(8678,75,1,1447,'<h1>PMC result6 + UA <span style=\"letter-spacing: -0.02em; background-color: initial;\">Apollo Twin X DUO Heritage Edition</span><span style=\"letter-spacing: -0.02em; background-color: initial;\"> </span><span style=\"letter-spacing: -0.02em; background-color: initial;\">Studio Recording Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio Apollo Twin X DUO and a UA Premium Plug-In Suite. This bundle will transform your home setup into a Professional-style Recording Suite. <br /><hr />\n<h3>PMC result6 Studio Monitors</h3>\nThe PMC Loudspeakers result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration. With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.\n<br /><br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wallmounted and precisely positioned.</li>\n</ul>\n<hr id=\"horizontalrule\" />\n<h3>Universal Audio Apollo Twin X DUO Heritage Edition</h3>\nThe Universal Audio Apollo Twin X DUO Desktop Thunderbolt 3 Audio Interface delivers elite-class A/D and D/A conversion, two Unison-enabled preamps, and DUO Core realtime UAD plug-in processing — all in a sleek desktop Thunderbolt 3 audio interface for Mac and Windows. \n<br /><br />\n<h3>Apollo Twin X DUO Key Features</h3>\n	<ul>\n		<li><span style=\"background-color: initial; letter-spacing: 0px;\">Desktop 10 x 6 Thunderbolt 3 audio interface for Mac and Windows</span></li><li>Elite-class A/D and D/A conversion derived from the Apollo X rackmount interfaces</li><li>2 Unison mic preamps offer stunning models of classic tube and transformer-based mic preamps and guitar amps</li><li>UAD-2 DUO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency</li><li>Front-panel Unison-enabled Hi-Z instrument input and headphone out</li><li>Built-in Talkback mic for communication with studio talent and recording slate cues</li><li>Dedicated monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls</li><li>Up to 8 channels of additional digital input via optical ADAT/SPDIF input</li><li>Includes the \"Realtime Analog Classics\" UAD plug-in bundle featuring the Teletronix LA-2A and 1176 compressors, Pultec EQs, UA 610-B Tube Preamp & EQ, and more*</li><li>Runs UAD Powered Plug-Ins via VST, RTAS, AU, and AAX 64 in all major DAWs</li><li>Uncompromising analog design, superior components, and premium build quality</li><li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</li>\n	</ul>\n	<br />\n<h3>The PMC result6 and Universal Audio Apollo Twin X DUO Heritage Bundle won\'t be around long! Buy now and save!</h3>'),(8679,85,0,1447,'PMC result6 and UA Apollo Twin X DUO Heritage Edition Studio Recording Bundle'),(8680,85,1,1447,'PMC result6 and UA Apollo Twin X DUO Heritage Edition Studio Recording Bundle'),(8681,76,0,1447,''),(8682,76,1,1447,''),(8683,75,0,1448,'<h1>PMC result6 + UA <span style=\"letter-spacing: -0.02em; background-color: initial;\">Apollo Twin X QUAD Heritage Edition</span><span style=\"letter-spacing: -0.02em; background-color: initial;\"> </span><span style=\"letter-spacing: -0.02em; background-color: initial;\">Studio Recording Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio Apollo Twin X QUAD and a UA Premium Plug-In Suite. This bundle will transform your home setup into a Professional-style Recording Suite. <br /><hr />\n<h3>PMC result6 Studio Monitors</h3>\nThe \n<a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration.  With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.<br /><br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wallmounted and precisely positioned.</li>\n</ul>\n<hr id=\"horizontalrule\" />\n<h3>Universal Audio Apollo Twin X QUAD Heritage Edition</h3>\n	The Universal Audio Apollo Twin X QUAD Desktop Thunderbolt 3 Audio Interface delivers elite-class A/D and D/A conversion, two Unison-enabled preamps, and QUAD Core realtime UAD plug-in processing — all in a sleek desktop Thunderbolt 3 audio interface for Mac and Windows.\n	Built upon Universal Audio\'s 60-year heritage of audio craftsmanship, Apollo Twin X confidently outperforms everything in its class, with 127 dB D/A dynamic range and an included bundle of acclaimed UAD analog emulation plug-ins, giving you a fully-stocked analog studio, right on your desktop.<br /> <br />\n	<h3>Apollo Twin X QUAD Key Features</h3>\n	\n\n	<ul>\n		<li><span style=\"background-color: initial; letter-spacing: 0px;\">Desktop 10 x 6 Thunderbolt 3 audio interface for Mac and Windows</span></li><li>Elite-class A/D and D/A conversion derived from the Apollo X rackmount interfaces</li><li>2 Unison mic preamps offer stunning models of classic tube and transformer-based mic preamps and guitar amps</li><li>UAD-2 QUAD Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency</li><li>Front-panel Unison-enabled Hi-Z instrument input and headphone out</li><li>Built-in Talkback mic for communication with studio talent and recording slate cues</li><li>Dedicated monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls</li><li>Up to 8 channels of additional digital input via optical ADAT/SPDIF input</li><li>Includes the \"Realtime Analog Classics\" UAD plug-in bundle featuring the Teletronix LA-2A and 1176 compressors, Pultec EQs, UA 610-B Tube Preamp & EQ, and more*</li><li>Runs UAD Powered Plug-Ins via VST, RTAS, AU, and AAX 64 in all major DAWs</li><li>Uncompromising analog design, superior components, and premium build quality</li><li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</li>\n		\n	</ul>\n	<br />\n<h3>The PMC result6 and Universal Audio Apollo Twin X QUAD Heritage Bundle won\'t be around long! Buy now and save!</h3>'),(8684,75,1,1448,'<h1>PMC result6 + UA <span style=\"letter-spacing: -0.02em; background-color: initial;\">Apollo Twin X QUAD Heritage Edition</span><span style=\"letter-spacing: -0.02em; background-color: initial;\"> </span><span style=\"letter-spacing: -0.02em; background-color: initial;\">Studio Recording Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio Apollo Twin X QUAD and a UA Premium Plug-In Suite. This bundle will transform your home setup into a Professional-style Recording Suite. <br /><hr />\n<h3>PMC result6 Studio Monitors</h3>\nThe \n<a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration.  With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.<br /><br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wallmounted and precisely positioned.</li>\n</ul>\n<hr id=\"horizontalrule\" />\n<h3>Universal Audio Apollo Twin X QUAD Heritage Edition</h3>\n	The Universal Audio Apollo Twin X QUAD Desktop Thunderbolt 3 Audio Interface delivers elite-class A/D and D/A conversion, two Unison-enabled preamps, and QUAD Core realtime UAD plug-in processing — all in a sleek desktop Thunderbolt 3 audio interface for Mac and Windows.\n	Built upon Universal Audio\'s 60-year heritage of audio craftsmanship, Apollo Twin X confidently outperforms everything in its class, with 127 dB D/A dynamic range and an included bundle of acclaimed UAD analog emulation plug-ins, giving you a fully-stocked analog studio, right on your desktop.<br /> <br />\n	<h3>Apollo Twin X QUAD Key Features</h3>\n	\n\n	<ul>\n		<li><span style=\"background-color: initial; letter-spacing: 0px;\">Desktop 10 x 6 Thunderbolt 3 audio interface for Mac and Windows</span></li><li>Elite-class A/D and D/A conversion derived from the Apollo X rackmount interfaces</li><li>2 Unison mic preamps offer stunning models of classic tube and transformer-based mic preamps and guitar amps</li><li>UAD-2 QUAD Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency</li><li>Front-panel Unison-enabled Hi-Z instrument input and headphone out</li><li>Built-in Talkback mic for communication with studio talent and recording slate cues</li><li>Dedicated monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls</li><li>Up to 8 channels of additional digital input via optical ADAT/SPDIF input</li><li>Includes the \"Realtime Analog Classics\" UAD plug-in bundle featuring the Teletronix LA-2A and 1176 compressors, Pultec EQs, UA 610-B Tube Preamp & EQ, and more*</li><li>Runs UAD Powered Plug-Ins via VST, RTAS, AU, and AAX 64 in all major DAWs</li><li>Uncompromising analog design, superior components, and premium build quality</li><li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</li>\n		\n	</ul>\n	<br />\n<h3>The PMC result6 and Universal Audio Apollo Twin X QUAD Heritage Bundle won\'t be around long! Buy now and save!</h3>'),(8685,85,0,1448,'PMC result6 and UA Apollo Twin X QUAD Heritage Edition Studio Recording Bundle'),(8686,85,1,1448,'PMC result6 and UA Apollo Twin X QUAD Heritage Edition Studio Recording Bundle'),(8687,76,0,1448,''),(8688,76,1,1448,''),(8689,75,0,1449,'<h1>PMC result6 + UA <span style=\"letter-spacing: -0.02em;\">Apollo </span>Apollo x16 Heritage <span style=\"letter-spacing: -0.02em;\">Edition</span><span style=\"letter-spacing: -0.02em; background-color: initial;\"> </span><span style=\"letter-spacing: -0.02em; background-color: initial;\">Studio Recording Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio x16 Heritage Edition. This bundle will transform your home setup into a Professional-style Recording Suite. <br /><hr />\n<h3>PMC result6 Studio Monitors</h3>\nThe \n<a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration.  With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.<br /><br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wallmounted and precisely positioned.</li>\n</ul>\n<hr id=\"horizontalrule\" />\n<h3>Universal Audio Apollo x16 Heritage Edition</h3>\n<div>\n	<div>\n		<div>\n			The Universal Audio Apollo x16, The flagship of the Apollo x line, allows music producers, project, and post-production studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.\n		</div>\n		<div>\n			Built upon UA’s 60-year heritage of audio craftsmanship, this 18 x 20 interface boasts the widest dynamic range (133 dB) and lowest THD+N (-129 dB), of any integrated audio interface on the market. Plus, with all-new HEXA Core processing, you’ll get 50% more DSP for running acclaimed UAD Powered Plug-Ins in real time.\n		</div>\n	</div>\n	<br />\n</div>\n\n	<h3>Apollo x16 Key Features</h3><ul><li>18 x 20 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion</li><li>HEXA Core Realtime UAD Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size</li><li>Surround monitor controller up to 7.1 format</li><li>Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp; Legacy Pultec EQ, LA-2A, and 1176 compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more</li><li>UAD-2 HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs</li><li>Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 via optional adapter</li><li>Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines</li><li>Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono</li><li>Uncompromising UA analog design, superior components, and premium build quality</li><li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</li>\n	</ul>\n	<br />\n<h3>The PMC result6 and Universal Audio Apollo x16 Heritage Edition Bundle won\'t be around long! Buy now and save!</h3>'),(8690,75,1,1449,'<h1>PMC result6 + UA <span style=\"letter-spacing: -0.02em;\">Apollo </span>Apollo x16 Heritage <span style=\"letter-spacing: -0.02em;\">Edition</span><span style=\"letter-spacing: -0.02em; background-color: initial;\"> </span><span style=\"letter-spacing: -0.02em; background-color: initial;\">Studio Recording Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio x16 Heritage Edition. This bundle will transform your home setup into a Professional-style Recording Suite. <br /><hr />\n<h3>PMC result6 Studio Monitors</h3>\nThe \n<a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration.  With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.<br /><br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wallmounted and precisely positioned.</li>\n</ul>\n<hr id=\"horizontalrule\" />\n<h3>Universal Audio Apollo x16 Heritage Edition</h3>\n<div>\n	<div>\n		<div>\n			The Universal Audio Apollo x16, The flagship of the Apollo x line, allows music producers, project, and post-production studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.\n		</div>\n		<div>\n			Built upon UA’s 60-year heritage of audio craftsmanship, this 18 x 20 interface boasts the widest dynamic range (133 dB) and lowest THD+N (-129 dB), of any integrated audio interface on the market. Plus, with all-new HEXA Core processing, you’ll get 50% more DSP for running acclaimed UAD Powered Plug-Ins in real time.\n		</div>\n	</div>\n	<br />\n</div>\n\n	<h3>Apollo x16 Key Features</h3><ul><li>18 x 20 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion</li><li>HEXA Core Realtime UAD Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size</li><li>Surround monitor controller up to 7.1 format</li><li>Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp; Legacy Pultec EQ, LA-2A, and 1176 compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more</li><li>UAD-2 HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs</li><li>Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 via optional adapter</li><li>Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines</li><li>Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono</li><li>Uncompromising UA analog design, superior components, and premium build quality</li><li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</li>\n	</ul>\n	<br />\n<h3>The PMC result6 and Universal Audio Apollo x16 Heritage Edition Bundle won\'t be around long! Buy now and save!</h3>'),(8691,85,0,1449,'PMC result6 + UA Apollo x8 Heritage Edition Studio Recording Bundle'),(8692,85,1,1449,'PMC result6 + UA Apollo x8 Heritage Edition Studio Recording Bundle'),(8693,76,0,1449,''),(8694,76,1,1449,''),(8695,75,0,1450,'<h1>PMC result6 + UA <span style=\"letter-spacing: -0.02em;\">Apollo </span>Apollo X4 Heritage <span style=\"letter-spacing: -0.02em;\">Edition</span><span style=\"letter-spacing: -0.02em; background-color: initial;\"> </span><span style=\"letter-spacing: -0.02em; background-color: initial;\">Studio Recording Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio  X4 Heritage Edition. This bundle will transform your home setup into a Professional-style Recording Suite. <br /><hr />\n<h3>PMC result6 Studio Monitors</h3>\nThe \n<a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration.  With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.<br /><br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wallmounted and precisely positioned.</li>\n</ul>\n<hr id=\"horizontalrule\" />\n<h3>Universal Audio Apollo X QUAD Heritage Edition</h3>\n<div>\n	<div>\n		The Universal Audio Apollo X4 allows musicians and producers to easily track, overdub, and mix larger projects with elite-class A/D and D/A conversion, four Unison-enabled preamps, and QUAD Core realtime UAD plug-in processing — all in a desktop Thunderbolt 3 audio interface for Mac and Windows.\n	</div>\n	<div>\n		Built upon UA’s 60-year heritage of audio craftsmanship, Apollo x4 confidently outperforms everything in its class, with 127 dB D/A dynamic range and an included bundle of UAD analog emulation plug-ins, giving you a fully-stocked analog studio, right on your desktop. \n		<br />\n	</div>\n</div>\n	<h3>Apollo X4 Key Features</h3><ul><li>Desktop 12 x 18 Thunderbolt 3 audio interface for Mac and Windows with elite A/D and D/A conversion inherited directly from the acclaimed Apollo X rackmount interfaces</li><li>4 Unison mic preamps offer stunning models of classic tube and transformer-based mic preamps and guitar amps</li><li>UAD-2 QUAD Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency</li><li>2 Unison-enabled Hi-Z instrument inputs</li><li>2 independent headphone outputs</li><li>Built-in Talkback mic for communication with studio talent and recording slate cues</li><li>Includes monitor remote functions and Mono, Mute, DIM, and ALT monitor controls</li><li>Up to 8 channels of additional digital input via Optical ADAT/SPDIF input</li><li>Optical ADAT/SPDIF output for connecting to additional studio equipment</li><li>Includes the \"Realtime Analog Classics Plus\" UAD plug-in bundle featuring the Teletronix LA-2A 1176, and Fairchild 670 compressors, Pultec EQs, UA 610-B Tube Preamp & EQ, and more. Other UAD plug-ins sold separately.</li><li>Runs UAD Powered Plug-Ins via VST, RTAS, and AAX 64 in all major DAWs</li><li>Uncompromising analog design, superior components, and premium build quality</li><li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</li>\n	</ul>\n	<br />\n	<h3>The PMC result6 and Universal Audio Apollo X QUAD Heritage Edition Bundle won\'t be around long! Buy now and save!</h3>'),(8696,75,1,1450,'<h1>PMC result6 + UA <span style=\"letter-spacing: -0.02em;\">Apollo </span>Apollo X4 Heritage <span style=\"letter-spacing: -0.02em;\">Edition</span><span style=\"letter-spacing: -0.02em; background-color: initial;\"> </span><span style=\"letter-spacing: -0.02em; background-color: initial;\">Studio Recording Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio  X4 Heritage Edition. This bundle will transform your home setup into a Professional-style Recording Suite. <br /><hr />\n<h3>PMC result6 Studio Monitors</h3>\nThe \n<a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration.  With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.<br /><br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wallmounted and precisely positioned.</li>\n</ul>\n<hr id=\"horizontalrule\" />\n<h3>Universal Audio Apollo X QUAD Heritage Edition</h3>\n<div>\n	<div>\n		The Universal Audio Apollo X4 allows musicians and producers to easily track, overdub, and mix larger projects with elite-class A/D and D/A conversion, four Unison-enabled preamps, and QUAD Core realtime UAD plug-in processing — all in a desktop Thunderbolt 3 audio interface for Mac and Windows.\n	</div>\n	<div>\n		Built upon UA’s 60-year heritage of audio craftsmanship, Apollo x4 confidently outperforms everything in its class, with 127 dB D/A dynamic range and an included bundle of UAD analog emulation plug-ins, giving you a fully-stocked analog studio, right on your desktop. \n		<br />\n	</div>\n</div>\n	<h3>Apollo X4 Key Features</h3><ul><li>Desktop 12 x 18 Thunderbolt 3 audio interface for Mac and Windows with elite A/D and D/A conversion inherited directly from the acclaimed Apollo X rackmount interfaces</li><li>4 Unison mic preamps offer stunning models of classic tube and transformer-based mic preamps and guitar amps</li><li>UAD-2 QUAD Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency</li><li>2 Unison-enabled Hi-Z instrument inputs</li><li>2 independent headphone outputs</li><li>Built-in Talkback mic for communication with studio talent and recording slate cues</li><li>Includes monitor remote functions and Mono, Mute, DIM, and ALT monitor controls</li><li>Up to 8 channels of additional digital input via Optical ADAT/SPDIF input</li><li>Optical ADAT/SPDIF output for connecting to additional studio equipment</li><li>Includes the \"Realtime Analog Classics Plus\" UAD plug-in bundle featuring the Teletronix LA-2A 1176, and Fairchild 670 compressors, Pultec EQs, UA 610-B Tube Preamp & EQ, and more. Other UAD plug-ins sold separately.</li><li>Runs UAD Powered Plug-Ins via VST, RTAS, and AAX 64 in all major DAWs</li><li>Uncompromising analog design, superior components, and premium build quality</li><li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</li>\n	</ul>\n	<br />\n	<h3>The PMC result6 and Universal Audio Apollo X QUAD Heritage Edition Bundle won\'t be around long! Buy now and save!</h3>'),(8697,85,0,1450,'PMC result6 + UA Apollo X4 Heritage Edition Studio Recording Bundle'),(8698,85,1,1450,'PMC result6 + UA Apollo X4 Heritage Edition Studio Recording Bundle'),(8699,76,0,1450,''),(8700,76,1,1450,''),(8701,75,0,1451,'<h1>PMC result6 + UA <span style=\"letter-spacing: -0.02em;\">Apollo </span>Apollo x8p Heritage <span style=\"letter-spacing: -0.02em;\">Edition</span><span style=\"letter-spacing: -0.02em; background-color: initial;\"> </span><span style=\"letter-spacing: -0.02em; background-color: initial;\">Studio Recording Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio x8p Heritage Edition. This bundle will transform your home setup into a Professional-style Recording Suite. <br /><hr />\n<h3>PMC result6 Studio Monitors</h3>\nThe PMC Loudspeakers result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration. With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.\n<br /><br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wallmounted and precisely positioned.</li>\n</ul>\n<hr id=\"horizontalrule\" />\n<h3>Universal Audio Apollo x8p Heritage Edition</h3>\n			The Universal Audio Apollo x8p allows music engineers, producers, and project studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.\n<br /><br />\n			Built upon UA’s 60-year heritage of audio craftsmanship, this 16 x 22 interface distinguishes itself with eight Unison™-enabled mic preamps, providing authentic emulations of preamps from Neve, API, Manley, Helios, SSL and more, plus all-new HEXA Core processing — yielding 50% more DSP for running UAD Powered Plug-Ins in real time.\n<br /><br />\n\n<h3>Apollo x8p Key Features</h3>\n<ul>\n	<li>18 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion</li>\n	<li>Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size</li>\n	<li>Record through 2 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, Manley, SSL, and more**</li>\n	<li>Surround monitor controller up to 7.1 format</li>\n	<li>Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp Legacy Pultec EQ, LA-2A, and 1176 compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more</li>\n	<li>UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs</li>\n	<li>Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 via optional adapter</li>\n	<li>Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines</li>\n	<li>Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono</li>\n	<li>Uncompromising UA analog design, superior components, and premium build quality</li>\n	<li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</li>\n</ul>\n<br />\n<h3>The PMC result6 and Universal Audio Apollo x8p Heritage Edition Bundle won\'t be around long! Buy now and save!</h3>'),(8702,75,1,1451,'<h1>PMC result6 + UA <span style=\"letter-spacing: -0.02em;\">Apollo </span>Apollo x8p Heritage <span style=\"letter-spacing: -0.02em;\">Edition</span><span style=\"letter-spacing: -0.02em; background-color: initial;\"> </span><span style=\"letter-spacing: -0.02em; background-color: initial;\">Studio Recording Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio x8p Heritage Edition. This bundle will transform your home setup into a Professional-style Recording Suite. <br /><hr />\n<h3>PMC result6 Studio Monitors</h3>\nThe PMC Loudspeakers result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration. With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.\n<br /><br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wallmounted and precisely positioned.</li>\n</ul>\n<hr id=\"horizontalrule\" />\n<h3>Universal Audio Apollo x8p Heritage Edition</h3>\n			The Universal Audio Apollo x8p allows music engineers, producers, and project studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual Crystal Clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.\n<br /><br />\n			Built upon UA’s 60-year heritage of audio craftsmanship, this 16 x 22 interface distinguishes itself with eight Unison™-enabled mic preamps, providing authentic emulations of preamps from Neve, API, Manley, Helios, SSL and more, plus all-new HEXA Core processing — yielding 50% more DSP for running UAD Powered Plug-Ins in real time.\n<br /><br />\n\n<h3>Apollo x8p Key Features</h3>\n<ul>\n	<li>18 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion</li>\n	<li>Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size</li>\n	<li>Record through 2 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, Manley, SSL, and more**</li>\n	<li>Surround monitor controller up to 7.1 format</li>\n	<li>Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp Legacy Pultec EQ, LA-2A, and 1176 compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more</li>\n	<li>UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs</li>\n	<li>Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 via optional adapter</li>\n	<li>Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines</li>\n	<li>Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono</li>\n	<li>Uncompromising UA analog design, superior components, and premium build quality</li>\n	<li>Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers</li>\n</ul>\n<br />\n<h3>The PMC result6 and Universal Audio Apollo x8p Heritage Edition Bundle won\'t be around long! Buy now and save!</h3>'),(8703,85,0,1451,'PMC result6 + UA Apollo x8p Heritage Edition Studio Recording Bundle'),(8704,85,1,1451,'PMC result6 + UA Apollo x8p Heritage Edition Studio Recording Bundle'),(8705,76,0,1451,''),(8706,76,1,1451,''),(8707,75,0,1452,'<h1>PMC result6 + UA UAD-2 Satellite Octo <span style=\"letter-spacing: -0.02em;\">Thunderbolt 3</span><span style=\"letter-spacing: -0.02em;\"> Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio UAD-2 Satellite Octo Thunderbolt 3. This bundle will supercharge your mixes and sound like a Professional-style Recording Suite. <br /><br />The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration.  With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.<br /><br />\n<div>\n	The Universal Audio UAD-2 Satellite OCTO TB3 DSP Accelerators are compatible with all Thunderbolt-equipped Mac and Windows computers, and supercharge UA audio interfaces and other UAD-2 DSP Accelerator systems to run larger mixes filled with rich analog emulation plug-ins.\n</div>\n<br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wall mounted and precisely positioned.</li>\n</ul><br />\n\n<h3>Universal Audio UAD-2 Satellite Thunderbolt 3 - OCTO Key Features</h3>\nThe Universal Audio UAD-2 Satellite OCTO TB3 DSP Accelerators are compatible with all Thunderbolt-equipped Mac and Windows computers, and supercharge UA audio interfaces and other UAD-2 DSP Accelerator systems to run larger mixes filled with rich analog emulation plug-ins.<br /><br />\n	<h3>UAD-2 Satellite Thunderbolt 3 - OCTO Key Features</h3><ul><li>Run UAD Powered Plug-Ins via Thunderbolt 3 on modern Mac and Windows 10 systems (backwards compatible with Thunderbolt 1 and 2 devices)</li><li>8 (OCTO) SHARC processors provide a massive DSP boost for running large professional mixes</li><li>Access over 100 plug-ins from Ampex, Lexicon, Studer, Neve, Manley, SSL, EMT, Helios, and more</li><li>Includes Analog Classics Plus bundle featuring Legacy editions of LA-2A Classic Audio Leveler, 1176 Classic Limiting Amplifiers, Pultec EQP-1A, Pultec Pro, and Fairchild 670 plug-ins, plus 610-B Tube Preamp & EQ, and more</li><li>Compatible with Pro Tools, Logic Pro X, Cubase, Live, and more</li><li>Combine with other Thunderbolt-equipped UAD-2 devices including PCIe card(s), UA Audio Interfaces, and additional Satellites</li><li>Dual Thunderbolt 3 ports for daisy-chaining of Thunderbolt peripherals</li><li>Also available with Custom software packages featuring user-selectable plug-ins</li>\n	</ul>\n<br />\n<h3>The PMC result6 and Universal Audio UAD-2 Satellite Thunderbolt 3 won\'t be around long! Call or chat with a RSPE representative today.</h3>'),(8708,75,1,1452,'<h1>PMC result6 + UA UAD-2 Satellite Octo <span style=\"letter-spacing: -0.02em;\">Thunderbolt 3</span><span style=\"letter-spacing: -0.02em;\"> Bundle</span></h1>\n<i>PMC and Universal Audio team up to bring you the ultimate starter Studio Recording and Monitoring bundle!<br /></i><br />Start recording like the Pros with a pair of PMC result6s A Universal Audio UAD-2 Satellite Octo Thunderbolt 3. This bundle will supercharge your mixes and sound like a Professional-style Recording Suite. <br /><br />The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> result6 is an active two-way reference monitor offering all of the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. result6 features a 27mm fabric soft-dome with D-Fins for superior HF dispersion and a 6.5\" Mid/Bass driver with ATL technology, the proprietary bass-loading system that provides exceptional LF extension in a small cabinet, with no coloration.  With an emphasis on elegant simplicity, result6 is a compact nearfield that allows you to work faster and more confidently; in short, to see, hear and achieve results more quickly.<br /><br />\n<div>\n	The Universal Audio UAD-2 Satellite OCTO TB3 DSP Accelerators are compatible with all Thunderbolt-equipped Mac and Windows computers, and supercharge UA audio interfaces and other UAD-2 DSP Accelerator systems to run larger mixes filled with rich analog emulation plug-ins.\n</div>\n<br />\n<h3>PMC result6 Key Features:</h3>\n<ul>\n	<li>D-Fins for superior HF dispersion giving you an extra-wide stereo sweet spot.</li>\n	<li>PMC Patented ATL (Advanced Transmission Line) technology provides exceptional LF extension in a small footprint, with no coloration</li>\n	<li>Laser measurement ensures optimal performance by rapidly and repeatedly scanning the surface of the drive unit during operation, measuring every micro-movement with phenomenal accuracy</li>\n	<li>High-power amplification: HF 65W, LF 100W</li>\n	<li>Cabinet Decoupling Bands prevent the result6 from slipping, and also decouple it acoustically, preventing unwanted vibrations from coloring your sound.</li>\n	<li>Anchor Points allowing the speakers to be wall mounted and precisely positioned.</li>\n</ul><br />\n\n<h3>Universal Audio UAD-2 Satellite Thunderbolt 3 - OCTO Key Features</h3>\nThe Universal Audio UAD-2 Satellite OCTO TB3 DSP Accelerators are compatible with all Thunderbolt-equipped Mac and Windows computers, and supercharge UA audio interfaces and other UAD-2 DSP Accelerator systems to run larger mixes filled with rich analog emulation plug-ins.<br /><br />\n	<h3>UAD-2 Satellite Thunderbolt 3 - OCTO Key Features</h3><ul><li>Run UAD Powered Plug-Ins via Thunderbolt 3 on modern Mac and Windows 10 systems (backwards compatible with Thunderbolt 1 and 2 devices)</li><li>8 (OCTO) SHARC processors provide a massive DSP boost for running large professional mixes</li><li>Access over 100 plug-ins from Ampex, Lexicon, Studer, Neve, Manley, SSL, EMT, Helios, and more</li><li>Includes Analog Classics Plus bundle featuring Legacy editions of LA-2A Classic Audio Leveler, 1176 Classic Limiting Amplifiers, Pultec EQP-1A, Pultec Pro, and Fairchild 670 plug-ins, plus 610-B Tube Preamp & EQ, and more</li><li>Compatible with Pro Tools, Logic Pro X, Cubase, Live, and more</li><li>Combine with other Thunderbolt-equipped UAD-2 devices including PCIe card(s), UA Audio Interfaces, and additional Satellites</li><li>Dual Thunderbolt 3 ports for daisy-chaining of Thunderbolt peripherals</li><li>Also available with Custom software packages featuring user-selectable plug-ins</li>\n	</ul>\n<br />\n<h3>The PMC result6 and Universal Audio UAD-2 Satellite Thunderbolt 3 won\'t be around long! Call or chat with a RSPE representative today.</h3>'),(8709,85,0,1452,'PMC result6 + UA UAD-2 Satellite Octo Thunderbolt 3 Bundle'),(8710,85,1,1452,'PMC result6 + UA UAD-2 Satellite Octo Thunderbolt 3 Bundle'),(8711,76,0,1452,''),(8712,76,1,1452,''),(8713,75,0,1453,'<h3>PMC Loudspeakers TB2S+ Passive Range Studio Monitors - Pair</h3> <span style=\"font-size: 16px; font-style: italic;\">The TB2+ is head and shoulders above its competition in all areas of performance.<br /></span><br />The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> TB2+ Passive Studio Monitor shares many of the remarkable attributes of its smaller brother\n the DB1S+ in a larger stand or bridge mounted design. The TB2S+ allows \nfor greater SPL as well as increased bass extension and definition; \ntherefore it is equally suited to larger listening environments. <br /><br />The \nTB2S+ has become a favorite among quality conscious broadcasters and \nthose looking for a neutral nearfield. The latest +upgrade includes \nimprovements in tweeter, crossover and transmission line damping, which \nonce again puts the TB2+ head and shoulders above its competition in all\n areas of performance. Like the DB1S+ it can be used in conjunction with\n the TLE1S Active sub bass unit to produce a highly accurate and potent \nsurround monitoring package.<br /><br />The large active range from PMC justly deserves the label of ‘no compromise’. Every element has been designed and manufactured purely for its performance and encompasses the smallest detail from individual cable choice through to hand selection of capacitors in the active crossover networks.<br />\n  \n\n\n\n    \n  \n     <p></p>\n\n<h3> The TB2S+\'s level of resolution cannot be achieved with standard technology and average tolerances. Call or chat with a RSPE representative today.</h3>'),(8714,75,1,1453,'<h3>PMC Loudspeakers TB2S+ Passive Range Studio Monitors - Pair</h3> <span style=\"font-size: 16px; font-style: italic;\">The TB2+ is head and shoulders above its competition in all areas of performance.<br /></span><br />The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> TB2+ Passive Studio Monitor shares many of the remarkable attributes of its smaller brother\n the DB1S+ in a larger stand or bridge mounted design. The TB2S+ allows \nfor greater SPL as well as increased bass extension and definition; \ntherefore it is equally suited to larger listening environments. <br /><br />The \nTB2S+ has become a favorite among quality conscious broadcasters and \nthose looking for a neutral nearfield. The latest +upgrade includes \nimprovements in tweeter, crossover and transmission line damping, which \nonce again puts the TB2+ head and shoulders above its competition in all\n areas of performance. Like the DB1S+ it can be used in conjunction with\n the TLE1S Active sub bass unit to produce a highly accurate and potent \nsurround monitoring package.<br /><br />The large active range from PMC justly deserves the label of ‘no compromise’. Every element has been designed and manufactured purely for its performance and encompasses the smallest detail from individual cable choice through to hand selection of capacitors in the active crossover networks.<br />\n  \n\n\n\n    \n  \n     <p></p>\n\n<h3> The TB2S+\'s level of resolution cannot be achieved with standard technology and average tolerances. Call or chat with a RSPE representative today.</h3>'),(8715,85,0,1453,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8716,85,1,1453,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8717,76,0,1453,''),(8718,76,1,1453,''),(8719,75,0,1454,'<h1>PMC Loudspeakers twotwo.5 Active Studio Monitors - Pair</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The PMC twotwo.5 is a true compact reference monitors with ATL™ bass loading technology<br/></span><br/>The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.5 studio monitor combines hi-quality digital signal processing with active amplification, creating a remarkably accurate and versatile two-way reference grade monitor in a compact package. <br/><br/>The twotwo.5 combines a 27mm tweeter with a 140mm (5.5-inch) bass/mid driver housed in an Advanced Transmission Line labyrinth cabinet for a bass response that defies the monitor’s size.<br/><br/>Like the rest of the twotwo range, you can use the speakers vertically and horizontally without compromising on dynamics or frequency response. Plug in any audio in any room and let the onboard sample rate or A/D conversion take care of the rest. The twotwo’s powerful DSP engine will also take care of driver response, EQ and crossover so you can stay focused on the music. <br/><br/>This makes the twotwo.5 the ideal nearfield monitoring solution for small control rooms, project studios or anywhere where space is at a premium but quality is of utmost importance. <br/><br/>\n<h3>Get the unrivaled level of clarity, transparency\n and accuracy of the PMC twotwo.5. Call or chat with a RSPE representative today.\n</h3>'),(8720,75,1,1454,'<h1>PMC Loudspeakers twotwo.5 Active Studio Monitors - Pair</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The PMC twotwo.5 is a true compact reference monitors with ATL™ bass loading technology<br/></span><br/>The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.5 studio monitor combines hi-quality digital signal processing with active amplification, creating a remarkably accurate and versatile two-way reference grade monitor in a compact package. <br/><br/>The twotwo.5 combines a 27mm tweeter with a 140mm (5.5-inch) bass/mid driver housed in an Advanced Transmission Line labyrinth cabinet for a bass response that defies the monitor’s size.<br/><br/>Like the rest of the twotwo range, you can use the speakers vertically and horizontally without compromising on dynamics or frequency response. Plug in any audio in any room and let the onboard sample rate or A/D conversion take care of the rest. The twotwo’s powerful DSP engine will also take care of driver response, EQ and crossover so you can stay focused on the music. <br/><br/>This makes the twotwo.5 the ideal nearfield monitoring solution for small control rooms, project studios or anywhere where space is at a premium but quality is of utmost importance. <br/><br/>\n<h3>Get the unrivaled level of clarity, transparency\n and accuracy of the PMC twotwo.5. Call or chat with a RSPE representative today.\n</h3>'),(8721,85,0,1454,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8722,85,1,1454,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8723,76,0,1454,''),(8724,76,1,1454,''),(8725,75,0,1455,'<h1>PMC Loudspeakers twotwo.5 Active Studio Monitors - B-Stock Deal</h1>\n<span style=\"font-size: 16px;\"><i>PMC B-Stock Deal twotwo.5 studio monitors can save you some money your studio speakers. B-Stock items are open box with full factory warranty, in perfect working order and in very good physical condition unless otherwise stated.</i></span><br /><br />\n<span style=\"font-size: 16px;\"><i>Feel free to contact us for specific condition of the exact pair that are currently available. We’re happy to send some pictures, too.</i></span><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.5 studio monitor combines hi-quality digital signal processing with active amplification, creating a remarkably accurate and versatile two-way reference grade monitor in a compact package. <br /><br />The twotwo.5 combines a 27mm tweeter with a 140mm (5.5-inch) bass/mid driver housed in an Advanced Transmission Line labyrinth cabinet for a bass response that defies the monitor’s size.<br /><br />Like the rest of the twotwo range, you can use the speakers vertically and horizontally without compromising on dynamics or frequency response. Plug in any audio in any room and let the onboard sample rate or A/D conversion take care of the rest. The twotwo’s powerful DSP engine will also take care of driver response, EQ and crossover so you can stay focused on the music. <br /><br />This makes the twotwo.5 the ideal nearfield monitoring solution for small control rooms, project studios or anywhere where space is at a premium but quality is of utmost importance. <br /><br /><b>Read Sound on Sound Magazine\'s in-depth <a href=\"https://pmc-speakers.com/sites/default/files/attachments/pmc-twotwo2_0.pdf\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">review of the PMC twotwo.5 and twotwo.6 here.</a></b><br /><br />\n<h3>Get the unrivaled level of clarity, transparency\n and accuracy of the PMC twotwo.5. Call or chat with a RSPE representative to save on B-Stock PMC Speakers today.\n</h3>'),(8726,75,1,1455,'<h1>PMC Loudspeakers twotwo.5 Active Studio Monitors - B-Stock Deal</h1>\n<span style=\"font-size: 16px;\"><i>PMC B-Stock Deal twotwo.5 studio monitors can save you some money your studio speakers. B-Stock items are open box with full factory warranty, in perfect working order and in very good physical condition unless otherwise stated.</i></span><br /><br />\n<span style=\"font-size: 16px;\"><i>Feel free to contact us for specific condition of the exact pair that are currently available. We’re happy to send some pictures, too.</i></span><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.5 studio monitor combines hi-quality digital signal processing with active amplification, creating a remarkably accurate and versatile two-way reference grade monitor in a compact package. <br /><br />The twotwo.5 combines a 27mm tweeter with a 140mm (5.5-inch) bass/mid driver housed in an Advanced Transmission Line labyrinth cabinet for a bass response that defies the monitor’s size.<br /><br />Like the rest of the twotwo range, you can use the speakers vertically and horizontally without compromising on dynamics or frequency response. Plug in any audio in any room and let the onboard sample rate or A/D conversion take care of the rest. The twotwo’s powerful DSP engine will also take care of driver response, EQ and crossover so you can stay focused on the music. <br /><br />This makes the twotwo.5 the ideal nearfield monitoring solution for small control rooms, project studios or anywhere where space is at a premium but quality is of utmost importance. <br /><br /><b>Read Sound on Sound Magazine\'s in-depth <a href=\"https://pmc-speakers.com/sites/default/files/attachments/pmc-twotwo2_0.pdf\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">review of the PMC twotwo.5 and twotwo.6 here.</a></b><br /><br />\n<h3>Get the unrivaled level of clarity, transparency\n and accuracy of the PMC twotwo.5. Call or chat with a RSPE representative to save on B-Stock PMC Speakers today.\n</h3>'),(8727,85,0,1455,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8728,85,1,1455,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8729,76,0,1455,''),(8730,76,1,1455,''),(8731,75,0,1456,'<h1>PMC Loudspeakers twotwo.6 Active Studio Monitors - Pair</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The PMC twotwo.6 is a true compact reference monitors with ATL™ bass loading technology<br/></span><br/>The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.6 studio monitor is a mid-size, nearfield reference monitor that combines the same design quality and sophisticated digital signal processing as the smaller twotwo.5 monitor. <br/><br/>A larger Advanced Transmission Line labyrinth cabinet and 170mm (6.5”) bass driver gives the twotwo.6 a more extensive bass performance and higher SPLs. <br/><br/>Just like the rest of the twotwo range, the twotwo.6 sounds great in both vertical and horizontal orientation, without ever compromising on dynamics or frequency response. PMC’s class-leading connectivity means you can quickly and easily plug in any audio ¬– analog or digital (up to 192kHz) – and you’re ready to go: the onboard sample rate or A/D conversion will take care of the rest. No acoustic treatment in your room? No problem. The twotwo’s powerful DSP engine will also take care of driver response, EQ and crossover leaving you to stay focused on the music. <br/><br/>The twotwo.6 shares the same high-quality transparency and neutral balance as the rest of the range, and is an ideal monitor for use in medium-sized rooms where more power and dynamics are required. <b><a href=\"https://pmc-speakers.com/sites/default/files/attachments/pmc-twotwo2_0.pdf\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\"><br/></a></b><br/>\n<h3>Get the unrivaled level of clarity, transparency\n and accuracy of the PMC twotwo.6. Call or chat with a RSPE representative today.\n</h3>\n<h3></h3>'),(8732,75,1,1456,'<h1>PMC Loudspeakers twotwo.6 Active Studio Monitors - Pair</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The PMC twotwo.6 is a true compact reference monitors with ATL™ bass loading technology<br/></span><br/>The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.6 studio monitor is a mid-size, nearfield reference monitor that combines the same design quality and sophisticated digital signal processing as the smaller twotwo.5 monitor. <br/><br/>A larger Advanced Transmission Line labyrinth cabinet and 170mm (6.5”) bass driver gives the twotwo.6 a more extensive bass performance and higher SPLs. <br/><br/>Just like the rest of the twotwo range, the twotwo.6 sounds great in both vertical and horizontal orientation, without ever compromising on dynamics or frequency response. PMC’s class-leading connectivity means you can quickly and easily plug in any audio ¬– analog or digital (up to 192kHz) – and you’re ready to go: the onboard sample rate or A/D conversion will take care of the rest. No acoustic treatment in your room? No problem. The twotwo’s powerful DSP engine will also take care of driver response, EQ and crossover leaving you to stay focused on the music. <br/><br/>The twotwo.6 shares the same high-quality transparency and neutral balance as the rest of the range, and is an ideal monitor for use in medium-sized rooms where more power and dynamics are required. <b><a href=\"https://pmc-speakers.com/sites/default/files/attachments/pmc-twotwo2_0.pdf\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold; text-decoration: underline;\"><br/></a></b><br/>\n<h3>Get the unrivaled level of clarity, transparency\n and accuracy of the PMC twotwo.6. Call or chat with a RSPE representative today.\n</h3>\n<h3></h3>'),(8733,85,0,1456,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8734,85,1,1456,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8735,76,0,1456,''),(8736,76,1,1456,''),(8737,75,0,1457,'<h1>PMC Loudspeakers twotwo.6 Active Studio Monitors - B-Stock Deal</h1>\n<span style=\"font-size: 16px;\"><i>PMC B-Stock Deal twotwo.6 studio monitors can save you some money your studio speakers. B-Stock items are open box with full factory warranty, in perfect working order and in very good physical condition unless otherwise stated.</i></span><br /><br />\n<span style=\"font-size: 16px;\"><i>Feel free to contact us for specific condition of the exact pair that are currently available. We’re happy to send some pictures, too.</i></span><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.6 mid-size, nearfield reference monitor combines the same design quality and sophisticated digital signal processing as the smaller twotwo.5 monitor. <br /><br />A larger Advanced Transmission Line labyrinth cabinet and 170mm (6.5”) bass driver gives the twotwo.6 a more extensive bass performance and higher SPLs. <br /><br />Just like the rest of the twotwo range, the twotwo.6 sounds great in both vertical and horizontal orientation, without ever compromising on dynamics or frequency response. PMC’s class-leading connectivity means you can quickly and easily plug in any audio ¬– analog or digital (up to 192kHz) – and you’re ready to go: the onboard sample rate or A/D conversion will take care of the rest. No acoustic treatment in your room? No problem. The twotwo’s powerful DSP engine will also take care of driver response, EQ and crossover leaving you to stay focused on the music. <br /><br />The twotwo.6 shares the same high-quality transparency and neutral balance as the rest of the range, and is an ideal monitor for use in medium-sized rooms where more power and dynamics are required. <br /><br /><b>Read Sound on Sound Magazine\'s in-depth <a href=\"https://pmc-speakers.com/sites/default/files/attachments/pmc-twotwo2_0.pdf\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">review of the PMC twotwo.5 and twotwo.6 here.<br /></a></b><br />\n<h3>Get the unrivaled level of clarity, transparency\n and accuracy of the PMC twotwo.6. \n<span style=\"background-color: initial;\">Call or chat with a RSPE representative to save on B-Stock PMC Speakers today.</span></h3>\n<h3></h3>');
INSERT INTO `catalog_product_entity_text` VALUES (8738,75,1,1457,'<h1>PMC Loudspeakers twotwo.6 Active Studio Monitors - B-Stock Deal</h1>\n<span style=\"font-size: 16px;\"><i>PMC B-Stock Deal twotwo.6 studio monitors can save you some money your studio speakers. B-Stock items are open box with full factory warranty, in perfect working order and in very good physical condition unless otherwise stated.</i></span><br /><br />\n<span style=\"font-size: 16px;\"><i>Feel free to contact us for specific condition of the exact pair that are currently available. We’re happy to send some pictures, too.</i></span><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.6 mid-size, nearfield reference monitor combines the same design quality and sophisticated digital signal processing as the smaller twotwo.5 monitor. <br /><br />A larger Advanced Transmission Line labyrinth cabinet and 170mm (6.5”) bass driver gives the twotwo.6 a more extensive bass performance and higher SPLs. <br /><br />Just like the rest of the twotwo range, the twotwo.6 sounds great in both vertical and horizontal orientation, without ever compromising on dynamics or frequency response. PMC’s class-leading connectivity means you can quickly and easily plug in any audio ¬– analog or digital (up to 192kHz) – and you’re ready to go: the onboard sample rate or A/D conversion will take care of the rest. No acoustic treatment in your room? No problem. The twotwo’s powerful DSP engine will also take care of driver response, EQ and crossover leaving you to stay focused on the music. <br /><br />The twotwo.6 shares the same high-quality transparency and neutral balance as the rest of the range, and is an ideal monitor for use in medium-sized rooms where more power and dynamics are required. <br /><br /><b>Read Sound on Sound Magazine\'s in-depth <a href=\"https://pmc-speakers.com/sites/default/files/attachments/pmc-twotwo2_0.pdf\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">review of the PMC twotwo.5 and twotwo.6 here.<br /></a></b><br />\n<h3>Get the unrivaled level of clarity, transparency\n and accuracy of the PMC twotwo.6. \n<span style=\"background-color: initial;\">Call or chat with a RSPE representative to save on B-Stock PMC Speakers today.</span></h3>\n<h3></h3>'),(8739,85,0,1457,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8740,85,1,1457,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8741,76,0,1457,''),(8742,76,1,1457,''),(8743,75,0,1458,'<h1>PMC Loudspeakers twotwo.8 Active Studio Monitors - Pair</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The PMC twotwo.8 is a true compact reference monitors with ATL™ bass loading technology<br/></span><br/>The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.8 studio monitor is the flagship model of PMC’s twotwo series. It is the largest and most powerful monitor in the range, employing a large 20mm (8”) custom bass driver designed for dynamics and neutrality, housed within PMC’s trademarked Advanced Transmission Line labyrinth cabinet for a midfield monitor with superb transparency and depth. <br/><br/>A powerful DSP engine controls driver response, crossover and room EQ, ensuring none of the detail and nuance is lost from the source.<br/><br/>As with the rest of the twotwo range, the twotwo.8 performs flawlessly whether in a vertical or horizontal position, with no compromise on dynamics or frequency response. The twotwo.8 boasts incredible midrange clarity and a powerful bass response for that can accurately reproduce any genre of music. <br/><br/>Whether you’re plugging in analog or digital, in a home studio or a professional control room, PMC’s twotwo.8 is a professional reference loudspeaker monitor you can count on. <b><a href=\"https://pmc-speakers.com/sites/default/files/attachments/pmc-twotwo2_0.pdf\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\"><br/></a></b><br/>\n<h3>Get the unrivaled level of clarity, transparency and accuracy of the PMC twotwo.8. Call or chat with a RSPE representative today.</h3>'),(8744,75,1,1458,'<h1>PMC Loudspeakers twotwo.8 Active Studio Monitors - Pair</h1>\n<span style=\"font-size: 16px; font-style: italic;\">The PMC twotwo.8 is a true compact reference monitors with ATL™ bass loading technology<br/></span><br/>The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.8 studio monitor is the flagship model of PMC’s twotwo series. It is the largest and most powerful monitor in the range, employing a large 20mm (8”) custom bass driver designed for dynamics and neutrality, housed within PMC’s trademarked Advanced Transmission Line labyrinth cabinet for a midfield monitor with superb transparency and depth. <br/><br/>A powerful DSP engine controls driver response, crossover and room EQ, ensuring none of the detail and nuance is lost from the source.<br/><br/>As with the rest of the twotwo range, the twotwo.8 performs flawlessly whether in a vertical or horizontal position, with no compromise on dynamics or frequency response. The twotwo.8 boasts incredible midrange clarity and a powerful bass response for that can accurately reproduce any genre of music. <br/><br/>Whether you’re plugging in analog or digital, in a home studio or a professional control room, PMC’s twotwo.8 is a professional reference loudspeaker monitor you can count on. <b><a href=\"https://pmc-speakers.com/sites/default/files/attachments/pmc-twotwo2_0.pdf\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\"><br/></a></b><br/>\n<h3>Get the unrivaled level of clarity, transparency and accuracy of the PMC twotwo.8. Call or chat with a RSPE representative today.</h3>'),(8745,85,0,1458,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8746,85,1,1458,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8747,76,0,1458,''),(8748,76,1,1458,''),(8749,75,0,1459,'<h1>PMC Loudspeakers twotwo.8 Active Studio Monitors - B-Stock Deal</h1>\n\n<span style=\"font-size: 16px;\"><i>PMC B-Stock Deal twotwo.8 studio monitors can save you some money your studio speakers. B-Stock items are open box with full factory warranty, in perfect working order and in very good physical condition unless otherwise stated.</i></span><br /><br />\n\n<span style=\"font-size: 16px;\"><i>Feel free to contact us for specific condition of the exact pair that are currently available. We’re happy to send some pictures, too.</i></span><br /><br />\n\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.8 studio monitor is the flagship model of PMC’s twotwo series. It is the largest and most powerful monitor in the range, employing a large 20mm (8”) custom bass driver designed for dynamics and neutrality, housed within PMC’s trademarked Advanced Transmission Line labyrinth cabinet for a midfield monitor with superb transparency and depth. <br /><br />A powerful DSP engine controls driver response, crossover and room EQ, ensuring none of the detail and nuance is lost from the source.<br /><br />As with the rest of the twotwo range, the twotwo.8 performs flawlessly whether in a vertical or horizontal position, with no compromise on dynamics or frequency response. The twotwo.8 boasts incredible midrange clarity and a powerful bass response for that can accurately reproduce any genre of music. <br /><br />Whether you’re plugging in analog or digital, in a home studio or a professional control room, PMC’s twotwo.8 is a professional reference loudspeaker monitor you can count on. <br /><br /><b>Read Sound on Sound Magazine\'s in-depth <a href=\"https://pmc-speakers.com/sites/default/files/attachments/pmc-twotwo2_0.pdf\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">review of the PMC twotwo.5 and twotwo.6 here.<br /></a></b><br />\n<h3>Get the unrivaled level of clarity, transparency and accuracy of the PMC twotwo.8. <span style=\"background-color: initial;\">Call or chat with a RSPE representative to save on B-Stock PMC Speakers today.</span></h3>'),(8750,75,1,1459,'<h1>PMC Loudspeakers twotwo.8 Active Studio Monitors - B-Stock Deal</h1>\n\n<span style=\"font-size: 16px;\"><i>PMC B-Stock Deal twotwo.8 studio monitors can save you some money your studio speakers. B-Stock items are open box with full factory warranty, in perfect working order and in very good physical condition unless otherwise stated.</i></span><br /><br />\n\n<span style=\"font-size: 16px;\"><i>Feel free to contact us for specific condition of the exact pair that are currently available. We’re happy to send some pictures, too.</i></span><br /><br />\n\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> twotwo.8 studio monitor is the flagship model of PMC’s twotwo series. It is the largest and most powerful monitor in the range, employing a large 20mm (8”) custom bass driver designed for dynamics and neutrality, housed within PMC’s trademarked Advanced Transmission Line labyrinth cabinet for a midfield monitor with superb transparency and depth. <br /><br />A powerful DSP engine controls driver response, crossover and room EQ, ensuring none of the detail and nuance is lost from the source.<br /><br />As with the rest of the twotwo range, the twotwo.8 performs flawlessly whether in a vertical or horizontal position, with no compromise on dynamics or frequency response. The twotwo.8 boasts incredible midrange clarity and a powerful bass response for that can accurately reproduce any genre of music. <br /><br />Whether you’re plugging in analog or digital, in a home studio or a professional control room, PMC’s twotwo.8 is a professional reference loudspeaker monitor you can count on. <br /><br /><b>Read Sound on Sound Magazine\'s in-depth <a href=\"https://pmc-speakers.com/sites/default/files/attachments/pmc-twotwo2_0.pdf\" target=\"_blank\" style=\"color:#000099; font-weight:bold; text-decoration:underline;\">review of the PMC twotwo.5 and twotwo.6 here.<br /></a></b><br />\n<h3>Get the unrivaled level of clarity, transparency and accuracy of the PMC twotwo.8. <span style=\"background-color: initial;\">Call or chat with a RSPE representative to save on B-Stock PMC Speakers today.</span></h3>'),(8751,85,0,1459,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8752,85,1,1459,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8753,76,0,1459,''),(8754,76,1,1459,''),(8755,75,0,1460,'<h3>PMC Loudspeakers twotwo RC1 Remote Unit</h3>\n<span style=\"font-size: 16px; font-style: italic;\">Compatible with the twotwo range of compact monitors and their associated subs</span><br /><br />\n<div id=\"quicktabs-container-product\" class=\"quicktabs_main quicktabs-style-arrows\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-d8abe246519a293d4df6d2076756b1a7\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-4820d60e7b0dd2d9a3d122f479b5ea36\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\">Designed for use with the <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\" style=\"background-color: initial;\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">twotwo range, the rc1 wired remote features all the functions of the rear panel with an easy to use jog wheel, making remote set up, input switching & EQ of stereo or surround systems quick and easy.</span></div><div class=\"field-content\"><br /><br />\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div>\n\n<p></p>\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div></div>  \n\n\n\n    \n  \n     <p></p>\n\n<h3> Call or chat with a RSPE representative today.</h3>'),(8756,75,1,1460,'<h3>PMC Loudspeakers twotwo RC1 Remote Unit</h3>\n<span style=\"font-size: 16px; font-style: italic;\">Compatible with the twotwo range of compact monitors and their associated subs</span><br /><br />\n<div id=\"quicktabs-container-product\" class=\"quicktabs_main quicktabs-style-arrows\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-d8abe246519a293d4df6d2076756b1a7\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-4820d60e7b0dd2d9a3d122f479b5ea36\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\">Designed for use with the <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\" style=\"background-color: initial;\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">twotwo range, the rc1 wired remote features all the functions of the rear panel with an easy to use jog wheel, making remote set up, input switching & EQ of stereo or surround systems quick and easy.</span></div><div class=\"field-content\"><br /><br />\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div>\n\n<p></p>\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div></div>  \n\n\n\n    \n  \n     <p></p>\n\n<h3> Call or chat with a RSPE representative today.</h3>'),(8757,85,0,1460,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8758,85,1,1460,'PMC Loudspeakers, PMC Speakers, USA, review, price, twotwo.5, Studio monitors, active monitors, passive monitors, for sale, bb5, Ib1, Ib2, xbd, twotwo, buy, for sale,'),(8759,76,0,1460,''),(8760,76,1,1460,''),(8761,75,0,1461,'<h3>PMC Loudspeakers twotwo Sub1 Active Subwoofer Bass Unit</h3>\n<span style=\"font-size: 16px; font-style: italic;\">Clean bass superbly utilizing PMC\'s patented ATL™ technology.</span><br /><br />\n<div id=\"quicktabs-container-product\" class=\"quicktabs_main quicktabs-style-arrows\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-d8abe246519a293d4df6d2076756b1a7\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-4820d60e7b0dd2d9a3d122f479b5ea36\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\">The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\" style=\"background-color: initial;\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">twotwo sub1 can be used in a 2.1 configuration with twotwo series monitors to gain extra bass extension and headroom. Alternatively, it can be used to reproduce a low frequency effects (LFE) channel in a surround monitoring system. </span></div><div class=\"field-content\"><br />The electronics include an audiophile Class-D power amplifier with DSP-based filtering and bass management functions. Balanced stereo analogue and AES3 digital inputs are accepted, and are combined to feed the subwoofer system, as well as being passed through to the analogue and digital outputs for connection with other devices. <br /><br />\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div>\n\n<p></p>\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div></div>  \n\n\n\n    \n  \n     <p></p>\n\n<h3> The twotwo sub1 is an ultra-low distortion, active subwoofer. Call or chat with a RSPE representative today.</h3>'),(8762,75,1,1461,'<h3>PMC Loudspeakers twotwo Sub1 Active Subwoofer Bass Unit</h3>\n<span style=\"font-size: 16px; font-style: italic;\">Clean bass superbly utilizing PMC\'s patented ATL™ technology.</span><br /><br />\n<div id=\"quicktabs-container-product\" class=\"quicktabs_main quicktabs-style-arrows\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-d8abe246519a293d4df6d2076756b1a7\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-4820d60e7b0dd2d9a3d122f479b5ea36\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\">The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\" style=\"background-color: initial;\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">twotwo sub1 can be used in a 2.1 configuration with twotwo series monitors to gain extra bass extension and headroom. Alternatively, it can be used to reproduce a low frequency effects (LFE) channel in a surround monitoring system. </span></div><div class=\"field-content\"><br />The electronics include an audiophile Class-D power amplifier with DSP-based filtering and bass management functions. Balanced stereo analogue and AES3 digital inputs are accepted, and are combined to feed the subwoofer system, as well as being passed through to the analogue and digital outputs for connection with other devices. <br /><br />\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div>\n\n<p></p>\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div></div>  \n\n\n\n    \n  \n     <p></p>\n\n<h3> The twotwo sub1 is an ultra-low distortion, active subwoofer. Call or chat with a RSPE representative today.</h3>'),(8763,85,0,1461,''),(8764,85,1,1461,''),(8765,76,0,1461,''),(8766,76,1,1461,''),(8767,75,0,1462,'<h3>PMC Loudspeakers twotwo Sub2 Active Subwoofer Bass Unit</h3>\n<span style=\"font-size: 16px; font-style: italic;\">Clean bass superbly utilizing PMC\'s patented ATL™ technology.</span><br /><br />\n<div id=\"quicktabs-container-product\" class=\"quicktabs_main quicktabs-style-arrows\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-d8abe246519a293d4df6d2076756b1a7\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-4820d60e7b0dd2d9a3d122f479b5ea36\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\">The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\" style=\"background-color: initial;\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">twotwo sub2 is a rigid, highly braced low-resonance cabinet, it delivers greater headroom and a more extensive dynamic response than the existing twotwo sub1. The sub2 can be deployed in a 2.1 configuration with twotwos for effortlessly extended sub-bass, or to reproduce the LFE channel in surround setups, and is ideal where midfield performance levels are required in confined spaces, such as broadcast or post-production environments. Featuring PMC’s unique ATL™ bass-loading technology, and DSP-based filtering and bass management to extend bass output with negligible harmonic distortion, this is a sub with 400W of built-in Class-D amplification, producing controlled, reference-quality sound over a dynamic range from whisper-quiet to levels you feel as well as hear.</span></div><div class=\"field-content\"><br />The long-throw bass driver - a flat piston composed of a carbon-fibre/Nomex® sandwich - is a bespoke PMC design that delivers an unparalleled transient response and potent performance for the speaker’s size when combined with the Advanced Transmission Line.<br /><br />As well as the great sound and specification, there are a number of useful design features. Analogue and AES3 digital inputs are included, the latter accepting digital signals at sample rates from 32 to 192kHz.<br /><br />Switching between the sources is carried out from the rear panel or the optional rc1 remote. A single parametric EQ is provided to assist with in-room alignment, and the digital input is also passed through to the sub’s analogue and digital outputs, allowing sub2 to be used as a high-end digital-to-analogue converter if required.<br /><br />\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div>\n\n<p></p>\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div></div>  \n\n\n\n    \n  \n     <p></p>\n\n<h3> The twotwo sub2 is an active subwoofer for PMC’s twotwo range of nearfield monitors. Call or chat with a RSPE representative today.</h3>'),(8768,75,1,1462,'<h3>PMC Loudspeakers twotwo Sub2 Active Subwoofer Bass Unit</h3>\n<span style=\"font-size: 16px; font-style: italic;\">Clean bass superbly utilizing PMC\'s patented ATL™ technology.</span><br /><br />\n<div id=\"quicktabs-container-product\" class=\"quicktabs_main quicktabs-style-arrows\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-d8abe246519a293d4df6d2076756b1a7\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\"><div id=\"quicktabs-tabpage-product-0\" class=\"quicktabs-tabpage \"><div id=\"block-views-product-info-product-info\" class=\"block block-views\">\n\n    \n  <div class=\"content\">\n    <div class=\"view view-product-info view-id-product_info view-display-id-product_info view-dom-id-4820d60e7b0dd2d9a3d122f479b5ea36\">\n        \n  \n  \n      <div class=\"view-content\">\n        <div class=\"views-row views-row-1 views-row-odd views-row-first views-row-last\">\n      \n  <div class=\"views-field views-field-body\">        <div class=\"field-content\">The <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\" style=\"background-color: initial;\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">twotwo sub2 is a rigid, highly braced low-resonance cabinet, it delivers greater headroom and a more extensive dynamic response than the existing twotwo sub1. The sub2 can be deployed in a 2.1 configuration with twotwos for effortlessly extended sub-bass, or to reproduce the LFE channel in surround setups, and is ideal where midfield performance levels are required in confined spaces, such as broadcast or post-production environments. Featuring PMC’s unique ATL™ bass-loading technology, and DSP-based filtering and bass management to extend bass output with negligible harmonic distortion, this is a sub with 400W of built-in Class-D amplification, producing controlled, reference-quality sound over a dynamic range from whisper-quiet to levels you feel as well as hear.</span></div><div class=\"field-content\"><br />The long-throw bass driver - a flat piston composed of a carbon-fibre/Nomex® sandwich - is a bespoke PMC design that delivers an unparalleled transient response and potent performance for the speaker’s size when combined with the Advanced Transmission Line.<br /><br />As well as the great sound and specification, there are a number of useful design features. Analogue and AES3 digital inputs are included, the latter accepting digital signals at sample rates from 32 to 192kHz.<br /><br />Switching between the sources is carried out from the rear panel or the optional rc1 remote. A single parametric EQ is provided to assist with in-room alignment, and the digital input is also passed through to the sub’s analogue and digital outputs, allowing sub2 to be used as a high-end digital-to-analogue converter if required.<br /><br />\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div>\n\n<p></p>\n </div>  </div>  </div>\n    </div>\n  \n  \n  \n  \n  \n  \n</div>  </div>\n</div>\n</div></div>  \n\n\n\n    \n  \n     <p></p>\n\n<h3> The twotwo sub2 is an active subwoofer for PMC’s twotwo range of nearfield monitors. Call or chat with a RSPE representative today.</h3>'),(8769,85,0,1462,''),(8770,85,1,1462,''),(8771,76,0,1462,''),(8772,76,1,1462,''),(8773,75,0,1463,'<h1>PMC Loudspeakers wafer1 On-Wall Cinema Surround Speaker - Single</h1>\n<i>\nThe PMC wafer1, a compact on-wall cinema surround that brings PMC\'s patented ATL technology to a discreet and stylish speaker capable of astounding room-filling richness and clarity.</i><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">wafer1 is a sleek yet powerful on-wall cinema surround speaker featuring a 5.5\" LF driver and twin 27mm soft-dome tweeters, best suited to installations where a discreet and elegant look is all-important, but quality of audio reproduction remains paramount. The wafer1 is an ideal surround and overhead speaker for immersive Dolby Atmos rooms, thanks in part to its excellent sound and compact form factor.<br /><br /></span><h3>PMC wafer1 Key Features:</h3>\n<ul>\n	<li>Discreet & stylish - a perfect surround and overhead speaker for Dolby Atmos systems</li>\n	<li>Natural, dynamic, high resolution sound quality</li>\n	<li>Supreme bass performance - Rich deep bass at all volume levels</li>\n	<li>Combines flawlessly with the large PMC range</li>\n	<li>Whole room coverage - Wide dispersion</li>\n	<li>Efficient - Easy to drive</li>\n	<li>Perfect horizontal & vertical performance</li>\n	<li>High frequency control - (+, FLAT, -)</li>\n	<li>Image steering - directs sound toward the listener</li>\n	<li>Untainted, clear projected sound using SteathBaffle™</li>\n	<li>Trouble-free installation - Adjustable mounting hardwear</li>\n</ul>\n<br />\n<div align=\"center\">\n	<a href=\"https://www.rspeaudio.com/pmc-result6-demo-a/376.htm\"></a>\n</div>\n<h3>ATL provides sonically superior bass</h3>\nPMC’s unique ATL (Advanced Transmission Line) places the bass driver near one end of a long tunnel (the Advanced Transmission Line), which is heavily damped with acoustic material carefully specified to absorb the upper bass and higher frequencies radiating from the rear of the bass driver. The lowest frequencies are allowed to pass down the line and emerge from the front vent in the same polarity as the bass unit’s output, so that the vent acts like a second LF driver\n<br /><br />\nATL bass-loading technology offers exceptional LF extension with no colouration, identical tonal balance at all levels, and higher SPLs without compression or listener fatigue.<br /><br />\n<h3>Untainted, clear projected sound using SteathBaffle™</h3>\nStandard in-wall and on-wall designs are compromised when sound is reflected by the large surface area of their front baffle that surrounds the drive units. This detrimental effect is similar to the change in sound when cupping your hands around your mouth whilst speaking. PMC’s acoustic specialists have developed a unique, structured, absorbent surface that prevents unwanted reflected sound waves. The drive units are free to produce concentrated pure, untainted audio directly into the listening space.\n<br />'),(8774,75,1,1463,'<h1>PMC Loudspeakers wafer1 On-Wall Cinema Surround Speaker - Single</h1>\n<i>\nThe PMC wafer1, a compact on-wall cinema surround that brings PMC\'s patented ATL technology to a discreet and stylish speaker capable of astounding room-filling richness and clarity.</i><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">wafer1 is a sleek yet powerful on-wall cinema surround speaker featuring a 5.5\" LF driver and twin 27mm soft-dome tweeters, best suited to installations where a discreet and elegant look is all-important, but quality of audio reproduction remains paramount. The wafer1 is an ideal surround and overhead speaker for immersive Dolby Atmos rooms, thanks in part to its excellent sound and compact form factor.<br /><br /></span><h3>PMC wafer1 Key Features:</h3>\n<ul>\n	<li>Discreet & stylish - a perfect surround and overhead speaker for Dolby Atmos systems</li>\n	<li>Natural, dynamic, high resolution sound quality</li>\n	<li>Supreme bass performance - Rich deep bass at all volume levels</li>\n	<li>Combines flawlessly with the large PMC range</li>\n	<li>Whole room coverage - Wide dispersion</li>\n	<li>Efficient - Easy to drive</li>\n	<li>Perfect horizontal & vertical performance</li>\n	<li>High frequency control - (+, FLAT, -)</li>\n	<li>Image steering - directs sound toward the listener</li>\n	<li>Untainted, clear projected sound using SteathBaffle™</li>\n	<li>Trouble-free installation - Adjustable mounting hardwear</li>\n</ul>\n<br />\n<div align=\"center\">\n	<a href=\"https://www.rspeaudio.com/pmc-result6-demo-a/376.htm\"></a>\n</div>\n<h3>ATL provides sonically superior bass</h3>\nPMC’s unique ATL (Advanced Transmission Line) places the bass driver near one end of a long tunnel (the Advanced Transmission Line), which is heavily damped with acoustic material carefully specified to absorb the upper bass and higher frequencies radiating from the rear of the bass driver. The lowest frequencies are allowed to pass down the line and emerge from the front vent in the same polarity as the bass unit’s output, so that the vent acts like a second LF driver\n<br /><br />\nATL bass-loading technology offers exceptional LF extension with no colouration, identical tonal balance at all levels, and higher SPLs without compression or listener fatigue.<br /><br />\n<h3>Untainted, clear projected sound using SteathBaffle™</h3>\nStandard in-wall and on-wall designs are compromised when sound is reflected by the large surface area of their front baffle that surrounds the drive units. This detrimental effect is similar to the change in sound when cupping your hands around your mouth whilst speaking. PMC’s acoustic specialists have developed a unique, structured, absorbent surface that prevents unwanted reflected sound waves. The drive units are free to produce concentrated pure, untainted audio directly into the listening space.\n<br />'),(8775,85,0,1463,''),(8776,85,1,1463,''),(8777,76,0,1463,''),(8778,76,1,1463,''),(8779,75,0,1464,'<h1>PMC Loudspeakers wafer1-iw In-Wall Cinema Surround Speaker - Single</h1>\n<i>\nThe PMC wafer1-iw, a compact in-wall cinema surround that brings PMC\'s patented ATL technology to a discreet and stylish speaker capable of astounding room-filling richness and clarity.</i><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">wafer1-iw is a sleek yet powerful in-wall cinema surround speaker featuring a 5.5\" LF driver and twin 27mm soft-dome tweeters, best suited to installations where a discreet and elegant look is all-important, but quality of audio reproduction remains paramount. The wafer1-iw is an ideal surround and ceiling speaker for immersive Dolby Atmos rooms, thanks in part to its excellent sound and compact form factor.<br /><br /></span><h3>PMC wafer1-iw Key Features:</h3>\n<ul>\n	<li>Discreet & stylish - a perfect surround and overhead speaker for Dolby Atmos systems</li><li>Ultra low sound leakage - sealed rear cabinet</li>\n	<li>Natural, dynamic, high resolution sound quality</li>\n	<li>Supreme bass performance - Rich deep bass at all volume levels</li>\n	<li>Combines flawlessly with the large PMC range</li>\n	<li>Whole room coverage - Wide dispersion</li>\n	<li>Efficient - Easy to drive</li>\n	<li>Perfect horizontal & vertical performance</li>\n	<li>High frequency control - (+, FLAT, -)</li>\n	<li>Image steering - directs sound toward the listener</li>\n	<li>Untainted, clear projected sound using SteathBaffle™</li><li>Slim line paintable grille & baffle - blends discreetly</li><li>Paintable grille & bezel</li><li>Rapid, efficient and convenient installation</li>\n</ul>\n<br />\n<div align=\"center\">\n	<a href=\"https://www.rspeaudio.com/pmc-result6-demo-a/376.htm\"></a>\n</div>\n<h3>ATL provides sonically superior bass</h3>\nPMC’s unique ATL (Advanced Transmission Line) places the bass driver near one end of a long tunnel (the Advanced Transmission Line), which is heavily damped with acoustic material carefully specified to absorb the upper bass and higher frequencies radiating from the rear of the bass driver. The lowest frequencies are allowed to pass down the line and emerge from the front vent in the same polarity as the bass unit’s output, so that the vent acts like a second LF driver\n<br /><br />\nATL bass-loading technology offers exceptional LF extension with no colouration, identical tonal balance at all levels, and higher SPLs without compression or listener fatigue.<br /><br /><h3>Ultra low rear sound leakage</h3><span style=\"background-color: initial;\">wafer-iw™ cabinets are sealed at the rear, therefore </span><span style=\"background-color: initial;\">sound leakage to adjoining rooms is kept to an absolute </span><span style=\"background-color: initial;\">minimum. Having a determined volume and structure </span><span style=\"background-color: initial;\">of cabinet also means a guarantee of performance, as </span><span style=\"background-color: initial;\">there is no reliance on the cavity construction or filling, </span><span style=\"background-color: initial;\">unlike inferior open back designs.</span><span style=\"background-color: initial;\"><br /></span><br />\n<h3>Untainted, clear projected sound using SteathBaffle™</h3>\nStandard in-wall and on-wall designs are compromised when sound is reflected by the large surface area of their front baffle that surrounds the drive units. This detrimental effect is similar to the change in sound when cupping your hands around your mouth whilst speaking. PMC’s acoustic specialists have developed a unique, structured, absorbent surface that prevents unwanted reflected sound waves. The drive units are free to produce concentrated pure, untainted audio directly into the listening space.\n<br />'),(8780,75,1,1464,'<h1>PMC Loudspeakers wafer1-iw In-Wall Cinema Surround Speaker - Single</h1>\n<i>\nThe PMC wafer1-iw, a compact in-wall cinema surround that brings PMC\'s patented ATL technology to a discreet and stylish speaker capable of astounding room-filling richness and clarity.</i><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">wafer1-iw is a sleek yet powerful in-wall cinema surround speaker featuring a 5.5\" LF driver and twin 27mm soft-dome tweeters, best suited to installations where a discreet and elegant look is all-important, but quality of audio reproduction remains paramount. The wafer1-iw is an ideal surround and ceiling speaker for immersive Dolby Atmos rooms, thanks in part to its excellent sound and compact form factor.<br /><br /></span><h3>PMC wafer1-iw Key Features:</h3>\n<ul>\n	<li>Discreet & stylish - a perfect surround and overhead speaker for Dolby Atmos systems</li><li>Ultra low sound leakage - sealed rear cabinet</li>\n	<li>Natural, dynamic, high resolution sound quality</li>\n	<li>Supreme bass performance - Rich deep bass at all volume levels</li>\n	<li>Combines flawlessly with the large PMC range</li>\n	<li>Whole room coverage - Wide dispersion</li>\n	<li>Efficient - Easy to drive</li>\n	<li>Perfect horizontal & vertical performance</li>\n	<li>High frequency control - (+, FLAT, -)</li>\n	<li>Image steering - directs sound toward the listener</li>\n	<li>Untainted, clear projected sound using SteathBaffle™</li><li>Slim line paintable grille & baffle - blends discreetly</li><li>Paintable grille & bezel</li><li>Rapid, efficient and convenient installation</li>\n</ul>\n<br />\n<div align=\"center\">\n	<a href=\"https://www.rspeaudio.com/pmc-result6-demo-a/376.htm\"></a>\n</div>\n<h3>ATL provides sonically superior bass</h3>\nPMC’s unique ATL (Advanced Transmission Line) places the bass driver near one end of a long tunnel (the Advanced Transmission Line), which is heavily damped with acoustic material carefully specified to absorb the upper bass and higher frequencies radiating from the rear of the bass driver. The lowest frequencies are allowed to pass down the line and emerge from the front vent in the same polarity as the bass unit’s output, so that the vent acts like a second LF driver\n<br /><br />\nATL bass-loading technology offers exceptional LF extension with no colouration, identical tonal balance at all levels, and higher SPLs without compression or listener fatigue.<br /><br /><h3>Ultra low rear sound leakage</h3><span style=\"background-color: initial;\">wafer-iw™ cabinets are sealed at the rear, therefore </span><span style=\"background-color: initial;\">sound leakage to adjoining rooms is kept to an absolute </span><span style=\"background-color: initial;\">minimum. Having a determined volume and structure </span><span style=\"background-color: initial;\">of cabinet also means a guarantee of performance, as </span><span style=\"background-color: initial;\">there is no reliance on the cavity construction or filling, </span><span style=\"background-color: initial;\">unlike inferior open back designs.</span><span style=\"background-color: initial;\"><br /></span><br />\n<h3>Untainted, clear projected sound using SteathBaffle™</h3>\nStandard in-wall and on-wall designs are compromised when sound is reflected by the large surface area of their front baffle that surrounds the drive units. This detrimental effect is similar to the change in sound when cupping your hands around your mouth whilst speaking. PMC’s acoustic specialists have developed a unique, structured, absorbent surface that prevents unwanted reflected sound waves. The drive units are free to produce concentrated pure, untainted audio directly into the listening space.\n<br />'),(8781,85,0,1464,''),(8782,85,1,1464,''),(8783,76,0,1464,''),(8784,76,1,1464,''),(8785,75,0,1465,'<h1>PMC Loudspeakers wafer2 On-Wall Cinema Surround Speaker - Single</h1>\n<i>\nThe PMC wafer2, a compact on-wall cinema surround that brings PMC\'s patented ATL technology to a discreet and stylish speaker capable of astounding room-filling richness and clarity.</i><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">wafer2 is a sleek yet powerful on-wall cinema surround speaker featuring a 6.5\" LF driver and twin 27mm soft-dome tweeters, best suited to installations where a discreet and elegant look is all-important, but quality of audio reproduction remains paramount. The wafer2 is an ideal surround and overhead speaker for immersive Dolby Atmos rooms, thanks in part to its excellent sound and compact form factor.<br /><br />The wafer2 follows the identical design cues and contains the same intelligent innovations as the wafer1. The depth of the cabinet remains ultra slim line with small increases to the height and width. This allows for a larger and more robust bass unit giving the wafer2 greater low frequency extension and the ability to achieve higher volume levels. <br /><br /></span><h3>PMC wafer2 Key Features:</h3>\n<ul>\n	<li>Discreet & stylish - a perfect surround and overhead speaker for Dolby Atmos systems</li>\n	<li>Natural, dynamic, high resolution sound quality</li>\n	<li>Supreme bass performance - Rich deep bass at all volume levels</li>\n	<li>Combines flawlessly with the large PMC range</li>\n	<li>Whole room coverage - Wide dispersion</li>\n	<li>Efficient - Easy to drive</li>\n	<li>Perfect horizontal & vertical performance</li>\n	<li>High frequency control - (+, FLAT, -)</li>\n	<li>Image steering - directs sound toward the listener</li>\n	<li>Untainted, clear projected sound using SteathBaffle™</li>\n	<li>Trouble-free installation - Adjustable mounting hardwear</li>\n</ul>\n<br />\n<div align=\"center\">\n	<a href=\"https://www.rspeaudio.com/pmc-result6-demo-a/376.htm\"></a>\n</div>\n<h3>ATL provides sonically superior bass</h3>\nPMC’s unique ATL (Advanced Transmission Line) places the bass driver near one end of a long tunnel (the Advanced Transmission Line), which is heavily damped with acoustic material carefully specified to absorb the upper bass and higher frequencies radiating from the rear of the bass driver. The lowest frequencies are allowed to pass down the line and emerge from the front vent in the same polarity as the bass unit’s output, so that the vent acts like a second LF driver\n<br /><br />\nATL bass-loading technology offers exceptional LF extension with no colouration, identical tonal balance at all levels, and higher SPLs without compression or listener fatigue.<br /><br />\n<h3>Untainted, clear projected sound using SteathBaffle™</h3>\nStandard in-wall and on-wall designs are compromised when sound is reflected by the large surface area of their front baffle that surrounds the drive units. This detrimental effect is similar to the change in sound when cupping your hands around your mouth whilst speaking. PMC’s acoustic specialists have developed a unique, structured, absorbent surface that prevents unwanted reflected sound waves. The drive units are free to produce concentrated pure, untainted audio directly into the listening space.\n<br />'),(8786,75,1,1465,'<h1>PMC Loudspeakers wafer2 On-Wall Cinema Surround Speaker - Single</h1>\n<i>\nThe PMC wafer2, a compact on-wall cinema surround that brings PMC\'s patented ATL technology to a discreet and stylish speaker capable of astounding room-filling richness and clarity.</i><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">wafer2 is a sleek yet powerful on-wall cinema surround speaker featuring a 6.5\" LF driver and twin 27mm soft-dome tweeters, best suited to installations where a discreet and elegant look is all-important, but quality of audio reproduction remains paramount. The wafer2 is an ideal surround and overhead speaker for immersive Dolby Atmos rooms, thanks in part to its excellent sound and compact form factor.<br /><br />The wafer2 follows the identical design cues and contains the same intelligent innovations as the wafer1. The depth of the cabinet remains ultra slim line with small increases to the height and width. This allows for a larger and more robust bass unit giving the wafer2 greater low frequency extension and the ability to achieve higher volume levels. <br /><br /></span><h3>PMC wafer2 Key Features:</h3>\n<ul>\n	<li>Discreet & stylish - a perfect surround and overhead speaker for Dolby Atmos systems</li>\n	<li>Natural, dynamic, high resolution sound quality</li>\n	<li>Supreme bass performance - Rich deep bass at all volume levels</li>\n	<li>Combines flawlessly with the large PMC range</li>\n	<li>Whole room coverage - Wide dispersion</li>\n	<li>Efficient - Easy to drive</li>\n	<li>Perfect horizontal & vertical performance</li>\n	<li>High frequency control - (+, FLAT, -)</li>\n	<li>Image steering - directs sound toward the listener</li>\n	<li>Untainted, clear projected sound using SteathBaffle™</li>\n	<li>Trouble-free installation - Adjustable mounting hardwear</li>\n</ul>\n<br />\n<div align=\"center\">\n	<a href=\"https://www.rspeaudio.com/pmc-result6-demo-a/376.htm\"></a>\n</div>\n<h3>ATL provides sonically superior bass</h3>\nPMC’s unique ATL (Advanced Transmission Line) places the bass driver near one end of a long tunnel (the Advanced Transmission Line), which is heavily damped with acoustic material carefully specified to absorb the upper bass and higher frequencies radiating from the rear of the bass driver. The lowest frequencies are allowed to pass down the line and emerge from the front vent in the same polarity as the bass unit’s output, so that the vent acts like a second LF driver\n<br /><br />\nATL bass-loading technology offers exceptional LF extension with no colouration, identical tonal balance at all levels, and higher SPLs without compression or listener fatigue.<br /><br />\n<h3>Untainted, clear projected sound using SteathBaffle™</h3>\nStandard in-wall and on-wall designs are compromised when sound is reflected by the large surface area of their front baffle that surrounds the drive units. This detrimental effect is similar to the change in sound when cupping your hands around your mouth whilst speaking. PMC’s acoustic specialists have developed a unique, structured, absorbent surface that prevents unwanted reflected sound waves. The drive units are free to produce concentrated pure, untainted audio directly into the listening space.\n<br />'),(8787,85,0,1465,''),(8788,85,1,1465,''),(8789,76,0,1465,''),(8790,76,1,1465,''),(8791,75,0,1466,'<h1>PMC Loudspeakers wafer2-iw In-Wall Cinema Surround Speaker - Single</h1>\n<i>\nThe PMC wafer2-iw, a compact in-wall cinema surround that brings PMC\'s patented ATL technology to a discreet and stylish speaker capable of astounding room-filling richness and clarity.</i><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">wafer2-iw is a sleek yet powerful in-wall cinema surround speaker featuring a 6.5\" LF driver and twin 27mm soft-dome tweeters, best suited to installations where a discreet and elegant look is all-important, but quality of audio reproduction remains paramount. The wafer2-iw is an ideal surround and ceiling speaker for immersive Dolby Atmos rooms, thanks in part to its excellent sound and compact form factor.<br /><br />The wafer2-iw follows the identical design cues and contains the same intelligent innovations as the wafer1. The depth of the cabinet remains ultra slim line with small increases to the height and width. This allows for a larger and more robust bass unit giving the wafer2-iw greater low frequency extension and the ability to achieve higher volume levels. <br /><br /></span><h3>PMC wafer2-iw Key Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Discreet & stylish - a perfect surround and overhead speaker for Dolby Atmos systems</span></li><li>Ultra low sound leakage - sealed rear cabinet</li><li>Natural, dynamic, high resolution sound quality</li><li>Supreme bass performance - Rich deep bass at all volume levels</li><li>Combines flawlessly with the large PMC range</li><li>Whole room coverage - Wide dispersion</li><li>Efficient - Easy to drive</li><li>Perfect horizontal & vertical performance</li><li>High frequency control - (+, FLAT, -)</li><li>Image steering - directs sound toward the listener</li><li>Untainted, clear projected sound using SteathBaffle™</li><li>Slim line paintable grille & baffle - blends discreetly</li><li>Paintable grille & bezel</li><li>Rapid, efficient and convenient installation</li>\n</ul>\n<br />\n<div align=\"center\">\n	<a href=\"https://www.rspeaudio.com/pmc-result6-demo-a/376.htm\"></a>\n</div>\n<h3>ATL provides sonically superior bass</h3>\nPMC’s unique ATL (Advanced Transmission Line) places the bass driver near one end of a long tunnel (the Advanced Transmission Line), which is heavily damped with acoustic material carefully specified to absorb the upper bass and higher frequencies radiating from the rear of the bass driver. The lowest frequencies are allowed to pass down the line and emerge from the front vent in the same polarity as the bass unit’s output, so that the vent acts like a second LF driver\n<br /><br />\nATL bass-loading technology offers exceptional LF extension with no colouration, identical tonal balance at all levels, and higher SPLs without compression or listener fatigue.<br /><br /><h3>Ultra low rear sound leakage</h3><span style=\"background-color: initial;\">wafer-iw™ cabinets are sealed at the rear, therefore </span><span style=\"background-color: initial;\">sound leakage to adjoining rooms is kept to an absolute </span><span style=\"background-color: initial;\">minimum. Having a determined volume and structure </span><span style=\"background-color: initial;\">of cabinet also means a guarantee of performance, as </span><span style=\"background-color: initial;\">there is no reliance on the cavity construction or filling, </span><span style=\"background-color: initial;\">unlike inferior open back designs.</span><br /><br />\n<h3>Untainted, clear projected sound using SteathBaffle™</h3>\nStandard in-wall and on-wall designs are compromised when sound is reflected by the large surface area of their front baffle that surrounds the drive units. This detrimental effect is similar to the change in sound when cupping your hands around your mouth whilst speaking. PMC’s acoustic specialists have developed a unique, structured, absorbent surface that prevents unwanted reflected sound waves. The drive units are free to produce concentrated pure, untainted audio directly into the listening space.\n<br />'),(8792,75,1,1466,'<h1>PMC Loudspeakers wafer2-iw In-Wall Cinema Surround Speaker - Single</h1>\n<i>\nThe PMC wafer2-iw, a compact in-wall cinema surround that brings PMC\'s patented ATL technology to a discreet and stylish speaker capable of astounding room-filling richness and clarity.</i><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\">PMC Loudspeakers</a> <span style=\"background-color: initial;\">wafer2-iw is a sleek yet powerful in-wall cinema surround speaker featuring a 6.5\" LF driver and twin 27mm soft-dome tweeters, best suited to installations where a discreet and elegant look is all-important, but quality of audio reproduction remains paramount. The wafer2-iw is an ideal surround and ceiling speaker for immersive Dolby Atmos rooms, thanks in part to its excellent sound and compact form factor.<br /><br />The wafer2-iw follows the identical design cues and contains the same intelligent innovations as the wafer1. The depth of the cabinet remains ultra slim line with small increases to the height and width. This allows for a larger and more robust bass unit giving the wafer2-iw greater low frequency extension and the ability to achieve higher volume levels. <br /><br /></span><h3>PMC wafer2-iw Key Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Discreet & stylish - a perfect surround and overhead speaker for Dolby Atmos systems</span></li><li>Ultra low sound leakage - sealed rear cabinet</li><li>Natural, dynamic, high resolution sound quality</li><li>Supreme bass performance - Rich deep bass at all volume levels</li><li>Combines flawlessly with the large PMC range</li><li>Whole room coverage - Wide dispersion</li><li>Efficient - Easy to drive</li><li>Perfect horizontal & vertical performance</li><li>High frequency control - (+, FLAT, -)</li><li>Image steering - directs sound toward the listener</li><li>Untainted, clear projected sound using SteathBaffle™</li><li>Slim line paintable grille & baffle - blends discreetly</li><li>Paintable grille & bezel</li><li>Rapid, efficient and convenient installation</li>\n</ul>\n<br />\n<div align=\"center\">\n	<a href=\"https://www.rspeaudio.com/pmc-result6-demo-a/376.htm\"></a>\n</div>\n<h3>ATL provides sonically superior bass</h3>\nPMC’s unique ATL (Advanced Transmission Line) places the bass driver near one end of a long tunnel (the Advanced Transmission Line), which is heavily damped with acoustic material carefully specified to absorb the upper bass and higher frequencies radiating from the rear of the bass driver. The lowest frequencies are allowed to pass down the line and emerge from the front vent in the same polarity as the bass unit’s output, so that the vent acts like a second LF driver\n<br /><br />\nATL bass-loading technology offers exceptional LF extension with no colouration, identical tonal balance at all levels, and higher SPLs without compression or listener fatigue.<br /><br /><h3>Ultra low rear sound leakage</h3><span style=\"background-color: initial;\">wafer-iw™ cabinets are sealed at the rear, therefore </span><span style=\"background-color: initial;\">sound leakage to adjoining rooms is kept to an absolute </span><span style=\"background-color: initial;\">minimum. Having a determined volume and structure </span><span style=\"background-color: initial;\">of cabinet also means a guarantee of performance, as </span><span style=\"background-color: initial;\">there is no reliance on the cavity construction or filling, </span><span style=\"background-color: initial;\">unlike inferior open back designs.</span><br /><br />\n<h3>Untainted, clear projected sound using SteathBaffle™</h3>\nStandard in-wall and on-wall designs are compromised when sound is reflected by the large surface area of their front baffle that surrounds the drive units. This detrimental effect is similar to the change in sound when cupping your hands around your mouth whilst speaking. PMC’s acoustic specialists have developed a unique, structured, absorbent surface that prevents unwanted reflected sound waves. The drive units are free to produce concentrated pure, untainted audio directly into the listening space.\n<br />'),(8793,85,0,1466,''),(8794,85,1,1466,''),(8795,76,0,1466,''),(8796,76,1,1466,''),(8797,75,0,1467,'<h3>PMC Loudspeakers XB2 Passive Subwoofer Bass Unit (Single)</h3>\n<i>XB2 is a passive sub bass unit featuring a 12 inch PMC Radial™ LF driver offering frequency response down to 20Hz.</i><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\" style=\"background-color: initial;\">PMC Loudspeakers</a> XB2 Passive Subwoofer features line design and driver technology identical to that of the MB2 and MB2-A, forming a perfect blend of dynamics and depth of bass required for the most testing of material.\n<br /><br />\nIn addition to the conventional rear vented magnet it uses the patented, front mounted Radial™ chassis, which acts as a giant heatsink. This keeps voice coil and magnet temperatures exceptionally low resulting in superb reliability, 3dB less power compression and tight. The XB2\'s unique 12\" Radial™ driver features two cooling systems.<br /><br />\n<h3>Add extra thump to your already powerful PMC MB2 monitoring system with the XB2 Subwoofer Bass Unit. Call or chat with a RSPE representative today.</h3>'),(8798,75,1,1467,'<h3>PMC Loudspeakers XB2 Passive Subwoofer Bass Unit (Single)</h3>\n<i>XB2 is a passive sub bass unit featuring a 12 inch PMC Radial™ LF driver offering frequency response down to 20Hz.</i><br /><br />\nThe <a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\" style=\"background-color: initial;\">PMC Loudspeakers</a> XB2 Passive Subwoofer features line design and driver technology identical to that of the MB2 and MB2-A, forming a perfect blend of dynamics and depth of bass required for the most testing of material.\n<br /><br />\nIn addition to the conventional rear vented magnet it uses the patented, front mounted Radial™ chassis, which acts as a giant heatsink. This keeps voice coil and magnet temperatures exceptionally low resulting in superb reliability, 3dB less power compression and tight. The XB2\'s unique 12\" Radial™ driver features two cooling systems.<br /><br />\n<h3>Add extra thump to your already powerful PMC MB2 monitoring system with the XB2 Subwoofer Bass Unit. Call or chat with a RSPE representative today.</h3>'),(8799,85,0,1467,''),(8800,85,1,1467,''),(8801,76,0,1467,''),(8802,76,1,1467,''),(8803,75,0,1468,'<h3>PMC Loudspeakers XB3 Passive Subwoofer Bass Unit (Single)</h3>\n<i>XB3 is a passive sub bass unit featuring a 15 inch PMC Radial™ LF driver offering frequency response down to 17Hz.</i><br /><br />\nThe \n<a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\" style=\"background-color: initial;\">PMC Loudspeakers</a> XB3 passive subwoofer is intended to compliment any one of the BB6 series of monitors within a surround monitoring system. Much of the driver and cabinet technology are identical to that of the XB2, with upgrades to a 15\" Radial™ drive unit and larger more substantial cabinet.<br /><br />\n\nAs a sub bass unit the XB3 does not have a rival, it is simply the finest studio .1- channel monitor with the credentials to prove it.\n<br /><br />\n\n<h3>Add extra thump to your already powerful PMC BB6 monitoring system with the XB3 Subwoofer Bass Unit. Call or chat with a RSPE representative today.</h3>'),(8804,75,1,1468,'<h3>PMC Loudspeakers XB3 Passive Subwoofer Bass Unit (Single)</h3>\n<i>XB3 is a passive sub bass unit featuring a 15 inch PMC Radial™ LF driver offering frequency response down to 17Hz.</i><br /><br />\nThe \n<a href=\"https://www.rspeaudio.com/pmc-loudspeakers-s/2442.htm\" style=\"background-color: initial;\">PMC Loudspeakers</a> XB3 passive subwoofer is intended to compliment any one of the BB6 series of monitors within a surround monitoring system. Much of the driver and cabinet technology are identical to that of the XB2, with upgrades to a 15\" Radial™ drive unit and larger more substantial cabinet.<br /><br />\n\nAs a sub bass unit the XB3 does not have a rival, it is simply the finest studio .1- channel monitor with the credentials to prove it.\n<br /><br />\n\n<h3>Add extra thump to your already powerful PMC BB6 monitoring system with the XB3 Subwoofer Bass Unit. Call or chat with a RSPE representative today.</h3>'),(8805,85,0,1468,''),(8806,85,1,1468,''),(8807,76,0,1468,''),(8808,76,1,1468,''),(8809,75,0,1469,'\"Back in 2001, while designing the Quartet Tube Recording Channel, I decided that it needed a de-esser as one of the four elements. Though I\'d never bothered to look into how they operate – much less built one myself – I blindly went off and started tinkering. Attempts at de-essing via the sidechain of a compressor to pull down the amplitude of the \"s\" worked ok, but did not sound natural to my ears or leave enough of the \"s\" to make it recognizable. <br/><br/>\nSo, I decided to try using the fast opto cell from the OCL-2 as part of a triggerable LC notch filter, which covers a specific range of fundamental frequency where the \"s\" is most annoying. By varying the depth and the bandwidth of the notch, I discovered that there is a sweet spot  where the \"s\" is recognizable, but not splashy. Because the sweet spot is often singer-dependent, I added a depth control to allow the user to determine how much of the \"s\" to leave in. Owners of the Quartet often praised the de-esser, and found it effective in many other applications, including removing finger squeaks in acoustic guitar tracks, and \"wisp\" sounds on electic bass. <br/><br/>\nTen years (and many requests) later, I\'ve been convinced to put out the de-esser in a stand-alone 500 series card. It is identical to the one in the Quartet, but implemeted around a unity-gain class A solid-state line stage.\"<br/><br/>\nGreg Gualtieri<br/>\n<em>Designer</em><br/><br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8810,75,1,1469,'\"Back in 2001, while designing the Quartet Tube Recording Channel, I decided that it needed a de-esser as one of the four elements. Though I\'d never bothered to look into how they operate – much less built one myself – I blindly went off and started tinkering. Attempts at de-essing via the sidechain of a compressor to pull down the amplitude of the \"s\" worked ok, but did not sound natural to my ears or leave enough of the \"s\" to make it recognizable. <br/><br/>\nSo, I decided to try using the fast opto cell from the OCL-2 as part of a triggerable LC notch filter, which covers a specific range of fundamental frequency where the \"s\" is most annoying. By varying the depth and the bandwidth of the notch, I discovered that there is a sweet spot  where the \"s\" is recognizable, but not splashy. Because the sweet spot is often singer-dependent, I added a depth control to allow the user to determine how much of the \"s\" to leave in. Owners of the Quartet often praised the de-esser, and found it effective in many other applications, including removing finger squeaks in acoustic guitar tracks, and \"wisp\" sounds on electic bass. <br/><br/>\nTen years (and many requests) later, I\'ve been convinced to put out the de-esser in a stand-alone 500 series card. It is identical to the one in the Quartet, but implemeted around a unity-gain class A solid-state line stage.\"<br/><br/>\nGreg Gualtieri<br/>\n<em>Designer</em><br/><br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8811,85,0,1469,'Pendulum Audio DS-500 Opto De-esser'),(8812,85,1,1469,'Pendulum Audio DS-500 Opto De-esser'),(8813,76,0,1469,''),(8814,76,1,1469,''),(8815,75,0,1470,'The Pendulum Audio 6386 and ES-8 are modern two channel limiters designed to have the compression characteristics of a vintage unit, but with a higher level of sonic accuracy. Rather than trying to recreate the past, we\'ve taken an entirely different approach. The 6386 uses the gain control tube (remote cutoff triode) found in the vintage Fairchild limiters to provide the classic feedback response unique to the characteristics of this class of tubes. The ES-8 uses a different remote-cutoff triode with the same dynamic characteristics. Subsequent amplification is accomplished with a Class A, balanced transformerless line amp, rather than the push-pull transformer output stage used on vintage variable-mu units. The result is a new class of limiters that possess the \'dynamic signature\' of a classic tube compressor, but with a more accurate, less colored signal path. The two units are identical, except for the tube used for gain reduction.\n\nThe soft-knee design used in the 6386 and ES-8 offer effortless dynamic control with a smooth transition from compression to limiting. In addition, both channels can be operated independently, or linked with the flip of a switch. When linked, the threshold and attack/release parameters are controlled entirely by channel 1, assuring precise stereo balance over the entire range of gain reduction.\n\nFor maximum versatility, the 6386 and ES-8 incorporate a solid-state sidechain to provide a wide range of control with three modes of processing: In the FAST mode, the limiter works extremely fast (less than 0.5ms attack time), and is remarkably free of the \'pumping\' artifacts normally encountered with slow variable-mu compressors. It\'s the ideal choice for invisible dynamics processing, either for tracking or tight program compression.\n\nThe PRESET mode consists of six classic attack/release time settings (identical to the Fairchild 670) that are optimized for program compression, including two settings with program-dependent release times.\n\nThe MANUAL mode offers total control over the attack and release times, which is particularly useful for creative compression effects or for processing bass guitar.\n\nMost important, the hard bypass switches on the front panel conveniently allow a quick determination of exactly what the 6386 or ES-8 is, or in most cases, isn\'t doing to your signal.'),(8816,75,1,1470,'The Pendulum Audio 6386 and ES-8 are modern two channel limiters designed to have the compression characteristics of a vintage unit, but with a higher level of sonic accuracy. Rather than trying to recreate the past, we\'ve taken an entirely different approach. The 6386 uses the gain control tube (remote cutoff triode) found in the vintage Fairchild limiters to provide the classic feedback response unique to the characteristics of this class of tubes. The ES-8 uses a different remote-cutoff triode with the same dynamic characteristics. Subsequent amplification is accomplished with a Class A, balanced transformerless line amp, rather than the push-pull transformer output stage used on vintage variable-mu units. The result is a new class of limiters that possess the \'dynamic signature\' of a classic tube compressor, but with a more accurate, less colored signal path. The two units are identical, except for the tube used for gain reduction.\n\nThe soft-knee design used in the 6386 and ES-8 offer effortless dynamic control with a smooth transition from compression to limiting. In addition, both channels can be operated independently, or linked with the flip of a switch. When linked, the threshold and attack/release parameters are controlled entirely by channel 1, assuring precise stereo balance over the entire range of gain reduction.\n\nFor maximum versatility, the 6386 and ES-8 incorporate a solid-state sidechain to provide a wide range of control with three modes of processing: In the FAST mode, the limiter works extremely fast (less than 0.5ms attack time), and is remarkably free of the \'pumping\' artifacts normally encountered with slow variable-mu compressors. It\'s the ideal choice for invisible dynamics processing, either for tracking or tight program compression.\n\nThe PRESET mode consists of six classic attack/release time settings (identical to the Fairchild 670) that are optimized for program compression, including two settings with program-dependent release times.\n\nThe MANUAL mode offers total control over the attack and release times, which is particularly useful for creative compression effects or for processing bass guitar.\n\nMost important, the hard bypass switches on the front panel conveniently allow a quick determination of exactly what the 6386 or ES-8 is, or in most cases, isn\'t doing to your signal.'),(8817,85,0,1470,'Pendulum Audio ES-8 Remote Cutoff Tube Limiter'),(8818,85,1,1470,'Pendulum Audio ES-8 Remote Cutoff Tube Limiter'),(8819,76,0,1470,''),(8820,76,1,1470,''),(8821,75,0,1471,'The MDP-1 is a modern two channel vacuum tube Mic/DI preamp designed to be the ultimate way to get your mic or source directly to tape or hard disk. Unlike vintage or hybrid designs, the MDP-1 uses a pure tube, class A high voltage circuit topology with a transformerless output stage to deliver an open, intimate sound with a level of detail that meets the requirements of the most demanding recording applications. Our short signal path design excels in audio performance, delivering extremely wide bandwidth, low noise, and high headroom.\n\nA key component of the sound of a tube mic preamp is the input transformer. It\'s here that we let your select how you would like the preamp to sound. The MDP-1 can be ordered with your choice of two low turns-ratio transformers depending on your requirements: a Jensen 13K7A for a full, open sound with plenty of sparkle in the high end and a deep low end - perfect for recording all sources, especially instrumental music; or a custom-wound transformer for a more \'focused\' sound, with extra presence and clarity in the midrange - ideal for a vocal sound that easily distinguishes itself in a mix.\n\nThe MDP-1 also has all the things you\'d expect in a full-featured mic preamp; phantom power, phase reverse, -20dB input pad, a lo cut filter with 10 frequencies and large, illuminated VU meters.\n\nThe DI signal path is completely transformerless, with a selection of three input load impedances: 10M for piezoelectric acoustic instrument pickups, 1M for magnetic pickups, and 100k with a 20dB pad for line level sources such as keyboards or other -10dBV equipment.'),(8822,75,1,1471,'The MDP-1 is a modern two channel vacuum tube Mic/DI preamp designed to be the ultimate way to get your mic or source directly to tape or hard disk. Unlike vintage or hybrid designs, the MDP-1 uses a pure tube, class A high voltage circuit topology with a transformerless output stage to deliver an open, intimate sound with a level of detail that meets the requirements of the most demanding recording applications. Our short signal path design excels in audio performance, delivering extremely wide bandwidth, low noise, and high headroom.\n\nA key component of the sound of a tube mic preamp is the input transformer. It\'s here that we let your select how you would like the preamp to sound. The MDP-1 can be ordered with your choice of two low turns-ratio transformers depending on your requirements: a Jensen 13K7A for a full, open sound with plenty of sparkle in the high end and a deep low end - perfect for recording all sources, especially instrumental music; or a custom-wound transformer for a more \'focused\' sound, with extra presence and clarity in the midrange - ideal for a vocal sound that easily distinguishes itself in a mix.\n\nThe MDP-1 also has all the things you\'d expect in a full-featured mic preamp; phantom power, phase reverse, -20dB input pad, a lo cut filter with 10 frequencies and large, illuminated VU meters.\n\nThe DI signal path is completely transformerless, with a selection of three input load impedances: 10M for piezoelectric acoustic instrument pickups, 1M for magnetic pickups, and 100k with a 20dB pad for line level sources such as keyboards or other -10dBV equipment.'),(8823,85,0,1471,'Pendulum Audio MDP-1 Vacuum Tube Mic/DI Preamp'),(8824,85,1,1471,'Pendulum Audio MDP-1 Vacuum Tube Mic/DI Preamp'),(8825,76,0,1471,''),(8826,76,1,1471,''),(8827,75,0,1472,'The Pendulum OCL-2 is a two channel electro-optical compressor/limiter designed for the utmost in transparency, detail and versatility. The incredibly short signal path design uses a proprietary optocell input attenuation network in front of an all tube class A gain stage. Since the signal path is entirely transformerless, we\'ve eliminated the coloration inherent in traditional transformer-coupled tube designs. The result is an open, detailed sound without the sluggishness and over compression associated with older tube circuit design. The resulting clarity and super -fast attack time that you can dial in can only be achieved with modern tube circuit design. \nThe OCL-2 is modeled after the characteristics of a vintage LA-2A but with much faster attack and releases in response to transients while still maintaining the warmth of the tube.\n\nThe OCL-2\'s soft-knee design offers smooth, effortless dynamic control with the ratio adjustable from light compression to limiting. Our unique sidechain circuit linearizes the optical gain element to reduce distortion, and achieves much faster attack and release times than encountered with conventional optical compressors. And stereo linking is accomplished with the flip of a switch .\n\nIn the FAST mode, the optical cell operates with very fast attack and release times, which are peak-averaged by the rapid operation of the cell. This mode is remarkably free of pumping artifacts even at high compression levels. It\'s the ideal choice for \'invisible\' dynamics processing, either for tracking or tight program compression.\n\nThe PRESET mode consists of six classic attack/release time settings that are optimized for program compression, including two settings with program-dependent release times.\n\nThe MANUAL mode offers total control over the attack and release times, which is particularly useful for creative compression effects or for processing bass guitar.\n\nMost important, the hard bypass switches on the front panel conveniently allow a quick determination of exactly what the OCL-2 is, or in most cases, isn\'t doing to your signal.'),(8828,75,1,1472,'The Pendulum OCL-2 is a two channel electro-optical compressor/limiter designed for the utmost in transparency, detail and versatility. The incredibly short signal path design uses a proprietary optocell input attenuation network in front of an all tube class A gain stage. Since the signal path is entirely transformerless, we\'ve eliminated the coloration inherent in traditional transformer-coupled tube designs. The result is an open, detailed sound without the sluggishness and over compression associated with older tube circuit design. The resulting clarity and super -fast attack time that you can dial in can only be achieved with modern tube circuit design. \nThe OCL-2 is modeled after the characteristics of a vintage LA-2A but with much faster attack and releases in response to transients while still maintaining the warmth of the tube.\n\nThe OCL-2\'s soft-knee design offers smooth, effortless dynamic control with the ratio adjustable from light compression to limiting. Our unique sidechain circuit linearizes the optical gain element to reduce distortion, and achieves much faster attack and release times than encountered with conventional optical compressors. And stereo linking is accomplished with the flip of a switch .\n\nIn the FAST mode, the optical cell operates with very fast attack and release times, which are peak-averaged by the rapid operation of the cell. This mode is remarkably free of pumping artifacts even at high compression levels. It\'s the ideal choice for \'invisible\' dynamics processing, either for tracking or tight program compression.\n\nThe PRESET mode consists of six classic attack/release time settings that are optimized for program compression, including two settings with program-dependent release times.\n\nThe MANUAL mode offers total control over the attack and release times, which is particularly useful for creative compression effects or for processing bass guitar.\n\nMost important, the hard bypass switches on the front panel conveniently allow a quick determination of exactly what the OCL-2 is, or in most cases, isn\'t doing to your signal.'),(8829,85,0,1472,'Pendulum Audio OCL-2 Electro-Optical Compressor/Limiter'),(8830,85,1,1472,'Pendulum Audio OCL-2 Electro-Optical Compressor/Limiter'),(8831,76,0,1472,''),(8832,76,1,1472,''),(8833,75,0,1473,'The Pendulum Audio PL-2 is one of Pendulum\'s signature products and their most popular dynamics processor. The PL-2 is a stand-alone two channel version of the very popular peak limiter in our Quartet II Tube Recording Channel. It uses a novel approach to brickwall limiting in the analog domain, one that is fast enough to prevent digital overs without using time delay or phase-shift delay techniques. This allows us to keep the analog signal path short, and <span style=\"font-weight: bold;\">keep the limiting circuit \'switched out\' of the signal path</span> below the peak limiting threshold and switches in <span style=\"font-weight: bold;\">inaudibly!</span> Distortion for all levels below the the limiting threshold is low, and does not rise as the threshold for limiting is approached. Unlike analog peak clippers, which chop off the top and bottom of the waveform, our limiter retains dynamic information at the top of the peak.\n\nThe PL-2 has two modes of peak limiting, using either junction field-effect transistors (JFET) or metal-oxide semiconductor field effect transistors (MOSFET) as the control elements. While both are equally capable of brickwall limiting, each type has its own characteristic sound. The JFET tends to be a stiffer, harder mode of limiting, while the MOSFET has a softer, more compliant response. The resulting waveforms look different, and each device has its own characteristic sound.\n\nIn addition, Input and Output gain controls allow the user to scale the gain structure for a wide range of applications, from driving the front end of an A/D converter at +22 dBu, to inserting it as an effect into a +4 dBu patch bay. Several units can be linked for multi-channel applications.\n\nEach channel also has an expanded 13 segment LED display which accurately indicates peak reduction.'),(8834,75,1,1473,'The Pendulum Audio PL-2 is one of Pendulum\'s signature products and their most popular dynamics processor. The PL-2 is a stand-alone two channel version of the very popular peak limiter in our Quartet II Tube Recording Channel. It uses a novel approach to brickwall limiting in the analog domain, one that is fast enough to prevent digital overs without using time delay or phase-shift delay techniques. This allows us to keep the analog signal path short, and <span style=\"font-weight: bold;\">keep the limiting circuit \'switched out\' of the signal path</span> below the peak limiting threshold and switches in <span style=\"font-weight: bold;\">inaudibly!</span> Distortion for all levels below the the limiting threshold is low, and does not rise as the threshold for limiting is approached. Unlike analog peak clippers, which chop off the top and bottom of the waveform, our limiter retains dynamic information at the top of the peak.\n\nThe PL-2 has two modes of peak limiting, using either junction field-effect transistors (JFET) or metal-oxide semiconductor field effect transistors (MOSFET) as the control elements. While both are equally capable of brickwall limiting, each type has its own characteristic sound. The JFET tends to be a stiffer, harder mode of limiting, while the MOSFET has a softer, more compliant response. The resulting waveforms look different, and each device has its own characteristic sound.\n\nIn addition, Input and Output gain controls allow the user to scale the gain structure for a wide range of applications, from driving the front end of an A/D converter at +22 dBu, to inserting it as an effect into a +4 dBu patch bay. Several units can be linked for multi-channel applications.\n\nEach channel also has an expanded 13 segment LED display which accurately indicates peak reduction.'),(8835,85,0,1473,'Pendulum Audio PL-2 Analog Peak Limiter'),(8836,85,1,1473,'Pendulum Audio PL-2 Analog Peak Limiter'),(8837,76,0,1473,''),(8838,76,1,1473,''),(8839,75,0,1474,'The Quartet is an all-purpose recording tool designed with the ultimate in sound quality and flexibility in mind. We have combined four elements - Mic/DI preamp, Opto-compressor, EQ, and De-esser -into a fully integrated package that it makes it easy to track any source. In addition, the Mic/DI preamp, EQ and Compressor/De-esser are completely independent entities that can be patched out and used separately - a hand feature that makes it a valuable tool for mixing as well as tracking.\n\nThe Mic/DI preamp, borrowed from our acclaimed MDP-1, can handle mics, pickups, keyboards, or line-level signals. It features phantom power, input pad, phase reversal, and a switchable lo-cut filter. Independent gain and output controls permit overdrive of the tube stage to vary the harmonic content of the preamp.\n\nThe Opto-Compressor, derived from the popular OCL-2, uses our proprietary optoelectronic cell, and has a sound all its own. It can be used in one of four modes: Fast (for \'invisible\' compression), Average (rms responding), a new Vintage mode (with program-dependent response), or full manual operation.\n\nOur new 3 band tube EQ, a modifed Baxandall design, is simple but very effective. The HI and LO bands have up to ±10dB of shelving at 15, 10 and 7 kHz, and 50, 100 and 200 Hz respectively. The MID band has a broad ±10dB peaking response centered at 0.7, 1.6, 2.2, 3.3, 5.0 and 6.5 kHz. The EQ can be placed before or after the compressor with the flip of a switch.\n\nThe new De-esser, which is implemented within the opto-compressor, uses an entirely new approach. A highly selective inductor-based detector triggers a very fast opto-inductive notch filter. The user can control the depth of the notch, which in turn controls amount of sibilance to be removed. When not triggered, the de-esser is out of the signal path entirely.'),(8840,75,1,1474,'The Quartet is an all-purpose recording tool designed with the ultimate in sound quality and flexibility in mind. We have combined four elements - Mic/DI preamp, Opto-compressor, EQ, and De-esser -into a fully integrated package that it makes it easy to track any source. In addition, the Mic/DI preamp, EQ and Compressor/De-esser are completely independent entities that can be patched out and used separately - a hand feature that makes it a valuable tool for mixing as well as tracking.\n\nThe Mic/DI preamp, borrowed from our acclaimed MDP-1, can handle mics, pickups, keyboards, or line-level signals. It features phantom power, input pad, phase reversal, and a switchable lo-cut filter. Independent gain and output controls permit overdrive of the tube stage to vary the harmonic content of the preamp.\n\nThe Opto-Compressor, derived from the popular OCL-2, uses our proprietary optoelectronic cell, and has a sound all its own. It can be used in one of four modes: Fast (for \'invisible\' compression), Average (rms responding), a new Vintage mode (with program-dependent response), or full manual operation.\n\nOur new 3 band tube EQ, a modifed Baxandall design, is simple but very effective. The HI and LO bands have up to ±10dB of shelving at 15, 10 and 7 kHz, and 50, 100 and 200 Hz respectively. The MID band has a broad ±10dB peaking response centered at 0.7, 1.6, 2.2, 3.3, 5.0 and 6.5 kHz. The EQ can be placed before or after the compressor with the flip of a switch.\n\nThe new De-esser, which is implemented within the opto-compressor, uses an entirely new approach. A highly selective inductor-based detector triggers a very fast opto-inductive notch filter. The user can control the depth of the notch, which in turn controls amount of sibilance to be removed. When not triggered, the de-esser is out of the signal path entirely.'),(8841,85,0,1474,'Pendulum Audio Quartet Tube Recording Channel'),(8842,85,1,1474,'Pendulum Audio Quartet Tube Recording Channel'),(8843,76,0,1474,''),(8844,76,1,1474,''),(8845,75,0,1475,'The Quartet II is not an update nor a replacement for our very popular Quartet, but complementary unit that incorporates a substantially different combination of elements. Designed with the input of Fletcher of Mercenary Audio, many additional options have been provided to tailor the texture of the audio character for maximum musical flexibility.\n\nThe tube Mic/DI preamp has the unique option of being able to switch between two markedly different sounding input transformers and loading options. The DI can handle pickups, keyboards, or line-level signals. The mic preamp also features phantom power, input pad, phase reversal, and a switchable lo-cut filter. Independent gain and output controls permit overdrive of the tube stage to vary the harmonic content of the preamp. \n\nThe delta-mu compressor, derived from the popular ES-8, has the classic compression profile of the Fairchild 660 and 670 limiters. It can be used in one of five modes: Fast, Faster, Vintage (with program-dependent response), Average (rms responding), or full manual operation. It also features a switchable sidechain high pass filter to decrease the sensitivity of the compressor to low frequency content. \n\nThe new 3 band tube Passive/Aggressive Equalizer is a modern take on the classic inductor-based passive EQ. It features simultaneous Lo Shelf boost and cut, Mid Dip and Hi Peak bands. The Aggressive mode increases the saturation of the EQ circuit to add harmonic content. In addition, the EQ can be placed before or after the compressor with the flip of a switch. \n\nThe new JFET/MOSFET Peak Limiter uses a novel approach to brickwall analog limiting, with JFET and MOSFET modes for two different characters of peak limiting, and accurate led metering in 1 dB increments. Unlike other designs, the peak limiter adds no appreciable distortion below threshold.'),(8846,75,1,1475,'The Quartet II is not an update nor a replacement for our very popular Quartet, but complementary unit that incorporates a substantially different combination of elements. Designed with the input of Fletcher of Mercenary Audio, many additional options have been provided to tailor the texture of the audio character for maximum musical flexibility.\n\nThe tube Mic/DI preamp has the unique option of being able to switch between two markedly different sounding input transformers and loading options. The DI can handle pickups, keyboards, or line-level signals. The mic preamp also features phantom power, input pad, phase reversal, and a switchable lo-cut filter. Independent gain and output controls permit overdrive of the tube stage to vary the harmonic content of the preamp. \n\nThe delta-mu compressor, derived from the popular ES-8, has the classic compression profile of the Fairchild 660 and 670 limiters. It can be used in one of five modes: Fast, Faster, Vintage (with program-dependent response), Average (rms responding), or full manual operation. It also features a switchable sidechain high pass filter to decrease the sensitivity of the compressor to low frequency content. \n\nThe new 3 band tube Passive/Aggressive Equalizer is a modern take on the classic inductor-based passive EQ. It features simultaneous Lo Shelf boost and cut, Mid Dip and Hi Peak bands. The Aggressive mode increases the saturation of the EQ circuit to add harmonic content. In addition, the EQ can be placed before or after the compressor with the flip of a switch. \n\nThe new JFET/MOSFET Peak Limiter uses a novel approach to brickwall analog limiting, with JFET and MOSFET modes for two different characters of peak limiting, and accurate led metering in 1 dB increments. Unlike other designs, the peak limiter adds no appreciable distortion below threshold.'),(8847,85,0,1475,'Pendulum Audio Quartet II Tube Recording Channel'),(8848,85,1,1475,'Pendulum Audio Quartet II Tube Recording Channel'),(8849,76,0,1475,''),(8850,76,1,1475,''),(8851,75,0,1476,'<h1>Presonus FaderPort 8</h1>\n<i>\n8 channel USB desktop mixer featuring 8 touch-sensitive, motorized, 100 mm faders and 65 buttons covering 78 different functions.</i><br /><br />The Presonus FaderPort 8 is a plug and play USB mix production controller f<span style=\"background-color: initial;\">eaturing ultra-smooth, touch-sensitive, </span><span style=\"background-color: initial;\">motorized faders; digital scribble strips; complete automation and transport </span><span style=\"background-color: initial;\">controls; and the unique Session Navigator, FaderPort multichannel </span><span style=\"background-color: initial;\">controllers make mixing in your favorite DAW application quick and easy</span><span style=\"background-color: initial;\"><br /></span><br />\n<h3>FaderPort 8 Key Features:</h3>\n<ul>\n	<li>8 touch-sensitive, 100 mm long-throw, motorized faders</li><li>8 Scribble Strip displays</li><li>Complete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, Loop</li><li>Drop Marker Next / Prev Marker Next / Prev Event</li><li>General session controls: Undo / Redo, All Arm, Solo / Mute Clear, Track Management, Click On / Off with tap tempo</li><li>Session Navigator provides quick control over track scrolling, channel banking, timeline scrolling, and much more</li><li>Channel Controls: Level, Pan, Solo, Mute, Rec Arm</li><li>Automation Controls: Touch, Latch, Trim, Write, Read, Off</li><li>Optional Fader functionality: plug-in edit, bus sends, pan</li><li>macOS® / Windows® compatible with native Studio One® support and HUI and Mackie Control Universal emulation *</li><li>Footswitch input for hands-free start / stop</li><li>USB 2.0 connectivity</li>\n</ul>\n<h3>Don’t kill that mouse—give it a companion.</h3>\nAlthough a keyboard and mouse are tried-and-true DAW-control devices, they’re far more effective when used in tandem with the FaderPort™ 8’s precise tactile control over mix and automation functions. With 8 touch-sensitive, motorized, 100 mm faders and 65 buttons covering 78 different functions, you can quickly zoom in on audio files for editing, adjust your click-track tempo with a simple tap, modify plug-in parameters, manage aux mixes—and, of course, control track levels with the touch of a finger. With the FaderPort 8, you’ll enjoy the fastest, most efficient workflow you’ve ever experienced.<br /><br />\n<h3>Work faster and smarter.</h3>Rather than forcing you to revise your mixing method, the FaderPort 8 augments the way you currently mix. You still use your faithful keyboard and mouse for things they do well, and the FaderPort 8 handles the features you want to get your fingers on, allowing you to customize your workflow. Large, illuminated buttons make finding the function you need quick and easy. Eight digital scribble strips provide visual feedback. And if you select a track with your mouse, the FaderPort 8 will follow your selection, giving you yet another way to get to the function you need, right when you need it. This is DAW control the way you always hoped it could be!<br /><br />\n<h3>One-button access to key functions.*</h3>The FaderPort 8\'s unique Session Navigator provides easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline, using the encoder, or work measure by measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you’ll wonder how you mixed without it.<br /><br />* Features may vary depending on your software.<br /><br />\n<h3>The FaderPort 8 is compact, easy-to-use allowing you to enjoy the fastest, most efficient workflow you’ve ever experienced! Call or chat with a RSPE representative today.</h3>'),(8852,75,1,1476,'<h1>Presonus FaderPort 8</h1>\n<i>\n8 channel USB desktop mixer featuring 8 touch-sensitive, motorized, 100 mm faders and 65 buttons covering 78 different functions.</i><br /><br />The Presonus FaderPort 8 is a plug and play USB mix production controller f<span style=\"background-color: initial;\">eaturing ultra-smooth, touch-sensitive, </span><span style=\"background-color: initial;\">motorized faders; digital scribble strips; complete automation and transport </span><span style=\"background-color: initial;\">controls; and the unique Session Navigator, FaderPort multichannel </span><span style=\"background-color: initial;\">controllers make mixing in your favorite DAW application quick and easy</span><span style=\"background-color: initial;\"><br /></span><br />\n<h3>FaderPort 8 Key Features:</h3>\n<ul>\n	<li>8 touch-sensitive, 100 mm long-throw, motorized faders</li><li>8 Scribble Strip displays</li><li>Complete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, Loop</li><li>Drop Marker Next / Prev Marker Next / Prev Event</li><li>General session controls: Undo / Redo, All Arm, Solo / Mute Clear, Track Management, Click On / Off with tap tempo</li><li>Session Navigator provides quick control over track scrolling, channel banking, timeline scrolling, and much more</li><li>Channel Controls: Level, Pan, Solo, Mute, Rec Arm</li><li>Automation Controls: Touch, Latch, Trim, Write, Read, Off</li><li>Optional Fader functionality: plug-in edit, bus sends, pan</li><li>macOS® / Windows® compatible with native Studio One® support and HUI and Mackie Control Universal emulation *</li><li>Footswitch input for hands-free start / stop</li><li>USB 2.0 connectivity</li>\n</ul>\n<h3>Don’t kill that mouse—give it a companion.</h3>\nAlthough a keyboard and mouse are tried-and-true DAW-control devices, they’re far more effective when used in tandem with the FaderPort™ 8’s precise tactile control over mix and automation functions. With 8 touch-sensitive, motorized, 100 mm faders and 65 buttons covering 78 different functions, you can quickly zoom in on audio files for editing, adjust your click-track tempo with a simple tap, modify plug-in parameters, manage aux mixes—and, of course, control track levels with the touch of a finger. With the FaderPort 8, you’ll enjoy the fastest, most efficient workflow you’ve ever experienced.<br /><br />\n<h3>Work faster and smarter.</h3>Rather than forcing you to revise your mixing method, the FaderPort 8 augments the way you currently mix. You still use your faithful keyboard and mouse for things they do well, and the FaderPort 8 handles the features you want to get your fingers on, allowing you to customize your workflow. Large, illuminated buttons make finding the function you need quick and easy. Eight digital scribble strips provide visual feedback. And if you select a track with your mouse, the FaderPort 8 will follow your selection, giving you yet another way to get to the function you need, right when you need it. This is DAW control the way you always hoped it could be!<br /><br />\n<h3>One-button access to key functions.*</h3>The FaderPort 8\'s unique Session Navigator provides easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline, using the encoder, or work measure by measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you’ll wonder how you mixed without it.<br /><br />* Features may vary depending on your software.<br /><br />\n<h3>The FaderPort 8 is compact, easy-to-use allowing you to enjoy the fastest, most efficient workflow you’ve ever experienced! Call or chat with a RSPE representative today.</h3>'),(8853,85,0,1476,'Presonus FaderPort 8'),(8854,85,1,1476,'Presonus FaderPort 8'),(8855,76,0,1476,''),(8856,76,1,1476,''),(8857,75,0,1477,'<h2>Prism Sound AD-2 A/D Converter</h2>\n<span style=\"font-size:16px; font-style:italic;\">Premium 24-bit 96kHz 2 Channel A/D And Sample Rate Converter</span><br /><br />\nThe Prism Sound AD-2 is the definitive music A/D converter, providing the most accurate rendition of an audio event whether it be early music, classical, jazz, big band, a club mix or hard rock. The AD-2 conversion system provides an audio stream of such exceptional quality that it will be relied upon for years to come as the definitive source for productions on CD, DVD, Super Audio CD or other formats as they become available. It offers a wealth of sophisticated features as well as high-performance, multi-rate A/D conversion for the most exacting applications in sound recording, mastering and broadcast. <br /><br />\n\n<h3>Performance</h3>\nConverter performance is pushed ever-nearer the limit: Dynamic range reaches a massive 130dB, THD+N at full scale is raised to 108dB (0.0005%). Clock stability, and rejection of incoming reference jitter are also improved. <br /><br />\n\n<h3>Flexibility</h3>\nThe AD-2 is like two separate A/D converters, plus a digital processor, all in one: it can generate two entirely separate output signals simultaneously. These can have different sampling rates, different word-lengths - even use different noise-shapers. For example, you can output a 96kHz / 24-bit signal and a 44.1kHz / 16-bit noise-shaped signal at the same time. <br /><br />\n\nApart from its breathtaking performance, the analogue front-end of the AD-2 includes many new features: Analogue input sensitivity (and inter-channel balance) is software-programmable over the entire range with 0.05dB resolution. Just as with the AD-1, the inputs are transformerless, electronically balanced and galvanically isolated (fully floating), to ensure freedom from noise pick-up and crosstalk. <br /><br />\n\n<h3>Digital to Digital Sample Rate Conversion</h3>\nThe \'D-D\' (digital-to-digital) path, first provided in the AD-1, has been improved still further in the AD-2: It still offers re-dithering, noise-shaping and DRE encoding / decoding, but now it has synchronous sample-rate-conversion (SRC) as well. So you can re-process your 96kHz, 24-bit masters to 44.1kHz 16-bit streams for CD, or you can up-sample low-rate recordings for post-processing at a higher rate... in fact, you can convert between any two standard sampling-rates - synchronously. Synchronous sample-rate-conversion, if correctly performed, is free of the distortion artifacts associated with conventional \'variable-rate\' SRCs. <br /><br />\n\n<h3>Noise Shaping</h3>\nThe four tried and tested Super-Noise-Shaping (\'SNS\') curves are extended to include optimal shaping for the higher sampling rates. The SNS process gives greatly-improved small-signal performance for limited word-lengths, such as CD, and is completely compatible with existing D/A converter products (including consumer and professional CD players). <br /><br />\n\n\n<h3>The prism AD-2 is a state of the art converter that would be at home at any studio. Call or live chat RSPE to learn more about Prism AD-2.</h3>'),(8858,75,1,1477,'<h2>Prism Sound AD-2 A/D Converter</h2>\n<span style=\"font-size:16px; font-style:italic;\">Premium 24-bit 96kHz 2 Channel A/D And Sample Rate Converter</span><br /><br />\nThe Prism Sound AD-2 is the definitive music A/D converter, providing the most accurate rendition of an audio event whether it be early music, classical, jazz, big band, a club mix or hard rock. The AD-2 conversion system provides an audio stream of such exceptional quality that it will be relied upon for years to come as the definitive source for productions on CD, DVD, Super Audio CD or other formats as they become available. It offers a wealth of sophisticated features as well as high-performance, multi-rate A/D conversion for the most exacting applications in sound recording, mastering and broadcast. <br /><br />\n\n<h3>Performance</h3>\nConverter performance is pushed ever-nearer the limit: Dynamic range reaches a massive 130dB, THD+N at full scale is raised to 108dB (0.0005%). Clock stability, and rejection of incoming reference jitter are also improved. <br /><br />\n\n<h3>Flexibility</h3>\nThe AD-2 is like two separate A/D converters, plus a digital processor, all in one: it can generate two entirely separate output signals simultaneously. These can have different sampling rates, different word-lengths - even use different noise-shapers. For example, you can output a 96kHz / 24-bit signal and a 44.1kHz / 16-bit noise-shaped signal at the same time. <br /><br />\n\nApart from its breathtaking performance, the analogue front-end of the AD-2 includes many new features: Analogue input sensitivity (and inter-channel balance) is software-programmable over the entire range with 0.05dB resolution. Just as with the AD-1, the inputs are transformerless, electronically balanced and galvanically isolated (fully floating), to ensure freedom from noise pick-up and crosstalk. <br /><br />\n\n<h3>Digital to Digital Sample Rate Conversion</h3>\nThe \'D-D\' (digital-to-digital) path, first provided in the AD-1, has been improved still further in the AD-2: It still offers re-dithering, noise-shaping and DRE encoding / decoding, but now it has synchronous sample-rate-conversion (SRC) as well. So you can re-process your 96kHz, 24-bit masters to 44.1kHz 16-bit streams for CD, or you can up-sample low-rate recordings for post-processing at a higher rate... in fact, you can convert between any two standard sampling-rates - synchronously. Synchronous sample-rate-conversion, if correctly performed, is free of the distortion artifacts associated with conventional \'variable-rate\' SRCs. <br /><br />\n\n<h3>Noise Shaping</h3>\nThe four tried and tested Super-Noise-Shaping (\'SNS\') curves are extended to include optimal shaping for the higher sampling rates. The SNS process gives greatly-improved small-signal performance for limited word-lengths, such as CD, and is completely compatible with existing D/A converter products (including consumer and professional CD players). <br /><br />\n\n\n<h3>The prism AD-2 is a state of the art converter that would be at home at any studio. Call or live chat RSPE to learn more about Prism AD-2.</h3>'),(8859,85,0,1477,''),(8860,85,1,1477,''),(8861,76,0,1477,''),(8862,76,1,1477,''),(8863,75,0,1478,'<h2>Prism Sound Atlas USB Audio Interface</h2>The Prism Atlas is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Atlas is ideal for music and sound recording, mixing, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications. <br /><br />\n\nAtlas provides Prism Sound\'s renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Atlas can also operate stand-alone using its ADAT, S/PDIF or AES3 I/O. <br /><br />\n\n<h3>Prism Atlas Features</h3><ul><li><span style=\"background-color: initial;\">No-compromise, full Prism Sound audio quality</span></li><li>Dedicated USB interface</li><li>Multichannel Digital I/O (MDIO) expansion port</li><li>ASIO drivers provided for Windows VISTA, 7 and 8 (32 and 64bit)</li><li>Directly compatible with CORE AUDIO on Mac OS X 10.4+</li><li>Eight \"Prism Sound\" premium-quality AD and DA channels</li><li>Concurrent operation of ADAT and switchable S/PDIF or AES3 ports</li><li>Eight high-end integrated mic preamps (typ.-130dBu EIN)</li><li>Mic pres have individually switchable phantom power and 20dB pads</li><li>MS Matrix processing on mic inputs</li><li>Two instrument inputs</li><li>RIAA Equalization on inputs 1 & 2</li><li>Prism Sound \"Overkillers\" on every analogue channel to control transient overloads</li><li>Fully-floating (isolated) balanced architecture for optimum noise rejection</li><li>Mono or stereo input configurations</li><li>Outputs selectable between workstation bus or Atlas mixer</li><li>Low-latency \"console-quality\" digital mixer for foldback monitoring</li><li>Fader, pan, cut, solo on every mixer channel</li><li>Dual headphone outputs each with its own front-panel volume control</li><li>Front-panel master volume control and mute, assignable to selected channels</li><li>Configurable for stereo, 5.1 or 7.1 or surround monitoring</li><li>Built-in sample rate conversion (SRC) on S/PDIF Inputs and Outputs</li><li>Prism Sound 4-curve SNS noise shaping on digital outputs</li><li>State-of-the-art clock generation with proprietary hybrid 2-stage DPLL</li></ul><br />'),(8864,75,1,1478,'<h2>Prism Sound Atlas USB Audio Interface</h2>The Prism Atlas is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Atlas is ideal for music and sound recording, mixing, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications. <br /><br />\n\nAtlas provides Prism Sound\'s renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Atlas can also operate stand-alone using its ADAT, S/PDIF or AES3 I/O. <br /><br />\n\n<h3>Prism Atlas Features</h3><ul><li><span style=\"background-color: initial;\">No-compromise, full Prism Sound audio quality</span></li><li>Dedicated USB interface</li><li>Multichannel Digital I/O (MDIO) expansion port</li><li>ASIO drivers provided for Windows VISTA, 7 and 8 (32 and 64bit)</li><li>Directly compatible with CORE AUDIO on Mac OS X 10.4+</li><li>Eight \"Prism Sound\" premium-quality AD and DA channels</li><li>Concurrent operation of ADAT and switchable S/PDIF or AES3 ports</li><li>Eight high-end integrated mic preamps (typ.-130dBu EIN)</li><li>Mic pres have individually switchable phantom power and 20dB pads</li><li>MS Matrix processing on mic inputs</li><li>Two instrument inputs</li><li>RIAA Equalization on inputs 1 & 2</li><li>Prism Sound \"Overkillers\" on every analogue channel to control transient overloads</li><li>Fully-floating (isolated) balanced architecture for optimum noise rejection</li><li>Mono or stereo input configurations</li><li>Outputs selectable between workstation bus or Atlas mixer</li><li>Low-latency \"console-quality\" digital mixer for foldback monitoring</li><li>Fader, pan, cut, solo on every mixer channel</li><li>Dual headphone outputs each with its own front-panel volume control</li><li>Front-panel master volume control and mute, assignable to selected channels</li><li>Configurable for stereo, 5.1 or 7.1 or surround monitoring</li><li>Built-in sample rate conversion (SRC) on S/PDIF Inputs and Outputs</li><li>Prism Sound 4-curve SNS noise shaping on digital outputs</li><li>State-of-the-art clock generation with proprietary hybrid 2-stage DPLL</li></ul><br />'),(8865,85,0,1478,'Prism Sound Atlas USB Audio Interface'),(8866,85,1,1478,'Prism Sound Atlas USB Audio Interface'),(8867,76,0,1478,''),(8868,76,1,1478,''),(8869,75,0,1479,'<h2>Prism Sound DA-2 D/A Converter</h2>\n<span style=\"font-size:16px; font-style:italic;\">Premium 24-bit 96kHz 2 Channel D/A Converter</span><br /><br />\nThe Prism Sound DA-2 is the definitive music D/A converter, providing the most accurate rendition of an audio event whether it be early music, classical, jazz, big band, a club mix or hard rock. The DA-2 conversion system provides an audio stream of such exceptional quality that will be relied upon for years to come as the definitive source for productions on CD, DVD, Super Audio CD or other formats as they become available. <br /><br />\n\n<h3>Performance</h3>\nThe Prism Sound DA-2, 96kHz, 24-bit D/A converter provides ultimate-quality monitoring of digital audio signals. Its exceptional linearity and rock-steady clock generation and recovery ensure the highest conversion precision available for recording and mastering applications. <br /><br />\n\nThe DA-2 combines truly state-of-the-art audio performance with the advanced features needed by the professional to provide the most revealing, most transparent and most flexible digital to analogue conversion unit available. <br /><br />\n\n<h3>Musicality</h3>\nOf particular importance is the ability of the DA-2 to avoid the unpleasant effects of jitter: The exceptionally stable PLL has high jitter-attenuation, and the DA-2\'s digital outputs can provide a de-jittered digital feed-through for reliable digital transfers. The DA-2 also has a unique \'master clock\' mode in which the effects of incoming clock jitter are eliminated completely. <br /><br />\n\nThe DA-2 will interface easily with other digital audio equipment; it features both high-speed and two-wire interfacing options at input and output for 88.2kHz and 96kHz rates. <br /><br />\n\nThe DA-2 analogue output offers simplicity and high performance with its fully-floating, electronically balanced format with precision attenuators offering an operating range that covers both professional and consumer voltage levels. <br /><br />\n\n<h3>Compatible with all wordlengths from 16 to 24 bits</h3>\nThe DA-2 is fully compatible with recordings made at any wordlength up to 24-bits, with or without noise shaping. No adjustment is needed for sources driving only 16 bits on the interface. <br /><br />\n\n<h3>Use the DA-2 as the basis of a studio monitoring system</h3>\nThe 7-way input selector and feed-through output (for example: driving a digital PPM) of the DA-2 can be used as the heart of your digital audio monitoring system. <br /><br />\n\n<h3>Easy transfer between tape and disk</h3>\nThe DA-2 can act as a format converter and jitter attenuator using its array of input formats and its digital outputs. For example, it can convert between AES3 and SDIF-2 or from TOSLINK optical to AES3. It can also convert from double speed AES (typically 96kHz) to the two-wire interface format. <br /><br />\n\n<h3>Use the DA-2 as your studio clock reference</h3>\nThe DA-2 can operate in Master Clock mode where the D/A converter timing is generated internally from a precision reference, by-passing the synchronizing PLL system altogether. If your external equipment supports it, you can use the DA-2 in this mode for the ultimate in D/A conversion quality.<br /><br />\n\n<h3>The prism AD-2 is a state of the art converter that would be at home at any studio. Call or live chat RSPE to learn more about Prism AD-2.</h3>'),(8870,75,1,1479,'<h2>Prism Sound DA-2 D/A Converter</h2>\n<span style=\"font-size:16px; font-style:italic;\">Premium 24-bit 96kHz 2 Channel D/A Converter</span><br /><br />\nThe Prism Sound DA-2 is the definitive music D/A converter, providing the most accurate rendition of an audio event whether it be early music, classical, jazz, big band, a club mix or hard rock. The DA-2 conversion system provides an audio stream of such exceptional quality that will be relied upon for years to come as the definitive source for productions on CD, DVD, Super Audio CD or other formats as they become available. <br /><br />\n\n<h3>Performance</h3>\nThe Prism Sound DA-2, 96kHz, 24-bit D/A converter provides ultimate-quality monitoring of digital audio signals. Its exceptional linearity and rock-steady clock generation and recovery ensure the highest conversion precision available for recording and mastering applications. <br /><br />\n\nThe DA-2 combines truly state-of-the-art audio performance with the advanced features needed by the professional to provide the most revealing, most transparent and most flexible digital to analogue conversion unit available. <br /><br />\n\n<h3>Musicality</h3>\nOf particular importance is the ability of the DA-2 to avoid the unpleasant effects of jitter: The exceptionally stable PLL has high jitter-attenuation, and the DA-2\'s digital outputs can provide a de-jittered digital feed-through for reliable digital transfers. The DA-2 also has a unique \'master clock\' mode in which the effects of incoming clock jitter are eliminated completely. <br /><br />\n\nThe DA-2 will interface easily with other digital audio equipment; it features both high-speed and two-wire interfacing options at input and output for 88.2kHz and 96kHz rates. <br /><br />\n\nThe DA-2 analogue output offers simplicity and high performance with its fully-floating, electronically balanced format with precision attenuators offering an operating range that covers both professional and consumer voltage levels. <br /><br />\n\n<h3>Compatible with all wordlengths from 16 to 24 bits</h3>\nThe DA-2 is fully compatible with recordings made at any wordlength up to 24-bits, with or without noise shaping. No adjustment is needed for sources driving only 16 bits on the interface. <br /><br />\n\n<h3>Use the DA-2 as the basis of a studio monitoring system</h3>\nThe 7-way input selector and feed-through output (for example: driving a digital PPM) of the DA-2 can be used as the heart of your digital audio monitoring system. <br /><br />\n\n<h3>Easy transfer between tape and disk</h3>\nThe DA-2 can act as a format converter and jitter attenuator using its array of input formats and its digital outputs. For example, it can convert between AES3 and SDIF-2 or from TOSLINK optical to AES3. It can also convert from double speed AES (typically 96kHz) to the two-wire interface format. <br /><br />\n\n<h3>Use the DA-2 as your studio clock reference</h3>\nThe DA-2 can operate in Master Clock mode where the D/A converter timing is generated internally from a precision reference, by-passing the synchronizing PLL system altogether. If your external equipment supports it, you can use the DA-2 in this mode for the ultimate in D/A conversion quality.<br /><br />\n\n<h3>The prism AD-2 is a state of the art converter that would be at home at any studio. Call or live chat RSPE to learn more about Prism AD-2.</h3>'),(8871,85,0,1479,''),(8872,85,1,1479,''),(8873,76,0,1479,''),(8874,76,1,1479,''),(8875,75,0,1480,'<h1>Prism Sound Titan 8-Channel USB Audio Interface</h1>\nThe Prism Titan is a USB multi-channel audio interface for Windows PC and Mac. Titan features eight analogue line inputs and outputs, four high-quality microphone preamplifiers, two high-impedance instrument inputs, as well as a host of advanced synchronization and monitoring facilities.\n<br /><br />\n	Titan is intended to provide \'studio in a box\' functionality for the digital audio workstation (DAW) user. Titan is unique among audio interfaces in providing Prism Sound\'s unique pedigree of conversion, analogue, clocking and signal processing to the DAW user in an integrated package, with the plug-and-play convenience of an ordinary USB sound card.\n<br /><br />\n	Titan also includes Prism Sound\'s unique Verifile process. Verifile allows recordings to be reliably verified free from any dropouts (e.g. buffer wraps, missed or repeated samples etc.) which can afflict computer audio recordings. Verifile checking is fast and reliable, unlike laborious and risky listening checks.\n<br /><br />\n<h3>Prism Titan Features</h3><ul><li>8 Line -In / and 8 Line-Outputs, operated in either balanced or unbalanced</li><li>MDIO (multi-channel digital IO) expansion slot, which allows additional and future host interface formats to be accommodated</li><li><span style=\"background-color: initial;\">Plug-and-Play USB connectivity with </span>Solid, low‑latency ASIO driver</li><li>Imminent MDIO and AVB connection options.</li><li>Typical Prism Sound high‑quality build and performance.</li><li>Sonically flawless.</li><li>Superb mic pres, with improved headroom.</li><li>Greater headphone output capability.</li><li>Up to 18 inputs and 20 outputs, all accessible in the latency‑free monitoring mixer.</li></ul>'),(8876,75,1,1480,'<h1>Prism Sound Titan 8-Channel USB Audio Interface</h1>\nThe Prism Titan is a USB multi-channel audio interface for Windows PC and Mac. Titan features eight analogue line inputs and outputs, four high-quality microphone preamplifiers, two high-impedance instrument inputs, as well as a host of advanced synchronization and monitoring facilities.\n<br /><br />\n	Titan is intended to provide \'studio in a box\' functionality for the digital audio workstation (DAW) user. Titan is unique among audio interfaces in providing Prism Sound\'s unique pedigree of conversion, analogue, clocking and signal processing to the DAW user in an integrated package, with the plug-and-play convenience of an ordinary USB sound card.\n<br /><br />\n	Titan also includes Prism Sound\'s unique Verifile process. Verifile allows recordings to be reliably verified free from any dropouts (e.g. buffer wraps, missed or repeated samples etc.) which can afflict computer audio recordings. Verifile checking is fast and reliable, unlike laborious and risky listening checks.\n<br /><br />\n<h3>Prism Titan Features</h3><ul><li>8 Line -In / and 8 Line-Outputs, operated in either balanced or unbalanced</li><li>MDIO (multi-channel digital IO) expansion slot, which allows additional and future host interface formats to be accommodated</li><li><span style=\"background-color: initial;\">Plug-and-Play USB connectivity with </span>Solid, low‑latency ASIO driver</li><li>Imminent MDIO and AVB connection options.</li><li>Typical Prism Sound high‑quality build and performance.</li><li>Sonically flawless.</li><li>Superb mic pres, with improved headroom.</li><li>Greater headphone output capability.</li><li>Up to 18 inputs and 20 outputs, all accessible in the latency‑free monitoring mixer.</li></ul>'),(8877,85,0,1480,'Prism Sound Titan USB Recording Interface'),(8878,85,1,1480,'Prism Sound Titan USB Recording Interface'),(8879,76,0,1480,''),(8880,76,1,1480,''),(8881,75,0,1481,'<h2>Prism Sound ADA-8XR Multi-Channel Modular AD/DA Converter</h2><i><span style=\"font-size: 18px;\">The Prism ADA-8XR is fully customizable with Pro Tools | HD, Pro Tools | HDX, and more options. Contact RSPE to start configuring your ADA-8XR.</span></i><br /><br />The ADA-8XR is a multi-channel AD/DA converter that can be configured in numerous ways using plug-in modules to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a multi-channel FireWire interface, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution Pro Tools Interface for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there\'s not a lot it can\'t do when it comes to digital audio conversion.\n<br /><br />\n<h3>Applications</h3>\nThe ADA-8XR is the top professionals\' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks. \n<br /><br />\n<h3>Prism Sound ADA-8XR front panelDesign Philosophy</h3>\nThe ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, unbeatable performance and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats. \n<br /><br />\n<h3>Clocking and Synchronization</h3>\nUnlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup. \n<br /><br />\n<h3>Configuration options</h3>\nThe ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the ADA-8XR Configurations section. \n<br /><br />\n<h3>ADA-8XR Summary</h3>\n<strong>Channel Configurations</strong>\n<ul>\n	<li>Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package.</li>\n	<li>Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations.</li>\n	<li>Dual-path architecture allows independent operation of two 8-channel paths:</li>\n	<ul>\n		<li>Each path (bank of 8 channels) can be assigned to either record or play functions;</li>\n		<li>Each path can have independent clock references at different sample rates if desired;</li>\n		<li>Each path is independently configurable;</li>\n		<li>Each path can drive analogue and digital outputs simultaneously if desired</li>\n	</ul>\n	<li>Allows Source Monitoring with simultaneous A/D and D/A conversion.</li>\n	<li>Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up;</li>\n	<li>Prism Sound \'Over-killer\' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no \'overs\';</li>\n</ul>\n<br />\n<strong>Digital Interface options</strong>\n<ul>\n	<li>AES3,S/PDIF up to 192kHz. Handles & converts 2-wire formats for 96k and 192k;</li>\n	<li>FireWire - for direct connection to DAW software on PC or Mac;</li>\n	<li>Pro Tools|HD - replace 192IO/96IOs; up to 32 channels in and out per Digi Core/Process card;</li>\n	<li>Pro Tools|24 MIX - direct connection in place of 888|IO;</li>\n	<li>DSD - for SACD production, with SDIF2/3 and optional MAC-DSD (Cat5); also allows sample-rate-conversion between any PCM rates;</li>\n</ul>\n<br />\n* For computers without FireWire, the FireWire equipped ADA-8XR can also be used with Thunderbolt equipped computers via third party Thunderbolt to FireWire adaptors. Of course FireWire adaptors are also available for ExpressCard and various flavours of PCI cards. *<br /><br />\n<strong>Clocking and synchronisation</strong>\n<ul>\n	<li>Ultimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A/D and D/A paths;</li>\n	<li>Locks securely to an external reference working stand-alone or with DAWs.</li>\n	<li>8-channel LED bargraph with peak hold and status monitoring, switchable between paths.</li>\n</ul>\n<br />\n<strong>Monitoring and other features</strong>\n<ul>\n	<li>Stereo monitor, with headphones and analogue line AND digital S/PDIF outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels;</li>\n	<li>Built-in Prism Sound \'SNS\' noise-shapers for ultimate quality 16-bit & 20-bit transfers;</li>\n	<li>Built-in Prism Sound \'MR-X\' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media;</li>\n	<li>Built-in Prism Sound \'DRE\' for 24-bit performance on 16-bit media WITHOUT losing tracks;</li>\n	<li>Intuitive user interface, provides fast access to all I/O and processing functions; with continuous display of all settings;</li>\n	<li>Noise-shaping, MRX or DRE processing functions can be also be carried out in \'D-D\' mode, including conversion between different digital interface formats;</li>\n	<li>Modular construction allows upgrading of all input and output cards (INCLUDING A/D, D/A, and DSP boards); no need to worry about future converter advances or new interface standards;</li>\n	<li>Internet-upgradeable software - loads from your PC or Mac into \'flash\' memory inside the ADA-8XR;</li>\n</ul>\n<br />\n<h3>ADA-8XR Modules</h3>\n<strong>Analogue Input Module</strong>\n<ul>\n	<li>A/D converter, 8-channel, line input</li>\n	<li>Part no. 8C-AD</li>\n	<li>Analogue line input, XLR connectors, with</li>\n	<li>\'Overkiller\' progressive fast-acting overload limiter.</li>\n</ul>\n<br />\n<strong>Analogue Output Module</strong>\n<ul>\n	<li>D/A converter, 8-channel, line output</li>\n	<li>Part no. 8C-DA</li>\n	<li>Analogue line output, XLR connectors.</li>\n</ul>\n<br />\n<strong>Digital I/O module: AES</strong>\n<ul>\n	<li>Part no. 8C-AES </li>\n	<li>Transformer-coupled AES I/O on DB25 connector,</li>\n	<li>1.5m break-out lead to male and female XLRs.</li>\n</ul>\n<br />\n<strong>Digital I/O module: Pro-Tools™IHD </strong>\n<ul>\n	<li>Compatible with Digidesign Pro Tools™IHD. </li>\n	<li>Part no. 8C-PTHD</li>\n	<li>Digital module, cable not supplied.</li>\n</ul>\n	<br />\n	<strong>Digital I/O module: Pro-ToolsIMix™</strong>\n	<ul>\n		<li>Compatible with Digidesign Pro Tools™.</li>\n		<li>Part no. 8C-PT</li>\n		<li>Digital module, cable not supplied.</li>\n	</ul>\n	<br />\n	<strong>Digital I/O module: DSD for SACD applications</strong>\n	<ul>\n		<li>Part no. 8C-DSD</li>\n		<li>Digital module, SDIF 2/3 I/O on DB25 connector</li>\n		<li>1.5m breakout lead to BNC connectors included</li>\n	</ul>\n	<br />\n	<strong>Digital I/O module: MDSD for SACD applications</strong>\n	<ul>\n		<li>using Sony SuperMAC interface.</li>\n		<li>Part no. 8C-MDSD</li>\n		<li>Digital module, SuperMAC on RJ45/Cat-5, SDIF 2/3 I/O on DB25 connector</li>\n		<li>1.5m breakout lead DB25 to BNC connectors included, CAT-5 cable not supplied.</li>\n	</ul>\n	<br />\n	<strong>Digital I/O Module: FireWire/IEEE 1394a </strong>\n	<ul>\n		<li>Implements IEC 61883-6.</li>\n		<li>Part no. 8C-FW</li>\n		<li>Digital module, 2 x 6pin IEEE 1394a</li>\n		<li>Cable not supplied.</li>\n	</ul>\n	<br />'),(8882,75,1,1481,'<h2>Prism Sound ADA-8XR Multi-Channel Modular AD/DA Converter</h2><i><span style=\"font-size: 18px;\">The Prism ADA-8XR is fully customizable with Pro Tools | HD, Pro Tools | HDX, and more options. Contact RSPE to start configuring your ADA-8XR.</span></i><br /><br />The ADA-8XR is a multi-channel AD/DA converter that can be configured in numerous ways using plug-in modules to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a multi-channel FireWire interface, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution Pro Tools Interface for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there\'s not a lot it can\'t do when it comes to digital audio conversion.\n<br /><br />\n<h3>Applications</h3>\nThe ADA-8XR is the top professionals\' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks. \n<br /><br />\n<h3>Prism Sound ADA-8XR front panelDesign Philosophy</h3>\nThe ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, unbeatable performance and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats. \n<br /><br />\n<h3>Clocking and Synchronization</h3>\nUnlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup. \n<br /><br />\n<h3>Configuration options</h3>\nThe ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the ADA-8XR Configurations section. \n<br /><br />\n<h3>ADA-8XR Summary</h3>\n<strong>Channel Configurations</strong>\n<ul>\n	<li>Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package.</li>\n	<li>Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations.</li>\n	<li>Dual-path architecture allows independent operation of two 8-channel paths:</li>\n	<ul>\n		<li>Each path (bank of 8 channels) can be assigned to either record or play functions;</li>\n		<li>Each path can have independent clock references at different sample rates if desired;</li>\n		<li>Each path is independently configurable;</li>\n		<li>Each path can drive analogue and digital outputs simultaneously if desired</li>\n	</ul>\n	<li>Allows Source Monitoring with simultaneous A/D and D/A conversion.</li>\n	<li>Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up;</li>\n	<li>Prism Sound \'Over-killer\' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no \'overs\';</li>\n</ul>\n<br />\n<strong>Digital Interface options</strong>\n<ul>\n	<li>AES3,S/PDIF up to 192kHz. Handles & converts 2-wire formats for 96k and 192k;</li>\n	<li>FireWire - for direct connection to DAW software on PC or Mac;</li>\n	<li>Pro Tools|HD - replace 192IO/96IOs; up to 32 channels in and out per Digi Core/Process card;</li>\n	<li>Pro Tools|24 MIX - direct connection in place of 888|IO;</li>\n	<li>DSD - for SACD production, with SDIF2/3 and optional MAC-DSD (Cat5); also allows sample-rate-conversion between any PCM rates;</li>\n</ul>\n<br />\n* For computers without FireWire, the FireWire equipped ADA-8XR can also be used with Thunderbolt equipped computers via third party Thunderbolt to FireWire adaptors. Of course FireWire adaptors are also available for ExpressCard and various flavours of PCI cards. *<br /><br />\n<strong>Clocking and synchronisation</strong>\n<ul>\n	<li>Ultimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A/D and D/A paths;</li>\n	<li>Locks securely to an external reference working stand-alone or with DAWs.</li>\n	<li>8-channel LED bargraph with peak hold and status monitoring, switchable between paths.</li>\n</ul>\n<br />\n<strong>Monitoring and other features</strong>\n<ul>\n	<li>Stereo monitor, with headphones and analogue line AND digital S/PDIF outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels;</li>\n	<li>Built-in Prism Sound \'SNS\' noise-shapers for ultimate quality 16-bit & 20-bit transfers;</li>\n	<li>Built-in Prism Sound \'MR-X\' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media;</li>\n	<li>Built-in Prism Sound \'DRE\' for 24-bit performance on 16-bit media WITHOUT losing tracks;</li>\n	<li>Intuitive user interface, provides fast access to all I/O and processing functions; with continuous display of all settings;</li>\n	<li>Noise-shaping, MRX or DRE processing functions can be also be carried out in \'D-D\' mode, including conversion between different digital interface formats;</li>\n	<li>Modular construction allows upgrading of all input and output cards (INCLUDING A/D, D/A, and DSP boards); no need to worry about future converter advances or new interface standards;</li>\n	<li>Internet-upgradeable software - loads from your PC or Mac into \'flash\' memory inside the ADA-8XR;</li>\n</ul>\n<br />\n<h3>ADA-8XR Modules</h3>\n<strong>Analogue Input Module</strong>\n<ul>\n	<li>A/D converter, 8-channel, line input</li>\n	<li>Part no. 8C-AD</li>\n	<li>Analogue line input, XLR connectors, with</li>\n	<li>\'Overkiller\' progressive fast-acting overload limiter.</li>\n</ul>\n<br />\n<strong>Analogue Output Module</strong>\n<ul>\n	<li>D/A converter, 8-channel, line output</li>\n	<li>Part no. 8C-DA</li>\n	<li>Analogue line output, XLR connectors.</li>\n</ul>\n<br />\n<strong>Digital I/O module: AES</strong>\n<ul>\n	<li>Part no. 8C-AES </li>\n	<li>Transformer-coupled AES I/O on DB25 connector,</li>\n	<li>1.5m break-out lead to male and female XLRs.</li>\n</ul>\n<br />\n<strong>Digital I/O module: Pro-Tools™IHD </strong>\n<ul>\n	<li>Compatible with Digidesign Pro Tools™IHD. </li>\n	<li>Part no. 8C-PTHD</li>\n	<li>Digital module, cable not supplied.</li>\n</ul>\n	<br />\n	<strong>Digital I/O module: Pro-ToolsIMix™</strong>\n	<ul>\n		<li>Compatible with Digidesign Pro Tools™.</li>\n		<li>Part no. 8C-PT</li>\n		<li>Digital module, cable not supplied.</li>\n	</ul>\n	<br />\n	<strong>Digital I/O module: DSD for SACD applications</strong>\n	<ul>\n		<li>Part no. 8C-DSD</li>\n		<li>Digital module, SDIF 2/3 I/O on DB25 connector</li>\n		<li>1.5m breakout lead to BNC connectors included</li>\n	</ul>\n	<br />\n	<strong>Digital I/O module: MDSD for SACD applications</strong>\n	<ul>\n		<li>using Sony SuperMAC interface.</li>\n		<li>Part no. 8C-MDSD</li>\n		<li>Digital module, SuperMAC on RJ45/Cat-5, SDIF 2/3 I/O on DB25 connector</li>\n		<li>1.5m breakout lead DB25 to BNC connectors included, CAT-5 cable not supplied.</li>\n	</ul>\n	<br />\n	<strong>Digital I/O Module: FireWire/IEEE 1394a </strong>\n	<ul>\n		<li>Implements IEC 61883-6.</li>\n		<li>Part no. 8C-FW</li>\n		<li>Digital module, 2 x 6pin IEEE 1394a</li>\n		<li>Cable not supplied.</li>\n	</ul>\n	<br />'),(8883,85,0,1481,'Prism Sound ADA-8XR Multi-Channel Modular AD/DA Converter'),(8884,85,1,1481,'Prism Sound ADA-8XR Multi-Channel Modular AD/DA Converter'),(8885,76,0,1481,''),(8886,76,1,1481,''),(8887,75,0,1482,'<h2>Prism Sound Lyra 1 USB Audio Interface</h2>\n\nThe Lyra family of audio interfaces offers Prism Sound performance at its most affordable ever. They are based on the Orpheus audio path and clock circuitry, but in a smaller package for those who don\'t need eight channels of analogue I/O. There are two models Lyra 1 and Lyra 2. <br /><br />\n\nLyra is based on the new ARM Cortex-based processor design which offers class-compliant USB and Ethernet AVB interfacing, plus DSP and local mixing capacity beyond that of the present Orpheus platform. <br /><br />\n\n\n<h3>Signal path </h3>\nAnalogue and digital input channels are available as inputs for your audio workstation software through the host computer\'s audio driver. Similarly, analogue and digital outputs and stereo headphone outputs can be played independently. <br /><br />\n\nFor low-latency foldback or monitoring to headphone or main outputs, each output pair (1-2, 3-4, digital out or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with \'bootstrapping\', i.e. level is maintained if one leg is grounded.<br /><br />\n\n\n\n<h3>No-compromise, full Prism Sound audio quality </h3>\nLyra makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound\'s customers. <br /><br />\n\nThe Lyra design brief was: Prism Sound quality at an even more accessible price point. Lyra has the same no-compromise analogue front and back ends as its brother Orpheus, with the same fully-balanced-throughout architecture and the same isolation barriers protecting the analogue from digital and computer interference. <br /><br />\n\nLyra draws on Prism Sound\'s years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Lyra is well-behaved both as a computer peripheral and an audio processor. <br /><br />\n\nReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none. <br /><br />\n\nThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit\'s electronically balanced I/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment. <br /><br />\n\nIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the RMS THD+N figure very good, but the Lyra noise and distortion spectrum is beyond reproach and that Lyra provides the most transparent listening experience. <br /><br />\n\n\n<h3>Standards compliant USB interface </h3>\nPrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. <br /><br />\n\nPrism Sound is probably best known for A/D and D/A converters such as the venerable ADA-8XR and Orpheus, which already provides a solution for those needing a FireWire interface. However, the flexibility and versatility of the ADA-8XR comes with a higher price tag, reflecting the fact that no other interface provides such exceptional audio performance or can work directly into Pro Tools Core/Processing cards, as well as running a concurrent DSD processor or FireWire interface. <br /><br />\n\nFor Lyra, we have created a unit that is compatible with the widest range of computer hardware by using a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, Linux and Android, and in Windows via a driver. <br /><br />\n\nLyra is easy to connect to your computer and to your outboard gear. For Windows users ASIO is provided (WDM coming soon), while for Mac OS X 10.4 or later, Lyra interfaces directly to Core Audio. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Lyra controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since Lyra is UAC2 compliant, it will also work in recent Linux and Android builds, although no control panel is provided. <br /><br />\n\nLooking to the future, low-latency synchronised networked audio and video is now becoming a reality with the implementation of AVB (Audio Video Bridging), an IEEE 802.1 networking standard. Lyra 2 is planned to support AVB in future firmware updates. <br /><br />\n\n\n<h3>Flexible Inputs and Outputs</h3>\nOur professional users wanted a highly integrated solution with stereo inputs serving as line, instrument or microphone inputs, and line outputs that could be used for stereo monitoring, mastering and/or foldback to performers. Lyra offers up to four monitoring outputs, digital inputs and outputs as stereo AES3 or S/PDIF or up to 8 channels of digital I/O on the ADAT optical format, plus stereo headphones. <br /><br />\n\nLyra\'s analogue inputs support various capabilities. Lyra has the same excellent mic amps as Orpheus with software-controlled gain in 1dB steps, switchable phantom power, a 20dB pad - and very low noise and distortion. These inputs are auto-sensing with software over-ride. On Lyra 1, channel 1 can be instrument or line, channel 2 can be microphone or line. On Lyra 2, inputs 1 and 2 can be microphone, instrument or line. Analogue inputs have individually-selectable Prism Sound \"Overkiller\" peak limiters built in, just as on the higher-priced ADA-8XR and Orpheus, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. <br /><br />\n\nThe co-axial digital I/O port can be switched in the Lyra 2 controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. The optical digital I/O ports on Lyra 2 can also be configured as ADAT I/O. Other connections include wordclock sync I/O on BNC connectors (Lyra 2 only). <br /><br />\n\n\n<h3>Digital Mixer</h3>\nOur customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Lyra has a built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. <br /><br />\n\nThe question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Lyra provides \'console quality\' local mixing - each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. <br /><br />\n\nThere is a very small residual delay through the A/D and D/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A/D and D/A path is only 0.5ms and is significantly less at higher sampling rates - to put this into perspective, it\'s equivalent to standing approximately 15cm (6 inches) further from a speaker and is generally reckoned to be small enough not to be problematic. <br /><br />\n\nAlthough the unit\'s outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or driving analogue mastering chains. <br /><br />\n\n\n<h3>Sample Rate Conversion and Noise Shaping</h3>\nThe digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound\'s renowned synchronous sample-rate conversion (Lyra 2), allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Lyra can also generate, say, a live 44.1kHz output from a 96kHz session. Since Lyra also includes the full suite of the famous Prism Sound \'SNS\' noise shapers, you can also reduce to 16-bits for CD at mastering-house quality. Lyra 1 supports sample rate conversion on the input only.<br /><br />\n\n\n<h3>Unsurpassed Jitter Rejection</h3>\nIn the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it\'s just as important as analogue-path considerations sound-wise. Lyra uses the same CleverClox dual digital phase-locked loop (DPLL) circuitry as Orpheus so whether it\'s providing a high-quality master clock for the rest of the room (Lyra 2 only), or dealing with a jittery clock from outside, Lyra is as rock-steady as its forbears. <br /><br />'),(8888,75,1,1482,'<h2>Prism Sound Lyra 1 USB Audio Interface</h2>\n\nThe Lyra family of audio interfaces offers Prism Sound performance at its most affordable ever. They are based on the Orpheus audio path and clock circuitry, but in a smaller package for those who don\'t need eight channels of analogue I/O. There are two models Lyra 1 and Lyra 2. <br /><br />\n\nLyra is based on the new ARM Cortex-based processor design which offers class-compliant USB and Ethernet AVB interfacing, plus DSP and local mixing capacity beyond that of the present Orpheus platform. <br /><br />\n\n\n<h3>Signal path </h3>\nAnalogue and digital input channels are available as inputs for your audio workstation software through the host computer\'s audio driver. Similarly, analogue and digital outputs and stereo headphone outputs can be played independently. <br /><br />\n\nFor low-latency foldback or monitoring to headphone or main outputs, each output pair (1-2, 3-4, digital out or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with \'bootstrapping\', i.e. level is maintained if one leg is grounded.<br /><br />\n\n\n\n<h3>No-compromise, full Prism Sound audio quality </h3>\nLyra makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound\'s customers. <br /><br />\n\nThe Lyra design brief was: Prism Sound quality at an even more accessible price point. Lyra has the same no-compromise analogue front and back ends as its brother Orpheus, with the same fully-balanced-throughout architecture and the same isolation barriers protecting the analogue from digital and computer interference. <br /><br />\n\nLyra draws on Prism Sound\'s years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Lyra is well-behaved both as a computer peripheral and an audio processor. <br /><br />\n\nReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none. <br /><br />\n\nThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit\'s electronically balanced I/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment. <br /><br />\n\nIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the RMS THD+N figure very good, but the Lyra noise and distortion spectrum is beyond reproach and that Lyra provides the most transparent listening experience. <br /><br />\n\n\n<h3>Standards compliant USB interface </h3>\nPrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. <br /><br />\n\nPrism Sound is probably best known for A/D and D/A converters such as the venerable ADA-8XR and Orpheus, which already provides a solution for those needing a FireWire interface. However, the flexibility and versatility of the ADA-8XR comes with a higher price tag, reflecting the fact that no other interface provides such exceptional audio performance or can work directly into Pro Tools Core/Processing cards, as well as running a concurrent DSD processor or FireWire interface. <br /><br />\n\nFor Lyra, we have created a unit that is compatible with the widest range of computer hardware by using a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, Linux and Android, and in Windows via a driver. <br /><br />\n\nLyra is easy to connect to your computer and to your outboard gear. For Windows users ASIO is provided (WDM coming soon), while for Mac OS X 10.4 or later, Lyra interfaces directly to Core Audio. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Lyra controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since Lyra is UAC2 compliant, it will also work in recent Linux and Android builds, although no control panel is provided. <br /><br />\n\nLooking to the future, low-latency synchronised networked audio and video is now becoming a reality with the implementation of AVB (Audio Video Bridging), an IEEE 802.1 networking standard. Lyra 2 is planned to support AVB in future firmware updates. <br /><br />\n\n\n<h3>Flexible Inputs and Outputs</h3>\nOur professional users wanted a highly integrated solution with stereo inputs serving as line, instrument or microphone inputs, and line outputs that could be used for stereo monitoring, mastering and/or foldback to performers. Lyra offers up to four monitoring outputs, digital inputs and outputs as stereo AES3 or S/PDIF or up to 8 channels of digital I/O on the ADAT optical format, plus stereo headphones. <br /><br />\n\nLyra\'s analogue inputs support various capabilities. Lyra has the same excellent mic amps as Orpheus with software-controlled gain in 1dB steps, switchable phantom power, a 20dB pad - and very low noise and distortion. These inputs are auto-sensing with software over-ride. On Lyra 1, channel 1 can be instrument or line, channel 2 can be microphone or line. On Lyra 2, inputs 1 and 2 can be microphone, instrument or line. Analogue inputs have individually-selectable Prism Sound \"Overkiller\" peak limiters built in, just as on the higher-priced ADA-8XR and Orpheus, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. <br /><br />\n\nThe co-axial digital I/O port can be switched in the Lyra 2 controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. The optical digital I/O ports on Lyra 2 can also be configured as ADAT I/O. Other connections include wordclock sync I/O on BNC connectors (Lyra 2 only). <br /><br />\n\n\n<h3>Digital Mixer</h3>\nOur customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Lyra has a built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. <br /><br />\n\nThe question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Lyra provides \'console quality\' local mixing - each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. <br /><br />\n\nThere is a very small residual delay through the A/D and D/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A/D and D/A path is only 0.5ms and is significantly less at higher sampling rates - to put this into perspective, it\'s equivalent to standing approximately 15cm (6 inches) further from a speaker and is generally reckoned to be small enough not to be problematic. <br /><br />\n\nAlthough the unit\'s outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or driving analogue mastering chains. <br /><br />\n\n\n<h3>Sample Rate Conversion and Noise Shaping</h3>\nThe digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound\'s renowned synchronous sample-rate conversion (Lyra 2), allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Lyra can also generate, say, a live 44.1kHz output from a 96kHz session. Since Lyra also includes the full suite of the famous Prism Sound \'SNS\' noise shapers, you can also reduce to 16-bits for CD at mastering-house quality. Lyra 1 supports sample rate conversion on the input only.<br /><br />\n\n\n<h3>Unsurpassed Jitter Rejection</h3>\nIn the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it\'s just as important as analogue-path considerations sound-wise. Lyra uses the same CleverClox dual digital phase-locked loop (DPLL) circuitry as Orpheus so whether it\'s providing a high-quality master clock for the rest of the room (Lyra 2 only), or dealing with a jittery clock from outside, Lyra is as rock-steady as its forbears. <br /><br />'),(8889,85,0,1482,'Prism Sound Lyra 1 USB Audio Interface'),(8890,85,1,1482,'Prism Sound Lyra 1 USB Audio Interface'),(8891,76,0,1482,''),(8892,76,1,1482,''),(8893,75,0,1483,'<h2>Prism Sound Lyra 2 USB Audio Interface</h2>\n\nThe Lyra family of audio interfaces offers Prism Sound performance at its most affordable ever. They are based on the Orpheus audio path and clock circuitry, but in a smaller package for those who don\'t need eight channels of analogue I/O. There are two models Lyra 1 and Lyra 2. <br /><br />\n\nLyra is based on the new ARM Cortex-based processor design which offers class-compliant USB and Ethernet AVB interfacing, plus DSP and local mixing capacity beyond that of the present Orpheus platform. <br /><br />\n\n\n<h3>Signal path </h3>\nAnalogue and digital input channels are available as inputs for your audio workstation software through the host computer\'s audio driver. Similarly, analogue and digital outputs and stereo headphone outputs can be played independently. <br /><br />\n\nFor low-latency foldback or monitoring to headphone or main outputs, each output pair (1-2, 3-4, digital out or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with \'bootstrapping\', i.e. level is maintained if one leg is grounded.<br /><br />\n\n\n\n<h3>No-compromise, full Prism Sound audio quality </h3>\nLyra makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound\'s customers. <br /><br />\n\nThe Lyra design brief was: Prism Sound quality at an even more accessible price point. Lyra has the same no-compromise analogue front and back ends as its brother Orpheus, with the same fully-balanced-throughout architecture and the same isolation barriers protecting the analogue from digital and computer interference. <br /><br />\n\nLyra draws on Prism Sound\'s years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Lyra is well-behaved both as a computer peripheral and an audio processor. <br /><br />\n\nReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none. <br /><br />\n\nThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit\'s electronically balanced I/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment. <br /><br />\n\nIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the RMS THD+N figure very good, but the Lyra noise and distortion spectrum is beyond reproach and that Lyra provides the most transparent listening experience. <br /><br />\n\n\n<h3>Standards compliant USB interface </h3>\nPrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. <br /><br />\n\nPrism Sound is probably best known for A/D and D/A converters such as the venerable ADA-8XR and Orpheus, which already provides a solution for those needing a FireWire interface. However, the flexibility and versatility of the ADA-8XR comes with a higher price tag, reflecting the fact that no other interface provides such exceptional audio performance or can work directly into Pro Tools Core/Processing cards, as well as running a concurrent DSD processor or FireWire interface. <br /><br />\n\nFor Lyra, we have created a unit that is compatible with the widest range of computer hardware by using a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, Linux and Android, and in Windows via a driver. <br /><br />\n\nLyra is easy to connect to your computer and to your outboard gear. For Windows users ASIO is provided (WDM coming soon), while for Mac OS X 10.4 or later, Lyra interfaces directly to Core Audio. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Lyra controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since Lyra is UAC2 compliant, it will also work in recent Linux and Android builds, although no control panel is provided. <br /><br />\n\nLooking to the future, low-latency synchronised networked audio and video is now becoming a reality with the implementation of AVB (Audio Video Bridging), an IEEE 802.1 networking standard. Lyra 2 is planned to support AVB in future firmware updates. <br /><br />\n\n\n<h3>Flexible Inputs and Outputs</h3>\nOur professional users wanted a highly integrated solution with stereo inputs serving as line, instrument or microphone inputs, and line outputs that could be used for stereo monitoring, mastering and/or foldback to performers. Lyra offers up to four monitoring outputs, digital inputs and outputs as stereo AES3 or S/PDIF or up to 8 channels of digital I/O on the ADAT optical format, plus stereo headphones. <br /><br />\n\nLyra\'s analogue inputs support various capabilities. Lyra has the same excellent mic amps as Orpheus with software-controlled gain in 1dB steps, switchable phantom power, a 20dB pad - and very low noise and distortion. These inputs are auto-sensing with software over-ride. On Lyra 1, channel 1 can be instrument or line, channel 2 can be microphone or line. On Lyra 2, inputs 1 and 2 can be microphone, instrument or line. Analogue inputs have individually-selectable Prism Sound \"Overkiller\" peak limiters built in, just as on the higher-priced ADA-8XR and Orpheus, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. <br /><br />\n\nThe co-axial digital I/O port can be switched in the Lyra 2 controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. The optical digital I/O ports on Lyra 2 can also be configured as ADAT I/O. Other connections include wordclock sync I/O on BNC connectors (Lyra 2 only). <br /><br />\n\n\n<h3>Digital Mixer</h3>\nOur customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Lyra has a built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. <br /><br />\n\nThe question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Lyra provides \'console quality\' local mixing - each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. <br /><br />\n\nThere is a very small residual delay through the A/D and D/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A/D and D/A path is only 0.5ms and is significantly less at higher sampling rates - to put this into perspective, it\'s equivalent to standing approximately 15cm (6 inches) further from a speaker and is generally reckoned to be small enough not to be problematic. <br /><br />\n\nAlthough the unit\'s outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or driving analogue mastering chains. <br /><br />\n\n\n<h3>Sample Rate Conversion and Noise Shaping</h3>\nThe digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound\'s renowned synchronous sample-rate conversion (Lyra 2), allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Lyra can also generate, say, a live 44.1kHz output from a 96kHz session. Since Lyra also includes the full suite of the famous Prism Sound \'SNS\' noise shapers, you can also reduce to 16-bits for CD at mastering-house quality. Lyra 1 supports sample rate conversion on the input only.<br /><br />\n\n\n<h3>Unsurpassed Jitter Rejection</h3>\nIn the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it\'s just as important as analogue-path considerations sound-wise. Lyra uses the same CleverClox dual digital phase-locked loop (DPLL) circuitry as Orpheus so whether it\'s providing a high-quality master clock for the rest of the room (Lyra 2 only), or dealing with a jittery clock from outside, Lyra is as rock-steady as its forbears. <br /><br />'),(8894,75,1,1483,'<h2>Prism Sound Lyra 2 USB Audio Interface</h2>\n\nThe Lyra family of audio interfaces offers Prism Sound performance at its most affordable ever. They are based on the Orpheus audio path and clock circuitry, but in a smaller package for those who don\'t need eight channels of analogue I/O. There are two models Lyra 1 and Lyra 2. <br /><br />\n\nLyra is based on the new ARM Cortex-based processor design which offers class-compliant USB and Ethernet AVB interfacing, plus DSP and local mixing capacity beyond that of the present Orpheus platform. <br /><br />\n\n\n<h3>Signal path </h3>\nAnalogue and digital input channels are available as inputs for your audio workstation software through the host computer\'s audio driver. Similarly, analogue and digital outputs and stereo headphone outputs can be played independently. <br /><br />\n\nFor low-latency foldback or monitoring to headphone or main outputs, each output pair (1-2, 3-4, digital out or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with \'bootstrapping\', i.e. level is maintained if one leg is grounded.<br /><br />\n\n\n\n<h3>No-compromise, full Prism Sound audio quality </h3>\nLyra makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound\'s customers. <br /><br />\n\nThe Lyra design brief was: Prism Sound quality at an even more accessible price point. Lyra has the same no-compromise analogue front and back ends as its brother Orpheus, with the same fully-balanced-throughout architecture and the same isolation barriers protecting the analogue from digital and computer interference. <br /><br />\n\nLyra draws on Prism Sound\'s years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Lyra is well-behaved both as a computer peripheral and an audio processor. <br /><br />\n\nReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none. <br /><br />\n\nThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit\'s electronically balanced I/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment. <br /><br />\n\nIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the RMS THD+N figure very good, but the Lyra noise and distortion spectrum is beyond reproach and that Lyra provides the most transparent listening experience. <br /><br />\n\n\n<h3>Standards compliant USB interface </h3>\nPrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. <br /><br />\n\nPrism Sound is probably best known for A/D and D/A converters such as the venerable ADA-8XR and Orpheus, which already provides a solution for those needing a FireWire interface. However, the flexibility and versatility of the ADA-8XR comes with a higher price tag, reflecting the fact that no other interface provides such exceptional audio performance or can work directly into Pro Tools Core/Processing cards, as well as running a concurrent DSD processor or FireWire interface. <br /><br />\n\nFor Lyra, we have created a unit that is compatible with the widest range of computer hardware by using a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, Linux and Android, and in Windows via a driver. <br /><br />\n\nLyra is easy to connect to your computer and to your outboard gear. For Windows users ASIO is provided (WDM coming soon), while for Mac OS X 10.4 or later, Lyra interfaces directly to Core Audio. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Lyra controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since Lyra is UAC2 compliant, it will also work in recent Linux and Android builds, although no control panel is provided. <br /><br />\n\nLooking to the future, low-latency synchronised networked audio and video is now becoming a reality with the implementation of AVB (Audio Video Bridging), an IEEE 802.1 networking standard. Lyra 2 is planned to support AVB in future firmware updates. <br /><br />\n\n\n<h3>Flexible Inputs and Outputs</h3>\nOur professional users wanted a highly integrated solution with stereo inputs serving as line, instrument or microphone inputs, and line outputs that could be used for stereo monitoring, mastering and/or foldback to performers. Lyra offers up to four monitoring outputs, digital inputs and outputs as stereo AES3 or S/PDIF or up to 8 channels of digital I/O on the ADAT optical format, plus stereo headphones. <br /><br />\n\nLyra\'s analogue inputs support various capabilities. Lyra has the same excellent mic amps as Orpheus with software-controlled gain in 1dB steps, switchable phantom power, a 20dB pad - and very low noise and distortion. These inputs are auto-sensing with software over-ride. On Lyra 1, channel 1 can be instrument or line, channel 2 can be microphone or line. On Lyra 2, inputs 1 and 2 can be microphone, instrument or line. Analogue inputs have individually-selectable Prism Sound \"Overkiller\" peak limiters built in, just as on the higher-priced ADA-8XR and Orpheus, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. <br /><br />\n\nThe co-axial digital I/O port can be switched in the Lyra 2 controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. The optical digital I/O ports on Lyra 2 can also be configured as ADAT I/O. Other connections include wordclock sync I/O on BNC connectors (Lyra 2 only). <br /><br />\n\n\n<h3>Digital Mixer</h3>\nOur customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Lyra has a built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. <br /><br />\n\nThe question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Lyra provides \'console quality\' local mixing - each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. <br /><br />\n\nThere is a very small residual delay through the A/D and D/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A/D and D/A path is only 0.5ms and is significantly less at higher sampling rates - to put this into perspective, it\'s equivalent to standing approximately 15cm (6 inches) further from a speaker and is generally reckoned to be small enough not to be problematic. <br /><br />\n\nAlthough the unit\'s outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or driving analogue mastering chains. <br /><br />\n\n\n<h3>Sample Rate Conversion and Noise Shaping</h3>\nThe digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound\'s renowned synchronous sample-rate conversion (Lyra 2), allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Lyra can also generate, say, a live 44.1kHz output from a 96kHz session. Since Lyra also includes the full suite of the famous Prism Sound \'SNS\' noise shapers, you can also reduce to 16-bits for CD at mastering-house quality. Lyra 1 supports sample rate conversion on the input only.<br /><br />\n\n\n<h3>Unsurpassed Jitter Rejection</h3>\nIn the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it\'s just as important as analogue-path considerations sound-wise. Lyra uses the same CleverClox dual digital phase-locked loop (DPLL) circuitry as Orpheus so whether it\'s providing a high-quality master clock for the rest of the room (Lyra 2 only), or dealing with a jittery clock from outside, Lyra is as rock-steady as its forbears. <br /><br />'),(8895,85,0,1483,'Prism Sound Lyra 2 USB Audio Interface'),(8896,85,1,1483,'Prism Sound Lyra 2 USB Audio Interface'),(8897,76,0,1483,''),(8898,76,1,1483,''),(8899,75,0,1484,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate 1-Year Subscription RENEWAL - Education Pricing</h1>\n<i>Special Pro Tools | Ultimate Subscription discount for Students and Teachers. 12-month subscription to Pro Tools | Ultimate with 12 months of software updates, 12 months of Avid Support, the Avid Complete Plugin Bundle, HEAT, and UVI Falcon - must be renewed annually. 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Known to both professionals and\n amateurs alike as the premier, industry standard DAW software, Avid Pro\n Tools has maintained its position at the top of the recording industry \nfor over two decades. The most powerful digital audio workstation just \ngot more powerful. Pro Tools redefines professional music and audio \nproduction for today’s workflows. From all-new audio and video engines \nand turbocharged 64-bit performance, to expanded metering and new HD \nvideo workflows, Pro Tools enables you to take on the most demanding \nsessions and maximize your creativity—without holding anything back.\n<br /><br />\n<h3>Avid Pro Tools | Ultimate Features</h3>\nPro Tools | Ultimate is the most definitive and comprehensive \ntoolset for music and audio post production. Featuring seamless \nintegration with EUCON-enabled control surfaces, best-in-class \ninterfaces, and game-changing immersive audio workflows with Dolby \nAtmos, Pro Tools | Ultimate is proven to meet the demands of the world’s\n most respected content creators in music, film, and television\n<b>.<br /><br />Get access to all Avid plug-ins</b><b> (Ultimate Only)</b><br />Expand\n your creative possibilities and workflow with access to the Avid \nComplete Plug-in Bundle and Pro Tools | MachineControl included with all\n Pro Tools | Ultimate subscriptions and 1-Year Software Updates + \nSupport Plans. From enhancing mixes with legendary sound processors, to \nremotely controlling devices in your studio, Pro Tools | Ultimate offers\n more value than ever.\n<br /><br />\n<h3>Avid Pro Tools Features</h3>\nFor musicians, composers, \nengineers and mixers that need to take their music to the next level, \nPro Tools delivers the industry’s most powerful, comprehensive, and \nrelied upon audio and MIDI toolset for expanding creative possibilities,\n commercial opportunities and maximizing efficiency.\n<b><br /><br />Build sessions on the fly with Track Presets</b><br />Kick time-consuming tasks to the curb. With Track Presets, you can quickly save, catalog, and recall your favorite effects chains, vocal processing, session import criteria, and other track settings, and spend more time exploring the depths of your creativity.<br /><br /><b>Capture performances retroactively</b><br />Capture MIDI performances and advance your musical ideas, even when Pro Tools is not recording. Quickly add your improvisations and practice runs into your session with a simple key command.<br /><b><br />Take deeper control of your MIDI</b><br />Making music has never been easier. With numerous MIDI improvements and enhancements, you can fix and finesse every note to perfection—from transposing and trimming notes with the arrow keys, to building chords and scores faster than ever before.<br /><br /><b>Comp together the best takes</b><br />Build a Target Playlist of the best performances—from multiple playlists—right in Waveform view. It’s ideal when working with grouped tracks, making playlist management and viewing no longer a challenge. You can also now cycle through different takes within a clip using the arrow keys for faster review.<br /><br /><b>Retire your iLok key</b><br />Pro Tools and all Avid audio plug-ins now support iLok Cloud. That means you now have the option to work iLokfree, and reclaim an extra USB port for a MIDI keyboard or audio interface. Or continue using your iLok as before.<br /><b><br />Get a better view of your mix</b><br />With new EQ curve graphs on all Mix window channel strips, you can see how your settings and automation are impacting each track in real time—even those with multiple EQs (supported plug-ins only). In addition, pre-fader sends and Automation lane view menu entries are now color-coded, making them easier to distinguish.<br /><b><br />Start collaborating more easily</b><br />Got a session that you’re dying to work on with others? Select File &gt; Start Collaboration, and Pro Tools will automatically save your current session, close it, and reopen it as a project in the cloud, with all tracks converted and ready to be shared.<br /><br /><b>Get easy network licensing</b><br />Need Pro Tools for your post facility, broadcast enterprise, or educational institution? You can now purchase a multi-seat Pro Tools or Pro Tools | Ultimate Network Site License, which offers many benefits for larger organizations.\n<br /><br />\n<h3>Record, edit, and mix with the world’s most advanced audio production platform—Avid Pro Tools and Avid Pro Tools | Ultimate.</h3>'),(8900,75,1,1484,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate 1-Year Subscription RENEWAL - Education Pricing</h1>\n<i>Special Pro Tools | Ultimate Subscription discount for Students and Teachers. 12-month subscription to Pro Tools | Ultimate with 12 months of software updates, 12 months of Avid Support, the Avid Complete Plugin Bundle, HEAT, and UVI Falcon - must be renewed annually. Proof of eligibility is required for activation.<br /><br /></i>Avid Pro Tools Ultimate 1-Year Annual Subscription gives you 12 months of Pro Tools Ultimate while allowing you to use your favorite Pro Tools compatible cards or interfaces.<br /><br />\n<h3>Avid Pro Tools | Ultimate Subscription Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">12 Months of Avid Pro Tools | Ultimate software with all new </span>features</li><li>12 Months of Avid Pro Tools Upgrades</li><li>12 Months of Avid Support for Pro Tools</li><li>12 Months of Avid Complete Plug-In Bundle</li><li>Unlimited Tech Support Calls</li><li>Unlimited Web Support - 24 Hour Response</li><li>Annual Subscription Must be renewed each year</li>\n</ul>\n<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br /><span style=\"background-color: initial;\"><br /></span>\n<hr /><span id=\"product_description\" itemprop=\"description\">\n<h2>Avid Pro Tools and Pro Tools Ultimate In Depth</h2>\n</span>Avid Pro Tools requires no introduction. Known to both professionals and\n amateurs alike as the premier, industry standard DAW software, Avid Pro\n Tools has maintained its position at the top of the recording industry \nfor over two decades. The most powerful digital audio workstation just \ngot more powerful. Pro Tools redefines professional music and audio \nproduction for today’s workflows. From all-new audio and video engines \nand turbocharged 64-bit performance, to expanded metering and new HD \nvideo workflows, Pro Tools enables you to take on the most demanding \nsessions and maximize your creativity—without holding anything back.\n<br /><br />\n<h3>Avid Pro Tools | Ultimate Features</h3>\nPro Tools | Ultimate is the most definitive and comprehensive \ntoolset for music and audio post production. Featuring seamless \nintegration with EUCON-enabled control surfaces, best-in-class \ninterfaces, and game-changing immersive audio workflows with Dolby \nAtmos, Pro Tools | Ultimate is proven to meet the demands of the world’s\n most respected content creators in music, film, and television\n<b>.<br /><br />Get access to all Avid plug-ins</b><b> (Ultimate Only)</b><br />Expand\n your creative possibilities and workflow with access to the Avid \nComplete Plug-in Bundle and Pro Tools | MachineControl included with all\n Pro Tools | Ultimate subscriptions and 1-Year Software Updates + \nSupport Plans. From enhancing mixes with legendary sound processors, to \nremotely controlling devices in your studio, Pro Tools | Ultimate offers\n more value than ever.\n<br /><br />\n<h3>Avid Pro Tools Features</h3>\nFor musicians, composers, \nengineers and mixers that need to take their music to the next level, \nPro Tools delivers the industry’s most powerful, comprehensive, and \nrelied upon audio and MIDI toolset for expanding creative possibilities,\n commercial opportunities and maximizing efficiency.\n<b><br /><br />Build sessions on the fly with Track Presets</b><br />Kick time-consuming tasks to the curb. With Track Presets, you can quickly save, catalog, and recall your favorite effects chains, vocal processing, session import criteria, and other track settings, and spend more time exploring the depths of your creativity.<br /><br /><b>Capture performances retroactively</b><br />Capture MIDI performances and advance your musical ideas, even when Pro Tools is not recording. Quickly add your improvisations and practice runs into your session with a simple key command.<br /><b><br />Take deeper control of your MIDI</b><br />Making music has never been easier. With numerous MIDI improvements and enhancements, you can fix and finesse every note to perfection—from transposing and trimming notes with the arrow keys, to building chords and scores faster than ever before.<br /><br /><b>Comp together the best takes</b><br />Build a Target Playlist of the best performances—from multiple playlists—right in Waveform view. It’s ideal when working with grouped tracks, making playlist management and viewing no longer a challenge. You can also now cycle through different takes within a clip using the arrow keys for faster review.<br /><br /><b>Retire your iLok key</b><br />Pro Tools and all Avid audio plug-ins now support iLok Cloud. That means you now have the option to work iLokfree, and reclaim an extra USB port for a MIDI keyboard or audio interface. Or continue using your iLok as before.<br /><b><br />Get a better view of your mix</b><br />With new EQ curve graphs on all Mix window channel strips, you can see how your settings and automation are impacting each track in real time—even those with multiple EQs (supported plug-ins only). In addition, pre-fader sends and Automation lane view menu entries are now color-coded, making them easier to distinguish.<br /><b><br />Start collaborating more easily</b><br />Got a session that you’re dying to work on with others? Select File &gt; Start Collaboration, and Pro Tools will automatically save your current session, close it, and reopen it as a project in the cloud, with all tracks converted and ready to be shared.<br /><br /><b>Get easy network licensing</b><br />Need Pro Tools for your post facility, broadcast enterprise, or educational institution? You can now purchase a multi-seat Pro Tools or Pro Tools | Ultimate Network Site License, which offers many benefits for larger organizations.\n<br /><br />\n<h3>Record, edit, and mix with the world’s most advanced audio production platform—Avid Pro Tools and Avid Pro Tools | Ultimate.</h3>'),(8901,85,0,1484,'Avid Pro Tools | Ultimate 1-Year Subscription RENEWAL - Education Pricing, Pro Tools HD Upgrade, Avid Support, HD, HD Native, HDX, HD 12, Pro Tools 12,'),(8902,85,1,1484,'Avid Pro Tools | Ultimate 1-Year Subscription RENEWAL - Education Pricing, Pro Tools HD Upgrade, Avid Support, HD, HD Native, HDX, HD 12, Pro Tools 12,'),(8903,76,0,1484,''),(8904,76,1,1484,''),(8905,75,0,1485,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate 128 Voice Pack - Perpetual </h1>\n<i>Add an additional 128 voices to your Pro Tools | Ultimate perpetual license and unlock even more potential within Pro Tools!</i><br/><br/>\nNeed more voices for your Pro Tools | Ultimate rig? Pro Tools | Ultimate makes it easy to expand your available voice/audio track count to support the largest music and audio post productions. Increase the voice limit with Pro Tools | Ultimate Voice Packs that deliver an additional 384 voices of performance for up to 768 voices per system. Each Voice Pack adds an additional 128/64/32 voices* at 48/96/192 kHz to Pro Tools | Ultimate’s base 384 voices.<br/><br/>\n<h3>Each Pro Tools Voice Pack Adds:</h3>\n<ul>\n	<li>Mono audio tracks: 128/64/32 additional voices/audio tracks</li>\n	<li>Stereo audio tracks: 64/32/16 additional voices/audio tracks</li>\n	<li>Quad audio tracks: 32/16/8 additional voices/audio tracks</li>\n	<li>5.1 surround audio tracks: 21/10/5 additional voices/audio tracks</li>\n	<li>7.1 surround audio tracks: 16/8/4 additional voices/audio tracks</li>\n</ul>\n<div>\n	<span style=\"background-color: initial;\">A mono audio track uses one voice, a stereo track uses two voices, a 5.1 track uses six voices, and so on</span>\n</div>\n<br/>\n<h3>Pro Tools Voice Pack Requirements:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pro Tools | Ultimate 2019.5 or later</span></li>\n	<li>Pro Tools | HD Native, Core Audio device, or ASIO support</li>\n	<li>Avid-qualified computer</li>\n	<li>iLok authorization—you can authorize Pro Tools | Ultimate Voice Packs using either a cloud license with iLok Cloud or with a physical iLok USB key—get one here</li>\n</ul>\n<br/><i>Pro Tools | Ultimate Voice Packs do not work with standard versions of Pro Tools or Pro Tools | HDX systems (increase voice counts by adding HDX cards). </i><i><br/></i><hr/><br/><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br/><br/><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\"/></a> <br/><br/>'),(8906,75,1,1485,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate 128 Voice Pack - Perpetual </h1>\n<i>Add an additional 128 voices to your Pro Tools | Ultimate perpetual license and unlock even more potential within Pro Tools!</i><br/><br/>\nNeed more voices for your Pro Tools | Ultimate rig? Pro Tools | Ultimate makes it easy to expand your available voice/audio track count to support the largest music and audio post productions. Increase the voice limit with Pro Tools | Ultimate Voice Packs that deliver an additional 384 voices of performance for up to 768 voices per system. Each Voice Pack adds an additional 128/64/32 voices* at 48/96/192 kHz to Pro Tools | Ultimate’s base 384 voices.<br/><br/>\n<h3>Each Pro Tools Voice Pack Adds:</h3>\n<ul>\n	<li>Mono audio tracks: 128/64/32 additional voices/audio tracks</li>\n	<li>Stereo audio tracks: 64/32/16 additional voices/audio tracks</li>\n	<li>Quad audio tracks: 32/16/8 additional voices/audio tracks</li>\n	<li>5.1 surround audio tracks: 21/10/5 additional voices/audio tracks</li>\n	<li>7.1 surround audio tracks: 16/8/4 additional voices/audio tracks</li>\n</ul>\n<div>\n	<span style=\"background-color: initial;\">A mono audio track uses one voice, a stereo track uses two voices, a 5.1 track uses six voices, and so on</span>\n</div>\n<br/>\n<h3>Pro Tools Voice Pack Requirements:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pro Tools | Ultimate 2019.5 or later</span></li>\n	<li>Pro Tools | HD Native, Core Audio device, or ASIO support</li>\n	<li>Avid-qualified computer</li>\n	<li>iLok authorization—you can authorize Pro Tools | Ultimate Voice Packs using either a cloud license with iLok Cloud or with a physical iLok USB key—get one here</li>\n</ul>\n<br/><i>Pro Tools | Ultimate Voice Packs do not work with standard versions of Pro Tools or Pro Tools | HDX systems (increase voice counts by adding HDX cards). </i><i><br/></i><hr/><br/><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br/><br/><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\"/></a> <br/><br/>'),(8907,85,0,1485,'Avid Pro Tools | Ultimate 128 Voice Pack - Perpetual, Avid Pro Tools Ultimate Perpetual License, Pro Tools Ultimate Upgrade, Avid Support, Ultimate, Ultimate Native, HDX, HD 12, Pro Tools 12,'),(8908,85,1,1485,'Avid Pro Tools | Ultimate 128 Voice Pack - Perpetual, Avid Pro Tools Ultimate Perpetual License, Pro Tools Ultimate Upgrade, Avid Support, Ultimate, Ultimate Native, HDX, HD 12, Pro Tools 12,'),(8909,76,0,1485,''),(8910,76,1,1485,''),(8911,75,0,1486,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate 256 Voice Pack - Perpetual </h1>\n<i>Add an additional 256 voices (2 x 128 Packs) to your Pro Tools | Ultimate perpetual license and unlock even more potential within Pro Tools!</i><br /><br />\nNeed more voices for your Pro Tools | Ultimate rig? Pro Tools | Ultimate makes it easy to expand your available voice/audio track count to support the largest music and audio post productions. Increase the voice limit with Pro Tools | Ultimate Voice Packs that deliver can deliver an additional 384 voices of performance for up to 768 voices per system. Each Voice Pack adds an additional 128/64/32 voices* at 48/96/192 kHz to Pro Tools | Ultimate’s base 384 voices.<br /><br />\n<h3>Each Pro Tools Voice Pack Adds:</h3>\n<ul>\n	<li>Mono audio tracks: 128/64/32 additional voices/audio tracks</li>\n	<li>Stereo audio tracks: 64/32/16 additional voices/audio tracks</li>\n	<li>Quad audio tracks: 32/16/8 additional voices/audio tracks</li>\n	<li>5.1 surround audio tracks: 21/10/5 additional voices/audio tracks</li>\n	<li>7.1 surround audio tracks: 16/8/4 additional voices/audio tracks</li>\n</ul>\n<div>\n	<span style=\"background-color: initial;\">A mono audio track uses one voice, a stereo track uses two voices, a 5.1 track uses six voices, and so on</span>\n</div>\n<br />\n<h3>Pro Tools Voice Pack Requirements:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pro Tools | Ultimate 2019.5 or later</span></li>\n	<li>Pro Tools | HD Native, Core Audio device, or ASIO support</li>\n	<li>Avid-qualified computer</li>\n	<li>iLok authorization—you can authorize Pro Tools | Ultimate Voice Packs using either a cloud license with iLok Cloud or with a physical iLok USB key—get one here</li>\n</ul>\n<br /><i>Pro Tools | Ultimate Voice Packs do not work with standard versions of Pro Tools or Pro Tools | HDX systems (increase voice counts by adding HDX cards). </i><i><br /></i><hr /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br />'),(8912,75,1,1486,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate 256 Voice Pack - Perpetual </h1>\n<i>Add an additional 256 voices (2 x 128 Packs) to your Pro Tools | Ultimate perpetual license and unlock even more potential within Pro Tools!</i><br /><br />\nNeed more voices for your Pro Tools | Ultimate rig? Pro Tools | Ultimate makes it easy to expand your available voice/audio track count to support the largest music and audio post productions. Increase the voice limit with Pro Tools | Ultimate Voice Packs that deliver can deliver an additional 384 voices of performance for up to 768 voices per system. Each Voice Pack adds an additional 128/64/32 voices* at 48/96/192 kHz to Pro Tools | Ultimate’s base 384 voices.<br /><br />\n<h3>Each Pro Tools Voice Pack Adds:</h3>\n<ul>\n	<li>Mono audio tracks: 128/64/32 additional voices/audio tracks</li>\n	<li>Stereo audio tracks: 64/32/16 additional voices/audio tracks</li>\n	<li>Quad audio tracks: 32/16/8 additional voices/audio tracks</li>\n	<li>5.1 surround audio tracks: 21/10/5 additional voices/audio tracks</li>\n	<li>7.1 surround audio tracks: 16/8/4 additional voices/audio tracks</li>\n</ul>\n<div>\n	<span style=\"background-color: initial;\">A mono audio track uses one voice, a stereo track uses two voices, a 5.1 track uses six voices, and so on</span>\n</div>\n<br />\n<h3>Pro Tools Voice Pack Requirements:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pro Tools | Ultimate 2019.5 or later</span></li>\n	<li>Pro Tools | HD Native, Core Audio device, or ASIO support</li>\n	<li>Avid-qualified computer</li>\n	<li>iLok authorization—you can authorize Pro Tools | Ultimate Voice Packs using either a cloud license with iLok Cloud or with a physical iLok USB key—get one here</li>\n</ul>\n<br /><i>Pro Tools | Ultimate Voice Packs do not work with standard versions of Pro Tools or Pro Tools | HDX systems (increase voice counts by adding HDX cards). </i><i><br /></i><hr /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br />'),(8913,85,0,1486,'Avid Pro Tools | Ultimate 256 Voice Pack - Perpetual, Avid Pro Tools Ultimate Perpetual License, Pro Tools Ultimate Upgrade, Avid Support, Ultimate, Ultimate Native, HDX, HD 12, Pro Tools 12,'),(8914,85,1,1486,'Avid Pro Tools | Ultimate 256 Voice Pack - Perpetual, Avid Pro Tools Ultimate Perpetual License, Pro Tools Ultimate Upgrade, Avid Support, Ultimate, Ultimate Native, HDX, HD 12, Pro Tools 12,'),(8915,76,0,1486,''),(8916,76,1,1486,''),(8917,75,0,1487,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate 384 Voice Pack - Perpetual </h1>\n<i>Add an additional 384 voices (3 x 128 Packs) to your Pro Tools | Ultimate perpetual license and unlock even more potential within Pro Tools!</i><br /><br />\nNeed more voices for your Pro Tools | Ultimate rig? Pro Tools | Ultimate makes it easy to expand your available voice/audio track count to support the largest music and audio post productions. Increase the voice limit with Pro Tools | Ultimate Voice Packs that deliver can deliver an additional 384 voices of performance for up to 768 voices per system. Each Voice Pack adds an additional 128/64/32 voices* at 48/96/192 kHz to Pro Tools | Ultimate’s base 384 voices.<br /><br />\n<h3>Each Pro Tools Voice Pack Adds:</h3>\n<ul>\n	<li>Mono audio tracks: 128/64/32 additional voices/audio tracks</li>\n	<li>Stereo audio tracks: 64/32/16 additional voices/audio tracks</li>\n	<li>Quad audio tracks: 32/16/8 additional voices/audio tracks</li>\n	<li>5.1 surround audio tracks: 21/10/5 additional voices/audio tracks</li>\n	<li>7.1 surround audio tracks: 16/8/4 additional voices/audio tracks</li>\n</ul>\n<div>\n	<span style=\"background-color: initial;\">A mono audio track uses one voice, a stereo track uses two voices, a 5.1 track uses six voices, and so on</span>\n</div>\n<br />\n<h3>Pro Tools Voice Pack Requirements:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pro Tools | Ultimate 2019.5 or later</span></li>\n	<li>Pro Tools | HD Native, Core Audio device, or ASIO support</li>\n	<li>Avid-qualified computer</li>\n	<li>iLok authorization—you can authorize Pro Tools | Ultimate Voice Packs using either a cloud license with iLok Cloud or with a physical iLok USB key—get one here</li>\n</ul>\n<br /><i>Pro Tools | Ultimate Voice Packs do not work with standard versions of Pro Tools or Pro Tools | HDX systems (increase voice counts by adding HDX cards). </i><i><br /></i><hr /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br />'),(8918,75,1,1487,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate 384 Voice Pack - Perpetual </h1>\n<i>Add an additional 384 voices (3 x 128 Packs) to your Pro Tools | Ultimate perpetual license and unlock even more potential within Pro Tools!</i><br /><br />\nNeed more voices for your Pro Tools | Ultimate rig? Pro Tools | Ultimate makes it easy to expand your available voice/audio track count to support the largest music and audio post productions. Increase the voice limit with Pro Tools | Ultimate Voice Packs that deliver can deliver an additional 384 voices of performance for up to 768 voices per system. Each Voice Pack adds an additional 128/64/32 voices* at 48/96/192 kHz to Pro Tools | Ultimate’s base 384 voices.<br /><br />\n<h3>Each Pro Tools Voice Pack Adds:</h3>\n<ul>\n	<li>Mono audio tracks: 128/64/32 additional voices/audio tracks</li>\n	<li>Stereo audio tracks: 64/32/16 additional voices/audio tracks</li>\n	<li>Quad audio tracks: 32/16/8 additional voices/audio tracks</li>\n	<li>5.1 surround audio tracks: 21/10/5 additional voices/audio tracks</li>\n	<li>7.1 surround audio tracks: 16/8/4 additional voices/audio tracks</li>\n</ul>\n<div>\n	<span style=\"background-color: initial;\">A mono audio track uses one voice, a stereo track uses two voices, a 5.1 track uses six voices, and so on</span>\n</div>\n<br />\n<h3>Pro Tools Voice Pack Requirements:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Pro Tools | Ultimate 2019.5 or later</span></li>\n	<li>Pro Tools | HD Native, Core Audio device, or ASIO support</li>\n	<li>Avid-qualified computer</li>\n	<li>iLok authorization—you can authorize Pro Tools | Ultimate Voice Packs using either a cloud license with iLok Cloud or with a physical iLok USB key—get one here</li>\n</ul>\n<br /><i>Pro Tools | Ultimate Voice Packs do not work with standard versions of Pro Tools or Pro Tools | HDX systems (increase voice counts by adding HDX cards). </i><i><br /></i><hr /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br />'),(8919,85,0,1487,'Avid Pro Tools | Ultimate 384 Voice Pack - Perpetual, Avid Pro Tools Ultimate Perpetual License, Pro Tools Ultimate Upgrade, Avid Support, Ultimate, Ultimate Native, HDX, HD 12, Pro Tools 12,'),(8920,85,1,1487,'Avid Pro Tools | Ultimate 384 Voice Pack - Perpetual, Avid Pro Tools Ultimate Perpetual License, Pro Tools Ultimate Upgrade, Avid Support, Ultimate, Ultimate Native, HDX, HD 12, Pro Tools 12,'),(8921,76,0,1487,''),(8922,76,1,1487,''),(8923,75,0,1488,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate 1-Year Subscription NEW - Education Pricing</h1>\n<i>Special Pro Tools | Ultimate Subscription discount for Students and Teachers. 12-month subscription to Pro Tools | Ultimate with 12 months of software updates, 12 months of Avid Support, the Avid Complete Plugin Bundle, HEAT, and UVI Falcon - must be renewed annually. Proof of eligibility is required for activation.<br /><br /></i>Avid Pro Tools Ultimate 1-Year Annual Subscription gives you 12 months of Pro Tools Ultimate while allowing you to use your favorite Pro Tools compatible cards or interfaces.<br /><br />\n<h3>Avid Pro Tools | Ultimate Subscription Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">12 Months of Avid Pro Tools | Ultimate software with all new </span>features</li>\n	<li>12 Months of Avid Pro Tools Upgrades</li>\n	<li>12 Months of Avid Support for Pro Tools</li>\n	<li>12 Months of Avid Complete Plug-In Bundle</li>\n	<li>Unlimited Tech Support Calls</li>\n	<li>Unlimited Web Support - 24 Hour Response</li><li>Annual Subscription Must be renewed each year</li>\n</ul>\n<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br /><span style=\"background-color: initial;\"><br /></span>\n<hr /><br />\n<h2>Avid Pro Tools and Pro Tools Ultimate In Depth</h2>\nAvid Pro Tools requires no introduction. Known to both professionals and\n amateurs alike as the premier, industry standard DAW software, Avid Pro\n Tools has maintained its position at the top of the recording industry \nfor over two decades. The most powerful digital audio workstation just \ngot more powerful. Pro Tools redefines professional music and audio \nproduction for today’s workflows. From all-new audio and video engines \nand turbocharged 64-bit performance, to expanded metering and new HD \nvideo workflows, Pro Tools enables you to take on the most demanding \nsessions and maximize your creativity—without holding anything back.\n<br /><br />\n<h3>Avid Pro Tools | Ultimate Features</h3>\nPro Tools | Ultimate is the most definitive and comprehensive \ntoolset for music and audio post production. Featuring seamless \nintegration with EUCON-enabled control surfaces, best-in-class \ninterfaces, and game-changing immersive audio workflows with Dolby \nAtmos, Pro Tools | Ultimate is proven to meet the demands of the world’s\n most respected content creators in music, film, and television\n<b>.<br /><br />Get access to all Avid plug-ins</b><b> (Ultimate Only)</b><br />Expand\n your creative possibilities and workflow with access to the Avid \nComplete Plug-in Bundle and Pro Tools | MachineControl included with all\n Pro Tools | Ultimate subscriptions and 1-Year Software Updates + \nSupport Plans. From enhancing mixes with legendary sound processors, to \nremotely controlling devices in your studio, Pro Tools | Ultimate offers\n more value than ever.\n<br /><br />\n<h3>Avid Pro Tools Features</h3>\nFor musicians, composers, \nengineers and mixers that need to take their music to the next level, \nPro Tools delivers the industry’s most powerful, comprehensive, and \nrelied upon audio and MIDI toolset for expanding creative possibilities,\n commercial opportunities and maximizing efficiency.\n<b><br /><br />Build sessions on the fly with Track Presets</b><br />Kick time-consuming tasks to the curb. With Track Presets, you can quickly save, catalog, and recall your favorite effects chains, vocal processing, session import criteria, and other track settings, and spend more time exploring the depths of your creativity.<br /><br /><b>Capture performances retroactively</b><br />Capture MIDI performances and advance your musical ideas, even when Pro Tools is not recording. Quickly add your improvisations and practice runs into your session with a simple key command.<br /><b><br />Take deeper control of your MIDI</b><br />Making music has never been easier. With numerous MIDI improvements and enhancements, you can fix and finesse every note to perfection—from transposing and trimming notes with the arrow keys, to building chords and scores faster than ever before.<br /><br /><b>Comp together the best takes</b><br />Build a Target Playlist of the best performances—from multiple playlists—right in Waveform view. It’s ideal when working with grouped tracks, making playlist management and viewing no longer a challenge. You can also now cycle through different takes within a clip using the arrow keys for faster review.<br /><br /><b>Retire your iLok key</b><br />Pro Tools and all Avid audio plug-ins now support iLok Cloud. That means you now have the option to work iLokfree, and reclaim an extra USB port for a MIDI keyboard or audio interface. Or continue using your iLok as before.<br /><b><br />Get a better view of your mix</b><br />With new EQ curve graphs on all Mix window channel strips, you can see how your settings and automation are impacting each track in real time—even those with multiple EQs (supported plug-ins only). In addition, pre-fader sends and Automation lane view menu entries are now color-coded, making them easier to distinguish.<br /><b><br />Start collaborating more easily</b><br />Got a session that you’re dying to work on with others? Select File &gt; Start Collaboration, and Pro Tools will automatically save your current session, close it, and reopen it as a project in the cloud, with all tracks converted and ready to be shared.<br /><br /><b>Get easy network licensing</b><br />Need Pro Tools for your post facility, broadcast enterprise, or educational institution? You can now purchase a multi-seat Pro Tools or Pro Tools | Ultimate Network Site License, which offers many benefits for larger organizations.\n<br /><br />\n<h3>Record, edit, and mix with the world’s most advanced audio production platform—Avid Pro Tools and Avid Pro Tools | Ultimate.</h3>'),(8924,75,1,1488,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate 1-Year Subscription NEW - Education Pricing</h1>\n<i>Special Pro Tools | Ultimate Subscription discount for Students and Teachers. 12-month subscription to Pro Tools | Ultimate with 12 months of software updates, 12 months of Avid Support, the Avid Complete Plugin Bundle, HEAT, and UVI Falcon - must be renewed annually. Proof of eligibility is required for activation.<br /><br /></i>Avid Pro Tools Ultimate 1-Year Annual Subscription gives you 12 months of Pro Tools Ultimate while allowing you to use your favorite Pro Tools compatible cards or interfaces.<br /><br />\n<h3>Avid Pro Tools | Ultimate Subscription Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">12 Months of Avid Pro Tools | Ultimate software with all new </span>features</li>\n	<li>12 Months of Avid Pro Tools Upgrades</li>\n	<li>12 Months of Avid Support for Pro Tools</li>\n	<li>12 Months of Avid Complete Plug-In Bundle</li>\n	<li>Unlimited Tech Support Calls</li>\n	<li>Unlimited Web Support - 24 Hour Response</li><li>Annual Subscription Must be renewed each year</li>\n</ul>\n<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br /><span style=\"background-color: initial;\"><br /></span>\n<hr /><br />\n<h2>Avid Pro Tools and Pro Tools Ultimate In Depth</h2>\nAvid Pro Tools requires no introduction. Known to both professionals and\n amateurs alike as the premier, industry standard DAW software, Avid Pro\n Tools has maintained its position at the top of the recording industry \nfor over two decades. The most powerful digital audio workstation just \ngot more powerful. Pro Tools redefines professional music and audio \nproduction for today’s workflows. From all-new audio and video engines \nand turbocharged 64-bit performance, to expanded metering and new HD \nvideo workflows, Pro Tools enables you to take on the most demanding \nsessions and maximize your creativity—without holding anything back.\n<br /><br />\n<h3>Avid Pro Tools | Ultimate Features</h3>\nPro Tools | Ultimate is the most definitive and comprehensive \ntoolset for music and audio post production. Featuring seamless \nintegration with EUCON-enabled control surfaces, best-in-class \ninterfaces, and game-changing immersive audio workflows with Dolby \nAtmos, Pro Tools | Ultimate is proven to meet the demands of the world’s\n most respected content creators in music, film, and television\n<b>.<br /><br />Get access to all Avid plug-ins</b><b> (Ultimate Only)</b><br />Expand\n your creative possibilities and workflow with access to the Avid \nComplete Plug-in Bundle and Pro Tools | MachineControl included with all\n Pro Tools | Ultimate subscriptions and 1-Year Software Updates + \nSupport Plans. From enhancing mixes with legendary sound processors, to \nremotely controlling devices in your studio, Pro Tools | Ultimate offers\n more value than ever.\n<br /><br />\n<h3>Avid Pro Tools Features</h3>\nFor musicians, composers, \nengineers and mixers that need to take their music to the next level, \nPro Tools delivers the industry’s most powerful, comprehensive, and \nrelied upon audio and MIDI toolset for expanding creative possibilities,\n commercial opportunities and maximizing efficiency.\n<b><br /><br />Build sessions on the fly with Track Presets</b><br />Kick time-consuming tasks to the curb. With Track Presets, you can quickly save, catalog, and recall your favorite effects chains, vocal processing, session import criteria, and other track settings, and spend more time exploring the depths of your creativity.<br /><br /><b>Capture performances retroactively</b><br />Capture MIDI performances and advance your musical ideas, even when Pro Tools is not recording. Quickly add your improvisations and practice runs into your session with a simple key command.<br /><b><br />Take deeper control of your MIDI</b><br />Making music has never been easier. With numerous MIDI improvements and enhancements, you can fix and finesse every note to perfection—from transposing and trimming notes with the arrow keys, to building chords and scores faster than ever before.<br /><br /><b>Comp together the best takes</b><br />Build a Target Playlist of the best performances—from multiple playlists—right in Waveform view. It’s ideal when working with grouped tracks, making playlist management and viewing no longer a challenge. You can also now cycle through different takes within a clip using the arrow keys for faster review.<br /><br /><b>Retire your iLok key</b><br />Pro Tools and all Avid audio plug-ins now support iLok Cloud. That means you now have the option to work iLokfree, and reclaim an extra USB port for a MIDI keyboard or audio interface. Or continue using your iLok as before.<br /><b><br />Get a better view of your mix</b><br />With new EQ curve graphs on all Mix window channel strips, you can see how your settings and automation are impacting each track in real time—even those with multiple EQs (supported plug-ins only). In addition, pre-fader sends and Automation lane view menu entries are now color-coded, making them easier to distinguish.<br /><b><br />Start collaborating more easily</b><br />Got a session that you’re dying to work on with others? Select File &gt; Start Collaboration, and Pro Tools will automatically save your current session, close it, and reopen it as a project in the cloud, with all tracks converted and ready to be shared.<br /><br /><b>Get easy network licensing</b><br />Need Pro Tools for your post facility, broadcast enterprise, or educational institution? You can now purchase a multi-seat Pro Tools or Pro Tools | Ultimate Network Site License, which offers many benefits for larger organizations.\n<br /><br />\n<h3>Record, edit, and mix with the world’s most advanced audio production platform—Avid Pro Tools and Avid Pro Tools | Ultimate.</h3>'),(8925,85,0,1488,'Avid Pro Tools | Ultimate 1-Year Subscription NEW - Education Pricing, Pro Tools HD Upgrade, Avid Support, HD, HD Native, HDX, HD 12, Pro Tools 12,'),(8926,85,1,1488,'Avid Pro Tools | Ultimate 1-Year Subscription NEW - Education Pricing, Pro Tools HD Upgrade, Avid Support, HD, HD Native, HDX, HD 12, Pro Tools 12,'),(8927,76,0,1488,''),(8928,76,1,1488,''),(8929,75,0,1489,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate Perpetual CROSSGRADE to 2 year Subscription</h1>\n<i>Trade in your expired Pro Tools | Ultimate Perpetual License and save $200/year for the first two years on a Pro Tools Subscription (normally $799 year).</i><br /><br />\n<h3>Pro Tools | Ultimate Perpetual CROSSGRADE to 2 year Subscription gets you:</h3>\n<ul>\n	<li>Upgrade your expired Pro Tools | Ultimate - Perpetual License to the newest version of Pro Tools | Ultimate, with a 2-year subscription</li>\n	<li>2 Years of Avid Pro Tools | Ultimate Software Updates</li>\n	<li>2 Years  of Pro Tools | Ultimate ExpertPlus Support</li><li>2 Years of access to the Avid Complete Plugin Bundle, HEAT, and Pro Tools | MachineControl throughout your subscription</li>\n</ul>\n<br />\nAvid’s Pro Tools requires no introduction. Known to both professionals and amateurs alike as the premier, industry standard DAW software, Avid Pro Tools has maintained its position at the top of the recording industry for over two decades. The most powerful digital audio workstation just got more powerful. <br /><br />With Pro Tools, you get access to more frequent feature releases—including upcoming Avid Cloud Collaboration and the Avid Marketplace—plus flexible licensing options, so you can access the industry standard in more affordable ways than ever. Create with a low-cost subscription. Own the software or a complete system outright.<br />\n<ul>\n</ul>\n<br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br /><span style=\"background-color: initial;\"><br />* <b>Please note </b>— <i>You must own a Pro Tools | Ultimate perpetual license to take advantage of these crossgrades. By purchasing, you are trading in your perpetual license (which will stop working) for a new software Activation ID. Standard Pro Tools | Ultimate subscription pricing applies thereafter.</i><br /><br /></span>\n<h2><span style=\"font-size: 24px;\"></span><hr /></h2>\n<span style=\"font-size: 24px;\">\n</span><span style=\"font-size: 24px;\">\n</span>\n<h2><span style=\"font-size: 24px;\">Avid Pro Tools and Pro Tools Ultimate In Depth</span></h2>\n<span style=\"font-family: Arial;\">Avid Pro T</span>ools requires no introduction. Known to both professionals and amateurs alike as the premier, industry standard DAW software, Avid Pro Tools has maintained its position at the top of the recording industry for over two decades. The most powerful digital audio workstation just got more powerful. Pro Tools redefines professional music and audio production for today’s workflows. From all-new audio and video engines and turbocharged 64-bit performance, to expanded metering and new HD video workflows, Pro Tools enables you to take on the most demanding sessions and maximize your creativity—without holding anything back. <br /><br />\n<h3>Avid Pro Tools | Ultimate Features</h3>\nPro Tools | Ultimate is the most definitive and comprehensive toolset for music and audio post production. Featuring seamless integration with EUCON-enabled control surfaces, best-in-class interfaces, and game-changing immersive audio workflows with Dolby Atmos, Pro Tools | Ultimate is proven to meet the demands of the world’s most respected content creators in music, film, and television\n<b>.<br /><br />Get access to all Avid plug-ins</b><b> (Ultimate Only)</b><br />Expand your creative possibilities and workflow with access to the Avid Complete Plug-in Bundle and Pro Tools | MachineControl included with all Pro Tools | Ultimate subscriptions and 1-Year Software Updates + Support Plans. From enhancing mixes with legendary sound processors, to remotely controlling devices in your studio, Pro Tools | Ultimate offers more value than ever.<br /><br />\n<h3>Avid Pro Tools Features</h3>\nFor musicians, composers, engineers and mixers that need to take their music to the next level, Pro Tools delivers the industry’s most powerful, comprehensive, and relied upon audio and MIDI toolset for expanding creative possibilities, commercial opportunities and maximizing efficiency.\n<b><br /><br />Build sessions on the fly with Track Presets</b><br />Kick time-consuming tasks to the curb. With Track Presets, you can quickly save, catalog, and recall your favorite effects chains, vocal processing, session import criteria, and other track settings, and spend more time exploring the depths of your creativity.<br /><br /><b>Capture performances retroactively</b><br />Capture MIDI performances and advance your musical ideas, even when Pro Tools is not recording. Quickly add your improvisations and practice runs into your session with a simple key command.<br /><b><br />Take deeper control of your MIDI</b><br />Making music has never been easier. With numerous MIDI improvements and enhancements, you can fix and finesse every note to perfection—from transposing and trimming notes with the arrow keys, to building chords and scores faster than ever before.<br /><br /><b>Comp together the best takes</b><br />Build a Target Playlist of the best performances—from multiple playlists—right in Waveform view. It’s ideal when working with grouped tracks, making playlist management and viewing no longer a challenge. You can also now cycle through different takes within a clip using the arrow keys for faster review.<br /><br /><b>Retire your iLok key</b><br />Pro Tools and all Avid audio plug-ins now support iLok Cloud. That means you now have the option to work iLokfree, and reclaim an extra USB port for a MIDI keyboard or audio interface. Or continue using your iLok as before.<br /><b><br />Get a better view of your mix</b><br />With new EQ curve graphs on all Mix window channel strips, you can see how your settings and automation are impacting each track in real time—even those with multiple EQs (supported plug-ins only). In addition, pre-fader sends and Automation lane view menu entries are now color-coded, making them easier to distinguish.<br /><b><br />Start collaborating more easily</b><br />Got a session that you’re dying to work on with others? Select File &gt; Start Collaboration, and Pro Tools will automatically save your current session, close it, and reopen it as a project in the cloud, with all tracks converted and ready to be shared.<br /><br /><b>Get easy network licensing</b><br />Need Pro Tools for your post facility, broadcast enterprise, or educational institution? You can now purchase a multi-seat Pro Tools or Pro Tools | Ultimate Network Site License, which offers many benefits for larger organizations.<br /><br /><br />\n<h3>Record, edit, and mix with the world’s most advanced audio production platform—Avid Pro Tools.</h3>'),(8930,75,1,1489,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> | Ultimate Perpetual CROSSGRADE to 2 year Subscription</h1>\n<i>Trade in your expired Pro Tools | Ultimate Perpetual License and save $200/year for the first two years on a Pro Tools Subscription (normally $799 year).</i><br /><br />\n<h3>Pro Tools | Ultimate Perpetual CROSSGRADE to 2 year Subscription gets you:</h3>\n<ul>\n	<li>Upgrade your expired Pro Tools | Ultimate - Perpetual License to the newest version of Pro Tools | Ultimate, with a 2-year subscription</li>\n	<li>2 Years of Avid Pro Tools | Ultimate Software Updates</li>\n	<li>2 Years  of Pro Tools | Ultimate ExpertPlus Support</li><li>2 Years of access to the Avid Complete Plugin Bundle, HEAT, and Pro Tools | MachineControl throughout your subscription</li>\n</ul>\n<br />\nAvid’s Pro Tools requires no introduction. Known to both professionals and amateurs alike as the premier, industry standard DAW software, Avid Pro Tools has maintained its position at the top of the recording industry for over two decades. The most powerful digital audio workstation just got more powerful. <br /><br />With Pro Tools, you get access to more frequent feature releases—including upcoming Avid Cloud Collaboration and the Avid Marketplace—plus flexible licensing options, so you can access the industry standard in more affordable ways than ever. Create with a low-cost subscription. Own the software or a complete system outright.<br />\n<ul>\n</ul>\n<br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br /><span style=\"background-color: initial;\"><br />* <b>Please note </b>— <i>You must own a Pro Tools | Ultimate perpetual license to take advantage of these crossgrades. By purchasing, you are trading in your perpetual license (which will stop working) for a new software Activation ID. Standard Pro Tools | Ultimate subscription pricing applies thereafter.</i><br /><br /></span>\n<h2><span style=\"font-size: 24px;\"></span><hr /></h2>\n<span style=\"font-size: 24px;\">\n</span><span style=\"font-size: 24px;\">\n</span>\n<h2><span style=\"font-size: 24px;\">Avid Pro Tools and Pro Tools Ultimate In Depth</span></h2>\n<span style=\"font-family: Arial;\">Avid Pro T</span>ools requires no introduction. Known to both professionals and amateurs alike as the premier, industry standard DAW software, Avid Pro Tools has maintained its position at the top of the recording industry for over two decades. The most powerful digital audio workstation just got more powerful. Pro Tools redefines professional music and audio production for today’s workflows. From all-new audio and video engines and turbocharged 64-bit performance, to expanded metering and new HD video workflows, Pro Tools enables you to take on the most demanding sessions and maximize your creativity—without holding anything back. <br /><br />\n<h3>Avid Pro Tools | Ultimate Features</h3>\nPro Tools | Ultimate is the most definitive and comprehensive toolset for music and audio post production. Featuring seamless integration with EUCON-enabled control surfaces, best-in-class interfaces, and game-changing immersive audio workflows with Dolby Atmos, Pro Tools | Ultimate is proven to meet the demands of the world’s most respected content creators in music, film, and television\n<b>.<br /><br />Get access to all Avid plug-ins</b><b> (Ultimate Only)</b><br />Expand your creative possibilities and workflow with access to the Avid Complete Plug-in Bundle and Pro Tools | MachineControl included with all Pro Tools | Ultimate subscriptions and 1-Year Software Updates + Support Plans. From enhancing mixes with legendary sound processors, to remotely controlling devices in your studio, Pro Tools | Ultimate offers more value than ever.<br /><br />\n<h3>Avid Pro Tools Features</h3>\nFor musicians, composers, engineers and mixers that need to take their music to the next level, Pro Tools delivers the industry’s most powerful, comprehensive, and relied upon audio and MIDI toolset for expanding creative possibilities, commercial opportunities and maximizing efficiency.\n<b><br /><br />Build sessions on the fly with Track Presets</b><br />Kick time-consuming tasks to the curb. With Track Presets, you can quickly save, catalog, and recall your favorite effects chains, vocal processing, session import criteria, and other track settings, and spend more time exploring the depths of your creativity.<br /><br /><b>Capture performances retroactively</b><br />Capture MIDI performances and advance your musical ideas, even when Pro Tools is not recording. Quickly add your improvisations and practice runs into your session with a simple key command.<br /><b><br />Take deeper control of your MIDI</b><br />Making music has never been easier. With numerous MIDI improvements and enhancements, you can fix and finesse every note to perfection—from transposing and trimming notes with the arrow keys, to building chords and scores faster than ever before.<br /><br /><b>Comp together the best takes</b><br />Build a Target Playlist of the best performances—from multiple playlists—right in Waveform view. It’s ideal when working with grouped tracks, making playlist management and viewing no longer a challenge. You can also now cycle through different takes within a clip using the arrow keys for faster review.<br /><br /><b>Retire your iLok key</b><br />Pro Tools and all Avid audio plug-ins now support iLok Cloud. That means you now have the option to work iLokfree, and reclaim an extra USB port for a MIDI keyboard or audio interface. Or continue using your iLok as before.<br /><b><br />Get a better view of your mix</b><br />With new EQ curve graphs on all Mix window channel strips, you can see how your settings and automation are impacting each track in real time—even those with multiple EQs (supported plug-ins only). In addition, pre-fader sends and Automation lane view menu entries are now color-coded, making them easier to distinguish.<br /><b><br />Start collaborating more easily</b><br />Got a session that you’re dying to work on with others? Select File &gt; Start Collaboration, and Pro Tools will automatically save your current session, close it, and reopen it as a project in the cloud, with all tracks converted and ready to be shared.<br /><br /><b>Get easy network licensing</b><br />Need Pro Tools for your post facility, broadcast enterprise, or educational institution? You can now purchase a multi-seat Pro Tools or Pro Tools | Ultimate Network Site License, which offers many benefits for larger organizations.<br /><br /><br />\n<h3>Record, edit, and mix with the world’s most advanced audio production platform—Avid Pro Tools.</h3>'),(8931,85,0,1489,'Avid Pro Tools Perpetual CROSSGRADE to 2 year Subscription'),(8932,85,1,1489,'Avid Pro Tools Perpetual CROSSGRADE to 2 year Subscription'),(8933,76,0,1489,''),(8934,76,1,1489,''),(8935,75,0,1490,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> Perpetual CROSSGRADE to 2 year Subscription</h1>\n<i>Trade in your expired Pro Tools Perpetual License and save $200/year for the first two years on a Pro Tools Subscription (normally $299 year).</i><br /><br />\n<h3>Pro Tools Perpetual CROSSGRADE to 2 year Subscription gets you:</h3>\n<ul>\n	<li>Upgrade your expired Pro Tools - Perpetual License to the newest version of Pro Tools, with a 2-year subscription</li>\n	<li>2 Years of Avid Pro Tools Software Updates</li>\n	<li>2 Years Months of Avid Standard Support for Pro Tools</li><li>2 Years of access to Avid Complete Plug-In Bundle</li>\n</ul>\n<br />\nAvid’s Pro Tools requires no introduction. Known to both professionals and amateurs alike as the premier, industry standard DAW software, Avid Pro Tools has maintained its position at the top of the recording industry for over two decades. The most powerful digital audio workstation just got more powerful. <br /><br />With Pro Tools, you get access to more frequent feature releases—including upcoming Avid Cloud Collaboration and the Avid Marketplace—plus flexible licensing options, so you can access the industry standard in more affordable ways than ever. Create with a low-cost subscription. Own the software or a complete system outright.<br />\n<ul>\n</ul>\n<br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br /><span style=\"background-color: initial;\"><br /></span>\n<h2><span style=\"font-size: 24px;\"></span><hr /></h2>\n<span style=\"font-size: 24px;\">\n</span><span style=\"font-size: 24px;\">\n</span>\n<h2><span style=\"font-size: 24px;\">Avid Pro Tools and Pro Tools Ultimate In Depth</span></h2>\n<span style=\"font-family: Arial;\">Avid Pro T</span>ools requires no introduction. Known to both professionals and amateurs alike as the premier, industry standard DAW software, Avid Pro Tools has maintained its position at the top of the recording industry for over two decades. The most powerful digital audio workstation just got more powerful. Pro Tools redefines professional music and audio production for today’s workflows. From all-new audio and video engines and turbocharged 64-bit performance, to expanded metering and new HD video workflows, Pro Tools enables you to take on the most demanding sessions and maximize your creativity—without holding anything back. <br /><br />\n<h3>Avid Pro Tools | Ultimate Features</h3>\nPro Tools | Ultimate is the most definitive and comprehensive toolset for music and audio post production. Featuring seamless integration with EUCON-enabled control surfaces, best-in-class interfaces, and game-changing immersive audio workflows with Dolby Atmos, Pro Tools | Ultimate is proven to meet the demands of the world’s most respected content creators in music, film, and television\n<b>.<br /><br />Get access to all Avid plug-ins</b><b> (Ultimate Only)</b><br />Expand your creative possibilities and workflow with access to the Avid Complete Plug-in Bundle and Pro Tools | MachineControl included with all Pro Tools | Ultimate subscriptions and 1-Year Software Updates + Support Plans. From enhancing mixes with legendary sound processors, to remotely controlling devices in your studio, Pro Tools | Ultimate offers more value than ever.<br /><br />\n<h3>Avid Pro Tools Features</h3>\nFor musicians, composers, engineers and mixers that need to take their music to the next level, Pro Tools delivers the industry’s most powerful, comprehensive, and relied upon audio and MIDI toolset for expanding creative possibilities, commercial opportunities and maximizing efficiency.\n<b><br /><br />Build sessions on the fly with Track Presets</b><br />Kick time-consuming tasks to the curb. With Track Presets, you can quickly save, catalog, and recall your favorite effects chains, vocal processing, session import criteria, and other track settings, and spend more time exploring the depths of your creativity.<br /><br /><b>Capture performances retroactively</b><br />Capture MIDI performances and advance your musical ideas, even when Pro Tools is not recording. Quickly add your improvisations and practice runs into your session with a simple key command.<br /><b><br />Take deeper control of your MIDI</b><br />Making music has never been easier. With numerous MIDI improvements and enhancements, you can fix and finesse every note to perfection—from transposing and trimming notes with the arrow keys, to building chords and scores faster than ever before.<br /><br /><b>Comp together the best takes</b><br />Build a Target Playlist of the best performances—from multiple playlists—right in Waveform view. It’s ideal when working with grouped tracks, making playlist management and viewing no longer a challenge. You can also now cycle through different takes within a clip using the arrow keys for faster review.<br /><br /><b>Retire your iLok key</b><br />Pro Tools and all Avid audio plug-ins now support iLok Cloud. That means you now have the option to work iLokfree, and reclaim an extra USB port for a MIDI keyboard or audio interface. Or continue using your iLok as before.<br /><b><br />Get a better view of your mix</b><br />With new EQ curve graphs on all Mix window channel strips, you can see how your settings and automation are impacting each track in real time—even those with multiple EQs (supported plug-ins only). In addition, pre-fader sends and Automation lane view menu entries are now color-coded, making them easier to distinguish.<br /><b><br />Start collaborating more easily</b><br />Got a session that you’re dying to work on with others? Select File &gt; Start Collaboration, and Pro Tools will automatically save your current session, close it, and reopen it as a project in the cloud, with all tracks converted and ready to be shared.<br /><br /><b>Get easy network licensing</b><br />Need Pro Tools for your post facility, broadcast enterprise, or educational institution? You can now purchase a multi-seat Pro Tools or Pro Tools | Ultimate Network Site License, which offers many benefits for larger organizations.<br /><br /><br />\n<h3>Record, edit, and mix with the world’s most advanced audio production platform—Avid Pro Tools.</h3>'),(8936,75,1,1490,'<h1>Avid <a href=\"http://www.rspeaudio.com/Pro-Tools-s/1829.htm\" style=\"color: rgb(0, 0, 0); outline: 0px none; background-color: initial;\">Pro Tools</a> Perpetual CROSSGRADE to 2 year Subscription</h1>\n<i>Trade in your expired Pro Tools Perpetual License and save $200/year for the first two years on a Pro Tools Subscription (normally $299 year).</i><br /><br />\n<h3>Pro Tools Perpetual CROSSGRADE to 2 year Subscription gets you:</h3>\n<ul>\n	<li>Upgrade your expired Pro Tools - Perpetual License to the newest version of Pro Tools, with a 2-year subscription</li>\n	<li>2 Years of Avid Pro Tools Software Updates</li>\n	<li>2 Years Months of Avid Standard Support for Pro Tools</li><li>2 Years of access to Avid Complete Plug-In Bundle</li>\n</ul>\n<br />\nAvid’s Pro Tools requires no introduction. Known to both professionals and amateurs alike as the premier, industry standard DAW software, Avid Pro Tools has maintained its position at the top of the recording industry for over two decades. The most powerful digital audio workstation just got more powerful. <br /><br />With Pro Tools, you get access to more frequent feature releases—including upcoming Avid Cloud Collaboration and the Avid Marketplace—plus flexible licensing options, so you can access the industry standard in more affordable ways than ever. Create with a low-cost subscription. Own the software or a complete system outright.<br />\n<ul>\n</ul>\n<br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); outline: 0px none; font-weight: bold;\">Which version of Pro Tools should I buy?</a> Use our exclusive Pro Tools configurator to take the stress out of buying.<br /><br /><a href=\"http://pro-tools-configurator.com/\" target=\"_blank\"><img src=\"https://www.rspeaudio.com/v/vspfiles/assets/images/pro-tools-upgrade-banner.jpg\" alt=\"Pro Tools Upgrade Configurator\" align=\"middle\" /></a> <br /><br /><span style=\"background-color: initial;\"><br /></span>\n<h2><span style=\"font-size: 24px;\"></span><hr /></h2>\n<span style=\"font-size: 24px;\">\n</span><span style=\"font-size: 24px;\">\n</span>\n<h2><span style=\"font-size: 24px;\">Avid Pro Tools and Pro Tools Ultimate In Depth</span></h2>\n<span style=\"font-family: Arial;\">Avid Pro T</span>ools requires no introduction. Known to both professionals and amateurs alike as the premier, industry standard DAW software, Avid Pro Tools has maintained its position at the top of the recording industry for over two decades. The most powerful digital audio workstation just got more powerful. Pro Tools redefines professional music and audio production for today’s workflows. From all-new audio and video engines and turbocharged 64-bit performance, to expanded metering and new HD video workflows, Pro Tools enables you to take on the most demanding sessions and maximize your creativity—without holding anything back. <br /><br />\n<h3>Avid Pro Tools | Ultimate Features</h3>\nPro Tools | Ultimate is the most definitive and comprehensive toolset for music and audio post production. Featuring seamless integration with EUCON-enabled control surfaces, best-in-class interfaces, and game-changing immersive audio workflows with Dolby Atmos, Pro Tools | Ultimate is proven to meet the demands of the world’s most respected content creators in music, film, and television\n<b>.<br /><br />Get access to all Avid plug-ins</b><b> (Ultimate Only)</b><br />Expand your creative possibilities and workflow with access to the Avid Complete Plug-in Bundle and Pro Tools | MachineControl included with all Pro Tools | Ultimate subscriptions and 1-Year Software Updates + Support Plans. From enhancing mixes with legendary sound processors, to remotely controlling devices in your studio, Pro Tools | Ultimate offers more value than ever.<br /><br />\n<h3>Avid Pro Tools Features</h3>\nFor musicians, composers, engineers and mixers that need to take their music to the next level, Pro Tools delivers the industry’s most powerful, comprehensive, and relied upon audio and MIDI toolset for expanding creative possibilities, commercial opportunities and maximizing efficiency.\n<b><br /><br />Build sessions on the fly with Track Presets</b><br />Kick time-consuming tasks to the curb. With Track Presets, you can quickly save, catalog, and recall your favorite effects chains, vocal processing, session import criteria, and other track settings, and spend more time exploring the depths of your creativity.<br /><br /><b>Capture performances retroactively</b><br />Capture MIDI performances and advance your musical ideas, even when Pro Tools is not recording. Quickly add your improvisations and practice runs into your session with a simple key command.<br /><b><br />Take deeper control of your MIDI</b><br />Making music has never been easier. With numerous MIDI improvements and enhancements, you can fix and finesse every note to perfection—from transposing and trimming notes with the arrow keys, to building chords and scores faster than ever before.<br /><br /><b>Comp together the best takes</b><br />Build a Target Playlist of the best performances—from multiple playlists—right in Waveform view. It’s ideal when working with grouped tracks, making playlist management and viewing no longer a challenge. You can also now cycle through different takes within a clip using the arrow keys for faster review.<br /><br /><b>Retire your iLok key</b><br />Pro Tools and all Avid audio plug-ins now support iLok Cloud. That means you now have the option to work iLokfree, and reclaim an extra USB port for a MIDI keyboard or audio interface. Or continue using your iLok as before.<br /><b><br />Get a better view of your mix</b><br />With new EQ curve graphs on all Mix window channel strips, you can see how your settings and automation are impacting each track in real time—even those with multiple EQs (supported plug-ins only). In addition, pre-fader sends and Automation lane view menu entries are now color-coded, making them easier to distinguish.<br /><b><br />Start collaborating more easily</b><br />Got a session that you’re dying to work on with others? Select File &gt; Start Collaboration, and Pro Tools will automatically save your current session, close it, and reopen it as a project in the cloud, with all tracks converted and ready to be shared.<br /><br /><b>Get easy network licensing</b><br />Need Pro Tools for your post facility, broadcast enterprise, or educational institution? You can now purchase a multi-seat Pro Tools or Pro Tools | Ultimate Network Site License, which offers many benefits for larger organizations.<br /><br /><br />\n<h3>Record, edit, and mix with the world’s most advanced audio production platform—Avid Pro Tools.</h3>'),(8937,85,0,1490,'Avid Pro Tools Perpetual CROSSGRADE to 2 year Subscription'),(8938,85,1,1490,'Avid Pro Tools Perpetual CROSSGRADE to 2 year Subscription'),(8939,76,0,1490,''),(8940,76,1,1490,''),(8941,75,0,1491,'<h2>Purple Audio Action FET Compressor</h2>\nThe Purple Audio Action FET Compressor is a FET compressor reminiscent of the MC77. Designed to work in standard “500″ racks.<br><br>\n\nThe Action features a constant impedance 600 ohm input attenuator feeding the input transformer, just like our MC77 units. This makes the input more resistant to overload by hot signals. After the input transformer, the signal is attenuated by the same gain reduction FET as in the MC77. The attenuated signal is buffered by our class A KDJ3 opamp, which feeds the output fader.<br><br>\n\nLastly, a class AB KDJ4 output opamp drives our custom hexafilar nickel and steel output transformer. The total gain (with no attenuation) is 45dB, just like the MC77.<br><br>\n\n<strong>Attack and release times</strong> cover a broader range than the MC77, which can cause distortion… which may or may not be what you are looking for. Use at extremes with caution. The ratios are the same as the MC77, and the threshold moves up as the ratio goes up, just like the MC77.<br><br>\n\n<strong>Stereo linking</strong> is accomplished by cross connecting pins 3 & 6 on the edge connector. On the Purple Sweet Ten, there is a second output 1/4″ that can be used to link two Actions. The link is accomplished using a TRS to TRS cable with tip on one TRS connecting to RING on the other TRS and vice versa. Plug in the cable, flip the front panel switches and you are linked. Non-Purple racks do not have an easy way to connect pins 3 and 6, and will need modification to link two Action units.<br><br>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8942,75,1,1491,'<h2>Purple Audio Action FET Compressor</h2>\nThe Purple Audio Action FET Compressor is a FET compressor reminiscent of the MC77. Designed to work in standard “500″ racks.<br><br>\n\nThe Action features a constant impedance 600 ohm input attenuator feeding the input transformer, just like our MC77 units. This makes the input more resistant to overload by hot signals. After the input transformer, the signal is attenuated by the same gain reduction FET as in the MC77. The attenuated signal is buffered by our class A KDJ3 opamp, which feeds the output fader.<br><br>\n\nLastly, a class AB KDJ4 output opamp drives our custom hexafilar nickel and steel output transformer. The total gain (with no attenuation) is 45dB, just like the MC77.<br><br>\n\n<strong>Attack and release times</strong> cover a broader range than the MC77, which can cause distortion… which may or may not be what you are looking for. Use at extremes with caution. The ratios are the same as the MC77, and the threshold moves up as the ratio goes up, just like the MC77.<br><br>\n\n<strong>Stereo linking</strong> is accomplished by cross connecting pins 3 & 6 on the edge connector. On the Purple Sweet Ten, there is a second output 1/4″ that can be used to link two Actions. The link is accomplished using a TRS to TRS cable with tip on one TRS connecting to RING on the other TRS and vice versa. Plug in the cable, flip the front panel switches and you are linked. Non-Purple racks do not have an easy way to connect pins 3 and 6, and will need modification to link two Action units.<br><br>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8943,85,0,1491,'Purple Audio Action FET Compressor'),(8944,85,1,1491,'Purple Audio Action FET Compressor'),(8945,76,0,1491,''),(8946,76,1,1491,''),(8947,75,0,1492,'<h2>Purple Audio Biz Microphone Preamp</h2>\nThe Purple Audio Biz Microphone Preamp is a unique sounding, three amplifier, discrete microphone preamp module designed to work in standard “500″ racks.<br /><br />\n\nThe smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Level control.<br /><br />\n\nPressing the “Dual” switch splits the gain between two of our Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones.<br /><br />\n\nWith different Gain, Level, and Dual settings the Biz can produce an infinite variety of tonal variations with the same amount of output level. The front panel DI helps you record instruments and line level sources with unrivaled clarity and punch.<br /><br />\n\nTwo LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Biz uses two KDJ3 opamps and one KDJ4 opamp.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8948,75,1,1492,'<h2>Purple Audio Biz Microphone Preamp</h2>\nThe Purple Audio Biz Microphone Preamp is a unique sounding, three amplifier, discrete microphone preamp module designed to work in standard “500″ racks.<br /><br />\n\nThe smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Level control.<br /><br />\n\nPressing the “Dual” switch splits the gain between two of our Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones.<br /><br />\n\nWith different Gain, Level, and Dual settings the Biz can produce an infinite variety of tonal variations with the same amount of output level. The front panel DI helps you record instruments and line level sources with unrivaled clarity and punch.<br /><br />\n\nTwo LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Biz uses two KDJ3 opamps and one KDJ4 opamp.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8949,85,0,1492,'Purple Audio Biz Microphone Preamp'),(8950,85,1,1492,'Purple Audio Biz Microphone Preamp'),(8951,76,0,1492,''),(8952,76,1,1492,''),(8953,75,0,1493,'<h2>Purple Audio Cans II Stereo Headphone Amp Preamp</h2>\nThe Purple Audio Cans II Stereo Headphone Amp Preamp is a discrete Stereo Headphone Amp and Control Room Preamplifier Designed to work in standard “500″ racks.<br><br>\nUses a KDJ3 opamp for mono and a KDJ5 opamps for output.<br><br>\n<h3>Cans II Features:</h3>\n<ul>\n	<li>Discrete signal path                                                                </li>\n	<li>Capable of driving the most demanding phones                                        </li>\n	<li>10k Ohm Transformer balanced input                                                  </li>\n	<li>Hi-Z input will not load sources when multing                                       </li>\n	<li>15dBu Gain                                                                          </li>\n	<li>Individual channel cuts                                                             </li>\n	<li>Channel swap                                                                        </li>\n	<li>Channel sum to mono                                                                 </li>\n	<li>Precision matched stereo level control                                              </li>\n	<li>Ships with XLRF to XLRF adaptor for stereo input                                    </li>\n	<li>Unbalanced stereo front panel 1/4″ TRS output                                       </li>\n	<li>Second stereo balanced input on rear 1/4″ on Purple Sweet Ten rack                  </li>\n	<li>Current consumption: 70mA                                                           </li>\n	<li>Over Current Resettable Fused (prevents any module problem from affecting your rack)</li>\n	<li>ROHS – Lead Free                                                                    </li>\n</ul>\n<br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8954,75,1,1493,'<h2>Purple Audio Cans II Stereo Headphone Amp Preamp</h2>\nThe Purple Audio Cans II Stereo Headphone Amp Preamp is a discrete Stereo Headphone Amp and Control Room Preamplifier Designed to work in standard “500″ racks.<br><br>\nUses a KDJ3 opamp for mono and a KDJ5 opamps for output.<br><br>\n<h3>Cans II Features:</h3>\n<ul>\n	<li>Discrete signal path                                                                </li>\n	<li>Capable of driving the most demanding phones                                        </li>\n	<li>10k Ohm Transformer balanced input                                                  </li>\n	<li>Hi-Z input will not load sources when multing                                       </li>\n	<li>15dBu Gain                                                                          </li>\n	<li>Individual channel cuts                                                             </li>\n	<li>Channel swap                                                                        </li>\n	<li>Channel sum to mono                                                                 </li>\n	<li>Precision matched stereo level control                                              </li>\n	<li>Ships with XLRF to XLRF adaptor for stereo input                                    </li>\n	<li>Unbalanced stereo front panel 1/4″ TRS output                                       </li>\n	<li>Second stereo balanced input on rear 1/4″ on Purple Sweet Ten rack                  </li>\n	<li>Current consumption: 70mA                                                           </li>\n	<li>Over Current Resettable Fused (prevents any module problem from affecting your rack)</li>\n	<li>ROHS – Lead Free                                                                    </li>\n</ul>\n<br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8955,85,0,1493,'Purple Audio Cans Stereo Headphone Amp Preamp'),(8956,85,1,1493,'Purple Audio Cans Stereo Headphone Amp Preamp'),(8957,76,0,1493,''),(8958,76,1,1493,''),(8959,75,0,1494,'<h2>Purple Audio Lilpeqr Two Band Program EQ</h2>\nThe Purple Audio Lilpeqr Two Band Program EQ is a two-band program EQ. Designed Eisen Audio for Purple Audio to work in standard “500″ racks.<br /><br />\n\n<strong>The LILPEQr emulates the colorful 3D richness and useful responses of our favorite vintage tube (aka valve) program EQs</strong> (namely, the Lang PEQ-1 and the Klangfilm RZ062), but in a compact, solid-state format. The LILPEQr will add air, weight, and glue to an already balanced mix. Additionally you can also use the LILPEQr to immediately and intuitively alter the overall tone of an individual source.The LILPEQr is our take on the classic program (aka final mix) equalizer. It offers high and low frequency shelving bands, each with three carefully selected corner frequencies to choose from, and a switchable fader knob for overall level control.<br /><br />\n\nWhen the EQ is first switched in (center switch position – “IN” – LED off) your signal is injected passively into the tone network, directly following the input transformer. As with many classic program equalizers, this configuration allows for the ultimate in wide, lush, mix-buss response with extra “glue” and all that richness.<br /><br />\n\nFlip the switch one more click (upper switch position – “IN+Level” – LED red) to activate the buffered “Level” control. Placed in between the input transformer and EQ network, these discrete, class A buffers change the response ever so slightly, making the signal seem a bit tighter and more focused. This mode is more useful on individual sources within a mix.<br /><br />\n\n<strong>Relay true bypass</strong> (lower switch position – “BYP” – LED green) allows for easy before and after EQ comparisons, and a simple overall circuit path allows for wide bandwidth so that everything passes through… sounding better! In program mode (“IN”), with both EQ knobs centered, frequency response is +/- 0.5dBu from 20Hz to 20kHz, and extends below 10Hz and well beyond 120kHz before any drooping occurs.<br /><br />\n\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8960,75,1,1494,'<h2>Purple Audio Lilpeqr Two Band Program EQ</h2>\nThe Purple Audio Lilpeqr Two Band Program EQ is a two-band program EQ. Designed Eisen Audio for Purple Audio to work in standard “500″ racks.<br /><br />\n\n<strong>The LILPEQr emulates the colorful 3D richness and useful responses of our favorite vintage tube (aka valve) program EQs</strong> (namely, the Lang PEQ-1 and the Klangfilm RZ062), but in a compact, solid-state format. The LILPEQr will add air, weight, and glue to an already balanced mix. Additionally you can also use the LILPEQr to immediately and intuitively alter the overall tone of an individual source.The LILPEQr is our take on the classic program (aka final mix) equalizer. It offers high and low frequency shelving bands, each with three carefully selected corner frequencies to choose from, and a switchable fader knob for overall level control.<br /><br />\n\nWhen the EQ is first switched in (center switch position – “IN” – LED off) your signal is injected passively into the tone network, directly following the input transformer. As with many classic program equalizers, this configuration allows for the ultimate in wide, lush, mix-buss response with extra “glue” and all that richness.<br /><br />\n\nFlip the switch one more click (upper switch position – “IN+Level” – LED red) to activate the buffered “Level” control. Placed in between the input transformer and EQ network, these discrete, class A buffers change the response ever so slightly, making the signal seem a bit tighter and more focused. This mode is more useful on individual sources within a mix.<br /><br />\n\n<strong>Relay true bypass</strong> (lower switch position – “BYP” – LED green) allows for easy before and after EQ comparisons, and a simple overall circuit path allows for wide bandwidth so that everything passes through… sounding better! In program mode (“IN”), with both EQ knobs centered, frequency response is +/- 0.5dBu from 20Hz to 20kHz, and extends below 10Hz and well beyond 120kHz before any drooping occurs.<br /><br />\n\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8961,85,0,1494,'Purple Audio Lilpeqr Two Band Program EQ'),(8962,85,1,1494,'Purple Audio Lilpeqr Two Band Program EQ'),(8963,76,0,1494,''),(8964,76,1,1494,''),(8965,75,0,1495,'<h2>Purple Audio MC77 Limiter</h2>\nThe Purple Audio MC77 Limiter is a standard 19″ two space rackmountable limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original.<br /><br />\n\nOne significant component is the input attenuator. The input attenuator that was custom made for the original revisions A-F 1176 and for the Purple MC76 by Clarostat was discontinued in 2002. It was a J series T-pad attenuator with two 600 OHM “build out” resistors to keep a constant 600 OHM load on the source and primary of the input transformer. Clarostat changed carbon manufacturers and the new carbon manufacturer was unable to make the part. Purple temporarily stopped making the MC76 to find a solution. We tried several three deck Clarostat 70 series pots in different configurations to achieve the same loading and to match the taper. We found a solution that matched the original. Based on that feedback, from hundreds of satisfied MC76 users we incorporated useful new features into the new MC77.'),(8966,75,1,1495,'<h2>Purple Audio MC77 Limiter</h2>\nThe Purple Audio MC77 Limiter is a standard 19″ two space rackmountable limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original.<br /><br />\n\nOne significant component is the input attenuator. The input attenuator that was custom made for the original revisions A-F 1176 and for the Purple MC76 by Clarostat was discontinued in 2002. It was a J series T-pad attenuator with two 600 OHM “build out” resistors to keep a constant 600 OHM load on the source and primary of the input transformer. Clarostat changed carbon manufacturers and the new carbon manufacturer was unable to make the part. Purple temporarily stopped making the MC76 to find a solution. We tried several three deck Clarostat 70 series pots in different configurations to achieve the same loading and to match the taper. We found a solution that matched the original. Based on that feedback, from hundreds of satisfied MC76 users we incorporated useful new features into the new MC77.'),(8967,85,0,1495,'Purple Audio MC77 Limiter'),(8968,85,1,1495,'Purple Audio MC77 Limiter'),(8969,76,0,1495,''),(8970,76,1,1495,''),(8971,75,0,1496,'<h2>Purple Audio Moiyn Discrete 8 Channel Summing Amp</h2>\nThe Purple Audio Moiyn Discrete 8 Channel Summing Amp an all-discrete 8 channel summing amp. The Moiyn is designed only for the Purple Audio Sweet Ten,  and makes the Sweet Ten into a 8×2 mixer.<br /><br />\n\nWith the Moiyn installed into slot 9 of the Sweet Ten, slots 1 through 8 become input modules to the Moiyn. Because of the Moiyn’s differential summing input amplifiers, any standard module can be used in slot 1 through 8 with minimal loading, and without unbalancing their outputs. This means that even while you use the Moiyn to sum the outputs of the modules in slots 1 through 8, you can still take the slot 1 through 8 output XLRs to your DAW or tape machine.<br /><br />\n\nOur custom hexifiliar output transformers provide two stereo transformer isolated outputs. One pair of outputs appears on the two output XLRs for slot 9. The Moiyn has internal jumpers to feed the second pair of outputs to slot 10. With the jumpers enabled, you can feed a Cans headphone amp in slot 10 automatically, without patching any cables in the back. Because of the Cans’ bridging transformer inputs, the pair of input XLRs on slot 10 can also be used as a second set of stereo outputs (with the input of the Cans multed to that output).<br /><br />\n\nThe inputs for slot 9 (XLR IN/OPT IN) serves as a stereo input to the Moiyn mix buss for cascading multiple mixers. As an example: take one Sweet Ten with a Moiyn to do your drum submix and cascade that into a second Sweet Ten with a Moiyn for your whole mix. That’s a fully discrete 16 channel summing mixer in 6 RU, and you can pick almost any combination of 500 modules as the channel modules.<br /><br />\n\nThe front panel of the Moiyn has two columns of eight illuminated push buttons, for left and right assign for each channel. Tricolor LEDs on either side of the slot 8 assigns show the mixbuss signal level. Below is a high quality 2-buss rotary master fader. The audio signal path of the Moiyn uses the same discrete opamps found in our other modules. The Moiyn uses two KDJ3 opamps and two KDJ4 opamps.<br /><br />\n\n<h3>Moiyn Features:</h3>\n<ul>                                                                                  \n<li>Discrete signal path (2 KDJ3 – Summing Amplifiers, 2 KDJ4 Output Amplifiers]        </li>\n<li>Differential Summing Amplifier                                                      </li>\n<li>15K drop on resisters                                                               </li>\n<li>Stereo Balanced Inject                                                              </li>\n<li>8 Input Left/Right Assignable                                                       </li>\n<li>Current consumption: 90mA                                                           </li>\n<li>Discrete signal path                                                                </li>\n<li>Over Current Resettable Fused (prevents any module problem from affecting your rack </li>\n<li>ROHS – Lead Free                                                                  </li>\n\n</ul><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8972,75,1,1496,'<h2>Purple Audio Moiyn Discrete 8 Channel Summing Amp</h2>\nThe Purple Audio Moiyn Discrete 8 Channel Summing Amp an all-discrete 8 channel summing amp. The Moiyn is designed only for the Purple Audio Sweet Ten,  and makes the Sweet Ten into a 8×2 mixer.<br /><br />\n\nWith the Moiyn installed into slot 9 of the Sweet Ten, slots 1 through 8 become input modules to the Moiyn. Because of the Moiyn’s differential summing input amplifiers, any standard module can be used in slot 1 through 8 with minimal loading, and without unbalancing their outputs. This means that even while you use the Moiyn to sum the outputs of the modules in slots 1 through 8, you can still take the slot 1 through 8 output XLRs to your DAW or tape machine.<br /><br />\n\nOur custom hexifiliar output transformers provide two stereo transformer isolated outputs. One pair of outputs appears on the two output XLRs for slot 9. The Moiyn has internal jumpers to feed the second pair of outputs to slot 10. With the jumpers enabled, you can feed a Cans headphone amp in slot 10 automatically, without patching any cables in the back. Because of the Cans’ bridging transformer inputs, the pair of input XLRs on slot 10 can also be used as a second set of stereo outputs (with the input of the Cans multed to that output).<br /><br />\n\nThe inputs for slot 9 (XLR IN/OPT IN) serves as a stereo input to the Moiyn mix buss for cascading multiple mixers. As an example: take one Sweet Ten with a Moiyn to do your drum submix and cascade that into a second Sweet Ten with a Moiyn for your whole mix. That’s a fully discrete 16 channel summing mixer in 6 RU, and you can pick almost any combination of 500 modules as the channel modules.<br /><br />\n\nThe front panel of the Moiyn has two columns of eight illuminated push buttons, for left and right assign for each channel. Tricolor LEDs on either side of the slot 8 assigns show the mixbuss signal level. Below is a high quality 2-buss rotary master fader. The audio signal path of the Moiyn uses the same discrete opamps found in our other modules. The Moiyn uses two KDJ3 opamps and two KDJ4 opamps.<br /><br />\n\n<h3>Moiyn Features:</h3>\n<ul>                                                                                  \n<li>Discrete signal path (2 KDJ3 – Summing Amplifiers, 2 KDJ4 Output Amplifiers]        </li>\n<li>Differential Summing Amplifier                                                      </li>\n<li>15K drop on resisters                                                               </li>\n<li>Stereo Balanced Inject                                                              </li>\n<li>8 Input Left/Right Assignable                                                       </li>\n<li>Current consumption: 90mA                                                           </li>\n<li>Discrete signal path                                                                </li>\n<li>Over Current Resettable Fused (prevents any module problem from affecting your rack </li>\n<li>ROHS – Lead Free                                                                  </li>\n\n</ul><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8973,85,0,1496,'Purple Audio Moiyn Discrete 8 Channel Summing Amp'),(8974,85,1,1496,'Purple Audio Moiyn Discrete 8 Channel Summing Amp'),(8975,76,0,1496,''),(8976,76,1,1496,''),(8977,75,0,1497,'<h2>Purple Audio Odd Four Band Inductor EQ</h2>\nThe Purple Audio Odd Four Band Inductor EQ is a four-band inductor-based EQ. Designed to work in standard “500″ racks.<br /><br />\nDesigned by Ed Anderson for Purple Audio.<br /><br />\nA modern update of the classic “swinging inputs” console EQ, with four easy to use bands. Each band uses a high quality inductor and carefully selected caps to give two switchable frequencies. The bands are carefully shaped and spaced to be musical, even at full boost or cut. The highest band can be switched from bell to shelf, to boost frequencies extending well beyond 20kHz. The lowest band can also be switched from bell to shelf, reaching down into the subsonic range.<br /><br />\nThere are illuminated pushbuttons for additional fixed low (red) and high (yellow) cut filters. A relay true bypass (green) allows for easy comparison with unprocessed source material. With the low and high cut switched out, and all four bands set to 0, the frequency response is +/- 0.25dB from 15Hz to 25kHz, and -3dB at 60kHz.<br /><br />\nWith specialized input and output transformers, the Odd has plenty of headroom, even at full boost. The entire circuit is discrete, with no electrolytic capacitors in the signal path, and no servo amps. With only two active stages, the current draw is low enough to work in any rack, and leave plenty of juice for other modules. The Odd uses one KDJ3 opamp and one KDJ4 opamp.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8978,75,1,1497,'<h2>Purple Audio Odd Four Band Inductor EQ</h2>\nThe Purple Audio Odd Four Band Inductor EQ is a four-band inductor-based EQ. Designed to work in standard “500″ racks.<br /><br />\nDesigned by Ed Anderson for Purple Audio.<br /><br />\nA modern update of the classic “swinging inputs” console EQ, with four easy to use bands. Each band uses a high quality inductor and carefully selected caps to give two switchable frequencies. The bands are carefully shaped and spaced to be musical, even at full boost or cut. The highest band can be switched from bell to shelf, to boost frequencies extending well beyond 20kHz. The lowest band can also be switched from bell to shelf, reaching down into the subsonic range.<br /><br />\nThere are illuminated pushbuttons for additional fixed low (red) and high (yellow) cut filters. A relay true bypass (green) allows for easy comparison with unprocessed source material. With the low and high cut switched out, and all four bands set to 0, the frequency response is +/- 0.25dB from 15Hz to 25kHz, and -3dB at 60kHz.<br /><br />\nWith specialized input and output transformers, the Odd has plenty of headroom, even at full boost. The entire circuit is discrete, with no electrolytic capacitors in the signal path, and no servo amps. With only two active stages, the current draw is low enough to work in any rack, and leave plenty of juice for other modules. The Odd uses one KDJ3 opamp and one KDJ4 opamp.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8979,85,0,1497,'Purple Audio Odd Four Band Inductor EQ'),(8980,85,1,1497,'Purple Audio Odd Four Band Inductor EQ'),(8981,76,0,1497,''),(8982,76,1,1497,''),(8983,75,0,1498,'<h2>Purple Audio Pants Microphone Preamp</h2>\nThe Purple Audio Pants Microphone Preamp is a four opamp, diferential mic preamp. Designed to work in standard “500″ racks.<br /><br />\n\nThe Pants uses a unique dual-bobbin input transformer from Cinemag unlike any other. The smooth Gain control helps you dial in the sound you want. If the output level is too high, you can ride the level down with the separate Level control. Pressing the “High” switch changes the feedback network to provide an insane 78dB of clean gain, a great match for very low output mics.<br /><br />\n\nWith different Gain, High mode switch, and Level settings the Pants can produce many different tones with the same amount of output level. The front panel DI goes through a FET buffer into the input transformer, adding an extra dimension to the sound of the preamp.<br /><br />\n\nThe DI load switch gives you two options, making it even easier to get the best direct tone for your instrument. Two LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Pants uses two KDJ3 opamps and two KDJ4<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8984,75,1,1498,'<h2>Purple Audio Pants Microphone Preamp</h2>\nThe Purple Audio Pants Microphone Preamp is a four opamp, diferential mic preamp. Designed to work in standard “500″ racks.<br /><br />\n\nThe Pants uses a unique dual-bobbin input transformer from Cinemag unlike any other. The smooth Gain control helps you dial in the sound you want. If the output level is too high, you can ride the level down with the separate Level control. Pressing the “High” switch changes the feedback network to provide an insane 78dB of clean gain, a great match for very low output mics.<br /><br />\n\nWith different Gain, High mode switch, and Level settings the Pants can produce many different tones with the same amount of output level. The front panel DI goes through a FET buffer into the input transformer, adding an extra dimension to the sound of the preamp.<br /><br />\n\nThe DI load switch gives you two options, making it even easier to get the best direct tone for your instrument. Two LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Pants uses two KDJ3 opamps and two KDJ4<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8985,85,0,1498,'Purple Audio Pants Mic Preamp'),(8986,85,1,1498,'Purple Audio Pants Mic Preamp'),(8987,76,0,1498,''),(8988,76,1,1498,''),(8989,75,0,1499,'<h2>Purple Audio Sweet Ten 500 Series Rack</h2>\nThe Purple Audio Sweet Ten 500 Series Rack uses a specifically design power supply to ensure proper power to you precious 500 series modules. Many manufactures, including past Purple Audio prototypes, use linear power supplies for their racks. Traditional wisdom holds that linear power supplies are ideal for audio and generate less noise and interference.  However, in the case of a 10 slot series 500 rack, even a well designed linear power supply generates a substantial magnetic hum field and far too much heat to allow for internal mounting. This problem is caused in part by the wide variation of line voltage across the world.<br /><br />\nWith the advancement of switching power supplies it is now possible to have a switcher that does not compromise audio performance and delivers or exceeds all specified current needs.  We have spent years perfecting just such a power supply.  We have comparatively tested all of our, and many of our competitors, modules at full bandwidth (10Hz – 500kHz) on lab quality over built bench supplies to make sure that the Sweet Ten is not compromising audio performance in any way. Simply put, your 500 series modules will perform at their highest level in our rack. Audio performance improvements are considerable.<br /><br />\nThe Sweet Ten top, side, and back panels are finished in trivalent yellow chromate cold rolled steel instead of painted steel for improved grounding and shielding. Our ground plane motherboards provide additional grounding. Additionally, the rack motherboard has frequency bypass capacitors at each slot to improve filtering, especially for modules with DC/DC converters.<br /><br />\nFunctionally, the Sweet Ten offers 2 inputs and 2 outputs per slot. Many of our modules already take advantage of second output and our Moiyn mixer module will use the second input to allow for stereo balanced source injection. Future uses of these connectors include fader loops on future modules as well as a few surprises!<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8990,75,1,1499,'<h2>Purple Audio Sweet Ten 500 Series Rack</h2>\nThe Purple Audio Sweet Ten 500 Series Rack uses a specifically design power supply to ensure proper power to you precious 500 series modules. Many manufactures, including past Purple Audio prototypes, use linear power supplies for their racks. Traditional wisdom holds that linear power supplies are ideal for audio and generate less noise and interference.  However, in the case of a 10 slot series 500 rack, even a well designed linear power supply generates a substantial magnetic hum field and far too much heat to allow for internal mounting. This problem is caused in part by the wide variation of line voltage across the world.<br /><br />\nWith the advancement of switching power supplies it is now possible to have a switcher that does not compromise audio performance and delivers or exceeds all specified current needs.  We have spent years perfecting just such a power supply.  We have comparatively tested all of our, and many of our competitors, modules at full bandwidth (10Hz – 500kHz) on lab quality over built bench supplies to make sure that the Sweet Ten is not compromising audio performance in any way. Simply put, your 500 series modules will perform at their highest level in our rack. Audio performance improvements are considerable.<br /><br />\nThe Sweet Ten top, side, and back panels are finished in trivalent yellow chromate cold rolled steel instead of painted steel for improved grounding and shielding. Our ground plane motherboards provide additional grounding. Additionally, the rack motherboard has frequency bypass capacitors at each slot to improve filtering, especially for modules with DC/DC converters.<br /><br />\nFunctionally, the Sweet Ten offers 2 inputs and 2 outputs per slot. Many of our modules already take advantage of second output and our Moiyn mixer module will use the second input to allow for stereo balanced source injection. Future uses of these connectors include fader loops on future modules as well as a few surprises!<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8991,85,0,1499,'Purple Audio Sweet Ten Rack'),(8992,85,1,1499,'Purple Audio Sweet Ten Rack'),(8993,76,0,1499,''),(8994,76,1,1499,''),(8995,75,0,1500,'<h2>Purple Audio Tav Ten Band Inductor EQ</h2>\nThe Purple Audio Tav Ten Band Inductor EQ is a ten-band inductor-based graphic EQ. Designed to work in standard “500″ racks.<br /><br />\nDesigned by Ed Anderson for Purple Audio.<br /><br />\nAn illuminated pushbutton for relay true bypass (green) allows for easy comparison with unprocessed source material. A Tricolor LED meters the signal. The frequency response is +/- 0.25dB from 15Hz to 25kHz, and -3dB at 60kHz.  A new take on the console graphic, with ten easy to use bands. Each band uses a high quality inductor and carefully selected caps to set the center frequency. At full boost and full cut the bands are narrow enough to still be useful individually, but at lower settings the bands widen out for more gentle shaping. Even at full boost and cut, the filters are shaped to be musical and useful.<br /><br />\nWith specialized input and output transformers, the TAV has plenty of headroom, even at full boost. The entire circuit is discrete, with no electrolytic capacitors in the signal path, and no servo amps. With only two active stages, the current draw is low enough to work in any rack, and leave plenty of juice for other modules. The Tav uses one KDJ3 opamp and one KDJ4 opamp.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8996,75,1,1500,'<h2>Purple Audio Tav Ten Band Inductor EQ</h2>\nThe Purple Audio Tav Ten Band Inductor EQ is a ten-band inductor-based graphic EQ. Designed to work in standard “500″ racks.<br /><br />\nDesigned by Ed Anderson for Purple Audio.<br /><br />\nAn illuminated pushbutton for relay true bypass (green) allows for easy comparison with unprocessed source material. A Tricolor LED meters the signal. The frequency response is +/- 0.25dB from 15Hz to 25kHz, and -3dB at 60kHz.  A new take on the console graphic, with ten easy to use bands. Each band uses a high quality inductor and carefully selected caps to set the center frequency. At full boost and full cut the bands are narrow enough to still be useful individually, but at lower settings the bands widen out for more gentle shaping. Even at full boost and cut, the filters are shaped to be musical and useful.<br /><br />\nWith specialized input and output transformers, the TAV has plenty of headroom, even at full boost. The entire circuit is discrete, with no electrolytic capacitors in the signal path, and no servo amps. With only two active stages, the current draw is low enough to work in any rack, and leave plenty of juice for other modules. The Tav uses one KDJ3 opamp and one KDJ4 opamp.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(8997,85,0,1500,'Purple Audio Tav Ten Band Inductor EQ'),(8998,85,1,1500,'Purple Audio Tav Ten Band Inductor EQ'),(8999,76,0,1500,''),(9000,76,1,1500,''),(9001,75,0,1501,'Classic Dynamics Control\nOne of our all-time most popular products, the ACP88 delivers the classic analog compression that helped establish PreSonus as a leading signal-processor manufacturer. With eight independent, full-featured compressor/limiters and gates, the ACP88 can solve a host of thorny studio and live-sound problems. A switchable power transformer enables international use.\nEach channel provides a fully variable compressor with a sidechain send and return to enable spectral processing and ducking. In addition to the usual attack, release, ratio, threshold, and makeup gain controls, each compressor offers selectable soft- or hard-knee compression and an Auto Attack feature. A six-segment LED meter displays the amount of gain reduction, and pair of LEDs indicate gate position (open/closed) and compression threshold (above/below).\n\nOutstanding Audio Quality\nAt the heart of the ACP88 is the highly respected THAT 4301s VCA. This VCA has unsurpassed dynamic range, extremely low distortion characteristics, and virtually no noise. With its top-shelf components and classic analog design, it’s no surprise that the ACP88 delivers best-in-class audio quality.\n\nFull-Featured Noise Gates\nThe compressor/limiter is followed by a full-featured gate with attack, release, and threshold controls; a gate-range switch, which determines the amount of level reduction that occurs when the gate closes; and a sidechain/key insert loop that enables the gate to be opened, or “keyed,” in response to a modified version of the program signal or some other external source.\n\nGates with Chains, No Less!\nEach channel of the ACP88 includes a sidechain send and return for the gate.\n\nChannel Link Rules!\nWith eight independent dynamics processors in one unit, you can employ tricks that aren’t possible with lesser processors. The Channel Link feature lets you lock together as many channels as you wish, so that all processors follow the setting of the master processor. Since you can create multiple simultaneous link groups, you could link a stereo pair of channels plus a group of four processors and still have two unlinked channels for other applications.\n\nIndependent Bypass For Each Channel\nEach ACP88 channel can be independently bypassed so you can audition signals with and without processing. Activating Bypass effectively removes all processing and returns the signal to unity gain. Bypass affects both the gate and the compressor. When bypassed, the Link function is interrupted for that channel.\n\nWorks Great with Semipro and Pro Gear\nThe ACP88 is designed to work smoothly with a variety of professional and semipro gear. You can select +4 dBu or -10 dBV operating levels independently for each channel.\n\nOld Skool Rules\nSome people say they don’t make signal processors the way they used to. Nonsense. The ACP88 is a superb old-skool processor, with physical knobs and switches for every parameter, shoehorned into two rackspaces, and it delivers a pure analog sound that will always be in style.\n\nSo if you want a professional analog dynamics processor that is every bit as powerful and sonically pleasing as the famous vintage processors were “back when,” try the ACP88. Because great sound never gets old.'),(9002,75,1,1501,'Classic Dynamics Control\nOne of our all-time most popular products, the ACP88 delivers the classic analog compression that helped establish PreSonus as a leading signal-processor manufacturer. With eight independent, full-featured compressor/limiters and gates, the ACP88 can solve a host of thorny studio and live-sound problems. A switchable power transformer enables international use.\nEach channel provides a fully variable compressor with a sidechain send and return to enable spectral processing and ducking. In addition to the usual attack, release, ratio, threshold, and makeup gain controls, each compressor offers selectable soft- or hard-knee compression and an Auto Attack feature. A six-segment LED meter displays the amount of gain reduction, and pair of LEDs indicate gate position (open/closed) and compression threshold (above/below).\n\nOutstanding Audio Quality\nAt the heart of the ACP88 is the highly respected THAT 4301s VCA. This VCA has unsurpassed dynamic range, extremely low distortion characteristics, and virtually no noise. With its top-shelf components and classic analog design, it’s no surprise that the ACP88 delivers best-in-class audio quality.\n\nFull-Featured Noise Gates\nThe compressor/limiter is followed by a full-featured gate with attack, release, and threshold controls; a gate-range switch, which determines the amount of level reduction that occurs when the gate closes; and a sidechain/key insert loop that enables the gate to be opened, or “keyed,” in response to a modified version of the program signal or some other external source.\n\nGates with Chains, No Less!\nEach channel of the ACP88 includes a sidechain send and return for the gate.\n\nChannel Link Rules!\nWith eight independent dynamics processors in one unit, you can employ tricks that aren’t possible with lesser processors. The Channel Link feature lets you lock together as many channels as you wish, so that all processors follow the setting of the master processor. Since you can create multiple simultaneous link groups, you could link a stereo pair of channels plus a group of four processors and still have two unlinked channels for other applications.\n\nIndependent Bypass For Each Channel\nEach ACP88 channel can be independently bypassed so you can audition signals with and without processing. Activating Bypass effectively removes all processing and returns the signal to unity gain. Bypass affects both the gate and the compressor. When bypassed, the Link function is interrupted for that channel.\n\nWorks Great with Semipro and Pro Gear\nThe ACP88 is designed to work smoothly with a variety of professional and semipro gear. You can select +4 dBu or -10 dBV operating levels independently for each channel.\n\nOld Skool Rules\nSome people say they don’t make signal processors the way they used to. Nonsense. The ACP88 is a superb old-skool processor, with physical knobs and switches for every parameter, shoehorned into two rackspaces, and it delivers a pure analog sound that will always be in style.\n\nSo if you want a professional analog dynamics processor that is every bit as powerful and sonically pleasing as the famous vintage processors were “back when,” try the ACP88. Because great sound never gets old.'),(9003,85,0,1501,'Presonus ACP88 8-Channel Compressor/Limiter/Gate'),(9004,85,1,1501,'Presonus ACP88 8-Channel Compressor/Limiter/Gate'),(9005,76,0,1501,''),(9006,76,1,1501,''),(9007,75,0,1502,'Simply the Best\nWe make some very good tube preamps, and we are confident that you enjoy using them. But the ADL 600 is at another level. Rumor has it that some people are willing to sell their left eyeball to get one. And while we don’t accept eyeballs as payment, we do agree that the ADL 600 is the finest tube preamp money can buy. Not the finest for the price. The finest—period.\n\nDesigned with famed tube-circuit designer Anthony DeMaria, the ADL 600 employs a distinctive Class A, discrete design with three top-grade vacuum tubes per channel, operating with ±300V power rails for maximum headroom and superb tone. The dual-transformer design also ensures low-noise operation, with maximum common-mode rejection.\nWe use only the finest components, including switched attenuators, analog VU and LED meters, and custom-designed, proprietary transformers. There are no op-amps or ICs in the signal path. We went high-end all the way, right down to the last polypropylene film capacitor.\n\nThe result is an ultra-low-noise tube preamp with a big, warm, smooth, clear, distinctive sound. It produces big, smooth, and articulate vocals; deep and tight bass guitars; and rich, full mixes. It makes virtually anything you run through it sound better.\n\nMaximum Flexibility\nBeyond superb sound quality, the ADL 600 is special because of its ease of use and flexibility. Each of the two input channels has separate mic, line, and instrument inputs, and you can select among four mic-input impedances, so the preamp works great with any type of microphone.\n\nThe ADL 600’s high-pass filter employs a rotary switch with three filter settings (40 Hz, 80 Hz, and 120 Hz at 6 dB/octave) for controlling room rumble and low-frequency noise.\nThe input-gain attenuator is a military-grade rotary switch that provides eight 5 dB stepped increments and a total preamplifier gain of over 73 dB. The output stage is controlled by a fully variable attenuator that delivers ±10 dB of fine-tune trim adjustment, enabling you to dial in the perfect gain structure for any application. And of course, you get +48V phantom power, polarity inversion, and a 20 dB pad, controlled by big, sturdy, military-grade switches.\nWe didn’t skimp on metering either. Fast-acting, eight-segment LED meters accurately detect fast transients and peaks. Large, backlit analog VU meters display output levels, and a -6 dB switch lets you meter particularly hot signals.\n\nHearing is Believing\nTechnical explanations are well and nice but hearing is believing. Try the ADL 600 yourself and experience the thrill of using the world’s finest tube preamp.'),(9008,75,1,1502,'Simply the Best\nWe make some very good tube preamps, and we are confident that you enjoy using them. But the ADL 600 is at another level. Rumor has it that some people are willing to sell their left eyeball to get one. And while we don’t accept eyeballs as payment, we do agree that the ADL 600 is the finest tube preamp money can buy. Not the finest for the price. The finest—period.\n\nDesigned with famed tube-circuit designer Anthony DeMaria, the ADL 600 employs a distinctive Class A, discrete design with three top-grade vacuum tubes per channel, operating with ±300V power rails for maximum headroom and superb tone. The dual-transformer design also ensures low-noise operation, with maximum common-mode rejection.\nWe use only the finest components, including switched attenuators, analog VU and LED meters, and custom-designed, proprietary transformers. There are no op-amps or ICs in the signal path. We went high-end all the way, right down to the last polypropylene film capacitor.\n\nThe result is an ultra-low-noise tube preamp with a big, warm, smooth, clear, distinctive sound. It produces big, smooth, and articulate vocals; deep and tight bass guitars; and rich, full mixes. It makes virtually anything you run through it sound better.\n\nMaximum Flexibility\nBeyond superb sound quality, the ADL 600 is special because of its ease of use and flexibility. Each of the two input channels has separate mic, line, and instrument inputs, and you can select among four mic-input impedances, so the preamp works great with any type of microphone.\n\nThe ADL 600’s high-pass filter employs a rotary switch with three filter settings (40 Hz, 80 Hz, and 120 Hz at 6 dB/octave) for controlling room rumble and low-frequency noise.\nThe input-gain attenuator is a military-grade rotary switch that provides eight 5 dB stepped increments and a total preamplifier gain of over 73 dB. The output stage is controlled by a fully variable attenuator that delivers ±10 dB of fine-tune trim adjustment, enabling you to dial in the perfect gain structure for any application. And of course, you get +48V phantom power, polarity inversion, and a 20 dB pad, controlled by big, sturdy, military-grade switches.\nWe didn’t skimp on metering either. Fast-acting, eight-segment LED meters accurately detect fast transients and peaks. Large, backlit analog VU meters display output levels, and a -6 dB switch lets you meter particularly hot signals.\n\nHearing is Believing\nTechnical explanations are well and nice but hearing is believing. Try the ADL 600 yourself and experience the thrill of using the world’s finest tube preamp.'),(9009,85,0,1502,'Presonus ADL 600 2-Channel High Voltage Tube Microphone Preamp'),(9010,85,1,1502,'Presonus ADL 600 2-Channel High Voltage Tube Microphone Preamp'),(9011,76,0,1502,''),(9012,76,1,1502,''),(9013,75,0,1503,'A Versatile Solution for Small Studios\nIf you’re like many recording musicians, your studio relies on software effects and a few hardware devices. You need a versatile recording interface with great sound and enough analog inputs and outputs to mic a large drum kit or a small band. We have two words for you: FireStudio™ Project.\nThe FireStudio Project’s front panel features six mic/line inputs and two mic/instrument inputs, each with high-headroom, sweet-sounding XMAX™ Class A solid-state preamps. That’s easily enough for a small project studio. The mic/instrument channels even have insert loops so you can add outboard effects.\n\nNeed digital I/O? No problem: FireStudio Project includes stereo S/PDIF. We’ve also included MIDI In and Out. In short, you get all of the connectivity you are likely to need.\nStill, as you develop your recording rig, your I/O needs may grow. No problem: you can daisy-chain the FireStudio Project with a second FireStudio Project, or with any interface in the FireStudio family, for up to 52 inputs and outputs. With FireStudio-series interfaces, your rig can expand to match your growing needs.\n\nClear, Clean, and Complete\nAt PreSonus, delivering great sound is our primary focus. In addition to XMAX preamps, the FireStudio Project features high-definition, 24-bit digital converters that sample at up to 96 kHz and provide 114 dB dynamic range.\nAnd with PreSonus’ lauded JetPLL™ jitter-elimination technology, you get the tightest, most reliable digital sync in the industry. Translated into plain English, you can rely on clear, clean audio with great imaging.\n\nThe FireStudio Project features an internal 18-input software mixer/router that allows you to set up to 5 cue mixes with zero latency. You can set up cue mixes in the included Universal Control control-panel software or in our amazing Studio One® Artist DAW software for Mac® and Windows®, which comes bundled free with all of our interfaces.\nCombined with a FireStudio Project interface and your computer, Studio One Artist gives you virtually everything you need to record and mix a project.\n\nWhether your focus is on studio recording, live-sound recording, podcasting, sound design, or all of the above, the FireStudio Project is your complete solution.'),(9014,75,1,1503,'A Versatile Solution for Small Studios\nIf you’re like many recording musicians, your studio relies on software effects and a few hardware devices. You need a versatile recording interface with great sound and enough analog inputs and outputs to mic a large drum kit or a small band. We have two words for you: FireStudio™ Project.\nThe FireStudio Project’s front panel features six mic/line inputs and two mic/instrument inputs, each with high-headroom, sweet-sounding XMAX™ Class A solid-state preamps. That’s easily enough for a small project studio. The mic/instrument channels even have insert loops so you can add outboard effects.\n\nNeed digital I/O? No problem: FireStudio Project includes stereo S/PDIF. We’ve also included MIDI In and Out. In short, you get all of the connectivity you are likely to need.\nStill, as you develop your recording rig, your I/O needs may grow. No problem: you can daisy-chain the FireStudio Project with a second FireStudio Project, or with any interface in the FireStudio family, for up to 52 inputs and outputs. With FireStudio-series interfaces, your rig can expand to match your growing needs.\n\nClear, Clean, and Complete\nAt PreSonus, delivering great sound is our primary focus. In addition to XMAX preamps, the FireStudio Project features high-definition, 24-bit digital converters that sample at up to 96 kHz and provide 114 dB dynamic range.\nAnd with PreSonus’ lauded JetPLL™ jitter-elimination technology, you get the tightest, most reliable digital sync in the industry. Translated into plain English, you can rely on clear, clean audio with great imaging.\n\nThe FireStudio Project features an internal 18-input software mixer/router that allows you to set up to 5 cue mixes with zero latency. You can set up cue mixes in the included Universal Control control-panel software or in our amazing Studio One® Artist DAW software for Mac® and Windows®, which comes bundled free with all of our interfaces.\nCombined with a FireStudio Project interface and your computer, Studio One Artist gives you virtually everything you need to record and mix a project.\n\nWhether your focus is on studio recording, live-sound recording, podcasting, sound design, or all of the above, the FireStudio Project is your complete solution.'),(9015,85,0,1503,'Presonus FireStudio Project 10x10 Firewire Recording Interface'),(9016,85,1,1503,'Presonus FireStudio Project 10x10 Firewire Recording Interface'),(9017,76,0,1503,''),(9018,76,1,1503,''),(9019,75,0,1504,'More Than a Mixer—a Complete System\nYou\'ll never go back to an old-skool analog mixer once you\'ve used StudioLive™. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you\'ll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.\n\nBut StudioLive is not simply a mixer, it\'s a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording.\nThe StudioLive 16.4.2 is a great choice for those who want to mix smaller shows and worship services, and it\'s a great choice for small club systems, portable churches, small bands, corporate applications, educational institutions, and anywhere you want a rack-mount mixer. It\'s the perfect hardware core for a project studio.\nOr daisy-chain two StudioLive 16.4.2s to form a 32x4x2 performance and recording console for mid-sized shows and events.\n\nHere, in one device, are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 6 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more.\nYet despite its many controls and features, it\'s compact, rack-mountable (14U), and easy to transport.\nBuild live mixes that glisten with clarity and detail—then record and enhance the performance with the power of StudioLive 16.4.2. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance.\n\nThat’s just the start. Control the StudioLive from your Mac, PC, or iPad®. Manage monitor mixes from an iPhone® or iPod touch®. Tune your system to the room and fix feedback problems with integrated Smaart Measurement Technology™.\nStudioLive 16.4.2 revolutionizes music production, opening endless creative possibilities.'),(9020,75,1,1504,'More Than a Mixer—a Complete System\nYou\'ll never go back to an old-skool analog mixer once you\'ve used StudioLive™. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you\'ll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.\n\nBut StudioLive is not simply a mixer, it\'s a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording.\nThe StudioLive 16.4.2 is a great choice for those who want to mix smaller shows and worship services, and it\'s a great choice for small club systems, portable churches, small bands, corporate applications, educational institutions, and anywhere you want a rack-mount mixer. It\'s the perfect hardware core for a project studio.\nOr daisy-chain two StudioLive 16.4.2s to form a 32x4x2 performance and recording console for mid-sized shows and events.\n\nHere, in one device, are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 6 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more.\nYet despite its many controls and features, it\'s compact, rack-mountable (14U), and easy to transport.\nBuild live mixes that glisten with clarity and detail—then record and enhance the performance with the power of StudioLive 16.4.2. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance.\n\nThat’s just the start. Control the StudioLive from your Mac, PC, or iPad®. Manage monitor mixes from an iPhone® or iPod touch®. Tune your system to the room and fix feedback problems with integrated Smaart Measurement Technology™.\nStudioLive 16.4.2 revolutionizes music production, opening endless creative possibilities.'),(9021,85,0,1504,'Presonus StudioLive 16.4.2 Performance and Recording Digital Mixer'),(9022,85,1,1504,'Presonus StudioLive 16.4.2 Performance and Recording Digital Mixer'),(9023,76,0,1504,''),(9024,76,1,1504,''),(9025,75,0,1505,'2 digital AES3 input channels, 2 digital AES3 output channels, plug-in sample rate up to 216 kHz (incl. ±12.5% varispeed)'),(9026,75,1,1505,'2 digital AES3 input channels, 2 digital AES3 output channels, plug-in sample rate up to 216 kHz (incl. ±12.5% varispeed)'),(9027,85,0,1505,'Quantec Yardstick 2492 Stereo Room Simulator'),(9028,85,1,1505,'Quantec Yardstick 2492 Stereo Room Simulator'),(9029,76,0,1505,''),(9030,76,1,1505,''),(9031,75,0,1506,'2 digital AES3 input channels, 6 digital AES3 output channels, plug-in sample rate up to 216 kHz (incl. ±12.5% varispeed)'),(9032,75,1,1506,'2 digital AES3 input channels, 6 digital AES3 output channels, plug-in sample rate up to 216 kHz (incl. ±12.5% varispeed)'),(9033,85,0,1506,'Quantec Yardstick 2496 Stereo/Surround Room Simulator'),(9034,85,1,1506,'Quantec Yardstick 2496 Stereo/Surround Room Simulator'),(9035,76,0,1506,''),(9036,76,1,1506,''),(9037,75,0,1507,'8+2 digital AES3 input channels, 8 digital AES3 output channels, plug-in sample rate up to 108 kHz (incl. ±12.5% varispeed)'),(9038,75,1,1507,'8+2 digital AES3 input channels, 8 digital AES3 output channels, plug-in sample rate up to 108 kHz (incl. ±12.5% varispeed)'),(9039,85,0,1507,'Quantec Yardstick 2498 Multichannel/Surround Room Simulator'),(9040,85,1,1507,'Quantec Yardstick 2498 Multichannel/Surround Room Simulator'),(9041,76,0,1507,''),(9042,76,1,1507,''),(9043,75,0,1508,'<h2>Quested H108 Passive Studio Monitor</h2>\n<span style=\"font-style: italic;\">Quested\'s most powerful active monitor, the V2108 is a 3-way midfield monitor that pushes 1000W of power!</span><br /><br />\nThe Quested H108 is a 2-way passive studio monitor designed to significantly out-perform other popular near-field monitors. The H108 features low distortion, pure and “musical” sonic characteristics and accurate stereo imaging-allowing hours of use without listener fatigue.\n\nAs with all Quested monitors, there is a dual emphasis on using drive units of the very highest quality with a crossover circuit design free of unnecessary complexity. The inert cabinet is constructed from 18mm and 25mm MDF; an exceptionally flat impedance curve allows the H108 to be successfully powered by virtually any professional power amplifier.\nTypical applications: Mastering rooms, Tracking/Mixing rooms, Mobile trucks, Broadcast, Editing suites.\n<br />\n<br />'),(9044,75,1,1508,'<h2>Quested H108 Passive Studio Monitor</h2>\n<span style=\"font-style: italic;\">Quested\'s most powerful active monitor, the V2108 is a 3-way midfield monitor that pushes 1000W of power!</span><br /><br />\nThe Quested H108 is a 2-way passive studio monitor designed to significantly out-perform other popular near-field monitors. The H108 features low distortion, pure and “musical” sonic characteristics and accurate stereo imaging-allowing hours of use without listener fatigue.\n\nAs with all Quested monitors, there is a dual emphasis on using drive units of the very highest quality with a crossover circuit design free of unnecessary complexity. The inert cabinet is constructed from 18mm and 25mm MDF; an exceptionally flat impedance curve allows the H108 to be successfully powered by virtually any professional power amplifier.\nTypical applications: Mastering rooms, Tracking/Mixing rooms, Mobile trucks, Broadcast, Editing suites.\n<br />\n<br />'),(9045,85,0,1508,''),(9046,85,1,1508,''),(9047,76,0,1508,''),(9048,76,1,1508,''),(9049,75,0,1509,'<h2>Quested S6R MkIII 2-Way Active Studio Monitor</h2>\n<span style=\"font-size:16px; font-style:italic;\">Compact, Active 2-Way Monitor that balances a small size with big power and sound.</span><br /><br />\nThe Quested S6R is compact 2-way active studio monitor that packs a big punch for its small size. The compact design makes S6R easy to position where space is limited, making it ideal for 5.1 systems or small studios where space is a premium. The 5\" LF driver and infinite baffle make the low frequency response more than adequate for most applications, however when more bass response is required the S6R is designed to perfectly integrate with the SB10R sub-woofer, extending the frequency response down to 25Hz. The S6R is phase coherent with the S7R and S8R, enabling it to be used in combination with both in multi- channel systems. S6R suits a variety of applications, including: speech recording, component in multi-channel systems, postproduction, Audio workstations and location recording.<br /><br />\nThe Quested S6R features a 5” low frequency driver , and a high frequency, silk soft dome tweeter in an infinite baffle enclosure. The built in amplification provides a total of 110W RMS, split with 65W RMS to the 5” LF driver and 45W RMS to the silk soft dome tweeter. Attenuation to the input sensitivity along with low and high frequency is available on the rear panel. The operating range is 75 Hz – 20kHz with a +- 2db tolerance. Ideally suited to those with limited space and when coupled to the SB10R offers a very powerful yet compact full range monitoring solution.<br /><br />\n<h3>Quested S Series Studio Monitors</h3>\nThe Quested S Series family features compact nearfield studio monitors that produce a flat, yet smooth reference to work from. Designed to be at home in small production facilities, broadcast facilities, professional commercial or home studios the S Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (5”, 6.5”, 8”), whilst the addition of a low frequency extension, the SB10R sub (10”) and controller, fulfills the most demanding of near field monitoring needs and completes the range.\n<br /><br />\nThe S Series can be used in various configurations from a standard 2.0, to the most complex multi- channel formats. With a match input sensitivity selector on the rear panel, various S Series cabinets can easily sit in the same system. The S6R, with its infinite baffle design, makes partnering to the SB10R Sub a very easy process.\nAs with all Quested products, the S Series is hand built by a small dedicated team in England. S Series products come with a five year manufactures warranty.\n<br />'),(9050,75,1,1509,'<h2>Quested S6R MkIII 2-Way Active Studio Monitor</h2>\n<span style=\"font-size:16px; font-style:italic;\">Compact, Active 2-Way Monitor that balances a small size with big power and sound.</span><br /><br />\nThe Quested S6R is compact 2-way active studio monitor that packs a big punch for its small size. The compact design makes S6R easy to position where space is limited, making it ideal for 5.1 systems or small studios where space is a premium. The 5\" LF driver and infinite baffle make the low frequency response more than adequate for most applications, however when more bass response is required the S6R is designed to perfectly integrate with the SB10R sub-woofer, extending the frequency response down to 25Hz. The S6R is phase coherent with the S7R and S8R, enabling it to be used in combination with both in multi- channel systems. S6R suits a variety of applications, including: speech recording, component in multi-channel systems, postproduction, Audio workstations and location recording.<br /><br />\nThe Quested S6R features a 5” low frequency driver , and a high frequency, silk soft dome tweeter in an infinite baffle enclosure. The built in amplification provides a total of 110W RMS, split with 65W RMS to the 5” LF driver and 45W RMS to the silk soft dome tweeter. Attenuation to the input sensitivity along with low and high frequency is available on the rear panel. The operating range is 75 Hz – 20kHz with a +- 2db tolerance. Ideally suited to those with limited space and when coupled to the SB10R offers a very powerful yet compact full range monitoring solution.<br /><br />\n<h3>Quested S Series Studio Monitors</h3>\nThe Quested S Series family features compact nearfield studio monitors that produce a flat, yet smooth reference to work from. Designed to be at home in small production facilities, broadcast facilities, professional commercial or home studios the S Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (5”, 6.5”, 8”), whilst the addition of a low frequency extension, the SB10R sub (10”) and controller, fulfills the most demanding of near field monitoring needs and completes the range.\n<br /><br />\nThe S Series can be used in various configurations from a standard 2.0, to the most complex multi- channel formats. With a match input sensitivity selector on the rear panel, various S Series cabinets can easily sit in the same system. The S6R, with its infinite baffle design, makes partnering to the SB10R Sub a very easy process.\nAs with all Quested products, the S Series is hand built by a small dedicated team in England. S Series products come with a five year manufactures warranty.\n<br />'),(9051,85,0,1509,''),(9052,85,1,1509,''),(9053,76,0,1509,''),(9054,76,1,1509,''),(9055,75,0,1510,'<h2>Quested S7R MkIII 2-Way Active Studio Monitor</h2>\n<i>Compact, Active 2-Way Monitor for nearfield/midfield applications that balances a small size with big power and sound.</i><br /><br />\nThe Quested S7R Active Studio Monitor is a compact, yet extremely powerful, neutral, articulate and accurate monitor perfect for a wide range of music styles from acoustic jazz to house. Designed to be compact yet offer a bass extension that won\'t require a sub for the majority of monitoring situations, but if you must, S7R integrates perfectly with SB10R subwoofer taking the frequency response down to 27Hz. The S7R is fully magnetically shielded, so can be used in close proximity to CRT monitors. All S-Series monitors are phase coherent with each other enabling them to be used in combination in 5.1 multi-channel systems Some typical applications include components in multi-channel systems, postproduction, project studios, location recording, and mastering.<br /><br />\nS7R incorporates a 6.5” low frequency driver with a double flared front loaded port design, which means reduced turbulence and a monitor that is very forgiving of placement to walls. The built in amplification provides a total of 190W RMS to the drivers, split with 120W RMS to the 6.5” LF driver and 70W RMS to the silk dome tweeter. Attenuation to the input sensitivity along with low and high frequency is available on the rear panel. The operating range is 65 Hz – 20 kHz with a +- 2db tolerance.<br /><br />\n\n<h3>Quested S Series Studio Monitors</h3>\nThe Quested S Series family features compact nearfield studio monitors that produce a flat, yet smooth reference to work from. Designed to be at home in small production facilities, broadcast facilities, professional commercial or home studios the S Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (5”, 6.5”, 8”), whilst the addition of a low frequency extension, the SB10R sub (10”) and controller, fulfills the most demanding of near field monitoring needs and completes the range. <br /><br />The S Series can be used in various configurations from a standard 2.0, to the most complex multi- channel formats. With a match input sensitivity selector on the rear panel, various S Series cabinets can easily sit in the same system. The S6R, with its infinite baffle design, makes partnering to the SB10R Sub a very easy process. As with all Quested products, the S Series is hand built by a small dedicated team in England. S Series products come with a five year manufactures warranty.'),(9056,75,1,1510,'<h2>Quested S7R MkIII 2-Way Active Studio Monitor</h2>\n<i>Compact, Active 2-Way Monitor for nearfield/midfield applications that balances a small size with big power and sound.</i><br /><br />\nThe Quested S7R Active Studio Monitor is a compact, yet extremely powerful, neutral, articulate and accurate monitor perfect for a wide range of music styles from acoustic jazz to house. Designed to be compact yet offer a bass extension that won\'t require a sub for the majority of monitoring situations, but if you must, S7R integrates perfectly with SB10R subwoofer taking the frequency response down to 27Hz. The S7R is fully magnetically shielded, so can be used in close proximity to CRT monitors. All S-Series monitors are phase coherent with each other enabling them to be used in combination in 5.1 multi-channel systems Some typical applications include components in multi-channel systems, postproduction, project studios, location recording, and mastering.<br /><br />\nS7R incorporates a 6.5” low frequency driver with a double flared front loaded port design, which means reduced turbulence and a monitor that is very forgiving of placement to walls. The built in amplification provides a total of 190W RMS to the drivers, split with 120W RMS to the 6.5” LF driver and 70W RMS to the silk dome tweeter. Attenuation to the input sensitivity along with low and high frequency is available on the rear panel. The operating range is 65 Hz – 20 kHz with a +- 2db tolerance.<br /><br />\n\n<h3>Quested S Series Studio Monitors</h3>\nThe Quested S Series family features compact nearfield studio monitors that produce a flat, yet smooth reference to work from. Designed to be at home in small production facilities, broadcast facilities, professional commercial or home studios the S Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (5”, 6.5”, 8”), whilst the addition of a low frequency extension, the SB10R sub (10”) and controller, fulfills the most demanding of near field monitoring needs and completes the range. <br /><br />The S Series can be used in various configurations from a standard 2.0, to the most complex multi- channel formats. With a match input sensitivity selector on the rear panel, various S Series cabinets can easily sit in the same system. The S6R, with its infinite baffle design, makes partnering to the SB10R Sub a very easy process. As with all Quested products, the S Series is hand built by a small dedicated team in England. S Series products come with a five year manufactures warranty.'),(9057,85,0,1510,''),(9058,85,1,1510,''),(9059,76,0,1510,''),(9060,76,1,1510,''),(9061,75,0,1511,'<h2>Quested S8R MkIII 2-Way Active Studio Monitor</h2>\n<i>Compact, Active 2-Way Monitor for midfield/nearfield applications that features full response without the use of a sub.</i><br /><br />\nThe Quested S8R is the largest of the S Series monitors and features an 8” low frequency transducer and a double flared front loaded port, which means lower frequency response and reduced turbulence. This design also allows for easy placement of the S8R in compact spaces.  The abundant headroom in the amplifiers and resilient drive units makes for a monitor that is ideally suited for every genre of music from choral to Heavy Metal to the electronic music of today. S8R is a perfect choice when a full range response is required without the use of a sub-woofer. S8R is also phase coherent with the other models in the S-Series and can be used in combination with them in multi-channel systems. Typical applications for S8R include full-range monitors in medium sized control rooms, near/mid-field monitoring in larger rooms, programming rooms, and components in multi-channel systems\n<br /><br />\nThe on board amplification delivers 370W RMS split with 220W RMS to the 8” LF and 150W RMS to the silk dome tweeter. Attenuation to the input sensitivity along with low and high frequency is available on the rear panel. The operating range is 43 Hz – 20 kHz with a +- 2db tolerance making the S8R suitable for use without a sub for the majority of monitoring applications. The S8R can also be partnered with the SB10R should further base extension be required down to 27 Hz.<br /><br />\n<h3>Quested S Series Studio Monitors</h3>\nThe Quested S Series family features compact nearfield studio monitors that produce a flat, yet smooth reference to work from. Designed to be at home in small production facilities, broadcast facilities, professional commercial or home studios the S Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (5”, 6.5”, 8”), whilst the addition of a low frequency extension, the SB10R sub (10”) and controller, fulfills the most demanding of near field monitoring needs and completes the range. \n<br /><br />The S Series can be used in various configurations from a standard 2.0, to the most complex multi- channel formats. With a match input sensitivity selector on the rear panel, various S Series cabinets can easily sit in the same system. The S6R, with its infinite baffle design, makes partnering to the SB10R Sub a very easy process. As with all Quested products, the S Series is hand built by a small dedicated team in England. S Series products come with a five year manufactures warranty.\n<br />\n<br />'),(9062,75,1,1511,'<h2>Quested S8R MkIII 2-Way Active Studio Monitor</h2>\n<i>Compact, Active 2-Way Monitor for midfield/nearfield applications that features full response without the use of a sub.</i><br /><br />\nThe Quested S8R is the largest of the S Series monitors and features an 8” low frequency transducer and a double flared front loaded port, which means lower frequency response and reduced turbulence. This design also allows for easy placement of the S8R in compact spaces.  The abundant headroom in the amplifiers and resilient drive units makes for a monitor that is ideally suited for every genre of music from choral to Heavy Metal to the electronic music of today. S8R is a perfect choice when a full range response is required without the use of a sub-woofer. S8R is also phase coherent with the other models in the S-Series and can be used in combination with them in multi-channel systems. Typical applications for S8R include full-range monitors in medium sized control rooms, near/mid-field monitoring in larger rooms, programming rooms, and components in multi-channel systems\n<br /><br />\nThe on board amplification delivers 370W RMS split with 220W RMS to the 8” LF and 150W RMS to the silk dome tweeter. Attenuation to the input sensitivity along with low and high frequency is available on the rear panel. The operating range is 43 Hz – 20 kHz with a +- 2db tolerance making the S8R suitable for use without a sub for the majority of monitoring applications. The S8R can also be partnered with the SB10R should further base extension be required down to 27 Hz.<br /><br />\n<h3>Quested S Series Studio Monitors</h3>\nThe Quested S Series family features compact nearfield studio monitors that produce a flat, yet smooth reference to work from. Designed to be at home in small production facilities, broadcast facilities, professional commercial or home studios the S Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (5”, 6.5”, 8”), whilst the addition of a low frequency extension, the SB10R sub (10”) and controller, fulfills the most demanding of near field monitoring needs and completes the range. \n<br /><br />The S Series can be used in various configurations from a standard 2.0, to the most complex multi- channel formats. With a match input sensitivity selector on the rear panel, various S Series cabinets can easily sit in the same system. The S6R, with its infinite baffle design, makes partnering to the SB10R Sub a very easy process. As with all Quested products, the S Series is hand built by a small dedicated team in England. S Series products come with a five year manufactures warranty.\n<br />\n<br />'),(9063,85,0,1511,''),(9064,85,1,1511,''),(9065,76,0,1511,''),(9066,76,1,1511,''),(9067,75,0,1512,'<h2>Quested SB10R MkII Active 10\" Subwoofer & Controller</h2>\n<i>10\" Active subwoofer that is the perfect compliment to any Quested S Series monitors!</i><br /><br />\nThe Quested SB10R Subwoofer is designed to be used with any S Series studio monitors and will extend system frequency response down to 20 Hz and increase the system\'s maximum SPL. The filter bypass on the left channel optimizes the SB10R\'s performance when it is used as a dedicated LFE monitor in a multi-channel system. With the 2-in 2-out bass management, a single SB10R can reinforce a stereo pair of full range cabinets. A long throw 10\" cast chassis driver is mounted in a tuned cabinet constructed of 26 mm MDF.<br /><br />Unlikemost subwoofer that house the amplification and drivers in one cabinet, the SB10R houses the 215W RMS amplifier and 2-channel SB10R controller in a separate, single 1U rack space unit. The Remote Power keeps the electronics independent from the drive unit and stops the adverse effects caused by LF vibrations. Also, calibration and operation of the SB10R controller can be done on the rack unit, so you don\'t have to crawl behind a subwoofer to make changes.<br /><br />\n<h3>Quested S Series Studio Monitors</h3>\nThe Quested S Series family features compact nearfield studio monitors that produce a flat, yet smooth reference to work from. Designed to be at home in small production facilities, broadcast facilities, professional commercial or home studios the S Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (5”, 6.5”, 8”), whilst the addition of a low frequency extension, the SB10R sub (10”) and controller, fulfills the most demanding of near field monitoring needs and completes the range. \n<br /><br />The S Series can be used in various configurations from a standard 2.0, to the most complex multi- channel formats. With a match input sensitivity selector on the rear panel, various S Series cabinets can easily sit in the same system. The S6R, with its infinite baffle design, makes partnering to the SB10R Sub a very easy process. As with all Quested products, the S Series is hand built by a small dedicated team in England. S Series products come with a five year manufactures warranty.\n<br />'),(9068,75,1,1512,'<h2>Quested SB10R MkII Active 10\" Subwoofer & Controller</h2>\n<i>10\" Active subwoofer that is the perfect compliment to any Quested S Series monitors!</i><br /><br />\nThe Quested SB10R Subwoofer is designed to be used with any S Series studio monitors and will extend system frequency response down to 20 Hz and increase the system\'s maximum SPL. The filter bypass on the left channel optimizes the SB10R\'s performance when it is used as a dedicated LFE monitor in a multi-channel system. With the 2-in 2-out bass management, a single SB10R can reinforce a stereo pair of full range cabinets. A long throw 10\" cast chassis driver is mounted in a tuned cabinet constructed of 26 mm MDF.<br /><br />Unlikemost subwoofer that house the amplification and drivers in one cabinet, the SB10R houses the 215W RMS amplifier and 2-channel SB10R controller in a separate, single 1U rack space unit. The Remote Power keeps the electronics independent from the drive unit and stops the adverse effects caused by LF vibrations. Also, calibration and operation of the SB10R controller can be done on the rack unit, so you don\'t have to crawl behind a subwoofer to make changes.<br /><br />\n<h3>Quested S Series Studio Monitors</h3>\nThe Quested S Series family features compact nearfield studio monitors that produce a flat, yet smooth reference to work from. Designed to be at home in small production facilities, broadcast facilities, professional commercial or home studios the S Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (5”, 6.5”, 8”), whilst the addition of a low frequency extension, the SB10R sub (10”) and controller, fulfills the most demanding of near field monitoring needs and completes the range. \n<br /><br />The S Series can be used in various configurations from a standard 2.0, to the most complex multi- channel formats. With a match input sensitivity selector on the rear panel, various S Series cabinets can easily sit in the same system. The S6R, with its infinite baffle design, makes partnering to the SB10R Sub a very easy process. As with all Quested products, the S Series is hand built by a small dedicated team in England. S Series products come with a five year manufactures warranty.\n<br />'),(9069,85,0,1512,''),(9070,85,1,1512,''),(9071,76,0,1512,''),(9072,76,1,1512,''),(9073,75,0,1513,'<h2>Quested V2108 2-Way Active Studio Monitor</h2><span style=\"font-style: italic;\">Quested\'s longest running product, the V2108 is a 2-way active, nearfield monitor that delivers 400W of power</span><br /><br />The Quested V2108 sets the benchmark in Quested\'s nearfield monitoring range. The V2108 features floating drive stage Class A/B amplification platform, delivering two pristine channels of 200W each to the 8\" low frequency driver and 1\" silk soft dome tweeter. The results are a mid-range that opens up a clearer picture of what is going on, plus the control from the extra power gives the V2108 a clean response down to 40Hz. Another reason for the clearer picture is the new dust cap on the custom 8” drive unit and improved stiffening of the cone, which extends the LF response. One of the world’s finest speakers is ready to help your tracking, composing or mixing reach a new level.<br /><br />When it was launched in 1988, the V2108 instantly built an enviable reputation with some of the world’s most critical and demanding users. Whilst always staying true to its origins, the V2108 has evolved over the past thirty years, with improvements in both transducers and amplification that keep pace with the ever-changing needs of the industry. This has allowed it to earn a lifetime of trust with producers and artists around the globe, whilst staying young at heart. Suited to standalone monitoring or multi-channel applications, the V2108 is our most powerful and versatile nearfield reference monitor.<br /><br /><h3>Quested V Series Studio Monitors</h3><div>Chosen by both professionals and passionate producers of music, the Quested V Series sets a benchmark and encompasses the true standards of a studio monitor. <span style=\"background-color: initial;\">Quested\'s no compromise approach to the development and evolution of the V Series means that the line continues to evolve and improve with updated transducer and amplification designs. </span><span style=\"background-color: initial;\">V Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (8”, 10\"), to fulfill the most demanding of near field monitoring needs.</span></div><div><span style=\"background-color: initial;\"><br /></span>As with all Quested products, the V Series is hand built by a small dedicated team in England.</div><br />'),(9074,75,1,1513,'<h2>Quested V2108 2-Way Active Studio Monitor</h2><span style=\"font-style: italic;\">Quested\'s longest running product, the V2108 is a 2-way active, nearfield monitor that delivers 400W of power</span><br /><br />The Quested V2108 sets the benchmark in Quested\'s nearfield monitoring range. The V2108 features floating drive stage Class A/B amplification platform, delivering two pristine channels of 200W each to the 8\" low frequency driver and 1\" silk soft dome tweeter. The results are a mid-range that opens up a clearer picture of what is going on, plus the control from the extra power gives the V2108 a clean response down to 40Hz. Another reason for the clearer picture is the new dust cap on the custom 8” drive unit and improved stiffening of the cone, which extends the LF response. One of the world’s finest speakers is ready to help your tracking, composing or mixing reach a new level.<br /><br />When it was launched in 1988, the V2108 instantly built an enviable reputation with some of the world’s most critical and demanding users. Whilst always staying true to its origins, the V2108 has evolved over the past thirty years, with improvements in both transducers and amplification that keep pace with the ever-changing needs of the industry. This has allowed it to earn a lifetime of trust with producers and artists around the globe, whilst staying young at heart. Suited to standalone monitoring or multi-channel applications, the V2108 is our most powerful and versatile nearfield reference monitor.<br /><br /><h3>Quested V Series Studio Monitors</h3><div>Chosen by both professionals and passionate producers of music, the Quested V Series sets a benchmark and encompasses the true standards of a studio monitor. <span style=\"background-color: initial;\">Quested\'s no compromise approach to the development and evolution of the V Series means that the line continues to evolve and improve with updated transducer and amplification designs. </span><span style=\"background-color: initial;\">V Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (8”, 10\"), to fulfill the most demanding of near field monitoring needs.</span></div><div><span style=\"background-color: initial;\"><br /></span>As with all Quested products, the V Series is hand built by a small dedicated team in England.</div><br />'),(9075,85,0,1513,''),(9076,85,1,1513,''),(9077,76,0,1513,''),(9078,76,1,1513,''),(9079,75,0,1514,'<h2>Quested V3110 MkII 3-Way Active Studio Monitor (Single)</h2>\n<span style=\"font-style: italic;\">Quested\'s most powerful active monitor, the V2108 is a 3-way midfield monitor that pushes 1000W of power!</span><br /><br />\n\nThe Quested V3110 MkII is a 3-Way active stuido monitor d<span style=\"background-color: initial;\">esigned for use in near to midfield applications. The V3110 is Quested\'s most powerful active monitor and, because of its 1000 watts of class AB and class D amplification, it is one of the most powerful in its class. The three way design of the V3110 and the utilization of the soft dome mid and high frequency drivers along with the custom 10″ low frequency driver mean that the V3110 truly can deliver for the most demanding of material with a flat response down to 30Hz.  <br /><br />\n	The successor to the VS3208, a favorite with the dance and remix fraternity, the V3110 has been able to improve on the low end performance whilst maintaining that precision of the VS3208. Producing a very linear response along with the capability of high SPL the V3110 is also a favorite of the scoring community. Delivering a dynamic and very natural sound stage with a response all the way down to the lower register of a church organ the V3110 is the flagship product of the powered monitors from Quested.\n<br />\n<br />\n<h3>Quested V Series Studio Monitors</h3>\n<div>\n	Chosen by both professionals and passionate producers of music, the Quested V Series sets a benchmark and encompasses the true standards of a studio monitor. <span style=\"background-color: initial;\">Quested\'s no compromise approach to the development and evolution of the V Series means that the line continues to evolve and improve with updated transducer and amplification designs. </span><span style=\"background-color: initial;\">V Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (8”, 10\"), to fulfill the most demanding of near field monitoring needs.</span>\n</div>\n<div>\n	<span style=\"background-color: initial;\"><br /></span>As with all Quested products, the V Series is hand built by a small dedicated team in England.\n</div>\n<br /></span>'),(9080,75,1,1514,'<h2>Quested V3110 MkII 3-Way Active Studio Monitor (Single)</h2>\n<span style=\"font-style: italic;\">Quested\'s most powerful active monitor, the V2108 is a 3-way midfield monitor that pushes 1000W of power!</span><br /><br />\n\nThe Quested V3110 MkII is a 3-Way active stuido monitor d<span style=\"background-color: initial;\">esigned for use in near to midfield applications. The V3110 is Quested\'s most powerful active monitor and, because of its 1000 watts of class AB and class D amplification, it is one of the most powerful in its class. The three way design of the V3110 and the utilization of the soft dome mid and high frequency drivers along with the custom 10″ low frequency driver mean that the V3110 truly can deliver for the most demanding of material with a flat response down to 30Hz.  <br /><br />\n	The successor to the VS3208, a favorite with the dance and remix fraternity, the V3110 has been able to improve on the low end performance whilst maintaining that precision of the VS3208. Producing a very linear response along with the capability of high SPL the V3110 is also a favorite of the scoring community. Delivering a dynamic and very natural sound stage with a response all the way down to the lower register of a church organ the V3110 is the flagship product of the powered monitors from Quested.\n<br />\n<br />\n<h3>Quested V Series Studio Monitors</h3>\n<div>\n	Chosen by both professionals and passionate producers of music, the Quested V Series sets a benchmark and encompasses the true standards of a studio monitor. <span style=\"background-color: initial;\">Quested\'s no compromise approach to the development and evolution of the V Series means that the line continues to evolve and improve with updated transducer and amplification designs. </span><span style=\"background-color: initial;\">V Series offers Quested’s quality and signature in a complete nearfield range that stays true to a heritage of solid engineering and bespoke class AB amplification. Silk soft dome high frequency drivers are matched to the various low frequency drive units available in the range (8”, 10\"), to fulfill the most demanding of near field monitoring needs.</span>\n</div>\n<div>\n	<span style=\"background-color: initial;\"><br /></span>As with all Quested products, the V Series is hand built by a small dedicated team in England.\n</div>\n<br /></span>'),(9081,85,0,1514,''),(9082,85,1,1514,''),(9083,76,0,1514,''),(9084,76,1,1514,''),(9085,75,0,1515,'<h1>Radial EXTC - 500 Series Guitar Effects Interface</h1>The Radial EXTC™ is a 500 series module that lets you incorporate guitar effects into the realm of pro-audio recording. Just imagine… add a touch of grit to a vocal track, some wah on a kick drum, maybe flange a violin…The EXTC is a creative tool made for your esoteric-inventive side, ready to unleash fresh new sounds that will make your recordings stand out from the crowd.<br /><br />\nAnd it\'s super easy to use: connect a line level signal from the recording system. The EXTC unbalances the signal and converts it to high impedance where guitar pedals can be inserted at will. Front mounted ¼\" send & receive connectors provide easy access. Turn track on, set levels, adjust the blend for just the right amount of magic. Be prepared for instant amazement. Legalized ecstasy.<br /><br />\nFeatures include Radial\'s award winning 100% discrete class-A guitar buffering for ultimate audio integrity, transformer isolation to eliminate buzz and hum caused by ground loops, 180º polarity reverse to keep effects and balanced signals in phase, plus a separate patch bay insert point to add studio effects into the fun.<br /><br />\nThe Radial EXTC is without a doubt one of the most innovative effect manipulating devices ever made. And it opens the door to new sounds by taking Reamping™ technology to an all new level.<br /><br />\nBe prepared for wild & wonderful!<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9086,75,1,1515,'<h1>Radial EXTC - 500 Series Guitar Effects Interface</h1>The Radial EXTC™ is a 500 series module that lets you incorporate guitar effects into the realm of pro-audio recording. Just imagine… add a touch of grit to a vocal track, some wah on a kick drum, maybe flange a violin…The EXTC is a creative tool made for your esoteric-inventive side, ready to unleash fresh new sounds that will make your recordings stand out from the crowd.<br /><br />\nAnd it\'s super easy to use: connect a line level signal from the recording system. The EXTC unbalances the signal and converts it to high impedance where guitar pedals can be inserted at will. Front mounted ¼\" send & receive connectors provide easy access. Turn track on, set levels, adjust the blend for just the right amount of magic. Be prepared for instant amazement. Legalized ecstasy.<br /><br />\nFeatures include Radial\'s award winning 100% discrete class-A guitar buffering for ultimate audio integrity, transformer isolation to eliminate buzz and hum caused by ground loops, 180º polarity reverse to keep effects and balanced signals in phase, plus a separate patch bay insert point to add studio effects into the fun.<br /><br />\nThe Radial EXTC is without a doubt one of the most innovative effect manipulating devices ever made. And it opens the door to new sounds by taking Reamping™ technology to an all new level.<br /><br />\nBe prepared for wild & wonderful!<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9087,85,0,1515,'Radial EXTC Guitar Effects Interface'),(9088,85,1,1515,'Radial EXTC Guitar Effects Interface'),(9089,76,0,1515,''),(9090,76,1,1515,''),(9091,75,0,1516,'<h1>Radial Komit - 500 Series Compressor Limiter</h1>The Radial Komit™ is a feature-rich compressor-limiter that simplifies the process of dynamic manipulation while expanding upon creative tone shaping. At one end is a super-clean compressor that delivers amazing results with single knob control. At the other, an old-school diode bridge clipping limiter goes from \'vintage to nasty\'. But don\'t let the minimalist approach deter; the Komit provides exceptional flexibility by integrating a series of automatic functions that are both musical and intuitive. Close your eyes and listen… the Komit does the hard work for you.<br /><br />\nThe design begins with an auto-detecting feed-forward VCA that reads the incoming program material and reacts \'real-time\' to the time constant. Set the 3 position attack-decay switch to slow for vocals, medium for instruments and fast for percussion. As you increase the ratio, the Komit FlexKnee™ compression dynamically adjusts the pivot point, seamlessly transitioning from soft to hard knee for more natural results. Yet unlike most limiters that are designed to be transparent, the Komit Clipper™ is designed to introduce personality to your recordings. The Clipper simulates the sound created by old-school diode bridge circuits from the early days of radio. These clip the input signal when they exceed the headroom. Same deal… only here, you are in complete control. Ten settings are graduated from mild harmonic overload to extreme nasty. Think of Nine Inch Nails.<br /><br />\nTo ensure absolute signal integrity, full size discrete electronics are employed throughout while the vintage style Hammond broadcast transformers add extra warmth to the signal path. A variable level control provides gain make-up or can be used to drive the Clipper for added distortion. Dual ballistic VU metering makes it easy to simultaneously view compression and output when making adjustments. Designed for use with all 500 series racks, the Komit can be linked for full stereo operation. When used with the Radial Workhorse, the Omniport is assigned as a key input for frequency dependent compression, de-essing, ducking or any number of dynamic manipulation effects.<br /><br />\n<strong>The Komit transcends the complex world of dynamic manipulation with the simplicity of single dial control. Stand by for take off...</strong><br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9092,75,1,1516,'<h1>Radial Komit - 500 Series Compressor Limiter</h1>The Radial Komit™ is a feature-rich compressor-limiter that simplifies the process of dynamic manipulation while expanding upon creative tone shaping. At one end is a super-clean compressor that delivers amazing results with single knob control. At the other, an old-school diode bridge clipping limiter goes from \'vintage to nasty\'. But don\'t let the minimalist approach deter; the Komit provides exceptional flexibility by integrating a series of automatic functions that are both musical and intuitive. Close your eyes and listen… the Komit does the hard work for you.<br /><br />\nThe design begins with an auto-detecting feed-forward VCA that reads the incoming program material and reacts \'real-time\' to the time constant. Set the 3 position attack-decay switch to slow for vocals, medium for instruments and fast for percussion. As you increase the ratio, the Komit FlexKnee™ compression dynamically adjusts the pivot point, seamlessly transitioning from soft to hard knee for more natural results. Yet unlike most limiters that are designed to be transparent, the Komit Clipper™ is designed to introduce personality to your recordings. The Clipper simulates the sound created by old-school diode bridge circuits from the early days of radio. These clip the input signal when they exceed the headroom. Same deal… only here, you are in complete control. Ten settings are graduated from mild harmonic overload to extreme nasty. Think of Nine Inch Nails.<br /><br />\nTo ensure absolute signal integrity, full size discrete electronics are employed throughout while the vintage style Hammond broadcast transformers add extra warmth to the signal path. A variable level control provides gain make-up or can be used to drive the Clipper for added distortion. Dual ballistic VU metering makes it easy to simultaneously view compression and output when making adjustments. Designed for use with all 500 series racks, the Komit can be linked for full stereo operation. When used with the Radial Workhorse, the Omniport is assigned as a key input for frequency dependent compression, de-essing, ducking or any number of dynamic manipulation effects.<br /><br />\n<strong>The Komit transcends the complex world of dynamic manipulation with the simplicity of single dial control. Stand by for take off...</strong><br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9093,85,0,1516,'Radial Komit Compressor Limiter'),(9094,85,1,1516,'Radial Komit Compressor Limiter'),(9095,76,0,1516,''),(9096,76,1,1516,''),(9097,75,0,1517,'<h1>Radial PowerPre - 500 Series Mic Preamplifier</h1>The Radial PowerPre™ is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a \'vintage\' Hammond broadcast output transformer for warmth and exceptionally smooth tone.<br /><br />\nThe design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState™ input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.<br /><br />\nTo add extra character; a 3-position Vox control lets you set the PowerPre to \'breath\' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The \'punch\' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments.<br /><br />\nUltra quiet, low noise and exceptionally warm sounding… the PowerPre makes spectacular audio easy.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9098,75,1,1517,'<h1>Radial PowerPre - 500 Series Mic Preamplifier</h1>The Radial PowerPre™ is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a \'vintage\' Hammond broadcast output transformer for warmth and exceptionally smooth tone.<br /><br />\nThe design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState™ input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.<br /><br />\nTo add extra character; a 3-position Vox control lets you set the PowerPre to \'breath\' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The \'punch\' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments.<br /><br />\nUltra quiet, low noise and exceptionally warm sounding… the PowerPre makes spectacular audio easy.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9099,85,0,1517,'Radial PowerPre Mic Preamplifier'),(9100,85,1,1517,'Radial PowerPre Mic Preamplifier'),(9101,76,0,1517,''),(9102,76,1,1517,''),(9103,75,0,1518,'<h1>Radial PowerTube - 500 Series Tube Preamplifier</h1>The Radial PowerTube is an \'old school\' 100% discrete class-A vacuum tube microphone amplifier intended to capture the essence of the voice or instrument while adding the rich harmonics, warmth, and character of a transformer coupled tube circuit.<br /><br />\nDesigned to fit inside the Radial Workhorse and other 500 series racks, the \'single-wide\' PowerTube begins with an ultra low-noise Jensen input transformer. This exhibits near perfect frequency response while producing the warm Bessel curve Jensen is legendary for. The signal is then amplified via a select 12AX7 tube using an innovative non-radiating charge pump that supplies 140 volts to the tube to deliver the excitement and character of a high-voltage vintage tube amplifier. This feeds a class-A balanced output stage that together, can produce as much as 60dB of gain. This makes the PowerTube ideal for use with all microphones.<br /><br />\nFeatures include an easy-access front panel XLR input with a safely recessed 48V phantom power switch. To optimize signal-to-noise the PowerTube is equipped with fully variable trim and gain controls. A 10 segment LED bar graph provides visual feedback and driving the PowerTube into the red is encouraged. This increases the grit, harmonic content and distortion. For even more character, activating the Air adds a slight edge to a male vocal or sparkle on an acoustic guitar. Low frequency resonance is easily tamed using the high-pass filter. For added pleasure, the PowerTube comes factory-loaded with a select 12AX7 tube along with a second Tonebone distortion pedal tube for more grit and madness.<br /><br />\nThe Radial PowerTube... the true character of a world class vintage tube preamp without the noise!<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9104,75,1,1518,'<h1>Radial PowerTube - 500 Series Tube Preamplifier</h1>The Radial PowerTube is an \'old school\' 100% discrete class-A vacuum tube microphone amplifier intended to capture the essence of the voice or instrument while adding the rich harmonics, warmth, and character of a transformer coupled tube circuit.<br /><br />\nDesigned to fit inside the Radial Workhorse and other 500 series racks, the \'single-wide\' PowerTube begins with an ultra low-noise Jensen input transformer. This exhibits near perfect frequency response while producing the warm Bessel curve Jensen is legendary for. The signal is then amplified via a select 12AX7 tube using an innovative non-radiating charge pump that supplies 140 volts to the tube to deliver the excitement and character of a high-voltage vintage tube amplifier. This feeds a class-A balanced output stage that together, can produce as much as 60dB of gain. This makes the PowerTube ideal for use with all microphones.<br /><br />\nFeatures include an easy-access front panel XLR input with a safely recessed 48V phantom power switch. To optimize signal-to-noise the PowerTube is equipped with fully variable trim and gain controls. A 10 segment LED bar graph provides visual feedback and driving the PowerTube into the red is encouraged. This increases the grit, harmonic content and distortion. For even more character, activating the Air adds a slight edge to a male vocal or sparkle on an acoustic guitar. Low frequency resonance is easily tamed using the high-pass filter. For added pleasure, the PowerTube comes factory-loaded with a select 12AX7 tube along with a second Tonebone distortion pedal tube for more grit and madness.<br /><br />\nThe Radial PowerTube... the true character of a world class vintage tube preamp without the noise!<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9105,85,0,1518,'Radial PowerTube Tube Preamplifier'),(9106,85,1,1518,'Radial PowerTube Tube Preamplifier'),(9107,76,0,1518,''),(9108,76,1,1518,''),(9109,75,0,1519,'<h1>Radial Q3 - 500 Series Induction Coil EQ</h1>The Radial Q3 is a spectacular sounding induction coil EQ that has been formatted to fit the popular 500 series format and the Radial Workhorse. It is designed to accentuate the character of a voice or instrument without introducing the artifacts and phase anomalies commonly associated with typical gyrator (resistor-capacitor) equalizer circuits.<br /><br />\nThe Q3 features four easy to use controls: top-end boost, mid-range cut, low frequency bass boost and gain make-up to offset the signal loss that occurs when using passive equalization. Each of the three EQ bands employs a 12 position Grayhill switch with a different preset curve at each position. These are carefully crafted to introduce subtle accents, huge hype and warm sounding cuts that will flatter and enthral. Each EQ setting is augmented with a miniature toggle switch that enables you to attenuate the curve for more subtle effects to deliver over 10,000 combinations of tonal bliss. And because presets are employed, it\'s easy to recreate favourite patches by setting the dials with \'easy to remember\' 3-number combinations.<br /><br />\nAdapted for use with the Radial Workhorse and older API Lunchbox racks, the Radial Q3 is plug-and-play easy to use. Simply feed it with a balanced line level signal and you are set to go. When connected to a Workhorse, the Omniport is assigned as an effects loop to allow various processing devices to be inserted into the EQ signal chain.<br /><br />\nThe Q3 induction coil EQ... probably the most exciting equalizer ever made.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9110,75,1,1519,'<h1>Radial Q3 - 500 Series Induction Coil EQ</h1>The Radial Q3 is a spectacular sounding induction coil EQ that has been formatted to fit the popular 500 series format and the Radial Workhorse. It is designed to accentuate the character of a voice or instrument without introducing the artifacts and phase anomalies commonly associated with typical gyrator (resistor-capacitor) equalizer circuits.<br /><br />\nThe Q3 features four easy to use controls: top-end boost, mid-range cut, low frequency bass boost and gain make-up to offset the signal loss that occurs when using passive equalization. Each of the three EQ bands employs a 12 position Grayhill switch with a different preset curve at each position. These are carefully crafted to introduce subtle accents, huge hype and warm sounding cuts that will flatter and enthral. Each EQ setting is augmented with a miniature toggle switch that enables you to attenuate the curve for more subtle effects to deliver over 10,000 combinations of tonal bliss. And because presets are employed, it\'s easy to recreate favourite patches by setting the dials with \'easy to remember\' 3-number combinations.<br /><br />\nAdapted for use with the Radial Workhorse and older API Lunchbox racks, the Radial Q3 is plug-and-play easy to use. Simply feed it with a balanced line level signal and you are set to go. When connected to a Workhorse, the Omniport is assigned as an effects loop to allow various processing devices to be inserted into the EQ signal chain.<br /><br />\nThe Q3 induction coil EQ... probably the most exciting equalizer ever made.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9111,85,0,1519,'Radial Q3 - Induction Coil EQ'),(9112,85,1,1519,'Radial Q3 - Induction Coil EQ'),(9113,76,0,1519,''),(9114,76,1,1519,''),(9115,75,0,1520,'<h2>Radial SW8-USB USB Interface and Auto-Switcher</h2>\n<span style=\"font-size: 16px; font-style: italic;\">8-Channel Switching device with two USB connectors and 24bit/192kHz digital audio converters,</span><i> eliminating the need for additional audio interfaces in your live sound rig.</i><br/><br/>\nThe Radial SW8-USB is a streamlined solution for employing redundant playback systems on stage, with dual USB inputs that allow you to connect directly to your primary and backup computers, providing eight channels of high quality audio and peace of mind during a live performance.<br/><br/>The SW8-USB is the complete solution for performances that utilize redundant playback systems for backing tracks, combining two built-in high performance USB interfaces with an auto-switching feature that detects dropouts and effortlessly switches to the backup computer in an instant. Dual USB inputs with separate 24bit/192kHz converters allow two computers to be connected in tandem, so digital workstations on both machines can connect to the SW8-USB as an audio and MIDI interface. Start/stop synchronization is also possible between both computers through MTC, ensuring flawless switching between playback rigs with less equipment than ever.<br/><br/>\n<h3>Radial SW8-USB Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Switch between redundant playback systems</span></li>\n	<li>Two USB inputs eliminates the need for additional audio interfaces</li>\n	<li>Manual or seamless automatic switching</li>\n	<li>Line level or transformer-isolated mic level outputs</li>\n	<li>Synchronize both playback systems using MTC</li>\n</ul>\n<br/>\n<h3>SW8-USB Overview</h3>\n\n	The SW8-USB is an eight channel switching device designed primarily for live concerts where backing tracks are \n	<span style=\"background-color: initial;\">used to reinforce the performance. Should your primary playback source suffer a failure or dropout, the SW8-USB </span><span style=\"background-color: initial;\">can switch to a backup source to prevent any negative effects on the performance. This switching can be done </span><span style=\"background-color: initial;\">automatically by the SW8-USB, or it can be performed manually using a switch on the front panel or by remote </span><span style=\"background-color: initial;\">control.</span>\n<br/><br/>\n	Typical playback systems require a computer as the digital audio source, along with an audio interface in order \n	<span style=\"background-color: initial;\">to provide analog audio outputs to feed the PA system. For a redundant playback system, the list of equipment </span><span style=\"background-color: initial;\">required is doubled: two computers, and two audio interfaces to pair with them. One of the advantages that the </span><span style=\"background-color: initial;\">SW8-USB provides over this typical setup is that it allows you to connect directly to your playback computers </span><span style=\"background-color: initial;\">over USB, eliminating the need for additional audio interfaces which in turn reduces the weight and cost of your </span><span style=\"background-color: initial;\">redundant system.</span>\n<br/><br/>\n	The SW8-USB is equipped with Type-B USB connectors and 24bit/192kHz digital audio converters that provide \n	<span style=\"background-color: initial;\">eight channels of high quality audio playback over balanced XLR outputs. Designed to feed the PA system, these </span><span style=\"background-color: initial;\">mic-level outputs are transformer isolated to eliminate noise from ground loops, and they can also be set to linelevel operation. Additional line-level outputs are provided for local monitoring of your playback signals, with the </span><span style=\"background-color: initial;\">choice of DB25 or 1/4” TRS connections.</span>\n<br/><br/>\n	In addition to passing audio over USB, the SW8-USB is also able to function as a MIDI interface: providing you \n	<span style=\"background-color: initial;\">with the ability to use the SW8-USB with show control systems to trigger lighting or video cues, or to control and </span><span style=\"background-color: initial;\">synchronize audio playback on your primary and backup computers. For larger shows that require more than eight </span><span style=\"background-color: initial;\">channels of audio playback, up to three SW8-USB units can be linked together for a total of 24 output channels. </span>\n<br/><br/>'),(9116,75,1,1520,'<h2>Radial SW8-USB USB Interface and Auto-Switcher</h2>\n<span style=\"font-size: 16px; font-style: italic;\">8-Channel Switching device with two USB connectors and 24bit/192kHz digital audio converters,</span><i> eliminating the need for additional audio interfaces in your live sound rig.</i><br/><br/>\nThe Radial SW8-USB is a streamlined solution for employing redundant playback systems on stage, with dual USB inputs that allow you to connect directly to your primary and backup computers, providing eight channels of high quality audio and peace of mind during a live performance.<br/><br/>The SW8-USB is the complete solution for performances that utilize redundant playback systems for backing tracks, combining two built-in high performance USB interfaces with an auto-switching feature that detects dropouts and effortlessly switches to the backup computer in an instant. Dual USB inputs with separate 24bit/192kHz converters allow two computers to be connected in tandem, so digital workstations on both machines can connect to the SW8-USB as an audio and MIDI interface. Start/stop synchronization is also possible between both computers through MTC, ensuring flawless switching between playback rigs with less equipment than ever.<br/><br/>\n<h3>Radial SW8-USB Features:</h3>\n<ul>\n	<li><span style=\"background-color: initial; letter-spacing: 0px;\">Switch between redundant playback systems</span></li>\n	<li>Two USB inputs eliminates the need for additional audio interfaces</li>\n	<li>Manual or seamless automatic switching</li>\n	<li>Line level or transformer-isolated mic level outputs</li>\n	<li>Synchronize both playback systems using MTC</li>\n</ul>\n<br/>\n<h3>SW8-USB Overview</h3>\n\n	The SW8-USB is an eight channel switching device designed primarily for live concerts where backing tracks are \n	<span style=\"background-color: initial;\">used to reinforce the performance. Should your primary playback source suffer a failure or dropout, the SW8-USB </span><span style=\"background-color: initial;\">can switch to a backup source to prevent any negative effects on the performance. This switching can be done </span><span style=\"background-color: initial;\">automatically by the SW8-USB, or it can be performed manually using a switch on the front panel or by remote </span><span style=\"background-color: initial;\">control.</span>\n<br/><br/>\n	Typical playback systems require a computer as the digital audio source, along with an audio interface in order \n	<span style=\"background-color: initial;\">to provide analog audio outputs to feed the PA system. For a redundant playback system, the list of equipment </span><span style=\"background-color: initial;\">required is doubled: two computers, and two audio interfaces to pair with them. One of the advantages that the </span><span style=\"background-color: initial;\">SW8-USB provides over this typical setup is that it allows you to connect directly to your playback computers </span><span style=\"background-color: initial;\">over USB, eliminating the need for additional audio interfaces which in turn reduces the weight and cost of your </span><span style=\"background-color: initial;\">redundant system.</span>\n<br/><br/>\n	The SW8-USB is equipped with Type-B USB connectors and 24bit/192kHz digital audio converters that provide \n	<span style=\"background-color: initial;\">eight channels of high quality audio playback over balanced XLR outputs. Designed to feed the PA system, these </span><span style=\"background-color: initial;\">mic-level outputs are transformer isolated to eliminate noise from ground loops, and they can also be set to linelevel operation. Additional line-level outputs are provided for local monitoring of your playback signals, with the </span><span style=\"background-color: initial;\">choice of DB25 or 1/4” TRS connections.</span>\n<br/><br/>\n	In addition to passing audio over USB, the SW8-USB is also able to function as a MIDI interface: providing you \n	<span style=\"background-color: initial;\">with the ability to use the SW8-USB with show control systems to trigger lighting or video cues, or to control and </span><span style=\"background-color: initial;\">synchronize audio playback on your primary and backup computers. For larger shows that require more than eight </span><span style=\"background-color: initial;\">channels of audio playback, up to three SW8-USB units can be linked together for a total of 24 output channels. </span>\n<br/><br/>'),(9117,85,0,1520,''),(9118,85,1,1520,''),(9119,76,0,1520,''),(9120,76,1,1520,''),(9121,75,0,1521,'<h1>Radial Tank Driver - 500 Series Reverb Module</h1>The Radial Tank Driver is a wonderfully unique 500 series module that allows you to drive a balanced line level signal through the reverb tank in your Fender Twin amp! Yes, an affordable interface designed specifically to drive spring reverbs of all types and deliver the long trailing shimmering effect that is only possible with a true spring.<br /><br />\nThe design begins with a transformer coupled output driver with normal and high settings for new and old spring reverbs alike. Separate drive and return controls allow signal optimization to maximize signal to noise. To further tailor the tone, the Tank Driver is equipped with two tone controls that let you adjust high end shimmer and low frequency boom. (Let\'s face it... what else would you call it?)<br /><br />\nPlug in an instrument and hear spring reverb with less noise and wider bandwidth than ever before. Plug a mic pre into it to add spring reverb to voice. Try it with drums to create unique sonic spaces. And since you probably have more than one amp in your studio… you will soon be using different reverbs for different tracks.<br /><br />\nThe Radial Tank Driver… Hachtung Baby!<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9122,75,1,1521,'<h1>Radial Tank Driver - 500 Series Reverb Module</h1>The Radial Tank Driver is a wonderfully unique 500 series module that allows you to drive a balanced line level signal through the reverb tank in your Fender Twin amp! Yes, an affordable interface designed specifically to drive spring reverbs of all types and deliver the long trailing shimmering effect that is only possible with a true spring.<br /><br />\nThe design begins with a transformer coupled output driver with normal and high settings for new and old spring reverbs alike. Separate drive and return controls allow signal optimization to maximize signal to noise. To further tailor the tone, the Tank Driver is equipped with two tone controls that let you adjust high end shimmer and low frequency boom. (Let\'s face it... what else would you call it?)<br /><br />\nPlug in an instrument and hear spring reverb with less noise and wider bandwidth than ever before. Plug a mic pre into it to add spring reverb to voice. Try it with drums to create unique sonic spaces. And since you probably have more than one amp in your studio… you will soon be using different reverbs for different tracks.<br /><br />\nThe Radial Tank Driver… Hachtung Baby!<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9123,85,0,1521,'Radial Tank Driver - 500 Series Reverb Module'),(9124,85,1,1521,'Radial Tank Driver - 500 Series Reverb Module'),(9125,76,0,1521,''),(9126,76,1,1521,''),(9127,75,0,1522,'<h1>Radial X-Amp - 500 Series Reamper</h1>The Radial X-Amp is a 500 series module that lets you take a pre-recorded guitar track and send it back to amplifiers and effects so that you can tailor the sound to suit. The advantages of Reamping™ are many: when recording, the guitarist need only concentrate on the performance. Working out specific sounds and optimal mic placement can be done later. This eliminates hours of tiresome repetition while allowing the producer to adjust the character of the track as the production evolves.<br /><br />\nUsing the X-Amp is \'plug and play\' easy to use. The design begins with an XLR balanced line level input located on the 500 series rear panel that feeds the X-Amp. To ensure the very highest fidelity, 100% discrete class-A circuitry is employed. The X-Amp unbalances and buffers the pre-recorded signal where it then feeds two transformer isolated hi-Z guitar level outputs. The ¼\" jacks are front mounted for desk-top convenience and equipped with ground lifts to help eliminate hum and buzz caused by ground loops. Independent level controls enable you to adjust the drive going to each amp for optimal tone. Should one of the amps be out of phase, depressing the 180º quickly brings both in line.<br /><br />\nThe X-Amp Reamper™ works with guitars, basses, keyboards and even voice! You can send the signal through guitar effects pedals too. In fact the only thing holding you back is your imagination.<br /><br />\nThe Radial X-Amp…active Reamping™ made easy.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9128,75,1,1522,'<h1>Radial X-Amp - 500 Series Reamper</h1>The Radial X-Amp is a 500 series module that lets you take a pre-recorded guitar track and send it back to amplifiers and effects so that you can tailor the sound to suit. The advantages of Reamping™ are many: when recording, the guitarist need only concentrate on the performance. Working out specific sounds and optimal mic placement can be done later. This eliminates hours of tiresome repetition while allowing the producer to adjust the character of the track as the production evolves.<br /><br />\nUsing the X-Amp is \'plug and play\' easy to use. The design begins with an XLR balanced line level input located on the 500 series rear panel that feeds the X-Amp. To ensure the very highest fidelity, 100% discrete class-A circuitry is employed. The X-Amp unbalances and buffers the pre-recorded signal where it then feeds two transformer isolated hi-Z guitar level outputs. The ¼\" jacks are front mounted for desk-top convenience and equipped with ground lifts to help eliminate hum and buzz caused by ground loops. Independent level controls enable you to adjust the drive going to each amp for optimal tone. Should one of the amps be out of phase, depressing the 180º quickly brings both in line.<br /><br />\nThe X-Amp Reamper™ works with guitars, basses, keyboards and even voice! You can send the signal through guitar effects pedals too. In fact the only thing holding you back is your imagination.<br /><br />\nThe Radial X-Amp…active Reamping™ made easy.<br /><br />\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\" />\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\" /></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9129,85,0,1522,'Radial X-Amp - 500 Series Reamper'),(9130,85,1,1522,'Radial X-Amp - 500 Series Reamper'),(9131,76,0,1522,''),(9132,76,1,1522,''),(9133,75,0,1523,'The PhazeQ is a dual function 500-series device. As a phase alignment tool, it is used to time-align two microphones for greater clarity and realism. It also behaves like a very powerful EQ that lets you create exciting new tones that will set your recordings apart.\n\nDesigned to work with the Radial Workhorse and other 500 series racks, the PhazeQ features 100% discreet class-A electronics for a warm rich, natural tone. A single control lets you adjust phase shift from 0º to 180º and clever application of a 180ºpolarity reverse extends the range to a full 360º. To further focus the effect on the fundamentals, a low-pass filter may be engaged to remove high frequency content. This is split into two ranges for added precision. The applications are diverse: a close mic and a distant room mic on a guitar amplifier; an XY pair on an acoustic guitar; the batter head and outside of a kick drum; or combining a mic\'d bass cabinet with a direct feed. The PhazeQ differs from the original Phazer with the addition of a wet-dry blend control. The PhazeQ \'changes the rules\' by taking a single source and splitting the signal to allow you to combine the original sound with the phase shifted signal to deliver an all new type of EQ. It is powerful, radical and will deliver EQ curves like none before.\n\nAs a phase adjustment tool, your recordings will attain realism. As an EQ, you will be able to orchestrate tracks like never before. The PhazeQ is powerful tool that will ultimately allow you to expand your creative palette as you enter the new world of analogue phase experimentation. And once you start using it, you will never let go.'),(9134,75,1,1523,'The PhazeQ is a dual function 500-series device. As a phase alignment tool, it is used to time-align two microphones for greater clarity and realism. It also behaves like a very powerful EQ that lets you create exciting new tones that will set your recordings apart.\n\nDesigned to work with the Radial Workhorse and other 500 series racks, the PhazeQ features 100% discreet class-A electronics for a warm rich, natural tone. A single control lets you adjust phase shift from 0º to 180º and clever application of a 180ºpolarity reverse extends the range to a full 360º. To further focus the effect on the fundamentals, a low-pass filter may be engaged to remove high frequency content. This is split into two ranges for added precision. The applications are diverse: a close mic and a distant room mic on a guitar amplifier; an XY pair on an acoustic guitar; the batter head and outside of a kick drum; or combining a mic\'d bass cabinet with a direct feed. The PhazeQ differs from the original Phazer with the addition of a wet-dry blend control. The PhazeQ \'changes the rules\' by taking a single source and splitting the signal to allow you to combine the original sound with the phase shifted signal to deliver an all new type of EQ. It is powerful, radical and will deliver EQ curves like none before.\n\nAs a phase adjustment tool, your recordings will attain realism. As an EQ, you will be able to orchestrate tracks like never before. The PhazeQ is powerful tool that will ultimately allow you to expand your creative palette as you enter the new world of analogue phase experimentation. And once you start using it, you will never let go.'),(9135,85,0,1523,'Radial PhazeQ™ Adjustment Tool'),(9136,85,1,1523,'Radial PhazeQ™ Adjustment Tool'),(9137,76,0,1523,''),(9138,76,1,1523,''),(9139,75,0,1524,'The Powerhouse is a 10 module 500 series power-rack designed to accommodate both older and newer 500 series modules and provide the studio with maximum density in a standard 19\" rack frame.<br/><br/>\nThe design begins with heavy 14 gauge steel construction and baked enamel finish for maximum shielding against noise and greater durability when subjected to road use. An \'easy glide\' slider tray makes it painless to align the PCB connector to the 15 pin card edge receptacle when swapping modules. Once connected, the rear panel sports a standard array of XLRs to connect to and from the workstation or mixer. This is augmented with a series of ¼\" TRS connectors that enable cross-patching and open the door to the excitement of parallel signal processing. Instead of having to hard patch modules together using a cable, the Powerhouse incorporates an innovative feed switch that instantly connects the signal to the adjacent module. This makes building signal chains quick and eliminates the need for extra cables. And unlike older racks that require soldering when modules are used in stereo, the Powerhouse is equipped with a stereo link function that takes care of the task with a simple slide of a switch.<br/><br/>\nUnlike older racks that are limited to an average of 130 milliamps per slot, the Powerhouse boasts a 1600 milliamp power supply that lets you share the power as needed. This means it can deliver 300 milliamps to your two tube preamps and still have over 1000 milliamps left in the pool! And just like all Workhorse racks, the Powerhouse is equipped with extra safety features to ensure safe use when mixing and matching various brands.<br/><br/>\n<strong>The Powerhouse delivers more flexibility than all others.</strong><br/><br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9140,75,1,1524,'The Powerhouse is a 10 module 500 series power-rack designed to accommodate both older and newer 500 series modules and provide the studio with maximum density in a standard 19\" rack frame.<br/><br/>\nThe design begins with heavy 14 gauge steel construction and baked enamel finish for maximum shielding against noise and greater durability when subjected to road use. An \'easy glide\' slider tray makes it painless to align the PCB connector to the 15 pin card edge receptacle when swapping modules. Once connected, the rear panel sports a standard array of XLRs to connect to and from the workstation or mixer. This is augmented with a series of ¼\" TRS connectors that enable cross-patching and open the door to the excitement of parallel signal processing. Instead of having to hard patch modules together using a cable, the Powerhouse incorporates an innovative feed switch that instantly connects the signal to the adjacent module. This makes building signal chains quick and eliminates the need for extra cables. And unlike older racks that require soldering when modules are used in stereo, the Powerhouse is equipped with a stereo link function that takes care of the task with a simple slide of a switch.<br/><br/>\nUnlike older racks that are limited to an average of 130 milliamps per slot, the Powerhouse boasts a 1600 milliamp power supply that lets you share the power as needed. This means it can deliver 300 milliamps to your two tube preamps and still have over 1000 milliamps left in the pool! And just like all Workhorse racks, the Powerhouse is equipped with extra safety features to ensure safe use when mixing and matching various brands.<br/><br/>\n<strong>The Powerhouse delivers more flexibility than all others.</strong><br/><br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9141,85,0,1524,'Radial Powerhouse™ 500 Series 10 Slot Power Rack'),(9142,85,1,1524,'Radial Powerhouse™ 500 Series 10 Slot Power Rack'),(9143,76,0,1524,''),(9144,76,1,1524,''),(9145,75,0,1525,'The PowerStrip™ is a three module rackmount power supply designed to bring the fun and excitement of 500 series modular audio to everyone!\n<br/><br/>Unlike other single space power racks that are limited to two modules, the innovative triple-module design allows you to put together a traditional channel strip, combining a mic preamp with an equalizer and dynamic control using a compressor-limiter all within the confines of a single RU 19\" rack. With so many choices of modules available today, this opens the door to creating unique signal paths to allow your music to stand out.<br><br>\nFollowing the criteria established by the Radial Workhorse, the PowerStrip is 100% backwards compatible with older API modules while being optimized for Radial\'s expanding range of preamps, processors and routing devices. Construction begins with 14 gauge steel and features dual gold contact EDAC 15-pin connectors for optimal signal transfer. To maximize headroom, the external supply delivers 500mA of current for voltage hungry modules plus a separate 48V phantom tap delivers 10mA of current for microphone preamps. Rear panel connectivity includes standard XLRs for each slot along with ¼\" TRS connectors for multing modules, cross patching and parallel processing. Instead of the traditional \'hardwire patch\' system employed by others, The PowerStrip employs an innovative feed function that patches modules together in series without the need of cables. And stereo modules no longer need to be soldered to be paired, they can now be sync\'d together using a simple switch. The PowerStrip is also equipped with Omniport on each sot. This TRS jack enables the module manufacturer to implement a unique function for a given module such as a key input on a gate.<br><br>\nThe PowerStrip makes it easy to assemble a variety of modules to create the ultimate channel strip and the compact single RU design opens the door for use in both studio and concert touring.\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9146,75,1,1525,'The PowerStrip™ is a three module rackmount power supply designed to bring the fun and excitement of 500 series modular audio to everyone!\n<br/><br/>Unlike other single space power racks that are limited to two modules, the innovative triple-module design allows you to put together a traditional channel strip, combining a mic preamp with an equalizer and dynamic control using a compressor-limiter all within the confines of a single RU 19\" rack. With so many choices of modules available today, this opens the door to creating unique signal paths to allow your music to stand out.<br><br>\nFollowing the criteria established by the Radial Workhorse, the PowerStrip is 100% backwards compatible with older API modules while being optimized for Radial\'s expanding range of preamps, processors and routing devices. Construction begins with 14 gauge steel and features dual gold contact EDAC 15-pin connectors for optimal signal transfer. To maximize headroom, the external supply delivers 500mA of current for voltage hungry modules plus a separate 48V phantom tap delivers 10mA of current for microphone preamps. Rear panel connectivity includes standard XLRs for each slot along with ¼\" TRS connectors for multing modules, cross patching and parallel processing. Instead of the traditional \'hardwire patch\' system employed by others, The PowerStrip employs an innovative feed function that patches modules together in series without the need of cables. And stereo modules no longer need to be soldered to be paired, they can now be sync\'d together using a simple switch. The PowerStrip is also equipped with Omniport on each sot. This TRS jack enables the module manufacturer to implement a unique function for a given module such as a key input on a gate.<br><br>\nThe PowerStrip makes it easy to assemble a variety of modules to create the ultimate channel strip and the compact single RU design opens the door for use in both studio and concert touring.\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9147,85,0,1525,'Radial PowerStrip™ 500 Series 3-Slot Power Rack'),(9148,85,1,1525,'Radial PowerStrip™ 500 Series 3-Slot Power Rack'),(9149,76,0,1525,''),(9150,76,1,1525,''),(9151,75,0,1526,'The SixPack is a desk-top power rack for 500 series modules that lets you mix and match up to six modules and safely power them to create a stereo channel strip or unique signal chain.<br/><br/>\nThe design begins with a heavy 14 gauge steel construction and baked enamel finish. This provides extra durability when moving the SixPack around the studio while also providing better shielding against stray magnetic fields. To reduce induced noise, the power supply is external and connects using a 5-pin locking XLR. To ensure positive contact, the module card-edge connector is mated to a double sided EDAC 15-pin receptacle that is 100% compatible with the old API pin format. Extra safety is built-in to ensure malfunctioning modules will not harm the SixPack or other modules that may already be connected. And with 1600 milliamps of shared current, the SixPack exceeds all others with an average of over 265 milliamps per slot to ensure even the most power hungry tube modules will be satisfied.<br/><br/>\nRear panel connectivity includes individual XLR input and output connectors wired in parallel to ¼\" TRS connectors. These may be used as mults or for cross-patching various modules together to create innovative sounding signal paths. A set of 25-pin D-Sub connectors enable the SixPack to easily integrate with a Workstation. Two XLR connectors are front mounted and may be routed to the D-Sub or to inputs 1 and 4 to make patching in a microphone more expedient. Extra features include a feed switch that patches one module into the next, a link switch to combine stereo-ready modules and Omniport, a ¼\" TRS jack that adds extra functionality.<br/><br/>\nThe convenient design lets you set the SixPack down on your work surface or carry it around the studio using the side-mounted handle. Optional flanges let you recess it into the desktop for a custom studio finish or mount it in a 19\" rack if you plan to take your SixPack on the road!<br/><br/>\nThe Radial SixPack – the tastiest 500 series lunch basket ever!\n<br/><br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9152,75,1,1526,'The SixPack is a desk-top power rack for 500 series modules that lets you mix and match up to six modules and safely power them to create a stereo channel strip or unique signal chain.<br/><br/>\nThe design begins with a heavy 14 gauge steel construction and baked enamel finish. This provides extra durability when moving the SixPack around the studio while also providing better shielding against stray magnetic fields. To reduce induced noise, the power supply is external and connects using a 5-pin locking XLR. To ensure positive contact, the module card-edge connector is mated to a double sided EDAC 15-pin receptacle that is 100% compatible with the old API pin format. Extra safety is built-in to ensure malfunctioning modules will not harm the SixPack or other modules that may already be connected. And with 1600 milliamps of shared current, the SixPack exceeds all others with an average of over 265 milliamps per slot to ensure even the most power hungry tube modules will be satisfied.<br/><br/>\nRear panel connectivity includes individual XLR input and output connectors wired in parallel to ¼\" TRS connectors. These may be used as mults or for cross-patching various modules together to create innovative sounding signal paths. A set of 25-pin D-Sub connectors enable the SixPack to easily integrate with a Workstation. Two XLR connectors are front mounted and may be routed to the D-Sub or to inputs 1 and 4 to make patching in a microphone more expedient. Extra features include a feed switch that patches one module into the next, a link switch to combine stereo-ready modules and Omniport, a ¼\" TRS jack that adds extra functionality.<br/><br/>\nThe convenient design lets you set the SixPack down on your work surface or carry it around the studio using the side-mounted handle. Optional flanges let you recess it into the desktop for a custom studio finish or mount it in a 19\" rack if you plan to take your SixPack on the road!<br/><br/>\nThe Radial SixPack – the tastiest 500 series lunch basket ever!\n<br/><br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9153,85,0,1526,'Radial SixPack™ 500 Series Power Rack'),(9154,85,1,1526,'Radial SixPack™ 500 Series Power Rack'),(9155,76,0,1526,''),(9156,76,1,1526,''),(9157,75,0,1527,'The Radial Workhorse is a modular rack and mixer that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment.\nEquipped to handle up to eight modules, the Workhorse lets you mix and match preamps, EQs and compressors and bring them all together in one rack. Individual modules may be accessed on the rear panel following the traditional API™ format or bussed to the built-in 8x2 summing mixer for left-right signal panning, level control and muting. \n<br/><br/>Once mounted, a unique \'feed\' functon lets you configure modules to feed one another in series to create the channel strip of your dreams!\nThe master section features a traditional virtual ground mix buss combined with the superb sonic performance of Jensen Transformers on the main mix outs. A separate stereo monitor output provides playback, plus a super-loud dual-output headphone amp lets the engineer share the mix with the artist. Multiple Workhorses may be ganged together using the expansion buss to build 16, 24 or even 32 channel systems.\nRear panel connectivity is extensive: Each channel is equipped with traditional XLR input and output. This is augmented with ¼\" TRS jacks for balanced or unbalanced connectivity. A special Omniport™ jack delivers module-specific functionality that can range from an extra output, ducking input or effects insert depending on the module design. \n<br/><br/>The Workhorse comes ProTools™-ready with 8-channel D-subs for the inputs and outputs plus third D-Sub gives you access to the built-in summing mixer for those that prefer the added warmth of analogue summing. Powering concerns are addressed with a unique \'pooled\' supply that shares 1200 milliamps of current between the available 8 slots. This allows high current demand modules to exceed the usual limitations of other 500 series racks without the worry of brown outs.\nPlug and play easy to use, the Workhorse brings the fun, excitement and creative advantage of warm-sounding analogue to the modern \\ digital studio.\n<br/><br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9158,75,1,1527,'The Radial Workhorse is a modular rack and mixer that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment.\nEquipped to handle up to eight modules, the Workhorse lets you mix and match preamps, EQs and compressors and bring them all together in one rack. Individual modules may be accessed on the rear panel following the traditional API™ format or bussed to the built-in 8x2 summing mixer for left-right signal panning, level control and muting. \n<br/><br/>Once mounted, a unique \'feed\' functon lets you configure modules to feed one another in series to create the channel strip of your dreams!\nThe master section features a traditional virtual ground mix buss combined with the superb sonic performance of Jensen Transformers on the main mix outs. A separate stereo monitor output provides playback, plus a super-loud dual-output headphone amp lets the engineer share the mix with the artist. Multiple Workhorses may be ganged together using the expansion buss to build 16, 24 or even 32 channel systems.\nRear panel connectivity is extensive: Each channel is equipped with traditional XLR input and output. This is augmented with ¼\" TRS jacks for balanced or unbalanced connectivity. A special Omniport™ jack delivers module-specific functionality that can range from an extra output, ducking input or effects insert depending on the module design. \n<br/><br/>The Workhorse comes ProTools™-ready with 8-channel D-subs for the inputs and outputs plus third D-Sub gives you access to the built-in summing mixer for those that prefer the added warmth of analogue summing. Powering concerns are addressed with a unique \'pooled\' supply that shares 1200 milliamps of current between the available 8 slots. This allows high current demand modules to exceed the usual limitations of other 500 series racks without the worry of brown outs.\nPlug and play easy to use, the Workhorse brings the fun, excitement and creative advantage of warm-sounding analogue to the modern \\ digital studio.\n<br/><br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9159,85,0,1527,'Radial Workhorse™ 500 Series Rack with 8x2 Summing Mixer'),(9160,85,1,1527,'Radial Workhorse™ 500 Series Rack with 8x2 Summing Mixer'),(9161,76,0,1527,''),(9162,76,1,1527,''),(9163,75,0,1528,'The Workhorse WR-8 is a trimmed down version of the Tec Award winning Workhorse power rack without the 8 channel summing mixer. This enables those that may not need a mixer to join in the fun while leaving the door open to upgrade in the future.\nLike the Workhorse, the WR8 features eight slots to accommodate both Radial modules and other API Lunchbox™ compatible modules. An innovative slide-in tray makes loading modules easy! Rear connections include XLR and ¼\" TRS inputs and outputs plus parallel connections via D-Subs. Unlike older API type racks that need to be hard patched, the WR8 features an innovative FEED switch that lets you connect modules in series by simply setting the switch to suit. This leaves the other connectors open for mult\'ing, parallel processing and cross patching.\n<br/><br/>\nStereo-ready modules such as compressor-limiters no longer need to have inside traces soldered! A simple LINK switch performs the connection and lets you revert back to normal without de-soldering. Radial also upgraded the 500 series spec with Omniport, a ¼\" TRS connector that enables the manufacturer to assign a special module-specific function to increase functionality. <br/><br/>Radial modules employ the Omniport in a variety of ways. For instance, the PowerPre assigns the Omniport as an instrument input, the Komit is a key input for the side chain and the JDV-Pre uses it as a direct box output for stage use.\nThe WR8 provides extra power to the modules for more headroom with over 1600 milliamps of shared power for the 8 slots. This enables you to use power hungry devices like tube preamps with confidence. The external supply makes international travel easy with 100V to 240V compatibility and the use of a standard IEC connector. To keep modules safe, the WR8 is equipped with protective circuitry to prevent mishap should improper connections be made.\nThe WR8 power rack – All the power of a Workhorse without the mixer.\n<br/><br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9164,75,1,1528,'The Workhorse WR-8 is a trimmed down version of the Tec Award winning Workhorse power rack without the 8 channel summing mixer. This enables those that may not need a mixer to join in the fun while leaving the door open to upgrade in the future.\nLike the Workhorse, the WR8 features eight slots to accommodate both Radial modules and other API Lunchbox™ compatible modules. An innovative slide-in tray makes loading modules easy! Rear connections include XLR and ¼\" TRS inputs and outputs plus parallel connections via D-Subs. Unlike older API type racks that need to be hard patched, the WR8 features an innovative FEED switch that lets you connect modules in series by simply setting the switch to suit. This leaves the other connectors open for mult\'ing, parallel processing and cross patching.\n<br/><br/>\nStereo-ready modules such as compressor-limiters no longer need to have inside traces soldered! A simple LINK switch performs the connection and lets you revert back to normal without de-soldering. Radial also upgraded the 500 series spec with Omniport, a ¼\" TRS connector that enables the manufacturer to assign a special module-specific function to increase functionality. <br/><br/>Radial modules employ the Omniport in a variety of ways. For instance, the PowerPre assigns the Omniport as an instrument input, the Komit is a key input for the side chain and the JDV-Pre uses it as a direct box output for stage use.\nThe WR8 provides extra power to the modules for more headroom with over 1600 milliamps of shared power for the 8 slots. This enables you to use power hungry devices like tube preamps with confidence. The external supply makes international travel easy with 100V to 240V compatibility and the use of a standard IEC connector. To keep modules safe, the WR8 is equipped with protective circuitry to prevent mishap should improper connections be made.\nThe WR8 power rack – All the power of a Workhorse without the mixer.\n<br/><br/>\n<div>\n	<div>\n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\"><br class=\"Apple-interchange-newline\"/>\n		<img src=\"http://www.rspeaudio.com/v/vspfiles/assets/images/rackrevolution-small.png\" alt=\"\" align=\"\" border=\"0px\"/></a>\n	</div>\n	<p>\n		Don’t forget to check out \n		<a href=\"http://rsperackrevolution.com/\" target=\"_blank\" style=\"color: rgb(0, 0, 153); font-weight: bold;\">RSPE’s Rack Revolution</a>, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.\n	</p>\n</div>'),(9165,85,0,1528,'Radial WR-8 Workhorse 8-Slot Power Rack'),(9166,85,1,1528,'Radial WR-8 Workhorse 8-Slot Power Rack'),(9167,76,0,1528,''),(9168,76,1,1528,''),(9169,75,0,1529,'<h2>Used Retro Instruments Sta-Level Tube Compression Amplifier</h2><i>The retro Sta-Level gives you the sound of the legendary 1956 Gates Sta-Level, in an updated, modern unit. <br /><br /></i><i><b>The item pictured has sold, but we constantly have new models coming in. Call or Chat for Availability!<br /><br /></b></i>The Retro Sta-Level is a replica of the legendary 1956 Gates Sta-Level. The Sta-Level dominated the sound of hit radio in the 1960\'s. Now these super musical sounding compressors have found their way into today\'s hits. The Retro Gold Edition celebrates fifty years of the products existence. The Sta-Level uses the coveted 6386 tube in a classic G.E. circuit design. Alternatively, the Gold Edition Sta-Level uses a pair of commonly available 6BJ6 tubes (stock). The customer has the choice to use their own 6386 they provide or the 6BJ6 provided with the purchase of the unit. The choice is yours and the sound is undeniably true to the original either way. <br /><br />\n\n<h3>Origin</h3>\nThe original 6386 compressor developed by G.E., utilized a novel program controlled release circuit. The Sta-Level implementation creates density and consistency while minimizing typical compressor side-effects at up to 40dB of gain reduction! The program path is transformer balanced throughout to cancel control-induced distortion. Push pull circuitry with 6V6 output stage provides wide voltage swing for gain control and line output. The result is that the Sta-Level brings a uniquely familiar intimacy, air and warmth to your tracks.<br /><br />\n\n<h3>Revisions</h3>\nRevisions to the original design include; Tube balance can be instantly aligned without test equipment; Uses 6386 tube or a pair of 6BJ6 tubes; Two or more Sta-Levels can be coupled together for stereo, surround or sidechain operation; XLR transformer balanced input and output; IEC Power Connector; Hand matched audiophile-grade coupling capacitors; High quality, custom wound transformers used throughout; Internal component safety cover.<br /><br />\n\n<h3>Specifications</h3>\n<ul>\n<li>Gain Reduction Threshold: Continuously adjustable from +24dBm to -20dBm             </li>\n<li>Available Gain Reduction: 40dB                                                      </li>\n<li>Total System Gain: 35dB (with standard input and output pads)                       </li>\n<li>Distortion: 1 percent or less from 0-30 dB gain reduction                           </li>\n<li>Frequency Response: ± .25dB from 20-20,000 Hz                                       </li>\n<li>Noise: -70dB or better referenced to gain reduction threshold                       </li>\n<li>Output Level: Continuously adjustable from -40 dBm to +18 dBm                       </li>\n<li>Input Impedance: Accepts low impedance active or transformer balanced 0-600 Ohms    </li>\n<li>Output Impedance: 600 Ohm transformer balanced, terminated and resistive pad coupled</li> \n<li>Tube Complement: 2-6BJ6), 1-12AT7, 2-6V6GT, 1-6AL5, 1-OB2, 1-5Y3                    </li>\n<li>Power Requirements: Three prong IEC - Switchable 115-230 VAC - 50/60 Hz             </li>\n<li>Mounting Requirements: 3U metal rack 5.25\" high, 19\" wide, 8\" deep                  </li>\n</ul>'),(9170,75,1,1529,'<h2>Used Retro Instruments Sta-Level Tube Compression Amplifier</h2><i>The retro Sta-Level gives you the sound of the legendary 1956 Gates Sta-Level, in an updated, modern unit. <br /><br /></i><i><b>The item pictured has sold, but we constantly have new models coming in. Call or Chat for Availability!<br /><br /></b></i>The Retro Sta-Level is a replica of the legendary 1956 Gates Sta-Level. The Sta-Level dominated the sound of hit radio in the 1960\'s. Now these super musical sounding compressors have found their way into today\'s hits. The Retro Gold Edition celebrates fifty years of the products existence. The Sta-Level uses the coveted 6386 tube in a classic G.E. circuit design. Alternatively, the Gold Edition Sta-Level uses a pair of commonly available 6BJ6 tubes (stock). The customer has the choice to use their own 6386 they provide or the 6BJ6 provided with the purchase of the unit. The choice is yours and the sound is undeniably true to the original either way. <br /><br />\n\n<h3>Origin</h3>\nThe original 6386 compressor developed by G.E., utilized a novel program controlled release circuit. The Sta-Level implementation creates density and consistency while minimizing typical compressor side-effects at up to 40dB of gain reduction! The program path is transformer balanced throughout to cancel control-induced distortion. Push pull circuitry with 6V6 output stage provides wide voltage swing for gain control and line output. The result is that the Sta-Level brings a uniquely familiar intimacy, air and warmth to your tracks.<br /><br />\n\n<h3>Revisions</h3>\nRevisions to the original design include; Tube balance can be instantly aligned without test equipment; Uses 6386 tube or a pair of 6BJ6 tubes; Two or more Sta-Levels can be coupled together for stereo, surround or sidechain operation; XLR transformer balanced input and output; IEC Power Connector; Hand matched audiophile-grade coupling capacitors; High quality, custom wound transformers used throughout; Internal component safety cover.<br /><br />\n\n<h3>Specifications</h3>\n<ul>\n<li>Gain Reduction Threshold: Continuously adjustable from +24dBm to -20dBm             </li>\n<li>Available Gain Reduction: 40dB                                                      </li>\n<li>Total System Gain: 35dB (with standard input and output pads)                       </li>\n<li>Distortion: 1 percent or less from 0-30 dB gain reduction                           </li>\n<li>Frequency Response: ± .25dB from 20-20,000 Hz                                       </li>\n<li>Noise: -70dB or better referenced to gain reduction threshold                       </li>\n<li>Output Level: Continuously adjustable from -40 dBm to +18 dBm                       </li>\n<li>Input Impedance: Accepts low impedance active or transformer balanced 0-600 Ohms    </li>\n<li>Output Impedance: 600 Ohm transformer balanced, terminated and resistive pad coupled</li> \n<li>Tube Complement: 2-6BJ6), 1-12AT7, 2-6V6GT, 1-6AL5, 1-OB2, 1-5Y3                    </li>\n<li>Power Requirements: Three prong IEC - Switchable 115-230 VAC - 50/60 Hz             </li>\n<li>Mounting Requirements: 3U metal rack 5.25\" high, 19\" wide, 8\" deep                  </li>\n</ul>'),(9171,85,0,1529,'Used Retro Instruments Sta-Level Tube Compression Amplifier'),(9172,85,1,1529,'Used Retro Instruments Sta-Level Tube Compression Amplifier'),(9173,76,0,1529,''),(9174,76,1,1529,''),(9175,75,0,1530,'<h1>RME Babyface Pro FS - 24-Channel USB Audio Interface</h1>\n24-Channel 192Khz bus-powered professional USB 2.0 Audio Interface\n<br /><br />The RME Babyface Pro FS is a professional-grade, portable USB-2 Audio Interface that\'s portable and bus-powered. Created with the highest precision from a block of aluminum, this high-end portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.<br /><br />\n<h3>Babyface Pro FS New Features:</h3>\n<ul>\n	<li>+19 / +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion / overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.</li>\n	<li>Full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.</li>\n	<li>3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.</li>\n	<li>Mic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.</li>\n	<li>6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won\'t get quicker...).</li>\n	<li>All the above improvements were achieved without raising the units power consumption.</li>\n	<li>K-slot for theft protection.</li>\n</ul>\n<br />\n<h3>Connectivity and Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">4 x Analog I/O</span></li>\n	<li>2 x XLR Mic/Line</li>\n	<li>2 x Phones Output</li>\n	<li>1 x ADAT I/O</li>\n	<li>1 x MIDI I/O</li>\n	<li>RME USB 2.0</li>\n	<li>2 x Line/Instrument Input</li>\n	<li>+19 / +4 dBu Switch</li>\n	<li>DC-coupled Outputs</li>\n</ul>\n<br />\n<h3>ADI-2 Series Headphone Power</h3>\nThe two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.\n<br /><br />\nThe 3.5 mm TRS phones output power rises to 90 mW. THD of both phones outputs improved by up to 10 dB. and uses same output op-amps as ADI-2 Pro now. Finally the output impedance of 3.5 mm TRS was lowered from 2 Ohms to 0.1 Ohms.<br /><br />\n<h3>Full range capture - Improved Mic & Line Inputs</h3>\nFor the main I/O RME have designed a XLR socket, which integrates seamlessly into the housing and saves space.\n<br /><br />\nTwo digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.<br /><br />\nBabyface Pro’s incredibly efficient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.<br /><br />\nThe comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro’s jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.<br /><br />\n<h3>More Pro level Performance with SteadyClock FS</h3>\nIn digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degredation,and SteadyClock FS ensures your sonic image will never experience degredation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.\n<br /><br />\n\n<h3>Mixing & Routing with TotalMix FX & TotalMix Remote</h3>\nLike all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivaled monitoring capabilities and unsurpassed routing flexibility.<br /><br />\n\nBabyface Pro FS ships with RME’s TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available.<br /><br />\n\nAdditionally RME’s latest software, TotalMix Remote, enhances the power of the Babyface Pro FS by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.<br /><br />'),(9176,75,1,1530,'<h1>RME Babyface Pro FS - 24-Channel USB Audio Interface</h1>\n24-Channel 192Khz bus-powered professional USB 2.0 Audio Interface\n<br /><br />The RME Babyface Pro FS is a professional-grade, portable USB-2 Audio Interface that\'s portable and bus-powered. Created with the highest precision from a block of aluminum, this high-end portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.<br /><br />\n<h3>Babyface Pro FS New Features:</h3>\n<ul>\n	<li>+19 / +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion / overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.</li>\n	<li>Full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.</li>\n	<li>3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.</li>\n	<li>Mic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.</li>\n	<li>6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won\'t get quicker...).</li>\n	<li>All the above improvements were achieved without raising the units power consumption.</li>\n	<li>K-slot for theft protection.</li>\n</ul>\n<br />\n<h3>Connectivity and Features</h3>\n<ul>\n	<li><span style=\"background-color: initial;\">4 x Analog I/O</span></li>\n	<li>2 x XLR Mic/Line</li>\n	<li>2 x Phones Output</li>\n	<li>1 x ADAT I/O</li>\n	<li>1 x MIDI I/O</li>\n	<li>RME USB 2.0</li>\n	<li>2 x Line/Instrument Input</li>\n	<li>+19 / +4 dBu Switch</li>\n	<li>DC-coupled Outputs</li>\n</ul>\n<br />\n<h3>ADI-2 Series Headphone Power</h3>\nThe two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.\n<br /><br />\nThe 3.5 mm TRS phones output power rises to 90 mW. THD of both phones outputs improved by up to 10 dB. and uses same output op-amps as ADI-2 Pro now. Finally the output impedance of 3.5 mm TRS was lowered from 2 Ohms to 0.1 Ohms.<br /><br />\n<h3>Full range capture - Improved Mic & Line Inputs</h3>\nFor the main I/O RME have designed a XLR socket, which integrates seamlessly into the housing and saves space.\n<br /><br />\nTwo digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.<br /><br />\nBabyface Pro’s incredibly efficient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.<br /><br />\nThe comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro’s jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.<br /><br />\n<h3>More Pro level Performance with SteadyClock FS</h3>\nIn digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degredation,and SteadyClock FS ensures your sonic image will never experience degredation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.\n<br /><br />\n\n<h3>Mixing & Routing with TotalMix FX & TotalMix Remote</h3>\nLike all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivaled monitoring capabilities and unsurpassed routing flexibility.<br /><br />\n\nBabyface Pro FS ships with RME’s TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available.<br /><br />\n\nAdditionally RME’s latest software, TotalMix Remote, enhances the power of the Babyface Pro FS by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.<br /><br />'),(9177,85,0,1530,'RME Babyface Pro FS - 24-Channel USB Audio Interface'),(9178,85,1,1530,'RME Babyface Pro FS - 24-Channel USB Audio Interface'),(9179,76,0,1530,''),(9180,76,1,1530,''),(9181,75,0,1531,'The DMC-842 is both an 8-Channels AES42 interface as well as a controller for digital microphones. The unique device allows for connection and control of up to 8 digital microphones, and converting their signals to ADAT, AES/EBU, analog and (optional) MADI. Eight individually switchable hi-end sample rate converters offer a flexible clocking and further usage options, especially as the inputs are compatible to AES3 and AES/EBU too.\n\nWhen developing the DMC-842, RME worked closely with the microphone manufacturers to secure maximum compatibility and best functionality. As a result the DMC-842 is the most flexible and most compatible AES42 interface available - a true milestone for the broad acceptance of the new digital microphone technology.\n\nThe DMC-842 is fully remote controllable, via MIDI, AES and (optional) MADI. The optional I64 MADI Card provides serial pass-through capability from one DMC-842 to the next (up to 8). All up to 64 audio signals are then available at the last device on one single line. Such a way of cascading is also possible with the Micstasy and the ADI-8 QS. The signals passed through the DMC-842 are available at the analog outputs, making an expensive splitter box on stage obsolete.'),