\"product_description\" itemprop=\"description\">\n<h2>Empirical Labs EL500 Rack</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system.  <br /></span></span><br />As far as value the Empirical Labs EL500  it’s hard to beat, and is compatible with other 500 Series modules.  Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making their own 500 series products, they looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit.  On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them.  Also, only XLR ins and outs were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart of the unit is a super quiet power supply - over 30 dB quieter than some other supplies - that will ensure optimal performance from any compatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. <br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers.  Switches to link compressors and engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.\n<br /><br /><span id=\"product_description\" itemprop=\"description\"><h3>Empirical Labs EL500 Rack unique features:</h3></span><br /><ul><li>Unique Flush Mount system for durability & looks. </li><li>Super Quiet ± 16Volt Supplies. Perhaps quietest available. </li><li>More than 280mA available on both supplies. </li><li>48 volt Phantom supply. 35 mA of current. </li><li>Link Switch to Stereo Link two Compressors. </li><li>Built in “Inst In” (Instrument In) for high impedance inputs built into front panel.  Direct box built right in! </li><li>“Inst In” THD is less than .0006%. </li><li>A\n performing musician can use the INST IN combined with his favorite \nmodules, using the super quality preamp on this front panel jack. </li><li>Auto-Sense on “Inst In” jack </li><li>XLR & Phone Plug Inputs and Outputs.  A total of 9 input and output connectors. </li><li>Front panel Link Switch for Stereo linking dynamic devices such as compressors/limiters/gates. </li><li>Power Consumption – 14 Watts max.  9 Watts Typical with modules installed.</li></ul>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.<br /><br /><span id=\"product_description\" itemprop=\"description\"></span></p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3><p></p>\n</div>'),(4251,85,0,709,'Empirical Labs EL500 Rack'),(4252,85,1,709,'Empirical Labs EL500 Rack'),(4253,76,0,709,''),(4254,76,1,709,''),(4255,75,0,710,'<h1>Empirical Labs EL7-X FATSO Tape Simulator</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Empirical Labs EL7-X FATSO is a 2 Channel full analog tape simulator and compressor</span><br/><br/>\nThe Empirical Labs EL7-X FATSO (Full Analog Tape Simulator and Optimizer) takes the smooth, analog sound of the original FATSO and adds a new \"Eleven\" compressor setting modeled after the UREI 1176LN. The EL7-X Fatso gives musicians and engineers easy access to the warm, smooth vintage sound of older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels.<br/><br/>\nThe  EL7-X FATSO allows recording studios and audio production facilities the ability to enhance and soften the sound of Hardware Digital Recorders (HDRs) and Digital Audio Workstations (DAWs).  Mix engineers will have the option not to have to use bulky, expensive analog tape recorders to get the warmth and sweet high end they’ve come to rely on for so many decades.  Owners of DAWs and HDRs can finally put a stop to complaints about the coldness and brittle edge of their mixes and instruments. Even audiophiles can benefit from the FATSO, bringing back the warmth and ambience of LP’s and tapes to their CD players and other digital reproduction mediums.<br/>\n<br/>\nThe Empirical Labs EL7-X FATSO has large Distressor-style knobs control the input and output levels. Four meticulously tweaked compression modes - including the extremely popular “Buss” setting and the legendary “Spank”, a subtle knee followed by hard limiting resembling the SSL talkback compressor - can be selected (and combined!) with the push of a button.  Seven different high frequency saturation “Warmth” settings are accessed just as easily.  The FATSO also features switchable transformer circuits, which can add the musical artifacts generated by classic devices like NEVE, API, etc such as low order clipping and inter-modular distortion, transient clipping... and some other very musical non-linearities.  True to its name, the FATSO Jr. is rather sturdily constructed - you’ll be impressed with how well built it feels when you first lift it out of the box.<br/><br/>\nThe FATSO Jr. has been the “secret weapon” of studio and live engineers for many years, call or chat with an RSPE specialist to find out how FATSO can tranform your mixes!<br/><br/>\n<h3>ELEVEN compressor simulates the classic UREI 1176LN</h3>\nELEVEN is a new compressor for the Fatso, replacing the old GP Ratio, and emulates the famous UREI 1176LN in 20:1, with the slowest attack, and fastest release. This 1176 setting has been used on countless hit records through the decades.  With the slower “1176” attack, the transients keep the dynamics present, while the high ratio, can radically limit the dynamic range of any source, making it present and sitting in a nice little place in your mix. One can slam it, or just touch it with a few dB of compression.  You will find it great on Vocals, Bass, acoustic guitars, drum room mikes, pianos etc.\n<br/><br/>\n<h3>Empirical Labs FATSO Features</h3>\n<ul>\n	<li>New “Eleven” compressor setting, which emulates the 1176LN.</li>\n	<li>Add the warmth and depth of analog tape to your digitally recorded audio</li>\n	<li>Four Types of processing: Harmonic Generation and Soft Clipping, High Frequency Saturation, Transformer/Tape Head Emulation, and Classic Knee Compression </li>\n</ul>\n<br/>\n<h3>Fatso\'s Four Types of Processing</h3>\n<ul>\n	<li><strong>Harmonic Generation and Soft Clipper (Distortion Generation)</strong> - this class A circuit gently rounds the peaks like saturated tubes or tape.                                                                                     </li>\n	<li><strong>High Frequency Saturation (Warmth)</strong> - a one-of-a-kind dynamic low pass filter which softens high frequencies when they “pile up” on a source.                                                                                  </li>\n	<li><strong>Transformer & Tape Head Emulation</strong> - a simulation of the effect of input and output transformers of older devices, which adds  the low frequency harmonics that characterize them, as well as analog tape..                    </li>\n	<li><strong>Classic Knee Compression</strong> - your typical automatic leveling device found on just about every instrument and vocal track as well as on  the overall buss, done Empirical Labs compression – smooth and sweet, but in your face! </li>\n</ul>\n<br/>'),(4256,75,1,710,'<h1>Empirical Labs EL7-X FATSO Tape Simulator</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The Empirical Labs EL7-X FATSO is a 2 Channel full analog tape simulator and compressor</span><br/><br/>\nThe Empirical Labs EL7-X FATSO (Full Analog Tape Simulator and Optimizer) takes the smooth, analog sound of the original FATSO and adds a new \"Eleven\" compressor setting modeled after the UREI 1176LN. The EL7-X Fatso gives musicians and engineers easy access to the warm, smooth vintage sound of older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels.<br/><br/>\nThe  EL7-X FATSO allows recording studios and audio production facilities the ability to enhance and soften the sound of Hardware Digital Recorders (HDRs) and Digital Audio Workstations (DAWs).  Mix engineers will have the option not to have to use bulky, expensive analog tape recorders to get the warmth and sweet high end they’ve come to rely on for so many decades.  Owners of DAWs and HDRs can finally put a stop to complaints about the coldness and brittle edge of their mixes and instruments. Even audiophiles can benefit from the FATSO, bringing back the warmth and ambience of LP’s and tapes to their CD players and other digital reproduction mediums.<br/>\n<br/>\nThe Empirical Labs EL7-X FATSO has large Distressor-style knobs control the input and output levels. Four meticulously tweaked compression modes - including the extremely popular “Buss” setting and the legendary “Spank”, a subtle knee followed by hard limiting resembling the SSL talkback compressor - can be selected (and combined!) with the push of a button.  Seven different high frequency saturation “Warmth” settings are accessed just as easily.  The FATSO also features switchable transformer circuits, which can add the musical artifacts generated by classic devices like NEVE, API, etc such as low order clipping and inter-modular distortion, transient clipping... and some other very musical non-linearities.  True to its name, the FATSO Jr. is rather sturdily constructed - you’ll be impressed with how well built it feels when you first lift it out of the box.<br/><br/>\nThe FATSO Jr. has been the “secret weapon” of studio and live engineers for many years, call or chat with an RSPE specialist to find out how FATSO can tranform your mixes!<br/><br/>\n<h3>ELEVEN compressor simulates the classic UREI 1176LN</h3>\nELEVEN is a new compressor for the Fatso, replacing the old GP Ratio, and emulates the famous UREI 1176LN in 20:1, with the slowest attack, and fastest release. This 1176 setting has been used on countless hit records through the decades.  With the slower “1176” attack, the transients keep the dynamics present, while the high ratio, can radically limit the dynamic range of any source, making it present and sitting in a nice little place in your mix. One can slam it, or just touch it with a few dB of compression.  You will find it great on Vocals, Bass, acoustic guitars, drum room mikes, pianos etc.\n<br/><br/>\n<h3>Empirical Labs FATSO Features</h3>\n<ul>\n	<li>New “Eleven” compressor setting, which emulates the 1176LN.</li>\n	<li>Add the warmth and depth of analog tape to your digitally recorded audio</li>\n	<li>Four Types of processing: Harmonic Generation and Soft Clipping, High Frequency Saturation, Transformer/Tape Head Emulation, and Classic Knee Compression </li>\n</ul>\n<br/>\n<h3>Fatso\'s Four Types of Processing</h3>\n<ul>\n	<li><strong>Harmonic Generation and Soft Clipper (Distortion Generation)</strong> - this class A circuit gently rounds the peaks like saturated tubes or tape.                                                                                     </li>\n	<li><strong>High Frequency Saturation (Warmth)</strong> - a one-of-a-kind dynamic low pass filter which softens high frequencies when they “pile up” on a source.                                                                                  </li>\n	<li><strong>Transformer & Tape Head Emulation</strong> - a simulation of the effect of input and output transformers of older devices, which adds  the low frequency harmonics that characterize them, as well as analog tape..                    </li>\n	<li><strong>Classic Knee Compression</strong> - your typical automatic leveling device found on just about every instrument and vocal track as well as on  the overall buss, done Empirical Labs compression – smooth and sweet, but in your face! </li>\n</ul>\n<br/>'),(4257,85,0,710,''),(4258,85,1,710,''),(4259,76,0,710,''),(4260,76,1,710,''),(4261,75,0,711,'<h1>Empirical Labs Distressor EL8 — Mono Compressor </h1>\n<span style=\"font-size: 16px; font-style: italic;\">Digitally controlled, analog knee compressor that incorporates the sonic characteristics of classic compressors</span><br/><br/>\nIn an industry saturated with me-too products, you might justifiably ask, “Do we really need another compressor,” but in the case of the Empirical Labs Distressor EL8, oh yes we do. In fact, once you have a Distressor, a more relevant question, is do I need any other compressor other than the Distressor? The answer, according to most high-profile engineers is that if you can only have one compressor, make sure it’s an Empirical Labs Distressor. Besides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom-designed gain control circuit. Not only a highly versatile compressor, the Distressor is also a distortion generator, capable of producing the effects of tube and tape saturation. The Distressor is also available as the modified <a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8X-Distressor-w-British-Mod-p/emp-el8x.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">EL8-X</a>, which offers two additional functions: British Mode, and Image Link. <br/><br/>\n<h3>Empirical Labs Distressor EL8 key features:</h3>\n<ul>\n	<li>Over-designed power supplies - Runs cool, allowing cabinet to be sealed without heat vents</li>\n	<li>Long-life components </li>\n	<li>Single height and light weight - Classic sound in a small, extremely reliable package </li>\n	<li>True bypass - Know what it\'s really doing. All contacts doubled up for maximum reliability. No internal audio connectors </li>\n	<li>XLR and 1/4\" phone ins and outs - XLR fully balanced, transformerless design, pin 2 hot. Changeable by user to pin 3 hot! </li>\n	<li>All metal film and Roederstein resistors in the audio path, top quality components including military-spec parts </li>\n	<li>Stereo linkable </li>\n	<li>Switchable 115/230 volt operation; extra fuse provided inside unit</li>\n	<li>Discrete and integrated combination; the best of speed/linearity with repeatability</li>\n	<li>Hand-tested and selected components </li>\n	<li>Hand-wired and calibrated in USA </li>\n</ul>\n<br/><a href=\"/v/distressor.html\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/virtual-el8x.jpg\"/></a>\n<div>\n	RSPE Audio Solutions’ \n	<a href=\"/v/distressor.html\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Virtual Distressor ELX-8 Compressor</a>, created in collaboration with designer David Derr, lets you mouse over the controls of the Empirical Labs Distressor ELX-8 and take it through its paces, from punchy open drums to “nuking the room,” for which the Distressor ELX-8 is famous.\n</div>\n<br/>\n<h3>INSIDE THE BOX — Empirical Labs Distressor EL8</h3>\nSince the Distressor is based on the oldest compressor topology, it can be made to sound very similar to older classics. The nonlinear nature of the older gain control elements of opto-couplers, FET\'s, pentode (or triode) tube bias or \"mu\" modulation, etc., can be closely emulated if proper settings are used. A special \"Opto\" mode has been provided in the 10:1 ratio.\n<br/><br/>\nAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting—a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.<br/><br/>\nAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors and limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing.<br/><br/>\n<h3>The High-pass mode (HP)</h3>\nThe first mode cycled to after normal is HP (or High-pass). With the HP LED on, the unit rolls off low \"sub\" frequencies below 80Hz in the audio. It is a very smooth Bessel filter, about 3dB down at 65Hz and -12dB @ 30Hz. Its final slope is 18dB per octave, but is below all but the very exceptionally low vocal tones. Rolling \"subs\" off of a singer’s mic is an excellent use for this filter. This can also be selected along with either Dist 2 or Dist 3 modes.\n<br/><br/>\n<h3>Stereo Link</h3>\nThe Distressor stereo link implementation uses a summing and phase detection method, which allows stereo image shifting. \"Image shifting\" occurs when the inter-channel balance (the relative volume between Left and Right channels) changes during compression. Although known for its phase correction, and its \"thickening\" on open room mics and other stereo sources, the Distressor EL8 phase link approach on stereo program material, may not maintain absolute left/right balance at all times. With the Stereo Image Link option found on the EL8-X [Link], the Distressor has three link options; the original \"phase\" link, the Image Link, which maintains left/right balance, and the combination of the two, phase and image linking. This has never before been offered on any compressor or limiter. The Distressor is available as a stereo pair, the Empirical Labs Distressor \n<a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8-S-Distressor-Stereo-Pair-p/emp-el8-s.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">EL8-S</a>.\n<br/><br/>\n<h3>OUTSIDE THE BOX — Empirical Labs Distressor EL8</h3>\nPerhaps the most distinctive feature of the Distressor’s front panel is the oversized knobs with high-resolution numbering for easy readability and repeatable settings—they also go to 10-1/2. The knobs control input, attack, release, and output. The Distressor also has a 16-segment horizontal gain-reduction meter, underneath which are LEDs that indicate ratio settings selected by a pushbutton. There are also pushbuttons for Audio and Detector modes and Bypass. \n<br/><br/>\n<h3>Distressor Distortion Modes</h3>\nBy using a design that allows pinpoint control of nonlinear analog devices, the Distressor is trimmed to produce three controllable distortion modes:\n<ol>\n1.	Normal (Clean) No induced distortion THD hovering between .025 and .3% \n2.	Dist 2 THD hovering between 0.05 and 3% Emphasized 2nd Harmonic  \n3.	Dist 3 THD hovering between 0.1% and 20% 3rd Harmonic increased\n</ol>\n<h3>Distressor Audio Modes:</h3>\nTo switch between the \"Audio\" modes, press the button labeled Audio. The LED\'s above the switch will cycle through 6 states. In order of occurrence:\n<ol>\n	<li>Norm - (No LED\'s lit) Low distortion and full frequency range   </li>\n	<li>HP - High-pass (Green LED) Smoothly cuts low \"mud\" audio frequencies</li>\n	<li>Dist 2 - (Yellow LED) Emphasized 2nd harmonic distortion          </li>\n	<li>Dist 2 & HP - Combination of 2 and 3 above                        </li>\n	<li>Dist 3 - (Red LED) 3rd harmonic emphasized                       </li>\n	<li>Dist 3 & HP - Combination of 2 and 5 above</li>\n</ol>\n<br/>\n<h3>The sound and unique features of the Empirical Labs Distressor have made it a staple for audio engineers all over the world. For more information, call or chat with an RSPE representative today. </h3>'),(4262,75,1,711,'<h1>Empirical Labs Distressor EL8 — Mono Compressor </h1>\n<span style=\"font-size: 16px; font-style: italic;\">Digitally controlled, analog knee compressor that incorporates the sonic characteristics of classic compressors</span><br/><br/>\nIn an industry saturated with me-too products, you might justifiably ask, “Do we really need another compressor,” but in the case of the Empirical Labs Distressor EL8, oh yes we do. In fact, once you have a Distressor, a more relevant question, is do I need any other compressor other than the Distressor? The answer, according to most high-profile engineers is that if you can only have one compressor, make sure it’s an Empirical Labs Distressor. Besides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom-designed gain control circuit. Not only a highly versatile compressor, the Distressor is also a distortion generator, capable of producing the effects of tube and tape saturation. The Distressor is also available as the modified <a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8X-Distressor-w-British-Mod-p/emp-el8x.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">EL8-X</a>, which offers two additional functions: British Mode, and Image Link. <br/><br/>\n<h3>Empirical Labs Distressor EL8 key features:</h3>\n<ul>\n	<li>Over-designed power supplies - Runs cool, allowing cabinet to be sealed without heat vents</li>\n	<li>Long-life components </li>\n	<li>Single height and light weight - Classic sound in a small, extremely reliable package </li>\n	<li>True bypass - Know what it\'s really doing. All contacts doubled up for maximum reliability. No internal audio connectors </li>\n	<li>XLR and 1/4\" phone ins and outs - XLR fully balanced, transformerless design, pin 2 hot. Changeable by user to pin 3 hot! </li>\n	<li>All metal film and Roederstein resistors in the audio path, top quality components including military-spec parts </li>\n	<li>Stereo linkable </li>\n	<li>Switchable 115/230 volt operation; extra fuse provided inside unit</li>\n	<li>Discrete and integrated combination; the best of speed/linearity with repeatability</li>\n	<li>Hand-tested and selected components </li>\n	<li>Hand-wired and calibrated in USA </li>\n</ul>\n<br/><a href=\"/v/distressor.html\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/virtual-el8x.jpg\"/></a>\n<div>\n	RSPE Audio Solutions’ \n	<a href=\"/v/distressor.html\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Virtual Distressor ELX-8 Compressor</a>, created in collaboration with designer David Derr, lets you mouse over the controls of the Empirical Labs Distressor ELX-8 and take it through its paces, from punchy open drums to “nuking the room,” for which the Distressor ELX-8 is famous.\n</div>\n<br/>\n<h3>INSIDE THE BOX — Empirical Labs Distressor EL8</h3>\nSince the Distressor is based on the oldest compressor topology, it can be made to sound very similar to older classics. The nonlinear nature of the older gain control elements of opto-couplers, FET\'s, pentode (or triode) tube bias or \"mu\" modulation, etc., can be closely emulated if proper settings are used. A special \"Opto\" mode has been provided in the 10:1 ratio.\n<br/><br/>\nAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting—a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.<br/><br/>\nAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors and limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing.<br/><br/>\n<h3>The High-pass mode (HP)</h3>\nThe first mode cycled to after normal is HP (or High-pass). With the HP LED on, the unit rolls off low \"sub\" frequencies below 80Hz in the audio. It is a very smooth Bessel filter, about 3dB down at 65Hz and -12dB @ 30Hz. Its final slope is 18dB per octave, but is below all but the very exceptionally low vocal tones. Rolling \"subs\" off of a singer’s mic is an excellent use for this filter. This can also be selected along with either Dist 2 or Dist 3 modes.\n<br/><br/>\n<h3>Stereo Link</h3>\nThe Distressor stereo link implementation uses a summing and phase detection method, which allows stereo image shifting. \"Image shifting\" occurs when the inter-channel balance (the relative volume between Left and Right channels) changes during compression. Although known for its phase correction, and its \"thickening\" on open room mics and other stereo sources, the Distressor EL8 phase link approach on stereo program material, may not maintain absolute left/right balance at all times. With the Stereo Image Link option found on the EL8-X [Link], the Distressor has three link options; the original \"phase\" link, the Image Link, which maintains left/right balance, and the combination of the two, phase and image linking. This has never before been offered on any compressor or limiter. The Distressor is available as a stereo pair, the Empirical Labs Distressor \n<a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8-S-Distressor-Stereo-Pair-p/emp-el8-s.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">EL8-S</a>.\n<br/><br/>\n<h3>OUTSIDE THE BOX — Empirical Labs Distressor EL8</h3>\nPerhaps the most distinctive feature of the Distressor’s front panel is the oversized knobs with high-resolution numbering for easy readability and repeatable settings—they also go to 10-1/2. The knobs control input, attack, release, and output. The Distressor also has a 16-segment horizontal gain-reduction meter, underneath which are LEDs that indicate ratio settings selected by a pushbutton. There are also pushbuttons for Audio and Detector modes and Bypass. \n<br/><br/>\n<h3>Distressor Distortion Modes</h3>\nBy using a design that allows pinpoint control of nonlinear analog devices, the Distressor is trimmed to produce three controllable distortion modes:\n<ol>\n1.	Normal (Clean) No induced distortion THD hovering between .025 and .3% \n2.	Dist 2 THD hovering between 0.05 and 3% Emphasized 2nd Harmonic  \n3.	Dist 3 THD hovering between 0.1% and 20% 3rd Harmonic increased\n</ol>\n<h3>Distressor Audio Modes:</h3>\nTo switch between the \"Audio\" modes, press the button labeled Audio. The LED\'s above the switch will cycle through 6 states. In order of occurrence:\n<ol>\n	<li>Norm - (No LED\'s lit) Low distortion and full frequency range   </li>\n	<li>HP - High-pass (Green LED) Smoothly cuts low \"mud\" audio frequencies</li>\n	<li>Dist 2 - (Yellow LED) Emphasized 2nd harmonic distortion          </li>\n	<li>Dist 2 & HP - Combination of 2 and 3 above                        </li>\n	<li>Dist 3 - (Red LED) 3rd harmonic emphasized                       </li>\n	<li>Dist 3 & HP - Combination of 2 and 5 above</li>\n</ol>\n<br/>\n<h3>The sound and unique features of the Empirical Labs Distressor have made it a staple for audio engineers all over the world. For more information, call or chat with an RSPE representative today. </h3>'),(4263,85,0,711,'Empirical Labs EL8 Distressor'),(4264,85,1,711,'Empirical Labs EL8 Distressor'),(4265,76,0,711,''),(4266,76,1,711,''),(4267,75,0,712,'<h1>Empirical Labs Distressor EL8-S — Compressor Stereo Pair</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Digitally controlled, analog knee compressor that incorporates the sonic characteristics of classic compressors</span><br/><br/>\nIn an industry saturated with me-too products, you might justifiably ask, “Do we really need another compressor,” but in the case of the Empirical Labs Distressor EL8-S, oh yes we do. In fact, once you have a Distressor, a more relevant question, is do I need any other compressor other than the Distressor? The answer, according to most high-profile engineers is that if you can only have one compressor, make sure it’s an Empirical Labs Distressor. Besides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom-designed gain control circuit. Not only a highly versatile compressor, the Distressor is also a distortion generator, capable of producing the effects of tube and tape saturation. The Distressor is also available as the modified <a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8X-Distressor-w-British-Mod-p/emp-el8x.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">EL8-X</a>, which offers two additional functions: British Mode, and Image Link. <br/><br/>\n<h3>Empirical Labs Distressor EL8-S key features:</h3>\n<ul>\n	<li>Over-designed power supplies - Runs cool, allowing cabinet to be sealed without heat vents</li>\n	<li>Long-life components </li>\n	<li>Single height and light weight - Classic sound in a small, extremely reliable package </li>\n	<li>True bypass - Know what it\'s really doing. All contacts doubled up for maximum reliability. No internal audio connectors </li>\n	<li>XLR and 1/4\" phone ins and outs - XLR fully balanced, transformerless design, pin 2 hot. Changeable by user to pin 3 hot! </li>\n	<li>All metal film and Roederstein resistors in the audio path, top quality components including military-spec parts </li>\n	<li>Stereo linkable </li>\n	<li>Switchable 115/230 volt operation; extra fuse provided inside unit</li>\n	<li>Discrete and integrated combination; the best of speed/linearity with repeatability</li>\n	<li>Hand-tested and selected components </li>\n	<li>Hand-wired and calibrated in USA </li>\n</ul>\n<br/><a href=\"/v/distressor.html\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/virtual-el8x.jpg\"/></a>\n<div>\n	RSPE Audio Solutions’ \n	<a href=\"/v/distressor.html\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Virtual Distressor ELX-8 Compressor</a>, created in collaboration with designer David Derr, lets you mouse over the controls of the Empirical Labs Distressor ELX-8 and take it through its paces, from punchy open drums to “nuking the room,” for which the Distressor ELX-8 is famous.<br/>\n</div>\n<br/>\n<h3>INSIDE THE BOX — Empirical Labs Distressor EL8-S Stereo Pair</h3>\nSince the Distressor is based on the oldest compressor topology, it can be made to sound very similar to older classics. The nonlinear nature of the older gain control elements of opto-couplers, FET\'s, pentode (or triode) tube bias or \"mu\" modulation, etc., can be closely emulated if proper settings are used. A special \"Opto\" mode has been provided in the 10:1 ratio.\n<br/><br/>\nAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting—a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.<br/><br/>\nAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors and limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing.<br/><br/>\n<h3>The High-pass mode (HP)</h3>\nThe first mode cycled to after normal is HP (or High-pass). With the HP LED on, the unit rolls off low \"sub\" frequencies below 80Hz in the audio. It is a very smooth Bessel filter, about 3dB down at 65Hz and -12dB @ 30Hz. Its final slope is 18dB per octave, but is below all but the very exceptionally low vocal tones. Rolling \"subs\" off of a singer’s mic is an excellent use for this filter. This can also be selected along with either Dist 2 or Dist 3 modes.\n<br/><br/>\n<h3>Stereo Link</h3>\nThe Distressor stereo link implementation uses a summing and phase detection method, which allows stereo image shifting. \"Image shifting\" occurs when the inter-channel balance (the relative volume between Left and Right channels) changes during compression. Although known for its phase correction, and its \"thickening\" on open room mics and other stereo sources, the Distressor EL8-S phase link approach on stereo program material, may not maintain absolute left/right balance at all times. With the Stereo Image Link option found on the EL8-X [Link], the Distressor has three link options; the original \"phase\" link, the Image Link, which maintains left/right balance, and the combination of the two, phase and image linking. This has never before been offered on any compressor or limiter. The Distressor EL8-S is available as the single channel \n<a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8-Distressor-p/emp-el8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">EL8</a>.<br/><br/>\n<h3>OUTSIDE THE BOX — Empirical Labs Distressor EL8-S Stereo Pair</h3>\nPerhaps the most distinctive feature of the Distressor’s front panel is the oversized knobs with high-resolution numbering for easy readability and repeatable settings—they also go to 10-1/2. The knobs control input, attack, release, and output. The Distressor also has a 16-segment horizontal gain-reduction meter, underneath which are LEDs that indicate ratio settings selected by a pushbutton. There are also pushbuttons for Audio and Detector modes and Bypass. \n<br/><br/>\n<h3>Distressor Distortion Modes</h3>\nBy using a design that allows pinpoint control of nonlinear analog devices, the Distressor is trimmed to produce three controllable distortion modes:\n<ol>\n	<li>Normal (Clean) No induced distortion THD hovering between .025 and .3%  </li>\n	<li>Dist 2 THD hovering between 0.05 and 3% Emphasized 2nd Harmonic         </li>\n	<li>Dist 3 THD hovering between 0.1% and 20% 3rd Harmonic increased         </li>\n</ol>\n<br/>\n<h3>Distressor Audio Modes:</h3>\nTo switch between the \"Audio\" modes, press the button labeled Audio. The LED\'s above the switch will cycle through 6 states. In order of occurrence:\n<ol>\n	<li>Norm - (No LED\'s lit) Low distortion and full frequency range</li>\n	<li>HP - High-pass (Green LED) Smoothly cuts low \"mud\" audio frequencies</li>\n	<li>Dist 2 - (Yellow LED) Emphasized 2nd harmonic distortion         </li>\n	<li>Dist 2 & HP - Combination of 2 and 3 above                      </li>\n	<li>Dist 3 - (Red LED) 3rd harmonic emphasized                      </li>\n	<li>Dist 3 & HP - Combination of 2 and 5 above                          </li>\n</ol>\n<br/>\n<h3>The sound and unique features of the Empirical Labs Distressor have made it a staple for audio engineers all over the world. For more information, call or chat with an RSPE representative today. </h3>'),(4268,75,1,712,'<h1>Empirical Labs Distressor EL8-S — Compressor Stereo Pair</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Digitally controlled, analog knee compressor that incorporates the sonic characteristics of classic compressors</span><br/><br/>\nIn an industry saturated with me-too products, you might justifiably ask, “Do we really need another compressor,” but in the case of the Empirical Labs Distressor EL8-S, oh yes we do. In fact, once you have a Distressor, a more relevant question, is do I need any other compressor other than the Distressor? The answer, according to most high-profile engineers is that if you can only have one compressor, make sure it’s an Empirical Labs Distressor. Besides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom-designed gain control circuit. Not only a highly versatile compressor, the Distressor is also a distortion generator, capable of producing the effects of tube and tape saturation. The Distressor is also available as the modified <a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8X-Distressor-w-British-Mod-p/emp-el8x.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">EL8-X</a>, which offers two additional functions: British Mode, and Image Link. <br/><br/>\n<h3>Empirical Labs Distressor EL8-S key features:</h3>\n<ul>\n	<li>Over-designed power supplies - Runs cool, allowing cabinet to be sealed without heat vents</li>\n	<li>Long-life components </li>\n	<li>Single height and light weight - Classic sound in a small, extremely reliable package </li>\n	<li>True bypass - Know what it\'s really doing. All contacts doubled up for maximum reliability. No internal audio connectors </li>\n	<li>XLR and 1/4\" phone ins and outs - XLR fully balanced, transformerless design, pin 2 hot. Changeable by user to pin 3 hot! </li>\n	<li>All metal film and Roederstein resistors in the audio path, top quality components including military-spec parts </li>\n	<li>Stereo linkable </li>\n	<li>Switchable 115/230 volt operation; extra fuse provided inside unit</li>\n	<li>Discrete and integrated combination; the best of speed/linearity with repeatability</li>\n	<li>Hand-tested and selected components </li>\n	<li>Hand-wired and calibrated in USA </li>\n</ul>\n<br/><a href=\"/v/distressor.html\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/virtual-el8x.jpg\"/></a>\n<div>\n	RSPE Audio Solutions’ \n	<a href=\"/v/distressor.html\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Virtual Distressor ELX-8 Compressor</a>, created in collaboration with designer David Derr, lets you mouse over the controls of the Empirical Labs Distressor ELX-8 and take it through its paces, from punchy open drums to “nuking the room,” for which the Distressor ELX-8 is famous.<br/>\n</div>\n<br/>\n<h3>INSIDE THE BOX — Empirical Labs Distressor EL8-S Stereo Pair</h3>\nSince the Distressor is based on the oldest compressor topology, it can be made to sound very similar to older classics. The nonlinear nature of the older gain control elements of opto-couplers, FET\'s, pentode (or triode) tube bias or \"mu\" modulation, etc., can be closely emulated if proper settings are used. A special \"Opto\" mode has been provided in the 10:1 ratio.\n<br/><br/>\nAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting—a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.<br/><br/>\nAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors and limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing.<br/><br/>\n<h3>The High-pass mode (HP)</h3>\nThe first mode cycled to after normal is HP (or High-pass). With the HP LED on, the unit rolls off low \"sub\" frequencies below 80Hz in the audio. It is a very smooth Bessel filter, about 3dB down at 65Hz and -12dB @ 30Hz. Its final slope is 18dB per octave, but is below all but the very exceptionally low vocal tones. Rolling \"subs\" off of a singer’s mic is an excellent use for this filter. This can also be selected along with either Dist 2 or Dist 3 modes.\n<br/><br/>\n<h3>Stereo Link</h3>\nThe Distressor stereo link implementation uses a summing and phase detection method, which allows stereo image shifting. \"Image shifting\" occurs when the inter-channel balance (the relative volume between Left and Right channels) changes during compression. Although known for its phase correction, and its \"thickening\" on open room mics and other stereo sources, the Distressor EL8-S phase link approach on stereo program material, may not maintain absolute left/right balance at all times. With the Stereo Image Link option found on the EL8-X [Link], the Distressor has three link options; the original \"phase\" link, the Image Link, which maintains left/right balance, and the combination of the two, phase and image linking. This has never before been offered on any compressor or limiter. The Distressor EL8-S is available as the single channel \n<a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8-Distressor-p/emp-el8.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">EL8</a>.<br/><br/>\n<h3>OUTSIDE THE BOX — Empirical Labs Distressor EL8-S Stereo Pair</h3>\nPerhaps the most distinctive feature of the Distressor’s front panel is the oversized knobs with high-resolution numbering for easy readability and repeatable settings—they also go to 10-1/2. The knobs control input, attack, release, and output. The Distressor also has a 16-segment horizontal gain-reduction meter, underneath which are LEDs that indicate ratio settings selected by a pushbutton. There are also pushbuttons for Audio and Detector modes and Bypass. \n<br/><br/>\n<h3>Distressor Distortion Modes</h3>\nBy using a design that allows pinpoint control of nonlinear analog devices, the Distressor is trimmed to produce three controllable distortion modes:\n<ol>\n	<li>Normal (Clean) No induced distortion THD hovering between .025 and .3%  </li>\n	<li>Dist 2 THD hovering between 0.05 and 3% Emphasized 2nd Harmonic         </li>\n	<li>Dist 3 THD hovering between 0.1% and 20% 3rd Harmonic increased         </li>\n</ol>\n<br/>\n<h3>Distressor Audio Modes:</h3>\nTo switch between the \"Audio\" modes, press the button labeled Audio. The LED\'s above the switch will cycle through 6 states. In order of occurrence:\n<ol>\n	<li>Norm - (No LED\'s lit) Low distortion and full frequency range</li>\n	<li>HP - High-pass (Green LED) Smoothly cuts low \"mud\" audio frequencies</li>\n	<li>Dist 2 - (Yellow LED) Emphasized 2nd harmonic distortion         </li>\n	<li>Dist 2 & HP - Combination of 2 and 3 above                      </li>\n	<li>Dist 3 - (Red LED) 3rd harmonic emphasized                      </li>\n	<li>Dist 3 & HP - Combination of 2 and 5 above                          </li>\n</ol>\n<br/>\n<h3>The sound and unique features of the Empirical Labs Distressor have made it a staple for audio engineers all over the world. For more information, call or chat with an RSPE representative today. </h3>'),(4269,85,0,712,'Empirical Labs EL8-S Distressor, Stereo Pair'),(4270,85,1,712,'Empirical Labs EL8-S Distressor, Stereo Pair'),(4271,76,0,712,''),(4272,76,1,712,''),(4273,75,0,713,'<h1>Empirical Labs Distressor EL8-X — Mono Compressor with British Mode</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Digitally controlled, analog knee compressor that incorporates the sonic characteristics of classic compressors plus the aggressive all-buttons-in sound of the LN1176 limiter </span><br/><br/>The Distressor EL8-X offers a warm, vintage sound by using a custom designed gain control circuit. Unlike most analog compressor/limiters the Distressor is a digitally controlled audio device and actually incorporates several products into one by utilizing digital controls to switch totally different circuits in and out. <br/><br/>\n<h3>Empirical Labs Distressor EL8-X key features:</h3>\n<ul>\n	<li>Over-designed power supplies - Runs cool, allowing cabinet to be sealed without heat vents</li>\n	<li>Long-life components </li>\n	<li>Single height and light weight - Classic sound in a small, extremely reliable package </li>\n	<li>True bypass - Know what it\'s really doing. All contacts doubled up for maximum reliability. No internal audio connectors </li>\n	<li>XLR and 1/4\" phone ins and outs - XLR fully balanced, transformerless design, pin 2 hot. Changeable by user to pin 3 hot! </li>\n	<li>All metal film and Roederstein resistors in the audio path, top quality components including military-spec parts </li>\n	<li>Stereo linkable </li>\n	<li>Switchable 115/230 volt operation; extra fuse provided inside unit</li>\n	<li>Discrete and integrated combination; the best of speed/linearity with repeatability</li>\n	<li>Hand-tested and selected components </li>\n	<li>Hand-wired and calibrated in USA </li>\n</ul>\n<br/><a href=\"/v/distressor.html\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/virtual-el8x.jpg\"/></a>\n<div>\n	RSPE Audio Solutions’ \n	<a href=\"/v/distressor.html\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Virtual Distressor ELX-8 Compressor</a>, created in collaboration with designer David Derr, lets you mouse over the controls of the Empirical Labs Distressor ELX-8 and take it through its paces, from punchy open drums to “nuking the room,” for which the Distressor ELX-8 is famous.\n</div>\n<br/>\n<h3>INSIDE THE BOX — Empirical Labs Distressor EL8-X with British Mode</h3>\nSince the Distressor is based on the oldest compressor topology, it can be made to sound very similar to older classics. The nonlinear nature of the older gain control elements of opto-couplers, FET\'s, pentode (or triode) tube bias or \"mu\" modulation, etc., can be closely emulated if proper settings are used. A special \"Opto\" mode has been provided in the 10:1 ratio.\n<br/><br/>\nAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting—a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.<br/><br/>\nAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors and limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters, one in the audio path, one in the detector path, are also available to help with low frequencies that can cause pumping and breathing.<br/><br/>\n<h3>The High-pass mode (HP)</h3>\nThe first mode cycled to after normal is HP (or High-pass). With the HP LED on, the unit rolls off low \"sub\" frequencies below 80Hz in the audio. It is a very smooth Bessel filter, about 3dB down at 65Hz and -12dB @ 30Hz. Its final slope is 18dB per octave, but is below all but the very exceptionally low vocal tones. Rolling \"subs\" off of a singer’s mic is an excellent use for this filter. This can also be selected along with either Dist 2 or Dist 3 modes.\n<br/><br/>\n<h3>Distressor British Mode</h3>\nThe original concept of the \"British Mode\" came from an unusual setting on the classic UREI 1176LN limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more \"over the top\", found that you could make all four buttons stay \"in\" if you pressed them just right. What resulted was a very, very aggressive sound that had some elements of the unit’s 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it a \"British Mode\" and the name stuck. It is also called \"all buttons in\" and some other intuitive names.\n<br/><br/>\nThe Distressor has the advantage of being able to apply this \"aggressive\" nature not only to the British ratio (1:1) but also to all the ratios since a separate switch is installed, which can be enabled with any ratio.<br/><br/>\n<h3>Distressor Stereo Link Option</h3>\nThe original Distressor stereo link implementation uses a summing and phase detection method, which allowed stereo image shifting. \"Image shifting\" occurs when the inter-channel balance (the relative volume between Left and Right channels) changes during compression. Although known for its phase correction, and its \"thickening\" on open room mics and other stereo sources, the original Distressor phase link approach has sometimes been a problem on stereo program material, where the producer/engineers want to maintain absolute left/right balance at all times. With the Stereo Image Link option, the Distressor user now has three link options; the original \"phase\" link, the Image Link, which maintains left/right balance, and the combination of the two, phase and image linking. This has never before been offered on any compressor or limiter. The Distressor EL8-X is available as a stereo pair, the Empirical Labs \n<a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8X-S-Distressor-Stereo-Pair-p/emp-el8x-s.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">EL8-XS</a>.<br/><br/>\n<h3>OUTSIDE THE BOX — Empirical Labs Distressor EL8-X with British Mode</h3>\nPerhaps the most distinctive feature of the Distressor’s front panel is the oversized knobs with high-resolution numbering for easy readability and repeatable settings—they also go to 10-1/2. The knobs control input, attack, release, and output. The Distressor also has a 16-segment horizontal gain-reduction meter, underneath which are LEDs that indicate ratio settings selected by a pushbutton. There are also pushbuttons for Audio and Detector modes and Bypass. The EL8-X also has toggle switches for British Mode and Stereo Link.\n<br/><br/>\n<h3>Distressor Distortion Modes</h3>\nBy using a design that allows pinpoint control of nonlinear analog devices, the Distressor is trimmed to produce three controllable distortion modes:\n<ol>\n	<li>Normal (Clean) No induced distortion THD hovering between .025 and .3%</li>\n	<li>Dist 2 THD hovering between 0.05 and 3% Emphasized 2nd Harmonic  </li>\n	<li>Dist 3 THD hovering between 0.1% and 20% 3rd Harmonic increased</li>\n</ol>\n<br/>\n<h3>Distressor Audio Modes:</h3>\nTo switch between the \"Audio\" modes, press the button labeled Audio. The LED\'s above the switch will cycle through 6 states. In order of occurrence:\n<ol>\n	<li>Norm - (No LED\'s lit) Low distortion and full frequency range</li>\n	<li>HP - High-pass (Green LED) Smoothly cuts low \"mud\" audio frequencies </li>\n	<li>Dist 2 - (Yellow LED) Emphasized 2nd harmonic distortion</li>\n	<li>Dist 2 & HP - Combination of 2 and 3 above</li>\n	<li>Dist 3 - (Red LED) 3rd harmonic emphasized</li>\n	<li>Dist 3 & HP - Combination of 2 and 5 above</li>\n</ol>\n<br/>\n<h3>The sound and unique features of the Empirical Labs Distressor have made it a staple for audio engineers all over the world. For more information, call or chat with an RSPE representative today. </h3>'),(4274,75,1,713,'<h1>Empirical Labs Distressor EL8-X — Mono Compressor with British Mode</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Digitally controlled, analog knee compressor that incorporates the sonic characteristics of classic compressors plus the aggressive all-buttons-in sound of the LN1176 limiter </span><br/><br/>The Distressor EL8-X offers a warm, vintage sound by using a custom designed gain control circuit. Unlike most analog compressor/limiters the Distressor is a digitally controlled audio device and actually incorporates several products into one by utilizing digital controls to switch totally different circuits in and out. <br/><br/>\n<h3>Empirical Labs Distressor EL8-X key features:</h3>\n<ul>\n	<li>Over-designed power supplies - Runs cool, allowing cabinet to be sealed without heat vents</li>\n	<li>Long-life components </li>\n	<li>Single height and light weight - Classic sound in a small, extremely reliable package </li>\n	<li>True bypass - Know what it\'s really doing. All contacts doubled up for maximum reliability. No internal audio connectors </li>\n	<li>XLR and 1/4\" phone ins and outs - XLR fully balanced, transformerless design, pin 2 hot. Changeable by user to pin 3 hot! </li>\n	<li>All metal film and Roederstein resistors in the audio path, top quality components including military-spec parts </li>\n	<li>Stereo linkable </li>\n	<li>Switchable 115/230 volt operation; extra fuse provided inside unit</li>\n	<li>Discrete and integrated combination; the best of speed/linearity with repeatability</li>\n	<li>Hand-tested and selected components </li>\n	<li>Hand-wired and calibrated in USA </li>\n</ul>\n<br/><a href=\"/v/distressor.html\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/virtual-el8x.jpg\"/></a>\n<div>\n	RSPE Audio Solutions’ \n	<a href=\"/v/distressor.html\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Virtual Distressor ELX-8 Compressor</a>, created in collaboration with designer David Derr, lets you mouse over the controls of the Empirical Labs Distressor ELX-8 and take it through its paces, from punchy open drums to “nuking the room,” for which the Distressor ELX-8 is famous.\n</div>\n<br/>\n<h3>INSIDE THE BOX — Empirical Labs Distressor EL8-X with British Mode</h3>\nSince the Distressor is based on the oldest compressor topology, it can be made to sound very similar to older classics. The nonlinear nature of the older gain control elements of opto-couplers, FET\'s, pentode (or triode) tube bias or \"mu\" modulation, etc., can be closely emulated if proper settings are used. A special \"Opto\" mode has been provided in the 10:1 ratio.\n<br/><br/>\nAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting—a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.<br/><br/>\nAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors and limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters, one in the audio path, one in the detector path, are also available to help with low frequencies that can cause pumping and breathing.<br/><br/>\n<h3>The High-pass mode (HP)</h3>\nThe first mode cycled to after normal is HP (or High-pass). With the HP LED on, the unit rolls off low \"sub\" frequencies below 80Hz in the audio. It is a very smooth Bessel filter, about 3dB down at 65Hz and -12dB @ 30Hz. Its final slope is 18dB per octave, but is below all but the very exceptionally low vocal tones. Rolling \"subs\" off of a singer’s mic is an excellent use for this filter. This can also be selected along with either Dist 2 or Dist 3 modes.\n<br/><br/>\n<h3>Distressor British Mode</h3>\nThe original concept of the \"British Mode\" came from an unusual setting on the classic UREI 1176LN limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more \"over the top\", found that you could make all four buttons stay \"in\" if you pressed them just right. What resulted was a very, very aggressive sound that had some elements of the unit’s 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it a \"British Mode\" and the name stuck. It is also called \"all buttons in\" and some other intuitive names.\n<br/><br/>\nThe Distressor has the advantage of being able to apply this \"aggressive\" nature not only to the British ratio (1:1) but also to all the ratios since a separate switch is installed, which can be enabled with any ratio.<br/><br/>\n<h3>Distressor Stereo Link Option</h3>\nThe original Distressor stereo link implementation uses a summing and phase detection method, which allowed stereo image shifting. \"Image shifting\" occurs when the inter-channel balance (the relative volume between Left and Right channels) changes during compression. Although known for its phase correction, and its \"thickening\" on open room mics and other stereo sources, the original Distressor phase link approach has sometimes been a problem on stereo program material, where the producer/engineers want to maintain absolute left/right balance at all times. With the Stereo Image Link option, the Distressor user now has three link options; the original \"phase\" link, the Image Link, which maintains left/right balance, and the combination of the two, phase and image linking. This has never before been offered on any compressor or limiter. The Distressor EL8-X is available as a stereo pair, the Empirical Labs \n<a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8X-S-Distressor-Stereo-Pair-p/emp-el8x-s.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">EL8-XS</a>.<br/><br/>\n<h3>OUTSIDE THE BOX — Empirical Labs Distressor EL8-X with British Mode</h3>\nPerhaps the most distinctive feature of the Distressor’s front panel is the oversized knobs with high-resolution numbering for easy readability and repeatable settings—they also go to 10-1/2. The knobs control input, attack, release, and output. The Distressor also has a 16-segment horizontal gain-reduction meter, underneath which are LEDs that indicate ratio settings selected by a pushbutton. There are also pushbuttons for Audio and Detector modes and Bypass. The EL8-X also has toggle switches for British Mode and Stereo Link.\n<br/><br/>\n<h3>Distressor Distortion Modes</h3>\nBy using a design that allows pinpoint control of nonlinear analog devices, the Distressor is trimmed to produce three controllable distortion modes:\n<ol>\n	<li>Normal (Clean) No induced distortion THD hovering between .025 and .3%</li>\n	<li>Dist 2 THD hovering between 0.05 and 3% Emphasized 2nd Harmonic  </li>\n	<li>Dist 3 THD hovering between 0.1% and 20% 3rd Harmonic increased</li>\n</ol>\n<br/>\n<h3>Distressor Audio Modes:</h3>\nTo switch between the \"Audio\" modes, press the button labeled Audio. The LED\'s above the switch will cycle through 6 states. In order of occurrence:\n<ol>\n	<li>Norm - (No LED\'s lit) Low distortion and full frequency range</li>\n	<li>HP - High-pass (Green LED) Smoothly cuts low \"mud\" audio frequencies </li>\n	<li>Dist 2 - (Yellow LED) Emphasized 2nd harmonic distortion</li>\n	<li>Dist 2 & HP - Combination of 2 and 3 above</li>\n	<li>Dist 3 - (Red LED) 3rd harmonic emphasized</li>\n	<li>Dist 3 & HP - Combination of 2 and 5 above</li>\n</ol>\n<br/>\n<h3>The sound and unique features of the Empirical Labs Distressor have made it a staple for audio engineers all over the world. For more information, call or chat with an RSPE representative today. </h3>'),(4275,85,0,713,'Empirical Labs EL8X Distressor w/ British Mod and Image Link'),(4276,85,1,713,'Empirical Labs EL8X Distressor w/ British Mod and Image Link'),(4277,76,0,713,''),(4278,76,1,713,''),(4279,75,0,714,'<h1>Empirical Labs Distressor EL8X-S — Compressor Stereo Pair with British Mode</h1>\n<span style=\"font-size:16px; font-style:italic;\">Digitally controlled, analog knee compressor that incorporates the sonic characteristics of classic compressors plus the aggressive all-buttons-in sound of the LN1176 limiter </span><br/><br/>\nIn an industry saturated with me-too products, you might justifiably ask, “Do we really need another compressor,” but in the case of the Empirical Labs Distressor EL8X-S, the answer is a resounding, “oh yes we do.” In fact, once you have a Distressor, the more relevant question is, “Do I need any other compressor other than the Distressor?” The answer, according to most high-profile engineers is that if you can only have one compressor, make sure it’s an Empirical Labs Distressor. Besides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound via its a custom-designed gain control circuit. Not only a highly versatile compressor, the Distressor is also a distortion generator, capable of producing the effects of tube and tape saturation. The Distressor is available in mono, the <a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8-Distressor-p/emp-el8.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">EL8</a>, or the modified <a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8X-Distressor-w-British-Mod-p/emp-el8x.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">EL8-X</a>, which offers two additional functions: British Mode, and Image Link.<br/><br/>\n<h3>Empirical Labs Distressor EL8X-S unique features:</h3>\n<ul>\n	<li>Interface and features found nowhere else </li>\n	<li>Classic knee sound with modern noise specs and improved performance </li>\n	<li>Programmable analog distortion/warmth: helpful in the pristine but unforgiving digital world. Three audio modes providing user programmable, warm harmonic distortion. Emphasized tube- like, 2nd harmonic in clean and Distort 2 mode. In Distort 3 mode, the distortion becomes dominated by 3rd harmonic, more similar to tape </li>\n	<li>Distortion indicator lights: A 1% LED and a \"Redline\" (3%) LED. No hard clipping until a few dB past \"Redline\" </li>\n	<li>Advanced built-in sidechain EQ: High mid band emphasis prevents harsh, edgy guitars or vocals from hurting innocent ears. Low cut keeps the low \"sum and difference\" frequencies from pumping the upper frequencies of source material</li>\n	<li>Combination of phase and image linking, which has never before been offered on any compressors or limiters </li>\n	<li>Foolproof operation: Even though there are 384 possible settings (not counting knob settings), it\'s almost impossible to get a bad sound. Keep all knobs on 5 or 6 (around middle) with ratio at 6:1 and you won\'t go wrong </li>\n	<li>Eight unique curves: From the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the \"Nuke\" setting—a brick wall limiting curve that shines on live drum room mics—each curve has its own personality, and release shape. Most exceptional is the 10:1 \"Opto\" ratio, which uses separate circuitry to emulate the oldest (and highly valued) \"light controlled\" devices, such as the LA-2A plus other historic compressors </li>\n	<li>Huge knobs with high-resolution numbering for easy readability and repeatable settings—they also go to 10-1/2 </li>\n	<li>Locked, calibrated, output level allows speed in setting tape and live mix levels </li>\n</ul>\n<br/>\n<h3>Empirical Labs Distressor EL8X-S key features:</h3>\n<ul>\n	<li>Over-designed power supplies - Runs cool, allowing cabinet to be sealed without heat vents</li>\n	<li>Long-life components </li>\n	<li>Single height and light weight - Classic sound in a small, extremely reliable package </li>\n	<li>True bypass - Know what it\'s really doing. All contacts doubled up for maximum reliability. No internal audio connectors </li>\n	<li>XLR and 1/4\" phone ins and outs - XLR fully balanced, transformerless design, pin 2 hot. Changeable by user to pin 3 hot! </li>\n	<li>All metal film and Roederstein resistors in the audio path, top quality components including military-spec parts </li>\n	<li>Stereo linkable </li>\n	<li>Switchable 115/230 volt operation; extra fuse provided inside unit</li>\n	<li>Discrete and integrated combination; the best of speed/linearity with repeatability</li>\n	<li>Hand-tested and selected components </li>\n	<li>Hand-wired and calibrated in USA </li>\n</ul>\n<br/>\n<a href=\"/v/distressor.html\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/virtual-el8x.jpg\"/></a>\n<div>\n	RSPE Audio Solutions’ \n	<a href=\"/v/distressor.html\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Virtual Distressor ELX-8 Compressor</a>, created in collaboration with designer David Derr, lets you mouse over the controls of the Empirical Labs Distressor ELX-8 and take it through its paces, from punchy open drums to “nuking the room,” for which the Distressor ELX-8 is famous.\n</div>\n<br/>\n<h3>INSIDE THE BOX — Empirical Labs Distressor EL8X-S Stereo Pair </h3>\nSince the Distressor is based on the oldest compressor topology, it can be made to sound very similar to older classics. The nonlinear nature of the older gain control elements of opto-couplers, FET\'s, pentode (or triode) tube bias or \"mu\" modulation, etc., can be closely emulated if proper settings are used. A special \"Opto\" mode has been provided in the 10:1 ratio.\n<br/><br/>\nAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting—a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.<br/><br/>\nAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors and limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters, one in the audio path, one in the detector path, are also available to help with low frequencies that can cause pumping and breathing.<br/><br/>\n<h3>The High-pass mode (HP)</h3>\nThe first mode cycled to after normal is HP (or High-pass). With the HP LED on, the unit rolls off low \"sub\" frequencies below 80Hz in the audio. It is a very smooth Bessel filter, about 3dB down at 65Hz and -12dB @ 30Hz. Its final slope is 18dB per octave, but is below all but the very exceptionally low vocal tones. Rolling \"subs\" off of a singer’s mic is an excellent use for this filter. This can also be selected along with either Dist 2 or Dist 3 modes.\n<br/><br/>\n<h3>Distressor British Mode</h3>\nThe original concept of the \"British Mode\" came from an unusual setting on the classic UREI 1176LN limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more \"over the top\", found that you could make all four buttons stay \"in\" if you pressed them just right. What resulted was a very, very aggressive sound that had some elements of the unit’s 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it a \"British Mode\" and the name stuck. It is also called \"all buttons in\" and some other intuitive names.\n<br/><br/>\nThe Distressor has the advantage of being able to apply this \"aggressive\" nature not only to the British ratio (1:1) but also to all the ratios since a separate switch is installed, which can be enabled with any ratio.<br/><br/>\n<h3>Distressor Stereo Link Option</h3>\nThe original Distressor stereo link implementation uses a summing and phase detection method, which allowed stereo image shifting. \"Image shifting\" occurs when the inter-channel balance (the relative volume between Left and Right channels) changes during compression. Although known for its phase correction, and its \"thickening\" on open room mics and other stereo sources, the original Distressor phase link approach has sometimes been a problem on stereo program material, where the producer/engineers want to maintain absolute left/right balance at all times. With the Stereo Image Link option, the Distressor user now has three link options; the original \"phase\" link, the Image Link, which maintains left/right balance, and the combination of the two, phase and image linking. This has never before been offered on any compressor or limiter. The Distressor EL8 is also available as a stereo pair, the Empirical Labs \n<a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8-S-Distressor-Stereo-Pair-p/emp-el8-s.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">EL8-S</a>.<br/><br/>\n<h3>OUTSIDE THE BOX — Empirical Labs Distressor EL8X-S Stereo Pair</h3>\nPerhaps the most distinctive feature of the Distressor’s front panel is the oversized knobs with high-resolution numbering for easy readability and repeatable settings—they also go to 10-1/2. The knobs control input, attack, release, and output. The Distressor also has a 16-segment horizontal gain-reduction meter, underneath which are LEDs that indicate ratio settings selected by a pushbutton. There are also pushbuttons for Audio and Detector modes and Bypass. The EL8-X also has toggle switches for British Mode and Stereo Link.\n<br/><br/>\n<h3>Distressor Distortion Modes</h3>\nBy using a design that allows pinpoint control of nonlinear analog devices, the Distressor is trimmed to produce three controllable distortion modes:\n<ol>\n	<li>Normal (Clean) No induced distortion THD hovering between .025 and .3%</li>\n	<li>Dist 2 THD hovering between 0.05 and 3% Emphasized 2nd Harmonic  </li>\n	<li>Dist 3 THD hovering between 0.1% and 20% 3rd Harmonic increased</li>\n</ol>\n<br/>\n<h3>Distressor Audio Modes:</h3>\nTo switch between the \"Audio\" modes, press the button labeled Audio. The LED\'s above the switch will cycle through 6 states. In order of occurrence:\n<ol>\n	<li>Norm - (No LED\'s lit) Low distortion and full frequency range</li>\n	<li>HP - High-pass (Green LED) Smoothly cuts low \"mud\" audio frequencies </li>\n	<li>Dist 2 - (Yellow LED) Emphasized 2nd harmonic distortion</li>\n	<li>Dist 2 & HP - Combination of 2 and 3 above</li>\n	<li>Dist 3 - (Red LED) 3rd harmonic emphasized</li>\n	<li>Dist 3 & HP - Combination of 2 and 5 above</li>\n</ol>\n<br/>\n<h3>Who’s using Empirical Labs:</h3>\n<blockquote>\n	“The most impressive and versatile compressor I have ever used” — Michael Brauer<br/><br/>\n	“Dear Empirical, I’m an LA based producer and an owner of a Distressor. The unit is really awesome! I\'ve used it on guitars, bass, room mics, vocals it works great on everything. I\'ve used it on records I\'ve made with Beck, U2, Etta James, Hole and lots of others.\" <em>— Joe Chicarelli</em><br/><br/>\n	\"One piece of gear I definitely recommend is a compressor called the Distressor. It\'s really great for just about everything and if you had to use just one compressor you could probably get away with just using that.\" <em>— Mitchell Froom</em><br/><br/>\n	“I sold a couple of 1176\'s and have replaced them with the Distressors, which do a great job of emulating the 1176\'s. <em>— Michael Wagener “(Ozzy Osbourne, Extreme, Metallica)</em><br/><br/>\n	“In general, I really like where Dave Derr’s ear leads him; one of pro audios truly independent thinkers, I’m a huge fan of the box (the Distressor): I use it for bringing up the “goosh” on ambient sources, and for saturating snares, toms, and kicks.”<em> — George Massenburg</em><br/><br/>\n	“A really good sounding vocal compressor—guitars, drums, everything.\nYou can’t have too many Distressors.”  \n	<em>- Tchad Blake, Tape Op Magazine </em><br/><br/>\n	“I have two of them (Distressor), but I should have six of them. I’m going to get some more.” <em>— David Kahne, Producer </em><br/><br/>\n	“It’s one of the most user-friendly, easy-to-read, best sounding compressors.\nI’ve had for ages. There’s nowhere I wouldn’t use it!” \n	<em>— Mike Keating, FOH Engineer-Sting Tour</em><br/><br/>\n	“ The Distressor would be the last piece of hardware many engineers would relinquish; you’d have to pry it from their cold, dead hands, as the saying goes” <em>— Pro Sound News</em><br/><br/>\n	“ The Distressor is the one thing that I know I can put on everything . . . anything . . . and it’ll sound better than ever.” <em>— Recording Magazine</em><br/><br/>\n	Every once in a while a product comes along with “classic” written all over it.\nAnd in a certain sense of the word, this product actually is a classic already.”\n	<em> — Barry Cleveland, MIX Magazine </em>\n</blockquote>\n<em></em><br/><br/>\n<h3>About Empirical Labs</h3>\nEmpirical Labs Inc. (ELI), designs and manufactures professional audio signal processing equipment used in recording studios, live sound, broadcast studios, and other audio production facilities all over the world. ELI also produces plug-ins for digital audio workstations (DAWS) and software for digital signal processors.\n<br/><br/>\nELI was started in 1988 and functioned mainly as a recording studio and electronic consulting firm. The founder, Dave Derr, was also employed at the time by Eventide as an audio engineer where he was part of the core design team for the H3000, H3500, and DSP4000. His experience at Eventide proved invaluable for his later work. While working alongside Ken Bogdanowicz and Bob Belcher (both now at Sound Toys), Dave was exposed to state of the art engineering and the modern world of digital signal processing (DSP).<br/><br/>\nThe first Empirical Labs product, the Distressor, was designed in 1994, tested and revised for several years, and released in 1996. With over twenty thousand units sold, it has unquestionably become a modern classic. In 1998, Empirical Labs closed the doors of the recording studio to focus on the growing signal processing business. <br/><br/>\nToday, all Empirical Labs products are still manufactured in the USA and rigorously calibrated and tested by hand. Empirical Labs takes great pride in the quality, workmanship and robustness of everything that leaves the factory. It’s important to ELI that their gear works as well years from now as it does the day you open it for the first time.<br/><br/>\nEmpirical Labs’ philosophy is extremely simple, but very hard to live up to: \"We want to make products that work a little easier, a little better, and a lot longer—and make sure they’re fun to use.\"<br/><br/>\n<h3>The sound and unique features of the Empirical Labs Distressor have made it a staple for audio engineers all over the world. For more information, call or chat with an RSPE representative today. </h3>'),(4280,75,1,714,'<h1>Empirical Labs Distressor EL8X-S — Compressor Stereo Pair with British Mode</h1>\n<span style=\"font-size:16px; font-style:italic;\">Digitally controlled, analog knee compressor that incorporates the sonic characteristics of classic compressors plus the aggressive all-buttons-in sound of the LN1176 limiter </span><br/><br/>\nIn an industry saturated with me-too products, you might justifiably ask, “Do we really need another compressor,” but in the case of the Empirical Labs Distressor EL8X-S, the answer is a resounding, “oh yes we do.” In fact, once you have a Distressor, the more relevant question is, “Do I need any other compressor other than the Distressor?” The answer, according to most high-profile engineers is that if you can only have one compressor, make sure it’s an Empirical Labs Distressor. Besides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound via its a custom-designed gain control circuit. Not only a highly versatile compressor, the Distressor is also a distortion generator, capable of producing the effects of tube and tape saturation. The Distressor is available in mono, the <a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8-Distressor-p/emp-el8.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">EL8</a>, or the modified <a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8X-Distressor-w-British-Mod-p/emp-el8x.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">EL8-X</a>, which offers two additional functions: British Mode, and Image Link.<br/><br/>\n<h3>Empirical Labs Distressor EL8X-S unique features:</h3>\n<ul>\n	<li>Interface and features found nowhere else </li>\n	<li>Classic knee sound with modern noise specs and improved performance </li>\n	<li>Programmable analog distortion/warmth: helpful in the pristine but unforgiving digital world. Three audio modes providing user programmable, warm harmonic distortion. Emphasized tube- like, 2nd harmonic in clean and Distort 2 mode. In Distort 3 mode, the distortion becomes dominated by 3rd harmonic, more similar to tape </li>\n	<li>Distortion indicator lights: A 1% LED and a \"Redline\" (3%) LED. No hard clipping until a few dB past \"Redline\" </li>\n	<li>Advanced built-in sidechain EQ: High mid band emphasis prevents harsh, edgy guitars or vocals from hurting innocent ears. Low cut keeps the low \"sum and difference\" frequencies from pumping the upper frequencies of source material</li>\n	<li>Combination of phase and image linking, which has never before been offered on any compressors or limiters </li>\n	<li>Foolproof operation: Even though there are 384 possible settings (not counting knob settings), it\'s almost impossible to get a bad sound. Keep all knobs on 5 or 6 (around middle) with ratio at 6:1 and you won\'t go wrong </li>\n	<li>Eight unique curves: From the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the \"Nuke\" setting—a brick wall limiting curve that shines on live drum room mics—each curve has its own personality, and release shape. Most exceptional is the 10:1 \"Opto\" ratio, which uses separate circuitry to emulate the oldest (and highly valued) \"light controlled\" devices, such as the LA-2A plus other historic compressors </li>\n	<li>Huge knobs with high-resolution numbering for easy readability and repeatable settings—they also go to 10-1/2 </li>\n	<li>Locked, calibrated, output level allows speed in setting tape and live mix levels </li>\n</ul>\n<br/>\n<h3>Empirical Labs Distressor EL8X-S key features:</h3>\n<ul>\n	<li>Over-designed power supplies - Runs cool, allowing cabinet to be sealed without heat vents</li>\n	<li>Long-life components </li>\n	<li>Single height and light weight - Classic sound in a small, extremely reliable package </li>\n	<li>True bypass - Know what it\'s really doing. All contacts doubled up for maximum reliability. No internal audio connectors </li>\n	<li>XLR and 1/4\" phone ins and outs - XLR fully balanced, transformerless design, pin 2 hot. Changeable by user to pin 3 hot! </li>\n	<li>All metal film and Roederstein resistors in the audio path, top quality components including military-spec parts </li>\n	<li>Stereo linkable </li>\n	<li>Switchable 115/230 volt operation; extra fuse provided inside unit</li>\n	<li>Discrete and integrated combination; the best of speed/linearity with repeatability</li>\n	<li>Hand-tested and selected components </li>\n	<li>Hand-wired and calibrated in USA </li>\n</ul>\n<br/>\n<a href=\"/v/distressor.html\" target=\"_blank\"><img src=\"/v/vspfiles/assets/images/virtual-el8x.jpg\"/></a>\n<div>\n	RSPE Audio Solutions’ \n	<a href=\"/v/distressor.html\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Virtual Distressor ELX-8 Compressor</a>, created in collaboration with designer David Derr, lets you mouse over the controls of the Empirical Labs Distressor ELX-8 and take it through its paces, from punchy open drums to “nuking the room,” for which the Distressor ELX-8 is famous.\n</div>\n<br/>\n<h3>INSIDE THE BOX — Empirical Labs Distressor EL8X-S Stereo Pair </h3>\nSince the Distressor is based on the oldest compressor topology, it can be made to sound very similar to older classics. The nonlinear nature of the older gain control elements of opto-couplers, FET\'s, pentode (or triode) tube bias or \"mu\" modulation, etc., can be closely emulated if proper settings are used. A special \"Opto\" mode has been provided in the 10:1 ratio.\n<br/><br/>\nAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting—a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.<br/><br/>\nAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors and limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters, one in the audio path, one in the detector path, are also available to help with low frequencies that can cause pumping and breathing.<br/><br/>\n<h3>The High-pass mode (HP)</h3>\nThe first mode cycled to after normal is HP (or High-pass). With the HP LED on, the unit rolls off low \"sub\" frequencies below 80Hz in the audio. It is a very smooth Bessel filter, about 3dB down at 65Hz and -12dB @ 30Hz. Its final slope is 18dB per octave, but is below all but the very exceptionally low vocal tones. Rolling \"subs\" off of a singer’s mic is an excellent use for this filter. This can also be selected along with either Dist 2 or Dist 3 modes.\n<br/><br/>\n<h3>Distressor British Mode</h3>\nThe original concept of the \"British Mode\" came from an unusual setting on the classic UREI 1176LN limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more \"over the top\", found that you could make all four buttons stay \"in\" if you pressed them just right. What resulted was a very, very aggressive sound that had some elements of the unit’s 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it a \"British Mode\" and the name stuck. It is also called \"all buttons in\" and some other intuitive names.\n<br/><br/>\nThe Distressor has the advantage of being able to apply this \"aggressive\" nature not only to the British ratio (1:1) but also to all the ratios since a separate switch is installed, which can be enabled with any ratio.<br/><br/>\n<h3>Distressor Stereo Link Option</h3>\nThe original Distressor stereo link implementation uses a summing and phase detection method, which allowed stereo image shifting. \"Image shifting\" occurs when the inter-channel balance (the relative volume between Left and Right channels) changes during compression. Although known for its phase correction, and its \"thickening\" on open room mics and other stereo sources, the original Distressor phase link approach has sometimes been a problem on stereo program material, where the producer/engineers want to maintain absolute left/right balance at all times. With the Stereo Image Link option, the Distressor user now has three link options; the original \"phase\" link, the Image Link, which maintains left/right balance, and the combination of the two, phase and image linking. This has never before been offered on any compressor or limiter. The Distressor EL8 is also available as a stereo pair, the Empirical Labs \n<a href=\"http://www.rspeaudio.com/Empirical-Labs-EL8-S-Distressor-Stereo-Pair-p/emp-el8-s.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">EL8-S</a>.<br/><br/>\n<h3>OUTSIDE THE BOX — Empirical Labs Distressor EL8X-S Stereo Pair</h3>\nPerhaps the most distinctive feature of the Distressor’s front panel is the oversized knobs with high-resolution numbering for easy readability and repeatable settings—they also go to 10-1/2. The knobs control input, attack, release, and output. The Distressor also has a 16-segment horizontal gain-reduction meter, underneath which are LEDs that indicate ratio settings selected by a pushbutton. There are also pushbuttons for Audio and Detector modes and Bypass. The EL8-X also has toggle switches for British Mode and Stereo Link.\n<br/><br/>\n<h3>Distressor Distortion Modes</h3>\nBy using a design that allows pinpoint control of nonlinear analog devices, the Distressor is trimmed to produce three controllable distortion modes:\n<ol>\n	<li>Normal (Clean) No induced distortion THD hovering between .025 and .3%</li>\n	<li>Dist 2 THD hovering between 0.05 and 3% Emphasized 2nd Harmonic  </li>\n	<li>Dist 3 THD hovering between 0.1% and 20% 3rd Harmonic increased</li>\n</ol>\n<br/>\n<h3>Distressor Audio Modes:</h3>\nTo switch between the \"Audio\" modes, press the button labeled Audio. The LED\'s above the switch will cycle through 6 states. In order of occurrence:\n<ol>\n	<li>Norm - (No LED\'s lit) Low distortion and full frequency range</li>\n	<li>HP - High-pass (Green LED) Smoothly cuts low \"mud\" audio frequencies </li>\n	<li>Dist 2 - (Yellow LED) Emphasized 2nd harmonic distortion</li>\n	<li>Dist 2 & HP - Combination of 2 and 3 above</li>\n	<li>Dist 3 - (Red LED) 3rd harmonic emphasized</li>\n	<li>Dist 3 & HP - Combination of 2 and 5 above</li>\n</ol>\n<br/>\n<h3>Who’s using Empirical Labs:</h3>\n<blockquote>\n	“The most impressive and versatile compressor I have ever used” — Michael Brauer<br/><br/>\n	“Dear Empirical, I’m an LA based producer and an owner of a Distressor. The unit is really awesome! I\'ve used it on guitars, bass, room mics, vocals it works great on everything. I\'ve used it on records I\'ve made with Beck, U2, Etta James, Hole and lots of others.\" <em>— Joe Chicarelli</em><br/><br/>\n	\"One piece of gear I definitely recommend is a compressor called the Distressor. It\'s really great for just about everything and if you had to use just one compressor you could probably get away with just using that.\" <em>— Mitchell Froom</em><br/><br/>\n	“I sold a couple of 1176\'s and have replaced them with the Distressors, which do a great job of emulating the 1176\'s. <em>— Michael Wagener “(Ozzy Osbourne, Extreme, Metallica)</em><br/><br/>\n	“In general, I really like where Dave Derr’s ear leads him; one of pro audios truly independent thinkers, I’m a huge fan of the box (the Distressor): I use it for bringing up the “goosh” on ambient sources, and for saturating snares, toms, and kicks.”<em> — George Massenburg</em><br/><br/>\n	“A really good sounding vocal compressor—guitars, drums, everything.\nYou can’t have too many Distressors.”  \n	<em>- Tchad Blake, Tape Op Magazine </em><br/><br/>\n	“I have two of them (Distressor), but I should have six of them. I’m going to get some more.” <em>— David Kahne, Producer </em><br/><br/>\n	“It’s one of the most user-friendly, easy-to-read, best sounding compressors.\nI’ve had for ages. There’s nowhere I wouldn’t use it!” \n	<em>— Mike Keating, FOH Engineer-Sting Tour</em><br/><br/>\n	“ The Distressor would be the last piece of hardware many engineers would relinquish; you’d have to pry it from their cold, dead hands, as the saying goes” <em>— Pro Sound News</em><br/><br/>\n	“ The Distressor is the one thing that I know I can put on everything . . . anything . . . and it’ll sound better than ever.” <em>— Recording Magazine</em><br/><br/>\n	Every once in a while a product comes along with “classic” written all over it.\nAnd in a certain sense of the word, this product actually is a classic already.”\n	<em> — Barry Cleveland, MIX Magazine </em>\n</blockquote>\n<em></em><br/><br/>\n<h3>About Empirical Labs</h3>\nEmpirical Labs Inc. (ELI), designs and manufactures professional audio signal processing equipment used in recording studios, live sound, broadcast studios, and other audio production facilities all over the world. ELI also produces plug-ins for digital audio workstations (DAWS) and software for digital signal processors.\n<br/><br/>\nELI was started in 1988 and functioned mainly as a recording studio and electronic consulting firm. The founder, Dave Derr, was also employed at the time by Eventide as an audio engineer where he was part of the core design team for the H3000, H3500, and DSP4000. His experience at Eventide proved invaluable for his later work. While working alongside Ken Bogdanowicz and Bob Belcher (both now at Sound Toys), Dave was exposed to state of the art engineering and the modern world of digital signal processing (DSP).<br/><br/>\nThe first Empirical Labs product, the Distressor, was designed in 1994, tested and revised for several years, and released in 1996. With over twenty thousand units sold, it has unquestionably become a modern classic. In 1998, Empirical Labs closed the doors of the recording studio to focus on the growing signal processing business. <br/><br/>\nToday, all Empirical Labs products are still manufactured in the USA and rigorously calibrated and tested by hand. Empirical Labs takes great pride in the quality, workmanship and robustness of everything that leaves the factory. It’s important to ELI that their gear works as well years from now as it does the day you open it for the first time.<br/><br/>\nEmpirical Labs’ philosophy is extremely simple, but very hard to live up to: \"We want to make products that work a little easier, a little better, and a lot longer—and make sure they’re fun to use.\"<br/><br/>\n<h3>The sound and unique features of the Empirical Labs Distressor have made it a staple for audio engineers all over the world. For more information, call or chat with an RSPE representative today. </h3>'),(4281,85,0,714,'Empirical Labs EL8X-S Distressor w/ British Mod and Image Link, Stereo Pair'),(4282,85,1,714,'Empirical Labs EL8X-S Distressor w/ British Mod and Image Link, Stereo Pair'),(4283,76,0,714,''),(4284,76,1,714,''),(4285,75,0,715,'<span id=\"product_description\" itemprop=\"description\">\n<h1>Empirical Labs EL9 Mike-E</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Mike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box<br /></span><br />Empirical Labs set out to build a microphone preamp, you can be sure it’ll deliver spectacular sound, be effortless to work, and will provide features unlike any other device in its class. To that end, we proudly present Mike-E, a high performance transformer-coupled mic preamp with a noise floor far below any microphone’s self noise, combined with a one-of-a-kind compressor/saturator circuit that delivers classic knee compression as well as versatile tonal ‘coloring’ that can replicate many of the best characteristics of vintage analog recording equipment. In today’s modern age of digital recorders, DAWs and software plug-ins,…and it couldn\'t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.<br /><br /><b>MIC PREAMP</b><br /><br />This is a super low noise transformer input amplifier section with the gain under precise digital control. The signal to noise far exceeds any microphone in existence. Having used many mic preamps over the years, we’ve implemented a unique stepped gain control that should be impervious to the normal flakiness that age causes to pots and detented switches.  A “Bad!” LED indicates when the input signal is overloading the circuit.<br /><br /><b>COMPSAT™</b><br /><br />The CompSat\'s unique circuitry sets the Mike-E apart from all other mic preamps.<br /><br />SATURATOR -  a multi stage soft-clipping circuit. At lower levels, a triode-type saturation affects the signal. As the level increases, a second unique clip circuit starts to more severely flatten out the peaks.<br /><br />COMPRESSOR - based on ELI’s world famous Distressor, but with other characteristics (including a much longer attack time).  Preset ratios include: 2:1, 4:1, 8:1…and, of course, Nuke.<br /><br />EMPHASIS - a two-stage circuit that boosts and soft clips high frequencies before the CompSat™ circuit, and then cuts the frequencies after it. Emphasis has the added perk of improving signal to noise, and is the reason analog tape decks used emphasis to begin with.<br /><br />MIX - provides “parallel compression” technique achieved by mixing between the compressed and the dry (or uncompressed) signal. This can often help maintain transients and a sense of dynamic range while enhancing the low level nuances.<br /><br />Other features include a front panel instrument input that allows the unit to function as an ultra-clean Direct Box and stereo-linking capabilities. Mike-E can also be combined with an EQ (such as the ELI Lil FrEQ), transforming it into one of the most powerful, flexible and complete channel strips on the market.<br /><br /></span><span id=\"product_description\" itemprop=\"description\"><span style=\"font-weight: bold;\">Features</span><br /><br />\n</span>\n<div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n	<ul>\n		<li>Six digitally controlled sections of analog processing</li>\n		<li>Frequency response - 3 Hz to 180 kHz on eq section (-3dB points).</li>\n		<li>Dynamic range - 120 dB from maximum output (.5%THD soft   clipping) to </li>\n		<li>minimum output.   Noise floor with Mix on 0 is typically   – 91dBu.</li>\n		<li>Distortion range - between .0006% and 10% at 1KHz, depending   on mode </li>\n		<li>and settings.</li>\n		<li>Maximum Input before hard clipping - +22dBm,  “ Line In” mode.   Maximum</li>\n		<li> Output (Mix at 0) - +28.5dBm</li>\n		<li>Compressor Dynamics Time Constants - Attack time is around 1mS.  Release</li>\n		<li> .2 sec, fixed internally. Stereo Linkable for stereo tracks.  With the </li>\n		<li>EL500 powered rack, the push of a button enables linking.</li>\n		<li>Input Impedance - 120k Ohm, Instrument In Mode, output impedance is less</li>\n		<li> than 75 ohms.  20K input impedance in balanced Line in mode.</li>\n		<li>Guitar adaptor cable included</li>\n	</ul>\n	<br /><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n	<br />\n</div>\n<span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today.\n</h3>\n</span></span></span></span></span></span>'),(4286,75,1,715,'<span id=\"product_description\" itemprop=\"description\">\n<h1>Empirical Labs EL9 Mike-E</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Mike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box<br /></span><br />Empirical Labs set out to build a microphone preamp, you can be sure it’ll deliver spectacular sound, be effortless to work, and will provide features unlike any other device in its class. To that end, we proudly present Mike-E, a high performance transformer-coupled mic preamp with a noise floor far below any microphone’s self noise, combined with a one-of-a-kind compressor/saturator circuit that delivers classic knee compression as well as versatile tonal ‘coloring’ that can replicate many of the best characteristics of vintage analog recording equipment. In today’s modern age of digital recorders, DAWs and software plug-ins,…and it couldn\'t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.<br /><br /><b>MIC PREAMP</b><br /><br />This is a super low noise transformer input amplifier section with the gain under precise digital control. The signal to noise far exceeds any microphone in existence. Having used many mic preamps over the years, we’ve implemented a unique stepped gain control that should be impervious to the normal flakiness that age causes to pots and detented switches.  A “Bad!” LED indicates when the input signal is overloading the circuit.<br /><br /><b>COMPSAT™</b><br /><br />The CompSat\'s unique circuitry sets the Mike-E apart from all other mic preamps.<br /><br />SATURATOR -  a multi stage soft-clipping circuit. At lower levels, a triode-type saturation affects the signal. As the level increases, a second unique clip circuit starts to more severely flatten out the peaks.<br /><br />COMPRESSOR - based on ELI’s world famous Distressor, but with other characteristics (including a much longer attack time).  Preset ratios include: 2:1, 4:1, 8:1…and, of course, Nuke.<br /><br />EMPHASIS - a two-stage circuit that boosts and soft clips high frequencies before the CompSat™ circuit, and then cuts the frequencies after it. Emphasis has the added perk of improving signal to noise, and is the reason analog tape decks used emphasis to begin with.<br /><br />MIX - provides “parallel compression” technique achieved by mixing between the compressed and the dry (or uncompressed) signal. This can often help maintain transients and a sense of dynamic range while enhancing the low level nuances.<br /><br />Other features include a front panel instrument input that allows the unit to function as an ultra-clean Direct Box and stereo-linking capabilities. Mike-E can also be combined with an EQ (such as the ELI Lil FrEQ), transforming it into one of the most powerful, flexible and complete channel strips on the market.<br /><br /></span><span id=\"product_description\" itemprop=\"description\"><span style=\"font-weight: bold;\">Features</span><br /><br />\n</span>\n<div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n	<ul>\n		<li>Six digitally controlled sections of analog processing</li>\n		<li>Frequency response - 3 Hz to 180 kHz on eq section (-3dB points).</li>\n		<li>Dynamic range - 120 dB from maximum output (.5%THD soft   clipping) to </li>\n		<li>minimum output.   Noise floor with Mix on 0 is typically   – 91dBu.</li>\n		<li>Distortion range - between .0006% and 10% at 1KHz, depending   on mode </li>\n		<li>and settings.</li>\n		<li>Maximum Input before hard clipping - +22dBm,  “ Line In” mode.   Maximum</li>\n		<li> Output (Mix at 0) - +28.5dBm</li>\n		<li>Compressor Dynamics Time Constants - Attack time is around 1mS.  Release</li>\n		<li> .2 sec, fixed internally. Stereo Linkable for stereo tracks.  With the </li>\n		<li>EL500 powered rack, the push of a button enables linking.</li>\n		<li>Input Impedance - 120k Ohm, Instrument In Mode, output impedance is less</li>\n		<li> than 75 ohms.  20K input impedance in balanced Line in mode.</li>\n		<li>Guitar adaptor cable included</li>\n	</ul>\n	<br /><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n	<br />\n</div>\n<span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today.\n</h3>\n</span></span></span></span></span></span>'),(4287,85,0,715,'Empirical Labs EL9 Mike-E'),(4288,85,1,715,'Empirical Labs EL9 Mike-E'),(4289,76,0,715,''),(4290,76,1,715,''),(4291,75,0,716,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs ELDS-H DerrEsser</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The first entry by ELI into the 500 series format, the DerrEsser is a multi function dynamic filtering device. </span></span><br /><br />The Empirical Labs ELDS-H DerrEsser is available in vertical or horizontal versions.  A perfect fit for our EL500 powered rack. In its basic “DS” mode, it is an effective, level insensitive “de-esser” - a device that will adjust the high frequency gain on overly trebly or spiky vocals or other sources in an extremely musical manner.  However, unlike other de-essers, the device allows for multiple use of its powerful circuitry.\n<br /><br /><b>\nDS MODE -</b> (Bypass Button IN, all other buttons OUT). As a de-esser in the DS mode (HF Limit OFF),  the threshold can be set to tame harsh S’s (sibilants) that result from an overly bright singer or from EQ’ing to make a vocal sound aggressive and clear.  The DS threshold is not level dependant, and compares the amount of high frequency content to the low frequency content, so adjusting the overall level does NOT affect the threshold.  Easy to set and forget. Great care was taken to ensure this DS section meets the Empirical Labs reputation for originality and ease of use. We use the latest technology VCA, specially selected for glitch free, distortion free, and noise free performance. The time constants were carefully selected and the corner frequency is user adjustable with a high performance active crossover.\n<br /><br /><b>\nHF LIMIT -</b> (Bypass Button IN, HF LIM IN, all other buttons OUT). In this mode, the DerrEsser essentially acts as a high frequency compressor. If there is enough high frequency content to exceed the threshold, then gain reduction occurs. It IS level sensitive, but responds much more to high frequencies. This mode is more of a general high frequency smoothing device, and is probably the first carefully tailored soft knee HF limiter in existence.\n<br /><br /><b>\nHIGHPASS -</b> (Bypass Button IN, Listen IN, HP/LP OUT, HF LIM doesn’t matter). By using the “LISTEN” Function, the user can employ the superb filter circuitry inside the DerrEsser to process their audio. With the LISTEN button IN, and the HP/LP switch OUT, the user will be hearing the high frequencies that are being controlled with the dynamic/compression circuits. The corner frequency is adjustable by the Frequency knob.\n<br /><br /><b>\nLOWPASS -</b> (Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn’t matter). With the LISTEN button IN, and the HP/LP button IN, the user is now listening to the low frequencies, those not affected by the VCA and dynamic/compression circuits. This is a 12 dB per octave filter whose corner frequency can again be adjusted by the Frequency knob.\n<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit.  On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them.  Also, only XLR ins and outs were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart of the unit is a super quiet power supply - over 30 dB quieter than some supplies we’ve seen - that will ensure optimal performance from any compatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system. \n<br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers.  Switches to link compressors and engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.\n<br /><br />\n<div><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" /><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3><p></p></div>'),(4292,75,1,716,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs ELDS-H DerrEsser</h2>\n<span style=\"font-size: 16px; font-style: italic;\">The first entry by ELI into the 500 series format, the DerrEsser is a multi function dynamic filtering device. </span></span><br /><br />The Empirical Labs ELDS-H DerrEsser is available in vertical or horizontal versions.  A perfect fit for our EL500 powered rack. In its basic “DS” mode, it is an effective, level insensitive “de-esser” - a device that will adjust the high frequency gain on overly trebly or spiky vocals or other sources in an extremely musical manner.  However, unlike other de-essers, the device allows for multiple use of its powerful circuitry.\n<br /><br /><b>\nDS MODE -</b> (Bypass Button IN, all other buttons OUT). As a de-esser in the DS mode (HF Limit OFF),  the threshold can be set to tame harsh S’s (sibilants) that result from an overly bright singer or from EQ’ing to make a vocal sound aggressive and clear.  The DS threshold is not level dependant, and compares the amount of high frequency content to the low frequency content, so adjusting the overall level does NOT affect the threshold.  Easy to set and forget. Great care was taken to ensure this DS section meets the Empirical Labs reputation for originality and ease of use. We use the latest technology VCA, specially selected for glitch free, distortion free, and noise free performance. The time constants were carefully selected and the corner frequency is user adjustable with a high performance active crossover.\n<br /><br /><b>\nHF LIMIT -</b> (Bypass Button IN, HF LIM IN, all other buttons OUT). In this mode, the DerrEsser essentially acts as a high frequency compressor. If there is enough high frequency content to exceed the threshold, then gain reduction occurs. It IS level sensitive, but responds much more to high frequencies. This mode is more of a general high frequency smoothing device, and is probably the first carefully tailored soft knee HF limiter in existence.\n<br /><br /><b>\nHIGHPASS -</b> (Bypass Button IN, Listen IN, HP/LP OUT, HF LIM doesn’t matter). By using the “LISTEN” Function, the user can employ the superb filter circuitry inside the DerrEsser to process their audio. With the LISTEN button IN, and the HP/LP switch OUT, the user will be hearing the high frequencies that are being controlled with the dynamic/compression circuits. The corner frequency is adjustable by the Frequency knob.\n<br /><br /><b>\nLOWPASS -</b> (Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn’t matter). With the LISTEN button IN, and the HP/LP button IN, the user is now listening to the low frequencies, those not affected by the VCA and dynamic/compression circuits. This is a 12 dB per octave filter whose corner frequency can again be adjusted by the Frequency knob.\n<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit.  On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them.  Also, only XLR ins and outs were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart of the unit is a super quiet power supply - over 30 dB quieter than some supplies we’ve seen - that will ensure optimal performance from any compatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system. \n<br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers.  Switches to link compressors and engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.\n<br /><br />\n<div><div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" /><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3><p></p></div>'),(4293,85,0,716,'Empirical Labs ELDS-H DerrEsser'),(4294,85,1,716,'Empirical Labs ELDS-H DerrEsser'),(4295,76,0,716,''),(4296,76,1,716,''),(4297,75,0,717,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs ELDS-V DerrEsser</h2></span><p><span id=\"product_description\" itemprop=\"description\">\n<i><span style=\"font-size: 16px;\">The Empirical Labs ELDS-V DerrEsser is </span></i></span><i>unlike other de-essers, the device allows for multiple use of its \npowerful circuitry.\n</i><br /><br />The Empirical Labs ELDS-V DerrEsser is the first entry by ELI into the 500 series format, the DerrEsser is a \nmulti function dynamic filtering device. Available in vertical or \nhorizontal versions.  A perfect fit for our EL500 powered rack. In its \nbasic “DS” mode, it is an effective, level insensitive “de-esser” - a \ndevice that will adjust the high frequency gain on overly trebly or \nspiky vocals or other sources in an extremely musical manner.  However, \n<br /><br /><b>\nDS MODE -</b> (Bypass Button IN, all other buttons OUT). As a de-esser \nin the DS mode (HF Limit OFF),  the threshold can be set to tame harsh \nS’s (sibilants) that result from an overly bright singer or from EQ’ing \nto make a vocal sound aggressive and clear.  The DS threshold is not \nlevel dependant, and compares the amount of high frequency content to \nthe low frequency content, so adjusting the overall level does NOT \naffect the threshold.  Easy to set and forget. Great care was taken to \nensure this DS section meets the Empirical Labs reputation for \noriginality and ease of use. We use the latest technology VCA, specially\n selected for glitch free, distortion free, and noise free performance. \nThe time constants were carefully selected and the corner frequency is \nuser adjustable with a high performance active crossover.\n<br /><br /><b>\nHF LIMIT -</b> (Bypass Button IN, HF LIM IN, all other buttons OUT). In \nthis mode, the DerrEsser essentially acts as a high frequency \ncompressor. If there is enough high frequency content to exceed the \nthreshold, then gain reduction occurs. It IS level sensitive, but \nresponds much more to high frequencies. This mode is more of a general \nhigh frequency smoothing device, and is probably the first carefully \ntailored soft knee HF limiter in existence.\n<br /><br /><b>\nHIGHPASS -</b> (Bypass Button IN, Listen IN, HP/LP OUT, HF LIM doesn’t \nmatter). By using the “LISTEN” Function, the user can employ the superb \nfilter circuitry inside the DerrEsser to process their audio. With the \nLISTEN button IN, and the HP/LP switch OUT, the user will be hearing the\n high frequencies that are being controlled with the dynamic/compression\n circuits. The corner frequency is adjustable by the Frequency knob.\n<br /><br /><b>\nLOWPASS </b>- (Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn’t \nmatter). With the LISTEN button IN, and the HP/LP button IN, the user is\n now listening to the low frequencies, those not affected by the VCA and\n dynamic/compression circuits. This is a 12 dB per octave filter whose \ncorner frequency can again be adjusted by the Frequency knob.\n<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their\n smaller physical size let you get a lot of performance out of a smaller\n space, they tend to cost less than their larger counterparts, and – the\n best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making our own 500 series products, we looked at the \npower supplies on the market and couldn’t help but notice a need for a \nbetter single height dual module rack unit.  On other single height rack\n units, the modules protrude from the front panel, and don’t look sturdy\n or attractive. Power supplies were often noisy, frequently reducing the\n performance of any module mounted in them.  Also, only XLR ins and outs\n were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart \nof the unit is a super quiet power supply - over 30 dB quieter than some\n supplies we’ve seen - that will ensure optimal performance from any \ncompatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a\n much more professional look and feel. The EL500 offers both XLR and \nphone rear panel inputs and outputs to allow it to interface perfectly \nwith any system. \n<br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the \nfront panel, which will automatically switch the left 500 module’s input\n to this front phone jack once something is plugged into it – a feature \nwe’re sure will prove to be extremely useful. In fact, it has become the\n first call bass DI for many engineers.  Switches to link compressors \nand engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re \nsomething you’re thinking about adding to your arsenal, the EL500 rack \nwill make any 500 series compatible module perform ideally and interface\n effortlessly into just about any audio application.\n<br /><inline style=\"font-size: 20px;\"><br /></inline><span id=\"product_description\" itemprop=\"description\"></span></p><h2><inline style=\"font-size: 20px;\">Empirical Labs ELDS-V DerrEsser Key Features:</inline></h2><p></p><ul><li>Freq. Response is 3 Hz to 120 kHz (-3dB points).</li><li>Dynamic\n Range - 115 dB from maximum output (.5%THD soft clipping) to minimum \noutput. Transformerless noise floor typically – 93dBu.</li><li>Distortion Ranges between .0035% and .01% depending on mode and settings.</li><li>DC coupled Input and Outputs</li><li>High quality audio caps used internally.</li><li>Input Balanced, Output single ended but with balanced impedance.  Pin 2 hot</li><li>Input Impedance is 20k Ohm. Output impedance is less than 51 ohms.</li><li>D-S Dynamics Time Constants - Attack time is less than 1mS. Release .04 sec, fixed internally.</li><li>Power Consumption – 8 Watts max. 4 Watts Typical</li></ul><div><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              </div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" /><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3>'),(4298,75,1,717,'<span id=\"product_description\" itemprop=\"description\"><h2>Empirical Labs ELDS-V DerrEsser</h2></span><p><span id=\"product_description\" itemprop=\"description\">\n<i><span style=\"font-size: 16px;\">The Empirical Labs ELDS-V DerrEsser is </span></i></span><i>unlike other de-essers, the device allows for multiple use of its \npowerful circuitry.\n</i><br /><br />The Empirical Labs ELDS-V DerrEsser is the first entry by ELI into the 500 series format, the DerrEsser is a \nmulti function dynamic filtering device. Available in vertical or \nhorizontal versions.  A perfect fit for our EL500 powered rack. In its \nbasic “DS” mode, it is an effective, level insensitive “de-esser” - a \ndevice that will adjust the high frequency gain on overly trebly or \nspiky vocals or other sources in an extremely musical manner.  However, \n<br /><br /><b>\nDS MODE -</b> (Bypass Button IN, all other buttons OUT). As a de-esser \nin the DS mode (HF Limit OFF),  the threshold can be set to tame harsh \nS’s (sibilants) that result from an overly bright singer or from EQ’ing \nto make a vocal sound aggressive and clear.  The DS threshold is not \nlevel dependant, and compares the amount of high frequency content to \nthe low frequency content, so adjusting the overall level does NOT \naffect the threshold.  Easy to set and forget. Great care was taken to \nensure this DS section meets the Empirical Labs reputation for \noriginality and ease of use. We use the latest technology VCA, specially\n selected for glitch free, distortion free, and noise free performance. \nThe time constants were carefully selected and the corner frequency is \nuser adjustable with a high performance active crossover.\n<br /><br /><b>\nHF LIMIT -</b> (Bypass Button IN, HF LIM IN, all other buttons OUT). In \nthis mode, the DerrEsser essentially acts as a high frequency \ncompressor. If there is enough high frequency content to exceed the \nthreshold, then gain reduction occurs. It IS level sensitive, but \nresponds much more to high frequencies. This mode is more of a general \nhigh frequency smoothing device, and is probably the first carefully \ntailored soft knee HF limiter in existence.\n<br /><br /><b>\nHIGHPASS -</b> (Bypass Button IN, Listen IN, HP/LP OUT, HF LIM doesn’t \nmatter). By using the “LISTEN” Function, the user can employ the superb \nfilter circuitry inside the DerrEsser to process their audio. With the \nLISTEN button IN, and the HP/LP switch OUT, the user will be hearing the\n high frequencies that are being controlled with the dynamic/compression\n circuits. The corner frequency is adjustable by the Frequency knob.\n<br /><br /><b>\nLOWPASS </b>- (Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn’t \nmatter). With the LISTEN button IN, and the HP/LP button IN, the user is\n now listening to the low frequencies, those not affected by the VCA and\n dynamic/compression circuits. This is a 12 dB per octave filter whose \ncorner frequency can again be adjusted by the Frequency knob.\n<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their\n smaller physical size let you get a lot of performance out of a smaller\n space, they tend to cost less than their larger counterparts, and – the\n best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making our own 500 series products, we looked at the \npower supplies on the market and couldn’t help but notice a need for a \nbetter single height dual module rack unit.  On other single height rack\n units, the modules protrude from the front panel, and don’t look sturdy\n or attractive. Power supplies were often noisy, frequently reducing the\n performance of any module mounted in them.  Also, only XLR ins and outs\n were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart \nof the unit is a super quiet power supply - over 30 dB quieter than some\n supplies we’ve seen - that will ensure optimal performance from any \ncompatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a\n much more professional look and feel. The EL500 offers both XLR and \nphone rear panel inputs and outputs to allow it to interface perfectly \nwith any system. \n<br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the \nfront panel, which will automatically switch the left 500 module’s input\n to this front phone jack once something is plugged into it – a feature \nwe’re sure will prove to be extremely useful. In fact, it has become the\n first call bass DI for many engineers.  Switches to link compressors \nand engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re \nsomething you’re thinking about adding to your arsenal, the EL500 rack \nwill make any 500 series compatible module perform ideally and interface\n effortlessly into just about any audio application.\n<br /><inline style=\"font-size: 20px;\"><br /></inline><span id=\"product_description\" itemprop=\"description\"></span></p><h2><inline style=\"font-size: 20px;\">Empirical Labs ELDS-V DerrEsser Key Features:</inline></h2><p></p><ul><li>Freq. Response is 3 Hz to 120 kHz (-3dB points).</li><li>Dynamic\n Range - 115 dB from maximum output (.5%THD soft clipping) to minimum \noutput. Transformerless noise floor typically – 93dBu.</li><li>Distortion Ranges between .0035% and .01% depending on mode and settings.</li><li>DC coupled Input and Outputs</li><li>High quality audio caps used internally.</li><li>Input Balanced, Output single ended but with balanced impedance.  Pin 2 hot</li><li>Input Impedance is 20k Ohm. Output impedance is less than 51 ohms.</li><li>D-S Dynamics Time Constants - Attack time is less than 1mS. Release .04 sec, fixed internally.</li><li>Power Consumption – 8 Watts max. 4 Watts Typical</li></ul><div><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              </div><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" /><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a></div><p>Don’t forget to check out <a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.</p><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today. </h3>'),(4299,85,0,717,'Empirical Labs ELDS-V DerrEsser'),(4300,85,1,717,'Empirical Labs ELDS-V DerrEsser'),(4301,76,0,717,''),(4302,76,1,717,''),(4303,75,0,718,'<h1>Empirical Labs ELQ Lil FrEQ</h1>The Empirical Labs Lil FrEQ is a modern digitally controlled analog EQ offering unprecedented performance, and control over equalization. In a single height unit, Empirical Labs offers seven frequency shaping controls and one dynamic section… and every frequency is covered in at least two sections. <br /><br />\n<h3>Eight Sections of Processing</h3>\n<div>\n	There are eight sections of processing – what other EQ offers that? Even better – in addition to a master bypass, each of the Lil FrEQ’s sections features its own dedicated bypass switch, letting you instantly A/B the effect of each section as you adjust and fine-tune them.\n	<br /><br /><b></b><span style=\"background-color: initial;\"><b>HIGH PASS – </b>The High Pass section is a really easy to use sharp filter that cuts all content below one of eight preset frequencies from 30-330 Hz. This filter is very steep and has a special shape that prevents frequencies from thinning out just above the cutoff point. The corner frequency is selected using up/down buttons, and indicated by LEDs that glow softly when the section is bypassed, and brightly when the section is engaged.<br /><br /><b></b></span><span style=\"background-color: initial;\"><b>HIGH & LOW SHELVING – </b>These two knobs function similarly to the familiar “bass and treble” tone controls found on many consumer audio playback systems; however, these are designed to a much higher performance standard, providing exceptionally smooth and musical boost and cut on the high and low frequencies.<br /><br /><b></b></span><span style=\"background-color: initial;\"><b>PARAMETRIC EQ –</b> The Lil FrEQ has four sections of fully parametric EQ (LF, Lo Mid, Hi Mid and HF), with each section featuring individual gain, bandwidth (Q) and frequency controls.  It may be the cleanest parametric EQ section ever produced, operating below .0007% THD (Total Harmonic Distortion) even at extremely high audio levels. Try finding those specs anywhere else!<br /><br /><b></b></span><span style=\"background-color: initial;\"><b>DS (DYNAMIC EQ) –</b> The DS section provides the highest performance, easiest to use, and possibly most natural sounding “De-esser” ever built.  This powerful tool combines tunable filters with a compressor-like circuit that can help contain and control excessive high frequency content such as sibilants or other sharp transients, especially in the absence of other lower frequency content.  It can also function as a one of a kind soft knee High Frequency limiter, which is one of the main things responsible for the Lil FrEQ becoming the go-to vocal EQ for engineers everywhere.  It has been used on many acclaimed albums and major live performances all over the world, becoming the “go to” EQ for key tracks like lead vocals, snares, and bass.  There are now dozens of hit record vocals that were processed thru the Lil FrEQ.<br /><br /></span>\n</div>\n<h3>Lil FrEQ Features</h3><ul><li> Possibly the most powerful Analog EQ ever produced. Eight sections of processing!</li><li>Two shelving Equalizers, Special 3rd order HP (Low Cut) section with 8 selectable <span style=\"background-color: initial;\">Frequencies, 4 Fully Parametric bands, and one Dynamic Equalizer section.</span></li><li>Dynamic Section that can be used for De-essing and high frequency softening.</li><li>Movable Dynamic Section. For instance, De-essing can be before or after EQ.</li><li>Highest audio performance of any Parametric EQ ever available. The total harmonic <span style=\"background-color: initial;\">distortion is typically below .0006% with all EQ bands Engaged! (See spes below). </span><span style=\"background-color: initial;\">Empirical Labs had to buy a new analyzer to even measure the distortion.</span></li><li>Performance exceeds any digital EQ in terms of Distortion and Noise. There is no <span style=\"background-color: initial;\">Analog to Digital Converter that can currently produce such low distortion and noise.</span></li><li>Built in Instrument Preamp/Direct box – Just plug a guitar or bass etc into the front panel and <span style=\"background-color: initial;\">engage the instrument Switch, and you have the highest performance direct box currently </span><span style=\"background-color: initial;\">available. Distortion is below .0007% on the Instrument Preamp, 114dB dynamic range.</span></li><li>Three Outputs, including a Class A transformer output to give you an isolated output <span style=\"background-color: initial;\">with the wonderful soft saturation and beefy low end that you get from your favorite </span><span style=\"background-color: initial;\">vintage gear.</span></li><li>Traditional and digitally controlled analog combined in new topology.</li><li>Huge \"DISTRESSOR\" knobs with high resolution numbering - For easy readability and <span style=\"background-color: initial;\">repeatable settings. They also go to 10 1/2 .</span></li><li>A “BAD!” Hard Clip Indicator lights – A “Bad” Clip LED that lets user know he is within 1dB of <span style=\"background-color: initial;\">hard clipping. It monitors every section of the EQ for internal clipping.</span></li><li>Locked, calibrated, output level - Allows speed in setting tape and live mix levels.</li><li>Foolproof operation - it\'s almost impossible to clip or get a bad sound.</li><li>Single height and light weight – More processing than any other single height analog EQ.</li><li>Discrete and integrated combination -The best of speed/linearity with repeatability. Hand <span style=\"background-color: initial;\">tested & selected components. All metal film and Roederstein resistors in the audio path - top </span><span style=\"background-color: initial;\">quality components, most being high temperature military spec parts.</span></li><li>Switchable 115/230 volt operation - Extra fuse provided inside unit.</li><li>True EQ bypass - Know what it\'s really doing.</li><li>XLR and 1/4\" phone ins and outs - XLR fully balanced design, pin 2 hot. Changeable by user <span style=\"background-color: initial;\">to pin 3 hot!</span></li><li>No internal connectors, high reliability parts and military grade switches and relays. All <span style=\"background-color: initial;\">contacts doubled up for maximum reliability.</span></li><li>Three year unlimited warranty.</li><li>Interface and features found nowhere else.</li><li>Hand wired, calibrated in USA. Shipping weight 14 Lbs.</li></ul>'),(4304,75,1,718,'<h1>Empirical Labs ELQ Lil FrEQ</h1>The Empirical Labs Lil FrEQ is a modern digitally controlled analog EQ offering unprecedented performance, and control over equalization. In a single height unit, Empirical Labs offers seven frequency shaping controls and one dynamic section… and every frequency is covered in at least two sections. <br /><br />\n<h3>Eight Sections of Processing</h3>\n<div>\n	There are eight sections of processing – what other EQ offers that? Even better – in addition to a master bypass, each of the Lil FrEQ’s sections features its own dedicated bypass switch, letting you instantly A/B the effect of each section as you adjust and fine-tune them.\n	<br /><br /><b></b><span style=\"background-color: initial;\"><b>HIGH PASS – </b>The High Pass section is a really easy to use sharp filter that cuts all content below one of eight preset frequencies from 30-330 Hz. This filter is very steep and has a special shape that prevents frequencies from thinning out just above the cutoff point. The corner frequency is selected using up/down buttons, and indicated by LEDs that glow softly when the section is bypassed, and brightly when the section is engaged.<br /><br /><b></b></span><span style=\"background-color: initial;\"><b>HIGH & LOW SHELVING – </b>These two knobs function similarly to the familiar “bass and treble” tone controls found on many consumer audio playback systems; however, these are designed to a much higher performance standard, providing exceptionally smooth and musical boost and cut on the high and low frequencies.<br /><br /><b></b></span><span style=\"background-color: initial;\"><b>PARAMETRIC EQ –</b> The Lil FrEQ has four sections of fully parametric EQ (LF, Lo Mid, Hi Mid and HF), with each section featuring individual gain, bandwidth (Q) and frequency controls.  It may be the cleanest parametric EQ section ever produced, operating below .0007% THD (Total Harmonic Distortion) even at extremely high audio levels. Try finding those specs anywhere else!<br /><br /><b></b></span><span style=\"background-color: initial;\"><b>DS (DYNAMIC EQ) –</b> The DS section provides the highest performance, easiest to use, and possibly most natural sounding “De-esser” ever built.  This powerful tool combines tunable filters with a compressor-like circuit that can help contain and control excessive high frequency content such as sibilants or other sharp transients, especially in the absence of other lower frequency content.  It can also function as a one of a kind soft knee High Frequency limiter, which is one of the main things responsible for the Lil FrEQ becoming the go-to vocal EQ for engineers everywhere.  It has been used on many acclaimed albums and major live performances all over the world, becoming the “go to” EQ for key tracks like lead vocals, snares, and bass.  There are now dozens of hit record vocals that were processed thru the Lil FrEQ.<br /><br /></span>\n</div>\n<h3>Lil FrEQ Features</h3><ul><li> Possibly the most powerful Analog EQ ever produced. Eight sections of processing!</li><li>Two shelving Equalizers, Special 3rd order HP (Low Cut) section with 8 selectable <span style=\"background-color: initial;\">Frequencies, 4 Fully Parametric bands, and one Dynamic Equalizer section.</span></li><li>Dynamic Section that can be used for De-essing and high frequency softening.</li><li>Movable Dynamic Section. For instance, De-essing can be before or after EQ.</li><li>Highest audio performance of any Parametric EQ ever available. The total harmonic <span style=\"background-color: initial;\">distortion is typically below .0006% with all EQ bands Engaged! (See spes below). </span><span style=\"background-color: initial;\">Empirical Labs had to buy a new analyzer to even measure the distortion.</span></li><li>Performance exceeds any digital EQ in terms of Distortion and Noise. There is no <span style=\"background-color: initial;\">Analog to Digital Converter that can currently produce such low distortion and noise.</span></li><li>Built in Instrument Preamp/Direct box – Just plug a guitar or bass etc into the front panel and <span style=\"background-color: initial;\">engage the instrument Switch, and you have the highest performance direct box currently </span><span style=\"background-color: initial;\">available. Distortion is below .0007% on the Instrument Preamp, 114dB dynamic range.</span></li><li>Three Outputs, including a Class A transformer output to give you an isolated output <span style=\"background-color: initial;\">with the wonderful soft saturation and beefy low end that you get from your favorite </span><span style=\"background-color: initial;\">vintage gear.</span></li><li>Traditional and digitally controlled analog combined in new topology.</li><li>Huge \"DISTRESSOR\" knobs with high resolution numbering - For easy readability and <span style=\"background-color: initial;\">repeatable settings. They also go to 10 1/2 .</span></li><li>A “BAD!” Hard Clip Indicator lights – A “Bad” Clip LED that lets user know he is within 1dB of <span style=\"background-color: initial;\">hard clipping. It monitors every section of the EQ for internal clipping.</span></li><li>Locked, calibrated, output level - Allows speed in setting tape and live mix levels.</li><li>Foolproof operation - it\'s almost impossible to clip or get a bad sound.</li><li>Single height and light weight – More processing than any other single height analog EQ.</li><li>Discrete and integrated combination -The best of speed/linearity with repeatability. Hand <span style=\"background-color: initial;\">tested & selected components. All metal film and Roederstein resistors in the audio path - top </span><span style=\"background-color: initial;\">quality components, most being high temperature military spec parts.</span></li><li>Switchable 115/230 volt operation - Extra fuse provided inside unit.</li><li>True EQ bypass - Know what it\'s really doing.</li><li>XLR and 1/4\" phone ins and outs - XLR fully balanced design, pin 2 hot. Changeable by user <span style=\"background-color: initial;\">to pin 3 hot!</span></li><li>No internal connectors, high reliability parts and military grade switches and relays. All <span style=\"background-color: initial;\">contacts doubled up for maximum reliability.</span></li><li>Three year unlimited warranty.</li><li>Interface and features found nowhere else.</li><li>Hand wired, calibrated in USA. Shipping weight 14 Lbs.</li></ul>'),(4305,85,0,718,'Empirical Labs ELQ Lil FrEQ'),(4306,85,1,718,'Empirical Labs ELQ Lil FrEQ'),(4307,76,0,718,''),(4308,76,1,718,''),(4309,75,0,719,'<img class=\"spacer\" src=\"https://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" />\n                 \n                  \n                     \n                      \n              \n                            <span id=\"product_description\" itemprop=\"description\">\n<h2>Empirical Labs RX Duo - 2 El/Rx-H DocDerrs installed in EL500 Rack</h2>\n<span style=\"font-size: 16px; font-style: italic;\">RX Duo - 2 El/Rx-H DocDerrs is Empirical Labs\' first compressor in the API 500 format.<br /></span><br />The DocDerr is a 500 series multi-purpose tone enhancement module that houses six different sections of digitally controlled analog processing. With over two years of meticulous development and testing behind it, the DocDerr provides an unprecedented combination of power and musicality in a compact, easy to use format. <br /><br />An extremely low-noise preamp capable of working with line level or instrument level signals, is followed by four sections of EQ combining a two position high pass filter with three parametric bands, each with its own set of carefully tuned frequency presets. An internal jumper can turn the DocDerr into an unparralled instrument preamp with 16dB of gain, ideal for acoustic guitar, bass, synths, exotic plucked instruments, etc.<br /><br />The versatile EQ is followed by a unique dynamics section which offers renowned Empirical Labs compression at an unprecedented price, and an extremely musical tape emulation circuit that softens and tames high frequencies and transient spikes. One of the pivotal features of the DocDerr is the “Mix” knob which allows the user to blend the uncompressed EQ’s signal with the compressed and saturated signal. This parallel compression technique, used by top recording and mixing engineers for many years unlocks a whole world of sonic possibilities.<br /><br />Like all ELI 500 series modules, the EL-Rx is available with either horizontal or vertically oriented front panel configurations, and is “Linkable” for using our famous compression on stereo sources.<br /><br />The DocDerr is ideal for tracking, for fine-tuning tracks during mixing, or as a killer solution for the gigging \"acoustic\" musician in search of studio quality tone control. It is indeed a Tone Doctor…err… DocDerr.<br /><br />As far as value, it’s hard to beat 500 Series compatible modules. Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.<br /><br />When ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit. On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them. Also, only XLR ins and outs were provided to the user, limiting the device’s applications.<br /><br />The Empirical Labs EL500 rack eliminates these obstacles. At the heart of the unit is a super quiet power supply - over 30 dB quieter than some supplies we\'ve seen - that will ensure optimal performance from any compatible device.<br /><br />All 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system.<br /><br />In addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers. Switches to link compressors and engage a 48V phantom supply are also provided.<br /><br />Whether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.<br /><br /></span><span id=\"product_description\" itemprop=\"description\"><span style=\"font-weight: bold;\">Features</span><br /><br />\n</span><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              <ul><li>Six digitally controlled sections of analog processing</li><li>Frequency response - 3 Hz to 180 kHz on eq section (-3dB points).</li><li>Dynamic range - 120 dB from maximum output (.5%THD soft   clipping) to </li><li>minimum output.   Noise floor with Mix on 0 is typically   – 91dBu.</li><li>Distortion range - between .0006% and 10% at 1KHz, depending   on mode </li><li>and settings.</li><li>Maximum Input before hard clipping - +22dBm,  “ Line In” mode.   Maximum</li><li> Output (Mix at 0) - +28.5dBm</li><li>Compressor Dynamics Time Constants - Attack time is around 1mS.  Release</li><li> .2 sec, fixed internally. Stereo Linkable for stereo tracks.  With the </li><li>EL500 powered rack, the push of a button enables linking.</li><li>Input Impedance - 120k Ohm, Instrument In Mode, output impedance is less</li><li> than 75 ohms.  20K input impedance in balanced Line in mode.</li><li>Guitar adaptor cable included</li></ul><br /><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.\n	</p><br />\n              </div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today.</h3></span></span></span></span></span></span><br />'),(4310,75,1,719,'<img class=\"spacer\" src=\"https://www.rspeaudio.com/v/vspfiles/templates/RSPE/images/clear1x1.gif\" alt=\"\" height=\"1\" width=\"1\" />\n                 \n                  \n                     \n                      \n              \n                            <span id=\"product_description\" itemprop=\"description\">\n<h2>Empirical Labs RX Duo - 2 El/Rx-H DocDerrs installed in EL500 Rack</h2>\n<span style=\"font-size: 16px; font-style: italic;\">RX Duo - 2 El/Rx-H DocDerrs is Empirical Labs\' first compressor in the API 500 format.<br /></span><br />The DocDerr is a 500 series multi-purpose tone enhancement module that houses six different sections of digitally controlled analog processing. With over two years of meticulous development and testing behind it, the DocDerr provides an unprecedented combination of power and musicality in a compact, easy to use format. <br /><br />An extremely low-noise preamp capable of working with line level or instrument level signals, is followed by four sections of EQ combining a two position high pass filter with three parametric bands, each with its own set of carefully tuned frequency presets. An internal jumper can turn the DocDerr into an unparralled instrument preamp with 16dB of gain, ideal for acoustic guitar, bass, synths, exotic plucked instruments, etc.<br /><br />The versatile EQ is followed by a unique dynamics section which offers renowned Empirical Labs compression at an unprecedented price, and an extremely musical tape emulation circuit that softens and tames high frequencies and transient spikes. One of the pivotal features of the DocDerr is the “Mix” knob which allows the user to blend the uncompressed EQ’s signal with the compressed and saturated signal. This parallel compression technique, used by top recording and mixing engineers for many years unlocks a whole world of sonic possibilities.<br /><br />Like all ELI 500 series modules, the EL-Rx is available with either horizontal or vertically oriented front panel configurations, and is “Linkable” for using our famous compression on stereo sources.<br /><br />The DocDerr is ideal for tracking, for fine-tuning tracks during mixing, or as a killer solution for the gigging \"acoustic\" musician in search of studio quality tone control. It is indeed a Tone Doctor…err… DocDerr.<br /><br />As far as value, it’s hard to beat 500 Series compatible modules. Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.<br /><br />When ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit. On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them. Also, only XLR ins and outs were provided to the user, limiting the device’s applications.<br /><br />The Empirical Labs EL500 rack eliminates these obstacles. At the heart of the unit is a super quiet power supply - over 30 dB quieter than some supplies we\'ve seen - that will ensure optimal performance from any compatible device.<br /><br />All 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system.<br /><br />In addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers. Switches to link compressors and engage a 48V phantom supply are also provided.<br /><br />Whether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.<br /><br /></span><span id=\"product_description\" itemprop=\"description\"><span style=\"font-weight: bold;\">Features</span><br /><br />\n</span><div id=\"ProductDetail_TechSpecs_div\" style=\"\">\n              <ul><li>Six digitally controlled sections of analog processing</li><li>Frequency response - 3 Hz to 180 kHz on eq section (-3dB points).</li><li>Dynamic range - 120 dB from maximum output (.5%THD soft   clipping) to </li><li>minimum output.   Noise floor with Mix on 0 is typically   – 91dBu.</li><li>Distortion range - between .0006% and 10% at 1KHz, depending   on mode </li><li>and settings.</li><li>Maximum Input before hard clipping - +22dBm,  “ Line In” mode.   Maximum</li><li> Output (Mix at 0) - +28.5dBm</li><li>Compressor Dynamics Time Constants - Attack time is around 1mS.  Release</li><li> .2 sec, fixed internally. Stereo Linkable for stereo tracks.  With the </li><li>EL500 powered rack, the push of a button enables linking.</li><li>Input Impedance - 120k Ohm, Instrument In Mode, output impedance is less</li><li> than 75 ohms.  20K input impedance in balanced Line in mode.</li><li>Guitar adaptor cable included</li></ul><br /><a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>,\n a virtual 500-series rack builder that lets you custom-configure the \nperfect 500-series lunchbox for your studio, DAW, or mobile recording \nrig. RSPE carries every 500-series module imaginable, including mic \npreamps, compressor-limiters, equalizers, and 500 power racks.\n	</p><br />\n              </div><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\"><h3>The sound and \nunique features of the Empirical Labs Distressor have made it a staple \nfor audio engineers all over the world. For more information, call or \nchat with an RSPE representative today.</h3></span></span></span></span></span></span><br />'),(4311,85,0,719,'Empirical Labs RX Duo - 2 El/Rx-H DocDerrs installed in EL500 Rack'),(4312,85,1,719,'Empirical Labs RX Duo - 2 El/Rx-H DocDerrs installed in EL500 Rack'),(4313,76,0,719,''),(4314,76,1,719,''),(4315,75,0,720,'One of the newer members of the Empirical Labs family is the DocDerr, a 500 series multi-purpose tone enhancement module that houses six different sections of digitally controlled analog processing.  With over two years of meticulous development and testing behind it, the DocDerr provides an unprecedented combination of power and musicality in a compact, easy to use format. Empirical Labs\' first compressor in the API 500 format.\n<br /><br />\nAn extremely low-noise preamp capable of working with line level or instrument level signals, is followed by four sections of EQ combining a two position high pass filter with three parametric bands, each with its own set of carefully tuned frequency presets.  An internal jumper can turn the DocDerr into an unparralled instrument preamp with 16dB of gain, ideal for acoustic guitar, bass, synths, exotic plucked instruments, etc.\n<br /><br />\nThe versatile EQ is followed by a unique dynamics section which offers renowned Empirical Labs compression at an unprecedented price, and an extremely musical tape emulation circuit that softens and tames high frequencies and transient spikes.  We believe it’s the best single knob “knee” compression available in this format.\n<br /><br />\nOne of the pivotal features of the DocDerr is the “Mix” knob which allows the user to blend the uncompressed EQ’s signal with the compressed and saturated signal.  This parallel compression technique, used by top recording and mixing engineers for many years unlocks a whole world of sonic possibilities.\n<br /><br />\nLike all ELI 500 series modules, the EL-Rx is available with either horizontal or vertically oriented front panel configurations, and is “Linkable” for using our famous compression on stereo sources.\n<br /><br />\nThe DocDerr is ideal for tracking, for fine-tuning tracks during mixing, or as a killer solution for the gigging \"acoustic\" musician in search of studio quality tone control. It is indeed a Tone Doctor…err… DocDerr.\n<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit.  On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them.  Also, only XLR ins and outs were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart of the unit is a super quiet power supply - over 30 dB quieter than some supplies we\'ve seen - that will ensure optimal performance from any compatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system. \n<br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers.  Switches to link compressors and engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.\n<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(4316,75,1,720,'One of the newer members of the Empirical Labs family is the DocDerr, a 500 series multi-purpose tone enhancement module that houses six different sections of digitally controlled analog processing.  With over two years of meticulous development and testing behind it, the DocDerr provides an unprecedented combination of power and musicality in a compact, easy to use format. Empirical Labs\' first compressor in the API 500 format.\n<br /><br />\nAn extremely low-noise preamp capable of working with line level or instrument level signals, is followed by four sections of EQ combining a two position high pass filter with three parametric bands, each with its own set of carefully tuned frequency presets.  An internal jumper can turn the DocDerr into an unparralled instrument preamp with 16dB of gain, ideal for acoustic guitar, bass, synths, exotic plucked instruments, etc.\n<br /><br />\nThe versatile EQ is followed by a unique dynamics section which offers renowned Empirical Labs compression at an unprecedented price, and an extremely musical tape emulation circuit that softens and tames high frequencies and transient spikes.  We believe it’s the best single knob “knee” compression available in this format.\n<br /><br />\nOne of the pivotal features of the DocDerr is the “Mix” knob which allows the user to blend the uncompressed EQ’s signal with the compressed and saturated signal.  This parallel compression technique, used by top recording and mixing engineers for many years unlocks a whole world of sonic possibilities.\n<br /><br />\nLike all ELI 500 series modules, the EL-Rx is available with either horizontal or vertically oriented front panel configurations, and is “Linkable” for using our famous compression on stereo sources.\n<br /><br />\nThe DocDerr is ideal for tracking, for fine-tuning tracks during mixing, or as a killer solution for the gigging \"acoustic\" musician in search of studio quality tone control. It is indeed a Tone Doctor…err… DocDerr.\n<br /><br />\nAs far as value, it’s hard to beat 500 Series compatible modules.  Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them.\n<br /><br />\nWhen ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit.  On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them.  Also, only XLR ins and outs were provided to the user, limiting the device’s applications. \n<br /><br />\nThe Empirical Labs EL500 rack eliminates these obstacles.  At the heart of the unit is a super quiet power supply - over 30 dB quieter than some supplies we\'ve seen - that will ensure optimal performance from any compatible device.\n<br /><br />\nAll 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system. \n<br /><br />\nIn addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers.  Switches to link compressors and engage a 48V phantom supply are also provided.\n<br /><br />\nWhether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application.\n<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(4317,85,0,720,'Empirical Labs RX Plus -  El/Rx-H DocDerr installed in EL500 Rack'),(4318,85,1,720,'Empirical Labs RX Plus -  El/Rx-H DocDerr installed in EL500 Rack'),(4319,76,0,720,''),(4320,76,1,720,''),(4321,75,0,721,'<h1>Empirical Labs Track Pack - EL9 Mike-E and ELQ Lil FrEQ</h1>\nThe Empirical Labs Trak Pak – a combination of Mike-E and Lil FrEQ processors set up for seamless integration.  With a killer mic pre, famed ELI compression, tape saturation and eight individually defeatable EQ sections, it\'s quite possibly the most powerful and flexible “channel strip” solution available.\n<br /><br />\n<h2>Mike-E Mic Preamp</h2>\nMike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn’t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.\n<br /><br />\nWhen the engineering team at Empirical Labs sets out to build a microphone preamp, you can be sure it’ll deliver spectacular sound, be effortless to work, and will provide features unlike any other device in its class. To that end, they present Mike-E, a high performance transformer-coupled mic preamp with a noise floor far below any microphone’s self noise, combined with a one-of-a-kind compressor/saturator circuit that delivers classic knee compression as well as versatile tonal ‘coloring’ that can replicate many of the best characteristics of vintage analog recording equipment.<br /><br />\n<h3>Mic Preamp</h3>\nThe Mike-E features a super low noise transformer input amplifier section with the gain under precise digital control. The signal to noise far exceeds any microphone in existence. Having used many mic preamps over the years, we’ve implemented a unique stepped gain control that should be impervious to the normal flakiness that age causes to pots and detented switches. A “Bad!” LED indicates when the input signal is overloading the circuit.\n<br /><br />\n<h3>CompSat™</h3>\nThe CompSat’s unique circuitry sets the Mike-E apart from all other mic preamps.\n<br /><br /><b>\nSATURATOR –</b>  a multi stage soft-clipping circuit. At lower levels, a triode-type saturation affects the signal. As the level increases, a second unique clip circuit starts to more severely flatten out the peaks.<br /><br /><b>\nCOMPRESSOR – </b>based on ELI’s world famous Distressor, but with other characteristics (including a much longer attack time).  Preset ratios include: 2:1, 4:1, 8:1…and, of course, Nuke.<br /><br /><b>\nEMPHASIS – </b>a two-stage circuit that boosts and soft clips high frequencies before the CompSat™ circuit, and then cuts the frequencies after it. Emphasis has the added perk of improving signal to noise, and is the reason analog tape decks used emphasis to begin with.<br /><br />\n\n<h2>ELQ Lil FrEQ Analog EQ</h2>\nThe Empirical Labs Lil FrEQ is a modern digitally controlled analog EQ offering unprecedented performance, and control over equalization. In a single height unit, Empirical Labs offers seven frequency shaping controls and one dynamic section… and every frequency is covered in at least two sections.<br /><br />\n\n<h3>Eight Sections of Processing</h3>\nThere are eight sections of processing – what other EQ offers that? Even better – in addition to a master bypass, each of the Lil FrEQ’s sections features its own dedicated bypass switch, letting you instantly A/B the effect of each section as you adjust and fine-tune them.<br /><br /><b>\n\nHIGH PASS – </b>The High Pass section is a really easy to use sharp filter that cuts all content below one of eight preset frequencies from 30-330 Hz. This filter is very steep and has a special shape that prevents frequencies from thinning out just above the cutoff point. The corner frequency is selected using up/down buttons, and indicated by LEDs that glow softly when the section is bypassed, and brightly when the section is engaged.<br /><br /><b>\n\nHIGH & LOW SHELVING –</b> These two knobs function similarly to the familiar “bass and treble” tone controls found on many consumer audio playback systems; however, these are designed to a much higher performance standard, providing exceptionally smooth and musical boost and cut on the high and low frequencies.<br /><br /><b>\n\nPARAMETRIC EQ – </b>The Lil FrEQ has four sections of fully parametric EQ (LF, Lo Mid, Hi Mid and HF), with each section featuring individual gain, bandwidth (Q) and frequency controls. It may be the cleanest parametric EQ section ever produced, operating below .0007% THD (Total Harmonic Distortion) even at extremely high audio levels. Try finding those specs anywhere else!<br /><br /><b>\n\nDS (DYNAMIC EQ) – </b>The DS section provides the highest performance, easiest to use, and possibly most natural sounding “De-esser” ever built. This powerful tool combines tunable filters with a compressor-like circuit that can help contain and control excessive high frequency content such as sibilants or other sharp transients, especially in the absence of other lower frequency content. It can also function as a one of a kind soft knee High Frequency limiter, which is one of the main things responsible for the Lil FrEQ becoming the go-to vocal EQ for engineers everywhere. It has been used on many acclaimed albums and major live performances all over the world, becoming the “go to” EQ for key tracks like lead vocals, snares, and bass. There are now dozens of hit record vocals that were processed thru the Lil FrEQ.<br /><br />'),(4322,75,1,721,'<h1>Empirical Labs Track Pack - EL9 Mike-E and ELQ Lil FrEQ</h1>\nThe Empirical Labs Trak Pak – a combination of Mike-E and Lil FrEQ processors set up for seamless integration.  With a killer mic pre, famed ELI compression, tape saturation and eight individually defeatable EQ sections, it\'s quite possibly the most powerful and flexible “channel strip” solution available.\n<br /><br />\n<h2>Mike-E Mic Preamp</h2>\nMike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn’t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.\n<br /><br />\nWhen the engineering team at Empirical Labs sets out to build a microphone preamp, you can be sure it’ll deliver spectacular sound, be effortless to work, and will provide features unlike any other device in its class. To that end, they present Mike-E, a high performance transformer-coupled mic preamp with a noise floor far below any microphone’s self noise, combined with a one-of-a-kind compressor/saturator circuit that delivers classic knee compression as well as versatile tonal ‘coloring’ that can replicate many of the best characteristics of vintage analog recording equipment.<br /><br />\n<h3>Mic Preamp</h3>\nThe Mike-E features a super low noise transformer input amplifier section with the gain under precise digital control. The signal to noise far exceeds any microphone in existence. Having used many mic preamps over the years, we’ve implemented a unique stepped gain control that should be impervious to the normal flakiness that age causes to pots and detented switches. A “Bad!” LED indicates when the input signal is overloading the circuit.\n<br /><br />\n<h3>CompSat™</h3>\nThe CompSat’s unique circuitry sets the Mike-E apart from all other mic preamps.\n<br /><br /><b>\nSATURATOR –</b>  a multi stage soft-clipping circuit. At lower levels, a triode-type saturation affects the signal. As the level increases, a second unique clip circuit starts to more severely flatten out the peaks.<br /><br /><b>\nCOMPRESSOR – </b>based on ELI’s world famous Distressor, but with other characteristics (including a much longer attack time).  Preset ratios include: 2:1, 4:1, 8:1…and, of course, Nuke.<br /><br /><b>\nEMPHASIS – </b>a two-stage circuit that boosts and soft clips high frequencies before the CompSat™ circuit, and then cuts the frequencies after it. Emphasis has the added perk of improving signal to noise, and is the reason analog tape decks used emphasis to begin with.<br /><br />\n\n<h2>ELQ Lil FrEQ Analog EQ</h2>\nThe Empirical Labs Lil FrEQ is a modern digitally controlled analog EQ offering unprecedented performance, and control over equalization. In a single height unit, Empirical Labs offers seven frequency shaping controls and one dynamic section… and every frequency is covered in at least two sections.<br /><br />\n\n<h3>Eight Sections of Processing</h3>\nThere are eight sections of processing – what other EQ offers that? Even better – in addition to a master bypass, each of the Lil FrEQ’s sections features its own dedicated bypass switch, letting you instantly A/B the effect of each section as you adjust and fine-tune them.<br /><br /><b>\n\nHIGH PASS – </b>The High Pass section is a really easy to use sharp filter that cuts all content below one of eight preset frequencies from 30-330 Hz. This filter is very steep and has a special shape that prevents frequencies from thinning out just above the cutoff point. The corner frequency is selected using up/down buttons, and indicated by LEDs that glow softly when the section is bypassed, and brightly when the section is engaged.<br /><br /><b>\n\nHIGH & LOW SHELVING –</b> These two knobs function similarly to the familiar “bass and treble” tone controls found on many consumer audio playback systems; however, these are designed to a much higher performance standard, providing exceptionally smooth and musical boost and cut on the high and low frequencies.<br /><br /><b>\n\nPARAMETRIC EQ – </b>The Lil FrEQ has four sections of fully parametric EQ (LF, Lo Mid, Hi Mid and HF), with each section featuring individual gain, bandwidth (Q) and frequency controls. It may be the cleanest parametric EQ section ever produced, operating below .0007% THD (Total Harmonic Distortion) even at extremely high audio levels. Try finding those specs anywhere else!<br /><br /><b>\n\nDS (DYNAMIC EQ) – </b>The DS section provides the highest performance, easiest to use, and possibly most natural sounding “De-esser” ever built. This powerful tool combines tunable filters with a compressor-like circuit that can help contain and control excessive high frequency content such as sibilants or other sharp transients, especially in the absence of other lower frequency content. It can also function as a one of a kind soft knee High Frequency limiter, which is one of the main things responsible for the Lil FrEQ becoming the go-to vocal EQ for engineers everywhere. It has been used on many acclaimed albums and major live performances all over the world, becoming the “go to” EQ for key tracks like lead vocals, snares, and bass. There are now dozens of hit record vocals that were processed thru the Lil FrEQ.<br /><br />'),(4323,85,0,721,'Empirical Labs Track Pack Combo'),(4324,85,1,721,'Empirical Labs Track Pack Combo'),(4325,76,0,721,''),(4326,76,1,721,''),(4327,75,0,722,'When the engineering team at Empirical Labs sets out to build a microphone preamp, you can be sure it’ll deliver spectacular sound, be effortless to work, and will provide features unlike any other device in its class. To that end, we proudly present Mike-E, a high performance transformer-coupled mic preamp with a noise floor far below any microphone’s self noise, combined with a one-of-a-kind compressor/saturator circuit that delivers classic knee compression as well as versatile tonal ‘coloring’ that can replicate many of the best characteristics of vintage analog recording equipment.\n \nIn today’s modern age of digital recorders, DAWs and software plug-ins, Mike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn\'t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.'),(4328,75,1,722,'When the engineering team at Empirical Labs sets out to build a microphone preamp, you can be sure it’ll deliver spectacular sound, be effortless to work, and will provide features unlike any other device in its class. To that end, we proudly present Mike-E, a high performance transformer-coupled mic preamp with a noise floor far below any microphone’s self noise, combined with a one-of-a-kind compressor/saturator circuit that delivers classic knee compression as well as versatile tonal ‘coloring’ that can replicate many of the best characteristics of vintage analog recording equipment.\n \nIn today’s modern age of digital recorders, DAWs and software plug-ins, Mike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn\'t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.'),(4329,85,0,722,'Empirical Labs Mike-E Twin Pack Combo'),(4330,85,1,722,'Empirical Labs Mike-E Twin Pack Combo'),(4331,76,0,722,''),(4332,76,1,722,''),(4333,75,0,723,'<h2>EquiTech Model 2RQ Balanced Power Transformer</h2>\n<span style=\"font-size:16px; font-style:italic;\">Equitech balanced power has been the signature \"sound\" of studios the world over.</span><br /><br />\nThe Equitech 2RQ is the 2RU rack version of Equitech\'s renowned transformer system and delivers the same high quality as full size \"built in\" models. According to Martin Glassman, every bit of the quality that has made Equitech famous can now be used as rack mount power distribution AND power balancing.<br /><br />\n\nThe Model RQ (\"R\" is for rack mount) is Equi=Tech\'s flagship product.   It is the result of many years of experience and application research in the field of balanced AC power.  It is highest quality and the best performing balanced power system we have ever offered.  Every component specified in its design has been selected from years of research and testing in professional and consumer high definition A/V systems in both analog and digital formats.  Each component used in the Model Q was chosen for its superior quality and performance and cost was no object.  For example, the material used in the Model Q transformer core is made of a state-of-the-art magnetic steel alloy and none is spared in fabrication.  The core material is the most efficient there is, nevertheless the Model Q transformer has twice the mass of similarly rated competitive products.  It drives amplifiers and other high current pulse type loads without skipping a beat.  Power factor remains virtually stable regardless of the type of demand load.  Mil spec oxygen free copper is used throughout the Model Q assembly to further reduce random high frequency current distortion.  This improves an already near perfect mirror image output and further widens its range of noise attenuation.  The Model Q\'s switches and circuit breakers are the finest made and they are duty rated for over 1/2 million operations.  Every component part used in the Model Q has been selected because it is the best of its kind.  There is nothing that compares in quality or performance to the Model Q.<br /><br />\n\nOn the rear panel, there are 12 AC outlets provided (more in the larger versions.)  One GFCI outlet is independent from the front standby switch(es) and is constantly left turned on for use with components that require continuous power for a clock or to maintain volatile memory. Of the 10 remaining outlets, 6 (white) are for analog components such as amplifiers and pre amps and 4 (gray) are specially filtered outlets for digital components. A circuit breaker on the rear panel protects the system from overload and from potential short circuit fire hazards in electrical power cords and downstream connected equipment.<br /><br />\n\nModel Q\'s are offered in 7 different sizes ranging from 1kVA to 10kVA load capacities.  Most Model Q\'s that are rated at 2kVA or less require a 120 Volt supply circuit to operate.  (The 2RQ-E and 2RQ-EA require 208/240 Volts.)  3kVA and 5kVA models require a 208 or 240 Volt supply as do the 7.5kVA and 10kVA models.  The chart below indicates the circuit size and standard plug type used to connect the Model Q to the source power outlet.<br /><br />'),(4334,75,1,723,'<h2>EquiTech Model 2RQ Balanced Power Transformer</h2>\n<span style=\"font-size:16px; font-style:italic;\">Equitech balanced power has been the signature \"sound\" of studios the world over.</span><br /><br />\nThe Equitech 2RQ is the 2RU rack version of Equitech\'s renowned transformer system and delivers the same high quality as full size \"built in\" models. According to Martin Glassman, every bit of the quality that has made Equitech famous can now be used as rack mount power distribution AND power balancing.<br /><br />\n\nThe Model RQ (\"R\" is for rack mount) is Equi=Tech\'s flagship product.   It is the result of many years of experience and application research in the field of balanced AC power.  It is highest quality and the best performing balanced power system we have ever offered.  Every component specified in its design has been selected from years of research and testing in professional and consumer high definition A/V systems in both analog and digital formats.  Each component used in the Model Q was chosen for its superior quality and performance and cost was no object.  For example, the material used in the Model Q transformer core is made of a state-of-the-art magnetic steel alloy and none is spared in fabrication.  The core material is the most efficient there is, nevertheless the Model Q transformer has twice the mass of similarly rated competitive products.  It drives amplifiers and other high current pulse type loads without skipping a beat.  Power factor remains virtually stable regardless of the type of demand load.  Mil spec oxygen free copper is used throughout the Model Q assembly to further reduce random high frequency current distortion.  This improves an already near perfect mirror image output and further widens its range of noise attenuation.  The Model Q\'s switches and circuit breakers are the finest made and they are duty rated for over 1/2 million operations.  Every component part used in the Model Q has been selected because it is the best of its kind.  There is nothing that compares in quality or performance to the Model Q.<br /><br />\n\nOn the rear panel, there are 12 AC outlets provided (more in the larger versions.)  One GFCI outlet is independent from the front standby switch(es) and is constantly left turned on for use with components that require continuous power for a clock or to maintain volatile memory. Of the 10 remaining outlets, 6 (white) are for analog components such as amplifiers and pre amps and 4 (gray) are specially filtered outlets for digital components. A circuit breaker on the rear panel protects the system from overload and from potential short circuit fire hazards in electrical power cords and downstream connected equipment.<br /><br />\n\nModel Q\'s are offered in 7 different sizes ranging from 1kVA to 10kVA load capacities.  Most Model Q\'s that are rated at 2kVA or less require a 120 Volt supply circuit to operate.  (The 2RQ-E and 2RQ-EA require 208/240 Volts.)  3kVA and 5kVA models require a 208 or 240 Volt supply as do the 7.5kVA and 10kVA models.  The chart below indicates the circuit size and standard plug type used to connect the Model Q to the source power outlet.<br /><br />'),(4335,85,0,723,'EquiTech Model 2RQ Balanced Power Transformer'),(4336,85,1,723,'EquiTech Model 2RQ Balanced Power Transformer'),(4337,76,0,723,''),(4338,76,1,723,''),(4339,75,0,724,'<h2>Eventide Anthology X Plug-in Bundle</h2>\n<span style=\"font-size: 16px;\"><i>Complete Sonic Arsenal Featuring the Best Eventide Effects</i></span><br />\nEventide Anthology XI Plug-In Bundle features twenty three plug-ins based on over 45 years of Eventide studio mainstays, as well as current and future classics. From channel strips to reverbs to multi-effects, Anthology XI has tools to make every day tasks easier and to fire your imagination. A true must-have for any size studio.\n<br /><br />\nAnthology XI comes with over 2,900 presets across the included plug-ins; many created by artists like Dave Pensado, George Massenburg, Tony Visconti, Vernon Reid, Richard Devine, Joe Chiccarelli, Roy Hendrickson, Alessandro Cortini, Andrew Scheps and Suzanne Ciani.\n<br /><br />\n<h3>Anthology XI Contains the Following Plug-ins</h3>\n<h4>Effects</h4>\n<b>\nH3000 Band Delays\n</b><br />\n8 bands of rhythmic delays<br /><br /><b>\nH3000 Factory</b><br />\nH3000 FX factory - 450 Presets!<br /><br /><b>\nOctavox</b><br />\n8 voices of diatonic pitch shifting<br /><br /><b>\nPhysion</b><br />\nSplit sound in two<br /><br /><b>\nQuadravox</b><br />\n4 voices of diatonic pitch shifting<br /><br /><b>\nUltraTap</b><br />\n64 Taps, 150 Presets and Slurm control<br /><br />\n<h4>Reverb</h4>\n<b>\n2016 Stereo Room</b><br />\nRenowned SP2016 reverb<br /><b><br />\nBlackhole</b><br />\nExtraterrestrial reverb<br /><br /><b>\nMangledVerb</b><br />\nGood verb gone bad<br /><b><br />\nTverb</b><br />\nVisconti/Bowie inspired triple reverb<br /><br /><b>\nUltraReverb</b><br />\nPro reverb bundle - 9 algorithms<br /><br />\n<h4>Clockworks Legacy</h4>\n<b>\nFL201 Instant Flanger</b><br />\nFirst true simulation of tape flanging<br /><br /><b>\nH910 Harmonizer</b><br />\nFirst digital effects processor<br /><b><br />\nH949 Harmonizer</b><br />\nDe-glitch, MicroPitch, Multi FX<br /><b><br />\nOmnipressor</b><br />\nFirst Dynamics FX Processor<br /><b><br />\nPS101 Instant Phaser</b><br />\nFirst rack-mount phaser<br /><br />\n<h4>Utilities</h4>\n<b>\nEChannel</b><br />\nChannel strip with lite CPU footprint<br /><b><br />\nEQ 45</b><br />\nUrei 545 parametric EQ emulation<br /><b><br />\nEQ 65</b><br />\nUrei 565 filter set emulation<br /><br /><b>\nPrecision Time Align<br /></b>\nPrecision sub-sample delay<br /><br /><b>\nUltraChannel</b><br />\nUltimate channel strip'),(4340,75,1,724,'<h2>Eventide Anthology X Plug-in Bundle</h2>\n<span style=\"font-size: 16px;\"><i>Complete Sonic Arsenal Featuring the Best Eventide Effects</i></span><br />\nEventide Anthology XI Plug-In Bundle features twenty three plug-ins based on over 45 years of Eventide studio mainstays, as well as current and future classics. From channel strips to reverbs to multi-effects, Anthology XI has tools to make every day tasks easier and to fire your imagination. A true must-have for any size studio.\n<br /><br />\nAnthology XI comes with over 2,900 presets across the included plug-ins; many created by artists like Dave Pensado, George Massenburg, Tony Visconti, Vernon Reid, Richard Devine, Joe Chiccarelli, Roy Hendrickson, Alessandro Cortini, Andrew Scheps and Suzanne Ciani.\n<br /><br />\n<h3>Anthology XI Contains the Following Plug-ins</h3>\n<h4>Effects</h4>\n<b>\nH3000 Band Delays\n</b><br />\n8 bands of rhythmic delays<br /><br /><b>\nH3000 Factory</b><br />\nH3000 FX factory - 450 Presets!<br /><br /><b>\nOctavox</b><br />\n8 voices of diatonic pitch shifting<br /><br /><b>\nPhysion</b><br />\nSplit sound in two<br /><br /><b>\nQuadravox</b><br />\n4 voices of diatonic pitch shifting<br /><br /><b>\nUltraTap</b><br />\n64 Taps, 150 Presets and Slurm control<br /><br />\n<h4>Reverb</h4>\n<b>\n2016 Stereo Room</b><br />\nRenowned SP2016 reverb<br /><b><br />\nBlackhole</b><br />\nExtraterrestrial reverb<br /><br /><b>\nMangledVerb</b><br />\nGood verb gone bad<br /><b><br />\nTverb</b><br />\nVisconti/Bowie inspired triple reverb<br /><br /><b>\nUltraReverb</b><br />\nPro reverb bundle - 9 algorithms<br /><br />\n<h4>Clockworks Legacy</h4>\n<b>\nFL201 Instant Flanger</b><br />\nFirst true simulation of tape flanging<br /><br /><b>\nH910 Harmonizer</b><br />\nFirst digital effects processor<br /><b><br />\nH949 Harmonizer</b><br />\nDe-glitch, MicroPitch, Multi FX<br /><b><br />\nOmnipressor</b><br />\nFirst Dynamics FX Processor<br /><b><br />\nPS101 Instant Phaser</b><br />\nFirst rack-mount phaser<br /><br />\n<h4>Utilities</h4>\n<b>\nEChannel</b><br />\nChannel strip with lite CPU footprint<br /><b><br />\nEQ 45</b><br />\nUrei 545 parametric EQ emulation<br /><b><br />\nEQ 65</b><br />\nUrei 565 filter set emulation<br /><br /><b>\nPrecision Time Align<br /></b>\nPrecision sub-sample delay<br /><br /><b>\nUltraChannel</b><br />\nUltimate channel strip'),(4341,85,0,724,'Eventide Anthology XI Plug-in Bundle'),(4342,85,1,724,'Eventide Anthology XI Plug-in Bundle'),(4343,76,0,724,''),(4344,76,1,724,''),(4345,75,0,725,'<h1>Eventide BD600E+ Broadcast Delay with Extended Remote</h1>\n<span style=\"font-size: 16px;\"><i>80 Second profanity delay with PANIC mode or HD synchronization with MicroPrecision mode:\n 20 second delay adjustable in 1μ increments, with AES I/O and Extended Remote Capabilities\n</i></span><br /><br />\nThe Eventide BD600E+ Broadcast Delay offers an unprecedented 80 seconds of the highest quality revenue and license-protecting delay - twice as much as other delays. You have the flexibility to customize the delay buffer length from four seconds to the full 80 seconds. Dump can be customized in 1/2 second increments up to 10 seconds. Each time the DUMP button is pressed, only one segment is deleted. For example, if a unit is set to the full 80 seconds of delay buffer, and is set up to provide 8-second dumps, you will have ten separate dump segments. Pushing the DUMP button the first time cuts out one 8-second segment. You still have 72 seconds of delay protection. If this is followed by more trash-talk, push the DUMP button again and you still have over a minute of delay protection. The \"sneeze\" button momentarily \"edits\" audio entering the delay, allowing the host to sneeze, cough, or make a short comment without being heard on air - and without dead air. Your station cannot afford to work without a net. With the BD600E+, you will never worry about running out of delay memory.<br /><br />\n<h3>MicroPrecision Delay™</h3>\n	For HD Stations, the BD600E+ provides high-quality subsample adjustable delay for synchronizing analog and digital is the holy grail for maintaining a seamless experience for listeners. MicroPrecision Delay can be adjusted on-air, and ramped in and out for clean transitions without audible artifacts.\n<br /><br />\nThe BD600E+ features expanded remote programmability with 16 bipolar opto-isolated inputs which may be configured to drive many BD600E+ functions or as general-purpose delay inputs; 16 open-collector outputs that may be configured to display BD600E+ status indicators or to pass through delayed versions of the inputs; and an RS232 output provides a delayed version of the input, useful for driving a time display or for other control purposes. Any BD600 can be field upgraded to a BD600E+ with the E-Option upgrade kit.\n<br /><br />\nThe BD600E+ adds more delay protection, improves fidelity, and expands remote options, while maintaining the user interface and yellow DUMP button familiar to all radio engineers. It is the culmination of thirty years of designing and manufacturing highly reliable delays for broadcast. Featuring 80 seconds of delay, 24-bit digital and analog I/O, plus a <br /><br />\n<h3>Eventide BD600E+ Features</h3>\n<ul>\n	<li>80 seconds of delay protection</li>\n	<li>USB Remote Control</li>\n	<li>\"Panic\" allows WAV file play back during delay rebuild</li>\n	<li>24-bit aes/ebu digital i/o, with optional wordclock sync</li>\n	<li>24-bit analog xlr i/o</li>\n	<li>User-defined \"dump\" length segmentation</li>\n	<li>\"Sneeze\" button for momentary edit</li>\n	<li>Remote control capability</li>\n	<li>Easy-to-wire euroblock for remote hookup (on base unit)</li>\n	<li>RS-232 i/o</li>\n	<li>Programmable i/o</li>\n	<li>Remote option offers 16 bi-polar opto-isolated inputs and 16 open-collector outputs</li>\n</ul>\n<br />\n<h3>The New Standard for Features</h3>\nIf 80 seconds of delay protection were not enough, the BD600E+ has a secondary backup called PANIC. This plays a .WAV file stored on a compact flash card. While the file - a jingle, ID or other message - is played, delay is being built up in real time, allowing programming to continue in safety as soon as the jingle is over. This can also be used for painless entry into delay.\n<br /><br />\nThe unit shows not only an exact digital readout of delay time, but also has a \"quick read\" bar graph which instantly confirms \"you\'re safe\" at a glance. The BD600E+ is an 80-second stereo delay unit featuring analog XLR-type inputs and outputs, as well as AES/EBU digital audio inputs and outputs. All front panel switches (except \"configure\") can be remoted, as can the status indicators. Both RS-232 in and out are included; four configurable control inputs and two configurable relay-isolated control outputs are provided via an easy-to-wire Euroblock barrier strip.<br /><br />\n<h3>Expanded Remote Capability</h3>\nThe BD600E+ Extended Remote is perfect for more sophisticated automated broadcast chains. 16 bipolar opto-isolated inputs may be configured to drive BD600E+ functions and general-purpose delay inputs. 16 open-collector outputs may be configured to output BD600E+ status indicators or to pass through delayed versions of the inputs. An RS-232 output provides a delayed version of the input, useful for driving a time display or for other control purposes.\n<br /><br />'),(4346,75,1,725,'<h1>Eventide BD600E+ Broadcast Delay with Extended Remote</h1>\n<span style=\"font-size: 16px;\"><i>80 Second profanity delay with PANIC mode or HD synchronization with MicroPrecision mode:\n 20 second delay adjustable in 1μ increments, with AES I/O and Extended Remote Capabilities\n</i></span><br /><br />\nThe Eventide BD600E+ Broadcast Delay offers an unprecedented 80 seconds of the highest quality revenue and license-protecting delay - twice as much as other delays. You have the flexibility to customize the delay buffer length from four seconds to the full 80 seconds. Dump can be customized in 1/2 second increments up to 10 seconds. Each time the DUMP button is pressed, only one segment is deleted. For example, if a unit is set to the full 80 seconds of delay buffer, and is set up to provide 8-second dumps, you will have ten separate dump segments. Pushing the DUMP button the first time cuts out one 8-second segment. You still have 72 seconds of delay protection. If this is followed by more trash-talk, push the DUMP button again and you still have over a minute of delay protection. The \"sneeze\" button momentarily \"edits\" audio entering the delay, allowing the host to sneeze, cough, or make a short comment without being heard on air - and without dead air. Your station cannot afford to work without a net. With the BD600E+, you will never worry about running out of delay memory.<br /><br />\n<h3>MicroPrecision Delay™</h3>\n	For HD Stations, the BD600E+ provides high-quality subsample adjustable delay for synchronizing analog and digital is the holy grail for maintaining a seamless experience for listeners. MicroPrecision Delay can be adjusted on-air, and ramped in and out for clean transitions without audible artifacts.\n<br /><br />\nThe BD600E+ features expanded remote programmability with 16 bipolar opto-isolated inputs which may be configured to drive many BD600E+ functions or as general-purpose delay inputs; 16 open-collector outputs that may be configured to display BD600E+ status indicators or to pass through delayed versions of the inputs; and an RS232 output provides a delayed version of the input, useful for driving a time display or for other control purposes. Any BD600 can be field upgraded to a BD600E+ with the E-Option upgrade kit.\n<br /><br />\nThe BD600E+ adds more delay protection, improves fidelity, and expands remote options, while maintaining the user interface and yellow DUMP button familiar to all radio engineers. It is the culmination of thirty years of designing and manufacturing highly reliable delays for broadcast. Featuring 80 seconds of delay, 24-bit digital and analog I/O, plus a <br /><br />\n<h3>Eventide BD600E+ Features</h3>\n<ul>\n	<li>80 seconds of delay protection</li>\n	<li>USB Remote Control</li>\n	<li>\"Panic\" allows WAV file play back during delay rebuild</li>\n	<li>24-bit aes/ebu digital i/o, with optional wordclock sync</li>\n	<li>24-bit analog xlr i/o</li>\n	<li>User-defined \"dump\" length segmentation</li>\n	<li>\"Sneeze\" button for momentary edit</li>\n	<li>Remote control capability</li>\n	<li>Easy-to-wire euroblock for remote hookup (on base unit)</li>\n	<li>RS-232 i/o</li>\n	<li>Programmable i/o</li>\n	<li>Remote option offers 16 bi-polar opto-isolated inputs and 16 open-collector outputs</li>\n</ul>\n<br />\n<h3>The New Standard for Features</h3>\nIf 80 seconds of delay protection were not enough, the BD600E+ has a secondary backup called PANIC. This plays a .WAV file stored on a compact flash card. While the file - a jingle, ID or other message - is played, delay is being built up in real time, allowing programming to continue in safety as soon as the jingle is over. This can also be used for painless entry into delay.\n<br /><br />\nThe unit shows not only an exact digital readout of delay time, but also has a \"quick read\" bar graph which instantly confirms \"you\'re safe\" at a glance. The BD600E+ is an 80-second stereo delay unit featuring analog XLR-type inputs and outputs, as well as AES/EBU digital audio inputs and outputs. All front panel switches (except \"configure\") can be remoted, as can the status indicators. Both RS-232 in and out are included; four configurable control inputs and two configurable relay-isolated control outputs are provided via an easy-to-wire Euroblock barrier strip.<br /><br />\n<h3>Expanded Remote Capability</h3>\nThe BD600E+ Extended Remote is perfect for more sophisticated automated broadcast chains. 16 bipolar opto-isolated inputs may be configured to drive BD600E+ functions and general-purpose delay inputs. 16 open-collector outputs may be configured to output BD600E+ status indicators or to pass through delayed versions of the inputs. An RS-232 output provides a delayed version of the input, useful for driving a time display or for other control purposes.\n<br /><br />'),(4347,85,0,725,''),(4348,85,1,725,''),(4349,76,0,725,''),(4350,76,1,725,''),(4351,75,0,726,'<h1>Eventide BD600+ Broadcast Delay</h1>\n<span style=\"font-size: 16px;\"><i>80 Second profanity delay with PANIC mode or HD synchronization with MicroPrecision mode:\n 20 second delay adjustable in 1μ increments, with AES I/O\n</i></span><br/><br/>\nThe Eventide BD600+ Broadcast Delay offers an unprecedented 80 seconds of the highest quality revenue and license-protecting delay - twice as much as other delays. You have the flexibility to customize the delay buffer length from four seconds to the full 80 seconds. Dump can be customized in 1/2 second increments up to 10 seconds. Each time the DUMP button is pressed, only one segment is deleted. For example, if a unit is set to the full 80 seconds of delay buffer, and is set up to provide 8-second dumps, you will have ten separate dump segments. Pushing the DUMP button the first time cuts out one 8-second segment. You still have 72 seconds of delay protection. If this is followed by more trash-talk, push the DUMP button again and you still have over a minute of delay protection. The \"sneeze\" button momentarily \"edits\" audio entering the delay, allowing the host to sneeze, cough, or make a short comment without being heard on air - and without dead air. Your station cannot afford to work without a net. With the BD600+, you will never worry about running out of delay memory.\n<br/><br/>\n<h3>MicroPrecision Delay™</h3>\nEventide\'s MicroPrecision Delay™ mode allows up to 20 seconds of delay adjustment in real time in 100 nanosecond increments. For HD radio stations, the BD600+ provides a high-quality subsample adjustable delay for synchronizing analog and digital is the holy grail for maintaining a seamless experience for listeners. MicroPrecision Delay can be adjusted on-air, and ramped in and out for clean transitions without audible artifacts.\n<br/><br/>\nThe BD600+ adds more delay protection, improves fidelity, and expands remote options, while maintaining the user interface and yellow DUMP button familiar to all radio engineers. It is the culmination of thirty years of designing and manufacturing highly reliable delays for broadcast. Featuring 80 seconds of delay, 24-bit digital and analog I/O, plus a host of new features, the BD600+ is the new world standard.<br/><br/>\n<h3>Eventide BD600+ Features</h3>\n<ul>\n	<li>MicroPrecision delay mode for HD synchronization</li>\n	<li>80 seconds of delay protection</li>\n	<li>USB Remote Control</li>\n	<li>\"Panic\" allows WAV file play back during delay rebuild</li>\n	<li>24-bit aes/ebu digital i/o, with optional wordclock sync</li>\n	<li>24-bit analog xlr i/o</li>\n	<li>User-defined \"dump\" length segmentation</li>\n	<li>\"Sneeze\" button for momentary edit</li>\n	<li>Remote control capability</li>\n	<li>Easy-to-wire euroblock for remote hookup (on base unit)</li>\n	<li>RS-232 i/o</li>\n	<li>Programmable i/o</li>\n	<li>Remote option offers 16 bi-polar opto-isolated inputs and 16 open-collector outputs</li>\n</ul>'),(4352,75,1,726,'<h1>Eventide BD600+ Broadcast Delay</h1>\n<span style=\"font-size: 16px;\"><i>80 Second profanity delay with PANIC mode or HD synchronization with MicroPrecision mode:\n 20 second delay adjustable in 1μ increments, with AES I/O\n</i></span><br/><br/>\nThe Eventide BD600+ Broadcast Delay offers an unprecedented 80 seconds of the highest quality revenue and license-protecting delay - twice as much as other delays. You have the flexibility to customize the delay buffer length from four seconds to the full 80 seconds. Dump can be customized in 1/2 second increments up to 10 seconds. Each time the DUMP button is pressed, only one segment is deleted. For example, if a unit is set to the full 80 seconds of delay buffer, and is set up to provide 8-second dumps, you will have ten separate dump segments. Pushing the DUMP button the first time cuts out one 8-second segment. You still have 72 seconds of delay protection. If this is followed by more trash-talk, push the DUMP button again and you still have over a minute of delay protection. The \"sneeze\" button momentarily \"edits\" audio entering the delay, allowing the host to sneeze, cough, or make a short comment without being heard on air - and without dead air. Your station cannot afford to work without a net. With the BD600+, you will never worry about running out of delay memory.\n<br/><br/>\n<h3>MicroPrecision Delay™</h3>\nEventide\'s MicroPrecision Delay™ mode allows up to 20 seconds of delay adjustment in real time in 100 nanosecond increments. For HD radio stations, the BD600+ provides a high-quality subsample adjustable delay for synchronizing analog and digital is the holy grail for maintaining a seamless experience for listeners. MicroPrecision Delay can be adjusted on-air, and ramped in and out for clean transitions without audible artifacts.\n<br/><br/>\nThe BD600+ adds more delay protection, improves fidelity, and expands remote options, while maintaining the user interface and yellow DUMP button familiar to all radio engineers. It is the culmination of thirty years of designing and manufacturing highly reliable delays for broadcast. Featuring 80 seconds of delay, 24-bit digital and analog I/O, plus a host of new features, the BD600+ is the new world standard.<br/><br/>\n<h3>Eventide BD600+ Features</h3>\n<ul>\n	<li>MicroPrecision delay mode for HD synchronization</li>\n	<li>80 seconds of delay protection</li>\n	<li>USB Remote Control</li>\n	<li>\"Panic\" allows WAV file play back during delay rebuild</li>\n	<li>24-bit aes/ebu digital i/o, with optional wordclock sync</li>\n	<li>24-bit analog xlr i/o</li>\n	<li>User-defined \"dump\" length segmentation</li>\n	<li>\"Sneeze\" button for momentary edit</li>\n	<li>Remote control capability</li>\n	<li>Easy-to-wire euroblock for remote hookup (on base unit)</li>\n	<li>RS-232 i/o</li>\n	<li>Programmable i/o</li>\n	<li>Remote option offers 16 bi-polar opto-isolated inputs and 16 open-collector outputs</li>\n</ul>'),(4353,85,0,726,''),(4354,85,1,726,''),(4355,76,0,726,''),(4356,76,1,726,''),(4357,75,0,727,'<h1>Eventide BD600W+ Broadcast Delay with WheatNet IP Integration and Extended Remote</h1>\n<span style=\"font-size: 16px;\"><i>80 Second profanity delay with WheatNet IP Integration, PANIC mode or HD synchronization with MicroPrecision mode:\n 10 second delay adjustable in 1μ increments, with AES I/O and Extended Remote Capabilities\n</i></span><br /><br />\nThe Eventide BD600W+ Broadcast Delay <span style=\"background-color: initial;\">offers an unprecedented 80 seconds of the highest quality revenue and license-protecting delay - twice as much as other delays. You have the flexibility to customize the delay buffer length from four seconds to the full 80 seconds. Dump can be customized in 1/2 second increments up to 10 seconds. Each time the DUMP button is pressed, only one segment is deleted. For example, if a unit is set to the full 80 seconds of delay buffer, and is set up to provide 8-second dumps, you will have ten separate dump segments. Pushing the DUMP button the first time cuts out one 8-second segment. You still have 72 seconds of delay protection. If this is followed by more trash-talk, push the DUMP button again and you still have over a minute of delay protection.</span>\n<br /><br />\nThe \"sneeze\" button momentarily \"edits\" audio entering the delay, allowing the host to sneeze, cough, or make a short comment without being heard on air - and without dead air. Your station cannot afford to work without a net. With the BD600W+, you will never worry about running out of delay memory.\n<br /><br />\nIn addition to the fully integrated BD600W+, an optional factory installed upgrade, or a W-Upgrade field upgrade kit (soldering required) is available from Eventide for BD600s manufactured in 2011 or later.\n<br /><br />\n<h3>MicroPrecision Delay™</h3>\nMicroPrecision Delay™ mode allows up to 20 seconds of delay adjustment in real time in 100 nanosecond increments. For stations upgrading to HD, providing a high-quality subsample adjustable delay for synchronizing analog and digital is the holy grail for maintaining a seamless experience for listeners. MicroPrecision Delay can be adjusted on-air, and ramped in and out for clean transitions without audible artifacts.\n<br /><br />\nThe BD600W+ features built-in WheatNet-IP connectivity and Extended Remote capability by conveniently streaming 24-bit audio and control data over the WheatNet-IP network for easy integration with new or existing WheatNet-IP broadcast networks. The Eventide BD600W+ in conjunction with the WheatNet-IP network is fully compatible with the AES67 standard for AoIP.<br /><br />\nThe BD600W+ adds more delay protection, improves fidelity, and expands remote options, while maintaining the user interface and yellow DUMP button familiar to all radio engineers. It is the culmination of thirty years of designing and manufacturing highly reliable delays for broadcast. Featuring 80 seconds of delay, 24-bit digital and analog I/O, plus a host of new features, the BD600W+ is the new world standard.<br /><br />\n<h3>Eventide BD600W+ Features</h3>\n<ul>\n	<li>Microprecision delay mode for HD synchronization</li>\n	<li>80 seconds of delay protection</li>\n	<li>USB Remote Control</li>\n	<li>WheatNet-IP connectivity</li>\n	<li>\"Panic\" allows WAV file play back during delay rebuild</li>\n	<li>24-bit AES/EBU digital i/o, with optional Wordclock sync</li>\n	<li>24-bit analog XLR i/o</li>\n	<li>User-defined \"dump\" length segmentation</li>\n	<li>\"Sneeze\" button for momentary edit</li>\n	<li>RS-232 I/O</li>\n	<li>Network remote capabilities offer 16 assignable inputs and outputs</li>\n	\n</ul>\n<br />\n<h3>The New Standard for Features</h3>\nThe \"sneeze\" button momentarily \"edits\" audio entering the delay, allowing the host to sneeze, cough, or make a short comment without being heard on air - and without dead air. Your station cannot afford to work without a net. With the BD600W+, you will never worry about running out of delay memory.<br /><br />\n\nIf 80 seconds of delay protection were not enough, the BD600 has a secondary backup called PANIC. This plays a .WAV file stored on a compact flash card. While the file - a jingle, ID or other message - is played, delay is being built up in real time, allowing programming to continue in safety as soon as the jingle is over. This can also be used for painless entry into delay.<br /><br />\n\nThe unit shows not only an exact digital readout of delay time, but also has a \"quick read\" bar graph which instantly confirms \"you\'re safe\" at a glance. The BD600W+ is an 80-second stereo delay unit featuring analog XLR-type inputs and outputs, as well as AES/EBU digital audio inputs and outputs. All front panel switches (except \"configure\") can be remoted, as can the status indicators. Both RS-232 in and out are included; 16 assignable remote inputs and outputs are available as WheatNet-IP GPIOs.<br /><br />\n\nIn addition to the fully integrated BD600W+, an optional factory installed upgrade, or a W-Upgrade field upgrade kit (soldering required) is available from Eventide for BD600s manufactured in 2011 or later.  \n<br /><br />'),(4358,75,1,727,'<h1>Eventide BD600W+ Broadcast Delay with WheatNet IP Integration and Extended Remote</h1>\n<span style=\"font-size: 16px;\"><i>80 Second profanity delay with WheatNet IP Integration, PANIC mode or HD synchronization with MicroPrecision mode:\n 10 second delay adjustable in 1μ increments, with AES I/O and Extended Remote Capabilities\n</i></span><br /><br />\nThe Eventide BD600W+ Broadcast Delay <span style=\"background-color: initial;\">offers an unprecedented 80 seconds of the highest quality revenue and license-protecting delay - twice as much as other delays. You have the flexibility to customize the delay buffer length from four seconds to the full 80 seconds. Dump can be customized in 1/2 second increments up to 10 seconds. Each time the DUMP button is pressed, only one segment is deleted. For example, if a unit is set to the full 80 seconds of delay buffer, and is set up to provide 8-second dumps, you will have ten separate dump segments. Pushing the DUMP button the first time cuts out one 8-second segment. You still have 72 seconds of delay protection. If this is followed by more trash-talk, push the DUMP button again and you still have over a minute of delay protection.</span>\n<br /><br />\nThe \"sneeze\" button momentarily \"edits\" audio entering the delay, allowing the host to sneeze, cough, or make a short comment without being heard on air - and without dead air. Your station cannot afford to work without a net. With the BD600W+, you will never worry about running out of delay memory.\n<br /><br />\nIn addition to the fully integrated BD600W+, an optional factory installed upgrade, or a W-Upgrade field upgrade kit (soldering required) is available from Eventide for BD600s manufactured in 2011 or later.\n<br /><br />\n<h3>MicroPrecision Delay™</h3>\nMicroPrecision Delay™ mode allows up to 20 seconds of delay adjustment in real time in 100 nanosecond increments. For stations upgrading to HD, providing a high-quality subsample adjustable delay for synchronizing analog and digital is the holy grail for maintaining a seamless experience for listeners. MicroPrecision Delay can be adjusted on-air, and ramped in and out for clean transitions without audible artifacts.\n<br /><br />\nThe BD600W+ features built-in WheatNet-IP connectivity and Extended Remote capability by conveniently streaming 24-bit audio and control data over the WheatNet-IP network for easy integration with new or existing WheatNet-IP broadcast networks. The Eventide BD600W+ in conjunction with the WheatNet-IP network is fully compatible with the AES67 standard for AoIP.<br /><br />\nThe BD600W+ adds more delay protection, improves fidelity, and expands remote options, while maintaining the user interface and yellow DUMP button familiar to all radio engineers. It is the culmination of thirty years of designing and manufacturing highly reliable delays for broadcast. Featuring 80 seconds of delay, 24-bit digital and analog I/O, plus a host of new features, the BD600W+ is the new world standard.<br /><br />\n<h3>Eventide BD600W+ Features</h3>\n<ul>\n	<li>Microprecision delay mode for HD synchronization</li>\n	<li>80 seconds of delay protection</li>\n	<li>USB Remote Control</li>\n	<li>WheatNet-IP connectivity</li>\n	<li>\"Panic\" allows WAV file play back during delay rebuild</li>\n	<li>24-bit AES/EBU digital i/o, with optional Wordclock sync</li>\n	<li>24-bit analog XLR i/o</li>\n	<li>User-defined \"dump\" length segmentation</li>\n	<li>\"Sneeze\" button for momentary edit</li>\n	<li>RS-232 I/O</li>\n	<li>Network remote capabilities offer 16 assignable inputs and outputs</li>\n	\n</ul>\n<br />\n<h3>The New Standard for Features</h3>\nThe \"sneeze\" button momentarily \"edits\" audio entering the delay, allowing the host to sneeze, cough, or make a short comment without being heard on air - and without dead air. Your station cannot afford to work without a net. With the BD600W+, you will never worry about running out of delay memory.<br /><br />\n\nIf 80 seconds of delay protection were not enough, the BD600 has a secondary backup called PANIC. This plays a .WAV file stored on a compact flash card. While the file - a jingle, ID or other message - is played, delay is being built up in real time, allowing programming to continue in safety as soon as the jingle is over. This can also be used for painless entry into delay.<br /><br />\n\nThe unit shows not only an exact digital readout of delay time, but also has a \"quick read\" bar graph which instantly confirms \"you\'re safe\" at a glance. The BD600W+ is an 80-second stereo delay unit featuring analog XLR-type inputs and outputs, as well as AES/EBU digital audio inputs and outputs. All front panel switches (except \"configure\") can be remoted, as can the status indicators. Both RS-232 in and out are included; 16 assignable remote inputs and outputs are available as WheatNet-IP GPIOs.<br /><br />\n\nIn addition to the fully integrated BD600W+, an optional factory installed upgrade, or a W-Upgrade field upgrade kit (soldering required) is available from Eventide for BD600s manufactured in 2011 or later.  \n<br /><br />'),(4359,85,0,727,''),(4360,85,1,727,''),(4361,76,0,727,''),(4362,76,1,727,''),(4363,75,0,728,'<h1>Eventide H3000 Band Delays</h1>\n<span style=\"font-size: 16px;\"><i>Get the classic sounds from the original Eventide H3000 </i></span><i>Harmonizer, in a simple, easy to use plug-in!</i><br /><br />The Eventide H3000 Band Delays plug-in features eight voices of tempo-based filtered delays from the original H3000 Harmonizer® effects processor. Each voice is adjustable by phase, volume, panning, and delay up to 1.2 seconds each; the filters for each voice are selectable (Band Pass, High Pass, or Low Pass) with variable cut-off frequency and resonance. H3000 Band Delays has a full-featured function generator for a wide variety of modulation possibilities. All delay voices can be locked to session tempo and users can even play the filters with a MIDI keyboard. The intuitive Beat Grid lets you easily place delays in time with your music. H3000 Band Delays offers chorus type modulation as well as a wide variety of complex rhythmic and timbral effects.<br /><br />\n<h3>H3000 Band Delays Features</h3><ul><li>8 voices, each of which can be altered by frequency, resonance, filter type, delay time, volume and panning.</li><li>Filters assignable as band pass, low pass, high pass, all pass or notch filter.</li><li>Assign the H3000 Function Generator to several parameters to create movement and bring life to drums and stringed instruments.</li><li>Beat grid gives visual representation for creating unique rhythms from your sound.</li><li>Route a MIDI keyboard to the plugin to play the filters as musical notes.</li><li>Includes presets from original H3000 hardware in addition to many new inspiring choices.</li><li>MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots</li></ul><br />'),(4364,75,1,728,'<h1>Eventide H3000 Band Delays</h1>\n<span style=\"font-size: 16px;\"><i>Get the classic sounds from the original Eventide H3000 </i></span><i>Harmonizer, in a simple, easy to use plug-in!</i><br /><br />The Eventide H3000 Band Delays plug-in features eight voices of tempo-based filtered delays from the original H3000 Harmonizer® effects processor. Each voice is adjustable by phase, volume, panning, and delay up to 1.2 seconds each; the filters for each voice are selectable (Band Pass, High Pass, or Low Pass) with variable cut-off frequency and resonance. H3000 Band Delays has a full-featured function generator for a wide variety of modulation possibilities. All delay voices can be locked to session tempo and users can even play the filters with a MIDI keyboard. The intuitive Beat Grid lets you easily place delays in time with your music. H3000 Band Delays offers chorus type modulation as well as a wide variety of complex rhythmic and timbral effects.<br /><br />\n<h3>H3000 Band Delays Features</h3><ul><li>8 voices, each of which can be altered by frequency, resonance, filter type, delay time, volume and panning.</li><li>Filters assignable as band pass, low pass, high pass, all pass or notch filter.</li><li>Assign the H3000 Function Generator to several parameters to create movement and bring life to drums and stringed instruments.</li><li>Beat grid gives visual representation for creating unique rhythms from your sound.</li><li>Route a MIDI keyboard to the plugin to play the filters as musical notes.</li><li>Includes presets from original H3000 hardware in addition to many new inspiring choices.</li><li>MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots</li></ul><br />'),(4365,85,0,728,'Eventide H3000 Band Delays'),(4366,85,1,728,'Eventide H3000 Band Delays'),(4367,76,0,728,''),(4368,76,1,728,''),(4369,75,0,729,'<h1>Eventide H9000 Hardware Effects Processor</h1>\n<span style=\"font-size: 16px;\"><i>Eventide\'s Flagship Effect Processor with full front panel control capable of 32-channels of 24-bit/96kHz processing. Modular DSP and I/O. Comes standard with 4 Quadcore processing cards, 8 channels of hi-quality analog, ADAT, S/PDIF and EAS I/O. Emote remote control application for Mac, PC, and iOS as well as plug-in control via AU, VST, and AAX. </i></span><br /><br />\nThe Eventide H9000 continues Eventide\'s unbroken tradition of delivering industry-leading signal processing power to the pro audio community. The culmination of a multi-year development cycle, the H9000 features 8x the processing power of the H8000 and a huge array of I/O options, as well as network capability. <br /><br />\nThe multichannel processing power of the H9000 makes it a suitable platform for surround sound and for processing several tracks of audio simultaneously. In addition, the H9000 introduces the concept of FX Chains which allows users to connect any set of four effects with flexible routing. FX Chains can be created to act as a voice channel, a guitar \'pedal board\', a modular synth with effects, etc.<br /><br />\nThe H9000\'s remote control application, emote, is available for users working \'in the box\' or over an audio network. Emote is available as a stand-alone application for Mac and PC and as a  plug-in for ProTools, AU and VST. \n<br /><br />\n<h3>Eventide H9000 Features</h3>\n<ul>\n	<li>4 quad core ARM processors serving as 16 DSP engines</li>\n	<li>8 channels of pristine analog audio I/O, AES/EBU, ADAT, 16 USB audio channels</li>\n	<li>Optional audio network connection for MADI, Dante, Ravenna and more</li>\n	<li>Control the unit via the front panel, using Emote software or as a DAW plug-in</li>\n	<li>Innovative FX Chains make setting up and managing complex effects easy</li>\n</ul>\n<br />\n<h3>Multiple Quad ARM Processors</h3>\nThe H9000 uses multiple cutting-edge effects processors, allowing it to process a large number of I/O channels and up to 16 separate effects algorithms simultaneously.\n<br /><br />\n<h3>Flexible and Adaptable Effects Structure</h3>\nYour H9000 can utilize up to 4 separate FX Chains, with each chain containing up to 4 separate processing algorithms. The FX Chains can be routed in series, parallel, and more.\n<br /><br />\n<h3>Large Complement of Analog and Digital Input / Output</h3>\nMultiple formats and connector types allow you to easily integrate the H9000 into a variety of setups.\n<br /><br />\n<h3>Expandable I/O</h3>\nThree option card slots allow you to integrate your H9000 into the latest digital audio and networked audio environments. We are always developing new option cards, ensuring that your processor is as future-proof as possible in the always-evolving world of digital and networked audio formats.\n<br /><br />\n\n<h3>Full Front Panel Control</h3>\nWhile we offer the extremely useful Emote control app, the standard H9000 also provides intuitive front panel control using a large color display, context sensitive soft keys, and a large complement of physical navigation controls.\n<br /><br />\n\n<h3>Network Connectivity</h3>\nConnect the H9000 to your Local Area Network for quick and easy software updates, as well as full control through our Emote software.\n<br /><br />\n\n<h3>Computer Audio Interfacing</h3>\nUSB 2.0 allows you to interface your H9000 with your audio software as a standard audio interface with 16 channels of I/O. Send, process, and return 16 separate channels of individual DAW tracks.\n<br /><br />\n\n<h3>Easy Sharing of FX Chains and Sessions</h3>\nThe H9000 uses standard, “off-the-shelf” USB thumb drives to save and import your custom effects settings, making it easy to back up, carry, and share your creative efforts'),(4370,75,1,729,'<h1>Eventide H9000 Hardware Effects Processor</h1>\n<span style=\"font-size: 16px;\"><i>Eventide\'s Flagship Effect Processor with full front panel control capable of 32-channels of 24-bit/96kHz processing. Modular DSP and I/O. Comes standard with 4 Quadcore processing cards, 8 channels of hi-quality analog, ADAT, S/PDIF and EAS I/O. Emote remote control application for Mac, PC, and iOS as well as plug-in control via AU, VST, and AAX. </i></span><br /><br />\nThe Eventide H9000 continues Eventide\'s unbroken tradition of delivering industry-leading signal processing power to the pro audio community. The culmination of a multi-year development cycle, the H9000 features 8x the processing power of the H8000 and a huge array of I/O options, as well as network capability. <br /><br />\nThe multichannel processing power of the H9000 makes it a suitable platform for surround sound and for processing several tracks of audio simultaneously. In addition, the H9000 introduces the concept of FX Chains which allows users to connect any set of four effects with flexible routing. FX Chains can be created to act as a voice channel, a guitar \'pedal board\', a modular synth with effects, etc.<br /><br />\nThe H9000\'s remote control application, emote, is available for users working \'in the box\' or over an audio network. Emote is available as a stand-alone application for Mac and PC and as a  plug-in for ProTools, AU and VST. \n<br /><br />\n<h3>Eventide H9000 Features</h3>\n<ul>\n	<li>4 quad core ARM processors serving as 16 DSP engines</li>\n	<li>8 channels of pristine analog audio I/O, AES/EBU, ADAT, 16 USB audio channels</li>\n	<li>Optional audio network connection for MADI, Dante, Ravenna and more</li>\n	<li>Control the unit via the front panel, using Emote software or as a DAW plug-in</li>\n	<li>Innovative FX Chains make setting up and managing complex effects easy</li>\n</ul>\n<br />\n<h3>Multiple Quad ARM Processors</h3>\nThe H9000 uses multiple cutting-edge effects processors, allowing it to process a large number of I/O channels and up to 16 separate effects algorithms simultaneously.\n<br /><br />\n<h3>Flexible and Adaptable Effects Structure</h3>\nYour H9000 can utilize up to 4 separate FX Chains, with each chain containing up to 4 separate processing algorithms. The FX Chains can be routed in series, parallel, and more.\n<br /><br />\n<h3>Large Complement of Analog and Digital Input / Output</h3>\nMultiple formats and connector types allow you to easily integrate the H9000 into a variety of setups.\n<br /><br />\n<h3>Expandable I/O</h3>\nThree option card slots allow you to integrate your H9000 into the latest digital audio and networked audio environments. We are always developing new option cards, ensuring that your processor is as future-proof as possible in the always-evolving world of digital and networked audio formats.\n<br /><br />\n\n<h3>Full Front Panel Control</h3>\nWhile we offer the extremely useful Emote control app, the standard H9000 also provides intuitive front panel control using a large color display, context sensitive soft keys, and a large complement of physical navigation controls.\n<br /><br />\n\n<h3>Network Connectivity</h3>\nConnect the H9000 to your Local Area Network for quick and easy software updates, as well as full control through our Emote software.\n<br /><br />\n\n<h3>Computer Audio Interfacing</h3>\nUSB 2.0 allows you to interface your H9000 with your audio software as a standard audio interface with 16 channels of I/O. Send, process, and return 16 separate channels of individual DAW tracks.\n<br /><br />\n\n<h3>Easy Sharing of FX Chains and Sessions</h3>\nThe H9000 uses standard, “off-the-shelf” USB thumb drives to save and import your custom effects settings, making it easy to back up, carry, and share your creative efforts'),(4371,85,0,729,'Eventide H9000 Hardware Effects Processor'),(4372,85,1,729,'Eventide H9000 Hardware Effects Processor'),(4373,76,0,729,''),(4374,76,1,729,''),(4375,75,0,730,'<h1>Eventide H9000R Hardware Effects Processor</h1>\n<span style=\"font-size: 16px;\"><i>Eventide\'s Flagship H9000 Effect Processor but with a stripped-down blank front panel, fully remote controled. Capable of 32-channels of 24-bit/96kHz processing. Modular DSP and I/O. Comes standard with 4 Quadcore processing cards, 8 channels of hi-quality analog, ADAT, S/PDIF and EAS I/O. Emote remote control application for Mac, PC, and iOS as well as plug-in control via AU, VST, and AAX. </i></span><br /><br />\nThe Eventide H9000R continues Eventide\'s unbroken tradition of delivering industry-leading signal processing power to the pro audio community. The culmination of a multi-year development cycle, the H9000R features 8x the processing power of the H8000 and a huge array of I/O options, as well as network capability. <br /><br />\nThe multichannel processing power of the H9000R makes it a suitable platform for surround sound and for processing several tracks of audio simultaneously. In addition, the H9000R introduces the concept of FX Chains which allows users to connect any set of four effects with flexible routing. FX Chains can be created to act as a voice channel, a guitar \'pedal board\', a modular synth with effects, etc.<br /><br />\nThe H9000\'s remote control application, emote, is available for users working \'in the box\' or over an audio network. Emote is available as a stand-alone application for Mac and PC and as a  plug-in for ProTools, AU and VST. \n<br /><br />\n<h3>Eventide H9000R Features</h3>\n<ul>\n	<li>4 quad core ARM processors serving as 16 DSP engines</li>\n	<li>8 channels of pristine analog audio I/O, AES/EBU, ADAT, 16 USB audio channels</li>\n	<li>Optional audio network connection for MADI, Dante, Ravenna and more</li>\n	<li>Control the unit using Emote software or as a DAW plug-in</li>\n	<li>Innovative FX Chains make setting up and managing complex effects easy</li>\n</ul>\n<br />\n<h3>Multiple Quad ARM Processors</h3>\nThe H9000 uses multiple cutting-edge effects processors, allowing it to process a large number of I/O channels and up to 16 separate effects algorithms simultaneously.\n<br /><br />\n<h3>Flexible and Adaptable Effects Structure</h3>\nYour H9000 can utilize up to 4 separate FX Chains, with each chain containing up to 4 separate processing algorithms. The FX Chains can be routed in series, parallel, and more.\n<br /><br />\n<h3>Large Complement of Analog and Digital Input / Output</h3>\nMultiple formats and connector types allow you to easily integrate the H9000 into a variety of setups.\n<br /><br />\n<h3>Expandable I/O</h3>\nThree option card slots allow you to integrate your H9000 into the latest digital audio and networked audio environments. We are always developing new option cards, ensuring that your processor is as future-proof as possible in the always-evolving world of digital and networked audio formats.\n<br /><br />\n\n<h3>Remote Control with Emote control app</h3>\nThe H9000\'s remote control application, emote, is available for users working \'in the box\' or over an audio network. Emote is available as a stand-alone application for Mac and PC and as a plug-in for ProTools, AU and VST. <br /><br />\n\n<h3>Network Connectivity</h3>\nConnect the H9000 to your Local Area Network for quick and easy software updates, as well as full control through our Emote software.\n<br /><br />\n\n<h3>Computer Audio Interfacing</h3>\nUSB 2.0 allows you to interface your H9000 with your audio software as a standard audio interface with 16 channels of I/O. Send, process, and return 16 separate channels of individual DAW tracks.\n<br /><br />\n\n<h3>Easy Sharing of FX Chains and Sessions</h3>\nThe H9000 uses standard, “off-the-shelf” USB thumb drives to save and import your custom effects settings, making it easy to back up, carry, and share your creative efforts'),(4376,75,1,730,'<h1>Eventide H9000R Hardware Effects Processor</h1>\n<span style=\"font-size: 16px;\"><i>Eventide\'s Flagship H9000 Effect Processor but with a stripped-down blank front panel, fully remote controled. Capable of 32-channels of 24-bit/96kHz processing. Modular DSP and I/O. Comes standard with 4 Quadcore processing cards, 8 channels of hi-quality analog, ADAT, S/PDIF and EAS I/O. Emote remote control application for Mac, PC, and iOS as well as plug-in control via AU, VST, and AAX. </i></span><br /><br />\nThe Eventide H9000R continues Eventide\'s unbroken tradition of delivering industry-leading signal processing power to the pro audio community. The culmination of a multi-year development cycle, the H9000R features 8x the processing power of the H8000 and a huge array of I/O options, as well as network capability. <br /><br />\nThe multichannel processing power of the H9000R makes it a suitable platform for surround sound and for processing several tracks of audio simultaneously. In addition, the H9000R introduces the concept of FX Chains which allows users to connect any set of four effects with flexible routing. FX Chains can be created to act as a voice channel, a guitar \'pedal board\', a modular synth with effects, etc.<br /><br />\nThe H9000\'s remote control application, emote, is available for users working \'in the box\' or over an audio network. Emote is available as a stand-alone application for Mac and PC and as a  plug-in for ProTools, AU and VST. \n<br /><br />\n<h3>Eventide H9000R Features</h3>\n<ul>\n	<li>4 quad core ARM processors serving as 16 DSP engines</li>\n	<li>8 channels of pristine analog audio I/O, AES/EBU, ADAT, 16 USB audio channels</li>\n	<li>Optional audio network connection for MADI, Dante, Ravenna and more</li>\n	<li>Control the unit using Emote software or as a DAW plug-in</li>\n	<li>Innovative FX Chains make setting up and managing complex effects easy</li>\n</ul>\n<br />\n<h3>Multiple Quad ARM Processors</h3>\nThe H9000 uses multiple cutting-edge effects processors, allowing it to process a large number of I/O channels and up to 16 separate effects algorithms simultaneously.\n<br /><br />\n<h3>Flexible and Adaptable Effects Structure</h3>\nYour H9000 can utilize up to 4 separate FX Chains, with each chain containing up to 4 separate processing algorithms. The FX Chains can be routed in series, parallel, and more.\n<br /><br />\n<h3>Large Complement of Analog and Digital Input / Output</h3>\nMultiple formats and connector types allow you to easily integrate the H9000 into a variety of setups.\n<br /><br />\n<h3>Expandable I/O</h3>\nThree option card slots allow you to integrate your H9000 into the latest digital audio and networked audio environments. We are always developing new option cards, ensuring that your processor is as future-proof as possible in the always-evolving world of digital and networked audio formats.\n<br /><br />\n\n<h3>Remote Control with Emote control app</h3>\nThe H9000\'s remote control application, emote, is available for users working \'in the box\' or over an audio network. Emote is available as a stand-alone application for Mac and PC and as a plug-in for ProTools, AU and VST. <br /><br />\n\n<h3>Network Connectivity</h3>\nConnect the H9000 to your Local Area Network for quick and easy software updates, as well as full control through our Emote software.\n<br /><br />\n\n<h3>Computer Audio Interfacing</h3>\nUSB 2.0 allows you to interface your H9000 with your audio software as a standard audio interface with 16 channels of I/O. Send, process, and return 16 separate channels of individual DAW tracks.\n<br /><br />\n\n<h3>Easy Sharing of FX Chains and Sessions</h3>\nThe H9000 uses standard, “off-the-shelf” USB thumb drives to save and import your custom effects settings, making it easy to back up, carry, and share your creative efforts'),(4377,85,0,730,'Eventide H9000R Hardware Effects Processor'),(4378,85,1,730,'Eventide H9000R Hardware Effects Processor'),(4379,76,0,730,''),(4380,76,1,730,''),(4381,75,0,731,'<h1>Eventide Reverb 2016</h1>\nThe Eventide Reverb 2016 is a modern recreation of the legendary reverb algorithms of Eventide\'s classic SP2016. Every aspect of the original effects have been duplicated, Stereo Room, Room Reverb and High Density Plate - and contains 3 new algorithms that provide updated variations on each of the original reverbs. including every detail of the user parameters. This modern recreation also features two channels of 24 bit audio I/O .\n<br /><br />\nThe Reverb 2016 is built to be a master of one thing, and one thing only–reverb. Reverb is used in almost every project, so why not have a dedicated box that with an optimal user interface, and most importantly, great sounding reverb.<br /><br />\nRecreating the original reverbs is the bread and butter of the Reverb 2016, it also features new and enhanced versions of the originals. These new algorithms have the same basic structure of the originals but with more complex early reflections, higher density, and finer control of the parameters. They represent the natural evolution of the development work that maxed out the array processing power of the SP2016.<br /><br />\n<h3>Reverb 2016 Features</h3>\n<ul>\n	<li>Store up to 99 user presets.</li>\n	<li>High performance 24 bit DSP, 24 bit analog audio I/O, digital I/O and MIDI interface.</li>\n	<li>The Reverb 2016 UI is extremely easy-to-use featuring dedicated controls for each of the effect\'s parameters.</li>\n	<li>The controls and display are intuitive. The UI is optimized for the studio and for live performance. </li>\n</ul>'),(4382,75,1,731,'<h1>Eventide Reverb 2016</h1>\nThe Eventide Reverb 2016 is a modern recreation of the legendary reverb algorithms of Eventide\'s classic SP2016. Every aspect of the original effects have been duplicated, Stereo Room, Room Reverb and High Density Plate - and contains 3 new algorithms that provide updated variations on each of the original reverbs. including every detail of the user parameters. This modern recreation also features two channels of 24 bit audio I/O .\n<br /><br />\nThe Reverb 2016 is built to be a master of one thing, and one thing only–reverb. Reverb is used in almost every project, so why not have a dedicated box that with an optimal user interface, and most importantly, great sounding reverb.<br /><br />\nRecreating the original reverbs is the bread and butter of the Reverb 2016, it also features new and enhanced versions of the originals. These new algorithms have the same basic structure of the originals but with more complex early reflections, higher density, and finer control of the parameters. They represent the natural evolution of the development work that maxed out the array processing power of the SP2016.<br /><br />\n<h3>Reverb 2016 Features</h3>\n<ul>\n	<li>Store up to 99 user presets.</li>\n	<li>High performance 24 bit DSP, 24 bit analog audio I/O, digital I/O and MIDI interface.</li>\n	<li>The Reverb 2016 UI is extremely easy-to-use featuring dedicated controls for each of the effect\'s parameters.</li>\n	<li>The controls and display are intuitive. The UI is optimized for the studio and for live performance. </li>\n</ul>'),(4383,85,0,731,'Eventide Reverb 2016'),(4384,85,1,731,'Eventide Reverb 2016'),(4385,76,0,731,''),(4386,76,1,731,''),(4387,75,0,732,'Whether you are a station servicing a smaller market or you are broadcasting a shock jock in the big city, the remarkably inexpensive BD960 is ideal for safe-guarding for your live audio broadcast needs. Any station that ever plans a live call-in or even slightly risky in-studio guest will benefit from having a BD960 delay unit in its protective arsenal.\n\nYou\'re on the air, and someone has just opened his or her big mouth a little too wide. Don\'t Panic!\nJust hit the Delete button, and the obscene caller or out-of control studio guest never reaches the air. The Delete function also closes a relay contact. With an easily built relay box, this can automatically start a six (or three or twelve) second cart - a short program promo, a station ID, a funny \"zapper,\" anything you want. When the delay period \"plays out,\" your delay switches you back \"almost live\" on the air with full delay protection restored. The whole operation takes just one button. What could be simpler?\n\nWhat could be simpler, indeed!\nHow about “no need for an easily built relay box or filler cart”? With the BD960, you need no relay, no filler cart - because filler playback is built into the unit! The BD960 AutoFill™ Broadcast Delay has a built- in memory to store material to use to fill those embarrassing silences while the delay period is regained. Since the memory is non-volatile, you don’t have to worry about losing it in a power failure; since it’s fully electronic, you don’t have to worry about loss of quality as it gets played and played and played. And, perhaps best of all, since it doesn’t add to the cost of the unit, you don’t have to justify paying extra for the feature!\n\nSome choices you don’t have to make…\nPrevious BD900-series models required you to specify mono or stereo and the delay length at the time of ordering. But you don’t have to make these choices with the BD960. ALL units are stereo, ALL have a maximum delay of eight seconds, adjustable to any value up to the maximum. And with the low cost of the BD960, you don’t need to choose whether to run unprotected on incidental programs, remotes, or on other occasions. Sure, if you’re a heavy talk station, you will probably want our world-standard BD500 delay with its patented “catch up” feature and ability to unobtrusively build up delay with no program interruption. But any station that ever plans a live call- in or even slightly risky instudio guest will benefit from having a BD960 delay unit in its protective arsenal.\n\nYou can’t say that on the radio…\nBut people who know that sometimes slip, and many enjoy testing limits. Recent changes and decisions at the FCC have made it more risky than ever to be risqué, and libel lawsuits and penalties in the U.S. and other countries can be more costly than FCC fines. With its spectacular audio specifications, the BD960 lets you control these risks with maximum convenience for you and transparency for your listeners.'),(4388,75,1,732,'Whether you are a station servicing a smaller market or you are broadcasting a shock jock in the big city, the remarkably inexpensive BD960 is ideal for safe-guarding for your live audio broadcast needs. Any station that ever plans a live call-in or even slightly risky in-studio guest will benefit from having a BD960 delay unit in its protective arsenal.\n\nYou\'re on the air, and someone has just opened his or her big mouth a little too wide. Don\'t Panic!\nJust hit the Delete button, and the obscene caller or out-of control studio guest never reaches the air. The Delete function also closes a relay contact. With an easily built relay box, this can automatically start a six (or three or twelve) second cart - a short program promo, a station ID, a funny \"zapper,\" anything you want. When the delay period \"plays out,\" your delay switches you back \"almost live\" on the air with full delay protection restored. The whole operation takes just one button. What could be simpler?\n\nWhat could be simpler, indeed!\nHow about “no need for an easily built relay box or filler cart”? With the BD960, you need no relay, no filler cart - because filler playback is built into the unit! The BD960 AutoFill™ Broadcast Delay has a built- in memory to store material to use to fill those embarrassing silences while the delay period is regained. Since the memory is non-volatile, you don’t have to worry about losing it in a power failure; since it’s fully electronic, you don’t have to worry about loss of quality as it gets played and played and played. And, perhaps best of all, since it doesn’t add to the cost of the unit, you don’t have to justify paying extra for the feature!\n\nSome choices you don’t have to make…\nPrevious BD900-series models required you to specify mono or stereo and the delay length at the time of ordering. But you don’t have to make these choices with the BD960. ALL units are stereo, ALL have a maximum delay of eight seconds, adjustable to any value up to the maximum. And with the low cost of the BD960, you don’t need to choose whether to run unprotected on incidental programs, remotes, or on other occasions. Sure, if you’re a heavy talk station, you will probably want our world-standard BD500 delay with its patented “catch up” feature and ability to unobtrusively build up delay with no program interruption. But any station that ever plans a live call- in or even slightly risky instudio guest will benefit from having a BD960 delay unit in its protective arsenal.\n\nYou can’t say that on the radio…\nBut people who know that sometimes slip, and many enjoy testing limits. Recent changes and decisions at the FCC have made it more risky than ever to be risqué, and libel lawsuits and penalties in the U.S. and other countries can be more costly than FCC fines. With its spectacular audio specifications, the BD960 lets you control these risks with maximum convenience for you and transparency for your listeners.'),(4389,85,0,732,'Eventide BD960 Broadcast Delay'),(4390,85,1,732,'Eventide BD960 Broadcast Delay'),(4391,76,0,732,''),(4392,76,1,732,''),(4393,75,0,733,'There\'s never been a compact effects box like Eclipse.\nFrom the amazing range and depth of its algorithms to its comprehensive array of analog and digital I/O ports, the Eclipse puts the legendary effects processing power of Eventide within your reach.'),(4394,75,1,733,'There\'s never been a compact effects box like Eclipse.\nFrom the amazing range and depth of its algorithms to its comprehensive array of analog and digital I/O ports, the Eclipse puts the legendary effects processing power of Eventide within your reach.'),(4395,85,0,733,'Eventide Eclipse V4 Effects Unit'),(4396,85,1,733,'Eventide Eclipse V4 Effects Unit'),(4397,76,0,733,''),(4398,76,1,733,''),(4399,75,0,734,'<h1>Exponential Audio Everything Bundle Plug-in</h1>\n<i>Every Exponential Audio effect plug-in</i><br /><br />\n<div>\n	Stereo Reverb Bundle brings you quintessential Exponential Audio reverb quality in a versatile tool set built to handle any stereo mixing project. With natural and character reverbs included alongside a variety of multi-effects, Stereo Reverb has your next music production covered.<br /><br /><font color=\"#000000\" size=\"5\"><b>Everythg Bundle F</b></font><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">eatures:</span>\n</div>\n<div>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb </h3>\n	PhoenixVerb is the stereo reverb plug-in nature intended: pure and simple. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music. Sophisticated yet intuitive attack, early reflection, and tail controls offer unprecedented start-to-finish command over the size and space of your audio’s surroundings.<br />\n	<h3 style=\"background-color: rgb(255, 255, 255);\">NIMBUS</h3>\n	NIMBUS offers even more precise control over the pristine, natural reverb first introduced by PhoenixVerb. Authentic, classic tone meets advanced filter mechanics, compression, overdrive, tempo-syncing, and warp effects, so you’re sure to have the perfect reverb for your music. Use the expanded attack, early reflections, and reverb tail controls to put your own unique spin on the shape and color of your reverb.<br />\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb Surround</h3>\n	PhoenixVerb Surround’s intuitive multichannel controls and extensive preset library bring you versatile, natural-sounding reverb in stunning surround. This is the signature transparency of PhoenixVerb, now with multichannel support up to 7.1 and eight early reflection patterns tailored to post production needs. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround’s comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.<br /><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">Stratus </span>\n</div>\nCreate natural surround environments for your mixes with unrivaled reverb clarity using Stratus. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, get just the right amount of depth and dimension in any post production job. Stratus surpasses PhoenixVerb Surround with an improved reverb engine and added effect parameters to bring you even more sonic versatility.<br />\n<h3 style=\"background-color: rgb(255, 255, 255);\">Stratus 3D</h3>\n<div>\n	Create immersive surround environments with unrivaled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, use Stratus 3D to get just the right amount of depth and dimension in any post production job. Stratus surpasses PhoenixVerb Surround with an improved reverb engine and added effect parameters to bring you even more sonic versatility.<br /><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">R2</span>\n</div>\nR2 introduces a lush, colorful stereo reverb algorithm to Exponential Audio’s familiar design. Use the chorus and gate effects to color and shape your reverb signal to suit any music project. From swirling orchestral chambers to minimal, clean room reflections, R2 is your go-to plug-in for designing completely unique, musical spaces.\n<h3 style=\"background-color: rgb(255, 255, 255);\">R4</h3>\nR4 delivers the historic warmth of time-tested reverb hardware units—all within a CPU-efficient algorithmic reverb plug-in with expanded creative control. Add personality and depth to your music with reverb designed to color your mixes without compromising clarity. For less traditional projects, use creative effects like Warp and Freeze to mangle your reflections beyond recognition and create twisted time effects to take your audience by surprise.\n<h3 style=\"background-color: rgb(255, 255, 255);\">R2 Surround</h3>\nBring new life and personality to your multichannel mixes with R2 Surround. This character-filled reverb is built to meet the demands of any surround music or post-production project, no matter how complex. Use the 3D Link expansion feature to connect multiple instances of R2 Surround for control over your entire multichannel mix, choose from eight early reflection patterns, then add shimmering modulation to your reverb tail for added depth and motion.<br /><font color=\"#000000\" size=\"5\"><b>Symphony</b></font><br />The lush, colorful reverb engine gets a multichannel upgrade in Symphony. Offering support for up to 7.1 surround, Symphony delivers a rich, character-filled reverb tone for any music or post production project. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony takes the creative power of R2 Surround and R4 and pushes it even further.\n<h3 style=\"background-color: rgb(255, 255, 255);\">Symphony 3D</h3>\nThe lush, colorful reverb engine gets a 24-channel upgrade in Symphony 3D, bringing rich modulation and dynamics effects to any surround music or post production. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony 3D combines the creative power of R4 and R2 Surround while pushing their capabilities even further.\n<h3 style=\"background-color: rgb(255, 255, 255);\">Excalibur</h3>\nExcalibur is a stereo multi-effects plug-in unlike any other. With several modulation, pitch-shifting, and dynamics effect modules, Excalibur has the creative tools to tackle any music production, post production, or sound design project. Four independent voice oscillators can subtly change the timbre of your recordings or drastically transform any audio source with swirling kinetic effects.'),(4400,75,1,734,'<h1>Exponential Audio Everything Bundle Plug-in</h1>\n<i>Every Exponential Audio effect plug-in</i><br /><br />\n<div>\n	Stereo Reverb Bundle brings you quintessential Exponential Audio reverb quality in a versatile tool set built to handle any stereo mixing project. With natural and character reverbs included alongside a variety of multi-effects, Stereo Reverb has your next music production covered.<br /><br /><font color=\"#000000\" size=\"5\"><b>Everythg Bundle F</b></font><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">eatures:</span>\n</div>\n<div>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb </h3>\n	PhoenixVerb is the stereo reverb plug-in nature intended: pure and simple. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music. Sophisticated yet intuitive attack, early reflection, and tail controls offer unprecedented start-to-finish command over the size and space of your audio’s surroundings.<br />\n	<h3 style=\"background-color: rgb(255, 255, 255);\">NIMBUS</h3>\n	NIMBUS offers even more precise control over the pristine, natural reverb first introduced by PhoenixVerb. Authentic, classic tone meets advanced filter mechanics, compression, overdrive, tempo-syncing, and warp effects, so you’re sure to have the perfect reverb for your music. Use the expanded attack, early reflections, and reverb tail controls to put your own unique spin on the shape and color of your reverb.<br />\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb Surround</h3>\n	PhoenixVerb Surround’s intuitive multichannel controls and extensive preset library bring you versatile, natural-sounding reverb in stunning surround. This is the signature transparency of PhoenixVerb, now with multichannel support up to 7.1 and eight early reflection patterns tailored to post production needs. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround’s comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.<br /><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">Stratus </span>\n</div>\nCreate natural surround environments for your mixes with unrivaled reverb clarity using Stratus. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, get just the right amount of depth and dimension in any post production job. Stratus surpasses PhoenixVerb Surround with an improved reverb engine and added effect parameters to bring you even more sonic versatility.<br />\n<h3 style=\"background-color: rgb(255, 255, 255);\">Stratus 3D</h3>\n<div>\n	Create immersive surround environments with unrivaled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, use Stratus 3D to get just the right amount of depth and dimension in any post production job. Stratus surpasses PhoenixVerb Surround with an improved reverb engine and added effect parameters to bring you even more sonic versatility.<br /><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">R2</span>\n</div>\nR2 introduces a lush, colorful stereo reverb algorithm to Exponential Audio’s familiar design. Use the chorus and gate effects to color and shape your reverb signal to suit any music project. From swirling orchestral chambers to minimal, clean room reflections, R2 is your go-to plug-in for designing completely unique, musical spaces.\n<h3 style=\"background-color: rgb(255, 255, 255);\">R4</h3>\nR4 delivers the historic warmth of time-tested reverb hardware units—all within a CPU-efficient algorithmic reverb plug-in with expanded creative control. Add personality and depth to your music with reverb designed to color your mixes without compromising clarity. For less traditional projects, use creative effects like Warp and Freeze to mangle your reflections beyond recognition and create twisted time effects to take your audience by surprise.\n<h3 style=\"background-color: rgb(255, 255, 255);\">R2 Surround</h3>\nBring new life and personality to your multichannel mixes with R2 Surround. This character-filled reverb is built to meet the demands of any surround music or post-production project, no matter how complex. Use the 3D Link expansion feature to connect multiple instances of R2 Surround for control over your entire multichannel mix, choose from eight early reflection patterns, then add shimmering modulation to your reverb tail for added depth and motion.<br /><font color=\"#000000\" size=\"5\"><b>Symphony</b></font><br />The lush, colorful reverb engine gets a multichannel upgrade in Symphony. Offering support for up to 7.1 surround, Symphony delivers a rich, character-filled reverb tone for any music or post production project. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony takes the creative power of R2 Surround and R4 and pushes it even further.\n<h3 style=\"background-color: rgb(255, 255, 255);\">Symphony 3D</h3>\nThe lush, colorful reverb engine gets a 24-channel upgrade in Symphony 3D, bringing rich modulation and dynamics effects to any surround music or post production. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony 3D combines the creative power of R4 and R2 Surround while pushing their capabilities even further.\n<h3 style=\"background-color: rgb(255, 255, 255);\">Excalibur</h3>\nExcalibur is a stereo multi-effects plug-in unlike any other. With several modulation, pitch-shifting, and dynamics effect modules, Excalibur has the creative tools to tackle any music production, post production, or sound design project. Four independent voice oscillators can subtly change the timbre of your recordings or drastically transform any audio source with swirling kinetic effects.'),(4401,85,0,734,'Exponential Audio Everything Bundle Plug-in'),(4402,85,1,734,'Exponential Audio Everything Bundle Plug-in'),(4403,76,0,734,''),(4404,76,1,734,''),(4405,75,0,735,'<h1>Exponential Audio Excalibur Multi-Effects Plug-in</h1>\n<span style=\"font-size:16px; font-style:italic;\">The Swiss-Army Knife of effects plug-ins.</span><br/><br/>\nExcalibur is the most powerful and flexible effects plug-in you can find. Four independent voices, with Solo control for quick checks. It features a beautiful dynamic interface, with metering that shows you everything thats going on with audio and controls.<br/><br/>\nTwo inputs per voice (plus a feedback path).  Inputs may be chosen from a wide range of sources, including left/right/mono inputs as well as signals from several points in the audio path of other voices.  You can easily route one voice into another.  There are even built-in noise sources.<br/><br/>\nLong delay (2.5 sec) available for each voice.  Delay time may be directly selected or tied to tempo.  Tempo may be read from the session itself or tapped in.<br/><br/>\nFlexible EQ (Lowpass 6dB/12db, Highpass 6dB/12dB, Bandpass or Notch with variable Q. EQ is available on voice output as well as in the feedback path.<br/><br/>\nPopover control window for each EQ shows a live display of EQ curve and audio signal.  EQ modulation is also displayed in real time.<br/><br/>\nVariable diffusion available on each voice. Good for smoothing a signal and creating a more analog sound.<br/><br/>\nWhat you need most is right there on a single page.  Deep editing is enabled with quick popover menus<br/><br/>\n<h3>Excalibur Voice Effects Control</h3>\nNot only are there four voices in Excalibur to create great sounding delay based effects, Exponential Audio added voice effects in each engine that can be routed and modulated in every way imaginable. We suppose you could call it a multi-multi-multi-effects unit! \n<br/><br/>\n<h3>Available Voice Effects include:</h3>\n<ul>\n	<li><strong>Chorus</strong> - a classic effect that\'s found its way to voice, guitar and all sorts of tracks                                                                                            </li>\n	<li><strong>Flanger</strong> - no stomp box needed for this popular sweeping effect                                                                                                                     </li>\n	<li><strong>Phaser</strong> - a subtle effect that can add life to many sources                                                                                                                         </li>\n	<li><strong>Ring Modulator</strong> - from robot voices to squawk boxes                                                                                                                                 </li>\n	<li><strong>Resonators (four different configurations)</strong> - sympathetic resonance can add ghosting to all sorts of material                                                                       </li>\n	<li><strong>Distortion</strong> - several modes.  From subtle warming to hard saturation. With a twist.                                                                                                 </li>\n	<li><strong>Resonant Filter</strong> - a classic 70\'s effect that still useful.  Whether an automatic wah or something else entirely                                                                    </li>\n	<li><strong>Glide</strong> - an all-purpose toolkit for modeling years gone by.  Bit-reduction down to 4-bit (with optional precompression). Subtle (or extreme) pitch modulation.  Brickwall filtering.</li>\n	<li><strong>Vintage Shifter</strong> - the 80\'s are back with this dual shifter.  Whether doubling voices or creating spiraling effects.  You know this sound                                           </li>\n	<li><strong>Reverb</strong> - a simple verb that sounds great in a flanger. Whether simple rooms or pulsating spaces.  You need this.                                                                   </li>\n</ul>\n<br/>\n<h3>Post Effects</h3>\nMost of the voice effects can be optionally followed by Chorus, Flanger or Phaser.  All in a single voice.\n<br/><br/>\n<h3>Modulation in Excalibur</h3>\nModulation means change.  In the case of Excalibur, it means changing all sorts of parameter by automatic means. There\'s a huge list of modulation sources.\n<br/><br/>\nThere is a long list of modulation sources. There are LFOs of course, as well as signal levels, random values, soft controls and combinations.<br/><br/>\nLFOs can be driven by any of four frequency sources (Gens). Different waveforms can be driven from a single Gen and those waveforms can be offset from one another by any desired phase. This means that complex effects can be easily phase-locked. And of course the frequency of the Gen can itself be modulated. There\'s also a smoothing filter for each modulator.<br/><br/>\nThe depth of the modulation effect can be specified individually for any modulated parameter.  And that can also be moderated by the soft controls shown below.<br/><br/>\nThere are two special controls on the GUI, the Soft Knob and the Soft Switch. They can be modulation sources, just like a Low Frequency Oscillator.  The difference is that they\'re under your control. A soft control can be used to subtly change some part of a preset.  Or it can be used to make radical changes.  The choice is completely up to the preset developer.  That\'s you.<br/><br/>\nThe output EQ of Voice 1 is being modulated by input level (in this case, it\'s L+R). The base frequency of the filter is set to 450Hz (top center of window).  The frequency can be modulated upward by as much as 1300Hz at maximum input level. The modulator source is being smoothed.<br/><br/>\nBecause the modulation source has \"+ Knob\", this maximum modulation amount is also controlled by the knob.  If the knob is at less than maximum, input level will have less of an effect. The modulation effect could also be gated by the soft switch.<br/><br/>\n<h3>Plug-in Formats</h3>\nMac and Windows. 32/64 bit. AAX, AU, VST, VST3, RTAS. Supports sample rates from 44.1k to 384K.\n<br/><br/>\n<h3>System Specifications</h3>\nAny Intel computer running at 2GHz or above.  Multiple cores strongly recommended. Display of at least 1024 x 768. You\'ll also need at least 1GB of RAM.  These are minimal requirements.  Most computers of the last five years have been much more powerful than this.\n<br/><br/>\nExcalibur is quite efficient and even gives you ways to control the processor load. It automatically stops processing when it\'s not doing anything--in any workstation.<br/><br/>\nILok2 is also required.'),(4406,75,1,735,'<h1>Exponential Audio Excalibur Multi-Effects Plug-in</h1>\n<span style=\"font-size:16px; font-style:italic;\">The Swiss-Army Knife of effects plug-ins.</span><br/><br/>\nExcalibur is the most powerful and flexible effects plug-in you can find. Four independent voices, with Solo control for quick checks. It features a beautiful dynamic interface, with metering that shows you everything thats going on with audio and controls.<br/><br/>\nTwo inputs per voice (plus a feedback path).  Inputs may be chosen from a wide range of sources, including left/right/mono inputs as well as signals from several points in the audio path of other voices.  You can easily route one voice into another.  There are even built-in noise sources.<br/><br/>\nLong delay (2.5 sec) available for each voice.  Delay time may be directly selected or tied to tempo.  Tempo may be read from the session itself or tapped in.<br/><br/>\nFlexible EQ (Lowpass 6dB/12db, Highpass 6dB/12dB, Bandpass or Notch with variable Q. EQ is available on voice output as well as in the feedback path.<br/><br/>\nPopover control window for each EQ shows a live display of EQ curve and audio signal.  EQ modulation is also displayed in real time.<br/><br/>\nVariable diffusion available on each voice. Good for smoothing a signal and creating a more analog sound.<br/><br/>\nWhat you need most is right there on a single page.  Deep editing is enabled with quick popover menus<br/><br/>\n<h3>Excalibur Voice Effects Control</h3>\nNot only are there four voices in Excalibur to create great sounding delay based effects, Exponential Audio added voice effects in each engine that can be routed and modulated in every way imaginable. We suppose you could call it a multi-multi-multi-effects unit! \n<br/><br/>\n<h3>Available Voice Effects include:</h3>\n<ul>\n	<li><strong>Chorus</strong> - a classic effect that\'s found its way to voice, guitar and all sorts of tracks                                                                                            </li>\n	<li><strong>Flanger</strong> - no stomp box needed for this popular sweeping effect                                                                                                                     </li>\n	<li><strong>Phaser</strong> - a subtle effect that can add life to many sources                                                                                                                         </li>\n	<li><strong>Ring Modulator</strong> - from robot voices to squawk boxes                                                                                                                                 </li>\n	<li><strong>Resonators (four different configurations)</strong> - sympathetic resonance can add ghosting to all sorts of material                                                                       </li>\n	<li><strong>Distortion</strong> - several modes.  From subtle warming to hard saturation. With a twist.                                                                                                 </li>\n	<li><strong>Resonant Filter</strong> - a classic 70\'s effect that still useful.  Whether an automatic wah or something else entirely                                                                    </li>\n	<li><strong>Glide</strong> - an all-purpose toolkit for modeling years gone by.  Bit-reduction down to 4-bit (with optional precompression). Subtle (or extreme) pitch modulation.  Brickwall filtering.</li>\n	<li><strong>Vintage Shifter</strong> - the 80\'s are back with this dual shifter.  Whether doubling voices or creating spiraling effects.  You know this sound                                           </li>\n	<li><strong>Reverb</strong> - a simple verb that sounds great in a flanger. Whether simple rooms or pulsating spaces.  You need this.                                                                   </li>\n</ul>\n<br/>\n<h3>Post Effects</h3>\nMost of the voice effects can be optionally followed by Chorus, Flanger or Phaser.  All in a single voice.\n<br/><br/>\n<h3>Modulation in Excalibur</h3>\nModulation means change.  In the case of Excalibur, it means changing all sorts of parameter by automatic means. There\'s a huge list of modulation sources.\n<br/><br/>\nThere is a long list of modulation sources. There are LFOs of course, as well as signal levels, random values, soft controls and combinations.<br/><br/>\nLFOs can be driven by any of four frequency sources (Gens). Different waveforms can be driven from a single Gen and those waveforms can be offset from one another by any desired phase. This means that complex effects can be easily phase-locked. And of course the frequency of the Gen can itself be modulated. There\'s also a smoothing filter for each modulator.<br/><br/>\nThe depth of the modulation effect can be specified individually for any modulated parameter.  And that can also be moderated by the soft controls shown below.<br/><br/>\nThere are two special controls on the GUI, the Soft Knob and the Soft Switch. They can be modulation sources, just like a Low Frequency Oscillator.  The difference is that they\'re under your control. A soft control can be used to subtly change some part of a preset.  Or it can be used to make radical changes.  The choice is completely up to the preset developer.  That\'s you.<br/><br/>\nThe output EQ of Voice 1 is being modulated by input level (in this case, it\'s L+R). The base frequency of the filter is set to 450Hz (top center of window).  The frequency can be modulated upward by as much as 1300Hz at maximum input level. The modulator source is being smoothed.<br/><br/>\nBecause the modulation source has \"+ Knob\", this maximum modulation amount is also controlled by the knob.  If the knob is at less than maximum, input level will have less of an effect. The modulation effect could also be gated by the soft switch.<br/><br/>\n<h3>Plug-in Formats</h3>\nMac and Windows. 32/64 bit. AAX, AU, VST, VST3, RTAS. Supports sample rates from 44.1k to 384K.\n<br/><br/>\n<h3>System Specifications</h3>\nAny Intel computer running at 2GHz or above.  Multiple cores strongly recommended. Display of at least 1024 x 768. You\'ll also need at least 1GB of RAM.  These are minimal requirements.  Most computers of the last five years have been much more powerful than this.\n<br/><br/>\nExcalibur is quite efficient and even gives you ways to control the processor load. It automatically stops processing when it\'s not doing anything--in any workstation.<br/><br/>\nILok2 is also required.'),(4407,85,0,735,'Exponential Audio Excalibur Multi-Effects Plug-in'),(4408,85,1,735,'Exponential Audio Excalibur Multi-Effects Plug-in'),(4409,76,0,735,''),(4410,76,1,735,''),(4411,75,0,736,'<h1>Exponential Audio NIMBUS Plug-in</h1>\n<i>Natural stereo reverbs with powerful control</i><br /><br />\n<div>\n	<div>\n		The Exponential Audio NIMBUS elevates the signature Exponential Audio reverb engine with surgical controls and timbral effects. Authentic, classic tone meets advanced filter mechanics, compression, overdrive, tempo-syncing, and warp effects, so you’re sure to have the perfect reverb for your music.<br /><br />NIMBUS gives you comprehensive control over the tone of your reverb while maintaining the authentic reflection clarity pioneered by PhoenixVerb. By introducing filter slope and frequency controls for the reverb signal’s attack, early reflections and tail components, as well as overdrive and compression modules for the global reverb signal, NIMBUS lets you color the tone of your reflections with outstanding accuracy and precision.<br />\n	</div>\n</div>\n<div>\n	<font color=\"#000000\" size=\"5\"><b>NIMBUS</b></font><b style=\"color: rgb(0, 0, 0); font-size: 24px;\"> Features:</b><br />\n	<ul>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Natural stereo reverb algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Warp controls with compression and overdrive</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Pre-delay and reverb delay adjustable by tempo</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">5 additional early reflection patterns and additional plate reverb algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dynamic tail suppression to lower reverb in louder parts of a mix</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul>\n</div>\n<h3>Crisp reverb tone with your own unique signature</h3>\n<font color=\"#000000\">Exercise complete control over your reverb timbre with six filter types for your early reflections and reverb tail. NIMBUS offers an Attack module with four reverb types, Tail control with independent delay, suppression, and recovery parameters, and Early control over the reverb algorithm pattern.</font><br />\n<h3>Tempo-sync your pre-delay and reverb delay</h3>\n<div>\n	<div>\n		<font color=\"#000000\">NIMBUS just got a lot more musical with tempo syncing! Select the rhythmic note value you want, then either tap in the beat or have it follow the tempo set in your DAW to quickly lock in your reverb timing.</font>\n	</div>\n	<div>\n		<font color=\"#000000\" size=\"5\"><b>Warp: color gently or mangle dramatically</b></font>\n	</div>\n</div>\n<span style=\"color: rgb(0, 0, 0);\">NIMBUS’s Warp effects provide exciting creative tools to add character and sophistication to your reflections. Use the Overdrive module to introduce expressive harmonics or edgy, aggressive resonances, or use the built-in Compression module to shape a more consistent and powerful reverb tone.</span>'),(4412,75,1,736,'<h1>Exponential Audio NIMBUS Plug-in</h1>\n<i>Natural stereo reverbs with powerful control</i><br /><br />\n<div>\n	<div>\n		The Exponential Audio NIMBUS elevates the signature Exponential Audio reverb engine with surgical controls and timbral effects. Authentic, classic tone meets advanced filter mechanics, compression, overdrive, tempo-syncing, and warp effects, so you’re sure to have the perfect reverb for your music.<br /><br />NIMBUS gives you comprehensive control over the tone of your reverb while maintaining the authentic reflection clarity pioneered by PhoenixVerb. By introducing filter slope and frequency controls for the reverb signal’s attack, early reflections and tail components, as well as overdrive and compression modules for the global reverb signal, NIMBUS lets you color the tone of your reflections with outstanding accuracy and precision.<br />\n	</div>\n</div>\n<div>\n	<font color=\"#000000\" size=\"5\"><b>NIMBUS</b></font><b style=\"color: rgb(0, 0, 0); font-size: 24px;\"> Features:</b><br />\n	<ul>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Natural stereo reverb algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Warp controls with compression and overdrive</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Pre-delay and reverb delay adjustable by tempo</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">5 additional early reflection patterns and additional plate reverb algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dynamic tail suppression to lower reverb in louder parts of a mix</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul>\n</div>\n<h3>Crisp reverb tone with your own unique signature</h3>\n<font color=\"#000000\">Exercise complete control over your reverb timbre with six filter types for your early reflections and reverb tail. NIMBUS offers an Attack module with four reverb types, Tail control with independent delay, suppression, and recovery parameters, and Early control over the reverb algorithm pattern.</font><br />\n<h3>Tempo-sync your pre-delay and reverb delay</h3>\n<div>\n	<div>\n		<font color=\"#000000\">NIMBUS just got a lot more musical with tempo syncing! Select the rhythmic note value you want, then either tap in the beat or have it follow the tempo set in your DAW to quickly lock in your reverb timing.</font>\n	</div>\n	<div>\n		<font color=\"#000000\" size=\"5\"><b>Warp: color gently or mangle dramatically</b></font>\n	</div>\n</div>\n<span style=\"color: rgb(0, 0, 0);\">NIMBUS’s Warp effects provide exciting creative tools to add character and sophistication to your reflections. Use the Overdrive module to introduce expressive harmonics or edgy, aggressive resonances, or use the built-in Compression module to shape a more consistent and powerful reverb tone.</span>'),(4413,85,0,736,'Exponential Audio NIMBUS Plug-in'),(4414,85,1,736,'Exponential Audio NIMBUS Plug-in'),(4415,76,0,736,''),(4416,76,1,736,''),(4417,75,0,737,'<h1>Exponential Audio PhoenixVerb Plug-in</h1>\n<i>Classic stereo reverbs for music</i><br /><br />\n<div>\n	PhoenixVerb brings clear, lifelike dimension to your mixes. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music.\n</div>\n<div>\n	The go-to reverb plug-in for top producers everywhere, PhoenixVerb is designed to generate authentic reflections and bring realistic depth to any music production. Instantly place your performers in a pristine studio setting, a resonant echo chamber, or any other sonic environment you can dream up.\n</div>\n<h3>PhoenixVerb Features:</h3>\n<ul>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Realistic stereo reverb algorithm</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dimension- and frequency-shaping controls for each stage of the reverb signal</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Global high- and low-pass filters</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Independent output controls for attack, early reflections, and tail</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Clear, informative frequency display and responsive UI</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 900 presets (rooms, plates, halls, chambers, and more)</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n</ul>\n<h3>Clear, natural reverb algorithm</h3>\nPhoenixVerb’s neutral spatial reflections fit any music production. Create a reflective hall for your piano, a large, resonant chamber for your vocals, a tasteful plate for your percussion.\n<br /><br />\n<h3>Powerful and precise control</h3>\nA sophisticated and powerful user interface perfectly complements the high-quality reverb algorithm itself. With just the right balance of control and intuitiveness, you’ll have no trouble dialing in the exact tone your tracks demand.<br /><br />\n<h3>Extensive sonic versatility</h3>\nWith over 900 spaces to choose from—including room, plate, hall, chamber, and more—you’ll never find yourself at a loss for articulate spatial effects, no matter how tight the deadline for your project may be.'),(4418,75,1,737,'<h1>Exponential Audio PhoenixVerb Plug-in</h1>\n<i>Classic stereo reverbs for music</i><br /><br />\n<div>\n	PhoenixVerb brings clear, lifelike dimension to your mixes. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music.\n</div>\n<div>\n	The go-to reverb plug-in for top producers everywhere, PhoenixVerb is designed to generate authentic reflections and bring realistic depth to any music production. Instantly place your performers in a pristine studio setting, a resonant echo chamber, or any other sonic environment you can dream up.\n</div>\n<h3>PhoenixVerb Features:</h3>\n<ul>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Realistic stereo reverb algorithm</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dimension- and frequency-shaping controls for each stage of the reverb signal</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Global high- and low-pass filters</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Independent output controls for attack, early reflections, and tail</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Clear, informative frequency display and responsive UI</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 900 presets (rooms, plates, halls, chambers, and more)</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n</ul>\n<h3>Clear, natural reverb algorithm</h3>\nPhoenixVerb’s neutral spatial reflections fit any music production. Create a reflective hall for your piano, a large, resonant chamber for your vocals, a tasteful plate for your percussion.\n<br /><br />\n<h3>Powerful and precise control</h3>\nA sophisticated and powerful user interface perfectly complements the high-quality reverb algorithm itself. With just the right balance of control and intuitiveness, you’ll have no trouble dialing in the exact tone your tracks demand.<br /><br />\n<h3>Extensive sonic versatility</h3>\nWith over 900 spaces to choose from—including room, plate, hall, chamber, and more—you’ll never find yourself at a loss for articulate spatial effects, no matter how tight the deadline for your project may be.'),(4419,85,0,737,'Exponential Audio PhoenixVerb Surround Plug-in'),(4420,85,1,737,'Exponential Audio PhoenixVerb Surround Plug-in'),(4421,76,0,737,''),(4422,76,1,737,''),(4423,75,0,738,'<h1>Exponential Audio PhoenixVerb Surround Plug-in</h1>\n<i>Crystal clear reflections in sprawling surround</i><br /><br />\n<div>\n	PhoenixVerb Surround delivers the signature transparent reflections of PhoenixVerb, now with multichannel support up to 7.1. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround’s comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.\n</div>\n<div>\n	Just as the stereo version of PhoenixVerb has cemented its place in the workflow of music producers everywhere, PhoenixVerb Surround has earned the same indispensability in post production workstations the world over. Multichannel support through 7.1 surround makes PhoenixVerb Surround the ideal post production tool for introducing natural, authentic reflections to bring depth and realism during ADR work or foley mixing.<br />\n</div>\n<h3>PhoenixVerb Surround Features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px; font-family: Roboto, sans-serif; box-sizing: border-box;\">Natural reverb algorithm</span><span style=\"letter-spacing: 0px; font-family: Roboto, sans-serif;\">Surround support up to 7.1</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Advanced control of reverb tail and early reflections</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Additional delays and gain controls to work in complex multichannel mixes</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">3D controls link multiple plug-in instances</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 900 presets (rooms, plates, halls, chambers, and more)</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n</ul>\n<h3>Up to 7.1 surround support</h3>\nAdd the signature depth and clarity of PhoenixVerb to your mix in any surround post production setting up to 7.1. In addition, PhoenixVerb Surround’s 3D connectivity allows you to link multiple instances for even more complex multichannel work.\n<br /><br />\n<h3>Natural, transparent reverb engine</h3>\nWhether it’s ambience matching  for a low-budget indie film or orchestral mixing for a high-profile post production job, the PhoenixVerb algorithm delivers authentic, realistic room reflections, perfect for any post production work.<br /><br />\n<h3>Advanced versatility and precision</h3>\nThe most useful audio tools provide an appropriate balance of technical power, flexibility, and ease of use. PhoenixVerb Surround delivers on these fronts with over 900 presets and filtering, delay, and gain controls to shape your reverb perfectly for your mix.<br />'),(4424,75,1,738,'<h1>Exponential Audio PhoenixVerb Surround Plug-in</h1>\n<i>Crystal clear reflections in sprawling surround</i><br /><br />\n<div>\n	PhoenixVerb Surround delivers the signature transparent reflections of PhoenixVerb, now with multichannel support up to 7.1. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround’s comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.\n</div>\n<div>\n	Just as the stereo version of PhoenixVerb has cemented its place in the workflow of music producers everywhere, PhoenixVerb Surround has earned the same indispensability in post production workstations the world over. Multichannel support through 7.1 surround makes PhoenixVerb Surround the ideal post production tool for introducing natural, authentic reflections to bring depth and realism during ADR work or foley mixing.<br />\n</div>\n<h3>PhoenixVerb Surround Features:</h3>\n<ul>\n	<li><span style=\"letter-spacing: 0px; font-family: Roboto, sans-serif; box-sizing: border-box;\">Natural reverb algorithm</span><span style=\"letter-spacing: 0px; font-family: Roboto, sans-serif;\">Surround support up to 7.1</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Advanced control of reverb tail and early reflections</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Additional delays and gain controls to work in complex multichannel mixes</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">3D controls link multiple plug-in instances</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 900 presets (rooms, plates, halls, chambers, and more)</span></li>\n	<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n</ul>\n<h3>Up to 7.1 surround support</h3>\nAdd the signature depth and clarity of PhoenixVerb to your mix in any surround post production setting up to 7.1. In addition, PhoenixVerb Surround’s 3D connectivity allows you to link multiple instances for even more complex multichannel work.\n<br /><br />\n<h3>Natural, transparent reverb engine</h3>\nWhether it’s ambience matching  for a low-budget indie film or orchestral mixing for a high-profile post production job, the PhoenixVerb algorithm delivers authentic, realistic room reflections, perfect for any post production work.<br /><br />\n<h3>Advanced versatility and precision</h3>\nThe most useful audio tools provide an appropriate balance of technical power, flexibility, and ease of use. PhoenixVerb Surround delivers on these fronts with over 900 presets and filtering, delay, and gain controls to shape your reverb perfectly for your mix.<br />'),(4425,85,0,738,'Exponential Audio PhoenixVerb Surround Plug-in'),(4426,85,1,738,'Exponential Audio PhoenixVerb Surround Plug-in'),(4427,76,0,738,''),(4428,76,1,738,''),(4429,75,0,739,'<h1>Exponential Audio R2 Plug-in</h1>\n<i>Classic character reverbs for music<br /></i><br />\n<div>\n	Exponential Audio R2 introduces a lush, colorful stereo reverb algorithm to Exponential Audio’s familiar design. Use the chorus and gate effects to color and shape your reverb signal to suit any music project. From swirling orchestral chambers to minimal, clean room reflections, R2 is your go-to plug-in for designing completely unique, musical spaces.<br /><br />Music production deserves a reverb tone as unique as the music itself. R2 employs a reverb algorithm designed to color and compliment stereo music productions, making the reflections themselves a musical element. With a comprehensive and precise control set, R2 has everything you need to put the final polish on your next music project, no matter the genre.<br /><br /><span><b style=\"font-size: x-large;\">R2 Features:</b><br />\n	<ul>\n		<li><span style=\"font-family: Roboto, sans-serif; background-color: initial; letter-spacing: 0px;\">Lush stereo reverb algorithm</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Easy-to-use modulation effects in Chorus module</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Use Gate to duck reverb and create space in a mix</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dimension- and frequency-shaping controls for each stage of the reverb signal</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Global high- and low-pass filters</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Independent output controls for attack, early reflections, and tail</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Clear, informative frequency display and responsive UI</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul>\n	</span><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span>\n</div>\n<h3>Give your reverb some character</h3>\n<span style=\"font-size: 14px;\">R2’s rich, musical reverb algorithm introduces more movement to the reverb tail, producing unique, expressive reflections like chorused guitar textures, dark rooms, vibrant vocal halls, and more.<br /></span><br />\n<h3>Get creative with modulation and dynamics effects</h3>\n<div>\n	<span style=\"font-size: 14px;\">Use the Chorus module in R2 to create different textural effects, or the input-driven Gate to dictate exactly where and when your reverb is most prominent.</span>\n</div>\n<h3>Spatial reflections you’ve never heard before</h3>\n<span><span style=\"font-size: 14px;\">R2’s preset bank blends classic plate, room, chamber, and hall reflections with tail modulations to create exciting, dimension expanding spatial effects.</span></span>'),(4430,75,1,739,'<h1>Exponential Audio R2 Plug-in</h1>\n<i>Classic character reverbs for music<br /></i><br />\n<div>\n	Exponential Audio R2 introduces a lush, colorful stereo reverb algorithm to Exponential Audio’s familiar design. Use the chorus and gate effects to color and shape your reverb signal to suit any music project. From swirling orchestral chambers to minimal, clean room reflections, R2 is your go-to plug-in for designing completely unique, musical spaces.<br /><br />Music production deserves a reverb tone as unique as the music itself. R2 employs a reverb algorithm designed to color and compliment stereo music productions, making the reflections themselves a musical element. With a comprehensive and precise control set, R2 has everything you need to put the final polish on your next music project, no matter the genre.<br /><br /><span><b style=\"font-size: x-large;\">R2 Features:</b><br />\n	<ul>\n		<li><span style=\"font-family: Roboto, sans-serif; background-color: initial; letter-spacing: 0px;\">Lush stereo reverb algorithm</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Easy-to-use modulation effects in Chorus module</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Use Gate to duck reverb and create space in a mix</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dimension- and frequency-shaping controls for each stage of the reverb signal</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Global high- and low-pass filters</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Independent output controls for attack, early reflections, and tail</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Clear, informative frequency display and responsive UI</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul>\n	</span><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span>\n</div>\n<h3>Give your reverb some character</h3>\n<span style=\"font-size: 14px;\">R2’s rich, musical reverb algorithm introduces more movement to the reverb tail, producing unique, expressive reflections like chorused guitar textures, dark rooms, vibrant vocal halls, and more.<br /></span><br />\n<h3>Get creative with modulation and dynamics effects</h3>\n<div>\n	<span style=\"font-size: 14px;\">Use the Chorus module in R2 to create different textural effects, or the input-driven Gate to dictate exactly where and when your reverb is most prominent.</span>\n</div>\n<h3>Spatial reflections you’ve never heard before</h3>\n<span><span style=\"font-size: 14px;\">R2’s preset bank blends classic plate, room, chamber, and hall reflections with tail modulations to create exciting, dimension expanding spatial effects.</span></span>'),(4431,85,0,739,'Exponential Audio R2 Plug-in'),(4432,85,1,739,'Exponential Audio R2 Plug-in'),(4433,76,0,739,''),(4434,76,1,739,''),(4435,75,0,740,'<h1>Exponential Audio R2 Surround Plug-in</h1>\n<i>Surround reverb that\'s equal parts art and science</i><br/><br/>\n<div>\n	<div>\n		R2 Surround brings new life and personality to your multichannel mixes with R2 Surround. This character-filled reverb is built to meet the demands of any surround music or post-production project, no matter how complex. Use the 3D Link expansion feature to connect multiple instances of R2 Surround for control over your entire multichannel mix, choose from eight early reflection patterns, then add shimmering modulation to your reverb tail for added depth and motion.\n	</div>\n</div>\n<div>\n	<span style=\"color: rgb(0, 0, 0);\"><b style=\"font-size: 24px;\">R2 Surround Features:</b><br/>\n	<ul>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"><inline style=\"font-size: 16px;\">Lush surround reverb algorithm with support up to 7.1</inline></span></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Chorus and Gate modules for musical effects</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Advanced control of reverb tail and early reflections</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Additional delays and gain controls to work in complex multichannel mixes</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">3D controls link multiple plug-in instances</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 800 presets (rooms, plates, halls, chambers, and more)</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span></inline><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"><inline style=\"font-size: 16px;\">EuControl support</inline></span></li>\n	</ul>\n	</span>\n</div>\n<h3>Musical reflections with flexible multichannel support</h3>\n<inline style=\"color: rgb(0, 0, 0);\">R2 Surround carries on the stereo version’s reputation for full-bodied reflections and introduces a multichannel upgrade. R2 Surround gives you control over every piece of your reverb signal with level and EQ controls for early reflections and reverb tail, plus in-depth Attack, Tail, and Early Reflections modules to fine-tune the size and timbre of your reflections. The Chorus and Gate modules can be used to produce a greater sense of motion in your reflections for effective and engaging spatial effects.</inline><br/><br/>\n<h3>7.1 multichannel support with 3D Link expansion</h3>\n<inline style=\"color: rgb(0, 0, 0);\">With up to 7.1 surround support and the ability to link instances together via 3D connectivity, don’t just stop at depth and width—use R2 Surround to add height to your mixes.<br/></inline><br/>\n<h3>Set the exact timing of reflections with Balance</h3>\n<inline style=\"color: rgb(0, 0, 0);\">Balance provides channel-specific delay and independent level controls for early reflections and reverb tail, giving you the ability to refine both the time placement and overall proportions of your reflections.<br/></inline>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Advanced directional controls</h3>\n<inline style=\"color: rgb(0, 0, 0);\">You can now fine-tune the front-back ratio of your reverb tail with Time Balance. Pattern, density, and distribution controls let you further tailor the physical characteristics of your early reflections’ movement.</inline>'),(4436,75,1,740,'<h1>Exponential Audio R2 Surround Plug-in</h1>\n<i>Surround reverb that\'s equal parts art and science</i><br/><br/>\n<div>\n	<div>\n		R2 Surround brings new life and personality to your multichannel mixes with R2 Surround. This character-filled reverb is built to meet the demands of any surround music or post-production project, no matter how complex. Use the 3D Link expansion feature to connect multiple instances of R2 Surround for control over your entire multichannel mix, choose from eight early reflection patterns, then add shimmering modulation to your reverb tail for added depth and motion.\n	</div>\n</div>\n<div>\n	<span style=\"color: rgb(0, 0, 0);\"><b style=\"font-size: 24px;\">R2 Surround Features:</b><br/>\n	<ul>\n		<li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"><inline style=\"font-size: 16px;\">Lush surround reverb algorithm with support up to 7.1</inline></span></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Chorus and Gate modules for musical effects</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Advanced control of reverb tail and early reflections</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Additional delays and gain controls to work in complex multichannel mixes</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">3D controls link multiple plug-in instances</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 800 presets (rooms, plates, halls, chambers, and more)</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span></inline><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"><inline style=\"font-size: 16px;\">EuControl support</inline></span></li>\n	</ul>\n	</span>\n</div>\n<h3>Musical reflections with flexible multichannel support</h3>\n<inline style=\"color: rgb(0, 0, 0);\">R2 Surround carries on the stereo version’s reputation for full-bodied reflections and introduces a multichannel upgrade. R2 Surround gives you control over every piece of your reverb signal with level and EQ controls for early reflections and reverb tail, plus in-depth Attack, Tail, and Early Reflections modules to fine-tune the size and timbre of your reflections. The Chorus and Gate modules can be used to produce a greater sense of motion in your reflections for effective and engaging spatial effects.</inline><br/><br/>\n<h3>7.1 multichannel support with 3D Link expansion</h3>\n<inline style=\"color: rgb(0, 0, 0);\">With up to 7.1 surround support and the ability to link instances together via 3D connectivity, don’t just stop at depth and width—use R2 Surround to add height to your mixes.<br/></inline><br/>\n<h3>Set the exact timing of reflections with Balance</h3>\n<inline style=\"color: rgb(0, 0, 0);\">Balance provides channel-specific delay and independent level controls for early reflections and reverb tail, giving you the ability to refine both the time placement and overall proportions of your reflections.<br/></inline>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Advanced directional controls</h3>\n<inline style=\"color: rgb(0, 0, 0);\">You can now fine-tune the front-back ratio of your reverb tail with Time Balance. Pattern, density, and distribution controls let you further tailor the physical characteristics of your early reflections’ movement.</inline>'),(4437,85,0,740,'Exponential Audio R2 Surround Plug-in'),(4438,85,1,740,'Exponential Audio R2 Surround Plug-in'),(4439,76,0,740,''),(4440,76,1,740,''),(4441,75,0,741,'<h1>Exponential Audio R4 Plug-in</h1>\n<i>Lush stereo reverbs with powerful control</i><br /><br />\n<div>\n	<div>\n		The Exponential Audio R4 delivers the historic warmth of time-tested reverb hardware units with expanded creative control. Add personality and depth to your music with reverb designed to color your mixes without compromising clarity. For less traditional projects, use creative effects like Warp and Freeze to mangle your reflections beyond recognition and create twisted time effects to take your audience by surprise.<br /><br />For decades, audio engineers have sworn by the warmth and color of reverb hardware units to bring life and fullness to their mixes. R4 delivers the classic reflections of vintage hardware with the control and versatility of present-day DSP technology. With a comprehensive parameter toolset and modern creative effects, R4 is a refreshing take on tried-and-true reverb tone.\n	</div>\n</div>\n<div>\n	<b style=\"color: rgb(0, 0, 0); font-size: 24px;\">R4 Surround Features:</b><br />\n	<ul>\n		<li></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Lush stereo reverb algorithm</font></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Warp controls with compression and overdrive</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Create ambient drones and texture with Freeze</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Pre-delay and reverb delay adjustable by tempo</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Chorus and Gate modules for musical effects</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">5 additional early reflection patterns and an additional hall algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dynamic tail suppression to lower reverb in louder parts of a mix</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul>\n</div>\n<h3>Classic reverb meets modern technology</h3>\n<font color=\"#000000\">R4 uses an updated R2 algorithm to bring the sought-after character of vintage reverb hardware to your DAW, delivering retro tone coupled with modern filtering and gain controls for an update on the vintage reverb experience.<br /></font><br />\n<h3>Stop time and space with Freeze</h3>\n<span style=\"color: rgb(0, 0, 0);\">Freeze gives you the ability to easily stretch an instant of reflected sound into infinity, and can also be combined with the Warp module’s overdrive and compression to craft a dramatic sustained reverb drone or striking cinematic ramp effects.<br /></span><br />\n<h3>Make your reverb a little more musical</h3>\n<span style=\"color: rgb(0, 0, 0);\">With the ability to sync to the tempo of your session, R4’s global pre-delay, reverb delay, and dynamic tail suppression integrate seamlessly with your music to place the reverb into the groove for a balanced mix in any musical context.</span>'),(4442,75,1,741,'<h1>Exponential Audio R4 Plug-in</h1>\n<i>Lush stereo reverbs with powerful control</i><br /><br />\n<div>\n	<div>\n		The Exponential Audio R4 delivers the historic warmth of time-tested reverb hardware units with expanded creative control. Add personality and depth to your music with reverb designed to color your mixes without compromising clarity. For less traditional projects, use creative effects like Warp and Freeze to mangle your reflections beyond recognition and create twisted time effects to take your audience by surprise.<br /><br />For decades, audio engineers have sworn by the warmth and color of reverb hardware units to bring life and fullness to their mixes. R4 delivers the classic reflections of vintage hardware with the control and versatility of present-day DSP technology. With a comprehensive parameter toolset and modern creative effects, R4 is a refreshing take on tried-and-true reverb tone.\n	</div>\n</div>\n<div>\n	<b style=\"color: rgb(0, 0, 0); font-size: 24px;\">R4 Surround Features:</b><br />\n	<ul>\n		<li></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Lush stereo reverb algorithm</font></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Warp controls with compression and overdrive</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Create ambient drones and texture with Freeze</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Pre-delay and reverb delay adjustable by tempo</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Chorus and Gate modules for musical effects</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">5 additional early reflection patterns and an additional hall algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dynamic tail suppression to lower reverb in louder parts of a mix</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul>\n</div>\n<h3>Classic reverb meets modern technology</h3>\n<font color=\"#000000\">R4 uses an updated R2 algorithm to bring the sought-after character of vintage reverb hardware to your DAW, delivering retro tone coupled with modern filtering and gain controls for an update on the vintage reverb experience.<br /></font><br />\n<h3>Stop time and space with Freeze</h3>\n<span style=\"color: rgb(0, 0, 0);\">Freeze gives you the ability to easily stretch an instant of reflected sound into infinity, and can also be combined with the Warp module’s overdrive and compression to craft a dramatic sustained reverb drone or striking cinematic ramp effects.<br /></span><br />\n<h3>Make your reverb a little more musical</h3>\n<span style=\"color: rgb(0, 0, 0);\">With the ability to sync to the tempo of your session, R4’s global pre-delay, reverb delay, and dynamic tail suppression integrate seamlessly with your music to place the reverb into the groove for a balanced mix in any musical context.</span>'),(4443,85,0,741,'Exponential Audio R4 Surround Plug-in'),(4444,85,1,741,'Exponential Audio R4 Surround Plug-in'),(4445,76,0,741,''),(4446,76,1,741,''),(4447,75,0,742,'<h1>Exponential Audio Reverb Pack</h1>\n<i>Limited Edition Reverb Pack featuring Exponential Audio R2, R4, and NIMBUS reverbs!</i><br /><br />\nTransport your music to new places with iZotope\'s limited edition reverb pack. Featuring 3 unique Exponential Audio reverbs, you\'ll get tools to add personality and character to your music—without compromising clarity. Precisely control natural stereo reverbs with NIMBUS, introduce lush, colorful sounds with R2, or add historic warmth with R4.<br /><h3><hr /></h3><h3>Exponential Audio R2</h3>Exponential Audio R2 introduces a lush, colorful stereo reverb algorithm to Exponential Audio’s familiar design. Use the chorus and gate effects to color and shape your reverb signal to suit any music project. From swirling orchestral chambers to minimal, clean room reflections, R2 is your go-to plug-in for designing completely unique, musical spaces.<br /><br />Music production deserves a reverb tone as unique as the music itself. R2 employs a reverb algorithm designed to color and compliment stereo music productions, making the reflections themselves a musical element. With a comprehensive and precise control set, R2 has everything you need to put the final polish on your next music project, no matter the genre.<br /><br /><b style=\"font-size: x-large;\">R2 Features:</b><br /><ul><li><span style=\"font-family: Roboto, sans-serif; background-color: initial; letter-spacing: 0px;\">Lush stereo reverb algorithm</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Easy-to-use modulation effects in Chorus module</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Use Gate to duck reverb and create space in a mix</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dimension- and frequency-shaping controls for each stage of the reverb signal</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Global high- and low-pass filters</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Independent output controls for attack, early reflections, and tail</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Clear, informative frequency display and responsive UI</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li></ul><hr />\n<h3>Exponential Audio R4</h3>\n<span style=\"background-color: initial;\">The Exponential Audio R4 delivers the historic warmth of time-tested reverb hardware units with expanded creative control. Add personality and depth to your music with reverb designed to color your mixes without compromising clarity. For less traditional projects, use creative effects like Warp and Freeze to mangle your reflections beyond recognition and create twisted time effects to take your audience by surprise.</span>\n<br /><br />\nFor decades, audio engineers have sworn by the warmth and color of reverb hardware units to bring life and fullness to their mixes. R4 delivers the classic reflections of vintage hardware with the control and versatility of present-day DSP technology. With a comprehensive parameter toolset and modern creative effects, R4 is a refreshing take on tried-and-true reverb tone.<br /><br />\n\n	<b style=\"color: rgb(0, 0, 0); font-size: 24px;\">R4 Surround Features:</b><br />\n	<ul>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; background-color: initial; letter-spacing: 0px;\">Lush stereo reverb algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Warp controls with compression and overdrive</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Create ambient drones and texture with Freeze</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Pre-delay and reverb delay adjustable by tempo</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Chorus and Gate modules for musical effects</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">5 additional early reflection patterns and an additional hall algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dynamic tail suppression to lower reverb in louder parts of a mix</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul>\n<hr id=\"horizontalrule\" />\n<h3>Exponential Audio NIMBUS</h3>\n<span style=\"background-color: initial;\">The Exponential Audio NIMBUS elevates the signature Exponential Audio reverb engine with surgical controls and timbral effects. Authentic, classic tone meets advanced filter mechanics, compression, overdrive, tempo-syncing, and warp effects, so you’re sure to have the perfect reverb for your music.</span>\n<div>\n	<br />NIMBUS gives you comprehensive control over the tone of your reverb while maintaining the authentic reflection clarity pioneered by PhoenixVerb. By introducing filter slope and frequency controls for the reverb signal’s attack, early reflections and tail components, as well as overdrive and compression modules for the global reverb signal, NIMBUS lets you color the tone of your reflections with outstanding accuracy and precision.<br />\n</div>\n<div>\n	<font color=\"#000000\" size=\"5\"><b>NIMBUS</b></font><b style=\"color: rgb(0, 0, 0); font-size: 24px;\"> Features:</b><br />\n	<ul>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Natural stereo reverb algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Warp controls with compression and overdrive</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Pre-delay and reverb delay adjustable by tempo</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">5 additional early reflection patterns and additional plate reverb algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dynamic tail suppression to lower reverb in louder parts of a mix</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support<br /></span></li>\n	</ul>\n</div>'),(4448,75,1,742,'<h1>Exponential Audio Reverb Pack</h1>\n<i>Limited Edition Reverb Pack featuring Exponential Audio R2, R4, and NIMBUS reverbs!</i><br /><br />\nTransport your music to new places with iZotope\'s limited edition reverb pack. Featuring 3 unique Exponential Audio reverbs, you\'ll get tools to add personality and character to your music—without compromising clarity. Precisely control natural stereo reverbs with NIMBUS, introduce lush, colorful sounds with R2, or add historic warmth with R4.<br /><h3><hr /></h3><h3>Exponential Audio R2</h3>Exponential Audio R2 introduces a lush, colorful stereo reverb algorithm to Exponential Audio’s familiar design. Use the chorus and gate effects to color and shape your reverb signal to suit any music project. From swirling orchestral chambers to minimal, clean room reflections, R2 is your go-to plug-in for designing completely unique, musical spaces.<br /><br />Music production deserves a reverb tone as unique as the music itself. R2 employs a reverb algorithm designed to color and compliment stereo music productions, making the reflections themselves a musical element. With a comprehensive and precise control set, R2 has everything you need to put the final polish on your next music project, no matter the genre.<br /><br /><b style=\"font-size: x-large;\">R2 Features:</b><br /><ul><li><span style=\"font-family: Roboto, sans-serif; background-color: initial; letter-spacing: 0px;\">Lush stereo reverb algorithm</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Easy-to-use modulation effects in Chorus module</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Use Gate to duck reverb and create space in a mix</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dimension- and frequency-shaping controls for each stage of the reverb signal</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Global high- and low-pass filters</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Independent output controls for attack, early reflections, and tail</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Clear, informative frequency display and responsive UI</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li><li><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li></ul><hr />\n<h3>Exponential Audio R4</h3>\n<span style=\"background-color: initial;\">The Exponential Audio R4 delivers the historic warmth of time-tested reverb hardware units with expanded creative control. Add personality and depth to your music with reverb designed to color your mixes without compromising clarity. For less traditional projects, use creative effects like Warp and Freeze to mangle your reflections beyond recognition and create twisted time effects to take your audience by surprise.</span>\n<br /><br />\nFor decades, audio engineers have sworn by the warmth and color of reverb hardware units to bring life and fullness to their mixes. R4 delivers the classic reflections of vintage hardware with the control and versatility of present-day DSP technology. With a comprehensive parameter toolset and modern creative effects, R4 is a refreshing take on tried-and-true reverb tone.<br /><br />\n\n	<b style=\"color: rgb(0, 0, 0); font-size: 24px;\">R4 Surround Features:</b><br />\n	<ul>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; background-color: initial; letter-spacing: 0px;\">Lush stereo reverb algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Warp controls with compression and overdrive</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Create ambient drones and texture with Freeze</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Pre-delay and reverb delay adjustable by tempo</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Chorus and Gate modules for musical effects</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">5 additional early reflection patterns and an additional hall algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dynamic tail suppression to lower reverb in louder parts of a mix</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul>\n<hr id=\"horizontalrule\" />\n<h3>Exponential Audio NIMBUS</h3>\n<span style=\"background-color: initial;\">The Exponential Audio NIMBUS elevates the signature Exponential Audio reverb engine with surgical controls and timbral effects. Authentic, classic tone meets advanced filter mechanics, compression, overdrive, tempo-syncing, and warp effects, so you’re sure to have the perfect reverb for your music.</span>\n<div>\n	<br />NIMBUS gives you comprehensive control over the tone of your reverb while maintaining the authentic reflection clarity pioneered by PhoenixVerb. By introducing filter slope and frequency controls for the reverb signal’s attack, early reflections and tail components, as well as overdrive and compression modules for the global reverb signal, NIMBUS lets you color the tone of your reflections with outstanding accuracy and precision.<br />\n</div>\n<div>\n	<font color=\"#000000\" size=\"5\"><b>NIMBUS</b></font><b style=\"color: rgb(0, 0, 0); font-size: 24px;\"> Features:</b><br />\n	<ul>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Natural stereo reverb algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Warp controls with compression and overdrive</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Pre-delay and reverb delay adjustable by tempo</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">5 additional early reflection patterns and additional plate reverb algorithm</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Dynamic tail suppression to lower reverb in louder parts of a mix</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,200 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support<br /></span></li>\n	</ul>\n</div>'),(4449,85,0,742,'Exponential Audio Reverb Pack'),(4450,85,1,742,'Exponential Audio Reverb Pack'),(4451,76,0,742,''),(4452,76,1,742,''),(4453,75,0,743,'<h1>Exponential Audio Stereo Reverb Bundle Plug-in</h1>\n<i>Versatile reverb and effects in stereo</i><br/><br/>\n<div>\n	Stereo Reverb Bundle brings you quintessential Exponential Audio reverb quality in a versatile tool set built to handle any stereo mixing project. With natural and character reverbs included alongside a variety of multi-effects, Stereo Reverb has your next music production covered.<br/><br/>The go-to reverb plug-in for top producers everywhere, PhoenixVerb is designed to generate authentic reflections and bring realistic depth to any music production. Instantly place your performers in a pristine studio setting, a resonant echo chamber, or any other sonic environment you can dream up.<br/><br/><font color=\"#000000\" size=\"5\"><b>Stereo Reverb Bundle F</b></font><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">eatures:</span>\n</div>\n<div>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb </h3>\n	PhoenixVerb is the stereo reverb plug-in nature intended: pure and simple. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music. Sophisticated yet intuitive attack, early reflection, and tail controls offer unprecedented start-to-finish command over the size and space of your audio’s surroundings.<br/>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">NIMBUS</h3>\n	NIMBUS offers even more precise control over the pristine, natural reverb first introduced by PhoenixVerb. Authentic, classic tone meets advanced filter mechanics, compression, overdrive, tempo-syncing, and warp effects, so you’re sure to have the perfect reverb for your music. Use the expanded attack, early reflections, and reverb tail controls to put your own unique spin on the shape and color of your reverb.<br/>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">R4</h3>\n	R4 delivers the historic warmth of time-tested reverb hardware units—all within a CPU-efficient algorithmic reverb plug-in with expanded creative control. Add personality and depth to your music with reverb designed to color your mixes without compromising clarity. For less traditional projects, use creative effects like Warp and Freeze to mangle your reflections beyond recognition and create twisted time effects to take your audience by surprise.\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb</h3>\n	PhoenixVerb is the stereo reverb plug-in nature intended: pure and simple. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music. Sophisticated yet intuitive attack, early reflection, and tail controls offer unprecedented start-to-finish command over the size and space of your audio’s surroundings.\n</div>'),(4454,75,1,743,'<h1>Exponential Audio Stereo Reverb Bundle Plug-in</h1>\n<i>Versatile reverb and effects in stereo</i><br/><br/>\n<div>\n	Stereo Reverb Bundle brings you quintessential Exponential Audio reverb quality in a versatile tool set built to handle any stereo mixing project. With natural and character reverbs included alongside a variety of multi-effects, Stereo Reverb has your next music production covered.<br/><br/>The go-to reverb plug-in for top producers everywhere, PhoenixVerb is designed to generate authentic reflections and bring realistic depth to any music production. Instantly place your performers in a pristine studio setting, a resonant echo chamber, or any other sonic environment you can dream up.<br/><br/><font color=\"#000000\" size=\"5\"><b>Stereo Reverb Bundle F</b></font><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">eatures:</span>\n</div>\n<div>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb </h3>\n	PhoenixVerb is the stereo reverb plug-in nature intended: pure and simple. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music. Sophisticated yet intuitive attack, early reflection, and tail controls offer unprecedented start-to-finish command over the size and space of your audio’s surroundings.<br/>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">NIMBUS</h3>\n	NIMBUS offers even more precise control over the pristine, natural reverb first introduced by PhoenixVerb. Authentic, classic tone meets advanced filter mechanics, compression, overdrive, tempo-syncing, and warp effects, so you’re sure to have the perfect reverb for your music. Use the expanded attack, early reflections, and reverb tail controls to put your own unique spin on the shape and color of your reverb.<br/>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">R4</h3>\n	R4 delivers the historic warmth of time-tested reverb hardware units—all within a CPU-efficient algorithmic reverb plug-in with expanded creative control. Add personality and depth to your music with reverb designed to color your mixes without compromising clarity. For less traditional projects, use creative effects like Warp and Freeze to mangle your reflections beyond recognition and create twisted time effects to take your audience by surprise.\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb</h3>\n	PhoenixVerb is the stereo reverb plug-in nature intended: pure and simple. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music. Sophisticated yet intuitive attack, early reflection, and tail controls offer unprecedented start-to-finish command over the size and space of your audio’s surroundings.\n</div>'),(4455,85,0,743,'Exponential Audio Stereo Reverb Bundle Plug-in'),(4456,85,1,743,'Exponential Audio Stereo Reverb Bundle Plug-in'),(4457,76,0,743,''),(4458,76,1,743,''),(4459,75,0,744,'<h1>Exponential Audio Stratus Plug-in</h1>\n<i>Realistic surround reverbs with advanced control</i><br/><br/>\n<div>\n	<div>\n		Exponential Audio Stratus creates natural surround environments for your mixes with unrivaled reverb clarity using Stratus. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, get just the right amount of depth and dimension in any post production job.<br/><br/>Stratus’s clear and realistic reverb algorithm brings crisp, authentic dimension to any post production session in surround formats up to 7.1. Refine your tone with ease and precision using Stratus’s thorough, channel-specific timbre and timing controls to create the perfect atmosphere for your next project.\n	</div>\n</div>\n<div>\n	<font color=\"#000000\" size=\"5\"><b>Stratus </b></font><b style=\"color: rgb(0, 0, 0); font-size: 24px;\">Features:</b><br/>\n	<ul>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Natural surround reverb algorithm with support up to 7.1</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Channel-specific control over reverb delay and gain</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Advanced control of reverb tail and early reflections</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Pre-delay and reverb delay adjustable by tempo</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">3D controls link multiple plug-in instances</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,700 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul>\n</div>\n<h3>Versatile, comprehensive surround support</h3>\n<inline style=\"color: rgb(0, 0, 0);\">With support for up to 7.1 channels, Stratus is right at home in any industry-standard surround workflow. Generate clean, articulate rooms for dialogue mixing, or capitalize on the multichannel capabilities for wide, deep reflections.<br/></inline><br/>\n<h3>Detailed gain and filter parameters</h3>\n<inline style=\"color: rgb(0, 0, 0);\">Comprehensive controls let you decide which parts of your reverb are most present. Control the tone and depth of your reverb on every level with independent EQ filters for the input, early reflections, and tail.<br/><br/></inline>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Channel-specific delay and level controls</h3>\n<inline style=\"color: rgb(0, 0, 0);\">By specifying placement and timing of the reflections in each channel with the Balance module, Stratus helps you craft the most compelling, realistic sound environment for your audience.</inline>'),(4460,75,1,744,'<h1>Exponential Audio Stratus Plug-in</h1>\n<i>Realistic surround reverbs with advanced control</i><br/><br/>\n<div>\n	<div>\n		Exponential Audio Stratus creates natural surround environments for your mixes with unrivaled reverb clarity using Stratus. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, get just the right amount of depth and dimension in any post production job.<br/><br/>Stratus’s clear and realistic reverb algorithm brings crisp, authentic dimension to any post production session in surround formats up to 7.1. Refine your tone with ease and precision using Stratus’s thorough, channel-specific timbre and timing controls to create the perfect atmosphere for your next project.\n	</div>\n</div>\n<div>\n	<font color=\"#000000\" size=\"5\"><b>Stratus </b></font><b style=\"color: rgb(0, 0, 0); font-size: 24px;\">Features:</b><br/>\n	<ul>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Natural surround reverb algorithm with support up to 7.1</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Channel-specific control over reverb delay and gain</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Advanced control of reverb tail and early reflections</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Pre-delay and reverb delay adjustable by tempo</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">3D controls link multiple plug-in instances</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,700 presets (rooms, plates, halls, chambers, and more)</span></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul>\n</div>\n<h3>Versatile, comprehensive surround support</h3>\n<inline style=\"color: rgb(0, 0, 0);\">With support for up to 7.1 channels, Stratus is right at home in any industry-standard surround workflow. Generate clean, articulate rooms for dialogue mixing, or capitalize on the multichannel capabilities for wide, deep reflections.<br/></inline><br/>\n<h3>Detailed gain and filter parameters</h3>\n<inline style=\"color: rgb(0, 0, 0);\">Comprehensive controls let you decide which parts of your reverb are most present. Control the tone and depth of your reverb on every level with independent EQ filters for the input, early reflections, and tail.<br/><br/></inline>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Channel-specific delay and level controls</h3>\n<inline style=\"color: rgb(0, 0, 0);\">By specifying placement and timing of the reflections in each channel with the Balance module, Stratus helps you craft the most compelling, realistic sound environment for your audience.</inline>'),(4461,85,0,744,'Exponential Audio Stratus Plug-in'),(4462,85,1,744,'Exponential Audio Stratus Plug-in'),(4463,76,0,744,''),(4464,76,1,744,''),(4465,75,0,745,'<h1>Exponential Audio Stratus 3D Plug-in</h1>\n<i>Dolby Atmos Immersive and Surround reverb plug-in featuring more than 1,700 surround presets with up to 24-channel support and intelligent multichannel reverb controls.</i><br /><br />\n<div>\n	<div>\n		Exponential Audio Stratus 3D has create immersive surround environments with unrivaled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, use Stratus 3D to get just the right amount of depth and dimension in any post production job.<br /><br />With the growing prevalence of immersive surround formats like Atmos, Auro, and beyond, there are more sonic possibilities for visual media than ever before. Stratus 3D is the perfect reverb engine for these new production formats. Aside from producing reflections with stunning clarity for up to 24-channel surround, Stratus 3D provides you with precise parameter controls to help you shape and refine the perfect spatial tone, channel by channel<br /><br />\n	</div>\n</div>\n<div>\n	<font color=\"#000000\" size=\"5\"><b>Stratus 3D</b></font><b style=\"color: rgb(0, 0, 0); font-size: 24px;\"> Features:</b><br />\n	<ul>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Natural reverb support up to 24 channels, including Atmos, Auro 3D, NHK, and more</span></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Channel-specific Balance controls for top and main signals in Atmos and other immersive formats</font></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Advanced control of reverb tail and early reflections</font></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Pre-delay and reverb delay adjustable by tempo</font></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Warp controls with compression and overdrive</font></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">3D controls link multiple plug-in instances</font></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Over 1,700 presets (rooms, plates, halls, chambers, and more)</font></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul><br />\n</div>\n<h3>Uncompromising surround and 3D support</h3>\n<span style=\"color: rgb(0, 0, 0);\">With support for up to 24 channels, including Atmos and Auro 3D, Stratus 3D is right at home in any multichannel workflow. Generate clean, articulate room feel, or capitalize on the 3D height expansion capabilities for wide, cavernous reflections.<br /></span><br />\n<h3>Detailed gain and filter parameters</h3>\n<span style=\"color: rgb(0, 0, 0);\">Independent input, early reflection, and reverb tail EQ filters let you decide which parts of the reflections are most present in the mix, so you control the resulting tone of your reverb on every level..<br /><br /></span>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Channel-specific delay and level controls</h3>\n<span style=\"color: rgb(0, 0, 0);\">By specifying the placement and timing of the separate vertical and horizontal reflections in each channel with the Balance module, Stratus 3D helps you craft the most enthralling, realistic soundaenvironment for your audience.</span>'),(4466,75,1,745,'<h1>Exponential Audio Stratus 3D Plug-in</h1>\n<i>Dolby Atmos Immersive and Surround reverb plug-in featuring more than 1,700 surround presets with up to 24-channel support and intelligent multichannel reverb controls.</i><br /><br />\n<div>\n	<div>\n		Exponential Audio Stratus 3D has create immersive surround environments with unrivaled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, use Stratus 3D to get just the right amount of depth and dimension in any post production job.<br /><br />With the growing prevalence of immersive surround formats like Atmos, Auro, and beyond, there are more sonic possibilities for visual media than ever before. Stratus 3D is the perfect reverb engine for these new production formats. Aside from producing reflections with stunning clarity for up to 24-channel surround, Stratus 3D provides you with precise parameter controls to help you shape and refine the perfect spatial tone, channel by channel<br /><br />\n	</div>\n</div>\n<div>\n	<font color=\"#000000\" size=\"5\"><b>Stratus 3D</b></font><b style=\"color: rgb(0, 0, 0); font-size: 24px;\"> Features:</b><br />\n	<ul>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">Natural reverb support up to 24 channels, including Atmos, Auro 3D, NHK, and more</span></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Channel-specific Balance controls for top and main signals in Atmos and other immersive formats</font></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Advanced control of reverb tail and early reflections</font></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Pre-delay and reverb delay adjustable by tempo</font></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Warp controls with compression and overdrive</font></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">3D controls link multiple plug-in instances</font></li>\n		<li><font color=\"#000000\" face=\"Roboto, sans-serif\">Over 1,700 presets (rooms, plates, halls, chambers, and more)</font></li>\n		<li><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\">EuControl support</span></li>\n	</ul><br />\n</div>\n<h3>Uncompromising surround and 3D support</h3>\n<span style=\"color: rgb(0, 0, 0);\">With support for up to 24 channels, including Atmos and Auro 3D, Stratus 3D is right at home in any multichannel workflow. Generate clean, articulate room feel, or capitalize on the 3D height expansion capabilities for wide, cavernous reflections.<br /></span><br />\n<h3>Detailed gain and filter parameters</h3>\n<span style=\"color: rgb(0, 0, 0);\">Independent input, early reflection, and reverb tail EQ filters let you decide which parts of the reflections are most present in the mix, so you control the resulting tone of your reverb on every level..<br /><br /></span>\n<h3 style=\"background-color: rgb(255, 255, 255);\">Channel-specific delay and level controls</h3>\n<span style=\"color: rgb(0, 0, 0);\">By specifying the placement and timing of the separate vertical and horizontal reflections in each channel with the Balance module, Stratus 3D helps you craft the most enthralling, realistic soundaenvironment for your audience.</span>'),(4467,85,0,745,'Exponential Audio Stratus 3D Plug-in'),(4468,85,1,745,'Exponential Audio Stratus 3D Plug-in'),(4469,76,0,745,''),(4470,76,1,745,''),(4471,75,0,746,'<h1>Exponential Audio Surround 3D Reverb Bundle Plug-in</h1>\n<i>High-quality reverbs in immersive surround</i><br /><br />\n<div>\n	Surround 3D Reverb Bundle offers powerful reverb effects for immersive multichannel surround formats. With support for up to 24 channels, rest assured that you’ll have the right reverb tool for any pro audio channel configuration project.<br /><br />The go-to reverb plug-in for top producers everywhere, PhoenixVerb is designed to generate authentic reflections and bring realistic depth to any music production. Instantly place your performers in a pristine studio setting, a resonant echo chamber, or any other sonic environment you can dream up.<br /><br /><font color=\"#000000\" size=\"5\"><b>Surround 3D Reverb Bundle F</b></font><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">eatures:</span>\n</div>\n<div>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb Surround</h3>\n	PhoenixVerb Surround’s intuitive multichannel controls and extensive preset library bring you versatile, natural-sounding reverb in stunning surround. This is the signature transparency of PhoenixVerb, now with multichannel support up to 7.1 and eight early reflection patterns tailored to post production needs. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround’s comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.<br />\n	<h3 style=\"background-color: rgb(255, 255, 255);\">R2 Surround</h3>\n	Bring new life and personality to your multichannel mixes with R2 Surround. This character-filled reverb is built to meet the demands of any surround music or post-production project, no matter how complex. Use the 3D Link expansion feature to connect multiple instances of R2 Surround for control over your entire multichannel mix, choose from eight early reflection patterns, then add shimmering modulation to your reverb tail for added depth and motion.<br />\n	<h3 style=\"background-color: rgb(255, 255, 255);\">Stratus 3D</h3>\n	Create immersive surround environments with unrivaled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, use Stratus 3D to get just the right amount of depth and dimension in any post production job. Stratus surpasses PhoenixVerb Surround with an improved reverb engine and added effect parameters to bring you even more sonic versatility.\n	<h3 style=\"background-color: rgb(255, 255, 255);\">Symphony 3D</h3>\n	The lush, colorful reverb engine gets a 24-channel upgrade in Symphony 3D, bringing rich modulation and dynamics effects to any surround music or post production. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony 3D combines the creative power of R4 and R2 Surround while pushing their capabilities even further.\n</div>'),(4472,75,1,746,'<h1>Exponential Audio Surround 3D Reverb Bundle Plug-in</h1>\n<i>High-quality reverbs in immersive surround</i><br /><br />\n<div>\n	Surround 3D Reverb Bundle offers powerful reverb effects for immersive multichannel surround formats. With support for up to 24 channels, rest assured that you’ll have the right reverb tool for any pro audio channel configuration project.<br /><br />The go-to reverb plug-in for top producers everywhere, PhoenixVerb is designed to generate authentic reflections and bring realistic depth to any music production. Instantly place your performers in a pristine studio setting, a resonant echo chamber, or any other sonic environment you can dream up.<br /><br /><font color=\"#000000\" size=\"5\"><b>Surround 3D Reverb Bundle F</b></font><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">eatures:</span>\n</div>\n<div>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb Surround</h3>\n	PhoenixVerb Surround’s intuitive multichannel controls and extensive preset library bring you versatile, natural-sounding reverb in stunning surround. This is the signature transparency of PhoenixVerb, now with multichannel support up to 7.1 and eight early reflection patterns tailored to post production needs. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround’s comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.<br />\n	<h3 style=\"background-color: rgb(255, 255, 255);\">R2 Surround</h3>\n	Bring new life and personality to your multichannel mixes with R2 Surround. This character-filled reverb is built to meet the demands of any surround music or post-production project, no matter how complex. Use the 3D Link expansion feature to connect multiple instances of R2 Surround for control over your entire multichannel mix, choose from eight early reflection patterns, then add shimmering modulation to your reverb tail for added depth and motion.<br />\n	<h3 style=\"background-color: rgb(255, 255, 255);\">Stratus 3D</h3>\n	Create immersive surround environments with unrivaled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, use Stratus 3D to get just the right amount of depth and dimension in any post production job. Stratus surpasses PhoenixVerb Surround with an improved reverb engine and added effect parameters to bring you even more sonic versatility.\n	<h3 style=\"background-color: rgb(255, 255, 255);\">Symphony 3D</h3>\n	The lush, colorful reverb engine gets a 24-channel upgrade in Symphony 3D, bringing rich modulation and dynamics effects to any surround music or post production. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony 3D combines the creative power of R4 and R2 Surround while pushing their capabilities even further.\n</div>'),(4473,85,0,746,'Exponential Audio Surround 3D Reverb Bundle Plug-in'),(4474,85,1,746,'Exponential Audio Surround 3D Reverb Bundle Plug-in'),(4475,76,0,746,''),(4476,76,1,746,''),(4477,75,0,747,'<h1>Exponential Audio Surround Reverb Bundle Plug-in</h1>\n<i>Versatile reverb and effects in stereo</i><br/><br/>\n<div>\n	Stereo Reverb Bundle brings you quintessential Exponential Audio reverb quality in a versatile tool set built to handle any stereo mixing project. With natural and character reverbs included alongside a variety of multi-effects, Stereo Reverb has your next music production covered.<br/><br/>The go-to reverb plug-in for top producers everywhere, PhoenixVerb is designed to generate authentic reflections and bring realistic depth to any music production. Instantly place your performers in a pristine studio setting, a resonant echo chamber, or any other sonic environment you can dream up.<br/><br/><font color=\"#000000\" size=\"5\"><b>Surround Reverb Bundle F</b></font><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">eatures:</span>\n</div>\n<div>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb Surround</h3>\n	PhoenixVerb Surround’s intuitive multichannel controls and extensive preset library bring you versatile, natural-sounding reverb in stunning surround. This is the signature transparency of PhoenixVerb, now with multichannel support up to 7.1 and eight early reflection patterns tailored to post production needs. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround’s comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.<br/>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">R2 Surround</h3>\n	Bring new life and personality to your multichannel mixes with R2 Surround. This character-filled reverb is built to meet the demands of any surround music or post-production project, no matter how complex. Use the 3D Link expansion feature to connect multiple instances of R2 Surround for control over your entire multichannel mix, choose from eight early reflection patterns, then add shimmering modulation to your reverb tail for added depth and motion.<br/>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">Stratus</h3>\n	Create natural surround environments for your mixes with unrivaled reverb clarity using Stratus. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, get just the right amount of depth and dimension in any post production job. Stratus surpasses PhoenixVerb Surround with an improved reverb engine and added effect parameters to bring you even more sonic versatility.\n	<h3 style=\"background-color: rgb(255, 255, 255);\">Symphony</h3>\n	Our lush, colorful reverb engine gets a multichannel upgrade in Symphony. Offering support for up to 7.1 surround, Symphony delivers a rich, character-filled reverb tone for any music or post production project. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony takes the creative power of R2 Surround and R4 and pushes it even further.\n</div>'),(4478,75,1,747,'<h1>Exponential Audio Surround Reverb Bundle Plug-in</h1>\n<i>Versatile reverb and effects in stereo</i><br/><br/>\n<div>\n	Stereo Reverb Bundle brings you quintessential Exponential Audio reverb quality in a versatile tool set built to handle any stereo mixing project. With natural and character reverbs included alongside a variety of multi-effects, Stereo Reverb has your next music production covered.<br/><br/>The go-to reverb plug-in for top producers everywhere, PhoenixVerb is designed to generate authentic reflections and bring realistic depth to any music production. Instantly place your performers in a pristine studio setting, a resonant echo chamber, or any other sonic environment you can dream up.<br/><br/><font color=\"#000000\" size=\"5\"><b>Surround Reverb Bundle F</b></font><span style=\"color: rgb(0, 0, 0); font-size: 24px; font-weight: bold;\">eatures:</span>\n</div>\n<div>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">PhoenixVerb Surround</h3>\n	PhoenixVerb Surround’s intuitive multichannel controls and extensive preset library bring you versatile, natural-sounding reverb in stunning surround. This is the signature transparency of PhoenixVerb, now with multichannel support up to 7.1 and eight early reflection patterns tailored to post production needs. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround’s comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.<br/>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">R2 Surround</h3>\n	Bring new life and personality to your multichannel mixes with R2 Surround. This character-filled reverb is built to meet the demands of any surround music or post-production project, no matter how complex. Use the 3D Link expansion feature to connect multiple instances of R2 Surround for control over your entire multichannel mix, choose from eight early reflection patterns, then add shimmering modulation to your reverb tail for added depth and motion.<br/>\n	<h3 style=\"background-color: rgb(255, 255, 255);\">Stratus</h3>\n	Create natural surround environments for your mixes with unrivaled reverb clarity using Stratus. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, get just the right amount of depth and dimension in any post production job. Stratus surpasses PhoenixVerb Surround with an improved reverb engine and added effect parameters to bring you even more sonic versatility.\n	<h3 style=\"background-color: rgb(255, 255, 255);\">Symphony</h3>\n	Our lush, colorful reverb engine gets a multichannel upgrade in Symphony. Offering support for up to 7.1 surround, Symphony delivers a rich, character-filled reverb tone for any music or post production project. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony takes the creative power of R2 Surround and R4 and pushes it even further.\n</div>'),(4479,85,0,747,'Exponential Audio Surround Reverb Bundle Plug-in'),(4480,85,1,747,'Exponential Audio Surround Reverb Bundle Plug-in'),(4481,76,0,747,''),(4482,76,1,747,''),(4483,75,0,748,'<h1>Exponential Audio Symphony Plug-in</h1>\n<i>Lush surround reverbs with advanced control<br/></i><br/>\n<div>\n	Exponential Audio Symphony is lush, colorful reverb engine gets a multichannel upgrade in Symphony. Offering support for up to 7.1 surround, Symphony delivers a rich, character-filled reverb tone for any music or post production project. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony takes the creative power of R2 Surround and R4 and pushes it even further.<br/><br/>Symphony represents the pinnacle of Exponential Audio reverb processing. This character reverb engine is the complete solution for crafting distinct, captivating spatial effects for multichannel music or post projects. With independent parameter modules for the Attack, Early Reflections and Tail of your reverb signal, plus channel-specific Balance controls and creative modulation and dynamics effects, Symphony lets you get the absolute most out of your mix’s reverb.<br/><br/><inline style=\"font-size: 16px;\"><b style=\"font-size: x-large;\">Symphony Features:</b><br/>\n	<ul>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Lush surround reverb algorithm for up to 7.1 channels</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Freeze, Chorus and Gate modules for creative effects</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Channel-specific control over reverb gain and delay</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Advanced control of reverb tail and early reflections</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,700 presets (rooms, plates, halls, chambers, and more)</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span></inline><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"><inline style=\"font-size: 16px;\">EuControl support</inline></span></li>\n	</ul>\n	</inline>\n</div>\n<h3>Stretch time with Freeze</h3>\n<inline style=\"font-size: 16px;\">With the ability to create ambient textures and pads via the Freeze function, Symphony is not your average reverb plug-in. Freeze captures a moment of reverb in time and extends it indefinitely, making it a great tool for creating drones and textural effects.<br/></inline><br/>\n<h3>Overdrive and Compression modules via Warp</h3>\n<div>\n	<inline style=\"font-size: 16px;\">Symphony comes with Warp tools to bring out specific resonances in your music’s reflections and maximize the overall reverb signal. When used in conjunction with Reverb Freeze, you can create nearly limitless original spatial effects for your music.</inline>\n</div>\n<br/>\n<h3>Expanded controls for creative precision</h3>\n<inline><inline style=\"font-size: 16px;\">Tail Suppression and Recovery ensure that Symphony’s reflections won’t overcrowd your mix or obscure any original audio. Use the Balance module for channel-specific delay and level controls to decide when and where your audience hears the reverb in your mix.</inline></inline>'),(4484,75,1,748,'<h1>Exponential Audio Symphony Plug-in</h1>\n<i>Lush surround reverbs with advanced control<br/></i><br/>\n<div>\n	Exponential Audio Symphony is lush, colorful reverb engine gets a multichannel upgrade in Symphony. Offering support for up to 7.1 surround, Symphony delivers a rich, character-filled reverb tone for any music or post production project. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony takes the creative power of R2 Surround and R4 and pushes it even further.<br/><br/>Symphony represents the pinnacle of Exponential Audio reverb processing. This character reverb engine is the complete solution for crafting distinct, captivating spatial effects for multichannel music or post projects. With independent parameter modules for the Attack, Early Reflections and Tail of your reverb signal, plus channel-specific Balance controls and creative modulation and dynamics effects, Symphony lets you get the absolute most out of your mix’s reverb.<br/><br/><inline style=\"font-size: 16px;\"><b style=\"font-size: x-large;\">Symphony Features:</b><br/>\n	<ul>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Lush surround reverb algorithm for up to 7.1 channels</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Freeze, Chorus and Gate modules for creative effects</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Channel-specific control over reverb gain and delay</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Advanced control of reverb tail and early reflections</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,700 presets (rooms, plates, halls, chambers, and more)</span></inline></li>\n		<li><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span></inline><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"><inline style=\"font-size: 16px;\">EuControl support</inline></span></li>\n	</ul>\n	</inline>\n</div>\n<h3>Stretch time with Freeze</h3>\n<inline style=\"font-size: 16px;\">With the ability to create ambient textures and pads via the Freeze function, Symphony is not your average reverb plug-in. Freeze captures a moment of reverb in time and extends it indefinitely, making it a great tool for creating drones and textural effects.<br/></inline><br/>\n<h3>Overdrive and Compression modules via Warp</h3>\n<div>\n	<inline style=\"font-size: 16px;\">Symphony comes with Warp tools to bring out specific resonances in your music’s reflections and maximize the overall reverb signal. When used in conjunction with Reverb Freeze, you can create nearly limitless original spatial effects for your music.</inline>\n</div>\n<br/>\n<h3>Expanded controls for creative precision</h3>\n<inline><inline style=\"font-size: 16px;\">Tail Suppression and Recovery ensure that Symphony’s reflections won’t overcrowd your mix or obscure any original audio. Use the Balance module for channel-specific delay and level controls to decide when and where your audience hears the reverb in your mix.</inline></inline>'),(4485,85,0,748,'Exponential Audio Symphony Plug-in'),(4486,85,1,748,'Exponential Audio Symphony Plug-in'),(4487,76,0,748,''),(4488,76,1,748,''),(4489,75,0,749,'<h1>Exponential Audio Symphony 3D Plug-in</h1>\n<i>Lush reverb for surround and immersive formats<br/></i><br/>\n<div>\n	Exponential Audio Symphony 3D is lush, colorful reverb engine gets a 24-channel upgrade in Symphony 3D, bringing rich modulation and dynamics effects to any surround music or post production. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony 3D combines the creative power of R4 and R2 Surround while pushing their capabilities even further.<br/><br/>Symphony 3D is Exponential Audio’s flagship reverb offering. The character reverb engine of Symphony receives 24-channel surround support, making it perfect for crafting distinct, captivating spatial effects for any multichannel music or post projects. With independent parameter modules for the Attack, Early Reflections and Tail of your reverb signal, plus channel-specific Balance controls and creative modulation and dynamics effects, no other reverb plug-in gives you this much control over your multichannel reflections.<br/><br/><inline><b style=\"font-size: x-large;\">Symphony 3D Features:</b><br/>\n	<ul>\n		<li><inline><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"><inline style=\"font-size: 16px;\">Lush surround reverb algorithm</inline></span></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Up to 24 channels, including Atmos, Auro 3D, NHK, and more</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Channel-specific Balance controls for top and main signals</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Advanced control of reverb tail and early reflections</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Channel-specific control over reverb delay and gain</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Freeze, chorus, and gate for musical effects</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,700 presets (rooms, plates, halls, chambers, and more)</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span></inline></inline><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"><inline><inline style=\"font-size: 16px;\">EuControl support</inline></inline></span></li>\n	</ul>\n	</inline><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span>\n</div>\n<h3>Stretch time with Freeze</h3>\n<inline style=\"font-size: 14px;\">With the ability to create ambient textures and pads via the Freeze function, Symphony is not your average reverb plug-in. Freeze captures a moment of reverb in time and extends it indefinitely, making it a great tool for creating drones and textural effects.<br/></inline><br/>\n<h3>Overdrive and Compression modules via Warp</h3>\n<div>\n	<inline style=\"font-size: 14px;\">Symphony comes with Warp tools to bring out specific resonances in your music’s reflections and maximize the overall reverb signal. When used in conjunction with Reverb Freeze, you can create nearly limitless original spatial effects for your music.</inline>\n</div>\n<br/>\n<h3>Expanded controls for creative precision</h3>\n<inline><inline style=\"font-size: 14px;\">Tail Suppression and Recovery ensure that Symphony’s reflections won’t overcrowd your mix or obscure any original audio. Use the Balance module for channel-specific delay and level controls to decide when and where your audience hears the reverb in your mix.</inline></inline>'),(4490,75,1,749,'<h1>Exponential Audio Symphony 3D Plug-in</h1>\n<i>Lush reverb for surround and immersive formats<br/></i><br/>\n<div>\n	Exponential Audio Symphony 3D is lush, colorful reverb engine gets a 24-channel upgrade in Symphony 3D, bringing rich modulation and dynamics effects to any surround music or post production. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony 3D combines the creative power of R4 and R2 Surround while pushing their capabilities even further.<br/><br/>Symphony 3D is Exponential Audio’s flagship reverb offering. The character reverb engine of Symphony receives 24-channel surround support, making it perfect for crafting distinct, captivating spatial effects for any multichannel music or post projects. With independent parameter modules for the Attack, Early Reflections and Tail of your reverb signal, plus channel-specific Balance controls and creative modulation and dynamics effects, no other reverb plug-in gives you this much control over your multichannel reflections.<br/><br/><inline><b style=\"font-size: x-large;\">Symphony 3D Features:</b><br/>\n	<ul>\n		<li><inline><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"><inline style=\"font-size: 16px;\">Lush surround reverb algorithm</inline></span></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Up to 24 channels, including Atmos, Auro 3D, NHK, and more</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Channel-specific Balance controls for top and main signals</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Advanced control of reverb tail and early reflections</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Channel-specific control over reverb delay and gain</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Freeze, chorus, and gate for musical effects</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\">Over 1,700 presets (rooms, plates, halls, chambers, and more)</span></inline></inline></li>\n		<li><inline><inline style=\"font-size: 16px;\"><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span></inline></inline><span style=\"font-family: Roboto, sans-serif; letter-spacing: 0px;\"><inline><inline style=\"font-size: 16px;\">EuControl support</inline></inline></span></li>\n	</ul>\n	</inline><span style=\"color: rgb(0, 0, 0); font-family: Roboto, sans-serif; letter-spacing: 0px;\"></span>\n</div>\n<h3>Stretch time with Freeze</h3>\n<inline style=\"font-size: 14px;\">With the ability to create ambient textures and pads via the Freeze function, Symphony is not your average reverb plug-in. Freeze captures a moment of reverb in time and extends it indefinitely, making it a great tool for creating drones and textural effects.<br/></inline><br/>\n<h3>Overdrive and Compression modules via Warp</h3>\n<div>\n	<inline style=\"font-size: 14px;\">Symphony comes with Warp tools to bring out specific resonances in your music’s reflections and maximize the overall reverb signal. When used in conjunction with Reverb Freeze, you can create nearly limitless original spatial effects for your music.</inline>\n</div>\n<br/>\n<h3>Expanded controls for creative precision</h3>\n<inline><inline style=\"font-size: 14px;\">Tail Suppression and Recovery ensure that Symphony’s reflections won’t overcrowd your mix or obscure any original audio. Use the Balance module for channel-specific delay and level controls to decide when and where your audience hears the reverb in your mix.</inline></inline>'),(4491,85,0,749,'Exponential Audio Symphony 3D Plug-in'),(4492,85,1,749,'Exponential Audio Symphony 3D Plug-in'),(4493,76,0,749,''),(4494,76,1,749,''),(4495,75,0,750,'<h2>FabFilter Creative Bundle Plug-ins</h2>\n\nWith the FabFilter Creative Bundle, you get FabFilter\'s inspiring distortion/saturation, stereo delay, filter effect and synthesizer plug-ins.<br /><br />\nThe FabFilter Creative bundle contains 4 plug-ins worth $566<br /><br />\n\n\n<h3>Creative Bundle Contains:</h3>\n<ul>\n<li>FabFilter Saturn : Multiband distortion/saturation plug-in</li><li>FabFilter Twin 2: Powerful synthesizer plug-in</li><li>FabFilter Timeless 2 : Creative tape delay plug-in</li><li>FabFilter Volcano 2 : Powerful filter plug-in</li>\n</ul><br /><ul>\n</ul>'),(4496,75,1,750,'<h2>FabFilter Creative Bundle Plug-ins</h2>\n\nWith the FabFilter Creative Bundle, you get FabFilter\'s inspiring distortion/saturation, stereo delay, filter effect and synthesizer plug-ins.<br /><br />\nThe FabFilter Creative bundle contains 4 plug-ins worth $566<br /><br />\n\n\n<h3>Creative Bundle Contains:</h3>\n<ul>\n<li>FabFilter Saturn : Multiband distortion/saturation plug-in</li><li>FabFilter Twin 2: Powerful synthesizer plug-in</li><li>FabFilter Timeless 2 : Creative tape delay plug-in</li><li>FabFilter Volcano 2 : Powerful filter plug-in</li>\n</ul><br /><ul>\n</ul>'),(4497,85,0,750,'FabFilter Creative Bundle Plug-ins'),(4498,85,1,750,'FabFilter Creative Bundle Plug-ins'),(4499,76,0,750,''),(4500,76,1,750,''),(4501,75,0,751,'<h1 style=\"background-color: rgb(255, 255, 255);\">FabFilter Essentials Bundle Plug-ins</h1>\nThe Essentials Bundle gets you FabFilter\'s most essential mixing tools. The Bundle includes professional EQ, reverb and compressor. FabFilter Pro-Q 2, Pro-R and Pro-C all at an incredible, discounted price.<br /><br />The FabFilter Essentials bundle contains 3 plug-ins worth $557<br /><br style=\"color: rgb(48, 56, 71); font-size: 16px; font-weight: normal;\" />\n\n<h3 style=\"background-color: rgb(255, 255, 255);\">Total Bundle Contains:</h3>\n\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li>FabFilter Pro-R : High-end reverb plug-in</li><li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li><li>FabFilter Pro-C 2 : Professional compressor plug-in</li>\n</ul>\n\n<h3 style=\"background-color: rgb(255, 255, 255);\"></h3><ul style=\"letter-spacing: normal; background-color: rgb(255, 255, 255); color: rgb(48, 56, 71);\">\n</ul>'),(4502,75,1,751,'<h1 style=\"background-color: rgb(255, 255, 255);\">FabFilter Essentials Bundle Plug-ins</h1>\nThe Essentials Bundle gets you FabFilter\'s most essential mixing tools. The Bundle includes professional EQ, reverb and compressor. FabFilter Pro-Q 2, Pro-R and Pro-C all at an incredible, discounted price.<br /><br />The FabFilter Essentials bundle contains 3 plug-ins worth $557<br /><br style=\"color: rgb(48, 56, 71); font-size: 16px; font-weight: normal;\" />\n\n<h3 style=\"background-color: rgb(255, 255, 255);\">Total Bundle Contains:</h3>\n\n<ul style=\"background-color: rgb(255, 255, 255);\">\n	<li>FabFilter Pro-R : High-end reverb plug-in</li><li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li><li>FabFilter Pro-C 2 : Professional compressor plug-in</li>\n</ul>\n\n<h3 style=\"background-color: rgb(255, 255, 255);\"></h3><ul style=\"letter-spacing: normal; background-color: rgb(255, 255, 255); color: rgb(48, 56, 71);\">\n</ul>'),(4503,85,0,751,'FabFilter Total Essentials Plug-ins'),(4504,85,1,751,'FabFilter Total Essentials Plug-ins'),(4505,76,0,751,''),(4506,76,1,751,''),(4507,75,0,752,'<h2>FabFilter FX Bundle Plug-ins</h2>\nThe FabFilter FX Bundle contains all of FabFilter\'s most important effect plug-ins: their professional EQ, reverb, compressor, multiband dynamics, limiter, de-esser and gate/expander, and their inspiring distortion/saturation, delay and filter plug-ins.\n<br /><br />\nThe FabFilter FX bundle contains 10 plug-ins worth $ 1725<br /><br />\n<h3>FX Bundle Contains:</h3>\n<ul style=\"letter-spacing: normal; background-color: rgb(255, 255, 255);\">\n	<li>FabFilter Pro-R : High-end reverb plug-in</li><li>FabFilter Pro-L 2 : Feature-packed true peak limiter plug-in</li><li>FabFilter Pro-MB : Professional multi-band compressor and expander</li><li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li><li>FabFilter Pro-C 2 : Professional compressor plug-in</li><li>FabFilter Pro-DS : Intelligent de-esser</li><li>FabFilter Pro-G : Flexible gate/expander plug-in</li><li>FabFilter Saturn : Multiband distortion/saturation plug-in</li><li>FabFilter Timeless 2 : Creative tape delay plug-in</li><li>FabFilter Volcano 2 : Powerful filter plug-in</li></ul>'),(4508,75,1,752,'<h2>FabFilter FX Bundle Plug-ins</h2>\nThe FabFilter FX Bundle contains all of FabFilter\'s most important effect plug-ins: their professional EQ, reverb, compressor, multiband dynamics, limiter, de-esser and gate/expander, and their inspiring distortion/saturation, delay and filter plug-ins.\n<br /><br />\nThe FabFilter FX bundle contains 10 plug-ins worth $ 1725<br /><br />\n<h3>FX Bundle Contains:</h3>\n<ul style=\"letter-spacing: normal; background-color: rgb(255, 255, 255);\">\n	<li>FabFilter Pro-R : High-end reverb plug-in</li><li>FabFilter Pro-L 2 : Feature-packed true peak limiter plug-in</li><li>FabFilter Pro-MB : Professional multi-band compressor and expander</li><li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li><li>FabFilter Pro-C 2 : Professional compressor plug-in</li><li>FabFilter Pro-DS : Intelligent de-esser</li><li>FabFilter Pro-G : Flexible gate/expander plug-in</li><li>FabFilter Saturn : Multiband distortion/saturation plug-in</li><li>FabFilter Timeless 2 : Creative tape delay plug-in</li><li>FabFilter Volcano 2 : Powerful filter plug-in</li></ul>'),(4509,85,0,752,'FabFilter FX Bundle Plug-ins'),(4510,85,1,752,'FabFilter FX Bundle Plug-ins'),(4511,76,0,752,''),(4512,76,1,752,''),(4513,75,0,753,'<h2>FabFilter Mastering Bundle Plug-ins</h2>\n\nThe FabFilter Mastering Bundle contains FabFilter\'s essential plug-ins for mastering: FabFilter\'s professional limiter, eq, multiband dynamics and compressor plug-ins.<br /><br />\nThe FabFilter Mastering bundle contains 4 plug-ins worth $756<br /><br />\n\n\n<h3>Mastering Bundle Contains:</h3>\n<ul>\n<li>FabFilter Pro-MB : Professional multi-band compressor and expander</li>\n<li>FabFilter Pro-L 2 : Feature-packed true peak limiter plug-in</li>\n<li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li>\n<li>FabFilter Pro-C 2 : Professional compressor plug-in</li>\n</ul><br /><ul>\n</ul>'),(4514,75,1,753,'<h2>FabFilter Mastering Bundle Plug-ins</h2>\n\nThe FabFilter Mastering Bundle contains FabFilter\'s essential plug-ins for mastering: FabFilter\'s professional limiter, eq, multiband dynamics and compressor plug-ins.<br /><br />\nThe FabFilter Mastering bundle contains 4 plug-ins worth $756<br /><br />\n\n\n<h3>Mastering Bundle Contains:</h3>\n<ul>\n<li>FabFilter Pro-MB : Professional multi-band compressor and expander</li>\n<li>FabFilter Pro-L 2 : Feature-packed true peak limiter plug-in</li>\n<li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li>\n<li>FabFilter Pro-C 2 : Professional compressor plug-in</li>\n</ul><br /><ul>\n</ul>'),(4515,85,0,753,'FabFilter Mastering Bundle Plug-ins'),(4516,85,1,753,'FabFilter Mastering Bundle Plug-ins'),(4517,76,0,753,''),(4518,76,1,753,''),(4519,75,0,754,'<h2>FabFilter Micro Filter Plug-in</h2>\nFabFilter Micro is the ultimate lightweight filter plug-in, making the classic FabFilter sound affordable for everyone<br /><br />\nFabFilter Micro\'s single filter is smooth and creamy, yet easily turns into raw saturation and self-oscillation when tweaked using the interactive filter display. It features low-pass and high-pass shapes and an envelope follower to modulate the cut-off frequency.<br /><br />\nWith the individual Input Gain and Output Gain parameters, you can fully control the saturation of the internal filter, making FabFilter Micro not only ideally suited for basic filtering tasks, but also capable of beautiful distortion and analog saturation effects.<br /><br />\nOf course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!<br /><br />\n\n		<h3>Micro Features</h3>\n<ul>\n<li>Includes the classic, analog-sounding filter from FabFilter One</li>\n<li>Low-pass and high-pass settings                                </li>\n<li>Envelope follower modulating the cut-off frequency             </li>\n<li>Modern interface with large interactive filter display         </li>\n<li>Input and output gain settings to control saturation           </li>\n<li>Includes basic factory presets to get started right away       </li>\n<li>Stereo and mono plug-ins available                             </li>\n<li>MIDI Learn                                                     </li>\n<li>Undo/redo                                                      </li>\n<li>Smart Parameter Interpolation                                  </li>\n<li>Sample-accurate automation                                     </li>\n<li>Full help file with interactive help hints                     </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4520,75,1,754,'<h2>FabFilter Micro Filter Plug-in</h2>\nFabFilter Micro is the ultimate lightweight filter plug-in, making the classic FabFilter sound affordable for everyone<br /><br />\nFabFilter Micro\'s single filter is smooth and creamy, yet easily turns into raw saturation and self-oscillation when tweaked using the interactive filter display. It features low-pass and high-pass shapes and an envelope follower to modulate the cut-off frequency.<br /><br />\nWith the individual Input Gain and Output Gain parameters, you can fully control the saturation of the internal filter, making FabFilter Micro not only ideally suited for basic filtering tasks, but also capable of beautiful distortion and analog saturation effects.<br /><br />\nOf course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!<br /><br />\n\n		<h3>Micro Features</h3>\n<ul>\n<li>Includes the classic, analog-sounding filter from FabFilter One</li>\n<li>Low-pass and high-pass settings                                </li>\n<li>Envelope follower modulating the cut-off frequency             </li>\n<li>Modern interface with large interactive filter display         </li>\n<li>Input and output gain settings to control saturation           </li>\n<li>Includes basic factory presets to get started right away       </li>\n<li>Stereo and mono plug-ins available                             </li>\n<li>MIDI Learn                                                     </li>\n<li>Undo/redo                                                      </li>\n<li>Smart Parameter Interpolation                                  </li>\n<li>Sample-accurate automation                                     </li>\n<li>Full help file with interactive help hints                     </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4521,85,0,754,'FabFilter Micro Filter Plug-in'),(4522,85,1,754,'FabFilter Micro Filter Plug-in'),(4523,76,0,754,''),(4524,76,1,754,''),(4525,75,0,755,'<h2>FabFilter Mixing Bundle Plug-ins</h2>\n\nThe FabFilter Mixing Bundle gets you FabFilter\'s effect plug-ins that are a must-have for every mixing engineer: FabFilter\'s professional EQ, compressor, de-esser and gate/expander, and our inspiring and creative distortion/saturation and delay plug-ins.<br /><br />\nThe FabFilter Mixing bundle contains 6 plug-ins worth $ 1114.<br /><br />\n\n\n<h3>Mixing Bundle Contains:</h3>\n<ul>\n<li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li><li>FabFilter Pro-C 2 : Professional compressor plug-in</li><li>FabFilter Pro-DS : Intelligent de-esser</li><li>FabFilter Pro-G : Flexible gate/expander plug-in</li><li>FabFilter Saturn : Multiband distortion/saturation plug-in</li><li>FabFilter Timeless 2 : Creative tape delay plug-in</li></ul><br /><ul>\n</ul>'),(4526,75,1,755,'<h2>FabFilter Mixing Bundle Plug-ins</h2>\n\nThe FabFilter Mixing Bundle gets you FabFilter\'s effect plug-ins that are a must-have for every mixing engineer: FabFilter\'s professional EQ, compressor, de-esser and gate/expander, and our inspiring and creative distortion/saturation and delay plug-ins.<br /><br />\nThe FabFilter Mixing bundle contains 6 plug-ins worth $ 1114.<br /><br />\n\n\n<h3>Mixing Bundle Contains:</h3>\n<ul>\n<li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li><li>FabFilter Pro-C 2 : Professional compressor plug-in</li><li>FabFilter Pro-DS : Intelligent de-esser</li><li>FabFilter Pro-G : Flexible gate/expander plug-in</li><li>FabFilter Saturn : Multiband distortion/saturation plug-in</li><li>FabFilter Timeless 2 : Creative tape delay plug-in</li></ul><br /><ul>\n</ul>'),(4527,85,0,755,'FabFilter Mixing Bundle Plug-ins'),(4528,85,1,755,'FabFilter Mixing Bundle Plug-ins'),(4529,76,0,755,''),(4530,76,1,755,''),(4531,75,0,756,'<h2>FabFilter One - Synthesizer Plug-in</h2>\n FabFilter One is a basic synthesizer plug-in with just one oscillator, but with perfectly fine-tuned controls and the best possible sound and filter quality.\n<br/><br/>\nFor FabFilter One, Fabfilter have put tremendous effort in creating the best cut-off filter ever. Their new design approach has resulted in the fattest and smoothest self-oscillating digital filter you have ever heard. It has been tuned carefully to achieve the character and warmth of a classic analog synthesizer. FabFilter One’s filter sounds raw but never cheap or ‘digital’, even at full resonance.<br/><br/>\nThe filter is fed by an equally high-quality solid-sounding oscillator, developed from scratch to be completely aliasing-free. It features sawtooth, triangle, and square wave forms with pulse width modulation.<br/><br/>\nThe oscillator and the filter can be modulated by the LFO and the EG. The LFO offers triangle and square wave forms, with adjustable wave balance so any wave form between sawtooth and triangle can be selected. The tempo can be synchronized to the host. The EG has the usual ADSR knobs, but with a perfectly fine-tuned feel. Also, it has an additional Hold setting that extends the time keys are held down.<br/><br/>\nWhat FabFilter One excels at is the attention to detail and fine-tuning that is visible throughout the plug-in. For example, the portamento feature doesn\'t just slide from one note to another, but uses a carefully selected algorithm to make your playing more lively and give it just that little extra bit of magic.<br/><br/>\nSmart Parameter Interpolation handles changes to any of FabFilter One\'s parameters, ensuring both responsiveness and smooth transitions. There are no annoying digital clicks and zipper effects, and even MIDI controller changes are handled perfectly smooth.<br/><br/>\nNaturally, the FabFilter One plug-in handles all parameter changes at sample accuracy and it can be used with arbitrary sample rates. All parameters are fully automatable within your favorite host and via MIDI Learn. The included help file describes all features of FabFilter One in detail, together with overviews and tutorials to create various types of sounds.<br/><br/>\n<h3>FabFilter One Features</h3>\n<ul>\n	<li>Aliasing-free high quality oscillator with triangle, sawtooth, and square wave forms</li>\n	<li>Fat and ultra-smooth self-oscillating low-pass filter                               </li>\n	<li>LFO with tempo sync, triangle and square wave forms, and adjustable wave balance    </li>\n	<li>Fine-tuned EG with additional Hold setting                                          </li>\n	<li>Frequency and filter cut-off modulation                                             </li>\n	<li>Pulse width modulation                                                              </li>\n	<li>Filter keyboard tracking                                                            </li>\n	<li>Velocity sensitivity                                                                </li>\n	<li>10-voice polyphony                                                                  </li>\n	<li>White/pink noise generator                                                          </li>\n	<li>Smooth portamento                                                                   </li>\n	<li>Over 100 presets                                                                    </li>\n	<li>Undo and redo                                                                       </li>\n	<li>MIDI learn                                                                          </li>\n	<li>Smart Parameter Interpolation                                                       </li>\n	<li>Sample-accurate automation of all parameters                                        </li>\n	<li>Parameter value display                                                             </li>\n	<li>Extensive help file                                                                 </li>\n</ul>\n<br/>\n<h3>Requirements</h3>\n<strong>Windows</strong>\n<ul>\n	<li>32-bit: Windows 8, 7, Vista or XP</li>\n	<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n	<li>VST 2/3 host or Pro Tools</li>\n</ul>\n<br/>\n<strong>Mac OS X</strong>\n<ul>\n	<li>32-bit: OS X 10.5 or higher</li>\n	<li>64-bit: OS X 10.6 or higher</li>\n	<li>AU or VST 2/3 host or Pro Tools</li>\n	<li>Intel processor</li>\n</ul>'),(4532,75,1,756,'<h2>FabFilter One - Synthesizer Plug-in</h2>\n FabFilter One is a basic synthesizer plug-in with just one oscillator, but with perfectly fine-tuned controls and the best possible sound and filter quality.\n<br/><br/>\nFor FabFilter One, Fabfilter have put tremendous effort in creating the best cut-off filter ever. Their new design approach has resulted in the fattest and smoothest self-oscillating digital filter you have ever heard. It has been tuned carefully to achieve the character and warmth of a classic analog synthesizer. FabFilter One’s filter sounds raw but never cheap or ‘digital’, even at full resonance.<br/><br/>\nThe filter is fed by an equally high-quality solid-sounding oscillator, developed from scratch to be completely aliasing-free. It features sawtooth, triangle, and square wave forms with pulse width modulation.<br/><br/>\nThe oscillator and the filter can be modulated by the LFO and the EG. The LFO offers triangle and square wave forms, with adjustable wave balance so any wave form between sawtooth and triangle can be selected. The tempo can be synchronized to the host. The EG has the usual ADSR knobs, but with a perfectly fine-tuned feel. Also, it has an additional Hold setting that extends the time keys are held down.<br/><br/>\nWhat FabFilter One excels at is the attention to detail and fine-tuning that is visible throughout the plug-in. For example, the portamento feature doesn\'t just slide from one note to another, but uses a carefully selected algorithm to make your playing more lively and give it just that little extra bit of magic.<br/><br/>\nSmart Parameter Interpolation handles changes to any of FabFilter One\'s parameters, ensuring both responsiveness and smooth transitions. There are no annoying digital clicks and zipper effects, and even MIDI controller changes are handled perfectly smooth.<br/><br/>\nNaturally, the FabFilter One plug-in handles all parameter changes at sample accuracy and it can be used with arbitrary sample rates. All parameters are fully automatable within your favorite host and via MIDI Learn. The included help file describes all features of FabFilter One in detail, together with overviews and tutorials to create various types of sounds.<br/><br/>\n<h3>FabFilter One Features</h3>\n<ul>\n	<li>Aliasing-free high quality oscillator with triangle, sawtooth, and square wave forms</li>\n	<li>Fat and ultra-smooth self-oscillating low-pass filter                               </li>\n	<li>LFO with tempo sync, triangle and square wave forms, and adjustable wave balance    </li>\n	<li>Fine-tuned EG with additional Hold setting                                          </li>\n	<li>Frequency and filter cut-off modulation                                             </li>\n	<li>Pulse width modulation                                                              </li>\n	<li>Filter keyboard tracking                                                            </li>\n	<li>Velocity sensitivity                                                                </li>\n	<li>10-voice polyphony                                                                  </li>\n	<li>White/pink noise generator                                                          </li>\n	<li>Smooth portamento                                                                   </li>\n	<li>Over 100 presets                                                                    </li>\n	<li>Undo and redo                                                                       </li>\n	<li>MIDI learn                                                                          </li>\n	<li>Smart Parameter Interpolation                                                       </li>\n	<li>Sample-accurate automation of all parameters                                        </li>\n	<li>Parameter value display                                                             </li>\n	<li>Extensive help file                                                                 </li>\n</ul>\n<br/>\n<h3>Requirements</h3>\n<strong>Windows</strong>\n<ul>\n	<li>32-bit: Windows 8, 7, Vista or XP</li>\n	<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n	<li>VST 2/3 host or Pro Tools</li>\n</ul>\n<br/>\n<strong>Mac OS X</strong>\n<ul>\n	<li>32-bit: OS X 10.5 or higher</li>\n	<li>64-bit: OS X 10.6 or higher</li>\n	<li>AU or VST 2/3 host or Pro Tools</li>\n	<li>Intel processor</li>\n</ul>'),(4533,85,0,756,'FabFilter One - Synthesizer Plug-in'),(4534,85,1,756,'FabFilter One - Synthesizer Plug-in'),(4535,76,0,756,''),(4536,76,1,756,''),(4537,75,0,757,'<h2>FabFilter Pro Bundle Plug-ins</h2>\n\nThe FabFilter Pro Bundle contains invaluable tools for mixing and mastering: FabFilter\'s professional EQ, limiter, multiband dynamics, compressor, de-esser and gate/expander plug-ins.<br /><br />\nThe FabFilter Pro bundle contains 7 plug-ins worth $1313.<br /><br />\n\n\n<h3>Pro Bundle Contains:</h3>\n<ul>\n<li>FabFilter Pro-L 2 : Feature-packed true peak limiter plug-in</li><li>FabFilter Pro-MB : Professional multi-band compressor and expander</li><li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li><li>FabFilter Pro-C 2 : Professional compressor plug-in</li><li>FabFilter Pro-DS : Intelligent de-esser</li><li>FabFilter Pro-G : Flexible gate/expander plug-in</li></ul>'),(4538,75,1,757,'<h2>FabFilter Pro Bundle Plug-ins</h2>\n\nThe FabFilter Pro Bundle contains invaluable tools for mixing and mastering: FabFilter\'s professional EQ, limiter, multiband dynamics, compressor, de-esser and gate/expander plug-ins.<br /><br />\nThe FabFilter Pro bundle contains 7 plug-ins worth $1313.<br /><br />\n\n\n<h3>Pro Bundle Contains:</h3>\n<ul>\n<li>FabFilter Pro-L 2 : Feature-packed true peak limiter plug-in</li><li>FabFilter Pro-MB : Professional multi-band compressor and expander</li><li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li><li>FabFilter Pro-C 2 : Professional compressor plug-in</li><li>FabFilter Pro-DS : Intelligent de-esser</li><li>FabFilter Pro-G : Flexible gate/expander plug-in</li></ul>'),(4539,85,0,757,'FabFilter Pro Bundle Plug-ins'),(4540,85,1,757,'FabFilter Pro Bundle Plug-ins'),(4541,76,0,757,''),(4542,76,1,757,''),(4543,75,0,758,'<h2>FabFilter Pro-R Reverb Plug-in</h2><div>FabFilter Pro-R takes a musical approach to reverb, offering user-friendly, non-technical controls like Brightness, Character and Distance to achieve the reverb sound you are looking for — without requiring a degree in reverb science.</div><div><div>The decay time of a real room often varies wildly over the frequency spectrum, which is one of the key ingredients of a room\'s reverb character. To simulate this, the industry-first Decay Rate EQ concept in FabFilter Pro-R offers completely free adjustment of the decay time over the frequency spectrum.</div><div>Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more.</div></div><br />\n\n		<h3>Pro-R Features</h3>\n<ul>\n<li><span style=\"background-color: initial; letter-spacing: 0px;\">Beautifully designed room models, ranging from small ambiences and rooms to large concert halls and huge cathedrals</span></li><li>Carefully developed to easily fit in the mix, without causing undesirable coloration, density or phase problems</li><li>Gorgeous Retina interface with large interactive reverb display featuring Decay Rate EQ and Post EQ curves</li><li>Very easy to set up, with user-friendly, non-technical controls</li><li>Stepless Space control, which smartly and smoothly combines the room model and decay time of the reverb. You can choose from over a dozen carefully designed room models and seamlessly vary between them, without hearing clicks or unwanted artifacts</li><li>Decay Rate control, changing the overall decay time from 50% to 200% of the current Space setting</li><li>Intelligent Stereo Width control, ranging from pure mono to true stereo and beyond</li><li>Distance control to adjust the proximity to the sound source in the selected space</li><li>The Character control changes the sound from a clean, transparent decay, to a lively reverb with pronounced reflections and echoes, all the way to an over-modulated chorus-like effect</li><li>Perfectly tuned Brightness knob, affecting not only overall brightness, but also the decay of high frequencies</li><li>Mix knob with a Lock Mix option, which prevents preset loading from overriding the current mix setting</li><li>Predelay control via the bottom bar, ranging from 0 to 500 ms, with optional host tempo sync</li><li>Innovative six-band Decay Rate EQ, giving you full control over the decay rate at different frequencies</li><li>Six-band Post EQ to equalize the final reverb sound. Together with the Decay Rate EQ, this lets you design reverbs of any style or character</li><li>Real-time spectrum analyzer that also visualizes the decay time at different frequencies</li><li>Full Screen mode, offering a large analyzer display and Decay Rate EQ and Post EQ controller</li><li>Multiple interface sizes: Medium, Large and Extra Large</li><li>Stereo and mono plug-ins available</li><li>Supports common Pro Tools hardware control surfaces</li><li>MIDI Learn</li><li>Undo/redo and A/B comparison</li><li>Smart Parameter Interpolation</li><li>Sample-accurate automation of all parameters</li><li>Extensive help file with interactive help hints</li><li>Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)</li>                                 \n</ul><br /><h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 10, 8, 7, Vista or XP</li>\n<li>64-bit: Windows 10, 8, 7 or Vista</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>OS X 10.8 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4544,75,1,758,'<h2>FabFilter Pro-R Reverb Plug-in</h2><div>FabFilter Pro-R takes a musical approach to reverb, offering user-friendly, non-technical controls like Brightness, Character and Distance to achieve the reverb sound you are looking for — without requiring a degree in reverb science.</div><div><div>The decay time of a real room often varies wildly over the frequency spectrum, which is one of the key ingredients of a room\'s reverb character. To simulate this, the industry-first Decay Rate EQ concept in FabFilter Pro-R offers completely free adjustment of the decay time over the frequency spectrum.</div><div>Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more.</div></div><br />\n\n		<h3>Pro-R Features</h3>\n<ul>\n<li><span style=\"background-color: initial; letter-spacing: 0px;\">Beautifully designed room models, ranging from small ambiences and rooms to large concert halls and huge cathedrals</span></li><li>Carefully developed to easily fit in the mix, without causing undesirable coloration, density or phase problems</li><li>Gorgeous Retina interface with large interactive reverb display featuring Decay Rate EQ and Post EQ curves</li><li>Very easy to set up, with user-friendly, non-technical controls</li><li>Stepless Space control, which smartly and smoothly combines the room model and decay time of the reverb. You can choose from over a dozen carefully designed room models and seamlessly vary between them, without hearing clicks or unwanted artifacts</li><li>Decay Rate control, changing the overall decay time from 50% to 200% of the current Space setting</li><li>Intelligent Stereo Width control, ranging from pure mono to true stereo and beyond</li><li>Distance control to adjust the proximity to the sound source in the selected space</li><li>The Character control changes the sound from a clean, transparent decay, to a lively reverb with pronounced reflections and echoes, all the way to an over-modulated chorus-like effect</li><li>Perfectly tuned Brightness knob, affecting not only overall brightness, but also the decay of high frequencies</li><li>Mix knob with a Lock Mix option, which prevents preset loading from overriding the current mix setting</li><li>Predelay control via the bottom bar, ranging from 0 to 500 ms, with optional host tempo sync</li><li>Innovative six-band Decay Rate EQ, giving you full control over the decay rate at different frequencies</li><li>Six-band Post EQ to equalize the final reverb sound. Together with the Decay Rate EQ, this lets you design reverbs of any style or character</li><li>Real-time spectrum analyzer that also visualizes the decay time at different frequencies</li><li>Full Screen mode, offering a large analyzer display and Decay Rate EQ and Post EQ controller</li><li>Multiple interface sizes: Medium, Large and Extra Large</li><li>Stereo and mono plug-ins available</li><li>Supports common Pro Tools hardware control surfaces</li><li>MIDI Learn</li><li>Undo/redo and A/B comparison</li><li>Smart Parameter Interpolation</li><li>Sample-accurate automation of all parameters</li><li>Extensive help file with interactive help hints</li><li>Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)</li>                                 \n</ul><br /><h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 10, 8, 7, Vista or XP</li>\n<li>64-bit: Windows 10, 8, 7 or Vista</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>OS X 10.8 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4545,85,0,758,'FabFilter Pro-R Reverb Plug-in'),(4546,85,1,758,'FabFilter Pro-R Reverb Plug-in'),(4547,76,0,758,''),(4548,76,1,758,''),(4549,75,0,759,'<h2>FabFilter Pro-C 2 Compressor Plug-in</h2>\nHigh Quality Compressor plug-in with 8 different, program-dependent compression styles all with beautiful sound and character\n<br /><br />\nFabFilter Pro-C 2 is not just a good sounding compressor, Pro-C 2 is a superb stereo compressor with all the tricks up its sleeve that you will ever need. With its different compression styles and options like mid/side compression and side-chaining with optional EQ filtering, it can work in any desired way. Whether mastering or mixing, Pro-C 2 will do the job with lots of style.<br /><br />\n\nPro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there\'s more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.<br /><br />\n\n<h3>Pro-C 2 Features</h3>\n<ul>\n	<li>Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and Pumping</li>\n	<li>Range setting, which limits the maximum applied gain change</li>\n	<li>Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness metering</li>\n	<li>Mix setting, which scales the gain change from 0% to 200%</li>\n	<li>Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filter</li>\n	<li>Full Screen mode, offering a large level display and side-chain EQ controller</li>\n	<li>Program-dependent attack and release curves</li>\n	<li>Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standards</li>\n	<li>Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processing</li>\n	<li>Retina support on OS X and High DPI support on Windows</li>\n	<li>Intelligent Auto Gain</li>\n	<li>External side chain triggering</li>\n	<li>Hold (up to 500 ms)</li>\n	<li>GPU-powered graphics acceleration</li>\n	<li>Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)</li>\n	<li>Stereo and mono plug-ins available</li>\n	<li>Auto Release</li>\n	<li>Optional MIDI triggering</li>\n	<li>Super-fast attack times</li>\n	<li>Supports common Pro Tools hardware control surfaces</li>\n	<li>Up to 4x oversampling</li>\n	<li>MIDI Learn</li>\n	<li>Variable stereo linking and mid/side processing, with mid-only, side-only, M &gt; S and S &gt; M processing.</li>\n	<li>Undo/redo and A/B comparison</li>\n	<li>Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking place</li>\n	<li>Smart Parameter Interpolation</li>\n	<li>Multiple interface sizes: Small, Medium and Large</li>\n	<li>Sample-accurate automation of all parameters</li>\n	<li>Extensive help file with interactive help hints</li>\n	<li>Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)</li>\n</ul>'),(4550,75,1,759,'<h2>FabFilter Pro-C 2 Compressor Plug-in</h2>\nHigh Quality Compressor plug-in with 8 different, program-dependent compression styles all with beautiful sound and character\n<br /><br />\nFabFilter Pro-C 2 is not just a good sounding compressor, Pro-C 2 is a superb stereo compressor with all the tricks up its sleeve that you will ever need. With its different compression styles and options like mid/side compression and side-chaining with optional EQ filtering, it can work in any desired way. Whether mastering or mixing, Pro-C 2 will do the job with lots of style.<br /><br />\n\nPro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there\'s more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.<br /><br />\n\n<h3>Pro-C 2 Features</h3>\n<ul>\n	<li>Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and Pumping</li>\n	<li>Range setting, which limits the maximum applied gain change</li>\n	<li>Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness metering</li>\n	<li>Mix setting, which scales the gain change from 0% to 200%</li>\n	<li>Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filter</li>\n	<li>Full Screen mode, offering a large level display and side-chain EQ controller</li>\n	<li>Program-dependent attack and release curves</li>\n	<li>Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standards</li>\n	<li>Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processing</li>\n	<li>Retina support on OS X and High DPI support on Windows</li>\n	<li>Intelligent Auto Gain</li>\n	<li>External side chain triggering</li>\n	<li>Hold (up to 500 ms)</li>\n	<li>GPU-powered graphics acceleration</li>\n	<li>Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)</li>\n	<li>Stereo and mono plug-ins available</li>\n	<li>Auto Release</li>\n	<li>Optional MIDI triggering</li>\n	<li>Super-fast attack times</li>\n	<li>Supports common Pro Tools hardware control surfaces</li>\n	<li>Up to 4x oversampling</li>\n	<li>MIDI Learn</li>\n	<li>Variable stereo linking and mid/side processing, with mid-only, side-only, M &gt; S and S &gt; M processing.</li>\n	<li>Undo/redo and A/B comparison</li>\n	<li>Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking place</li>\n	<li>Smart Parameter Interpolation</li>\n	<li>Multiple interface sizes: Small, Medium and Large</li>\n	<li>Sample-accurate automation of all parameters</li>\n	<li>Extensive help file with interactive help hints</li>\n	<li>Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)</li>\n</ul>'),(4551,85,0,759,'FabFilter Pro-C 2 Compressor Plug-in'),(4552,85,1,759,'FabFilter Pro-C 2 Compressor Plug-in'),(4553,76,0,759,''),(4554,76,1,759,''),(4555,75,0,760,'<h2>FabFilter Pro-DS De-esser Plug-in</h2>\nFabFilter Pro-DS is a De-esser perfect for processing single vocal tracks as well as entire mixes<br /><br />\n		Even when using the best mics, pre-amps and converters, sibilance in vocal recordings can easily get over-accentuated during post-processing like compression or saturation. But don\'t worry, FabFilter Pro-DS comes to the rescue!<br /><br />\n		With its highly intelligent \'Single Vocal\' detection algorithm, FabFilter Pro-DS accurately identifies sibilance in vocal recordings and attenuates it transparently.\n		When using the \'Allround\' mode, Pro-DS becomes a great tool for high-frequency limiting of any material, like drums or even full mixes. Try it out yourself!<br /><br />\n		FabFilter Pro-DS offers everything you need to get the best result possible, presented in a simple and easy-to-use interface. Wide band or linear-phase split band processing, an optional look-ahead of up to 15 ms, adjustable stereo linking with optional mid-only or side-only processing, up to four times linear-phase oversampling... it\'s all there.<br /><br />\n\n		<h3>Pro-DS Features</h3>\n<ul>\n<li>Highly intelligent \'Single Vocal\' detection, and classic \'Allround\' detection     </li>\n<li>Transparent program-dependent compression/limiting                                </li>\n<li>Adjustable Threshold, Range and detection HP and LP filtering settings            </li>\n<li>Wide Band or linear-phase Split Band processing                                   </li>\n<li>Optional look-ahead time up to 15 ms                                              </li>\n<li>Freely adjustable stereo linking                                                  </li>\n<li>Optional mid-only or side-only processing                                         </li>\n<li>Up to four times linear-phase oversampling                                        </li>\n<li>Real-time de-essing display, clearly showing the affected parts of processed audio</li>\n<li>Side-chain input meter, making it easy to choose a good Threshold value           </li>\n<li>Real-time spectrum analyzer built into the HP/LP filter controller                </li>\n<li>GPU-powered graphics acceleration                                                 </li>\n<li>High-quality 64-bit internal processing                                           </li>\n<li>Double-click text entry of parameter values                                       </li>\n<li>Large and compact interface sizes                                                 </li>\n<li>Stereo and mono plug-ins available                                                </li>\n<li>Supports common Pro Tools hardware control surfaces                               </li>\n<li>MIDI Learn                                                                        </li>\n<li>Undo/redo and A/B comparison                                                      </li>\n<li>Smart Parameter Interpolation                                                     </li>\n<li>Sample-accurate automation of all parameters                                      </li>\n<li>Extensive help file with interactive help hints                                   </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4556,75,1,760,'<h2>FabFilter Pro-DS De-esser Plug-in</h2>\nFabFilter Pro-DS is a De-esser perfect for processing single vocal tracks as well as entire mixes<br /><br />\n		Even when using the best mics, pre-amps and converters, sibilance in vocal recordings can easily get over-accentuated during post-processing like compression or saturation. But don\'t worry, FabFilter Pro-DS comes to the rescue!<br /><br />\n		With its highly intelligent \'Single Vocal\' detection algorithm, FabFilter Pro-DS accurately identifies sibilance in vocal recordings and attenuates it transparently.\n		When using the \'Allround\' mode, Pro-DS becomes a great tool for high-frequency limiting of any material, like drums or even full mixes. Try it out yourself!<br /><br />\n		FabFilter Pro-DS offers everything you need to get the best result possible, presented in a simple and easy-to-use interface. Wide band or linear-phase split band processing, an optional look-ahead of up to 15 ms, adjustable stereo linking with optional mid-only or side-only processing, up to four times linear-phase oversampling... it\'s all there.<br /><br />\n\n		<h3>Pro-DS Features</h3>\n<ul>\n<li>Highly intelligent \'Single Vocal\' detection, and classic \'Allround\' detection     </li>\n<li>Transparent program-dependent compression/limiting                                </li>\n<li>Adjustable Threshold, Range and detection HP and LP filtering settings            </li>\n<li>Wide Band or linear-phase Split Band processing                                   </li>\n<li>Optional look-ahead time up to 15 ms                                              </li>\n<li>Freely adjustable stereo linking                                                  </li>\n<li>Optional mid-only or side-only processing                                         </li>\n<li>Up to four times linear-phase oversampling                                        </li>\n<li>Real-time de-essing display, clearly showing the affected parts of processed audio</li>\n<li>Side-chain input meter, making it easy to choose a good Threshold value           </li>\n<li>Real-time spectrum analyzer built into the HP/LP filter controller                </li>\n<li>GPU-powered graphics acceleration                                                 </li>\n<li>High-quality 64-bit internal processing                                           </li>\n<li>Double-click text entry of parameter values                                       </li>\n<li>Large and compact interface sizes                                                 </li>\n<li>Stereo and mono plug-ins available                                                </li>\n<li>Supports common Pro Tools hardware control surfaces                               </li>\n<li>MIDI Learn                                                                        </li>\n<li>Undo/redo and A/B comparison                                                      </li>\n<li>Smart Parameter Interpolation                                                     </li>\n<li>Sample-accurate automation of all parameters                                      </li>\n<li>Extensive help file with interactive help hints                                   </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4557,85,0,760,'FabFilter Pro-DS De-esser Plug-in'),(4558,85,1,760,'FabFilter Pro-DS De-esser Plug-in'),(4559,76,0,760,''),(4560,76,1,760,''),(4561,75,0,761,'<h2>FabFilter Pro-G Gate/Expander Plug-in</h2>\nFabFilter Pro-G is a professional Gate/Expander with beautifully fine-tuned algorithms, highly flexible side-chain control and precise metering<br /><br />\n		A good gate/expander is an indispensable tool in any mixing or live situation. FabFilter Pro-G offers everything you could wish for: perfectly tuned algorithms, complete control over the side chain and channel linking, excellent metering and great interface design.<br /><br />\n		Apart from excellent sound, FabFilter Pro-G also provides very flexible routing. You can choose between mono, stereo or mid/side processing and in expert mode, external side chain input is available with completely customizable channel linking and routing.<br /><br />\n\n		<h3>Pro-G Features</h3>\n<ul>\n<li>Six meticulously tuned expander/gate algorithms, including upward expansion and ducking </li>\n<li>Program dependent attack and release curves                                             </li>\n<li>Low CPU usage                                                                           </li>\n<li>Adjustable range, hold time and knee settings                                           </li>\n<li>Optional look-ahead time up to 10 ms                                                    </li>\n<li>Precise and helpful metering, including a real-time level display                       </li>\n<li>Expert mode that offers highly customizable side chain options                          </li>\n<li>Mono, stereo or mid/side processing                                                     </li>\n<li>Up to four times linear-phase oversampling                                              </li>\n<li>Zero-latency operation mode                                                             </li>\n<li>MIDI triggering: open the gate/expander with your MIDI keyboard                         </li>\n<li>External side chain option                                                              </li>\n<li>Separate dry/wet level settings                                                         </li>\n<li>Easy to set up for common gating / expansion scenarios with the included factory presets</li>\n<li>GPU-powered graphics acceleration                                                       </li>\n<li>Double-click text entry of parameter values                                             </li>\n<li>Stereo and mono plug-ins available                                                      </li>\n<li>Supports common Pro Tools hardware control surfaces                                     </li>\n<li>MIDI Learn                                                                              </li>\n<li>Undo/redo and A/B comparison                                                            </li>\n<li>Smart Parameter Interpolation                                                           </li>\n<li>Extensive help file with interactive help hints                                         </li>                                 \n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),