<h2>Sterling Modular Plan E Workstation</h2>
<div><div>The Plan E is similar in shape and size to the Plan D but features an additional 8 ru center rack. Originally designed as a mastering console, the Plan E has found its way into the audio mixing environment with the introduction of DAWs and rack mountable faders like the Tonelux "F" rack and the Avid Artist series (utilizing our optional Artist Series rack trays).</div><div><br /></div><div>As with the Plan D, there is a low shelf that allows the monitors to be lowered out of the sound field. The bottom of the center section is open to allow for more leg room. The design features that reduce the acoustical footprint are present on this and all of our Plan Series consoles and Mixer Conversions.</div><ul><li>32 total ru in the upper desk bays</li><li>12 total ru in the lower front bays</li><li>12 total ru in the lower rear bays</li></ul></div><ul><ul>
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There are many accessories and options available to help you personalize your Plan E console. <br /><br /><b>Please Call or Live Chat with an RSPE representative so we can help personalize a workstation to fit your needs.</b><br /><br />
<h3>Plan Series — Redefined</h3>
Sterling Modular have redesigned, improved and upgraded every aspect of their flagship line of mastering/production consoles. The unequaled attention to superior acoustical and ergonomic construction performance remains intact. They have also expanded and improved their line of accessories, which now includes an exclusive 1/2 ru rack rail to improve thermal venting without sacrificing huge amounts of rack space (now standard in all of their products).
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<em>The Plan Series - Still the most intelligent, game changing consoles in the industry.<br /><br /></em>
<h3>Studio Furniture and Acoustics</h3>
<strong>"Open Architecture" Skeleton Design</strong><br />
One of the goals of an effective console design is to prevent the build-up of sound waves within the console. Box structures with parallel reflective surfaces and randomly placed holes can have a devastating acoustical effect. The result could be an unintended bass trap, resonator or reflector.
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Eliminating cabinet surface and creating large openings allow the sound to freely pass through the console, virtually eliminating the "bass trap" and "resonator" effect. Also eliminated are the early reflections from the base structure. As an added bonus, this design also increases the amount of thermal venting which will extend the operating life of your expensive electronics.<br /><br />
<strong>Low Profile Design</strong><br />
It is critical that the console presents a low physical presence in the room to avoid obstruction and distortion of the speaker sound path. The basic idea is to keep the furniture (and display monitoring components) as low as possible, so they affect the critical listening field as little as possible.
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<strong>Angular Design</strong><br />
Unavoidable early reflections from the speaker sound path need to be deflected away from the critical listening position (sweet spot). Although it is nearly impossible to eliminate all early reflection, it is vital that a serious and informed attempt is made to reduce the noise as much as possible. The energy that leaves the speaker should only reach the ear of the mixer/engineer one time before it is diffused or absorbed by the architecture and treatment of the room. The console must be designed to direct the sound toward the room surfaces and away from the mixer.
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The finish surfaces that cover a majority of the "pass through openings" are treated with fabric instead of the perforated metal that is used in our competitors' furniture (if they provide venting). The fabric components eliminate the 50% of solid surface that makes up most perforated metal and eliminates any metal ping or rattle that can occur in a poorly applied metal surface.<br /><br />
<strong>Wood Components vs. MDF</strong><br />
Sterling Modular use MDF for 90% of the solid components in their furniture. Why? Because wood components (hardwood and plywood) can resonate and color the sound. Great in a recording space, NOT so great in a mix or mastering environment. It is the reason that most speaker manufacturers use MDF instead of wood. The acoustical properties of MDF are better suited in applications where consistency and reduced resonance are of great importance. MDF is also stronger than plywood. When proper adhesives and/or superior assembly methods are used, MDF provides a stronger and more durable product.