(11630,75,1,1939,'<h1>Telefunken TF47 Large-Diaphragm Condenser Microphone</h1>\n<i>A large diaphragm multi-pattern condenser microphone inspired by the vintage \"German\" sound of the U47 and M49 while adding modern fidelity and reliability.</i><br /><br />\n\nThe Telefunken TF47 Large-Diaphragm Condenser Mic is a new design based on the vintage “German” sound, and drawing inspiration from the historic U47 and M49. With a deep low end and a forward midrange, the TF47 is excellent for adding depth and presence to any source. These characteristics make it especially ideal for recording vocals, guitar amps, and drums.<br /><br />\n	At the heart of the TF47 is an all-brass K47-style capsule, new old stock 5840W vacuum tube, and custom-made historically accurate BV8 transformer (as found in the U47). These components deliver a warm and punchy sound reminiscent of the U47 with a pleasant top end articulation that sits perfect in a mix.<br /><br />\n<h3><span style=\"background-color: initial;\">TF47 Key Features</span></h3>\n<ul style=\"\">\n	<li><span style=\"background-color: initial;\">Forward mid-range, reminiscent of the U47</span></li><li>Smooth and detailed top end</li><li>Full and round low end</li><li>Hand assembled in the USA</li><li>K47-style capsule and BV8 transformer, similar to the U47</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">TF47 Applications</span></h3>\n<ul style=\"\">\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">R&B, rap or aggressive vocals, female soul vocals</span></li><li>Upright bass</li><li>Toms and kick out</li><li>Trombone</li><li>Cello</li><li>Percussion</li>\n</ul>\n<br />\n<h3>Accessories</h3>\n	Every TF47 microphone system comes with a multi pattern M 903 Power Supply, M 803 Tube Microphone Cable, ZC03 Shell Case, M 703 Shock Mount, M 782 Stand Mount, and Microphone Sleeve.<br /><br />\n<h3>Telefunken Alchemy Series</h3>\n	Designed, hand-built, and tested to strict quality standards in Connecticut, USA, the Alchemy Series is TELEFUNKEN Elektroakustik’s next generation of large diaphragm tube condensers. These new microphone models feature unique sonic profiles developed from the ground up. The bold voicings of the new Alchemy Series are the TF29, TF39, TF47, and TF51.\n<br /><br />\nFuture classics, not clones. With the combination of vintage microphone elements and modern fidelity and reliability, the Alchemy Series delivers microphones each with a distinctively original sonic fingerprint. The Alchemy Series is an evolution and refinement to past models in the R-F-T Series (CU-29 Copperhead, AR-51, and AK-47 MkII), benefitting from over a decade of in-house microphone design and production.\n<br /><br />\nProfessional designs, superior functionality. TELEFUNKEN Elektroakustik has implemented numerous improvements sonically and mechanically to the Alchemy Series, tailored all the way down to the accessories. Boasting newly designed custom headgrilles for transparency and openness, hand-plugged circuit boards, and selected American and European vacuum tubes and transformers, no detail was left unaddressed. All systems ship in a sleek, compact, protective case for easy transport and storage. Included are two modern mount options, microphone dust cover, high-flex 7-meter cable, and an American-assembled power supply.\n<br /><br />\nReal trusted quality, built to last. Like all TELEFUNKEN microphones, the Alchemy Series is assembled in the same American facility as the legendary Diamond Series (ELA M 251E, C12 and U47) by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to. All critical components are quality controlled in-house before assembly, including capsule frequency sweeps, vacuum tube burn-in and noise grading. These high standards lead to extremely tight tolerances from microphone to microphone - something few in the industry can claim.\n<br /><br />\nThe ideal choice for discerning engineers, musicians, and producers. The Alchemy Series combines timeless sound quality with TELEFUNKEN reliability in an affordable package. Whether it’s the home studio or a commercial facility, the Alchemy Series is suited for any recording environment.'),(11631,85,0,1939,'Telefunken TF47 Large-Diaphragm Condenser Microphone'),(11632,85,1,1939,'Telefunken TF47 Large-Diaphragm Condenser Microphone'),(11633,76,0,1939,''),(11634,76,1,1939,''),(11635,75,0,1940,'<h1>Telefunken TF51 Large-Diaphragm Condenser Microphone</h1>\n<i>A large diaphragm multi-pattern condenser microphone inspired by the vintage \"Austrian\" sound of the ELA M 251E and C12 while adding modern fidelity and reliability.</i><br /><br />\n\nThe Telefunken TF51 is a new design based on the “Austrian” microphone sound associated with the TELEFUNKEN ELA M 251E and C12. The TF51 continues this legacy, exhibiting a smooth midrange and airy top end, capturing every nuance in pleasant detail. This is a reliable first choice for stand out vocals, acoustic instruments, and percussion.<br /><br />\n	This lifelike fidelity is created with high quality components based off these inspirations. The 6072A vacuum tube (also found in our ELA M 251E and C12) is mated with an edge-terminated style capsule similar to the historic CK12. The output transformer is a custom German-made Haufe transformer, the original manufacturer for TELEFUNKEN. This attention to detail gives the TF51 a beautifully open and smooth sonic profile.<br /><br />\n<h3><span style=\"background-color: initial;\">TF51 Key Features</span></h3>\n<ul style=\"\">\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Open and detailed frequency response</span></li><li>Airy and smooth top end, reminiscent of the ELA M 251E</li><li>Balanced low end and natural mid range</li><li>Hand assembled in the USA</li><li>CK12-style capsule and Haufe transformer, similar to the C12 and 251E</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">TF51 Applications</span></h3>\n<ul style=\"\">\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Female vocals, Pop vocals</span></li><li>Acoustic guitar</li><li>Drum overheads</li><li>Violin</li><li>Mandolin</li><li>Grand piano</li>\n</ul>\n<br />\n<h3>Accessories</h3>\n	Every TF51 microphone system comes with a multi pattern M 903 Power Supply, M 803 Tube Microphone Cable, ZC03 Shell Case, M 703 Shock Mount, M 782 Stand Mount, and Microphone Sleeve.<br /><br />\n<h3>Telefunken Alchemy Series</h3>\n	Designed, hand-built, and tested to strict quality standards in Connecticut, USA, the Alchemy Series is TELEFUNKEN Elektroakustik’s next generation of large diaphragm tube condensers. These new microphone models feature unique sonic profiles developed from the ground up. The bold voicings of the new Alchemy Series are the TF29, TF39, TF47, and TF51.\n<br /><br />\nFuture classics, not clones. With the combination of vintage microphone elements and modern fidelity and reliability, the Alchemy Series delivers microphones each with a distinctively original sonic fingerprint. The Alchemy Series is an evolution and refinement to past models in the R-F-T Series (CU-29 Copperhead, AR-51, and AK-47 MkII), benefitting from over a decade of in-house microphone design and production.\n<br /><br />\nProfessional designs, superior functionality. TELEFUNKEN Elektroakustik has implemented numerous improvements sonically and mechanically to the Alchemy Series, tailored all the way down to the accessories. Boasting newly designed custom headgrilles for transparency and openness, hand-plugged circuit boards, and selected American and European vacuum tubes and transformers, no detail was left unaddressed. All systems ship in a sleek, compact, protective case for easy transport and storage. Included are two modern mount options, microphone dust cover, high-flex 7-meter cable, and an American-assembled power supply.\n<br /><br />\nReal trusted quality, built to last. Like all TELEFUNKEN microphones, the Alchemy Series is assembled in the same American facility as the legendary Diamond Series (ELA M 251E, C12 and U47) by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to. All critical components are quality controlled in-house before assembly, including capsule frequency sweeps, vacuum tube burn-in and noise grading. These high standards lead to extremely tight tolerances from microphone to microphone - something few in the industry can claim.\n<br /><br />\nThe ideal choice for discerning engineers, musicians, and producers. The Alchemy Series combines timeless sound quality with TELEFUNKEN reliability in an affordable package. Whether it’s the home studio or a commercial facility, the Alchemy Series is suited for any recording environment.'),(11636,75,1,1940,'<h1>Telefunken TF51 Large-Diaphragm Condenser Microphone</h1>\n<i>A large diaphragm multi-pattern condenser microphone inspired by the vintage \"Austrian\" sound of the ELA M 251E and C12 while adding modern fidelity and reliability.</i><br /><br />\n\nThe Telefunken TF51 is a new design based on the “Austrian” microphone sound associated with the TELEFUNKEN ELA M 251E and C12. The TF51 continues this legacy, exhibiting a smooth midrange and airy top end, capturing every nuance in pleasant detail. This is a reliable first choice for stand out vocals, acoustic instruments, and percussion.<br /><br />\n	This lifelike fidelity is created with high quality components based off these inspirations. The 6072A vacuum tube (also found in our ELA M 251E and C12) is mated with an edge-terminated style capsule similar to the historic CK12. The output transformer is a custom German-made Haufe transformer, the original manufacturer for TELEFUNKEN. This attention to detail gives the TF51 a beautifully open and smooth sonic profile.<br /><br />\n<h3><span style=\"background-color: initial;\">TF51 Key Features</span></h3>\n<ul style=\"\">\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Open and detailed frequency response</span></li><li>Airy and smooth top end, reminiscent of the ELA M 251E</li><li>Balanced low end and natural mid range</li><li>Hand assembled in the USA</li><li>CK12-style capsule and Haufe transformer, similar to the C12 and 251E</li>\n</ul>\n<br />\n<h3><span style=\"background-color: initial;\">TF51 Applications</span></h3>\n<ul style=\"\">\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Female vocals, Pop vocals</span></li><li>Acoustic guitar</li><li>Drum overheads</li><li>Violin</li><li>Mandolin</li><li>Grand piano</li>\n</ul>\n<br />\n<h3>Accessories</h3>\n	Every TF51 microphone system comes with a multi pattern M 903 Power Supply, M 803 Tube Microphone Cable, ZC03 Shell Case, M 703 Shock Mount, M 782 Stand Mount, and Microphone Sleeve.<br /><br />\n<h3>Telefunken Alchemy Series</h3>\n	Designed, hand-built, and tested to strict quality standards in Connecticut, USA, the Alchemy Series is TELEFUNKEN Elektroakustik’s next generation of large diaphragm tube condensers. These new microphone models feature unique sonic profiles developed from the ground up. The bold voicings of the new Alchemy Series are the TF29, TF39, TF47, and TF51.\n<br /><br />\nFuture classics, not clones. With the combination of vintage microphone elements and modern fidelity and reliability, the Alchemy Series delivers microphones each with a distinctively original sonic fingerprint. The Alchemy Series is an evolution and refinement to past models in the R-F-T Series (CU-29 Copperhead, AR-51, and AK-47 MkII), benefitting from over a decade of in-house microphone design and production.\n<br /><br />\nProfessional designs, superior functionality. TELEFUNKEN Elektroakustik has implemented numerous improvements sonically and mechanically to the Alchemy Series, tailored all the way down to the accessories. Boasting newly designed custom headgrilles for transparency and openness, hand-plugged circuit boards, and selected American and European vacuum tubes and transformers, no detail was left unaddressed. All systems ship in a sleek, compact, protective case for easy transport and storage. Included are two modern mount options, microphone dust cover, high-flex 7-meter cable, and an American-assembled power supply.\n<br /><br />\nReal trusted quality, built to last. Like all TELEFUNKEN microphones, the Alchemy Series is assembled in the same American facility as the legendary Diamond Series (ELA M 251E, C12 and U47) by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to. All critical components are quality controlled in-house before assembly, including capsule frequency sweeps, vacuum tube burn-in and noise grading. These high standards lead to extremely tight tolerances from microphone to microphone - something few in the industry can claim.\n<br /><br />\nThe ideal choice for discerning engineers, musicians, and producers. The Alchemy Series combines timeless sound quality with TELEFUNKEN reliability in an affordable package. Whether it’s the home studio or a commercial facility, the Alchemy Series is suited for any recording environment.'),(11637,85,0,1940,'Telefunken TF51 Large-Diaphragm Condenser Microphone'),(11638,85,1,1940,'Telefunken TF51 Large-Diaphragm Condenser Microphone'),(11639,76,0,1940,''),(11640,76,1,1940,''),(11641,75,0,1941,'Music and Film Industry Engineers/Operators now have a reliable, flexible, and easy-to-use solution to protect key creative digital assets regardless of their computer technical knowledge.\n\nProtect Creative Assets\n\nThe creation of music and films are complex art forms. Capturing each note and frame is critical because they may not be easily nor voluntarily reproducible. And once a session is appropriately captured and catalogued, it is critical that it can be reproduced and reliably accessed for production into a commercial title.\n\nThe functionality of Producer\'s Edition (PE) for Mac OS X was defined with input from AES and NARAS members to assure pertinence to the recording industry. TOLIS Group\'s proven BRU LE™ for Mac OS X® solution serves as the foundation for Producer\'s Edition. Film and music operators and recording engineers, regardless of their computer technical knowledge, can use Producer\'s Edition effectively and with confidence.'),(11642,75,1,1941,'Music and Film Industry Engineers/Operators now have a reliable, flexible, and easy-to-use solution to protect key creative digital assets regardless of their computer technical knowledge.\n\nProtect Creative Assets\n\nThe creation of music and films are complex art forms. Capturing each note and frame is critical because they may not be easily nor voluntarily reproducible. And once a session is appropriately captured and catalogued, it is critical that it can be reproduced and reliably accessed for production into a commercial title.\n\nThe functionality of Producer\'s Edition (PE) for Mac OS X was defined with input from AES and NARAS members to assure pertinence to the recording industry. TOLIS Group\'s proven BRU LE™ for Mac OS X® solution serves as the foundation for Producer\'s Edition. Film and music operators and recording engineers, regardless of their computer technical knowledge, can use Producer\'s Edition effectively and with confidence.'),(11643,85,0,1941,'TOLIS Group BRU PE, Backup and Restore Producers Edition'),(11644,85,1,1941,'TOLIS Group BRU PE, Backup and Restore Producers Edition'),(11645,76,0,1941,''),(11646,76,1,1941,''),(11647,75,0,1942,'<h2>Used Tonelux Universal Console - 24 Channel</h2>\nThis console comes from a client\'s meticulous, non-smoking studio and is in near-perfect condition! <br /><span><br /></span>\n\n\n\n<h3>About this console:</h3>\n<ul>\n<li>Tonelux Master Section</li>\n<li>24 channels</li>\n<li>24 VU Meters</li>\n<li>24 faders</li>\n<li>Talkback</li>\n<li>1 mic pre</li>\n<li>3 Stereo FX Routing</li>\n<li>Sterling Modular Desk with extras</li>\n</ul>\n\n<br />The Tonelux Universal Console can be configured for up to 96 channels, room for Eqs, Mic Pres, Compressors, Control Room Section, Returns, Masters, and the new ShadowMix Motorized Fader System that uses your DAW\'s automation to run them, but with the audio going through them into the Tonelux modules!!!\n<div>\n	<br />\n</div>\n<div>\n	Tonelux provides a system that can do tracking, mixing, overdubs and most other production work with the broad line of modular products it manufactures. We have taken many of the oversimplified external systems and included many of the large format console features into a very high quality, affordable system of modules that can be combined or used individually. We have used both discrete and IC based amplifiers in the positions that they each work the best in. With two new discrete opamps, the Tonelux line sounds as sweet as possible, with most comments referring to it\'s \"dimensional sound\" and it\'s \"clear high end and fat bottom\".\n</div>\n<div>\n	<br />\n</div>\n<div>\n	The starting point is the flexible Tonelux multi-function powered rack. With one single rack model, you can intermix any of the modules in any quantity because the configuration of the rack is universal for all modules. With Paul Wolff\'s extensive experience with console designs, beginning with his many years spent customizing live sound consoles, studio consoles and working in both environments, building nearly 35 custom consoles, through his final design of the first discrete surround console, not forgetting the modular designs of some of the first OTB summing mixers, EQs, Mic Pres and Compressors that are still being sold as they were designed, Tonelux was the next logical step, quickly becoming the leader in modular, configurable production systems, with a complete ground up concept that doesn\'t use obsolete designs to make something that appears new. \"With a dramatic new direction in the music industry, the way everything is done is being re-invented, and that requires a new direction in the way we design our tools.\"\n</div>\n<div>\n	<br />\n</div>\n<div>\n	\"I started to see a change in the industry, and saw a need for a system that enhanced the way engineers, producers and musicians recorded their music. The DAW is here to stay, which many people and companies still regard as the \'studio killer\'. Like any new invention, the DAW has changed the face of recording for ever, and with change, comes new opportunities, not always seen at first.\" It\'s like either being on the train or being on the tracks...\n</div>'),(11648,75,1,1942,'<h2>Used Tonelux Universal Console - 24 Channel</h2>\nThis console comes from a client\'s meticulous, non-smoking studio and is in near-perfect condition! <br /><span><br /></span>\n\n\n\n<h3>About this console:</h3>\n<ul>\n<li>Tonelux Master Section</li>\n<li>24 channels</li>\n<li>24 VU Meters</li>\n<li>24 faders</li>\n<li>Talkback</li>\n<li>1 mic pre</li>\n<li>3 Stereo FX Routing</li>\n<li>Sterling Modular Desk with extras</li>\n</ul>\n\n<br />The Tonelux Universal Console can be configured for up to 96 channels, room for Eqs, Mic Pres, Compressors, Control Room Section, Returns, Masters, and the new ShadowMix Motorized Fader System that uses your DAW\'s automation to run them, but with the audio going through them into the Tonelux modules!!!\n<div>\n	<br />\n</div>\n<div>\n	Tonelux provides a system that can do tracking, mixing, overdubs and most other production work with the broad line of modular products it manufactures. We have taken many of the oversimplified external systems and included many of the large format console features into a very high quality, affordable system of modules that can be combined or used individually. We have used both discrete and IC based amplifiers in the positions that they each work the best in. With two new discrete opamps, the Tonelux line sounds as sweet as possible, with most comments referring to it\'s \"dimensional sound\" and it\'s \"clear high end and fat bottom\".\n</div>\n<div>\n	<br />\n</div>\n<div>\n	The starting point is the flexible Tonelux multi-function powered rack. With one single rack model, you can intermix any of the modules in any quantity because the configuration of the rack is universal for all modules. With Paul Wolff\'s extensive experience with console designs, beginning with his many years spent customizing live sound consoles, studio consoles and working in both environments, building nearly 35 custom consoles, through his final design of the first discrete surround console, not forgetting the modular designs of some of the first OTB summing mixers, EQs, Mic Pres and Compressors that are still being sold as they were designed, Tonelux was the next logical step, quickly becoming the leader in modular, configurable production systems, with a complete ground up concept that doesn\'t use obsolete designs to make something that appears new. \"With a dramatic new direction in the music industry, the way everything is done is being re-invented, and that requires a new direction in the way we design our tools.\"\n</div>\n<div>\n	<br />\n</div>\n<div>\n	\"I started to see a change in the industry, and saw a need for a system that enhanced the way engineers, producers and musicians recorded their music. The DAW is here to stay, which many people and companies still regard as the \'studio killer\'. Like any new invention, the DAW has changed the face of recording for ever, and with change, comes new opportunities, not always seen at first.\" It\'s like either being on the train or being on the tracks...\n</div>'),(11649,85,0,1942,'Used Tonelux Universal Console - 24 Channel'),(11650,85,1,1942,'Used Tonelux Universal Console - 24 Channel'),(11651,76,0,1942,''),(11652,76,1,1942,''),(11653,75,0,1943,'<h1>Townsend Labs Sphere L22 Microphone Modeling System</h1>\n<i>Mic modeling system featuring L22 dual-channel large-diaphragm condenser mic and Sphere DSP plug-in (now with AAX DSP support) to give you authentic recreations of the world\'s most sought after microphones.</i><br /><br />\n<div>\n	The Townsend Labs Sphere L22™ microphone system from Townsend Labs models the characteristics of the most sought-after large-diaphragm condenser microphones with amazing accuracy and allows selection of different mics and patterns even after tracking.\n</div>\n<div>\n	The Sphere® system consists of a high precision dual channel microphone, which when paired with the included Sphere plug-in (UAD, AAX DSP, AAX Native, VST, AU) accurately models the response of a wide range of mics, including transient response, harmonics, proximity effect and three-dimensional polar response.\n</div>\n<br />\n<h3>Townsend Labs Sphere L22 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Record with the sound of microphones many have only dreamt about</span></li>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Includes over 30 extremely accurate microphone models</span></li>\n	<li>Change mic type, polar pattern, and other microphone characteristics, even after tracking!</li>\n	<li>Audition the sound of different microphones without tiring the vocalist</li>\n	<li>Reduce bleed, undesirable room coloration, and other common issues using Off-Axis Correction™</li>\n	<li>Record in stereo from a single microphone</li>\n</ul>\n<br />\n<h3>IsoSphere 1.5 - Sound Isolation Filter</h3>\nFor many artists and engineers, changing times and technologies have led to working more from home and collaborating remotely—and often recording in less-than-ideal spaces. Townsend Labs meets these challenges with IsoSphere™ (US patent 10701481), an easy-to-use yet effective cutting-edge technology that rethinks how microphones interact with the space around them. <br /><br />\n\nMicrophone isolation filters (also referred to as reflection filters) and portable acoustic booths are a boon to home recordists, but they also impart their own undesirable coloration to the sound, and their effectiveness at reducing reflections and background noise is limited, especially at low to mid frequencies. IsoSphere optimizes how the Sphere L22 works together with commonly-available isolation devices—such as the sE Reflexion Filters, Aston Halo, Kaotica Eyeball, and even vocal booths. It enhances off-axis behavior for maximum rejection and modifies frequency response to compensate for unwanted coloration, leading to even better-sounding recordings.<br /><br />\n\n<h3>Breakthrough Microphone Modeling Technology</h3>\nSphere’s three-dimensional  approach captures the spatial nuances, proximity effect and off-axis frequency response of a wide range of microphones, which until now was not possible with any other product.\n<br /><br />\n<h3>Dream Microphone Collection</h3>\nAccess some of the most prized microphones of all time, including a 47 (with VF14 tube), a 67, an M49, and a C12, and with the Sphere 1.5 update, there are 4 new mic models of classic microphones included!\n<br /><br />\n<h4>LD-87 Modern - NEW</h4>\nLD-87 Modern, based on a current production 87 in factory-shipping condition. In production for almost 35 years, the 87 has become a defacto standard for broadcast, voice-over, and many other applications. Our new LD-87 Modern model is slightly brighter and more modern-sounding than our LD-87 Vintage model, which had been in the Sphere Core collection from the beginning.\n<br /><br />\nArguably, the 87 is the world’s best-known studio microphone of all, and it’s the gold standard for many voice-over artists, podcasters, and broadcasters alike.<br /><br />\n<h4>LD-37A Modern - NEW</h4>\nLD-37A, based on a classic 1950s Japanese tube microphone which has been used by countless icons, including Sinatra, Nat King Cole, and Hendrix. Compared to other condensers, it’s known for a warmer, smoother sound, which can be good for taming sibilance and harsh high-end, yet still has enough \'air\' in the upper register to avoid sounding dull.\n<br /><br />\nIt’s a favorite choice for drum overheads and toms for many engineers but also excels on vocals and electric guitars.<br /><br />\n<h4>LD-37P Modern - NEW</h4>\nLD-37P, based on a lesser-known FET version of the 37A Japanese tube microphone. The 37P is slightly brighter than the 37A. It can be an excellent choice to freshen up source material that is a bit dull sounding.\n<br /><br />\nWhile the 37P is not nearly as well known as its tube predecessor, but you can still find it in prized microphone collections and at world-class studios such as Power Station/Avatar.<br /><br />\n<h4>DN-20 - NEW</h4>\nDN-20, based on an industry-standard large-diaphragm dynamic microphone used on applications ranging from broadcast and voice-over to kick drum. The microphone is often a go-to choice for spoken word applications due to its pleasant presence boost with a sharp high-frequency dip to minimize sibilance.\n<br /><br />\nIt’s a staple of AM/FM radio hosts and DJs around the world. Its frequency response is tailored toward voice recording but music producers and engineers also like to use this mic for kick drums, bass amps, and horns. The mic has even proved its worth for singers such as Stevie Wonder, Paul McCartney, and Radiohead’s Thom Yorke.<br /><br />\nMic Models Included:<br />\n<ul>\n	<li><font color=\"#303847\">LD-87 - a modern production </font>87, more modern and bright than a vintage 87</li>\n	<li><font color=\"#303847\">LD-37A - </font>a classic 1950s Japanese tube microphone</li>\n	<li><font color=\"#303847\">LD-37P - </font>a lesser-known FET version of the 37A Japanese tube microphone</li>\n	<li><font color=\"#303847\">DN-20- industry-standard large-diaphragm dynamic microphone</font></li>\n	<li><font color=\"#303847\">LD-563 - an iconic East German bottle microphone from the mid-1960s</font></li>\n	<li><font color=\"#303847\">LD-017T - a commissioned model of a current production Soyuz 017 TUBE large diaphragm microphone</font></li>\n	<li><font color=\"#303847\">DN-409N and DN-409U - based on two different variants of the classic German 409 dynamic microphone</font></li>\n	<li><font color=\"#303847\">DN-421N, DN-421S, and DN-421B - based on three differently sounding variants of the iconic German 421 microphone</font></li>\n	<li><font color=\"#303847\">DN-12A and DN-12E - based on Austrian dynamic microphones</font></li>\n	<li><font color=\"#303847\">SD-416 - based on an industry-standard shotgun microphone</font></li>\n	<li><font color=\"#303847\">LD-47K</font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-12</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-67</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-49K</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">Sphere Linear</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-251</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-800</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-67 NOS</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-87</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-87 TK</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-414 Brass</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-414 Nylon</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-414 US</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-414 T2</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">SD-451</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">RB-4038</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">RB-77DX Satin</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">RB-77DX Umber</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">DN-57</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">DN-7</span></font></li>\n</ul>\n<br />\n<h3>Sphere L22 Microphone</h3>\nThe Sphere system employs the high-resolution, dual-channel L22 large-diaphragm condenser microphone, custom designed to capture the three-dimensional soundfield with exacting detail. Manufactured to extremely tight tolerances, the L22 ensures that modeling is consistent and accurate.\n<br /><br />\n<h3>Realtime UAD & AAX DSP Processing</h3>\nWith Universal Audio Apollo, achieve extremely low latency (approx. 1.6ms round trip at 96kHz) for guaranteed real-time performance. The AAX DSP format allows for guaranteed low-latency performance on Avid HDX systems. Sphere also supports native AAX, VST and AU.\n<br /><br />\n<h3>Polar Pattern Modeling</h3>\nBecause Sphere captures the three-dimensional response of target microphones, it precisely emulates the polar patterns and other off-axis characteristics of vintage microphones which are essential to their unique sound.\n<br /><br />\n<h3>Re-Mic Sphere Tracks</h3>\nSelect mic type, polar pattern and other settings both before and after tracking.\n<br /><br />\n<h3>Adjustable Proximity Effect</h3>\nNo need to move a microphone solely because of too little or too much bass due to proximity effect. Great for punching in a vocal where distance from the mic varies from take to take.\n<br /><br />\n<h3>Dual Mic Models</h3>\nDual Mode in the Sphere plug-in makes possible phase-coherent mixing of multiple virtual mic models from the same physical microphone, before or after tracking. It\'s also possible to adjust the relative phase alignment of the two mics with the Align control.\n<br /><br />\n<h3>Record In Stereo (With One Mic)</h3>\nWith just one Sphere L22 mic it’s possible to make coincident stereo recordings, and even have different mic models on the left and right channels, using the Sphere 180 plug-in.\n<br /><br />\n<h3>Axis Shift</h3>\nVirtually rotate the axis of the mic to give a more off-axis sound before or after tracking.\n<br /><br />\n<h3>Off-Axis Correction™</h3>\nCreate more accurate polar patterns to reduce bleed, room coloration, and susceptibility of feedback before or after tracking. For more information see the Off-Axis Correction chapter in the Sphere Hardware and Software User Guide.\n<br /><br />\n<h3>Polar Meter</h3>\nThe Sphere plug-in features a visually informative (and very cool) Polar Meter that dynamically displays the direction and level of sound being picked up by the microphone, as well as the currently selected polar pattern.\n<br /><br />\n<h3>Low Noise</h3>\nThe microphone hardware has a self-noise level of 7dB-A SPL, well below most vintage microphones and comparable to many of the best modern microphones.\nTownsend Labs Sphere L22 PCB Closeup\n<br /><br />\n<h3>High SPL Handling</h3>\nThe L22 can handle in excess of 140dB SPL before clipping and is remarkably rugged. It won’t be damaged by high SPLs or air blasts as some vintage microphones can be.\n<br /><br />\n<h3>What\'s Included</h3>\n<div>\n	<b>Sphere L22 Microphone</b> – high precision, dual-channel, large-diaphragm condenser studio microphone, which can be used with or without modeling\n</div>\n<div>\n	<b>Bundled Accessories</b>\n</div>\n<ul>\n	<li>10 Foot (3 Meter) Breakout Cable</li>\n	<li>Shock Mount</li>\n	<li>Swivel Mount</li>\n	<li>Hard Carrying Case</li>\n	<li>Plush Dust Cover</li>\n</ul>\n<br />\n<h3>The Townsend Labs Sphere L22 mic modeling system gives you the authentic vintage sound of a dream mic-locker, for a fraction of the price and with modern features. Call or Live chat RSPE for more information.</h3>\n<br />'),(11654,75,1,1943,'<h1>Townsend Labs Sphere L22 Microphone Modeling System</h1>\n<i>Mic modeling system featuring L22 dual-channel large-diaphragm condenser mic and Sphere DSP plug-in (now with AAX DSP support) to give you authentic recreations of the world\'s most sought after microphones.</i><br /><br />\n<div>\n	The Townsend Labs Sphere L22™ microphone system from Townsend Labs models the characteristics of the most sought-after large-diaphragm condenser microphones with amazing accuracy and allows selection of different mics and patterns even after tracking.\n</div>\n<div>\n	The Sphere® system consists of a high precision dual channel microphone, which when paired with the included Sphere plug-in (UAD, AAX DSP, AAX Native, VST, AU) accurately models the response of a wide range of mics, including transient response, harmonics, proximity effect and three-dimensional polar response.\n</div>\n<br />\n<h3>Townsend Labs Sphere L22 Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Record with the sound of microphones many have only dreamt about</span></li>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Includes over 30 extremely accurate microphone models</span></li>\n	<li>Change mic type, polar pattern, and other microphone characteristics, even after tracking!</li>\n	<li>Audition the sound of different microphones without tiring the vocalist</li>\n	<li>Reduce bleed, undesirable room coloration, and other common issues using Off-Axis Correction™</li>\n	<li>Record in stereo from a single microphone</li>\n</ul>\n<br />\n<h3>IsoSphere 1.5 - Sound Isolation Filter</h3>\nFor many artists and engineers, changing times and technologies have led to working more from home and collaborating remotely—and often recording in less-than-ideal spaces. Townsend Labs meets these challenges with IsoSphere™ (US patent 10701481), an easy-to-use yet effective cutting-edge technology that rethinks how microphones interact with the space around them. <br /><br />\n\nMicrophone isolation filters (also referred to as reflection filters) and portable acoustic booths are a boon to home recordists, but they also impart their own undesirable coloration to the sound, and their effectiveness at reducing reflections and background noise is limited, especially at low to mid frequencies. IsoSphere optimizes how the Sphere L22 works together with commonly-available isolation devices—such as the sE Reflexion Filters, Aston Halo, Kaotica Eyeball, and even vocal booths. It enhances off-axis behavior for maximum rejection and modifies frequency response to compensate for unwanted coloration, leading to even better-sounding recordings.<br /><br />\n\n<h3>Breakthrough Microphone Modeling Technology</h3>\nSphere’s three-dimensional  approach captures the spatial nuances, proximity effect and off-axis frequency response of a wide range of microphones, which until now was not possible with any other product.\n<br /><br />\n<h3>Dream Microphone Collection</h3>\nAccess some of the most prized microphones of all time, including a 47 (with VF14 tube), a 67, an M49, and a C12, and with the Sphere 1.5 update, there are 4 new mic models of classic microphones included!\n<br /><br />\n<h4>LD-87 Modern - NEW</h4>\nLD-87 Modern, based on a current production 87 in factory-shipping condition. In production for almost 35 years, the 87 has become a defacto standard for broadcast, voice-over, and many other applications. Our new LD-87 Modern model is slightly brighter and more modern-sounding than our LD-87 Vintage model, which had been in the Sphere Core collection from the beginning.\n<br /><br />\nArguably, the 87 is the world’s best-known studio microphone of all, and it’s the gold standard for many voice-over artists, podcasters, and broadcasters alike.<br /><br />\n<h4>LD-37A Modern - NEW</h4>\nLD-37A, based on a classic 1950s Japanese tube microphone which has been used by countless icons, including Sinatra, Nat King Cole, and Hendrix. Compared to other condensers, it’s known for a warmer, smoother sound, which can be good for taming sibilance and harsh high-end, yet still has enough \'air\' in the upper register to avoid sounding dull.\n<br /><br />\nIt’s a favorite choice for drum overheads and toms for many engineers but also excels on vocals and electric guitars.<br /><br />\n<h4>LD-37P Modern - NEW</h4>\nLD-37P, based on a lesser-known FET version of the 37A Japanese tube microphone. The 37P is slightly brighter than the 37A. It can be an excellent choice to freshen up source material that is a bit dull sounding.\n<br /><br />\nWhile the 37P is not nearly as well known as its tube predecessor, but you can still find it in prized microphone collections and at world-class studios such as Power Station/Avatar.<br /><br />\n<h4>DN-20 - NEW</h4>\nDN-20, based on an industry-standard large-diaphragm dynamic microphone used on applications ranging from broadcast and voice-over to kick drum. The microphone is often a go-to choice for spoken word applications due to its pleasant presence boost with a sharp high-frequency dip to minimize sibilance.\n<br /><br />\nIt’s a staple of AM/FM radio hosts and DJs around the world. Its frequency response is tailored toward voice recording but music producers and engineers also like to use this mic for kick drums, bass amps, and horns. The mic has even proved its worth for singers such as Stevie Wonder, Paul McCartney, and Radiohead’s Thom Yorke.<br /><br />\nMic Models Included:<br />\n<ul>\n	<li><font color=\"#303847\">LD-87 - a modern production </font>87, more modern and bright than a vintage 87</li>\n	<li><font color=\"#303847\">LD-37A - </font>a classic 1950s Japanese tube microphone</li>\n	<li><font color=\"#303847\">LD-37P - </font>a lesser-known FET version of the 37A Japanese tube microphone</li>\n	<li><font color=\"#303847\">DN-20- industry-standard large-diaphragm dynamic microphone</font></li>\n	<li><font color=\"#303847\">LD-563 - an iconic East German bottle microphone from the mid-1960s</font></li>\n	<li><font color=\"#303847\">LD-017T - a commissioned model of a current production Soyuz 017 TUBE large diaphragm microphone</font></li>\n	<li><font color=\"#303847\">DN-409N and DN-409U - based on two different variants of the classic German 409 dynamic microphone</font></li>\n	<li><font color=\"#303847\">DN-421N, DN-421S, and DN-421B - based on three differently sounding variants of the iconic German 421 microphone</font></li>\n	<li><font color=\"#303847\">DN-12A and DN-12E - based on Austrian dynamic microphones</font></li>\n	<li><font color=\"#303847\">SD-416 - based on an industry-standard shotgun microphone</font></li>\n	<li><font color=\"#303847\">LD-47K</font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-12</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-67</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-49K</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">Sphere Linear</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-251</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-800</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-67 NOS</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-87</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-87 TK</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-414 Brass</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-414 Nylon</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-414 US</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">LD-414 T2</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">SD-451</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">RB-4038</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">RB-77DX Satin</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">RB-77DX Umber</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">DN-57</span></font></li>\n	<li><font color=\"#303847\"><span style=\"font-size: 16px; font-weight: 400;\">DN-7</span></font></li>\n</ul>\n<br />\n<h3>Sphere L22 Microphone</h3>\nThe Sphere system employs the high-resolution, dual-channel L22 large-diaphragm condenser microphone, custom designed to capture the three-dimensional soundfield with exacting detail. Manufactured to extremely tight tolerances, the L22 ensures that modeling is consistent and accurate.\n<br /><br />\n<h3>Realtime UAD & AAX DSP Processing</h3>\nWith Universal Audio Apollo, achieve extremely low latency (approx. 1.6ms round trip at 96kHz) for guaranteed real-time performance. The AAX DSP format allows for guaranteed low-latency performance on Avid HDX systems. Sphere also supports native AAX, VST and AU.\n<br /><br />\n<h3>Polar Pattern Modeling</h3>\nBecause Sphere captures the three-dimensional response of target microphones, it precisely emulates the polar patterns and other off-axis characteristics of vintage microphones which are essential to their unique sound.\n<br /><br />\n<h3>Re-Mic Sphere Tracks</h3>\nSelect mic type, polar pattern and other settings both before and after tracking.\n<br /><br />\n<h3>Adjustable Proximity Effect</h3>\nNo need to move a microphone solely because of too little or too much bass due to proximity effect. Great for punching in a vocal where distance from the mic varies from take to take.\n<br /><br />\n<h3>Dual Mic Models</h3>\nDual Mode in the Sphere plug-in makes possible phase-coherent mixing of multiple virtual mic models from the same physical microphone, before or after tracking. It\'s also possible to adjust the relative phase alignment of the two mics with the Align control.\n<br /><br />\n<h3>Record In Stereo (With One Mic)</h3>\nWith just one Sphere L22 mic it’s possible to make coincident stereo recordings, and even have different mic models on the left and right channels, using the Sphere 180 plug-in.\n<br /><br />\n<h3>Axis Shift</h3>\nVirtually rotate the axis of the mic to give a more off-axis sound before or after tracking.\n<br /><br />\n<h3>Off-Axis Correction™</h3>\nCreate more accurate polar patterns to reduce bleed, room coloration, and susceptibility of feedback before or after tracking. For more information see the Off-Axis Correction chapter in the Sphere Hardware and Software User Guide.\n<br /><br />\n<h3>Polar Meter</h3>\nThe Sphere plug-in features a visually informative (and very cool) Polar Meter that dynamically displays the direction and level of sound being picked up by the microphone, as well as the currently selected polar pattern.\n<br /><br />\n<h3>Low Noise</h3>\nThe microphone hardware has a self-noise level of 7dB-A SPL, well below most vintage microphones and comparable to many of the best modern microphones.\nTownsend Labs Sphere L22 PCB Closeup\n<br /><br />\n<h3>High SPL Handling</h3>\nThe L22 can handle in excess of 140dB SPL before clipping and is remarkably rugged. It won’t be damaged by high SPLs or air blasts as some vintage microphones can be.\n<br /><br />\n<h3>What\'s Included</h3>\n<div>\n	<b>Sphere L22 Microphone</b> – high precision, dual-channel, large-diaphragm condenser studio microphone, which can be used with or without modeling\n</div>\n<div>\n	<b>Bundled Accessories</b>\n</div>\n<ul>\n	<li>10 Foot (3 Meter) Breakout Cable</li>\n	<li>Shock Mount</li>\n	<li>Swivel Mount</li>\n	<li>Hard Carrying Case</li>\n	<li>Plush Dust Cover</li>\n</ul>\n<br />\n<h3>The Townsend Labs Sphere L22 mic modeling system gives you the authentic vintage sound of a dream mic-locker, for a fraction of the price and with modern features. Call or Live chat RSPE for more information.</h3>\n<br />'),(11655,85,0,1943,''),(11656,85,1,1943,''),(11657,76,0,1943,''),(11658,76,1,1943,''),(11659,75,0,1944,'<h2>Triad-Orbit GB-3 Grav Bags Ballast Bags </h2>\n<span style=\"font-size:16px; font-style:italic;\">Grav Bags provide extra stability for Triad-Orbit mic stands </span><br/><br/>\nIf you’re using mic stands in awkward positions, heavy mics with long-extension booms, a Triad-Orbit Grav Bags™ Ballast Bags can be placed on a single leg of a stand as a 3.3 lb. “bootie” for extra stability, or combined as a 10 lb. tripod center weight to stabilize mic stands in high-traffic areas. All Triad-Orbit components, such as the GB-3 Grav Bags are designed to provide new and unique solutions to old problems. <br/><br/>\n<h3>Triad-Orbit GB-3 Grav Bags Ballast unique features:</h3>\n<ul>\n	<li>Triangular weighted shot bags</li>\n	<li>Can be used as individual 3.3 lb. counter-weight or single 10 lb. center weight</li>\n</ul>\n<br/>\n<h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n	<br/><br/>\n	<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n	<br/><br/>\n	If you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br/><br/>\n	<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n	<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br/><br/>\n	<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n	<br/><br/>\n	<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n	<br/><br/>\n	<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n	<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-orbit-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit Tablet and Smartphone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-orbit-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-orbit-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-orbit-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br/><br/>\n<h3>Add stability to your Triad-Orbit mic stands with GB-3 Grav Bags. For more information, call or chat with an RSPE representative today.</h3>'),(11660,75,1,1944,'<h2>Triad-Orbit GB-3 Grav Bags Ballast Bags </h2>\n<span style=\"font-size:16px; font-style:italic;\">Grav Bags provide extra stability for Triad-Orbit mic stands </span><br/><br/>\nIf you’re using mic stands in awkward positions, heavy mics with long-extension booms, a Triad-Orbit Grav Bags™ Ballast Bags can be placed on a single leg of a stand as a 3.3 lb. “bootie” for extra stability, or combined as a 10 lb. tripod center weight to stabilize mic stands in high-traffic areas. All Triad-Orbit components, such as the GB-3 Grav Bags are designed to provide new and unique solutions to old problems. <br/><br/>\n<h3>Triad-Orbit GB-3 Grav Bags Ballast unique features:</h3>\n<ul>\n	<li>Triangular weighted shot bags</li>\n	<li>Can be used as individual 3.3 lb. counter-weight or single 10 lb. center weight</li>\n</ul>\n<br/>\n<h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n	<br/><br/>\n	<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n	<br/><br/>\n	If you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br/><br/>\n	<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n	<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br/><br/>\n	<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n	<br/><br/>\n	<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n	<br/><br/>\n	<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n	<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-orbit-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit Tablet and Smartphone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-orbit-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-orbit-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-orbit-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br/><br/>\n<h3>Add stability to your Triad-Orbit mic stands with GB-3 Grav Bags. For more information, call or chat with an RSPE representative today.</h3>'),(11661,85,0,1944,'Triad-Orbit GB-3 Grav Bags -  Ballast Bags'),(11662,85,1,1944,'Triad-Orbit GB-3 Grav Bags -  Ballast Bags'),(11663,76,0,1944,''),(11664,76,1,1944,''),(11665,75,0,1945,'<h1>Triad-Orbit IO-H2 - IO Quick Change Coupler Head, Stainless Steel</h1>\n<i>The IO-H2 is built with the industry-standard 5/8-inch male mounting thread and a notched stainless steel hex for added weight handling capability. IO-H2 is the optimal choice for large booms and heavy equipment.</i><br /><br /><div>The Triad-Orbit IO-H2 quick-change mounting heads securely connect microphones, booms and miscellaneous accessories to TRIAD-ORBIT advanced microphone stand system components. The IO-H2 is built with the industry-standard 5/8-inch male mounting thread and a notched stainless steel hex for added weight handling capability. IO-H2 is the optimal choice for large booms, and heavy equipment. Triad-Orbit strongly recommends using only IO-H2 in conjunction with IO-W for any wall or ceiling mounted load.</div><div><br /></div><div>The exclusive IO quick-change coupler is standard equipment on all TRIAD stands and ORBIT booms. IO effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. Rapid hardware and mic changes between recording sessions and live sets are a snap, thanks to the integrated IO quick-change platform.</div><div><br /></div><div>Conventional mic stands can benefit from TRIAD-ORBIT quick-change innovation with the addition of MICRO and IO aftermarket components. Retrofitting conventional mic stands and boom arms with MICRO-R and IO-R aftermarket components provides an instant upgrade in functionality. Live sound and recording professionals will easily recoup their investment in MICRO and IO technology by realizing instant savings from reduced set-up and tear-down times.</div><br />\n<h3>Triad-Orbit IO-H2 Retrofit Quick-Change Mounting Head unique features:</h3>\n<ul>\n	<li>IO-H2 allows you to leave the couplers on your extra mics and swap out in a flash</li><li>IO-H2 combines with IO-R to provide Triad-Orbit’s quick-change capability for conventional mic stands, boom arms, and mic clips</li>\n	<li>On-the-fly hardware swaps</li>\n	<li>Industry-standard 5/8-inch female mounting thread</li>\n	<li>Optional 3/8-inch BSW adaptor for universal compatibility </li>\n</ul>\n<h3>Triad-Orbit IO-H and IO-R</h3>\nIO-H Quick-Change Mounting Head combined with the IO-R coupler gives your mic stands the ability to capture and release booms and mics with ease and stability. Thanks to the hardware-swapping capabilities of IO-H and \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R</a> quick-change couplers, the clumsy and tedious task of threading booms and mic clips on and off is no longer necessary. With IO-H and IO-R, rapid hardware and mic changes between recording sessions and live sets are a snap. The Triad-Orbit IO-H quick-change mounting head is the link between T-O retrofit components and conventional mic stands, boom arms, and mic clips. The IO-H features the industry-standard 5/8-inch mounting thread and an optional 3/8-inch BSW adaptor for universal compatibility.<br /><br />\nJust as you would with a mic clip, screw the IO-R to the threaded portion of your conventional mic stand or boom. Then use the supplied hex wrench to securely lock the IO-R in place. A cam applies pressure internally to tighten the threads. Your mic IO-R stand’s threads are not stripped or damaged in any way. The IO-H hex head is threaded to the device you wish to attach or remove, e.g. boom arm, mic adapter, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">iOrbit Tablet and Smartphone Mount</a>, which then fits into the IO-R coupler.   <br /><br />\n<h3>Triad-Orbit Retrofit Components</h3>\nT-O Retrofit Aftermarket Components provide compatibility between conventional mic stands, boom arms, and mic clips equipped with traditional 5/8\" threads and Triad-Orbit Advanced Microphone Stand System components. Equipping traditional mic stands and boom arms with IO-R Quick-Change Couplers and Micro-R Orbital Mic Adaptors provides an exponential upgrade in functionality.\n<br />'),(11666,75,1,1945,'<h1>Triad-Orbit IO-H2 - IO Quick Change Coupler Head, Stainless Steel</h1>\n<i>The IO-H2 is built with the industry-standard 5/8-inch male mounting thread and a notched stainless steel hex for added weight handling capability. IO-H2 is the optimal choice for large booms and heavy equipment.</i><br /><br /><div>The Triad-Orbit IO-H2 quick-change mounting heads securely connect microphones, booms and miscellaneous accessories to TRIAD-ORBIT advanced microphone stand system components. The IO-H2 is built with the industry-standard 5/8-inch male mounting thread and a notched stainless steel hex for added weight handling capability. IO-H2 is the optimal choice for large booms, and heavy equipment. Triad-Orbit strongly recommends using only IO-H2 in conjunction with IO-W for any wall or ceiling mounted load.</div><div><br /></div><div>The exclusive IO quick-change coupler is standard equipment on all TRIAD stands and ORBIT booms. IO effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. Rapid hardware and mic changes between recording sessions and live sets are a snap, thanks to the integrated IO quick-change platform.</div><div><br /></div><div>Conventional mic stands can benefit from TRIAD-ORBIT quick-change innovation with the addition of MICRO and IO aftermarket components. Retrofitting conventional mic stands and boom arms with MICRO-R and IO-R aftermarket components provides an instant upgrade in functionality. Live sound and recording professionals will easily recoup their investment in MICRO and IO technology by realizing instant savings from reduced set-up and tear-down times.</div><br />\n<h3>Triad-Orbit IO-H2 Retrofit Quick-Change Mounting Head unique features:</h3>\n<ul>\n	<li>IO-H2 allows you to leave the couplers on your extra mics and swap out in a flash</li><li>IO-H2 combines with IO-R to provide Triad-Orbit’s quick-change capability for conventional mic stands, boom arms, and mic clips</li>\n	<li>On-the-fly hardware swaps</li>\n	<li>Industry-standard 5/8-inch female mounting thread</li>\n	<li>Optional 3/8-inch BSW adaptor for universal compatibility </li>\n</ul>\n<h3>Triad-Orbit IO-H and IO-R</h3>\nIO-H Quick-Change Mounting Head combined with the IO-R coupler gives your mic stands the ability to capture and release booms and mics with ease and stability. Thanks to the hardware-swapping capabilities of IO-H and \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R</a> quick-change couplers, the clumsy and tedious task of threading booms and mic clips on and off is no longer necessary. With IO-H and IO-R, rapid hardware and mic changes between recording sessions and live sets are a snap. The Triad-Orbit IO-H quick-change mounting head is the link between T-O retrofit components and conventional mic stands, boom arms, and mic clips. The IO-H features the industry-standard 5/8-inch mounting thread and an optional 3/8-inch BSW adaptor for universal compatibility.<br /><br />\nJust as you would with a mic clip, screw the IO-R to the threaded portion of your conventional mic stand or boom. Then use the supplied hex wrench to securely lock the IO-R in place. A cam applies pressure internally to tighten the threads. Your mic IO-R stand’s threads are not stripped or damaged in any way. The IO-H hex head is threaded to the device you wish to attach or remove, e.g. boom arm, mic adapter, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">iOrbit Tablet and Smartphone Mount</a>, which then fits into the IO-R coupler.   <br /><br />\n<h3>Triad-Orbit Retrofit Components</h3>\nT-O Retrofit Aftermarket Components provide compatibility between conventional mic stands, boom arms, and mic clips equipped with traditional 5/8\" threads and Triad-Orbit Advanced Microphone Stand System components. Equipping traditional mic stands and boom arms with IO-R Quick-Change Couplers and Micro-R Orbital Mic Adaptors provides an exponential upgrade in functionality.\n<br />'),(11667,85,0,1945,'Triad-Orbit IO-H2 - IO Quick Change Coupler Head'),(11668,85,1,1945,'Triad-Orbit IO-H2 - IO Quick Change Coupler Head'),(11669,76,0,1945,''),(11670,76,1,1945,''),(11671,75,0,1946,'<h2>Triad-Orbit IO-R Retrofit Quick-change Coupler</h2>\n<span style=\"font-size:16px; font-style:italic;\">Add Triad-Orbit’s Quick-Change, on-the-fly hardware swapping to your existing mic stands</span><br/><br/>\nIf you already have a sizeable investment in mic stands and booms, or even just one that you’d like to bring into the 21st century Triad-Orbit retrofit components such as the IO-R Quick-Change Coupler, can give your mic stand collection a major upgrade with Triad’s on-the-fly hardware swapping. The IO-R Quick-Change Couple combines with the Triad-Orbit IO-H to provide seamless compatibility between Triad-Orbit’s breakthrough mic stand components and conventional mic stands, boom arms and mic clips. The IO-R features the industry-standard 5/8\" female mounting thread and an optional 3/8\" BSW adaptor for universal compatibility. With the Triad-Orbit IO-R and IO-H retrofit components, you can keep your current stands and give them the enhanced, precision mic-placement capabilities of Triad Orbit stands and booms. <br/><br/>\n<h3>Triad-Orbit IO-R Retrofit Quick-Change Coupler unique features:</h3>\n<ul>\n	<li>IO-R Quick-Change Coupler combines with IO-H Hex Mounting Head for compatibility with conventional mic stands, boom arms, and mic clips</li>\n	<li>Provides on-the-fly hardware swaps for any mic stand, boom, or clip </li>\n	<li>Industry-standard 5/8-inch female mounting thread</li>\n	<li>Optional 3/8-inch BSW adaptor for universal compatibility </li>\n</ul>\n<br/>\n<h3>Triad-Orbit IO-H and IO-R</h3>\nIO-R Quick-Change Couplers capture and release booms and mics with ease and stability. Thanks to the hardware-swapping capabilities of IO-R quick-change couplers, the clumsy and tedious task of threading booms and mic clips on and off is no longer necessary. Rapid hardware and mic changes between recording sessions and live sets are a snap. The Triad-Orbit \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-H-p/triad-orbit-io-h.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-H</a> quick-change mounting head is the link between T-O retrofit components and conventional mic stands, boom arms, and mic clips. The IO-H features the industry-standard 5/8-inch mounting thread and an optional 3/8-inch BSW adaptor for universal compatibility.<br/><br/>\nJust as you would with a mic clip, screw the IPO-R to the threaded portion of your conventional mic stand or boom. Then use the supplied hex wrench to securely lock the IPO-R in place. A cam applies pressure internally to tighten the threads. Your mic IO-R stand’s threads are not stripped or damaged in any way.<br/><br/>\nThe IO-H hex head is threaded to the device you wish to attach or remove, e.g. boom arm, mic adapter, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">iOrbit Tablet and Smartphone Mount</a>, which then fits into the IO-R coupler.   <br/><br/>\n<h3>Triad-Orbit Retrofit Components</h3>\nT-O Retrofit Aftermarket Components provide compatibility between conventional mic stands, boom arms, and mic clips equipped with traditional 5/8\" threads and Triad-Orbit Advanced Microphone Stand System components. Equipping traditional mic stands and boom arms with IO-R Quick-Change Couplers and Micro-R Orbital Mic Adaptors provides an exponential upgrade in functionality.\n<br/><br/>\n<h3>Micro M1-R Retrofit Orbital Mic Adaptor</h3>\nMicro M1-R is the retrofittable version of the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Micro M1 Orbital Mic Adaptor</a>. Exhibiting the same extended range-of-motion, M1-R Mic Adaptors feature a long stem ball-swivel mounting arm to accommodate the hanging of large diaphragm studio microphones with spider-style shock-mounts. The patent-pending Glide Path ball swivel housing facilitates both full orbital rotation and a conventional straight-line trajectory for on-axis use. Equipped with industry standard 5/8\" threads, M1-R Mic Adaptors significantly boost the versatility and accuracy of any microphone stand. <br/><br/>\n<h3>Micro M2-R Retrofit Orbital Mic Adaptor</h3>\nMicro \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-R-p/triad-orbit-m2-r.htmM2-R\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\"> M2-R Orbital Mic Adaptors</a> feature a short stem-mounting arm designed for smaller microphones, such as small-diaphragm pencil condensers and hand-held dynamics. The exclusive Triad-Orbit Compass Point ball swivel housing solidly secures mics in any mounting position.  <br/><br/>\nM2-R Mic Adaptors are the perfect interface between traditional mic stands and add-on accessories like iPad mounts, music desks, etc. The added range-of-motion and secure lockout positions earn M2-R Adaptors a slot in every performer’s gig bag.  <br/><br/>\nAll Triad-Orbit Advanced Microphone Stand System components are IO-equipped, giving them unique quick-change capability. Rapid hardware and mic changes between recording sessions and live sets are a snap, thanks to the integrated IO quick-change platform. Triad <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> Articulating Mic Stands; <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 2</a> Orbital Booms; and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Orbital Mic Adaptors all incorporate the Triad-Orbit-Micro IO innovation.<br/><br/>\n<h3>Not only do Triad-Orbit retrofit components save you from re-investing in mic stands and booms, IO-R Quick-Change Couplers instantly pay for themselves with reduced set-up and teardown times. For more information, call or chat with an RSPE representative.</h3>'),(11672,75,1,1946,'<h2>Triad-Orbit IO-R Retrofit Quick-change Coupler</h2>\n<span style=\"font-size:16px; font-style:italic;\">Add Triad-Orbit’s Quick-Change, on-the-fly hardware swapping to your existing mic stands</span><br/><br/>\nIf you already have a sizeable investment in mic stands and booms, or even just one that you’d like to bring into the 21st century Triad-Orbit retrofit components such as the IO-R Quick-Change Coupler, can give your mic stand collection a major upgrade with Triad’s on-the-fly hardware swapping. The IO-R Quick-Change Couple combines with the Triad-Orbit IO-H to provide seamless compatibility between Triad-Orbit’s breakthrough mic stand components and conventional mic stands, boom arms and mic clips. The IO-R features the industry-standard 5/8\" female mounting thread and an optional 3/8\" BSW adaptor for universal compatibility. With the Triad-Orbit IO-R and IO-H retrofit components, you can keep your current stands and give them the enhanced, precision mic-placement capabilities of Triad Orbit stands and booms. <br/><br/>\n<h3>Triad-Orbit IO-R Retrofit Quick-Change Coupler unique features:</h3>\n<ul>\n	<li>IO-R Quick-Change Coupler combines with IO-H Hex Mounting Head for compatibility with conventional mic stands, boom arms, and mic clips</li>\n	<li>Provides on-the-fly hardware swaps for any mic stand, boom, or clip </li>\n	<li>Industry-standard 5/8-inch female mounting thread</li>\n	<li>Optional 3/8-inch BSW adaptor for universal compatibility </li>\n</ul>\n<br/>\n<h3>Triad-Orbit IO-H and IO-R</h3>\nIO-R Quick-Change Couplers capture and release booms and mics with ease and stability. Thanks to the hardware-swapping capabilities of IO-R quick-change couplers, the clumsy and tedious task of threading booms and mic clips on and off is no longer necessary. Rapid hardware and mic changes between recording sessions and live sets are a snap. The Triad-Orbit \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-H-p/triad-orbit-io-h.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-H</a> quick-change mounting head is the link between T-O retrofit components and conventional mic stands, boom arms, and mic clips. The IO-H features the industry-standard 5/8-inch mounting thread and an optional 3/8-inch BSW adaptor for universal compatibility.<br/><br/>\nJust as you would with a mic clip, screw the IPO-R to the threaded portion of your conventional mic stand or boom. Then use the supplied hex wrench to securely lock the IPO-R in place. A cam applies pressure internally to tighten the threads. Your mic IO-R stand’s threads are not stripped or damaged in any way.<br/><br/>\nThe IO-H hex head is threaded to the device you wish to attach or remove, e.g. boom arm, mic adapter, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">iOrbit Tablet and Smartphone Mount</a>, which then fits into the IO-R coupler.   <br/><br/>\n<h3>Triad-Orbit Retrofit Components</h3>\nT-O Retrofit Aftermarket Components provide compatibility between conventional mic stands, boom arms, and mic clips equipped with traditional 5/8\" threads and Triad-Orbit Advanced Microphone Stand System components. Equipping traditional mic stands and boom arms with IO-R Quick-Change Couplers and Micro-R Orbital Mic Adaptors provides an exponential upgrade in functionality.\n<br/><br/>\n<h3>Micro M1-R Retrofit Orbital Mic Adaptor</h3>\nMicro M1-R is the retrofittable version of the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Micro M1 Orbital Mic Adaptor</a>. Exhibiting the same extended range-of-motion, M1-R Mic Adaptors feature a long stem ball-swivel mounting arm to accommodate the hanging of large diaphragm studio microphones with spider-style shock-mounts. The patent-pending Glide Path ball swivel housing facilitates both full orbital rotation and a conventional straight-line trajectory for on-axis use. Equipped with industry standard 5/8\" threads, M1-R Mic Adaptors significantly boost the versatility and accuracy of any microphone stand. <br/><br/>\n<h3>Micro M2-R Retrofit Orbital Mic Adaptor</h3>\nMicro \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-R-p/triad-orbit-m2-r.htmM2-R\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\"> M2-R Orbital Mic Adaptors</a> feature a short stem-mounting arm designed for smaller microphones, such as small-diaphragm pencil condensers and hand-held dynamics. The exclusive Triad-Orbit Compass Point ball swivel housing solidly secures mics in any mounting position.  <br/><br/>\nM2-R Mic Adaptors are the perfect interface between traditional mic stands and add-on accessories like iPad mounts, music desks, etc. The added range-of-motion and secure lockout positions earn M2-R Adaptors a slot in every performer’s gig bag.  <br/><br/>\nAll Triad-Orbit Advanced Microphone Stand System components are IO-equipped, giving them unique quick-change capability. Rapid hardware and mic changes between recording sessions and live sets are a snap, thanks to the integrated IO quick-change platform. Triad <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> Articulating Mic Stands; <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 2</a> Orbital Booms; and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Orbital Mic Adaptors all incorporate the Triad-Orbit-Micro IO innovation.<br/><br/>\n<h3>Not only do Triad-Orbit retrofit components save you from re-investing in mic stands and booms, IO-R Quick-Change Couplers instantly pay for themselves with reduced set-up and teardown times. For more information, call or chat with an RSPE representative.</h3>'),(11673,85,0,1946,'Triad-Orbit IO-R - IO Retrofit Quick Change Coupler'),(11674,85,1,1946,'Triad-Orbit IO-R - IO Retrofit Quick Change Coupler'),(11675,76,0,1946,''),(11676,76,1,1946,''),(11677,75,0,1947,'<h2>Triad-Orbit IO-R/6 Retrofit Quick-Change Coupler Six Pack</h2>\n<span style=\"font-size:16px; font-style:italic;\">Requested by studios that wanted to adopt Triad’s quick-change functionality in a cost-effective bulk package</span><br /><br />\nIf you already have a sizeable investment in mic stands and booms and you’d like a cost-effective means to upgrade to Triad-Orbit IO-R Quick-Change functionality, the Triad-Orbit IO-R/6 Retrofit Quick-Change Coupler Six Pack lets you equip six stands at a time with on-the-fly hardware swapping. The IO-R Quick-Change Coupler combines with the Triad-Orbit IO-H to provide seamless compatibility between Triad-Orbit’s breakthrough mic stand components and conventional mic stands, boom arms and mic clips. The IO-R features the industry-standard 5/8\" female mounting thread and an optional 3/8\" BSW adaptor for universal compatibility. With the Triad-Orbit IO-R and IO-H retrofit components, you can keep your current stands and give them the enhanced, precision mic-placement capabilities of Triad Orbit stands and booms. <br /><br />\n<h3>Triad-Orbit IO-R/6 Retrofit Quick-Change Coupler Six Pack unique features:</h3>\n<ul>\n	<li>Cost-effective six-pack of IO-R quick-change couplers </li>\n	<li>IO-R Quick-Change Coupler combines with IO-H Hex Mounting Head (six included) for compatibility with conventional mic stands, boom arms, and mic clips</li>\n	<li>Provides on-the-fly hardware swaps for any mic stand, boom, or clip </li>\n	<li>Industry-standard 5/8-inch female mounting thread</li>\n	<li>Optional 3/8-inch BSW adaptor for universal compatibility </li>\n</ul>\n<br />\nTriad-Orbit IO-R and IO-H\n<a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R Quick-Change Couplers</a> capture and release booms and mics with ease and stability. Thanks to the hardware-swapping capabilities of IO-R quick-change couplers, the clumsy and tedious task of threading booms and mic clips on and off is no longer necessary. Rapid hardware and mic changes between recording sessions and live sets are a snap. The Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-H-p/triad-orbit-io-h.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-H</a> quick-change mounting head is the link between T-O retrofit components and conventional mic stands, boom arms, and mic clips. The IO-H features the industry-standard 5/8-inch mounting thread and an optional 3/8-inch BSW adaptor for universal compatibility.<br /><br />\nJust as you would with a mic clip, screw the IPO-R to the threaded portion of your conventional mic stand or boom. Then use the supplied hex wrench to securely lock the IPO-R in place. A cam applies pressure internally to tighten the threads. Your mic IO-R stand’s threads are not stripped or damaged in any way.<br /><br />\nThe IO-H hex head is threaded to the device you wish to attach or remove, e.g. boom arm, mic adapter, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">iOrbit Tablet and Smartphone Mount</a>, which then fits into the IO-R coupler.   <br /><br />\n<h3>Triad-Orbit Retrofit Components</h3>\nT-O Retrofit Aftermarket Components provide compatibility between conventional mic stands, boom arms, and mic clips equipped with traditional 5/8\" threads and Triad-Orbit Advanced Microphone Stand System components. Equipping traditional mic stands and boom arms with IO-R Quick-Change Couplers and Micro-R Orbital Mic Adaptors provides an exponential upgrade in functionality.\n<br /><br />\n<h3>Micro M1-R Retrofit Orbital Mic Adaptor</h3>\nMicro M1-R is the retrofittable version of the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Micro M1 Orbital Mic Adaptor</a>. Exhibiting the same extended range-of-motion, M1-R Mic Adaptors feature a long stem ball-swivel mounting arm to accommodate the hanging of large diaphragm studio microphones with spider-style shock-mounts. The patent-pending Glide Path ball swivel housing facilitates both full orbital rotation and a conventional straight-line trajectory for on-axis use. Equipped with industry standard 5/8\" threads, M1-R Mic Adaptors significantly boost the versatility and accuracy of any microphone stand. <br /><br />\n<h3>Micro M2-R Retrofit Orbital Mic Adaptor</h3>\nMicro \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-R-p/triad-orbit-m2-r.htmM2-R\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\"> M2-R Orbital Mic Adaptors</a> feature a short stem-mounting arm designed for smaller microphones, such as small-diaphragm pencil condensers and hand-held dynamics. The exclusive Triad-Orbit Compass Point ball swivel housing solidly secures mics in any mounting position.  <br /><br />\nM2-R Mic Adaptors are the perfect interface between traditional mic stands and add-on accessories like iPad mounts, music desks, etc. The added range-of-motion and secure lockout positions earn M2-R Adaptors a slot in every performer’s gig bag.  <br /><br />\nAll Triad-Orbit Advanced Microphone Stand System components are IO-equipped, giving them unique quick-change capability. Rapid hardware and mic changes between recording sessions and live sets are a snap, thanks to the integrated IO quick-change platform. Triad <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> Articulating Mic Stands; <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 2</a> Orbital Booms; and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Orbital Mic Adaptors all incorporate the Triad-Orbit-Micro IO innovation.<br /><br />\n<h3>Triad-Orbit IO-R/6 Retrofit Quick-Change Coupler Six Packs provide a cost-effective means to add quick-change functionality to your current mic stand inventory. IO-R Quick-Change Couplers easily pay for themselves with reduced set-up and teardown times. For more information, call or chat with an RSPE representative. </h3>'),(11678,75,1,1947,'<h2>Triad-Orbit IO-R/6 Retrofit Quick-Change Coupler Six Pack</h2>\n<span style=\"font-size:16px; font-style:italic;\">Requested by studios that wanted to adopt Triad’s quick-change functionality in a cost-effective bulk package</span><br /><br />\nIf you already have a sizeable investment in mic stands and booms and you’d like a cost-effective means to upgrade to Triad-Orbit IO-R Quick-Change functionality, the Triad-Orbit IO-R/6 Retrofit Quick-Change Coupler Six Pack lets you equip six stands at a time with on-the-fly hardware swapping. The IO-R Quick-Change Coupler combines with the Triad-Orbit IO-H to provide seamless compatibility between Triad-Orbit’s breakthrough mic stand components and conventional mic stands, boom arms and mic clips. The IO-R features the industry-standard 5/8\" female mounting thread and an optional 3/8\" BSW adaptor for universal compatibility. With the Triad-Orbit IO-R and IO-H retrofit components, you can keep your current stands and give them the enhanced, precision mic-placement capabilities of Triad Orbit stands and booms. <br /><br />\n<h3>Triad-Orbit IO-R/6 Retrofit Quick-Change Coupler Six Pack unique features:</h3>\n<ul>\n	<li>Cost-effective six-pack of IO-R quick-change couplers </li>\n	<li>IO-R Quick-Change Coupler combines with IO-H Hex Mounting Head (six included) for compatibility with conventional mic stands, boom arms, and mic clips</li>\n	<li>Provides on-the-fly hardware swaps for any mic stand, boom, or clip </li>\n	<li>Industry-standard 5/8-inch female mounting thread</li>\n	<li>Optional 3/8-inch BSW adaptor for universal compatibility </li>\n</ul>\n<br />\nTriad-Orbit IO-R and IO-H\n<a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R Quick-Change Couplers</a> capture and release booms and mics with ease and stability. Thanks to the hardware-swapping capabilities of IO-R quick-change couplers, the clumsy and tedious task of threading booms and mic clips on and off is no longer necessary. Rapid hardware and mic changes between recording sessions and live sets are a snap. The Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-H-p/triad-orbit-io-h.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-H</a> quick-change mounting head is the link between T-O retrofit components and conventional mic stands, boom arms, and mic clips. The IO-H features the industry-standard 5/8-inch mounting thread and an optional 3/8-inch BSW adaptor for universal compatibility.<br /><br />\nJust as you would with a mic clip, screw the IPO-R to the threaded portion of your conventional mic stand or boom. Then use the supplied hex wrench to securely lock the IPO-R in place. A cam applies pressure internally to tighten the threads. Your mic IO-R stand’s threads are not stripped or damaged in any way.<br /><br />\nThe IO-H hex head is threaded to the device you wish to attach or remove, e.g. boom arm, mic adapter, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">iOrbit Tablet and Smartphone Mount</a>, which then fits into the IO-R coupler.   <br /><br />\n<h3>Triad-Orbit Retrofit Components</h3>\nT-O Retrofit Aftermarket Components provide compatibility between conventional mic stands, boom arms, and mic clips equipped with traditional 5/8\" threads and Triad-Orbit Advanced Microphone Stand System components. Equipping traditional mic stands and boom arms with IO-R Quick-Change Couplers and Micro-R Orbital Mic Adaptors provides an exponential upgrade in functionality.\n<br /><br />\n<h3>Micro M1-R Retrofit Orbital Mic Adaptor</h3>\nMicro M1-R is the retrofittable version of the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Micro M1 Orbital Mic Adaptor</a>. Exhibiting the same extended range-of-motion, M1-R Mic Adaptors feature a long stem ball-swivel mounting arm to accommodate the hanging of large diaphragm studio microphones with spider-style shock-mounts. The patent-pending Glide Path ball swivel housing facilitates both full orbital rotation and a conventional straight-line trajectory for on-axis use. Equipped with industry standard 5/8\" threads, M1-R Mic Adaptors significantly boost the versatility and accuracy of any microphone stand. <br /><br />\n<h3>Micro M2-R Retrofit Orbital Mic Adaptor</h3>\nMicro \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-R-p/triad-orbit-m2-r.htmM2-R\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\"> M2-R Orbital Mic Adaptors</a> feature a short stem-mounting arm designed for smaller microphones, such as small-diaphragm pencil condensers and hand-held dynamics. The exclusive Triad-Orbit Compass Point ball swivel housing solidly secures mics in any mounting position.  <br /><br />\nM2-R Mic Adaptors are the perfect interface between traditional mic stands and add-on accessories like iPad mounts, music desks, etc. The added range-of-motion and secure lockout positions earn M2-R Adaptors a slot in every performer’s gig bag.  <br /><br />\nAll Triad-Orbit Advanced Microphone Stand System components are IO-equipped, giving them unique quick-change capability. Rapid hardware and mic changes between recording sessions and live sets are a snap, thanks to the integrated IO quick-change platform. Triad <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> Articulating Mic Stands; <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 2</a> Orbital Booms; and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Orbital Mic Adaptors all incorporate the Triad-Orbit-Micro IO innovation.<br /><br />\n<h3>Triad-Orbit IO-R/6 Retrofit Quick-Change Coupler Six Packs provide a cost-effective means to add quick-change functionality to your current mic stand inventory. IO-R Quick-Change Couplers easily pay for themselves with reduced set-up and teardown times. For more information, call or chat with an RSPE representative. </h3>'),(11679,85,0,1947,'Triad-Orbit IO-R - IO Retrofit Quick Change Coupler (6 PACK)'),(11680,85,1,1947,'Triad-Orbit IO-R - IO Retrofit Quick Change Coupler (6 PACK)'),(11681,76,0,1947,''),(11682,76,1,1947,''),(11683,75,0,1948,'<h2>Triad-Orbit IO-W - IO Wallplate & Desktop Mount Quick Change Coupler Head</h2>\n<span style=\"font-size:16px; font-style:italic;\">Mount Triad-Orbit’s cutting-edge components to a flat surface like a console, desk or wall.</span><br/><br/>The Triad-Orbit IO-W Wallplate & Desktop Mount provides a stable platform for mounting Triad-Orbit IO-equipped adaptors, boom arms, tablet holders and assorted camera accessories to flat surfaces including walls, ceilings and desktops. It\'s heavy duty design and simple installation make it perfect for commercial installations. It includes a non-marring isolation pad to prevent damage to mounting surface.<br/><br/>\n<h3>Triad-Orbit IO-W - IO Wallplate & Desktop Mount Quick Change Coupler Head Specs:</h3>\n<ul>\n	<li>Footprint Width: 4.72 in.</li>\n	<li>Hole Spacing: 3.14 in. OC</li>\n	<li>Height: 2.76 in.</li>\n	<li>Weight: .44 lbs</li>\n</ul>\n<br/><h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n<br/><br/>\n<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br/><br/>\n<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br/><br/>\n<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n<br/><br/>\n<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br/><br/>\n<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-orbit-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit Tablet and Smartphone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-orbit-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-orbit-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-orbit-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br/><br/>\n<h3>Audio professionals can easily recoup their investment in IO-R Quick-Change Couplers by instant savings realized from reduced set-up and teardown times. For more information, call or chat with an RSPE representative. </h3>'),(11684,75,1,1948,'<h2>Triad-Orbit IO-W - IO Wallplate & Desktop Mount Quick Change Coupler Head</h2>\n<span style=\"font-size:16px; font-style:italic;\">Mount Triad-Orbit’s cutting-edge components to a flat surface like a console, desk or wall.</span><br/><br/>The Triad-Orbit IO-W Wallplate & Desktop Mount provides a stable platform for mounting Triad-Orbit IO-equipped adaptors, boom arms, tablet holders and assorted camera accessories to flat surfaces including walls, ceilings and desktops. It\'s heavy duty design and simple installation make it perfect for commercial installations. It includes a non-marring isolation pad to prevent damage to mounting surface.<br/><br/>\n<h3>Triad-Orbit IO-W - IO Wallplate & Desktop Mount Quick Change Coupler Head Specs:</h3>\n<ul>\n	<li>Footprint Width: 4.72 in.</li>\n	<li>Hole Spacing: 3.14 in. OC</li>\n	<li>Height: 2.76 in.</li>\n	<li>Weight: .44 lbs</li>\n</ul>\n<br/><h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n<br/><br/>\n<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br/><br/>\n<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br/><br/>\n<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n<br/><br/>\n<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br/><br/>\n<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-orbit-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit Tablet and Smartphone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-orbit-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-orbit-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-orbit-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br/><br/>\n<h3>Audio professionals can easily recoup their investment in IO-R Quick-Change Couplers by instant savings realized from reduced set-up and teardown times. For more information, call or chat with an RSPE representative. </h3>'),(11685,85,0,1948,'Triad-Orbit IO-W - IO Wallplate & Desktop Mount Quick Change Coupler Head'),(11686,85,1,1948,'Triad-Orbit IO-W - IO Wallplate & Desktop Mount Quick Change Coupler Head'),(11687,76,0,1948,''),(11688,76,1,1948,''),(11689,75,0,1949,'<h2>Triad-Orbit iOrbit Smartphone and Tablet Mount</h2>\n<span style=\"font-size:16px; font-style:italic;\">iOrbit Mounts connect the power of your smartphone or tablet and A/V  apps to Triad-Orbit Stand Systems </span><br /><br />\n\n	iOrbit is a universal smartphone and tablet holder with clamping jaws that adjust from a width of 6 cm to 27.5 cm (2.4 in. to 10.8 in.). iOrbit features a stainless steel ball swivel enclosed in a cast alloy housing that provides a smooth 360° range of motion and four 90° crenels for unparalleled support and positioning. The iOrbit ball swivel also features a Triad-Orbit IO hex mounting head. The modular IO mounting head allows iOrbit to instantly and effortlessly connect to the included IO-C clamp or any Triad-Orbit product. *Includes IO-C Clamp to mount to iOrbit to almost any stand or boom.<br /><br />\n\n<h3>iOrbit 1 iPad Mount unique features:</h3>\n<ul>\n	<li>Universal Clamping system designed to fit smartphones and tablets of all sizes and brands</li>\n	<li>Stainless steel, ball-swivel mechanism provides full range of motion</li>\n	<li>IO Quick-Change Coupler for on-the-fly hardware swapping</li>\n	<li>Spring-loaded frames gently but securely hold tablets and phones with CamCutawayTM full frame photos and video</li>\n</ul>\n<br />\niOrbit Mounts incorporate Triad-Orbit’s exclusive Micro stainless steel ball swivel mechanism for an unparalleled range-of-motion along with the IO Quick-Change Coupler. The result is rock-steady stability and precise positioning of smarthphones and tablets for viewing text, recording audio and video or remote control of applications in any performance setting. With iOrbit, the world of mobile computing is always at your fingertips. iOrbit Mounts feature spring-loaded frames that gently but securely capture tablets and phones with CamCutaway for full-frame view of photos and video. <br /><br />\n<h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n<br /><br />\n<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n<br /><br />\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br /><br />\n<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br /><br />\n<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n<br /><br />\n<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br /><br />\n<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, iOrbit 1 iPad Mount, <a href=\"http://www.rspeaudio.com/Triad-Orbit-iOrbit-2-p/triad-iorbit-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit 2 iPhone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br /><br />\n<h3>If you’re using an iPad or smartphone as a digital sheet music reader, or to control digital mixers or other external gear, such as Crown Ethernet enabled devices and JBL Professional DrivePack DPDA models, an iOrbit Mount is a no-brainer. For more information, call or chat with an RSPE representative today. </h3>'),(11690,75,1,1949,'<h2>Triad-Orbit iOrbit Smartphone and Tablet Mount</h2>\n<span style=\"font-size:16px; font-style:italic;\">iOrbit Mounts connect the power of your smartphone or tablet and A/V  apps to Triad-Orbit Stand Systems </span><br /><br />\n\n	iOrbit is a universal smartphone and tablet holder with clamping jaws that adjust from a width of 6 cm to 27.5 cm (2.4 in. to 10.8 in.). iOrbit features a stainless steel ball swivel enclosed in a cast alloy housing that provides a smooth 360° range of motion and four 90° crenels for unparalleled support and positioning. The iOrbit ball swivel also features a Triad-Orbit IO hex mounting head. The modular IO mounting head allows iOrbit to instantly and effortlessly connect to the included IO-C clamp or any Triad-Orbit product. *Includes IO-C Clamp to mount to iOrbit to almost any stand or boom.<br /><br />\n\n<h3>iOrbit 1 iPad Mount unique features:</h3>\n<ul>\n	<li>Universal Clamping system designed to fit smartphones and tablets of all sizes and brands</li>\n	<li>Stainless steel, ball-swivel mechanism provides full range of motion</li>\n	<li>IO Quick-Change Coupler for on-the-fly hardware swapping</li>\n	<li>Spring-loaded frames gently but securely hold tablets and phones with CamCutawayTM full frame photos and video</li>\n</ul>\n<br />\niOrbit Mounts incorporate Triad-Orbit’s exclusive Micro stainless steel ball swivel mechanism for an unparalleled range-of-motion along with the IO Quick-Change Coupler. The result is rock-steady stability and precise positioning of smarthphones and tablets for viewing text, recording audio and video or remote control of applications in any performance setting. With iOrbit, the world of mobile computing is always at your fingertips. iOrbit Mounts feature spring-loaded frames that gently but securely capture tablets and phones with CamCutaway for full-frame view of photos and video. <br /><br />\n<h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n<br /><br />\n<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n<br /><br />\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br /><br />\n<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br /><br />\n<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n<br /><br />\n<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br /><br />\n<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, iOrbit 1 iPad Mount, <a href=\"http://www.rspeaudio.com/Triad-Orbit-iOrbit-2-p/triad-iorbit-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit 2 iPhone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br /><br />\n<h3>If you’re using an iPad or smartphone as a digital sheet music reader, or to control digital mixers or other external gear, such as Crown Ethernet enabled devices and JBL Professional DrivePack DPDA models, an iOrbit Mount is a no-brainer. For more information, call or chat with an RSPE representative today. </h3>'),(11691,85,0,1949,'Triad-Orbit iOrbit Smartphone and Tablet Mount'),(11692,85,1,1949,'Triad-Orbit iOrbit Smartphone and Tablet Mount'),(11693,76,0,1949,''),(11694,76,1,1949,''),(11695,75,0,1950,'<h2>Triad-Orbit￼Micro M2 Short-Stem Orbital Mic Adaptor</h2>\n<span style=\"font-size:16px; font-style:italic;\">Miniature orbital microphone boom for smaller mics with spherical range of motion makes precision mic placement easy</span><br/><br/>\nThe Micro M2 Short-Stem Hanging Orbital Mic Adaptor has been a long time coming and has finally arrived. The product of 10 years of R&D with the specific needs for recording engineers in mind, the Micro M2 not only simplifies mic placement, it makes precision placement easy. The Micro M2 has a short-stem mounting arm specifically designed for microphones of smaller size, such as small-diaphragm condenser or hand-held dynamic mics. The Micro M2 Orbital Mic Adaptor also features Triad-Orbit’s exclusive Compass Point™ ball-swivel housing, which solidly secures mics in any mounting position. The perfect complement to Orbit O1 and O2 Orbital Booms for an even greater range of motion, the Micro M2 Short-Stem Orbital Adaptor also features Orbit IO quick-change hardware for safe and speedy mic swapping between takes, sessions, or onstage.<br/><br/>\n<h3>Micro M2 Short-Stem Orbital Mic Adaptor unique features:</h3>\n<ul>\n	<li>Miniature version of Orbit O-series orbital booms</li>\n	<li>Ball swivel mechanism provides enhanced range of motion</li>\n	<li>Compass Point housing securely holds mics in any position</li>\n	<li>IO-equipped for quick-change compatibility with Triad stands and Orbit booms </li>\n</ul>\n<br/>\n<h3>Micro M2 Short-Stem Orbital Mic Adaptor Key features:</h3>\n<ul>\n	<li>Short-stem mounting arm for smaller mics, such as pencil condensers and handheld dynamics</li>\n</ul>\n<br/>\nMicro M2 Orbital Mic Adaptors are miniature versions of Orbit O-series orbital booms, providing the same enhanced range of motion, thanks to their unique ball-swivel mechanism.  <br/><br/>\nUsing Orbit Micro Adaptors in conjunction with <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit O1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 02</a> booms exponentially increase the accuracy and versatility of any microphone stand. The Micro M1 Orbital Mic Adaptor features a long-stem mounting arm to accommodate studio microphones ranging from small-diaphragm pencil condensers to large diaphragm tube condensers. <br/><br/>\nMicro M2 Orbital Mic Adaptors are Triad-Orbit IO-equipped, giving them quick-change compatibility with Triad Mic Stands, Orbit Booms and <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R (retrofit) adapters</a>. With Triad-Orbit IO technology, rapid mic changes between recording sessions, takes, and live sets are a snap, thanks to the integrated quick-change platform of Triad-Orbit Advanced Mic Stand Systems. A combination of Orbit O1 and O2 Booms plus the Micro M1 Orbital Adaptor is the essential formula in achieving surgically precise, phase-coherent mic placement. <br/><br/>\nIf you’re an experienced engineer, just one encounter with Triad-Orbit-Micro mic stand technology is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> mic stands and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with Micro M1 adapters and watch your miking problems become a distant memory.<br/><br/>\n<h3>Triad Orbit Micro M2 Orbital Mic Adaptors used in conjunction with Orbit Booms make solve all the problems associated with achieving phase-coherent mic placement. For more information, call or chat online with an RSPE representative.</h3>'),(11696,75,1,1950,'<h2>Triad-Orbit￼Micro M2 Short-Stem Orbital Mic Adaptor</h2>\n<span style=\"font-size:16px; font-style:italic;\">Miniature orbital microphone boom for smaller mics with spherical range of motion makes precision mic placement easy</span><br/><br/>\nThe Micro M2 Short-Stem Hanging Orbital Mic Adaptor has been a long time coming and has finally arrived. The product of 10 years of R&D with the specific needs for recording engineers in mind, the Micro M2 not only simplifies mic placement, it makes precision placement easy. The Micro M2 has a short-stem mounting arm specifically designed for microphones of smaller size, such as small-diaphragm condenser or hand-held dynamic mics. The Micro M2 Orbital Mic Adaptor also features Triad-Orbit’s exclusive Compass Point™ ball-swivel housing, which solidly secures mics in any mounting position. The perfect complement to Orbit O1 and O2 Orbital Booms for an even greater range of motion, the Micro M2 Short-Stem Orbital Adaptor also features Orbit IO quick-change hardware for safe and speedy mic swapping between takes, sessions, or onstage.<br/><br/>\n<h3>Micro M2 Short-Stem Orbital Mic Adaptor unique features:</h3>\n<ul>\n	<li>Miniature version of Orbit O-series orbital booms</li>\n	<li>Ball swivel mechanism provides enhanced range of motion</li>\n	<li>Compass Point housing securely holds mics in any position</li>\n	<li>IO-equipped for quick-change compatibility with Triad stands and Orbit booms </li>\n</ul>\n<br/>\n<h3>Micro M2 Short-Stem Orbital Mic Adaptor Key features:</h3>\n<ul>\n	<li>Short-stem mounting arm for smaller mics, such as pencil condensers and handheld dynamics</li>\n</ul>\n<br/>\nMicro M2 Orbital Mic Adaptors are miniature versions of Orbit O-series orbital booms, providing the same enhanced range of motion, thanks to their unique ball-swivel mechanism.  <br/><br/>\nUsing Orbit Micro Adaptors in conjunction with <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit O1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 02</a> booms exponentially increase the accuracy and versatility of any microphone stand. The Micro M1 Orbital Mic Adaptor features a long-stem mounting arm to accommodate studio microphones ranging from small-diaphragm pencil condensers to large diaphragm tube condensers. <br/><br/>\nMicro M2 Orbital Mic Adaptors are Triad-Orbit IO-equipped, giving them quick-change compatibility with Triad Mic Stands, Orbit Booms and <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R (retrofit) adapters</a>. With Triad-Orbit IO technology, rapid mic changes between recording sessions, takes, and live sets are a snap, thanks to the integrated quick-change platform of Triad-Orbit Advanced Mic Stand Systems. A combination of Orbit O1 and O2 Booms plus the Micro M1 Orbital Adaptor is the essential formula in achieving surgically precise, phase-coherent mic placement. <br/><br/>\nIf you’re an experienced engineer, just one encounter with Triad-Orbit-Micro mic stand technology is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> mic stands and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with Micro M1 adapters and watch your miking problems become a distant memory.<br/><br/>\n<h3>Triad Orbit Micro M2 Orbital Mic Adaptors used in conjunction with Orbit Booms make solve all the problems associated with achieving phase-coherent mic placement. For more information, call or chat online with an RSPE representative.</h3>'),(11697,85,0,1950,'Triad-Orbit M2 - Short Stem Hanging Microphone Adapter'),(11698,85,1,1950,'Triad-Orbit M2 - Short Stem Hanging Microphone Adapter'),(11699,76,0,1950,''),(11700,76,1,1950,''),(11701,75,0,1951,'<h2>Triad-Orbit M2-R Retrofit Short-Stem Orbital Mic Adaptor</h2>\n<span style=\"font-size:16px; font-style:italic;\">Add Triad-Orbit’s precision mic-placement hardware to your existing mic stands</span><br/><br/>\nIf you already have a sizeable investment in mic stands and booms (or just one) and want to experience the precision performance of Triad-Orbit stands without reinvesting, Triad-Orbit’s retrofit components such as the M2-R Short-Stem Orbital Mic Adaptor can add Triad-Orbit’s precision mic-placement features to your current selection of mic stands. The Micro M2-R is the retrofit version of the <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Micro M2 Short-Stem Orbital Mic Adaptor</a>. With the same extended range of motion as the M2, the M2-R Retrofit Orbital Mic Adaptor has a short-stem mounting arm specifically designed for microphones of smaller size, such as small-diaphragm pencil condensers or hand-held dynamic mics. The Micro M2-R Orbital Mic Adaptor also features Triad-Orbit’s exclusive Compass Point™ ball-swivel housing, which solidly secures mics in any mounting position. Equipped with industry standard 5/8\" threads, M2-R Retrofit Orbital Mic Adaptors can exponentially increase the accuracy, versatility, and reliability of any microphone stand. <br/><br/>\n<h3>Triad-Orbit M2-R Short-Stem Orbital Mic Adaptor unique features:</h3>\n<ul>\n	<li>Miniature version of Orbit O-series orbital booms fits any standard-thread mic stands</li>\n	<li>Ball-swivel mechanism provides enhanced range of motion</li>\n	<li>Compass Point ball-swivel housing solidly secures mics in any position</li>\n	<li>Equipped with industry-standard 5/8\" threads </li>\n</ul>\n<br/>\n<h3>Triad-Orbit Retrofit Components</h3>\nT-O Retrofit Aftermarket Components provide compatibility between conventional mic stands, boom arms, and mic clips equipped with traditional 5/8\" threads and Triad-Orbit Advanced Microphone Stand System components. Equipping traditional mic stands and boom arms with IO-R Quick-Change Couplers and Micro-R Orbital Mic Adaptors provide a cost-effective upgrade in workflow and functionality.\n<br/><br/>\n<h3>Triad-Orbit IO-R and IO-H</h3>\n<a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-H-p/triad-orbit-io-h.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-H</a> Quick-Change Couplers capture booms and mics with ease and assurance.  On-the-fly hardware swaps replace the tedious task of threading booms and mic clips on and off. Rapid hardware and mic changes between recording sessions and live sets are a snap<br/><br/>\n<h3>Micro M1-R Retrofit Orbital Mic Adaptor</h3>\nMicro M1-R is the retrofit version of the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Micro M1 Orbital Mic Adaptor</a>. Exhibiting the same extended range-of-motion, the M1-R Mic Adaptor features a long stem ball-swivel mounting arm to hanging large-diaphragm studio microphones with spider shock-mounts. The M1-R’s long stem allows L-D mics with spider shockmounts to clear boom stands as you adjust them. Triad-Orbit’s patent-pending Glide Path ball-swivel housing facilitates both full orbital rotation and a conventional straight-line trajectory for on-axis use. Equipped with industry standard 5/8\" threads, M1-R Mic Adaptors significantly boost the versatility, accuracy, and reliability of any microphone stand.  <br/><br/>\nAll Triad-Orbit Advanced Microphone Stand System components are IO-equipped, giving them unique quick-change capability. Rapid hardware and mic changes between recording sessions and live sets are a snap, thanks to the integrated IO quick-change platform. Triad <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> Articulating Mic Stands; <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 2</a> Orbital Booms; and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Orbital Mic Adaptors all incorporate the Triad-Orbit-Micro IO innovation.<br/><br/>\n<h3>Anyone who’s ever used a mic stand regardless of setting, whether it’s live sound reinforcement or studio recording can benefit from the reduction in setup and teardown times made possible by the M2-R Orbital Boom. Triad-Orbit M2 Retrofit Orbital Adaptors can easily pay for themselves in one tracking session. For more information, call or chat with an RSPE representative. </h3>'),(11702,75,1,1951,'<h2>Triad-Orbit M2-R Retrofit Short-Stem Orbital Mic Adaptor</h2>\n<span style=\"font-size:16px; font-style:italic;\">Add Triad-Orbit’s precision mic-placement hardware to your existing mic stands</span><br/><br/>\nIf you already have a sizeable investment in mic stands and booms (or just one) and want to experience the precision performance of Triad-Orbit stands without reinvesting, Triad-Orbit’s retrofit components such as the M2-R Short-Stem Orbital Mic Adaptor can add Triad-Orbit’s precision mic-placement features to your current selection of mic stands. The Micro M2-R is the retrofit version of the <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Micro M2 Short-Stem Orbital Mic Adaptor</a>. With the same extended range of motion as the M2, the M2-R Retrofit Orbital Mic Adaptor has a short-stem mounting arm specifically designed for microphones of smaller size, such as small-diaphragm pencil condensers or hand-held dynamic mics. The Micro M2-R Orbital Mic Adaptor also features Triad-Orbit’s exclusive Compass Point™ ball-swivel housing, which solidly secures mics in any mounting position. Equipped with industry standard 5/8\" threads, M2-R Retrofit Orbital Mic Adaptors can exponentially increase the accuracy, versatility, and reliability of any microphone stand. <br/><br/>\n<h3>Triad-Orbit M2-R Short-Stem Orbital Mic Adaptor unique features:</h3>\n<ul>\n	<li>Miniature version of Orbit O-series orbital booms fits any standard-thread mic stands</li>\n	<li>Ball-swivel mechanism provides enhanced range of motion</li>\n	<li>Compass Point ball-swivel housing solidly secures mics in any position</li>\n	<li>Equipped with industry-standard 5/8\" threads </li>\n</ul>\n<br/>\n<h3>Triad-Orbit Retrofit Components</h3>\nT-O Retrofit Aftermarket Components provide compatibility between conventional mic stands, boom arms, and mic clips equipped with traditional 5/8\" threads and Triad-Orbit Advanced Microphone Stand System components. Equipping traditional mic stands and boom arms with IO-R Quick-Change Couplers and Micro-R Orbital Mic Adaptors provide a cost-effective upgrade in workflow and functionality.\n<br/><br/>\n<h3>Triad-Orbit IO-R and IO-H</h3>\n<a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-H-p/triad-orbit-io-h.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-H</a> Quick-Change Couplers capture booms and mics with ease and assurance.  On-the-fly hardware swaps replace the tedious task of threading booms and mic clips on and off. Rapid hardware and mic changes between recording sessions and live sets are a snap<br/><br/>\n<h3>Micro M1-R Retrofit Orbital Mic Adaptor</h3>\nMicro M1-R is the retrofit version of the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Micro M1 Orbital Mic Adaptor</a>. Exhibiting the same extended range-of-motion, the M1-R Mic Adaptor features a long stem ball-swivel mounting arm to hanging large-diaphragm studio microphones with spider shock-mounts. The M1-R’s long stem allows L-D mics with spider shockmounts to clear boom stands as you adjust them. Triad-Orbit’s patent-pending Glide Path ball-swivel housing facilitates both full orbital rotation and a conventional straight-line trajectory for on-axis use. Equipped with industry standard 5/8\" threads, M1-R Mic Adaptors significantly boost the versatility, accuracy, and reliability of any microphone stand.  <br/><br/>\nAll Triad-Orbit Advanced Microphone Stand System components are IO-equipped, giving them unique quick-change capability. Rapid hardware and mic changes between recording sessions and live sets are a snap, thanks to the integrated IO quick-change platform. Triad <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> Articulating Mic Stands; <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 2</a> Orbital Booms; and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Orbital Mic Adaptors all incorporate the Triad-Orbit-Micro IO innovation.<br/><br/>\n<h3>Anyone who’s ever used a mic stand regardless of setting, whether it’s live sound reinforcement or studio recording can benefit from the reduction in setup and teardown times made possible by the M2-R Orbital Boom. Triad-Orbit M2 Retrofit Orbital Adaptors can easily pay for themselves in one tracking session. For more information, call or chat with an RSPE representative. </h3>'),(11703,85,0,1951,'Triad-Orbit M2-R - Retrofittable Short Stem Hanging Microphone Adapter'),(11704,85,1,1951,'Triad-Orbit M2-R - Retrofittable Short Stem Hanging Microphone Adapter'),(11705,76,0,1951,''),(11706,76,1,1951,''),(11707,75,0,1952,'<h1>Triad-Orbit M3 - Long Stem Orbital Microphone Adapter</h1>\n<span style=\"font-size:16px; font-style:italic;\">Miniature-sized orbital microphone boom for mics with spherical range of motion for exacting mic placement made easy</span><br /><br />\n<div>\n	The Triad-Orbit Micro 3™- M3 orbital adapter provides flexibility to support a microphone, camera, or lighting device with tremendous hold at any angle. M3 incorporates a textured stainless-steel ball, a 4-point compass post housing, and a 1.5-inch stem for extra reach and stand-off for ease with shock mount rotation and basket positioning. A deeper crenel on the compass point housing allows added flexibility beyond the 90˚ stops of the other 3 crenels.\n</div>\n<div>\n	<br />\n</div>\n<h3>Micro M3 Long-Stem Orbital Hanging Mic Adaptor unique features:</h3>\n<ul>\n	<li>Miniature version of Orbit O-series orbital booms</li>\n	<li>Long-stem lets spider shockmounts clear boom</li>\n	<li>Ball swivel mechanism provides enhanced range of motion</li>\n	<li>IO-equipped for quick-change compatibility with Triad stands and Orbit booms </li>\n	<li>Glide Path ball-swivel housing allows spherical and straight-line movement for on- and off-axis mic placement   </li>\n</ul>\n<br />\nMicro M3 Orbital Mic Adaptors are miniature versions of Orbit O-series orbital booms, exhibiting the same enhanced range of motion, thanks to their unique ball-swivel mechanism. <br /><br />\nUsing Orbit Micro Adaptors in conjunction with <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit O1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 02</a> booms exponentially increase the accuracy and versatility of any microphone stand. The Micro M3 Orbital Mic Adaptor features a long-stem mounting arm to accommodate studio microphones ranging from small-diaphragm pencil condensers to large diaphragm tube condensers. <br /><br />\nMicro M3 Orbital Mic Adaptors are Triad-Orbit IO-equipped, giving them quick-change compatibility with Triad Mic Stands, Orbit Booms and <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R (retrofit) adapters</a>. With Triad-Orbit IO technology, rapid mic changes between recording sessions, takes, and live sets are a snap, thanks to the integrated quick-change platform of Triad-Orbit Advanced Mic Stand Systems. A combination of Orbit O1 and O2 Booms plus the Micro M3 Orbital Adaptor is the essential formula in achieving surgically precise, phase-coherent mic placement. <br /><br />\nIf you’re an experienced engineer, just one encounter with Triad-Orbit-Micro mic stand technology is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> mic stands and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with Micro M3 adapters and watch your miking problems become a distant memory.<br /><br />\n<h3>Triad Orbit Micro M3 Orbital Mic Adaptors used in conjunction with Orbit Booms make solve all the problems associated with achieving phase-coherent mic placement. For more information, call or chat online with an RSPE representative.</h3>'),(11708,75,1,1952,'<h1>Triad-Orbit M3 - Long Stem Orbital Microphone Adapter</h1>\n<span style=\"font-size:16px; font-style:italic;\">Miniature-sized orbital microphone boom for mics with spherical range of motion for exacting mic placement made easy</span><br /><br />\n<div>\n	The Triad-Orbit Micro 3™- M3 orbital adapter provides flexibility to support a microphone, camera, or lighting device with tremendous hold at any angle. M3 incorporates a textured stainless-steel ball, a 4-point compass post housing, and a 1.5-inch stem for extra reach and stand-off for ease with shock mount rotation and basket positioning. A deeper crenel on the compass point housing allows added flexibility beyond the 90˚ stops of the other 3 crenels.\n</div>\n<div>\n	<br />\n</div>\n<h3>Micro M3 Long-Stem Orbital Hanging Mic Adaptor unique features:</h3>\n<ul>\n	<li>Miniature version of Orbit O-series orbital booms</li>\n	<li>Long-stem lets spider shockmounts clear boom</li>\n	<li>Ball swivel mechanism provides enhanced range of motion</li>\n	<li>IO-equipped for quick-change compatibility with Triad stands and Orbit booms </li>\n	<li>Glide Path ball-swivel housing allows spherical and straight-line movement for on- and off-axis mic placement   </li>\n</ul>\n<br />\nMicro M3 Orbital Mic Adaptors are miniature versions of Orbit O-series orbital booms, exhibiting the same enhanced range of motion, thanks to their unique ball-swivel mechanism. <br /><br />\nUsing Orbit Micro Adaptors in conjunction with <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit O1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 02</a> booms exponentially increase the accuracy and versatility of any microphone stand. The Micro M3 Orbital Mic Adaptor features a long-stem mounting arm to accommodate studio microphones ranging from small-diaphragm pencil condensers to large diaphragm tube condensers. <br /><br />\nMicro M3 Orbital Mic Adaptors are Triad-Orbit IO-equipped, giving them quick-change compatibility with Triad Mic Stands, Orbit Booms and <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R (retrofit) adapters</a>. With Triad-Orbit IO technology, rapid mic changes between recording sessions, takes, and live sets are a snap, thanks to the integrated quick-change platform of Triad-Orbit Advanced Mic Stand Systems. A combination of Orbit O1 and O2 Booms plus the Micro M3 Orbital Adaptor is the essential formula in achieving surgically precise, phase-coherent mic placement. <br /><br />\nIf you’re an experienced engineer, just one encounter with Triad-Orbit-Micro mic stand technology is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> mic stands and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with Micro M3 adapters and watch your miking problems become a distant memory.<br /><br />\n<h3>Triad Orbit Micro M3 Orbital Mic Adaptors used in conjunction with Orbit Booms make solve all the problems associated with achieving phase-coherent mic placement. For more information, call or chat online with an RSPE representative.</h3>'),(11709,85,0,1952,'Triad-Orbit M3 - Long Stem Hanging Microphone Adapter'),(11710,85,1,1952,'Triad-Orbit M3 - Long Stem Hanging Microphone Adapter'),(11711,76,0,1952,''),(11712,76,1,1952,''),(11713,75,0,1953,'<h1>Triad-Orbit M3-R Retrofit Long-Stem Orbital Mic Adaptor</h1>\n<span style=\"font-size:16px; font-style:italic;\">Add Triad-Orbit’s precision mic-placement hardware to your existing mic stands</span><br /><br />\nIf you already have a sizeable investment in mic stands and booms and want to step up to the precision performance of Triad-Orbit stands without reinvesting, Triad-Orbit’s retrofit components such as the M3-R Long-Stem Orbital Mic Adaptor can give your mic stand collection a major upgrade in mic-placement capability. The Micro M3-R is the retrofit version of the <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Micro M3 Long-Stem Orbital Mic Adaptor</a>. Exhibiting the same extended range-of-motion as the M3, the M3-R Retrofit Orbital Mic Adaptor features a long-stem, ball-swivel mounting arm to hold large-diaphragm microphones in spider shockmounts. The long-stem mounting arm allows the mic and shockmount to clear the boom when making adjustments. Triad-Orbit’s patent-pending Glide Path™ ball-swivel housing allows both full orbital rotation and conventional straight-line, on-axis use. Equipped with industry standard 5/8\" threads, M3-R Retrofit Orbital Mic Adaptors can exponentially increase the accuracy, versatility, and reliability of any microphone stand. <br /><br />\n<h3>Triad-Orbit M3-R Long-Stem Orbital Mic Adaptor unique features:</h3>\n<ul>\n	<li>Miniature version of Orbit O-series orbital booms fits any standard-thread mic stands</li>\n	<li>Long stem lets spider shockmounts clear boom</li>\n	<li>Ball-swivel mechanism provides enhanced range of motion</li>\n	<li>Glide Path ball-swivel housing allows spherical and straight-line movement for on- and off-axis mic placement</li>\n	<li>Equipped with industry-standard 5/8\" threads </li>\n</ul>\n<br />\n<h3>Triad-Orbit Retrofit Components</h3>\nT-O Retrofit Aftermarket Components provide compatibility between conventional mic stands, boom arms, and mic clips equipped with traditional 5/8\" threads and Triad-Orbit Advanced Microphone Stand System components. Equipping traditional mic stands and boom arms with IO-R Quick-Change Couplers and Micro-R Orbital Mic Adaptors provide a cost-effective upgrade in workflow and functionality.\n<br /><br />\n<h3>Triad-Orbit IO-R and IO-H</h3>\n<a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-H-p/triad-orbit-io-h.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-H</a> Quick-Change Couplers capture booms and mics with ease and assurance.  On-the-fly hardware swaps replace the tedious task of threading booms and mic clips on and off. Rapid hardware and mic changes between recording sessions and live sets are a snap<br /><br />\n<h3>Micro M3-R Retrofit Orbital Mic Adapter</h3>\nMicro \n M3-R Orbital Mic Adaptors feature a long stem-mounting arm to handle larger microphones, such as large-diaphragm condensers and broadcast mics. The exclusive Compass Point ball swivel housing solidly secures mics in any mounting position. \n<br /><br /> \nM3-R Mic Adaptors are the perfect interface between traditional mic stands and add-on accessories like iPad mounts, music desks, etc. The added range-of-motion and secure lockout positions earn M3-R Adaptors a slot in every performer’s gig bag.  \nAll Triad-Orbit Advanced Microphone Stand System components are IO-equipped, giving them unique quick-change capability. Rapid hardware and mic changes between recording sessions and live sets are a snap, thanks to the integrated IO quick-change platform. Triad \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> Articulating Mic Stands; <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 2</a> Orbital Booms; and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> and M3 Orbital Mic Adaptors all incorporate the Triad-Orbit-Micro IO innovation.<br /><br />\n<h3>Whether you’re working in live sound reinforcement, soundtrack or pop studio recording, all audio professionals benefit from reduction in setup and teardown times. Triad-Orbit M3-R Retrofit Orbital Adaptors can easily pay for themselves in one tracking session. For more information, call or chat with an RSPE representative. </h3>'),(11714,75,1,1953,'<h1>Triad-Orbit M3-R Retrofit Long-Stem Orbital Mic Adaptor</h1>\n<span style=\"font-size:16px; font-style:italic;\">Add Triad-Orbit’s precision mic-placement hardware to your existing mic stands</span><br /><br />\nIf you already have a sizeable investment in mic stands and booms and want to step up to the precision performance of Triad-Orbit stands without reinvesting, Triad-Orbit’s retrofit components such as the M3-R Long-Stem Orbital Mic Adaptor can give your mic stand collection a major upgrade in mic-placement capability. The Micro M3-R is the retrofit version of the <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Micro M3 Long-Stem Orbital Mic Adaptor</a>. Exhibiting the same extended range-of-motion as the M3, the M3-R Retrofit Orbital Mic Adaptor features a long-stem, ball-swivel mounting arm to hold large-diaphragm microphones in spider shockmounts. The long-stem mounting arm allows the mic and shockmount to clear the boom when making adjustments. Triad-Orbit’s patent-pending Glide Path™ ball-swivel housing allows both full orbital rotation and conventional straight-line, on-axis use. Equipped with industry standard 5/8\" threads, M3-R Retrofit Orbital Mic Adaptors can exponentially increase the accuracy, versatility, and reliability of any microphone stand. <br /><br />\n<h3>Triad-Orbit M3-R Long-Stem Orbital Mic Adaptor unique features:</h3>\n<ul>\n	<li>Miniature version of Orbit O-series orbital booms fits any standard-thread mic stands</li>\n	<li>Long stem lets spider shockmounts clear boom</li>\n	<li>Ball-swivel mechanism provides enhanced range of motion</li>\n	<li>Glide Path ball-swivel housing allows spherical and straight-line movement for on- and off-axis mic placement</li>\n	<li>Equipped with industry-standard 5/8\" threads </li>\n</ul>\n<br />\n<h3>Triad-Orbit Retrofit Components</h3>\nT-O Retrofit Aftermarket Components provide compatibility between conventional mic stands, boom arms, and mic clips equipped with traditional 5/8\" threads and Triad-Orbit Advanced Microphone Stand System components. Equipping traditional mic stands and boom arms with IO-R Quick-Change Couplers and Micro-R Orbital Mic Adaptors provide a cost-effective upgrade in workflow and functionality.\n<br /><br />\n<h3>Triad-Orbit IO-R and IO-H</h3>\n<a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-H-p/triad-orbit-io-h.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-H</a> Quick-Change Couplers capture booms and mics with ease and assurance.  On-the-fly hardware swaps replace the tedious task of threading booms and mic clips on and off. Rapid hardware and mic changes between recording sessions and live sets are a snap<br /><br />\n<h3>Micro M3-R Retrofit Orbital Mic Adapter</h3>\nMicro \n M3-R Orbital Mic Adaptors feature a long stem-mounting arm to handle larger microphones, such as large-diaphragm condensers and broadcast mics. The exclusive Compass Point ball swivel housing solidly secures mics in any mounting position. \n<br /><br /> \nM3-R Mic Adaptors are the perfect interface between traditional mic stands and add-on accessories like iPad mounts, music desks, etc. The added range-of-motion and secure lockout positions earn M3-R Adaptors a slot in every performer’s gig bag.  \nAll Triad-Orbit Advanced Microphone Stand System components are IO-equipped, giving them unique quick-change capability. Rapid hardware and mic changes between recording sessions and live sets are a snap, thanks to the integrated IO quick-change platform. Triad \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> Articulating Mic Stands; <a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 1</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Orbit 2</a> Orbital Booms; and <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> and M3 Orbital Mic Adaptors all incorporate the Triad-Orbit-Micro IO innovation.<br /><br />\n<h3>Whether you’re working in live sound reinforcement, soundtrack or pop studio recording, all audio professionals benefit from reduction in setup and teardown times. Triad-Orbit M3-R Retrofit Orbital Adaptors can easily pay for themselves in one tracking session. For more information, call or chat with an RSPE representative. </h3>'),(11715,85,0,1953,'Triad-Orbit M3-R - Retrofit Long Stem Microphone Adapter'),(11716,85,1,1953,'Triad-Orbit M3-R - Retrofit Long Stem Microphone Adapter'),(11717,76,0,1953,''),(11718,76,1,1953,''),(11719,75,0,1954,'<h2>Triad-Orbit O1L Single-Arm Orbital Boom</h2>\n<span style=\"font-size:16px; font-style:italic;\">Innovative mic-stand boom with swivel mechanism, quick-change couplers, and industrial-grade clutches</span><br /><br />\nDespite the oddly counterintuitive notion of putting your prized microphones on something called a “boom,” Triad-Orbit O1L Single Orbital Boom lets you not only set up mics with piece of mind, but also lets you find the right “piece of air” to place it in. To achieve precise microphone placement, the Orbit O1 Orbital Boom features a stainless-steel ball-swivel mechanism—perfect for twisting and tweaking mics to resolve phase issues without losing that special piece of air where all the frequencies come together and resonate. The Orbit O1L Orbital Boom is equally adept at static mic placement via its Glide Path™ swivel housing, which provides a controlled, traditional boom arm motion—and thanks to industrial grade hardware machined to the highest tolerances, the Orbit O1L Single-Arm Orbital Boom does it all with smooth, quiet, and stable operation. <br /><br />\n<h3>Orbit O1L Single-Arm Orbital Boom unique features:</h3>\n<ul>\n	<li>Stainless-steel ball-swivel mechanism</li>\n	<li>IO Quick-Change Couplers for rapid hardware changes</li>\n	<li>Industrial-grade clutches secure all points of adjustment</li>\n	<li>Comfortable ergonomic clutch grip yields more torque </li>\n</ul>\n<br />\n<h3>Orbit O1L Single-Arm Orbital Boom key features:</h3>\n<ul>\n	<li>Boom Arm Range: 26.5\" to 37.5\"</li>\n	<li>Range of Motion: 360° x 190°</li>\n	<li>Weight: 4-3/4 lb.</li>\n</ul>\n<br />\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br /><br />\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br /><br />\n<h3>Orbit O1L stainless-steel ball swivel</h3>\nORBIT Booms employ a stainless-steel ball swivel mechanism to deliver an unparalleled range of motion that’s extremely smooth, quiet, and stable. The Orbit swivel housings exhibit 360º of horizontal rotation. Add to that the 360º x 190º rotational axis of the ball swivel mechanism and you have the most precise and versatile microphone boom arm ever made.\n<br /><br />\n<h3>Orbit O1L IO Quick-Change Couplers</h3>\nSwapping out mics in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse yet, you don’t want clients thinking you’re wasting time while the clock is ticking away their dollars. Beyond that, artists lose patience and inspiration while you spend too much time spinning mic clips and booms. The Triad-Orbit O1 Single-Arm Boom’s exclusive IO Quick-Change Coupler effortlessly captures mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br /><br />\n<h3>Orbit O1L industrial-grade clutches</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad O1 Boom uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock so you don’t have to worry about drooping mics. \n<br /><br />\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit O1L Single-Arm Boom Stand and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br /><br />\n<h3>Combine an Orbit O1L Single-Arm Boom with Triad mic stands and let mic placement become a creative endeavor instead of an exercise in stand manipulation. For more information, call or chat with an RSPE representative today.</h3>'),(11720,75,1,1954,'<h2>Triad-Orbit O1L Single-Arm Orbital Boom</h2>\n<span style=\"font-size:16px; font-style:italic;\">Innovative mic-stand boom with swivel mechanism, quick-change couplers, and industrial-grade clutches</span><br /><br />\nDespite the oddly counterintuitive notion of putting your prized microphones on something called a “boom,” Triad-Orbit O1L Single Orbital Boom lets you not only set up mics with piece of mind, but also lets you find the right “piece of air” to place it in. To achieve precise microphone placement, the Orbit O1 Orbital Boom features a stainless-steel ball-swivel mechanism—perfect for twisting and tweaking mics to resolve phase issues without losing that special piece of air where all the frequencies come together and resonate. The Orbit O1L Orbital Boom is equally adept at static mic placement via its Glide Path™ swivel housing, which provides a controlled, traditional boom arm motion—and thanks to industrial grade hardware machined to the highest tolerances, the Orbit O1L Single-Arm Orbital Boom does it all with smooth, quiet, and stable operation. <br /><br />\n<h3>Orbit O1L Single-Arm Orbital Boom unique features:</h3>\n<ul>\n	<li>Stainless-steel ball-swivel mechanism</li>\n	<li>IO Quick-Change Couplers for rapid hardware changes</li>\n	<li>Industrial-grade clutches secure all points of adjustment</li>\n	<li>Comfortable ergonomic clutch grip yields more torque </li>\n</ul>\n<br />\n<h3>Orbit O1L Single-Arm Orbital Boom key features:</h3>\n<ul>\n	<li>Boom Arm Range: 26.5\" to 37.5\"</li>\n	<li>Range of Motion: 360° x 190°</li>\n	<li>Weight: 4-3/4 lb.</li>\n</ul>\n<br />\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br /><br />\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br /><br />\n<h3>Orbit O1L stainless-steel ball swivel</h3>\nORBIT Booms employ a stainless-steel ball swivel mechanism to deliver an unparalleled range of motion that’s extremely smooth, quiet, and stable. The Orbit swivel housings exhibit 360º of horizontal rotation. Add to that the 360º x 190º rotational axis of the ball swivel mechanism and you have the most precise and versatile microphone boom arm ever made.\n<br /><br />\n<h3>Orbit O1L IO Quick-Change Couplers</h3>\nSwapping out mics in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse yet, you don’t want clients thinking you’re wasting time while the clock is ticking away their dollars. Beyond that, artists lose patience and inspiration while you spend too much time spinning mic clips and booms. The Triad-Orbit O1 Single-Arm Boom’s exclusive IO Quick-Change Coupler effortlessly captures mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br /><br />\n<h3>Orbit O1L industrial-grade clutches</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad O1 Boom uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock so you don’t have to worry about drooping mics. \n<br /><br />\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit O1L Single-Arm Boom Stand and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br /><br />\n<h3>Combine an Orbit O1L Single-Arm Boom with Triad mic stands and let mic placement become a creative endeavor instead of an exercise in stand manipulation. For more information, call or chat with an RSPE representative today.</h3>'),(11721,85,0,1954,'Triad-Orbit Orbit 1 / O1 Single-Arm Orbital Boom'),(11722,85,1,1954,'Triad-Orbit Orbit 1 / O1 Single-Arm Orbital Boom'),(11723,76,0,1954,''),(11724,76,1,1954,''),(11725,75,0,1955,'<h2>Orbit 2 / O2 Dual-Arm Orbital Boom</h2>\n<span style=\"font-size:16px; font-style:italic;\">Innovative dual-arm orbital boom with swivel mechanism, quick-change couplers, and industrial-grade clutches makes on-the-fly mic swaps a reality</span><br/><br/>\nWhy use the Orbit O2 Dual-Arm Orbital Boom? Multi-mic schemes are rife with problems; such as frequencies combining in different locations to create phase-coherency issues; numerous mic stands combining to form a metal forest; and overlapping mic stand bases making placement around drum kits or other spot mics difficult. The Orbit O2 Dual Orbital Boom not only simplifies and streamlines multi-mic setups, it helps you achieve and maintain perfect mic placement. Orbit O2 Orbital Booms feature a unique dual-arm design. Each arm is equipped with Orbit’s proprietary Compass Point™ stainless steel, ball-swivel housing, which allows precise and stable mic positioning in a spherical range of motion. Along with freeing up resources when multiple mics are the order of the day, Orbit 2 / O2 Dual Orbital Booms also offer a clean setup—which is a plus onstage for visibility, or in the studio where too many stands in limited space become the victim of happy feet. Whether you’re recording in stereo or dual-mono, the Orbit O2 Dual-Arm Orbital Boom will become your go-to stand. <br/><br/>\n<h3>Orbit O2 Dual-Arm Orbital Boom unique features:</h3>\n<ul>\n	<li>Dual boom arms with novel center swivel that provides an additional 145º left/right motion </li>\n	<li>Compass Point stainless-steel, ball-swivel mic-placement mechanism</li>\n	<li>IO Quick-Change Couplers for rapid hardware changes</li>\n	<li>Industrial-grade clutches tightly secure all points of adjustment</li>\n	<li>Comfortable ergonomic clutch grip yields more torque </li>\n</ul>\n<br/>\n<h3>Orbit O2 Dual-Arm Orbital Boom key features:</h3>\n<ul>\n	<li>Dual-arm boom does the work of two mic stands</li>\n	<li>Single Arm Length: 20-1/2\" – 29-1/4\"</li>\n	<li>Single Arm Range of Motion: 360° x 190°</li>\n	<li>Max. Dual Arm Span: 58-1/2\"</li>\n	<li>Center Swivel Range of Motion: 145°</li>\n	<li>Weight: 4-3/4 lb.</li>\n</ul>\n<br/>\nDual boom arms are only part of the Orbit 2 story. Orbit O2 Dual-Arm Booms are anchored via a unique center swivel that on top of the 360 ball-swivel mechanism, provides an additional 145° of left-right motion to the boom arms. Orbit 2’s proprietary Compass Point ball-swivel housing provides each O2 boom arm with precise, stable positioning whenever the arms are engaged. The O2 arms are terminated with IO Quick-Change Couplers, offering twice the versatility of conventional booms—allowing setup in a fraction of the time it takes for normal miking chores.<br/><br/>\nOrbit 2 Dual Orbital Booms feature a unique dual-arm design. Each arm is equipped with the proprietary, Orbit ball-swivel mic-movement mechanism, making it the perfect stand for stereo or dual-miking assignments such as grand pianos, drum-kit overheads, snare-drum top and bottom, guitar and vocals, choirs, big bands, and orchestras. By doing the work of two stands Orbit 2 Booms free up resources when multiple mics are called for and space is limited. Combining Orbit Booms with Micro Mic Adaptors [Link] creates an advanced microphone placement system yielding unequalled accuracy and adjustability. <br/><br/>\n<h3>Orbit O2 stainless-steel ball swivel</h3>\nORBIT Booms employ a stainless-steel ball swivel mechanism to deliver an unparalleled range of motion that’s extremely smooth, quiet, and stable. The Orbit swivel housings exhibit 360º of horizontal rotation. Add to that the 360º x 190º rotational axis of the ball swivel mechanism and you have the most precise and versatile microphone boom arm ever made.\n<br/><br/>\n<h3>Orbit O2 IO Quick-Change Couplers</h3>\nSwapping out mics in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse yet, you don’t want clients thinking you’re wasting time while the clock is ticking away their dollars. Beyond that, artists lose patience and inspiration while you spend too much time spinning mic clips and booms. The Triad-Orbit O2 Dual Orbital Boom’s exclusive IO Quick-Change Coupler effortlessly captures mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. \n<br/><br/>\n<h3>Orbit O2 industrial-grade clutches</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Orbit O2 dual boom uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock so you don’t have to worry about drooping mics. \n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit O2 Dual-Arm Boom Stand and Triad <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear. If you would like to use an Orbit 2 Boom with your existing weighted studio-quality stand, you will need to purchase an <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R Coupler</a>.<br/><br/>\n<h3>Combine an Orbit O2 Dual-Arm Boom with Triad mic stands and let mic placement become a creative endeavor instead of an exercise in stand manipulation frustration. For more information, call or chat with an RSPE representative today.</h3>'),(11726,75,1,1955,'<h2>Orbit 2 / O2 Dual-Arm Orbital Boom</h2>\n<span style=\"font-size:16px; font-style:italic;\">Innovative dual-arm orbital boom with swivel mechanism, quick-change couplers, and industrial-grade clutches makes on-the-fly mic swaps a reality</span><br/><br/>\nWhy use the Orbit O2 Dual-Arm Orbital Boom? Multi-mic schemes are rife with problems; such as frequencies combining in different locations to create phase-coherency issues; numerous mic stands combining to form a metal forest; and overlapping mic stand bases making placement around drum kits or other spot mics difficult. The Orbit O2 Dual Orbital Boom not only simplifies and streamlines multi-mic setups, it helps you achieve and maintain perfect mic placement. Orbit O2 Orbital Booms feature a unique dual-arm design. Each arm is equipped with Orbit’s proprietary Compass Point™ stainless steel, ball-swivel housing, which allows precise and stable mic positioning in a spherical range of motion. Along with freeing up resources when multiple mics are the order of the day, Orbit 2 / O2 Dual Orbital Booms also offer a clean setup—which is a plus onstage for visibility, or in the studio where too many stands in limited space become the victim of happy feet. Whether you’re recording in stereo or dual-mono, the Orbit O2 Dual-Arm Orbital Boom will become your go-to stand. <br/><br/>\n<h3>Orbit O2 Dual-Arm Orbital Boom unique features:</h3>\n<ul>\n	<li>Dual boom arms with novel center swivel that provides an additional 145º left/right motion </li>\n	<li>Compass Point stainless-steel, ball-swivel mic-placement mechanism</li>\n	<li>IO Quick-Change Couplers for rapid hardware changes</li>\n	<li>Industrial-grade clutches tightly secure all points of adjustment</li>\n	<li>Comfortable ergonomic clutch grip yields more torque </li>\n</ul>\n<br/>\n<h3>Orbit O2 Dual-Arm Orbital Boom key features:</h3>\n<ul>\n	<li>Dual-arm boom does the work of two mic stands</li>\n	<li>Single Arm Length: 20-1/2\" – 29-1/4\"</li>\n	<li>Single Arm Range of Motion: 360° x 190°</li>\n	<li>Max. Dual Arm Span: 58-1/2\"</li>\n	<li>Center Swivel Range of Motion: 145°</li>\n	<li>Weight: 4-3/4 lb.</li>\n</ul>\n<br/>\nDual boom arms are only part of the Orbit 2 story. Orbit O2 Dual-Arm Booms are anchored via a unique center swivel that on top of the 360 ball-swivel mechanism, provides an additional 145° of left-right motion to the boom arms. Orbit 2’s proprietary Compass Point ball-swivel housing provides each O2 boom arm with precise, stable positioning whenever the arms are engaged. The O2 arms are terminated with IO Quick-Change Couplers, offering twice the versatility of conventional booms—allowing setup in a fraction of the time it takes for normal miking chores.<br/><br/>\nOrbit 2 Dual Orbital Booms feature a unique dual-arm design. Each arm is equipped with the proprietary, Orbit ball-swivel mic-movement mechanism, making it the perfect stand for stereo or dual-miking assignments such as grand pianos, drum-kit overheads, snare-drum top and bottom, guitar and vocals, choirs, big bands, and orchestras. By doing the work of two stands Orbit 2 Booms free up resources when multiple mics are called for and space is limited. Combining Orbit Booms with Micro Mic Adaptors [Link] creates an advanced microphone placement system yielding unequalled accuracy and adjustability. <br/><br/>\n<h3>Orbit O2 stainless-steel ball swivel</h3>\nORBIT Booms employ a stainless-steel ball swivel mechanism to deliver an unparalleled range of motion that’s extremely smooth, quiet, and stable. The Orbit swivel housings exhibit 360º of horizontal rotation. Add to that the 360º x 190º rotational axis of the ball swivel mechanism and you have the most precise and versatile microphone boom arm ever made.\n<br/><br/>\n<h3>Orbit O2 IO Quick-Change Couplers</h3>\nSwapping out mics in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse yet, you don’t want clients thinking you’re wasting time while the clock is ticking away their dollars. Beyond that, artists lose patience and inspiration while you spend too much time spinning mic clips and booms. The Triad-Orbit O2 Dual Orbital Boom’s exclusive IO Quick-Change Coupler effortlessly captures mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. \n<br/><br/>\n<h3>Orbit O2 industrial-grade clutches</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Orbit O2 dual boom uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock so you don’t have to worry about drooping mics. \n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit O2 Dual-Arm Boom Stand and Triad <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear. If you would like to use an Orbit 2 Boom with your existing weighted studio-quality stand, you will need to purchase an <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R Coupler</a>.<br/><br/>\n<h3>Combine an Orbit O2 Dual-Arm Boom with Triad mic stands and let mic placement become a creative endeavor instead of an exercise in stand manipulation frustration. For more information, call or chat with an RSPE representative today.</h3>'),(11727,85,0,1955,'Triad-Orbit Orbit 2 / O2 Dual-Arm Orbital Boom'),(11728,85,1,1955,'Triad-Orbit Orbit 2 / O2 Dual-Arm Orbital Boom'),(11729,76,0,1955,''),(11730,76,1,1955,''),(11731,75,0,1956,'<h2>Triad-Orbit Orbit 2X / O2X Dual Orbital Boom System with 4 Quick-Change Arms</h2>\n<span style=\"font-size:16px; font-style:italic;\">Innovative dual-arm orbital boom with swivel mechanism, quick-change couplers, and industrial-grade clutches makes on-the-fly mic swaps a reality</span><br /><br />\nWhy use the Orbit O2X Dual-Arm Orbital Boom? The Triad-Orbit O2X dual orbital boom system extends the utility of the original O2 dual orbital boom with the addition of detachable arms via IO Quick‑Change Couplers. Four IO‑A telescopic boom arms are included (2 short arms, 2 long arms), allowing users to custom-configure a dual boom to adapt to a multitude of tasks in seconds.<br /><br />Multi-mic schemes are rife with problems; such as frequencies combining in different locations to create phase-coherency issues; numerous mic stands combining to form a metal forest; and overlapping mic stand bases making placement around drum kits or other spot mics difficult. The Orbit O2X Dual Orbital Boom not only simplifies and streamlines multi-mic setups, it helps you achieve and maintain perfect mic placement. Orbit O2X Orbital Booms feature a unique dual-arm design. Each arm is equipped with Orbit’s proprietary Compass Point™ stainless steel, ball-swivel housing, which allows precise and stable mic positioning in a spherical range of motion. Along with freeing up resources when multiple mics are the order of the day, Orbit 2X / O2X Dual Orbital Booms also offer a clean setup—which is a plus onstage for visibility, or in the studio where too many stands in limited space become the victim of happy feet. Whether you’re recording in stereo or dual-mono, the Orbit O2X Dual-Arm Orbital Boom will become your go-to stand. <br /><br />\n<h3>Orbit O2X Dual-Arm Orbital Boom unique features:</h3>\n<ul>\n	<li>Dual boom arms with novel center swivel that provides an additional 145º left/right motion </li>\n	<li>Compass Point stainless-steel, ball-swivel mic-placement mechanism</li>\n	<li>IO Quick-Change Couplers for rapid hardware changes</li>\n	<li>Industrial-grade clutches tightly secure all points of adjustment</li>\n	<li>Comfortable ergonomic clutch grip yields more torque </li>\n</ul>\n<br />\n<h3>Orbit O2X Dual-Arm Orbital Boom key features:</h3>\n<ul>\n	<li>Dual-arm boom does the work of two mic stands</li>\n	<li>Single Arm Length: 20-1/2\" – 29-1/4\"</li>\n	<li>Single Arm Range of Motion: 360° x 190°</li>\n	<li>Max. Dual Arm Span: 58-1/2\"</li>\n	<li>Center Swivel Range of Motion: 145°</li>\n	<li>Weight: 4-3/4 lb.</li>\n</ul>\n<br />\nDual boom arms are only part of the Orbit 2 story. Orbit O2X Dual-Arm Booms are anchored via a unique center swivel that on top of the 360 ball-swivel mechanism, provides an additional 145° of left-right motion to the boom arms. Orbit 2’s proprietary Compass Point ball-swivel housing provides each O2X boom arm with precise, stable positioning whenever the arms are engaged. The O2X arms are terminated with IO Quick-Change Couplers, offering twice the versatility of conventional booms—allowing setup in a fraction of the time it takes for normal miking chores.<br /><br />\nOrbit 2 Dual Orbital Booms feature a unique dual-arm design. Each arm is equipped with the proprietary, Orbit ball-swivel mic-movement mechanism, making it the perfect stand for stereo or dual-miking assignments such as grand pianos, drum-kit overheads, snare-drum top and bottom, guitar and vocals, choirs, big bands, and orchestras. By doing the work of two stands Orbit 2 Booms free up resources when multiple mics are called for and space is limited. Combining Orbit Booms with Micro Mic Adaptors [Link] creates an advanced microphone placement system yielding unequalled accuracy and adjustability. <br /><br />\n<h3>Orbit O2X stainless-steel ball swivel</h3>\nORBIT Booms employ a stainless-steel ball swivel mechanism to deliver an unparalleled range of motion that’s extremely smooth, quiet, and stable. The Orbit swivel housings exhibit 360º of horizontal rotation. Add to that the 360º x 190º rotational axis of the ball swivel mechanism and you have the most precise and versatile microphone boom arm ever made.\n<br /><br />\n<h3>Orbit O2X IO Quick-Change Couplers</h3>\nSwapping out mics in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse yet, you don’t want clients thinking you’re wasting time while the clock is ticking away their dollars. Beyond that, artists lose patience and inspiration while you spend too much time spinning mic clips and booms. The Triad-Orbit O2X Dual Orbital Boom’s exclusive IO Quick-Change Coupler effortlessly captures mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. \n<br /><br />\n<h3>Orbit O2X industrial-grade clutches</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Orbit O2X dual boom uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock so you don’t have to worry about drooping mics. \n<br /><br />\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit O2X Dual-Arm Boom Stand and Triad <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear. If you would like to use an Orbit 2 Boom with your existing weighted studio-quality stand, you will need to purchase an <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R Coupler</a>.<br /><br />\n<h3>Combine an Orbit O2X Dual-Arm Boom with Triad mic stands and let mic placement become a creative endeavor instead of an exercise in stand manipulation frustration. For more information, call or chat with an RSPE representative today.</h3>'),(11732,75,1,1956,'<h2>Triad-Orbit Orbit 2X / O2X Dual Orbital Boom System with 4 Quick-Change Arms</h2>\n<span style=\"font-size:16px; font-style:italic;\">Innovative dual-arm orbital boom with swivel mechanism, quick-change couplers, and industrial-grade clutches makes on-the-fly mic swaps a reality</span><br /><br />\nWhy use the Orbit O2X Dual-Arm Orbital Boom? The Triad-Orbit O2X dual orbital boom system extends the utility of the original O2 dual orbital boom with the addition of detachable arms via IO Quick‑Change Couplers. Four IO‑A telescopic boom arms are included (2 short arms, 2 long arms), allowing users to custom-configure a dual boom to adapt to a multitude of tasks in seconds.<br /><br />Multi-mic schemes are rife with problems; such as frequencies combining in different locations to create phase-coherency issues; numerous mic stands combining to form a metal forest; and overlapping mic stand bases making placement around drum kits or other spot mics difficult. The Orbit O2X Dual Orbital Boom not only simplifies and streamlines multi-mic setups, it helps you achieve and maintain perfect mic placement. Orbit O2X Orbital Booms feature a unique dual-arm design. Each arm is equipped with Orbit’s proprietary Compass Point™ stainless steel, ball-swivel housing, which allows precise and stable mic positioning in a spherical range of motion. Along with freeing up resources when multiple mics are the order of the day, Orbit 2X / O2X Dual Orbital Booms also offer a clean setup—which is a plus onstage for visibility, or in the studio where too many stands in limited space become the victim of happy feet. Whether you’re recording in stereo or dual-mono, the Orbit O2X Dual-Arm Orbital Boom will become your go-to stand. <br /><br />\n<h3>Orbit O2X Dual-Arm Orbital Boom unique features:</h3>\n<ul>\n	<li>Dual boom arms with novel center swivel that provides an additional 145º left/right motion </li>\n	<li>Compass Point stainless-steel, ball-swivel mic-placement mechanism</li>\n	<li>IO Quick-Change Couplers for rapid hardware changes</li>\n	<li>Industrial-grade clutches tightly secure all points of adjustment</li>\n	<li>Comfortable ergonomic clutch grip yields more torque </li>\n</ul>\n<br />\n<h3>Orbit O2X Dual-Arm Orbital Boom key features:</h3>\n<ul>\n	<li>Dual-arm boom does the work of two mic stands</li>\n	<li>Single Arm Length: 20-1/2\" – 29-1/4\"</li>\n	<li>Single Arm Range of Motion: 360° x 190°</li>\n	<li>Max. Dual Arm Span: 58-1/2\"</li>\n	<li>Center Swivel Range of Motion: 145°</li>\n	<li>Weight: 4-3/4 lb.</li>\n</ul>\n<br />\nDual boom arms are only part of the Orbit 2 story. Orbit O2X Dual-Arm Booms are anchored via a unique center swivel that on top of the 360 ball-swivel mechanism, provides an additional 145° of left-right motion to the boom arms. Orbit 2’s proprietary Compass Point ball-swivel housing provides each O2X boom arm with precise, stable positioning whenever the arms are engaged. The O2X arms are terminated with IO Quick-Change Couplers, offering twice the versatility of conventional booms—allowing setup in a fraction of the time it takes for normal miking chores.<br /><br />\nOrbit 2 Dual Orbital Booms feature a unique dual-arm design. Each arm is equipped with the proprietary, Orbit ball-swivel mic-movement mechanism, making it the perfect stand for stereo or dual-miking assignments such as grand pianos, drum-kit overheads, snare-drum top and bottom, guitar and vocals, choirs, big bands, and orchestras. By doing the work of two stands Orbit 2 Booms free up resources when multiple mics are called for and space is limited. Combining Orbit Booms with Micro Mic Adaptors [Link] creates an advanced microphone placement system yielding unequalled accuracy and adjustability. <br /><br />\n<h3>Orbit O2X stainless-steel ball swivel</h3>\nORBIT Booms employ a stainless-steel ball swivel mechanism to deliver an unparalleled range of motion that’s extremely smooth, quiet, and stable. The Orbit swivel housings exhibit 360º of horizontal rotation. Add to that the 360º x 190º rotational axis of the ball swivel mechanism and you have the most precise and versatile microphone boom arm ever made.\n<br /><br />\n<h3>Orbit O2X IO Quick-Change Couplers</h3>\nSwapping out mics in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse yet, you don’t want clients thinking you’re wasting time while the clock is ticking away their dollars. Beyond that, artists lose patience and inspiration while you spend too much time spinning mic clips and booms. The Triad-Orbit O2X Dual Orbital Boom’s exclusive IO Quick-Change Coupler effortlessly captures mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. \n<br /><br />\n<h3>Orbit O2X industrial-grade clutches</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Orbit O2X dual boom uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock so you don’t have to worry about drooping mics. \n<br /><br />\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit O2X Dual-Arm Boom Stand and Triad <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear. If you would like to use an Orbit 2 Boom with your existing weighted studio-quality stand, you will need to purchase an <a href=\"http://www.rspeaudio.com/Triad-Orbit-IO-R-p/triad-orbit-io-r.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">IO-R Coupler</a>.<br /><br />\n<h3>Combine an Orbit O2X Dual-Arm Boom with Triad mic stands and let mic placement become a creative endeavor instead of an exercise in stand manipulation frustration. For more information, call or chat with an RSPE representative today.</h3>'),(11733,85,0,1956,'Triad-Orbit Orbit 2X / O2X Dual Orbital Boom System'),(11734,85,1,1956,'Triad-Orbit Orbit 2X / O2X Dual Orbital Boom System'),(11735,76,0,1956,''),(11736,76,1,1956,''),(11737,75,0,1957,'<h2>Triad-Orbit OA - Orbit Arm</h2>\n<span style=\"font-size:16px; font-style:italic;\">Innovative mic-stand boom with swivel mechanism, quick-change couplers, and industrial-grade clutches</span><br /><br />\nThe Triad-Orbit Orbit OA is a single freestanding version of a single Orbit 2-type orbital boom arm. Orbit OA lets you not only set up mics with piece of mind, but also lets you find the right “piece of air” to place it in. To achieve precise microphone placement, the Orbit OA Orbital Arm features a stainless-steel ball-swivel mechanism—perfect for twisting and tweaking mics to resolve phase issues without losing that special piece of air where all the frequencies come together and resonate. The Orbit OA Orbital Arm is equally adept at static mic placement via its Glide Path™ swivel housing, which provides a controlled, traditional boom arm motion—and thanks to industrial grade hardware machined to the highest tolerances, the Orbit OA Single-Arm Orbital Boom does it all with smooth, quiet, and stable operation. <br /><br />\n<h3>Orbit OA Orbit Arm unique features:</h3>\n<ul>\n	<li>Stainless-steel ball-swivel mechanism</li>\n	<li>IO Quick-Change Couplers for rapid hardware changes</li>\n	<li>Industrial-grade clutches secure all points of adjustment</li>\n	<li>Comfortable ergonomic clutch grip yields more torque </li>\n</ul>\n<br />\n<h3>Orbit OA Orbit Arm key features:</h3>\n<ul>\n	<li>Range of Motion: 360° x 230°</li>\n	<li>Weight: 1.4 lbs</li>\n</ul>\n<br />\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br /><br />\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br /><br />\n<h3>Orbit OA stainless-steel ball swivel</h3>\nORBIT Booms employ a stainless-steel ball swivel mechanism to deliver an unparalleled range of motion that’s extremely smooth, quiet, and stable. The Orbit swivel housings exhibit 360º of horizontal rotation. Add to that the 360º x 190º rotational axis of the ball swivel mechanism and you have the most precise and versatile microphone boom arm ever made.\n<br /><br />\n<h3>Orbit OA IO Quick-Change Couplers</h3>\nSwapping out mics in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse yet, you don’t want clients thinking you’re wasting time while the clock is ticking away their dollars. Beyond that, artists lose patience and inspiration while you spend too much time spinning mic clips and booms. The Triad-Orbit OA Orbital Boom’s exclusive IO Quick-Change Coupler effortlessly captures mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.<br /><br />\n<h3>Orbit OA industrial-grade clutches</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad OA Boom uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock so you don’t have to worry about drooping mics. \n<br /><br />\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit 01 Single-Arm Boom Stand and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br /><br />\n<h3>Combine an Orbit OA Orbital Arm with Triad mic stands and let mic placement become a creative endeavor instead of an exercise in stand manipulation. For more information, call or chat with an RSPE representative today.</h3>'),(11738,75,1,1957,'<h2>Triad-Orbit OA - Orbit Arm</h2>\n<span style=\"font-size:16px; font-style:italic;\">Innovative mic-stand boom with swivel mechanism, quick-change couplers, and industrial-grade clutches</span><br /><br />\nThe Triad-Orbit Orbit OA is a single freestanding version of a single Orbit 2-type orbital boom arm. Orbit OA lets you not only set up mics with piece of mind, but also lets you find the right “piece of air” to place it in. To achieve precise microphone placement, the Orbit OA Orbital Arm features a stainless-steel ball-swivel mechanism—perfect for twisting and tweaking mics to resolve phase issues without losing that special piece of air where all the frequencies come together and resonate. The Orbit OA Orbital Arm is equally adept at static mic placement via its Glide Path™ swivel housing, which provides a controlled, traditional boom arm motion—and thanks to industrial grade hardware machined to the highest tolerances, the Orbit OA Single-Arm Orbital Boom does it all with smooth, quiet, and stable operation. <br /><br />\n<h3>Orbit OA Orbit Arm unique features:</h3>\n<ul>\n	<li>Stainless-steel ball-swivel mechanism</li>\n	<li>IO Quick-Change Couplers for rapid hardware changes</li>\n	<li>Industrial-grade clutches secure all points of adjustment</li>\n	<li>Comfortable ergonomic clutch grip yields more torque </li>\n</ul>\n<br />\n<h3>Orbit OA Orbit Arm key features:</h3>\n<ul>\n	<li>Range of Motion: 360° x 230°</li>\n	<li>Weight: 1.4 lbs</li>\n</ul>\n<br />\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br /><br />\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br /><br />\n<h3>Orbit OA stainless-steel ball swivel</h3>\nORBIT Booms employ a stainless-steel ball swivel mechanism to deliver an unparalleled range of motion that’s extremely smooth, quiet, and stable. The Orbit swivel housings exhibit 360º of horizontal rotation. Add to that the 360º x 190º rotational axis of the ball swivel mechanism and you have the most precise and versatile microphone boom arm ever made.\n<br /><br />\n<h3>Orbit OA IO Quick-Change Couplers</h3>\nSwapping out mics in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse yet, you don’t want clients thinking you’re wasting time while the clock is ticking away their dollars. Beyond that, artists lose patience and inspiration while you spend too much time spinning mic clips and booms. The Triad-Orbit OA Orbital Boom’s exclusive IO Quick-Change Coupler effortlessly captures mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.<br /><br />\n<h3>Orbit OA industrial-grade clutches</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad OA Boom uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock so you don’t have to worry about drooping mics. \n<br /><br />\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit 01 Single-Arm Boom Stand and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br /><br />\n<h3>Combine an Orbit OA Orbital Arm with Triad mic stands and let mic placement become a creative endeavor instead of an exercise in stand manipulation. For more information, call or chat with an RSPE representative today.</h3>'),(11739,85,0,1957,'Triad-Orbit OA - Orbit Arm / OA Orbital Boom with IO Quick‑Change Coupler'),(11740,85,1,1957,'Triad-Orbit OA - Orbit Arm / OA Orbital Boom with IO Quick‑Change Coupler'),(11741,76,0,1957,''),(11742,76,1,1957,''),(11743,75,0,1958,'<h2>Triad-Orbit OM - Orbit Mini / OM Short Single-Arm Orbital Boom</h2>\n<span style=\"font-size:16px; font-style:italic;\">Innovative mic-stand boom with swivel mechanism, quick-change couplers, and industrial-grade clutches</span><br/><br/>\nThe ORBIT Mini - The little brother of Orbit 1 and the companion boom arm for the Triad Mini Stand. Awesome in tight spaces and backline applications. Also great for vocals and acoustic instruments where an extended boom is unneeded.<br/><br/>Despite the oddly counterintuitive notion of putting your prized microphones on something called a “boom,” Triad-Orbit OM Single Orbital Boom lets you not only set up mics with piece of mind, but also lets you find the right “piece of air” to place it in. To achieve precise microphone placement, the Orbit OM Orbital Boom features a stainless-steel ball-swivel mechanism—perfect for twisting and tweaking mics to resolve phase issues without losing that special piece of air where all the frequencies come together and resonate. The Orbit OM Orbital Boom is equally adept at static mic placement via its Glide Path™ swivel housing, which provides a controlled, traditional boom arm motion—and thanks to industrial grade hardware machined to the highest tolerances, the Orbit OM Single-Arm Orbital Boom does it all with smooth, quiet, and stable operation. <br/><br/>\n<h3>Orbit OM Single-Arm Orbital Boom unique features:</h3>\n<ul>\n	<li>Stainless-steel ball-swivel mechanism</li>\n	<li>IO Quick-Change Couplers for rapid hardware changes</li>\n	<li>Industrial-grade clutches secure all points of adjustment</li>\n	<li>Comfortable ergonomic clutch grip yields more torque </li>\n</ul>\n<br/>\n<h3>Orbit OM Single-Arm Orbital Boom key features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Boom Arm Range: 12.2 - 21.65 in.</span></li>\n	<li>Range of Motion: 360° x 190°</li>\n	<li>Weight: 4.25 lbs</li>\n</ul>\n<br/>\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br/><br/>\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br/><br/>\n<h3>Orbit OM stainless-steel ball swivel</h3>\nORBIT Booms employ a stainless-steel ball swivel mechanism to deliver an unparalleled range of motion that’s extremely smooth, quiet, and stable. The Orbit swivel housings exhibit 360º of horizontal rotation. Add to that the 360º x 190º rotational axis of the ball swivel mechanism and you have the most precise and versatile microphone boom arm ever made.\n<br/><br/>\n<h3>Orbit OM IO Quick-Change Couplers</h3>\nSwapping out mics in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse yet, you don’t want clients thinking you’re wasting time while the clock is ticking away their dollars. Beyond that, artists lose patience and inspiration while you spend too much time spinning mic clips and booms. The Triad-Orbit OM Single-Arm Boom’s exclusive IO Quick-Change Coupler effortlessly captures mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br/><br/>\n<h3>Orbit OM industrial-grade clutches</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad OM Boom uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock so you don’t have to worry about drooping mics. \n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit OM Single-Arm Boom Stand and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br/><br/>\n<h3>Combine an Orbit OM Single-Arm Mini Boom with Triad mic stands and let mic placement become a creative endeavor instead of an exercise in stand manipulation. For more information, call or chat with an RSPE representative today.</h3>'),(11744,75,1,1958,'<h2>Triad-Orbit OM - Orbit Mini / OM Short Single-Arm Orbital Boom</h2>\n<span style=\"font-size:16px; font-style:italic;\">Innovative mic-stand boom with swivel mechanism, quick-change couplers, and industrial-grade clutches</span><br/><br/>\nThe ORBIT Mini - The little brother of Orbit 1 and the companion boom arm for the Triad Mini Stand. Awesome in tight spaces and backline applications. Also great for vocals and acoustic instruments where an extended boom is unneeded.<br/><br/>Despite the oddly counterintuitive notion of putting your prized microphones on something called a “boom,” Triad-Orbit OM Single Orbital Boom lets you not only set up mics with piece of mind, but also lets you find the right “piece of air” to place it in. To achieve precise microphone placement, the Orbit OM Orbital Boom features a stainless-steel ball-swivel mechanism—perfect for twisting and tweaking mics to resolve phase issues without losing that special piece of air where all the frequencies come together and resonate. The Orbit OM Orbital Boom is equally adept at static mic placement via its Glide Path™ swivel housing, which provides a controlled, traditional boom arm motion—and thanks to industrial grade hardware machined to the highest tolerances, the Orbit OM Single-Arm Orbital Boom does it all with smooth, quiet, and stable operation. <br/><br/>\n<h3>Orbit OM Single-Arm Orbital Boom unique features:</h3>\n<ul>\n	<li>Stainless-steel ball-swivel mechanism</li>\n	<li>IO Quick-Change Couplers for rapid hardware changes</li>\n	<li>Industrial-grade clutches secure all points of adjustment</li>\n	<li>Comfortable ergonomic clutch grip yields more torque </li>\n</ul>\n<br/>\n<h3>Orbit OM Single-Arm Orbital Boom key features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">Boom Arm Range: 12.2 - 21.65 in.</span></li>\n	<li>Range of Motion: 360° x 190°</li>\n	<li>Weight: 4.25 lbs</li>\n</ul>\n<br/>\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br/><br/>\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br/><br/>\n<h3>Orbit OM stainless-steel ball swivel</h3>\nORBIT Booms employ a stainless-steel ball swivel mechanism to deliver an unparalleled range of motion that’s extremely smooth, quiet, and stable. The Orbit swivel housings exhibit 360º of horizontal rotation. Add to that the 360º x 190º rotational axis of the ball swivel mechanism and you have the most precise and versatile microphone boom arm ever made.\n<br/><br/>\n<h3>Orbit OM IO Quick-Change Couplers</h3>\nSwapping out mics in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse yet, you don’t want clients thinking you’re wasting time while the clock is ticking away their dollars. Beyond that, artists lose patience and inspiration while you spend too much time spinning mic clips and booms. The Triad-Orbit OM Single-Arm Boom’s exclusive IO Quick-Change Coupler effortlessly captures mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br/><br/>\n<h3>Orbit OM industrial-grade clutches</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad OM Boom uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock so you don’t have to worry about drooping mics. \n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit OM Single-Arm Boom Stand and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br/><br/>\n<h3>Combine an Orbit OM Single-Arm Mini Boom with Triad mic stands and let mic placement become a creative endeavor instead of an exercise in stand manipulation. For more information, call or chat with an RSPE representative today.</h3>'),(11745,85,0,1958,'Triad-Orbit OM - Orbit Mini / OM Short Single-Arm Orbital Boom'),(11746,85,1,1958,'Triad-Orbit OM - Orbit Mini / OM Short Single-Arm Orbital Boom'),(11747,76,0,1958,''),(11748,76,1,1958,''),(11749,75,0,1959,'<h1>Triad-Orbit Starbird SB-1 Studio Boom Stand</h1>\n<span style=\"font-size:16px; font-style:italic;\">Triad-Orbit takes the legendary Starbird Model No. 180 studio boom stand and add a wealth of modern features and upgrades.</span><br /><br />The Traid-Orbit Standard SB-1 Studio Boom Stand is the upgraded and modernized third generation of George Starbird\'s legendary Model No.180. The original Starbird has earned a place alongside the most revered vintage analog microphones, consoles and outboard gear of the era. Starbird started Meletron Corporation in Los Angeles in 1939 and designed the Model 180 studio boom stand for large broadcast environments in the 1940s. Soon recording studios discovered its unrivaled reach, range of motion and stability and adopted it as the large mic stand of choice. Eventually Meletron stooped making the Starbird stand and Manley Laboratories, Inc., celebrated maker of professional studio and hifi audio equipment, purchased the tooling and trademark for the Model 180 in 1991 and produced an updated version of the Starbird in their California facility until 2010. Now in its third iteration, Starbird by Triad-Orbit (T-O SB-1) incorporates patented T-O innovation to impart new levels of performance, versatility and stability to the storied Model 180 platform. Most importantly, All Triad-Orbit Starbird stand base, boom swivel and clutch components retrofit to legacy Starbird stands.<br /><br />\n<h3>Startbird SB-1 features:</h3>\n<ul>\n	<li>Third generation Starbird Studio Boom Stand with new features including patented Triad-Orbit technologies.</li>\n	<li>StarBase cast iron base allows the legs to be swiveled and retracted to fit in tighter spaces, or for storage.</li>\n	<li>BoomStop safely locks the boom into place to prevent slipping, regardless of suspension weight.</li>\n	<li>VariBal counter balance system makes adjusting and balancing the boom easy</li>\n	<li>Triad-Orbits patented Quick Change coupler makes swapping out mics fast and easy</li>\n</ul>\n<br />\n<h3>StarBase™ Retractable Stand Base</h3>\nStarBase™ is a massive cast iron base with retractable legs that pivot for optimum positioning and tuck away under the base for efficient storage.\n<br /><br />\n<h3>BoomStop™ Safety Lock</h3>\nBoomStop™ is a pin locking mechanism that secures Starbird booms in any position, regardless of the weight suspended, for safe, worry-free operation.\n<br /><br />\n<h3>T.A.F.™ (Triad Orbit Force) System</h3>\nT.A.F. (Triad Air Force) is a patent pending pneumatic system that automatically and effortlessly raises T-O Starbird stands & booms.<br /><br />\n<h3>VariBal™ Counter Ballast System</h3>\n	VariBal offers effortless, adjustable counterweight positioning and the ability to add additional ballast to the counterweight as needed.\n<br /><br />\n<h3>IO Quick Change Coupler and OA Swivel</h3>\n	Includes a quick-change coupler at the end of the boom as well as an OA ball joint, which provides superior position and on-the-fly mic swap capability.\n<br /><br />'),(11750,75,1,1959,'<h1>Triad-Orbit Starbird SB-1 Studio Boom Stand</h1>\n<span style=\"font-size:16px; font-style:italic;\">Triad-Orbit takes the legendary Starbird Model No. 180 studio boom stand and add a wealth of modern features and upgrades.</span><br /><br />The Traid-Orbit Standard SB-1 Studio Boom Stand is the upgraded and modernized third generation of George Starbird\'s legendary Model No.180. The original Starbird has earned a place alongside the most revered vintage analog microphones, consoles and outboard gear of the era. Starbird started Meletron Corporation in Los Angeles in 1939 and designed the Model 180 studio boom stand for large broadcast environments in the 1940s. Soon recording studios discovered its unrivaled reach, range of motion and stability and adopted it as the large mic stand of choice. Eventually Meletron stooped making the Starbird stand and Manley Laboratories, Inc., celebrated maker of professional studio and hifi audio equipment, purchased the tooling and trademark for the Model 180 in 1991 and produced an updated version of the Starbird in their California facility until 2010. Now in its third iteration, Starbird by Triad-Orbit (T-O SB-1) incorporates patented T-O innovation to impart new levels of performance, versatility and stability to the storied Model 180 platform. Most importantly, All Triad-Orbit Starbird stand base, boom swivel and clutch components retrofit to legacy Starbird stands.<br /><br />\n<h3>Startbird SB-1 features:</h3>\n<ul>\n	<li>Third generation Starbird Studio Boom Stand with new features including patented Triad-Orbit technologies.</li>\n	<li>StarBase cast iron base allows the legs to be swiveled and retracted to fit in tighter spaces, or for storage.</li>\n	<li>BoomStop safely locks the boom into place to prevent slipping, regardless of suspension weight.</li>\n	<li>VariBal counter balance system makes adjusting and balancing the boom easy</li>\n	<li>Triad-Orbits patented Quick Change coupler makes swapping out mics fast and easy</li>\n</ul>\n<br />\n<h3>StarBase™ Retractable Stand Base</h3>\nStarBase™ is a massive cast iron base with retractable legs that pivot for optimum positioning and tuck away under the base for efficient storage.\n<br /><br />\n<h3>BoomStop™ Safety Lock</h3>\nBoomStop™ is a pin locking mechanism that secures Starbird booms in any position, regardless of the weight suspended, for safe, worry-free operation.\n<br /><br />\n<h3>T.A.F.™ (Triad Orbit Force) System</h3>\nT.A.F. (Triad Air Force) is a patent pending pneumatic system that automatically and effortlessly raises T-O Starbird stands & booms.<br /><br />\n<h3>VariBal™ Counter Ballast System</h3>\n	VariBal offers effortless, adjustable counterweight positioning and the ability to add additional ballast to the counterweight as needed.\n<br /><br />\n<h3>IO Quick Change Coupler and OA Swivel</h3>\n	Includes a quick-change coupler at the end of the boom as well as an OA ball joint, which provides superior position and on-the-fly mic swap capability.\n<br /><br />'),(11751,85,0,1959,'Triad-Orbit Starbird SB-1 Studio Boom Stand'),(11752,85,1,1959,'Triad-Orbit Starbird SB-1 Studio Boom Stand'),(11753,76,0,1959,''),(11754,76,1,1959,''),(11755,75,0,1960,'<h2>Triad-Orbit T-ES Elevator Shaft Stand Extension</h2>\n<span style=\"font-size:16px; font-style:italic;\">Mic stand extension for elevated mic positioning</span><br/><br/>\nThe Triad-Orbit T-ES is a 33\" extension for Triad stands equipped with IO Quick-Change Couplers. The T-ES is designed to raise microphones for ensemble, choral, and room ambience recording, as well as wireless-transmitter antennas and other applications that require elevation. The T-ES Elevator Shaft’s quick-change coupler makes handling elevated mics safer and easier. The Triad-Orbit T-ES is a perfect complement to Triad-Orbit T2 Standard and T3 Tall microphone stands. <br/><br/>\n<h3>Triad-Orbit T-ES Elevator Shaft Extension unique features:</h3>\n<ul>\n	<li>Equipped with IO Quick-Change Couplers</li>\n	<li>3\' extension for Triad-Orbit microphone stands</li>\n</ul>\n<br/>\n<h3>TRIAD-Orbit T-ES Quick-Change Coupler</h3>\nSwapping out mics and booms in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse still, you don’t want clients thinking you’re wasting their time while the clock is ticking away dollars. Beyond that, artists lose patience and inspiration while you spend time spinning mic clips. The Triad-Orbit T-ES Elevator Shaft Extension’s exclusive IO Quick-Change Coupler effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.  \n<br/><br/>\n<h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n<br/><br/>\n<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br/><br/>\n<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br/><br/>\n<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n<br/><br/>\n<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br/><br/>\n<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-orbit-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit Tablet and Smartphone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-orbit-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-orbit-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-orbit-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br/><br/>\n<h3>When you need extra reach for microphones or wireless mic antennas, the Traid-Orbit T-ES Elevator shaft mic stand you can count on. For more information, call or chat with an RSPE representative today.</h3>'),(11756,75,1,1960,'<h2>Triad-Orbit T-ES Elevator Shaft Stand Extension</h2>\n<span style=\"font-size:16px; font-style:italic;\">Mic stand extension for elevated mic positioning</span><br/><br/>\nThe Triad-Orbit T-ES is a 33\" extension for Triad stands equipped with IO Quick-Change Couplers. The T-ES is designed to raise microphones for ensemble, choral, and room ambience recording, as well as wireless-transmitter antennas and other applications that require elevation. The T-ES Elevator Shaft’s quick-change coupler makes handling elevated mics safer and easier. The Triad-Orbit T-ES is a perfect complement to Triad-Orbit T2 Standard and T3 Tall microphone stands. <br/><br/>\n<h3>Triad-Orbit T-ES Elevator Shaft Extension unique features:</h3>\n<ul>\n	<li>Equipped with IO Quick-Change Couplers</li>\n	<li>3\' extension for Triad-Orbit microphone stands</li>\n</ul>\n<br/>\n<h3>TRIAD-Orbit T-ES Quick-Change Coupler</h3>\nSwapping out mics and booms in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse still, you don’t want clients thinking you’re wasting their time while the clock is ticking away dollars. Beyond that, artists lose patience and inspiration while you spend time spinning mic clips. The Triad-Orbit T-ES Elevator Shaft Extension’s exclusive IO Quick-Change Coupler effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.  \n<br/><br/>\n<h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n<br/><br/>\n<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br/><br/>\n<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br/><br/>\n<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n<br/><br/>\n<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br/><br/>\n<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-orbit-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit Tablet and Smartphone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-orbit-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-orbit-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-orbit-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br/><br/>\n<h3>When you need extra reach for microphones or wireless mic antennas, the Traid-Orbit T-ES Elevator shaft mic stand you can count on. For more information, call or chat with an RSPE representative today.</h3>'),(11757,85,0,1960,'Triad-Orbit T-ES - Elevator Shaft Extension'),(11758,85,1,1960,'Triad-Orbit T-ES - Elevator Shaft Extension'),(11759,76,0,1960,''),(11760,76,1,1960,''),(11761,75,0,1961,'<h2>Triad-Orbit T1 Short Tripod Microphone Stand</h2>\n<span style=\"font-size:16px; font-style:italic;\">Precision-adjustable short microphone stand with articulating bass, knobless adjustments and quick-change couplers significantly reduces setup time </span><br/><br/>\nOnce in a long while a new product comes along that takes the industry by storm—Triad Orbit has brought us several. Nominated for a TEC Award and winner of Prosound Network’s Par Excellence Award and Best In Show at NAMM, the Triad-Orbit T1 Short Tripod Microphone Stand is a quantum leap forward in mic stand technology—offering both precision mic placement and significant savings in setup time (which equals money regardless of which side of the glass you’re on). The Triad-Orbit T1 Short Tripod is a low-profile stand for miking drums and amps that features an articulating base with hands-free operation; quick-change coupler for attaching or removing mics or booms; and high quality clutches to secure shafts and bases. The Triad-Orbit T1 Short Mic Stand is machined to fine tolerances previously unheard of in the industry—with quality and durability to match.   <br/><br/>\n<h3>Triad-Orbit T1 Short Tripod Microphone Stand unique features:</h3>\n<ul>\n	<li>Articulating base provides fully adjustable attitude and footprint</li>\n	<li>Foot-actuated latch on each leg provides hands-free adjustability</li>\n	<li>Professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases</li>\n	<li>Exclusive IO Quick-Change Coupler eliminates threading booms and mic clips </li>\n</ul>\n<br/>\n<h3>Triad-Orbit T1 Short Tripod Microphone Stand key features:</h3>\n<ul>\n	<li>Perfect for low-profile mic placement on drums and amps</li>\n	<li>Reduces setup time by 25%</li>\n	<li>Comfort-coated, ergonomic clutch covers </li>\n	<li>Max. Footprint: 18-1/2\"</li>\n	<li>Stand Height: 17-29-1/2\"</li>\n	<li>Weight: 9-1/2 lb.</li>\n</ul>\n<br/>\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br/><br/>\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br/><br/>\n<h3>Triad-Orbit T1 microphone stands solve the problems of mic placement with a number of innovations:</h3>\n<h3>Triad-Orbit T1 articulating base</h3>\nThe Triad-Orbit T1’s proprietary articulating base provides the weight and stability of large-diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a Triad T1 base has four ratcheted positions that provide up to 65º of pitch. A foot-actuated latch on each leg provides hands-free adjustability. Adjusting the height of the articulating legs affects the floor clearance and footprint of Triad Stands. The Triad-Orbit articulating base is designed to accommodate “boom-less” front lines, uneven surfaces, and stacking for storage. The cutaway base allows the Triad T1 to be closely grouped in positions not possible with conventional stands. \n<br/><br/>\n<h3>Triad-Orbit T1 professional-grade clutch</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad T1 uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock, so you don’t have to worry about drooping mics. \n<br/><br/>\n<h3>Triad-Orbit T1 Quick-Change Coupler</h3>\nSwapping out mics and booms in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse still, you don’t want clients thinking you’re wasting their time while the clock is ticking away dollars. Beyond that, artists lose patience and inspiration while you spend time spinning mic clips. The Triad-Orbit T1 short mic stand’s exclusive IO Quick-Change Coupler effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. \n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit T1 short, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br/><br/>\n<h3>A new industry standard is born; Triad-Orbit T1 Short Microphone Stand is nothing less than a revelation in studio miking. Once you’ve used a Triad-Orbit stand, all the old familiar mic-placement problems will fade into a distant memory. For more information, call or chat with an RSPE representative today. </h3>'),(11762,75,1,1961,'<h2>Triad-Orbit T1 Short Tripod Microphone Stand</h2>\n<span style=\"font-size:16px; font-style:italic;\">Precision-adjustable short microphone stand with articulating bass, knobless adjustments and quick-change couplers significantly reduces setup time </span><br/><br/>\nOnce in a long while a new product comes along that takes the industry by storm—Triad Orbit has brought us several. Nominated for a TEC Award and winner of Prosound Network’s Par Excellence Award and Best In Show at NAMM, the Triad-Orbit T1 Short Tripod Microphone Stand is a quantum leap forward in mic stand technology—offering both precision mic placement and significant savings in setup time (which equals money regardless of which side of the glass you’re on). The Triad-Orbit T1 Short Tripod is a low-profile stand for miking drums and amps that features an articulating base with hands-free operation; quick-change coupler for attaching or removing mics or booms; and high quality clutches to secure shafts and bases. The Triad-Orbit T1 Short Mic Stand is machined to fine tolerances previously unheard of in the industry—with quality and durability to match.   <br/><br/>\n<h3>Triad-Orbit T1 Short Tripod Microphone Stand unique features:</h3>\n<ul>\n	<li>Articulating base provides fully adjustable attitude and footprint</li>\n	<li>Foot-actuated latch on each leg provides hands-free adjustability</li>\n	<li>Professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases</li>\n	<li>Exclusive IO Quick-Change Coupler eliminates threading booms and mic clips </li>\n</ul>\n<br/>\n<h3>Triad-Orbit T1 Short Tripod Microphone Stand key features:</h3>\n<ul>\n	<li>Perfect for low-profile mic placement on drums and amps</li>\n	<li>Reduces setup time by 25%</li>\n	<li>Comfort-coated, ergonomic clutch covers </li>\n	<li>Max. Footprint: 18-1/2\"</li>\n	<li>Stand Height: 17-29-1/2\"</li>\n	<li>Weight: 9-1/2 lb.</li>\n</ul>\n<br/>\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br/><br/>\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br/><br/>\n<h3>Triad-Orbit T1 microphone stands solve the problems of mic placement with a number of innovations:</h3>\n<h3>Triad-Orbit T1 articulating base</h3>\nThe Triad-Orbit T1’s proprietary articulating base provides the weight and stability of large-diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a Triad T1 base has four ratcheted positions that provide up to 65º of pitch. A foot-actuated latch on each leg provides hands-free adjustability. Adjusting the height of the articulating legs affects the floor clearance and footprint of Triad Stands. The Triad-Orbit articulating base is designed to accommodate “boom-less” front lines, uneven surfaces, and stacking for storage. The cutaway base allows the Triad T1 to be closely grouped in positions not possible with conventional stands. \n<br/><br/>\n<h3>Triad-Orbit T1 professional-grade clutch</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad T1 uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock, so you don’t have to worry about drooping mics. \n<br/><br/>\n<h3>Triad-Orbit T1 Quick-Change Coupler</h3>\nSwapping out mics and booms in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse still, you don’t want clients thinking you’re wasting their time while the clock is ticking away dollars. Beyond that, artists lose patience and inspiration while you spend time spinning mic clips. The Triad-Orbit T1 short mic stand’s exclusive IO Quick-Change Coupler effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. \n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit T1 short, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br/><br/>\n<h3>A new industry standard is born; Triad-Orbit T1 Short Microphone Stand is nothing less than a revelation in studio miking. Once you’ve used a Triad-Orbit stand, all the old familiar mic-placement problems will fade into a distant memory. For more information, call or chat with an RSPE representative today. </h3>'),(11763,85,0,1961,'Triad-Orbit T1 - Short Tripod Microphone Stand'),(11764,85,1,1961,'Triad-Orbit T1 - Short Tripod Microphone Stand'),(11765,76,0,1961,''),(11766,76,1,1961,''),(11767,75,0,1962,'<h2>Triad-Orbit T2 Standard Tripod Microphone Stand</h2>\n<span style=\"font-size:16px; font-style:italic;\">Precision-adjustable standard tripod mic stand with articulating bass, ultra high-grade clutch, and quick-change couplers reduces setup time significantly </span> <br/><br/>\nThe Triad-Orbit T2 Standard Tripod Microphone Stand is a radical advance in mic stand technology. Nominated for a TEC Award and winner of Prosound Network’s Par Excellence Award and Best In Show at NAMM, the breakthrough Triad-Orbit T2 standard mic stand offers uncompromising accuracy for mic placement, as well as a significant reduction of setup time—a welcome advantage for engineers and studio accountants alike. The Triad-Orbit T2 is a standard-length microphone stand that features an articulating base with hands-free operation; quick-change coupler for attaching or removing mics or booms; and high quality clutches to secure shafts and bases. Poised to set the new standard for studio miking, the Triad-Orbit T2 Standard Tripod Stand is the product of 10 years of research and development, precision-crafted with technology borrowed from high-performance race engines. <br/><br/>\n<h3>Triad-Orbit T2 Standard Tripod Microphone Stand unique features:</h3>\n<ul>\n	<li>Articulating base provides fully adjustable attitude and footprint</li>\n	<li>Foot-actuated latch on each 4-posion leg provides hands-free adjustability</li>\n	<li>Professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases</li>\n	<li>Exclusive IO Quick-Change Coupler eliminates threading booms and mic clips </li>\n</ul>\n<br/>\n<h3>Triad-Orbit T2 Standard Tripod Microphone Stand key features:</h3>\n<ul>\n	<li>Comfort-coated, ergonomic clutch covers</li>\n	<li>Reduces setup time by 25%</li>\n	<li>Max. Footprint: 24\"</li>\n	<li>Stand Height: 36-71\"</li>\n	<li>Weight: 12-1/4 lb.</li>\n</ul>\n<br/>\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br/><br/>\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br/><br/>\n<h3>Triad-Orbit T2 microphone stands solve the problems of mic placement with a number of innovations:</h3>\n<h3>Triad-Orbit T2 articulating base</h3>\nThe Triad-Orbit T2’s proprietary articulating base provides the weight and stability of large-diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a Triad T2 base has four ratcheted positions that provide up to 65º of pitch. A foot-actuated latch on each leg provides hands-free adjustability. Adjusting the height of the articulating legs affects the floor clearance and footprint of Triad Stands. The Triad-Orbit articulating base is designed to accommodate “boom-less” front lines, uneven surfaces, and stacking for storage. The cutaway base allows the Triad T2 to be closely grouped in positions not possible with conventional stands. \n<br/><br/>\n<h3>Triad-Orbit T2 professional-grade clutch</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad T2 uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock, so you don’t have to worry about drooping mics. \n<br/><br/>\n<h3>Triad-Orbit T1 Quick-Change Coupler</h3>\nSwapping out mics and booms in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse still, you don’t want clients thinking you’re wasting their time while the clock is ticking away dollars. Beyond that, artists lose patience and inspiration while you spend time spinning mic clips. The Triad-Orbit T2 standard mic stand’s exclusive IO Quick-Change Coupler effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. \n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they offer the solution to all the mic placement problems you’ve lived with over the years. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, T2 standard, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br/><br/>\n<h3>A new industry standard is born; Triad-Orbit T2 Standard Tripod Stand offers precise mic placement without compromise. Once you’ve used a Triad-Orbit stand, all the old familiar mic-placement problems will fade into a distant memory. For more information, call or chat with an RSPE representative today. </h3>'),(11768,75,1,1962,'<h2>Triad-Orbit T2 Standard Tripod Microphone Stand</h2>\n<span style=\"font-size:16px; font-style:italic;\">Precision-adjustable standard tripod mic stand with articulating bass, ultra high-grade clutch, and quick-change couplers reduces setup time significantly </span> <br/><br/>\nThe Triad-Orbit T2 Standard Tripod Microphone Stand is a radical advance in mic stand technology. Nominated for a TEC Award and winner of Prosound Network’s Par Excellence Award and Best In Show at NAMM, the breakthrough Triad-Orbit T2 standard mic stand offers uncompromising accuracy for mic placement, as well as a significant reduction of setup time—a welcome advantage for engineers and studio accountants alike. The Triad-Orbit T2 is a standard-length microphone stand that features an articulating base with hands-free operation; quick-change coupler for attaching or removing mics or booms; and high quality clutches to secure shafts and bases. Poised to set the new standard for studio miking, the Triad-Orbit T2 Standard Tripod Stand is the product of 10 years of research and development, precision-crafted with technology borrowed from high-performance race engines. <br/><br/>\n<h3>Triad-Orbit T2 Standard Tripod Microphone Stand unique features:</h3>\n<ul>\n	<li>Articulating base provides fully adjustable attitude and footprint</li>\n	<li>Foot-actuated latch on each 4-posion leg provides hands-free adjustability</li>\n	<li>Professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases</li>\n	<li>Exclusive IO Quick-Change Coupler eliminates threading booms and mic clips </li>\n</ul>\n<br/>\n<h3>Triad-Orbit T2 Standard Tripod Microphone Stand key features:</h3>\n<ul>\n	<li>Comfort-coated, ergonomic clutch covers</li>\n	<li>Reduces setup time by 25%</li>\n	<li>Max. Footprint: 24\"</li>\n	<li>Stand Height: 36-71\"</li>\n	<li>Weight: 12-1/4 lb.</li>\n</ul>\n<br/>\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br/><br/>\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br/><br/>\n<h3>Triad-Orbit T2 microphone stands solve the problems of mic placement with a number of innovations:</h3>\n<h3>Triad-Orbit T2 articulating base</h3>\nThe Triad-Orbit T2’s proprietary articulating base provides the weight and stability of large-diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a Triad T2 base has four ratcheted positions that provide up to 65º of pitch. A foot-actuated latch on each leg provides hands-free adjustability. Adjusting the height of the articulating legs affects the floor clearance and footprint of Triad Stands. The Triad-Orbit articulating base is designed to accommodate “boom-less” front lines, uneven surfaces, and stacking for storage. The cutaway base allows the Triad T2 to be closely grouped in positions not possible with conventional stands. \n<br/><br/>\n<h3>Triad-Orbit T2 professional-grade clutch</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad T2 uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock, so you don’t have to worry about drooping mics. \n<br/><br/>\n<h3>Triad-Orbit T1 Quick-Change Coupler</h3>\nSwapping out mics and booms in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse still, you don’t want clients thinking you’re wasting their time while the clock is ticking away dollars. Beyond that, artists lose patience and inspiration while you spend time spinning mic clips. The Triad-Orbit T2 standard mic stand’s exclusive IO Quick-Change Coupler effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. \n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they offer the solution to all the mic placement problems you’ve lived with over the years. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, T2 standard, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br/><br/>\n<h3>A new industry standard is born; Triad-Orbit T2 Standard Tripod Stand offers precise mic placement without compromise. Once you’ve used a Triad-Orbit stand, all the old familiar mic-placement problems will fade into a distant memory. For more information, call or chat with an RSPE representative today. </h3>'),(11769,85,0,1962,'Triad-Orbit T2 - Standard Tripod Microphone Stand'),(11770,85,1,1962,'Triad-Orbit T2 - Standard Tripod Microphone Stand'),(11771,76,0,1962,''),(11772,76,1,1962,''),(11773,75,0,1963,'<h2>TRIAD-Orbit T3 Tall Tripod Microphone Stand </h2>\n<span style=\"font-size:16px; font-style:italic;\">The Triad T3 is a tall mic stand with three-section shaft and air-suspension system to protect expensive studio microphones </span><br/><br/>\nWhy use a Triad Orbit T3 Tall Tripod Mic Stand: If you’re tired of holding your breath while you, a second engineer, or your most trusted intern puts up that vintage AKG C12, Neumann U-47, or Brauner VM1-KHE—all the while hoping you won’t have to find yourself explaining to Klaus Heyne what happened to your “preciousss,” or how much the repair will set you back (not to mention lost session time)—that’s reason enough. The Triad-Orbit T3 Tall Microphone Stand takes the worry out of putting up your best mics with several industry-leading features. First and foremost, the TRIAD T3 Tall Mic Stand features an air-suspension system to protect expensive studio microphones against accidental impact damage. The Triad-Orbit T3 also has an articulating base; quick-change coupler for fast and safe attachment or removal of mics or booms; and precision-machined clutches to secure shafts and bases without slippage. <br/><br/>\nNominated for a TEC Award and winner of Prosound Network’s Par Excellence Award and Best In Show at NAMM, Triad-Orbit T3 Tall Tripod Microphone Stand offers uncompromising accuracy for mic placement, significant reduction of setup time, 100% reliability, and above all, safe handling of your microphones.  <br/><br/>\n<h3>Triad-Orbit T3 Tall Tripod Microphone Stand unique features:</h3>\n<ul>\n	<li>Air suspension system protects expensive mics from accidental impact damage </li>\n	<li>Articulating base provides fully adjustable attitude and footprint</li>\n	<li>Foot-actuated latch on each 4-posion leg provides hands-free adjustability</li>\n	<li>Professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases</li>\n	<li>Exclusive IO Quick-Change Coupler eliminates threading booms and mic clips </li>\n</ul>\n<br/>\n<h3>Triad-Orbit T3 Tall Tripod Microphone Stand key features:</h3>\n<ul>\n	<li>3-section shaft for specialized stage and studio applications</li>\n	<li>Comfort-coated, ergonomic clutch covers </li>\n	<li>Max. Footprint: 24\"</li>\n	<li>Stand Height: 31-1/2 - 78-1/2\"</li>\n	<li>Weight: 14-1/4 lb.</li>\n</ul>\n<br/>\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br/><br/>\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br/><br/>\n<h3>Triad-Orbit T3 Tall Microphone Stands solve the problems of mic placement with a number of innovations:</h3>\n<h3>TRIAD T3 air suspension system</h3>\nThe Triad-Orbit T3 Tall Microphone Stand takes the worry out of putting up your best mics with several industry-leading features. First and foremost, the Triad T3 features an air suspension system to protect expensive studio microphones against accidental impact damage. The two lower tubes of the Triad T3 are fitted with an air-suspension system that assists when raising or lowering microphones. The upward resistance of the air-suspension system will protect the microphone from dropping too quickly in the event that a shaft clutch is absent-mindedly loosened without a hand holding the mic shaft. \n<br/><br/>\n<h3>TRIAD-Orbit T3 articulating base</h3>\nThe Triad-Orbit T3’s proprietary articulating base provides the weight and stability of large-diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a Triad T3 base has four ratcheted positions that provide up to 65º of pitch. A foot-actuated latch on each leg provides hands-free adjustability. Adjusting the height of the articulating legs affects the floor clearance and footprint of Triad Stands. The Triad-Orbit articulating base is designed to accommodate “boom-less” front lines, uneven surfaces, and stacking for storage. The cutaway base allows the Triad T3 to be closely grouped in positions not possible with conventional stands.\n<br/><br/>\n<h3>TRIAD-Orbit T3 professional-grade clutch</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad T3 uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock, so you don’t have to worry about drooping mics. \n<br/><br/>\n<h3>TRIAD-Orbit T3 Quick-Change Coupler</h3>\nSwapping out mics and booms in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse still, you don’t want clients thinking you’re wasting their time while the clock is ticking away dollars. Beyond that, artists lose patience and inspiration while you spend time spinning mic clips. The Triad-Orbit T3 Tall Microphone Stand’s exclusive IO Quick-Change Coupler effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.  \n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and T3 Tall stands and watch your miking problems disappear. <br/><br/>\n<h3>For specialized stage applications or in the studio when you have to use your best and rarest mics, the Traid-Orbit T3 Tall Mic Stand is the mic stand you can count on. For more information, call or chat with an RSPE representative today.</h3>'),(11774,75,1,1963,'<h2>TRIAD-Orbit T3 Tall Tripod Microphone Stand </h2>\n<span style=\"font-size:16px; font-style:italic;\">The Triad T3 is a tall mic stand with three-section shaft and air-suspension system to protect expensive studio microphones </span><br/><br/>\nWhy use a Triad Orbit T3 Tall Tripod Mic Stand: If you’re tired of holding your breath while you, a second engineer, or your most trusted intern puts up that vintage AKG C12, Neumann U-47, or Brauner VM1-KHE—all the while hoping you won’t have to find yourself explaining to Klaus Heyne what happened to your “preciousss,” or how much the repair will set you back (not to mention lost session time)—that’s reason enough. The Triad-Orbit T3 Tall Microphone Stand takes the worry out of putting up your best mics with several industry-leading features. First and foremost, the TRIAD T3 Tall Mic Stand features an air-suspension system to protect expensive studio microphones against accidental impact damage. The Triad-Orbit T3 also has an articulating base; quick-change coupler for fast and safe attachment or removal of mics or booms; and precision-machined clutches to secure shafts and bases without slippage. <br/><br/>\nNominated for a TEC Award and winner of Prosound Network’s Par Excellence Award and Best In Show at NAMM, Triad-Orbit T3 Tall Tripod Microphone Stand offers uncompromising accuracy for mic placement, significant reduction of setup time, 100% reliability, and above all, safe handling of your microphones.  <br/><br/>\n<h3>Triad-Orbit T3 Tall Tripod Microphone Stand unique features:</h3>\n<ul>\n	<li>Air suspension system protects expensive mics from accidental impact damage </li>\n	<li>Articulating base provides fully adjustable attitude and footprint</li>\n	<li>Foot-actuated latch on each 4-posion leg provides hands-free adjustability</li>\n	<li>Professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases</li>\n	<li>Exclusive IO Quick-Change Coupler eliminates threading booms and mic clips </li>\n</ul>\n<br/>\n<h3>Triad-Orbit T3 Tall Tripod Microphone Stand key features:</h3>\n<ul>\n	<li>3-section shaft for specialized stage and studio applications</li>\n	<li>Comfort-coated, ergonomic clutch covers </li>\n	<li>Max. Footprint: 24\"</li>\n	<li>Stand Height: 31-1/2 - 78-1/2\"</li>\n	<li>Weight: 14-1/4 lb.</li>\n</ul>\n<br/>\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br/><br/>\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br/><br/>\n<h3>Triad-Orbit T3 Tall Microphone Stands solve the problems of mic placement with a number of innovations:</h3>\n<h3>TRIAD T3 air suspension system</h3>\nThe Triad-Orbit T3 Tall Microphone Stand takes the worry out of putting up your best mics with several industry-leading features. First and foremost, the Triad T3 features an air suspension system to protect expensive studio microphones against accidental impact damage. The two lower tubes of the Triad T3 are fitted with an air-suspension system that assists when raising or lowering microphones. The upward resistance of the air-suspension system will protect the microphone from dropping too quickly in the event that a shaft clutch is absent-mindedly loosened without a hand holding the mic shaft. \n<br/><br/>\n<h3>TRIAD-Orbit T3 articulating base</h3>\nThe Triad-Orbit T3’s proprietary articulating base provides the weight and stability of large-diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a Triad T3 base has four ratcheted positions that provide up to 65º of pitch. A foot-actuated latch on each leg provides hands-free adjustability. Adjusting the height of the articulating legs affects the floor clearance and footprint of Triad Stands. The Triad-Orbit articulating base is designed to accommodate “boom-less” front lines, uneven surfaces, and stacking for storage. The cutaway base allows the Triad T3 to be closely grouped in positions not possible with conventional stands.\n<br/><br/>\n<h3>TRIAD-Orbit T3 professional-grade clutch</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad T3 uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock, so you don’t have to worry about drooping mics. \n<br/><br/>\n<h3>TRIAD-Orbit T3 Quick-Change Coupler</h3>\nSwapping out mics and booms in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse still, you don’t want clients thinking you’re wasting their time while the clock is ticking away dollars. Beyond that, artists lose patience and inspiration while you spend time spinning mic clips. The Triad-Orbit T3 Tall Microphone Stand’s exclusive IO Quick-Change Coupler effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.  \n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and T3 Tall stands and watch your miking problems disappear. <br/><br/>\n<h3>For specialized stage applications or in the studio when you have to use your best and rarest mics, the Traid-Orbit T3 Tall Mic Stand is the mic stand you can count on. For more information, call or chat with an RSPE representative today.</h3>'),(11775,85,0,1963,'Triad-Orbit T3 - Tall Tripod Microphone Stand'),(11776,85,1,1963,'Triad-Orbit T3 - Tall Tripod Microphone Stand'),(11777,76,0,1963,''),(11778,76,1,1963,''),(11779,75,0,1964,'<h2>Triad-Orbit TGB-1 Deluxe Carrier Bag</h2>\n<span style=\"font-size:16px; font-style:italic;\">Wheeled carry bag holds two Triad-Orbit mic stand systems with room for mics and accessories</span><br/><br/>\nThe Triad-Orbit TGB-1 is a deluxe, wheeled carry bag that can hold two Triad-Orbit stand systems, plus microphones, cables, and other accessories in style. The TGB-1 has a rugged heavy-duty canvas exterior to protect your gear from the elements, which is complemented with a lush, padded interior. Interior hook-and-loop secured straps keep your gear safely and securely in place with the weight properly distributed. The TGB-1 Deluxe Carrier Bag features quality appointments including genuine top-grain leather carry and pull handles, commercial-grade heavy-duty zippers, and a custom stitched T-O logo. Make the TGB-1 your go-to accessory to carry your Triad-Orbit mic stands and mics to and from the gig. <br/><br/>\n<h3>Triad-Orbit TGB-1 Deluxe Carrier Bag features:</h3>\n<ul>\n	<li>Deluxe, wheeled carry bag</li>\n	<li>Genuine top-grain leather carry and pull handles</li>\n	<li>Lush, padded interior</li>\n	<li>Interior hook-and-loop straps</li>\n	<li>Heavy-duty zippers</li>\n	<li>Custom stitched T-O logo</li>\n	<li>Dimensions: 9/1/2\" W x 9\" H x 39.6\" L</li>\n	<li>Weight: 8 lb. </li>\n</ul>\n<br/>\n<h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n<br/><br/>\n<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br/><br/>\n<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br/><br/>\n<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n<br/><br/>\n<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br/><br/>\n<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-orbit-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit Tablet and Smartphone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-orbit-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-orbit-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-orbit-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br/><br/>\n<h3>Wheel your gear to gigs or mobile recording sessions safely and in style with the Triad-Orbit TGB-1 Deluxe Wheeled Carrier Bag. For more information, call or chat with an RSPE representative today.</h3>'),(11780,75,1,1964,'<h2>Triad-Orbit TGB-1 Deluxe Carrier Bag</h2>\n<span style=\"font-size:16px; font-style:italic;\">Wheeled carry bag holds two Triad-Orbit mic stand systems with room for mics and accessories</span><br/><br/>\nThe Triad-Orbit TGB-1 is a deluxe, wheeled carry bag that can hold two Triad-Orbit stand systems, plus microphones, cables, and other accessories in style. The TGB-1 has a rugged heavy-duty canvas exterior to protect your gear from the elements, which is complemented with a lush, padded interior. Interior hook-and-loop secured straps keep your gear safely and securely in place with the weight properly distributed. The TGB-1 Deluxe Carrier Bag features quality appointments including genuine top-grain leather carry and pull handles, commercial-grade heavy-duty zippers, and a custom stitched T-O logo. Make the TGB-1 your go-to accessory to carry your Triad-Orbit mic stands and mics to and from the gig. <br/><br/>\n<h3>Triad-Orbit TGB-1 Deluxe Carrier Bag features:</h3>\n<ul>\n	<li>Deluxe, wheeled carry bag</li>\n	<li>Genuine top-grain leather carry and pull handles</li>\n	<li>Lush, padded interior</li>\n	<li>Interior hook-and-loop straps</li>\n	<li>Heavy-duty zippers</li>\n	<li>Custom stitched T-O logo</li>\n	<li>Dimensions: 9/1/2\" W x 9\" H x 39.6\" L</li>\n	<li>Weight: 8 lb. </li>\n</ul>\n<br/>\n<h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n<br/><br/>\n<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br/><br/>\n<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br/><br/>\n<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n<br/><br/>\n<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br/><br/>\n<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-orbit-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit Tablet and Smartphone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-orbit-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-orbit-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-orbit-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br/><br/>\n<h3>Wheel your gear to gigs or mobile recording sessions safely and in style with the Triad-Orbit TGB-1 Deluxe Wheeled Carrier Bag. For more information, call or chat with an RSPE representative today.</h3>'),(11781,85,0,1964,'Triad-Orbit TGB-1 Deluxe Carrier Bag'),(11782,85,1,1964,'Triad-Orbit TGB-1 Deluxe Carrier Bag'),(11783,76,0,1964,''),(11784,76,1,1964,''),(11785,75,0,1965,'<h2>Triad-Orbit TGB-2 Standard Carrier Bag</h2>\n<span style=\"font-size:16px; font-style:italic;\">Quality carry bag with plush, padded interior and heavy-duty carry handles </span><br/><br/>\nThe TGB-2 Standard Carrier Bag features a sturdy 600-Denier PVC exterior and a plush padded interior equipped with tie-down straps and bumper pads to secure a single Triad-Orbit Mic System during transport. The TGB-2 Standard Carrier Bag has elastic interior slip pockets keep Triad-Orbit system components and miscellaneous accessories firmly in place. The TGB-2 also features heavy-duty, carry handles, dual zipper tethers, and a quality embroidered T-O logo. Make the TGB-2 Standard Carrier Bag your go-to accessory to carry your Triad-Orbit mic stands, mics, and cables to gigs or remote recording sessions in style. <br/><br/>\n<h3>TGB-2 Standard Carrier Bag features:</h3>\n<ul>\n	<li>600-Denier PVC exterior</li>\n	<li>Plush padded interior equipped with tie-down straps and bumper pads</li>\n	<li>Elastic interior slip pockets secures T-O components and other accessories </li>\n	<li>Heavy-duty carry handles</li>\n	<li>Dual zipper tethers </li>\n	<li>Quality embroidered T-O logo</li>\n	<li>Dimensions: 8\" W x 6\" W x 39\" L</li>\n	<li>Weight: 3-1/2 lb.</li>\n</ul>\n<br/>\n<h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n<br/><br/>\n<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br/><br/>\n<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br/><br/>\n<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n<br/><br/>\n<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br/><br/>\n<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-orbit-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit Tablet and Smartphone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-orbit-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-orbit-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-orbit-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br/><br/>\n<h3>You and your best gear deserve to travel in style. Triad-Orbit TGB-2 carrier bags are specially designed to store and transport Triad-Orbit Stand System. For more information, call or chat with an RSPE representative today.</h3>'),(11786,75,1,1965,'<h2>Triad-Orbit TGB-2 Standard Carrier Bag</h2>\n<span style=\"font-size:16px; font-style:italic;\">Quality carry bag with plush, padded interior and heavy-duty carry handles </span><br/><br/>\nThe TGB-2 Standard Carrier Bag features a sturdy 600-Denier PVC exterior and a plush padded interior equipped with tie-down straps and bumper pads to secure a single Triad-Orbit Mic System during transport. The TGB-2 Standard Carrier Bag has elastic interior slip pockets keep Triad-Orbit system components and miscellaneous accessories firmly in place. The TGB-2 also features heavy-duty, carry handles, dual zipper tethers, and a quality embroidered T-O logo. Make the TGB-2 Standard Carrier Bag your go-to accessory to carry your Triad-Orbit mic stands, mics, and cables to gigs or remote recording sessions in style. <br/><br/>\n<h3>TGB-2 Standard Carrier Bag features:</h3>\n<ul>\n	<li>600-Denier PVC exterior</li>\n	<li>Plush padded interior equipped with tie-down straps and bumper pads</li>\n	<li>Elastic interior slip pockets secures T-O components and other accessories </li>\n	<li>Heavy-duty carry handles</li>\n	<li>Dual zipper tethers </li>\n	<li>Quality embroidered T-O logo</li>\n	<li>Dimensions: 8\" W x 6\" W x 39\" L</li>\n	<li>Weight: 3-1/2 lb.</li>\n</ul>\n<br/>\n<h3>Triad-Orbit Advanced Microphone Stand Systems</h3>\nTriad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise.\n<br/><br/>\n<h3>Triad Articulating Tripod Mic Stands</h3>\nThe Triad proprietary articulating base provides the weight and stability of large diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a TRIAD base has four ratcheted positions that provide up to 65º of pitch to accommodate \'boom-less\' front lines, uneven surfaces and stacking for storage.\n<br/><br/>\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they provide the solution to all the mic placement problems you’ve simply accepted over the years as a necessary evil. And if you’re just starting out, why not start out right? Outfit your studio with Triad-Orbit <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> and watch your miking problems disappear.  <br/><br/>\n<h3>Orbit Orbital Booms</h3>\nOrbit Orbital Booms utilize a stainless steel ball swivel mechanism to deliver an unparalleled range of motion (360° x 220°) that\'s extremely smooth, quiet and stable. Orbit Booms incorporate IO Quick-Change Couplers for rapid hardware changes without the hassle and delay of threaded connections. Combining \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-O1-p/triad-orbit-o1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O1 Single-Arm</a> and <a href=\"http://www.rspeaudio.com/Triad-Orbit-O2-p/triad-orbit-o2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">O2 Dual-Arm</a> Orbital Booms with <a href=\"http://www.rspeaudio.com/Triad-Orbit-M1-p/triad-orbit-m1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M1</a> or <a href=\"http://www.rspeaudio.com/Triad-Orbit-M2-p/triad-orbit-m2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">M2</a> Mic Adaptors creates an advanced mic placement system with unequalled accuracy and adjustability.<br/><br/>\n<h3>Micro Orbital Mic Adaptors</h3>\nMICRO Adaptors are miniature versions of Orbit Orbital Booms, exhibiting the same enhanced range of motion thanks to the unique ball swivel mechanism. Using MICRO Adaptors in conjunction with Orbit Booms exponentially increases the accuracy and versatility of any microphone stand.\n<br/><br/>\n<h3>IO Quick-Change Couplers</h3>\nThe exclusive IO Quick-Change Coupler is standard equipment on all TRIAD Stands. IO effortlessly captures booms and mics with ease and assurance. ‘On-the-fly’ hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off.\n<br/><br/>\n<h3>Triad-Orbit Accessories </h3>\nAlong with their cutting-edge mic stand systems, Triad-Orbit makes a number of useful accessories including the \n<a href=\"http://www.rspeaudio.com/Triad-Orbit-T-ES-p/triad-orbit-t-es.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T-ES Elevator Shaft</a>, <a href=\"https://www.rspeaudio.com/Triad-Orbit-iOrbit-p/triad-orbit-iorbit.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">iOrbit Tablet and Smartphone Mount</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-GB-3-p/triad-orbit-gb-3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">GB-3 Grav Bag</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-1-p/triad-orbit-tgb-1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-1 Deluxe Wheeled Carrier Bag</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-TGB-2-p/triad-orbit-tgb-2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">TGB-2 Standard Carrier Bag</a>.<br/><br/>\n<h3>You and your best gear deserve to travel in style. Triad-Orbit TGB-2 carrier bags are specially designed to store and transport Triad-Orbit Stand System. For more information, call or chat with an RSPE representative today.</h3>'),(11787,85,0,1965,'Triad-Orbit TGB-2 Standard Carrier Bag'),(11788,85,1,1965,'Triad-Orbit TGB-2 Standard Carrier Bag'),(11789,76,0,1965,''),(11790,76,1,1965,''),(11791,75,0,1966,'<h2>Triad-Orbit TM Mini Tripod Microphone Stand</h2>\n<span style=\"font-size:16px; font-style:italic;\">Precision-adjustable short microphone stand with articulating bass, knobless adjustments and quick-change couplers significantly reduces setup time </span><br /><br />\nOnce in a long while a new product comes along that takes the industry by storm—Triad Orbit has brought us several. Nominated for a TEC Award and winner of Prosound Network’s Par Excellence Award and Best In Show at NAMM, the Triad-Orbit TM - Mini Tripod Microphone Stand is a quantum leap forward in mic stand technology—offering both precision mic placement and significant savings in setup time (which equals money regardless of which side of the glass you’re on). The Triad-Orbit TM - Mini Tripod Microphone Stand is the perfect backline mic stand, great for miking kick drums and amps. The TM features an articulating base with hands-free operation; quick-change coupler for attaching or removing mics or booms; and high quality clutches to secure shafts and bases. The Triad-Orbit TM Microphone Stand is machined to fine tolerances previously unheard of in the industry—with quality and durability to match.   <br /><br />\n<h3>Triad-Orbit TM - Mini Tripod Microphone Stand unique features:</h3>\n<ul>\n	<li>Articulating base provides fully adjustable attitude and footprint</li>\n	<li>Foot-actuated latch on each leg provides hands-free adjustability</li>\n	<li>Professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases</li>\n	<li>Exclusive IO Quick-Change Coupler eliminates threading booms and mic clips </li>\n</ul>\n<br />\n<h3>Triad-Orbit TM - Mini Tripod Microphone Stand key features:</h3>\n<ul>\n	<li>Max. Footprint: 13.25 in</li>\n	<li>Min. Height: 14.5 in</li>\n	<li>Max. Height (legs in Position 4): 25.25 in</li>\n	<li>Max. Height (legs in Position 1): 21.5 in</li>\n	<li>Collapsed size: 16.25 in</li>\n	<li>Weight: 8.15 lbs</li>\n</ul>\n<br />\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br /><br />\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br /><br />\n<h3>Triad-Orbit TM microphone stands solve the problems of mic placement with a number of innovations:</h3>\n<h3>Triad-Orbit TM articulating base</h3>\nThe Triad-Orbit TM’s proprietary articulating base provides the weight and stability of large-diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a Triad TM base has four ratcheted positions that provide up to 65º of pitch. A foot-actuated latch on each leg provides hands-free adjustability. Adjusting the height of the articulating legs affects the floor clearance and footprint of Triad Stands. The Triad-Orbit articulating base is designed to accommodate “boom-less” front lines, uneven surfaces, and stacking for storage. The cutaway base allows the Triad TM to be closely grouped in positions not possible with conventional stands. \n<br /><br />\n<h3>Triad-Orbit TM professional-grade clutch</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad TM uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock, so you don’t have to worry about drooping mics. \n<br /><br />\n<h3>Triad-Orbit TM Quick-Change Coupler</h3>\nSwapping out mics and booms in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse still, you don’t want clients thinking you’re wasting their time while the clock is ticking away dollars. Beyond that, artists lose patience and inspiration while you spend time spinning mic clips. The Triad-Orbit TM short mic stand’s exclusive IO Quick-Change Coupler effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. \n<br /><br />\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad-Orbit T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br /><br />\n<h3>A new industry standard is born; Triad-Orbit TM Mini Microphone Stand is nothing less than a revelation in studio miking. Once you’ve used a Triad-Orbit stand, all the old familiar mic-placement problems will fade into a distant memory. For more information, call or chat with an RSPE representative today. </h3>'),(11792,75,1,1966,'<h2>Triad-Orbit TM Mini Tripod Microphone Stand</h2>\n<span style=\"font-size:16px; font-style:italic;\">Precision-adjustable short microphone stand with articulating bass, knobless adjustments and quick-change couplers significantly reduces setup time </span><br /><br />\nOnce in a long while a new product comes along that takes the industry by storm—Triad Orbit has brought us several. Nominated for a TEC Award and winner of Prosound Network’s Par Excellence Award and Best In Show at NAMM, the Triad-Orbit TM - Mini Tripod Microphone Stand is a quantum leap forward in mic stand technology—offering both precision mic placement and significant savings in setup time (which equals money regardless of which side of the glass you’re on). The Triad-Orbit TM - Mini Tripod Microphone Stand is the perfect backline mic stand, great for miking kick drums and amps. The TM features an articulating base with hands-free operation; quick-change coupler for attaching or removing mics or booms; and high quality clutches to secure shafts and bases. The Triad-Orbit TM Microphone Stand is machined to fine tolerances previously unheard of in the industry—with quality and durability to match.   <br /><br />\n<h3>Triad-Orbit TM - Mini Tripod Microphone Stand unique features:</h3>\n<ul>\n	<li>Articulating base provides fully adjustable attitude and footprint</li>\n	<li>Foot-actuated latch on each leg provides hands-free adjustability</li>\n	<li>Professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases</li>\n	<li>Exclusive IO Quick-Change Coupler eliminates threading booms and mic clips </li>\n</ul>\n<br />\n<h3>Triad-Orbit TM - Mini Tripod Microphone Stand key features:</h3>\n<ul>\n	<li>Max. Footprint: 13.25 in</li>\n	<li>Min. Height: 14.5 in</li>\n	<li>Max. Height (legs in Position 4): 25.25 in</li>\n	<li>Max. Height (legs in Position 1): 21.5 in</li>\n	<li>Collapsed size: 16.25 in</li>\n	<li>Weight: 8.15 lbs</li>\n</ul>\n<br />\nAs anyone who’s ever placed a microphone knows, it takes a lot of effort to get the mic in the right place, especially when you have to fight the unwieldy mechanics of the stand. (That’s why jazz recording master Rudy Van Gelder would scream at anyone (including Herbie Hancock) who even breathed too close to one of his mics, let alone touch it. There’s nothing more frustrating than laboring to coax a mic into position while people are standing around tapping their feet (and not to music). <br /><br />\nIf you’ve ever set up a symphonic scoring session, the sheer number of mics and amount of finagling to get spot mics in place can cost quite a bit of money in session time, as well is impatient artists, who can easily lose the muse if they’re kept waiting around too long. The versatile design and smoothly operating, precision mechanics of Triad-Orbit stands can reduce your setup time by at least 25%. Most importantly, with Triad-Orbit stands, not only do your mics swivel into place easily and stay put, you also have a simple, foolproof way to hang expensive mics without accidents or errors that come with outdated mic stand technology. <br /><br />\n<h3>Triad-Orbit TM microphone stands solve the problems of mic placement with a number of innovations:</h3>\n<h3>Triad-Orbit TM articulating base</h3>\nThe Triad-Orbit TM’s proprietary articulating base provides the weight and stability of large-diameter cast iron bases and a fully adjustable attitude and footprint, thanks to its patent-pending ratcheting mechanism. Each leg of a Triad TM base has four ratcheted positions that provide up to 65º of pitch. A foot-actuated latch on each leg provides hands-free adjustability. Adjusting the height of the articulating legs affects the floor clearance and footprint of Triad Stands. The Triad-Orbit articulating base is designed to accommodate “boom-less” front lines, uneven surfaces, and stacking for storage. The cutaway base allows the Triad TM to be closely grouped in positions not possible with conventional stands. \n<br /><br />\n<h3>Triad-Orbit TM professional-grade clutch</h3>\nMaking sure your mic stand shaft and boom adjustments are tight is often an exercise in sore fingers tightening small knobs that are often insufficient to keep things in place. The Triad TM uses professional-grade clutches instead of knobs and thumbscrews to adjust and secure shafts and bases. Coated, knurled metal clutch barrels provide a comfortable ergonomic grip that yields more torque for a tighter lock, so you don’t have to worry about drooping mics. \n<br /><br />\n<h3>Triad-Orbit TM Quick-Change Coupler</h3>\nSwapping out mics and booms in an effort to get the sound you’re looking for is very time-consuming and poses a threat to the safety of your mics. Worse still, you don’t want clients thinking you’re wasting their time while the clock is ticking away dollars. Beyond that, artists lose patience and inspiration while you spend time spinning mic clips. The Triad-Orbit TM short mic stand’s exclusive IO Quick-Change Coupler effortlessly captures booms and mics with ease and assurance. On-the-fly hardware swaps are now a reality, replacing the tedious task of threading booms and mic clips on and off. \n<br /><br />\nIf you’re an experienced engineer, just one encounter with a Triad-Orbit stand is all it takes to realize they are the solution to all the mic placement problems you thought you had to live with. And if you’re just starting out, why not start out right? Outfit your studio with <a href=\"http://www.rspeaudio.com/Triad-Orbit-T1-p/triad-orbit-t1.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Triad-Orbit T1 short</a>, <a href=\"http://www.rspeaudio.com/Triad-Orbit-T2-p/triad-orbit-t2.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T2 standard</a>, and <a href=\"http://www.rspeaudio.com/Triad-Orbit-T3-p/triad-orbit-t3.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">T3 tall</a> stands and watch your miking problems disappear into the past.  <br /><br />\n<h3>A new industry standard is born; Triad-Orbit TM Mini Microphone Stand is nothing less than a revelation in studio miking. Once you’ve used a Triad-Orbit stand, all the old familiar mic-placement problems will fade into a distant memory. For more information, call or chat with an RSPE representative today. </h3>'),(11793,85,0,1966,'Triad-Orbit TM - Mini Tripod Microphone Stand'),(11794,85,1,1966,'Triad-Orbit TM - Mini Tripod Microphone Stand'),(11795,76,0,1966,''),(11796,76,1,1966,''),(11797,75,0,1967,'The acclaimed TRUE sound is now available as a SINGLE Channel unit! \n  \nAt the 119th AES Convention in NYC, TRUE Systems introduced the P-SOLO, a single channel version of the acclaimed TRUE Systems’ family of microphone / instrument preamps. While sporting the same design and sound of the TRUE Systems Precision 8 and P2 Analog preamps, this new compact, single channel, desk-top version has many features.\n\nTim Spencer, CEO for TRUE Systems and designer of the TRUE Systems’ Mic Preamps states: “Our goal was to design a single-channel mic preamp that provides high-end sonic performance at a cost-effective price for the serious musician or recording engineer. We want to put the same quality of product used on Grammy-winning recordings and major concert tours, into the hands of an entirely new audience. We feel that we have achieved, if not exceeded this goal. The P-SOLO is perfect for studio and location recording, and live sound applications – wherever a microphone is used. And not only that, its instrument direct input feature provides exceptional articulation, presence and depth when an instrument preamp is needed. The P-SOLO is designed to provide stunning sonic detail, with a neutral, musical character, capable of delivering outstanding performance in every situation we could think of.”'),(11798,75,1,1967,'The acclaimed TRUE sound is now available as a SINGLE Channel unit! \n  \nAt the 119th AES Convention in NYC, TRUE Systems introduced the P-SOLO, a single channel version of the acclaimed TRUE Systems’ family of microphone / instrument preamps. While sporting the same design and sound of the TRUE Systems Precision 8 and P2 Analog preamps, this new compact, single channel, desk-top version has many features.\n\nTim Spencer, CEO for TRUE Systems and designer of the TRUE Systems’ Mic Preamps states: “Our goal was to design a single-channel mic preamp that provides high-end sonic performance at a cost-effective price for the serious musician or recording engineer. We want to put the same quality of product used on Grammy-winning recordings and major concert tours, into the hands of an entirely new audience. We feel that we have achieved, if not exceeded this goal. The P-SOLO is perfect for studio and location recording, and live sound applications – wherever a microphone is used. And not only that, its instrument direct input feature provides exceptional articulation, presence and depth when an instrument preamp is needed. The P-SOLO is designed to provide stunning sonic detail, with a neutral, musical character, capable of delivering outstanding performance in every situation we could think of.”'),(11799,85,0,1967,'True Systems P-SOLO Microphone Preamp'),(11800,85,1,1967,'True Systems P-SOLO Microphone Preamp'),(11801,76,0,1967,''),(11802,76,1,1967,''),(11803,75,0,1968,'The True Systems P-SOLO Ribbon mic preamplifier is a single-channel, analog output, microphone/instrument preamplifier “super-tweaked” for superior performance with vintage and contemporary ribbon mics. With up to 76dB of gain (in 2 ranges), the P-SOLO Ribbon has an\nelectronically balanced, high-impedance mic input, discrete FET instrument input, 80Hz High Pass Filter, a 4-segment LED bar graph level meter with signal present and overload indicators, plus a continuously variable gain control. The back panel offers both XLR and TRS balanced outputs for easy interface (and zero latency monitoring) in any system. \n\nThe P-SOLO Ribbon is different because it uses a combination of discrete components and integrated circuits in a totally balanced, DC-coupled architecture to achieve extraordinarily clean and transparent performance with ribbon and dynamic microphones. The P-SOLO Ribbon will reveal more detail than you ever thought possible. (Note: not for active ribbon mics.) The extraordinary TRUE DI offers superior sonic quality comparable only to expensive outboard DI’s.'),(11804,75,1,1968,'The True Systems P-SOLO Ribbon mic preamplifier is a single-channel, analog output, microphone/instrument preamplifier “super-tweaked” for superior performance with vintage and contemporary ribbon mics. With up to 76dB of gain (in 2 ranges), the P-SOLO Ribbon has an\nelectronically balanced, high-impedance mic input, discrete FET instrument input, 80Hz High Pass Filter, a 4-segment LED bar graph level meter with signal present and overload indicators, plus a continuously variable gain control. The back panel offers both XLR and TRS balanced outputs for easy interface (and zero latency monitoring) in any system. \n\nThe P-SOLO Ribbon is different because it uses a combination of discrete components and integrated circuits in a totally balanced, DC-coupled architecture to achieve extraordinarily clean and transparent performance with ribbon and dynamic microphones. The P-SOLO Ribbon will reveal more detail than you ever thought possible. (Note: not for active ribbon mics.) The extraordinary TRUE DI offers superior sonic quality comparable only to expensive outboard DI’s.'),(11805,85,0,1968,'True Systems P-SOLO Ribbon Microphone Preamp'),(11806,85,1,1968,'True Systems P-SOLO Ribbon Microphone Preamp'),(11807,76,0,1968,''),(11808,76,1,1968,''),(11809,75,0,1969,'<h2>True Systems PT2-500 Single-Channel Precision Microphone/Instrument Preamplifier</h2>\nThe pT2-500 is an API™ 500 series compatible module that incorporates True Systems\' new-technology Type 2 circuit design. The Type 2 design provides the traditional ultra-resolution musicality of True Systems\' original design preamps, but adds serious analog depth and warmth. In short: It sounds BIG! \nThe new DI circuit calms piezo transducers and provides a THRU jack for easier re-amping and multi-effects. 70dB of gain, high-headroom, low-noise, amazing sonics. If you haven’t heard TRUE preamps before, you might want to start here!\n<br/><br/>\n<h3>True PT2-500 features</h3>\n<ul>\n	<li>API™ 500 series format</li>\n	<li>Ultra-resolution combined with serious analog depth and warmth</li>\n	<li>70dB of gain (dual range), exceptional headroom, low noise</li>\n	<li>IN and THRU jacks for signal splitting applications</li>\n	<li>Insensitive to ground noise and EMI</li>\n</ul><br>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(11810,75,1,1969,'<h2>True Systems PT2-500 Single-Channel Precision Microphone/Instrument Preamplifier</h2>\nThe pT2-500 is an API™ 500 series compatible module that incorporates True Systems\' new-technology Type 2 circuit design. The Type 2 design provides the traditional ultra-resolution musicality of True Systems\' original design preamps, but adds serious analog depth and warmth. In short: It sounds BIG! \nThe new DI circuit calms piezo transducers and provides a THRU jack for easier re-amping and multi-effects. 70dB of gain, high-headroom, low-noise, amazing sonics. If you haven’t heard TRUE preamps before, you might want to start here!\n<br/><br/>\n<h3>True PT2-500 features</h3>\n<ul>\n	<li>API™ 500 series format</li>\n	<li>Ultra-resolution combined with serious analog depth and warmth</li>\n	<li>70dB of gain (dual range), exceptional headroom, low noise</li>\n	<li>IN and THRU jacks for signal splitting applications</li>\n	<li>Insensitive to ground noise and EMI</li>\n</ul><br>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(11811,85,0,1969,'True Systems PT2-500 Precision Microphone Preamp'),(11812,85,1,1969,'True Systems PT2-500 Precision Microphone Preamp'),(11813,76,0,1969,''),(11814,76,1,1969,''),(11815,75,0,1970,'<h2>True Systems PT2-500D Precision Dynamic Preamplifier</h2>\nThe PT2-500D Preamp is optimized for dynamic and ribbon microphones, and also produces superior results with self-powered tube microphones. While similar to our TEC nominated \n<a href=\"http://www.rspeaudio.com/True-Systems-PT2-500-Precision-Dynamic-Preamp-p/tru-pt2-500.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">PT2-500</a>, it provides more gain (76dB) and higher input impedance, along with a unique low frequency adjust control. The LO8F Adjust is a 68-position switch that provides nuanced low frequency contouring that can be particularly effective with vocals and bass DI applications. A discrete FET DI with In and Thru connections completes the package.<br/><br/>\n<h3>True PT2-500D features</h3>\n<ul>\n	<li>API™ 500 series module format </li>\n	<li>Detented, continuous Gain  Control and Dual Gain Ranges for:  </li>\n	<ul>\n		<li>76dB maximum gain                      </li>\n		<li>easy recall of gain settings           </li>\n		<li>easy gain setting over wide gain ranges</li>\n	</ul>\n	<li>High Input Impedance for:        </li>\n	<ul>\n		<li>More clarity and accuracy with ribbon and dynamic microphones </li>\n	</ul>\n	<li>Low Frequency Adjust Control for: </li>\n	<ul>\n		<li>nuanced low frequency contouring </li>\n		<li>better definition of vocals and bass without  boosting high midrange </li>\n		<li>elimination of low frequency “mud” </li>\n	</ul>\n	<li>“Real DI” with IN and THRU jacks for: </li>\n	<ul>\n		<li>easy hookup to amps for simultaneous DI and amp’d tracking or live sound </li>\n		<li>easy hookup to other DI’s or effects for simultaneous tracking or live sound </li>\n	</ul>\n	<li>Totally Balanced Topology for:    </li>\n	<ul>\n		<li>insensitivity to ground noise/loops </li>\n		<li>Insensitivity to EMI, both external and from adjacent modules/power supplies </li>\n		<li>reduced distortion </li>\n	</ul>\n	<li>Rail8to8Rail design for:  </li>\n	<ul>\n		<li>higher internal headroom </li>\n		<li>higher maximum input level without pad </li>\n		<li>higher output level without transformer and excessive power supply current </li>\n	</ul>\n	<li>0.1% precision resistors for: </li>\n	<ul>\n		<li>exceptional Common8Mode and Output Signal Balance performance </li>\n		<li>excellent unit8to8unit sonic consistency</li>\n	</ul>\n</ul><br>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(11816,75,1,1970,'<h2>True Systems PT2-500D Precision Dynamic Preamplifier</h2>\nThe PT2-500D Preamp is optimized for dynamic and ribbon microphones, and also produces superior results with self-powered tube microphones. While similar to our TEC nominated \n<a href=\"http://www.rspeaudio.com/True-Systems-PT2-500-Precision-Dynamic-Preamp-p/tru-pt2-500.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">PT2-500</a>, it provides more gain (76dB) and higher input impedance, along with a unique low frequency adjust control. The LO8F Adjust is a 68-position switch that provides nuanced low frequency contouring that can be particularly effective with vocals and bass DI applications. A discrete FET DI with In and Thru connections completes the package.<br/><br/>\n<h3>True PT2-500D features</h3>\n<ul>\n	<li>API™ 500 series module format </li>\n	<li>Detented, continuous Gain  Control and Dual Gain Ranges for:  </li>\n	<ul>\n		<li>76dB maximum gain                      </li>\n		<li>easy recall of gain settings           </li>\n		<li>easy gain setting over wide gain ranges</li>\n	</ul>\n	<li>High Input Impedance for:        </li>\n	<ul>\n		<li>More clarity and accuracy with ribbon and dynamic microphones </li>\n	</ul>\n	<li>Low Frequency Adjust Control for: </li>\n	<ul>\n		<li>nuanced low frequency contouring </li>\n		<li>better definition of vocals and bass without  boosting high midrange </li>\n		<li>elimination of low frequency “mud” </li>\n	</ul>\n	<li>“Real DI” with IN and THRU jacks for: </li>\n	<ul>\n		<li>easy hookup to amps for simultaneous DI and amp’d tracking or live sound </li>\n		<li>easy hookup to other DI’s or effects for simultaneous tracking or live sound </li>\n	</ul>\n	<li>Totally Balanced Topology for:    </li>\n	<ul>\n		<li>insensitivity to ground noise/loops </li>\n		<li>Insensitivity to EMI, both external and from adjacent modules/power supplies </li>\n		<li>reduced distortion </li>\n	</ul>\n	<li>Rail8to8Rail design for:  </li>\n	<ul>\n		<li>higher internal headroom </li>\n		<li>higher maximum input level without pad </li>\n		<li>higher output level without transformer and excessive power supply current </li>\n	</ul>\n	<li>0.1% precision resistors for: </li>\n	<ul>\n		<li>exceptional Common8Mode and Output Signal Balance performance </li>\n		<li>excellent unit8to8unit sonic consistency</li>\n	</ul>\n</ul><br>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(11817,85,0,1970,'True Systems PT2-500D Precision Dynamic Preamp'),(11818,85,1,1970,'True Systems PT2-500D Precision Dynamic Preamp'),(11819,76,0,1970,''),(11820,76,1,1970,''),(11821,75,0,1971,'<h2>TSL PAM PICo Touch Master Stereo Meter</h2>\n<i><font class=\"Apple-style-span\" size=\"3\">The PAM PiCo Touch is a 7″ multi-touch Audio, Loudness and Logging Meter.<br /></font><br /></i><div>The PAM PiCo Touch allows for real time logging of all relevant loudness parameters including high and low loudness levels, True Peak level and corresponding peak channel, as well as integrated loudness.</div><div>The new logging software application provides instant documentation, visualization and evaluation of any source passing through the meter unit. The software package offers a logging session database allowing session data to be safely stored, identified and instantly searched for quick retrieval. Session data may be exported as a pdf or csv files, to streamline the creation of loudness data documents for presentations on compliance. The unit is a compact, yet comprehensively-equipped, standalone audio and loudness meter featuring the revolutionary StarFish™ surround sound display. As found in all PAM PiCo metering products, ITU, EBU ATSC and ARIB loudness measurement is supported for plug-and-play compatibility worldwide.</div><div>With the new high precision 7″ screen, the PAM PiCo Touch handles stereo or 5.1 metering with a vast array of user-selectable bar graphs.  All versions of the PAM PiCo are equipped with loudness measurement tools compatible with EBU, ITU and ATSC recommendations, AES and analogue audio inputs, moving coil meter emulation and the option for either a desk or rack-mount configuration.   Simple to use and easy to configure, PAM PiCo puts high-quality metering within reach of anyone involved in sound production, from operators working in broadcast production to music studio technicians and record producers.</div><br /><h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">TSL PAM PICo Touch Features</h3><ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; box-shadow: none !important; padding-left: 2em !important; border-width: initial; border-color: initial; \"><li>Multi-touch 7″ screen</li><li>Loudness measurement to EBU, ITU and ATSC and many other recommendations</li><li>Audio de-embedding from SDI input, maximum 16 channels</li><li>AES and analogue audio inputs</li><li>AES (de-embedder) outputs</li><li>USB Powered (plug top PSU included)</li><li>Ethernet (for logging as part of a network)</li><li>HDMI external monitor output with audio</li><li>Headphone output</li><li>EBU Digital, BBC and EBU PPM, DIN, Nordic, VU and many other regional and international scale options</li><li>Moving Coil Meter emulation including M/S</li><li>LKFS or LUFS loudness scales</li><li>Sliding Loudness Histogram display</li><li>Video Preview</li><li>Phase indication bargraph</li><li>StarFish™ display (Surround Sound Applications)</li><li>Numerical indication of loudness and loudness range – LRA</li><li>Adjustable reference level</li><li>User selectable bargraph colours and indication</li><li>Variable gate settings</li><li>Loudness Reclaim value</li><li>True Peak display (flying peak and numerical display)</li><li>Simple and intuitive front panel controls</li><li>Online upgrade and update capability via PC (USB connection)</li><li>Desk or rack mount</li><li>Screen Grab application and FFT spectrum analyser</li><li>Loudness Logging Application – free download</li></ul>'),(11822,75,1,1971,'<h2>TSL PAM PICo Touch Master Stereo Meter</h2>\n<i><font class=\"Apple-style-span\" size=\"3\">The PAM PiCo Touch is a 7″ multi-touch Audio, Loudness and Logging Meter.<br /></font><br /></i><div>The PAM PiCo Touch allows for real time logging of all relevant loudness parameters including high and low loudness levels, True Peak level and corresponding peak channel, as well as integrated loudness.</div><div>The new logging software application provides instant documentation, visualization and evaluation of any source passing through the meter unit. The software package offers a logging session database allowing session data to be safely stored, identified and instantly searched for quick retrieval. Session data may be exported as a pdf or csv files, to streamline the creation of loudness data documents for presentations on compliance. The unit is a compact, yet comprehensively-equipped, standalone audio and loudness meter featuring the revolutionary StarFish™ surround sound display. As found in all PAM PiCo metering products, ITU, EBU ATSC and ARIB loudness measurement is supported for plug-and-play compatibility worldwide.</div><div>With the new high precision 7″ screen, the PAM PiCo Touch handles stereo or 5.1 metering with a vast array of user-selectable bar graphs.  All versions of the PAM PiCo are equipped with loudness measurement tools compatible with EBU, ITU and ATSC recommendations, AES and analogue audio inputs, moving coil meter emulation and the option for either a desk or rack-mount configuration.   Simple to use and easy to configure, PAM PiCo puts high-quality metering within reach of anyone involved in sound production, from operators working in broadcast production to music studio technicians and record producers.</div><br /><h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">TSL PAM PICo Touch Features</h3><ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; box-shadow: none !important; padding-left: 2em !important; border-width: initial; border-color: initial; \"><li>Multi-touch 7″ screen</li><li>Loudness measurement to EBU, ITU and ATSC and many other recommendations</li><li>Audio de-embedding from SDI input, maximum 16 channels</li><li>AES and analogue audio inputs</li><li>AES (de-embedder) outputs</li><li>USB Powered (plug top PSU included)</li><li>Ethernet (for logging as part of a network)</li><li>HDMI external monitor output with audio</li><li>Headphone output</li><li>EBU Digital, BBC and EBU PPM, DIN, Nordic, VU and many other regional and international scale options</li><li>Moving Coil Meter emulation including M/S</li><li>LKFS or LUFS loudness scales</li><li>Sliding Loudness Histogram display</li><li>Video Preview</li><li>Phase indication bargraph</li><li>StarFish™ display (Surround Sound Applications)</li><li>Numerical indication of loudness and loudness range – LRA</li><li>Adjustable reference level</li><li>User selectable bargraph colours and indication</li><li>Variable gate settings</li><li>Loudness Reclaim value</li><li>True Peak display (flying peak and numerical display)</li><li>Simple and intuitive front panel controls</li><li>Online upgrade and update capability via PC (USB connection)</li><li>Desk or rack mount</li><li>Screen Grab application and FFT spectrum analyser</li><li>Loudness Logging Application – free download</li></ul>'),(11823,85,0,1971,'TSL PAM PICo Touch Master Stereo Meter'),(11824,85,1,1971,'TSL PAM PICo Touch Master Stereo Meter'),(11825,76,0,1971,''),(11826,76,1,1971,''),(11827,75,0,1972,'<h2>TSL PAM PiCo 1 Master Stereo Meter</h2>\n\n	<span style=\"font-size:16px; font-style:italic;\">Master Stereo Meter, 4 channel bargraph display, 2 x AES Inputs (4 audio channels) + 1 Analogue Pair and USB power<br /><br /></span>\n\nNo larger than a smartphone PAM PiCo 1 is a compact, yet comprehensively equipped, standalone audio and Loudness meter, designed for use in any operational position where ‘at a glance’ audio metering is required. \n<br /><br />\nPAM PiCo is now available in three fully featured formats; each able to display stereo, multichannel or surround sound audio from analogue, AES or embedded SDI (PAM PiCo Five only) signal sources. Each model can measure Loudness to ALL known international standards and recommendations and the PAM PiCo Loudness Logging Application is supplied as a free download to all PAM PiCo users.<br /><br />\nWith the complete range of features, including the brand new SMPTE Timecode display and Loudness Logging, across all three models and now that PAM PiCo Five is equipped with a unique Video Preview facility, PAM PiCo is now truly the most comprehensively equipped standalone meter in its class.<br /><br />\n<h3>PAM PiCo 1 Features:</h3>\n<ul>\n	<li>Master Stereo Meter                            </li>\n	<li>Loudness measurement to EBU, ITU and ATSC and many other recommendations                             </li>\n	<li>AES and analogue audio inputs                                                                        </li>\n	<li>USB Powered (plug top PSU included)                                                                  </li>\n	<li>EBU Digital, BBC and EBU PPM, DIN, Nordic, VU and many other regional and international scale options</li>\n	<li>Moving Coil Meter emulation including M/S                                                            </li>\n	<li>LKFS or LUFS loudness scales                                                                         </li>\n	<li>Sliding Loudness Histogram display                                                                   </li>\n	<li>Phase indication bargraph                                                                            </li>\n	<li>StarFish™ display (Surround Sound Applications)                                                      </li>\n	<li>Numerical indication of loudness and loudness range – LRA                                            </li>\n	<li>Adjustable reference level                                                                           </li>\n	<li>User selectable bargraph colours and indication                                                      </li>\n	<li>Variable gate settings                                                                               </li>\n	<li>Loudness Reclaim value                                                                               </li>\n	<li>True Peak display (flying peak and numerical display)                                                </li>\n	<li>Simple and intuitive front panel controls                                                            </li>\n	<li>Online upgrade and update capability via PC (USB connection)                                         </li>\n	<li>Desk or rack mount                                                                                   </li>\n	<li>User selectable Landscape mode                                                                       </li>\n	<li>Screen Grab application and FFT spectrum analyser                                                    </li>\n	<li>Loudness Logging Application – free download                                                         </li>\n</ul>\n<br />\n<h3>Compact metering without compromise</h3>\nThe PAM PiCo has been designed to meet increasing market demands for simple, cost effective audio metering, specifically where loudness measurement and logging is required. Like the award winning TSL PAM1 and PAM2 audio monitoring units, PAM PiCo includes Loudness measurement as standard and recognises the many international recommendations and mandates.Built around proprietary hardware the PAM PiCo does not rely on a 3rd party consumer electronics platform and is self contained; requiring only power and media to function.The PAM PiCo is easy to use, easy to install and packaged with its own desk-mount and interface cable. The PiCo Five version can accept SDI video inputs with up to 16 channels of audio de-embedding, digital audio and analogue inputs. All models are supplied with ITU, EBU, ATSC and ARIB loudness measurement, with user selectable landscape mode as standard. All three models now offer SMPTE Timecode reporting, Loudness Logging, landscape views, FFT Spectrum Analyser and Screen Grabber software with PAM PiCo Five also benefiting from Video Preview.Online software updates ensure that PAM PiCo can be kept up to date with the latest international standards and recommendations.\n<br /><br />\n<h3>PAM PiCo Loudness Measurement</h3>\nPAM PiCo provides reassurance throughout the production chain that loudness levels are consistent and with the addition of loudness logging, enables key operators to maintain a database of ‘show by show’ loudness history as a definitive record of compliance to the many regional and international standards that exist in todays broadcast world.\n<br /><br />\n<h3>Loudness Logging</h3>\nShort and long form content is increasingly subject to exacting broadcast delivery standards which stipulate target loudness and True Peak values. The PAM PiCo can be used to ensure that these criteria are met and a loudness log can be created and used to prove compliance using the ‘free to download’ PAM PiCo Loudness Logging Application.\n<br /><br />\n<h3>StarFishTM Display</h3>\nThe StarFish™ is a development of the JellyFish® surround audio display created by DK-Technologies. It provides a picture of the 5.1 surround audio energy field. The display has the front centre channel arranged towards the top with other directions as marked to represent the listeners’ field of hearing. The image here shows the StarFish™ display with equal audio on all legs. Typical sound fields have energy in a variety of directions and more complex shapes are created which give an indication of sound energy within each channel. Unlike the earlier JellyFish display within which a representation of the equal signal would have shown a circle, the StarFish™ takes into account the summation which occurs when there is coherent (in-phase) content between adjacent legs such as left and centre. Polarity inverted (out of phase) signals can cause the shape to be pulled inwards towards the centre point, reflecting the perceived cancellation that occurs.\n<br /><br />'),(11828,75,1,1972,'<h2>TSL PAM PiCo 1 Master Stereo Meter</h2>\n\n	<span style=\"font-size:16px; font-style:italic;\">Master Stereo Meter, 4 channel bargraph display, 2 x AES Inputs (4 audio channels) + 1 Analogue Pair and USB power<br /><br /></span>\n\nNo larger than a smartphone PAM PiCo 1 is a compact, yet comprehensively equipped, standalone audio and Loudness meter, designed for use in any operational position where ‘at a glance’ audio metering is required. \n<br /><br />\nPAM PiCo is now available in three fully featured formats; each able to display stereo, multichannel or surround sound audio from analogue, AES or embedded SDI (PAM PiCo Five only) signal sources. Each model can measure Loudness to ALL known international standards and recommendations and the PAM PiCo Loudness Logging Application is supplied as a free download to all PAM PiCo users.<br /><br />\nWith the complete range of features, including the brand new SMPTE Timecode display and Loudness Logging, across all three models and now that PAM PiCo Five is equipped with a unique Video Preview facility, PAM PiCo is now truly the most comprehensively equipped standalone meter in its class.<br /><br />\n<h3>PAM PiCo 1 Features:</h3>\n<ul>\n	<li>Master Stereo Meter                            </li>\n	<li>Loudness measurement to EBU, ITU and ATSC and many other recommendations                             </li>\n	<li>AES and analogue audio inputs                                                                        </li>\n	<li>USB Powered (plug top PSU included)                                                                  </li>\n	<li>EBU Digital, BBC and EBU PPM, DIN, Nordic, VU and many other regional and international scale options</li>\n	<li>Moving Coil Meter emulation including M/S                                                            </li>\n	<li>LKFS or LUFS loudness scales                                                                         </li>\n	<li>Sliding Loudness Histogram display                                                                   </li>\n	<li>Phase indication bargraph                                                                            </li>\n	<li>StarFish™ display (Surround Sound Applications)                                                      </li>\n	<li>Numerical indication of loudness and loudness range – LRA                                            </li>\n	<li>Adjustable reference level                                                                           </li>\n	<li>User selectable bargraph colours and indication                                                      </li>\n	<li>Variable gate settings                                                                               </li>\n	<li>Loudness Reclaim value                                                                               </li>\n	<li>True Peak display (flying peak and numerical display)                                                </li>\n	<li>Simple and intuitive front panel controls                                                            </li>\n	<li>Online upgrade and update capability via PC (USB connection)                                         </li>\n	<li>Desk or rack mount                                                                                   </li>\n	<li>User selectable Landscape mode                                                                       </li>\n	<li>Screen Grab application and FFT spectrum analyser                                                    </li>\n	<li>Loudness Logging Application – free download                                                         </li>\n</ul>\n<br />\n<h3>Compact metering without compromise</h3>\nThe PAM PiCo has been designed to meet increasing market demands for simple, cost effective audio metering, specifically where loudness measurement and logging is required. Like the award winning TSL PAM1 and PAM2 audio monitoring units, PAM PiCo includes Loudness measurement as standard and recognises the many international recommendations and mandates.Built around proprietary hardware the PAM PiCo does not rely on a 3rd party consumer electronics platform and is self contained; requiring only power and media to function.The PAM PiCo is easy to use, easy to install and packaged with its own desk-mount and interface cable. The PiCo Five version can accept SDI video inputs with up to 16 channels of audio de-embedding, digital audio and analogue inputs. All models are supplied with ITU, EBU, ATSC and ARIB loudness measurement, with user selectable landscape mode as standard. All three models now offer SMPTE Timecode reporting, Loudness Logging, landscape views, FFT Spectrum Analyser and Screen Grabber software with PAM PiCo Five also benefiting from Video Preview.Online software updates ensure that PAM PiCo can be kept up to date with the latest international standards and recommendations.\n<br /><br />\n<h3>PAM PiCo Loudness Measurement</h3>\nPAM PiCo provides reassurance throughout the production chain that loudness levels are consistent and with the addition of loudness logging, enables key operators to maintain a database of ‘show by show’ loudness history as a definitive record of compliance to the many regional and international standards that exist in todays broadcast world.\n<br /><br />\n<h3>Loudness Logging</h3>\nShort and long form content is increasingly subject to exacting broadcast delivery standards which stipulate target loudness and True Peak values. The PAM PiCo can be used to ensure that these criteria are met and a loudness log can be created and used to prove compliance using the ‘free to download’ PAM PiCo Loudness Logging Application.\n<br /><br />\n<h3>StarFishTM Display</h3>\nThe StarFish™ is a development of the JellyFish® surround audio display created by DK-Technologies. It provides a picture of the 5.1 surround audio energy field. The display has the front centre channel arranged towards the top with other directions as marked to represent the listeners’ field of hearing. The image here shows the StarFish™ display with equal audio on all legs. Typical sound fields have energy in a variety of directions and more complex shapes are created which give an indication of sound energy within each channel. Unlike the earlier JellyFish display within which a representation of the equal signal would have shown a circle, the StarFish™ takes into account the summation which occurs when there is coherent (in-phase) content between adjacent legs such as left and centre. Polarity inverted (out of phase) signals can cause the shape to be pulled inwards towards the centre point, reflecting the perceived cancellation that occurs.\n<br /><br />'),(11829,85,0,1972,'Buy the TSL PAM PiCo 1 Master Stereo Meter with the lowest price and best service from RSPE Audio. RSPE carries all the top pro audio equipment- both new and vintage - covered by our own Platinum Service plan and lifetime phone support.'),(11830,85,1,1972,'Buy the TSL PAM PiCo 1 Master Stereo Meter with the lowest price and best service from RSPE Audio. RSPE carries all the top pro audio equipment- both new and vintage - covered by our own Platinum Service plan and lifetime phone support.'),(11831,76,0,1972,''),(11832,76,1,1972,''),(11833,75,0,1973,'<h2>TSL PAM PiCo 2 Master 5.1 Surround Meter</h2>\n<span style=\"font-size:16px; font-style:italic;\">Master 5.1 Surround Meter, 8 channel bargraph display, 3 x AES Inputs (6 audio channels) + 1 Analogue Pair and USB power</span><br /><br />\nNo larger than a smartphone PAM PiCo 2 is a compact, yet comprehensively equipped, standalone audio and Loudness meter, designed for use in any operational position where ‘at a glance’ audio metering is required. \n<br /><br />\nPAM PiCo is now available in three fully featured formats; each able to display stereo, multichannel or surround sound audio from analogue, AES or embedded SDI (PAM PiCo Five only) signal sources. Each model can measure Loudness to ALL known international standards and recommendations and the PAM PiCo Loudness Logging Application is supplied as a free download to all PAM PiCo users.<br /><br />\nWith the complete range of features, including the brand new SMPTE Timecode display and Loudness Logging, across all three models and now that PAM PiCo Five is equipped with a unique Video Preview facility, PAM PiCo is now truly the most comprehensively equipped standalone meter in its class.<br /><br />\n<h3>PAM PiCo 2 Features:</h3><ul><li>Master Surround 5.1 Meter</li>\n	<li>Comprehensive Loudness measurement including EBU, ITU and ATSC recommendations</li>\n	<li>Loudness Logging (0nscreen and via PC application as an option)</li>\n	<li>AES and analogue audio inputs</li>\n	<li>Landscape View</li>\n	<li>FFT Spectrum Analyser</li>\n	<li>Numerical indication of Loudness & loudness range – LRA</li>\n	<li>8 Channel Bargraph Display (via future update)</li>\n	<li>USB Powered (plug top PSU included)</li>\n	<li>5.1 metering with EBU Digital, BBC and EBU PPM, DIN, Nordic, VU and many other regional and international scales</li>\n	<li>Moving Coil Meter emulation</li>\n	<li>LKFS or LUFS loudness scales</li>\n	<li>Sliding Loudness Histogram display</li>\n	<li>Phase indication bargraph</li>\n	<li>StarFish display</li>\n	<li>User selectable bargraph colours and indication</li>\n	<li>Variable gate settings</li>\n	<li>Loudness Range (LRA)</li>\n	<li>True Peak display (flying peak & numerical display)</li>\n	<li>Simple and intuitive front panel controls</li>\n	<li>Online upgrade and update capability via PC (USB connection)</li>\n	\n</ul>\n<br />\n<h3>Compact metering without compromise</h3>\nThe PAM PiCo has been designed to meet increasing market demands for simple, cost effective audio metering, specifically where loudness measurement and logging is required. Like the award winning TSL PAM1 and PAM2 audio monitoring units, PAM PiCo includes Loudness measurement as standard and recognises the many international recommendations and mandates.Built around proprietary hardware the PAM PiCo does not rely on a 3rd party consumer electronics platform and is self contained; requiring only power and media to function.The PAM PiCo is easy to use, easy to install and packaged with its own desk-mount and interface cable. The PiCo Five version can accept SDI video inputs with up to 16 channels of audio de-embedding, digital audio and analogue inputs. All models are supplied with ITU, EBU, ATSC and ARIB loudness measurement, with user selectable landscape mode as standard. All three models now offer SMPTE Timecode reporting, Loudness Logging, landscape views, FFT Spectrum Analyser and Screen Grabber software with PAM PiCo Five also benefiting from Video Preview.Online software updates ensure that PAM PiCo can be kept up to date with the latest international standards and recommendations.\n<br /><br />\n<h3>PAM PiCo Loudness Measurement</h3>\nPAM PiCo provides reassurance throughout the production chain that loudness levels are consistent and with the addition of loudness logging, enables key operators to maintain a database of ‘show by show’ loudness history as a definitive record of compliance to the many regional and international standards that exist in todays broadcast world.\n<br /><br />\n<h3>Loudness Logging</h3>\nShort and long form content is increasingly subject to exacting broadcast delivery standards which stipulate target loudness and True Peak values. The PAM PiCo can be used to ensure that these criteria are met and a loudness log can be created and used to prove compliance using the ‘free to download’ PAM PiCo Loudness Logging Application.\n<br /><br />\n<h3>StarFishTM Display</h3>\nThe StarFish™ is a development of the JellyFish® surround audio display created by DK-Technologies. It provides a picture of the 5.1 surround audio energy field. The display has the front centre channel arranged towards the top with other directions as marked to represent the listeners’ field of hearing. The image here shows the StarFish™ display with equal audio on all legs. Typical sound fields have energy in a variety of directions and more complex shapes are created which give an indication of sound energy within each channel. Unlike the earlier JellyFish display within which a representation of the equal signal would have shown a circle, the StarFish™ takes into account the summation which occurs when there is coherent (in-phase) content between adjacent legs such as left and centre. Polarity inverted (out of phase) signals can cause the shape to be pulled inwards towards the centre point, reflecting the perceived cancellation that occurs.\n<br /><br />'),(11834,75,1,1973,'<h2>TSL PAM PiCo 2 Master 5.1 Surround Meter</h2>\n<span style=\"font-size:16px; font-style:italic;\">Master 5.1 Surround Meter, 8 channel bargraph display, 3 x AES Inputs (6 audio channels) + 1 Analogue Pair and USB power</span><br /><br />\nNo larger than a smartphone PAM PiCo 2 is a compact, yet comprehensively equipped, standalone audio and Loudness meter, designed for use in any operational position where ‘at a glance’ audio metering is required. \n<br /><br />\nPAM PiCo is now available in three fully featured formats; each able to display stereo, multichannel or surround sound audio from analogue, AES or embedded SDI (PAM PiCo Five only) signal sources. Each model can measure Loudness to ALL known international standards and recommendations and the PAM PiCo Loudness Logging Application is supplied as a free download to all PAM PiCo users.<br /><br />\nWith the complete range of features, including the brand new SMPTE Timecode display and Loudness Logging, across all three models and now that PAM PiCo Five is equipped with a unique Video Preview facility, PAM PiCo is now truly the most comprehensively equipped standalone meter in its class.<br /><br />\n<h3>PAM PiCo 2 Features:</h3><ul><li>Master Surround 5.1 Meter</li>\n	<li>Comprehensive Loudness measurement including EBU, ITU and ATSC recommendations</li>\n	<li>Loudness Logging (0nscreen and via PC application as an option)</li>\n	<li>AES and analogue audio inputs</li>\n	<li>Landscape View</li>\n	<li>FFT Spectrum Analyser</li>\n	<li>Numerical indication of Loudness & loudness range – LRA</li>\n	<li>8 Channel Bargraph Display (via future update)</li>\n	<li>USB Powered (plug top PSU included)</li>\n	<li>5.1 metering with EBU Digital, BBC and EBU PPM, DIN, Nordic, VU and many other regional and international scales</li>\n	<li>Moving Coil Meter emulation</li>\n	<li>LKFS or LUFS loudness scales</li>\n	<li>Sliding Loudness Histogram display</li>\n	<li>Phase indication bargraph</li>\n	<li>StarFish display</li>\n	<li>User selectable bargraph colours and indication</li>\n	<li>Variable gate settings</li>\n	<li>Loudness Range (LRA)</li>\n	<li>True Peak display (flying peak & numerical display)</li>\n	<li>Simple and intuitive front panel controls</li>\n	<li>Online upgrade and update capability via PC (USB connection)</li>\n	\n</ul>\n<br />\n<h3>Compact metering without compromise</h3>\nThe PAM PiCo has been designed to meet increasing market demands for simple, cost effective audio metering, specifically where loudness measurement and logging is required. Like the award winning TSL PAM1 and PAM2 audio monitoring units, PAM PiCo includes Loudness measurement as standard and recognises the many international recommendations and mandates.Built around proprietary hardware the PAM PiCo does not rely on a 3rd party consumer electronics platform and is self contained; requiring only power and media to function.The PAM PiCo is easy to use, easy to install and packaged with its own desk-mount and interface cable. The PiCo Five version can accept SDI video inputs with up to 16 channels of audio de-embedding, digital audio and analogue inputs. All models are supplied with ITU, EBU, ATSC and ARIB loudness measurement, with user selectable landscape mode as standard. All three models now offer SMPTE Timecode reporting, Loudness Logging, landscape views, FFT Spectrum Analyser and Screen Grabber software with PAM PiCo Five also benefiting from Video Preview.Online software updates ensure that PAM PiCo can be kept up to date with the latest international standards and recommendations.\n<br /><br />\n<h3>PAM PiCo Loudness Measurement</h3>\nPAM PiCo provides reassurance throughout the production chain that loudness levels are consistent and with the addition of loudness logging, enables key operators to maintain a database of ‘show by show’ loudness history as a definitive record of compliance to the many regional and international standards that exist in todays broadcast world.\n<br /><br />\n<h3>Loudness Logging</h3>\nShort and long form content is increasingly subject to exacting broadcast delivery standards which stipulate target loudness and True Peak values. The PAM PiCo can be used to ensure that these criteria are met and a loudness log can be created and used to prove compliance using the ‘free to download’ PAM PiCo Loudness Logging Application.\n<br /><br />\n<h3>StarFishTM Display</h3>\nThe StarFish™ is a development of the JellyFish® surround audio display created by DK-Technologies. It provides a picture of the 5.1 surround audio energy field. The display has the front centre channel arranged towards the top with other directions as marked to represent the listeners’ field of hearing. The image here shows the StarFish™ display with equal audio on all legs. Typical sound fields have energy in a variety of directions and more complex shapes are created which give an indication of sound energy within each channel. Unlike the earlier JellyFish display within which a representation of the equal signal would have shown a circle, the StarFish™ takes into account the summation which occurs when there is coherent (in-phase) content between adjacent legs such as left and centre. Polarity inverted (out of phase) signals can cause the shape to be pulled inwards towards the centre point, reflecting the perceived cancellation that occurs.\n<br /><br />'),(11835,85,0,1973,'TSL PAM PiCo 2 Master 5.1 Surround Meter'),(11836,85,1,1973,'TSL PAM PiCo 2 Master 5.1 Surround Meter'),(11837,76,0,1973,''),(11838,76,1,1973,''),(11839,75,0,1974,'<h2>TSL PAM PiCo 5 Master 5.1 Surround Meter</h2>\n<span style=\"font-size:16px; font-style:italic;\">Master 5.1 Surround Meter, 16 channel bargraph display, 3G HD-SDI (auto-sensing with loop through), 16 channel audio de-embedder, 3 AES Inputs (6 audio channels) + 1 Analogue Pair and USB power</span><br /><br />\nNo larger than a smartphone PAM PiCo 2 is a compact, yet comprehensively equipped, standalone audio and Loudness meter, designed for use in any operational position where ‘at a glance’ audio metering is required. \n<br /><br />\nPAM PiCo is now available in three fully featured formats; each able to display stereo, multichannel or surround sound audio from analogue, AES or embedded SDI (PAM PiCo Five only) signal sources. Each model can measure Loudness to ALL known international standards and recommendations and the PAM PiCo Loudness Logging Application is supplied as a free download to all PAM PiCo users.<br /><br />\nWith the complete range of features, including the brand new SMPTE Timecode display and Loudness Logging, across all three models and now that PAM PiCo Five is equipped with a unique Video Preview facility, PAM PiCo is now truly the most comprehensively equipped standalone meter in its class.<br /><br />\n<h3>PAM PiCo 5 Features:</h3>\n<ul>\n	\n	<li>Master Surround 5.1 Meter</li>\n	<li>Comprehensive Loudness measurement including EBU, ITU and ATSC recommendations</li>\n	<li>Loudness Logging (0nscreen and via PC application as an option)</li>\n	<li>AES and analogue audio inputs</li>\n	<li>Landscape View</li>\n	<li>FFT Spectrum Analyser</li>\n	<li>Numerical indication of Loudness & loudness range – LRA</li>\n	<li>8 Channel Bargraph Display (via future update)</li>\n	<li>USB Powered (plug top PSU included)</li>\n	<li>5.1 metering with EBU Digital, BBC and EBU PPM, DIN, Nordic, VU and many other regional and international scales</li>\n	<li>Moving Coil Meter emulation</li>\n	<li>LKFS or LUFS loudness scales</li>\n	<li>Sliding Loudness Histogram display</li>\n	<li>Phase indication bargraph</li>\n	<li>StarFish display</li>\n	<li>User selectable bargraph colours and indication</li>\n	<li>Variable gate settings</li>\n	<li>Loudness Range (LRA)</li>\n	<li>True Peak display (flying peak & numerical display)</li>\n	<li>Simple and intuitive front panel controls</li>\n	<li>Online upgrade and update capability via PC (USB connection)</li>\n</ul>\n<br />\n<h3>Compact metering without compromise</h3>\nThe PAM PiCo has been designed to meet increasing market demands for simple, cost effective audio metering, specifically where loudness measurement and logging is required. Like the award winning TSL PAM1 and PAM2 audio monitoring units, PAM PiCo includes Loudness measurement as standard and recognises the many international recommendations and mandates.Built around proprietary hardware the PAM PiCo does not rely on a 3rd party consumer electronics platform and is self contained; requiring only power and media to function.The PAM PiCo is easy to use, easy to install and packaged with its own desk-mount and interface cable. The PiCo Five version can accept SDI video inputs with up to 16 channels of audio de-embedding, digital audio and analogue inputs. All models are supplied with ITU, EBU, ATSC and ARIB loudness measurement, with user selectable landscape mode as standard. All three models now offer SMPTE Timecode reporting, Loudness Logging, landscape views, FFT Spectrum Analyser and Screen Grabber software with PAM PiCo Five also benefiting from Video Preview.Online software updates ensure that PAM PiCo can be kept up to date with the latest international standards and recommendations.\n<br /><br />\n<h3>PAM PiCo Loudness Measurement</h3>\nPAM PiCo provides reassurance throughout the production chain that loudness levels are consistent and with the addition of loudness logging, enables key operators to maintain a database of ‘show by show’ loudness history as a definitive record of compliance to the many regional and international standards that exist in todays broadcast world.\n<br /><br />\n<h3>Loudness Logging</h3>\nShort and long form content is increasingly subject to exacting broadcast delivery standards which stipulate target loudness and True Peak values. The PAM PiCo can be used to ensure that these criteria are met and a loudness log can be created and used to prove compliance using the ‘free to download’ PAM PiCo Loudness Logging Application.\n<br /><br />\n<h3>StarFishTM Display</h3>\nThe StarFish™ is a development of the JellyFish® surround audio display created by DK-Technologies. It provides a picture of the 5.1 surround audio energy field. The display has the front centre channel arranged towards the top with other directions as marked to represent the listeners’ field of hearing. The image here shows the StarFish™ display with equal audio on all legs. Typical sound fields have energy in a variety of directions and more complex shapes are created which give an indication of sound energy within each channel. Unlike the earlier JellyFish display within which a representation of the equal signal would have shown a circle, the StarFish™ takes into account the summation which occurs when there is coherent (in-phase) content between adjacent legs such as left and centre. Polarity inverted (out of phase) signals can cause the shape to be pulled inwards towards the centre point, reflecting the perceived cancellation that occurs.\n<br /><br />'),(11840,75,1,1974,'<h2>TSL PAM PiCo 5 Master 5.1 Surround Meter</h2>\n<span style=\"font-size:16px; font-style:italic;\">Master 5.1 Surround Meter, 16 channel bargraph display, 3G HD-SDI (auto-sensing with loop through), 16 channel audio de-embedder, 3 AES Inputs (6 audio channels) + 1 Analogue Pair and USB power</span><br /><br />\nNo larger than a smartphone PAM PiCo 2 is a compact, yet comprehensively equipped, standalone audio and Loudness meter, designed for use in any operational position where ‘at a glance’ audio metering is required. \n<br /><br />\nPAM PiCo is now available in three fully featured formats; each able to display stereo, multichannel or surround sound audio from analogue, AES or embedded SDI (PAM PiCo Five only) signal sources. Each model can measure Loudness to ALL known international standards and recommendations and the PAM PiCo Loudness Logging Application is supplied as a free download to all PAM PiCo users.<br /><br />\nWith the complete range of features, including the brand new SMPTE Timecode display and Loudness Logging, across all three models and now that PAM PiCo Five is equipped with a unique Video Preview facility, PAM PiCo is now truly the most comprehensively equipped standalone meter in its class.<br /><br />\n<h3>PAM PiCo 5 Features:</h3>\n<ul>\n	\n	<li>Master Surround 5.1 Meter</li>\n	<li>Comprehensive Loudness measurement including EBU, ITU and ATSC recommendations</li>\n	<li>Loudness Logging (0nscreen and via PC application as an option)</li>\n	<li>AES and analogue audio inputs</li>\n	<li>Landscape View</li>\n	<li>FFT Spectrum Analyser</li>\n	<li>Numerical indication of Loudness & loudness range – LRA</li>\n	<li>8 Channel Bargraph Display (via future update)</li>\n	<li>USB Powered (plug top PSU included)</li>\n	<li>5.1 metering with EBU Digital, BBC and EBU PPM, DIN, Nordic, VU and many other regional and international scales</li>\n	<li>Moving Coil Meter emulation</li>\n	<li>LKFS or LUFS loudness scales</li>\n	<li>Sliding Loudness Histogram display</li>\n	<li>Phase indication bargraph</li>\n	<li>StarFish display</li>\n	<li>User selectable bargraph colours and indication</li>\n	<li>Variable gate settings</li>\n	<li>Loudness Range (LRA)</li>\n	<li>True Peak display (flying peak & numerical display)</li>\n	<li>Simple and intuitive front panel controls</li>\n	<li>Online upgrade and update capability via PC (USB connection)</li>\n</ul>\n<br />\n<h3>Compact metering without compromise</h3>\nThe PAM PiCo has been designed to meet increasing market demands for simple, cost effective audio metering, specifically where loudness measurement and logging is required. Like the award winning TSL PAM1 and PAM2 audio monitoring units, PAM PiCo includes Loudness measurement as standard and recognises the many international recommendations and mandates.Built around proprietary hardware the PAM PiCo does not rely on a 3rd party consumer electronics platform and is self contained; requiring only power and media to function.The PAM PiCo is easy to use, easy to install and packaged with its own desk-mount and interface cable. The PiCo Five version can accept SDI video inputs with up to 16 channels of audio de-embedding, digital audio and analogue inputs. All models are supplied with ITU, EBU, ATSC and ARIB loudness measurement, with user selectable landscape mode as standard. All three models now offer SMPTE Timecode reporting, Loudness Logging, landscape views, FFT Spectrum Analyser and Screen Grabber software with PAM PiCo Five also benefiting from Video Preview.Online software updates ensure that PAM PiCo can be kept up to date with the latest international standards and recommendations.\n<br /><br />\n<h3>PAM PiCo Loudness Measurement</h3>\nPAM PiCo provides reassurance throughout the production chain that loudness levels are consistent and with the addition of loudness logging, enables key operators to maintain a database of ‘show by show’ loudness history as a definitive record of compliance to the many regional and international standards that exist in todays broadcast world.\n<br /><br />\n<h3>Loudness Logging</h3>\nShort and long form content is increasingly subject to exacting broadcast delivery standards which stipulate target loudness and True Peak values. The PAM PiCo can be used to ensure that these criteria are met and a loudness log can be created and used to prove compliance using the ‘free to download’ PAM PiCo Loudness Logging Application.\n<br /><br />\n<h3>StarFishTM Display</h3>\nThe StarFish™ is a development of the JellyFish® surround audio display created by DK-Technologies. It provides a picture of the 5.1 surround audio energy field. The display has the front centre channel arranged towards the top with other directions as marked to represent the listeners’ field of hearing. The image here shows the StarFish™ display with equal audio on all legs. Typical sound fields have energy in a variety of directions and more complex shapes are created which give an indication of sound energy within each channel. Unlike the earlier JellyFish display within which a representation of the equal signal would have shown a circle, the StarFish™ takes into account the summation which occurs when there is coherent (in-phase) content between adjacent legs such as left and centre. Polarity inverted (out of phase) signals can cause the shape to be pulled inwards towards the centre point, reflecting the perceived cancellation that occurs.\n<br /><br />'),(11841,85,0,1974,'TSL PAM PiCo 5 Master 5.1 Surround Meter'),(11842,85,1,1974,'TSL PAM PiCo 5 Master 5.1 Surround Meter'),(11843,76,0,1974,''),(11844,76,1,1974,''),(11845,75,0,1975,'<h2>TSL PAM2 MK2 Precision Audio Monitoring Unit</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Precision Audio monitoring unit, the natural evolution of the revolutionary PAM2-3G16 with external SDI monitor output and many other enhancements.<br /></span><br />The TSL PAM2 is a 2RU Audio Monitoring Unit (AMU) with two OLED displays for audio level measurement, video confidence and metadata status indication. PAM2 has been designed in conjunction with some of the worlds leading broadcasters to produce arguably the most comprehensive, intuitive and feature packed product of it’s type. <br /><br />The PAM2 MK2 represents the natural evolution of the award winning PAM2-3G16 audio monitoring unit. In purchasing the PAM2 MK2 you are investing in a solution which will evolve to meet your needs at no further cost to you the owner. As part of TSL company policy, software updates for the product will be free charge for the life of the unit (subject to conditions) and will unlock new features and improve existing ones.<br /><br />One of the key features offered by PAM2 MK2 is the option to purchase the product loaded with the new Dolby CAT1100 decoder platform. Initial purchases of the PAM2 MK2 will be shipped with a Dolby CAT552 card providing the same functionality as the Dolby option within PAM2-3G16 however your TSL reseller, distributor or Sales Agent will be able to offer an exchange to the CAT1100 at minimal charge. The Dolby CAT1100 represents a considerable advancement in functionality including the following key features which will become available as part of your CAT1100 equipped PAM2 MK2 as future software updates unlock them. <br /><br /><h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">TSL PAM2 MK2 Features</h3><ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; box-shadow: none !important; padding-left: 2em !important; border-width: initial; border-color: initial; \"><li>SMTPE2020 metadata monitoring</li><li>SDI Connection for attaching external screen</li><li>De-embedded audio monitoring from video (HD/SDI) with simultaneous display of up to sixteen channels (four groups)</li><li>Dual auto-sensing,1080p (60, 59.94 and 50Hz), HD/SDI video inputs with reclocked and downconverted outputs</li><li>Multi-standard Loudness level indication with histogram</li><li>Optional Dolby E/AC-3/DD+ decoding from HD/SDI or AES</li><li>Unique “Scroll to hear” function</li><li>Dual high resolution OLED screens for bargraphs, video, setup, data and metadata displays</li><li>Choice of user selectable bargraph scales (VU, Extended VU, BBC PPM, EBU PPM, EBU Digital, Nordic, DIN)</li><li>Conditional switching modes for SD/HD/Dolby/PCM auto configuration recall</li><li>Assign matrix for non-standard order multichannel audio routing</li><li>Audio montiroing delay for video monitoring synchronisation.</li><li>Control of external stereo or surround sound loudspeaker systems</li><li>Ethernet for networking & software upgrades.</li><li>Dual 12V DC inputs</li></ul><h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">Audio Inputs</h3><ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; box-shadow: none !important; padding-left: 2em !important; \"><li>16 channels from embedded HD/SDI</li><li>8 x pairs of AES/EBU inputs – balanced or unbalanced</li><li>TOSLINK optical input</li><li>6 x balanced stereo analogue inputs</li></ul>\n<h3>Audio Outputs</h3><ul><li>8 x balanced fixed or variable analogue outputs</li><li>Stereo variable analogue outputs</li><li>8 x pairs of AES/EBU fixed or variable outputs – balanced or unbalanced</li></ul>'),(11846,75,1,1975,'<h2>TSL PAM2 MK2 Precision Audio Monitoring Unit</h2>\n<span style=\"font-size: 16px; font-style: italic;\">Precision Audio monitoring unit, the natural evolution of the revolutionary PAM2-3G16 with external SDI monitor output and many other enhancements.<br /></span><br />The TSL PAM2 is a 2RU Audio Monitoring Unit (AMU) with two OLED displays for audio level measurement, video confidence and metadata status indication. PAM2 has been designed in conjunction with some of the worlds leading broadcasters to produce arguably the most comprehensive, intuitive and feature packed product of it’s type. <br /><br />The PAM2 MK2 represents the natural evolution of the award winning PAM2-3G16 audio monitoring unit. In purchasing the PAM2 MK2 you are investing in a solution which will evolve to meet your needs at no further cost to you the owner. As part of TSL company policy, software updates for the product will be free charge for the life of the unit (subject to conditions) and will unlock new features and improve existing ones.<br /><br />One of the key features offered by PAM2 MK2 is the option to purchase the product loaded with the new Dolby CAT1100 decoder platform. Initial purchases of the PAM2 MK2 will be shipped with a Dolby CAT552 card providing the same functionality as the Dolby option within PAM2-3G16 however your TSL reseller, distributor or Sales Agent will be able to offer an exchange to the CAT1100 at minimal charge. The Dolby CAT1100 represents a considerable advancement in functionality including the following key features which will become available as part of your CAT1100 equipped PAM2 MK2 as future software updates unlock them. <br /><br /><h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">TSL PAM2 MK2 Features</h3><ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; box-shadow: none !important; padding-left: 2em !important; border-width: initial; border-color: initial; \"><li>SMTPE2020 metadata monitoring</li><li>SDI Connection for attaching external screen</li><li>De-embedded audio monitoring from video (HD/SDI) with simultaneous display of up to sixteen channels (four groups)</li><li>Dual auto-sensing,1080p (60, 59.94 and 50Hz), HD/SDI video inputs with reclocked and downconverted outputs</li><li>Multi-standard Loudness level indication with histogram</li><li>Optional Dolby E/AC-3/DD+ decoding from HD/SDI or AES</li><li>Unique “Scroll to hear” function</li><li>Dual high resolution OLED screens for bargraphs, video, setup, data and metadata displays</li><li>Choice of user selectable bargraph scales (VU, Extended VU, BBC PPM, EBU PPM, EBU Digital, Nordic, DIN)</li><li>Conditional switching modes for SD/HD/Dolby/PCM auto configuration recall</li><li>Assign matrix for non-standard order multichannel audio routing</li><li>Audio montiroing delay for video monitoring synchronisation.</li><li>Control of external stereo or surround sound loudspeaker systems</li><li>Ethernet for networking & software upgrades.</li><li>Dual 12V DC inputs</li></ul><h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">Audio Inputs</h3><ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; box-shadow: none !important; padding-left: 2em !important; \"><li>16 channels from embedded HD/SDI</li><li>8 x pairs of AES/EBU inputs – balanced or unbalanced</li><li>TOSLINK optical input</li><li>6 x balanced stereo analogue inputs</li></ul>\n<h3>Audio Outputs</h3><ul><li>8 x balanced fixed or variable analogue outputs</li><li>Stereo variable analogue outputs</li><li>8 x pairs of AES/EBU fixed or variable outputs – balanced or unbalanced</li></ul>'),(11847,85,0,1975,'TSL PAM2 MK2 Precision Audio Monitoring Unit'),(11848,85,1,1975,'TSL PAM2 MK2 Precision Audio Monitoring Unit'),(11849,76,0,1975,''),(11850,76,1,1975,''),(11851,75,0,1976,'<h2>TSL PAM2 MK2 Dolby Precision Audio Monitoring Unit</h2>\n<span style=\"font-size:16px; font-style:italic;\"> Precision Audio monitoring unit, the natural evolution of the revolutionary PAM2-3G16 with external SDI monitor output and many other enhancements.<br /></span><br />\n\nThe TSL PAM2 is a 2RU Audio Monitoring Unit (AMU) with two OLED displays for audio level measurement, video confidence and metadata status indication. PAM2 has been designed in conjunction with some of the worlds leading broadcasters to produce arguably the most comprehensive, intuitive and feature packed product of it’s type. <br /><br />\nThe PAM2 MK2 represents the natural evolution of the award winning PAM2-3G16 audio monitoring unit. In purchasing the PAM2 MK2 you are investing in a solution which will evolve to meet your needs at no further cost to you the owner. As part of TSL company policy, software updates for the product will be free charge for the life of the unit (subject to conditions) and will unlock new features and improve existing ones.<br /><br />\n\nOne of the key features offered by PAM2 MK2 is the option to purchase the product loaded with the new Dolby CAT1100 decoder platform. Initial purchases of the PAM2 MK2 will be shipped with a Dolby CAT552 card providing the same functionality as the Dolby option within PAM2-3G16 however your TSL reseller, distributor or Sales Agent will be able to offer an exchange to the CAT1100 at minimal charge. The Dolby CAT1100 represents a considerable advancement in functionality including the following key features which will become available as part of your CAT1100 equipped PAM2 MK2 as future software updates unlock them.\n<br /><br />\n<h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">TSL PAM2 MK2 Dolby Features</h3>\n<ul style=\"font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; box-shadow: none !important; padding-left: 2em !important; border-width: initial; border-color: initial; background-position: initial initial; background-repeat: initial initial; \">\n	<li>SMTPE2020 metadata monitoring</li>\n	<li>SDI Connection for attaching external screen</li>\n	<li>De-embedded audio monitoring from video (HD/SDI) with simultaneous display of up to sixteen channels (four groups)</li>\n	<li>Dual auto-sensing,1080p (60, 59.94 and 50Hz), HD/SDI video inputs with reclocked and downconverted outputs</li>\n	<li>Multi-standard Loudness level indication with histogram</li>\n	<li>Optional Dolby E/AC-3/DD+ decoding from HD/SDI or AES</li>\n	<li>Unique “Scroll to hear” function</li>\n	<li>Dual high resolution OLED screens for bargraphs, video, setup, data and metadata displays</li>\n	<li>Choice of user selectable bargraph scales (VU, Extended VU, BBC PPM, EBU PPM, EBU Digital, Nordic, DIN)</li>\n	<li>Conditional switching modes for SD/HD/Dolby/PCM auto configuration recall</li>\n	<li>Assign matrix for non-standard order multichannel audio routing</li>\n	<li>Audio montiroing delay for video monitoring synchronisation.</li>\n	<li>Control of external stereo or surround sound loudspeaker systems</li>\n	<li>Ethernet for networking & software upgrades.</li>\n	<li>Dual 12V DC inputs</li>\n</ul>\n<h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">Audio Inputs</h3>\n<ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; box-shadow: none !important; padding-left: 2em !important; \">\n	<li>16 channels from embedded HD/SDI</li>\n	<li>8 x pairs of AES/EBU inputs – balanced or unbalanced</li>\n	<li>TOSLINK optical input</li>\n	<li>6 x balanced stereo analogue inputs</li>\n</ul>\n<h3>Audio Outputs</h3>\n<ul>\n	<li>SMTPE2020 metadata monitoring</li>\n	<li>SDI Connection for attaching external screen</li>\n	<li>De-embedded audio monitoring from video (HD/SDI) with simultaneous display of up to sixteen channels (four groups)</li>\n	<li>Dual auto-sensing,1080p (60, 59.94 and 50Hz), HD/SDI video inputs with reclocked and downconverted outputs</li>\n	<li>Multi-standard Loudness level indication with histogram</li>\n	<li>Optional Dolby E/AC-3/DD+ decoding from HD/SDI or AES</li>\n	<li>Unique “Scroll to hear” function</li>\n	<li>Dual high resolution OLED screens for bargraphs, video, setup, data and metadata displays</li>\n	<li>Choice of user selectable bargraph scales (VU, Extended VU, BBC PPM, EBU PPM, EBU Digital, Nordic, DIN)</li>\n	<li>Conditional switching modes for SD/HD/Dolby/PCM auto configuration recall</li>\n	<li>Assign matrix for non-standard order multichannel audio routing</li>\n	<li>Audio montiroing delay for video monitoring synchronisation.</li>\n	<li>Control of external stereo or surround sound loudspeaker systems</li>\n	<li>Ethernet for networking & software upgrades.</li>\n	<li>Dual 12V DC inputs</li>\n</ul>'),(11852,75,1,1976,'<h2>TSL PAM2 MK2 Dolby Precision Audio Monitoring Unit</h2>\n<span style=\"font-size:16px; font-style:italic;\"> Precision Audio monitoring unit, the natural evolution of the revolutionary PAM2-3G16 with external SDI monitor output and many other enhancements.<br /></span><br />\n\nThe TSL PAM2 is a 2RU Audio Monitoring Unit (AMU) with two OLED displays for audio level measurement, video confidence and metadata status indication. PAM2 has been designed in conjunction with some of the worlds leading broadcasters to produce arguably the most comprehensive, intuitive and feature packed product of it’s type. <br /><br />\nThe PAM2 MK2 represents the natural evolution of the award winning PAM2-3G16 audio monitoring unit. In purchasing the PAM2 MK2 you are investing in a solution which will evolve to meet your needs at no further cost to you the owner. As part of TSL company policy, software updates for the product will be free charge for the life of the unit (subject to conditions) and will unlock new features and improve existing ones.<br /><br />\n\nOne of the key features offered by PAM2 MK2 is the option to purchase the product loaded with the new Dolby CAT1100 decoder platform. Initial purchases of the PAM2 MK2 will be shipped with a Dolby CAT552 card providing the same functionality as the Dolby option within PAM2-3G16 however your TSL reseller, distributor or Sales Agent will be able to offer an exchange to the CAT1100 at minimal charge. The Dolby CAT1100 represents a considerable advancement in functionality including the following key features which will become available as part of your CAT1100 equipped PAM2 MK2 as future software updates unlock them.\n<br /><br />\n<h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">TSL PAM2 MK2 Dolby Features</h3>\n<ul style=\"font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; box-shadow: none !important; padding-left: 2em !important; border-width: initial; border-color: initial; background-position: initial initial; background-repeat: initial initial; \">\n	<li>SMTPE2020 metadata monitoring</li>\n	<li>SDI Connection for attaching external screen</li>\n	<li>De-embedded audio monitoring from video (HD/SDI) with simultaneous display of up to sixteen channels (four groups)</li>\n	<li>Dual auto-sensing,1080p (60, 59.94 and 50Hz), HD/SDI video inputs with reclocked and downconverted outputs</li>\n	<li>Multi-standard Loudness level indication with histogram</li>\n	<li>Optional Dolby E/AC-3/DD+ decoding from HD/SDI or AES</li>\n	<li>Unique “Scroll to hear” function</li>\n	<li>Dual high resolution OLED screens for bargraphs, video, setup, data and metadata displays</li>\n	<li>Choice of user selectable bargraph scales (VU, Extended VU, BBC PPM, EBU PPM, EBU Digital, Nordic, DIN)</li>\n	<li>Conditional switching modes for SD/HD/Dolby/PCM auto configuration recall</li>\n	<li>Assign matrix for non-standard order multichannel audio routing</li>\n	<li>Audio montiroing delay for video monitoring synchronisation.</li>\n	<li>Control of external stereo or surround sound loudspeaker systems</li>\n	<li>Ethernet for networking & software upgrades.</li>\n	<li>Dual 12V DC inputs</li>\n</ul>\n<h3 style=\"color: rgb(0, 0, 0); font-size: 24px !important; font-weight: bold; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif !important; margin-top: 0px !important; margin-right: 0px !important; margin-left: 0px; padding-top: 0px !important; padding-right: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; margin-bottom: 10px; line-height: 30px; background-position: initial initial; background-repeat: initial initial; \">Audio Inputs</h3>\n<ul style=\"margin-top: 0px; margin-right: 0px; margin-left: 0px; margin-bottom: 10px !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; box-shadow: none !important; padding-left: 2em !important; \">\n	<li>16 channels from embedded HD/SDI</li>\n	<li>8 x pairs of AES/EBU inputs – balanced or unbalanced</li>\n	<li>TOSLINK optical input</li>\n	<li>6 x balanced stereo analogue inputs</li>\n</ul>\n<h3>Audio Outputs</h3>\n<ul>\n	<li>SMTPE2020 metadata monitoring</li>\n	<li>SDI Connection for attaching external screen</li>\n	<li>De-embedded audio monitoring from video (HD/SDI) with simultaneous display of up to sixteen channels (four groups)</li>\n	<li>Dual auto-sensing,1080p (60, 59.94 and 50Hz), HD/SDI video inputs with reclocked and downconverted outputs</li>\n	<li>Multi-standard Loudness level indication with histogram</li>\n	<li>Optional Dolby E/AC-3/DD+ decoding from HD/SDI or AES</li>\n	<li>Unique “Scroll to hear” function</li>\n	<li>Dual high resolution OLED screens for bargraphs, video, setup, data and metadata displays</li>\n	<li>Choice of user selectable bargraph scales (VU, Extended VU, BBC PPM, EBU PPM, EBU Digital, Nordic, DIN)</li>\n	<li>Conditional switching modes for SD/HD/Dolby/PCM auto configuration recall</li>\n	<li>Assign matrix for non-standard order multichannel audio routing</li>\n	<li>Audio montiroing delay for video monitoring synchronisation.</li>\n	<li>Control of external stereo or surround sound loudspeaker systems</li>\n	<li>Ethernet for networking & software upgrades.</li>\n	<li>Dual 12V DC inputs</li>\n</ul>'),(11853,85,0,1976,'TSL PAM2 MK2 Dolby Precision Audio Monitoring Unit'),(11854,85,1,1976,'TSL PAM2 MK2 Dolby Precision Audio Monitoring Unit'),(11855,76,0,1976,''),(11856,76,1,1976,''),(11857,75,0,1977,'<h2>TSL SAM1 3GM Studio Audio Monitoring Unit</h2>\n<span style=\"font-size:16px; font-style:italic;\">The SAM1-3GM is a highly cost-effective audio monitoring unit which gives a degree of agility to operators which has previously been reserved for much more expensive devices.</span><br /><br /><div>Built for concise monitoring of facility-wide multichannel audio, the SAM1-3GM is equally at home in Network Operations, Master Control, Outside Broadcast, Studio SAM1-3GM Production or in Post environment.</div><div>Providing broadcasters and content producers with an agile and intuitive operating system, the SAM1-3GM is designed for use in the dynamic world of live television production. With the increasing diversity of broadcast audio signals demanding seamless and unobtrusive solutions operators need tools to hand that can react in an instant and adapt to whatever challenge is thrown their way. A revolution in usability within a 1U format, the SAM1-3GM, provides instant visual feedback from 16 channels of embedded SDI with the added benefit of two auxillary analogue or AES input channels, which can be mixed into the monitoring chain, for example, to listen to the intercom whilst working with headphones.</div><div>Furthermore, the SAM1-3GM enables the user to define individual channels as stereo, mono or 5.1 with instantaneous downmixing of surround sources for stereo compatibility monitoring. Channels can be mixed together at the push of a button with individual level trims and channel balance / pan control and the resultant ‘mix’ output available as a line level analogue or AES feed which can be used for cues and extended applications.</div><div>Each of the 10 stereo bargraph pairs can be named individually with up to a 10 character mnemonic, whilst international bargraph scales and reference levels can be altered within setup ensuring that the SAM1-3GM is truly suitable for worldwide application..</div><br />\n<h3>Soundfield SAM1-3GM Features</h3><ul>\n	<li><span style=\"background-color: initial;\">20 channel user configurable bargraph display of selected HD-SDI, AES and analog channels</span></li><li>Monitor and mix HD/SDI programme content with analog or AES sources  (such as Intercom/IFB/Telco etc.)</li><li>Scroll to Hear channel selection</li><li>Individual channel ‘trim’, ‘balance / pan’ levels</li><li>Master output volume with cut / dim</li><li>‘Solo’ button mutes all but the selected channel</li><li>Colour coded Channel Format defines selected pair as being Stereo, Mono for 5.1 downmix instantly</li><li>Menu level to select scales, reference, ballistics and hands-on channel naming Menu level used for IP setups</li><li>Menu level used to manage onboard preset memories and USB save/recall</li><li>Menu level used to manage software updates</li><li>TSL dashboard control system compatible (future capability)</li><li>Menu selection of auxiliary channels 1 and 2 from analogue and AES inputs</li><li>A Dolby encoded source is muted when selected</li></ul>'),(11858,75,1,1977,'<h2>TSL SAM1 3GM Studio Audio Monitoring Unit</h2>\n<span style=\"font-size:16px; font-style:italic;\">The SAM1-3GM is a highly cost-effective audio monitoring unit which gives a degree of agility to operators which has previously been reserved for much more expensive devices.</span><br /><br /><div>Built for concise monitoring of facility-wide multichannel audio, the SAM1-3GM is equally at home in Network Operations, Master Control, Outside Broadcast, Studio SAM1-3GM Production or in Post environment.</div><div>Providing broadcasters and content producers with an agile and intuitive operating system, the SAM1-3GM is designed for use in the dynamic world of live television production. With the increasing diversity of broadcast audio signals demanding seamless and unobtrusive solutions operators need tools to hand that can react in an instant and adapt to whatever challenge is thrown their way. A revolution in usability within a 1U format, the SAM1-3GM, provides instant visual feedback from 16 channels of embedded SDI with the added benefit of two auxillary analogue or AES input channels, which can be mixed into the monitoring chain, for example, to listen to the intercom whilst working with headphones.</div><div>Furthermore, the SAM1-3GM enables the user to define individual channels as stereo, mono or 5.1 with instantaneous downmixing of surround sources for stereo compatibility monitoring. Channels can be mixed together at the push of a button with individual level trims and channel balance / pan control and the resultant ‘mix’ output available as a line level analogue or AES feed which can be used for cues and extended applications.</div><div>Each of the 10 stereo bargraph pairs can be named individually with up to a 10 character mnemonic, whilst international bargraph scales and reference levels can be altered within setup ensuring that the SAM1-3GM is truly suitable for worldwide application..</div><br />\n<h3>Soundfield SAM1-3GM Features</h3><ul>\n	<li><span style=\"background-color: initial;\">20 channel user configurable bargraph display of selected HD-SDI, AES and analog channels</span></li><li>Monitor and mix HD/SDI programme content with analog or AES sources  (such as Intercom/IFB/Telco etc.)</li><li>Scroll to Hear channel selection</li><li>Individual channel ‘trim’, ‘balance / pan’ levels</li><li>Master output volume with cut / dim</li><li>‘Solo’ button mutes all but the selected channel</li><li>Colour coded Channel Format defines selected pair as being Stereo, Mono for 5.1 downmix instantly</li><li>Menu level to select scales, reference, ballistics and hands-on channel naming Menu level used for IP setups</li><li>Menu level used to manage onboard preset memories and USB save/recall</li><li>Menu level used to manage software updates</li><li>TSL dashboard control system compatible (future capability)</li><li>Menu selection of auxiliary channels 1 and 2 from analogue and AES inputs</li><li>A Dolby encoded source is muted when selected</li></ul>'),(11859,85,0,1977,'SL SAM1 3GM Studio Audio Monitoring Unit'),(11860,85,1,1977,'SL SAM1 3GM Studio Audio Monitoring Unit'),(11861,76,0,1977,''),(11862,76,1,1977,''),(11863,75,0,1978,'<h2>TSL SAM1 MADI SM Studio Audio Monitoring Unit</h2>\n<span style=\"font-size:16px; font-style:italic;\">The SAM1 MADI was awarded a ‘Pick Hit’ Award at IBC, presented by Broadcast Engineering Magazine.</span><br /><br /><div><div>The SAM1 MADI is a sophisticated device that provides multiple source monitoring of up to 20 channels of audio from MADI, embedded HD-SDI, AES and analogue sources on a user-configurable screen, providing immediate access to any combination of formats, delivering a comprehensive visual and audio feedback for confidence monitoring in a compact unit.</div><div>The unit is suited to those needing confidence monitoring in a mixed multichannel environment including HD-SDI, MADI, AES and analogue audio where comprehensive visual and audio feedback is required in a compact format. Ideal for Sound Engineers to check the integrity of their MADI signals, Broadcast Studio Engineers who use MADI to transport multiple channels of audio around their facility and production operators involved in programme making within studios or on OB trucks where MADI technology is implemented.</div><div>MADI is a cost effective means to transport up to 64 channels of audio over a single coax or fibre cable, until now the choice of monitoring devices has been extremely limited; the SAM1 MADI addresses the lack of appropriate solutions and is a product designed after a period of in depth market consulation to deliver exactly what the industry has asked for.</div><div>Where does it fit in the workflow/s? See above applications</div><div>Channels can be defined as being mono, stereo or 5.1 downmixed group via a single button press with a simple colour scheme providing instant user recognition of the channel configuration. Furthermore, the operator can mix multiple signals together and adjust individual mix levels if required to create a personal monitoring environment that meets their exact requirements.</div></div>\n<h3>Soundfield SAM1-MADI SM Features</h3><ul><li><span style=\"background-color: initial;\">Dual auto-sensing, 1080p (60, 59, 94 and 50Hz), HD/SDI video inputs</span></li><li>De-embedded audio monitoring from video (HD/SDI) with intuitive selection from up to sixteen channels (four groups)</li><li>Single 54/64 channel MADI input with coax connection, single mode or multi-mode fibre option</li><li>54/64 channel MADI ‘reclocked’ loop output via coax connection</li><li>54/64 channel MADI output with coax connection, single mode or multi-mode fibre option</li><li>4 AES (4 Pairs/8 Channel) Inputs– 110Ohm Balanced or 75Ohm unbalanced via optional CAB-D25-BNC cable</li><li>2 Analogue Stereo Inputs</li><li>Ethernet for Network connectivity</li><li>USB connector for system updates and preset save/recall</li><li>SD card slot for system updates and preset save/recall</li><li>‘Scroll To Hear’ – top level bargraph navigation using rotary encoder</li><li>Downmix of discreet multichannel audio to stereo for compatibility monitoring</li><li>Individual channel level send / mix / balance control</li><li>Re-clocked HD/SDI video output</li><li>Dual high resolution 2.4″ screens for 20 bargraphs, setup and menu displays</li><li>Choice of user selectable bargraph scales (BBC PPM, EBU PPM, EBU Digital, Nordic,VU and DIN)</li><li>User programmable presets. 18 internal, accessible by high level menu selection or GPI</li><li>Fixed or variable analogue stereo outputs</li><li>Fixed AES multichannel outputs (4 pairs/8 Channels)</li><li>High quality internal full range loudspeaker system</li><li>Dual 12V DC inputs</li><li>Headphone output with LS muting</li><li>Compact, lightweight (weight tbc) 1RU case, 250mm deep</li></ul>'),(11864,75,1,1978,'<h2>TSL SAM1 MADI SM Studio Audio Monitoring Unit</h2>\n<span style=\"font-size:16px; font-style:italic;\">The SAM1 MADI was awarded a ‘Pick Hit’ Award at IBC, presented by Broadcast Engineering Magazine.</span><br /><br /><div><div>The SAM1 MADI is a sophisticated device that provides multiple source monitoring of up to 20 channels of audio from MADI, embedded HD-SDI, AES and analogue sources on a user-configurable screen, providing immediate access to any combination of formats, delivering a comprehensive visual and audio feedback for confidence monitoring in a compact unit.</div><div>The unit is suited to those needing confidence monitoring in a mixed multichannel environment including HD-SDI, MADI, AES and analogue audio where comprehensive visual and audio feedback is required in a compact format. Ideal for Sound Engineers to check the integrity of their MADI signals, Broadcast Studio Engineers who use MADI to transport multiple channels of audio around their facility and production operators involved in programme making within studios or on OB trucks where MADI technology is implemented.</div><div>MADI is a cost effective means to transport up to 64 channels of audio over a single coax or fibre cable, until now the choice of monitoring devices has been extremely limited; the SAM1 MADI addresses the lack of appropriate solutions and is a product designed after a period of in depth market consulation to deliver exactly what the industry has asked for.</div><div>Where does it fit in the workflow/s? See above applications</div><div>Channels can be defined as being mono, stereo or 5.1 downmixed group via a single button press with a simple colour scheme providing instant user recognition of the channel configuration. Furthermore, the operator can mix multiple signals together and adjust individual mix levels if required to create a personal monitoring environment that meets their exact requirements.</div></div>\n<h3>Soundfield SAM1-MADI SM Features</h3><ul><li><span style=\"background-color: initial;\">Dual auto-sensing, 1080p (60, 59, 94 and 50Hz), HD/SDI video inputs</span></li><li>De-embedded audio monitoring from video (HD/SDI) with intuitive selection from up to sixteen channels (four groups)</li><li>Single 54/64 channel MADI input with coax connection, single mode or multi-mode fibre option</li><li>54/64 channel MADI ‘reclocked’ loop output via coax connection</li><li>54/64 channel MADI output with coax connection, single mode or multi-mode fibre option</li><li>4 AES (4 Pairs/8 Channel) Inputs– 110Ohm Balanced or 75Ohm unbalanced via optional CAB-D25-BNC cable</li><li>2 Analogue Stereo Inputs</li><li>Ethernet for Network connectivity</li><li>USB connector for system updates and preset save/recall</li><li>SD card slot for system updates and preset save/recall</li><li>‘Scroll To Hear’ – top level bargraph navigation using rotary encoder</li><li>Downmix of discreet multichannel audio to stereo for compatibility monitoring</li><li>Individual channel level send / mix / balance control</li><li>Re-clocked HD/SDI video output</li><li>Dual high resolution 2.4″ screens for 20 bargraphs, setup and menu displays</li><li>Choice of user selectable bargraph scales (BBC PPM, EBU PPM, EBU Digital, Nordic,VU and DIN)</li><li>User programmable presets. 18 internal, accessible by high level menu selection or GPI</li><li>Fixed or variable analogue stereo outputs</li><li>Fixed AES multichannel outputs (4 pairs/8 Channels)</li><li>High quality internal full range loudspeaker system</li><li>Dual 12V DC inputs</li><li>Headphone output with LS muting</li><li>Compact, lightweight (weight tbc) 1RU case, 250mm deep</li></ul>'),(11865,85,0,1978,'TSL SAM1 MADI SM Studio Audio Monitoring Unit'),(11866,85,1,1978,'TSL SAM1 MADI SM Studio Audio Monitoring Unit'),(11867,76,0,1978,''),(11868,76,1,1978,''),(11869,75,0,1979,'<h2><span class=\"Apple-style-span\">TSL </span>PAM1 MK2 Precision Audio Monitor</h2><h2><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-style: italic; font-size: 16px; font-weight: normal;\">The PAM1 MK2 is an evolutionary step up from the original!</span></h2><div><div>The PAM1 MK2 is designed for a broad range of oprational users throughout the TV environment, from Ingest to Transmission, Post Production to Studios It’s ideal  confidence monitoring in a multichannel HD-SDI environment where comprehensive visual and audio feedback is required in a compact format, including Dolby encoded, multi-language, 5.1 audio and loudness measurement. The PAM1 MK2 is an evolutionary step up from the original PAM1-3G8, offering an improved feature set and user interface, upgraded integrated speaker system, larger screens and a full set of functions carried over from the flagship PAM2 MK2 Precision Audio Monitor.</div></div>\n<h3>Soundfield PAM1 MK2 Features</h3><ul><li><span style=\"background-color: initial;\">SMTPE2020 metadata monitoring</span></li><li>Dual auto-sensing, 1080p (60, 59, 94 and 50Hz), HD/SDI video inputs</li><li>De-embedded audio monitoring from video (HD/SDI) with intuitive selection from up to sixteen channels (four groups)</li><li>4 AES (4 Pairs/8 Channel) Inputs– 110Ohm Balanced or 75Ohm unbalanced via optional CAB-D25-BNC cable</li><li>2 Analogue Stereo Inputs</li><li>Ethernet for Network connectivity</li><li>USB connector for system updates and preset save/recall</li><li>SD card slot for system updates and preset save/recall</li><li>‘Scroll To Hear’ – top level bargraph navigation using rotary encoder</li><li>Downmix of discreet multichannel audio to stereo for compatibility monitoring</li><li>Multichannel audio outputs for external stereo or 5.1 loudspeaker system integration</li><li>ITU BS1770/71 loudness measurement and Histogram</li><li>User Programmable ‘Assign Matrix’</li><li>Audio Output Delay</li><li>Automatic mode switching – depending on signal type</li><li>Dolby E, Dolby Digital and Dolby Digital Plus decoding from HD.SDI and AES signal sources</li><li>Lt Rt and Lo Ro Downmixing of Dolby Signals</li><li>Hi Resolution Video confidence monitoring</li><li>Re-clocked HD/SDI with down converted SDI or composite (PAL.NTSC) video outputs selected via rear panel Config. Switch.</li><li>Dual high resolution 2.4″ screens for 16 bargraphs, setup and metadata display.</li><li>Choice of user selectable bargraph scales (BBC PPM, EBU PPM, EBU Digital, Nordic,VU and DIN)</li><li>User programmable presets. 5 by hardware buttons, GPI and 24 internal, accessible by high level menu selection</li><li>Factory preset recall – 5 presets selecting SDI1, SDI2, AES, Analogue and Optical Inputs</li><li>Fixed or variable analogue multichannel outputs (8 mono)</li><li>Fixed or variable AES multichannel outputs (4 pairs/8 Channels)</li><li>Variable stereo analogue outputs</li><li>High quality internal full range loudspeaker system</li><li>Variable LED brightness control</li><li>Dual 12V DC inputs</li><li>Serial remote control</li><li>Headphone output with LS muting</li><li>Compact, lightweight (weight tbc) 1RU case, 250mm deep</li></ul>'),(11870,75,1,1979,'<h2><span class=\"Apple-style-span\">TSL </span>PAM1 MK2 Precision Audio Monitor</h2><h2><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-style: italic; font-size: 16px; font-weight: normal;\">The PAM1 MK2 is an evolutionary step up from the original!</span></h2><div><div>The PAM1 MK2 is designed for a broad range of oprational users throughout the TV environment, from Ingest to Transmission, Post Production to Studios It’s ideal  confidence monitoring in a multichannel HD-SDI environment where comprehensive visual and audio feedback is required in a compact format, including Dolby encoded, multi-language, 5.1 audio and loudness measurement. The PAM1 MK2 is an evolutionary step up from the original PAM1-3G8, offering an improved feature set and user interface, upgraded integrated speaker system, larger screens and a full set of functions carried over from the flagship PAM2 MK2 Precision Audio Monitor.</div></div>\n<h3>Soundfield PAM1 MK2 Features</h3><ul><li><span style=\"background-color: initial;\">SMTPE2020 metadata monitoring</span></li><li>Dual auto-sensing, 1080p (60, 59, 94 and 50Hz), HD/SDI video inputs</li><li>De-embedded audio monitoring from video (HD/SDI) with intuitive selection from up to sixteen channels (four groups)</li><li>4 AES (4 Pairs/8 Channel) Inputs– 110Ohm Balanced or 75Ohm unbalanced via optional CAB-D25-BNC cable</li><li>2 Analogue Stereo Inputs</li><li>Ethernet for Network connectivity</li><li>USB connector for system updates and preset save/recall</li><li>SD card slot for system updates and preset save/recall</li><li>‘Scroll To Hear’ – top level bargraph navigation using rotary encoder</li><li>Downmix of discreet multichannel audio to stereo for compatibility monitoring</li><li>Multichannel audio outputs for external stereo or 5.1 loudspeaker system integration</li><li>ITU BS1770/71 loudness measurement and Histogram</li><li>User Programmable ‘Assign Matrix’</li><li>Audio Output Delay</li><li>Automatic mode switching – depending on signal type</li><li>Dolby E, Dolby Digital and Dolby Digital Plus decoding from HD.SDI and AES signal sources</li><li>Lt Rt and Lo Ro Downmixing of Dolby Signals</li><li>Hi Resolution Video confidence monitoring</li><li>Re-clocked HD/SDI with down converted SDI or composite (PAL.NTSC) video outputs selected via rear panel Config. Switch.</li><li>Dual high resolution 2.4″ screens for 16 bargraphs, setup and metadata display.</li><li>Choice of user selectable bargraph scales (BBC PPM, EBU PPM, EBU Digital, Nordic,VU and DIN)</li><li>User programmable presets. 5 by hardware buttons, GPI and 24 internal, accessible by high level menu selection</li><li>Factory preset recall – 5 presets selecting SDI1, SDI2, AES, Analogue and Optical Inputs</li><li>Fixed or variable analogue multichannel outputs (8 mono)</li><li>Fixed or variable AES multichannel outputs (4 pairs/8 Channels)</li><li>Variable stereo analogue outputs</li><li>High quality internal full range loudspeaker system</li><li>Variable LED brightness control</li><li>Dual 12V DC inputs</li><li>Serial remote control</li><li>Headphone output with LS muting</li><li>Compact, lightweight (weight tbc) 1RU case, 250mm deep</li></ul>'),(11871,85,0,1979,'TSL PAM1 MK2 Precision Audio Monitor'),(11872,85,1,1979,'TSL PAM1 MK2 Precision Audio Monitor'),(11873,76,0,1979,''),(11874,76,1,1979,''),(11875,75,0,1980,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br />Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br />Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br />Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br />Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br />Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br /><hr /><br />\n\n<h1>Universal Audio Apollo Solo Heritage Edition - Thunderbolt 3 Audio Interface </h1>\n<i>Apollo Solo is a desktop 2x4 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz audio conversion, two Unison mic preamps, and UAD Effect Plug-ins. Mac and Windows compatible. Now includes \"Heritage Edition\" Plug-in Bundle featuring $1,345 worth of UAD plug-ins!</i><br /><br />\nThe Universal Audio Apollo Solo Thunderbolt 3 audio interface features class-leading Universal Audio conversion, two Unison mic preamps, and a suite of built-in effects, putting album-quality recording on your desktop. This 2 x 4 Thunderbolt 3 bus-powered audio interface for Mac and Windows includes a generous collection of UAD plug-ins to record vocals and instruments through, at near-zero latency — plus it offers full integration with Universal Audio\'s groundbreaking new LUNA Recording System.<br /><br />\n<h3> Apollo Solo Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Desktop 2x4 Thunderbolt 3‑powered audio interface for Mac and Windows with class-leading 24‑bit/192 kHz audio conversion</span></li>\n	<li>Unison mic preamp and guitar amp emulations from Neve,® API,® Manley,® Marshall,® Fender,® and more*</li>\n	<li>Realtime UAD Processing allows near‑zero latency tracking with classic UAD plug‑in effects, regardless of software buffer setting</li>\n	<li>Includes studio compressors, EQs, reverbs, and guitar amp emulations, and more as part of “Realtime Analog Classics” bundle</li>\n	<li>Best‑in‑class headphone amplifier for loud, detailed, low‑noise monitoring</li>\n	<li>Bus‑powered connection to Mac and Windows Thunderbolt 3 systems for easy portability and reduced cable clutter</li>\n	<li>Includes LUNA Recording System — a fully‑integrated recording application made for Apollo (Mac/Thunderbolt)</li>\n	<li>Thunderbolt 3 cable sold separately</li>\n</ul>\n<br />\n<h3>Unison™ Technology for Stunning Mic and Guitar Preamp Emulations</h3>\nApollo Solo\'s Unison technology gives you the tone, touch and “feel” of the world\'s most sought-after tube and transformer-based mic preamps and guitar amps. It includes the UA 610-B Tube Preamp, Marshall® Plexi Classic Amplifier, and Ampeg SVT-VR Classic Bass Amp plug-ins — and can be expanded with exclusive titles from Neve,® Avalon,® SSL,® Fender,® and more. The secret is a unique hardware-software integration, which adjusts the impedance of Apollo\'s instrument and mic preamps to match the emulated hardware — for authentic analog sound unmatched by other recording interfaces.\n<br /><br />\n<h3>Realtime UAD Plug-In Processing for Recording with Near-Zero Latency </h3>\nDerived from Universal Audio’s award-winning Apollo interfaces, Apollo Solo opens up a range of classic analog color via its Realtime UAD Processing. Featuring an onboard UAD-2 SOLO Core processor, Apollo Solo lets you monitor and record through the full library of UAD Powered Plug-Ins — at near-zero latency, regardless of your audio software buffer setting. It’s like having a virtual analog studio that fits in a laptop bag. \n<br /><br />\nThe UAD library features more than 100 titles and offers everything from classic Moog filters to Ampex tape to Lexicon reverbs — with more being added every few months.* These are the exact same UAD plug-ins used on hit records by Billie Eilish, Kendrick Lamar, Dr. Dre, Foo Fighters, and many more.<br /><br />\n<h3>LUNA Recording System with Accelerated Realtime Monitoring</h3>\nApollo Solo works with all major DAWs, including Logic Pro, Ableton Live, Pro Tools and more. But it becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, full AU support, and access to a suite of exclusive LUNA Instruments and Extensions. \n<br /><br />\nFrom integrated Studer multitrack tape and built-in Neve Summing, to instruments from Moog and more, LUNA transforms Apollo Solo into an incredibly inspiring music creation platform.<br /><br />\n<h3>Built for Musicians, Electronic Producers, and Songwriters </h3>\nApollo Solo\'s portable Thunderbolt 3 bus-powered design, robust all-metal construction, best-in-class headphone amplifier, and superior audio conversion is perfect for musicians, songwriters, and electronic music producers who need UA quality in a compact package. \n<br /><br />\n<h3>Includes “Realtime Analog Classics” UAD Powered Plug-Ins Bundle:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">UA 610-B Tube Preamp and EQ</span></li>\n	<li>Marshall Plexi Classic Guitar Amp </li>\n	<li>Ampeg SVT-VR Classic Bass Amp </li>\n	<li>Raw Distortion Guitar Pedal</li>\n	<li>Teletronix® LA-2A Compressor Legacy</li>\n	<li>UA 1176LN® Compressor Legacy</li>\n	<li>UA 1176SE Compressor Legacy</li>\n	<li>Pultec® EQP-1A EQ Legacy</li>\n	<li>Pultec® Pro EQ Legacy</li>\n	<li>Precision Delay Modulation</li>\n	<li>Precision Delay Modulation L</li>\n	<li>Precision Reflection Engine</li>\n	<li>Precision Channel Strip</li>\n	<li>Realverb Pro</li>\n</ul>\n<br />'),(11876,75,1,1980,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br />Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br />Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br />Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br />Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br />Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br /><hr /><br />\n\n<h1>Universal Audio Apollo Solo Heritage Edition - Thunderbolt 3 Audio Interface </h1>\n<i>Apollo Solo is a desktop 2x4 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz audio conversion, two Unison mic preamps, and UAD Effect Plug-ins. Mac and Windows compatible. Now includes \"Heritage Edition\" Plug-in Bundle featuring $1,345 worth of UAD plug-ins!</i><br /><br />\nThe Universal Audio Apollo Solo Thunderbolt 3 audio interface features class-leading Universal Audio conversion, two Unison mic preamps, and a suite of built-in effects, putting album-quality recording on your desktop. This 2 x 4 Thunderbolt 3 bus-powered audio interface for Mac and Windows includes a generous collection of UAD plug-ins to record vocals and instruments through, at near-zero latency — plus it offers full integration with Universal Audio\'s groundbreaking new LUNA Recording System.<br /><br />\n<h3> Apollo Solo Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Desktop 2x4 Thunderbolt 3‑powered audio interface for Mac and Windows with class-leading 24‑bit/192 kHz audio conversion</span></li>\n	<li>Unison mic preamp and guitar amp emulations from Neve,® API,® Manley,® Marshall,® Fender,® and more*</li>\n	<li>Realtime UAD Processing allows near‑zero latency tracking with classic UAD plug‑in effects, regardless of software buffer setting</li>\n	<li>Includes studio compressors, EQs, reverbs, and guitar amp emulations, and more as part of “Realtime Analog Classics” bundle</li>\n	<li>Best‑in‑class headphone amplifier for loud, detailed, low‑noise monitoring</li>\n	<li>Bus‑powered connection to Mac and Windows Thunderbolt 3 systems for easy portability and reduced cable clutter</li>\n	<li>Includes LUNA Recording System — a fully‑integrated recording application made for Apollo (Mac/Thunderbolt)</li>\n	<li>Thunderbolt 3 cable sold separately</li>\n</ul>\n<br />\n<h3>Unison™ Technology for Stunning Mic and Guitar Preamp Emulations</h3>\nApollo Solo\'s Unison technology gives you the tone, touch and “feel” of the world\'s most sought-after tube and transformer-based mic preamps and guitar amps. It includes the UA 610-B Tube Preamp, Marshall® Plexi Classic Amplifier, and Ampeg SVT-VR Classic Bass Amp plug-ins — and can be expanded with exclusive titles from Neve,® Avalon,® SSL,® Fender,® and more. The secret is a unique hardware-software integration, which adjusts the impedance of Apollo\'s instrument and mic preamps to match the emulated hardware — for authentic analog sound unmatched by other recording interfaces.\n<br /><br />\n<h3>Realtime UAD Plug-In Processing for Recording with Near-Zero Latency </h3>\nDerived from Universal Audio’s award-winning Apollo interfaces, Apollo Solo opens up a range of classic analog color via its Realtime UAD Processing. Featuring an onboard UAD-2 SOLO Core processor, Apollo Solo lets you monitor and record through the full library of UAD Powered Plug-Ins — at near-zero latency, regardless of your audio software buffer setting. It’s like having a virtual analog studio that fits in a laptop bag. \n<br /><br />\nThe UAD library features more than 100 titles and offers everything from classic Moog filters to Ampex tape to Lexicon reverbs — with more being added every few months.* These are the exact same UAD plug-ins used on hit records by Billie Eilish, Kendrick Lamar, Dr. Dre, Foo Fighters, and many more.<br /><br />\n<h3>LUNA Recording System with Accelerated Realtime Monitoring</h3>\nApollo Solo works with all major DAWs, including Logic Pro, Ableton Live, Pro Tools and more. But it becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, full AU support, and access to a suite of exclusive LUNA Instruments and Extensions. \n<br /><br />\nFrom integrated Studer multitrack tape and built-in Neve Summing, to instruments from Moog and more, LUNA transforms Apollo Solo into an incredibly inspiring music creation platform.<br /><br />\n<h3>Built for Musicians, Electronic Producers, and Songwriters </h3>\nApollo Solo\'s portable Thunderbolt 3 bus-powered design, robust all-metal construction, best-in-class headphone amplifier, and superior audio conversion is perfect for musicians, songwriters, and electronic music producers who need UA quality in a compact package. \n<br /><br />\n<h3>Includes “Realtime Analog Classics” UAD Powered Plug-Ins Bundle:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">UA 610-B Tube Preamp and EQ</span></li>\n	<li>Marshall Plexi Classic Guitar Amp </li>\n	<li>Ampeg SVT-VR Classic Bass Amp </li>\n	<li>Raw Distortion Guitar Pedal</li>\n	<li>Teletronix® LA-2A Compressor Legacy</li>\n	<li>UA 1176LN® Compressor Legacy</li>\n	<li>UA 1176SE Compressor Legacy</li>\n	<li>Pultec® EQP-1A EQ Legacy</li>\n	<li>Pultec® Pro EQ Legacy</li>\n	<li>Precision Delay Modulation</li>\n	<li>Precision Delay Modulation L</li>\n	<li>Precision Reflection Engine</li>\n	<li>Precision Channel Strip</li>\n	<li>Realverb Pro</li>\n</ul>\n<br />'),(11877,85,0,1980,''),(11878,85,1,1980,''),(11879,76,0,1980,''),(11880,76,1,1980,''),(11881,75,0,1981,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br />Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br />Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br />Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br />Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br />Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br /><hr /><br />\n\n<h1>Universal Audio Apollo USB Heritage Edition - Audio Interface </h1>\n<i>Apollo Solo USB is a desktop 2x4 USB audio interface with class-leading 24-bit/192 kHz audio conversion, two Unison mic preamps, and UAD Effect Plug-ins. Windows compatible. Now includes \"Heritage Edition\" Plug-in Bundle featuring $1,345 worth of UAD plug-ins!</i><br /><br />\nThe Universal Audio Apollo Solo USB audio interface features class-leading Universal Audio conversion, two Unison mic preamps, and a suite of built-in effects, putting album-quality recording on your desktop. This 2 x 4 Thunderbolt 3 bus-powered audio interface for Mac and Windows includes a generous collection of UAD plug-ins to record vocals and instruments through, at near-zero latency — plus it offers full integration with Universal Audio\'s groundbreaking new LUNA Recording System.<br /><br />\n<h3> Apollo Solo USB Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Desktop 2x4 USB 3 audio interface for Windows 10 with class‑leading 24‑bit/192 kHz audio conversion</span></li>\n	<li>Unison mic preamp and guitar amp emulations from Neve,® API,® Manley,® Marshall,® Fender,® and more*</li>\n	<li>Realtime UAD Processing allows near‑zero latency tracking with classic UAD plug‑in effects, regardless of software buffer setting</li>\n	<li>Includes studio compressors, EQs, reverbs, and guitar amp emulations, and more as part of “Realtime Analog Classics” bundle</li>\n	<li>Best‑in‑class headphone amplifier for loud, detailed, low‑noise monitoring</li>\n	<li>USB 3 (Type‑C) cable sold separately</li>\n</ul>\n<br />\n<h3>Unison™ Technology for Stunning Mic and Guitar Preamp Emulations</h3>\nApollo Solo USB\'s Unison technology gives you the tone, touch and “feel” of the world\'s most sought-after tube and transformer-based mic preamps and guitar amps. It includes the UA 610-B Tube Preamp, Marshall® Plexi Classic Amplifier, and Ampeg SVT-VR Classic Bass Amp plug-ins — and can be expanded with exclusive titles from Neve,® Avalon,® SSL,® Fender,® and more. The secret is a unique hardware-software integration, which adjusts the impedance of Apollo\'s instrument and mic preamps to match the emulated hardware — for authentic analog sound unmatched by other recording interfaces.\n<br /><br />\n<h3>Realtime UAD Plug-In Processing for Recording with Near-Zero Latency </h3>\n	Derived from Universal Audio’s award-winning Apollo interfaces, Apollo Solo USB opens up a range of classic analog color via its Realtime UAD Processing. Featuring an onboard UAD-2 SOLO Core processor, Apollo Solo USB lets you monitor and record through the full library of UAD Powered Plug-Ins — at near-zero latency, regardless of your audio software buffer setting. It’s like having a virtual analog studio that fits in a laptop bag.\n<br /><br />\nThe UAD library features more than 100 titles and offers everything from classic Moog filters to Ampex tape to Lexicon reverbs — with more being added every few months.* These are the exact same UAD plug-ins used on hit records by Billie Eilish, Kendrick Lamar, Dr. Dre, Foo Fighters, and many more.\n<br /><br />\n<h3>Built for Musicians, Electronic Producers, and Songwriters </h3>\nApollo Solo USB\'s robust all-metal construction, best-in-class headphone amplifier, and superior audio conversion is perfect for musicians, songwriters, and electronic music producers who need UA quality in a compact package. \n<br /><br />\n<h3>Includes “Realtime Analog Classics” UAD Powered Plug-Ins Bundle:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">UA 610-B Tube Preamp and EQ</span></li>\n	<li>Marshall Plexi Classic Guitar Amp </li>\n	<li>Ampeg SVT-VR Classic Bass Amp </li>\n	<li>Raw Distortion Guitar Pedal</li>\n	<li>Teletronix® LA-2A Compressor Legacy</li>\n	<li>UA 1176LN® Compressor Legacy</li>\n	<li>UA 1176SE Compressor Legacy</li>\n	<li>Pultec® EQP-1A EQ Legacy</li>\n	<li>Pultec® Pro EQ Legacy</li>\n	<li>Precision Delay Modulation</li>\n	<li>Precision Delay Modulation L</li>\n	<li>Precision Reflection Engine</li>\n	<li>Precision Channel Strip</li>\n	<li>Realverb Pro</li>\n</ul>\n<br />'),(11882,75,1,1981,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br />Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br />Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br />Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br />Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br />UAD Plug-ins</h3>\n				<hr />\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br />Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br /><hr /><br />\n\n<h1>Universal Audio Apollo USB Heritage Edition - Audio Interface </h1>\n<i>Apollo Solo USB is a desktop 2x4 USB audio interface with class-leading 24-bit/192 kHz audio conversion, two Unison mic preamps, and UAD Effect Plug-ins. Windows compatible. Now includes \"Heritage Edition\" Plug-in Bundle featuring $1,345 worth of UAD plug-ins!</i><br /><br />\nThe Universal Audio Apollo Solo USB audio interface features class-leading Universal Audio conversion, two Unison mic preamps, and a suite of built-in effects, putting album-quality recording on your desktop. This 2 x 4 Thunderbolt 3 bus-powered audio interface for Mac and Windows includes a generous collection of UAD plug-ins to record vocals and instruments through, at near-zero latency — plus it offers full integration with Universal Audio\'s groundbreaking new LUNA Recording System.<br /><br />\n<h3> Apollo Solo USB Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Desktop 2x4 USB 3 audio interface for Windows 10 with class‑leading 24‑bit/192 kHz audio conversion</span></li>\n	<li>Unison mic preamp and guitar amp emulations from Neve,® API,® Manley,® Marshall,® Fender,® and more*</li>\n	<li>Realtime UAD Processing allows near‑zero latency tracking with classic UAD plug‑in effects, regardless of software buffer setting</li>\n	<li>Includes studio compressors, EQs, reverbs, and guitar amp emulations, and more as part of “Realtime Analog Classics” bundle</li>\n	<li>Best‑in‑class headphone amplifier for loud, detailed, low‑noise monitoring</li>\n	<li>USB 3 (Type‑C) cable sold separately</li>\n</ul>\n<br />\n<h3>Unison™ Technology for Stunning Mic and Guitar Preamp Emulations</h3>\nApollo Solo USB\'s Unison technology gives you the tone, touch and “feel” of the world\'s most sought-after tube and transformer-based mic preamps and guitar amps. It includes the UA 610-B Tube Preamp, Marshall® Plexi Classic Amplifier, and Ampeg SVT-VR Classic Bass Amp plug-ins — and can be expanded with exclusive titles from Neve,® Avalon,® SSL,® Fender,® and more. The secret is a unique hardware-software integration, which adjusts the impedance of Apollo\'s instrument and mic preamps to match the emulated hardware — for authentic analog sound unmatched by other recording interfaces.\n<br /><br />\n<h3>Realtime UAD Plug-In Processing for Recording with Near-Zero Latency </h3>\n	Derived from Universal Audio’s award-winning Apollo interfaces, Apollo Solo USB opens up a range of classic analog color via its Realtime UAD Processing. Featuring an onboard UAD-2 SOLO Core processor, Apollo Solo USB lets you monitor and record through the full library of UAD Powered Plug-Ins — at near-zero latency, regardless of your audio software buffer setting. It’s like having a virtual analog studio that fits in a laptop bag.\n<br /><br />\nThe UAD library features more than 100 titles and offers everything from classic Moog filters to Ampex tape to Lexicon reverbs — with more being added every few months.* These are the exact same UAD plug-ins used on hit records by Billie Eilish, Kendrick Lamar, Dr. Dre, Foo Fighters, and many more.\n<br /><br />\n<h3>Built for Musicians, Electronic Producers, and Songwriters </h3>\nApollo Solo USB\'s robust all-metal construction, best-in-class headphone amplifier, and superior audio conversion is perfect for musicians, songwriters, and electronic music producers who need UA quality in a compact package. \n<br /><br />\n<h3>Includes “Realtime Analog Classics” UAD Powered Plug-Ins Bundle:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">UA 610-B Tube Preamp and EQ</span></li>\n	<li>Marshall Plexi Classic Guitar Amp </li>\n	<li>Ampeg SVT-VR Classic Bass Amp </li>\n	<li>Raw Distortion Guitar Pedal</li>\n	<li>Teletronix® LA-2A Compressor Legacy</li>\n	<li>UA 1176LN® Compressor Legacy</li>\n	<li>UA 1176SE Compressor Legacy</li>\n	<li>Pultec® EQP-1A EQ Legacy</li>\n	<li>Pultec® Pro EQ Legacy</li>\n	<li>Precision Delay Modulation</li>\n	<li>Precision Delay Modulation L</li>\n	<li>Precision Reflection Engine</li>\n	<li>Precision Channel Strip</li>\n	<li>Realverb Pro</li>\n</ul>\n<br />'),(11883,85,0,1981,''),(11884,85,1,1981,''),(11885,76,0,1981,''),(11886,76,1,1981,''),(11887,75,0,1982,'<h1>Universal Audio Apollo Thunderbolt 2 Option Card</h1>\n<span style=\"font-size:16px; font-style:italic;\">A Bandwidth and Connectivity Boost for your Apollo Audio Interface.</span><br /><br />\nThe Thunderbolt™ 2 Option Card for the Apollo and Apollo 16 audio interfaces provides blazing fast PCIe audio drivers, greater UAD plug-in instances, improved performance at higher sample rates, and reduced UAD plug-in latency versus Apollo’s standard FireWire connection. Compatible with Intel’s Thunderbolt technology on the latest generation of iMacs®, MacBook® Pros, MacBook Airs®, and Mac minis, the Thunderbolt 2 Option Card offers unrivaled bandwidth and next-generation connectivity for the Apollo interface.*<br /><br />\nThe user-installable Thunderbolt 2 Option Card includes two Thunderbolt ports, and easily slides into the expansion bay of the Apollo. Bus power is provided to downstream Thunderbolt devices, allowing music producers to connect Thunderbolt peripherals in series with the Apollo interface — including hard drives, processors, and computer displays.<br /><br />\n<h3>Thunderbolt 2 Option Card Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Add unrivaled bandwidth and next-generation connectivity to your Apollo interface.</span></li><li>Get more UAD plug-in instances, improved performance at higher sample rates, and reduced UAD plug-in latency</li><li>Connect Thunderbolt peripherals in series with the Apollo interface — including hard drives, computer monitors, and 4K displays</li><li>Provide bus power to downstream Thunderbolt devices</li>\n	<li>Thunderbolt cable sold separately</li>\n</ul>\n<br />\n* Compatible with all Thunderbolt-equipped Macs. Thunderbolt connectivity will disable Apollo Interface Firewire ports — they cannot be used simultaneously.'),(11888,75,1,1982,'<h1>Universal Audio Apollo Thunderbolt 2 Option Card</h1>\n<span style=\"font-size:16px; font-style:italic;\">A Bandwidth and Connectivity Boost for your Apollo Audio Interface.</span><br /><br />\nThe Thunderbolt™ 2 Option Card for the Apollo and Apollo 16 audio interfaces provides blazing fast PCIe audio drivers, greater UAD plug-in instances, improved performance at higher sample rates, and reduced UAD plug-in latency versus Apollo’s standard FireWire connection. Compatible with Intel’s Thunderbolt technology on the latest generation of iMacs®, MacBook® Pros, MacBook Airs®, and Mac minis, the Thunderbolt 2 Option Card offers unrivaled bandwidth and next-generation connectivity for the Apollo interface.*<br /><br />\nThe user-installable Thunderbolt 2 Option Card includes two Thunderbolt ports, and easily slides into the expansion bay of the Apollo. Bus power is provided to downstream Thunderbolt devices, allowing music producers to connect Thunderbolt peripherals in series with the Apollo interface — including hard drives, processors, and computer displays.<br /><br />\n<h3>Thunderbolt 2 Option Card Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Add unrivaled bandwidth and next-generation connectivity to your Apollo interface.</span></li><li>Get more UAD plug-in instances, improved performance at higher sample rates, and reduced UAD plug-in latency</li><li>Connect Thunderbolt peripherals in series with the Apollo interface — including hard drives, computer monitors, and 4K displays</li><li>Provide bus power to downstream Thunderbolt devices</li>\n	<li>Thunderbolt cable sold separately</li>\n</ul>\n<br />\n* Compatible with all Thunderbolt-equipped Macs. Thunderbolt connectivity will disable Apollo Interface Firewire ports — they cannot be used simultaneously.'),(11889,85,0,1982,'Universal Audio Apollo Thunderbolt 2 Option Card'),(11890,85,1,1982,'Universal Audio Apollo Thunderbolt 2 Option Card'),(11891,76,0,1982,''),(11892,76,1,1982,''),(11893,75,0,1983,'<h1>Universal Audio Apollo Thunderbolt 3 Option Card</h1>\n<i>Upgrade your Firewire Apollo Interface with this ultra-high bandwidth Thunderbolt 3 Option Card.</i><br /><br />The Thunderbolt 3 Option Card for rackmount Apollo audio interfaces allows music and audio producers to connect their Apollo directly to compatible Mac or Windows systems using Thunderbolt 3. This user-installable card offers two Thunderbolt 3 ports, and provides 15W bus power to all downstream Thunderbolt 3 peripherals — perfect for daisy-chaining additional Apollo interfaces and UAD-2 Satellite DSP Accelerators, modern storage solutions, 4K displays, and more.<br /><br />\n<h3>Thunderbolt 3 Option Card Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Add the latest generation Thunderbolt 3 connectivity to your rackmount Apollo interface</span></li><li>Get two Thunderbolt 3 ports for daisy-chaining Apollos or other peripherals</li><li>Supply 40 Gbps bandwidth for peripherals including 4K displays and hard drives</li><li>Provide 15W bus power to downstream Thunderbolt devices</li><li>Thunderbolt cable sold separately</li>\n</ul>\n<br />\n* Compatible with all Thunderbolt-equipped Macs. Thunderbolt connectivity will disable Apollo Interface Firewire ports — they cannot be used simultaneously.'),(11894,75,1,1983,'<h1>Universal Audio Apollo Thunderbolt 3 Option Card</h1>\n<i>Upgrade your Firewire Apollo Interface with this ultra-high bandwidth Thunderbolt 3 Option Card.</i><br /><br />The Thunderbolt 3 Option Card for rackmount Apollo audio interfaces allows music and audio producers to connect their Apollo directly to compatible Mac or Windows systems using Thunderbolt 3. This user-installable card offers two Thunderbolt 3 ports, and provides 15W bus power to all downstream Thunderbolt 3 peripherals — perfect for daisy-chaining additional Apollo interfaces and UAD-2 Satellite DSP Accelerators, modern storage solutions, 4K displays, and more.<br /><br />\n<h3>Thunderbolt 3 Option Card Key Features</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Add the latest generation Thunderbolt 3 connectivity to your rackmount Apollo interface</span></li><li>Get two Thunderbolt 3 ports for daisy-chaining Apollos or other peripherals</li><li>Supply 40 Gbps bandwidth for peripherals including 4K displays and hard drives</li><li>Provide 15W bus power to downstream Thunderbolt devices</li><li>Thunderbolt cable sold separately</li>\n</ul>\n<br />\n* Compatible with all Thunderbolt-equipped Macs. Thunderbolt connectivity will disable Apollo Interface Firewire ports — they cannot be used simultaneously.'),(11895,85,0,1983,'Universal Audio Apollo Thunderbolt 3 Option Card'),(11896,85,1,1983,'Universal Audio Apollo Thunderbolt 3 Option Card'),(11897,76,0,1983,''),(11898,76,1,1983,''),(11899,75,0,1984,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br/>Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br/>Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br/>Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br/>Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br/>Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br/><hr/><br/>\n\n<h1>Universal Audio Apollo Twin MkII DUO Heritage Edition</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Apollo Twin MKII Desktop 2x6 Thunderbolt Audio Interface w/ Realtime UAD-2 DUO Core Processing for Mac and Windows. </span><i>Now includes \"Heritage Edition\" Plug-in Bundle featuring $1,345 worth of UAD plug-ins!</i><br/><br/>\nThe Universal Audio Apollo Twin MkII DUO is a 2x6 Thunderbolt audio interface with UAD-2 DUO core processing and the successor to the world\'s most popular professional desktop recording interface for Mac and Windows. The New Apollo Twin MK II, a ground-up redesign of the original Apollo Twin, delivers next-generation sound quality with Unison Technology, Realtime UAD-2 Processing, talkback functionality and improved monitoring functions to Mac and Windows users over Thunderbolt, plus a new model that adds <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">UAD-2 QUAD</a> processing to the line-up.<br/><br/>\n<h3>Apollo Twin MKII Key Features</h3>\n<ul>\n	<li>Desktop 2x6 Thunderbolt audio interface for Mac and Windows with next-generation 24-bit/192 kHz audio conversion </li>\n	<li>UAD-2 DUO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency*</li>\n	<li>Unison™ technology offers stunning models of classic tube and transformer-based preamps, guitar amps, and stompboxes</li>\n	<li>Built-in talkback mic for communication with studio talent and recording slate cues</li>\n	<li>Improved monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls </li>\n	<li>2 premium Unison mic/line preamps; 2 line outputs; front-panel Hi-Z instrument input and headphone output</li>\n	<li>2 digitally controlled analog monitor outputs for full resolution at all listening levels</li>\n	<li>Up to 8 channels of additional digital input via Optical TOSLINK connection</li>\n	<li>Includes Realtime Analog Classics UAD plug-in bundle, featuring Legacy versions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, Raw Distortion, 610-B Tube Preamp & EQ, and more</li>\n	<li>Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs</li>\n	<li>Uncompromising analog design, superior components, and premium build quality</li>\n</ul>\n<br/>\n<h3>Next-Generation Apollo A/D and D/A Conversion</h3>\nApollo Twin MkII improves upon the original Apollo Twin’s gold-standard audio quality with completely redesigned A/D and D/A conversion — giving you increased dynamic range and ultra-low THD. This next-generation conversion results in breathtaking clarity, depth, and accuracy in recordings — as heard on hit records by Kendrick Lamar, Coldplay, Brad Paisley, and more. \n<br/><br/>\n<h3>Unison™ Mic Preamp Emulation Technology for Neve, API, Manley, UA & More</h3>\nA Universal Audio breakthrough, Apollo Twin MkII’s Unison technology gives you the genuine tone of the world’s most sought-after tube and transformer-based mic preamps — including Neve,® API,® Manley,® and UA — complete with their signature impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n<br/><br/>\nBased on Apollo Twin MkII’s unrivaled hardware-software integration, Unison lets you record at near-zero latency through preamp emulations like the included UA 610-B Tube Preamp, for authentic analog sound unmatched by other interfaces. Unison technology is also found on Apollo Twin MkII’s front panel Hi-Z instrument input, providing dead-on impedance and gain matching for exclusive guitar and bass amp models from Fender,® Marshall,® Ampeg,® and more. <br/><br/>\n<h3>Realtime UAD-2 Processing — a Studio Full of Analog Sounds</h3>\nBuilding upon the Apollo tradition, Apollo Twin MkII opens up a range of classic analog tones and color via its Realtime UAD Processing. Available with a choice of UAD-2 QUAD, DUO, or SOLO Core processing onboard, Apollo Twin lets you record through the full range of UAD Powered Plug-Ins — at near-zero latency — including genuine analog emulations from Neve, Studer, Ampex, API, Lexicon, Manley, Fender, and more.*\n<br/><br/>\nRight out of the box, the Apollo Twin MkII includes the “Realtime Analog Classics” suite of UAD plug-ins — the UA 610-B Tube Preamp & EQ, Raw Distortion, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, legacy LA-2A and 1176LN compressors, Pultec EQs, and more — so you have a rack full of bonafide audio classics already onboard. <br/><br/>\nUnlike competing interfaces, the Apollo Twin MkII powers UAD plug-ins inside all major DAWs for mixing and mastering (VST, RTAS, AU, AAX 64 format), greatly offloading the processing required from your host Mac or PC.<br/><br/>\n<h3>Available with UAD-2 QUAD, DUO, and SOLO Core Processing</h3>\nIn addition to the popular \n<a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-SOLO-p/ua-apollo-twin-mkii-solo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 SOLO</a> and <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-DUO-p/ua-apollo-twin-mkii-duo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 DUO</a> Core models, Apollo Twin MkII is available in an ultra-powerful <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 QUAD</a> Core model, allowing more plug-in horsepower for running the most complex and convincing analog emulations on the market. <br/><br/>\n<h3>Built to Record: Improved Monitoring and Workflow</h3>\nApollo Twin MkII offers greatly improved monitor functionality versus the original Apollo Twin — with Mute, DIM, Mono, and ALT speaker switching. It also includes monitor remote controls and a built-in talkback mic for easy communication with talent and/or recording slate cues. These features, combined with Apollo Twin MkII’s scalability, make it the new standard for professional desktop recording.\n<br/><br/>\n<h3>Professional Performance and Scalability with Console 2</h3>\nUsers of Apollo Twin MkII can combine up to four Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Once you expand your studio with an Apollo 8, 8p, or 16 rackmount unit, you can use Apollo Twin as a desktop monitor control while still tapping its additional I/O and DSP power.\n<br/><br/>\n*Apollo Twin MkII includes the \"Realtime Analog Classics\" UAD plug-in bundle. All other plug-ins are sold separately at www.uaudio.com. All trademarks are property of their respective owners. <br/><br/>\n<h3>Included in the Realtime Analog Classics Bundle:</h3>\n<ul>\n	<li>UA 610-B Tube Preamp & EQ                                  </li>\n	<li>UA 1176LN Limiting Amplifier (Legacy)                      </li>\n	<li>UA 1176SE Limiting Amplifier (Legacy)                      </li>\n	<li>Pultec EQP-1A EQ (Legacy)                                  </li>\n	<li>Pultec Pro EQ (Legacy)                                     </li>\n	<li>Teletronix LA-2A Leveling Amplifer (Legacy)                </li>\n	<li>Raw Distortion                                             </li>\n	<li>SVT-VR Classic Bass Amp,</li>\n	<li>Marshall Plexi Classic Guitar Amp</li>\n	<li>Precision Channel Strip (Precision Mix Rack Collection)    </li>\n	<li>Precision Reflection Engine (Precision Mix Rack Collection)</li>\n	<li>Precision Delay Mod (Precision Mix Rack Collection)        </li>\n	<li>Precision Delay Mod L (Precision Mix Rack Collection)      </li>\n	<li>RealVerb Pro Custom Room Modeler                           </li>\n</ul>\n<br/><br/>\n<h3>With its lightning-fast thunderbolt connectivity and breakthrough Unison technology mic preamp emulation, the UA Apollo Twin MKII sets a new standard in desktop recording with classic analog sound. For more information, call or chat with an RSPE representative.</h3>\n<br/>'),(11900,75,1,1984,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$299</span></b><br/>Save up to $399!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$399</span></b><br/>Save up to $648!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$699</span></b><br/>Save up to $1,245!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\">$999</span></b><br/>Save up to $2,140!\n				</p>\n			</div>\n		</div>\n		<div class=\"column fifth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: 36pt;color:#0060a9!important;\">107</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: 24pt; color:#0060a9!important;\"> $3999</span></b><br/>Save over $12,500!\n				</p>\n</div>\n</div>\n</div>\n</div>\n<br/><hr/><br/>\n\n<h1>Universal Audio Apollo Twin MkII DUO Heritage Edition</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Apollo Twin MKII Desktop 2x6 Thunderbolt Audio Interface w/ Realtime UAD-2 DUO Core Processing for Mac and Windows. </span><i>Now includes \"Heritage Edition\" Plug-in Bundle featuring $1,345 worth of UAD plug-ins!</i><br/><br/>\nThe Universal Audio Apollo Twin MkII DUO is a 2x6 Thunderbolt audio interface with UAD-2 DUO core processing and the successor to the world\'s most popular professional desktop recording interface for Mac and Windows. The New Apollo Twin MK II, a ground-up redesign of the original Apollo Twin, delivers next-generation sound quality with Unison Technology, Realtime UAD-2 Processing, talkback functionality and improved monitoring functions to Mac and Windows users over Thunderbolt, plus a new model that adds <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">UAD-2 QUAD</a> processing to the line-up.<br/><br/>\n<h3>Apollo Twin MKII Key Features</h3>\n<ul>\n	<li>Desktop 2x6 Thunderbolt audio interface for Mac and Windows with next-generation 24-bit/192 kHz audio conversion </li>\n	<li>UAD-2 DUO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency*</li>\n	<li>Unison™ technology offers stunning models of classic tube and transformer-based preamps, guitar amps, and stompboxes</li>\n	<li>Built-in talkback mic for communication with studio talent and recording slate cues</li>\n	<li>Improved monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls </li>\n	<li>2 premium Unison mic/line preamps; 2 line outputs; front-panel Hi-Z instrument input and headphone output</li>\n	<li>2 digitally controlled analog monitor outputs for full resolution at all listening levels</li>\n	<li>Up to 8 channels of additional digital input via Optical TOSLINK connection</li>\n	<li>Includes Realtime Analog Classics UAD plug-in bundle, featuring Legacy versions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, Raw Distortion, 610-B Tube Preamp & EQ, and more</li>\n	<li>Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs</li>\n	<li>Uncompromising analog design, superior components, and premium build quality</li>\n</ul>\n<br/>\n<h3>Next-Generation Apollo A/D and D/A Conversion</h3>\nApollo Twin MkII improves upon the original Apollo Twin’s gold-standard audio quality with completely redesigned A/D and D/A conversion — giving you increased dynamic range and ultra-low THD. This next-generation conversion results in breathtaking clarity, depth, and accuracy in recordings — as heard on hit records by Kendrick Lamar, Coldplay, Brad Paisley, and more. \n<br/><br/>\n<h3>Unison™ Mic Preamp Emulation Technology for Neve, API, Manley, UA & More</h3>\nA Universal Audio breakthrough, Apollo Twin MkII’s Unison technology gives you the genuine tone of the world’s most sought-after tube and transformer-based mic preamps — including Neve,® API,® Manley,® and UA — complete with their signature impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n<br/><br/>\nBased on Apollo Twin MkII’s unrivaled hardware-software integration, Unison lets you record at near-zero latency through preamp emulations like the included UA 610-B Tube Preamp, for authentic analog sound unmatched by other interfaces. Unison technology is also found on Apollo Twin MkII’s front panel Hi-Z instrument input, providing dead-on impedance and gain matching for exclusive guitar and bass amp models from Fender,® Marshall,® Ampeg,® and more. <br/><br/>\n<h3>Realtime UAD-2 Processing — a Studio Full of Analog Sounds</h3>\nBuilding upon the Apollo tradition, Apollo Twin MkII opens up a range of classic analog tones and color via its Realtime UAD Processing. Available with a choice of UAD-2 QUAD, DUO, or SOLO Core processing onboard, Apollo Twin lets you record through the full range of UAD Powered Plug-Ins — at near-zero latency — including genuine analog emulations from Neve, Studer, Ampex, API, Lexicon, Manley, Fender, and more.*\n<br/><br/>\nRight out of the box, the Apollo Twin MkII includes the “Realtime Analog Classics” suite of UAD plug-ins — the UA 610-B Tube Preamp & EQ, Raw Distortion, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, legacy LA-2A and 1176LN compressors, Pultec EQs, and more — so you have a rack full of bonafide audio classics already onboard. <br/><br/>\nUnlike competing interfaces, the Apollo Twin MkII powers UAD plug-ins inside all major DAWs for mixing and mastering (VST, RTAS, AU, AAX 64 format), greatly offloading the processing required from your host Mac or PC.<br/><br/>\n<h3>Available with UAD-2 QUAD, DUO, and SOLO Core Processing</h3>\nIn addition to the popular \n<a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-SOLO-p/ua-apollo-twin-mkii-solo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 SOLO</a> and <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-DUO-p/ua-apollo-twin-mkii-duo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 DUO</a> Core models, Apollo Twin MkII is available in an ultra-powerful <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 QUAD</a> Core model, allowing more plug-in horsepower for running the most complex and convincing analog emulations on the market. <br/><br/>\n<h3>Built to Record: Improved Monitoring and Workflow</h3>\nApollo Twin MkII offers greatly improved monitor functionality versus the original Apollo Twin — with Mute, DIM, Mono, and ALT speaker switching. It also includes monitor remote controls and a built-in talkback mic for easy communication with talent and/or recording slate cues. These features, combined with Apollo Twin MkII’s scalability, make it the new standard for professional desktop recording.\n<br/><br/>\n<h3>Professional Performance and Scalability with Console 2</h3>\nUsers of Apollo Twin MkII can combine up to four Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Once you expand your studio with an Apollo 8, 8p, or 16 rackmount unit, you can use Apollo Twin as a desktop monitor control while still tapping its additional I/O and DSP power.\n<br/><br/>\n*Apollo Twin MkII includes the \"Realtime Analog Classics\" UAD plug-in bundle. All other plug-ins are sold separately at www.uaudio.com. All trademarks are property of their respective owners. <br/><br/>\n<h3>Included in the Realtime Analog Classics Bundle:</h3>\n<ul>\n	<li>UA 610-B Tube Preamp & EQ                                  </li>\n	<li>UA 1176LN Limiting Amplifier (Legacy)                      </li>\n	<li>UA 1176SE Limiting Amplifier (Legacy)                      </li>\n	<li>Pultec EQP-1A EQ (Legacy)                                  </li>\n	<li>Pultec Pro EQ (Legacy)                                     </li>\n	<li>Teletronix LA-2A Leveling Amplifer (Legacy)                </li>\n	<li>Raw Distortion                                             </li>\n	<li>SVT-VR Classic Bass Amp,</li>\n	<li>Marshall Plexi Classic Guitar Amp</li>\n	<li>Precision Channel Strip (Precision Mix Rack Collection)    </li>\n	<li>Precision Reflection Engine (Precision Mix Rack Collection)</li>\n	<li>Precision Delay Mod (Precision Mix Rack Collection)        </li>\n	<li>Precision Delay Mod L (Precision Mix Rack Collection)      </li>\n	<li>RealVerb Pro Custom Room Modeler                           </li>\n</ul>\n<br/><br/>\n<h3>With its lightning-fast thunderbolt connectivity and breakthrough Unison technology mic preamp emulation, the UA Apollo Twin MKII sets a new standard in desktop recording with classic analog sound. For more information, call or chat with an RSPE representative.</h3>\n<br/>'),(11901,85,0,1984,''),(11902,85,1,1984,''),(11903,76,0,1984,''),(11904,76,1,1984,''),(11905,75,0,1985,'<h1>Universal Audio Apollo Twin MkII QUAD</h1>\n<i>Apollo Twin MKII Desktop 2x6 Thunderbolt Audio Interface w/ Realtime UAD-2 QUAD Core Processing for Mac and Windows.</i><br/><br/>\nThe Universal Audio Apollo Twin MkII QUAD is a 2x6 Thunderbolt audio interface with UAD-2 QUAD core processing and the successor to the world\'s most popular professional desktop recording interface for Mac and Windows. The New Apollo Twin MK II, a ground-up redesign of the original Apollo Twin, delivers next-generation sound quality with Unison Technology, Realtime UAD-2 Processing, talkback functionality and improved monitoring functions to Mac and Windows users over Thunderbolt, plus a new model that adds <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">UAD-2 QUAD</a> processing to the line-up.<br/><br/>\n<h3>Apollo Twin MKII Key Features</h3>\n<ul>\n	<li>Desktop 2x6 Thunderbolt audio interface for Mac and Windows with next-generation 24-bit/192 kHz audio conversion </li>\n	<li>UAD-2 QUAD Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency*</li>\n	<li>Unison™ technology offers stunning models of classic tube and transformer-based preamps, guitar amps, and stompboxes</li>\n	<li>Built-in talkback mic for communication with studio talent and recording slate cues</li>\n	<li>Improved monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls </li>\n	<li>2 premium Unison mic/line preamps; 2 line outputs; front-panel Hi-Z instrument input and headphone output</li>\n	<li>2 digitally controlled analog monitor outputs for full resolution at all listening levels</li>\n	<li>Up to 8 channels of additional digital input via Optical TOSLINK connection</li>\n	<li>Includes Realtime Analog Classics UAD plug-in bundle, featuring Legacy versions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, Raw Distortion, 610-B Tube Preamp & EQ, and more</li>\n	<li>Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs</li>\n	<li>Uncompromising analog design, superior components, and premium build quality</li>\n</ul>\n<br/>\n<h3>Next-Generation Apollo A/D and D/A Conversion</h3>\nApollo Twin MkII improves upon the original Apollo Twin’s gold-standard audio quality with completely redesigned A/D and D/A conversion — giving you increased dynamic range and ultra-low THD. This next-generation conversion results in breathtaking clarity, depth, and accuracy in recordings — as heard on hit records by Kendrick Lamar, Coldplay, Brad Paisley, and more. \n<br/><br/>\n<h3>Unison™ Mic Preamp Emulation Technology for Neve, API, Manley, UA & More</h3>\nA Universal Audio breakthrough, Apollo Twin MkII’s Unison technology gives you the genuine tone of the world’s most sought-after tube and transformer-based mic preamps — including Neve,® API,® Manley,® and UA — complete with their signature impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n<br/><br/>\nBased on Apollo Twin MkII’s unrivaled hardware-software integration, Unison lets you record at near-zero latency through preamp emulations like the included UA 610-B Tube Preamp, for authentic analog sound unmatched by other interfaces. Unison technology is also found on Apollo Twin MkII’s front panel Hi-Z instrument input, providing dead-on impedance and gain matching for exclusive guitar and bass amp models from Fender,® Marshall,® Ampeg,® and more. <br/><br/>\n<h3>Realtime UAD-2 Processing — a Studio Full of Analog Sounds</h3>\nBuilding upon the Apollo tradition, Apollo Twin MkII opens up a range of classic analog tones and color via its Realtime UAD Processing. Available with a choice of UAD-2 QUAD, DUO, or SOLO Core processing onboard, Apollo Twin lets you record through the full range of UAD Powered Plug-Ins — at near-zero latency — including genuine analog emulations from Neve, Studer, Ampex, API, Lexicon, Manley, Fender, and more.*\n<br/><br/>\nRight out of the box, the Apollo Twin MkII includes the “Realtime Analog Classics” suite of UAD plug-ins — the UA 610-B Tube Preamp & EQ, Raw Distortion, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, legacy LA-2A and 1176LN compressors, Pultec EQs, and more — so you have a rack full of bonafide audio classics already onboard. <br/><br/>\nUnlike competing interfaces, the Apollo Twin MkII powers UAD plug-ins inside all major DAWs for mixing and mastering (VST, RTAS, AU, AAX 64 format), greatly offloading the processing required from your host Mac or PC.<br/><br/>\n<h3>Available with UAD-2 QUAD, DUO, and SOLO Core Processing</h3>\nIn addition to the popular \n<a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-SOLO-p/ua-apollo-twin-mkii-solo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 SOLO</a> and <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-DUO-p/ua-apollo-twin-mkii-duo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 DUO</a> Core models, Apollo Twin MkII is available in an ultra-powerful <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 QUAD</a> Core model, allowing more plug-in horsepower for running the most complex and convincing analog emulations on the market. <br/><br/>\n<h3>Built to Record: Improved Monitoring and Workflow</h3>\nApollo Twin MkII offers greatly improved monitor functionality versus the original Apollo Twin — with Mute, DIM, Mono, and ALT speaker switching. It also includes monitor remote controls and a built-in talkback mic for easy communication with talent and/or recording slate cues. These features, combined with Apollo Twin MkII’s scalability, make it the new standard for professional desktop recording.\n<br/><br/>\n<h3>Professional Performance and Scalability with Console 2</h3>\nUsers of Apollo Twin MkII can combine up to four Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Once you expand your studio with an Apollo 8, 8p, or 16 rackmount unit, you can use Apollo Twin as a desktop monitor control while still tapping its additional I/O and DSP power.\n<br/><br/>\n*Apollo Twin MkII includes the \"Realtime Analog Classics\" UAD plug-in bundle. All other plug-ins are sold separately at www.uaudio.com. All trademarks are property of their respective owners. <br/><br/>\n<h3>Included in the Realtime Analog Classics Bundle:</h3>\n<ul>\n	<li>UA 610-B Tube Preamp & EQ                                  </li>\n	<li>UA 1176LN Limiting Amplifier (Legacy)                      </li>\n	<li>UA 1176SE Limiting Amplifier (Legacy)                      </li>\n	<li>Pultec EQP-1A EQ (Legacy)                                  </li>\n	<li>Pultec Pro EQ (Legacy)                                     </li>\n	<li>Teletronix LA-2A Leveling Amplifer (Legacy)                </li>\n	<li>Raw Distortion                                             </li>\n	<li>SVT-VR Classic Bass Amp</li>\n	<li>Marshall Plexi Classic Guitar Amp</li>\n	<li>Precision Channel Strip (Precision Mix Rack Collection)    </li>\n	<li>Precision Reflection Engine (Precision Mix Rack Collection)</li>\n	<li>Precision Delay Mod (Precision Mix Rack Collection)        </li>\n	<li>Precision Delay Mod L (Precision Mix Rack Collection)      </li>\n	<li>RealVerb Pro Custom Room Modeler                           </li>\n</ul>\n<br/><br/>\n<h3>With its lightning-fast thunderbolt connectivity and breakthrough Unison technology mic preamp emulation, the UA Apollo Twin MKII sets a new standard in desktop recording with classic analog sound. For more information, call or chat with an RSPE representative.</h3>\n<br/>'),(11906,75,1,1985,'<h1>Universal Audio Apollo Twin MkII QUAD</h1>\n<i>Apollo Twin MKII Desktop 2x6 Thunderbolt Audio Interface w/ Realtime UAD-2 QUAD Core Processing for Mac and Windows.</i><br/><br/>\nThe Universal Audio Apollo Twin MkII QUAD is a 2x6 Thunderbolt audio interface with UAD-2 QUAD core processing and the successor to the world\'s most popular professional desktop recording interface for Mac and Windows. The New Apollo Twin MK II, a ground-up redesign of the original Apollo Twin, delivers next-generation sound quality with Unison Technology, Realtime UAD-2 Processing, talkback functionality and improved monitoring functions to Mac and Windows users over Thunderbolt, plus a new model that adds <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">UAD-2 QUAD</a> processing to the line-up.<br/><br/>\n<h3>Apollo Twin MKII Key Features</h3>\n<ul>\n	<li>Desktop 2x6 Thunderbolt audio interface for Mac and Windows with next-generation 24-bit/192 kHz audio conversion </li>\n	<li>UAD-2 QUAD Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency*</li>\n	<li>Unison™ technology offers stunning models of classic tube and transformer-based preamps, guitar amps, and stompboxes</li>\n	<li>Built-in talkback mic for communication with studio talent and recording slate cues</li>\n	<li>Improved monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls </li>\n	<li>2 premium Unison mic/line preamps; 2 line outputs; front-panel Hi-Z instrument input and headphone output</li>\n	<li>2 digitally controlled analog monitor outputs for full resolution at all listening levels</li>\n	<li>Up to 8 channels of additional digital input via Optical TOSLINK connection</li>\n	<li>Includes Realtime Analog Classics UAD plug-in bundle, featuring Legacy versions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, Raw Distortion, 610-B Tube Preamp & EQ, and more</li>\n	<li>Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs</li>\n	<li>Uncompromising analog design, superior components, and premium build quality</li>\n</ul>\n<br/>\n<h3>Next-Generation Apollo A/D and D/A Conversion</h3>\nApollo Twin MkII improves upon the original Apollo Twin’s gold-standard audio quality with completely redesigned A/D and D/A conversion — giving you increased dynamic range and ultra-low THD. This next-generation conversion results in breathtaking clarity, depth, and accuracy in recordings — as heard on hit records by Kendrick Lamar, Coldplay, Brad Paisley, and more. \n<br/><br/>\n<h3>Unison™ Mic Preamp Emulation Technology for Neve, API, Manley, UA & More</h3>\nA Universal Audio breakthrough, Apollo Twin MkII’s Unison technology gives you the genuine tone of the world’s most sought-after tube and transformer-based mic preamps — including Neve,® API,® Manley,® and UA — complete with their signature impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n<br/><br/>\nBased on Apollo Twin MkII’s unrivaled hardware-software integration, Unison lets you record at near-zero latency through preamp emulations like the included UA 610-B Tube Preamp, for authentic analog sound unmatched by other interfaces. Unison technology is also found on Apollo Twin MkII’s front panel Hi-Z instrument input, providing dead-on impedance and gain matching for exclusive guitar and bass amp models from Fender,® Marshall,® Ampeg,® and more. <br/><br/>\n<h3>Realtime UAD-2 Processing — a Studio Full of Analog Sounds</h3>\nBuilding upon the Apollo tradition, Apollo Twin MkII opens up a range of classic analog tones and color via its Realtime UAD Processing. Available with a choice of UAD-2 QUAD, DUO, or SOLO Core processing onboard, Apollo Twin lets you record through the full range of UAD Powered Plug-Ins — at near-zero latency — including genuine analog emulations from Neve, Studer, Ampex, API, Lexicon, Manley, Fender, and more.*\n<br/><br/>\nRight out of the box, the Apollo Twin MkII includes the “Realtime Analog Classics” suite of UAD plug-ins — the UA 610-B Tube Preamp & EQ, Raw Distortion, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, legacy LA-2A and 1176LN compressors, Pultec EQs, and more — so you have a rack full of bonafide audio classics already onboard. <br/><br/>\nUnlike competing interfaces, the Apollo Twin MkII powers UAD plug-ins inside all major DAWs for mixing and mastering (VST, RTAS, AU, AAX 64 format), greatly offloading the processing required from your host Mac or PC.<br/><br/>\n<h3>Available with UAD-2 QUAD, DUO, and SOLO Core Processing</h3>\nIn addition to the popular \n<a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-SOLO-p/ua-apollo-twin-mkii-solo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 SOLO</a> and <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-DUO-p/ua-apollo-twin-mkii-duo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 DUO</a> Core models, Apollo Twin MkII is available in an ultra-powerful <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 QUAD</a> Core model, allowing more plug-in horsepower for running the most complex and convincing analog emulations on the market. <br/><br/>\n<h3>Built to Record: Improved Monitoring and Workflow</h3>\nApollo Twin MkII offers greatly improved monitor functionality versus the original Apollo Twin — with Mute, DIM, Mono, and ALT speaker switching. It also includes monitor remote controls and a built-in talkback mic for easy communication with talent and/or recording slate cues. These features, combined with Apollo Twin MkII’s scalability, make it the new standard for professional desktop recording.\n<br/><br/>\n<h3>Professional Performance and Scalability with Console 2</h3>\nUsers of Apollo Twin MkII can combine up to four Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Once you expand your studio with an Apollo 8, 8p, or 16 rackmount unit, you can use Apollo Twin as a desktop monitor control while still tapping its additional I/O and DSP power.\n<br/><br/>\n*Apollo Twin MkII includes the \"Realtime Analog Classics\" UAD plug-in bundle. All other plug-ins are sold separately at www.uaudio.com. All trademarks are property of their respective owners. <br/><br/>\n<h3>Included in the Realtime Analog Classics Bundle:</h3>\n<ul>\n	<li>UA 610-B Tube Preamp & EQ                                  </li>\n	<li>UA 1176LN Limiting Amplifier (Legacy)                      </li>\n	<li>UA 1176SE Limiting Amplifier (Legacy)                      </li>\n	<li>Pultec EQP-1A EQ (Legacy)                                  </li>\n	<li>Pultec Pro EQ (Legacy)                                     </li>\n	<li>Teletronix LA-2A Leveling Amplifer (Legacy)                </li>\n	<li>Raw Distortion                                             </li>\n	<li>SVT-VR Classic Bass Amp</li>\n	<li>Marshall Plexi Classic Guitar Amp</li>\n	<li>Precision Channel Strip (Precision Mix Rack Collection)    </li>\n	<li>Precision Reflection Engine (Precision Mix Rack Collection)</li>\n	<li>Precision Delay Mod (Precision Mix Rack Collection)        </li>\n	<li>Precision Delay Mod L (Precision Mix Rack Collection)      </li>\n	<li>RealVerb Pro Custom Room Modeler                           </li>\n</ul>\n<br/><br/>\n<h3>With its lightning-fast thunderbolt connectivity and breakthrough Unison technology mic preamp emulation, the UA Apollo Twin MKII sets a new standard in desktop recording with classic analog sound. For more information, call or chat with an RSPE representative.</h3>\n<br/>'),(11907,85,0,1985,''),(11908,85,1,1985,''),(11909,76,0,1985,''),(11910,76,1,1985,''),(11911,75,0,1986,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n			<h3 style=\"font-size: 1.2em; color:red;\">Limited Time Offer! Get Free bonus plug-ins with Custom Bundles.</h3>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\">$299</span></b><br/>Save up to $399!<br>&nbsp;\n				</p>\n			</div>\n		</div>\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\">$399</span></b><br/><span style=\"color:red!important;\">Get 1 More Plug-In FREE!</span>\n				</p>\n			</div>\n		</div>\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\">$699</span></b><br/><span style=\"color:red!important;\">Get 2 More Plug-Ins FREE!</span>\n				</p>\n			</div>\n		</div>\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\">$999</span></b><br/><span style=\"color:red!important;\">Get 3 More Plug-Ins FREE!</span>\n				</p>\n			</div>\n		</div>\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">104</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\"> $3199</span></b><br/>Save up to $12,500!\n				</p>\n			</div>\n		</div>\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				<span style=\"color:red!important;\">Special Offer</span>\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">LUNA</span><br/>Creator Bundle</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\">$699</span></b><br/>MacOS / Thunderbolt Only\n				</p>\n			</div>\n		</div>\n		\n</div>\n</div>\n<br/><hr/><br/>\n<h1>Universal Audio Apollo Twin MkII SOLO</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Apollo Twin MKII Desktop 2x6 Thunderbolt Audio Interface w/ Realtime UAD-2 SOLO Core Processing for Mac and Windows.</span><br/><br/>\nThe Universal Audio Apollo Twin MkII SOLO is a 2x6 Thunderbolt audio interface with UAD-2 SOLO core processing and the successor to the world\'s most popular professional desktop recording interface for Mac and Windows. The New Apollo Twin MK II, a ground-up redesign of the original Apollo Twin, delivers next-generation sound quality with Unison Technology, Realtime UAD-2 Processing, talkback functionality and improved monitoring functions to Mac and Windows users over Thunderbolt, plus a new model that adds <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">UAD-2 QUAD</a> processing to the line-up.<br/><br/>\n<h3>Apollo Twin MKII Key Features</h3>\n<ul>\n	<li>Desktop 2x6 Thunderbolt audio interface for Mac and Windows with next-generation 24-bit/192 kHz audio conversion </li>\n	<li>UAD-2 SOLO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency*</li>\n	<li>Unison™ technology offers stunning models of classic tube and transformer-based preamps, guitar amps, and stompboxes</li>\n	<li>Built-in talkback mic for communication with studio talent and recording slate cues</li>\n	<li>Improved monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls </li>\n	<li>2 premium Unison mic/line preamps; 2 line outputs; front-panel Hi-Z instrument input and headphone output</li>\n	<li>2 digitally controlled analog monitor outputs for full resolution at all listening levels</li>\n	<li>Up to 8 channels of additional digital input via Optical TOSLINK connection</li>\n	<li>Includes Realtime Analog Classics UAD plug-in bundle, featuring Legacy versions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, Raw Distortion, 610-B Tube Preamp & EQ, and more</li>\n	<li>Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs</li>\n	<li>Uncompromising analog design, superior components, and premium build quality</li>\n</ul>\n<br/>\n<h3>Next-Generation Apollo A/D and D/A Conversion</h3>\nApollo Twin MkII improves upon the original Apollo Twin’s gold-standard audio quality with completely redesigned A/D and D/A conversion — giving you increased dynamic range and ultra-low THD. This next-generation conversion results in breathtaking clarity, depth, and accuracy in recordings — as heard on hit records by Kendrick Lamar, Coldplay, Brad Paisley, and more. \n<br/><br/>\n<h3>Unison™ Mic Preamp Emulation Technology for Neve, API, Manley, UA & More</h3>\nA Universal Audio breakthrough, Apollo Twin MkII’s Unison technology gives you the genuine tone of the world’s most sought-after tube and transformer-based mic preamps — including Neve,® API,® Manley,® and UA — complete with their signature impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n<br/><br/>\nBased on Apollo Twin MkII’s unrivaled hardware-software integration, Unison lets you record at near-zero latency through preamp emulations like the included UA 610-B Tube Preamp, for authentic analog sound unmatched by other interfaces. Unison technology is also found on Apollo Twin MkII’s front panel Hi-Z instrument input, providing dead-on impedance and gain matching for exclusive guitar and bass amp models from Fender,® Marshall,® Ampeg,® and more. <br/><br/>\n<h3>Realtime UAD-2 Processing — a Studio Full of Analog Sounds</h3>\nBuilding upon the Apollo tradition, Apollo Twin MkII opens up a range of classic analog tones and color via its Realtime UAD Processing. Available with a choice of UAD-2 QUAD, DUO, or SOLO Core processing onboard, Apollo Twin lets you record through the full range of UAD Powered Plug-Ins — at near-zero latency — including genuine analog emulations from Neve, Studer, Ampex, API, Lexicon, Manley, Fender, and more.*\n<br/><br/>\nRight out of the box, the Apollo Twin MkII includes the “Realtime Analog Classics” suite of UAD plug-ins — the UA 610-B Tube Preamp & EQ, Raw Distortion, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, legacy LA-2A and 1176LN compressors, Pultec EQs, and more — so you have a rack full of bonafide audio classics already onboard. <br/><br/>\nUnlike competing interfaces, the Apollo Twin MkII powers UAD plug-ins inside all major DAWs for mixing and mastering (VST, RTAS, AU, AAX 64 format), greatly offloading the processing required from your host Mac or PC.<br/><br/>\n<h3>Available with UAD-2 QUAD, DUO, and SOLO Core Processing</h3>\nIn addition to the popular \n<a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-SOLO-p/ua-apollo-twin-mkii-solo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 SOLO</a> and <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-DUO-p/ua-apollo-twin-mkii-duo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 DUO</a> Core models, Apollo Twin MkII is available in an ultra-powerful <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 QUAD</a> Core model, allowing more plug-in horsepower for running the most complex and convincing analog emulations on the market. <br/><br/>\n<h3>Built to Record: Improved Monitoring and Workflow</h3>\nApollo Twin MkII offers greatly improved monitor functionality versus the original Apollo Twin — with Mute, DIM, Mono, and ALT speaker switching. It also includes monitor remote controls and a built-in talkback mic for easy communication with talent and/or recording slate cues. These features, combined with Apollo Twin MkII’s scalability, make it the new standard for professional desktop recording.\n<br/><br/>\n<h3>Professional Performance and Scalability with Console 2</h3>\nUsers of Apollo Twin MkII can combine up to four Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Once you expand your studio with an Apollo 8, 8p, or 16 rackmount unit, you can use Apollo Twin as a desktop monitor control while still tapping its additional I/O and DSP power.\n<br/><br/>\n*Apollo Twin MkII includes the \"Realtime Analog Classics\" UAD plug-in bundle. All other plug-ins are sold separately at www.uaudio.com. All trademarks are property of their respective owners. <br/><br/>\n<h3>Included in the Realtime Analog Classics Bundle:</h3>\n<ul>\n	<li>UA 610-B Tube Preamp & EQ                                  </li>\n	<li>UA 1176LN Limiting Amplifier (Legacy)                      </li>\n	<li>UA 1176SE Limiting Amplifier (Legacy)                      </li>\n	<li>Pultec EQP-1A EQ (Legacy)                                  </li>\n	<li>Pultec Pro EQ (Legacy)                                     </li>\n	<li>Teletronix LA-2A Leveling Amplifer (Legacy)                </li>\n	<li>Raw Distortion                                             </li>\n	<li>SVT-VR Classic Bass Amp</li>\n	<li>Marshall Plexi Classic Guitar Amp</li>\n	<li>Precision Channel Strip (Precision Mix Rack Collection)    </li>\n	<li>Precision Reflection Engine (Precision Mix Rack Collection)</li>\n	<li>Precision Delay Mod (Precision Mix Rack Collection)        </li>\n	<li>Precision Delay Mod L (Precision Mix Rack Collection)      </li>\n	<li>RealVerb Pro Custom Room Modeler                           </li>\n</ul>\n<br/><br/>\n<h3>With its lightning-fast thunderbolt connectivity and breakthrough Unison technology mic preamp emulation, the UA Apollo Twin MKII sets a new standard in desktop recording with classic analog sound. For more information, call or chat with an RSPE representative.</h3>\n<br/>'),(11912,75,1,1986,'<div class=\"vcb-snippet\">\n	<div class=\"row clearfix\">\n		<div class=\"column full center\">\n			<h2 style=\"font-size: 1.5em;\">Save even more when you package your UA hardware with a custom Plug-in bundle from RSPE Audio!</h2>\n			<p>\n				<a href=\"/v/vspfiles/assets/images/uad-plugin-bundles.html\" rel=\"shadowbox;width=800;height=300\">Details</a>\n			</p>\n			<h3 style=\"font-size: 1.2em; color:red;\">Limited Time Offer! Get Free bonus plug-ins with Custom Bundles.</h3>\n		</div>\n	</div>\n	<div class=\"row clearfix\">\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">2</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\">$299</span></b><br/>Save up to $399!<br>&nbsp;\n				</p>\n			</div>\n		</div>\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">3</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\">$399</span></b><br/><span style=\"color:red!important;\">Get 1 More Plug-In FREE!</span>\n				</p>\n			</div>\n		</div>\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">6</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\">$699</span></b><br/><span style=\"color:red!important;\">Get 2 More Plug-Ins FREE!</span>\n				</p>\n			</div>\n		</div>\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Choose Any\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">10</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\">$999</span></b><br/><span style=\"color:red!important;\">Get 3 More Plug-Ins FREE!</span>\n				</p>\n			</div>\n		</div>\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				Ultimate\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">104</span><br/>UAD Plug-ins</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\"> $3199</span></b><br/>Save up to $12,500!\n				</p>\n			</div>\n		</div>\n		<div class=\"column sixth center\">\n			<div style=\"border:1px solid #000; padding:10px; margin:5px;\">\n				<p>\n				<span style=\"color:red!important;\">Special Offer</span>\n				</p>\n				<h3><span style=\"font-size: max(2vw, 1.2em);color:#0060a9!important;\">LUNA</span><br/>Creator Bundle</h3>\n				<hr/>\n				<p>\n					<b><span style=\"font-size: max(2vw, 1em); color:#0060a9!important;\">$699</span></b><br/>MacOS / Thunderbolt Only\n				</p>\n			</div>\n		</div>\n		\n</div>\n</div>\n<br/><hr/><br/>\n<h1>Universal Audio Apollo Twin MkII SOLO</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Apollo Twin MKII Desktop 2x6 Thunderbolt Audio Interface w/ Realtime UAD-2 SOLO Core Processing for Mac and Windows.</span><br/><br/>\nThe Universal Audio Apollo Twin MkII SOLO is a 2x6 Thunderbolt audio interface with UAD-2 SOLO core processing and the successor to the world\'s most popular professional desktop recording interface for Mac and Windows. The New Apollo Twin MK II, a ground-up redesign of the original Apollo Twin, delivers next-generation sound quality with Unison Technology, Realtime UAD-2 Processing, talkback functionality and improved monitoring functions to Mac and Windows users over Thunderbolt, plus a new model that adds <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">UAD-2 QUAD</a> processing to the line-up.<br/><br/>\n<h3>Apollo Twin MKII Key Features</h3>\n<ul>\n	<li>Desktop 2x6 Thunderbolt audio interface for Mac and Windows with next-generation 24-bit/192 kHz audio conversion </li>\n	<li>UAD-2 SOLO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency*</li>\n	<li>Unison™ technology offers stunning models of classic tube and transformer-based preamps, guitar amps, and stompboxes</li>\n	<li>Built-in talkback mic for communication with studio talent and recording slate cues</li>\n	<li>Improved monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls </li>\n	<li>2 premium Unison mic/line preamps; 2 line outputs; front-panel Hi-Z instrument input and headphone output</li>\n	<li>2 digitally controlled analog monitor outputs for full resolution at all listening levels</li>\n	<li>Up to 8 channels of additional digital input via Optical TOSLINK connection</li>\n	<li>Includes Realtime Analog Classics UAD plug-in bundle, featuring Legacy versions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, Raw Distortion, 610-B Tube Preamp & EQ, and more</li>\n	<li>Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs</li>\n	<li>Uncompromising analog design, superior components, and premium build quality</li>\n</ul>\n<br/>\n<h3>Next-Generation Apollo A/D and D/A Conversion</h3>\nApollo Twin MkII improves upon the original Apollo Twin’s gold-standard audio quality with completely redesigned A/D and D/A conversion — giving you increased dynamic range and ultra-low THD. This next-generation conversion results in breathtaking clarity, depth, and accuracy in recordings — as heard on hit records by Kendrick Lamar, Coldplay, Brad Paisley, and more. \n<br/><br/>\n<h3>Unison™ Mic Preamp Emulation Technology for Neve, API, Manley, UA & More</h3>\nA Universal Audio breakthrough, Apollo Twin MkII’s Unison technology gives you the genuine tone of the world’s most sought-after tube and transformer-based mic preamps — including Neve,® API,® Manley,® and UA — complete with their signature impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n<br/><br/>\nBased on Apollo Twin MkII’s unrivaled hardware-software integration, Unison lets you record at near-zero latency through preamp emulations like the included UA 610-B Tube Preamp, for authentic analog sound unmatched by other interfaces. Unison technology is also found on Apollo Twin MkII’s front panel Hi-Z instrument input, providing dead-on impedance and gain matching for exclusive guitar and bass amp models from Fender,® Marshall,® Ampeg,® and more. <br/><br/>\n<h3>Realtime UAD-2 Processing — a Studio Full of Analog Sounds</h3>\nBuilding upon the Apollo tradition, Apollo Twin MkII opens up a range of classic analog tones and color via its Realtime UAD Processing. Available with a choice of UAD-2 QUAD, DUO, or SOLO Core processing onboard, Apollo Twin lets you record through the full range of UAD Powered Plug-Ins — at near-zero latency — including genuine analog emulations from Neve, Studer, Ampex, API, Lexicon, Manley, Fender, and more.*\n<br/><br/>\nRight out of the box, the Apollo Twin MkII includes the “Realtime Analog Classics” suite of UAD plug-ins — the UA 610-B Tube Preamp & EQ, Raw Distortion, SVT-VR Classic Bass Amp, Marshall Plexi Classic Guitar Amp, legacy LA-2A and 1176LN compressors, Pultec EQs, and more — so you have a rack full of bonafide audio classics already onboard. <br/><br/>\nUnlike competing interfaces, the Apollo Twin MkII powers UAD plug-ins inside all major DAWs for mixing and mastering (VST, RTAS, AU, AAX 64 format), greatly offloading the processing required from your host Mac or PC.<br/><br/>\n<h3>Available with UAD-2 QUAD, DUO, and SOLO Core Processing</h3>\nIn addition to the popular \n<a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-SOLO-p/ua-apollo-twin-mkii-solo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 SOLO</a> and <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-DUO-p/ua-apollo-twin-mkii-duo.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 DUO</a> Core models, Apollo Twin MkII is available in an ultra-powerful <a href=\"http://www.rspeaudio.com/Universal-Audio-Apollo-Twin-MkII-QUAD-p/ua-apollo-twin-mkii-quad.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">UAD-2 QUAD</a> Core model, allowing more plug-in horsepower for running the most complex and convincing analog emulations on the market. <br/><br/>\n<h3>Built to Record: Improved Monitoring and Workflow</h3>\nApollo Twin MkII offers greatly improved monitor functionality versus the original Apollo Twin — with Mute, DIM, Mono, and ALT speaker switching. It also includes monitor remote controls and a built-in talkback mic for easy communication with talent and/or recording slate cues. These features, combined with Apollo Twin MkII’s scalability, make it the new standard for professional desktop recording.\n<br/><br/>\n<h3>Professional Performance and Scalability with Console 2</h3>\nUsers of Apollo Twin MkII can combine up to four Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Once you expand your studio with an Apollo 8, 8p, or 16 rackmount unit, you can use Apollo Twin as a desktop monitor control while still tapping its additional I/O and DSP power.\n<br/><br/>\n*Apollo Twin MkII includes the \"Realtime Analog Classics\" UAD plug-in bundle. All other plug-ins are sold separately at www.uaudio.com. All trademarks are property of their respective owners. <br/><br/>\n<h3>Included in the Realtime Analog Classics Bundle:</h3>\n<ul>\n	<li>UA 610-B Tube Preamp & EQ                                  </li>\n	<li>UA 1176LN Limiting Amplifier (Legacy)                      </li>\n	<li>UA 1176SE Limiting Amplifier (Legacy)                      </li>\n	<li>Pultec EQP-1A EQ (Legacy)                                  </li>\n	<li>Pultec Pro EQ (Legacy)                                     </li>\n	<li>Teletronix LA-2A Leveling Amplifer (Legacy)                </li>\n	<li>Raw Distortion                                             </li>\n	<li>SVT-VR Classic Bass Amp</li>\n	<li>Marshall Plexi Classic Guitar Amp</li>\n	<li>Precision Channel Strip (Precision Mix Rack Collection)    </li>\n	<li>Precision Reflection Engine (Precision Mix Rack Collection)</li>\n	<li>Precision Delay Mod (Precision Mix Rack Collection)        </li>\n	<li>Precision Delay Mod L (Precision Mix Rack Collection)      </li>\n	<li>RealVerb Pro Custom Room Modeler                           </li>\n</ul>\n<br/><br/>\n<h3>With its lightning-fast thunderbolt connectivity and breakthrough Unison technology mic preamp emulation, the UA Apollo Twin MKII sets a new standard in desktop recording with classic analog sound. For more information, call or chat with an RSPE representative.</h3>\n<br/>'),(11913,85,0,1986,''),(11914,85,1,1986,''),(11915,76,0,1986,''),(11916,76,1,1986,''),