(4562,75,1,761,'<h2>FabFilter Pro-G Gate/Expander Plug-in</h2>\nFabFilter Pro-G is a professional Gate/Expander with beautifully fine-tuned algorithms, highly flexible side-chain control and precise metering<br /><br />\n		A good gate/expander is an indispensable tool in any mixing or live situation. FabFilter Pro-G offers everything you could wish for: perfectly tuned algorithms, complete control over the side chain and channel linking, excellent metering and great interface design.<br /><br />\n		Apart from excellent sound, FabFilter Pro-G also provides very flexible routing. You can choose between mono, stereo or mid/side processing and in expert mode, external side chain input is available with completely customizable channel linking and routing.<br /><br />\n\n		<h3>Pro-G Features</h3>\n<ul>\n<li>Six meticulously tuned expander/gate algorithms, including upward expansion and ducking </li>\n<li>Program dependent attack and release curves                                             </li>\n<li>Low CPU usage                                                                           </li>\n<li>Adjustable range, hold time and knee settings                                           </li>\n<li>Optional look-ahead time up to 10 ms                                                    </li>\n<li>Precise and helpful metering, including a real-time level display                       </li>\n<li>Expert mode that offers highly customizable side chain options                          </li>\n<li>Mono, stereo or mid/side processing                                                     </li>\n<li>Up to four times linear-phase oversampling                                              </li>\n<li>Zero-latency operation mode                                                             </li>\n<li>MIDI triggering: open the gate/expander with your MIDI keyboard                         </li>\n<li>External side chain option                                                              </li>\n<li>Separate dry/wet level settings                                                         </li>\n<li>Easy to set up for common gating / expansion scenarios with the included factory presets</li>\n<li>GPU-powered graphics acceleration                                                       </li>\n<li>Double-click text entry of parameter values                                             </li>\n<li>Stereo and mono plug-ins available                                                      </li>\n<li>Supports common Pro Tools hardware control surfaces                                     </li>\n<li>MIDI Learn                                                                              </li>\n<li>Undo/redo and A/B comparison                                                            </li>\n<li>Smart Parameter Interpolation                                                           </li>\n<li>Extensive help file with interactive help hints                                         </li>                                 \n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4563,85,0,761,'FabFilter Pro-G Gate/Expander Plug-in'),(4564,85,1,761,'FabFilter Pro-G Gate/Expander Plug-in'),(4565,76,0,761,''),(4566,76,1,761,''),(4567,75,0,762,'<h2>FabFilter Pro-L 2 Limiter Plug-in</h2>\nFabFilter Pro-L 2 is a major update to the Pro-L limiter plug-in. With four brand-new limiting algorithms, a new true peak limiting mode, extensive standards-compliant loudness metering, surround support (up to Dolby Atmos 7.1.2) , and many other new features, Pro-L 2 improves on its predecessor in every way while staying true to the original vision of unparalleled simplicity and effectiveness.<br/><br/>\n\n<h3>New limiting algorithms</h3>\n	FabFilter Pro-L 2 introduces four new limiting algorithms. Modern is the new ‘best for all’ algorithm that produces even better results than the Transparent and Allround algorithms from version 1. Aggressive is great for maximum loudness — well suited for EDM or rock music. Bus has been designed specifically for drums and limiting of individual tracks, while Safe’s goal is not maximum loudness, but to avoid distortion at all times.<br/><br/>\n\n<h3>True peak limiting and loudness metering</h3>\n	The new true peak limiting feature in FabFilter Pro-L 2 makes it extremely easy to hit a maximum true peak target. Just set the output level to the desired value, enable True Peak Limiting, and that’s it! Combined with improved true peak metering and extensive loudness metering that’s compliant with the EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards, Pro-L 2 is the perfect fit for any loudness normalization job.<br/><br/>\n\n<h3>Advanced processing</h3>\n	Complete support for surround audio with flexible channel linking makes FabFilter Pro-L 2 much more versatile in multi-channel scenarios, while the sound quality is even higher than before with up to 32x linearphase oversampling. New features like a DC offset filter, external side chain triggering for stem mastering, and a Unity Gain option ensure that Pro-L 2 is the solution to any mastering challenge.<br/><br/>\n	\n<h3>Interface enhancements</h3>\n	The unique real-time level display is now even more effective with new innovative display modes, including an Infinite mode that shows all audio for an entire session. Moments of significant gain reduction are highlighted with peak labels to give additional insight in the limiting process. Last but not least, the interface has been carefully redesigned to be aesthetically pleasing with a perfectly optimized workflow.<br/><br/>\n\n<h3>Pro-L Features</h3>\n<ul>\n	<li>\n	<li>Great transparent sound combined with maximum loudness</li>\n	<li>Eight different limiting algorithms, all with their own character and purpose</li>\n	<li>True peak limiting</li>\n	<li>Unique real-time level display with peak gain reduction labels and new innovative display modes</li>\n	<li>Up to 32x linear-phase oversampling</li>\n	<li> Highly accurate output and gain reduction metering including true peak metering</li>\n	<li>Extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards</li>\n	<li>Surround support including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking</li>\n	<li>Optional DC offset filter</li>\n	<li>External side chain triggering for stem mastering</li>\n	<li>Unity Gain option to easily listen to the effect of the current limiting at unity gain level</li>\n	<li>Audition Limiting option to listen to the difference between the input and output signal</li>\n	</li>\n</ul>'),(4568,75,1,762,'<h2>FabFilter Pro-L 2 Limiter Plug-in</h2>\nFabFilter Pro-L 2 is a major update to the Pro-L limiter plug-in. With four brand-new limiting algorithms, a new true peak limiting mode, extensive standards-compliant loudness metering, surround support (up to Dolby Atmos 7.1.2) , and many other new features, Pro-L 2 improves on its predecessor in every way while staying true to the original vision of unparalleled simplicity and effectiveness.<br/><br/>\n\n<h3>New limiting algorithms</h3>\n	FabFilter Pro-L 2 introduces four new limiting algorithms. Modern is the new ‘best for all’ algorithm that produces even better results than the Transparent and Allround algorithms from version 1. Aggressive is great for maximum loudness — well suited for EDM or rock music. Bus has been designed specifically for drums and limiting of individual tracks, while Safe’s goal is not maximum loudness, but to avoid distortion at all times.<br/><br/>\n\n<h3>True peak limiting and loudness metering</h3>\n	The new true peak limiting feature in FabFilter Pro-L 2 makes it extremely easy to hit a maximum true peak target. Just set the output level to the desired value, enable True Peak Limiting, and that’s it! Combined with improved true peak metering and extensive loudness metering that’s compliant with the EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards, Pro-L 2 is the perfect fit for any loudness normalization job.<br/><br/>\n\n<h3>Advanced processing</h3>\n	Complete support for surround audio with flexible channel linking makes FabFilter Pro-L 2 much more versatile in multi-channel scenarios, while the sound quality is even higher than before with up to 32x linearphase oversampling. New features like a DC offset filter, external side chain triggering for stem mastering, and a Unity Gain option ensure that Pro-L 2 is the solution to any mastering challenge.<br/><br/>\n	\n<h3>Interface enhancements</h3>\n	The unique real-time level display is now even more effective with new innovative display modes, including an Infinite mode that shows all audio for an entire session. Moments of significant gain reduction are highlighted with peak labels to give additional insight in the limiting process. Last but not least, the interface has been carefully redesigned to be aesthetically pleasing with a perfectly optimized workflow.<br/><br/>\n\n<h3>Pro-L Features</h3>\n<ul>\n	<li>\n	<li>Great transparent sound combined with maximum loudness</li>\n	<li>Eight different limiting algorithms, all with their own character and purpose</li>\n	<li>True peak limiting</li>\n	<li>Unique real-time level display with peak gain reduction labels and new innovative display modes</li>\n	<li>Up to 32x linear-phase oversampling</li>\n	<li> Highly accurate output and gain reduction metering including true peak metering</li>\n	<li>Extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards</li>\n	<li>Surround support including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking</li>\n	<li>Optional DC offset filter</li>\n	<li>External side chain triggering for stem mastering</li>\n	<li>Unity Gain option to easily listen to the effect of the current limiting at unity gain level</li>\n	<li>Audition Limiting option to listen to the difference between the input and output signal</li>\n	</li>\n</ul>'),(4569,85,0,762,'FabFilter Pro-L 2 Limiter Plug-in'),(4570,85,1,762,'FabFilter Pro-L 2 Limiter Plug-in'),(4571,76,0,762,''),(4572,76,1,762,''),(4573,75,0,763,'<h2>FabFilter Pro-MB Compressor/Expander Plug-in</h2>\nFabFilter Pro-MB is a professional multiband compressor and expander plug-in, suitable for any form of dynamics processing<br /><br />\n		Multiband compression and expansion are powerful tools, but notoriously difficult to set up and control. Enter FabFilter Pro-MB: making multiband dynamics processing intuitive yet powerful at the same time.<br /><br />\n		FabFilter Pro-MB introduces a unique Dynamic Phase processing mode. It has virtually the same frequency response as traditional multiband processing, but doesn\'t introduce latency or pre-ringing, and only introduces minor phase changes when the gain actually changes. Of course, we have also included an excellent Linear Phase mode and a traditional Minimum Phase mode.<br /><br />\n		The powerful combination of high quality processing, optimized workflow using the interactive multiband display and all the expert features you need, makes Pro-MB both a lifesaver and timesaver!<br /><br />\n\n		<h3>Pro-MB Features</h3>\n<ul>\n<li>Up to six processing bands, freely placed anywhere in the spectrum                                                                                   </li>\n<li>Bands can be easily snapped together to form a traditional crossover system                                                                          </li>\n<li>Unique Dynamic Phase processing mode featuring zero latency, no static phase changes and no pre-ringing artifacts                                    </li>\n<li>Excellent Linear Phase processing mode, eliminating audible artifacts when quickly changing crossover frequencies                                    </li>\n<li>Minimum Phase processing mode                                                                                                                        </li>\n<li>Handles any form of dynamics processing, from highly transparent compression, limiting and expansion to pumping upward compression and punchy gating </li>\n<li>Fully customizable per band: threshold, range, attack, release, output gain, ratio, variable knee, lookahead (up to 20 ms), variable stereo linking, mid- or side-only processing, external side chain input, triggering on a separate frequency range</li>\n<li>Steepness of each crossover slope can be freely adjusted between 6 dB/oct and 48 dB/oct                                                            </li>\n<li>Intelligent, highly program- and frequency-dependent attack and release curves                                                                     </li>\n<li>Global dry/wet mix from 0% to 200% to easily scale the total effect of the plug-in                                                                 </li>\n<li>Unique interactive multiband display, designed for an optimal workflow                                                                             </li>\n<li>Accurate and smooth real-time frequency analyzer with pre- and post-processing options and \'freeze\' feature                                        </li>\n<li>High-quality audio processing algorithms with 64-bit internal processing where needed                                                              </li>\n<li>Up to four times linear-phase oversampling                                                                                                         </li>\n<li>Band solo/mute and bypass options                                                                                                                  </li>\n<li>Precise output metering                                                                                                                            </li>\n<li>GPU-powered graphics acceleration                                                                                                                  </li>\n<li>Double-click text entry of parameter values                                                                                                        </li>\n<li>Stereo and mono plug-ins available                                                                                                                 </li>\n<li>Supports common Pro Tools hardware control surfaces                                                                                                </li>\n<li>MIDI Learn                                                                                                                                         </li>\n<li>Undo/redo and A/B comparison                                                                                                                       </li>\n<li>Smart Parameter Interpolation                                                                                                                      </li>\n<li>Sample-accurate automation of all parameters                                                                                                       </li>\n<li>Extensive help file with interactive help hints                                                                                                    </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4574,75,1,763,'<h2>FabFilter Pro-MB Compressor/Expander Plug-in</h2>\nFabFilter Pro-MB is a professional multiband compressor and expander plug-in, suitable for any form of dynamics processing<br /><br />\n		Multiband compression and expansion are powerful tools, but notoriously difficult to set up and control. Enter FabFilter Pro-MB: making multiband dynamics processing intuitive yet powerful at the same time.<br /><br />\n		FabFilter Pro-MB introduces a unique Dynamic Phase processing mode. It has virtually the same frequency response as traditional multiband processing, but doesn\'t introduce latency or pre-ringing, and only introduces minor phase changes when the gain actually changes. Of course, we have also included an excellent Linear Phase mode and a traditional Minimum Phase mode.<br /><br />\n		The powerful combination of high quality processing, optimized workflow using the interactive multiband display and all the expert features you need, makes Pro-MB both a lifesaver and timesaver!<br /><br />\n\n		<h3>Pro-MB Features</h3>\n<ul>\n<li>Up to six processing bands, freely placed anywhere in the spectrum                                                                                   </li>\n<li>Bands can be easily snapped together to form a traditional crossover system                                                                          </li>\n<li>Unique Dynamic Phase processing mode featuring zero latency, no static phase changes and no pre-ringing artifacts                                    </li>\n<li>Excellent Linear Phase processing mode, eliminating audible artifacts when quickly changing crossover frequencies                                    </li>\n<li>Minimum Phase processing mode                                                                                                                        </li>\n<li>Handles any form of dynamics processing, from highly transparent compression, limiting and expansion to pumping upward compression and punchy gating </li>\n<li>Fully customizable per band: threshold, range, attack, release, output gain, ratio, variable knee, lookahead (up to 20 ms), variable stereo linking, mid- or side-only processing, external side chain input, triggering on a separate frequency range</li>\n<li>Steepness of each crossover slope can be freely adjusted between 6 dB/oct and 48 dB/oct                                                            </li>\n<li>Intelligent, highly program- and frequency-dependent attack and release curves                                                                     </li>\n<li>Global dry/wet mix from 0% to 200% to easily scale the total effect of the plug-in                                                                 </li>\n<li>Unique interactive multiband display, designed for an optimal workflow                                                                             </li>\n<li>Accurate and smooth real-time frequency analyzer with pre- and post-processing options and \'freeze\' feature                                        </li>\n<li>High-quality audio processing algorithms with 64-bit internal processing where needed                                                              </li>\n<li>Up to four times linear-phase oversampling                                                                                                         </li>\n<li>Band solo/mute and bypass options                                                                                                                  </li>\n<li>Precise output metering                                                                                                                            </li>\n<li>GPU-powered graphics acceleration                                                                                                                  </li>\n<li>Double-click text entry of parameter values                                                                                                        </li>\n<li>Stereo and mono plug-ins available                                                                                                                 </li>\n<li>Supports common Pro Tools hardware control surfaces                                                                                                </li>\n<li>MIDI Learn                                                                                                                                         </li>\n<li>Undo/redo and A/B comparison                                                                                                                       </li>\n<li>Smart Parameter Interpolation                                                                                                                      </li>\n<li>Sample-accurate automation of all parameters                                                                                                       </li>\n<li>Extensive help file with interactive help hints                                                                                                    </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4575,85,0,763,'FabFilter Pro-MB Compressor/Expander Plug-in'),(4576,85,1,763,'FabFilter Pro-MB Compressor/Expander Plug-in'),(4577,76,0,763,''),(4578,76,1,763,''),(4579,75,0,764,'<h1>FabFilter Pro-Q 3 EQ Plug-in</h1>\n<div>\n		FabFilter Pro-Q 3 is an extremely powerful all around EQ plug-in for mixing and mastering, with up to 24 bands and a gorgeous interface for easy and precise editing.\n	<br /><br />\n	An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best! With FabFilter Pro-Q 3, you get the highest possible sound quality and a gorgeous, innovative interface with unrivalled ease of use.<br /><br />\n	FabFilter Pro-Q 3 is designed to help you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them and select and edit multiple bands at once.<br /><br />\n	Pro-Q 3 offers everything that a demanding engineer could wish for: top quality linear phase operation in addition to the zero latency and unique Natural Phase modes, Mid/Side processing, variable stereo placement of EQ bands, an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.<br /><br />\n	Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!\n	<h3></h3>\n	<h3>What\'s New in Fabfilter Pro-Q 3?</h3>\n	<ul>\n		<li>NEW - Optional Dynamic EQ mode for all bands (Bell and Shelf shapes), using any slope setting and with perfect analog matching</li>\n		<li>IMPROVED - Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease of use and efficiency</li>\n		<li>NEW - Ultra-steep \'Brickwall\' slope setting for LP and HP filters</li>\n		<li>NEW - Full surround support (up to Dolby Atmos 7.1.2) with intelligent speaker selection</li>\n		<li>NEW - External spectrum visualization from any other Pro-Q 3 instance, including collision detection</li>\n		<li>NEW - Per-band mid/side or left/right processing, so you can EQ the mid, side, left or right signals separately</li>\n		<li>NEW - Flat Tilt filter shape, a flat tilting correction curve over the whole audible frequency spectrum</li>\n		<li>IMPROVED - Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!</li>\n		<li>IMPROVED - Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf, Flat Tilt</li>\n		<li>IMPROVED - EQ Match feature to automatically match the spectrum of another Pro-Q 3 instance or an external signal</li>\n		<li>IMPROVED - Built-in spectrum analyzer with Pre-EQ, Post-EQ and external spectrum visualization, adjustable range, speed, resolution, tilt, freeze and collision detection</li>\n		<li>IMPROVED - Supports stereo, mono and surround channel layouts (up to Dolby Atmos 7.1.2)</li>\n		<li>IMPROVED - MIDI Learn with option to control the currently active band</li></ul><h3>Fabfilter Pro-Q 3 Features</h3><ul><li><span style=\"letter-spacing: 0px;\">Highest possible sound quality</span></li><li>Up to 24 EQ bands</li><li>Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase mode</li><li>Different interface sizes and additional Full Screen mode</li><li>Universal filter slope support for all filter types, up to 96 dB/oct</li><li>Auto Gain and Gain Scale</li><li>Optional piano roll display to quantize EQ frequencies to musical notes</li><li>Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing</li><li>Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band</li><li>Phase Invert option to change polarity</li><li>Large output level meter with peak level readout</li><li>Extreme CPU optimization: Pro-Q 3 uses very little CPU and memory, so you can use hundreds of instances in a session</li><li>GPU-powered graphics acceleration</li><li>Double-click text entry of parameter values</li><li>Supports common Pro Tools hardware control surfaces</li><li>Undo/redo and A/B comparison</li><li>Smart Parameter Interpolation</li><li>Sample-accurate automation of all parameters</li><li>Extensive help file with interactive help hints</li><li>Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)</li></ul>\n	<h3>Requirements</h3>\n	<strong>Windows</strong>\n	<ul>\n		<li></li>\n		<li>64-bit: Windows 10, 8, 7 or Vista</li>\n		<li>32-bit: Windows 10, 8, 7, Vista or XP</li>\n		<li>VST 2/3 host or Pro Tools</li>\n	</ul>\n	<strong>Mac OS X</strong>\n	<ul>\n		<li></li>\n		<li>OS X 10.8 or higher</li>\n		<li>AU or VST 2/3 host or Pro Tools</li>\n		<li>Intel processor</li>\n	</ul>\n</div>'),(4580,75,1,764,'<h1>FabFilter Pro-Q 3 EQ Plug-in</h1>\n<div>\n		FabFilter Pro-Q 3 is an extremely powerful all around EQ plug-in for mixing and mastering, with up to 24 bands and a gorgeous interface for easy and precise editing.\n	<br /><br />\n	An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best! With FabFilter Pro-Q 3, you get the highest possible sound quality and a gorgeous, innovative interface with unrivalled ease of use.<br /><br />\n	FabFilter Pro-Q 3 is designed to help you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them and select and edit multiple bands at once.<br /><br />\n	Pro-Q 3 offers everything that a demanding engineer could wish for: top quality linear phase operation in addition to the zero latency and unique Natural Phase modes, Mid/Side processing, variable stereo placement of EQ bands, an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.<br /><br />\n	Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!\n	<h3></h3>\n	<h3>What\'s New in Fabfilter Pro-Q 3?</h3>\n	<ul>\n		<li>NEW - Optional Dynamic EQ mode for all bands (Bell and Shelf shapes), using any slope setting and with perfect analog matching</li>\n		<li>IMPROVED - Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease of use and efficiency</li>\n		<li>NEW - Ultra-steep \'Brickwall\' slope setting for LP and HP filters</li>\n		<li>NEW - Full surround support (up to Dolby Atmos 7.1.2) with intelligent speaker selection</li>\n		<li>NEW - External spectrum visualization from any other Pro-Q 3 instance, including collision detection</li>\n		<li>NEW - Per-band mid/side or left/right processing, so you can EQ the mid, side, left or right signals separately</li>\n		<li>NEW - Flat Tilt filter shape, a flat tilting correction curve over the whole audible frequency spectrum</li>\n		<li>IMPROVED - Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!</li>\n		<li>IMPROVED - Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf, Flat Tilt</li>\n		<li>IMPROVED - EQ Match feature to automatically match the spectrum of another Pro-Q 3 instance or an external signal</li>\n		<li>IMPROVED - Built-in spectrum analyzer with Pre-EQ, Post-EQ and external spectrum visualization, adjustable range, speed, resolution, tilt, freeze and collision detection</li>\n		<li>IMPROVED - Supports stereo, mono and surround channel layouts (up to Dolby Atmos 7.1.2)</li>\n		<li>IMPROVED - MIDI Learn with option to control the currently active band</li></ul><h3>Fabfilter Pro-Q 3 Features</h3><ul><li><span style=\"letter-spacing: 0px;\">Highest possible sound quality</span></li><li>Up to 24 EQ bands</li><li>Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase mode</li><li>Different interface sizes and additional Full Screen mode</li><li>Universal filter slope support for all filter types, up to 96 dB/oct</li><li>Auto Gain and Gain Scale</li><li>Optional piano roll display to quantize EQ frequencies to musical notes</li><li>Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing</li><li>Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band</li><li>Phase Invert option to change polarity</li><li>Large output level meter with peak level readout</li><li>Extreme CPU optimization: Pro-Q 3 uses very little CPU and memory, so you can use hundreds of instances in a session</li><li>GPU-powered graphics acceleration</li><li>Double-click text entry of parameter values</li><li>Supports common Pro Tools hardware control surfaces</li><li>Undo/redo and A/B comparison</li><li>Smart Parameter Interpolation</li><li>Sample-accurate automation of all parameters</li><li>Extensive help file with interactive help hints</li><li>Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)</li></ul>\n	<h3>Requirements</h3>\n	<strong>Windows</strong>\n	<ul>\n		<li></li>\n		<li>64-bit: Windows 10, 8, 7 or Vista</li>\n		<li>32-bit: Windows 10, 8, 7, Vista or XP</li>\n		<li>VST 2/3 host or Pro Tools</li>\n	</ul>\n	<strong>Mac OS X</strong>\n	<ul>\n		<li></li>\n		<li>OS X 10.8 or higher</li>\n		<li>AU or VST 2/3 host or Pro Tools</li>\n		<li>Intel processor</li>\n	</ul>\n</div>'),(4581,85,0,764,'FabFilter Pro-Q 3 EQ Plug-in'),(4582,85,1,764,'FabFilter Pro-Q 3 EQ Plug-in'),(4583,76,0,764,''),(4584,76,1,764,''),(4585,75,0,765,'<h2>FabFilter Saturn 2 Distortion and Saturation Plug-in</h2>\nFabFilter Saturn 2 is a multi-band distortion and saturation plug-in with a user-friendly drag-and-drop modulation\n<br /><br />Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.<br /><br />\n<h3>Saturn Features</h3>\n<ul>\n	<li>IMPROVED - 28 different distortion styles, from subtle tube saturation to heavy guitar amps and bit crushing</li>\n	<li>IMPROVED - Multiband processing (up to 6 bands), with optional linear phase processing</li>\n	<li>NEW - Adjustable slope for the crossovers, offering 6, 12, 24 and 48 dB/oct options</li>\n	<li>Per-band drive, mix, feedback, dynamics, tone and level controls</li>\n	<li>NEW - Live modulation visualization for targets and sources</li>\n	<li>IMPROVED - Optional HQ modes: Good (8x oversampling) and Superb (32x oversampling)</li>\n	<li>NEW - Fully redesigned, easy-to-use interface, including a new design of modulation sources and floating slot panel</li>\n	<li>Interactive multiband display</li>\n	<li>IMPROVED - Endless modulation options, with all the 16-step XLFOs, XY controllers/sliders, envelope generators, envelope followers, and MIDI sources you will ever need</li>\n	<li>NEW - Curve control in EGs and transient detection in EFs</li>\n	<li>Easy drag-and-drop modulation with 50-slot modulation matrix</li>\n	<li>NEW - Supports common Pro Tools hardware control surfaces</li>\n	<li>Mid/side processing</li>\n	<li>NEW - Various interface sizes and Full Screen mode</li>\n	<li>GPU-powered graphics acceleration</li>\n	<li>Unique per-component presets</li>\n	<li>Interactive MIDI Learn</li>\n	<li>IMPROVED - Carefully designed and curated Factory Presets, plus support of V1 presets</li>\n	<li>Per-band solo and mute options</li>\n	<li>Smart Parameter Interpolation</li>\n	<li>Extensive help file with interactive help hints</li>\n	<li>Undo, redo and A/B switch features</li>\n	<li>Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (64-bit and 32-bit on Windows, 64-bit only on macOS)</li>\n</ul>\n<br />\n<h3>Warmth, harmonics, color and dynamics</h3>\nFabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.\n<br /><br />\nWith its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.<br /><br />\n<h3>Bring your sounds to life</h3>\nAdd life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.\n<br /><br />\nWith all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what\'s going on.<br /><br />\n<h3>FabFilter goodies</h3>\nFinally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.\n<br /><br />'),(4586,75,1,765,'<h2>FabFilter Saturn 2 Distortion and Saturation Plug-in</h2>\nFabFilter Saturn 2 is a multi-band distortion and saturation plug-in with a user-friendly drag-and-drop modulation\n<br /><br />Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.<br /><br />\n<h3>Saturn Features</h3>\n<ul>\n	<li>IMPROVED - 28 different distortion styles, from subtle tube saturation to heavy guitar amps and bit crushing</li>\n	<li>IMPROVED - Multiband processing (up to 6 bands), with optional linear phase processing</li>\n	<li>NEW - Adjustable slope for the crossovers, offering 6, 12, 24 and 48 dB/oct options</li>\n	<li>Per-band drive, mix, feedback, dynamics, tone and level controls</li>\n	<li>NEW - Live modulation visualization for targets and sources</li>\n	<li>IMPROVED - Optional HQ modes: Good (8x oversampling) and Superb (32x oversampling)</li>\n	<li>NEW - Fully redesigned, easy-to-use interface, including a new design of modulation sources and floating slot panel</li>\n	<li>Interactive multiband display</li>\n	<li>IMPROVED - Endless modulation options, with all the 16-step XLFOs, XY controllers/sliders, envelope generators, envelope followers, and MIDI sources you will ever need</li>\n	<li>NEW - Curve control in EGs and transient detection in EFs</li>\n	<li>Easy drag-and-drop modulation with 50-slot modulation matrix</li>\n	<li>NEW - Supports common Pro Tools hardware control surfaces</li>\n	<li>Mid/side processing</li>\n	<li>NEW - Various interface sizes and Full Screen mode</li>\n	<li>GPU-powered graphics acceleration</li>\n	<li>Unique per-component presets</li>\n	<li>Interactive MIDI Learn</li>\n	<li>IMPROVED - Carefully designed and curated Factory Presets, plus support of V1 presets</li>\n	<li>Per-band solo and mute options</li>\n	<li>Smart Parameter Interpolation</li>\n	<li>Extensive help file with interactive help hints</li>\n	<li>Undo, redo and A/B switch features</li>\n	<li>Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (64-bit and 32-bit on Windows, 64-bit only on macOS)</li>\n</ul>\n<br />\n<h3>Warmth, harmonics, color and dynamics</h3>\nFabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.\n<br /><br />\nWith its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.<br /><br />\n<h3>Bring your sounds to life</h3>\nAdd life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.\n<br /><br />\nWith all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what\'s going on.<br /><br />\n<h3>FabFilter goodies</h3>\nFinally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.\n<br /><br />'),(4587,85,0,765,'FabFilter Saturn 2 Distortion and Saturation Plug-in'),(4588,85,1,765,'FabFilter Saturn 2 Distortion and Saturation Plug-in'),(4589,76,0,765,''),(4590,76,1,765,''),(4591,75,0,766,'<h2>FabFilter Simplon Filter Plug-in</h2>\nFabFilter Simplon is an easy to use filter plug-in with 2 high-quality multi-mode filters and an interactive filter display<br /><br />\nOriginally developed for FabFilter One, Simplon\'s filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon\'s filters sound raw but never cheap or ‘digital’, even at full resonance.<br /><br />\nEach filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!<br /><br />\nIn combination with the response and slope settings, FabFilter Simplon offers up to 27 different filter types.<br /><br />\nTweak the filters with Simplon\'s large interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time.<br /><br />\nAnd of course, you get all the usual FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.<br /><br />\n\n		<h3>Simplon Features</h3>\n<ul>\n<li>Four state-of-the-art multi-mode filters, with panning, delay and more than 10 unique characteristics                              </li>\n<li>Ultra-flexible filter routing, including per-channel and mid/side modes                                                             </li>\n<li>Revolutionary new interface, using our innovative what-you-use-is-what-you-see concept                                              </li>\n<li>Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom                              </li>\n<li>Endless modulation options, with all the 16-step XLFOs, envelope generators, envelope followers and MIDI sources you will ever need </li>\n<li>Easy drag-and-drop modulation with 24-slot modulation matrix                                                                        </li>\n<li>Large interactive filter display                                                                                                    </li>\n<li>GPU-powered graphics acceleration                                                                                                   </li>\n<li>Modulation source signal visualization                                                                                              </li>\n<li>Stereo and mono plug-ins available                                                                                                  </li>\n<li>Mid/side processing                                                                                                                 </li>\n<li>Side chain input                                                                                                                    </li>\n<li>Highly improved MIDI Learn                                                                                                          </li>\n<li>Almost 300 presets                                                                                                                  </li>\n<li>Unique per-component presets                                                                                                        </li>\n<li>Undo, redo and A/B switch features                                                                                                  </li>\n<li>Extensive help file with interactive help hints                                                                                     </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4592,75,1,766,'<h2>FabFilter Simplon Filter Plug-in</h2>\nFabFilter Simplon is an easy to use filter plug-in with 2 high-quality multi-mode filters and an interactive filter display<br /><br />\nOriginally developed for FabFilter One, Simplon\'s filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon\'s filters sound raw but never cheap or ‘digital’, even at full resonance.<br /><br />\nEach filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!<br /><br />\nIn combination with the response and slope settings, FabFilter Simplon offers up to 27 different filter types.<br /><br />\nTweak the filters with Simplon\'s large interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time.<br /><br />\nAnd of course, you get all the usual FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.<br /><br />\n\n		<h3>Simplon Features</h3>\n<ul>\n<li>Four state-of-the-art multi-mode filters, with panning, delay and more than 10 unique characteristics                              </li>\n<li>Ultra-flexible filter routing, including per-channel and mid/side modes                                                             </li>\n<li>Revolutionary new interface, using our innovative what-you-use-is-what-you-see concept                                              </li>\n<li>Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom                              </li>\n<li>Endless modulation options, with all the 16-step XLFOs, envelope generators, envelope followers and MIDI sources you will ever need </li>\n<li>Easy drag-and-drop modulation with 24-slot modulation matrix                                                                        </li>\n<li>Large interactive filter display                                                                                                    </li>\n<li>GPU-powered graphics acceleration                                                                                                   </li>\n<li>Modulation source signal visualization                                                                                              </li>\n<li>Stereo and mono plug-ins available                                                                                                  </li>\n<li>Mid/side processing                                                                                                                 </li>\n<li>Side chain input                                                                                                                    </li>\n<li>Highly improved MIDI Learn                                                                                                          </li>\n<li>Almost 300 presets                                                                                                                  </li>\n<li>Unique per-component presets                                                                                                        </li>\n<li>Undo, redo and A/B switch features                                                                                                  </li>\n<li>Extensive help file with interactive help hints                                                                                     </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4593,85,0,766,'FabFilter Simplon Filter Plug-in'),(4594,85,1,766,'FabFilter Simplon Filter Plug-in'),(4595,76,0,766,''),(4596,76,1,766,''),(4597,75,0,767,'<h2>FabFilter Timeless 2 Tape Delay Plug-in</h2>\nFabFilter Timeless 2 is an utra-flexible tape delay plug-in with time stretching, superb filters and user-friendly drag-and-drop modulation<br /><br />\nFabFilter Timeless 2 is not only a perfectly modelled classic tape delay. Its unique high-quality filters and many creative options turn it into the ultimate sound-mangling machine! Create echo, chorus, flanger, phaser, scratch effects and much more.<br /><br />\nThe delay signal is fed to two high-quality multimode filters, and then routed back to the delays with adjustable feedback and cross-feedback knobs. Per-channel phase inversion is provided to create jaw-dropping flanger and phasing effects.<br /><br />\nFinally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!<br /><br />\n\n		<h3>Timeless 2 Features</h3>\n<ul>\n<li>Two delay lines (5 ms to 5 sec) with host tempo sync and panning                                                                                     </li>\n<li>Feedback, cross-feedback and phase inversion                                                                                                         </li>\n<li>Tape delay or time-stretching behavior when changing the delay time                                                                                  </li>\n<li>Mid/side processing                                                                                                                                  </li>\n<li>Freeze buffer option                                                                                                                                 </li>\n<li>Over 300 presets                                                                                                                                     </li>\n<li>Tap feature                                                                                                                                          </li>\n<li>Two state-of-the-art multimode filters with filter panning and 11 characteristics                                                                    </li>\n<li>Interactive filter display                                                                                                                           </li>\n<li>Revolutionary interface, using our innovative what-you-use-is-what-you-see concept                                                                   </li>\n<li>GPU-powered graphics acceleration                                                                                                                    </li>\n<li>Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom                                               </li>\n<li>Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need  </li>\n<li>Easy drag-and-drop modulation with 24-slot modulation matrix                                                                                         </li>\n<li>Modulation source signal visualization                                                                                                               </li>\n<li>Interactive MIDI Learn                                                                                                                               </li>\n<li>Unique per-component presets                                                                                                                         </li>\n<li>Smart Parameter Interpolation                                                                                                                        </li>\n<li>Extensive help file with interactive help hints                                                                                                      </li>\n<li>Undo, redo and A/B switch features                                                                                                                   </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4598,75,1,767,'<h2>FabFilter Timeless 2 Tape Delay Plug-in</h2>\nFabFilter Timeless 2 is an utra-flexible tape delay plug-in with time stretching, superb filters and user-friendly drag-and-drop modulation<br /><br />\nFabFilter Timeless 2 is not only a perfectly modelled classic tape delay. Its unique high-quality filters and many creative options turn it into the ultimate sound-mangling machine! Create echo, chorus, flanger, phaser, scratch effects and much more.<br /><br />\nThe delay signal is fed to two high-quality multimode filters, and then routed back to the delays with adjustable feedback and cross-feedback knobs. Per-channel phase inversion is provided to create jaw-dropping flanger and phasing effects.<br /><br />\nFinally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!<br /><br />\n\n		<h3>Timeless 2 Features</h3>\n<ul>\n<li>Two delay lines (5 ms to 5 sec) with host tempo sync and panning                                                                                     </li>\n<li>Feedback, cross-feedback and phase inversion                                                                                                         </li>\n<li>Tape delay or time-stretching behavior when changing the delay time                                                                                  </li>\n<li>Mid/side processing                                                                                                                                  </li>\n<li>Freeze buffer option                                                                                                                                 </li>\n<li>Over 300 presets                                                                                                                                     </li>\n<li>Tap feature                                                                                                                                          </li>\n<li>Two state-of-the-art multimode filters with filter panning and 11 characteristics                                                                    </li>\n<li>Interactive filter display                                                                                                                           </li>\n<li>Revolutionary interface, using our innovative what-you-use-is-what-you-see concept                                                                   </li>\n<li>GPU-powered graphics acceleration                                                                                                                    </li>\n<li>Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom                                               </li>\n<li>Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need  </li>\n<li>Easy drag-and-drop modulation with 24-slot modulation matrix                                                                                         </li>\n<li>Modulation source signal visualization                                                                                                               </li>\n<li>Interactive MIDI Learn                                                                                                                               </li>\n<li>Unique per-component presets                                                                                                                         </li>\n<li>Smart Parameter Interpolation                                                                                                                        </li>\n<li>Extensive help file with interactive help hints                                                                                                      </li>\n<li>Undo, redo and A/B switch features                                                                                                                   </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4599,85,0,767,'FabFilter Timeless 2 Tape Delay Plug-in'),(4600,85,1,767,'FabFilter Timeless 2 Tape Delay Plug-in'),(4601,76,0,767,''),(4602,76,1,767,''),(4603,75,0,768,'<h2>FabFilter Total Bundle Plug-ins</h2>The Total Bundle is a set of all FabFilter plug-ins. With this bundle, you get FabFilter\'s professional EQ, multiband dynamics, compressor, limiter, de-esser and gate/expander, creative multiband distortion, stereo delay, filter and synthesizer plug-ins, all at an incredible, discounted price.<br /><br /><span style=\"background-color: initial;\">The FabFilter Total bundle contains 14 plug-ins worth $2031</span><div><br /><br />\n\n\n		<h3>Total Bundle Contains:</h3>\n		<ul>\n<li>FabFilter Pro-R : High-end reverb plug-in</li><li>FabFilter Pro-L 2 : Feature-packed true peak limiter plug-in</li><li>FabFilter Pro-MB : Professional multi-band compressor and expander</li><li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li><li>FabFilter Pro-C 2 : Professional compressor plug-in</li><li>FabFilter Pro-DS : Intelligent de-esser</li><li>FabFilter Pro-G : Flexible gate/expander plug-in</li><li>FabFilter Saturn : Multiband distortion/saturation plug-in</li><li>FabFilter Twin 2: Powerful synthesizer plug-in</li><li>FabFilter Timeless 2 : Creative tape delay plug-in</li><li>FabFilter Volcano 2 : Powerful filter plug-in</li><li>FabFilter One : Simple synthesizer plug-in</li><li>FabFilter Simplon : Basic filter plug-in</li><li>FabFilter Micro: Mini filter plug-in</li>\n</ul><br /><ul>\n</ul></div>'),(4604,75,1,768,'<h2>FabFilter Total Bundle Plug-ins</h2>The Total Bundle is a set of all FabFilter plug-ins. With this bundle, you get FabFilter\'s professional EQ, multiband dynamics, compressor, limiter, de-esser and gate/expander, creative multiband distortion, stereo delay, filter and synthesizer plug-ins, all at an incredible, discounted price.<br /><br /><span style=\"background-color: initial;\">The FabFilter Total bundle contains 14 plug-ins worth $2031</span><div><br /><br />\n\n\n		<h3>Total Bundle Contains:</h3>\n		<ul>\n<li>FabFilter Pro-R : High-end reverb plug-in</li><li>FabFilter Pro-L 2 : Feature-packed true peak limiter plug-in</li><li>FabFilter Pro-MB : Professional multi-band compressor and expander</li><li>FabFilter Pro-Q 3 : High-quality EQ plug-in</li><li>FabFilter Pro-C 2 : Professional compressor plug-in</li><li>FabFilter Pro-DS : Intelligent de-esser</li><li>FabFilter Pro-G : Flexible gate/expander plug-in</li><li>FabFilter Saturn : Multiband distortion/saturation plug-in</li><li>FabFilter Twin 2: Powerful synthesizer plug-in</li><li>FabFilter Timeless 2 : Creative tape delay plug-in</li><li>FabFilter Volcano 2 : Powerful filter plug-in</li><li>FabFilter One : Simple synthesizer plug-in</li><li>FabFilter Simplon : Basic filter plug-in</li><li>FabFilter Micro: Mini filter plug-in</li>\n</ul><br /><ul>\n</ul></div>'),(4605,85,0,768,'FabFilter Total Bundle Plug-ins'),(4606,85,1,768,'FabFilter Total Bundle Plug-ins'),(4607,76,0,768,''),(4608,76,1,768,''),(4609,75,0,769,'<h2>FabFilter Twin 2 Synthesizer Plug-in</h2>\n FabFilter Twin 2 is a powerful synth with the highest possible sound quality and an ultra-flexible modulation system<br /><br />\n		FabFilter Twin 2 is equipped with the best possible oscillators, award-winning filters and an innovative interface that makes sound design a breeze! Rather use presets? Twin 2 comes with more than 1600 quality sounds that you can use right away.<br /><br />\n		Programming Twin 2 is easy and fast. The what-you-use-is-what-you-see interface shows only what you are actually using, and the graphic component buttons give you direct access to the most important settings from the impressive list of features.<br /><br />\n\n		<h3>Twin 2 Features</h3>\n<ul>\n<li>Three high-quality oscillators with PWM, hard sync, and phase sync                                                                                   </li>\n<li>Four state-of-the-art multimode filters with filter panning and 11 characteristics                                                                   </li>\n<li>Extensive delay section with feedback and filter section                                                                                             </li>\n<li>Over 1600 presets                                                                                                                                    </li>\n<li>Ring modulation                                                                                                                                      </li>\n<li>Revolutionary new interface, using our innovative what-you-use-is-what-you-see concept                                                               </li>\n<li>Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom                                               </li>\n<li>Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need  </li>\n<li>Easy drag-and-drop modulation with 50-slot modulation matrix                                                                                         </li>\n<li>Modulation source signal visualization                                                                                                               </li>\n<li>GPU-powered graphics acceleration                                                                                                                    </li>\n<li>Side chain input                                                                                                                                     </li>\n<li>Polyphonic portamento                                                                                                                                </li>\n<li>32-voice polyphony and unison                                                                                                                        </li>\n<li>Highly improved MIDI Learn                                                                                                                           </li>\n<li>Unique per-component presets                                                                                                                         </li>\n<li>Smart Parameter Interpolation                                                                                                                        </li>\n<li>Extensive help file with interactive help hints                                                                                                      </li>\n<li>Undo, redo and A/B switch features<br />                                                                                                               </li>\n</ul><br />\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4610,75,1,769,'<h2>FabFilter Twin 2 Synthesizer Plug-in</h2>\n FabFilter Twin 2 is a powerful synth with the highest possible sound quality and an ultra-flexible modulation system<br /><br />\n		FabFilter Twin 2 is equipped with the best possible oscillators, award-winning filters and an innovative interface that makes sound design a breeze! Rather use presets? Twin 2 comes with more than 1600 quality sounds that you can use right away.<br /><br />\n		Programming Twin 2 is easy and fast. The what-you-use-is-what-you-see interface shows only what you are actually using, and the graphic component buttons give you direct access to the most important settings from the impressive list of features.<br /><br />\n\n		<h3>Twin 2 Features</h3>\n<ul>\n<li>Three high-quality oscillators with PWM, hard sync, and phase sync                                                                                   </li>\n<li>Four state-of-the-art multimode filters with filter panning and 11 characteristics                                                                   </li>\n<li>Extensive delay section with feedback and filter section                                                                                             </li>\n<li>Over 1600 presets                                                                                                                                    </li>\n<li>Ring modulation                                                                                                                                      </li>\n<li>Revolutionary new interface, using our innovative what-you-use-is-what-you-see concept                                                               </li>\n<li>Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom                                               </li>\n<li>Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need  </li>\n<li>Easy drag-and-drop modulation with 50-slot modulation matrix                                                                                         </li>\n<li>Modulation source signal visualization                                                                                                               </li>\n<li>GPU-powered graphics acceleration                                                                                                                    </li>\n<li>Side chain input                                                                                                                                     </li>\n<li>Polyphonic portamento                                                                                                                                </li>\n<li>32-voice polyphony and unison                                                                                                                        </li>\n<li>Highly improved MIDI Learn                                                                                                                           </li>\n<li>Unique per-component presets                                                                                                                         </li>\n<li>Smart Parameter Interpolation                                                                                                                        </li>\n<li>Extensive help file with interactive help hints                                                                                                      </li>\n<li>Undo, redo and A/B switch features<br />                                                                                                               </li>\n</ul><br />\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4611,85,0,769,'FabFilter Twin 2 Synthesizer Plug-in'),(4612,85,1,769,'FabFilter Twin 2 Synthesizer Plug-in'),(4613,76,0,769,''),(4614,76,1,769,''),(4615,75,0,770,'<h2>FabFilter Volcano 2 Filter Effect Plug-in</h2>\nFabFilter Volcano 2 is a versatile filter effect plug-in with state-of-the-art filter technology and endless modulation and tweaking possibilities<br /><br />\n		With Volcano 2, FabFilter takes interface design to a whole new level. The innovative what-you-use-is-what-you-see concept shows only what you are actually using, making it a breeze to work with the impressive list of features that the plug-in has to offer. <br /><br />\n\n		With all the XLFOs, envelope generators, envelope followers and MIDI sources you will ever need, Volcano 2 offers endless modulation possibilities. Setting up new modulation connections is easy with the drag-and-drop modulation matrix. <br /><br />\n\n		Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!<br /><br />\n\n		<h3>Volcano 2 Features</h3>\n<ul>\n<li>Four state-of-the-art multi-mode filters, with panning, delay and more than 10 unique characteristics                              </li>\n<li>Ultra-flexible filter routing, including per-channel and mid/side modes                                                            </li>\n<li>Revolutionary new interface, using our innovative what-you-use-is-what-you-see concept                                             </li>\n<li>Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom                             </li>\n<li>Endless modulation options, with all the 16-step XLFOs, envelope generators, envelope followers and MIDI sources you will ever need</li>\n<li>Easy drag-and-drop modulation with 24-slot modulation matrix                                                                       </li>\n<li>Large interactive filter display                                                                                                   </li>\n<li>GPU-powered graphics acceleration                                                                                                  </li>\n<li>Modulation source signal visualization                                                                                             </li>\n<li>Stereo and mono plug-ins available                                                                                                 </li>\n<li>Mid/side processing                                                                                                                </li>\n<li>Side chain input                                                                                                                   </li>\n<li>Highly improved MIDI Learn                                                                                                         </li>\n<li>Almost 300 presets                                                                                                                 </li>\n<li>Unique per-component presets                                                                                                       </li>\n<li>Undo, redo and A/B switch features                                                                                                 </li>\n<li>Extensive help file with interactive help hints                                                                                    </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4616,75,1,770,'<h2>FabFilter Volcano 2 Filter Effect Plug-in</h2>\nFabFilter Volcano 2 is a versatile filter effect plug-in with state-of-the-art filter technology and endless modulation and tweaking possibilities<br /><br />\n		With Volcano 2, FabFilter takes interface design to a whole new level. The innovative what-you-use-is-what-you-see concept shows only what you are actually using, making it a breeze to work with the impressive list of features that the plug-in has to offer. <br /><br />\n\n		With all the XLFOs, envelope generators, envelope followers and MIDI sources you will ever need, Volcano 2 offers endless modulation possibilities. Setting up new modulation connections is easy with the drag-and-drop modulation matrix. <br /><br />\n\n		Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!<br /><br />\n\n		<h3>Volcano 2 Features</h3>\n<ul>\n<li>Four state-of-the-art multi-mode filters, with panning, delay and more than 10 unique characteristics                              </li>\n<li>Ultra-flexible filter routing, including per-channel and mid/side modes                                                            </li>\n<li>Revolutionary new interface, using our innovative what-you-use-is-what-you-see concept                                             </li>\n<li>Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom                             </li>\n<li>Endless modulation options, with all the 16-step XLFOs, envelope generators, envelope followers and MIDI sources you will ever need</li>\n<li>Easy drag-and-drop modulation with 24-slot modulation matrix                                                                       </li>\n<li>Large interactive filter display                                                                                                   </li>\n<li>GPU-powered graphics acceleration                                                                                                  </li>\n<li>Modulation source signal visualization                                                                                             </li>\n<li>Stereo and mono plug-ins available                                                                                                 </li>\n<li>Mid/side processing                                                                                                                </li>\n<li>Side chain input                                                                                                                   </li>\n<li>Highly improved MIDI Learn                                                                                                         </li>\n<li>Almost 300 presets                                                                                                                 </li>\n<li>Unique per-component presets                                                                                                       </li>\n<li>Undo, redo and A/B switch features                                                                                                 </li>\n<li>Extensive help file with interactive help hints                                                                                    </li>\n</ul><br />\n		\n<h3>Requirements</h3>\n\n		<strong>Windows</strong>\n		<ul>\n<li>32-bit: Windows 8, 7, Vista or XP</li>\n<li>64-bit: Windows 8, 7 or Vista(x64)</li>\n<li>VST 2/3 host or Pro Tools</li>\n</ul><br />\n		<strong>Mac OS X</strong>\n		<ul>\n<li>32-bit: OS X 10.5 or higher</li>\n<li>64-bit: OS X 10.6 or higher</li>\n<li>AU or VST 2/3 host or Pro Tools</li>\n<li>Intel processor</li>\n</ul>'),(4617,85,0,770,'FabFilter Volcano 2 Filter Effect Plug-in'),(4618,85,1,770,'FabFilter Volcano 2 Filter Effect Plug-in'),(4619,76,0,770,''),(4620,76,1,770,''),(4621,75,0,771,'<h2>Flux:: Alchemist - Reinventing Multiband Dynamics </h2>\n	[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native 32 & 64 bit* ]<br><br>\n\n	Be it a serious problem with the dynamics in a mix, a delicate mastering assignment, or a situation with complicated dynamics, Alchemist provides everything you need in order to accomplish. Designed with professional mastering and re-mastering applications in mind, the intricate design, superior workflow, and sound perfection, makes Alchemist tailored for the high demands of today’s music and pro-audio industry,\n<br><br>\n\n<h3>Processing</h3>\n\n	Alchemist operates as a single broadband processor or as a full-scale multiband processor offering up to five individual bands. Each band presents a complete dynamic processing section including; compressor, expander, de-compressor and de-expander, all working in parallel employing independent Angel’s share and Hysteresis parameters for each section.<br><br>\n\n	Angel\'s share and Hysteresis are key features of all Flux:: dynamic processors, using the dynamic range content of the signal and not just the signal levels as standard processors do. Angel’s share controls the amount of auto-ratio determined by the signal dynamics and by the manual ratio setting. Hysteresis controls the amount of auto-threshold determined by the signal dynamics and by the manual threshold value.<br><br>\n	As all Flux:: processors Alchemist provide up to eight channels of simultaneous processing for multichannel/surround operations<br><br>\n\n<h3>User Interface And Workflow</h3>\n	The user interface in Alchemist is designed for simplicity, and in addition to the five band sections, Alchemist presents a vast range of functions to simplify the workflow and to facilitate the achievement of exceptional results. Some of the key functions are:\n<ul>\n	<li><span style=\"background-color: initial;\">Generous -/+ 48 dB input/output gain range</span></li>\n	<li><span style=\"background-color: initial;\">Phase invert of the processed signal</span></li>\n	<li><span style=\"background-color: initial;\">Dry/wet control offering true parallel dynamics processing</span></li>\n	<li><span style=\"background-color: initial;\">Discrete peak-limiter rounding peaks off in a smooth and musically fashion</span></li>\n	<li><span style=\"background-color: initial;\">True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal</span></li>\n	<li><span style=\"background-color: initial;\">Morphing slider for seamless transition between two explicit full parameter-sets</span></li>\n</ul><br>\n\n	*Alchemist v3 AAX Native supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.'),(4622,75,1,771,'<h2>Flux:: Alchemist - Reinventing Multiband Dynamics </h2>\n	[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native 32 & 64 bit* ]<br><br>\n\n	Be it a serious problem with the dynamics in a mix, a delicate mastering assignment, or a situation with complicated dynamics, Alchemist provides everything you need in order to accomplish. Designed with professional mastering and re-mastering applications in mind, the intricate design, superior workflow, and sound perfection, makes Alchemist tailored for the high demands of today’s music and pro-audio industry,\n<br><br>\n\n<h3>Processing</h3>\n\n	Alchemist operates as a single broadband processor or as a full-scale multiband processor offering up to five individual bands. Each band presents a complete dynamic processing section including; compressor, expander, de-compressor and de-expander, all working in parallel employing independent Angel’s share and Hysteresis parameters for each section.<br><br>\n\n	Angel\'s share and Hysteresis are key features of all Flux:: dynamic processors, using the dynamic range content of the signal and not just the signal levels as standard processors do. Angel’s share controls the amount of auto-ratio determined by the signal dynamics and by the manual ratio setting. Hysteresis controls the amount of auto-threshold determined by the signal dynamics and by the manual threshold value.<br><br>\n	As all Flux:: processors Alchemist provide up to eight channels of simultaneous processing for multichannel/surround operations<br><br>\n\n<h3>User Interface And Workflow</h3>\n	The user interface in Alchemist is designed for simplicity, and in addition to the five band sections, Alchemist presents a vast range of functions to simplify the workflow and to facilitate the achievement of exceptional results. Some of the key functions are:\n<ul>\n	<li><span style=\"background-color: initial;\">Generous -/+ 48 dB input/output gain range</span></li>\n	<li><span style=\"background-color: initial;\">Phase invert of the processed signal</span></li>\n	<li><span style=\"background-color: initial;\">Dry/wet control offering true parallel dynamics processing</span></li>\n	<li><span style=\"background-color: initial;\">Discrete peak-limiter rounding peaks off in a smooth and musically fashion</span></li>\n	<li><span style=\"background-color: initial;\">True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal</span></li>\n	<li><span style=\"background-color: initial;\">Morphing slider for seamless transition between two explicit full parameter-sets</span></li>\n</ul><br>\n\n	*Alchemist v3 AAX Native supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.'),(4623,85,0,771,'Flux:: Alchemist Plug-in'),(4624,85,1,771,'Flux:: Alchemist Plug-in'),(4625,76,0,771,''),(4626,76,1,771,''),(4627,75,0,772,'<h2>Elixir v3 - The Premier Real True Peak Multichannel Limiter Plug-in </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]<br /><br />\n \nElixir v3 is a novel kind of program limiter carefully designed to accomplish a truly pure natural sounding result without altering the nature of the audio material and its timbre.<br /><br />\n \nIntended to fulfill the requirements of the broadcast, post-production and mastering industry, Elixir v3 provides real True Peak output level in accordance with the ITU-R BS.1770 and EBU R128 norms, and for surround/multichannel operation Elixir provides up to eight channels of simultaneous processing.<br /><br />\n \n<h3>User Interface And Workflow</h3>\n \nElixir’s straightforward interface makes it exceptionally easy to achieve great results, even under a tight deadline. Simply set the input level, adjust the Threshold according to the amount of limiting desired, and finally enable Make Up for gain compensation and loudness addition - That’s it!<br /><br />\n \nFor truly delicate and fine processing tasks (mastering etc.) Elixir v3 presents a new innovative concept called Stages, providing the option to set the algorithm to perform the limiting processing in multi-stages, in order to achieve even more precise and natural sounding results.<br /><br />\n \nExample: If the threshold is set to -3 dB and the ‘Stages’ parameter set to 3, the first stage will limit at -1dB, the second stage will limit at -2dB and the third will limit at -3dB, with analyzing performed in each of the three stages.<br /><br />\n \n<h3>Processing</h3>\n \nElixir v3 is built around our latest 64-bit version 3 framework, improving the processing performance dramatically with 500 to 1000 percents improvement measured depending on the host environment.<br /><br />\n \nThe graphic rendering in Elixir v3 is using a GPU-efficient 2D/3D graphic engine. The engine, introduced first in the Pure Analyzer System, is based on the OpenGL standard optimizing the audio-to-visual experience utilizing the GPU on the computer’s built in graphics card.<br /><br />\n \nThe algorithm in Elixir v3 uses an oversampled representation of the audio sample as reference when defining the gain envelope, while the actual processing is applied only to the original none oversampled data, all in order to reduce artifacts (like aliasing) and to achieve the most precise and excellent sounding result presenting none, or effectively reduced, conventional limiting pumping effects even during heavy processing.<br /><br />\n \nElixir v3 is available in Native version (AU/VST/AAX Native) and in DSP version (the DSP licence includes licences for AAX DSP/Native).<br /><br />\n \n<h3>Open Sound Control Support</h3>\n \nOpen Sound Control (OSC) is a content format for messaging among computers, sound synthesizers, and other multimedia devices that are optimized for modern networking technology. Bringing the benefits of modern networking technology to the world of electronic musical instruments, OSC\'s advantages include interoperability, accuracy, flexibility, and enhanced organization and documentation.<br /><br />\n \nWith the Flux:: version 3 (v3) framework support for OSC is introduced in order to allow for remote control of the plug-in parameters using OSC enabled devices and software applications such as TouchOSC for iPhone / iPod Touch / iPad.<br /><br />'),(4628,75,1,772,'<h2>Elixir v3 - The Premier Real True Peak Multichannel Limiter Plug-in </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]<br /><br />\n \nElixir v3 is a novel kind of program limiter carefully designed to accomplish a truly pure natural sounding result without altering the nature of the audio material and its timbre.<br /><br />\n \nIntended to fulfill the requirements of the broadcast, post-production and mastering industry, Elixir v3 provides real True Peak output level in accordance with the ITU-R BS.1770 and EBU R128 norms, and for surround/multichannel operation Elixir provides up to eight channels of simultaneous processing.<br /><br />\n \n<h3>User Interface And Workflow</h3>\n \nElixir’s straightforward interface makes it exceptionally easy to achieve great results, even under a tight deadline. Simply set the input level, adjust the Threshold according to the amount of limiting desired, and finally enable Make Up for gain compensation and loudness addition - That’s it!<br /><br />\n \nFor truly delicate and fine processing tasks (mastering etc.) Elixir v3 presents a new innovative concept called Stages, providing the option to set the algorithm to perform the limiting processing in multi-stages, in order to achieve even more precise and natural sounding results.<br /><br />\n \nExample: If the threshold is set to -3 dB and the ‘Stages’ parameter set to 3, the first stage will limit at -1dB, the second stage will limit at -2dB and the third will limit at -3dB, with analyzing performed in each of the three stages.<br /><br />\n \n<h3>Processing</h3>\n \nElixir v3 is built around our latest 64-bit version 3 framework, improving the processing performance dramatically with 500 to 1000 percents improvement measured depending on the host environment.<br /><br />\n \nThe graphic rendering in Elixir v3 is using a GPU-efficient 2D/3D graphic engine. The engine, introduced first in the Pure Analyzer System, is based on the OpenGL standard optimizing the audio-to-visual experience utilizing the GPU on the computer’s built in graphics card.<br /><br />\n \nThe algorithm in Elixir v3 uses an oversampled representation of the audio sample as reference when defining the gain envelope, while the actual processing is applied only to the original none oversampled data, all in order to reduce artifacts (like aliasing) and to achieve the most precise and excellent sounding result presenting none, or effectively reduced, conventional limiting pumping effects even during heavy processing.<br /><br />\n \nElixir v3 is available in Native version (AU/VST/AAX Native) and in DSP version (the DSP licence includes licences for AAX DSP/Native).<br /><br />\n \n<h3>Open Sound Control Support</h3>\n \nOpen Sound Control (OSC) is a content format for messaging among computers, sound synthesizers, and other multimedia devices that are optimized for modern networking technology. Bringing the benefits of modern networking technology to the world of electronic musical instruments, OSC\'s advantages include interoperability, accuracy, flexibility, and enhanced organization and documentation.<br /><br />\n \nWith the Flux:: version 3 (v3) framework support for OSC is introduced in order to allow for remote control of the plug-in parameters using OSC enabled devices and software applications such as TouchOSC for iPhone / iPod Touch / iPad.<br /><br />'),(4629,85,0,772,'Flux:: Elixir Plug-in'),(4630,85,1,772,'Flux:: Elixir Plug-in'),(4631,76,0,772,''),(4632,76,1,772,''),(4633,75,0,773,'<h2>Flux:: Epure v3 - Where sound becomes music </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Avid Venue TDM | Merging VS3 32 & 64 bit** ]\n<br /><br />\nWith an algorithm designed to deliver the most superior quality achievable in digital equalizing processing today, Epure v3 is a powerful go-to processor for your day-to-day session works, and a sharp-edged surgical precision tool for the most demanding equalizing and filtering tasks conceivable.<br /><br />\n<h3>User Interface And Workflow</h3>\nThe logical and comprehensive user interface includes a variety of instant shortcut functions to enhance and simplify the user workflow, allowing for simplistic, quick and precise operation. Each of the five colour coded band sections is covering the complete frequency range and offers -/+ 24 dB gain with dynamic gain controls allowing you to multiply the gain by 2, divide it by 2, or invert the gain with just the flip of a switch.\n<br /><br />\n<h3>Processing</h3>\nAs all Flux:: processors Epure v3 provide up to eight channels of simultaneous processing for multichannel/surround operations.\n<br /><br />\nIn addition, 4 MS decoders/encoders and up to 8 internally routable processing groups present the ability to process multiple explicit tiers from within one single plug-in instance, allowing for complex processing assignments such as separate processing of M and S components.<br /><br />\nUsing the internal processing groups and the MS option in a multichannel setup, you could for example have one set of controls grouped together for the front channels, with a different group controlling the rear channels, configuring an MS EQ on the front channels and simultaneously another MS EQ on the rear channels as well, using one single instance of Epure v3 only.<br /><br />\n<h3>Open Sound Control Support</h3>\nOpen Sound Control (OSC) is a content format for messaging among computers, sound synthesizers, and other multimedia devices that are optimized for modern networking technology. Bringing the benefits of modern networking technology to the world of electronic musical instruments, OSC\'s advantages include interoperability, accuracy, flexibility, and enhanced organization and documentation.\n<br /><br />\nWith the Flux:: version 3 (v3) framework support for OSC is introduced in order to allow for remote control of the plug-in parameters using OSC enabled devices and software applications such as TouchOSC for iPhone / iPod Touch / iPad.<br /><br <a=\"\" href=\"http://www.fluxhome.com/public/download/beta/16672/VerbV3OSC.PNG\" target=\"_blank\" />\nSample OSC layout in TouchOSC (for Ircam Verb v3)\n<br /><br />\n<a href=\"http://hexler.net/software/touchosc\" target=\"_blank\">TouchOSC Website</a><br /><br />\n*Epure v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.<br /><br />\nTDM versions for Avid Venue TDM systems available as well.'),(4634,75,1,773,'<h2>Flux:: Epure v3 - Where sound becomes music </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Avid Venue TDM | Merging VS3 32 & 64 bit** ]\n<br /><br />\nWith an algorithm designed to deliver the most superior quality achievable in digital equalizing processing today, Epure v3 is a powerful go-to processor for your day-to-day session works, and a sharp-edged surgical precision tool for the most demanding equalizing and filtering tasks conceivable.<br /><br />\n<h3>User Interface And Workflow</h3>\nThe logical and comprehensive user interface includes a variety of instant shortcut functions to enhance and simplify the user workflow, allowing for simplistic, quick and precise operation. Each of the five colour coded band sections is covering the complete frequency range and offers -/+ 24 dB gain with dynamic gain controls allowing you to multiply the gain by 2, divide it by 2, or invert the gain with just the flip of a switch.\n<br /><br />\n<h3>Processing</h3>\nAs all Flux:: processors Epure v3 provide up to eight channels of simultaneous processing for multichannel/surround operations.\n<br /><br />\nIn addition, 4 MS decoders/encoders and up to 8 internally routable processing groups present the ability to process multiple explicit tiers from within one single plug-in instance, allowing for complex processing assignments such as separate processing of M and S components.<br /><br />\nUsing the internal processing groups and the MS option in a multichannel setup, you could for example have one set of controls grouped together for the front channels, with a different group controlling the rear channels, configuring an MS EQ on the front channels and simultaneously another MS EQ on the rear channels as well, using one single instance of Epure v3 only.<br /><br />\n<h3>Open Sound Control Support</h3>\nOpen Sound Control (OSC) is a content format for messaging among computers, sound synthesizers, and other multimedia devices that are optimized for modern networking technology. Bringing the benefits of modern networking technology to the world of electronic musical instruments, OSC\'s advantages include interoperability, accuracy, flexibility, and enhanced organization and documentation.\n<br /><br />\nWith the Flux:: version 3 (v3) framework support for OSC is introduced in order to allow for remote control of the plug-in parameters using OSC enabled devices and software applications such as TouchOSC for iPhone / iPod Touch / iPad.<br /><br <a=\"\" href=\"http://www.fluxhome.com/public/download/beta/16672/VerbV3OSC.PNG\" target=\"_blank\" />\nSample OSC layout in TouchOSC (for Ircam Verb v3)\n<br /><br />\n<a href=\"http://hexler.net/software/touchosc\" target=\"_blank\">TouchOSC Website</a><br /><br />\n*Epure v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.<br /><br />\nTDM versions for Avid Venue TDM systems available as well.'),(4635,85,0,773,'Flux:: Epure Native Plug-in'),(4636,85,1,773,'Flux:: Epure Native Plug-in'),(4637,76,0,773,''),(4638,76,1,773,''),(4639,75,0,774,'Full Pack II Recording, Mixing, Remixing, Mastering - The complete range of Flux:: plug-ins in one big bundle..\nAlchemist aiming at professional mastering and re-mastering applications, the intricate design of Alchemist suggests a superior workflow and sound perfection within the field of dynamics processing, well adapted for the high demands of today’s pro-audio industry.\n\nAlchemist presents the option to operate as a single broadband processor as well as a multiband processor providing up to five individual bands, with the possibility to process up to eight channels simultaneously when inserted on a multi-channel (surround) bus.\n\nEach of the five band-sections provides\n\n- Flux:: core dynamics processors; Compressor, De-Compressor, Expander and De-Expander, all operating in parallel, as well as our exquisite BitterSweet transient processor. - MS (mid/side) control. - Auto Delay (Introduces a delay line in the processed signal allowing zero attack time). - Selectable level detection mode and dynamics detection profile - Dynamics processing envelope control (Attack, Hold, Release with optional Auto mode). - Input / Output gain control.\n\nEpure II a five-band state of the art equalizer using one of our most complex proprietary algorithms, ensuring the most superior quality achievable in digital equalizing processing.\n\nEach section provides - Individual bypass - Filter type that can be set to low cut, low shelving, peak, hi shelving or hi cut - Gain control with the range -24 dB to +24 dB - Frequency range covering the whole bandwidth - Q factor adjustable from 0.1 to 100\n\nSolera II primarily designed for mastering and re-mastering applications, though heavily used as a regular dynamics processor with it\'s superior sonic quality and distortion free operation in many professional studios all over the world.\n\nFour dynamic sections work in parallel, compressor, de-compressor, expander and de-expander. Three release modes (manual, auto, and advanced) are available. In advanced mode the minimum and maximum release values are user adjustable. An Auto Delay function allows zero attack times by introducing a delay line in the processed signal and the side chain features a three-band equalizer to generate frequency sensitive processing.\n\nSyrah a new generation dynamics processor, which handles the dynamics in a way that allows you to be creative, without a complicated user interface. Utilizing real time dynamic detection and level dependent processing, providing adaptive dynamic capabilities, which mean that Syrah is always trying to adapt to the music and to the beat of the material.\n\nUsing parts of our exquisite ‘BitterSweet’ technology, our new adaptive-dynamics technology, and our well-recognized level independent dynamics processing, Syrah will be well suited as a creative versatile processor for recording and mixing, as well as for delicate and demanding mastering tasks.\n\nPure Series is the very core of the Flux:: dynamics derived from our flagship Solera II and provided as five single plug-ins for maximum versatility with a classic “one tool for each task” approach to slim the workflow without compromising quality or function.\n\nPure Compressor produces a wide range of compressions from ultra clean subtle compressions to classic heavy pumping ones. It\'s up to your artistic choices not to the technology limitations.\n\nPure DCompressor allows you to restore the original dynamic of a sound. The DCompressor is superior for heavily compressed signal adding some of that natural feeling to the sound.\n\nPure Expander produces a wide range of expansion process from subtle expansions to hard noise-gate. Using Flux:: proprietary Angel\'s Share and Hysteresis algorithms Pure Expander allows you to remove unwanted noises or reverberation without adding a processed character to your sound.\n\nPure DExpander enhances the low levels of the sound, magnifies the spatialization information and is also very useful when you want a compact expander sound. The Angel\'s Share algorithm permits some heavy processing though still keeping an organic character with the sound\n\nPure Limiter is using exquisite proprietary Flux:: algorithms generating a release-envelope producing no artifacts on the processed sound achieving a transparent limiting. A dramatic increase of the average audio level is easily achieved without damaging the perceived audio quality of the material.'),(4640,75,1,774,'Full Pack II Recording, Mixing, Remixing, Mastering - The complete range of Flux:: plug-ins in one big bundle..\nAlchemist aiming at professional mastering and re-mastering applications, the intricate design of Alchemist suggests a superior workflow and sound perfection within the field of dynamics processing, well adapted for the high demands of today’s pro-audio industry.\n\nAlchemist presents the option to operate as a single broadband processor as well as a multiband processor providing up to five individual bands, with the possibility to process up to eight channels simultaneously when inserted on a multi-channel (surround) bus.\n\nEach of the five band-sections provides\n\n- Flux:: core dynamics processors; Compressor, De-Compressor, Expander and De-Expander, all operating in parallel, as well as our exquisite BitterSweet transient processor. - MS (mid/side) control. - Auto Delay (Introduces a delay line in the processed signal allowing zero attack time). - Selectable level detection mode and dynamics detection profile - Dynamics processing envelope control (Attack, Hold, Release with optional Auto mode). - Input / Output gain control.\n\nEpure II a five-band state of the art equalizer using one of our most complex proprietary algorithms, ensuring the most superior quality achievable in digital equalizing processing.\n\nEach section provides - Individual bypass - Filter type that can be set to low cut, low shelving, peak, hi shelving or hi cut - Gain control with the range -24 dB to +24 dB - Frequency range covering the whole bandwidth - Q factor adjustable from 0.1 to 100\n\nSolera II primarily designed for mastering and re-mastering applications, though heavily used as a regular dynamics processor with it\'s superior sonic quality and distortion free operation in many professional studios all over the world.\n\nFour dynamic sections work in parallel, compressor, de-compressor, expander and de-expander. Three release modes (manual, auto, and advanced) are available. In advanced mode the minimum and maximum release values are user adjustable. An Auto Delay function allows zero attack times by introducing a delay line in the processed signal and the side chain features a three-band equalizer to generate frequency sensitive processing.\n\nSyrah a new generation dynamics processor, which handles the dynamics in a way that allows you to be creative, without a complicated user interface. Utilizing real time dynamic detection and level dependent processing, providing adaptive dynamic capabilities, which mean that Syrah is always trying to adapt to the music and to the beat of the material.\n\nUsing parts of our exquisite ‘BitterSweet’ technology, our new adaptive-dynamics technology, and our well-recognized level independent dynamics processing, Syrah will be well suited as a creative versatile processor for recording and mixing, as well as for delicate and demanding mastering tasks.\n\nPure Series is the very core of the Flux:: dynamics derived from our flagship Solera II and provided as five single plug-ins for maximum versatility with a classic “one tool for each task” approach to slim the workflow without compromising quality or function.\n\nPure Compressor produces a wide range of compressions from ultra clean subtle compressions to classic heavy pumping ones. It\'s up to your artistic choices not to the technology limitations.\n\nPure DCompressor allows you to restore the original dynamic of a sound. The DCompressor is superior for heavily compressed signal adding some of that natural feeling to the sound.\n\nPure Expander produces a wide range of expansion process from subtle expansions to hard noise-gate. Using Flux:: proprietary Angel\'s Share and Hysteresis algorithms Pure Expander allows you to remove unwanted noises or reverberation without adding a processed character to your sound.\n\nPure DExpander enhances the low levels of the sound, magnifies the spatialization information and is also very useful when you want a compact expander sound. The Angel\'s Share algorithm permits some heavy processing though still keeping an organic character with the sound\n\nPure Limiter is using exquisite proprietary Flux:: algorithms generating a release-envelope producing no artifacts on the processed sound achieving a transparent limiting. A dramatic increase of the average audio level is easily achieved without damaging the perceived audio quality of the material.'),(4641,85,0,774,'Flux:: Full Pack II'),(4642,85,1,774,'Flux:: Full Pack II'),(4643,76,0,774,''),(4644,76,1,774,''),(4645,75,0,775,'<span style=\"font-weight: bold; \">Solera</span> implements 4 different detectors and envelop generators in parallel and simultaneously.\nCompressor, de-compressor, expander and de-expander which can all be independently contolled. In addition, here are some of the key features that make our plug-in the best available for dynamic processing in the digital domain:<div><ul><li>An analog like metering. RMS values are more useful than dB-fs when setting a dynamic processor.&nbsp;</li><li>The \"Angel\'s Share\" parameter takes into account the signal for intelligent relaxation of the compressor action.&nbsp;</li><li>The \"Hysteresis\" parameter allows compressing and de-compressing, independently of the sound level and can be mixed with the standard compression scheme.&nbsp;</li><li>The Auto Release features an unique algorithm that avoids typical pumping effect.&nbsp;</li><li>A delay line can be inserted in the signal path to produce a null attack time.&nbsp;</li><li>The A/B Compare and Morphing section enables ultra fast and precise operations.&nbsp;</li><li>Dry Mix function to achieve the full control of the dynamic processing amount.&nbsp;</li></ul></div><div><span style=\"font-weight: bold; \">Epure</span> features for every section:</div><div><ul><li>Individual bypass.&nbsp;</li><li>The filter type can be set to low cut, low shelving, peak, hi shelving, hi cut&nbsp;</li><li>The gain be set from -24 dB to +24 dB&nbsp;</li><li>The frequency range covers the whole bandwidth&nbsp;</li><li>The Q factor can be adjusted from 0.1 to 1&nbsp;</li></ul></div><div>Epure also features five unique functions to make equalization even more easy:&nbsp;</div><div><ul><li>Copy A and Copy B duplicate the twenty settings of a slot to the other in one click&nbsp;</li><li>X2 and /2 affect the gain value for every equalizer section&nbsp;</li><li>Invert turns the positive gain values to negative ones and vice versa&nbsp;</li></ul></div><div>Epure includes internal Input /output routings. A channel group management allowing to set many channels or individual channel setting is also available from the new setup window. From this window, up to 4 MS encoders and up to 4 MS decoders can be engaged if required. Combined with our exclusive A /B morphing system, these functions enable a global and efficient control of the equalization curve in a second.&nbsp;</div><div><br></div><div><span style=\"font-weight: bold; \">Pure Limiter</span> is supposed to be the very last stage of your audio processing chain. It uses the exclusive FLUX technologies to generate a release envelop producing no artefact on the processed sound.\nA transparent limiting dramatically increasing the average audio level can now be achieved without damaging the perceived audio quality.</div><div><br></div><div>As usual with the FLUX plug-ins there is no compromise between simplicity of use and the exhaustiveness of the accessible parameters. An automatic mode allows quick operations in most cases. But a manual mode and an advanced mode are also there to allow you a total control on the processing.&nbsp;\n</div><div><br></div><div>To make the setting even easier, the Pure Limiter also features two display modes.  When the mode A is engaged, both original and limited waveforms are displayed.  The Mode B displays the limited waveform, the limiter action and the histogram of the release value which is especially useful when running in advanced mode.&nbsp;</div><div><br></div><div><span style=\"font-weight: bold; \">Elixir - The Premier Real True Peak Multichannel Limiter Plug-in</span>&nbsp;</div><div>Elixir is a novel kind of program limiter carefully designed to accomplish a truly pure natural sounding result without altering the nature of the audio material and its timbre.&nbsp;</div><div><br></div><div>Intended to fulfill the requirements of the broadcast, post-production and mastering industry, Elixir provides real True Peak output level in accordance with the ITU-R.BS 1770 and EBU R128 norms, and for surround/multichannel operation Elixir provides up to eight channels of simultaneous processing.</div>'),(4646,75,1,775,'<span style=\"font-weight: bold; \">Solera</span> implements 4 different detectors and envelop generators in parallel and simultaneously.\nCompressor, de-compressor, expander and de-expander which can all be independently contolled. In addition, here are some of the key features that make our plug-in the best available for dynamic processing in the digital domain:<div><ul><li>An analog like metering. RMS values are more useful than dB-fs when setting a dynamic processor.&nbsp;</li><li>The \"Angel\'s Share\" parameter takes into account the signal for intelligent relaxation of the compressor action.&nbsp;</li><li>The \"Hysteresis\" parameter allows compressing and de-compressing, independently of the sound level and can be mixed with the standard compression scheme.&nbsp;</li><li>The Auto Release features an unique algorithm that avoids typical pumping effect.&nbsp;</li><li>A delay line can be inserted in the signal path to produce a null attack time.&nbsp;</li><li>The A/B Compare and Morphing section enables ultra fast and precise operations.&nbsp;</li><li>Dry Mix function to achieve the full control of the dynamic processing amount.&nbsp;</li></ul></div><div><span style=\"font-weight: bold; \">Epure</span> features for every section:</div><div><ul><li>Individual bypass.&nbsp;</li><li>The filter type can be set to low cut, low shelving, peak, hi shelving, hi cut&nbsp;</li><li>The gain be set from -24 dB to +24 dB&nbsp;</li><li>The frequency range covers the whole bandwidth&nbsp;</li><li>The Q factor can be adjusted from 0.1 to 1&nbsp;</li></ul></div><div>Epure also features five unique functions to make equalization even more easy:&nbsp;</div><div><ul><li>Copy A and Copy B duplicate the twenty settings of a slot to the other in one click&nbsp;</li><li>X2 and /2 affect the gain value for every equalizer section&nbsp;</li><li>Invert turns the positive gain values to negative ones and vice versa&nbsp;</li></ul></div><div>Epure includes internal Input /output routings. A channel group management allowing to set many channels or individual channel setting is also available from the new setup window. From this window, up to 4 MS encoders and up to 4 MS decoders can be engaged if required. Combined with our exclusive A /B morphing system, these functions enable a global and efficient control of the equalization curve in a second.&nbsp;</div><div><br></div><div><span style=\"font-weight: bold; \">Pure Limiter</span> is supposed to be the very last stage of your audio processing chain. It uses the exclusive FLUX technologies to generate a release envelop producing no artefact on the processed sound.\nA transparent limiting dramatically increasing the average audio level can now be achieved without damaging the perceived audio quality.</div><div><br></div><div>As usual with the FLUX plug-ins there is no compromise between simplicity of use and the exhaustiveness of the accessible parameters. An automatic mode allows quick operations in most cases. But a manual mode and an advanced mode are also there to allow you a total control on the processing.&nbsp;\n</div><div><br></div><div>To make the setting even easier, the Pure Limiter also features two display modes.  When the mode A is engaged, both original and limited waveforms are displayed.  The Mode B displays the limited waveform, the limiter action and the histogram of the release value which is especially useful when running in advanced mode.&nbsp;</div><div><br></div><div><span style=\"font-weight: bold; \">Elixir - The Premier Real True Peak Multichannel Limiter Plug-in</span>&nbsp;</div><div>Elixir is a novel kind of program limiter carefully designed to accomplish a truly pure natural sounding result without altering the nature of the audio material and its timbre.&nbsp;</div><div><br></div><div>Intended to fulfill the requirements of the broadcast, post-production and mastering industry, Elixir provides real True Peak output level in accordance with the ITU-R.BS 1770 and EBU R128 norms, and for surround/multichannel operation Elixir provides up to eight channels of simultaneous processing.</div>'),(4647,85,0,775,'Flux:: Mastering Pack 1.1'),(4648,85,1,775,'Flux:: Mastering Pack 1.1'),(4649,76,0,775,''),(4650,76,1,775,''),(4651,75,0,776,'<h2>Flux:: Pure Compressor v3 - Pure Precision With Full Control </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]\n<br /><br />\nPure Compressor v3 provides a wide range of compression, from clean transparent subtle compression to classic heavy pumping, giving you total hands on control over every parameter as well as of the fundamental characteristics of compression itself.<br /><br />\n<h3>Processing And Workflow</h3>\nIn addition to the more common dynamics processing controls (ratio, attack, release, etc), Pure Compressor v3 provide control over the essential dynamics profile it uses, all in order to offer the user full control over the processing even in the most demanding situations.\n<br /><br />\nTwo parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<br /><br />\nDynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<br /><br />\nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range. A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.<br /><br />\nPure Compressor v3 is available in both 32 and 64 bits, sample rates up to 384 KHz are supported and processing of up to 8 channels for surround/multichannel work is provided.<br /><br />\nWhen operating on a multi-channel bus all channels are processed by default, but the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound. By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.<br />'),(4652,75,1,776,'<h2>Flux:: Pure Compressor v3 - Pure Precision With Full Control </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]\n<br /><br />\nPure Compressor v3 provides a wide range of compression, from clean transparent subtle compression to classic heavy pumping, giving you total hands on control over every parameter as well as of the fundamental characteristics of compression itself.<br /><br />\n<h3>Processing And Workflow</h3>\nIn addition to the more common dynamics processing controls (ratio, attack, release, etc), Pure Compressor v3 provide control over the essential dynamics profile it uses, all in order to offer the user full control over the processing even in the most demanding situations.\n<br /><br />\nTwo parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<br /><br />\nDynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<br /><br />\nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range. A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.<br /><br />\nPure Compressor v3 is available in both 32 and 64 bits, sample rates up to 384 KHz are supported and processing of up to 8 channels for surround/multichannel work is provided.<br /><br />\nWhen operating on a multi-channel bus all channels are processed by default, but the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound. By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.<br />'),(4653,85,0,776,'Flux:: Pure Compressor Plug-in'),(4654,85,1,776,'Flux:: Pure Compressor Plug-in'),(4655,76,0,776,''),(4656,76,1,776,''),(4657,75,0,777,'<h2>Flux:: Pure DCompressor v3 - Restoring Lost Dynamics </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]\n<br /><br />\nPure DCompressor v3 provide the tools for restoring the original dynamics of the audio material. The dynamics processing algorithms are designed to automatically increase the peak dynamics, in order to provide full control of the dynamics and revert your signal to a more natural condition, even on an extremely compressed audio material.<br /><br />\n<h3>Processing And Workflow</h3>\nIn addition to the more common dynamics processing controls (ratio, attack, release, etc), Pure DCompressor v3 provide control over the essential dynamics profile it uses, all in order to offer the user full control over the processing even in the most demanding situations.\n<br /><br />\nTwo parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<br /><br />\nDynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<br /><br />\nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range. A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.<br /><br />\nPure DCompressor v3 is available in both 32 and 64 bits, sample rates up to 384 KHz are supported and processing of up to 8 channels for surround/multichannel work is provided.<br /><br />\nWhen operating on a multi-channel bus all channels are processed by default, but the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound. By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.<br /><br />'),(4658,75,1,777,'<h2>Flux:: Pure DCompressor v3 - Restoring Lost Dynamics </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]\n<br /><br />\nPure DCompressor v3 provide the tools for restoring the original dynamics of the audio material. The dynamics processing algorithms are designed to automatically increase the peak dynamics, in order to provide full control of the dynamics and revert your signal to a more natural condition, even on an extremely compressed audio material.<br /><br />\n<h3>Processing And Workflow</h3>\nIn addition to the more common dynamics processing controls (ratio, attack, release, etc), Pure DCompressor v3 provide control over the essential dynamics profile it uses, all in order to offer the user full control over the processing even in the most demanding situations.\n<br /><br />\nTwo parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<br /><br />\nDynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<br /><br />\nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range. A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.<br /><br />\nPure DCompressor v3 is available in both 32 and 64 bits, sample rates up to 384 KHz are supported and processing of up to 8 channels for surround/multichannel work is provided.<br /><br />\nWhen operating on a multi-channel bus all channels are processed by default, but the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound. By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.<br /><br />'),(4659,85,0,777,'Flux:: Pure DCompressor Plug-in'),(4660,85,1,777,'Flux:: Pure DCompressor Plug-in'),(4661,76,0,777,''),(4662,76,1,777,''),(4663,75,0,778,'<h2>Flux:: Pure DExpander v3 - Intensifying The Sound Energy </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]<br /><br />\n \nPure DExpander v3 is carefully designed to de-expand the audio material by magnifying the space information and enhancing the low levels of the material by amplifying the signal below the threshold instead of making all audio under a certain threshold quieter. This results in a more compact and louder signal without giving the material a harsh and processed sound, instead keeping an organic character to the material.<br /><br />\n \n<h3>Processing And Workflow</h3>\n \nIn addition to the more common dynamics processing controls (ratio, attack, release, etc), Pure DExpander v3 provide control over the essential dynamics profile it uses, all in order to offer the user full control over the processing even in the most demanding situations.<br /><br />\n \nTwo parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<br /><br />\n \nDynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<br /><br />\n \nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range. A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.<br /><br />\n \nPure DExpander v3 is available in both 32 and 64 bits, sample rates up to 384 KHz are supported and processing of up to 8 channels for surround/multichannel work is provided.<br /><br />\n \nWhen operating on a multi-channel bus all channels are processed by default, but the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound. By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.<br /><br />\n \n \n*Pure DExpander v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.<br /><br />\n \n**VS3 32/64 bit versions for Pyramix 9 & Ovation Native/MassCore available only through Merging Technologies<br /><br />'),(4664,75,1,778,'<h2>Flux:: Pure DExpander v3 - Intensifying The Sound Energy </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]<br /><br />\n \nPure DExpander v3 is carefully designed to de-expand the audio material by magnifying the space information and enhancing the low levels of the material by amplifying the signal below the threshold instead of making all audio under a certain threshold quieter. This results in a more compact and louder signal without giving the material a harsh and processed sound, instead keeping an organic character to the material.<br /><br />\n \n<h3>Processing And Workflow</h3>\n \nIn addition to the more common dynamics processing controls (ratio, attack, release, etc), Pure DExpander v3 provide control over the essential dynamics profile it uses, all in order to offer the user full control over the processing even in the most demanding situations.<br /><br />\n \nTwo parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<br /><br />\n \nDynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<br /><br />\n \nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range. A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.<br /><br />\n \nPure DExpander v3 is available in both 32 and 64 bits, sample rates up to 384 KHz are supported and processing of up to 8 channels for surround/multichannel work is provided.<br /><br />\n \nWhen operating on a multi-channel bus all channels are processed by default, but the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound. By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.<br /><br />\n \n \n*Pure DExpander v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.<br /><br />\n \n**VS3 32/64 bit versions for Pyramix 9 & Ovation Native/MassCore available only through Merging Technologies<br /><br />'),(4665,85,0,778,'Flux:: Pure DExpander Plug-in'),(4666,85,1,778,'Flux:: Pure DExpander Plug-in'),(4667,76,0,778,''),(4668,76,1,778,''),(4669,75,0,779,'<h2>Flux:: Pure Expander v3 - Low Level Control</h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]<br><br>\n \nPure Expander v3 is within its field a truly versatile processor, which with ease can be used for soft downward expansion in order to clean up spillage issues on (live) recordings, remove noise or reverberation, or leakage from drum sessions.<br><br>\n \n<h3>Processing And Workflow</h3>\n \nPure Expander v3 is designed to automatically reduce the gain below the threshold, providing full control over the general behaviour and performance characteristics of how it responds to the incoming audio signal, offering a wide range of expansion processing capable of anything from mild expansion to hard noise-gating.<br><br>\n \nIn addition to the more common dynamics processing controls (ratio, attack, release, etc), Pure Expander v3 provide control over the essential dynamics profile it uses, all in order to offer the user full control over the processing even in the most demanding situations.<br><br>\n \nTwo parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<br><br>\n \nDynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<br><br>\n \nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range. A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.\n <br><br>\n \nPure Expander v3 is available in both 32 and 64 bits, sample rates up to 384 KHz are supported and processing of up to 8 channels for surround/multichannel work is provided.<br><br>\n \nWhen operating on a multi-channel bus all channels are processed by default, but the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound. By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.<br><br>\n \n \n*Pure Expander v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.<br><br>\n \n**VS3 32/64 bit versions for Pyramix 9 & Ovation Native/MassCore available only through Merging Technologies<br><br>'),(4670,75,1,779,'<h2>Flux:: Pure Expander v3 - Low Level Control</h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]<br><br>\n \nPure Expander v3 is within its field a truly versatile processor, which with ease can be used for soft downward expansion in order to clean up spillage issues on (live) recordings, remove noise or reverberation, or leakage from drum sessions.<br><br>\n \n<h3>Processing And Workflow</h3>\n \nPure Expander v3 is designed to automatically reduce the gain below the threshold, providing full control over the general behaviour and performance characteristics of how it responds to the incoming audio signal, offering a wide range of expansion processing capable of anything from mild expansion to hard noise-gating.<br><br>\n \nIn addition to the more common dynamics processing controls (ratio, attack, release, etc), Pure Expander v3 provide control over the essential dynamics profile it uses, all in order to offer the user full control over the processing even in the most demanding situations.<br><br>\n \nTwo parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<br><br>\n \nDynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<br><br>\n \nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range. A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.\n <br><br>\n \nPure Expander v3 is available in both 32 and 64 bits, sample rates up to 384 KHz are supported and processing of up to 8 channels for surround/multichannel work is provided.<br><br>\n \nWhen operating on a multi-channel bus all channels are processed by default, but the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound. By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.<br><br>\n \n \n*Pure Expander v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.<br><br>\n \n**VS3 32/64 bit versions for Pyramix 9 & Ovation Native/MassCore available only through Merging Technologies<br><br>'),(4671,85,0,779,'Flux:: Pure Expander Plug-in'),(4672,85,1,779,'Flux:: Pure Expander Plug-in'),(4673,76,0,779,''),(4674,76,1,779,''),(4675,75,0,780,'<h2>Flux:: Pure Limiter v3 - Transparent Dynamics Control</h2>\n\n	[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit*]<br /><br />\n\n	Unless you use it as a special effect Pure Limiter v3 should be the very last stage of your audio processing chain. Transparent limiting, dramatically increasing the average audio level, can now be achieved without damaging the perceived audio quality. The exquisite proprietary Flux:: technologies generats a release envelope assuring that no artifacts on the processed sound are produced.<br /><br />\n\n	As always with Flux:: plug-ins there is no compromise between simplicity of use and the exhaustiveness of accessible parameters. Any of the automatic modes allows for quick operation, though of course a fully manual mode as well an advanced mode are also there to offer you total control of the processing.<br /><br />\n\n	Pure Limiter v3 supports sample rates up to 384 KHz and provides processing in up to 8 channels for surround/multichannel work.<br /><br />\n\n	*Pure Limiter v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.'),(4676,75,1,780,'<h2>Flux:: Pure Limiter v3 - Transparent Dynamics Control</h2>\n\n	[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit*]<br /><br />\n\n	Unless you use it as a special effect Pure Limiter v3 should be the very last stage of your audio processing chain. Transparent limiting, dramatically increasing the average audio level, can now be achieved without damaging the perceived audio quality. The exquisite proprietary Flux:: technologies generats a release envelope assuring that no artifacts on the processed sound are produced.<br /><br />\n\n	As always with Flux:: plug-ins there is no compromise between simplicity of use and the exhaustiveness of accessible parameters. Any of the automatic modes allows for quick operation, though of course a fully manual mode as well an advanced mode are also there to offer you total control of the processing.<br /><br />\n\n	Pure Limiter v3 supports sample rates up to 384 KHz and provides processing in up to 8 channels for surround/multichannel work.<br /><br />\n\n	*Pure Limiter v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.'),(4677,85,0,780,'Flux:: Pure Limiter Plug-in'),(4678,85,1,780,'Flux:: Pure Limiter Plug-in'),(4679,76,0,780,''),(4680,76,1,780,''),(4681,75,0,781,'<h2>Flux:: Solera v3 - Mastering the art of dynamics </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]\n<br/><br/>\nHow do you:\n<ul>\n	<li>Compress the sound increasingly without losing the nuance and without adding pumping?</li>\n	<li>Make a compressor that can add loudness whilst keeping the sound airy, preserve fast transients, subtle distinction and undertone?</li>\n	<li>Make a processor that can recover lost dynamics?</li>\n</ul>\nIn order to achieve all these things, as well as any other imaginable dynamic processing assignment, a full set of dynamic processors working together on the same processing task is required - Solera v3.\n<br/><br/>\n<h3>User Interface And Workflow</h3>\nThe Solera v3 dynamic processor combines the power of a compressor, expander, de-compressor and de-expander, all four available direct through the user interface, processing in parallel.\n<br/><br/>\nTo provide the best means for the analysis of the material, a side chain section featuring a three-band equalizer to generate frequency sensitive processing, as well as input options for an external side-chain signal, is provided.<br/><br/>\nIn order to further enhance the workflow, three release modes are presented; manual, auto, and advanced (with minimum and maximum release values fully adjustable), as well as an auto delay function allowing for zero attack times by introducing a delay line in the processed signal.<br/><br/>\nThe user interface in Solera v3 is designed for simplicity. In addition to the dynamic processing section a vast range of functions are provided to simplify the workflow and to facilitate the achievement of exceptional results. Some of the key functions are:\n<li>Generous -/+ 48 dB input/output gain range</li>\n<li>Phase invert of the processed signal</li>\n<li>Dry/wet control offering true parallel dynamics processing</li>\n<li>Discrete peak-limiter rounding peaks off in a smooth and musically fashion</li>\n<li>True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal</li>\n<li>Morphing slider for seamless transition between two explicit full parameter-sets</li></ul><br>\n<h3>Processing</h3>\nSolera v3 is unique in its kind as it offers two different methods to analyze the signal-processing base. Either by using a straightforward detection process that generates an RMS detection value based on the signal level, the foundation of dynamic processing. Or by using a more complex detection algorithm that generates a dynamic detection value based entirely on the signal\'s dynamic complexity and not on traditional peak or RMS detection schemes, generating a dynamic value instead of relying on the signal level alone.\n<br/><br/>\nSolera v3 presents two parameters that are kind of unique to dynamic processing, Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<br/><br/>\nDynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<br/><br/>\nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range. A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.<br/><br/>\nAs all Flux:: processors Solera v3 provide up to eight channels of simultaneous processing for multichannel/surround operations.<br/><br/>\n*Solera v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.<br/><br/>\n**VS3 32/64 bit versions for Pyramix 9 & Ovation Native/MassCore available only through Merging Technologies<br/><br/>'),(4682,75,1,781,'<h2>Flux:: Solera v3 - Mastering the art of dynamics </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]\n<br/><br/>\nHow do you:\n<ul>\n	<li>Compress the sound increasingly without losing the nuance and without adding pumping?</li>\n	<li>Make a compressor that can add loudness whilst keeping the sound airy, preserve fast transients, subtle distinction and undertone?</li>\n	<li>Make a processor that can recover lost dynamics?</li>\n</ul>\nIn order to achieve all these things, as well as any other imaginable dynamic processing assignment, a full set of dynamic processors working together on the same processing task is required - Solera v3.\n<br/><br/>\n<h3>User Interface And Workflow</h3>\nThe Solera v3 dynamic processor combines the power of a compressor, expander, de-compressor and de-expander, all four available direct through the user interface, processing in parallel.\n<br/><br/>\nTo provide the best means for the analysis of the material, a side chain section featuring a three-band equalizer to generate frequency sensitive processing, as well as input options for an external side-chain signal, is provided.<br/><br/>\nIn order to further enhance the workflow, three release modes are presented; manual, auto, and advanced (with minimum and maximum release values fully adjustable), as well as an auto delay function allowing for zero attack times by introducing a delay line in the processed signal.<br/><br/>\nThe user interface in Solera v3 is designed for simplicity. In addition to the dynamic processing section a vast range of functions are provided to simplify the workflow and to facilitate the achievement of exceptional results. Some of the key functions are:\n<li>Generous -/+ 48 dB input/output gain range</li>\n<li>Phase invert of the processed signal</li>\n<li>Dry/wet control offering true parallel dynamics processing</li>\n<li>Discrete peak-limiter rounding peaks off in a smooth and musically fashion</li>\n<li>True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal</li>\n<li>Morphing slider for seamless transition between two explicit full parameter-sets</li></ul><br>\n<h3>Processing</h3>\nSolera v3 is unique in its kind as it offers two different methods to analyze the signal-processing base. Either by using a straightforward detection process that generates an RMS detection value based on the signal level, the foundation of dynamic processing. Or by using a more complex detection algorithm that generates a dynamic detection value based entirely on the signal\'s dynamic complexity and not on traditional peak or RMS detection schemes, generating a dynamic value instead of relying on the signal level alone.\n<br/><br/>\nSolera v3 presents two parameters that are kind of unique to dynamic processing, Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<br/><br/>\nDynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<br/><br/>\nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range. A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.<br/><br/>\nAs all Flux:: processors Solera v3 provide up to eight channels of simultaneous processing for multichannel/surround operations.<br/><br/>\n*Solera v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.<br/><br/>\n**VS3 32/64 bit versions for Pyramix 9 & Ovation Native/MassCore available only through Merging Technologies<br/><br/>'),(4683,85,0,781,'Flux:: Solera Plug-in'),(4684,85,1,781,'Flux:: Solera Plug-in'),(4685,76,0,781,''),(4686,76,1,781,''),(4687,75,0,782,'<h2>Flux:: Syrah v3 - The Creative Adaptive-Dynamics Processor </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]<br><br>\n \nWhen we started sketching our new plug-in project, our aim was to create a versatile and truly musical dynamics processor, which handles the dynamics in a way that allows you to be creative, without a complicated user interface.<br><br>\n \nThe result is Syrah, a new generation dynamics processor utilizing real time dynamic detection and level dependent processing, providing adaptive dynamic capabilities, which mean that Syrah is always trying to adapt to the music and to the beat of the material.<br><br>\n \nUsing parts of our exquisite ‘BitterSweet’ technology, our new adaptive-dynamics technology, and our well-recognized level independent dynamics processing, Syrah will be well suited as a creative versatile processor for recording and mixing, as well as for delicate and demanding mastering tasks.<br><br>\n \n<h3>User Interface and Workflow</h3>\n \nAs you may notice, the controls are not the usual suspects found on a dynamics processor, instead, the controls provided typically affect more than one parameter in the underlying algorithms, with everything carefully tweaked allowing for creative processing still ensuring the finest sound achievable.<br><br>\n \nThe built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other. even during playback. Except for only A/B comparing two set of parameters, the morphing slider will allow for mixing them, and if desired, record the morph with the host automation.<br><br>\n \nWith the built in preset manager, you can save a complete snapshot (called a Global Preset) with all the settings from both of the preset slots, as well as the position of the preset morphing slider, allowing for instant recall of your morphing set.<br><br>\n \n\n*Syrah v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.<br><br>\n \n**VS3 32/64 bit versions for Pyramix 9 & Ovation Native/MassCore available only through Merging Technologies<br><br>'),(4688,75,1,782,'<h2>Flux:: Syrah v3 - The Creative Adaptive-Dynamics Processor </h2>\n[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP 32 & 64 bit* | Merging VS3 32 & 64 bit** ]<br><br>\n \nWhen we started sketching our new plug-in project, our aim was to create a versatile and truly musical dynamics processor, which handles the dynamics in a way that allows you to be creative, without a complicated user interface.<br><br>\n \nThe result is Syrah, a new generation dynamics processor utilizing real time dynamic detection and level dependent processing, providing adaptive dynamic capabilities, which mean that Syrah is always trying to adapt to the music and to the beat of the material.<br><br>\n \nUsing parts of our exquisite ‘BitterSweet’ technology, our new adaptive-dynamics technology, and our well-recognized level independent dynamics processing, Syrah will be well suited as a creative versatile processor for recording and mixing, as well as for delicate and demanding mastering tasks.<br><br>\n \n<h3>User Interface and Workflow</h3>\n \nAs you may notice, the controls are not the usual suspects found on a dynamics processor, instead, the controls provided typically affect more than one parameter in the underlying algorithms, with everything carefully tweaked allowing for creative processing still ensuring the finest sound achievable.<br><br>\n \nThe built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other. even during playback. Except for only A/B comparing two set of parameters, the morphing slider will allow for mixing them, and if desired, record the morph with the host automation.<br><br>\n \nWith the built in preset manager, you can save a complete snapshot (called a Global Preset) with all the settings from both of the preset slots, as well as the position of the preset morphing slider, allowing for instant recall of your morphing set.<br><br>\n \n\n*Syrah v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.<br><br>\n \n**VS3 32/64 bit versions for Pyramix 9 & Ovation Native/MassCore available only through Merging Technologies<br><br>'),(4689,85,0,782,'Flux:: Syrah Plug-in'),(4690,85,1,782,'Flux:: Syrah Plug-in'),(4691,76,0,782,''),(4692,76,1,782,''),(4693,75,0,783,'<h1>Focal Alpha 50 Evo— Active 2-Way Studio Monitor (Single)</h1>\r\n<span style=\"font-size: 16px; font-style: italic;\">Affordable, high-quality bi-amped monitor with 5\" woofer, dual bal/unbal connectivity, Focal’s patented inverted-dome tweeter and Slatefiber cone LF driver</span><br /><br />\r\n\r\nThe Focal Alpha 50 Evo Active Studio Monitor is an affordable, high quality 2-way monitor that features a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal\'s workshops in France. This monitor features excellent dynamics and neutrality in its tonal balance. Its technologies mean that Alpha 50 Evo can guarantee excellent sonic coherence wherever you are listening.<br /><br />The back panel features 1/4\" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs, HF & LF Shelving controls, an automatic stand-by mode (can be disengaged) as well as threaded inserts for wall and ceiling mounting.<br /><br />The high current capacity offered by its 2 amplifiers supports total control of the signal dynamics. This also allows high volumes to be reached without distortion.<br /><br />The bass-reflex design, rounded edges and modern, robust side panels are another big plus for the Alpha 50 Evo, all contributing to acoustical integration and optimum aesthetics in any location.<br /><br />\r\n\r\n\r\n<h3>Focal Alpha 50 Evo key features:</h3>\r\n<ul>\r\n	<li>Excellent dynamics</li>\r\n	<li>Wide dispersion, even sound retained throughout the room</li>\r\n	<li>5”(13 cm) Slatefiber cone woofer</li>\r\n	<li>Large laminar vent</li>\r\n	<li>Identical tonal balance at both low and high volume</li>\r\n	<li>Detailed mixes</li>\r\n	<li>Connect up to 3 audio sources</li>\r\n	<li>Inserts for wall and ceiling fastening</li>\r\n	<li>Automatic disengageable stand-by</li>\r\n	<li>Protection grilles included</li>\r\n</ul>\r\n<br />\r\n<h3>What makes the Focal Alpha 50 sound so good?</h3>\r\nIt’s been said that if you’re not manufacturing your own LF and HF drivers, then you’re simply in the packing industry, not speaker manufacture. Focal Professional employs several proprietary and patented technologies to ensure world-class performance in each of its monitor lines.  \r\n<br /><br />\r\n<h3>Focal’s unique inverted-dome tweeter </h3>\r\nTwo of the most difficult things to hear in a mix are compression and reverb tails, but Focal’s proprietary technologies make it easier. The Alpha 50’s innovative inverted-dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging. \r\n<br /><br />\r\nThe inverted dome accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity. <br /><br />  \r\nCombining the excellent damping qualities of magnesium with the superior rigidity of aluminum, this unique marriage of metals offers several advantages. To begin with, it greatly reduces distortion, which combats ear fatigue in long mixing sessions. The impulse response of this alloy is incredibly fast with a very short reset time. Those factors combined with excellent damping capability, enabling a frequency response beyond 28kHz (-3dB). \r\n<br /><br />\r\nThe Focal Alpha 50 tweeter’s ultra-wide and linear frequency response provides greater phase coherency in the audible range, thus producing a more realistic sound; extremely wide soundstage; balanced, neutral sound reproduction; and dynamic, detailed high frequencies. Focal’s aluminum/magnesium inverted dome tweeter combines perfectly with their proprietary Polyglass woofer in perfect tonal synergy.<br /><br />\r\n<h3>Focal Slatefiber Cone</h3>\r\nThe Slatefiber Cone, fully designed and manufactured by Focal in France, is characterized by its dynamic, rich and ultra-balanced sound, particularly in the midranges. With its acoustic qualities and unique “slate effect”, it has become a benchmark for High-Fidelity in its price category.\r\n<br /><br />\r\n<b>Rigidity</b><br />\r\nThe carbon fibres alone provide an extraordinary rigidity. What’s more, as they all oriented in the same direction, these fibres further increase the speaker driver’s rigidity, and therefore enable more bass to be achieved.\r\n<br /><br />\r\n<b>Damping</b><br />\r\nThe carbon fibres are therefore aligned, but also non-woven to ensure better damping. Thermoplastic polymer is also located within the fibres to provide the bond between them and increase damping.\r\n<br /><br />\r\n<b>Lightness</b><br />\r\nDuring the development phase, special attention was paid to the weight of the cones to optimize sensitivity: the carbon fibres are very light. In addition to rigidity and damping criteria, the Slatefiber cone therefore meets the speaker driver’s lightness requirement.\r\n<br /><br />\r\n<h3>Who’s using Focal Professional Monitors:</h3>\r\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart).\r\n<br /><br />\r\n<h3>About Focal Professional</h3>\r\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\r\n<br /><br />\r\n<h3>Perfect for the small desktop rig, the very affordable Alpha 50 Evo brings professional-level monitoring to the most important link in your signal chain. For more information, call or chat with an RSPE representative today. </h3>'),(4694,75,1,783,'<h1>Focal Alpha 50 Evo— Active 2-Way Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Affordable, high-quality bi-amped monitor with 5\" woofer, dual bal/unbal connectivity, Focal’s patented inverted-dome tweeter and Slatefiber cone LF driver</span><br /><br />\n\nThe Focal Alpha 50 Evo Active Studio Monitor is an affordable, high quality 2-way monitor that features a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal\'s workshops in France. This monitor features excellent dynamics and neutrality in its tonal balance. Its technologies mean that Alpha 50 Evo can guarantee excellent sonic coherence wherever you are listening.<br /><br />The back panel features 1/4\" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs, HF & LF Shelving controls, an automatic stand-by mode (can be disengaged) as well as threaded inserts for wall and ceiling mounting.<br /><br />The high current capacity offered by its 2 amplifiers supports total control of the signal dynamics. This also allows high volumes to be reached without distortion.<br /><br />The bass-reflex design, rounded edges and modern, robust side panels are another big plus for the Alpha 50 Evo, all contributing to acoustical integration and optimum aesthetics in any location.<br /><br />\n\n\n<h3>Focal Alpha 50 Evo key features:</h3>\n<ul>\n	<li>Excellent dynamics</li>\n	<li>Wide dispersion, even sound retained throughout the room</li>\n	<li>5”(13 cm) Slatefiber cone woofer</li>\n	<li>Large laminar vent</li>\n	<li>Identical tonal balance at both low and high volume</li>\n	<li>Detailed mixes</li>\n	<li>Connect up to 3 audio sources</li>\n	<li>Inserts for wall and ceiling fastening</li>\n	<li>Automatic disengageable stand-by</li>\n	<li>Protection grilles included</li>\n</ul>\n<br />\n<h3>What makes the Focal Alpha 50 sound so good?</h3>\nIt’s been said that if you’re not manufacturing your own LF and HF drivers, then you’re simply in the packing industry, not speaker manufacture. Focal Professional employs several proprietary and patented technologies to ensure world-class performance in each of its monitor lines.  \n<br /><br />\n<h3>Focal’s unique inverted-dome tweeter </h3>\nTwo of the most difficult things to hear in a mix are compression and reverb tails, but Focal’s proprietary technologies make it easier. The Alpha 50’s innovative inverted-dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging. \n<br /><br />\nThe inverted dome accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity. <br /><br />  \nCombining the excellent damping qualities of magnesium with the superior rigidity of aluminum, this unique marriage of metals offers several advantages. To begin with, it greatly reduces distortion, which combats ear fatigue in long mixing sessions. The impulse response of this alloy is incredibly fast with a very short reset time. Those factors combined with excellent damping capability, enabling a frequency response beyond 28kHz (-3dB). \n<br /><br />\nThe Focal Alpha 50 tweeter’s ultra-wide and linear frequency response provides greater phase coherency in the audible range, thus producing a more realistic sound; extremely wide soundstage; balanced, neutral sound reproduction; and dynamic, detailed high frequencies. Focal’s aluminum/magnesium inverted dome tweeter combines perfectly with their proprietary Polyglass woofer in perfect tonal synergy.<br /><br />\n<h3>Focal Slatefiber Cone</h3>\nThe Slatefiber Cone, fully designed and manufactured by Focal in France, is characterized by its dynamic, rich and ultra-balanced sound, particularly in the midranges. With its acoustic qualities and unique “slate effect”, it has become a benchmark for High-Fidelity in its price category.\n<br /><br />\n<b>Rigidity</b><br />\nThe carbon fibres alone provide an extraordinary rigidity. What’s more, as they all oriented in the same direction, these fibres further increase the speaker driver’s rigidity, and therefore enable more bass to be achieved.\n<br /><br />\n<b>Damping</b><br />\nThe carbon fibres are therefore aligned, but also non-woven to ensure better damping. Thermoplastic polymer is also located within the fibres to provide the bond between them and increase damping.\n<br /><br />\n<b>Lightness</b><br />\nDuring the development phase, special attention was paid to the weight of the cones to optimize sensitivity: the carbon fibres are very light. In addition to rigidity and damping criteria, the Slatefiber cone therefore meets the speaker driver’s lightness requirement.\n<br /><br />\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart).\n<br /><br />\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br /><br />\n<h3>Perfect for the small desktop rig, the very affordable Alpha 50 Evo brings professional-level monitoring to the most important link in your signal chain. For more information, call or chat with an RSPE representative today. </h3>'),(4695,85,0,783,'Focal Alpha 50 Evo Active Near-Field Studio Monitor'),(4696,85,1,783,'Focal Alpha 50 Evo Active Near-Field Studio Monitor'),(4697,76,0,783,''),(4698,76,1,783,''),(4699,75,0,784,'<h1>Focal Alpha 65 Evo— Active 2-Way Studio Monitor (Single)</h1>\r\n<span style=\"font-size: 16px; font-style: italic;\">Affordable, high-quality bi-amped monitor with 6.5\" woofer, dual bal/unbal connectivity, Focal’s patented inverted-dome tweeter and Slatefiber cone LF driver</span><br /><br />\r\n\r\nThe Focal Alpha 65 Evo Active Studio Monitor is an affordable, high quality 2-way monitor that features a 1” (25mm) aluminium tweeter and a 6.5” (16.5 cm) woofer with Slatefiber cone developed and manufactured in Focal\'s workshops in France. This monitor features excellent dynamics and neutrality in its tonal balance. Its technologies mean that Alpha 65 Evo can guarantee excellent sonic coherence wherever you are listening.<br /><br />The back panel features 1/4\" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs, HF & LF Shelving controls, an automatic stand-by mode (can be disengaged) as well as threaded inserts for wall and ceiling mounting.<br /><br />The high current capacity offered by its 2 amplifiers supports total control of the signal dynamics. This also allows high volumes to be reached without distortion.<br /><br />The bass-reflex design, rounded edges and modern, robust side panels are another big plus for the Alpha 65 Evo, all contributing to acoustical integration and optimum aesthetics in any location.<br /><br />\r\n\r\n\r\n<h3>Focal Alpha 65 Evo key features:</h3>\r\n<ul>\r\n</ul>\r\n<ul>\r\n	<li>Excellent dynamics</li>\r\n	<li>Wide dispersion enabling the same sound to be maintained throughout the entire room</li>\r\n	<li>Slatefiber cone manufactured in France: sound neutrality, no distortion</li>\r\n	<li>Identical tonal balance at both low and high volume</li>\r\n	<li>Connect up to 3 audio sources</li>\r\n	<li>Inserts for wall fastening</li>\r\n	<li>Protective grills included</li>\r\n</ul>\r\n<br />\r\n<h3>Focal’s unique inverted-dome tweeter </h3>\r\nTwo of the most difficult things to hear in a mix are compression and reverb tails, but Focal’s proprietary technologies make it easier. The Alpha 65’s innovative inverted-dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging. \r\n<br /><br />\r\nThe inverted dome accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity. <br /><br />  \r\nCombining the excellent damping qualities of magnesium with the superior rigidity of aluminum, this unique marriage of metals offers several advantages. To begin with, it greatly reduces distortion, which combats ear fatigue in long mixing sessions. The impulse response of this alloy is incredibly fast with a very short reset time. Those factors combined with excellent damping capability, enabling a frequency response beyond 28kHz (-3dB). \r\n<br /><br />\r\nThe Focal Alpha 65 tweeter’s ultra-wide and linear frequency response provides greater phase coherency in the audible range, thus producing a more realistic sound; extremely wide soundstage; balanced, neutral sound reproduction; and dynamic, detailed high frequencies. Focal’s aluminum/magnesium inverted dome tweeter combines perfectly with their proprietary Polyglass woofer in perfect tonal synergy.<br /><br />\r\n<h3>Focal Slatefiber Cone</h3>\r\nThe Slatefiber Cone, fully designed and manufactured by Focal in France, is characterized by its dynamic, rich and ultra-balanced sound, particularly in the midranges. With its acoustic qualities and unique “slate effect”, it has become a benchmark for High-Fidelity in its price category.\r\n<br /><br />\r\n<b>Rigidity</b><br />\r\nThe carbon fibres alone provide an extraordinary rigidity. What’s more, as they all oriented in the same direction, these fibres further increase the speaker driver’s rigidity, and therefore enable more bass to be achieved.\r\n<br /><br />\r\n<b>Damping</b><br />\r\nThe carbon fibres are therefore aligned, but also non-woven to ensure better damping. Thermoplastic polymer is also located within the fibres to provide the bond between them and increase damping.\r\n<br /><br />\r\n<b>Lightness</b><br />\r\nDuring the development phase, special attention was paid to the weight of the cones to optimize sensitivity: the carbon fibres are very light. In addition to rigidity and damping criteria, the Slatefiber cone therefore meets the speaker driver’s lightness requirement.\r\n<br /><br />\r\n<h3>Who’s using Focal Professional Monitors:</h3>\r\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart).\r\n<br /><br />\r\n<h3>About Focal Professional</h3>\r\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\r\n<br /><br />\r\n<h3>Perfect for the small to medium size desktop rig, the very affordable Alpha 65 brings professional-level monitoring to the most important link in your signal chain. For more information, call or chat with an RSPE representative today. </h3>'),(4700,75,1,784,'<h1>Focal Alpha 65 Evo— Active 2-Way Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Affordable, high-quality bi-amped monitor with 6.5\" woofer, dual bal/unbal connectivity, Focal’s patented inverted-dome tweeter and Slatefiber cone LF driver</span><br /><br />\n\nThe Focal Alpha 65 Evo Active Studio Monitor is an affordable, high quality 2-way monitor that features a 1” (25mm) aluminium tweeter and a 6.5” (16.5 cm) woofer with Slatefiber cone developed and manufactured in Focal\'s workshops in France. This monitor features excellent dynamics and neutrality in its tonal balance. Its technologies mean that Alpha 65 Evo can guarantee excellent sonic coherence wherever you are listening.<br /><br />The back panel features 1/4\" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs, HF & LF Shelving controls, an automatic stand-by mode (can be disengaged) as well as threaded inserts for wall and ceiling mounting.<br /><br />The high current capacity offered by its 2 amplifiers supports total control of the signal dynamics. This also allows high volumes to be reached without distortion.<br /><br />The bass-reflex design, rounded edges and modern, robust side panels are another big plus for the Alpha 65 Evo, all contributing to acoustical integration and optimum aesthetics in any location.<br /><br />\n\n\n<h3>Focal Alpha 65 Evo key features:</h3>\n<ul>\n</ul>\n<ul>\n	<li>Excellent dynamics</li>\n	<li>Wide dispersion enabling the same sound to be maintained throughout the entire room</li>\n	<li>Slatefiber cone manufactured in France: sound neutrality, no distortion</li>\n	<li>Identical tonal balance at both low and high volume</li>\n	<li>Connect up to 3 audio sources</li>\n	<li>Inserts for wall fastening</li>\n	<li>Protective grills included</li>\n</ul>\n<br />\n<h3>Focal’s unique inverted-dome tweeter </h3>\nTwo of the most difficult things to hear in a mix are compression and reverb tails, but Focal’s proprietary technologies make it easier. The Alpha 65’s innovative inverted-dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging. \n<br /><br />\nThe inverted dome accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity. <br /><br />  \nCombining the excellent damping qualities of magnesium with the superior rigidity of aluminum, this unique marriage of metals offers several advantages. To begin with, it greatly reduces distortion, which combats ear fatigue in long mixing sessions. The impulse response of this alloy is incredibly fast with a very short reset time. Those factors combined with excellent damping capability, enabling a frequency response beyond 28kHz (-3dB). \n<br /><br />\nThe Focal Alpha 65 tweeter’s ultra-wide and linear frequency response provides greater phase coherency in the audible range, thus producing a more realistic sound; extremely wide soundstage; balanced, neutral sound reproduction; and dynamic, detailed high frequencies. Focal’s aluminum/magnesium inverted dome tweeter combines perfectly with their proprietary Polyglass woofer in perfect tonal synergy.<br /><br />\n<h3>Focal Slatefiber Cone</h3>\nThe Slatefiber Cone, fully designed and manufactured by Focal in France, is characterized by its dynamic, rich and ultra-balanced sound, particularly in the midranges. With its acoustic qualities and unique “slate effect”, it has become a benchmark for High-Fidelity in its price category.\n<br /><br />\n<b>Rigidity</b><br />\nThe carbon fibres alone provide an extraordinary rigidity. What’s more, as they all oriented in the same direction, these fibres further increase the speaker driver’s rigidity, and therefore enable more bass to be achieved.\n<br /><br />\n<b>Damping</b><br />\nThe carbon fibres are therefore aligned, but also non-woven to ensure better damping. Thermoplastic polymer is also located within the fibres to provide the bond between them and increase damping.\n<br /><br />\n<b>Lightness</b><br />\nDuring the development phase, special attention was paid to the weight of the cones to optimize sensitivity: the carbon fibres are very light. In addition to rigidity and damping criteria, the Slatefiber cone therefore meets the speaker driver’s lightness requirement.\n<br /><br />\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart).\n<br /><br />\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br /><br />\n<h3>Perfect for the small to medium size desktop rig, the very affordable Alpha 65 brings professional-level monitoring to the most important link in your signal chain. For more information, call or chat with an RSPE representative today. </h3>'),(4701,85,0,784,'Focal Alpha 65 Evo Active Near-Field Studio Monitor'),(4702,85,1,784,'Focal Alpha 65 Evo Active Near-Field Studio Monitor'),(4703,76,0,784,''),(4704,76,1,784,''),(4705,75,0,785,'<h1>Focal Alpha 80 — 2-Way Studio Monitor (Single)</h1>\n<span style=\"font-size:16px; font-style:italic;\">Affordable, powerful, high-quality bi-amped monitor with 8\" woofer, dual bal/unbal connectivity, and Focal’s patented inverted-dome tweeter and Polyglass LF driver</span><br/><br/>\nThe most powerful of the Focal Alpha series, the affordable Alpha 80 studio monitor brings Focal professional’s unique brand of high-performance audio reproduction to anyone who desires it. The Alpha 80 is specifically designed for home studio recordists, producers of electronica, and DJs with medium to large rigs that want plenty of power and bass. Among the unique features of the Alpha 80 powered monitor are simultaneous XLR and RCA inputs that allow you to use up to two sound sources at once, thereby eliminating the need for a monitor controller. Along with high- and low-frequency shelving EQ, the Alpha 80 has an easy-to-reach, rear-panel Sensitivity switch for higher SPL from low-output sources, plus automatic +4dBv or -10dBu operation or both, depending on input connector(s) used. The Focal Alpha 80 also has a power-saving auto-standby mode that puts the monitor to sleep after 30 minutes of no signal. Most importantly, the Alpha 80 gives you uncolored neutral response across the entire frequency range, plus the accuracy and spatial detail that Focal monitors are famous for.  <br/><br/>\n<h3>Focal Alpha 80 unique features:</h3>\n<ul>\n	<li>Inverted dome tweeter for width, depth, and soundstage accuracy       </li>\n	<li>Proprietary Polyglass driver offers neutral sound, prevents distortion</li>\n	<li>Connect up to 2 simultaneous audio sources                            </li>\n	<li>Simultaneous balanced and unbalanced input operation                  </li>\n	<li>Automatic standby saves power                                         </li>\n	<li>0dB to +6dB sensitivity switch adds SPL to low-output devices         </li>\n</ul>\n<br/>\n<h3>Focal Alpha 80 key features:</h3>\n<ul>\n	<li>Low directivity: keeps the same sound throughout the room</li>\n	<li>Damping and rigidity: neutrality, no distortion          </li>\n	<li>Tonal balance is identical at low and high volumes       </li>\n	<li>Front-facing bass ports allow placement close to wall    </li>\n	<li>Optimal acoustic integration via LF and HF shelving EQ   </li>\n	<li>Reduced power consumption                                </li>\n	<li>Balanced XLR and unbalanced RCA inputs                   </li>\n	<li>HF boost/cut: ±6dB; LF boost/cut: ±3dB                   </li>\n	<li>40W HF, 100W LF Class AB bi-amplification                </li>\n	<li>8\" woofer                                                </li>\n</ul>\n<br/>\n<h3>OUTSIDE THE BOX — Focal Alpha 80</h3>\nHoused in an MDF cabinet, which out-performs the molded plastic commonly found on budget and mid-level powered studio monitors, the Alpha 80’s unique inverted dome tweeter provides more dispersion than standard designs, which makes speaker placement less critical. As a result, the Alpha 80’s exceptionally wide sweet spot enables you to move around your mixing desk without losing spatial reference and balance. For placement in small rooms, the Alpha 80 cabinet has dual front-facing bass ports, which allows you to place the Alpha 80s close to a wall without unwanted bass boost or cancellation. Another thoughtful feature of the Alpha 80 is its power-saving, automatic standby. After 30 minutes of no signal, the Alpha 80 goes to sleep. To wake it up, all you have to do is run signal through it and you’re ready to resume mixing.    \n<br/><br/>\nOn the rear panel of the Alpha 80 are low-frequency shelving EQ with the ability to boost or cut ±6dB, and high-frequency shelving EQ with ±3dB cut/boost. There are also rear-panel balanced XLR input and unbalanced RCA inputs, Both inputs function simultaneously, with the XLR set for +4dBv operation and RCA set at -10dBu, which means you can play two sound sources without a monitor controller; simply switch on and off at the source. There is also a Sensitivity switch that toggles between 0dB and +6dB for additional SPL—in case your D/A interface or other connected sound source doesn’t output the desired level. This feature enables you to increase headroom without overdriving and clipping your D/A converters, keeping your sound clean. The Sensitivity switch is also placed high up on the rear panel so you can easily reach behind the Alpha 80 and changes settings without disturbing speaker placement.<br/><br/>\n<h3>INSIDE THE BOX — Focal Alpha 80</h3>\nRather than using DSP or Class D amplification found in most budget monitors, the Alpha 80 uses Class AB amplifiers with large power supplies for increased dynamic performance and better sound overall. The Alpha 80’s bi-amplification sends 40 watts power to its inverted-dome tweeter and 100 watts to the low-frequency driver. Offering more power and a larger woofer than its smaller siblings the Focal \n<a href=\"http://www.rspeaudio.com/Focal-Alpha-50-p/fcl-alpha50.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Alpha 50</a>, and 6.5\", 30W/70W <a href=\"http://www.rspeaudio.com/Focal-Alpha-65-p/fcl-alpha65.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Alpha 65</a>.  <br/><br/>\n<h3>What makes the Focal Alpha 80 sound so good?</h3>\nIt’s been said that if you’re not manufacturing your own LF and HF drivers, then you’re simply in the packing industry, not speaker manufacture. Focal Professional employs several proprietary and patented technologies to ensure world-class performance in each of its monitor lines.  \n<br/><br/>\n<h3>Focal’s unique inverted-dome tweeter </h3>\nTwo of the most difficult things to hear in a mix are compression and reverb tails, but Focal’s proprietary technologies make it easier. The Alpha 80’s innovative inverted-dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging. \n<br/><br/>\nThe inverted dome accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity. <br/><br/>  \nCombining the excellent damping qualities of magnesium with the superior rigidity of aluminum, this unique marriage of metals offers several advantages. To begin with, it greatly reduces distortion, which combats ear fatigue in long mixing sessions. The impulse response of this alloy is incredibly fast with a very short reset time. Those factors combined with excellent damping capability, enabling a frequency response beyond 28kHz (-3dB). \n<br/><br/>\nThe Focal Alpha 80 tweeter’s ultra-wide and linear frequency response provides greater phase coherency in the audible range, thus producing a more realistic sound; extremely wide soundstage; balanced, neutral sound reproduction; and dynamic, detailed high frequencies. Focal’s aluminum/magnesium inverted dome tweeter combines perfectly with their proprietary Polyglass woofer in perfect tonal synergy.<br/><br/>\n<h3>Focal’s patented Polyglass cone</h3>\nFocal Professional’s exclusive Polyglass technology found in the Alpha 80, comprises molten glass microballs applied to a cellulose pulp cone. This unique process combines the excellent damping quality of paper with the rigidity of glass. Polyglass’ rigidity index exceeds that of single-skin Kevlar®, and approximately ten times superior to that of polypropylene.\n<br/><br/>\nThe superior mass/rigidity/damping ratio of Polyglass results in outstanding linearity in frequency response. This linearity provides greatly increased definition in the midrange, resulting in transparent, uncolored sound.<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). \n<br/><br/>\nDweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Focal Monitors Owner Experiences</a> <br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br/><br/>\n<h3>If you’re looking for maximum power and bass, the very affordable Alpha 80 brings professional-level monitoring to the most important link in your signal chain. For more information, call or chat with an RSPE representative today. </h3>'),(4706,75,1,785,'<h1>Focal Alpha 80 — 2-Way Studio Monitor (Single)</h1>\n<span style=\"font-size:16px; font-style:italic;\">Affordable, powerful, high-quality bi-amped monitor with 8\" woofer, dual bal/unbal connectivity, and Focal’s patented inverted-dome tweeter and Polyglass LF driver</span><br/><br/>\nThe most powerful of the Focal Alpha series, the affordable Alpha 80 studio monitor brings Focal professional’s unique brand of high-performance audio reproduction to anyone who desires it. The Alpha 80 is specifically designed for home studio recordists, producers of electronica, and DJs with medium to large rigs that want plenty of power and bass. Among the unique features of the Alpha 80 powered monitor are simultaneous XLR and RCA inputs that allow you to use up to two sound sources at once, thereby eliminating the need for a monitor controller. Along with high- and low-frequency shelving EQ, the Alpha 80 has an easy-to-reach, rear-panel Sensitivity switch for higher SPL from low-output sources, plus automatic +4dBv or -10dBu operation or both, depending on input connector(s) used. The Focal Alpha 80 also has a power-saving auto-standby mode that puts the monitor to sleep after 30 minutes of no signal. Most importantly, the Alpha 80 gives you uncolored neutral response across the entire frequency range, plus the accuracy and spatial detail that Focal monitors are famous for.  <br/><br/>\n<h3>Focal Alpha 80 unique features:</h3>\n<ul>\n	<li>Inverted dome tweeter for width, depth, and soundstage accuracy       </li>\n	<li>Proprietary Polyglass driver offers neutral sound, prevents distortion</li>\n	<li>Connect up to 2 simultaneous audio sources                            </li>\n	<li>Simultaneous balanced and unbalanced input operation                  </li>\n	<li>Automatic standby saves power                                         </li>\n	<li>0dB to +6dB sensitivity switch adds SPL to low-output devices         </li>\n</ul>\n<br/>\n<h3>Focal Alpha 80 key features:</h3>\n<ul>\n	<li>Low directivity: keeps the same sound throughout the room</li>\n	<li>Damping and rigidity: neutrality, no distortion          </li>\n	<li>Tonal balance is identical at low and high volumes       </li>\n	<li>Front-facing bass ports allow placement close to wall    </li>\n	<li>Optimal acoustic integration via LF and HF shelving EQ   </li>\n	<li>Reduced power consumption                                </li>\n	<li>Balanced XLR and unbalanced RCA inputs                   </li>\n	<li>HF boost/cut: ±6dB; LF boost/cut: ±3dB                   </li>\n	<li>40W HF, 100W LF Class AB bi-amplification                </li>\n	<li>8\" woofer                                                </li>\n</ul>\n<br/>\n<h3>OUTSIDE THE BOX — Focal Alpha 80</h3>\nHoused in an MDF cabinet, which out-performs the molded plastic commonly found on budget and mid-level powered studio monitors, the Alpha 80’s unique inverted dome tweeter provides more dispersion than standard designs, which makes speaker placement less critical. As a result, the Alpha 80’s exceptionally wide sweet spot enables you to move around your mixing desk without losing spatial reference and balance. For placement in small rooms, the Alpha 80 cabinet has dual front-facing bass ports, which allows you to place the Alpha 80s close to a wall without unwanted bass boost or cancellation. Another thoughtful feature of the Alpha 80 is its power-saving, automatic standby. After 30 minutes of no signal, the Alpha 80 goes to sleep. To wake it up, all you have to do is run signal through it and you’re ready to resume mixing.    \n<br/><br/>\nOn the rear panel of the Alpha 80 are low-frequency shelving EQ with the ability to boost or cut ±6dB, and high-frequency shelving EQ with ±3dB cut/boost. There are also rear-panel balanced XLR input and unbalanced RCA inputs, Both inputs function simultaneously, with the XLR set for +4dBv operation and RCA set at -10dBu, which means you can play two sound sources without a monitor controller; simply switch on and off at the source. There is also a Sensitivity switch that toggles between 0dB and +6dB for additional SPL—in case your D/A interface or other connected sound source doesn’t output the desired level. This feature enables you to increase headroom without overdriving and clipping your D/A converters, keeping your sound clean. The Sensitivity switch is also placed high up on the rear panel so you can easily reach behind the Alpha 80 and changes settings without disturbing speaker placement.<br/><br/>\n<h3>INSIDE THE BOX — Focal Alpha 80</h3>\nRather than using DSP or Class D amplification found in most budget monitors, the Alpha 80 uses Class AB amplifiers with large power supplies for increased dynamic performance and better sound overall. The Alpha 80’s bi-amplification sends 40 watts power to its inverted-dome tweeter and 100 watts to the low-frequency driver. Offering more power and a larger woofer than its smaller siblings the Focal \n<a href=\"http://www.rspeaudio.com/Focal-Alpha-50-p/fcl-alpha50.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Alpha 50</a>, and 6.5\", 30W/70W <a href=\"http://www.rspeaudio.com/Focal-Alpha-65-p/fcl-alpha65.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Alpha 65</a>.  <br/><br/>\n<h3>What makes the Focal Alpha 80 sound so good?</h3>\nIt’s been said that if you’re not manufacturing your own LF and HF drivers, then you’re simply in the packing industry, not speaker manufacture. Focal Professional employs several proprietary and patented technologies to ensure world-class performance in each of its monitor lines.  \n<br/><br/>\n<h3>Focal’s unique inverted-dome tweeter </h3>\nTwo of the most difficult things to hear in a mix are compression and reverb tails, but Focal’s proprietary technologies make it easier. The Alpha 80’s innovative inverted-dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging. \n<br/><br/>\nThe inverted dome accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity. <br/><br/>  \nCombining the excellent damping qualities of magnesium with the superior rigidity of aluminum, this unique marriage of metals offers several advantages. To begin with, it greatly reduces distortion, which combats ear fatigue in long mixing sessions. The impulse response of this alloy is incredibly fast with a very short reset time. Those factors combined with excellent damping capability, enabling a frequency response beyond 28kHz (-3dB). \n<br/><br/>\nThe Focal Alpha 80 tweeter’s ultra-wide and linear frequency response provides greater phase coherency in the audible range, thus producing a more realistic sound; extremely wide soundstage; balanced, neutral sound reproduction; and dynamic, detailed high frequencies. Focal’s aluminum/magnesium inverted dome tweeter combines perfectly with their proprietary Polyglass woofer in perfect tonal synergy.<br/><br/>\n<h3>Focal’s patented Polyglass cone</h3>\nFocal Professional’s exclusive Polyglass technology found in the Alpha 80, comprises molten glass microballs applied to a cellulose pulp cone. This unique process combines the excellent damping quality of paper with the rigidity of glass. Polyglass’ rigidity index exceeds that of single-skin Kevlar®, and approximately ten times superior to that of polypropylene.\n<br/><br/>\nThe superior mass/rigidity/damping ratio of Polyglass results in outstanding linearity in frequency response. This linearity provides greatly increased definition in the midrange, resulting in transparent, uncolored sound.<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). \n<br/><br/>\nDweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">Focal Monitors Owner Experiences</a> <br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br/><br/>\n<h3>If you’re looking for maximum power and bass, the very affordable Alpha 80 brings professional-level monitoring to the most important link in your signal chain. For more information, call or chat with an RSPE representative today. </h3>'),(4707,85,0,785,'Focal Alpha 80 Near-Field Studio Monitor'),(4708,85,1,785,'Focal Alpha 80 Near-Field Studio Monitor'),(4709,76,0,785,''),(4710,76,1,785,''),(4711,75,0,786,'<h1>FocalCare for Alpha 50</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Alpha 50 monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4712,75,1,786,'<h1>FocalCare for Alpha 50</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Alpha 50 monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4713,85,0,786,'FocalCare Alpha 50 Near-Field Studio Monitor'),(4714,85,1,786,'FocalCare Alpha 50 Near-Field Studio Monitor'),(4715,76,0,786,''),(4716,76,1,786,''),(4717,75,0,787,'<h1>FocalCare for Alpha 65</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Alpha 65 monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4718,75,1,787,'<h1>FocalCare for Alpha 65</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Alpha 65 monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4719,85,0,787,'FocalCare Alpha 65 Near-Field Studio Monitor'),(4720,85,1,787,'FocalCare Alpha 65 Near-Field Studio Monitor'),(4721,76,0,787,''),(4722,76,1,787,''),(4723,75,0,788,'<h1>FocalCare for Alpha 80</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Alpha 80 monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4724,75,1,788,'<h1>FocalCare for Alpha 80</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Alpha 80 monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4725,85,0,788,'FocalCare Alpha 80 Near-Field Studio Monitor'),(4726,85,1,788,'FocalCare Alpha 80 Near-Field Studio Monitor'),(4727,76,0,788,''),(4728,76,1,788,''),(4729,75,0,789,'<h1>FocalCare for Focal SM9</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your SM9 monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4730,75,1,789,'<h1>FocalCare for Focal SM9</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your SM9 monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4731,85,0,789,'FocalCare for Focal SM9 Professional Studio Monitor'),(4732,85,1,789,'FocalCare for Focal SM9 Professional Studio Monitor'),(4733,76,0,789,''),(4734,76,1,789,''),(4735,75,0,790,'<h1>FocalCare for Solo6 Be</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Solo6 Be monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4736,75,1,790,'<h1>FocalCare for Solo6 Be</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Solo6 Be monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4737,85,0,790,'FocalCare for Solo6 Be Professional Studio Monitor'),(4738,85,1,790,'FocalCare for Solo6 Be Professional Studio Monitor'),(4739,76,0,790,''),(4740,76,1,790,''),(4741,75,0,791,'<h1>FocalCare for Sub6 Subwoofer</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br/><br/></span>For a fraction of the cost of your Sub6 Subwoofer, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br/><br/>\n<h3>For five years, you are entitled to:</h3>\n<br/>\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br/><br/>\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br/><br/>\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br/><br/>\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br/><br/>\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br/>\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4742,75,1,791,'<h1>FocalCare for Sub6 Subwoofer</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br/><br/></span>For a fraction of the cost of your Sub6 Subwoofer, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br/><br/>\n<h3>For five years, you are entitled to:</h3>\n<br/>\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br/><br/>\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br/><br/>\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br/><br/>\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br/><br/>\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br/>\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4743,85,0,791,'FocalCare for Sub6 Subwoofer'),(4744,85,1,791,'FocalCare for Sub6 Subwoofer'),(4745,76,0,791,''),(4746,76,1,791,''),(4747,75,0,792,'<h1>FocalCare for Trio11 Be</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Trio11 Be monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4748,75,1,792,'<h1>FocalCare for Trio11 Be</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Trio11 Be monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4749,85,0,792,'FocalCare for Trio11 Be Professional Studio Monitor'),(4750,85,1,792,'FocalCare for Trio11 Be Professional Studio Monitor'),(4751,76,0,792,''),(4752,76,1,792,''),(4753,75,0,793,'<h1>FocalCare for Trio6 Be</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Trio6 Be monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4754,75,1,793,'<h1>FocalCare for Trio6 Be</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Trio6 Be monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4755,85,0,793,'FocalCare for Trio6 Be Professional Studio Monitor'),(4756,85,1,793,'FocalCare for Trio6 Be Professional Studio Monitor'),(4757,76,0,793,''),(4758,76,1,793,''),(4759,75,0,794,'<h1>FocalCare for Twin6 Be</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Twin6 Be monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4760,75,1,794,'<h1>FocalCare for Twin6 Be</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Twin6 Be monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed!<br /><br />\n<h3>For five years, you are entitled to:</h3>\n<br />\n<h3>Free overnight replacement parts</h3>\n	Well get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br />\n<h3>Loaners</h3>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br />\n<h3>Parts & Labor</h3>\n	All the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br />\n<h3>Purchase any time</h3>\n	You can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4761,85,0,794,'FocalCare for Twin6 Be Professional Studio Monitor'),(4762,85,1,794,'FocalCare for Twin6 Be Professional Studio Monitor'),(4763,76,0,794,''),(4764,76,1,794,''),(4765,75,0,795,'<h2>Focal Clear Headphones</h2>\n<font size=\"3\"><i>Open back, circumaural professional headphones offering precise and detailed sound reproduction, precisely revealing the tiniest details for ultra-realistic listening</i></font><br /><br />\nFocal Clear are audiophile circum-aural open-back headphones. They represent a new evolution of Focal’s now famous completely open-back full-range speaker driver. The \'M\'-shape Aluminum/Magnesium dome benefits from a new copper voice coil. This provides remarkable dynamics over the entire audio spectrum; bass that is always controlled, even at high volumes, and exemplary linearity in the high-end.<br /><br /><div>Clear use the new generation of totally open backed full-range speakers, precisely revealing the tiniest details for ultra-realistic listening. With their design surpassing Elear in terms of openness, Clear make you simply forget that you are wearing headphones. The widely held impression that headphones reduce listening space disappears, thanks to Clear\'s open ear cushions. The technologies chosen and the aluminium/magnesium alloy M-profile dome, preserve breadth and dynamics worthy of the best high-fidelity speakers. These headphones will become essential: they come with a hard transport case and three cables providing the best solution for different types of audio equipment.</div><br />\n<h3>Focal Clear Key Points</h3>\n<ul>\n	<li>Open-back design for use at home</li>\n	<li>Exclusive full-range speaker driver with an \'M\'-shape Aluminum/Magnesium dome (patent pending)</li>\n	<li>Excellent performance when connected to an audiophile portable stereo</li>\n	<li>A listening experience very close to that provided by high-fidelity loudspeakers</li>\n	<li>Comfortable and ergonomic</li>\n	<li>Includes hard, elegant carrying case with storage for one cable</li>\n	<li>Includes 3 cables:\n	<ul>\n		<li>1 x 1.2m with 3.5mm stereo jack for connection to audiophile portable devices</li>\n		<li>1 x 3m with 6.35mm stereo jack connector</li>\n		<li>1 x 3m with XLR 4 pin symmetrical connector</li>\n	</ul>\n	</li>\n	<li>Designed and manufactured in France</li>\n</ul>'),(4766,75,1,795,'<h2>Focal Clear Headphones</h2>\n<font size=\"3\"><i>Open back, circumaural professional headphones offering precise and detailed sound reproduction, precisely revealing the tiniest details for ultra-realistic listening</i></font><br /><br />\nFocal Clear are audiophile circum-aural open-back headphones. They represent a new evolution of Focal’s now famous completely open-back full-range speaker driver. The \'M\'-shape Aluminum/Magnesium dome benefits from a new copper voice coil. This provides remarkable dynamics over the entire audio spectrum; bass that is always controlled, even at high volumes, and exemplary linearity in the high-end.<br /><br /><div>Clear use the new generation of totally open backed full-range speakers, precisely revealing the tiniest details for ultra-realistic listening. With their design surpassing Elear in terms of openness, Clear make you simply forget that you are wearing headphones. The widely held impression that headphones reduce listening space disappears, thanks to Clear\'s open ear cushions. The technologies chosen and the aluminium/magnesium alloy M-profile dome, preserve breadth and dynamics worthy of the best high-fidelity speakers. These headphones will become essential: they come with a hard transport case and three cables providing the best solution for different types of audio equipment.</div><br />\n<h3>Focal Clear Key Points</h3>\n<ul>\n	<li>Open-back design for use at home</li>\n	<li>Exclusive full-range speaker driver with an \'M\'-shape Aluminum/Magnesium dome (patent pending)</li>\n	<li>Excellent performance when connected to an audiophile portable stereo</li>\n	<li>A listening experience very close to that provided by high-fidelity loudspeakers</li>\n	<li>Comfortable and ergonomic</li>\n	<li>Includes hard, elegant carrying case with storage for one cable</li>\n	<li>Includes 3 cables:\n	<ul>\n		<li>1 x 1.2m with 3.5mm stereo jack for connection to audiophile portable devices</li>\n		<li>1 x 3m with 6.35mm stereo jack connector</li>\n		<li>1 x 3m with XLR 4 pin symmetrical connector</li>\n	</ul>\n	</li>\n	<li>Designed and manufactured in France</li>\n</ul>'),(4767,85,0,795,'Focal Clear Headphones'),(4768,85,1,795,'Focal Clear Headphones'),(4769,76,0,795,''),(4770,76,1,795,''),(4771,75,0,796,'<h1>Focal Clear MG Pro Headphones</h1>\n<font size=\"3\"><i>Clear MG Professional, the new high-end open-back headphones from Focal. Circumaural professional headphones offering precise and detailed sound reproduction for mixing, mastering, and the most critical listening</i></font><br /><br />The Focal C<span style=\"background-color: initial;\">lear MG Professional is the essential pair of headphones for discerning sound engineers and producers. These open-back headphones feature a newly designed Magnesium cone 1-5/8\" (40mm) full-range speaker driver with M-shaped inverted domes; offering extreme precision. The tonal balance is remarkable, as is the bass articulation and the level of detail across the full sound spectrum.<br /><br />\nIn addition to high-performance technologies, Clear Mg Professional offers impressive comfort and a unique aesthetic signature. The curve of the headband, high-resilience memory foam earpads, evenly-distributed weight... Everything has been covered to allow you to forget you\'re wearing headphones at all. Meanwhile, the black and red colours combined with the “honeycomb” signature on the earcups offer a touch of modern elegance.\n<br /><br />\n<h3>Focal Clear MG Pro Key Points</h3>\n<ul>\n	<li>A brand new magnesium cone for even greater dynamics</li>\n	<li>A remarkable tonal balance across the full spectrum</li>\n	<li>Comfortable and ergonomic</li>\n	<li>2 OFC 24 AWG copper cables supplied to suit all uses (3ft. or 1.2m + 16ft. or 5m spiral)</li>\n	<li>Rigid carrying case supplied</li>\n</ul>\n<br />\n<h3>Brand New Magnesium Cone</h3>\nClear Mg Professional incorporates 1 5/8” (40mm) full-range speaker drivers with magnesium ‘M’-shaped inverted domes. Thanks to this brand new cone, combined with the frameless 1\" (25mm)-diameter and 1/4\" (5.5mm)-high copper voice coil, the sound experience is made extremely precise, delivering impressive detail across the full spectrum while preserving excellent tonal balance.\n<br /><br />\n\n<h3>Fast and dynamic</h3>\nThe flexibility of the surround offers lightness, therefore more dynamics and impact, particularly in the bass. The open grille inside the earcup closely follows the ‘M’ profile of the cone to further reduce adverse effects. With a 24kHz break-up, the high frequencies are extremely linear and the transient signals are respected. The headphones disappear to the benefit of the audio signal, with its uncompromising and even faster transfer quality.<br /><br />\n\n<h3>Comfort and Openness</h3>\nThe headband design creates a constant curve, wherever the head turns. The weight of the headphones is distributed evenly, preventing the localised pressure point phenomenon. The solid aluminium yoke is covered with a structured black paint, for sleek design and scratch resistance. Instead of the traditional vertically rotating mechanics, these have been moved within the headband for even greater comfort. This allows excellent sealing, particularly beneath the ears, to prevent any acoustic leakage, synonymous with significant bass loss. Finally, the highly resilient memory foam earpads complete the comfortable, open feel. <br /><br />\n\n\n</span>'),(4772,75,1,796,'<h1>Focal Clear MG Pro Headphones</h1>\n<font size=\"3\"><i>Clear MG Professional, the new high-end open-back headphones from Focal. Circumaural professional headphones offering precise and detailed sound reproduction for mixing, mastering, and the most critical listening</i></font><br /><br />The Focal C<span style=\"background-color: initial;\">lear MG Professional is the essential pair of headphones for discerning sound engineers and producers. These open-back headphones feature a newly designed Magnesium cone 1-5/8\" (40mm) full-range speaker driver with M-shaped inverted domes; offering extreme precision. The tonal balance is remarkable, as is the bass articulation and the level of detail across the full sound spectrum.<br /><br />\nIn addition to high-performance technologies, Clear Mg Professional offers impressive comfort and a unique aesthetic signature. The curve of the headband, high-resilience memory foam earpads, evenly-distributed weight... Everything has been covered to allow you to forget you\'re wearing headphones at all. Meanwhile, the black and red colours combined with the “honeycomb” signature on the earcups offer a touch of modern elegance.\n<br /><br />\n<h3>Focal Clear MG Pro Key Points</h3>\n<ul>\n	<li>A brand new magnesium cone for even greater dynamics</li>\n	<li>A remarkable tonal balance across the full spectrum</li>\n	<li>Comfortable and ergonomic</li>\n	<li>2 OFC 24 AWG copper cables supplied to suit all uses (3ft. or 1.2m + 16ft. or 5m spiral)</li>\n	<li>Rigid carrying case supplied</li>\n</ul>\n<br />\n<h3>Brand New Magnesium Cone</h3>\nClear Mg Professional incorporates 1 5/8” (40mm) full-range speaker drivers with magnesium ‘M’-shaped inverted domes. Thanks to this brand new cone, combined with the frameless 1\" (25mm)-diameter and 1/4\" (5.5mm)-high copper voice coil, the sound experience is made extremely precise, delivering impressive detail across the full spectrum while preserving excellent tonal balance.\n<br /><br />\n\n<h3>Fast and dynamic</h3>\nThe flexibility of the surround offers lightness, therefore more dynamics and impact, particularly in the bass. The open grille inside the earcup closely follows the ‘M’ profile of the cone to further reduce adverse effects. With a 24kHz break-up, the high frequencies are extremely linear and the transient signals are respected. The headphones disappear to the benefit of the audio signal, with its uncompromising and even faster transfer quality.<br /><br />\n\n<h3>Comfort and Openness</h3>\nThe headband design creates a constant curve, wherever the head turns. The weight of the headphones is distributed evenly, preventing the localised pressure point phenomenon. The solid aluminium yoke is covered with a structured black paint, for sleek design and scratch resistance. Instead of the traditional vertically rotating mechanics, these have been moved within the headband for even greater comfort. This allows excellent sealing, particularly beneath the ears, to prevent any acoustic leakage, synonymous with significant bass loss. Finally, the highly resilient memory foam earpads complete the comfortable, open feel. <br /><br />\n\n\n</span>'),(4773,85,0,796,'Focal Clear MG Pro Headphones'),(4774,85,1,796,'Focal Clear MG Pro Headphones'),(4775,76,0,796,''),(4776,76,1,796,''),(4777,75,0,797,'<h2>Focal Listen Professional Headphones</h2>\n<font size=\"3\"><i>Light weight and comfortable,  closed back, circumaural professional headphones offering precise and detailed sound reproduction.</i></font><br /><br />Focal Listen Professional headphones are a closed-back, over ear headphone that combines a professional sound with a design that\'s rugged, comfortable, and stylish. Their tonal balance and precision in terms of audio spectrum make them ideal for critial listening, like mixing or monitoring. Plus their comfort, style and low impedance make them perfect for travel. Focal\'s new 22mm Mylar/Titanium driver to give you a sound quality and dynamics that are usually found only in more expensive headphones. Listen Professional headphones deliver a sound quality and style that you\'ll enjoy, whether you\'re in the studio or on an airplane.<br /><br />\n<h3>Design: the family heritage</h3>\nLike the Clear Professional and Utopia headphones, Listen Professional is also equip - ped with a headband boasting a unique design to ensure comfort and durability. It’s curve remains consistent, regardless of the shape or size of the user’s head. Combined with the layer of silicone underneath the headband, this ensures that the weight is spread out evenly over the head, preventing the user from feeling any pressure in certain areas, which can be very uncomfortable during long working sessions. \n<br /><br />\n<h3>Acoustics: neutrality and transparency for total control</h3>\nThe close attention paid to the design of the Mylar/Titanium alloy speaker drivers results in sound reproduction which respects the original dynamics of the audio signal without distortion, thus preventing auditory fatigue. The neutrality of the tonal balance combined with the remarkably high defi - nition ensure the reproduction of all audio signals, even at the lowest of volumes. Finally, the heat-sensitive memory foam ear cushions covered in microfibre and acoustic tissue provide the ideal acoustics and an adequate level of comfort to give engineers\noptimal control over their work.\n<br /><br />\n<h3>Focal Listen Pro Key Points</h3>\n<ul>\n	<li>Sleek, stylish folding design</li>\n	<li>Flat, full-range (15Hz–22kHz) frequency response</li>\n	<li>40mm Mylar-titanium drivers deliver high frequencies without distortion</li>\n	<li>Heat-sensitive earcups provide a custom fit</li>\n	<li>Silicone-lined headband</li>\n	<li>Closed-back, circumaural design passively isolates noise</li>\n	<li>22mm memory foam cushions with microfiber lining</li>\n	<li>Includes rigid case, two copper audio cables (one 16\' coiled cable, 1 x 4.5\' straight cable with remote and omnidirectional mic), and 1/8\"-1/4\" adapter</li>\n</ul>'),(4778,75,1,797,'<h2>Focal Listen Professional Headphones</h2>\n<font size=\"3\"><i>Light weight and comfortable,  closed back, circumaural professional headphones offering precise and detailed sound reproduction.</i></font><br /><br />Focal Listen Professional headphones are a closed-back, over ear headphone that combines a professional sound with a design that\'s rugged, comfortable, and stylish. Their tonal balance and precision in terms of audio spectrum make them ideal for critial listening, like mixing or monitoring. Plus their comfort, style and low impedance make them perfect for travel. Focal\'s new 22mm Mylar/Titanium driver to give you a sound quality and dynamics that are usually found only in more expensive headphones. Listen Professional headphones deliver a sound quality and style that you\'ll enjoy, whether you\'re in the studio or on an airplane.<br /><br />\n<h3>Design: the family heritage</h3>\nLike the Clear Professional and Utopia headphones, Listen Professional is also equip - ped with a headband boasting a unique design to ensure comfort and durability. It’s curve remains consistent, regardless of the shape or size of the user’s head. Combined with the layer of silicone underneath the headband, this ensures that the weight is spread out evenly over the head, preventing the user from feeling any pressure in certain areas, which can be very uncomfortable during long working sessions. \n<br /><br />\n<h3>Acoustics: neutrality and transparency for total control</h3>\nThe close attention paid to the design of the Mylar/Titanium alloy speaker drivers results in sound reproduction which respects the original dynamics of the audio signal without distortion, thus preventing auditory fatigue. The neutrality of the tonal balance combined with the remarkably high defi - nition ensure the reproduction of all audio signals, even at the lowest of volumes. Finally, the heat-sensitive memory foam ear cushions covered in microfibre and acoustic tissue provide the ideal acoustics and an adequate level of comfort to give engineers\noptimal control over their work.\n<br /><br />\n<h3>Focal Listen Pro Key Points</h3>\n<ul>\n	<li>Sleek, stylish folding design</li>\n	<li>Flat, full-range (15Hz–22kHz) frequency response</li>\n	<li>40mm Mylar-titanium drivers deliver high frequencies without distortion</li>\n	<li>Heat-sensitive earcups provide a custom fit</li>\n	<li>Silicone-lined headband</li>\n	<li>Closed-back, circumaural design passively isolates noise</li>\n	<li>22mm memory foam cushions with microfiber lining</li>\n	<li>Includes rigid case, two copper audio cables (one 16\' coiled cable, 1 x 4.5\' straight cable with remote and omnidirectional mic), and 1/8\"-1/4\" adapter</li>\n</ul>'),(4779,85,0,797,'Focal Listen Professional Headphones'),(4780,85,1,797,'Focal Listen Professional Headphones'),(4781,76,0,797,''),(4782,76,1,797,''),(4783,75,0,798,'<h1>Focal Shape 40 Active Nearfield Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">2-way Active Studio Monitor with 4\" Flax Cone Woofer and M-shaped Aluminum-magnesium Inverted-dome Tweeter</span><br/><br/>\nThe Focal Shape 40 is Focal Professional\'s most compact studio monitor, and the perfect solution for small-space near-field monitoring. These monitors can be used from 23″ away (60cm), and they have astonishingly extended low end frequency response thanks in part to its dual passive radiators.  Whether you have a room of less than 107ft2 (10m2), or an installation where compactness is paramount, Shape 40 is the perfect solution.<br/><br/>\nShape 40 monitors provide remarkable acoustic transparency along with a wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalization of these essential registers much easier. Finally, the new tweeter is what’s at the source of the very high definition. It efficiently reveals any hissing, and it’s also very precise in the very high end.\n<br/><br/>\n<h3>Focal Shape 40 Key Features:</h3>\n<ul>\n	<li>Tweeter with very low directivity for a flexible listening position                                                                                                                       </li>\n	<li>Designed without a port, but with a double passive radiator, allowing it to be placed near a wall.                                                                                        </li>\n	<li>Numerous settings for optimal integration                                                                                                                                                 </li>\n	<li>Accurate control, even in the very high end                                                                                                                                               </li>\n	<li>Flax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and upper mid-range registers.                                                                  </li>\n	<li>Mounting mechanisms present on the back and underneath the loudspeaker: for installing on a table stand, a microphone stand, the ceiling or a wall (Mounting accessories not supplied).   </li>\n</ul>\n<br/>\n<h3>\'M\'-shaped aluminum/magnesium inverted dome tweeter</h3>\nAluminum has the advantage of having very high rigidity, whereas the combination of addition of magnesium increases the damping of the dome. At the same time, the \'M\' shape of the inverted dome has two major advantages. Its directivity is even less that of the inverted dome tweeter, allowing for more flexibility in terms of listening position. Mechanically speaking, the \'M\' shape gives the dome much more rigidity, while reducing distortion even more. The Poron® suspension provides a more linear frequency response curve below 6kHz, improving crossover with the woofer. The magnetic component has also been optimized thanks to a voice coil with a Kapton® frame which significantly reduces the Foucault current, and consequently, distortion. Finally, the horn housing the tweeter has been designed to provide equal horizontal and vertical directivity.\n<br/><br/>\n<h3>4\" Flax sandwich cone</h3>\nDeveloping speaker driver cone technologies is part of Focal’s core expertise. The Flax sandwich cones used for the woofers on Shape loudspeakers are composed of two materials: glass fibres and flax fibres. A layer of flax fibres is sandwiched between two layers of glass fibres. Glass fibre cones were also used on the \'W\' composite sandwich cone of the SM6 and SM9 series, and are revered for their high rigidity considering their light weight.\n<br/><br/>\n<h3>Dual Passive Radiator</h3>\nThe dual passive radiator on Shape studio monitors solves a common issue encountered with nearfield monitors: to combine a compact design with extended low end frequency response.\n<br/><br/>\nTraditionally with dual passive radiators, rocking modes can occur depending on the frequency and the volume. In order to compensate for this phenomenon, two U-shaped surrounds positioned opposite each other join the passive disk to the basket, ensuring perfect symmetry during excursion and incursion. Finally, the very low tuning frequency allows the monitors to be placed very close to a wall.\n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). \n<br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br/><br/>\n<h3>The Focal Shape 40 combines several patented Focal technologies into a compact nearfield monitor with incredible performance. For more information, call or chat with an RSPE representative today. \n</h3>'),(4784,75,1,798,'<h1>Focal Shape 40 Active Nearfield Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">2-way Active Studio Monitor with 4\" Flax Cone Woofer and M-shaped Aluminum-magnesium Inverted-dome Tweeter</span><br/><br/>\nThe Focal Shape 40 is Focal Professional\'s most compact studio monitor, and the perfect solution for small-space near-field monitoring. These monitors can be used from 23″ away (60cm), and they have astonishingly extended low end frequency response thanks in part to its dual passive radiators.  Whether you have a room of less than 107ft2 (10m2), or an installation where compactness is paramount, Shape 40 is the perfect solution.<br/><br/>\nShape 40 monitors provide remarkable acoustic transparency along with a wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalization of these essential registers much easier. Finally, the new tweeter is what’s at the source of the very high definition. It efficiently reveals any hissing, and it’s also very precise in the very high end.\n<br/><br/>\n<h3>Focal Shape 40 Key Features:</h3>\n<ul>\n	<li>Tweeter with very low directivity for a flexible listening position                                                                                                                       </li>\n	<li>Designed without a port, but with a double passive radiator, allowing it to be placed near a wall.                                                                                        </li>\n	<li>Numerous settings for optimal integration                                                                                                                                                 </li>\n	<li>Accurate control, even in the very high end                                                                                                                                               </li>\n	<li>Flax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and upper mid-range registers.                                                                  </li>\n	<li>Mounting mechanisms present on the back and underneath the loudspeaker: for installing on a table stand, a microphone stand, the ceiling or a wall (Mounting accessories not supplied).   </li>\n</ul>\n<br/>\n<h3>\'M\'-shaped aluminum/magnesium inverted dome tweeter</h3>\nAluminum has the advantage of having very high rigidity, whereas the combination of addition of magnesium increases the damping of the dome. At the same time, the \'M\' shape of the inverted dome has two major advantages. Its directivity is even less that of the inverted dome tweeter, allowing for more flexibility in terms of listening position. Mechanically speaking, the \'M\' shape gives the dome much more rigidity, while reducing distortion even more. The Poron® suspension provides a more linear frequency response curve below 6kHz, improving crossover with the woofer. The magnetic component has also been optimized thanks to a voice coil with a Kapton® frame which significantly reduces the Foucault current, and consequently, distortion. Finally, the horn housing the tweeter has been designed to provide equal horizontal and vertical directivity.\n<br/><br/>\n<h3>4\" Flax sandwich cone</h3>\nDeveloping speaker driver cone technologies is part of Focal’s core expertise. The Flax sandwich cones used for the woofers on Shape loudspeakers are composed of two materials: glass fibres and flax fibres. A layer of flax fibres is sandwiched between two layers of glass fibres. Glass fibre cones were also used on the \'W\' composite sandwich cone of the SM6 and SM9 series, and are revered for their high rigidity considering their light weight.\n<br/><br/>\n<h3>Dual Passive Radiator</h3>\nThe dual passive radiator on Shape studio monitors solves a common issue encountered with nearfield monitors: to combine a compact design with extended low end frequency response.\n<br/><br/>\nTraditionally with dual passive radiators, rocking modes can occur depending on the frequency and the volume. In order to compensate for this phenomenon, two U-shaped surrounds positioned opposite each other join the passive disk to the basket, ensuring perfect symmetry during excursion and incursion. Finally, the very low tuning frequency allows the monitors to be placed very close to a wall.\n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). \n<br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br/><br/>\n<h3>The Focal Shape 40 combines several patented Focal technologies into a compact nearfield monitor with incredible performance. For more information, call or chat with an RSPE representative today. \n</h3>'),(4785,85,0,798,'Focal Shape 40 Active Nearfield Studio Monitor'),(4786,85,1,798,'Focal Shape 40 Active Nearfield Studio Monitor'),(4787,76,0,798,''),(4788,76,1,798,''),(4789,75,0,799,'<h1>Focal Shape 50 Active Nearfield Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">2-way Active Studio Monitor with 5\" Flax Cone Woofer and M-shaped Aluminum-magnesium Inverted-dome Tweeter</span><br/><br/>\nThe Focal Shape 50 active nearfield studio monitor is a compact yet versatile monitoring loudspeaker. This monitor can be used from 30″ away (80cm), and it has very extended low end frequency response (50Hz) for its size thanks in part to its dual passive radiator design. Thanks to this design and to the numerous settings, this monitor is ideal for rooms measuring less than 130ft2 (12m2).<br/><br/>\nShape 50 monitors provide remarkable acoustic transparency along with a wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalization of these essential registers much easier. Finally, the new tweeter is what’s at the source of the very high definition. It efficiently reveals any hissing, and it’s also very precise in the very high end.\n<br/><br/>\n<h3>Focal Shape 50 Key Features:</h3>\n<ul>\n	<li>Tweeter with very low directivity for a flexible listening position                                                                                                                       </li>\n	<li>Designed without a port, but with a double passive radiator, allowing it to be placed near a wall.                                                                                        </li>\n	<li>Numerous settings for optimal integration                                                                                                                                                 </li>\n	<li>Accurate control, even in the very high end                                                                                                                                               </li>\n	<li>Flax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and upper mid-range registers.                                                                  </li>\n	<li>Mounting mechanisms present on the back and underneath the loudspeaker: for installing on a table stand, a microphone stand, the ceiling or a wall (Mounting accessories not supplied).   </li>\n</ul>\n<br/>\n<h3>\'M\'-shaped aluminum/magnesium inverted dome tweeter</h3>\nAluminum has the advantage of having very high rigidity, whereas the combination of addition of magnesium increases the damping of the dome. At the same time, the \'M\' shape of the inverted dome has two major advantages. Its directivity is even less that of the inverted dome tweeter, allowing for more flexibility in terms of listening position. Mechanically speaking, the \'M\' shape gives the dome much more rigidity, while reducing distortion even more. The Poron® suspension provides a more linear frequency response curve below 6kHz, improving crossover with the woofer. The magnetic component has also been optimized thanks to a voice coil with a Kapton® frame which significantly reduces the Foucault current, and consequently, distortion. Finally, the horn housing the tweeter has been designed to provide equal horizontal and vertical directivity.\n<br/><br/>\n<h3>5\" Flax sandwich cone</h3>\nDeveloping speaker driver cone technologies is part of Focal’s core expertise. The Flax sandwich cones used for the woofers on Shape loudspeakers are composed of two materials: glass fibres and flax fibres. A layer of flax fibres is sandwiched between two layers of glass fibres. Glass fibre cones were also used on the \'W\' composite sandwich cone of the SM6 and SM9 series, and are revered for their high rigidity considering their light weight.\n<br/><br/>\n<h3>Dual Passive Radiator</h3>\nThe dual passive radiator on Shape studio monitors solves a common issue encountered with nearfield monitors: to combine a compact design with extended low end frequency response.\n<br/><br/>\nTraditionally with dual passive radiators, rocking modes can occur depending on the frequency and the volume. In order to compensate for this phenomenon, two U-shaped surrounds positioned opposite each other join the passive disk to the basket, ensuring perfect symmetry during excursion and incursion. Finally, the very low tuning frequency allows the monitors to be placed very close to a wall.\n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). \n<br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br/><br/>\n<h3>The Focal Shape 50 combines several patented Focal technologies into a compact nearfield monitor with incredible performance. For more information, call or chat with an RSPE representative today. \n</h3>'),(4790,75,1,799,'<h1>Focal Shape 50 Active Nearfield Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">2-way Active Studio Monitor with 5\" Flax Cone Woofer and M-shaped Aluminum-magnesium Inverted-dome Tweeter</span><br/><br/>\nThe Focal Shape 50 active nearfield studio monitor is a compact yet versatile monitoring loudspeaker. This monitor can be used from 30″ away (80cm), and it has very extended low end frequency response (50Hz) for its size thanks in part to its dual passive radiator design. Thanks to this design and to the numerous settings, this monitor is ideal for rooms measuring less than 130ft2 (12m2).<br/><br/>\nShape 50 monitors provide remarkable acoustic transparency along with a wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalization of these essential registers much easier. Finally, the new tweeter is what’s at the source of the very high definition. It efficiently reveals any hissing, and it’s also very precise in the very high end.\n<br/><br/>\n<h3>Focal Shape 50 Key Features:</h3>\n<ul>\n	<li>Tweeter with very low directivity for a flexible listening position                                                                                                                       </li>\n	<li>Designed without a port, but with a double passive radiator, allowing it to be placed near a wall.                                                                                        </li>\n	<li>Numerous settings for optimal integration                                                                                                                                                 </li>\n	<li>Accurate control, even in the very high end                                                                                                                                               </li>\n	<li>Flax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and upper mid-range registers.                                                                  </li>\n	<li>Mounting mechanisms present on the back and underneath the loudspeaker: for installing on a table stand, a microphone stand, the ceiling or a wall (Mounting accessories not supplied).   </li>\n</ul>\n<br/>\n<h3>\'M\'-shaped aluminum/magnesium inverted dome tweeter</h3>\nAluminum has the advantage of having very high rigidity, whereas the combination of addition of magnesium increases the damping of the dome. At the same time, the \'M\' shape of the inverted dome has two major advantages. Its directivity is even less that of the inverted dome tweeter, allowing for more flexibility in terms of listening position. Mechanically speaking, the \'M\' shape gives the dome much more rigidity, while reducing distortion even more. The Poron® suspension provides a more linear frequency response curve below 6kHz, improving crossover with the woofer. The magnetic component has also been optimized thanks to a voice coil with a Kapton® frame which significantly reduces the Foucault current, and consequently, distortion. Finally, the horn housing the tweeter has been designed to provide equal horizontal and vertical directivity.\n<br/><br/>\n<h3>5\" Flax sandwich cone</h3>\nDeveloping speaker driver cone technologies is part of Focal’s core expertise. The Flax sandwich cones used for the woofers on Shape loudspeakers are composed of two materials: glass fibres and flax fibres. A layer of flax fibres is sandwiched between two layers of glass fibres. Glass fibre cones were also used on the \'W\' composite sandwich cone of the SM6 and SM9 series, and are revered for their high rigidity considering their light weight.\n<br/><br/>\n<h3>Dual Passive Radiator</h3>\nThe dual passive radiator on Shape studio monitors solves a common issue encountered with nearfield monitors: to combine a compact design with extended low end frequency response.\n<br/><br/>\nTraditionally with dual passive radiators, rocking modes can occur depending on the frequency and the volume. In order to compensate for this phenomenon, two U-shaped surrounds positioned opposite each other join the passive disk to the basket, ensuring perfect symmetry during excursion and incursion. Finally, the very low tuning frequency allows the monitors to be placed very close to a wall.\n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). \n<br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br/><br/>\n<h3>The Focal Shape 50 combines several patented Focal technologies into a compact nearfield monitor with incredible performance. For more information, call or chat with an RSPE representative today. \n</h3>'),(4791,85,0,799,'Focal Shape 50 Active Nearfield Studio Monitor'),(4792,85,1,799,'Focal Shape 50 Active Nearfield Studio Monitor'),(4793,76,0,799,''),(4794,76,1,799,''),(4795,75,0,800,'<h1>Focal Shape 65 Active Nearfield Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">2-way Active Studio Monitor with 6.5\" Flax Cone Woofer and M-shaped Aluminum-magnesium Inverted-dome Tweeter</span><br/><br/>\nThe Focal Shape 65 is a 2-way active nearfield studio monitor, that is the largest of the Focal Shape line. Shape 65 features astonishingly extended low end frequency response thanks in part to its 6.5\" Flax cone woofer and dual passive radiator design.  Although it’s dedicated to near-field monitoring, this monitor enables extraordinary monitoring quality, in the lowest to the highest frequencies. Simply a must, this monitor will express its full potential from a listening distance of three feet away (1 meter).\n<br/><br/>\nShape 65 monitors provide remarkable acoustic transparency along with a wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalization of these essential registers much easier. Finally, the new tweeter is what’s at the source of the very high definition. It efficiently reveals any hissing, and it’s also very precise in the very high end.\n<br/><br/>\n<h3>Focal Shape 65 Key Features:</h3>\n<ul>\n	<li>Tweeter with very low directivity for a flexible listening position                                                                                                                       </li>\n	<li>Designed without a port, but with a double passive radiator, allowing it to be placed near a wall.                                                                                        </li>\n	<li>Numerous settings for optimal integration                                                                                                                                                 </li>\n	<li>Accurate control, even in the very high end                                                                                                                                               </li>\n	<li>Flax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and upper mid-range registers.                                                                  </li>\n	<li>Mounting mechanisms present on the back and underneath the loudspeaker: for installing on a table stand, a microphone stand, the ceiling or a wall (Mounting accessories not supplied).   </li>\n</ul>\n<br/>\n<h3>\'M\'-shaped aluminum/magnesium inverted dome tweeter</h3>\nAluminum has the advantage of having very high rigidity, whereas the combination of addition of magnesium increases the damping of the dome. At the same time, the \'M\' shape of the inverted dome has two major advantages. Its directivity is even less that of the inverted dome tweeter, allowing for more flexibility in terms of listening position. Mechanically speaking, the \'M\' shape gives the dome much more rigidity, while reducing distortion even more. The Poron® suspension provides a more linear frequency response curve below 6kHz, improving crossover with the woofer. The magnetic component has also been optimized thanks to a voice coil with a Kapton® frame which significantly reduces the Foucault current, and consequently, distortion. Finally, the horn housing the tweeter has been designed to provide equal horizontal and vertical directivity.\n<br/><br/>\n<h3>6.5\" Flax sandwich cone</h3>\nDeveloping speaker driver cone technologies is part of Focal’s core expertise. The Flax sandwich cones used for the woofers on Shape loudspeakers are composed of two materials: glass fibres and flax fibres. A layer of flax fibres is sandwiched between two layers of glass fibres. Glass fibre cones were also used on the \'W\' composite sandwich cone of the SM6 and SM9 series, and are revered for their high rigidity considering their light weight.\n<br/><br/>\n<h3>Dual Passive Radiator</h3>\nThe dual passive radiator on Shape studio monitors solves a common issue encountered with nearfield monitors: to combine a compact design with extended low end frequency response.\n<br/><br/>\nTraditionally with dual passive radiators, rocking modes can occur depending on the frequency and the volume. In order to compensate for this phenomenon, two U-shaped surrounds positioned opposite each other join the passive disk to the basket, ensuring perfect symmetry during excursion and incursion. Finally, the very low tuning frequency allows the monitors to be placed very close to a wall.\n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). \n<br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br/><br/>\n<h3>The Focal Shape 65 combines several patented Focal technologies into a compact nearfield monitor with incredible performance. For more information, call or chat with an RSPE representative today. \n</h3>'),(4796,75,1,800,'<h1>Focal Shape 65 Active Nearfield Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">2-way Active Studio Monitor with 6.5\" Flax Cone Woofer and M-shaped Aluminum-magnesium Inverted-dome Tweeter</span><br/><br/>\nThe Focal Shape 65 is a 2-way active nearfield studio monitor, that is the largest of the Focal Shape line. Shape 65 features astonishingly extended low end frequency response thanks in part to its 6.5\" Flax cone woofer and dual passive radiator design.  Although it’s dedicated to near-field monitoring, this monitor enables extraordinary monitoring quality, in the lowest to the highest frequencies. Simply a must, this monitor will express its full potential from a listening distance of three feet away (1 meter).\n<br/><br/>\nShape 65 monitors provide remarkable acoustic transparency along with a wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalization of these essential registers much easier. Finally, the new tweeter is what’s at the source of the very high definition. It efficiently reveals any hissing, and it’s also very precise in the very high end.\n<br/><br/>\n<h3>Focal Shape 65 Key Features:</h3>\n<ul>\n	<li>Tweeter with very low directivity for a flexible listening position                                                                                                                       </li>\n	<li>Designed without a port, but with a double passive radiator, allowing it to be placed near a wall.                                                                                        </li>\n	<li>Numerous settings for optimal integration                                                                                                                                                 </li>\n	<li>Accurate control, even in the very high end                                                                                                                                               </li>\n	<li>Flax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and upper mid-range registers.                                                                  </li>\n	<li>Mounting mechanisms present on the back and underneath the loudspeaker: for installing on a table stand, a microphone stand, the ceiling or a wall (Mounting accessories not supplied).   </li>\n</ul>\n<br/>\n<h3>\'M\'-shaped aluminum/magnesium inverted dome tweeter</h3>\nAluminum has the advantage of having very high rigidity, whereas the combination of addition of magnesium increases the damping of the dome. At the same time, the \'M\' shape of the inverted dome has two major advantages. Its directivity is even less that of the inverted dome tweeter, allowing for more flexibility in terms of listening position. Mechanically speaking, the \'M\' shape gives the dome much more rigidity, while reducing distortion even more. The Poron® suspension provides a more linear frequency response curve below 6kHz, improving crossover with the woofer. The magnetic component has also been optimized thanks to a voice coil with a Kapton® frame which significantly reduces the Foucault current, and consequently, distortion. Finally, the horn housing the tweeter has been designed to provide equal horizontal and vertical directivity.\n<br/><br/>\n<h3>6.5\" Flax sandwich cone</h3>\nDeveloping speaker driver cone technologies is part of Focal’s core expertise. The Flax sandwich cones used for the woofers on Shape loudspeakers are composed of two materials: glass fibres and flax fibres. A layer of flax fibres is sandwiched between two layers of glass fibres. Glass fibre cones were also used on the \'W\' composite sandwich cone of the SM6 and SM9 series, and are revered for their high rigidity considering their light weight.\n<br/><br/>\n<h3>Dual Passive Radiator</h3>\nThe dual passive radiator on Shape studio monitors solves a common issue encountered with nearfield monitors: to combine a compact design with extended low end frequency response.\n<br/><br/>\nTraditionally with dual passive radiators, rocking modes can occur depending on the frequency and the volume. In order to compensate for this phenomenon, two U-shaped surrounds positioned opposite each other join the passive disk to the basket, ensuring perfect symmetry during excursion and incursion. Finally, the very low tuning frequency allows the monitors to be placed very close to a wall.\n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). \n<br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br/><br/>\n<h3>The Focal Shape 65 combines several patented Focal technologies into a compact nearfield monitor with incredible performance. For more information, call or chat with an RSPE representative today. \n</h3>'),(4797,85,0,800,'Focal Shape 65 Active Nearfield Studio Monitor'),(4798,85,1,800,'Focal Shape 65 Active Nearfield Studio Monitor'),(4799,76,0,800,''),(4800,76,1,800,''),(4801,75,0,801,'<h1>Focal Shape Twin Active Nearfield Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">2.5-way Active Studio Monitor with Dual 5\" Flax Cone Woofer, M-shaped Aluminum-magnesium Inverted-dome Tweeter, and Dual Passive Radiators</span><br/><br/>\nThe Focal Shape Twin is a 2.5-way active nearfield studio monitor, that is the flagship of the Focal Shape line. Shape Twin features astonishingly extended low end frequency response thanks in part to its dual 5\" Flax cone woofers and dual passive radiator design. The <span style=\"background-color: initial;\">1\" (25mm) \'M\'-</span><span style=\"background-color: initial;\">shaped Aluminum/</span><span style=\"background-color: initial;\">Magnesium inverted </span><span style=\"background-color: initial;\">dome tweeter gives Shape Twin incredible high frequency resolution, a wider sweet spot and reduced distortion. </span><br/><br/>Shape Twin is made in France, just like Shape 40, 50 and 65. These monitors combine an ingenuous design and numerous settings optimized for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms. Although it’s dedicated to near-field monitoring, this monitor enables extraordinary monitoring quality, in the lowest to the highest frequencies. Simply a must, this monitor will express its full potential from a listening distance of three feet away (1 meter).<br/><br/>Shape Twin’s innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined as well as controlled. The low-mid and mid ranges provide a true neutral sound.<br/><br/>\n<h3>Focal Shape Twin Key Features:</h3>\n<ul>\n	<li>Tweeter with very low directivity for a flexible sweet spot</li>\n	<li>Designed without a port (double passive radiator) allowing it to be placed near a wall</li>\n	<li>2.5 channels to provide optimal control of bass and low mid-range registers</li>\n	<li>Numerous settings for optimal integration</li>\n	<li>Accurate control, even in the very high frequencies</li>\n	<li>Flax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and upper mid-range registers</li>\n	<li>Fastening mechanisms for mounting to the ceiling or a wall (fastening accessories not supplied)</li>\n</ul>\n<br/>\n<h3>\'M\'-shaped aluminum/magnesium inverted dome tweeter</h3>\nAluminum has the advantage of having very high rigidity, whereas the combination of addition of magnesium increases the damping of the dome. At the same time, the \'M\' shape of the inverted dome has two major advantages. Its directivity is even less that of the inverted dome tweeter, allowing for more flexibility in terms of listening position. Mechanically speaking, the \'M\' shape gives the dome much more rigidity, while reducing distortion even more. The Poron® suspension provides a more linear frequency response curve below 6kHz, improving crossover with the woofer. The magnetic component has also been optimized thanks to a voice coil with a Kapton® frame which significantly reduces the Foucault current, and consequently, distortion. Finally, the horn housing the tweeter has been designed to provide equal horizontal and vertical directivity.\n<br/><br/>\n<h3>5\" Flax sandwich cone</h3>\nDeveloping speaker driver cone technologies is part of Focal’s core expertise. The Flax sandwich cones used for the woofers on Shape loudspeakers are composed of two materials: glass fibres and flax fibres. A layer of flax fibres is sandwiched between two layers of glass fibres. Glass fibre cones were also used on the \'W\' composite sandwich cone of the SM6 and SM9 series, and are revered for their high rigidity considering their light weight.\n<br/><br/>\n<h3>Dual Passive Radiator</h3>\nThe dual passive radiator on Shape studio monitors solves a common issue encountered with nearfield monitors: to combine a compact design with extended low end frequency response.\n<br/><br/>\nTraditionally with dual passive radiators, rocking modes can occur depending on the frequency and the volume. In order to compensate for this phenomenon, two U-shaped surrounds positioned opposite each other join the passive disk to the basket, ensuring perfect symmetry during excursion and incursion. Finally, the very low tuning frequency allows the monitors to be placed very close to a wall.\n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). \n<br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br/><br/>\n<h3>The Focal Shape Twin combines several patented Focal technologies into a compact nearfield monitor with incredible performance. For more information, call or chat with an RSPE representative today. \n</h3>'),(4802,75,1,801,'<h1>Focal Shape Twin Active Nearfield Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">2.5-way Active Studio Monitor with Dual 5\" Flax Cone Woofer, M-shaped Aluminum-magnesium Inverted-dome Tweeter, and Dual Passive Radiators</span><br/><br/>\nThe Focal Shape Twin is a 2.5-way active nearfield studio monitor, that is the flagship of the Focal Shape line. Shape Twin features astonishingly extended low end frequency response thanks in part to its dual 5\" Flax cone woofers and dual passive radiator design. The <span style=\"background-color: initial;\">1\" (25mm) \'M\'-</span><span style=\"background-color: initial;\">shaped Aluminum/</span><span style=\"background-color: initial;\">Magnesium inverted </span><span style=\"background-color: initial;\">dome tweeter gives Shape Twin incredible high frequency resolution, a wider sweet spot and reduced distortion. </span><br/><br/>Shape Twin is made in France, just like Shape 40, 50 and 65. These monitors combine an ingenuous design and numerous settings optimized for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms. Although it’s dedicated to near-field monitoring, this monitor enables extraordinary monitoring quality, in the lowest to the highest frequencies. Simply a must, this monitor will express its full potential from a listening distance of three feet away (1 meter).<br/><br/>Shape Twin’s innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined as well as controlled. The low-mid and mid ranges provide a true neutral sound.<br/><br/>\n<h3>Focal Shape Twin Key Features:</h3>\n<ul>\n	<li>Tweeter with very low directivity for a flexible sweet spot</li>\n	<li>Designed without a port (double passive radiator) allowing it to be placed near a wall</li>\n	<li>2.5 channels to provide optimal control of bass and low mid-range registers</li>\n	<li>Numerous settings for optimal integration</li>\n	<li>Accurate control, even in the very high frequencies</li>\n	<li>Flax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and upper mid-range registers</li>\n	<li>Fastening mechanisms for mounting to the ceiling or a wall (fastening accessories not supplied)</li>\n</ul>\n<br/>\n<h3>\'M\'-shaped aluminum/magnesium inverted dome tweeter</h3>\nAluminum has the advantage of having very high rigidity, whereas the combination of addition of magnesium increases the damping of the dome. At the same time, the \'M\' shape of the inverted dome has two major advantages. Its directivity is even less that of the inverted dome tweeter, allowing for more flexibility in terms of listening position. Mechanically speaking, the \'M\' shape gives the dome much more rigidity, while reducing distortion even more. The Poron® suspension provides a more linear frequency response curve below 6kHz, improving crossover with the woofer. The magnetic component has also been optimized thanks to a voice coil with a Kapton® frame which significantly reduces the Foucault current, and consequently, distortion. Finally, the horn housing the tweeter has been designed to provide equal horizontal and vertical directivity.\n<br/><br/>\n<h3>5\" Flax sandwich cone</h3>\nDeveloping speaker driver cone technologies is part of Focal’s core expertise. The Flax sandwich cones used for the woofers on Shape loudspeakers are composed of two materials: glass fibres and flax fibres. A layer of flax fibres is sandwiched between two layers of glass fibres. Glass fibre cones were also used on the \'W\' composite sandwich cone of the SM6 and SM9 series, and are revered for their high rigidity considering their light weight.\n<br/><br/>\n<h3>Dual Passive Radiator</h3>\nThe dual passive radiator on Shape studio monitors solves a common issue encountered with nearfield monitors: to combine a compact design with extended low end frequency response.\n<br/><br/>\nTraditionally with dual passive radiators, rocking modes can occur depending on the frequency and the volume. In order to compensate for this phenomenon, two U-shaped surrounds positioned opposite each other join the passive disk to the basket, ensuring perfect symmetry during excursion and incursion. Finally, the very low tuning frequency allows the monitors to be placed very close to a wall.\n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty, and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). \n<br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. “Focal: The Spirit of Sound.”\n<br/><br/>\n<h3>The Focal Shape Twin combines several patented Focal technologies into a compact nearfield monitor with incredible performance. For more information, call or chat with an RSPE representative today. \n</h3>'),(4803,85,0,801,'Focal Shape Twin Active Studio Monitor'),(4804,85,1,801,'Focal Shape Twin Active Studio Monitor'),(4805,76,0,801,''),(4806,76,1,801,''),(4807,75,0,802,'<h1>Focal SM9 Professional Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Two phenomenal monitors in one: Focal’s SM9 houses both a 2-way and 3-way monitor in one enclosure.</span><br /><br />\nThe jewel in the Focal crown, the SM9 is the reference standard of the Focal line. It combines innovative, proprietary technology on several fronts, such as driver construction, tweeter design and composition, patented high-efficiency power amplification, and a passive bass radiator that surpasses laminar port design by extending bass response consistently at all volumes and without port noise. The Focal SM9’s inverted beryllium tweeter provides precise stereo imaging and the ability to reproduce microscopic details of the audio signal, while maintaining dynamic integrity. The Focal SM9 is the professional’s choice for breath-taking midfield monitoring and all-revealing sonic reproduction—perfect for tracking, mixing, and mastering.<br /><br />\n<h3>Focal SM9 Unique Features</h3>\n<ul>\n	<li>Combines both a 2-way and 3-way monitor system in one enclosure (two distinct monitor designs in one) </li>\n	<li>11\" passive bass radiator offers consistent bass response at all SPL levels and eliminates bass port noise</li>\n	<li>Inverted beryllium tweeter provides five-octave frequency range (1kHz-40kHz) </li>\n	<li>“W” sandwiched composite cones allow precise control linearity </li>\n	<li>30Hz – 40kHz ultra wide frequency range (in 3-way mode)</li>\n	<li>Six EQ controls for room optimization plus a direct mode that bypasses EQ electronics</li>\n	<li>Selectable input sensitivity; -4dBu or –10dBV operation</li>\n</ul>\n<h3>Focal SM9: two monitors in one</h3>\nOne of the less-guarded secrets of mix translation is to listen to your mix on different sets of monitors as you work. Of course, with near- or mid-field monitors, you can only have one set of monitors placed in the optimal position in relation to your control room’s acoustic makeup. In essence, with secondary reference monitors in a less-than-optimal position, you’re fighting room acoustics rather than hearing how your mix actually translates to another system. Focal Professional solves this problem with its flagship studio reference monitor, the SM9.  \n<br /><br />\nThe Focal SM9 combines both a 2-way monitor and a 3-way monitor in one box, so when you switch between monitoring systems, the SM9 is always in the optimal position. Two-way mode is purposely band-limited from 90Hz to 20kHz, allowing you to hear what your mix would sound like on a bass-challenged system, as well as offering a means to zero in on the midrange for vocal and instrument balance, as well as EQ tweaking. Midrange is a difficult range to balance and EQ in context of all the other frequency information in program material. The SM9’s 2-way mode makes it easy for you focus in on the midrange. A side-panel button aptly labeled, FOCUS, activates 2-way mode. In 2-way configuration, the midrange woofer and tweeter are internally isolated from the bass driver to avoid unwanted energy transfer between the midrange woofer and the bass speaker. The SM9’s 2-way mode provides a linear response from 90Hz to 20kHz  <br /><br />\nThe Focal SM9 studio monitor’s dual design not only gives you the ability to mix and master with the highest sound quality, but also check mix-transfer quality on systems with limited frequency response, such TV sets, computers, cars, iPod docks or any multimedia system. <br /><br />\n<h3>Control the bass and everything else falls into place</h3>\nA well-known fact among professional mixers that control of the lower frequencies makes the difference between a lackluster mix and a mix that pops. The Focal SM9 offers precision control of bass frequencies thanks to extensive rear-panel EQ and a unique 11\" bass radiator (a passive speaker cone that works in concert with the 8\" woofer). The radiator is a purely passive speaker cone (no magnet) that shares the same “W” sandwich technology (see below) as the SM9’s 8\" mid-woofer.  \n<br /><br />\nIn order to extend bass response, the passive cone resonates in sympathy with the 8\" woofer. It functions much like a ported-cabinet design, but without the downside of ported designs at high SPL; what RPSE refers to as, “port-noise complaint” (a “huffing” noise due to high-pressure air currents pushed through the ports). As an added benefit, the radiator maintains a balanced tonal response at all SPL levels. Regardless of volume, consistency of sound is assured, since the bass radiator varies with the air pressure inside the cabinet, thus allowing for changes in speaker excursion. You get a tight and well-defined bass that’s always under your control.<br /><br />\n<h3>Room-optimization controls</h3>\nThe Focal SM9’s rear panel plays host to a comprehensive set of six EQ controls. They include a high-pass filter [full range, 45Hz, 60Hz, 90Hz (-6dB)]; low frequency shelf [30Hz-250Hz in 0.5dB steps (±3dB)]; low-frequency EQ [50Hz 0.5dB steps (±3dB)]; mid-frequency EQ [1kHz in 0.5dB steps (±3dB)]; high-frequency shelf [4.5kHz-40kHz at 0.5dB (±3dB)]; and a low mid-range parametric EQ to help reduce console reflections [160Hz in 0.5dB steps (±3dB)]. The rear panel also features a sensitivity control for +4dBu or –10dBV operation, along with an electronically balanced XLR input. On the side panel, along with the FOCUS switch and standby/on buttons, a direct-mode switch bypasses the EQ circuitry except for the high-pass filter.      \n<br /><br />\n<h3>Focal Professional’s innovative technology for superior sound </h3>\nIt’s been said that if you’re not manufacturing your own LF and HF drivers, then you’re simply in the packing industry, not speaker manufacture. Focal Professional employs several proprietary and patented technologies to ensure world-class performance.    \n<br /><br />\n<h3>Inverted dome tweeter</h3>\nTwo of the most difficult things to hear in a mix are compression and reverb tails. Focal’s innovative inverted dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging.  \n<br /><br />\nIt accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity.      <br /><br />\n<h3>Beryllium cone </h3>\nLong, fatigue-free mixing or mastering sessions require very low distortion in the high frequencies. To accomplish this, two years of Focal research produced the world’s first pure beryllium, inverted-dome tweeter. Capable of covering five full octaves (1kHz to 40kHz) due to its incredible rigidity, Beryllium appears to be the ultimate material for a tweeter dome.\n<br /><br />\nWhy did Focal strive for a frequency response up to 40kHz if the human ear can only hear up to 20kHz? Extensive research has shown that if you extend frequency response well beyond the range of human hearing, phase shift is significantly reduced in the audible spectrum. This reduced phase shift greatly improves the reproduction of high-frequency information, which yields greater realism and localization in-band. Instruments maintain their spatial integrity yet blend better harmonically.    <br /><br />\nSince the linearity of a speaker’s response curve is mainly a function of three often opposing parameters: lightness, rigidity, and damping, it follows that a material that combines these three parameters in a positive manner must be found—and find it Focal did. Only one material does the trick: beryllium. Beryllium is seven times more rigid than titanium or aluminum, both of which are well known for their rigidity. However, beryllium offers sound-wave propagation that’s three times faster than titanium, and two-and-one-half times faster than aluminum. This capacity to reproduce high frequencies with unmatched speed and transparency yields an unprecedented price/performance ratio. Additionally, Focal’s TB872 beryllium tweeter delivers outstanding dynamic response, thanks to its amazing magnetic field strength (2.1 teslas).  <br /><br />\nThis decisive advance in tweeter technology has put Focal Professional monitors in the enviable position of dominating the field of new high-resolution audio formats.<br /><br />\n<h3>Focal “W” composite sandwich cone</h3>\nLike the beryllium tweeter, the “W” composite sandwich cone optimizes the speaker’s frequency response curve, thanks to total control of the three aforementioned contradictory characteristics: lightness, rigidity, and damping. Focal has been developing composite sandwich technology for more than 15 years, and finally perfected it with the “W” (Glass/Foam/Glass) composite sandwich cone. The “W” cone provides precision optimization of its frequency response by fine-tuning mass, rigidity, and damping characteristic. The balance between these three fundamental parameters forms the basis of Focal speakers’ outstanding sound quality and neutrality.\n<br /><br />\n<h3>High-performance, tailor-made amplification </h3>\nThe SM9 uses low-distortion, Class AB power stages for low frequency (400W), midrange (100W), and high-frequency (100W) channels. Focal designed these high-quality amplifiers to maintain the integrity of dynamics in low-level audio signals, ensuring total transparency.  \n<br /><br />\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a><br /><br />\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br />“Focal: the Spirit of Sound.”<br /><br />\n<h3>The Focal SM9’s innovative 2-way/3-way design, comprehensive room correction EQ, and stellar sound reproduction add up to one of the very best professional monitors in its class—eminently suited for world class recording and mastering studios. Order your Focal SM9 today and prepare to be amazed. </h3>'),(4808,75,1,802,'<h1>Focal SM9 Professional Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Two phenomenal monitors in one: Focal’s SM9 houses both a 2-way and 3-way monitor in one enclosure.</span><br /><br />\nThe jewel in the Focal crown, the SM9 is the reference standard of the Focal line. It combines innovative, proprietary technology on several fronts, such as driver construction, tweeter design and composition, patented high-efficiency power amplification, and a passive bass radiator that surpasses laminar port design by extending bass response consistently at all volumes and without port noise. The Focal SM9’s inverted beryllium tweeter provides precise stereo imaging and the ability to reproduce microscopic details of the audio signal, while maintaining dynamic integrity. The Focal SM9 is the professional’s choice for breath-taking midfield monitoring and all-revealing sonic reproduction—perfect for tracking, mixing, and mastering.<br /><br />\n<h3>Focal SM9 Unique Features</h3>\n<ul>\n	<li>Combines both a 2-way and 3-way monitor system in one enclosure (two distinct monitor designs in one) </li>\n	<li>11\" passive bass radiator offers consistent bass response at all SPL levels and eliminates bass port noise</li>\n	<li>Inverted beryllium tweeter provides five-octave frequency range (1kHz-40kHz) </li>\n	<li>“W” sandwiched composite cones allow precise control linearity </li>\n	<li>30Hz – 40kHz ultra wide frequency range (in 3-way mode)</li>\n	<li>Six EQ controls for room optimization plus a direct mode that bypasses EQ electronics</li>\n	<li>Selectable input sensitivity; -4dBu or –10dBV operation</li>\n</ul>\n<h3>Focal SM9: two monitors in one</h3>\nOne of the less-guarded secrets of mix translation is to listen to your mix on different sets of monitors as you work. Of course, with near- or mid-field monitors, you can only have one set of monitors placed in the optimal position in relation to your control room’s acoustic makeup. In essence, with secondary reference monitors in a less-than-optimal position, you’re fighting room acoustics rather than hearing how your mix actually translates to another system. Focal Professional solves this problem with its flagship studio reference monitor, the SM9.  \n<br /><br />\nThe Focal SM9 combines both a 2-way monitor and a 3-way monitor in one box, so when you switch between monitoring systems, the SM9 is always in the optimal position. Two-way mode is purposely band-limited from 90Hz to 20kHz, allowing you to hear what your mix would sound like on a bass-challenged system, as well as offering a means to zero in on the midrange for vocal and instrument balance, as well as EQ tweaking. Midrange is a difficult range to balance and EQ in context of all the other frequency information in program material. The SM9’s 2-way mode makes it easy for you focus in on the midrange. A side-panel button aptly labeled, FOCUS, activates 2-way mode. In 2-way configuration, the midrange woofer and tweeter are internally isolated from the bass driver to avoid unwanted energy transfer between the midrange woofer and the bass speaker. The SM9’s 2-way mode provides a linear response from 90Hz to 20kHz  <br /><br />\nThe Focal SM9 studio monitor’s dual design not only gives you the ability to mix and master with the highest sound quality, but also check mix-transfer quality on systems with limited frequency response, such TV sets, computers, cars, iPod docks or any multimedia system. <br /><br />\n<h3>Control the bass and everything else falls into place</h3>\nA well-known fact among professional mixers that control of the lower frequencies makes the difference between a lackluster mix and a mix that pops. The Focal SM9 offers precision control of bass frequencies thanks to extensive rear-panel EQ and a unique 11\" bass radiator (a passive speaker cone that works in concert with the 8\" woofer). The radiator is a purely passive speaker cone (no magnet) that shares the same “W” sandwich technology (see below) as the SM9’s 8\" mid-woofer.  \n<br /><br />\nIn order to extend bass response, the passive cone resonates in sympathy with the 8\" woofer. It functions much like a ported-cabinet design, but without the downside of ported designs at high SPL; what RPSE refers to as, “port-noise complaint” (a “huffing” noise due to high-pressure air currents pushed through the ports). As an added benefit, the radiator maintains a balanced tonal response at all SPL levels. Regardless of volume, consistency of sound is assured, since the bass radiator varies with the air pressure inside the cabinet, thus allowing for changes in speaker excursion. You get a tight and well-defined bass that’s always under your control.<br /><br />\n<h3>Room-optimization controls</h3>\nThe Focal SM9’s rear panel plays host to a comprehensive set of six EQ controls. They include a high-pass filter [full range, 45Hz, 60Hz, 90Hz (-6dB)]; low frequency shelf [30Hz-250Hz in 0.5dB steps (±3dB)]; low-frequency EQ [50Hz 0.5dB steps (±3dB)]; mid-frequency EQ [1kHz in 0.5dB steps (±3dB)]; high-frequency shelf [4.5kHz-40kHz at 0.5dB (±3dB)]; and a low mid-range parametric EQ to help reduce console reflections [160Hz in 0.5dB steps (±3dB)]. The rear panel also features a sensitivity control for +4dBu or –10dBV operation, along with an electronically balanced XLR input. On the side panel, along with the FOCUS switch and standby/on buttons, a direct-mode switch bypasses the EQ circuitry except for the high-pass filter.      \n<br /><br />\n<h3>Focal Professional’s innovative technology for superior sound </h3>\nIt’s been said that if you’re not manufacturing your own LF and HF drivers, then you’re simply in the packing industry, not speaker manufacture. Focal Professional employs several proprietary and patented technologies to ensure world-class performance.    \n<br /><br />\n<h3>Inverted dome tweeter</h3>\nTwo of the most difficult things to hear in a mix are compression and reverb tails. Focal’s innovative inverted dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging.  \n<br /><br />\nIt accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity.      <br /><br />\n<h3>Beryllium cone </h3>\nLong, fatigue-free mixing or mastering sessions require very low distortion in the high frequencies. To accomplish this, two years of Focal research produced the world’s first pure beryllium, inverted-dome tweeter. Capable of covering five full octaves (1kHz to 40kHz) due to its incredible rigidity, Beryllium appears to be the ultimate material for a tweeter dome.\n<br /><br />\nWhy did Focal strive for a frequency response up to 40kHz if the human ear can only hear up to 20kHz? Extensive research has shown that if you extend frequency response well beyond the range of human hearing, phase shift is significantly reduced in the audible spectrum. This reduced phase shift greatly improves the reproduction of high-frequency information, which yields greater realism and localization in-band. Instruments maintain their spatial integrity yet blend better harmonically.    <br /><br />\nSince the linearity of a speaker’s response curve is mainly a function of three often opposing parameters: lightness, rigidity, and damping, it follows that a material that combines these three parameters in a positive manner must be found—and find it Focal did. Only one material does the trick: beryllium. Beryllium is seven times more rigid than titanium or aluminum, both of which are well known for their rigidity. However, beryllium offers sound-wave propagation that’s three times faster than titanium, and two-and-one-half times faster than aluminum. This capacity to reproduce high frequencies with unmatched speed and transparency yields an unprecedented price/performance ratio. Additionally, Focal’s TB872 beryllium tweeter delivers outstanding dynamic response, thanks to its amazing magnetic field strength (2.1 teslas).  <br /><br />\nThis decisive advance in tweeter technology has put Focal Professional monitors in the enviable position of dominating the field of new high-resolution audio formats.<br /><br />\n<h3>Focal “W” composite sandwich cone</h3>\nLike the beryllium tweeter, the “W” composite sandwich cone optimizes the speaker’s frequency response curve, thanks to total control of the three aforementioned contradictory characteristics: lightness, rigidity, and damping. Focal has been developing composite sandwich technology for more than 15 years, and finally perfected it with the “W” (Glass/Foam/Glass) composite sandwich cone. The “W” cone provides precision optimization of its frequency response by fine-tuning mass, rigidity, and damping characteristic. The balance between these three fundamental parameters forms the basis of Focal speakers’ outstanding sound quality and neutrality.\n<br /><br />\n<h3>High-performance, tailor-made amplification </h3>\nThe SM9 uses low-distortion, Class AB power stages for low frequency (400W), midrange (100W), and high-frequency (100W) channels. Focal designed these high-quality amplifiers to maintain the integrity of dynamics in low-level audio signals, ensuring total transparency.  \n<br /><br />\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a><br /><br />\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br />“Focal: the Spirit of Sound.”<br /><br />\n<h3>The Focal SM9’s innovative 2-way/3-way design, comprehensive room correction EQ, and stellar sound reproduction add up to one of the very best professional monitors in its class—eminently suited for world class recording and mastering studios. Order your Focal SM9 today and prepare to be amazed. </h3>'),(4809,85,0,802,'Focal SM9 Studio Monitor Speakers'),(4810,85,1,802,'Focal SM9 Studio Monitor Speakers'),(4811,76,0,802,''),(4812,76,1,802,''),(4813,75,0,803,'<h1>Focal Solo6 Be Studio Monitor Speaker (Single)</h1>\n<br/>\nIf you haven’t experienced Focal sound quality yet, your first close encounter with the Solo6 Be will come as something of a revelation. As a recording professional (or talented amateur), you have an ear for detail. But are your monitors supplying you with enough detail in order to make decisive critical adjustments of minutia, such as reverb decay and compression)? Or, are you getting just enough information to approximate the subtle effects you’re going for? There is a solution: the Focal Solo6 Be studio monitor. Thanks to Focal’s proprietary composite cone technology, inverted beryllium dome tweeter, and custom amplification, the Focal Solo6 Be gives you a transparent, microscopically accurate sonic picture, while still being pleasant to the ear.  <br/><br/>\n<h3>Focal Solo6 Be Key Features: </h3>\n<ul>\n	<li>2-way (150W rms LF/ 100W rms HF studio monitor</li>\n	<li>Extended bass response, midrange neutrality, and mid-bass fullness</li>\n	<li>Lightning-fast and transparent high-frequency reproduction</li>\n	<li>Ultra wide frequency range (40Hz-40kHz)</li>\n	<li>Adjustable tweeter and woofer level controls (-3dB - +6dB)</li>\n	<li>Input sensitivity selection switch for –4dBu or –10dBV operation</li>\n	<li>Magnetically shielded</li>\n	<li>Electronically balanced XLR input</li>\n</ul>\nThough housed in an extremely attractive cabinet, it’s what’s inside the Focal Solo6 Be that truly counts. Focal Professional’s unceasing exploration of cutting edge technologies and new manufacturing techniques have yielded unprecedented advances in audio reproduction and sound quality. It is precisely these technologies that are responsible for the stunningly accurate sound reproduction of the Focal Solo6 Be, and its larger sibling, the dual-woofer \n<a href=\"http://www.rspeaudio.com/Focal_Twin6_Be_Studio_Monitor_Speakers_p/fcl-twin6-be.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Twin6 Be</a>. <br/><br/>\n<h3>Focal Solo6 Be Unique Features:</h3>\n<ul>\n	<li>Inverted dome tweeter</li>\n	<li>Beryllium cone (tweeter)</li>\n	<li>Focal \"W\" composite sandwich cone speaker</li>\n	<li> Custom-design BASH® technology amplification  </li>\n</ul>\n<h3>What makes the Focal Solo6 Be sound so good?</h3>\nA happy surprise from the moment you hear it, the Solo6 Be studio monitor’s compact size belies its full and extended bass response (40Hz at -3dB). However, if you work with bass-heavy music, sub-sonic bass, or explosive effects and need deep, thundering bass, the Focal \n<a href=\"http://www.rspeaudio.com/Focal_Sub6_Studio_Subwoofer_Speaker_p/fcl-sub6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Sub6</a> subwoofer is a perfect companion for the Solo6 Be. <br/><br/>\nThe Solo Be’s 6.5\", “W” composite sandwich mid-woofer (see below) combines midrange neutrality with mid-bass fullness, giving you precise control over low-frequency material—absolutely essential when you’re making records. <br/><br/>\nTo smoothly extend bass response, the Solo6 Be has a large, front-mounted laminar port. The laminar port comprises a hollow structure with a larger opening at the outer port and a smaller inner throat opening, which transmits energy from the speaker to the port via smooth, even airflow, which both extends and increases low-frequency response without booming effects.<br/><br/>\nIf you’re a globe- or studio-trotting engineer who prefers to work on familiar monitors, the Solo6 BE’s compact design and rear-panel user settings make it easy to carry and adjust according to the acoustics of any studio you may find yourself working in. <br/><br/>\n<h3>Inverted dome tweeter</h3>\nTwo of the most difficult things to hear in a mix are compression and reverb tails. Focal’s innovative inverted dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging.  \n<br/><br/>\nIt accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity.      <br/><br/>\n<h3>Beryllium cone </h3>\nLong, fatigue-free mixing or mastering sessions require very low distortion in the high frequencies. To accomplish this, two years of Focal research produced the world’s first pure beryllium, inverted-dome tweeter. Capable of covering five full octaves (1kHz to 40kHz) due to its incredible rigidity, Beryllium appears to be the ultimate material for a tweeter dome.\n<br/><br/>\nWhy did Focal strive for a frequency response up to 40kHz if the human ear can only hear up to 20kHz? Extensive research has shown that if you extend frequency response well beyond the range of human hearing, phase shift is significantly reduced in the audible spectrum. This reduced phase shift greatly improves the reproduction of high-frequency information, which yields greater realism and localization in-band. Instruments maintain their spatial integrity yet blend better harmonically.    <br/><br/>\nSince the linearity of a speaker’s response curve is mainly a function of three often opposing parameters: lightness, rigidity, and damping, it follows that a material that combines these three parameters in a positive manner must be found—and find it Focal did. Only one material does the trick: beryllium. Beryllium is seven times more rigid than titanium or aluminum, both of which are well known for their rigidity. However, beryllium offers sound-wave propagation that’s three times faster than titanium, and two-and-one-half times faster than aluminum. This capacity to reproduce high frequencies with unmatched speed and transparency yields an unprecedented price/performance ratio. Additionally, Focal’s TB872 beryllium tweeter delivers outstanding dynamic response, thanks to its amazing magnetic field strength (2.1 teslas).  <br/><br/>\nThis decisive advance in tweeter technology has put Focal Professional monitors in the enviable position of dominating the field of new high-resolution audio formats.<br/><br/>\n<h3>Focal “W” composite sandwich cone</h3>\nLike the beryllium tweeter, the “W” composite sandwich cone optimizes the speaker’s frequency response curve, thanks to total control of the three aforementioned contradictory characteristics: lightness, rigidity, and damping. Focal has been developing composite sandwich technology for more than 15 years, and finally perfected it with the “W” (Glass/Foam/Glass) composite sandwich cone. The “W” cone provides precision optimization of its frequency response by fine-tuning mass, rigidity, and damping characteristic. The balance between these three fundamental parameters forms the basis of Focal speakers’ outstanding sound quality and neutrality.\n<br/><br/>\n<h3>Custom-designed amplification </h3>\nDesigning an amplifier to be integrated inside a speaker cabinet requires a very different set of rules than those for a traditional amp. Unfortunately, speaker-size and cooling issues are, more often than not, at odds with the quality and power requirements for a sonically transparent speaker. For a best-of-both-worlds solution, Focal engineers used BASH® (Bridged Amplifier Switching Hybrid) amplification technology to develop the bass/mid-range amplification circuit for all SM6-series professional monitors. The resulting amplifier combines the best of class AB style circuits (for exceptional quality) with a high-power class D-type yield. BASH offers extreme amounts of power without the wasted heat and energy of traditional amplifier designs, which is crucial when housing a 150W RMS circuit in such a small space.\nFor handling the high end, a pure class AB circuit is more than sufficient to power the less-demanding high-frequency tweeter, which yields extremely wide bandwidth and exceptional sonic accuracy. \n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a> <br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br/>“Focal: the Spirit of Sound.”<br/><br/>\n<h3>A compact monitor with a big expensive sound, order a Focal Solo6 Be from RSPE and hear what you’ve been missing.  </h3>'),(4814,75,1,803,'<h1>Focal Solo6 Be Studio Monitor Speaker (Single)</h1>\n<br/>\nIf you haven’t experienced Focal sound quality yet, your first close encounter with the Solo6 Be will come as something of a revelation. As a recording professional (or talented amateur), you have an ear for detail. But are your monitors supplying you with enough detail in order to make decisive critical adjustments of minutia, such as reverb decay and compression)? Or, are you getting just enough information to approximate the subtle effects you’re going for? There is a solution: the Focal Solo6 Be studio monitor. Thanks to Focal’s proprietary composite cone technology, inverted beryllium dome tweeter, and custom amplification, the Focal Solo6 Be gives you a transparent, microscopically accurate sonic picture, while still being pleasant to the ear.  <br/><br/>\n<h3>Focal Solo6 Be Key Features: </h3>\n<ul>\n	<li>2-way (150W rms LF/ 100W rms HF studio monitor</li>\n	<li>Extended bass response, midrange neutrality, and mid-bass fullness</li>\n	<li>Lightning-fast and transparent high-frequency reproduction</li>\n	<li>Ultra wide frequency range (40Hz-40kHz)</li>\n	<li>Adjustable tweeter and woofer level controls (-3dB - +6dB)</li>\n	<li>Input sensitivity selection switch for –4dBu or –10dBV operation</li>\n	<li>Magnetically shielded</li>\n	<li>Electronically balanced XLR input</li>\n</ul>\nThough housed in an extremely attractive cabinet, it’s what’s inside the Focal Solo6 Be that truly counts. Focal Professional’s unceasing exploration of cutting edge technologies and new manufacturing techniques have yielded unprecedented advances in audio reproduction and sound quality. It is precisely these technologies that are responsible for the stunningly accurate sound reproduction of the Focal Solo6 Be, and its larger sibling, the dual-woofer \n<a href=\"http://www.rspeaudio.com/Focal_Twin6_Be_Studio_Monitor_Speakers_p/fcl-twin6-be.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Twin6 Be</a>. <br/><br/>\n<h3>Focal Solo6 Be Unique Features:</h3>\n<ul>\n	<li>Inverted dome tweeter</li>\n	<li>Beryllium cone (tweeter)</li>\n	<li>Focal \"W\" composite sandwich cone speaker</li>\n	<li> Custom-design BASH® technology amplification  </li>\n</ul>\n<h3>What makes the Focal Solo6 Be sound so good?</h3>\nA happy surprise from the moment you hear it, the Solo6 Be studio monitor’s compact size belies its full and extended bass response (40Hz at -3dB). However, if you work with bass-heavy music, sub-sonic bass, or explosive effects and need deep, thundering bass, the Focal \n<a href=\"http://www.rspeaudio.com/Focal_Sub6_Studio_Subwoofer_Speaker_p/fcl-sub6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Sub6</a> subwoofer is a perfect companion for the Solo6 Be. <br/><br/>\nThe Solo Be’s 6.5\", “W” composite sandwich mid-woofer (see below) combines midrange neutrality with mid-bass fullness, giving you precise control over low-frequency material—absolutely essential when you’re making records. <br/><br/>\nTo smoothly extend bass response, the Solo6 Be has a large, front-mounted laminar port. The laminar port comprises a hollow structure with a larger opening at the outer port and a smaller inner throat opening, which transmits energy from the speaker to the port via smooth, even airflow, which both extends and increases low-frequency response without booming effects.<br/><br/>\nIf you’re a globe- or studio-trotting engineer who prefers to work on familiar monitors, the Solo6 BE’s compact design and rear-panel user settings make it easy to carry and adjust according to the acoustics of any studio you may find yourself working in. <br/><br/>\n<h3>Inverted dome tweeter</h3>\nTwo of the most difficult things to hear in a mix are compression and reverb tails. Focal’s innovative inverted dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging.  \n<br/><br/>\nIt accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity.      <br/><br/>\n<h3>Beryllium cone </h3>\nLong, fatigue-free mixing or mastering sessions require very low distortion in the high frequencies. To accomplish this, two years of Focal research produced the world’s first pure beryllium, inverted-dome tweeter. Capable of covering five full octaves (1kHz to 40kHz) due to its incredible rigidity, Beryllium appears to be the ultimate material for a tweeter dome.\n<br/><br/>\nWhy did Focal strive for a frequency response up to 40kHz if the human ear can only hear up to 20kHz? Extensive research has shown that if you extend frequency response well beyond the range of human hearing, phase shift is significantly reduced in the audible spectrum. This reduced phase shift greatly improves the reproduction of high-frequency information, which yields greater realism and localization in-band. Instruments maintain their spatial integrity yet blend better harmonically.    <br/><br/>\nSince the linearity of a speaker’s response curve is mainly a function of three often opposing parameters: lightness, rigidity, and damping, it follows that a material that combines these three parameters in a positive manner must be found—and find it Focal did. Only one material does the trick: beryllium. Beryllium is seven times more rigid than titanium or aluminum, both of which are well known for their rigidity. However, beryllium offers sound-wave propagation that’s three times faster than titanium, and two-and-one-half times faster than aluminum. This capacity to reproduce high frequencies with unmatched speed and transparency yields an unprecedented price/performance ratio. Additionally, Focal’s TB872 beryllium tweeter delivers outstanding dynamic response, thanks to its amazing magnetic field strength (2.1 teslas).  <br/><br/>\nThis decisive advance in tweeter technology has put Focal Professional monitors in the enviable position of dominating the field of new high-resolution audio formats.<br/><br/>\n<h3>Focal “W” composite sandwich cone</h3>\nLike the beryllium tweeter, the “W” composite sandwich cone optimizes the speaker’s frequency response curve, thanks to total control of the three aforementioned contradictory characteristics: lightness, rigidity, and damping. Focal has been developing composite sandwich technology for more than 15 years, and finally perfected it with the “W” (Glass/Foam/Glass) composite sandwich cone. The “W” cone provides precision optimization of its frequency response by fine-tuning mass, rigidity, and damping characteristic. The balance between these three fundamental parameters forms the basis of Focal speakers’ outstanding sound quality and neutrality.\n<br/><br/>\n<h3>Custom-designed amplification </h3>\nDesigning an amplifier to be integrated inside a speaker cabinet requires a very different set of rules than those for a traditional amp. Unfortunately, speaker-size and cooling issues are, more often than not, at odds with the quality and power requirements for a sonically transparent speaker. For a best-of-both-worlds solution, Focal engineers used BASH® (Bridged Amplifier Switching Hybrid) amplification technology to develop the bass/mid-range amplification circuit for all SM6-series professional monitors. The resulting amplifier combines the best of class AB style circuits (for exceptional quality) with a high-power class D-type yield. BASH offers extreme amounts of power without the wasted heat and energy of traditional amplifier designs, which is crucial when housing a 150W RMS circuit in such a small space.\nFor handling the high end, a pure class AB circuit is more than sufficient to power the less-demanding high-frequency tweeter, which yields extremely wide bandwidth and exceptional sonic accuracy. \n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a> <br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br/>“Focal: the Spirit of Sound.”<br/><br/>\n<h3>A compact monitor with a big expensive sound, order a Focal Solo6 Be from RSPE and hear what you’ve been missing.  </h3>'),(4815,85,0,803,''),(4816,85,1,803,''),(4817,76,0,803,''),(4818,76,1,803,''),(4819,75,0,804,'<h1>Focal Sub6 Studio Subwoofer Speaker (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Extremely versatile 350W subwoofer allows 2.1, 2.2, and multi-channel use</span><br/><br/>\nThough an integral member of Focal’s SM6 series dedicated to bass chores, the 350W Focal Sub6 was designed for optimum acoustic coupling with all professional monitors. To achieve full integration into any system, Focal gave the Sub6 all the usual suspects, including a stereo high-pass filter (75Hz or 100Hz) for left and right satellites, adjustable low-pass filter with mono summing, phase inverter, phase fine tuning, mute switch, and 2.1 bypass jack for remote control via footswitch (not included). For even greater versatility, the rear panel of the Focal Sub6 plays host to enough balanced XLR I/O to allow integration into 2.1, 2.2, and 5.1 systems. Did we mention that the Focal Sub6 sounds incredible? No? The Focal Sub6 sounds incredible.  <br/><br/>\n<h3>Focal Sub6 Subwoofer Key Features:</h3>\n<ul>\n	<li>11\" “W” composite sandwich cone</li>\n	<li>30Hz – 250Hz frequency range </li>\n	<li>350W rms amplification (BASH® technology)</li>\n	<li>Rear-mounted laminar port eliminates port noise</li>\n	<li>Mono left/right summing </li>\n	<li>LFE + mono low-pass (24dB/octave)</li>\n	<li>Phase adjust fine tuning continuously adjustable from 0 - 180°  </li>\n	<li>Polarity invert switch </li>\n	<li>Switchable high-pass filter, cut-off frequency selection</li>\n	<li>High-pass frequency selection </li>\n	<li>Low-pass cut-off frequency setting</li>\n	<li>Adjustable subwoofer level control </li>\n	<li>Subwoofer mute switch </li>\n	<li>2.1 “bypass” (external remote control mute)</li>\n	<li>Releasable high-pass</li>\n</ul>\n<h3>Focal Sub6 Unique Features:</h3>\n<ul>\n	<li>Focal \"W\" composite sandwich cone speaker</li>\n	<li>Custom-design, BASH® technology amplification</li>\n</ul>\n<h3>What makes the Focal Sub6 sound so good?</h3>\nThe Sub6 is a large volume cabinet design, equipped with an 11\" woofer featuring Focal’s “W” composite glass cone technology (see below) and a rear laminar port. The laminar port eliminates port noise by virtue of a larger outer port opening and a smaller inner throat, which eliminates air turbulence, providing a smooth flow of air through the port as energy is transferred from speaker to port. This configuration guarantees bass linearity regardless of SPL. \n<br/><br/>\nThe Sub6’ rear-panel controls are extremely versatile, as is its connectivity, which allows 2.1, 2.2, and multi-channel use via its L/R I/O and LFE input. The Sub6’s flexible rear-panel controls, such as the high-pass crossover dedicated to monitors, and adjustable phase and level controls provide optimum coupling with Focal’s  <a href=\"http://www.rspeaudio.com/Focal_Solo6_Be_Studio_Monitor_Speakers_p/fcl-solo6-be.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Solo6 Be</a> and the <a href=\"http://www.rspeaudio.com/Focal_Twin6_Be_Studio_Monitor_Speakers_p/fcl-twin6-be.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Twin6 Be</a> monitors. Another feature worthy of note is the Sub6’ rear-panel, 1/4\" bypass input, which enables you to connect a footswitch (not included) to deactivate the subwoofer and high-pass crossovers on the outputs that feed the monitors. This simplifies and greatly improves control during the various stages of monitoring.<br/><br/>\n<h3>The “W” composite sandwich cone </h3>\nFocal has been developing composite sandwich Cone technology for over 15 years. The \"W\" process (Glass/Foam/Glass), used on the \n<a href=\"http://www.rspeaudio.com/Focal_SM9_Studio_Monitor_Speakers_p/fcl-sm9.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Focal SM9</a> and SM6 series, provides a true optimization of frequency response by fine tuning mass, rigidity, and damping characteristics. The balance between these three fundamental, yet often opposing parameters forms the foundation for the outstanding sonic neutrality of Focal speakers.  <br/><br/> \nThe 11\" Focal-designed woofer is equipped with a high-excursion system that enables accurate and extended reproduction in the bass/infra bass register. Its 3\" voice coil ensures perfect mechanical coupling and total control of the driver, even at high SPL. The magnet, made of double ferrite, produces a highly symmetric magnetic field that maintains the integrity of dynamics, even at very low frequencies.  \n<br/><br/>\n<h3>Custom-designed amplification stage </h3>\nDesigning an amplifier to be integrated inside a speaker cabinet requires a very different set of rules than those for a traditional amp. Unfortunately, speaker-size and cooling issues are, more often than not, at odds with the quality and power requirements for a sonically transparent speaker. For a best-of-both-worlds solution, Focal engineers used BASH® (Bridged Amplifier Switching Hybrid) amplification technology to develop the bass/mid-range amplification circuit for all SM6-series professional monitors. The resulting amplifier combines the best of class AB style circuits (for exceptional quality) with a high-power class D-type yield, which is crucial when housing a 350W RMS circuit in such a small space. BASH offers extreme amounts of power without the wasted heat and energy of traditional amplifier designs. \n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a> <br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br/>“Focal: the Spirit of Sound.”<br/><br/>\n<h3>Experience bass in a way you never have before; with supreme controllability and consistency regardless of SPL. Order your Focal Sub6 today and complete your Focal monitoring system.</h3>'),(4820,75,1,804,'<h1>Focal Sub6 Studio Subwoofer Speaker (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Extremely versatile 350W subwoofer allows 2.1, 2.2, and multi-channel use</span><br/><br/>\nThough an integral member of Focal’s SM6 series dedicated to bass chores, the 350W Focal Sub6 was designed for optimum acoustic coupling with all professional monitors. To achieve full integration into any system, Focal gave the Sub6 all the usual suspects, including a stereo high-pass filter (75Hz or 100Hz) for left and right satellites, adjustable low-pass filter with mono summing, phase inverter, phase fine tuning, mute switch, and 2.1 bypass jack for remote control via footswitch (not included). For even greater versatility, the rear panel of the Focal Sub6 plays host to enough balanced XLR I/O to allow integration into 2.1, 2.2, and 5.1 systems. Did we mention that the Focal Sub6 sounds incredible? No? The Focal Sub6 sounds incredible.  <br/><br/>\n<h3>Focal Sub6 Subwoofer Key Features:</h3>\n<ul>\n	<li>11\" “W” composite sandwich cone</li>\n	<li>30Hz – 250Hz frequency range </li>\n	<li>350W rms amplification (BASH® technology)</li>\n	<li>Rear-mounted laminar port eliminates port noise</li>\n	<li>Mono left/right summing </li>\n	<li>LFE + mono low-pass (24dB/octave)</li>\n	<li>Phase adjust fine tuning continuously adjustable from 0 - 180°  </li>\n	<li>Polarity invert switch </li>\n	<li>Switchable high-pass filter, cut-off frequency selection</li>\n	<li>High-pass frequency selection </li>\n	<li>Low-pass cut-off frequency setting</li>\n	<li>Adjustable subwoofer level control </li>\n	<li>Subwoofer mute switch </li>\n	<li>2.1 “bypass” (external remote control mute)</li>\n	<li>Releasable high-pass</li>\n</ul>\n<h3>Focal Sub6 Unique Features:</h3>\n<ul>\n	<li>Focal \"W\" composite sandwich cone speaker</li>\n	<li>Custom-design, BASH® technology amplification</li>\n</ul>\n<h3>What makes the Focal Sub6 sound so good?</h3>\nThe Sub6 is a large volume cabinet design, equipped with an 11\" woofer featuring Focal’s “W” composite glass cone technology (see below) and a rear laminar port. The laminar port eliminates port noise by virtue of a larger outer port opening and a smaller inner throat, which eliminates air turbulence, providing a smooth flow of air through the port as energy is transferred from speaker to port. This configuration guarantees bass linearity regardless of SPL. \n<br/><br/>\nThe Sub6’ rear-panel controls are extremely versatile, as is its connectivity, which allows 2.1, 2.2, and multi-channel use via its L/R I/O and LFE input. The Sub6’s flexible rear-panel controls, such as the high-pass crossover dedicated to monitors, and adjustable phase and level controls provide optimum coupling with Focal’s  <a href=\"http://www.rspeaudio.com/Focal_Solo6_Be_Studio_Monitor_Speakers_p/fcl-solo6-be.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Solo6 Be</a> and the <a href=\"http://www.rspeaudio.com/Focal_Twin6_Be_Studio_Monitor_Speakers_p/fcl-twin6-be.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Twin6 Be</a> monitors. Another feature worthy of note is the Sub6’ rear-panel, 1/4\" bypass input, which enables you to connect a footswitch (not included) to deactivate the subwoofer and high-pass crossovers on the outputs that feed the monitors. This simplifies and greatly improves control during the various stages of monitoring.<br/><br/>\n<h3>The “W” composite sandwich cone </h3>\nFocal has been developing composite sandwich Cone technology for over 15 years. The \"W\" process (Glass/Foam/Glass), used on the \n<a href=\"http://www.rspeaudio.com/Focal_SM9_Studio_Monitor_Speakers_p/fcl-sm9.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Focal SM9</a> and SM6 series, provides a true optimization of frequency response by fine tuning mass, rigidity, and damping characteristics. The balance between these three fundamental, yet often opposing parameters forms the foundation for the outstanding sonic neutrality of Focal speakers.  <br/><br/> \nThe 11\" Focal-designed woofer is equipped with a high-excursion system that enables accurate and extended reproduction in the bass/infra bass register. Its 3\" voice coil ensures perfect mechanical coupling and total control of the driver, even at high SPL. The magnet, made of double ferrite, produces a highly symmetric magnetic field that maintains the integrity of dynamics, even at very low frequencies.  \n<br/><br/>\n<h3>Custom-designed amplification stage </h3>\nDesigning an amplifier to be integrated inside a speaker cabinet requires a very different set of rules than those for a traditional amp. Unfortunately, speaker-size and cooling issues are, more often than not, at odds with the quality and power requirements for a sonically transparent speaker. For a best-of-both-worlds solution, Focal engineers used BASH® (Bridged Amplifier Switching Hybrid) amplification technology to develop the bass/mid-range amplification circuit for all SM6-series professional monitors. The resulting amplifier combines the best of class AB style circuits (for exceptional quality) with a high-power class D-type yield, which is crucial when housing a 350W RMS circuit in such a small space. BASH offers extreme amounts of power without the wasted heat and energy of traditional amplifier designs. \n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a> <br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br/>“Focal: the Spirit of Sound.”<br/><br/>\n<h3>Experience bass in a way you never have before; with supreme controllability and consistency regardless of SPL. Order your Focal Sub6 today and complete your Focal monitoring system.</h3>'),(4821,85,0,804,'Focal Sub6 Studio Subwoofer Speaker'),(4822,85,1,804,'Focal Sub6 Studio Subwoofer Speaker'),(4823,76,0,804,''),(4824,76,1,804,''),(4825,75,0,805,'<h1>Focal Trio11 Be Active Studio Monitor Speaker (Single)</h1>\r\n<span style=\"font-size: 16px; font-style: italic;\">Crystal-clear and extremely powerful 10\" Active Studio Monitor that\'s two phenomenal monitors in one! Focal’s FOCUS mode gives engineers a 2-way and 3-way monitor in one enclosure.</span><br/><br/>\r\nThe Focal Trio11 Be is a unique double monitor designed to meet the needs of the most demanding sound engineers. Designed for nearfield and midfield applications, its extreme neutrality, the precision of the stereo image and its ability to reproduce the tiniest details of sound are the answer to the most picky engineers. <br/><br/>\r\nTrio11 Be features newly designed speaker drivers (a 5” midrange and a 10” subwoofer) with high efficiency and power handling. The Trio11 Be monitor also enjoys all of Focal\'s very latest technologies when it comes to acoustics and electronics: TMD and NIC technologies; optimized vents that promote dynamic control and perfect bass definition; high excursion, enabling even more linearity of the subwoofer.<br/><br/>\r\nThanks to its class G amplification, Trio11 Be delivers a high SPL (118dB at 1m) and offers a great versatility of use and installation configurations in nearfield AND midfield applications. A key asset, always coming along with an extremely precise sound reproduction and stereo image.<br/><br/>\r\nWith an extended bandwidth (30 Hz-40 kHz), this loudspeaker is also composed of a 3-way monitor and a 2-way monitor, just like <a href=\"https://www.rspeaudio.com/Focal-Trio6-Be-p/focal-trio6-be.htm\">Trio6 Be</a>, which lets you check the mix transfer sound quality thanks to FOCUS mode.<br/><br/>\r\n<h3>Focal Trio11 Be Key Features</h3>\r\n<ul>\r\n	<li>Remote FOCUS switchover (3-way monitor or 2-way monitor) via control pedal (not included) : control the transfer quality of mixes on compact systems quickly and simply</li>\r\n	<li>Pure Beryllium inverted dome tweeter: very low directivity, linearity, dynamics</li>\r\n	<li>‘W’ composite sandwich cone on woofer and subwoofer: neutral sound, no distortion</li>\r\n	<li>Rotating mid-treble plate: can be positioned horizontally or vertically</li>\r\n	<li>Bass, mid-bass and treble settings on rear panel: optimum acoustical integration</li>\r\n	<li>High SPL (118 dB @ 393/8\'\' - 1m)</li>\r\n	<li>Optimized decoupling of the midrange speaker driver thanks to silent blocks</li>\r\n	<li>Ultra-low distortion and noise</li>\r\n</ul>\r\n<br/><br/>\r\n<h3>Trio11 Be Focus Mode</h3>\r\nThe Trio11 Be houses two pairs of monitors in a single cabinet, with the flick of a switch, the Trio11 Be can be changed to FOCUS mode reconfiguring the speaker from a three-way into a two-way monitor.\r\n<ul>\r\n	<li><span style=\"background-color: initial;\">The Trio11 Be <b>3-way monitor</b> provides a flawless control of the entire audio spectrum (30 Hz – 40 kHz).</span></li>\r\n	<li>The Trio11 Be <b>2-way monitor</b>, with a frequency response of 90 Hz to 20 kHz, makes it possible to check the transfer quality of mixes on systems with a limited frequency response in the bass (televisions, computers, cars, etc.).</li>\r\n</ul>\r\n<br/>\r\n<h4>Trio11 Be Three-Way Monitor</h4>\r\n<em>1” tweeter, a 5” woofer, and an 10” subwoofer</em> <br/><br/>\r\nWhen utilized to its full potential, the Beryllium tweeter reaches up to 40kHz and the 10” subwoofer extends low frequencies down to 30Hz. This offers engineers complete control of the audio signal. <br/><br/>\r\nThe 10” W composite sandwich cone subwoofer is complemented by its large port integrated into the front baffle, making it easy to position the monitor near the front wall without saturating the ports and maintaining excellent low-frequency linearity. Its large front port guaranties consistent performance regardless of SPL levels. It also allows a positioning closed to a wall without wall boost effect, allowing an easy integration even in small rooms.<br/><br/>\r\nThe 5” W composite sandwich cone woofer is installed in an isolated chamber within the cabinet that prevents the sympathetic activation of its other speakers while optimizing its acoustic performance. Two front-facing ports provide bass reflex, enabling the woofer to perform identically in both two-way (90Hz – 2.5kHz) and three-way (250Hz – 2.5kHz) configurations. <br/><br/>\r\nThe 1” pure Beryllium inverted dome tweeter provides numerous advantages, including wide dispersion, amazing frequency response linearity, quick dynamics, and unrivaled impulse response. <br/><br/>\r\n<h4>Trio11 Be Two-Way Monitor</h4>\r\n<em>1” tweeter, a 5” woofer </em><br/><br/>\r\nAs a two-way speaker, Trio11 Be employs only the 5” woofer and the tweeter, limiting frequencies to between 90Hz and 20kHz. This configuration provides the perfect compromise when checking the quality of the mix for playback systems with limited frequency response, such as TVs, PCs, cars, and portable speaker systems. The frequency response curve of the two-way configuration is identical, though less extended, to its three-way curve, allowing for a perfect comparison that preserves the stereo image. Focusing on this critical middle frequency range facilitates a good mix and enables the engineer to ensure that the levels are just right. A footswitch (not included) activates this configuration remotely from the listening position.<br/><br/>\r\nA ¼” input jack on the rear panel receives the trigger signal from a remote pedal, while a ¼” output sends a link to the input on a paired monitor. <br/><br/>\r\nMost single button guitar amplifier foot switches are compatible.<br/><br/>\r\n<h3>Trio11 Be Rotating Baffle</h3>\r\nTrio11 Be can be used vertically or horizontally to optimize positioning thanks to an adjustable aluminum baffle housing the woofer and tweeter. This rotating baffle is capable of rotating 360° in 90° increments, making it one of the most versatile speakers to position.\r\n<br/><br/>\r\n<h3>Who’s using Focal Professional Monitors:</h3>\r\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\r\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a><br/><br/>\r\n<h3>About Focal Professional</h3>\r\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \r\n<br/>“Focal: the Spirit of Sound.”<br/><br/>\r\n<h3>The Focal Trio11’s innovative 2-way/3-way design, comprehensive room correction EQ, and stellar sound reproduction add up to one of the very best professional monitors in its class—eminently suited for world class recording and mastering studios.</h3>'),(4826,75,1,805,'<h1>Focal Trio11 Be Active Studio Monitor Speaker (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Crystal-clear and extremely powerful 10\" Active Studio Monitor that\'s two phenomenal monitors in one! Focal’s FOCUS mode gives engineers a 2-way and 3-way monitor in one enclosure.</span><br/><br/>\nThe Focal Trio11 Be is a unique double monitor designed to meet the needs of the most demanding sound engineers. Designed for nearfield and midfield applications, its extreme neutrality, the precision of the stereo image and its ability to reproduce the tiniest details of sound are the answer to the most picky engineers. <br/><br/>\nTrio11 Be features newly designed speaker drivers (a 5” midrange and a 10” subwoofer) with high efficiency and power handling. The Trio11 Be monitor also enjoys all of Focal\'s very latest technologies when it comes to acoustics and electronics: TMD and NIC technologies; optimized vents that promote dynamic control and perfect bass definition; high excursion, enabling even more linearity of the subwoofer.<br/><br/>\nThanks to its class G amplification, Trio11 Be delivers a high SPL (118dB at 1m) and offers a great versatility of use and installation configurations in nearfield AND midfield applications. A key asset, always coming along with an extremely precise sound reproduction and stereo image.<br/><br/>\nWith an extended bandwidth (30 Hz-40 kHz), this loudspeaker is also composed of a 3-way monitor and a 2-way monitor, just like <a href=\"https://www.rspeaudio.com/Focal-Trio6-Be-p/focal-trio6-be.htm\">Trio6 Be</a>, which lets you check the mix transfer sound quality thanks to FOCUS mode.<br/><br/>\n<h3>Focal Trio11 Be Key Features</h3>\n<ul>\n	<li>Remote FOCUS switchover (3-way monitor or 2-way monitor) via control pedal (not included) : control the transfer quality of mixes on compact systems quickly and simply</li>\n	<li>Pure Beryllium inverted dome tweeter: very low directivity, linearity, dynamics</li>\n	<li>‘W’ composite sandwich cone on woofer and subwoofer: neutral sound, no distortion</li>\n	<li>Rotating mid-treble plate: can be positioned horizontally or vertically</li>\n	<li>Bass, mid-bass and treble settings on rear panel: optimum acoustical integration</li>\n	<li>High SPL (118 dB @ 393/8\'\' - 1m)</li>\n	<li>Optimized decoupling of the midrange speaker driver thanks to silent blocks</li>\n	<li>Ultra-low distortion and noise</li>\n</ul>\n<br/><br/>\n<h3>Trio11 Be Focus Mode</h3>\nThe Trio11 Be houses two pairs of monitors in a single cabinet, with the flick of a switch, the Trio11 Be can be changed to FOCUS mode reconfiguring the speaker from a three-way into a two-way monitor.\n<ul>\n	<li><span style=\"background-color: initial;\">The Trio11 Be <b>3-way monitor</b> provides a flawless control of the entire audio spectrum (30 Hz – 40 kHz).</span></li>\n	<li>The Trio11 Be <b>2-way monitor</b>, with a frequency response of 90 Hz to 20 kHz, makes it possible to check the transfer quality of mixes on systems with a limited frequency response in the bass (televisions, computers, cars, etc.).</li>\n</ul>\n<br/>\n<h4>Trio11 Be Three-Way Monitor</h4>\n<em>1” tweeter, a 5” woofer, and an 10” subwoofer</em> <br/><br/>\nWhen utilized to its full potential, the Beryllium tweeter reaches up to 40kHz and the 10” subwoofer extends low frequencies down to 30Hz. This offers engineers complete control of the audio signal. <br/><br/>\nThe 10” W composite sandwich cone subwoofer is complemented by its large port integrated into the front baffle, making it easy to position the monitor near the front wall without saturating the ports and maintaining excellent low-frequency linearity. Its large front port guaranties consistent performance regardless of SPL levels. It also allows a positioning closed to a wall without wall boost effect, allowing an easy integration even in small rooms.<br/><br/>\nThe 5” W composite sandwich cone woofer is installed in an isolated chamber within the cabinet that prevents the sympathetic activation of its other speakers while optimizing its acoustic performance. Two front-facing ports provide bass reflex, enabling the woofer to perform identically in both two-way (90Hz – 2.5kHz) and three-way (250Hz – 2.5kHz) configurations. <br/><br/>\nThe 1” pure Beryllium inverted dome tweeter provides numerous advantages, including wide dispersion, amazing frequency response linearity, quick dynamics, and unrivaled impulse response. <br/><br/>\n<h4>Trio11 Be Two-Way Monitor</h4>\n<em>1” tweeter, a 5” woofer </em><br/><br/>\nAs a two-way speaker, Trio11 Be employs only the 5” woofer and the tweeter, limiting frequencies to between 90Hz and 20kHz. This configuration provides the perfect compromise when checking the quality of the mix for playback systems with limited frequency response, such as TVs, PCs, cars, and portable speaker systems. The frequency response curve of the two-way configuration is identical, though less extended, to its three-way curve, allowing for a perfect comparison that preserves the stereo image. Focusing on this critical middle frequency range facilitates a good mix and enables the engineer to ensure that the levels are just right. A footswitch (not included) activates this configuration remotely from the listening position.<br/><br/>\nA ¼” input jack on the rear panel receives the trigger signal from a remote pedal, while a ¼” output sends a link to the input on a paired monitor. <br/><br/>\nMost single button guitar amplifier foot switches are compatible.<br/><br/>\n<h3>Trio11 Be Rotating Baffle</h3>\nTrio11 Be can be used vertically or horizontally to optimize positioning thanks to an adjustable aluminum baffle housing the woofer and tweeter. This rotating baffle is capable of rotating 360° in 90° increments, making it one of the most versatile speakers to position.\n<br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a><br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br/>“Focal: the Spirit of Sound.”<br/><br/>\n<h3>The Focal Trio11’s innovative 2-way/3-way design, comprehensive room correction EQ, and stellar sound reproduction add up to one of the very best professional monitors in its class—eminently suited for world class recording and mastering studios.</h3>'),(4827,85,0,805,'Focal Trio11 Be Active Studio Monitor'),(4828,85,1,805,'Focal Trio11 Be Active Studio Monitor'),(4829,76,0,805,''),(4830,76,1,805,''),(4831,75,0,806,'<h1>Focal Trio6 Be Studio Monitor Speaker (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Two phenomenal monitors in one: Focal’s Trio6 Be houses both a 2-way and 3-way monitor in one enclosure.</span><br /><br />Designed to meet the standards of the most demanding engineers, the Focal Trio6 Be is a three-way speaker with a 1” tweeter, a 5” woofer, and an 8” subwoofer. Yet, much like it\'s older sibling the SM9, switching to FOCUS mode reconfigures Trio6 Be into a two-way monitor.<br /><br />This dual monitor is the new reference in its price range owing to its extreme neutrality, its precise stereophonic imaging, and its ability to resolve the most minute sonic details, while its Class G amplifiers deliver SPL levels to suit all musical styles.<br /><br />\n<h3>Focal Trio6 Be Key Features</h3>\n<ul>\n	<li><strong>Two monitors in one with remote switching:</strong> a quick and effective way to compare the mix translated to a compromised speaker system                   </li>\n	<li><strong>Wide uncompromised dynamics, linearity, and wide dispersion produced by Beryllium inverted dome tweeter:</strong> state-of-the-art speaker design and material</li>\n	<li><strong>Neutral, distortion-free sound</strong> thank to W composite sandwich cone                                                                                    </li>\n	<li><strong>Rotating baffle:</strong> facilitates both horizontal and vertical setups                                                                                     </li>\n	<li><strong>Simplified room integration</strong>, thank to LF and HF shelving, 160Hz EQ                                                                                   </li>\n	<li><strong>High SPL</strong> accommodates all musical styles (115dB peak @ 1m)                                                                                           </li>\n	<li><strong>FOCUS mode</strong> (two-way or three-way configuration): Remote pedal (not supplied)                                                                         </li>\n	<li><strong>Low and high frequencies & 160Hz notch adjusting:</strong> three control knobs                                                                                </li>\n</ul>\n<br />\n<h3>Trio6 Be Focus Mode</h3>\nWith the flick of a switch, the Trio6 Be can be changed to FOCUS mode reconfiguring the Trio6 Be into a two-way speaker.\n<br /><br />\n<h4>Trio6 Be Three-Way Monitor</h4>\n<em>1” tweeter, a 5” woofer, and an 8” subwoofer</em> <br /><br />\nWhen utilized to its full potential, the Beryllium tweeter reaches up to 40kHz and the 8” subwoofer extends low frequencies down to 35Hz. This offers engineers complete control of the audio signal. <br /><br />\nThe 8” W composite sandwich cone subwoofer is complemented by its large port integrated into the front baffle, making it easy to position the monitor near the front wall without saturating the ports and maintaining excellent low-frequency linearity. Its large front port guaranties consistent performance regardless of SPL levels. It also allows a positioning closed to a wall without wall boost effect, allowing an easy integration even in small rooms.<br /><br />\nThe 5” W composite sandwich cone woofer is installed in an isolated chamber within the cabinet that prevents the sympathetic activation of its other speakers while optimizing its acoustic performance. Two front-facing ports provide bass reflex, enabling the woofer to perform identically in both two-way (90Hz – 2.5kHz) and three-way (250Hz – 2.5kHz) configurations. <br /><br />\nThe 1” pure Beryllium inverted dome tweeter provides numerous advantages, including wide dispersion, amazing frequency response linearity, quick dynamics, and unrivaled impulse response. <br /><br />\n<h4>Trio6 Be Two-Way Monitor</h4>\n<em>1” tweeter, a 5” woofer </em><br /><br />\nAs a two-way speaker, Trio6 Be employs only the 5” woofer and the tweeter, limiting frequencies to between 90Hz and 20kHz. This configuration provides the perfect compromise when checking the quality of the mix for playback systems with limited frequency response, such as TVs, PCs, cars, and portable speaker systems. The frequency response curve of the two-way configuration is identical, though less extended, to its three-way curve, allowing for a perfect comparison that preserves the stereo image. Focusing on this critical middle frequency range facilitates a good mix and enables the engineer to ensure that the levels are just right. A footswitch (not included) activates this configuration remotely from the listening position.<br /><br />\nA ¼” input jack on the rear panel receives the trigger signal from a remote pedal, while a ¼” output sends a link to the input on a paired monitor. <br /><br />\nMost single button guitar amplifier foot switches are compatible.<br /><br />\n<h3>Trio6 Be Rotating Baffle</h3>\nTrio6 Be can be used vertically or horizontally to optimize positioning thanks to an adjustable aluminum baffle housing the woofer and tweeter. This rotating baffle is capable of rotating 360° in 90° increments, making it one of the most versatile speakers to position.\n<br /><br />\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a><br /><br />\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br />“Focal: the Spirit of Sound.”<br /><br />\n<h3>The Focal Trio6’s innovative 2-way/3-way design, comprehensive room correction EQ, and stellar sound reproduction add up to one of the very best professional monitors in its class—eminently suited for world class recording and mastering studios. Order your Focal Trio6 today and prepare to be amazed.</h3>'),(4832,75,1,806,'<h1>Focal Trio6 Be Studio Monitor Speaker (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Two phenomenal monitors in one: Focal’s Trio6 Be houses both a 2-way and 3-way monitor in one enclosure.</span><br /><br />Designed to meet the standards of the most demanding engineers, the Focal Trio6 Be is a three-way speaker with a 1” tweeter, a 5” woofer, and an 8” subwoofer. Yet, much like it\'s older sibling the SM9, switching to FOCUS mode reconfigures Trio6 Be into a two-way monitor.<br /><br />This dual monitor is the new reference in its price range owing to its extreme neutrality, its precise stereophonic imaging, and its ability to resolve the most minute sonic details, while its Class G amplifiers deliver SPL levels to suit all musical styles.<br /><br />\n<h3>Focal Trio6 Be Key Features</h3>\n<ul>\n	<li><strong>Two monitors in one with remote switching:</strong> a quick and effective way to compare the mix translated to a compromised speaker system                   </li>\n	<li><strong>Wide uncompromised dynamics, linearity, and wide dispersion produced by Beryllium inverted dome tweeter:</strong> state-of-the-art speaker design and material</li>\n	<li><strong>Neutral, distortion-free sound</strong> thank to W composite sandwich cone                                                                                    </li>\n	<li><strong>Rotating baffle:</strong> facilitates both horizontal and vertical setups                                                                                     </li>\n	<li><strong>Simplified room integration</strong>, thank to LF and HF shelving, 160Hz EQ                                                                                   </li>\n	<li><strong>High SPL</strong> accommodates all musical styles (115dB peak @ 1m)                                                                                           </li>\n	<li><strong>FOCUS mode</strong> (two-way or three-way configuration): Remote pedal (not supplied)                                                                         </li>\n	<li><strong>Low and high frequencies & 160Hz notch adjusting:</strong> three control knobs                                                                                </li>\n</ul>\n<br />\n<h3>Trio6 Be Focus Mode</h3>\nWith the flick of a switch, the Trio6 Be can be changed to FOCUS mode reconfiguring the Trio6 Be into a two-way speaker.\n<br /><br />\n<h4>Trio6 Be Three-Way Monitor</h4>\n<em>1” tweeter, a 5” woofer, and an 8” subwoofer</em> <br /><br />\nWhen utilized to its full potential, the Beryllium tweeter reaches up to 40kHz and the 8” subwoofer extends low frequencies down to 35Hz. This offers engineers complete control of the audio signal. <br /><br />\nThe 8” W composite sandwich cone subwoofer is complemented by its large port integrated into the front baffle, making it easy to position the monitor near the front wall without saturating the ports and maintaining excellent low-frequency linearity. Its large front port guaranties consistent performance regardless of SPL levels. It also allows a positioning closed to a wall without wall boost effect, allowing an easy integration even in small rooms.<br /><br />\nThe 5” W composite sandwich cone woofer is installed in an isolated chamber within the cabinet that prevents the sympathetic activation of its other speakers while optimizing its acoustic performance. Two front-facing ports provide bass reflex, enabling the woofer to perform identically in both two-way (90Hz – 2.5kHz) and three-way (250Hz – 2.5kHz) configurations. <br /><br />\nThe 1” pure Beryllium inverted dome tweeter provides numerous advantages, including wide dispersion, amazing frequency response linearity, quick dynamics, and unrivaled impulse response. <br /><br />\n<h4>Trio6 Be Two-Way Monitor</h4>\n<em>1” tweeter, a 5” woofer </em><br /><br />\nAs a two-way speaker, Trio6 Be employs only the 5” woofer and the tweeter, limiting frequencies to between 90Hz and 20kHz. This configuration provides the perfect compromise when checking the quality of the mix for playback systems with limited frequency response, such as TVs, PCs, cars, and portable speaker systems. The frequency response curve of the two-way configuration is identical, though less extended, to its three-way curve, allowing for a perfect comparison that preserves the stereo image. Focusing on this critical middle frequency range facilitates a good mix and enables the engineer to ensure that the levels are just right. A footswitch (not included) activates this configuration remotely from the listening position.<br /><br />\nA ¼” input jack on the rear panel receives the trigger signal from a remote pedal, while a ¼” output sends a link to the input on a paired monitor. <br /><br />\nMost single button guitar amplifier foot switches are compatible.<br /><br />\n<h3>Trio6 Be Rotating Baffle</h3>\nTrio6 Be can be used vertically or horizontally to optimize positioning thanks to an adjustable aluminum baffle housing the woofer and tweeter. This rotating baffle is capable of rotating 360° in 90° increments, making it one of the most versatile speakers to position.\n<br /><br />\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a><br /><br />\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br />“Focal: the Spirit of Sound.”<br /><br />\n<h3>The Focal Trio6’s innovative 2-way/3-way design, comprehensive room correction EQ, and stellar sound reproduction add up to one of the very best professional monitors in its class—eminently suited for world class recording and mastering studios. Order your Focal Trio6 today and prepare to be amazed.</h3>'),(4833,85,0,806,'Focal Trio6 Be Studio Monitor Speaker'),(4834,85,1,806,'Focal Trio6 Be Studio Monitor Speaker'),(4835,76,0,806,''),(4836,76,1,806,''),(4837,75,0,807,'<h1>Focal Twin6 Be Professional Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Award-winning, dual-woofer solution for recording, mixing and mastering</span><br/><br/>\nWinner of <em>FutureMusic’s</em> Platinum Award, the Twin6 Be is Focal Professional’s best selling and most versatile monitor of the SM6 series (which includes the Focal <a href=\"http://www.rspeaudio.com/Focal_Solo6_Be_Studio_Monitor_Speakers_p/fcl-solo6-be.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Solo6 Be</a> and <a href=\"http://www.rspeaudio.com/Focal_Sub6_Studio_Subwoofer_Speaker_p/fcl-sub6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Sub6</a>. If you want a monitor that represents clear and present bass, but don’t have room or desire to use a subwoofer, the Focal Twin6 Be is your one-stop solution for tracking, mixing, or mastering. Image precision, highly accurate treble definition, and midrange neutrality are the hallmark of Focal’s Twin6 Be, the reference standard for mixing and mastering engineers who require absolute transparency.<br/><br/>\n<h3>Focal Twin6 Be Key Features: </h3>\n<ul>\n	<li>3-way, 400W studio monitor</li>\n	<li>Dual woofer design provides deep, extended bass response without masking midrange frequencies</li>\n	<li>Stable tonal balance at high SPL</li>\n	<li>Lightning-fast, transparent high-frequency reproduction</li>\n	<li>Ultra wide frequency range (40Hz-40kHz)</li>\n	<li>Adjustable tweeter and woofer contour controls (-3dB - +6dB)</li>\n	<li>Input sensitivity selection switch for –4dBu or –10dBV operation</li>\n	<li>2x150W rms bass/mid-range (BASH® technology)</li>\n	<li>100W rms HF (AB class)</li>\n	<li>Power on/off </li>\n	<li>Magnetically shielded</li>\n	<li>Electronically balanced XLR input</li>\n	<li>Voltage selector</li>\n</ul>\nThe design of the Focal Twin6 Be allows high SPL while simultaneously offering stable tonal balance. The Twin6 Be’s dual-woofer design provides a full bass response without “wandering” into the midrange. To accomplish this, one of its  6.5\" woofers works in the wider midrange/mid-bass register, while the other woofer works in a narrow band from 40Hz to 150Hz. This creates a bass register that preserves signal integrity and dynamics without masking effects in the midrange, thus maintaining neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning the rear-panel bass-contour potentiometer in order to obtain a perfect mirror configuration with its mate. The Focal Twin6 Be can be installed vertically or horizontally as control-room space requirements dictate. Plus you can select via rear-panel switch, which of the two woofers will handle bass or midrange. \n<br/><br/>\n<h3>Focal Solo6 Be Unique Features:</h3>\n<ul>\n	<li>Inverted dome tweeter</li>\n	<li>Beryllium cone (tweeter)</li>\n	<li>Focal \"W\" composite sandwich cone speaker</li>\n	<li>Custom-design BASH® technology amplification</li>\n</ul>\n<h3>What makes the Focal Twin6 Be sound so good?</h3>\nThough housed in an extremely attractive cabinet, it’s what’s inside the Focal Solo6 Be that truly counts. Focal Professional’s unceasing exploration of cutting edge technologies and new manufacturing techniques have yielded unprecedented advances in audio reproduction and sound quality. It is precisely these technologies that are responsible for the stunningly accurate sound reproduction of the Focal Twin6 Be and its smaller sibling, the 2-way  \n<a href=\"http://www.rspeaudio.com/Focal_Solo6_Be_Studio_Monitor_Speakers_p/fcl-solo6-be.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Solo6 Be</a>. <br/><br/>\nThe design goal of the Focal Twin6 Be is to allow high SPL while simultaneously offering stable tonal balance. To accomplish this, he Twin6 Be features high-quality, high-power custom amplification (see below) and a dual-woofer design that gives you full bass response without “wandering” into the midrange. This is achieved by having one of its 6.5\" woofers work in the wider midrange/mid-bass register, while the other owns the narrow LF band from 40Hz to 150Hz. This creates a bass register that preserves signal integrity and dynamics without masking effects in the midrange, thus maintaining neutrality and transparency. <br/><br/>\nAdditional control of the bass register is accomplished by fine-tuning the rear-panel bass-contour potentiometer of each monitor in order to obtain a perfect mirror configuration. The Focal Twin6 Be can be installed vertically or horizontally, as control-room space requirements may dictate. Plus you can select which of the two woofers will handle bass or midrange via a rear-panel switch.  <br/><br/>\n<h3>Focal Professional’s innovative technology for superior sound</h3>\nIt’s been said that if you’re not manufacturing your own LF and HF drivers, then you’re simply in the packing industry, not speaker manufacture. Focal Professional employs several proprietary and patented technologies to ensure world-class performance.  \n<br/><br/>\n<h3>Inverted dome tweeter</h3>\nTwo of the most difficult things to hear in a mix are compression and reverb tails. Focal’s innovative inverted dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging.  \n<br/><br/>\nIt accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity.<br/><br/>\n<h3>Beryllium cone </h3>\nLong, fatigue-free mixing or mastering sessions require very low distortion in the high frequencies. To accomplish this, two years of Focal research produced the world’s first pure beryllium, inverted-dome tweeter. Capable of covering five full octaves (1kHz to 40kHz) due to its incredible rigidity, Beryllium appears to be the ultimate material for a tweeter dome.\n<br/><br/>\nWhy did Focal strive for a frequency response up to 40kHz if the human ear can only hear up to 20kHz? Extensive research has shown that if you extend frequency response well beyond the range of human hearing, phase shift is significantly reduced in the audible spectrum. This reduced phase shift greatly improves the reproduction of high-frequency information, which yields greater realism and localization in-band. Instruments maintain their spatial integrity yet blend better harmonically.   <br/><br/>\nSince the linearity of a speaker’s response curve is mainly a function of three often opposing parameters: lightness, rigidity, and damping, it follows that a material that combines these three parameters in a positive manner must be found—and find it Focal did. Only one material does the trick: beryllium. Beryllium is seven times more rigid than titanium or aluminum, both of which are well known for their rigidity. However, beryllium offers sound-wave propagation that’s three times faster than titanium, and two-and-one-half times faster than aluminum. This capacity to reproduce high frequencies with unmatched speed and transparency yields an unprecedented price/performance ratio. Additionally, Focal’s TB872 beryllium tweeter delivers outstanding dynamic response, thanks to its amazing magnetic field strength (2.1 teslas). <br/><br/>\nThis decisive advance in tweeter technology has put Focal Professional monitors in the enviable position of dominating the field of new high-resolution audio formats.<br/><br/>\n<h3>Focal “W” composite sandwich cone</h3>\nLike the beryllium tweeter, the “W” composite sandwich cone optimizes the speaker’s frequency response curve, thanks to total control of the three aforementioned contradictory characteristics: lightness, rigidity, and damping. Focal has been developing composite sandwich technology for more than 15 years, and finally perfected it with the “W” (Glass/Foam/Glass) composite sandwich cone. The “W” cone provides precision optimization of its frequency response by fine-tuning mass, rigidity, and damping characteristic. The balance between these three fundamental parameters forms the basis of Focal speakers’ outstanding sound quality and neutrality.\n<br/><br/>\n<h3>Custom-designed amplification  </h3>\nDesigning an amplifier to be integrated inside a speaker cabinet requires a very different set of rules than those for a traditional amp. Unfortunately, speaker-size and cooling issues are, more often than not, at odds with the quality and power requirements for a sonically transparent speaker. For a best-of-both-worlds solution, Focal engineers used BASH® (Bridged Amplifier Switching Hybrid) amplification technology to develop the bass/mid-range amplification circuit for all SM6-series professional monitors. The resulting amplifier combines the best of class AB style circuits (for exceptional quality) with a high-power class D-type yield. BASH offers extreme amounts of power without the wasted heat and energy of traditional amplifier designs, which is crucial when housing a 150W RMS circuit in such a small space.\n<br/><br/>\nFor handling the high end, a pure class AB circuit is more than sufficient to power the less-demanding high-frequency tweeter, which yields extremely wide bandwidth and exceptional sonic accuracy. <br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a> <br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br/>“Focal: the Spirit of Sound.”<br/><br/>\n<h3>Once you have mixed on a Focal Twin6 Be, you may discover that your quest for the ultimate near-/midfield monitor has ended. Order a Twin6 Be from RSPE and start a new journey of musical discovery.</h3>'),(4838,75,1,807,'<h1>Focal Twin6 Be Professional Studio Monitor (Single)</h1>\n<span style=\"font-size: 16px; font-style: italic;\">Award-winning, dual-woofer solution for recording, mixing and mastering</span><br/><br/>\nWinner of <em>FutureMusic’s</em> Platinum Award, the Twin6 Be is Focal Professional’s best selling and most versatile monitor of the SM6 series (which includes the Focal <a href=\"http://www.rspeaudio.com/Focal_Solo6_Be_Studio_Monitor_Speakers_p/fcl-solo6-be.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Solo6 Be</a> and <a href=\"http://www.rspeaudio.com/Focal_Sub6_Studio_Subwoofer_Speaker_p/fcl-sub6.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Sub6</a>. If you want a monitor that represents clear and present bass, but don’t have room or desire to use a subwoofer, the Focal Twin6 Be is your one-stop solution for tracking, mixing, or mastering. Image precision, highly accurate treble definition, and midrange neutrality are the hallmark of Focal’s Twin6 Be, the reference standard for mixing and mastering engineers who require absolute transparency.<br/><br/>\n<h3>Focal Twin6 Be Key Features: </h3>\n<ul>\n	<li>3-way, 400W studio monitor</li>\n	<li>Dual woofer design provides deep, extended bass response without masking midrange frequencies</li>\n	<li>Stable tonal balance at high SPL</li>\n	<li>Lightning-fast, transparent high-frequency reproduction</li>\n	<li>Ultra wide frequency range (40Hz-40kHz)</li>\n	<li>Adjustable tweeter and woofer contour controls (-3dB - +6dB)</li>\n	<li>Input sensitivity selection switch for –4dBu or –10dBV operation</li>\n	<li>2x150W rms bass/mid-range (BASH® technology)</li>\n	<li>100W rms HF (AB class)</li>\n	<li>Power on/off </li>\n	<li>Magnetically shielded</li>\n	<li>Electronically balanced XLR input</li>\n	<li>Voltage selector</li>\n</ul>\nThe design of the Focal Twin6 Be allows high SPL while simultaneously offering stable tonal balance. The Twin6 Be’s dual-woofer design provides a full bass response without “wandering” into the midrange. To accomplish this, one of its  6.5\" woofers works in the wider midrange/mid-bass register, while the other woofer works in a narrow band from 40Hz to 150Hz. This creates a bass register that preserves signal integrity and dynamics without masking effects in the midrange, thus maintaining neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning the rear-panel bass-contour potentiometer in order to obtain a perfect mirror configuration with its mate. The Focal Twin6 Be can be installed vertically or horizontally as control-room space requirements dictate. Plus you can select via rear-panel switch, which of the two woofers will handle bass or midrange. \n<br/><br/>\n<h3>Focal Solo6 Be Unique Features:</h3>\n<ul>\n	<li>Inverted dome tweeter</li>\n	<li>Beryllium cone (tweeter)</li>\n	<li>Focal \"W\" composite sandwich cone speaker</li>\n	<li>Custom-design BASH® technology amplification</li>\n</ul>\n<h3>What makes the Focal Twin6 Be sound so good?</h3>\nThough housed in an extremely attractive cabinet, it’s what’s inside the Focal Solo6 Be that truly counts. Focal Professional’s unceasing exploration of cutting edge technologies and new manufacturing techniques have yielded unprecedented advances in audio reproduction and sound quality. It is precisely these technologies that are responsible for the stunningly accurate sound reproduction of the Focal Twin6 Be and its smaller sibling, the 2-way  \n<a href=\"http://www.rspeaudio.com/Focal_Solo6_Be_Studio_Monitor_Speakers_p/fcl-solo6-be.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">Solo6 Be</a>. <br/><br/>\nThe design goal of the Focal Twin6 Be is to allow high SPL while simultaneously offering stable tonal balance. To accomplish this, he Twin6 Be features high-quality, high-power custom amplification (see below) and a dual-woofer design that gives you full bass response without “wandering” into the midrange. This is achieved by having one of its 6.5\" woofers work in the wider midrange/mid-bass register, while the other owns the narrow LF band from 40Hz to 150Hz. This creates a bass register that preserves signal integrity and dynamics without masking effects in the midrange, thus maintaining neutrality and transparency. <br/><br/>\nAdditional control of the bass register is accomplished by fine-tuning the rear-panel bass-contour potentiometer of each monitor in order to obtain a perfect mirror configuration. The Focal Twin6 Be can be installed vertically or horizontally, as control-room space requirements may dictate. Plus you can select which of the two woofers will handle bass or midrange via a rear-panel switch.  <br/><br/>\n<h3>Focal Professional’s innovative technology for superior sound</h3>\nIt’s been said that if you’re not manufacturing your own LF and HF drivers, then you’re simply in the packing industry, not speaker manufacture. Focal Professional employs several proprietary and patented technologies to ensure world-class performance.  \n<br/><br/>\n<h3>Inverted dome tweeter</h3>\nTwo of the most difficult things to hear in a mix are compression and reverb tails. Focal’s innovative inverted dome tweeter offers unparalleled dynamics, enabling very precise control of compression, while its outstanding spatial precision facilitates accurate assessment of reverb tails and stereo imaging.  \n<br/><br/>\nIt accomplishes this by mechanical coupling of voice coil and dome. The voice coil is fixed mid-height on the dome and uniformly moves the entire surface of the cone. The positive dome is only joined at its edge for a flexible surface. The inverted dome directly radiates into the air with maximum efficiency, which results in an extremely precise soundstage. The dome’s response curve is far more linear than that of any positive dome, thus providing better dispersion and very low directivity.<br/><br/>\n<h3>Beryllium cone </h3>\nLong, fatigue-free mixing or mastering sessions require very low distortion in the high frequencies. To accomplish this, two years of Focal research produced the world’s first pure beryllium, inverted-dome tweeter. Capable of covering five full octaves (1kHz to 40kHz) due to its incredible rigidity, Beryllium appears to be the ultimate material for a tweeter dome.\n<br/><br/>\nWhy did Focal strive for a frequency response up to 40kHz if the human ear can only hear up to 20kHz? Extensive research has shown that if you extend frequency response well beyond the range of human hearing, phase shift is significantly reduced in the audible spectrum. This reduced phase shift greatly improves the reproduction of high-frequency information, which yields greater realism and localization in-band. Instruments maintain their spatial integrity yet blend better harmonically.   <br/><br/>\nSince the linearity of a speaker’s response curve is mainly a function of three often opposing parameters: lightness, rigidity, and damping, it follows that a material that combines these three parameters in a positive manner must be found—and find it Focal did. Only one material does the trick: beryllium. Beryllium is seven times more rigid than titanium or aluminum, both of which are well known for their rigidity. However, beryllium offers sound-wave propagation that’s three times faster than titanium, and two-and-one-half times faster than aluminum. This capacity to reproduce high frequencies with unmatched speed and transparency yields an unprecedented price/performance ratio. Additionally, Focal’s TB872 beryllium tweeter delivers outstanding dynamic response, thanks to its amazing magnetic field strength (2.1 teslas). <br/><br/>\nThis decisive advance in tweeter technology has put Focal Professional monitors in the enviable position of dominating the field of new high-resolution audio formats.<br/><br/>\n<h3>Focal “W” composite sandwich cone</h3>\nLike the beryllium tweeter, the “W” composite sandwich cone optimizes the speaker’s frequency response curve, thanks to total control of the three aforementioned contradictory characteristics: lightness, rigidity, and damping. Focal has been developing composite sandwich technology for more than 15 years, and finally perfected it with the “W” (Glass/Foam/Glass) composite sandwich cone. The “W” cone provides precision optimization of its frequency response by fine-tuning mass, rigidity, and damping characteristic. The balance between these three fundamental parameters forms the basis of Focal speakers’ outstanding sound quality and neutrality.\n<br/><br/>\n<h3>Custom-designed amplification  </h3>\nDesigning an amplifier to be integrated inside a speaker cabinet requires a very different set of rules than those for a traditional amp. Unfortunately, speaker-size and cooling issues are, more often than not, at odds with the quality and power requirements for a sonically transparent speaker. For a best-of-both-worlds solution, Focal engineers used BASH® (Bridged Amplifier Switching Hybrid) amplification technology to develop the bass/mid-range amplification circuit for all SM6-series professional monitors. The resulting amplifier combines the best of class AB style circuits (for exceptional quality) with a high-power class D-type yield. BASH offers extreme amounts of power without the wasted heat and energy of traditional amplifier designs, which is crucial when housing a 150W RMS circuit in such a small space.\n<br/><br/>\nFor handling the high end, a pure class AB circuit is more than sufficient to power the less-demanding high-frequency tweeter, which yields extremely wide bandwidth and exceptional sonic accuracy. <br/><br/>\n<h3>Who’s using Focal Professional Monitors:</h3>\nNumerous professionals are using Focal monitors for music production, video post, and mastering. Among them are RSPE friends including, musician-producer Dweezil Zappa; renowned Hollywood sound-recording mixer Ron Bartlett (\n<em>A Good Day to Die Hard, Life of Pi, Prometheus, This Means War, We Bought a Zoo, Pearl Jam Twenty,</em> and many more), and premier Hollywood mixer, Gary Lux (The Jacksons, Frank Sinatra, Rob Thomas, Janet Jackson, Usher, Sting, Norah Jones, Keith Urban, and Rod Stewart). Dweezil, Ron, and Gary share their views on Focal monitors: <a href=\"http://www.rspeaudio.com/Owner_Experiences_Speakers_a/306.htm\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\">VIDEOS</a> <br/><br/>\n<h3>About Focal Professional</h3>\nSince 1979, Focal-JMlab has been a world leader in high-end acoustic loudspeakers. While maintaining production in France for over 30 years, Focal has never deviated from its core values of innovation, tradition, and designs reflecting “luxury \"à la française.” Focal strives to be the world\'s best in everything they create, and their award-winning lines of professional studio monitors reflect that philosophy. \n<br/>“Focal: the Spirit of Sound.”<br/><br/>\n<h3>Once you have mixed on a Focal Twin6 Be, you may discover that your quest for the ultimate near-/midfield monitor has ended. Order a Twin6 Be from RSPE and start a new journey of musical discovery.</h3>'),(4839,85,0,807,'Focal Twin6 Be Studio Monitor Speakers'),(4840,85,1,807,'Focal Twin6 Be Studio Monitor Speakers'),(4841,76,0,807,''),(4842,76,1,807,''),(4843,75,0,808,'<h2>Focal Utopia Headphones</h2>\n<font size=\"3\"><i>The crown jewel of Focal\'s headphone line, Utopia is a high-end audiophile open-back over-ear headphone featuring unrivaled sound, carbon fibre yoke and true lambskin leather headband.</i></font><br /><br />\n\nFocal Utopia Headphones might just be the finest headphones ever made. The result of more than 35 years of Focal innovation, development and manufacturing of speakers and loudspeakers in France. Utopia features the only full range and fully open back loudspeaker, built within a pair of headphones, using pure Beryllium \"M\" shape dome driver. The acoustic quality of this exclusive solution allowed Focal to avoid the use of any crossover or passive filtering process to achieve a frequency response from 5Hz to 50kHz! Utpia provides e<span style=\"background-color: initial;\">xceptional resolution and detail and an e</span><span style=\"background-color: initial;\">xpansive soundstage and pin-sharp imaging.</span><span style=\"background-color: initial;\"><br /></span><br />\nThe listening experience is outstanding in terms of realism, natural sound reproduction, dynamics and clarity. When listening to them, the headphones virtually disappear and the audio signal is revealed with a level of precision never achieved until Utopia. <br /><br />\nDesign is also a key point, be it in regards to the way of using the headphones, comfort, as well as the aesthetic. Another achievement with Utopia is the removal from the conventional rotation included on the yoke and its integration into the headband to ensure a total purity of the design. The true lambskin leather, used on the cushions, reinforces the character of classically elegant lines, as well as the expression of comfort and overall performances. \n<br /><br />\n<h3>Focal Utopia Features</h3>\n<ul>\n	<li>Open back circum-aural headphones dedicated to low noise environments</li>\n	<li>Reference pair of headphones featuring full range loudspeakers made of a pure Beryllium “M” shape dome (patent pending)</li>\n	<li>Mechanical design offering a full compatibility to any size and shaped head</li>\n	<li>Balanced cable with channel separation for fast and easy custom-made solutions (bi-amp)</li>\n	\n	<li>Utopia Headphones Include:<ul><li>Rigid carrying case with magnet locking system</li><li> 9.8ft (3m) OFC cable</li><li>1 x Neutrik® 01/4“ (6,35mm) stereo Jack Neutrik®</li><li>2 x shielded 03⁄8“ (9.5mm) Lemo® connectors with self-locking bayonet system)</li></ul></li><li>Designed and Manufactured in France</li>\n</ul>'),(4844,75,1,808,'<h2>Focal Utopia Headphones</h2>\n<font size=\"3\"><i>The crown jewel of Focal\'s headphone line, Utopia is a high-end audiophile open-back over-ear headphone featuring unrivaled sound, carbon fibre yoke and true lambskin leather headband.</i></font><br /><br />\n\nFocal Utopia Headphones might just be the finest headphones ever made. The result of more than 35 years of Focal innovation, development and manufacturing of speakers and loudspeakers in France. Utopia features the only full range and fully open back loudspeaker, built within a pair of headphones, using pure Beryllium \"M\" shape dome driver. The acoustic quality of this exclusive solution allowed Focal to avoid the use of any crossover or passive filtering process to achieve a frequency response from 5Hz to 50kHz! Utpia provides e<span style=\"background-color: initial;\">xceptional resolution and detail and an e</span><span style=\"background-color: initial;\">xpansive soundstage and pin-sharp imaging.</span><span style=\"background-color: initial;\"><br /></span><br />\nThe listening experience is outstanding in terms of realism, natural sound reproduction, dynamics and clarity. When listening to them, the headphones virtually disappear and the audio signal is revealed with a level of precision never achieved until Utopia. <br /><br />\nDesign is also a key point, be it in regards to the way of using the headphones, comfort, as well as the aesthetic. Another achievement with Utopia is the removal from the conventional rotation included on the yoke and its integration into the headband to ensure a total purity of the design. The true lambskin leather, used on the cushions, reinforces the character of classically elegant lines, as well as the expression of comfort and overall performances. \n<br /><br />\n<h3>Focal Utopia Features</h3>\n<ul>\n	<li>Open back circum-aural headphones dedicated to low noise environments</li>\n	<li>Reference pair of headphones featuring full range loudspeakers made of a pure Beryllium “M” shape dome (patent pending)</li>\n	<li>Mechanical design offering a full compatibility to any size and shaped head</li>\n	<li>Balanced cable with channel separation for fast and easy custom-made solutions (bi-amp)</li>\n	\n	<li>Utopia Headphones Include:<ul><li>Rigid carrying case with magnet locking system</li><li> 9.8ft (3m) OFC cable</li><li>1 x Neutrik® 01/4“ (6,35mm) stereo Jack Neutrik®</li><li>2 x shielded 03⁄8“ (9.5mm) Lemo® connectors with self-locking bayonet system)</li></ul></li><li>Designed and Manufactured in France</li>\n</ul>'),(4845,85,0,808,'Focal Utopia Headphones'),(4846,85,1,808,'Focal Utopia Headphones'),(4847,76,0,808,''),(4848,76,1,808,''),(4849,75,0,809,'<h1>FocalCare for Focal Shape 40</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty for Focal Shape 40 provides peace of mind instead of downtime.<br/><br/></span>For a fraction of the cost of your Shape 40 studio monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed! FocalCare gives you 5 years of overnight replacement parts, loaner speakers should your speakers need to be sent in for repair, and free parts and labor for speaker repairs. Focal speakers are some of the best, most reliable speakers on the market, but things happen and your work should never be put on hold. With FocalCar extended warranty you can always have the peace of mind knowing your speakers are covered.<br/><br/>\n<h3>FocalCare Extended Warranty features:</h3>\n<ul>\n	<li>Replacement Part Shipping Time: Overnight</li>\n	<li>Amplifier Warranty: 5 years</li>\n	<li>Driver Warranty: 5 years</li>\n	<li>Physical Damage Warranty on Drivers: 5 years</li>\n	<li>Advanced Loaner (during warranty repairs): 5 years</li>\n	<li>Priority Email fares for Assistance: 5 years</li>\n</ul>\n<br/>\n<h3>For five years, you are entitled to:</h3>\n<b>\nFree overnight replacement parts</b><br/>\nWell get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br/><br/><b>\nLoaners Speakers while yours are being repaired</b><br/>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br/><br/><b>FocalCare Covers Parts & Labor</b><br/>\nAll the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br/><br/><b>\nPurchase any time</b><br/>\nYou can purchase FocalCare at any time throughout the standard warranty period.\n<br/><br/>\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br/>\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4850,75,1,809,'<h1>FocalCare for Focal Shape 40</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty for Focal Shape 40 provides peace of mind instead of downtime.<br/><br/></span>For a fraction of the cost of your Shape 40 studio monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed! FocalCare gives you 5 years of overnight replacement parts, loaner speakers should your speakers need to be sent in for repair, and free parts and labor for speaker repairs. Focal speakers are some of the best, most reliable speakers on the market, but things happen and your work should never be put on hold. With FocalCar extended warranty you can always have the peace of mind knowing your speakers are covered.<br/><br/>\n<h3>FocalCare Extended Warranty features:</h3>\n<ul>\n	<li>Replacement Part Shipping Time: Overnight</li>\n	<li>Amplifier Warranty: 5 years</li>\n	<li>Driver Warranty: 5 years</li>\n	<li>Physical Damage Warranty on Drivers: 5 years</li>\n	<li>Advanced Loaner (during warranty repairs): 5 years</li>\n	<li>Priority Email fares for Assistance: 5 years</li>\n</ul>\n<br/>\n<h3>For five years, you are entitled to:</h3>\n<b>\nFree overnight replacement parts</b><br/>\nWell get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br/><br/><b>\nLoaners Speakers while yours are being repaired</b><br/>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br/><br/><b>FocalCare Covers Parts & Labor</b><br/>\nAll the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br/><br/><b>\nPurchase any time</b><br/>\nYou can purchase FocalCare at any time throughout the standard warranty period.\n<br/><br/>\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br/>\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4851,85,0,809,'FocalCare Extended Warranty for Focal Shape 40'),(4852,85,1,809,'FocalCare Extended Warranty for Focal Shape 40'),(4853,76,0,809,''),(4854,76,1,809,''),(4855,75,0,810,'<h1>FocalCare for Focal Shape 50</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty for Focal Shape 50 provides peace of mind instead of downtime.<br/><br/></span>For a fraction of the cost of your Shape 50 studio monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed! FocalCare gives you 5 years of overnight replacement parts, loaner speakers should your speakers need to be sent in for repair, and free parts and labor for speaker repairs. Focal speakers are some of the best, most reliable speakers on the market, but things happen and your work should never be put on hold. With FocalCar extended warranty you can always have the peace of mind knowing your speakers are covered.<br/><br/>\n<h3>FocalCare Extended Warranty features:</h3>\n<ul>\n	<li>Replacement Part Shipping Time: Overnight</li>\n	<li>Amplifier Warranty: 5 years</li>\n	<li>Driver Warranty: 5 years</li>\n	<li>Physical Damage Warranty on Drivers: 5 years</li>\n	<li>Advanced Loaner (during warranty repairs): 5 years</li>\n	<li>Priority Email fares for Assistance: 5 years</li>\n</ul>\n<br/>\n<h3>For five years, you are entitled to:</h3>\n<b>\nFree overnight replacement parts</b><br/>\nWell get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br/><br/><b>\nLoaners Speakers while yours are being repaired</b><br/>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br/><br/><b>FocalCare Covers Parts & Labor</b><br/>\nAll the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br/><br/><b>\nPurchase any time</b><br/>\nYou can purchase FocalCare at any time throughout the standard warranty period.\n<br/><br/>\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br/>\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4856,75,1,810,'<h1>FocalCare for Focal Shape 50</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty for Focal Shape 50 provides peace of mind instead of downtime.<br/><br/></span>For a fraction of the cost of your Shape 50 studio monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed! FocalCare gives you 5 years of overnight replacement parts, loaner speakers should your speakers need to be sent in for repair, and free parts and labor for speaker repairs. Focal speakers are some of the best, most reliable speakers on the market, but things happen and your work should never be put on hold. With FocalCar extended warranty you can always have the peace of mind knowing your speakers are covered.<br/><br/>\n<h3>FocalCare Extended Warranty features:</h3>\n<ul>\n	<li>Replacement Part Shipping Time: Overnight</li>\n	<li>Amplifier Warranty: 5 years</li>\n	<li>Driver Warranty: 5 years</li>\n	<li>Physical Damage Warranty on Drivers: 5 years</li>\n	<li>Advanced Loaner (during warranty repairs): 5 years</li>\n	<li>Priority Email fares for Assistance: 5 years</li>\n</ul>\n<br/>\n<h3>For five years, you are entitled to:</h3>\n<b>\nFree overnight replacement parts</b><br/>\nWell get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br/><br/><b>\nLoaners Speakers while yours are being repaired</b><br/>\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br/><br/><b>FocalCare Covers Parts & Labor</b><br/>\nAll the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br/><br/><b>\nPurchase any time</b><br/>\nYou can purchase FocalCare at any time throughout the standard warranty period.\n<br/><br/>\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br/>\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4857,85,0,810,'FocalCare Extended Warranty for Focal Shape 50'),(4858,85,1,810,'FocalCare Extended Warranty for Focal Shape 50'),(4859,76,0,810,''),(4860,76,1,810,''),(4861,75,0,811,'<h1>FocalCare for Focal Shape 65</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty for Focal Shape 65 provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Shape 65 studio monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed! FocalCare gives you 5 years of overnight replacement parts, loaner speakers should your speakers need to be sent in for repair, and free parts and labor for speaker repairs. Focal speakers are some of the best, most reliable speakers on the market, but things happen and your work should never be put on hold. With FocalCar extended warranty you can always have the peace of mind knowing your speakers are covered.<br /><br />\n<h3>FocalCare Extended Warranty features:</h3>\n<ul>\n	<li>Replacement Part Shipping Time: Overnight</li>\n	<li>Amplifier Warranty: 5 years</li>\n	<li>Driver Warranty: 5 years</li>\n	<li>Physical Damage Warranty on Drivers: 5 years</li>\n	<li>Advanced Loaner (during warranty repairs): 5 years</li>\n	<li>Priority Email fares for Assistance: 5 years</li>\n</ul>\n<br />\n<h3>For five years, you are entitled to:</h3>\n<b>\nFree overnight replacement parts</b><br />\nWell get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br /><b>\nLoaners Speakers while yours are being repaired</b><br />\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br /><b>FocalCare Covers Parts & Labor</b><br />\nAll the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br /><b>\nPurchase any time</b><br />\nYou can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4862,75,1,811,'<h1>FocalCare for Focal Shape 65</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty for Focal Shape 65 provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Shape 65 studio monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed! FocalCare gives you 5 years of overnight replacement parts, loaner speakers should your speakers need to be sent in for repair, and free parts and labor for speaker repairs. Focal speakers are some of the best, most reliable speakers on the market, but things happen and your work should never be put on hold. With FocalCar extended warranty you can always have the peace of mind knowing your speakers are covered.<br /><br />\n<h3>FocalCare Extended Warranty features:</h3>\n<ul>\n	<li>Replacement Part Shipping Time: Overnight</li>\n	<li>Amplifier Warranty: 5 years</li>\n	<li>Driver Warranty: 5 years</li>\n	<li>Physical Damage Warranty on Drivers: 5 years</li>\n	<li>Advanced Loaner (during warranty repairs): 5 years</li>\n	<li>Priority Email fares for Assistance: 5 years</li>\n</ul>\n<br />\n<h3>For five years, you are entitled to:</h3>\n<b>\nFree overnight replacement parts</b><br />\nWell get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br /><b>\nLoaners Speakers while yours are being repaired</b><br />\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br /><b>FocalCare Covers Parts & Labor</b><br />\nAll the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br /><b>\nPurchase any time</b><br />\nYou can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4863,85,0,811,'FocalCare Extended Warranty for Focal Shape 65'),(4864,85,1,811,'FocalCare Extended Warranty for Focal Shape 65'),(4865,76,0,811,''),(4866,76,1,811,''),(4867,75,0,812,'<h1>FocalCare for Focal Shape Twin</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty for Focal Shape Twin provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Shape Twin studio monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed! FocalCare gives you 5 years of overnight replacement parts, loaner speakers should your speakers need to be sent in for repair, and free parts and labor for speaker repairs. Focal speakers are some of the best, most reliable speakers on the market, but things happen and your work should never be put on hold. With FocalCar extended warranty you can always have the peace of mind knowing your speakers are covered.<br /><br />\n<h3>FocalCare Extended Warranty features:</h3>\n<ul>\n	<li>Replacement Part Shipping Time: Overnight</li>\n	<li>Amplifier Warranty: 5 years</li>\n	<li>Driver Warranty: 5 years</li>\n	<li>Physical Damage Warranty on Drivers: 5 years</li>\n	<li>Advanced Loaner (during warranty repairs): 5 years</li>\n	<li>Priority Email fares for Assistance: 5 years</li>\n</ul>\n<br />\n<h3>For five years, you are entitled to:</h3>\n<b>\nFree overnight replacement parts</b><br />\nWell get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br /><b>\nLoaners Speakers while yours are being repaired</b><br />\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br /><b>FocalCare Covers Parts & Labor</b><br />\nAll the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br /><b>\nPurchase any time</b><br />\nYou can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4868,75,1,812,'<h1>FocalCare for Focal Shape Twin</h1>\n<span style=\"font-size: 16px; font-style: italic;\">FocalCare Extended Warranty for Focal Shape Twin provides peace of mind instead of downtime.<br /><br /></span>For a fraction of the cost of your Shape Twin studio monitors, this extended warranty gets you back on your feet quickly and hassle-free, guaranteed! FocalCare gives you 5 years of overnight replacement parts, loaner speakers should your speakers need to be sent in for repair, and free parts and labor for speaker repairs. Focal speakers are some of the best, most reliable speakers on the market, but things happen and your work should never be put on hold. With FocalCar extended warranty you can always have the peace of mind knowing your speakers are covered.<br /><br />\n<h3>FocalCare Extended Warranty features:</h3>\n<ul>\n	<li>Replacement Part Shipping Time: Overnight</li>\n	<li>Amplifier Warranty: 5 years</li>\n	<li>Driver Warranty: 5 years</li>\n	<li>Physical Damage Warranty on Drivers: 5 years</li>\n	<li>Advanced Loaner (during warranty repairs): 5 years</li>\n	<li>Priority Email fares for Assistance: 5 years</li>\n</ul>\n<br />\n<h3>For five years, you are entitled to:</h3>\n<b>\nFree overnight replacement parts</b><br />\nWell get you the parts and instructions that you need to perform easy repairs in the field within one working day.\n<br /><br /><b>\nLoaners Speakers while yours are being repaired</b><br />\nShould your monitor require the attention or our expert \ntechnicians, we will provide you with a temporary replacement to keep \nyou running, as well as a priority email address for questions and \nassistance.\n<br /><br /><b>FocalCare Covers Parts & Labor</b><br />\nAll the work we perform on your monitors is covered by FocalCare. You shouldn’t have to pay to be out of work!\n<br /><br /><b>\nPurchase any time</b><br />\nYou can purchase FocalCare at any time throughout the standard warranty period.\n<br /><br />\n<h3>Don\'t take a chance! The FocalCare extended warranty provides you with peace of mind and ensures your monitors will be ready when you are! For more information, call or chat with an RSPE representative today.</h3>\n<br />\n<p style=\"font-size:14px; text-decoration:italic;\">\n	<i>\n	**FocalCare only, does not include speaker**\n	</i>\n</p>'),(4869,85,0,812,'FocalCare Extended Warranty for Focal Shape Twin'),(4870,85,1,812,'FocalCare Extended Warranty for Focal Shape Twin'),(4871,76,0,812,''),(4872,76,1,812,''),(4873,75,0,813,'<h2>Focusrite Clarett 2Pre USB - 10x4 Audio Interface</h2>\n<i>10 x 4 USB Audio Interface with 24bit, 192kHz sample rates, USB-C Connection and 2 Clarett preamps, which model the classic ISA design and features Focusrite\'s \"Air\" effect.</i><br /><br />\nThe Focusrite Clarett 2Pre USB-C Audio Interface features up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and two specially-designed mic preamps with a unique analogue “Air” effect. Clarett 2Pre simply sounds great, easily out-performing other interfaces in its class and beyond.<br /><br />Clarett 2Pre offers 10 audio inputs and four outputs, including two front-panel multi-function inputs and a headphone output, plus four rear-panel line outputs (one pair doubling the headphone feed). There are also eight channels of ADAT-format digital input – ideal for adding eight channels of digital mic pre.<br /><br />\n<h3>Focusrite Clarett 2Pre  USB-C Interface Key Features:</h3>\n<ul>\n	<li>10 in / 4 out                      </li>\n	<li>Single independent headphone output</li>\n	<li>Expandable via ADAT input          </li>\n</ul>\n<br />\n<h3>Focusrite Clarett Range</h3>\nThe Focusrite Clarett range are Focusrite\'s best-sounding, fastest interfaces. Combining Focusrites passion for sound quality with the very latest technology, the Clarett range features brand new transformer-modeled preamps, crystal clear conversion, and interface latency so negligible that you can monitor and track within your software without any noticeable delay. Quite simply, they set a whole new standard for your recording studio.\n<br /><br />\n<h3>Focusrite Clarett Range at a Glance</h3>\n<ul>\n	<li>New Clarett preamps model the classic ISA design                          </li>\n	<li>Mic Pre EIN = -128dB                                                      </li>\n	<li>World class dynamic range: 116dB A/D and 118dB D/A</li>\n	<li>24-bit, 192 kHz sample rates                                              </li>\n	<li>Flagship Clarett 8Pre X designed for permanent professional studio install</li>\n	<li>New 64-bit AAX, AU and VST compatible Red 2 and Red 3 Plug-in Suite       </li>\n	<li>Detailed metering                                                         </li>\n	<li>All expandable over ADAT                                                  </li>\n	<li>Includes MIDI i/o                                                         </li>\n	<li>Mac and PC Compatible </li>\n</ul>\n<br />\n<h3>Modern Preamps with Classic Heritage</h3>\nThe brand new Clarett preamp models the impedance and transformer resonance of Focusrite\'s iconic ISAs. This gives you the same exceptional clarity and signature sound at the touch of a button. In addition, new custom potentiometers deliver superior linear gain.\n<br /><br />\n<h3>Crystal Clear Conversion</h3>\nEvery Clarett interface boasts the same unrivaled dynamic range and crystal clear conversion, to capture every nuance of your sound.\n<br /><br />\n<h3>Focusrite Clarett delivers great sound and crystal clear conversion at unprecedented speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4874,75,1,813,'<h2>Focusrite Clarett 2Pre USB - 10x4 Audio Interface</h2>\n<i>10 x 4 USB Audio Interface with 24bit, 192kHz sample rates, USB-C Connection and 2 Clarett preamps, which model the classic ISA design and features Focusrite\'s \"Air\" effect.</i><br /><br />\nThe Focusrite Clarett 2Pre USB-C Audio Interface features up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and two specially-designed mic preamps with a unique analogue “Air” effect. Clarett 2Pre simply sounds great, easily out-performing other interfaces in its class and beyond.<br /><br />Clarett 2Pre offers 10 audio inputs and four outputs, including two front-panel multi-function inputs and a headphone output, plus four rear-panel line outputs (one pair doubling the headphone feed). There are also eight channels of ADAT-format digital input – ideal for adding eight channels of digital mic pre.<br /><br />\n<h3>Focusrite Clarett 2Pre  USB-C Interface Key Features:</h3>\n<ul>\n	<li>10 in / 4 out                      </li>\n	<li>Single independent headphone output</li>\n	<li>Expandable via ADAT input          </li>\n</ul>\n<br />\n<h3>Focusrite Clarett Range</h3>\nThe Focusrite Clarett range are Focusrite\'s best-sounding, fastest interfaces. Combining Focusrites passion for sound quality with the very latest technology, the Clarett range features brand new transformer-modeled preamps, crystal clear conversion, and interface latency so negligible that you can monitor and track within your software without any noticeable delay. Quite simply, they set a whole new standard for your recording studio.\n<br /><br />\n<h3>Focusrite Clarett Range at a Glance</h3>\n<ul>\n	<li>New Clarett preamps model the classic ISA design                          </li>\n	<li>Mic Pre EIN = -128dB                                                      </li>\n	<li>World class dynamic range: 116dB A/D and 118dB D/A</li>\n	<li>24-bit, 192 kHz sample rates                                              </li>\n	<li>Flagship Clarett 8Pre X designed for permanent professional studio install</li>\n	<li>New 64-bit AAX, AU and VST compatible Red 2 and Red 3 Plug-in Suite       </li>\n	<li>Detailed metering                                                         </li>\n	<li>All expandable over ADAT                                                  </li>\n	<li>Includes MIDI i/o                                                         </li>\n	<li>Mac and PC Compatible </li>\n</ul>\n<br />\n<h3>Modern Preamps with Classic Heritage</h3>\nThe brand new Clarett preamp models the impedance and transformer resonance of Focusrite\'s iconic ISAs. This gives you the same exceptional clarity and signature sound at the touch of a button. In addition, new custom potentiometers deliver superior linear gain.\n<br /><br />\n<h3>Crystal Clear Conversion</h3>\nEvery Clarett interface boasts the same unrivaled dynamic range and crystal clear conversion, to capture every nuance of your sound.\n<br /><br />\n<h3>Focusrite Clarett delivers great sound and crystal clear conversion at unprecedented speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4875,85,0,813,'Focusrite Clarett 2Pre USB Audio Interface'),(4876,85,1,813,'Focusrite Clarett 2Pre USB Audio Interface'),(4877,76,0,813,''),(4878,76,1,813,''),(4879,75,0,814,'<h2>Focusrite Clarett 4Pre USB Audio Interface</h2>\n<i>18 x 8 Focusrite Clarrett Audio Interface with 24bit, 192kHz sample rates, USB-C Connection with 4 Clarett preamps, which model the classic ISA design and features Focusrite\'s \"Air\" effect.</i><br /><br /><div>The Focusrite Clarett 4Pre USB-C Audio Interface features up to 119dB of dynamic range, superbly low noise, precision 24/192 conversion and four specially-designed mic preamps with a unique analogue “Air” effect, Clarett 4Pre simply sounds great, easily out-performing other interfaces in its class and beyond. <br /><br />Clarett 4Pre offers a full 18 audio inputs and eight outputs, including four front-panel multi-function inputs, four independent line inputs and line outputs, stereo S/PDIF I/O and dual headphone outputs. There are also eight channels of ADAT-format digital input – ideal for adding eight channels of digital mic pre.</div><br />\n<h3>Focusrite Clarett 4Pre USB-C Interface Key Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">18 in / 8 out</span></li><li>4 Independent line outputs</li><li>2 headphone outputs</li><li>SPDIF i/o</li>\n</ul>\n<br />\n<h3>Focusrite Clarett Range</h3>\nThe Focusrite Clarett range are Focusrite\'s best-sounding, fastest interfaces. Combining Focusrites passion for sound quality with the very latest technology, the Clarett range features brand new transformer-modeled preamps, crystal clear conversion, and interface latency so negligible that you can monitor and track within your software without any noticeable delay. Quite simply, they set a whole new standard for your recording studio.\n<br /><br />\n<h3>Focusrite Clarett Range at a Glance</h3><ul><li><span style=\"background-color: initial;\">New Clarett preamps model the classic ISA design</span></li><li>Mic Pre EIN = -128dB</li><li>World class dynamic range: 116dB A/D and 118dB D/A</li><li>24-bit, 192 kHz sample rates</li><li>Flagship Clarett 8Pre X designed for permanent professional studio install</li><li>New 64-bit AAX, AU and VST compatible Red 2 and Red 3 Plug-in Suite</li><li>Detailed metering</li><li>All expandable over ADAT</li><li>Includes MIDI i/o</li><li>Mac and PC Compatible </li>\n</ul>\n<br />\n<h3>Modern Preamps with Classic Heritage</h3>\nThe brand new Clarett preamp models the impedance and transformer resonance of Focusrite\'s iconic ISAs. This gives you the same exceptional clarity and signature sound at the touch of a button. In addition, new custom potentiometers deliver superior linear gain.\n<br /><br />\n<h3>Crystal Clear Conversion</h3>\nEvery Clarett interface boasts the same unrivaled dynamic range and crystal clear conversion, to capture every nuance of your sound.\n<br /><br />\n<h3>Focusrite Clarett delivers great sound and crystal clear conversion at unprecedented speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4880,75,1,814,'<h2>Focusrite Clarett 4Pre USB Audio Interface</h2>\n<i>18 x 8 Focusrite Clarrett Audio Interface with 24bit, 192kHz sample rates, USB-C Connection with 4 Clarett preamps, which model the classic ISA design and features Focusrite\'s \"Air\" effect.</i><br /><br /><div>The Focusrite Clarett 4Pre USB-C Audio Interface features up to 119dB of dynamic range, superbly low noise, precision 24/192 conversion and four specially-designed mic preamps with a unique analogue “Air” effect, Clarett 4Pre simply sounds great, easily out-performing other interfaces in its class and beyond. <br /><br />Clarett 4Pre offers a full 18 audio inputs and eight outputs, including four front-panel multi-function inputs, four independent line inputs and line outputs, stereo S/PDIF I/O and dual headphone outputs. There are also eight channels of ADAT-format digital input – ideal for adding eight channels of digital mic pre.</div><br />\n<h3>Focusrite Clarett 4Pre USB-C Interface Key Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">18 in / 8 out</span></li><li>4 Independent line outputs</li><li>2 headphone outputs</li><li>SPDIF i/o</li>\n</ul>\n<br />\n<h3>Focusrite Clarett Range</h3>\nThe Focusrite Clarett range are Focusrite\'s best-sounding, fastest interfaces. Combining Focusrites passion for sound quality with the very latest technology, the Clarett range features brand new transformer-modeled preamps, crystal clear conversion, and interface latency so negligible that you can monitor and track within your software without any noticeable delay. Quite simply, they set a whole new standard for your recording studio.\n<br /><br />\n<h3>Focusrite Clarett Range at a Glance</h3><ul><li><span style=\"background-color: initial;\">New Clarett preamps model the classic ISA design</span></li><li>Mic Pre EIN = -128dB</li><li>World class dynamic range: 116dB A/D and 118dB D/A</li><li>24-bit, 192 kHz sample rates</li><li>Flagship Clarett 8Pre X designed for permanent professional studio install</li><li>New 64-bit AAX, AU and VST compatible Red 2 and Red 3 Plug-in Suite</li><li>Detailed metering</li><li>All expandable over ADAT</li><li>Includes MIDI i/o</li><li>Mac and PC Compatible </li>\n</ul>\n<br />\n<h3>Modern Preamps with Classic Heritage</h3>\nThe brand new Clarett preamp models the impedance and transformer resonance of Focusrite\'s iconic ISAs. This gives you the same exceptional clarity and signature sound at the touch of a button. In addition, new custom potentiometers deliver superior linear gain.\n<br /><br />\n<h3>Crystal Clear Conversion</h3>\nEvery Clarett interface boasts the same unrivaled dynamic range and crystal clear conversion, to capture every nuance of your sound.\n<br /><br />\n<h3>Focusrite Clarett delivers great sound and crystal clear conversion at unprecedented speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4881,85,0,814,'Focusrite Clarett 4Pre USB Audio Interface'),(4882,85,1,814,'Focusrite Clarett 4Pre USB Audio Interface'),(4883,76,0,814,''),(4884,76,1,814,''),(4885,75,0,815,'<h2>Focusrite Clarett 8Pre USB Audio Interface</h2>\n<i>18 x 20 Focusrite Clarett Audio Interface with 24bit, 192kHz sample rates, USB-C Connection with 8 Clarett preamps, that model the classic ISA design and features Focusrite\'s \"Air\" effect.</i><br /><br /><div><div>Focusrites Clarett 8Pre Audio Interface features up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and eight specially-designed mic preamps with a unique analogue “Air” effect, Clarett 8Pre is the USB-C audio interface that simply sounds great, easily out-performing others in its class and beyond. Meanwhile, its astonishing 1.67ms round-trip latency* simplifies your workflow and lets you use your favorite plug-ins in real time.<br /><br />Clarett 8Pre has 18 audio inputs and 20 outputs within a 1U rack space, including eight analogue inputs, 10 analogue outputs, stereo S/PDIF I/O and eight channels of ADAT I/O. The ADAT ports are ideal for sending audio to an external D/A for line output expansion, or adding eight channels of digital mic pre.</div></div><br />\n<h3>Focusrite Clarett 8Pre USB-C Interface Key Features:</h3>\n<ul>\n	<li>18 in / 20 out</li><li>Independent word clock output on BNC</li><li>Detailed hardware metering for inputs and main monitor outputs</li><li>A wealth of connectivity in a 1U rack space</li>\n</ul>\n<br />\n<h3>Focusrite Clarett Range</h3>\nThe Focusrite Clarett range are Focusrite\'s best-sounding, fastest USB-C interfaces. Combining Focusrites passion for sound quality with the very latest technology, the Clarett range features brand new transformer-modeled preamps, crystal clear conversion, and interface latency so negligible that you can monitor and track within your software without any noticeable delay. Quite simply, they set a whole new standard for your recording studio.\n<br /><br />\n<h3>Focusrite Clarett 8Pre at a Glance</h3><ul><li><span style=\"background-color: initial;\">New Clarett preamps model the classic ISA design</span></li><li>Mic Pre EIN = -128dB</li><li>World class dynamic range: 116dB A/D and 118dB D/A</li><li>24-bit, 192 kHz sample rates</li><li>Flagship Clarett 8Pre X designed for permanent professional studio install</li><li>New 64-bit AAX, AU and VST compatible Red 2 and Red 3 Plug-in Suite</li><li>Detailed metering</li><li>All expandable over ADAT</li><li>Includes MIDI i/o</li><li>Mac and PC Compatible </li></ul>\n<h3>Modern Preamps with Classic Heritage</h3>\nThe brand new Clarett preamp models the impedance and transformer resonance of Focusrite\'s iconic ISAs. This gives you the same exceptional clarity and signature sound at the touch of a button. In addition, new custom potentiometers deliver superior linear gain.\n<br /><br />\n<h3>Crystal Clear Conversion</h3>\nEvery Clarett interface boasts the same unrivaled dynamic range and crystal clear conversion, to capture every nuance of your sound.\n<br /><br />\n<h3>Focusrite Clarett delivers great sound and crystal clear conversion at unprecedented speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4886,75,1,815,'<h2>Focusrite Clarett 8Pre USB Audio Interface</h2>\n<i>18 x 20 Focusrite Clarett Audio Interface with 24bit, 192kHz sample rates, USB-C Connection with 8 Clarett preamps, that model the classic ISA design and features Focusrite\'s \"Air\" effect.</i><br /><br /><div><div>Focusrites Clarett 8Pre Audio Interface features up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and eight specially-designed mic preamps with a unique analogue “Air” effect, Clarett 8Pre is the USB-C audio interface that simply sounds great, easily out-performing others in its class and beyond. Meanwhile, its astonishing 1.67ms round-trip latency* simplifies your workflow and lets you use your favorite plug-ins in real time.<br /><br />Clarett 8Pre has 18 audio inputs and 20 outputs within a 1U rack space, including eight analogue inputs, 10 analogue outputs, stereo S/PDIF I/O and eight channels of ADAT I/O. The ADAT ports are ideal for sending audio to an external D/A for line output expansion, or adding eight channels of digital mic pre.</div></div><br />\n<h3>Focusrite Clarett 8Pre USB-C Interface Key Features:</h3>\n<ul>\n	<li>18 in / 20 out</li><li>Independent word clock output on BNC</li><li>Detailed hardware metering for inputs and main monitor outputs</li><li>A wealth of connectivity in a 1U rack space</li>\n</ul>\n<br />\n<h3>Focusrite Clarett Range</h3>\nThe Focusrite Clarett range are Focusrite\'s best-sounding, fastest USB-C interfaces. Combining Focusrites passion for sound quality with the very latest technology, the Clarett range features brand new transformer-modeled preamps, crystal clear conversion, and interface latency so negligible that you can monitor and track within your software without any noticeable delay. Quite simply, they set a whole new standard for your recording studio.\n<br /><br />\n<h3>Focusrite Clarett 8Pre at a Glance</h3><ul><li><span style=\"background-color: initial;\">New Clarett preamps model the classic ISA design</span></li><li>Mic Pre EIN = -128dB</li><li>World class dynamic range: 116dB A/D and 118dB D/A</li><li>24-bit, 192 kHz sample rates</li><li>Flagship Clarett 8Pre X designed for permanent professional studio install</li><li>New 64-bit AAX, AU and VST compatible Red 2 and Red 3 Plug-in Suite</li><li>Detailed metering</li><li>All expandable over ADAT</li><li>Includes MIDI i/o</li><li>Mac and PC Compatible </li></ul>\n<h3>Modern Preamps with Classic Heritage</h3>\nThe brand new Clarett preamp models the impedance and transformer resonance of Focusrite\'s iconic ISAs. This gives you the same exceptional clarity and signature sound at the touch of a button. In addition, new custom potentiometers deliver superior linear gain.\n<br /><br />\n<h3>Crystal Clear Conversion</h3>\nEvery Clarett interface boasts the same unrivaled dynamic range and crystal clear conversion, to capture every nuance of your sound.\n<br /><br />\n<h3>Focusrite Clarett delivers great sound and crystal clear conversion at unprecedented speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4887,85,0,815,'Focusrite Clarett 8Pre USB Audio Interface'),(4888,85,1,815,'Focusrite Clarett 8Pre USB Audio Interface'),(4889,76,0,815,''),(4890,76,1,815,''),(4891,75,0,816,'<h2>Focusrite Clarett OctoPre - 8 Channel Mic Pre and AD/DA Converter</h2>\n<span style=\"font-size:16px; font-style:italic;\">8 Channels of Clarett Mic Preamps with \'Air\' plus pristine 24-bit / 192 kHz digital conversion</span><br /><br />\nThe Focusrite Clarett OctoPre is an eight-channel pre-amplifier for use with microphone, line and instrument input signals that features 8 Clarett Mic Pres with extra \'Air\'. It converts the inputs into multi-channel, 24-bit digital audio at sample rates up to 192 kHz. Both analogue and digital outputs are provided: the digital outputs are in ADAT format on optical TOSLINK connectors, which can be easily routed to ADAT inputs on your studio recording system, or any other ADAT-equipped interface using optical cables. The Clarett OctoPre can transmit and receive eight channels of audio at sample rates of 44.1, 48, 88.2, or 96 kHz, or four channels at 176.4 or 192 kHz.<br /><br />\n\nA switchable analogue INSERT function is provided on each input channel to permit the connection of external processors such as compressors or noise gates.<br /><br />\n\nThe OctoPre is an ideal “expansion” unit for adding eight more inputs to an existing audio interface such as other members of the Focusrite Clarett range.<br /><br />\n\nThe Clarett OctoPre is a bidirectional unit: it is also equipped with ADAT format digital inputs and balanced analogue outputs. It incorporates an ADAT-to-LINE mode, making it the perfect interface for routing tracks from your DAW to an analogue mixing console.<br /><br />\n\nThe Clarett OctoPre can be easily synchronized with other items of digital audio equipment in your studio, either as a slave to an external word clock signal, or by acting as the master clock source itself.<br /><br />\n\nAn important feature of all models in the Clarett range is the new design of analogue preamplifier. In addition to their class-leading dynamic range and ability to provide all the gain you’re ever likely to need, the circuitry now includes the Focusrite AIR function. Individually selectable on each channel, AIR subtly modifies the pre-amp’s frequency response to model the impedance and resonance characteristics of Focusrite’s classic transformer-based ISA mic preamps. When recording with good quality microphones, you will notice an enhanced clarity and definition in the impo<br /><br />\n<br />\n<h3>Focusrite Clarett OctoPre Key Features:</h3>\n<ul>\n	<li>Eight Clarett Mic Pres with extra ‘Air’</li>\n	<li>Eight ‘single-dial’ Focusrite compressors </li>\n	<li>Built-in eight-channel 24-bit / 192 kHz digital outputs </li>\n	<li>Built-in eight channel 24-bit / 192 kHz digital inputs </li>\n	<li>Mic, line and instrument inputs - plus eight outputs</li>\n</ul>\n<br />\n<h3>Focusrite Clarret OctoPre 8 channels of \'Air\' enabled Clarett Mic Pres and 24-bit / 192 kHz digital outputs for maximum flexibility for your studio. For more information, talk to an RSPE representative.</h3>'),(4892,75,1,816,'<h2>Focusrite Clarett OctoPre - 8 Channel Mic Pre and AD/DA Converter</h2>\n<span style=\"font-size:16px; font-style:italic;\">8 Channels of Clarett Mic Preamps with \'Air\' plus pristine 24-bit / 192 kHz digital conversion</span><br /><br />\nThe Focusrite Clarett OctoPre is an eight-channel pre-amplifier for use with microphone, line and instrument input signals that features 8 Clarett Mic Pres with extra \'Air\'. It converts the inputs into multi-channel, 24-bit digital audio at sample rates up to 192 kHz. Both analogue and digital outputs are provided: the digital outputs are in ADAT format on optical TOSLINK connectors, which can be easily routed to ADAT inputs on your studio recording system, or any other ADAT-equipped interface using optical cables. The Clarett OctoPre can transmit and receive eight channels of audio at sample rates of 44.1, 48, 88.2, or 96 kHz, or four channels at 176.4 or 192 kHz.<br /><br />\n\nA switchable analogue INSERT function is provided on each input channel to permit the connection of external processors such as compressors or noise gates.<br /><br />\n\nThe OctoPre is an ideal “expansion” unit for adding eight more inputs to an existing audio interface such as other members of the Focusrite Clarett range.<br /><br />\n\nThe Clarett OctoPre is a bidirectional unit: it is also equipped with ADAT format digital inputs and balanced analogue outputs. It incorporates an ADAT-to-LINE mode, making it the perfect interface for routing tracks from your DAW to an analogue mixing console.<br /><br />\n\nThe Clarett OctoPre can be easily synchronized with other items of digital audio equipment in your studio, either as a slave to an external word clock signal, or by acting as the master clock source itself.<br /><br />\n\nAn important feature of all models in the Clarett range is the new design of analogue preamplifier. In addition to their class-leading dynamic range and ability to provide all the gain you’re ever likely to need, the circuitry now includes the Focusrite AIR function. Individually selectable on each channel, AIR subtly modifies the pre-amp’s frequency response to model the impedance and resonance characteristics of Focusrite’s classic transformer-based ISA mic preamps. When recording with good quality microphones, you will notice an enhanced clarity and definition in the impo<br /><br />\n<br />\n<h3>Focusrite Clarett OctoPre Key Features:</h3>\n<ul>\n	<li>Eight Clarett Mic Pres with extra ‘Air’</li>\n	<li>Eight ‘single-dial’ Focusrite compressors </li>\n	<li>Built-in eight-channel 24-bit / 192 kHz digital outputs </li>\n	<li>Built-in eight channel 24-bit / 192 kHz digital inputs </li>\n	<li>Mic, line and instrument inputs - plus eight outputs</li>\n</ul>\n<br />\n<h3>Focusrite Clarret OctoPre 8 channels of \'Air\' enabled Clarett Mic Pres and 24-bit / 192 kHz digital outputs for maximum flexibility for your studio. For more information, talk to an RSPE representative.</h3>'),(4893,85,0,816,''),(4894,85,1,816,''),(4895,76,0,816,''),(4896,76,1,816,''),(4897,75,0,817,'<h1>Focusrite ISA 428 MKII Four Channel Mic Pre</h1>\n<i>ISA 428 MkII incorporates four of Focusrite\'s renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips.<br /></i><br />\n\nThe original Focusrite mic pre was designed to suit the microphones of the time; today\'s model makes one small change, adding three additional input impedances to the classic ISA 110 setting, allowing you to match any microphone, old or new, and access a wide range of sounds, from the character and warmth of a vintage mic to the clear transparency of a modern design.<br /><br />\n\nEach mic pre has the option of mic, line or the front-panel instrument input, with variable input impedance to ensure you are getting the best performance from the source. Up to 60dB of gain is available on the four-position rotary and gain range switches, with a further +20dB of continuously variable trim, meaning a huge 80dB of gain is available should it be required. The high-pass filter features variable cut-off frequency between 16 and 420Hz. An array of 6-segment LED meters show peak signal level for the four mic pres, in addition to the four direct inputs to the optional A-D card. Switchable rear-panel insert points allow the use of inline processors such as compression.<br /><br />\n\n<h3> Focusrite ISA 428 MKII  Key Features:</h3>\n						<ul>\n							<li>Classic ISA mic preamp design featuring Lundahl LL1538 input transformer</li>\n							<li>Instrument and line inputs with dedicated input connectors and front-panel switch</li>\n							<li>Switchable input impedance including classic ISA 110 setting</li>\n							<li>Variable cut-off frequency high-pass filter</li>\n							<li>Dedicated switchable insert point</li>\n							<li>Per-channel six-segment LED peak-level meters</li>\n							<li>Optional A-D card with up to 192kHz, 24-bit sampling via ADAT or AES3</li>\n						</ul>\n						<br />'),(4898,75,1,817,'<h1>Focusrite ISA 428 MKII Four Channel Mic Pre</h1>\n<i>ISA 428 MkII incorporates four of Focusrite\'s renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips.<br /></i><br />\n\nThe original Focusrite mic pre was designed to suit the microphones of the time; today\'s model makes one small change, adding three additional input impedances to the classic ISA 110 setting, allowing you to match any microphone, old or new, and access a wide range of sounds, from the character and warmth of a vintage mic to the clear transparency of a modern design.<br /><br />\n\nEach mic pre has the option of mic, line or the front-panel instrument input, with variable input impedance to ensure you are getting the best performance from the source. Up to 60dB of gain is available on the four-position rotary and gain range switches, with a further +20dB of continuously variable trim, meaning a huge 80dB of gain is available should it be required. The high-pass filter features variable cut-off frequency between 16 and 420Hz. An array of 6-segment LED meters show peak signal level for the four mic pres, in addition to the four direct inputs to the optional A-D card. Switchable rear-panel insert points allow the use of inline processors such as compression.<br /><br />\n\n<h3> Focusrite ISA 428 MKII  Key Features:</h3>\n						<ul>\n							<li>Classic ISA mic preamp design featuring Lundahl LL1538 input transformer</li>\n							<li>Instrument and line inputs with dedicated input connectors and front-panel switch</li>\n							<li>Switchable input impedance including classic ISA 110 setting</li>\n							<li>Variable cut-off frequency high-pass filter</li>\n							<li>Dedicated switchable insert point</li>\n							<li>Per-channel six-segment LED peak-level meters</li>\n							<li>Optional A-D card with up to 192kHz, 24-bit sampling via ADAT or AES3</li>\n						</ul>\n						<br />'),(4899,85,0,817,'Focusrite ISA 428 MKII Four Channel Classic Microphone Preamplifier'),(4900,85,1,817,'Focusrite ISA 428 MKII Four Channel Classic Microphone Preamplifier'),(4901,76,0,817,''),(4902,76,1,817,''),(4903,75,0,818,'<h1>Focusrite ISA 828 MKII Eight Channel Mic Pre</h1>\n<i>ISA 828 MkII features eight of Focusrite\'s renowned mic pres in a simple-to-operate 2U enclosure, placing eight mic preamps, eight line inputs, and four instrument inputs at your fingertips.<br /></i><br />\nThe Focusrite ISA 828 MkII Mic Pre incorporates eight of Focusrite\'s classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs, while inputs 1-4 also feature instrument inputs on the front panel. Each mic pre has variable input impedance, to provide a range of subtly different sonic options when using microphones, including an \'ISA 110\' setting, which replicates the impedance of the original Focusrite mic pre.<br /><br />\nUp to 60dB of gain is available, with a further +20dB of continuously variable trim, providing a huge 80dB gain range. The high-pass filter has a fixed 75Hz frequency and 18dB / octave roll-off for minimising rumble, stand-borne noise and other low-frequency sounds. The ISA 828 MkII also features per-channel, six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs.<br /><br />\nDedicated connectors for mic and line-level inputs allow all sources to be connected simultaneously, making ISA 828 MkII perfect for permanent installation in a rack. A switching power supply allows for efficient, cool operation, without sacrificing sound quality or performance, and increasing reliability over its predecessor. The optional ISA ADN8 analogue-to-digital expansion card provides eight Dante, ADAT and AES3 outputs at sampling rates of up to 24-bit / 192kHz.And as with all Focusrite Pro products, wherever you happen to be in the world, you can rely on a three-year warranty if any Focusrite Pro hardware needs repairing or replacing due to a manufacturing fault.\n<br /> <br />\n<h3> Focusrite ISA 828 MKII  Key Features:</h3>\n<ul>\n	<li>Optional A-D card with up to 192kHz, 24-bit sampling offers high-quality digital audio conversion to Dante, ADAT and AES3</li>\n	<li>Classic ISA mic preamp design featuring Lundahl LL1538 input transformer</li>\n	<li>Switching power supply design allows for efficient and cool operation</li>\n	<li>Front-panel instrument inputs to first four channels</li>\n	<li>Line inputs with dedicated input connectors and front-panel select switch</li>\n	<li>Switchable input impedance including classic ISA 110 setting</li>\n	<li>High-pass filter with fixed 75Hz frequency and 18dB/octave roll-off</li>\n	<li>Switchable insert points when used with A-D card</li>\n	<li>Per-channel six-segment LED peak-level meters</li>\n	<li>As with all Focusrite products, you\'ll also benefit from a three-year warranty</li>\n	<li>Brainworx bx_console Focusrite – exclusive plug-in that faithfully captures the sound, feel and styling of the original Focusrite ISA 110 Equalizer and ISA 130 Dynamics Modules.</li>\n</ul>\n<br />'),(4904,75,1,818,'<h1>Focusrite ISA 828 MKII Eight Channel Mic Pre</h1>\n<i>ISA 828 MkII features eight of Focusrite\'s renowned mic pres in a simple-to-operate 2U enclosure, placing eight mic preamps, eight line inputs, and four instrument inputs at your fingertips.<br /></i><br />\nThe Focusrite ISA 828 MkII Mic Pre incorporates eight of Focusrite\'s classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs, while inputs 1-4 also feature instrument inputs on the front panel. Each mic pre has variable input impedance, to provide a range of subtly different sonic options when using microphones, including an \'ISA 110\' setting, which replicates the impedance of the original Focusrite mic pre.<br /><br />\nUp to 60dB of gain is available, with a further +20dB of continuously variable trim, providing a huge 80dB gain range. The high-pass filter has a fixed 75Hz frequency and 18dB / octave roll-off for minimising rumble, stand-borne noise and other low-frequency sounds. The ISA 828 MkII also features per-channel, six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs.<br /><br />\nDedicated connectors for mic and line-level inputs allow all sources to be connected simultaneously, making ISA 828 MkII perfect for permanent installation in a rack. A switching power supply allows for efficient, cool operation, without sacrificing sound quality or performance, and increasing reliability over its predecessor. The optional ISA ADN8 analogue-to-digital expansion card provides eight Dante, ADAT and AES3 outputs at sampling rates of up to 24-bit / 192kHz.And as with all Focusrite Pro products, wherever you happen to be in the world, you can rely on a three-year warranty if any Focusrite Pro hardware needs repairing or replacing due to a manufacturing fault.\n<br /> <br />\n<h3> Focusrite ISA 828 MKII  Key Features:</h3>\n<ul>\n	<li>Optional A-D card with up to 192kHz, 24-bit sampling offers high-quality digital audio conversion to Dante, ADAT and AES3</li>\n	<li>Classic ISA mic preamp design featuring Lundahl LL1538 input transformer</li>\n	<li>Switching power supply design allows for efficient and cool operation</li>\n	<li>Front-panel instrument inputs to first four channels</li>\n	<li>Line inputs with dedicated input connectors and front-panel select switch</li>\n	<li>Switchable input impedance including classic ISA 110 setting</li>\n	<li>High-pass filter with fixed 75Hz frequency and 18dB/octave roll-off</li>\n	<li>Switchable insert points when used with A-D card</li>\n	<li>Per-channel six-segment LED peak-level meters</li>\n	<li>As with all Focusrite products, you\'ll also benefit from a three-year warranty</li>\n	<li>Brainworx bx_console Focusrite – exclusive plug-in that faithfully captures the sound, feel and styling of the original Focusrite ISA 110 Equalizer and ISA 130 Dynamics Modules.</li>\n</ul>\n<br />'),(4905,85,0,818,'Focusrite ISA 828 MKII Eight Channel Mic Pre'),(4906,85,1,818,'Focusrite ISA 828 MKII Eight Channel Mic Pre'),(4907,76,0,818,''),(4908,76,1,818,''),(4909,75,0,819,'<h1>Focusrite ISA One Mic Pre</h1>\n<i>Classic Focusrite mic pre with independent DI in a portable, rugged chassis.</i><br /><br />The Focusrite ISA One microphone preamplifier delivers Focusrite\'s prestigious ISA transformer-based preamp in a rugged and portable chassis, at a groundbreaking price.<br /><br />The preamp is complemented by a line input and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.’d guitar signal with a mic’d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.<br /><br />\nA variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the preamp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the preamp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia.<br /><br />\nIndependent input metering for both channels is provided in the form of a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilise all the same reference points as Avid\'s Pro Tools HD system, allowing effortless line-up.<br /><br />\nISA One’s headphone output features a dedicated volume control, which delivers an external stereo cue mix (a simple click track or a stereo mix feed from an interface or a live console) fed to the headphones via two TRS jack inputs on the rear of the unit.<br /><br />\nAn optional state-of-the-art stereo A-D converter is also available (the same card as used with the ISA430 MkII).<br /><br /><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3>Focusrite ISA One  Key Features</h3>\n</span></span>\n<ul>\n	<li>Classic ISA mic preamp design featuring Lundahl LL1538 input transformer</li>\n	<li>Flexible independent DI channel</li>\n	<li>Switchable input impedance including classic ISA 110 setting</li>\n	<li>Headphone output with volume control</li>\n	<li>Dedicated insert point</li>\n	<li>Optional stereo 192kHz A-D conversion card</li>\n</ul>\n<br />'),(4910,75,1,819,'<h1>Focusrite ISA One Mic Pre</h1>\n<i>Classic Focusrite mic pre with independent DI in a portable, rugged chassis.</i><br /><br />The Focusrite ISA One microphone preamplifier delivers Focusrite\'s prestigious ISA transformer-based preamp in a rugged and portable chassis, at a groundbreaking price.<br /><br />The preamp is complemented by a line input and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.’d guitar signal with a mic’d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.<br /><br />\nA variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the preamp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the preamp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia.<br /><br />\nIndependent input metering for both channels is provided in the form of a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilise all the same reference points as Avid\'s Pro Tools HD system, allowing effortless line-up.<br /><br />\nISA One’s headphone output features a dedicated volume control, which delivers an external stereo cue mix (a simple click track or a stereo mix feed from an interface or a live console) fed to the headphones via two TRS jack inputs on the rear of the unit.<br /><br />\nAn optional state-of-the-art stereo A-D converter is also available (the same card as used with the ISA430 MkII).<br /><br /><span id=\"product_description\" itemprop=\"description\"><span id=\"product_description\" itemprop=\"description\">\n<h3>Focusrite ISA One  Key Features</h3>\n</span></span>\n<ul>\n	<li>Classic ISA mic preamp design featuring Lundahl LL1538 input transformer</li>\n	<li>Flexible independent DI channel</li>\n	<li>Switchable input impedance including classic ISA 110 setting</li>\n	<li>Headphone output with volume control</li>\n	<li>Dedicated insert point</li>\n	<li>Optional stereo 192kHz A-D conversion card</li>\n</ul>\n<br />'),(4911,85,0,819,'Focusrite ISA One Microphone Preamp'),(4912,85,1,819,'Focusrite ISA One Microphone Preamp'),(4913,76,0,819,''),(4914,76,1,819,''),(4915,75,0,820,'<h1>Focusrite ISA Two - Two Channel Mic Pre</h1>\n<i>Two Channels of Classic Focusrite Mic Pres in a 1U rack mount enclosure.<br /></i><br />The Focusrite ISA Two \ndual-mono mic pre is the ideal solution: two independent channels of the\n highest quality classic Focusrite mic pres, with line in and \nfront-panel instrument inputs – no DI box required. Based on the \nlegendary designs found in the Focusrite Forte and Studio Consoles, ISA \nTwo is the ideal front-end for your rack. Superb sound spanning four \ndifferent decades Focusrite’s microphone preamplifiers go back to the \noriginal Focusrite ISA 110 modules, when Rupert Neve was commissioned by\n George Martin in 1985 to create a no-compromise channel strip for his \nNeve console. \n<br /><br />Combining the very best solid-state electronics \nwith transformer coupling, Focusrite mic pres have played a key part in \nthe recording of hundreds of hit records and they’re the choice of \nleading artists, producers and engineers around the world. Lundahl \nTransformers At the heart of the ISA Two is a pair of Lundahl LL1538 \ntransformers. ISA products have relied on Lundahl from the beginning, \nsince their components were originally specified in 1985. The LL1538 \nfeatures a 3-section winding, resulting in very low leakage inductance \nand, as a result, an extended frequency response. \n<br /><br />They’re \nencapsulated in mu-metal cans to shield them from stray magnetism. \nVariable input impedance and up to 80 dB of gain ISA Two features two \nclassic Focusrite mic preamps, with four impedance settings including \nthe original ISA 110 setting. Variable input impedance allows you to go \nfor an accurate, transparent sound or choose to highlight the character \nof your favourite vintage mic – and anywhere in between. With up to 80 \ndB of low-noise gain, ISA Two can perform in the most demanding \nsituations - really bringing your ribbon, condenser or moving coil mics \nto life. Insert your choice of processors Each channel has a \nfully-balanced insert point accessed via TRS sockets on the rear panel \nand activated with a front-panel button, so it’s easy to use outboard \nprocessors with the ISA Two. Just plug in your choice of EQ, compressor \nor limiter.\n<br /><br />\n<h3> Focusrite ISA Two Key Features:</h3>\n			<ul>\n				<li>Classic ISA mic preamp design featuring Lundahl LL1538 input transformer</li>\n				<li>Front-panel instrument inputs</li>\n				<li>Dedicated TRS line input socket with front-panel switch</li>\n				<li>Switchable input impedance including classic ISA 110 setting</li>\n				<li>Dedicated insert points</li>\n				<li>User-calibrated peak-level meters</li>\n			</ul>\n<br />'),(4916,75,1,820,'<h1>Focusrite ISA Two - Two Channel Mic Pre</h1>\n<i>Two Channels of Classic Focusrite Mic Pres in a 1U rack mount enclosure.<br /></i><br />The Focusrite ISA Two \ndual-mono mic pre is the ideal solution: two independent channels of the\n highest quality classic Focusrite mic pres, with line in and \nfront-panel instrument inputs – no DI box required. Based on the \nlegendary designs found in the Focusrite Forte and Studio Consoles, ISA \nTwo is the ideal front-end for your rack. Superb sound spanning four \ndifferent decades Focusrite’s microphone preamplifiers go back to the \noriginal Focusrite ISA 110 modules, when Rupert Neve was commissioned by\n George Martin in 1985 to create a no-compromise channel strip for his \nNeve console. \n<br /><br />Combining the very best solid-state electronics \nwith transformer coupling, Focusrite mic pres have played a key part in \nthe recording of hundreds of hit records and they’re the choice of \nleading artists, producers and engineers around the world. Lundahl \nTransformers At the heart of the ISA Two is a pair of Lundahl LL1538 \ntransformers. ISA products have relied on Lundahl from the beginning, \nsince their components were originally specified in 1985. The LL1538 \nfeatures a 3-section winding, resulting in very low leakage inductance \nand, as a result, an extended frequency response. \n<br /><br />They’re \nencapsulated in mu-metal cans to shield them from stray magnetism. \nVariable input impedance and up to 80 dB of gain ISA Two features two \nclassic Focusrite mic preamps, with four impedance settings including \nthe original ISA 110 setting. Variable input impedance allows you to go \nfor an accurate, transparent sound or choose to highlight the character \nof your favourite vintage mic – and anywhere in between. With up to 80 \ndB of low-noise gain, ISA Two can perform in the most demanding \nsituations - really bringing your ribbon, condenser or moving coil mics \nto life. Insert your choice of processors Each channel has a \nfully-balanced insert point accessed via TRS sockets on the rear panel \nand activated with a front-panel button, so it’s easy to use outboard \nprocessors with the ISA Two. Just plug in your choice of EQ, compressor \nor limiter.\n<br /><br />\n<h3> Focusrite ISA Two Key Features:</h3>\n			<ul>\n				<li>Classic ISA mic preamp design featuring Lundahl LL1538 input transformer</li>\n				<li>Front-panel instrument inputs</li>\n				<li>Dedicated TRS line input socket with front-panel switch</li>\n				<li>Switchable input impedance including classic ISA 110 setting</li>\n				<li>Dedicated insert points</li>\n				<li>User-calibrated peak-level meters</li>\n			</ul>\n<br />'),(4917,85,0,820,'Focusrite ISA Two - Two Channel Mic Pre'),(4918,85,1,820,'Focusrite ISA Two - Two Channel Mic Pre'),(4919,76,0,820,''),(4920,76,1,820,''),(4921,75,0,821,'<h2>Focusrite Scarlett OctoPre MK II - 8 Channel Mic Pre</h2>\n<span style=\"font-size:16px; font-style:italic;\">8 Channels of Focusrite Mic Preamps with 24-bit / 96 kHz ADAT Digital Output</span><br /><br />\nThe Focusrite Scarlett OctoPre Mk II mic preamp features eight channels of Focusrite\'s famous preamplification with the flexibility of a built-in 24-bit / 96 kHz ADAT output. Scarlett OctoPre MkII is Focusrite’s powerful input upgrade for your Pro Tools system, or any digital audio workstation. It’s also a great expansion for any analogue or digital console, or hard disk recorder.<br /><br />\n\nThe digital output allows you to make the most of often-neglected ADAT inputs; ideal for expanding the number of mic pre inputs on your interface. Connect OctoPre MkII to your audio interface’s ADAT input to create a high quality, multi-channel recording solution, ideal for tracking drums, as well guitars, keyboards, vocals and more.<br /><br />\n<br />\n<h3>Focusrite OctoPre MK II Key Features:</h3>\n<ul>\n	<li>Eight high-quality award-winning Focusrite preamps   </li>\n	<li>Built-in eight channel 24-bit / 96 kHz digital output</li>\n	<li>Mic preamps optimised for tracking drums             </li>\n	<li>Two quality Hi-Z instrument inputs                   </li>\n	<li>5 LED input metering on every channel                </li>\n	<li>-10dB Pads on every channel                          </li>\n	<li>Direct outputs on every channel                      </li>\n	<li>48V Phantom power available on every channel         </li>\n	<li>State-of-the-art clocking solutions                  </li>\n</ul>\n<br />\n<h3>Focusrite OctoPre MK II delivers 8 channels of great-sounding mic preamplification with analog and digital outputs for maximum flexibility for your studio. For more information, talk to an RSPE representative.</h3>'),(4922,75,1,821,'<h2>Focusrite Scarlett OctoPre MK II - 8 Channel Mic Pre</h2>\n<span style=\"font-size:16px; font-style:italic;\">8 Channels of Focusrite Mic Preamps with 24-bit / 96 kHz ADAT Digital Output</span><br /><br />\nThe Focusrite Scarlett OctoPre Mk II mic preamp features eight channels of Focusrite\'s famous preamplification with the flexibility of a built-in 24-bit / 96 kHz ADAT output. Scarlett OctoPre MkII is Focusrite’s powerful input upgrade for your Pro Tools system, or any digital audio workstation. It’s also a great expansion for any analogue or digital console, or hard disk recorder.<br /><br />\n\nThe digital output allows you to make the most of often-neglected ADAT inputs; ideal for expanding the number of mic pre inputs on your interface. Connect OctoPre MkII to your audio interface’s ADAT input to create a high quality, multi-channel recording solution, ideal for tracking drums, as well guitars, keyboards, vocals and more.<br /><br />\n<br />\n<h3>Focusrite OctoPre MK II Key Features:</h3>\n<ul>\n	<li>Eight high-quality award-winning Focusrite preamps   </li>\n	<li>Built-in eight channel 24-bit / 96 kHz digital output</li>\n	<li>Mic preamps optimised for tracking drums             </li>\n	<li>Two quality Hi-Z instrument inputs                   </li>\n	<li>5 LED input metering on every channel                </li>\n	<li>-10dB Pads on every channel                          </li>\n	<li>Direct outputs on every channel                      </li>\n	<li>48V Phantom power available on every channel         </li>\n	<li>State-of-the-art clocking solutions                  </li>\n</ul>\n<br />\n<h3>Focusrite OctoPre MK II delivers 8 channels of great-sounding mic preamplification with analog and digital outputs for maximum flexibility for your studio. For more information, talk to an RSPE representative.</h3>'),(4923,85,0,821,''),(4924,85,1,821,''),(4925,76,0,821,''),(4926,76,1,821,''),(4927,75,0,822,'<h2>Focusrite Scarlett OctoPre MK II Dynamic - 8 Channel Mic Pre with Compression</h2>\n<span style=\"font-size:16px; font-style:italic;\">8 Channels of Focsrite Mic Preamps with VCA-based Red 3-derived compressors</span><br /><br />\nThe Focusrite Scarlett OctoPre Mk II Dynamic features eight channels of Focusrite\'s famous microphone preamplification, along with eight VCA-based Red 3-derived compressors and the flexibility of built-in 24-bit / 96kHz digital inputs and outputs. Scarlett OctoPre MkII Dynamic is Focusrite’s feature-rich expansion upgrade for any digital audio workstation. It’s equally an ideal expansion for any analogue or digital console, or hard disk recorder.<br /><br />\n\nDigital inputs and outputs let you make the most of often-neglected ADAT I/O; ideal for expanding the number of mic pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed.<br /><br />\n\nWith this entire package fitting into a single 1U chassis complementing Focusrite’s Saffire PRO range, and all controls adjustable from the front fascia, Scarlett OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.<br /><br />\n<br />\n<h3>Focusrite Scarlett OctoPre MK II Key Features:</h3>\n<ul>\n	<li>Eight award-winning Focusrite preamps </li>\n	<li>Eight ‘single-dial’ Focusrite compressors </li>\n	<li>Compress transparently or with effect </li>\n	<li>Built-in eight-channel 24-bit / 96kHz digital outputs </li>\n	<li>Built-in eight channel 24-bit / 96 kHz digital inputs </li>\n	<li>State-of-the-art clocking solutions </li>\n	<li>Two high-quality instrument inputs                </li>\n</ul>\n<br />\n<h3>Focusrite OctoPre MK II Dynamic delivers 8 channels of great-sounding mic preamplification, 8 channels of Red-3 derived compressors and analog and digital outputs for maximum flexibility for your studio. For more information, talk to an RSPE representative.</h3>'),(4928,75,1,822,'<h2>Focusrite Scarlett OctoPre MK II Dynamic - 8 Channel Mic Pre with Compression</h2>\n<span style=\"font-size:16px; font-style:italic;\">8 Channels of Focsrite Mic Preamps with VCA-based Red 3-derived compressors</span><br /><br />\nThe Focusrite Scarlett OctoPre Mk II Dynamic features eight channels of Focusrite\'s famous microphone preamplification, along with eight VCA-based Red 3-derived compressors and the flexibility of built-in 24-bit / 96kHz digital inputs and outputs. Scarlett OctoPre MkII Dynamic is Focusrite’s feature-rich expansion upgrade for any digital audio workstation. It’s equally an ideal expansion for any analogue or digital console, or hard disk recorder.<br /><br />\n\nDigital inputs and outputs let you make the most of often-neglected ADAT I/O; ideal for expanding the number of mic pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed.<br /><br />\n\nWith this entire package fitting into a single 1U chassis complementing Focusrite’s Saffire PRO range, and all controls adjustable from the front fascia, Scarlett OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.<br /><br />\n<br />\n<h3>Focusrite Scarlett OctoPre MK II Key Features:</h3>\n<ul>\n	<li>Eight award-winning Focusrite preamps </li>\n	<li>Eight ‘single-dial’ Focusrite compressors </li>\n	<li>Compress transparently or with effect </li>\n	<li>Built-in eight-channel 24-bit / 96kHz digital outputs </li>\n	<li>Built-in eight channel 24-bit / 96 kHz digital inputs </li>\n	<li>State-of-the-art clocking solutions </li>\n	<li>Two high-quality instrument inputs                </li>\n</ul>\n<br />\n<h3>Focusrite OctoPre MK II Dynamic delivers 8 channels of great-sounding mic preamplification, 8 channels of Red-3 derived compressors and analog and digital outputs for maximum flexibility for your studio. For more information, talk to an RSPE representative.</h3>'),(4929,85,0,822,''),(4930,85,1,822,''),(4931,76,0,822,''),(4932,76,1,822,''),(4933,75,0,823,'<h2>Focusrite Red 4Pre Thunderbolt and Pro Tools | HD Compatible Audio Interface with Dante Connectivity</h2>\n<span style=\"font-size:16px; font-style:italic;\">54 In / 64 Out Audio Interface with exceptional clarity, sound and crystal clear conversion in a lightning fast thunderbolt interface </span><br /><br />\nFocusrites Red 4Pre combines four of Focusrite’s digitally-controlled, \'Air\' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Featuring \'parallel path summing\' conversion and beautiful yet robust design, the Red 4Pre interface is the perfect balance of form and function, delivering the sound quality and versatility engineers and producers expect from Focusrite.<br /><br />\n<br />\n<h3>Focusrite Red 4Pre Thunderbolt Interface Key Features:</h3>\n<ul>\n	<li>54 in / 64 out</li>\n	<li>Mic Pre EIN = -129dB</li>\n	<li>World class dynamic range: 118dB A/D and 121dB D/A</li>\n	<li>LED metering panel</li>\n</ul>\n<br />\n<h3>Focusrite Red 4Pre at a Glance:</h3>\n<ul>\n	<li>2 Headphone outs with individual volume control</li>\n	<li>4 Red Evolution Air-enabled Preamps</li>\n	<li>Latest Thunderbolt technology ensures interface latency of under 1.5ms</li>\n	<li>24bit, 192kHz sample rates</li>\n	<li>≤0.0009% THD+Noise</li>\n	<li>ADAT</li>\n	<li>SP/DIF</li>\n	<li>DigiLink</li>\n	<li>Thunderbolt Cable Include</li>\n</ul>\n<br />\n<h3>Versatile connectivity</h3>\nFocusrite\'s 58-in/64-out Red 4Pre includes Thunderbolt 2 connectivity for the lowest round-trip latency, in whatever DAW you use, enabling you to track and overdub with your preferred plug-ins and effects in real time, simplifying your workflow. Drop the Red 4Pre immediately, directly and seamlessly into any Pro Tools | HD system, or use it with existing Avid® interfaces, thanks to its twin DigiLink™ connectors. Dual Thunderbolt 2 ports allow daisy-chaining of additional components such as hard drives and displays. Plus the Red 4Pre is network audio enabled right out of the box, with dual Ethernet ports for Dante audio-over-IP networking, letting you expand your recording capability over Ethernet for up to 64 additional channels anywhere on your network, with low latency – and lower cost. Additional Red or other Dante-compatible components can be connected to the Ethernet ports of the Red 4Pre to provide additional channels irrespective of the interface used to drive the Red 4Pre.\n<br /><br />\n<h3>Red Evolution Air-enabled Microphone Preamplifiers</h3>\nThe Red Evolution mic pres in the Red 4Pre deliver a clear and honest audio performance with –129 dB EIN and 63dB of gain that allows plenty of room to bring your own sound to life with your choice of external processing. The mic pres can be controlled digitally, for adjusting/recalling settings and stereo linking via Focusrite Control software. They also include Focusrite\'s unique ‘Air’ effect, recreating the sound of the transformer-based mic preamps in the ISA range. When ‘Air’ is enabled, the microphone impedance is set to 2.1kΩ and the frequency response curve is given a subtle mid-high boost – all in the analogue domain.\n<br /><br />\n<h3>Exceptional converter performance</h3>\nFocusrite have been building mastering-quality digital audio converters for decades, and the converters you’ll encounter in the Red 4Pre are the best they’ve ever made, employing a \'parallel path summing\' configuration to lower the noise floor. We’ve selected high-performance, precision conversion chips and maximized sound quality through premium component selection, advanced design and optimized board layout. Red 4Pre\'s converter design strikes a precise balance between multiple factors – including dynamic range, distortion, noise floor and conversion latency – for the optimal overall sound. With 24-bit/192kHz sampling capability and 118dB(A-D)/121dB (D-A) dynamic range, it is ideal for high-resolution audio. The Red 4Pre delivers ≤0.0009% THD+Noise and a frequency response flat from 20Hz to 35kHz ±0.25 dB or better - and when we quote a specification, you can rest assured it’s what the Red 4Pre will actually give you on a real session, not a purely theoretical figure pulled from the converter chip’s data sheet.\n<br /><br />\n<h3>Focusrite\'s Lowest round-trip latency</h3>\nLow latency is a specific Focusrite design goal. Red 4Pre\'s latency is so low that you can track with your preferred plug-ins and record virtual instruments in real time. This low latency environment simplifies your workflow, allowing you to run a single mix on your DAW for both overdubbing and mixing, with your plug-ins in place, all the time.\n<br /><br />\n<h3>Expansion done right</h3>\nConnect up to 64 additional channels to the Red 4Pre via Ethernet-based Dante networking - a simple, single connection carrying both audio and built-in clocking. Whether the Red 4Pre is connected to the computer via Thunderbolt, DigiLink or Dante, simply connect units such as two RedNet A16R (32 channels of analogue I/O), four RedNet MP8R (32 channels of RedNet mic pre), or other Dante-enabled products via Ethernet as desired. Place mic preamps where the music is, and outputs where the sound needs to go – wherever there\'s an Ethernet connection. Unlike daisy-chaining via Thunderbolt, Dante lets you run additional channels over a greater distance, with low latency and lower cost, without wasting money on technology or connectivity that will not be used. And it will only get easier: look out for future enhancements offering complete plug and play Ethernet expansion functionality.\n<br /><br />\n<h3>Software included:</h3>\nRed 4Pre includes the new Focusrite Control software, providing a straightforward and intuitive way to set up mixes and monitoring, as well as controlling the mic pres – recalling settings, assigning stereo pairs, adjusting gain and enabling features such as highpass filtering and phantom power. In addition, Red 4Pre is packaged with Softube\'s Time and Tone Bundle – a unique plug-in pack including four of Softube’s professional quality plug-ins: Drawmer S73 Intelligent Master Processor, TSAR-1R Reverb, Tube Delay and Saturation Knob. Also in the box is the Focusrite Red Plug-in Suite, which accurately models Focusrite’s classic Red range 2 and 3 equalizer and compressor hardware.\n<br /><br />\n<h3>Focusrite Red 4Pre delivers great sound and crystal clear conversion at unprecedented speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4934,75,1,823,'<h2>Focusrite Red 4Pre Thunderbolt and Pro Tools | HD Compatible Audio Interface with Dante Connectivity</h2>\n<span style=\"font-size:16px; font-style:italic;\">54 In / 64 Out Audio Interface with exceptional clarity, sound and crystal clear conversion in a lightning fast thunderbolt interface </span><br /><br />\nFocusrites Red 4Pre combines four of Focusrite’s digitally-controlled, \'Air\' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Featuring \'parallel path summing\' conversion and beautiful yet robust design, the Red 4Pre interface is the perfect balance of form and function, delivering the sound quality and versatility engineers and producers expect from Focusrite.<br /><br />\n<br />\n<h3>Focusrite Red 4Pre Thunderbolt Interface Key Features:</h3>\n<ul>\n	<li>54 in / 64 out</li>\n	<li>Mic Pre EIN = -129dB</li>\n	<li>World class dynamic range: 118dB A/D and 121dB D/A</li>\n	<li>LED metering panel</li>\n</ul>\n<br />\n<h3>Focusrite Red 4Pre at a Glance:</h3>\n<ul>\n	<li>2 Headphone outs with individual volume control</li>\n	<li>4 Red Evolution Air-enabled Preamps</li>\n	<li>Latest Thunderbolt technology ensures interface latency of under 1.5ms</li>\n	<li>24bit, 192kHz sample rates</li>\n	<li>≤0.0009% THD+Noise</li>\n	<li>ADAT</li>\n	<li>SP/DIF</li>\n	<li>DigiLink</li>\n	<li>Thunderbolt Cable Include</li>\n</ul>\n<br />\n<h3>Versatile connectivity</h3>\nFocusrite\'s 58-in/64-out Red 4Pre includes Thunderbolt 2 connectivity for the lowest round-trip latency, in whatever DAW you use, enabling you to track and overdub with your preferred plug-ins and effects in real time, simplifying your workflow. Drop the Red 4Pre immediately, directly and seamlessly into any Pro Tools | HD system, or use it with existing Avid® interfaces, thanks to its twin DigiLink™ connectors. Dual Thunderbolt 2 ports allow daisy-chaining of additional components such as hard drives and displays. Plus the Red 4Pre is network audio enabled right out of the box, with dual Ethernet ports for Dante audio-over-IP networking, letting you expand your recording capability over Ethernet for up to 64 additional channels anywhere on your network, with low latency – and lower cost. Additional Red or other Dante-compatible components can be connected to the Ethernet ports of the Red 4Pre to provide additional channels irrespective of the interface used to drive the Red 4Pre.\n<br /><br />\n<h3>Red Evolution Air-enabled Microphone Preamplifiers</h3>\nThe Red Evolution mic pres in the Red 4Pre deliver a clear and honest audio performance with –129 dB EIN and 63dB of gain that allows plenty of room to bring your own sound to life with your choice of external processing. The mic pres can be controlled digitally, for adjusting/recalling settings and stereo linking via Focusrite Control software. They also include Focusrite\'s unique ‘Air’ effect, recreating the sound of the transformer-based mic preamps in the ISA range. When ‘Air’ is enabled, the microphone impedance is set to 2.1kΩ and the frequency response curve is given a subtle mid-high boost – all in the analogue domain.\n<br /><br />\n<h3>Exceptional converter performance</h3>\nFocusrite have been building mastering-quality digital audio converters for decades, and the converters you’ll encounter in the Red 4Pre are the best they’ve ever made, employing a \'parallel path summing\' configuration to lower the noise floor. We’ve selected high-performance, precision conversion chips and maximized sound quality through premium component selection, advanced design and optimized board layout. Red 4Pre\'s converter design strikes a precise balance between multiple factors – including dynamic range, distortion, noise floor and conversion latency – for the optimal overall sound. With 24-bit/192kHz sampling capability and 118dB(A-D)/121dB (D-A) dynamic range, it is ideal for high-resolution audio. The Red 4Pre delivers ≤0.0009% THD+Noise and a frequency response flat from 20Hz to 35kHz ±0.25 dB or better - and when we quote a specification, you can rest assured it’s what the Red 4Pre will actually give you on a real session, not a purely theoretical figure pulled from the converter chip’s data sheet.\n<br /><br />\n<h3>Focusrite\'s Lowest round-trip latency</h3>\nLow latency is a specific Focusrite design goal. Red 4Pre\'s latency is so low that you can track with your preferred plug-ins and record virtual instruments in real time. This low latency environment simplifies your workflow, allowing you to run a single mix on your DAW for both overdubbing and mixing, with your plug-ins in place, all the time.\n<br /><br />\n<h3>Expansion done right</h3>\nConnect up to 64 additional channels to the Red 4Pre via Ethernet-based Dante networking - a simple, single connection carrying both audio and built-in clocking. Whether the Red 4Pre is connected to the computer via Thunderbolt, DigiLink or Dante, simply connect units such as two RedNet A16R (32 channels of analogue I/O), four RedNet MP8R (32 channels of RedNet mic pre), or other Dante-enabled products via Ethernet as desired. Place mic preamps where the music is, and outputs where the sound needs to go – wherever there\'s an Ethernet connection. Unlike daisy-chaining via Thunderbolt, Dante lets you run additional channels over a greater distance, with low latency and lower cost, without wasting money on technology or connectivity that will not be used. And it will only get easier: look out for future enhancements offering complete plug and play Ethernet expansion functionality.\n<br /><br />\n<h3>Software included:</h3>\nRed 4Pre includes the new Focusrite Control software, providing a straightforward and intuitive way to set up mixes and monitoring, as well as controlling the mic pres – recalling settings, assigning stereo pairs, adjusting gain and enabling features such as highpass filtering and phantom power. In addition, Red 4Pre is packaged with Softube\'s Time and Tone Bundle – a unique plug-in pack including four of Softube’s professional quality plug-ins: Drawmer S73 Intelligent Master Processor, TSAR-1R Reverb, Tube Delay and Saturation Knob. Also in the box is the Focusrite Red Plug-in Suite, which accurately models Focusrite’s classic Red range 2 and 3 equalizer and compressor hardware.\n<br /><br />\n<h3>Focusrite Red 4Pre delivers great sound and crystal clear conversion at unprecedented speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4935,85,0,823,'Focusrite Red 4Pre Thunderbolt and Pro Tools | HD Audio Interface with Dante'),(4936,85,1,823,'Focusrite Red 4Pre Thunderbolt and Pro Tools | HD Audio Interface with Dante'),(4937,76,0,823,''),(4938,76,1,823,''),(4939,75,0,824,'<h1>Focusrite Red 8Line DigiLink / Thunderbolt 3 Audio Interface with Dante</h1>\n<i>58-In, 64-Out Thunderbolt™ 3 Audio Interface With Two Red Evolution Mic Pres, Analogue Line-Level, DigiLink, Dante®, ADAT & S/PDIF Connectivity</i><br /><br />\nFocusrite Red 8Line is a 58-input, 64-output, Thunderbolt™ 3 audio interface that features two Red Evolution mic pres, independent L/R monitor outs, eight balanced line inputs and outputs on DB25 connectors; 32 channels of Dante® I/O; 16-channel ADAT input and output (at 48kHz), and stereo S/PDIF input and output. As with other Red interfaces, it has professional-grade 24-bit/192kHz A-D and D-A conversion for no-compromise recording and audio playback. With 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted), the converters have been expertly selected and calibrated by Focusrite to provide the best balance of sound quality, dynamic range and conversion latency.<br /><br />\n<h3>Focusrite Red 8Line Features:</h3>\n<ul>\n	<li>High-performance 24-bit/192kHz A-D and D-A conversion with 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted)</li><li>Seamless multi-platform workflow enables switching between different DAWs in seconds, using the front panel or control software</li><li>Two Red Evolution remote-controllable mic preamps provide up to 63dB of ultra- clean gain, with phantom power, high-pass filter, phase reverse and Air mode</li><li>Latest implementation of Thunderbolt 3 ultra-low-latency drivers for Mac and PC provide the flexibility to use DAW plug-ins in real-time</li><li>Dual Thunderbolt ports as standard enable daisy-chaining of devices such as plug-in accelerators, hard drives and external 4K displays</li><li>Twin mini-DigiLink ports provide connectivity directly to Pro Tools | HD cards, with no need for device expansion</li><li>Dual Dante ports enable connection to the industry standard Audio-over-IP protocol, for easy expansion and interoperability with other digital devices</li><li>Monitor control supports mono, stereo and multi- channel monitoring environments up to 10 channels, including 7.1.2</li><li>Extensive analogue I/O provided by eight line inputs and outputs on DB25; independent L/R monitor outputs; independent Red Evolution mic preamps, plus two stereo headphones outputs</li><li>Three LCDs provide highly accurate level metering for any input or output block, as well as for main monitor and headphone outputs</li><li>RedNet Control allows quick setup of complex monitoring and routing configurations, and control of the preamps remotely</li><li>High-fidelity dual headphone outputs are powerful enough to deliver loud audio on high-impedance headphones</li><li>Dual front-panel instrument connections ensure immediate access to instrument inputs, even when racked</li><li>New Windows 10 Thunderbolt drivers make Red 8Line compatible with PC-based audio systems</li><li>Focusrite software bundle includes the Brainworx bx_console Focusrite SC channel strip from the original Focusrite Studio Console, plus Red 2 and Red 3 EQ and Compression plug-ins, which accurately reproduce the sonic qualities of the original Red hardware. Focusrite Plug-in Collective membership provides access to frequent free downloads from the most innovative music software brands</li>\n</ul>\n<br />\n<ul>\n</ul>\n<h3>Focusrite Red 8Line In Depth</h3><div>The Focusrite Red range is the best choice for professionals who work in Pro Tools™ | HD and other DAWs — on both Mac and PC. With both mini-DigiLink and Thunderbolt 3 connections, it\'s possible to instantly switch between Pro Tools and other DAW applications without the need to reconfigure your audio settings. Simply change the host mode either in RedNet Control software, or using the Red 8Line front panel, to change DAWs in seconds. This ability to quickly switch between production environments means you\'ll never lose that moment of inspiration, or leave your clients waiting.<br /><br /><span style=\"background-color: initial;\">Red 8Line features the latest implementation of Thunderbolt 3, with Focusrite\'s session-proven, ultra-low-latency, rock-solid Thunderbolt drivers. This speed provides the flexibility to use DAW plug-ins in real time, so you can harness the processing power of your DAW to track through plug-ins and record virtual instruments. With two Thunderbolt 3 ports as standard, it\'s also possible to daisy-chain Thunderbolt devices, such as third-party plug-in accelerators, hard drives, external 4K displays, processing units and Thunderbolt hubs.<br /><br /></span><span style=\"background-color: initial;\">On-board Dante connectivity enables Red 8Line to communicate with industry-standard Audio-over-IP equipment from hundreds of manufacturers. Dante makes it easy to expand your system, embrace new ways of working, and discover rapid system expansion using Focusrite RedNet interfaces or devices from third parties such as Neve, Yamaha and DiGiCo. Red 8Line has built-in monitor control for mono, stereo and multi-channel monitoring environments up to 7.1.2. Compatibility with the new Focusrite RedNet R1 desktop remote controller allows even greater flexibility, and customised presets for immersive monitoring environments including Dolby Atmos®.</span></div><br />'),(4940,75,1,824,'<h1>Focusrite Red 8Line DigiLink / Thunderbolt 3 Audio Interface with Dante</h1>\n<i>58-In, 64-Out Thunderbolt™ 3 Audio Interface With Two Red Evolution Mic Pres, Analogue Line-Level, DigiLink, Dante®, ADAT & S/PDIF Connectivity</i><br /><br />\nFocusrite Red 8Line is a 58-input, 64-output, Thunderbolt™ 3 audio interface that features two Red Evolution mic pres, independent L/R monitor outs, eight balanced line inputs and outputs on DB25 connectors; 32 channels of Dante® I/O; 16-channel ADAT input and output (at 48kHz), and stereo S/PDIF input and output. As with other Red interfaces, it has professional-grade 24-bit/192kHz A-D and D-A conversion for no-compromise recording and audio playback. With 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted), the converters have been expertly selected and calibrated by Focusrite to provide the best balance of sound quality, dynamic range and conversion latency.<br /><br />\n<h3>Focusrite Red 8Line Features:</h3>\n<ul>\n	<li>High-performance 24-bit/192kHz A-D and D-A conversion with 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted)</li><li>Seamless multi-platform workflow enables switching between different DAWs in seconds, using the front panel or control software</li><li>Two Red Evolution remote-controllable mic preamps provide up to 63dB of ultra- clean gain, with phantom power, high-pass filter, phase reverse and Air mode</li><li>Latest implementation of Thunderbolt 3 ultra-low-latency drivers for Mac and PC provide the flexibility to use DAW plug-ins in real-time</li><li>Dual Thunderbolt ports as standard enable daisy-chaining of devices such as plug-in accelerators, hard drives and external 4K displays</li><li>Twin mini-DigiLink ports provide connectivity directly to Pro Tools | HD cards, with no need for device expansion</li><li>Dual Dante ports enable connection to the industry standard Audio-over-IP protocol, for easy expansion and interoperability with other digital devices</li><li>Monitor control supports mono, stereo and multi- channel monitoring environments up to 10 channels, including 7.1.2</li><li>Extensive analogue I/O provided by eight line inputs and outputs on DB25; independent L/R monitor outputs; independent Red Evolution mic preamps, plus two stereo headphones outputs</li><li>Three LCDs provide highly accurate level metering for any input or output block, as well as for main monitor and headphone outputs</li><li>RedNet Control allows quick setup of complex monitoring and routing configurations, and control of the preamps remotely</li><li>High-fidelity dual headphone outputs are powerful enough to deliver loud audio on high-impedance headphones</li><li>Dual front-panel instrument connections ensure immediate access to instrument inputs, even when racked</li><li>New Windows 10 Thunderbolt drivers make Red 8Line compatible with PC-based audio systems</li><li>Focusrite software bundle includes the Brainworx bx_console Focusrite SC channel strip from the original Focusrite Studio Console, plus Red 2 and Red 3 EQ and Compression plug-ins, which accurately reproduce the sonic qualities of the original Red hardware. Focusrite Plug-in Collective membership provides access to frequent free downloads from the most innovative music software brands</li>\n</ul>\n<br />\n<ul>\n</ul>\n<h3>Focusrite Red 8Line In Depth</h3><div>The Focusrite Red range is the best choice for professionals who work in Pro Tools™ | HD and other DAWs — on both Mac and PC. With both mini-DigiLink and Thunderbolt 3 connections, it\'s possible to instantly switch between Pro Tools and other DAW applications without the need to reconfigure your audio settings. Simply change the host mode either in RedNet Control software, or using the Red 8Line front panel, to change DAWs in seconds. This ability to quickly switch between production environments means you\'ll never lose that moment of inspiration, or leave your clients waiting.<br /><br /><span style=\"background-color: initial;\">Red 8Line features the latest implementation of Thunderbolt 3, with Focusrite\'s session-proven, ultra-low-latency, rock-solid Thunderbolt drivers. This speed provides the flexibility to use DAW plug-ins in real time, so you can harness the processing power of your DAW to track through plug-ins and record virtual instruments. With two Thunderbolt 3 ports as standard, it\'s also possible to daisy-chain Thunderbolt devices, such as third-party plug-in accelerators, hard drives, external 4K displays, processing units and Thunderbolt hubs.<br /><br /></span><span style=\"background-color: initial;\">On-board Dante connectivity enables Red 8Line to communicate with industry-standard Audio-over-IP equipment from hundreds of manufacturers. Dante makes it easy to expand your system, embrace new ways of working, and discover rapid system expansion using Focusrite RedNet interfaces or devices from third parties such as Neve, Yamaha and DiGiCo. Red 8Line has built-in monitor control for mono, stereo and multi-channel monitoring environments up to 7.1.2. Compatibility with the new Focusrite RedNet R1 desktop remote controller allows even greater flexibility, and customised presets for immersive monitoring environments including Dolby Atmos®.</span></div><br />'),(4941,85,0,824,''),(4942,85,1,824,''),(4943,76,0,824,''),(4944,76,1,824,''),(4945,75,0,825,'<h2>Focusrite Red 8Pre Thunderbolt and Pro Tools | HD Compatible Audio Interface with Dante Connectivity</h2>\n<span style=\"font-size: 16px;\"><i>64-in / 64-out audio interface with eight digitally-controlled, \'Air\' enabled, Red Evolution mic preamps and dual Thunderbolt™ 2, Pro Tools|HD and Dante™ network audio connectivity.</i></span><br /><br />\nFocusrite Red 8Pre combines eight of Focusrite’s digitally-controlled, \'Air\' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Featuring \'parallel path summing\' conversion and beautiful yet robust design, the Red 8Pre interface is the perfect balance of form and function, delivering the sound quality and versatility engineers and producers expect from Focusrite.<br /><br />\n<br />\n<h3>Focusrite Red 8Pre Thunderbolt Interface Key Features:</h3>\n<ul>\n	<li>64 inputs/64 outputs - inc 16-in /18-out analogue I/O</li>\n	<li>1.67ms round-trip latency - record with plug-ins in real time</li>\n	<li>Precision 24-bit/192kHz conversion, with up to 121dB dynamic range</li>\n	<li>Color LCD displays and assignable controls for simple and quick operation</li>\n</ul>\n<br />\n<h3>Focusrite Red 8Pre at a Glance:</h3>\n<ul>\n	<li>\'Parallel path summing\' conversion for lower noise</li>\n	<li>Optimal combination of sound quality, noise floor, dynamic range and conversion latency.</li>\n	<li>Perfect for high-resolution audio.</li>\n	<li>Both front panel and software control</li>\n	<li>Dual Thunderbolt™ 2 ports for daisy-chaining</li>\n	<li>Direct Pro Tools DigiLink™ connection</li>\n	<li>Dante Network Audio enabled</li>\n	<li>Add up to 32 extra inputs and outputs via Ethernet </li>\n	<li>Front-panel instrument inputs</li>\n	<li>Focusrite Control Software and free plug-ins included</li>\n	<li>Focusrite\'s best interface series yet. </li>\n</ul>\n<br />\n<h3>Focusrite Red 8Pre In Depth</h3>\nThere\'s never been a better Focusrite audio interface range than the Red Range. The second member of this acclaimed new series, the Red 8Pre features eight new, specially-developed \'Red Evolution\' mic preamps with \'Air\' transformer emulation, high-headroom instrument inputs, a new low-noise conversion design plus a grand total of 64 inputs and 64 outputs (including 16 analogue inputs and 18 analogue outputs), Red 8Pre incorporates dual Thunderbolt™ 2 ports for round-trip latency as low as 1.67ms, and direct connection to Pro Tools | HD systems. Add to that the ability to connect up to 32 additional inputs and outputs via Dante™ Ethernet-based audio networking and you have one of the most advanced, best-sounding, and most versatile interfaces available today.\n<br /><br />\nThe eight digitally-controlled mic pres – which can be controlled from software or by using the clean, clear front panel controls and colour LCD displays – deliver clear, honest audio performance with –129 dB EIN and 63dB of gain, and include Focusrite\'s unique ‘Air’ effect, authentically recreating the sound of the transformer-based preamps in the classic ISA range - ideal for bringing out the breathy quality of a vocal or adding presence to an acoustic guitar. Red 8Pre\'s new high-performance conversion system features \'parallel path summing\', where two matched converters are run in parallel to increase the signal to noise ratio. They operate at up to 24-bit, 192 kHz sampling - ideal for high-resolution audio - with a dynamic range of 118dB (A-D)/121dB (D-A). The Red 4Pre delivers ≤0.0009% THD+Noise and a frequency response flat from 20Hz to 35kHz ±0.25 dB.<br /><br />\nRed 8Pre offers exceptional connectivity. Not only does the Red 8Pre deliver Thunderbolt 2 capability - with dual ports, so you can daisy-chain your hard drives or displays - and our lowest round-trip latency; it also includes dual DigiLink™ connectors for direct connection to Pro Tools | HD systems and Avid® interfaces. And in addition, Dante Ethernet-based audio networking - the studio interconnect of the future - is built-in. Add up to 32 extra inputs and outputs right where you need them, with any combination of Dante interface, including Focusrite\'s own RedNet range, for low latency and lower-cost expansion - wherever there\'s an Ethernet cable.<br /><br />\nWith its extensive capabilities and beautiful yet robust design, the Red 8Pre represents the perfect balance of form and function, delivering the sound quality, transparency and versatility that audio professionals across the world expect from Focusrite.\n<br /><br />\n<h3>Included in Red 8Pre Box:</h3>\n<ul>\n	<li>Red 8Pre  </li>\n	<li>Power Cable </li>\n	<li>Getting Started Guide  </li>\n	<li>2m Thunderbolt™ Cable </li>\n</ul>\n<br />\n<h3>Focusrite Red 8Pre delivers great sound and crystal clear conversion at unprecedented thunderbolt 2 speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4946,75,1,825,'<h2>Focusrite Red 8Pre Thunderbolt and Pro Tools | HD Compatible Audio Interface with Dante Connectivity</h2>\n<span style=\"font-size: 16px;\"><i>64-in / 64-out audio interface with eight digitally-controlled, \'Air\' enabled, Red Evolution mic preamps and dual Thunderbolt™ 2, Pro Tools|HD and Dante™ network audio connectivity.</i></span><br /><br />\nFocusrite Red 8Pre combines eight of Focusrite’s digitally-controlled, \'Air\' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Featuring \'parallel path summing\' conversion and beautiful yet robust design, the Red 8Pre interface is the perfect balance of form and function, delivering the sound quality and versatility engineers and producers expect from Focusrite.<br /><br />\n<br />\n<h3>Focusrite Red 8Pre Thunderbolt Interface Key Features:</h3>\n<ul>\n	<li>64 inputs/64 outputs - inc 16-in /18-out analogue I/O</li>\n	<li>1.67ms round-trip latency - record with plug-ins in real time</li>\n	<li>Precision 24-bit/192kHz conversion, with up to 121dB dynamic range</li>\n	<li>Color LCD displays and assignable controls for simple and quick operation</li>\n</ul>\n<br />\n<h3>Focusrite Red 8Pre at a Glance:</h3>\n<ul>\n	<li>\'Parallel path summing\' conversion for lower noise</li>\n	<li>Optimal combination of sound quality, noise floor, dynamic range and conversion latency.</li>\n	<li>Perfect for high-resolution audio.</li>\n	<li>Both front panel and software control</li>\n	<li>Dual Thunderbolt™ 2 ports for daisy-chaining</li>\n	<li>Direct Pro Tools DigiLink™ connection</li>\n	<li>Dante Network Audio enabled</li>\n	<li>Add up to 32 extra inputs and outputs via Ethernet </li>\n	<li>Front-panel instrument inputs</li>\n	<li>Focusrite Control Software and free plug-ins included</li>\n	<li>Focusrite\'s best interface series yet. </li>\n</ul>\n<br />\n<h3>Focusrite Red 8Pre In Depth</h3>\nThere\'s never been a better Focusrite audio interface range than the Red Range. The second member of this acclaimed new series, the Red 8Pre features eight new, specially-developed \'Red Evolution\' mic preamps with \'Air\' transformer emulation, high-headroom instrument inputs, a new low-noise conversion design plus a grand total of 64 inputs and 64 outputs (including 16 analogue inputs and 18 analogue outputs), Red 8Pre incorporates dual Thunderbolt™ 2 ports for round-trip latency as low as 1.67ms, and direct connection to Pro Tools | HD systems. Add to that the ability to connect up to 32 additional inputs and outputs via Dante™ Ethernet-based audio networking and you have one of the most advanced, best-sounding, and most versatile interfaces available today.\n<br /><br />\nThe eight digitally-controlled mic pres – which can be controlled from software or by using the clean, clear front panel controls and colour LCD displays – deliver clear, honest audio performance with –129 dB EIN and 63dB of gain, and include Focusrite\'s unique ‘Air’ effect, authentically recreating the sound of the transformer-based preamps in the classic ISA range - ideal for bringing out the breathy quality of a vocal or adding presence to an acoustic guitar. Red 8Pre\'s new high-performance conversion system features \'parallel path summing\', where two matched converters are run in parallel to increase the signal to noise ratio. They operate at up to 24-bit, 192 kHz sampling - ideal for high-resolution audio - with a dynamic range of 118dB (A-D)/121dB (D-A). The Red 4Pre delivers ≤0.0009% THD+Noise and a frequency response flat from 20Hz to 35kHz ±0.25 dB.<br /><br />\nRed 8Pre offers exceptional connectivity. Not only does the Red 8Pre deliver Thunderbolt 2 capability - with dual ports, so you can daisy-chain your hard drives or displays - and our lowest round-trip latency; it also includes dual DigiLink™ connectors for direct connection to Pro Tools | HD systems and Avid® interfaces. And in addition, Dante Ethernet-based audio networking - the studio interconnect of the future - is built-in. Add up to 32 extra inputs and outputs right where you need them, with any combination of Dante interface, including Focusrite\'s own RedNet range, for low latency and lower-cost expansion - wherever there\'s an Ethernet cable.<br /><br />\nWith its extensive capabilities and beautiful yet robust design, the Red 8Pre represents the perfect balance of form and function, delivering the sound quality, transparency and versatility that audio professionals across the world expect from Focusrite.\n<br /><br />\n<h3>Included in Red 8Pre Box:</h3>\n<ul>\n	<li>Red 8Pre  </li>\n	<li>Power Cable </li>\n	<li>Getting Started Guide  </li>\n	<li>2m Thunderbolt™ Cable </li>\n</ul>\n<br />\n<h3>Focusrite Red 8Pre delivers great sound and crystal clear conversion at unprecedented thunderbolt 2 speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4947,85,0,825,''),(4948,85,1,825,''),(4949,76,0,825,''),(4950,76,1,825,''),(4951,75,0,826,'<h2>Focusrite Red 16Line Pro Tools | HD and Thunderbolt Audio Interface with Dante Connectivity</h2>\n<span style=\"font-size: 16px;\"><i>64-in / 64-out premium audio interface with two digitally-controlled Red Evolution mic preamps and dual Thunderbolt™ 3, Pro Tools | HD and Dante™ network audio connectivity.</i></span><br /><br />\nFocusrite Red 16Line is a 64x64 Pro Tools | HD™ and dual Thunderbolt™ 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio.<br /><br />\n<h3>Focusrite Red 16Line Features:</h3>\n<ul>\n	<li>64 x 64 Pro Tools | HD and dual Thunderbolt 3 audio interface - inc 16-in / 18-out analogue I/O</li><li>Two Red Evolution mic preamps</li>\n	<li>Ultra-low round-trip latency - record with plug-ins in real time</li><li>Networked audio expansion over Dante</li>\n	<li>Precision 24-bit/192kHz conversion, with up to 121dB dynamic range</li>\n	<li>Color LCD displays and assignable controls for simple and quick operation</li>\n</ul>\n<br /><ul>\n</ul>\n\n<h3>Focusrite Red 16Line In Depth</h3>\n\n	The Focusrite Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink connectors and Thunderbolt connections, it\'s now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. The host mode can be simply changed either in the remote control software, or on the device front panel to change DAWs in seconds.\n<br /><br />\n	High-performance audio converters with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted) have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in Focusrite\'s best-quality audio interface. Red’s ultra-low round trip latency completely transforms workflows. For those used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Mixes can be built on the DAW and used whether overdubbing (monitoring the input being recording with the Focusrite Control software mixer) or playing back, with all plug-ins in place, all the time.\n<br /><br />\n	Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp. With a dual-port Dante card, studios will be able to be expanded over Ethernet for more channels at higher sample rates, anywhere in the network, at lower latency and lower cost.\n<br /><br />\n<h3>Focusrite Red16Line delivers great sound and crystal clear conversion at unprecedented thunderbolt 3 speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4952,75,1,826,'<h2>Focusrite Red 16Line Pro Tools | HD and Thunderbolt Audio Interface with Dante Connectivity</h2>\n<span style=\"font-size: 16px;\"><i>64-in / 64-out premium audio interface with two digitally-controlled Red Evolution mic preamps and dual Thunderbolt™ 3, Pro Tools | HD and Dante™ network audio connectivity.</i></span><br /><br />\nFocusrite Red 16Line is a 64x64 Pro Tools | HD™ and dual Thunderbolt™ 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio.<br /><br />\n<h3>Focusrite Red 16Line Features:</h3>\n<ul>\n	<li>64 x 64 Pro Tools | HD and dual Thunderbolt 3 audio interface - inc 16-in / 18-out analogue I/O</li><li>Two Red Evolution mic preamps</li>\n	<li>Ultra-low round-trip latency - record with plug-ins in real time</li><li>Networked audio expansion over Dante</li>\n	<li>Precision 24-bit/192kHz conversion, with up to 121dB dynamic range</li>\n	<li>Color LCD displays and assignable controls for simple and quick operation</li>\n</ul>\n<br /><ul>\n</ul>\n\n<h3>Focusrite Red 16Line In Depth</h3>\n\n	The Focusrite Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink connectors and Thunderbolt connections, it\'s now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. The host mode can be simply changed either in the remote control software, or on the device front panel to change DAWs in seconds.\n<br /><br />\n	High-performance audio converters with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted) have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in Focusrite\'s best-quality audio interface. Red’s ultra-low round trip latency completely transforms workflows. For those used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Mixes can be built on the DAW and used whether overdubbing (monitoring the input being recording with the Focusrite Control software mixer) or playing back, with all plug-ins in place, all the time.\n<br /><br />\n	Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp. With a dual-port Dante card, studios will be able to be expanded over Ethernet for more channels at higher sample rates, anywhere in the network, at lower latency and lower cost.\n<br /><br />\n<h3>Focusrite Red16Line delivers great sound and crystal clear conversion at unprecedented thunderbolt 3 speeds for a latency and hassle free recording experience. For more information, talk to an RSPE representative.</h3>'),(4953,85,0,826,''),(4954,85,1,826,''),(4955,76,0,826,''),(4956,76,1,826,''),(4957,75,0,827,'<h1>Focusrite RedNet A16R MkII - 16x16 Analog I/O Dante Interface</h1>\n<i>RedNet A16R MkII is a 16x16 line-level analog interface, perfect for getting 16 channels of analogue audio on or off a Dante Audio-over-IP network</i><br /><br />\nFocusrite <span style=\"background-color: initial;\">RedNet A16R MkII is a 16-channel analogue interface for Dante® networks, with two channels of AES3 I/O. Precision A-D and D-A conversion provides 119dB of dynamic range, flat from 20Hz - 20kHz (+/- 0.15dB). Individual input and output channel level controls allow for precise adjustment of all I/O levels using RedNet Control. With two power supplies and primary and secondary EtherCON network connectors, RedNet A16R MkII is perfect for critical-path applications in recording, post production, live sound and broadcast. Built-in redundancy features allow for silent fail-over in the event of power or network outage, providing reassurance for system technicians.<br /><br /></span><span style=\"background-color: initial;\">Analogue inputs and outputs are connected through four rear-panel AES59 standard DB25 connectors, while an additional pair of AES3 I/O is provided through male and female XLR for added flexibility. The XLR input can accept DARS signals in addition to AES3. Word Clock I/O on BNC connectors allows external devices to clock to RedNet A16R MkII, or alternatively allows RedNet A16R MkII to act as a network clock grand master, following an external input.<br /><br /></span><span style=\"background-color: initial;\">RedNet A16R MkII is well suited to both permanent installation and repeated strike and setup: all connectors lock and remain terminated even under stress, providing worry-free installation and peace of mind once situated in a rack. In addition, all Focusrite Pro products come with a three-year warranty and award-winning customer support.</span><span style=\"background-color: initial;\"><br /></span><br />\n<h3>RedNet A16R MkII Features</h3>\n<ul>\n	<li>16 channels of high-quality line-level analogue I/O for Dante Audio-over-IP networks</li><li>Individual input/output channel level control and calibration available in +/- 1db increments via digital trim fader with mute and dim functions</li><li>24-bit precision conversion up to 192kHz</li><li>119dB dynamic range, flat from 20Hz – 20kHz, +/-0.15dB</li><li>Software-selectable +24dBu or +18dBu level alignment</li><li>AES67, AES70 and SMPTE 2110 compliant</li><li>Dual power supplies and network connections with full power and network redundancy including locking connectors for maximum reliability</li><li>Word Clock I/O and DARS input for increased flexibility plus an additional two channels of AES3 I/O</li><li>Analogue I/O to AES59 standard DB25 connectors</li><li>Comprehensive front-panel metering and indicators</li><li>RedNet Control remote monitoring software with powerful graphic user interface</li>\n</ul>\n<br />\n<h2>Rednet Audio-Over-IP</h2>\n	Leveraging the flexibility of Dante™, Focusrite\'s audio-over-IP devices deliver a modular approach to building up your audio solution, whether for Post Production, Broadcast, Live Sound or the Recording Studio. The range includes our finest remote-controlled mic pres, best conversion and a wide selection of PC interfacing options.\n<br /><br />\nRedNet interfaces offer a selection of dedicated audio-over-IP interfaces including MADI, AES3, analog, remote mic pres, and include options for redundant power supplies and network connections. Red interfaces offer an all-in-one audio solution including 32x32 of Dante I/O combined with Pro Tools | HD™ connectivity and the latest Thunderbolt interfacing technology. Many of our interfaces are also AES67 compliant; please visit a product page for further information.\n<br /><br />\nAll of Focusrite\'s audio-over-IP devices are compatible with a standard layer-3 IP network; in fact it\'s likely that nearly every facility already has a compatible infrastructure. Just add Ethernet cable and a network switch to build up your audio network\n<br /><br />\n<h3>Key Dante Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Sonic excellence – Advanced A-D and D-A conversion, premium multi-layered board circuitry and rock steady JetPLL clocking delivers extremely clean, transparent audio with extensive dynamic range and 24-bit, 192kHz sampling.</span></li><li>Dante audio networking – The power and flexibility of Dante is harnessed to build an extremely scalable, modular audio system that is compatible with any other Dante-enabled device.</li><li>Redundancy – Some devices feature dual power supplies and dual network connections allowing for silent fail-over in the event of power or network outage, providing peace of mind.</li><li>Extensive compatibility – a wide range of connectivity options are available, including analogue, MADI, AES3, Mac, Windows, Pro Tools | HD and of course other Dante products.</li>\n</ul>\n<br />\n<h3>Rednet gives you reliable, scalable, robust digital audio networking. Call or chat with an RSPE representative for more in-depth information, or assistance configuring Focusrite RedNet Networking for your studio.</h3>'),